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I think moving away from the books has
been a challenge in some ways, but also
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benefit, to make sure that the new story
material felt very much in keeping with
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what we'd had before, but that we were
introducing new characters and new
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situations and new storylines which
would constantly engage the audience,
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provide them with the same mix.
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of the heartwarming and the upsetting,
that mix of gritty realism
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with joy that they loved in the first
two series.
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And I think what Heidi's been so
fabulous in doing is blending in
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the original characters into these new
storylines and the new
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characters have entered seamlessly to
create a whole.
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I think it's certainly true that...
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Heidi has been freed up to really
develop the characters who, through the
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television series, have captured
people's imaginations.
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I'm thinking particularly of the
storyline of Dr Turner and Sister
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which is really a creation of the TV
series, so their whole romance and the
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that they get married, and it's
something we could only really have
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moving away from the original books.
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One of the key strengths of the show has
always been the absolute meticulous
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research that goes behind the medical
stories.
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So our midwifery advisor, Terry Coates,
is always absolutely rigorous in terms
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of the detail of those storylines, of
what would and wouldn't have been
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at the time.
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We're now in 1959, so there's obviously
been some advances, but still there are
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things which wouldn't have been
possible, and so we have to be very
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to... to show advances that couldn't
have happened.
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One of the things that we looked at in
one of the early episodes is cystic
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fibrosis. And in fact, that was the
storyline which originally came to us
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Jenny Agata, who herself has had
experience in her family of cystic
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worked for a charity that supports
people who have the disease. The actual
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cystic fibrosis had only recently been
coined for this particular illness.
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And that was a fascinating episode to
work on. It's actually been a terrific
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episode for Sister Monica Joan because
she's the person who first suspects that
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that's what's wrong with these children.
She doesn't know the name cystic
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fibrosis, but she recognises the
symptoms.
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What I really love about Call the
Midwife is the camaraderie with the crew
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the cast, especially in the last couple
of months, because...
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You sort of live in each other's
pockets. It's like a work family. So
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just lots of in -jokes and lots of fun
to be had.
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And you just get to know everyone really
well. And you feel very comfortable.
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You feel like, I know who Jenny Lee is
now, and I know her inside out. So it's
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a nice way to work.
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00:03:07,540 --> 00:03:12,380
So Jenny gets a promotion in Series 3,
and she quite...
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understandably, I think, because she's a
human being, gets very proud of herself
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and does get a little bit too big for
her boots, which really rubs Trixie up
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wrong way. Because as you can imagine,
Trixie's been there longer than Jenny.
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So she was kind of expecting that
promotion to come to her.
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But it goes to Jenny. And Jenny is...
bustling around, kind of ordering her
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colleagues around who were, you know,
and are pretty much the same level as
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but she just happened to have got this
promotion, so she really annoys
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But they're really lovely about it, and
she goes through a really particularly
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hard time with a storyline about a
racial storyline where the
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mother has to put her baby up for
adoption, and she finds herself on her
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because she's been such a bossy boot.
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So that brings her back to the girls,
and they sort of take the mickey out of
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her, and it's all good again.
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I've always been attracted to the show
because of its... It has a kind of sweet
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exterior, but a very hard and gritty
interior that if you
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saw it on the page, you wouldn't
necessarily see at first, and I think
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what gets people.
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..in the stomach and makes them cry
because we deal with things that not
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show deals with. Just the nature of
birth is emotional in itself, but every
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story that comes along, I often find
myself crying reading the script because
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they just touch something innately
human.
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There's a real theme, I think, in this
series of renewal, and it sounds really
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cheesy, but kind of the cycle of life,
if you will. There's some death.
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in this series, which hit everyone
pretty hard.
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But it's dealt with in the most
incredible way, because Jennifer Worth,
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was very interested in death and what it
does to you and how you can deal with
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it. So it's not depressing, but it
definitely deals with some really big
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like that.
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One of the first big changes in this
series, probably the haircut, which
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was...
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Potentially quite a shock to people, I
suppose, because I'm such a blonde,
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-haired character.
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I think my taste does overlap a bit. I
mean, I love my clothes and my own life.
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Some of my new looks in this season
involve lots of trousers, which we have
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before, but I'm teaming them with ballet
pumps and...
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It's a lot funkier, it's a lot cooler, a
bit more edgy. There's some really
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bright blues and bright greens and we've
gone from the black silhouette and
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really introduced reds and blues and
yellows. So she's a lot more vibrant and
81
00:06:03,930 --> 00:06:09,750
suppose it's that sort of French art
house film type look that she's going
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now and it's less of the Marilyn, more
of the Jean Seberg.
83
00:06:13,340 --> 00:06:16,600
There's a few costumes that I really
want to take home. I've got this
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bright blue suede coat, which is a
gorgeous sort of 60s vibrant colour, and
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really want to take it home.
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00:06:24,760 --> 00:06:27,900
We have it for a lovely scene with my
new love interest.
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So, yeah, I definitely want to steal
that one.
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I mean, there's quite a lot of furniture
bits that I'd quite like to take home
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00:06:37,110 --> 00:06:40,150
with me because I've not long moved into
my new home.
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So there's a few bits that I think, like
dining room tables and chairs and, you
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know, bits in the kitchen I'd really
like to take home with me. So I just
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removal van, really.
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I wish I was as fearless and as
confident as she is in every situation.
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But, yeah, I definitely think I'm quite
gung -ho when I want to be, so I think
95
00:07:04,620 --> 00:07:05,620
there's similarities, definitely.
96
00:07:06,320 --> 00:07:10,880
In series three, we see Cynthia grow
more and more in confidence.
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She feels much more comfortable with her
friends.
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She can use her authority when she needs
to. She's still a little nervous, but
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00:07:19,960 --> 00:07:22,840
there's a wonderful story where she's...
100
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she gets into sort of the breathing of
the births and things and she really
101
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starts to find her niche in midwifery
and sort of in the world and that's
102
00:07:31,760 --> 00:07:37,740
joyful cynthia has a patient who's
extremely nervous she's lost her own
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and she's got really anxious about the
birth and cynthia goes to a lecture and
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hears that most of fear
105
00:07:47,740 --> 00:07:52,880
can be solved through how you think and
that breathing really relaxes you
106
00:07:52,880 --> 00:07:56,860
relaxes the body i mean things that
we're getting back to a medical science
107
00:07:56,860 --> 00:08:03,620
today i think much more holistic
approach so cynthia takes us on board
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00:08:03,620 --> 00:08:09,900
invites the lecturer to come to the
mother craft sessions and then he
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00:08:09,900 --> 00:08:15,320
her and she in fact takes the session
herself and really helps this young
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and gets her through
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00:08:17,390 --> 00:08:22,530
And it's just lovely to see Cynthia take
the bull by the horns and really go for
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what she believes in. It's lovely.
113
00:08:24,410 --> 00:08:28,710
We are all such good friends. It's
actually quite boring. There's no real
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gossip. There's no nasty one in the
pack.
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We love each other dearly, and I hope
that comes across, especially when the
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girls get together. There are scenes in
the bedroom when we're drinking or out
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on the town. They're really such great
days to film.
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And then coming back to the dinner table
each time, for us young ones, on our
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second day ever of filming, that was a
real pinch -me moment to be with Pam
120
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Ferris, Judy Parfitt, Jenny Agata, hear
their tales of the old Hollywood.
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And even now, whenever we come to those
scenes, it really is special.
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It's still special, even today, and we
get on ever so well.
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In Tommy World, what's new for Series 3
is she's with child.
124
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and she's in her marital home for the
first time, which is very exciting.
125
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So not only is there a new Nonata's
house, but there's a new chummy set for
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house, which is great fun.
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Yeah, I love chummy as a mummy.
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Yummy chummy mummy, I call her.
129
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Om.
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Because all the love that she didn't get
when she was younger, she sort of pours
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into this child, and, you know, you just
know that she wants to do her best for
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him.
133
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I don't know how much it came across in
the story, but I often played the fact
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that she'd look at her child and just
whiff that her mum looked at her like
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she's looking at her child, if that
makes sense.
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She misses midwifery and she misses that
role in her life and needs it to be
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fully her.
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It's sort of dealing with...
139
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whether she can go back to work at the
beginning of the series, basically.
140
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Whether she can kind of admit that
that's what she wants to do.
141
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I'm sure some of Tommy's neighbours
would have frowned upon her at the
142
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going back to work.
143
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You know, why aren't you staying at
home? The beginning of the series starts
144
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a whole new setting, which has been
quite fun to film in, as well as good
145
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the story and the characters.
146
00:10:22,100 --> 00:10:24,000
We've got some new characters this
series.
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00:10:25,320 --> 00:10:29,860
Jenny's got an interesting storyline as
regards... She's got a few romantic
148
00:10:29,860 --> 00:10:31,740
choices to be made.
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Aren't I a tease?
150
00:10:33,960 --> 00:10:38,340
You, of course, have the ongoing
loveliness of Sheila and Dr. Turner.
151
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Oh, I loved that.
152
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Even though I knew they got together,
I'd be watching it going, are they going
153
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to get together?
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I'm totally invested in that story. It
was brilliant. So, yes, they've got
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a journey to go on. No spoilers here.
Not from these lips. No. There's a lot
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the old and a lot of new.
157
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I don't just like Tommy, I love and
adore Tommy.
158
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For the minute I read her entrance in
the Jennifer Worth book, when she sent
159
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them to me, I just thought, I have to
play this woman, she's just great.
160
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And just goes on that wonderful journey
of being a complete fish out of water,
161
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but just determined to...
162
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see because it's so on her heart and she
believed that God gave her a gift to do
163
00:11:22,330 --> 00:11:26,310
this but it just didn't make any sense
on any level she was practically not
164
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good technically not very good at
midwifery but she has the best bedside
165
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because she's so compassionate and so
empathetic and I think
166
00:11:38,030 --> 00:11:41,530
that comes from having had a tough
upbringing and that's what I love about
167
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is that she's so vulnerable and so sweet
but anyone who's been through tough
168
00:11:45,990 --> 00:11:49,670
times in their life do end up being the
most compassionate people.
169
00:11:50,030 --> 00:11:54,530
It doesn't matter about her background
or where she came from. They just want
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00:11:54,530 --> 00:11:58,210
her to succeed and fit in because we've
all felt like the fish out of water.
171
00:11:58,770 --> 00:12:03,830
So I wanted to kind of honour the
audience, I suppose, in terms of their
172
00:12:03,830 --> 00:12:08,110
identifying with Chummy. In my head,
there's no overlap at all between Chummy
173
00:12:08,110 --> 00:12:11,910
and Ryan. Well, I suppose when I'm doing
it, it's completely different, but I
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00:12:11,910 --> 00:12:16,730
suppose... The similarity is that fish
out of water trying to fit in thing.
175
00:12:18,050 --> 00:12:24,990
So it's two women in their very
different ways, simply trying to
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cope with life.
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00:12:26,170 --> 00:12:30,650
But then I think that's probably all
women at some point in their life. All
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00:12:30,650 --> 00:12:33,910
people, in fact, at some point in their
life. So it's not some massive
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00:12:33,910 --> 00:12:38,830
revelation. But yeah, the thing is that
sort of every woman feel of showing
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00:12:38,830 --> 00:12:42,010
their vulnerability and admitting they
can't cope.
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00:12:42,949 --> 00:12:49,130
And so I suppose I love playing that
vulnerability and going, I can't do
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And then you just hope the television
audience goes, oh, phew, no, nor can I.
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was too scared to say it.
18450
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