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These are the user uploaded subtitles that are being translated: 1 00:00:01,840 --> 00:00:07,300 I think moving away from the books has been a challenge in some ways, but also 2 00:00:07,300 --> 00:00:13,080 benefit, to make sure that the new story material felt very much in keeping with 3 00:00:13,080 --> 00:00:17,180 what we'd had before, but that we were introducing new characters and new 4 00:00:17,180 --> 00:00:21,040 situations and new storylines which would constantly engage the audience, 5 00:00:21,380 --> 00:00:24,020 provide them with the same mix. 6 00:00:24,440 --> 00:00:30,860 of the heartwarming and the upsetting, that mix of gritty realism 7 00:00:30,860 --> 00:00:34,780 with joy that they loved in the first two series. 8 00:00:35,080 --> 00:00:41,340 And I think what Heidi's been so fabulous in doing is blending in 9 00:00:41,340 --> 00:00:47,960 the original characters into these new storylines and the new 10 00:00:47,960 --> 00:00:50,780 characters have entered seamlessly to create a whole. 11 00:00:51,080 --> 00:00:53,000 I think it's certainly true that... 12 00:00:53,680 --> 00:01:00,140 Heidi has been freed up to really develop the characters who, through the 13 00:01:00,140 --> 00:01:03,820 television series, have captured people's imaginations. 14 00:01:04,280 --> 00:01:09,000 I'm thinking particularly of the storyline of Dr Turner and Sister 15 00:01:09,180 --> 00:01:14,840 which is really a creation of the TV series, so their whole romance and the 16 00:01:14,840 --> 00:01:18,880 that they get married, and it's something we could only really have 17 00:01:18,880 --> 00:01:20,840 moving away from the original books. 18 00:01:21,370 --> 00:01:25,950 One of the key strengths of the show has always been the absolute meticulous 19 00:01:25,950 --> 00:01:28,490 research that goes behind the medical stories. 20 00:01:28,750 --> 00:01:35,110 So our midwifery advisor, Terry Coates, is always absolutely rigorous in terms 21 00:01:35,110 --> 00:01:39,550 of the detail of those storylines, of what would and wouldn't have been 22 00:01:39,550 --> 00:01:40,550 at the time. 23 00:01:40,710 --> 00:01:45,530 We're now in 1959, so there's obviously been some advances, but still there are 24 00:01:45,530 --> 00:01:49,810 things which wouldn't have been possible, and so we have to be very 25 00:01:49,810 --> 00:01:53,180 to... to show advances that couldn't have happened. 26 00:01:53,520 --> 00:01:57,540 One of the things that we looked at in one of the early episodes is cystic 27 00:01:57,540 --> 00:02:02,760 fibrosis. And in fact, that was the storyline which originally came to us 28 00:02:02,760 --> 00:02:08,680 Jenny Agata, who herself has had experience in her family of cystic 29 00:02:08,680 --> 00:02:13,360 worked for a charity that supports people who have the disease. The actual 30 00:02:13,360 --> 00:02:18,120 cystic fibrosis had only recently been coined for this particular illness. 31 00:02:18,960 --> 00:02:23,300 And that was a fascinating episode to work on. It's actually been a terrific 32 00:02:23,300 --> 00:02:28,980 episode for Sister Monica Joan because she's the person who first suspects that 33 00:02:28,980 --> 00:02:32,300 that's what's wrong with these children. She doesn't know the name cystic 34 00:02:32,300 --> 00:02:34,460 fibrosis, but she recognises the symptoms. 35 00:02:35,260 --> 00:02:40,740 What I really love about Call the Midwife is the camaraderie with the crew 36 00:02:40,740 --> 00:02:43,880 the cast, especially in the last couple of months, because... 37 00:02:44,600 --> 00:02:49,760 You sort of live in each other's pockets. It's like a work family. So 38 00:02:49,760 --> 00:02:54,280 just lots of in -jokes and lots of fun to be had. 39 00:02:54,740 --> 00:02:58,620 And you just get to know everyone really well. And you feel very comfortable. 40 00:02:59,120 --> 00:03:05,580 You feel like, I know who Jenny Lee is now, and I know her inside out. So it's 41 00:03:05,580 --> 00:03:07,100 a nice way to work. 42 00:03:07,540 --> 00:03:12,380 So Jenny gets a promotion in Series 3, and she quite... 43 00:03:13,420 --> 00:03:17,640 understandably, I think, because she's a human being, gets very proud of herself 44 00:03:17,640 --> 00:03:22,660 and does get a little bit too big for her boots, which really rubs Trixie up 45 00:03:22,660 --> 00:03:26,160 wrong way. Because as you can imagine, Trixie's been there longer than Jenny. 46 00:03:26,500 --> 00:03:29,480 So she was kind of expecting that promotion to come to her. 47 00:03:29,920 --> 00:03:35,880 But it goes to Jenny. And Jenny is... bustling around, kind of ordering her 48 00:03:35,880 --> 00:03:40,520 colleagues around who were, you know, and are pretty much the same level as 49 00:03:40,560 --> 00:03:43,820 but she just happened to have got this promotion, so she really annoys 50 00:03:44,340 --> 00:03:47,920 But they're really lovely about it, and she goes through a really particularly 51 00:03:47,920 --> 00:03:54,760 hard time with a storyline about a racial storyline where the 52 00:03:54,760 --> 00:03:58,780 mother has to put her baby up for adoption, and she finds herself on her 53 00:03:58,780 --> 00:04:01,320 because she's been such a bossy boot. 54 00:04:02,170 --> 00:04:07,930 So that brings her back to the girls, and they sort of take the mickey out of 55 00:04:07,930 --> 00:04:10,390 her, and it's all good again. 56 00:04:10,630 --> 00:04:17,410 I've always been attracted to the show because of its... It has a kind of sweet 57 00:04:17,410 --> 00:04:24,390 exterior, but a very hard and gritty interior that if you 58 00:04:24,390 --> 00:04:28,570 saw it on the page, you wouldn't necessarily see at first, and I think 59 00:04:28,570 --> 00:04:29,570 what gets people. 60 00:04:30,640 --> 00:04:36,180 ..in the stomach and makes them cry because we deal with things that not 61 00:04:36,180 --> 00:04:40,920 show deals with. Just the nature of birth is emotional in itself, but every 62 00:04:40,920 --> 00:04:45,640 story that comes along, I often find myself crying reading the script because 63 00:04:45,640 --> 00:04:49,360 they just touch something innately human. 64 00:04:49,900 --> 00:04:55,580 There's a real theme, I think, in this series of renewal, and it sounds really 65 00:04:55,580 --> 00:04:59,720 cheesy, but kind of the cycle of life, if you will. There's some death. 66 00:05:00,300 --> 00:05:03,600 in this series, which hit everyone pretty hard. 67 00:05:03,820 --> 00:05:09,160 But it's dealt with in the most incredible way, because Jennifer Worth, 68 00:05:09,160 --> 00:05:13,360 was very interested in death and what it does to you and how you can deal with 69 00:05:13,360 --> 00:05:19,600 it. So it's not depressing, but it definitely deals with some really big 70 00:05:19,600 --> 00:05:20,599 like that. 71 00:05:20,600 --> 00:05:27,600 One of the first big changes in this series, probably the haircut, which 72 00:05:27,600 --> 00:05:28,600 was... 73 00:05:29,150 --> 00:05:33,550 Potentially quite a shock to people, I suppose, because I'm such a blonde, 74 00:05:33,550 --> 00:05:34,550 -haired character. 75 00:05:34,950 --> 00:05:39,150 I think my taste does overlap a bit. I mean, I love my clothes and my own life. 76 00:05:39,410 --> 00:05:44,550 Some of my new looks in this season involve lots of trousers, which we have 77 00:05:44,550 --> 00:05:48,450 before, but I'm teaming them with ballet pumps and... 78 00:05:48,890 --> 00:05:53,570 It's a lot funkier, it's a lot cooler, a bit more edgy. There's some really 79 00:05:53,570 --> 00:05:57,430 bright blues and bright greens and we've gone from the black silhouette and 80 00:05:57,430 --> 00:06:03,930 really introduced reds and blues and yellows. So she's a lot more vibrant and 81 00:06:03,930 --> 00:06:09,750 suppose it's that sort of French art house film type look that she's going 82 00:06:09,750 --> 00:06:12,630 now and it's less of the Marilyn, more of the Jean Seberg. 83 00:06:13,340 --> 00:06:16,600 There's a few costumes that I really want to take home. I've got this 84 00:06:16,600 --> 00:06:23,140 bright blue suede coat, which is a gorgeous sort of 60s vibrant colour, and 85 00:06:23,140 --> 00:06:24,380 really want to take it home. 86 00:06:24,760 --> 00:06:27,900 We have it for a lovely scene with my new love interest. 87 00:06:31,070 --> 00:06:33,090 So, yeah, I definitely want to steal that one. 88 00:06:33,410 --> 00:06:37,110 I mean, there's quite a lot of furniture bits that I'd quite like to take home 89 00:06:37,110 --> 00:06:40,150 with me because I've not long moved into my new home. 90 00:06:40,350 --> 00:06:45,810 So there's a few bits that I think, like dining room tables and chairs and, you 91 00:06:45,810 --> 00:06:50,170 know, bits in the kitchen I'd really like to take home with me. So I just 92 00:06:50,170 --> 00:06:51,170 removal van, really. 93 00:06:52,810 --> 00:06:59,290 I wish I was as fearless and as confident as she is in every situation. 94 00:07:00,680 --> 00:07:04,620 But, yeah, I definitely think I'm quite gung -ho when I want to be, so I think 95 00:07:04,620 --> 00:07:05,620 there's similarities, definitely. 96 00:07:06,320 --> 00:07:10,880 In series three, we see Cynthia grow more and more in confidence. 97 00:07:11,280 --> 00:07:13,660 She feels much more comfortable with her friends. 98 00:07:14,220 --> 00:07:19,960 She can use her authority when she needs to. She's still a little nervous, but 99 00:07:19,960 --> 00:07:22,840 there's a wonderful story where she's... 100 00:07:23,320 --> 00:07:26,820 she gets into sort of the breathing of the births and things and she really 101 00:07:26,820 --> 00:07:31,760 starts to find her niche in midwifery and sort of in the world and that's 102 00:07:31,760 --> 00:07:37,740 joyful cynthia has a patient who's extremely nervous she's lost her own 103 00:07:37,740 --> 00:07:44,680 and she's got really anxious about the birth and cynthia goes to a lecture and 104 00:07:44,680 --> 00:07:47,020 hears that most of fear 105 00:07:47,740 --> 00:07:52,880 can be solved through how you think and that breathing really relaxes you 106 00:07:52,880 --> 00:07:56,860 relaxes the body i mean things that we're getting back to a medical science 107 00:07:56,860 --> 00:08:03,620 today i think much more holistic approach so cynthia takes us on board 108 00:08:03,620 --> 00:08:09,900 invites the lecturer to come to the mother craft sessions and then he 109 00:08:09,900 --> 00:08:15,320 her and she in fact takes the session herself and really helps this young 110 00:08:15,320 --> 00:08:16,520 and gets her through 111 00:08:17,390 --> 00:08:22,530 And it's just lovely to see Cynthia take the bull by the horns and really go for 112 00:08:22,530 --> 00:08:23,950 what she believes in. It's lovely. 113 00:08:24,410 --> 00:08:28,710 We are all such good friends. It's actually quite boring. There's no real 114 00:08:28,710 --> 00:08:31,370 gossip. There's no nasty one in the pack. 115 00:08:31,670 --> 00:08:35,950 We love each other dearly, and I hope that comes across, especially when the 116 00:08:35,950 --> 00:08:40,110 girls get together. There are scenes in the bedroom when we're drinking or out 117 00:08:40,110 --> 00:08:43,230 on the town. They're really such great days to film. 118 00:08:44,059 --> 00:08:49,500 And then coming back to the dinner table each time, for us young ones, on our 119 00:08:49,500 --> 00:08:53,660 second day ever of filming, that was a real pinch -me moment to be with Pam 120 00:08:53,660 --> 00:08:58,040 Ferris, Judy Parfitt, Jenny Agata, hear their tales of the old Hollywood. 121 00:08:58,360 --> 00:09:03,400 And even now, whenever we come to those scenes, it really is special. 122 00:09:03,620 --> 00:09:07,940 It's still special, even today, and we get on ever so well. 123 00:09:08,200 --> 00:09:11,960 In Tommy World, what's new for Series 3 is she's with child. 124 00:09:13,450 --> 00:09:17,610 and she's in her marital home for the first time, which is very exciting. 125 00:09:18,290 --> 00:09:23,070 So not only is there a new Nonata's house, but there's a new chummy set for 126 00:09:23,070 --> 00:09:24,350 house, which is great fun. 127 00:09:24,570 --> 00:09:27,730 Yeah, I love chummy as a mummy. 128 00:09:28,010 --> 00:09:29,750 Yummy chummy mummy, I call her. 129 00:09:30,110 --> 00:09:31,110 Om. 130 00:09:31,530 --> 00:09:35,530 Because all the love that she didn't get when she was younger, she sort of pours 131 00:09:35,530 --> 00:09:39,630 into this child, and, you know, you just know that she wants to do her best for 132 00:09:39,630 --> 00:09:40,630 him. 133 00:09:41,870 --> 00:09:45,550 I don't know how much it came across in the story, but I often played the fact 134 00:09:45,550 --> 00:09:50,310 that she'd look at her child and just whiff that her mum looked at her like 135 00:09:50,310 --> 00:09:52,950 she's looking at her child, if that makes sense. 136 00:09:53,510 --> 00:09:59,330 She misses midwifery and she misses that role in her life and needs it to be 137 00:09:59,330 --> 00:10:00,330 fully her. 138 00:10:00,730 --> 00:10:02,690 It's sort of dealing with... 139 00:10:03,540 --> 00:10:06,080 whether she can go back to work at the beginning of the series, basically. 140 00:10:06,240 --> 00:10:08,700 Whether she can kind of admit that that's what she wants to do. 141 00:10:08,920 --> 00:10:12,120 I'm sure some of Tommy's neighbours would have frowned upon her at the 142 00:10:12,120 --> 00:10:13,800 going back to work. 143 00:10:14,060 --> 00:10:16,680 You know, why aren't you staying at home? The beginning of the series starts 144 00:10:16,680 --> 00:10:20,740 a whole new setting, which has been quite fun to film in, as well as good 145 00:10:20,740 --> 00:10:21,740 the story and the characters. 146 00:10:22,100 --> 00:10:24,000 We've got some new characters this series. 147 00:10:25,320 --> 00:10:29,860 Jenny's got an interesting storyline as regards... She's got a few romantic 148 00:10:29,860 --> 00:10:31,740 choices to be made. 149 00:10:32,540 --> 00:10:33,540 Aren't I a tease? 150 00:10:33,960 --> 00:10:38,340 You, of course, have the ongoing loveliness of Sheila and Dr. Turner. 151 00:10:38,760 --> 00:10:39,900 Oh, I loved that. 152 00:10:40,840 --> 00:10:45,400 Even though I knew they got together, I'd be watching it going, are they going 153 00:10:45,400 --> 00:10:46,399 to get together? 154 00:10:46,400 --> 00:10:49,800 I'm totally invested in that story. It was brilliant. So, yes, they've got 155 00:10:49,800 --> 00:10:54,060 a journey to go on. No spoilers here. Not from these lips. No. There's a lot 156 00:10:54,060 --> 00:10:56,780 the old and a lot of new. 157 00:10:57,470 --> 00:11:00,490 I don't just like Tommy, I love and adore Tommy. 158 00:11:00,710 --> 00:11:06,470 For the minute I read her entrance in the Jennifer Worth book, when she sent 159 00:11:06,470 --> 00:11:09,730 them to me, I just thought, I have to play this woman, she's just great. 160 00:11:10,030 --> 00:11:15,930 And just goes on that wonderful journey of being a complete fish out of water, 161 00:11:16,050 --> 00:11:17,630 but just determined to... 162 00:11:18,030 --> 00:11:22,330 see because it's so on her heart and she believed that God gave her a gift to do 163 00:11:22,330 --> 00:11:26,310 this but it just didn't make any sense on any level she was practically not 164 00:11:26,310 --> 00:11:31,090 good technically not very good at midwifery but she has the best bedside 165 00:11:31,090 --> 00:11:38,030 because she's so compassionate and so empathetic and I think 166 00:11:38,030 --> 00:11:41,530 that comes from having had a tough upbringing and that's what I love about 167 00:11:41,530 --> 00:11:45,990 is that she's so vulnerable and so sweet but anyone who's been through tough 168 00:11:45,990 --> 00:11:49,670 times in their life do end up being the most compassionate people. 169 00:11:50,030 --> 00:11:54,530 It doesn't matter about her background or where she came from. They just want 170 00:11:54,530 --> 00:11:58,210 her to succeed and fit in because we've all felt like the fish out of water. 171 00:11:58,770 --> 00:12:03,830 So I wanted to kind of honour the audience, I suppose, in terms of their 172 00:12:03,830 --> 00:12:08,110 identifying with Chummy. In my head, there's no overlap at all between Chummy 173 00:12:08,110 --> 00:12:11,910 and Ryan. Well, I suppose when I'm doing it, it's completely different, but I 174 00:12:11,910 --> 00:12:16,730 suppose... The similarity is that fish out of water trying to fit in thing. 175 00:12:18,050 --> 00:12:24,990 So it's two women in their very different ways, simply trying to 176 00:12:24,990 --> 00:12:25,990 cope with life. 177 00:12:26,170 --> 00:12:30,650 But then I think that's probably all women at some point in their life. All 178 00:12:30,650 --> 00:12:33,910 people, in fact, at some point in their life. So it's not some massive 179 00:12:33,910 --> 00:12:38,830 revelation. But yeah, the thing is that sort of every woman feel of showing 180 00:12:38,830 --> 00:12:42,010 their vulnerability and admitting they can't cope. 181 00:12:42,949 --> 00:12:49,130 And so I suppose I love playing that vulnerability and going, I can't do 182 00:12:49,250 --> 00:12:53,630 And then you just hope the television audience goes, oh, phew, no, nor can I. 183 00:12:53,630 --> 00:12:54,850 was too scared to say it. 18450

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