Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,980 --> 00:00:08,860
Illusion, the art of tricking the brain,
distorting the senses, challenging
2
00:00:08,860 --> 00:00:15,380
perception. You can't trust what you
see, even with your own eyes, because
3
00:00:15,380 --> 00:00:19,800
brain can be misled. Meet the Masters of
Illusion.
4
00:00:24,600 --> 00:00:29,440
I'm Dean Cain, and I want to challenge
what you think is real and what you
5
00:00:29,440 --> 00:00:30,440
is illusion.
6
00:00:30,670 --> 00:00:35,170
Does the brain always see what the eye
sees, or does it play games with you?
7
00:00:35,350 --> 00:00:40,810
Case in point, look at this. Is one
tabletop a different shape than the
8
00:00:40,930 --> 00:00:44,990
Well, don't believe what you see. They
are both the same.
9
00:00:45,210 --> 00:00:48,350
It is your brain that created the
difference.
10
00:00:48,990 --> 00:00:50,370
We invite you...
11
00:00:50,750 --> 00:00:53,370
To watch these masters of illusion.
12
00:00:53,630 --> 00:00:58,750
There are no camera tricks. These
performances take place in real time
13
00:00:58,750 --> 00:00:59,750
live audience.
14
00:00:59,890 --> 00:01:01,970
You see what they see.
15
00:01:02,210 --> 00:01:04,050
Nothing has been edited out.
16
00:01:04,310 --> 00:01:07,490
Are your eyes and brain fast enough for
them?
17
00:01:08,070 --> 00:01:11,610
Our first performer is known for his
lightning speed.
18
00:01:11,910 --> 00:01:14,910
Watch closely and see if you can catch
him in the act.
19
00:01:15,130 --> 00:01:17,270
Here is Jan Rubin.
20
00:02:20,880 --> 00:02:25,520
What happens when you bring together a
master illusionist and a piano genius?
21
00:02:25,940 --> 00:02:30,740
Well, our next performers are just that.
Take a look as Jarrett and Raja
22
00:02:30,740 --> 00:02:33,400
transform fantasy into reality.
23
00:03:05,960 --> 00:03:07,420
something really special to show you.
24
00:03:08,460 --> 00:03:09,520
It's right over here.
25
00:03:10,620 --> 00:03:14,160
Yeah, yeah, yeah. You'll be fine. I
don't do this. Off with the jacket.
26
00:03:17,080 --> 00:03:20,960
You'll be good. This is crazy. We need
you.
27
00:03:22,120 --> 00:03:23,140
This is insane.
28
00:03:27,320 --> 00:03:30,000
Can we talk? You'll be fine.
29
00:03:30,280 --> 00:03:31,280
No, no, no, no, no.
30
00:03:31,440 --> 00:03:32,860
I want to go back. It's fine.
31
00:03:59,850 --> 00:04:00,850
No, you don't!
32
00:05:06,640 --> 00:05:08,800
Well, what you always do. Play the
piano.
33
00:05:09,820 --> 00:05:10,779
Watch out.
34
00:05:10,780 --> 00:05:15,640
Like this. Why not? I'm cut in half.
That's why not. Oh, you'll be fine.
35
00:05:15,640 --> 00:05:16,640
me.
36
00:05:22,200 --> 00:05:23,200
Whoa.
37
00:05:28,860 --> 00:05:30,620
I did it. How did you do that?
38
00:05:31,260 --> 00:05:33,280
That was crazy. How did you do that?
39
00:05:48,360 --> 00:05:49,360
I'll need to be all right.
40
00:05:50,360 --> 00:05:53,100
There you go.
41
00:05:58,180 --> 00:06:01,360
Up next, Big Laughs with Michael Finney.
42
00:06:12,080 --> 00:06:15,800
Michael Finney's magic is up close and
in your face.
43
00:06:16,430 --> 00:06:20,390
But can you stop laughing long enough to
see how he does it? This gentleman
44
00:06:20,390 --> 00:06:23,910
sitting on the third row, right on the
aisle, you'd be easily accessible.
45
00:06:25,830 --> 00:06:27,010
What is your name, sir?
46
00:06:28,410 --> 00:06:31,530
You could have done it from your chair,
but as long as you're coming up here,
47
00:06:31,610 --> 00:06:34,490
here, take my hand, take my hand. How
you doing?
48
00:06:34,750 --> 00:06:39,130
I'm fine. I think you've been waiting
all your life for this one moment,
49
00:06:39,130 --> 00:06:39,969
you?
50
00:06:39,970 --> 00:06:42,570
Your first name again is? Jay. Jay, pick
a deck.
51
00:06:44,670 --> 00:06:46,290
If you had a choice, which one would you
take?
52
00:06:46,570 --> 00:06:47,710
There you go.
53
00:06:48,750 --> 00:06:52,710
Take your thumb, flip the top of the
box, turn the box open, and let the
54
00:06:52,710 --> 00:06:54,990
fall out. That's your deck. You do it
with your deck.
55
00:06:56,510 --> 00:06:58,350
And take your time. We're in no hurry.
56
00:06:59,750 --> 00:07:02,030
Yeah, yeah. Thanks for ripping my box,
Jay.
57
00:07:03,110 --> 00:07:04,510
I probably didn't need it tomorrow.
58
00:07:06,140 --> 00:07:09,900
Now, I want you to randomly select any
card in the deck or you may search
59
00:07:09,900 --> 00:07:13,560
through and find out your favorite card.
It makes no difference to me. Just find
60
00:07:13,560 --> 00:07:14,560
that as quick as you can.
61
00:07:16,180 --> 00:07:17,180
Have you got the card?
62
00:07:17,680 --> 00:07:20,300
Let me have the rest of the deck. Keep
the card you have chosen.
63
00:07:21,180 --> 00:07:24,660
I will turn my back, show that card to
the audience. Don't let me see it.
64
00:07:25,360 --> 00:07:27,880
Now, stick it into this deck anywhere at
random.
65
00:07:38,920 --> 00:07:40,400
a lot of you are saying, that's
ridiculous.
66
00:07:40,680 --> 00:07:43,880
I only do it for the cheap laughs, and
you folks have been very gracious.
67
00:07:45,440 --> 00:07:49,000
So now that I have you just whipped up
into a frenzy, what do you say we
68
00:07:49,000 --> 00:07:51,220
continue on in this carnival -like
atmosphere?
69
00:07:53,400 --> 00:07:55,420
All right, select any card out of the
deck.
70
00:07:55,840 --> 00:07:59,960
Once again, look at it, memorize it,
show it to the audience, don't let me
71
00:07:59,960 --> 00:08:04,080
it. All right, place it on top. All you
have to do is recognize your card when
72
00:08:04,080 --> 00:08:06,440
you see it again. Think you can do that?
Yes, I can.
73
00:08:06,730 --> 00:08:08,330
Tell me when you see it again.
74
00:08:10,310 --> 00:08:12,570
Just holler out when you think you see
it there, Jay.
75
00:08:13,090 --> 00:08:14,210
It's close, right there.
76
00:08:14,430 --> 00:08:17,530
All right, Jay's only been doing card
tricks a few moments. Now I'm sure we're
77
00:08:17,530 --> 00:08:19,030
all hoping for the best. Was that it?
78
00:08:19,310 --> 00:08:21,310
No. Too bad, not my trick.
79
00:08:22,890 --> 00:08:25,490
This effect now has a part it never had
before.
80
00:08:25,850 --> 00:08:29,450
Step over here, put your feet together
and your hands down to your sides. Take
81
00:08:29,450 --> 00:08:33,250
the cards into your right hand
fingertips. Hold them firmly and press
82
00:08:33,250 --> 00:08:34,250
the top of your forehead.
83
00:08:36,430 --> 00:08:37,830
Let's be realistic here, Jay.
84
00:08:38,669 --> 00:08:45,250
Now, what I'm going to do is wave my
hand across the front of your eyes and
85
00:08:45,250 --> 00:08:49,550
my fingers. Your eyes will shut and you
will go into a deep trance.
86
00:08:50,530 --> 00:08:51,530
Here we go.
87
00:08:52,050 --> 00:08:56,270
Now, ladies and gentlemen, this requires
complete silence. What I'm about to do
88
00:08:56,270 --> 00:09:00,150
is read Jay's mind. Jay, are you
concentrating on the card? Yes, I am.
89
00:09:00,150 --> 00:09:02,950
eyes are shut? Yes. I'm starting to get
an impression.
90
00:09:05,209 --> 00:09:08,510
I'm having a hard time reading your
mind, Jay. Please keep your eyes shut.
91
00:09:08,770 --> 00:09:10,650
We're going to bring the cards down like
this.
92
00:09:10,930 --> 00:09:12,790
We're going to bring this hand up here
on the deck.
93
00:09:13,030 --> 00:09:16,750
When I snap my fingers, your eyes will
open. You will awaken from your trance,
94
00:09:16,770 --> 00:09:18,470
concentrating on this deck of cards.
95
00:09:18,730 --> 00:09:22,190
Thumb me through them one at a time
until you find your card. Open your
96
00:09:22,270 --> 00:09:24,530
Thumb through there. Show me the card.
This was the big one, right, Jay?
97
00:09:25,130 --> 00:09:27,730
All right. Just show me what the little
one was. Do you remember you went by
98
00:09:27,730 --> 00:09:29,390
that first batch kind of fast, Jay?
99
00:09:29,790 --> 00:09:30,950
That's not it right there, huh?
100
00:09:31,310 --> 00:09:32,310
I'll be darned.
101
00:09:32,670 --> 00:09:33,790
Was that it right there, Jay?
102
00:09:34,360 --> 00:09:35,360
Jay, was that it?
103
00:09:35,980 --> 00:09:36,980
No? Keep looking.
104
00:09:37,120 --> 00:09:38,420
It's got to be in there somewhere.
105
00:09:38,640 --> 00:09:40,280
I thought this was the big one, right?
106
00:09:40,540 --> 00:09:41,680
Keep looking. Look.
107
00:09:41,980 --> 00:09:45,420
Wait a minute. Wait a minute. Wait a
minute. I dropped one, Jay. Is that it?
108
00:09:45,600 --> 00:09:46,700
keep looking. Keep looking.
109
00:09:47,600 --> 00:09:49,400
How about this one right here?
110
00:09:50,120 --> 00:09:51,120
Not it.
111
00:09:53,460 --> 00:09:54,460
That was terrific.
112
00:09:55,040 --> 00:09:55,999
Is this it?
113
00:09:56,000 --> 00:09:56,979
Yes, that's it.
114
00:09:56,980 --> 00:09:58,900
Everybody give Jay a big round of
applause.
115
00:10:08,070 --> 00:10:14,450
Up next, Nathan Burton has a big
surprise for you. And later, Spencer
116
00:10:14,450 --> 00:10:16,210
versus the Jaws of Death.
117
00:10:26,850 --> 00:10:30,050
Our next illusionist brings with him an
empty box.
118
00:10:30,650 --> 00:10:31,850
Simple enough, right?
119
00:10:32,210 --> 00:10:33,510
Well, think again.
120
00:10:34,170 --> 00:10:38,070
Pay close attention and don't blink
because we won't cut away.
121
00:10:38,290 --> 00:10:40,210
Here is Nathan Burton.
122
00:10:42,390 --> 00:10:43,770
Thank you very much.
123
00:10:46,710 --> 00:10:53,330
Now, Masters of Illusions asked me to
bring my favorite illusion, and it's a
124
00:10:53,330 --> 00:10:54,370
empty box.
125
00:10:55,870 --> 00:10:58,510
Yes, it is. And let's take a look. Here
we go.
126
00:11:10,700 --> 00:11:12,780
But there's one thing missing from this
trick.
127
00:11:14,640 --> 00:11:16,480
The showgirls!
128
00:11:18,620 --> 00:11:20,320
Give it up for the lovely ladies!
129
00:11:26,980 --> 00:11:31,920
Michael Grandinetti is a master of now
you see it, now you don't. His
130
00:11:31,920 --> 00:11:36,620
performance challenges you to figure out
not where, but how.
131
00:12:40,590 --> 00:12:41,590
Thank you for watching.
132
00:14:03,560 --> 00:14:07,820
Well known in over 50 countries, he has
performed for presidents and won
133
00:14:07,820 --> 00:14:09,520
multiple World Magic Awards.
134
00:14:09,720 --> 00:14:12,120
This is Jonathan Pendragon.
135
00:15:00,910 --> 00:15:03,430
Get ready to get wild with Rob Lake.
136
00:15:53,110 --> 00:15:57,590
Up next, the danger is real and time is
running out.
137
00:15:57,970 --> 00:16:01,270
Spencer Horseman faces off with the jaws
of death.
138
00:16:12,350 --> 00:16:17,770
This is a length of three -quarter inch
rope. It takes exactly two minutes to
139
00:16:17,770 --> 00:16:18,770
burn through.
140
00:16:19,120 --> 00:16:23,700
Spencer Horseman must free himself from
a straitjacket before the rope burns
141
00:16:23,700 --> 00:16:29,020
away and a thousand pounds of flaming
metal come crashing down on him. The
142
00:16:29,020 --> 00:16:30,480
danger is real.
143
00:16:30,720 --> 00:16:33,280
Injuries and deaths have happened
before.
144
00:16:33,620 --> 00:16:37,720
Can Spencer escape before time runs out?
Good evening.
145
00:16:39,120 --> 00:16:43,340
Harry Houdini is considered to be one of
the greatest escape artists that ever
146
00:16:43,340 --> 00:16:44,340
lived.
147
00:16:44,400 --> 00:16:48,180
So, a hundred years ago, Houdini created
a number of escapes that are still
148
00:16:48,180 --> 00:16:52,440
known and famous to this day. First and
foremost being the straight jacket
149
00:16:52,440 --> 00:16:56,860
escape. I'm going to attempt to do the
same thing for you here this evening
150
00:16:56,860 --> 00:16:57,839
a little bit of a twist.
151
00:16:57,840 --> 00:17:02,980
A straight jacket is essentially a
canvas bag that's been reinforced. There
152
00:17:02,980 --> 00:17:07,700
five buckles that go down the back, a
sixth on the sleeve. The last strap here
153
00:17:07,700 --> 00:17:09,280
is the cruel and unusual part.
154
00:17:10,730 --> 00:17:15,210
The arms crisscross in front of the
body, one elbow locks onto the other
155
00:17:15,369 --> 00:17:20,369
and these go around the back. My modern
twist to this classic escape is the
156
00:17:20,369 --> 00:17:21,750
device hanging behind me.
157
00:17:21,970 --> 00:17:26,329
My own creation called the jaws of
death, which are held open with just a
158
00:17:26,329 --> 00:17:28,650
of rope, and a moment will be lit on
fire.
159
00:17:29,250 --> 00:17:34,690
Once it is, I'll have less than two
minutes to free myself and then jump to
160
00:17:34,690 --> 00:17:36,950
safety. If I don't, I'm crushed.
161
00:17:38,150 --> 00:17:39,150
Wish me luck.
162
00:20:18,640 --> 00:20:24,360
So there you have it. The impossible
made real. Can you figure out how they
163
00:20:24,360 --> 00:20:31,320
it? I can't. Remember, these are the
best in the world. These are the
164
00:20:31,320 --> 00:20:32,600
masters of illusion.
165
00:20:33,100 --> 00:20:35,600
Until next time, I'm Dean Cain.
14054
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof