Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:03,020 --> 00:00:08,920
Illusion, the art of tricking the brain,
distorting the senses, challenging
2
00:00:08,920 --> 00:00:15,600
perception. You can't trust what you
see, even with your own eyes, because
3
00:00:15,600 --> 00:00:19,820
brain can be misled. Meet the masters of
illusion.
4
00:00:24,960 --> 00:00:30,420
Perception is the key to illusion. Can
the brain always judge what is true and
5
00:00:30,420 --> 00:00:31,420
what is false?
6
00:00:31,770 --> 00:00:34,390
Can we be right and wrong at the same
time?
7
00:00:34,850 --> 00:00:36,910
Take a look at these kitchen utensils.
8
00:00:37,370 --> 00:00:43,390
Are they purple or are they white? Or
can they be both at the same time? Can a
9
00:00:43,390 --> 00:00:45,790
person be in two places at one time?
10
00:00:46,450 --> 00:00:49,730
Master illusionist Michael Giles makes
it possible.
11
00:02:52,900 --> 00:02:55,460
Rob Lake enjoys the art of deception.
12
00:02:56,000 --> 00:02:57,500
Focus on his actions.
13
00:02:57,800 --> 00:02:59,900
He is the master of surprise.
14
00:03:00,160 --> 00:03:03,640
If you are a male in the audience, an
adult male in the audience, please stand
15
00:03:03,640 --> 00:03:07,520
up right now. Adult males, you know who
you are.
16
00:03:08,880 --> 00:03:12,880
Gentlemen, I have here two Frisbees. If
one of these comes near you, please
17
00:03:12,880 --> 00:03:13,880
catch it.
18
00:03:19,140 --> 00:03:20,580
Gentlemen, join me on stage.
19
00:03:25,920 --> 00:03:26,920
What is your name, sir?
20
00:03:27,500 --> 00:03:31,180
Alberts. Nice to meet you, Alberts. And
here we have Eddie. Nice to meet you,
21
00:03:31,200 --> 00:03:34,740
Eddie. Gentlemen, this box should be of
big importance to you. In a moment, I'm
22
00:03:34,740 --> 00:03:35,740
going to be inside the box.
23
00:03:35,940 --> 00:03:37,480
Eddie, I want you to come on this side
over here.
24
00:03:37,940 --> 00:03:40,260
These are going to be your swords.
You're going to put them in. While I'm
25
00:03:40,260 --> 00:03:41,620
inside, I have to dodge them at random.
26
00:03:42,040 --> 00:03:45,400
If you, sir, these are your swords over
here. Well, each of these swords is a
27
00:03:45,400 --> 00:03:48,500
different length, a different sharpness,
but they're all very sharp. Please grab
28
00:03:48,500 --> 00:03:49,500
them by the handles only.
29
00:03:49,780 --> 00:03:53,760
It does not matter which sword goes in
which hole, as long as it's very fast
30
00:03:53,760 --> 00:03:54,760
very random.
31
00:03:55,590 --> 00:03:57,950
One at a time, two at a time, five at a
time. It doesn't matter.
32
00:03:59,070 --> 00:04:00,070
Gentlemen, do you understand?
33
00:04:00,570 --> 00:04:02,850
Excellent. If you would, please secure
it from the back. Come to the back here.
34
00:04:03,670 --> 00:04:06,050
I want you to follow me up the stairs
here. I want you to lock me in the box
35
00:04:06,050 --> 00:04:07,050
from the top.
36
00:04:11,690 --> 00:04:13,150
Gentlemen, do you understand your
instructions?
37
00:04:14,130 --> 00:04:16,010
Gentlemen, give it your best shot.
38
00:06:06,830 --> 00:06:09,710
Next, would you trust this man with your
precious jewelry?
39
00:06:21,610 --> 00:06:26,210
Michael Grandinetti is a world -class
illusionist. But would you trust him
40
00:06:26,210 --> 00:06:27,210
your wedding ring?
41
00:06:27,330 --> 00:06:31,350
I need your help. I need to borrow a
three -finger ring. Three finger rings.
42
00:06:31,350 --> 00:06:32,350
Everybody go like this.
43
00:06:33,090 --> 00:06:34,510
I'll tell you what. You, you.
44
00:06:36,340 --> 00:06:37,500
And you, come on up.
45
00:06:38,120 --> 00:06:39,580
And give them a hand as they come up
here.
46
00:06:44,020 --> 00:06:45,060
Yes, join us up here.
47
00:06:46,880 --> 00:06:48,540
How are you? I'm Michael. Alyssa.
48
00:06:48,780 --> 00:06:51,120
Alyssa. Stand right here. And your name
is?
49
00:06:51,580 --> 00:06:53,240
Sammy. Sammy, hi. If you could stand
next to Alyssa.
50
00:06:53,880 --> 00:06:55,080
And last but not least?
51
00:06:55,480 --> 00:06:58,700
Virgil. Virgil, thank you for being
here. Now, I saw you had some beautiful
52
00:06:58,700 --> 00:07:01,180
rings. Can you take one off and hand it
to me?
53
00:07:03,430 --> 00:07:06,130
Take one of those rings off and hand it
to me. And actually, I don't want to
54
00:07:06,130 --> 00:07:07,570
touch it. Just place it in our tray.
55
00:07:08,950 --> 00:07:10,470
Perfect. With diamond.
56
00:07:10,710 --> 00:07:11,710
Thank you, Sammy.
57
00:07:12,150 --> 00:07:13,150
And Virgil.
58
00:07:13,430 --> 00:07:14,389
That is beautiful.
59
00:07:14,390 --> 00:07:17,750
Now, ladies, I know you know your rings,
but I want you to look at the other
60
00:07:17,750 --> 00:07:21,290
ladies' rings, too, and make sure you
remember what these rings look like,
61
00:07:21,290 --> 00:07:22,510
in case we should ever see them again.
62
00:07:24,430 --> 00:07:25,430
Okay.
63
00:07:25,730 --> 00:07:27,290
Now, watch this very closely, everyone.
64
00:07:28,730 --> 00:07:30,990
I'm going to show you all the newest
method of cleaning these rings.
65
00:07:31,510 --> 00:07:33,450
Believe it or not, these are going to
look better than when you first bought
66
00:07:33,450 --> 00:07:34,450
them.
67
00:07:34,990 --> 00:07:36,450
Alyssa, you don't look like you're
trusting me over there.
68
00:07:36,730 --> 00:07:37,730
You're going to like this. Watch.
69
00:07:38,690 --> 00:07:39,750
Here goes the first ring.
70
00:07:40,470 --> 00:07:41,550
Virgil, I think this is yours.
71
00:07:42,570 --> 00:07:43,950
It goes down inside the tissue paper.
72
00:07:45,250 --> 00:07:46,250
Sammy, there's your diamond.
73
00:07:48,450 --> 00:07:51,750
And last but not least, right there,
Alyssa.
74
00:07:53,730 --> 00:07:57,130
All right. And we're going to crumple
them up in this piece of tissue paper.
75
00:07:58,590 --> 00:08:00,090
Now, we also have...
76
00:08:00,330 --> 00:08:04,830
This plate glass stand right here that
we're going to drop the rings into.
77
00:08:05,350 --> 00:08:06,350
It's actually a bowl.
78
00:08:06,690 --> 00:08:08,130
Everybody keep your eye on those rings.
79
00:08:10,110 --> 00:08:12,490
We have one last piece of this illusion.
Thank you, Robin.
80
00:08:15,330 --> 00:08:16,530
We're going to clean those rings.
81
00:08:19,470 --> 00:08:20,630
You trust me? No.
82
00:08:22,290 --> 00:08:24,830
Can you feel the tension? This is pretty
tense. Here we go.
83
00:08:35,280 --> 00:08:36,280
Thank you, Robin.
84
00:08:36,679 --> 00:08:38,940
And if you look, those rings are
actually better than when you're first.
85
00:08:52,360 --> 00:08:54,140
Alyssa, hold out your hand. Here's some
of yours.
86
00:08:56,940 --> 00:08:57,940
Tammy.
87
00:08:58,080 --> 00:08:59,480
Oh, wait, there's your diamond.
88
00:09:00,560 --> 00:09:01,560
Virgil.
89
00:09:04,120 --> 00:09:05,540
Thank you very much for coming up here.
90
00:09:06,500 --> 00:09:07,500
I'm kidding.
91
00:09:08,260 --> 00:09:09,280
I'm kidding. I'm kidding.
92
00:09:09,660 --> 00:09:11,660
Actually, you're probably wondering
what's under this cover.
93
00:09:12,060 --> 00:09:14,200
Normally, we don't get to this, but this
is my insurance box.
94
00:09:14,580 --> 00:09:17,540
They tell me to keep enough bread in
this box to cover the cost of any
95
00:09:18,040 --> 00:09:19,680
Let me show you. Alyssa, would you stand
right here?
96
00:09:20,160 --> 00:09:21,180
Sammy, would you stand right here?
97
00:09:21,660 --> 00:09:23,400
There's enough bread in this box that we
should be okay.
98
00:09:27,220 --> 00:09:28,220
What do you expect?
99
00:09:29,560 --> 00:09:30,740
Well, watch closely, everyone.
100
00:09:31,320 --> 00:09:34,820
I want you to notice there's actually a
blue ribbon baked right through the
101
00:09:34,820 --> 00:09:36,080
center of that bread. Can you see that?
102
00:09:36,740 --> 00:09:37,740
Alyssa, hold here.
103
00:09:38,240 --> 00:09:39,240
Sammy, hold here.
104
00:09:40,040 --> 00:09:41,040
Virgil, watch closely.
105
00:09:42,100 --> 00:09:43,780
You're not going to be happy with this
bread, are you?
106
00:09:44,440 --> 00:09:45,680
I'll give you the next best thing.
107
00:09:46,040 --> 00:09:48,340
Watch, everyone. With empty hands, I'm
going to tear into this bread.
108
00:09:48,920 --> 00:09:49,920
Hold it tight.
109
00:09:50,040 --> 00:09:50,839
Don't let go.
110
00:09:50,840 --> 00:09:55,380
I want you to notice the tide on the
ribbon baked in the center of that bread
111
00:09:55,380 --> 00:09:57,740
are your three finger rings.
112
00:10:04,189 --> 00:10:05,990
Give him a hand for being so generous.
113
00:10:06,490 --> 00:10:07,490
Let's cut him off.
114
00:10:08,770 --> 00:10:10,830
Now, the solid one with the diamonds, is
that your version?
115
00:10:11,310 --> 00:10:12,229
There you go.
116
00:10:12,230 --> 00:10:14,190
You get to keep the blue ribbon as a
souvenir.
117
00:10:15,210 --> 00:10:16,210
Sammy, there's your diamond.
118
00:10:16,930 --> 00:10:20,510
And last but not least, Alyssa, I hope
this is yours.
119
00:10:20,830 --> 00:10:21,830
Okay.
120
00:10:22,210 --> 00:10:25,730
There you go. You can return to your
seat. Please give him one more big hand.
121
00:10:29,190 --> 00:10:30,490
Thank you, ladies, so much.
122
00:10:32,240 --> 00:10:37,600
Rick Thomas dares you to catch him in a
now -you -see -it, now -you -don't, now
123
00:10:37,600 --> 00:10:38,860
-you -do illusion.
124
00:10:39,160 --> 00:10:43,640
And later, enter a new realm of beer
with Aaron Prok.
125
00:10:53,900 --> 00:10:59,340
Vegas legend Rick Thomas gets a little
help from an audience member who
126
00:10:59,340 --> 00:11:01,180
the surprise of a lifetime.
127
00:12:28,330 --> 00:12:31,690
Eric's Logan has the ability to make
reality seem like poetry.
128
00:12:31,950 --> 00:12:36,130
Yet in this case, his reality is more
than your imagination.
129
00:14:04,490 --> 00:14:09,690
Next, three volunteers face off with the
daring and dangerous Aaron Crow.
130
00:14:21,490 --> 00:14:23,970
This next illusion is incredibly
dangerous.
131
00:14:24,210 --> 00:14:28,230
Remember, nothing you see here should
ever be imitated or attempted.
132
00:14:28,590 --> 00:14:32,970
Aaron Crow is a trained professional and
a true master of illusion.
133
00:14:33,630 --> 00:14:37,850
Keep that in mind as you watch this
potentially deadly performance unfold.
134
00:20:14,570 --> 00:20:19,010
Well, there you have it. An eye -opening
performance by a one -of -a -kind
135
00:20:19,010 --> 00:20:21,370
illusionist. Do you know how he did it?
136
00:20:21,770 --> 00:20:23,090
I don't.
137
00:20:23,410 --> 00:20:28,450
Remember who we're dealing with. These
are the best in the world. These are the
138
00:20:28,450 --> 00:20:29,750
masters of illusion.
139
00:20:30,170 --> 00:20:32,710
Until next time, I'm Dean Cain.
11614
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof