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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:42,520 --> 00:00:43,869 CAN I PLAY? 2 00:00:43,913 --> 00:00:46,698 DO YOU HAVE ANY MARBLES? 3 00:00:46,742 --> 00:00:48,091 YEP. 4 00:00:48,135 --> 00:00:49,397 [MARBLES RATTLING] 5 00:00:49,440 --> 00:00:50,659 OK. 6 00:00:50,702 --> 00:00:52,095 THANKS. 7 00:00:52,139 --> 00:00:53,357 YOU'RE WELCOME. 8 00:00:53,401 --> 00:00:54,880 SO, WHAT'S YOUR NAME? 9 00:00:54,924 --> 00:00:56,273 LOUIS. YOURS? 10 00:00:56,317 --> 00:00:58,275 ALAN. 11 00:00:58,319 --> 00:01:01,235 YOU'RE NOT FROM AROUND HERE, ARE YOU? 12 00:01:01,278 --> 00:01:03,889 NO. I'M HERE WITH MY PARENTS FOR THE DAY. 13 00:01:09,547 --> 00:01:10,722 WHAT? 14 00:01:12,246 --> 00:01:13,856 WHAT'S OVER THERE? 15 00:01:24,388 --> 00:01:27,913 DON'T DO IT, AL. WE'RE NOT EVEN ALLOWED TO BE HERE. 16 00:01:35,747 --> 00:01:36,922 COME ON. 17 00:01:36,966 --> 00:01:38,707 WAIT FOR ME. 18 00:01:46,932 --> 00:01:48,195 [CLANG] 19 00:01:48,238 --> 00:01:51,198 LET'S GO BACK DOWN. 20 00:01:51,241 --> 00:01:52,721 NOPE. 21 00:01:52,764 --> 00:01:53,939 [KICKING BOARD] 22 00:01:53,983 --> 00:01:55,550 DON'T! 23 00:02:07,214 --> 00:02:08,258 [CREAKING] 24 00:02:08,302 --> 00:02:10,347 ALAN, DON'T! 25 00:02:16,223 --> 00:02:17,528 SEE? THAT WASN'T SO BAD. 26 00:02:17,572 --> 00:02:19,835 JUST DON'T LOOK DOWN. 27 00:02:22,968 --> 00:02:24,318 LOUIS! 28 00:02:26,711 --> 00:02:27,843 COME ON. 29 00:02:34,328 --> 00:02:35,981 [CREAKING] 30 00:02:36,025 --> 00:02:37,374 SEE? 31 00:02:37,418 --> 00:02:38,723 IT'S STEADY. 32 00:02:57,829 --> 00:02:59,004 LOUIS. 33 00:02:59,048 --> 00:03:00,267 I CAN'T MOVE! 34 00:03:00,310 --> 00:03:01,790 COME ON! 35 00:03:01,833 --> 00:03:03,444 AAH! 36 00:03:05,489 --> 00:03:07,578 ALAN, HELP! 37 00:03:10,015 --> 00:03:11,234 WAIT! 38 00:03:12,366 --> 00:03:13,541 [THUD] 39 00:03:55,496 --> 00:03:56,845 [SNIFFLES] 40 00:06:38,659 --> 00:06:40,922 [WOMAN GROANING LOUDLY] 41 00:06:45,535 --> 00:06:47,624 Man: HERE IT COMES. JUST RELAX. 42 00:06:47,668 --> 00:06:48,973 YOU'RE DOING GREAT NOW. 43 00:06:49,017 --> 00:06:51,715 ALL RIGHT. NOW, JUST A COUPLE MORE SECONDS. 44 00:06:51,759 --> 00:06:54,588 Second man: HERE IT COMES, SWEETIE. 45 00:06:54,631 --> 00:06:55,850 JUST KEEP BREATHING. 46 00:06:55,893 --> 00:06:57,808 ALL RIGHT, THE HEAD'S CROWNING. VERY GOOD. 47 00:06:57,852 --> 00:06:59,810 Woman: EXCELLENT. OH, HERE WE GO. 48 00:06:59,854 --> 00:07:01,551 ONE MORE BIG PUSH, SWEETIE. 49 00:07:01,595 --> 00:07:03,161 THAT'S IT. NOW BREATHE. 50 00:07:03,205 --> 00:07:05,729 IT'S COMING. 51 00:07:05,773 --> 00:07:07,644 PUSH, PUSH, PUSH! 52 00:07:07,688 --> 00:07:10,255 [WOMAN GROANS LOUDLY] 53 00:07:10,299 --> 00:07:12,606 OH, HERE WE GO. 54 00:07:12,649 --> 00:07:14,651 WE HAVE A BOY. 55 00:07:14,695 --> 00:07:16,174 HAVE A BOY. 56 00:07:16,218 --> 00:07:18,089 OH. OH. 57 00:07:18,133 --> 00:07:20,483 Mother: OH, IS HE OK? 58 00:07:20,527 --> 00:07:22,659 OH, HE'S PERFECT. 59 00:07:22,703 --> 00:07:23,573 HE'S FINE. HE'S FINE. 60 00:07:23,617 --> 00:07:25,706 A BEAUTIFUL SON. 61 00:07:25,749 --> 00:07:27,621 BEAUTIFUL. HE'S BEAUTIFUL. 62 00:07:27,664 --> 00:07:30,232 [BABY CRYING] 63 00:07:34,584 --> 00:07:35,716 ARE WE OK? 64 00:07:35,759 --> 00:07:37,021 HE'S FINE, HONEY. 65 00:07:37,065 --> 00:07:38,936 HE'S BEAUTIFUL. HE'S BEAUTIFUL. 66 00:07:38,980 --> 00:07:42,636 Woman: OH, HE'S PERFECT. CONGRATULATIONS DAD. 67 00:07:42,679 --> 00:07:44,507 HERE HE COMES. 68 00:07:44,551 --> 00:07:46,074 YOU DID REALLY WELL. 69 00:07:46,117 --> 00:07:50,339 OH, HI. OH, IT'S OK. 70 00:07:50,382 --> 00:07:53,647 OH, IT'S A BEAUTIFUL BABY BOY. YOU DID REALLY WELL. 71 00:07:53,690 --> 00:07:57,085 Woman: HE'S GOT HIS EYES OPEN. HE'S LOOKING AT YOU. 72 00:07:57,128 --> 00:07:58,739 WHAT'S HIS NAME? 73 00:07:58,782 --> 00:08:00,131 DANNY. 74 00:08:17,192 --> 00:08:18,672 Mother: DANNY. 75 00:08:18,715 --> 00:08:21,326 DANNY, COME HERE, SWEETIE. 76 00:08:21,370 --> 00:08:23,154 GET AWAY FROM THE ANTS. 77 00:08:26,593 --> 00:08:28,899 SEE, WE HAVE THE BEST-FED ANTS IN THE NEIGHBORHOOD. 78 00:08:28,943 --> 00:08:29,900 COME ON. 79 00:08:29,944 --> 00:08:31,380 HAVE TO DO THAT LATER. 80 00:08:31,423 --> 00:08:34,557 JASON, MY GUYS TOOK YOUR GUY'S GUN. 81 00:08:34,601 --> 00:08:36,298 CAN'T. IT'S ATTACHED TO HIS LEG. SEE? 82 00:08:36,341 --> 00:08:37,647 Man: OH, MY GOD. 83 00:08:37,691 --> 00:08:39,736 THAT'S ME, MAN. 84 00:08:41,651 --> 00:08:42,783 THAT'S ME. 85 00:08:42,826 --> 00:08:45,307 Mother: DANNY, PLAY NICE WITH YOUR BROTHER. 86 00:08:45,350 --> 00:08:49,093 WHAT'S THAT MUSIC YOU'RE USING? I REALLY DIG IT. 87 00:08:49,137 --> 00:08:52,749 [PIANO PLAYING] 88 00:08:52,793 --> 00:08:56,361 WHATEVER IT IS, IT'S TERRIFIC, MAN. 89 00:08:56,405 --> 00:08:58,799 IT REALLY... 90 00:08:58,842 --> 00:09:00,931 I DON'T KNOW... 91 00:09:00,975 --> 00:09:02,890 SUITS HIS LIFE SOMEHOW. 92 00:09:02,933 --> 00:09:05,632 Man: SO, DANNY, YOU STILL DRAWING? 93 00:09:05,675 --> 00:09:06,807 NOPE. 94 00:09:06,850 --> 00:09:08,373 NO? DIDN'T YOU WANT TO GROW UP 95 00:09:08,417 --> 00:09:10,027 TO BE AN ARTIST? 96 00:09:12,726 --> 00:09:14,118 THAT'S SOME OF THE OPENING SEQUENCE. 97 00:09:14,162 --> 00:09:17,165 THE REST NEEDS SOME FIXES AND TWEAKS. 98 00:09:17,208 --> 00:09:18,732 BUT RIGHT NOW, HE'S CLOCKING IN 99 00:09:18,775 --> 00:09:20,168 AT ONE HOUR AND 40 MINUTES. 100 00:09:20,211 --> 00:09:21,778 YEAH, THAT'S COOL. 101 00:09:23,606 --> 00:09:25,608 I JUST WANTED TO HAVE A LOOK... 102 00:09:25,652 --> 00:09:27,610 BEFORE THE REMEMORY TOMORROW. 103 00:09:27,654 --> 00:09:28,959 YOU KNOW. 104 00:09:29,003 --> 00:09:31,353 YOU'VE DONE A HELL OF A JOB WITH HIM, MR. HAKMAN. 105 00:09:31,396 --> 00:09:33,616 YOU'VE DONE THE SON OF A BITCH RIGHT. 106 00:09:33,660 --> 00:09:34,791 YOU'RE WELCOME. 107 00:09:37,881 --> 00:09:39,013 I DON'T SUPPOSE... 108 00:09:39,056 --> 00:09:41,755 THERE WAS A FISHING TRIP WHEN WE WERE 13-- 109 00:09:41,798 --> 00:09:43,408 JUST DANNY AND I AND DAD-- 110 00:09:43,452 --> 00:09:44,845 AT THE CAPE. 111 00:09:44,888 --> 00:09:45,976 YES, THAT ONE. 112 00:09:46,020 --> 00:09:47,978 MY GOD, THAT DAY IS STILL WITH ME. 113 00:09:48,022 --> 00:09:50,415 YOU REQUESTED IT SPECIFICALLY. IT'S THERE. 114 00:09:50,459 --> 00:09:53,244 WELL, I'LL BE OFF, THEN. 115 00:10:05,909 --> 00:10:06,997 Computer: CLOSING ZOE PROJECT, 116 00:10:07,041 --> 00:10:11,132 D. MONROE, ROUGH CUT 6. 117 00:10:11,175 --> 00:10:12,786 [BEEPING] 118 00:10:12,829 --> 00:10:16,616 OPENING D. MONROE, SCENE 127-Q. 119 00:10:16,659 --> 00:10:18,269 DANNY! AAH! 120 00:10:18,313 --> 00:10:19,662 I TOLD YOU TO SHUT UP! 121 00:10:19,706 --> 00:10:24,232 AAH! DANNY! DANNY, STOP! 122 00:10:24,275 --> 00:10:25,407 YOU-- 123 00:10:25,450 --> 00:10:26,800 [THUD] 124 00:10:26,843 --> 00:10:28,845 YOU DESERVE THIS, BITCH! 125 00:10:28,889 --> 00:10:30,281 [WOMAN CRYING] 126 00:10:30,325 --> 00:10:31,805 [SMACK] 127 00:10:31,848 --> 00:10:34,546 AAH! NO! GOD! WHAT ARE YOU DOING? 128 00:10:34,590 --> 00:10:35,896 [SMACK] 129 00:10:35,939 --> 00:10:39,464 NO! STOP! YOU'RE KILLING ME! 130 00:10:39,508 --> 00:10:40,857 STOP! 131 00:10:40,901 --> 00:10:42,772 [COMPUTER BEEPS] 132 00:10:44,252 --> 00:10:46,907 Computer: SCENE 127-Q DELETED. 133 00:10:57,787 --> 00:10:58,919 Woman on speaker: EYE TECH INTRODUCES 134 00:10:58,962 --> 00:11:02,183 THE NINTH GENERATION OF THE ZOE IMPLANT... 135 00:11:02,226 --> 00:11:03,837 FROM OUR FAMILY TO YOURS. 136 00:11:03,880 --> 00:11:06,666 Woman: DO YOU THINK WE'LL BE ABLE TO AFFORD ONE? 137 00:11:06,709 --> 00:11:08,885 YEP. 138 00:11:08,929 --> 00:11:11,061 I HOPE SO. 139 00:11:11,105 --> 00:11:14,543 WELL, WE CAN SAY IT'S WORTH IT, I THINK. 140 00:11:32,735 --> 00:11:34,563 EXCUSE ME. 141 00:11:38,872 --> 00:11:41,091 [DOOR CLOSES] 142 00:12:03,810 --> 00:12:06,508 Man: THIS GIRL WAS A COMPLETE WRECK-- 143 00:12:06,551 --> 00:12:09,946 DRINKING, DRUGS, IN AND OUT OF SCHOOLS. 144 00:12:09,990 --> 00:12:12,035 THEN SHE TURNS 21, AND SHE FINDS OUT 145 00:12:12,079 --> 00:12:13,950 ABOUT HER ZOE IMPLANT. 146 00:12:13,994 --> 00:12:16,431 COMPLETE 180. SHE'S BORN AGAIN. 147 00:12:16,474 --> 00:12:21,305 HER KNOWING THAT SOMEONE WOULD ONE DAY WATCH TRANSFORMS HER 148 00:12:21,349 --> 00:12:24,831 INTO THIS KIND, GENTLE, LOVING PERSON. 149 00:12:24,874 --> 00:12:26,789 SO, WHAT HAPPENED? 150 00:12:26,833 --> 00:12:28,748 SHE COMMITTED SUICIDE, 151 00:12:28,791 --> 00:12:30,097 TOOK A DIVE OFF HER BALCONY-- 152 00:12:30,140 --> 00:12:34,797 27 FLOORS STRAIGHT ONTO HER HEAD. 153 00:12:34,841 --> 00:12:36,320 THE IMPLANT WAS INSTANTLY VAPORIZED. 154 00:12:36,364 --> 00:12:39,323 CHARMING STORY, HASAN. PLEASE DO GO ON. 155 00:12:39,367 --> 00:12:40,194 Hasan: ALAN. 156 00:12:40,237 --> 00:12:42,065 THIS IS A RARE TREAT. 157 00:12:42,109 --> 00:12:46,026 ALAN. MICHAEL, THIS IS ALAN HAKMAN. 158 00:12:46,069 --> 00:12:46,983 HI. HI. 159 00:12:47,027 --> 00:12:48,985 IT'S AN HONOR TO MEET YOU. 160 00:12:49,029 --> 00:12:50,813 MIKE IS MY NEW ASSISTANT. 161 00:12:50,857 --> 00:12:51,988 WHAT HAPPENED TO EDDIE? 162 00:12:52,032 --> 00:12:54,991 EDDIE FREAKED OUT ON ME. STRUNG TOO TIGHT. 163 00:12:55,035 --> 00:12:57,820 HEY, ALAN, HAVE YOU SEEN THESE? 164 00:12:57,864 --> 00:12:59,387 THEY ARE ALL OVER TOWN. 165 00:12:59,430 --> 00:13:01,171 YOU KNOW, THESE ANTI-ZOE HIPPIES 166 00:13:01,215 --> 00:13:02,869 ALWAYS SEEMED A LITTLE CRAZY TO ME. 167 00:13:02,912 --> 00:13:07,003 BUT NOW THEY JUST SEEM CRAZY. 168 00:13:07,047 --> 00:13:09,005 LISTEN... 169 00:13:09,049 --> 00:13:10,920 "IT IS NOT OUR PLACE 170 00:13:10,964 --> 00:13:12,966 "TO SEE THROUGH OTHER PEOPLE'S EYES. 171 00:13:13,009 --> 00:13:16,578 THAT IS FOR GOD AND GOD ALONE." 172 00:13:16,621 --> 00:13:18,014 WHEW. 173 00:13:18,058 --> 00:13:20,625 ANYWAY, HOW'S THE MONROE PROJECT COMING? 174 00:13:20,669 --> 00:13:22,410 FINE. JUST FINE? 175 00:13:22,453 --> 00:13:25,152 JUST FINE. 176 00:13:25,195 --> 00:13:27,632 MICHAEL, IT'S YOUR GREAT PRIVILEGE 177 00:13:27,676 --> 00:13:28,808 TO MEET THIS MAN. 178 00:13:28,851 --> 00:13:29,983 HE'S THE BEST CUTTER IN TOWN. 179 00:13:30,026 --> 00:13:31,201 WHO'S YOUR ASSISTANT? 180 00:13:31,245 --> 00:13:32,986 I DON'T HAVE AN ASSISTANT. 181 00:13:33,029 --> 00:13:34,074 BECAUSE I HAVE A FRIEND 182 00:13:34,117 --> 00:13:35,989 THAT'S LOOKING TO GET INTO THE RACKET. 183 00:13:36,032 --> 00:13:39,035 I DON'T WORK WITH AN ASSISTANT. 184 00:13:39,079 --> 00:13:40,645 YOU HAVE SOMETHING FOR ME, THELMA. 185 00:13:40,689 --> 00:13:42,256 STRAIGHT TO BUSINESS. 186 00:13:42,299 --> 00:13:44,562 I GOT A JOB LAST WEEK THAT I PASSED ON, 187 00:13:44,606 --> 00:13:46,390 AND I THINK IT'S RIGHT UP YOUR ALLEY. 188 00:13:46,434 --> 00:13:48,523 YOU KNOW CHARLES BANNISTER? 189 00:13:48,566 --> 00:13:50,830 HIS WIDOW IS LOOKING FOR A CUTTER. 190 00:13:50,873 --> 00:13:52,222 BANNISTER, THE EYE TECH LAWYER? 191 00:13:52,266 --> 00:13:54,703 MM-HMM. HE WAS OUT JOGGING, AND HIS HEART COLLAPSED. 192 00:13:54,746 --> 00:13:57,053 WAIT A MINUTE. EYE TECH LET THAT FOOTAGE OUT? 193 00:13:57,097 --> 00:13:59,403 JENNIFER BANNISTER WON THE LAWSUIT AGAINST THEM 194 00:13:59,447 --> 00:14:01,144 AND CLAIMED HER HUSBAND'S IMPLANT. 195 00:14:01,188 --> 00:14:04,104 SHE INSISTED ON HAVING HER OWN CUTTER, TOO. 196 00:14:04,147 --> 00:14:05,235 AND WITH GOOD REASON. 197 00:14:05,279 --> 00:14:07,107 WE COULD HAVE TAKEN THAT JOB, YOU KNOW. 198 00:14:07,150 --> 00:14:08,456 AFTER CALDWELL, OUR SCHEDULE IS WIDE OPEN. 199 00:14:08,499 --> 00:14:10,893 I DON'T LIKE THE UGLY STUFF. 200 00:14:10,937 --> 00:14:13,069 IT GIVES ME NIGHTMARES. 201 00:14:13,113 --> 00:14:15,637 AND THIS PIG BANNISTER... 202 00:14:15,680 --> 00:14:18,901 HE'S HUMAN GARBAGE. 203 00:14:18,945 --> 00:14:20,163 I TOOK ONE LOOK AT THE FOOTAGE 204 00:14:20,207 --> 00:14:22,774 AND SENT IT STRAIGHT BACK. 205 00:14:22,818 --> 00:14:24,167 ANYWAY... 206 00:14:24,211 --> 00:14:26,256 SHE ONLY HIRED ME BECAUSE YOU WERE BUSY WITH MONROE. 207 00:14:26,300 --> 00:14:27,692 IT'S YOU SHE REALLY WANTS. 208 00:14:27,736 --> 00:14:28,911 I'M AVAILABLE. 209 00:14:28,955 --> 00:14:30,695 GOOD. 210 00:14:30,739 --> 00:14:33,916 OUR FRIEND ALAN, THAT'S HIS SPECIALTY, SO TO SPEAK. 211 00:14:33,960 --> 00:14:37,093 IF YOU CAN'T BEAR TO LOOK AT IT, HE WILL. 212 00:14:37,137 --> 00:14:38,921 I'LL TELL HER YOU'LL COME BY TOMORROW. 213 00:14:38,965 --> 00:14:40,488 SHE'LL BE EXPECTING YOU. 214 00:14:40,531 --> 00:14:41,968 UM... 215 00:14:42,011 --> 00:14:43,926 WE SHOULD ACTUALLY GO. 216 00:14:43,970 --> 00:14:46,015 OH, YES. REMEMORY IS IN 2 DAYS, 217 00:14:46,059 --> 00:14:48,148 AND WE'RE STILL CUTTING PICTURE. 218 00:14:48,191 --> 00:14:49,236 GODDAMN LAST-MINUTE JOBS. 219 00:14:49,279 --> 00:14:52,935 THELMA, COME ON. IT KEEPS YOU YOUNG. 220 00:14:52,979 --> 00:14:54,328 ALAN. 221 00:14:56,156 --> 00:14:57,635 HASAN. 222 00:14:57,679 --> 00:14:59,768 OH, HEY. ALAN. ALAN. 223 00:14:59,811 --> 00:15:01,117 I'VE BEEN WORKING ON 224 00:15:01,161 --> 00:15:03,206 THIS NEW SORTING PROGRAM FOR THE GUILLOTINE, 225 00:15:03,250 --> 00:15:04,512 AND I WOULD REALLY LOVE 226 00:15:04,555 --> 00:15:06,514 TO GET YOUR FEEDBACK ON IT, YOU KNOW. 227 00:15:06,557 --> 00:15:08,559 MAYBE ANOTHER TIME. 228 00:15:11,084 --> 00:15:13,347 YEAH, MAYBE SOME OTHER TIME. 229 00:15:31,974 --> 00:15:33,802 PUT IT IN ARCHIVES VERY GENTLY. 230 00:15:33,845 --> 00:15:35,151 SURE. ALL RIGHT. 231 00:15:35,195 --> 00:15:39,982 DELILA, IS SUICIDE UNDER SELF-HELP? 232 00:15:40,026 --> 00:15:42,071 WHAT ARE YOU DOING HERE? 233 00:15:42,115 --> 00:15:43,899 I JUST WANTED TO TALK. 234 00:15:46,032 --> 00:15:47,163 I'M BUSY. 235 00:15:47,207 --> 00:15:48,599 MM-HMM? MM-HMM. 236 00:15:50,166 --> 00:15:53,561 STORE'S STILL OPEN. IT'S THE 11:30 RUSH. 237 00:15:53,604 --> 00:15:55,824 BOOKS ARE FLYING OFF THE SHELF. 238 00:16:02,918 --> 00:16:04,615 WE CLOSE IN 20 MINUTES. 239 00:16:08,228 --> 00:16:09,969 [DOORBELL JINGLES] 240 00:16:14,321 --> 00:16:16,018 Delila: THIS IS EXCITING. 241 00:16:16,062 --> 00:16:17,672 YOU'VE NEVER HAD ME OVER BEFORE. 242 00:16:17,715 --> 00:16:19,369 Alan: YOU'VE ALWAYS WANTED TO SEE MY WORK. 243 00:16:19,413 --> 00:16:21,458 WELL, YOU'RE ALWAYS WORKING. 244 00:16:21,502 --> 00:16:24,157 I'M CURIOUS ABOUT WHAT TAKES UP ALL YOUR TIME. 245 00:17:13,119 --> 00:17:14,685 GUILLOTINE. 246 00:17:18,298 --> 00:17:20,039 YOU'RE LIKE A MORTICIAN... 247 00:17:21,127 --> 00:17:24,217 OR A PRIEST... 248 00:17:24,260 --> 00:17:26,262 OR A TAXIDERMIST. 249 00:17:26,306 --> 00:17:28,482 ALL OF THEM. 250 00:17:30,049 --> 00:17:31,485 I MEAN... 251 00:17:33,182 --> 00:17:35,445 YOU GET TO SEE LIFE UPON LIFE. 252 00:17:35,489 --> 00:17:38,100 MOST OF US GET ONLY ONE, IF THAT. 253 00:17:40,146 --> 00:17:42,409 WHAT ARE PEOPLE'S LIVES LIKE? 254 00:17:42,452 --> 00:17:44,802 DO THEY MAKE ANY SENSE? 255 00:17:44,846 --> 00:17:48,241 IT ALL SEEMS SO MASSIVE AND SO RANDOM. 256 00:17:48,284 --> 00:17:50,504 HAVE YOU EVER BEEN TO A REMEMORY? 257 00:17:52,288 --> 00:17:56,640 NO. WELL...ONCE, A FEW YEARS AGO. 258 00:17:56,684 --> 00:17:58,338 WHOSE? 259 00:17:59,774 --> 00:18:02,255 MY EX-BOYFRIEND. 260 00:18:02,298 --> 00:18:05,345 BUT I COULDN'T TAKE IT. I DIDN'T STAY. 261 00:18:05,388 --> 00:18:06,563 WHY NOT? 262 00:18:08,130 --> 00:18:10,089 BECAUSE IT JUST WASN'T... 263 00:18:12,352 --> 00:18:13,744 IT WASN'T HIM. 264 00:18:15,529 --> 00:18:18,271 AND I WANTED TO REMEMBER HIM MY WAY. 265 00:18:20,838 --> 00:18:22,013 SIT DOWN. 266 00:18:27,715 --> 00:18:28,933 THANK YOU. 267 00:18:28,977 --> 00:18:31,849 [BEEPING] 268 00:19:24,250 --> 00:19:27,688 IT'S LIKE YOU READ MY MIND, ALAN. 269 00:19:27,731 --> 00:19:31,170 I HAVE THIS RECURRING DREAM WHERE I'M AGING BACKWARDS. 270 00:20:07,249 --> 00:20:08,816 WOW. 271 00:20:14,865 --> 00:20:17,433 WHAT ABOUT ALL THE BITS IN BETWEEN? 272 00:20:17,477 --> 00:20:18,869 IT'S A MINIATURE-- 273 00:20:18,913 --> 00:20:21,437 CONCISE, SYMMETRICAL. 274 00:20:21,481 --> 00:20:24,179 THAT'S THE WAY THE WORLD LOOKS TO ME, 275 00:20:24,223 --> 00:20:25,398 THE WAY I SEE IT. 276 00:20:27,226 --> 00:20:30,229 HOW DO YOU DO THIS? 277 00:20:30,272 --> 00:20:32,448 IT'S WHAT I WAS MEANT TO DO. 278 00:20:32,492 --> 00:20:36,235 YOU WERE MEANT TO LIVE YOUR OWN LIFE, TOO. 279 00:20:42,328 --> 00:20:45,069 HEY. HEY. 280 00:20:59,475 --> 00:21:04,437 Woman: THE HOUSE WAS BIG, ENORMOUS, 281 00:21:04,480 --> 00:21:05,960 LIKE THIS ONE. 282 00:21:06,003 --> 00:21:08,571 AND WE DIDN'T CARE WHOSE HOUSE IT WAS. 283 00:21:08,615 --> 00:21:12,923 IT FELT...DANGEROUS TO BE THERE. 284 00:21:12,967 --> 00:21:14,751 IT FELT EXCITING. 285 00:21:16,362 --> 00:21:18,886 I CAN SEE THE GRASS. 286 00:21:18,929 --> 00:21:22,716 I CAN HEAR IT CRUNCHING BENEATH OUR FEET. 287 00:21:22,759 --> 00:21:24,370 AND THEN THE SPRINKLERS CAME ON... 288 00:21:24,413 --> 00:21:26,894 WHOOSH... ALL AROUND US, 289 00:21:26,937 --> 00:21:28,939 AND WE RAN. 290 00:21:30,941 --> 00:21:33,553 I REMEMBER THAT LIKE IT WAS YESTERDAY. 291 00:21:37,121 --> 00:21:40,647 DO YOU RECALL ANY MOMENTS WITH YOUR DAUGHTER? 292 00:21:40,690 --> 00:21:45,565 MMM...THIS ISN'T LONG AGO. 293 00:21:45,608 --> 00:21:48,785 WE WERE WATCHING ISABEL IN A SCHOOL TALENT SHOW. 294 00:21:48,829 --> 00:21:52,528 SHE WAS WONDERFUL THAT NIGHT. 295 00:21:52,572 --> 00:21:55,531 I THINK CHARLES AND I BOTH FELT 296 00:21:55,575 --> 00:21:58,621 WHAT AN AMAZING THING A FAMILY WAS. 297 00:21:58,665 --> 00:22:00,580 WE FELT IT TOGETHER. 298 00:22:02,451 --> 00:22:04,584 OH, SHE WAS UP THERE ON THAT STAGE. 299 00:22:07,021 --> 00:22:10,981 OH...GOODNESS. 300 00:22:11,025 --> 00:22:12,548 [SNIFFLES] 301 00:22:12,592 --> 00:22:14,115 EXCUSE ME. 302 00:22:14,158 --> 00:22:16,639 I KNOW THIS IS VERY HARD, MRS. BANNISTER, 303 00:22:16,683 --> 00:22:17,945 BUT IT'S IMPORTANT. 304 00:22:17,988 --> 00:22:20,513 IT'S THE FOUNDATION OF A CUTTER'S WORK. 305 00:22:20,556 --> 00:22:22,732 I NEED YOU AND YOUR FAMILY 306 00:22:22,776 --> 00:22:26,606 TO HELP ME CHOOSE THOSE MOMENTS YOU WANT TO KEEP. 307 00:22:26,649 --> 00:22:28,477 I WON'T BE ABLE TO DO YOUR HUSBAND JUSTICE 308 00:22:28,521 --> 00:22:31,567 IF I DON'T UNDERSTAND HIM THROUGH YOU. 309 00:22:34,788 --> 00:22:37,530 I HEARD YOU WERE THE BEST, 310 00:22:37,573 --> 00:22:40,794 THAT YOU WOULD KNOW HOW TO HANDLE CHARLES. 311 00:22:42,839 --> 00:22:47,191 MY HUSBAND WAS A GREAT MAN, MR. HAKMAN. 312 00:22:47,235 --> 00:22:50,325 HE DESERVES TO BE REMEMBERED AS A GREAT MAN. 313 00:22:50,369 --> 00:22:53,546 AFTER MY INITIAL CUT, I WILL NEED TO SPEAK WITH ISABEL. 314 00:22:57,201 --> 00:22:58,899 IS THAT NECESSARY? 315 00:23:05,427 --> 00:23:07,603 THERE'S NOTHING THAT ANY ONE OF YOU CAN TELL ME 316 00:23:07,647 --> 00:23:09,475 THAT I WON'T KNOW VERY SOON. 317 00:23:09,518 --> 00:23:12,347 OF COURSE. 318 00:23:12,391 --> 00:23:13,827 YES. 319 00:23:13,870 --> 00:23:15,002 ROM. 320 00:23:15,045 --> 00:23:16,307 [CLEARS THROAT] 321 00:23:18,832 --> 00:23:20,486 PLEASE CALL EYE TECH STORAGE. 322 00:23:20,529 --> 00:23:23,053 TELL THEM MR. HAKMAN WILL BE DROPPING BY. 323 00:23:23,097 --> 00:23:25,012 Rom: VERY GOOD, MA'AM. 324 00:23:25,055 --> 00:23:26,666 THANK YOU. 325 00:23:31,105 --> 00:23:33,629 I'VE, UM... I'VE SEEN REMEMORIES 326 00:23:33,673 --> 00:23:36,153 WHERE THE CUTTERS WERE CARELESS. 327 00:23:36,197 --> 00:23:37,764 THEY HAD NO RESPECT FOR THE DEAD. 328 00:23:37,807 --> 00:23:40,244 THE DEAD MEAN NOTHING TO ME, MRS. BANNISTER. 329 00:23:40,288 --> 00:23:42,725 I TOOK THIS PROJECT BECAUSE I RESPECT THE LIVING. 330 00:23:42,769 --> 00:23:47,904 [CROWD CHANTING "REMEMBER FOR YOURSELF"] 331 00:23:54,607 --> 00:23:58,480 [CHANTING "LIVE FOR TODAY"] 332 00:24:07,707 --> 00:24:11,885 [CROWD SHOUTING] 333 00:24:22,722 --> 00:24:25,942 YOU ARE BLASPHEMOUS, YOU FREAK! 334 00:24:25,986 --> 00:24:29,685 WHY DON'T YOU PEOPLE GO HOME? 335 00:24:29,729 --> 00:24:32,471 JUST GO HOME! SHOW SOME RESPECT! 336 00:24:32,514 --> 00:24:33,907 OPEN YOUR EYES! 337 00:24:36,692 --> 00:24:41,262 Man: I'M SORRY, MRS. MONROE. IT'S NEVER BEEN THIS BAD BEFORE. 338 00:24:45,788 --> 00:24:48,487 Man: SO... THIS IS HIM, HUH? 339 00:24:48,530 --> 00:24:50,489 THAT'S HIM. 340 00:25:06,156 --> 00:25:08,811 Woman: CAROLINE, ARE YOU ALL RIGHT? 341 00:25:13,381 --> 00:25:15,514 [SOFT MUSIC PLAYING] 342 00:25:18,734 --> 00:25:20,649 [BABY CRYING] 343 00:25:20,693 --> 00:25:23,565 Man: OH, YOU DID VERY WELL. 344 00:25:23,609 --> 00:25:27,787 OH, HI. OH, IT'S OK. 345 00:25:27,830 --> 00:25:30,703 SHH. OH... 346 00:25:30,746 --> 00:25:32,313 Woman: HE'S GOT HIS EYES OPEN. 347 00:25:32,356 --> 00:25:34,097 HE'S LOOKING AT YOU. 348 00:25:34,141 --> 00:25:35,795 WHAT'S HIS NAME? 349 00:25:35,838 --> 00:25:37,579 DANNY. HI, DANNY. 350 00:25:37,623 --> 00:25:39,276 OH, CAREFUL. 351 00:25:39,320 --> 00:25:42,758 HEY, DANIEL, WE GOT SOME VISITORS FOR YOU. 352 00:25:42,802 --> 00:25:45,674 UH-OH. LOOK. EVERYBODY'S HERE. 353 00:25:45,718 --> 00:25:48,808 LOOK. THERE'S YOUR GRANDMA. 354 00:25:48,851 --> 00:25:50,157 LOOK. THAT'S GRANDMA. 355 00:25:50,200 --> 00:25:51,724 HOW ARE YOU FEELING, ELIZA? 356 00:25:51,767 --> 00:25:54,814 I'M GOOD. I'M REALLY GOOD. 357 00:25:54,857 --> 00:25:55,728 EXCELLENT. 358 00:25:55,771 --> 00:25:58,469 LOOK WHAT I MADE. HA HA HA! 359 00:25:59,949 --> 00:26:02,212 THAT LOOKS REALLY GOOD, DANNY. 360 00:26:02,256 --> 00:26:04,650 OK. NOW GO WASH OUT YOUR BRUSH. 361 00:26:04,693 --> 00:26:07,740 HI. OH. 362 00:26:07,783 --> 00:26:09,611 COME ON, UNCLE. BRING A STEAK FOR US. 363 00:26:09,655 --> 00:26:11,439 SIT IN THE SHADE, HONEY. 364 00:26:11,482 --> 00:26:14,181 SO, DANNY, YOU STILL DRAWING? 365 00:26:14,224 --> 00:26:15,443 NOPE. 366 00:26:15,486 --> 00:26:17,663 NO? DIDN'T YOU WANT TO GROW UP TO BE AN ARTIST? 367 00:26:17,706 --> 00:26:18,838 NOT ANYMORE. 368 00:26:18,881 --> 00:26:20,709 NO? WHAT DID YOU WANT TO BE, THEN? 369 00:26:20,753 --> 00:26:22,189 A DOCTOR. 370 00:26:22,232 --> 00:26:24,583 A DOCTOR, EH? CLEVER KID. 371 00:26:24,626 --> 00:26:26,585 THAT'LL KEEP YOU IN THE BUCKS. 372 00:26:26,628 --> 00:26:27,890 WHY A DOCTOR? 373 00:26:27,934 --> 00:26:30,197 BECAUSE I WANT TO HELP PEOPLE WHEN THEY'RE HURT. 374 00:26:30,240 --> 00:26:32,634 WOULD YOU LISTEN TO THIS LITTLE KID? 375 00:26:32,678 --> 00:26:34,114 HEY, YOU GOT A GOOD HEART, DANNY. 376 00:26:34,157 --> 00:26:35,681 AND THAT'S ALL YOU NEED IN LIFE. 377 00:26:35,724 --> 00:26:38,553 NOW, COME ON. BE A GOOD BOY AND EAT YOUR LUNCH. 378 00:26:50,217 --> 00:26:53,176 NOW I MAKE THE INCISION HERE. 379 00:26:53,220 --> 00:26:55,048 HAND ME THE NUMBER 17, PLEASE. 380 00:26:55,091 --> 00:26:57,833 ACTUALLY, PROFESSOR, I THINK THE NUMBER 12 381 00:26:57,877 --> 00:26:59,792 WOULD BE MORE APPROPRIATE. 382 00:26:59,835 --> 00:27:04,274 YES. CORRECT. THE NUMBER 12. 383 00:27:04,318 --> 00:27:05,493 THANK YOU, MR. MONROE. 384 00:27:07,974 --> 00:27:12,892 HELLO THERE. I'M DR. DANIEL MONROE. 385 00:27:12,935 --> 00:27:14,284 I'VE SEEN YOU AROUND THE HOSPITAL 386 00:27:14,328 --> 00:27:17,679 THESE LAST FEW DAYS, AND I COULDN'T HELP BUT NOTICE 387 00:27:17,723 --> 00:27:20,116 THE MOST BEAUTIFUL WOMAN HERE. 388 00:27:20,160 --> 00:27:21,901 HA HA HA. 389 00:27:21,944 --> 00:27:24,730 I WAS WONDERING IF MAYBE YOU'D LIKE TO JOIN ME 390 00:27:24,773 --> 00:27:26,514 FOR DINNER SOMETIME. 391 00:27:26,557 --> 00:27:29,038 THAT MIGHT BE NICE. 392 00:27:29,082 --> 00:27:30,910 YOU LASTED LONGER THAN I THOUGHT YOU WOULD. 393 00:27:30,953 --> 00:27:33,434 COME ON, DANNY BOY. 394 00:27:33,477 --> 00:27:35,044 [LAUGHTER] 395 00:27:35,088 --> 00:27:38,091 [CHEERFUL CONVERSATION] 396 00:27:44,227 --> 00:27:46,708 IT'S A STRANGE PROFESSION YOU HAVE, 397 00:27:46,752 --> 00:27:49,493 ISN'T IT, ALAN? 398 00:27:49,537 --> 00:27:51,844 YOU TAKE PEOPLE'S LIVES, MAKE LIES OUT OF THEM. 399 00:27:51,887 --> 00:27:55,282 FLETCHER, IT'S BEEN A LONG TIME. 400 00:27:55,325 --> 00:27:56,849 8 YEARS. 401 00:27:56,892 --> 00:27:59,895 YEAH. WELL, I DON'T HAVE TIME TO CATCH UP RIGHT NOW. 402 00:27:59,939 --> 00:28:01,897 Voices on video: COME ON! SPEECH! 403 00:28:01,941 --> 00:28:04,552 SAY SOMETHING. SPEECH. 404 00:28:04,595 --> 00:28:06,902 Danny on video: I WANT TO THANK ALL OF YOU. 405 00:28:06,946 --> 00:28:10,297 I MEAN THAT. THIS IS THE BEST BIRTHDAY 406 00:28:10,340 --> 00:28:12,038 I HAVE EVER HAD. 407 00:28:12,081 --> 00:28:15,606 OH, HOW CAN YOU HANDLE IT, ALAN? 408 00:28:15,650 --> 00:28:17,304 PEOPLE SLEEPING AND SHITTING, 409 00:28:17,347 --> 00:28:19,262 PEOPLE STEALING FROM EACH OTHER, 410 00:28:19,306 --> 00:28:20,916 MANIPULATING EACH OTHER... 411 00:28:20,960 --> 00:28:22,396 THE OBSCENITY. 412 00:28:22,439 --> 00:28:23,571 SHH! 413 00:28:23,614 --> 00:28:26,313 I CAN'T TALK. I'M WORKING. 414 00:28:32,014 --> 00:28:34,843 WELL, NOW... I'M HURT. 415 00:28:34,887 --> 00:28:35,931 THAT'S NOT WHY I'M HERE. 416 00:28:35,975 --> 00:28:37,977 I'M BOOKED SOLID FOR THE NEXT 2 MONTHS. 417 00:28:38,020 --> 00:28:39,282 NO, NO, NO. 418 00:28:39,326 --> 00:28:41,415 I DON'T HAVE A JOB LEAD FOR YOU. 419 00:28:41,458 --> 00:28:43,939 ACTUALLY, YOU DO HAVE SOMETHING THAT I NEED, THOUGH. 420 00:28:43,983 --> 00:28:45,114 WHAT COULD I POSSIBLY HAVE THAT YOU WANT? 421 00:28:45,158 --> 00:28:47,377 I KNOW YOU'VE TAKEN THE BANNISTER PROJECT, 422 00:28:47,421 --> 00:28:48,596 AND I WANT IT. 423 00:28:51,381 --> 00:28:53,644 WOW. I THOUGHT YOU'D GIVEN UP CUTTING. 424 00:28:55,385 --> 00:28:59,389 I'M OFFERING YOU $500,000 IN CASH. 425 00:29:02,566 --> 00:29:05,134 OH, WHAT? THE CODE. WOULD YOU FORGET 426 00:29:05,178 --> 00:29:08,747 THE DAMN CODE AND GROW UP? THIS IS REAL LIFE NOW. 427 00:29:08,790 --> 00:29:12,402 [APPLAUSE] 428 00:29:20,846 --> 00:29:23,413 [SOFT CONVERSATION] 429 00:29:28,636 --> 00:29:30,943 HEY, DID YOU CHANGE THE COLOR OF OUR FISHING BOAT? 430 00:29:30,986 --> 00:29:32,335 I WOULD NEVER DO THAT. 431 00:29:32,379 --> 00:29:35,599 ARE YOU SURE? BECAUSE I REMEMBER IT BEING GREEN... 432 00:29:35,643 --> 00:29:36,992 NOT RED. 433 00:29:37,036 --> 00:29:40,343 WEIRD. LIKE, ALL MY MEMORIES IN THAT BOAT 434 00:29:40,387 --> 00:29:43,999 HAVE IT BEING GREEN. LIKE, IT JUST BLEW MY MIND. 435 00:29:44,043 --> 00:29:46,001 MAYBE IT WAS GREEN. 436 00:29:47,916 --> 00:29:49,875 WILL YOU EXCUSE ME? I HAVE TO GO. 437 00:29:49,918 --> 00:29:52,703 OK. RUSH, RUSH, RUSH. 438 00:29:52,747 --> 00:29:54,183 BEAUTIFUL WORK, MR. HAKMAN. 439 00:29:54,227 --> 00:29:56,446 I'LL KEEP YOU IN MIND FOR ME. 440 00:30:01,887 --> 00:30:04,846 AH, YES, THE QUESTIONS-- "I REMEMBER IT DIFFERENTLY. 441 00:30:04,890 --> 00:30:06,065 ARE YOU SURE THAT'S WHAT HAPPENED?" 442 00:30:06,108 --> 00:30:08,023 SOME OF US STILL LIVE BY THE CODE, FLETCHER. 443 00:30:08,067 --> 00:30:10,373 WE DIDN'T WALK AWAY. WE HAVE WHAT IT TAKES. 444 00:30:10,417 --> 00:30:11,810 AND WHAT DOES IT TAKE, ALAN? 445 00:30:11,853 --> 00:30:14,856 DELUSION? OBSESSION? GUILT? 446 00:30:14,900 --> 00:30:17,641 NO, I DON'T HAVE ANY OF THOSE, 447 00:30:17,685 --> 00:30:19,034 NOT AS MUCH AS YOU DO. 448 00:30:19,078 --> 00:30:21,167 I'LL BE IN TOUCH. 449 00:30:29,305 --> 00:30:31,264 AAH! 450 00:30:31,307 --> 00:30:33,222 WAIT! 451 00:30:33,266 --> 00:30:35,050 [THUD] 452 00:30:35,094 --> 00:30:39,011 [MUSIC PLAYING SOFTLY] 453 00:30:42,188 --> 00:30:44,059 Woman: MY HEART WAS IN MY THROAT. 454 00:30:44,103 --> 00:30:46,061 Man: OH, THAT PART WITH THE PARTNERS. 455 00:30:46,105 --> 00:30:47,628 COULD YOU BELIEVE THAT? 456 00:30:47,671 --> 00:30:49,891 Woman: IT'S THE REMEMORY YOUR HUSBAND DESERVED, CAROLINE. 457 00:30:49,935 --> 00:30:53,068 HE REALLY WAS SOMEONE SPECIAL. 458 00:30:53,112 --> 00:30:55,114 THANK YOU, NATHALIE. 459 00:30:55,157 --> 00:30:57,551 YEAH! OH, DANNY! DANNY! OH! 460 00:30:57,594 --> 00:30:59,553 [NATHALIE MOANING] 461 00:31:03,165 --> 00:31:05,864 EXCUSE ME. 462 00:31:05,907 --> 00:31:08,083 MR. HAKMAN. 463 00:31:08,127 --> 00:31:09,998 MRS. MONROE. 464 00:31:10,042 --> 00:31:12,914 WHY ARE THEY TATTOOED LIKE THAT? 465 00:31:12,958 --> 00:31:14,089 I'M NOT SURE. 466 00:31:14,133 --> 00:31:16,048 THEY'RE SO GROTESQUE, AREN'T THEY? 467 00:31:17,919 --> 00:31:19,878 SORRY ABOUT YOUR LOSS. 468 00:31:24,056 --> 00:31:25,971 THANK YOU. 469 00:31:26,014 --> 00:31:27,886 Man: LOOK! IT'S THE CUTTER! 470 00:31:27,929 --> 00:31:31,280 [CROWD SHOUTING] 471 00:31:37,025 --> 00:31:39,158 HEY, HEY! BACK OFF! BACK OFF! 472 00:31:39,201 --> 00:31:41,073 KEEP YOUR DISTANCE. 473 00:32:20,155 --> 00:32:23,942 Computer: RECEIVING ZOE FOOTAGE, CHARLES BANNISTER. 474 00:32:25,900 --> 00:32:26,988 PROCESSING... 475 00:32:27,032 --> 00:32:31,253 544,628 LIFE HOURS. 476 00:32:36,041 --> 00:32:38,173 SORTING LIFE FILES. 477 00:32:38,217 --> 00:32:41,655 CHILDHOOD...SLEEP... 478 00:32:41,698 --> 00:32:43,222 PUBERTY... 479 00:32:43,265 --> 00:32:47,574 EATING...AWKWARD PHASE... 480 00:32:47,617 --> 00:32:49,576 ROMANTIC LIFE... 481 00:32:49,619 --> 00:32:53,754 TEMPTATION... PERSONAL HYGIENE... 482 00:32:53,797 --> 00:32:58,019 RELIGION...TRAGEDY... 483 00:32:58,063 --> 00:32:59,803 WEDDING... 484 00:32:59,847 --> 00:33:03,416 MASTURBATION...FEARS... 485 00:33:03,459 --> 00:33:05,635 ATHLETICS... 486 00:33:05,679 --> 00:33:07,811 GROWTH SPURT... 487 00:33:07,855 --> 00:33:09,596 UNIVERSITY... 488 00:33:09,639 --> 00:33:13,252 VIOLENCE...SCHOOL... 489 00:33:13,295 --> 00:33:16,255 COURTSHIP...CAREER... 490 00:33:50,767 --> 00:33:52,465 Charles' voice: ...THESE DOCUMENTS, 491 00:33:52,508 --> 00:33:56,164 AND I'M QUITE CONCERNED ABOUT EYE TECH'S LIABILITY. 492 00:33:56,208 --> 00:33:58,210 I THINK IF ANY OF THIS WERE TO GET OUT, 493 00:33:58,253 --> 00:34:01,126 IT COULD BE QUITE DEVASTATING. 494 00:34:01,169 --> 00:34:05,173 WE DO HAVE $1.2 BILLION 495 00:34:05,217 --> 00:34:06,435 THAT WE WISH TO INVEST, 496 00:34:06,479 --> 00:34:09,264 AND I'M JUST WONDERING, WITH EYE TECH, 497 00:34:09,308 --> 00:34:10,700 IF THERE'S ANYTHING-- 498 00:34:10,744 --> 00:34:13,181 [GARBLED VOICE] 499 00:34:13,225 --> 00:34:15,314 WHAT DO YOU THINK? 500 00:34:17,316 --> 00:34:19,100 I LOVE IT. THANK YOU, CHARLES. 501 00:34:19,144 --> 00:34:22,190 HEY, CHARLIE, COME HELP ME BUILD A SANDCASTLE. 502 00:34:22,234 --> 00:34:24,279 HERE. USE MY SHOVEL. 503 00:34:24,323 --> 00:34:26,281 Charles' voice: HAPPY ANNIVERSARY, HONEY. 504 00:34:26,325 --> 00:34:28,022 IS IT KEYS? 505 00:34:28,066 --> 00:34:32,287 [GARBLED VOICES] 506 00:35:21,249 --> 00:35:23,338 [SILENCE] 507 00:35:36,612 --> 00:35:39,615 HI, BABY. YOU STILL AWAKE? 508 00:35:39,659 --> 00:35:41,139 NO. 509 00:35:46,405 --> 00:35:48,320 DADDY LOVES YOU SO MUCH. 510 00:35:48,363 --> 00:35:51,149 YOU KNOW THAT. 511 00:35:51,192 --> 00:35:54,239 I LOVE YOU, TOO, DAD. 512 00:35:54,282 --> 00:35:56,328 DO YOU WANT TO COME DOWN TO MY STUDY? 513 00:35:56,371 --> 00:36:00,114 I'D LIKE TO SHOW YOU WHAT I'M WORKING ON. 514 00:36:00,158 --> 00:36:01,550 WHAT ARE YOU WORKING ON? 515 00:36:01,594 --> 00:36:04,945 IT'S A NEW CASE. COME ON. 516 00:36:04,988 --> 00:36:06,512 OK. 517 00:36:18,263 --> 00:36:20,395 SO, HOW WAS SCHOOL TODAY? 518 00:36:20,439 --> 00:36:22,745 GOOD. WE READ A BOOK 519 00:36:22,789 --> 00:36:24,704 ABOUT KIPPER, THE SPARKY DOG. 520 00:36:24,747 --> 00:36:26,401 KIPPER, THE SPARKY DOG? 521 00:36:26,445 --> 00:36:30,057 MM-HMM. HE'S A VERY HAPPY DOG. 522 00:36:30,100 --> 00:36:31,406 OH. 523 00:36:31,450 --> 00:36:33,408 DADDY. WHAT, SWEETIE? 524 00:36:33,452 --> 00:36:34,583 CAN I HAVE A PET? 525 00:36:34,627 --> 00:36:37,804 WELL, MAYBE. WHAT KIND OF PET? 526 00:36:37,847 --> 00:36:39,501 MAYBE A KITTY. 527 00:36:39,545 --> 00:36:41,416 A KITTY? OF COURSE. 528 00:36:41,460 --> 00:36:43,984 GO ON IN, HONEY. 529 00:37:10,271 --> 00:37:11,446 DADDY. 530 00:37:11,490 --> 00:37:13,056 YES, SWEETIE? 531 00:37:13,100 --> 00:37:15,363 I WANT TO GO BACK TO BED. 532 00:37:15,407 --> 00:37:17,278 IN A LITTLE WHILE, BABY. 533 00:37:17,322 --> 00:37:19,367 IN A LITTLE WHILE. 534 00:37:34,077 --> 00:37:39,213 DADDY LOVES YOU SO MUCH. YOU KNOW THAT. 535 00:37:39,257 --> 00:37:40,475 AND I LOVE YOU, TOO, DAD. 536 00:37:40,519 --> 00:37:45,263 [PLAYING VIOLIN] 537 00:37:45,306 --> 00:37:46,394 THANK YOU. 538 00:37:46,438 --> 00:37:48,309 [APPLAUSE] 539 00:37:48,353 --> 00:37:50,311 WASN'T SHE WONDERFUL? 540 00:37:57,623 --> 00:37:59,277 YOU LOOK LOVELY, HONEY. 541 00:37:59,320 --> 00:38:00,495 THANK YOU. 542 00:38:00,539 --> 00:38:02,845 I'LL TELL ROM TO BRING UP SOME MORE CHAMPAGNE. 543 00:38:02,889 --> 00:38:03,759 FINE. 544 00:38:03,803 --> 00:38:06,109 WOULD YOU LIKE ONE, SIR? 545 00:38:06,153 --> 00:38:07,546 NO, THANK YOU. 546 00:38:18,905 --> 00:38:21,299 ISABEL WANTED TO STAY UP AND SAY HELLO, 547 00:38:21,342 --> 00:38:23,301 BUT THE POOR THING FELL ASLEEP. 548 00:38:23,344 --> 00:38:24,476 IT'S A BEAUTIFUL PICTURE. 549 00:38:24,519 --> 00:38:26,042 SHE'S A VERY BRIGHT LITTLE GIRL. 550 00:38:26,086 --> 00:38:29,350 YES, SHE IS. JENNIFER AND I ARE VERY LUCKY. 551 00:38:29,394 --> 00:38:30,656 WE'RE VERY FORTUNATE. 552 00:38:30,699 --> 00:38:32,962 WE'RE LOOKING FORWARD TO SPENDING-- 553 00:38:47,020 --> 00:38:48,326 HUH. 554 00:38:51,764 --> 00:38:53,156 SO, WHAT'S YOUR NAME? 555 00:38:53,200 --> 00:38:54,767 LOUIS. YOURS? 556 00:38:54,810 --> 00:38:56,508 ALAN. 557 00:39:21,315 --> 00:39:23,012 Computer: IDENTITY MATCH. 558 00:39:30,585 --> 00:39:32,326 SEARCHING. 559 00:39:47,559 --> 00:39:48,647 Alan: COME ON. 560 00:39:48,690 --> 00:39:50,126 Louis: NO, I CAN'T MOVE. 561 00:39:50,170 --> 00:39:52,390 I CAN'T MOVE! 562 00:39:52,433 --> 00:39:57,133 [VIDEO REWINDING] 563 00:39:57,177 --> 00:40:00,006 Fletcher: I KNOW YOU'VE TAKEN THE BANNISTER PROJECT, 564 00:40:00,049 --> 00:40:01,790 AND I WANT IT. 565 00:40:04,837 --> 00:40:06,708 I FOUND SOMETHING, DELILA. 566 00:40:06,752 --> 00:40:08,449 I MEAN, IN A NEW PROJECT-- 567 00:40:08,493 --> 00:40:10,799 SOMETHING VERY IMPORTANT, 568 00:40:10,843 --> 00:40:12,235 AND I HAVE TO EXPLORE IT. 569 00:40:12,279 --> 00:40:14,368 IT'S, UM... 570 00:40:14,412 --> 00:40:16,588 A NEW CUTTING PROJECT? 571 00:40:16,631 --> 00:40:18,633 THAT'S WHAT YOU'RE TALKING TO ME ABOUT, ALAN? 572 00:40:18,677 --> 00:40:20,548 WELL... MORE THAN THAT. 573 00:40:20,592 --> 00:40:22,594 ALAN, YOU'VE SEEN SO MUCH LIFE, 574 00:40:22,637 --> 00:40:24,813 AND SOMEHOW YOU MISS THE POINT. 575 00:40:24,857 --> 00:40:26,859 I MEAN, I HAVEN'T EVEN HEARD FROM YOU 576 00:40:26,902 --> 00:40:29,557 SINCE THAT NIGHT AT YOUR APARTMENT. 577 00:40:29,601 --> 00:40:31,080 I NEED YOU. 578 00:40:34,693 --> 00:40:36,085 WHY? 579 00:40:38,740 --> 00:40:40,438 WHY DO YOU NEED ME? 580 00:40:44,659 --> 00:40:46,182 THERE'S NO PLACE FOR ME WITH YOU. 581 00:40:46,226 --> 00:40:49,403 YOU HAVEN'T EVEN MADE ROOM FOR YOURSELF. 582 00:40:49,447 --> 00:40:53,668 YOU HAVE TO SEPARATE YOURSELF FROM THAT MACHINE. 583 00:40:53,712 --> 00:40:57,455 YEAH. YEAH. 584 00:40:57,498 --> 00:40:58,934 ALAN. 585 00:41:03,373 --> 00:41:05,506 [SIGHS DEEPLY] 586 00:41:27,789 --> 00:41:30,488 ALAN. YOU LOOK LIKE SHIT. 587 00:41:30,531 --> 00:41:31,880 WHAT HAPPENED TO YOUR FACE? 588 00:41:31,924 --> 00:41:33,491 THIS? 589 00:41:33,534 --> 00:41:37,190 RATHER NOT ELABORATE. COME IN. 590 00:41:37,233 --> 00:41:39,061 I MEAN...YOU DECIDED 591 00:41:39,105 --> 00:41:40,672 THAT THIS SCENE, THIS EVENT, 592 00:41:40,715 --> 00:41:42,630 IS WHAT MADE THIS WOMAN WHO SHE WAS. 593 00:41:42,674 --> 00:41:44,937 YOU'VE TAKEN THIS WOMAN'S ENTIRE LIFE 594 00:41:44,980 --> 00:41:47,287 AND DRAWN A STRAIGHT LINE FROM THIS PARTICULAR MOMENT. 595 00:41:47,330 --> 00:41:49,507 HOW CAN YOU MAKE A DECISION LIKE THAT? 596 00:41:49,550 --> 00:41:50,595 WHITTLING A LIFE DOWN TO ONE-- 597 00:41:50,638 --> 00:41:52,727 Thelma: MICHAEL, MICHAEL, 598 00:41:52,771 --> 00:41:54,773 WE HAVE TO MAKE STORY DECISIONS. 599 00:41:54,816 --> 00:41:56,688 OTHERWISE, THERE WILL BE NO REMEMORIES. 600 00:41:56,731 --> 00:41:58,559 YEAH, I JUST... I STILL DON'T BUY IT. 601 00:41:58,603 --> 00:42:00,648 WELL, YOU DON'T HAVE TO BUY IT. 602 00:42:00,692 --> 00:42:04,304 YOU JUST HAVE TO DO IT. TRUST ME. 603 00:42:06,219 --> 00:42:08,351 ALAN, DARLING, YOU LOOK SPOOKED. 604 00:42:08,395 --> 00:42:10,179 SORRY ABOUT THE PLACE. THE KIDS' A MESS. 605 00:42:10,223 --> 00:42:12,268 I NEED TO SPEAK WITH YOU ALONE. 606 00:42:15,489 --> 00:42:17,752 MICHAEL, HONEY, WOULD YOU RUN DOWN TO THE STORE 607 00:42:17,796 --> 00:42:19,711 AND BUY US SOME CIGARETTES? 608 00:42:19,754 --> 00:42:21,234 WE'VE GOT 8 PACKS ALREADY. 609 00:42:21,277 --> 00:42:23,715 WELL, THEN GO AND RETURN THEM, SWEETHEART. 610 00:42:23,758 --> 00:42:25,934 WE DON'T NEED SO MANY. 611 00:42:30,112 --> 00:42:31,374 [KISS] 612 00:42:32,637 --> 00:42:33,725 HE'S AN EMOTIONAL ONE. 613 00:42:33,768 --> 00:42:34,943 [DOOR CLOSES] 614 00:42:34,987 --> 00:42:38,773 NOW...ARE YOU ALL RIGHT? 615 00:42:38,817 --> 00:42:40,601 I SAW FLETCHER YESTERDAY. 616 00:42:40,645 --> 00:42:42,168 REALLY? 617 00:42:42,211 --> 00:42:43,604 YEAH. 618 00:42:43,648 --> 00:42:45,606 FLETCHER. HMM... 619 00:42:47,608 --> 00:42:50,219 NOW, HE WAS A GREAT ASSISTANT. 620 00:42:50,263 --> 00:42:52,700 WHAT HAPPENED TO HIM AFTER HE QUIT? 621 00:42:52,744 --> 00:42:55,137 HE SEEMS CHANGED. 622 00:42:55,181 --> 00:42:57,618 WE KEPT IN TOUCH FOR A FEW YEARS, 623 00:42:57,662 --> 00:42:59,577 AND THEN HIS SISTER LAURA-- 624 00:42:59,620 --> 00:43:01,753 YOU REMEMBER LAURA. 625 00:43:01,796 --> 00:43:03,711 SHE HAD A SON, DIED OF LEUKEMIA. 626 00:43:03,755 --> 00:43:05,452 HE WAS ONLY 12. 627 00:43:05,495 --> 00:43:07,628 SHE NEVER GOT OVER IT. 628 00:43:07,672 --> 00:43:08,977 SHE SPENT DAYS AND DAYS 629 00:43:09,021 --> 00:43:12,198 WATCHING HIS UNEDITED ZOE FOOTAGE... 630 00:43:12,241 --> 00:43:15,549 AND STOPPED SPEAKING TO EVERYONE. 631 00:43:15,593 --> 00:43:18,770 AND THEN SHE DIDN'T EVEN RECOGNIZE WHO FLETCHER WAS. 632 00:43:18,813 --> 00:43:21,729 AFTER THAT, HE DROPPED OFF THE MAP COMPLETELY. 633 00:43:21,773 --> 00:43:23,426 DO YOU THINK HE COULD BE INVOLVED 634 00:43:23,470 --> 00:43:24,863 WITH ANTI-IMPLANT GROUPS? 635 00:43:24,906 --> 00:43:26,473 I'VE HEARD RUMORS... 636 00:43:26,516 --> 00:43:29,389 TALK OF THEM BEING ORGANIZED BY AN EX-CUTTER. 637 00:43:29,432 --> 00:43:32,653 I NEVER THOUGHT IT COULD BE FLETCHER. 638 00:43:32,697 --> 00:43:35,787 HE WANTS TO BUY BANNISTER'S FOOTAGE. 639 00:43:35,830 --> 00:43:37,789 THESE ANTI-IMPLANT GROUPS 640 00:43:37,832 --> 00:43:41,096 HAVE BECOME LIKE RELIGIOUS FANATICS. 641 00:43:41,140 --> 00:43:45,710 THEY GAVE MICHAEL ONE HELL OF A BEATING LAST NIGHT. 642 00:43:45,753 --> 00:43:48,234 SO IT'S NOT JUST TALK ANYMORE. 643 00:43:49,496 --> 00:43:52,194 YOU KNOW, IF THEY WANT BANNISTER'S LIFE, 644 00:43:52,238 --> 00:43:53,892 THE BASTARD'S NOT WORTH FIGHTING FOR. 645 00:43:53,935 --> 00:43:55,458 GIVE THE FOOTAGE BACK TO HIS WIDOW. 646 00:43:55,502 --> 00:43:56,721 LET HER DEAL WITH IT. 647 00:43:56,764 --> 00:43:58,244 I CAN'T GIVE IT BACK. 648 00:43:58,287 --> 00:44:00,681 THERE'S SOMEONE IN THAT PROJECT I HAVEN'T SEEN FOR YEARS. 649 00:44:00,725 --> 00:44:02,161 OH, I HATE WHEN THAT HAPPENS. 650 00:44:02,204 --> 00:44:03,075 OH, YEAH. 651 00:44:03,118 --> 00:44:06,513 HE'S AT A PARTY, IN A CROWD, 652 00:44:06,556 --> 00:44:08,254 NEVER MENTIONED BY NAME. 653 00:44:08,297 --> 00:44:09,777 I'VE GOT TO FIND HIM, THOUGH. 654 00:44:09,821 --> 00:44:12,040 HE'S NOT A MAIN CHARACTER IN BANNISTER'S LIFE. 655 00:44:12,084 --> 00:44:13,868 IT'LL TAKE THE GUILLOTINE DAYS 656 00:44:13,912 --> 00:44:15,478 TO TRACK HIS FACE THROUGH THE FOOTAGE. 657 00:44:15,522 --> 00:44:17,306 WHO IS THIS PERSON? 658 00:44:19,918 --> 00:44:22,181 JUST SOMEONE FROM MY CHILDHOOD. 659 00:44:22,224 --> 00:44:25,706 BANNISTER'S LIFE IS MY ONLY LEAD. 660 00:44:28,753 --> 00:44:30,885 OK. GO THROUGH THE FAMILY, 661 00:44:30,929 --> 00:44:32,887 SNOOP AROUND, TELL THEM 662 00:44:32,931 --> 00:44:35,368 YOU'RE DOING RESEARCH FOR THE PROJECT. 663 00:44:35,411 --> 00:44:38,850 IT MIGHT BE FASTER THAN WAITING FOR THE GUILLOTINE. 664 00:44:40,590 --> 00:44:42,505 BE CAREFUL, ALAN. 665 00:44:57,956 --> 00:44:59,566 SO... 666 00:44:59,609 --> 00:45:01,699 HOW IS IT THAT YOU AND I KNOW EACH OTHER AGAIN? 667 00:45:01,742 --> 00:45:03,265 WE DON'T. 668 00:45:03,309 --> 00:45:05,920 THAT'S THE WRONG ANSWER, PAL. 669 00:45:05,964 --> 00:45:09,750 WE SHARE A MUTUAL FRIEND--BILLY FINCH. 670 00:45:09,794 --> 00:45:11,012 BILLY WHO? 671 00:45:11,056 --> 00:45:12,797 DON'T PLAY GAMES. I KNOW YOU BETTER THAN THAT. 672 00:45:12,840 --> 00:45:14,886 I KNOW ALL YOUR LITTLE SECRETS, OLIVER. 673 00:45:14,929 --> 00:45:16,496 HOW DO YOU KNOW MY NAME? 674 00:45:16,539 --> 00:45:19,325 I KNOW THAT YOU SUFFOCATED THOSE KITTENS WHEN YOU WERE 13. 675 00:45:19,368 --> 00:45:22,328 I KNOW THAT THAT SCAR ON YOUR HEAD WAS SELF-INFLICTED, 676 00:45:22,371 --> 00:45:23,808 AND I KNOW THAT YOU SOLD BILLY THE GUN 677 00:45:23,851 --> 00:45:25,897 THAT HE KILLED HIS BROTHER WITH. 678 00:45:25,940 --> 00:45:27,986 THEY SAY THAT FRIENDS HELP YOU MOVE, 679 00:45:28,029 --> 00:45:31,380 BUT GOOD FRIEND HELP YOU MOVE BODIES, DON'T THEY? 680 00:45:31,424 --> 00:45:33,687 I JUST WANT WHAT BILLY WANTED-- 681 00:45:33,731 --> 00:45:35,254 A GUN. 682 00:45:41,956 --> 00:45:43,784 TAKE IT. TAKE IT. 683 00:45:47,005 --> 00:45:49,137 AND...AND THESE. TAKE THESE. 684 00:45:49,181 --> 00:45:50,835 TAKE THEM ALL. TAKE THEM ALL. 685 00:45:50,878 --> 00:45:54,882 PLEASE GO, OK? JUST GO. 686 00:45:54,926 --> 00:45:58,364 THANK YOU, OLLIE. 687 00:45:58,407 --> 00:45:59,974 TAKE CARE. 688 00:46:12,073 --> 00:46:13,901 Woman on speaker: THE STAR TRAIN 689 00:46:13,945 --> 00:46:16,817 IS NOW ARRIVING ON PLATFORM 5. 690 00:46:16,861 --> 00:46:19,254 I'M HERE. 691 00:46:19,298 --> 00:46:20,995 IS THIS WHY YOU WANTED TO MEET ME HERE? 692 00:46:21,039 --> 00:46:24,956 I THOUGHT IT WOULD BE SAFER THIS WAY. 693 00:46:24,999 --> 00:46:25,957 HOW'S THELMA DOING? 694 00:46:26,000 --> 00:46:27,610 I CAN'T GIVE YOU BANNISTER, 695 00:46:27,654 --> 00:46:29,961 AND YOU KNOW I CAN'T. 696 00:46:30,004 --> 00:46:34,095 IT'S UNBELIEVABLE, WHEN YOU THINK ABOUT IT. 697 00:46:34,139 --> 00:46:37,664 ONE IN 20 OF THESE PEOPLE HAS AN IMPLANT. 698 00:46:37,707 --> 00:46:40,798 HOW WILL THAT BABY REMEMBER HIS MOTHER YEARS FROM NOW? 699 00:46:40,841 --> 00:46:43,365 WILL HE REMEMBER THE SPECIAL MOMENTS BETWEEN THEM 700 00:46:43,409 --> 00:46:47,413 OR MOMENTS SOMEONE LIKE YOU DECIDES ARE SPECIAL? 701 00:46:47,456 --> 00:46:49,023 MY JOB IS TO HELP PEOPLE REMEMBER 702 00:46:49,067 --> 00:46:51,199 WHAT THEY WANT TO REMEMBER, FLETCHER. 703 00:46:51,243 --> 00:46:55,029 AH. OH, THAT'S...NOBLE. BUT I DON'T THINK 704 00:46:55,073 --> 00:46:56,988 YOU UNDERSTAND THE SCOPE OF THE DAMAGE. 705 00:46:57,031 --> 00:46:59,468 THERE IS NO WAY TO MEASURE THE PROFOUND EFFECT 706 00:46:59,512 --> 00:47:02,820 THE ZOE IMPLANT HAS HAD ON THE WAY PEOPLE RELATE TO EACH OTHER. 707 00:47:02,863 --> 00:47:06,432 "AM I BEING FILMED? SHOULD I SAY THIS OR NOT? 708 00:47:06,475 --> 00:47:07,955 "WHAT WILL THEY THINK IN 30 YEARS 709 00:47:07,999 --> 00:47:10,001 IF I DO THIS OR THAT?" AND WHAT ABOUT 710 00:47:10,044 --> 00:47:12,090 THE SIMPLE RIGHT NOT TO BE PHOTOGRAPHED? 711 00:47:12,133 --> 00:47:14,614 THE RIGHT NOT TO POP UP IN SOME GUY'S REMEMORY 712 00:47:14,657 --> 00:47:16,137 WITHOUT EVEN KNOWING YOU WERE BEING FILMED? 713 00:47:16,181 --> 00:47:17,835 I DIDN'T INVENT THE TECHNOLOGY. 714 00:47:17,878 --> 00:47:20,881 IF PEOPLE DIDN'T WANT IT, THEY WOULDN'T BUY IT, FLETCHER. 715 00:47:20,925 --> 00:47:22,187 IT FULFILLS A HUMAN NEED. 716 00:47:22,230 --> 00:47:25,364 ALAN, YOU TAKE MURDERERS AND MAKE THEM SAINTS. 717 00:47:25,407 --> 00:47:28,019 THAT'S WHY WE NEED CHARLES BANNISTER. 718 00:47:28,062 --> 00:47:29,542 HE WAS A PUBLIC FIGURE FOR EYE TECH, 719 00:47:29,585 --> 00:47:30,543 THEIR STAR ATTORNEY-- 720 00:47:30,586 --> 00:47:32,240 WELL RESPECTED, LOVED HIS FAMILY, 721 00:47:32,284 --> 00:47:34,373 GAVE TO CHARITY, AND IF YOU GET THROUGH WITH HIM, 722 00:47:34,416 --> 00:47:36,201 THAT'S ALL ANYONE WILL EVER KNOW. 723 00:47:36,244 --> 00:47:39,291 BUT BANNISTER IS THE FIRST EYE TECH EMPLOYEE 724 00:47:39,334 --> 00:47:41,728 WHOSE IMPLANT HAS LEFT THE CONFINES OF THE CORPORATION. 725 00:47:41,771 --> 00:47:43,904 HIS WIDOW FOUGHT FOR THAT. 726 00:47:43,948 --> 00:47:45,297 WE KNOW SHE'S HIDING SOMETHING 727 00:47:45,340 --> 00:47:47,952 ABOUT HIM AND HIS DAUGHTER, AND WE'RE GONNA FIND IT. 728 00:47:47,995 --> 00:47:49,997 EYE TECH'S HANDS AREN'T CLEAN. 729 00:47:50,041 --> 00:47:51,433 BANNISTER'S IMPLANT IS EVIDENCE. 730 00:47:51,477 --> 00:47:53,044 SO YOU WANT TO DESTROY EYE TECH WITH A SCANDAL? 731 00:47:53,087 --> 00:47:56,221 ABSOLUTELY. THE PRESS WOULD GO APESHIT. 732 00:47:56,264 --> 00:47:58,049 HE'S THE PERFECT CANDIDATE. 733 00:47:58,092 --> 00:48:00,878 I MUST HAVE HIS FOOTAGE. 734 00:48:03,315 --> 00:48:05,534 IS THIS ABOUT YOUR SISTER? 735 00:48:07,797 --> 00:48:09,930 DON'T EVEN SAY HER NAME. 736 00:48:09,974 --> 00:48:12,063 YOU DON'T KNOW ANYTHING ABOUT THAT. 737 00:48:14,848 --> 00:48:16,328 SHE HAS NOTHING TO DO WITH IT. 738 00:48:16,371 --> 00:48:19,157 THESE IMPLANTS DISTORT PERSONAL HISTORY 739 00:48:19,200 --> 00:48:21,724 AND THEREFORE ALL HISTORY, 740 00:48:21,768 --> 00:48:24,031 AND I WILL NOT STAND BY WHILE THE PAST IS REWRITTEN 741 00:48:24,075 --> 00:48:25,946 FOR THE SAKE OF PLEASANT REMEMORIES. 742 00:48:25,990 --> 00:48:28,166 TELL ME SOMETHING. WHY IS YOUR NAME 743 00:48:28,209 --> 00:48:29,515 THE FIRST ON THE LIST 744 00:48:29,558 --> 00:48:31,299 FOR CUTTING SCUMBAGS AND LOWLIFES? 745 00:48:31,343 --> 00:48:32,692 BECAUSE I FORGIVE PEOPLE LONG AFTER 746 00:48:32,735 --> 00:48:35,086 THEY COULD BE PUNISHED FOR THEIR SINS. 747 00:48:35,129 --> 00:48:37,784 I KNOW WHAT YOU DO. 748 00:48:37,827 --> 00:48:40,918 WHY DO YOU DO IT? 749 00:48:40,961 --> 00:48:42,832 DO YOU KNOW WHAT A SIN EATER IS? 750 00:48:46,097 --> 00:48:48,316 IT'S PART OF AN ANCIENT TRADITION. 751 00:48:48,360 --> 00:48:52,190 WHEN SOMEONE WOULD DIE, THEY WOULD CALL FOR A SIN EATER. 752 00:48:53,539 --> 00:48:56,498 SIN EATERS WERE SOCIAL OUTCASTS, MARGINALS. 753 00:48:56,542 --> 00:48:58,413 THEY WOULD LAY OUT THE BODY, 754 00:48:58,457 --> 00:49:00,111 PUT BREAD AND SALT ON THE CHEST, 755 00:49:00,154 --> 00:49:02,374 COINS UPON THE EYES. 756 00:49:02,417 --> 00:49:04,898 THE SIN EATER WOULD EAT THE BREAD AND SALT, 757 00:49:04,942 --> 00:49:06,944 TAKE THE COINS AS PAYMENT. 758 00:49:06,987 --> 00:49:09,990 BY DOING THIS, THE EATER ABSORBED 759 00:49:10,034 --> 00:49:11,426 THE SINS OF THE DECEASED, 760 00:49:11,470 --> 00:49:13,776 CLEANSING THEIR SOUL AND ALLOWING THEM SAFE PASSAGE 761 00:49:13,820 --> 00:49:16,562 INTO THE AFTERLIFE. 762 00:49:16,605 --> 00:49:17,955 THAT WAS THEIR JOB. 763 00:49:22,394 --> 00:49:24,135 AND WHAT ABOUT THE SIN EATER 764 00:49:24,178 --> 00:49:26,180 WHO BEARS THE BURDEN OF ALL THOSE WRONGS? 765 00:49:27,442 --> 00:49:30,315 ARE YOU WORRIED ABOUT MY SOUL, FLETCHER? 766 00:49:33,187 --> 00:49:35,102 I WILL HAVE BANNISTER. 767 00:49:35,146 --> 00:49:37,844 I CAN'T GIVE HIM TO YOU. 768 00:49:40,194 --> 00:49:42,849 YOU SEE THAT MAN BEHIND ME? 769 00:49:44,198 --> 00:49:46,592 I DON'T WANT TO BRING HIM INTO THIS CONVERSATION, 770 00:49:46,635 --> 00:49:49,377 BUT I WILL IF YOU LEAVE ME NO OTHER CHOICE. 771 00:49:51,075 --> 00:49:53,642 ALAN. 772 00:49:53,686 --> 00:49:55,557 ALAN! 773 00:50:01,172 --> 00:50:05,393 [GARBLED VOICES] 774 00:50:18,450 --> 00:50:20,408 DO YOU REMEMBER THE MOMENT 775 00:50:20,452 --> 00:50:22,889 YOU FIRST FELL IN LOVE WITH YOUR HUSBAND? 776 00:50:22,932 --> 00:50:24,238 [SIGHS] 777 00:50:24,282 --> 00:50:26,066 GOODNESS. 778 00:50:26,110 --> 00:50:29,678 HOW CAN YOU ANSWER A QUESTION LIKE THAT? UM... 779 00:50:29,722 --> 00:50:31,158 THE PIER? 780 00:50:31,202 --> 00:50:32,203 YES, THE PIER. 781 00:50:32,246 --> 00:50:34,292 HE HAD TAKEN ME DOWN TO THE PIER. 782 00:50:34,335 --> 00:50:38,252 IT WAS SPRINGTIME. WE WERE WALKING, AND HE WAS GOING ON-- 783 00:50:38,296 --> 00:50:39,471 THIS WAS DURING COLLEGE? 784 00:50:39,514 --> 00:50:41,255 YES, I WAS IN COLLEGE, 785 00:50:41,299 --> 00:50:44,171 AND I REMEMBER, I LOOKED UP AT HIM, AND I THOUGHT, 786 00:50:44,215 --> 00:50:47,261 THIS IS THE MAN I WANT TO SPEND THE REST OF MY LIFE WITH. 787 00:50:49,176 --> 00:50:51,309 I JUST HAVE ONE MORE QUESTION. 788 00:50:51,352 --> 00:50:53,093 THERE WAS A MAN AT ONE OF YOUR PARTIES. 789 00:50:53,137 --> 00:50:55,400 A MAN? A MAN WITH GLASSES. 790 00:50:55,443 --> 00:50:57,880 YOU MAY HAVE NOTICED THEM. THEY'RE VERY THICK GLASSES. 791 00:50:57,924 --> 00:51:00,187 THICK GLASSES? 792 00:51:00,231 --> 00:51:02,668 MR. HAKMAN, HOW IS THIS RELEVANT? 793 00:51:02,711 --> 00:51:06,019 MINOR PEOPLE I DON'T EVEN KNOW HAVE NO PLACE IN THE REMEMORY. 794 00:51:06,063 --> 00:51:08,282 FAMILY... 795 00:51:08,326 --> 00:51:10,067 CAREER... 796 00:51:10,110 --> 00:51:11,459 COMMUNITY. 797 00:51:11,503 --> 00:51:13,331 THAT'S ALL I WANT. 798 00:51:13,374 --> 00:51:15,681 CUT EVERYTHING ELSE. 799 00:51:15,724 --> 00:51:18,466 WELL, MAYBE I COULD SPEAK WITH ISABEL? 800 00:51:19,772 --> 00:51:21,339 RIGHT NOW? 801 00:51:21,382 --> 00:51:24,603 IT WOULD BE VERY HELPFUL. 802 00:51:24,646 --> 00:51:27,562 [SIGHS] YES, OF COURSE. 803 00:51:30,957 --> 00:51:32,828 ISABEL? 804 00:51:35,657 --> 00:51:38,921 REMEMBER WHAT I TOLD YOU? 805 00:51:38,965 --> 00:51:41,489 MR. HAKMAN WANTS TO TALK TO YOU ABOUT DADDY. 806 00:51:41,533 --> 00:51:43,317 IT'S FOR DADDY'S REMEMORY. 807 00:51:43,361 --> 00:51:45,145 Man: MRS. BANNISTER. 808 00:51:45,189 --> 00:51:48,757 WE HAVE A PROBLEM WITH THE CATERERS. 809 00:51:55,721 --> 00:51:57,940 HI, ISABEL. 810 00:51:57,984 --> 00:51:59,333 HELLO, MR. HAKMAN. 811 00:51:59,377 --> 00:52:01,944 "MR. HAKMAN." THAT'S VERY FORMAL. 812 00:52:01,988 --> 00:52:04,164 MY NAME IS ALAN. 813 00:52:04,208 --> 00:52:07,298 BEAUTIFUL HOUSE. WHAT'S GOING ON IN THERE? 814 00:52:07,341 --> 00:52:09,865 BIRTHDAY PARTY FOR MR. FROGGY. 815 00:52:09,909 --> 00:52:11,867 DO YOU THINK MR. FROGGY WOULD MIND 816 00:52:11,911 --> 00:52:15,001 IF I TOOK YOU AWAY FROM THE PARTY FOR A MINUTE? 817 00:52:15,044 --> 00:52:16,307 OK. 818 00:52:30,277 --> 00:52:32,540 WHO'S THAT IN YOUR ARMS? 819 00:52:32,584 --> 00:52:33,541 MY DOLL. 820 00:52:33,585 --> 00:52:35,674 OH. WHAT'S HER NAME? 821 00:52:35,717 --> 00:52:40,069 SHE DOESN'T HAVE A NAME. SHE'S JUST A DOLL. SEE? 822 00:52:44,378 --> 00:52:46,337 ISABEL, YOUR DADDY-- 823 00:52:46,380 --> 00:52:48,382 MY DADDY IS THE BEST DADDY IN THE WORLD. 824 00:52:48,426 --> 00:52:50,863 HE HAD A REALLY BIG MEETING ONE DAY, 825 00:52:50,906 --> 00:52:53,605 BUT INSTEAD, HE TOOK ME HORSEBACK RIDING. 826 00:52:53,648 --> 00:52:56,434 HE WOULD READ ME STORIES BEFORE BED EVERY NIGHT. 827 00:52:56,477 --> 00:52:59,176 SOMETIMES HE WOULD MAKE IT UP AS HE WENT ALONG, 828 00:52:59,219 --> 00:53:01,787 AND I KNEW, BUT I DIDN'T CARE. 829 00:53:04,181 --> 00:53:07,184 YOUR MOM SAID I WAS HERE TO TALK ABOUT YOUR DAD. 830 00:53:07,227 --> 00:53:10,970 BUT WE DON'T HAVE TO DO THAT IF YOU DON'T WANT. 831 00:53:11,013 --> 00:53:13,277 I DON'T WANT.OK. 832 00:53:13,320 --> 00:53:15,409 THEN WE WON'T. 833 00:53:20,414 --> 00:53:23,025 WHEN I WAS A LITTLE OLDER THAN YOU, 834 00:53:23,069 --> 00:53:24,940 I LOST BOTH MY PARENTS. 835 00:53:26,942 --> 00:53:29,380 NOT MANY PEOPLE KNOW WHAT YOU'RE FEELING. 836 00:53:29,423 --> 00:53:32,339 NOT MANY PEOPLE UNDERSTAND. 837 00:53:32,383 --> 00:53:33,558 BUT I DO. 838 00:53:35,647 --> 00:53:39,085 YOU DON'T WANT ME NOSING AROUND, ASKING QUESTIONS. 839 00:53:39,128 --> 00:53:41,043 AND YOU'RE RIGHT. 840 00:53:45,091 --> 00:53:46,440 OK. 841 00:53:48,747 --> 00:53:50,401 ALAN... 842 00:53:50,444 --> 00:53:55,232 IT'S NOT REALLY MR. FROGGY'S BIRTHDAY. 843 00:53:55,275 --> 00:53:57,234 IT'S IN A WEEK. 844 00:54:00,846 --> 00:54:04,850 CAN I ASK ONE QUESTION? AND THEN I'M GONE. 845 00:54:04,893 --> 00:54:07,809 THERE WAS A MAN WHO WAS AT ONE OF YOUR PARENTS' PARTIES. 846 00:54:07,853 --> 00:54:10,334 THE THING THAT'S SPECIAL ABOUT THIS MAN 847 00:54:10,377 --> 00:54:13,337 IS HE WORE GLASSES THAT WERE VERY, VERY THICK. 848 00:54:13,380 --> 00:54:15,861 THEY'RE ALMOST LIKE THE BOTTOM OF A GLASS BOTTLE. 849 00:54:15,904 --> 00:54:19,168 MR. HUNT. I TOOK HIM THE INVITATION. 850 00:54:20,300 --> 00:54:21,432 MR. HUNT? 851 00:54:21,475 --> 00:54:24,478 WAS HIS NAME... LOUIS HUNT? 852 00:54:24,522 --> 00:54:26,132 HE WAS MY TEACHER. 853 00:54:26,175 --> 00:54:28,439 REALLY? WHAT DOES HE TEACH? 854 00:54:28,482 --> 00:54:31,442 HE DOESN'T TEACH ANYMORE. 855 00:54:31,485 --> 00:54:34,880 HE DIED IN A CAR ACCIDENT A YEAR AGO. 856 00:54:34,923 --> 00:54:36,142 IT WAS VERY SAD. 857 00:54:36,185 --> 00:54:38,840 DID YOU HAVE A REMEMORY, LIKE FOR YOUR FATHER? 858 00:54:38,884 --> 00:54:41,103 I DON'T KNOW. WE JUST HAD A DAY AT SCHOOL 859 00:54:41,147 --> 00:54:42,757 WHERE WE TALKED ABOUT HIM. 860 00:54:45,369 --> 00:54:47,588 THANK YOU, ISABEL. 861 00:54:52,245 --> 00:54:53,420 ALAN. 862 00:54:55,509 --> 00:54:58,338 ARE YOU GONNA FIX WHAT MY DADDY CAN REMEMBER? 863 00:55:02,560 --> 00:55:04,301 IN A WAY...YES. 864 00:55:06,390 --> 00:55:08,914 CAN YOU MAKE HIM FORGET THAT I... 865 00:55:08,957 --> 00:55:12,352 THAT I DREW ON HIS CONTRACT WITH CRAYON? 866 00:55:12,396 --> 00:55:13,788 I WILL. 867 00:55:13,832 --> 00:55:16,487 AND THAT I PULLED DOTTIE'S HAIR SO HARD THAT SHE CRIED. 868 00:55:16,530 --> 00:55:18,445 WILL HE FORGET THAT? 869 00:55:18,489 --> 00:55:21,535 HE'LL FORGET. 870 00:55:21,579 --> 00:55:23,581 BUT MAKE SURE YOU DON'T. 871 00:55:36,550 --> 00:55:39,466 HEY, ALAN. 872 00:55:39,510 --> 00:55:40,728 WOULD YOU RELAX? 873 00:55:40,772 --> 00:55:43,427 THERE'S NOBODY FOLLOWING US, ALL RIGHT? 874 00:55:46,125 --> 00:55:48,693 YOU KNOW, THIS IS A REALLY BIG FAVOR I'M DOING FOR YOU. 875 00:55:48,736 --> 00:55:52,174 YOU'RE LUCKY MY COUSIN KARIM IS WORKING LATE TONIGHT. 876 00:55:52,218 --> 00:55:53,785 THANK YOU. 877 00:55:55,439 --> 00:55:57,397 SO, WHAT'S THIS GUY'S NAME? 878 00:55:57,441 --> 00:55:58,616 LOUIS HUNT. 879 00:55:58,659 --> 00:56:00,531 WELL, IF HE HAD AN IMPLANT, 880 00:56:00,574 --> 00:56:03,403 THERE WILL BE A RECORD OF IT IN HERE. 881 00:56:09,148 --> 00:56:12,020 Karim: I COULD LOSE MY JOB, LETTING CUTTERS IN HERE. 882 00:56:12,064 --> 00:56:15,415 Hasan: COME ON, KARIM. WOULD I GET YOU IN TROUBLE? 883 00:56:24,642 --> 00:56:27,732 THEY CAN TRACK ANYONE ACCESSING DATA FROM A COMPUTER, 884 00:56:27,775 --> 00:56:30,212 SO THIS IS THE BEST I CAN DO. 885 00:56:30,256 --> 00:56:31,562 PLEASE HURRY. 886 00:56:33,607 --> 00:56:35,957 WAIT. 887 00:56:36,001 --> 00:56:38,351 THESE ARE GENEALOGIES. I DON'T KNOW HIS FAMILY TREE. 888 00:56:38,395 --> 00:56:39,787 HOW DO I USE THIS? 889 00:56:39,831 --> 00:56:42,616 NO, NO, NO. HARD COPIES ARE SORTED BY SERIES NUMBERS, 890 00:56:42,660 --> 00:56:46,011 ALPHABETICALLY ON THE BOXES AND THEN ARRANGED BY IMPLANT DATE. 891 00:56:46,054 --> 00:56:47,839 HE'S THE SAME AGE AS I AM, SO... 892 00:56:47,882 --> 00:56:50,668 SO IT WOULD BE A...1500 SERIES. 893 00:57:08,686 --> 00:57:11,079 2000. OH, GREAT. 894 00:57:26,834 --> 00:57:28,836 AH. 895 00:57:28,880 --> 00:57:30,098 AH! 896 00:57:38,716 --> 00:57:40,326 HUNT. 897 00:57:40,369 --> 00:57:42,284 NO HUNT. 898 00:57:44,504 --> 00:57:47,725 [MUFFLED RADIO TRANSMISSIONS] 899 00:57:56,560 --> 00:57:58,126 [DOORKNOB RATTLES] 900 00:58:37,688 --> 00:58:38,950 ALAN. 901 00:58:50,614 --> 00:58:53,094 ALAN, ARE YOU OK? 902 00:58:53,138 --> 00:58:54,400 I'M FINE. 903 00:58:56,141 --> 00:58:57,403 OK. 904 00:59:18,424 --> 00:59:20,644 HELLO, MR. AND MRS. HAKMAN, 905 00:59:20,687 --> 00:59:23,734 AND WELCOME TO THE EYE TECH FAMILY. 906 00:59:23,777 --> 00:59:25,779 YOU'VE MADE AN IMPORTANT DECISION. 907 00:59:25,823 --> 00:59:30,610 YOU'VE PURCHASED A ZOE IMPLANT FOR YOUR UNBORN SON. 908 00:59:30,654 --> 00:59:33,613 WHAT DOES THAT MEAN? 909 00:59:33,657 --> 00:59:35,049 IMMORTALITY. 910 00:59:35,093 --> 00:59:38,226 NO LONGER DO OUR MOST CHERISHED MOMENTS TOGETHER 911 00:59:38,270 --> 00:59:41,534 HAVE TO FADE AND DISAPPEAR OVER TIME. 912 00:59:41,578 --> 00:59:45,799 REMEMBER, THE ZOE IMPLANT IS ENTIRELY ORGANIC 913 00:59:45,843 --> 00:59:47,322 AND SINCE IT GROWS 914 00:59:47,366 --> 00:59:50,412 WITH YOUR BABY'S BRAIN AND NERVE CENTERS, 915 00:59:50,456 --> 00:59:53,981 IT'S VIRTUALLY UNDETECTABLE. 916 00:59:54,025 --> 00:59:56,810 WHEN IS THE RIGHT TIME TO TELL YOUR CHILD 917 00:59:56,854 --> 00:59:58,725 ABOUT THEIR MIRACULOUS GIFT? 918 00:59:58,769 --> 01:00:01,859 YEAH. BY THEIR 21st BIRTHDAY, 919 01:00:01,902 --> 01:00:04,862 MOST CARRIERS ARE MATURE ENOUGH TO UNDERSTAND, 920 01:00:04,905 --> 01:00:08,779 AND FROM THEN ON, YOUR SON CAN LIVE HIS LIFE 921 01:00:08,822 --> 01:00:11,216 KNOWING THAT ALWAYS AND FOREVER, 922 01:00:11,259 --> 01:00:13,871 HIS EXPERIENCES AND ADVENTURES 923 01:00:13,914 --> 01:00:16,917 WILL BE REVISITED AND RELISHED, 924 01:00:16,961 --> 01:00:20,529 AND THAT'S WHAT GREAT MEMORIES ARE MADE OF. 925 01:00:20,573 --> 01:00:22,793 CONGRATULATIONS. 926 01:00:22,836 --> 01:00:25,665 Man: OH, MY GOD. THAT'S ME, MAN. 927 01:00:25,709 --> 01:00:27,188 AAH! 928 01:00:27,232 --> 01:00:29,538 Fletcher: YOU TAKE PEOPLE'S LIVES, MAKE LIES OUT OF THEM. 929 01:00:29,582 --> 01:00:31,540 Isabel: MY DADDY IS THE BEST DADDY IN THE WORLD. 930 01:00:31,584 --> 01:00:33,847 Fletcher: IT'S UNBELIEVABLE WHEN YOU THINK ABOUT IT. 931 01:00:33,891 --> 01:00:35,588 ONE IN 20 OF THESE PEOPLE HAS AN IMPLANT. 932 01:00:35,632 --> 01:00:38,460 Man: WHEN IS THE RIGHT TIME TO TELL YOUR CHILD 933 01:00:38,504 --> 01:00:39,853 ABOUT THEIR MIRACULOUS GIFT? 934 01:00:39,897 --> 01:00:41,855 Delila: WHAT ARE PEOPLE'S LIVES LIKE? 935 01:00:41,899 --> 01:00:44,641 DO THEY MAKE ANY SENSE? IT ALL SEEMS SO MASSIVE AND SO RANDOM. 936 01:00:44,684 --> 01:00:46,207 Fletcher: THIS IS REAL LIFE NOW. 937 01:00:46,251 --> 01:00:48,775 Louis: DON'T DO THAT. WE'RE NOT EVEN ALLOWED TO BE HERE. 938 01:00:48,819 --> 01:00:51,169 Fletcher: YOU TAKE MURDERERS AND MAKE THEM SAINTS. 939 01:00:51,212 --> 01:00:53,693 [CROWD CHANTING "REMEMBER FOR YOURSELF"] 940 01:00:53,737 --> 01:00:56,783 [VOICES] 941 01:00:56,827 --> 01:00:59,177 GET OUT OF MY HEAD! 942 01:01:03,921 --> 01:01:07,359 OH. OH. OH, NO. 943 01:01:22,896 --> 01:01:25,725 Delila: OH, ALAN... 944 01:01:25,769 --> 01:01:28,554 YOUR PHONE CALL HAD ME SO WORRIED. 945 01:01:30,817 --> 01:01:32,689 I SAW THE MIRROR. 946 01:01:32,732 --> 01:01:33,820 HMM. 947 01:01:33,864 --> 01:01:35,387 WHAT HAPPENED TO YOU? 948 01:01:35,430 --> 01:01:37,345 I SAW SOMETHING. 949 01:01:40,174 --> 01:01:43,700 ALL RIGHT. YOU CANNOT LET YOUR WORK 950 01:01:43,743 --> 01:01:46,746 GET TO YOU LIKE THIS. 951 01:01:46,790 --> 01:01:48,269 PLEASE DON'T LEAVE. 952 01:01:48,313 --> 01:01:51,359 WHAT HAVE YOU GOT TO EAT IN THIS DUMP? 953 01:01:53,405 --> 01:01:54,711 NOT MUCH. 954 01:01:56,800 --> 01:01:58,627 TRY LOOKING IN THE CUPBOARDS. 955 01:02:00,717 --> 01:02:02,719 THE CUPBOARD. 956 01:02:08,507 --> 01:02:11,771 I SAW THAT IN A PROJECT I WAS WORKING ON-- AN HERBALIST. 957 01:02:11,815 --> 01:02:13,642 IT LOOKED INTERESTING. 958 01:02:20,214 --> 01:02:22,782 BLAH! OH, THAT'S DISGUSTING. 959 01:02:22,826 --> 01:02:25,959 [LAUGHING] 960 01:02:29,571 --> 01:02:31,791 WELL... 961 01:02:31,835 --> 01:02:34,359 I GUESS WE ORDER OUT, THEN. 962 01:02:34,402 --> 01:02:37,014 I WANT TO SHOW YOU SOMETHING. 963 01:02:37,057 --> 01:02:39,756 I'VE NEVER SHOWN IT TO ANYONE. 964 01:03:26,106 --> 01:03:29,196 Delila: OH. WHAT IS THIS? 965 01:03:29,240 --> 01:03:30,937 Alan: SOME IMPLANTS HAVE A DEFECT. 966 01:03:30,981 --> 01:03:32,678 THEY CAN'T DIFFERENTIATE 967 01:03:32,721 --> 01:03:36,943 BETWEEN WHAT THE EYE SEES AND WHAT THE MIND SEES. 968 01:03:36,987 --> 01:03:39,206 [SHEEP BLEATING] 969 01:03:44,908 --> 01:03:46,823 WHAT? HA HA. 970 01:03:49,521 --> 01:03:50,304 WHERE WERE THESE? IN DREAMS? 971 01:03:50,348 --> 01:03:53,438 YEAH, DREAMS... DAYDREAMS, 972 01:03:53,481 --> 01:03:54,961 HALLUCINATIONS. 973 01:03:55,005 --> 01:03:57,703 IT'S SO BEAUTIFUL. 974 01:04:14,589 --> 01:04:15,895 [DOOR OPENS] 975 01:04:32,259 --> 01:04:34,740 Fletcher: WHERE ARE YOU OFF TO, ALAN? 976 01:04:38,091 --> 01:04:40,746 LET'S DO THIS. 977 01:04:40,789 --> 01:04:42,269 NO, NO. NOT NOW. 978 01:04:42,313 --> 01:04:45,229 THERE'S SOMEBODY UP THERE. 979 01:04:45,272 --> 01:04:49,059 THIS HAS TO BE CLEAN, NO MESS. 980 01:04:49,102 --> 01:04:51,931 CLEAN, DIRTY. IT'S ALL THE SAME TO ME. 981 01:05:14,258 --> 01:05:16,129 I THINK HE'S A CUTTER. 982 01:05:16,173 --> 01:05:17,652 YOU WANT TO DO HIM? 983 01:05:17,696 --> 01:05:18,958 YEAH, I'LL DO HIM. 984 01:05:19,002 --> 01:05:21,961 [MUSIC PLAYING LOUDLY] 985 01:05:25,008 --> 01:05:26,574 HI. 986 01:05:43,809 --> 01:05:45,376 YOU NEED TO FOLLOW HER. 987 01:05:47,378 --> 01:05:49,554 NOW, YOU KNOW HOW THIS WORKS? 988 01:05:49,597 --> 01:05:51,077 NO, NOT AT ALL. 989 01:05:51,121 --> 01:05:54,994 OK. WE DRAW SYNTH TATTOOS 990 01:05:55,038 --> 01:05:57,170 WITH ELECTROSYNTHETIC INK. 991 01:05:57,214 --> 01:05:59,390 AND IT CREATES A MAGNETIC FIELD 992 01:05:59,433 --> 01:06:02,349 WHICH INTERFERES WITH THE ZOE IMPLANT, 993 01:06:02,393 --> 01:06:05,962 BLOCKING IT FROM RECORDING AUDIO OR VIDEO... 994 01:06:06,005 --> 01:06:08,051 FROM THAT POINT ON. 995 01:06:09,748 --> 01:06:12,838 NOW, FIRST WE DO THE AUDIO TATTOO, 996 01:06:12,881 --> 01:06:15,101 AND WE WAIT A WEEK. 997 01:06:15,145 --> 01:06:17,190 AND IF YOU DON'T GET A MIGRAINE, 998 01:06:17,234 --> 01:06:20,237 AND YOUR SYSTEM TAKES IT, 999 01:06:20,280 --> 01:06:22,848 THEN WE'LL DO THE VIDEO TATTOO. 1000 01:06:25,111 --> 01:06:28,593 DO I HAVE TO COVER MY WHOLE FACE? 1001 01:06:28,636 --> 01:06:29,811 NO. 1002 01:06:29,855 --> 01:06:31,161 THOSE GUYS... 1003 01:06:31,204 --> 01:06:33,902 THEY'RE JUST YOUNG AND ANGRY. 1004 01:06:35,208 --> 01:06:39,212 YOU WANT IT DISCREET. 1005 01:06:39,256 --> 01:06:40,909 VERY. 1006 01:06:40,953 --> 01:06:42,781 YEAH. 1007 01:06:47,699 --> 01:06:50,049 WILL THIS HURT? 1008 01:06:50,093 --> 01:06:51,659 OH, YEAH. 1009 01:07:39,011 --> 01:07:41,144 [VIDEO REWINDING] 1010 01:07:41,187 --> 01:07:45,278 [VOICES] 1011 01:07:58,944 --> 01:08:00,685 [DROPS BULLET] 1012 01:08:17,223 --> 01:08:20,052 FLETCHER? 1013 01:08:20,096 --> 01:08:21,923 I'M ARMED. 1014 01:08:29,366 --> 01:08:31,324 Man on video: WHAT'S THE MATTER, DELILA? 1015 01:08:31,368 --> 01:08:33,892 Delila on video: YOU KNOW THAT RECURRING DREAM I HAVE? 1016 01:08:33,935 --> 01:08:34,980 [VIDEO REWINDING] 1017 01:08:35,023 --> 01:08:36,938 YOU KNOW THAT RECURRING DREAM I HAVE, 1018 01:08:36,982 --> 01:08:40,725 WHERE I GET YOUNGER AND YOUNGER? I HAD IT AGAIN. 1019 01:08:40,768 --> 01:08:42,727 I MAKE YOU HAPPY? 1020 01:08:42,770 --> 01:08:44,250 YEAH. 1021 01:08:44,294 --> 01:08:46,252 WELL, I MAKE MYSELF MISERABLE. 1022 01:08:46,296 --> 01:08:48,950 WELL, THAT'S JUST BECAUSE YOU'RE SILLY. 1023 01:08:48,994 --> 01:08:50,517 YOU'RE SILLY. 1024 01:08:52,780 --> 01:08:55,957 HOW CAN YOU NOT BE HAPPY RIGHT NOW? 1025 01:08:58,960 --> 01:09:02,312 I THINK THE FIRST BOOKS I READ WERE REALLY, REALLY SAD. 1026 01:09:02,355 --> 01:09:05,184 LIKE, WHY DO THEY MAKE CHILDREN'S BOOKS SO SAD? 1027 01:09:05,228 --> 01:09:07,273 THEY'RE ALWAYS TERRIBLY TRAGIC. 1028 01:09:07,317 --> 01:09:09,493 [HOWLING] 1029 01:09:15,020 --> 01:09:18,197 Delila: NOT SO HARD TO MAKE THIS THING PLAY DISKS. 1030 01:09:18,241 --> 01:09:20,417 NOT SO HARD AT ALL. 1031 01:09:20,460 --> 01:09:23,463 DELILA-- SHUT UP! 1032 01:09:23,507 --> 01:09:27,337 THAT WAS MY OLD BOYFRIEND, YOU BASTARD. 1033 01:09:27,380 --> 01:09:29,991 IS THAT WHY YOU WANTED TO BE WITH ME? 1034 01:09:30,035 --> 01:09:33,778 BECAUSE YOU SAW SOME PROOF THAT I'M TO YOUR LIKING? 1035 01:09:33,821 --> 01:09:34,909 NO. 1036 01:09:34,953 --> 01:09:39,087 THESE MOMENTS... THEY BELONG TO ME, ALAN. 1037 01:09:40,872 --> 01:09:44,005 THE GOOD AND THE BAD. 1038 01:09:44,049 --> 01:09:46,834 THEY'RE MINE AND HIS! 1039 01:09:46,878 --> 01:09:50,229 WHO ARE YOU TO TAKE THEM AWAY FROM ME?! 1040 01:09:50,273 --> 01:09:51,448 NO! NO! 1041 01:09:51,491 --> 01:09:54,190 UH! DON'T TOUCH ME! 1042 01:09:54,233 --> 01:09:56,017 AH! 1043 01:09:56,061 --> 01:09:57,193 A GUN. 1044 01:09:59,499 --> 01:10:00,544 WHO ARE YOU? 1045 01:10:00,587 --> 01:10:01,806 PLEASE, PLEASE, NO. 1046 01:10:01,849 --> 01:10:05,418 WHO ARE YOU, ALAN?!NO! NO! 1047 01:10:05,462 --> 01:10:07,028 NO! 1048 01:10:07,072 --> 01:10:08,247 OW! 1049 01:10:13,600 --> 01:10:17,474 WHY DID YOU DO THAT? 1050 01:10:17,517 --> 01:10:19,215 MINE! 1051 01:10:24,263 --> 01:10:25,699 [DOOR SLAMS] 1052 01:10:31,357 --> 01:10:32,706 AH! 1053 01:10:33,881 --> 01:10:36,362 OH... 1054 01:10:36,406 --> 01:10:37,885 [SIGHS] 1055 01:10:39,583 --> 01:10:42,716 YOU'RE STILL HERE. 1056 01:10:54,685 --> 01:10:57,383 ALAN, THIS THING IS DROPPED. 1057 01:10:57,427 --> 01:11:00,430 THE IMPLANT ITSELF IS SEVERED. 1058 01:11:00,473 --> 01:11:03,520 GOD HIMSELF COULD NOT RETRIEVE THAT FOOTAGE, 1059 01:11:03,563 --> 01:11:04,825 AND YOU KNOW THAT. 1060 01:11:04,869 --> 01:11:07,437 THEN WE HAVE TO ACCESS A DIFFERENT LIFE. 1061 01:11:07,480 --> 01:11:08,307 OK. 1062 01:11:08,351 --> 01:11:10,788 WELL, WHERE IS IT? 1063 01:11:14,313 --> 01:11:15,880 MY IMPLANT. 1064 01:11:15,923 --> 01:11:17,447 WHAT? 1065 01:11:17,490 --> 01:11:19,927 THE ONE IN MY HEAD. 1066 01:11:28,501 --> 01:11:29,937 AH... 1067 01:11:31,548 --> 01:11:33,506 YOU WANT TO TAKE A SHOT, TOO? 1068 01:11:33,550 --> 01:11:36,074 EVERYBODY ELSE HAS. 1069 01:11:36,117 --> 01:11:37,684 I DESERVED THAT ONE. 1070 01:11:37,728 --> 01:11:39,730 YOU DESERVE A LOT MORE THAN THAT, HAKMAN. 1071 01:11:39,773 --> 01:11:41,340 WHY DIDN'T YOU TELL US, ALAN? 1072 01:11:41,384 --> 01:11:45,344 BECAUSE I DIDN'T KNOW UNTIL I FOUND THE FILES AT EYE TECH. 1073 01:11:45,388 --> 01:11:48,434 I NEVER THOUGHT MY PARENTS COULD AFFORD ONE. 1074 01:11:48,478 --> 01:11:50,523 TURNS OUT, THEY TOOK A LOAN TO GET IT. 1075 01:11:50,567 --> 01:11:51,611 HOW COULD YOU NOT KNOW? 1076 01:11:51,655 --> 01:11:54,614 BECAUSE THEY DIED BEFORE THEY TOLD ME. 1077 01:11:54,658 --> 01:11:56,312 THEY JUST NEVER GOT AROUND TO IT. 1078 01:11:56,355 --> 01:11:57,574 YOU KNOW THE CODE, ALAN. 1079 01:11:57,617 --> 01:12:00,054 IT'S ONE OF OUR CENTRAL TENETS. 1080 01:12:00,098 --> 01:12:03,754 A CUTTER CANNOT HAVE A ZOE IMPLANT. 1081 01:12:03,797 --> 01:12:06,365 I NEED TO ACCESS THAT FOOTAGE. 1082 01:12:06,409 --> 01:12:07,758 I NEED IT RIGHT NOW. 1083 01:12:07,801 --> 01:12:09,412 YEAH? WELL, THAT'S IMPOSSIBLE. 1084 01:12:09,455 --> 01:12:10,717 OH, NO, IT'S POSSIBLE. 1085 01:12:10,761 --> 01:12:12,893 IT WAS DONE BEFORE BY YOU-- 1086 01:12:12,937 --> 01:12:14,460 AN ATTEMPT TO ACCESS FOOTAGE 1087 01:12:14,504 --> 01:12:16,941 WHILE A CARRIER WAS STILL ALIVE. 1088 01:12:16,984 --> 01:12:19,987 I PERFORMED THAT... 1089 01:12:20,031 --> 01:12:23,339 AND THE WOMAN NEVER RECOVERED, ALAN. 1090 01:12:23,382 --> 01:12:25,558 AND I WILL NOT TRY THAT AGAIN. 1091 01:12:25,602 --> 01:12:28,518 THEN YOU KNOW WHAT IT'S LIKE TO BE HAUNTED. 1092 01:12:28,561 --> 01:12:32,565 ONE MEMORY, ONE SINGLE INCIDENT 1093 01:12:32,609 --> 01:12:35,002 HAS MADE ME WHO I AM. 1094 01:12:35,046 --> 01:12:36,439 IT WON'T LEAVE ME BE. 1095 01:12:36,482 --> 01:12:39,050 THE GUILT TEARS ME APART, 1096 01:12:39,093 --> 01:12:41,487 BUT NOW I GOT A CHANCE TO FIND OUT THE TRUTH. 1097 01:12:41,531 --> 01:12:42,967 I HAVE TO TAKE IT. 1098 01:12:43,010 --> 01:12:45,622 ALAN, YOU BROUGHT AN IMPLANT AMONGST US. 1099 01:12:45,665 --> 01:12:47,972 WHY SHOULD I HELP YOU? 1100 01:12:49,626 --> 01:12:52,629 IF I TRY IT MYSELF, I'LL DIE. 1101 01:12:55,632 --> 01:12:57,895 AND I WILL TRY IT MYSELF. 1102 01:13:00,245 --> 01:13:04,118 WE'VE BEEN FRIENDS FOR TOO LONG, MY DEAR. 1103 01:13:04,162 --> 01:13:07,295 I CAN'T LET YOU KILL YOURSELF, CAN I? 1104 01:13:07,339 --> 01:13:10,603 BUT YOU UNDERSTAND, YOU CAN NEVER CUT AGAIN. 1105 01:13:14,825 --> 01:13:16,261 YEAH. 1106 01:13:16,304 --> 01:13:19,003 THE LAST TIME I TRIED THIS, THE WOMAN'S NERVOUS SYSTEM 1107 01:13:19,046 --> 01:13:22,920 SHUT DOWN IMMEDIATELY. IT COULDN'T HANDLE IT. 1108 01:13:22,963 --> 01:13:26,053 SHE WAS A BLANK FOR THE REST OF HER LIFE. 1109 01:13:34,366 --> 01:13:36,673 NOW REMEMBER-- I CAN'T COPY ANYTHING 1110 01:13:36,716 --> 01:13:38,979 INTO OUR HARD DRIVE. YOU CAN ONLY WATCH. 1111 01:13:39,023 --> 01:13:41,634 YOU KNOW EXACTLY WHICH SCENE YOU'RE GOING TO? 1112 01:13:41,678 --> 01:13:42,592 I SURE DO. 1113 01:13:42,635 --> 01:13:44,681 YOU HAVE 5 MINUTES. 1114 01:13:44,724 --> 01:13:48,249 ANYTHING LONGER THAN THAT IS JUST TOO RISKY. 1115 01:13:53,690 --> 01:13:55,082 OK. 1116 01:14:03,308 --> 01:14:05,005 [GRUNTS] 1117 01:14:05,049 --> 01:14:06,442 MMM! 1118 01:15:21,386 --> 01:15:23,170 [SCHOOL BELL RINGS] 1119 01:15:23,214 --> 01:15:24,694 CHRISTIE. 1120 01:15:31,178 --> 01:15:33,006 I REMEMBER HER. 1121 01:16:02,819 --> 01:16:04,037 IT'S ME. 1122 01:16:17,747 --> 01:16:19,183 ALAN. 1123 01:16:21,272 --> 01:16:22,969 ALMOST THERE. 1124 01:16:24,841 --> 01:16:26,625 THERE WE ARE. 1125 01:16:26,669 --> 01:16:30,237 COME AND GET ME. 1126 01:16:36,853 --> 01:16:38,681 LET'S GO BACK DOWN. 1127 01:16:52,825 --> 01:16:54,131 DON'T! 1128 01:16:57,656 --> 01:16:59,179 [VIDEO FAST-FORWARDING] 1129 01:17:02,095 --> 01:17:05,664 I'LL MEET YOU BACK ON THE GROUND FLOOR. 1130 01:17:05,708 --> 01:17:08,798 HOLD ON. I'M COMING. 1131 01:17:08,841 --> 01:17:12,149 NO. WAIT. WAIT. 1132 01:17:14,673 --> 01:17:17,067 IT ISN'T STEADY ANYMORE. 1133 01:17:20,723 --> 01:17:23,247 LOUIS, PLEASE, JUST STOP. 1134 01:17:26,729 --> 01:17:28,078 I CAN'T MOVE! 1135 01:17:28,121 --> 01:17:30,036 OK, LOUIS, YOU CAN MAKE IT. 1136 01:17:30,080 --> 01:17:31,908 JUST A FEW MORE STEPS. 1137 01:17:31,951 --> 01:17:33,257 [BOARD CREAKS] 1138 01:17:33,300 --> 01:17:35,999 GRAB MY HAND! 1139 01:17:36,042 --> 01:17:37,217 WAIT! 1140 01:18:17,518 --> 01:18:19,564 Thelma: ALAN. 1141 01:18:19,607 --> 01:18:20,826 WE'RE DONE! WE'RE DONE! 1142 01:18:20,870 --> 01:18:22,741 ALAN, UNPLUG IT. 1143 01:18:22,785 --> 01:18:24,047 I CAN'T. 1144 01:18:26,005 --> 01:18:27,354 [CLANG] 1145 01:18:40,977 --> 01:18:42,979 [LOUIS COUGHS] 1146 01:18:58,995 --> 01:19:00,561 AAH! 1147 01:19:00,605 --> 01:19:03,129 ALAN! ALAN! 1148 01:19:04,565 --> 01:19:06,176 ALAN? 1149 01:19:12,922 --> 01:19:15,011 I'M ALL RIGHT. 1150 01:19:15,054 --> 01:19:19,624 DO YOU HAVE ANY IDEA HOW CLOSE YOU CAME? 1151 01:19:19,667 --> 01:19:22,496 I SAW HIM. 1152 01:19:22,540 --> 01:19:24,890 I TRIED TO HELP. 1153 01:19:24,934 --> 01:19:27,763 I TOLD HIM TO TURN AROUND. 1154 01:19:27,806 --> 01:19:30,766 HE WOULDN'T LISTEN. 1155 01:19:30,809 --> 01:19:34,987 HE FELL, BUT... 1156 01:19:35,031 --> 01:19:38,774 BUT HE WAS BREATHING. 1157 01:19:38,817 --> 01:19:41,037 IT WASN'T BLOOD. 1158 01:19:41,080 --> 01:19:42,995 IT WAS PAINT. 1159 01:19:45,998 --> 01:19:48,392 NOW I REMEMBER. 1160 01:19:50,829 --> 01:19:52,613 THANK YOU. 1161 01:19:59,272 --> 01:20:02,362 MMM... 1162 01:20:34,612 --> 01:20:36,832 [DOOR CREAKS] 1163 01:20:41,967 --> 01:20:46,276 [PAPERS RUSTLING] 1164 01:21:04,511 --> 01:21:06,600 LOOKING FOR THIS? 1165 01:21:09,125 --> 01:21:10,474 THE IMPLANT'S HISTORY. 1166 01:21:10,517 --> 01:21:14,217 YOU BETTER FIND YOURSELF ANOTHER PERFECT CANDIDATE. 1167 01:21:14,260 --> 01:21:16,045 DO YOU KNOW HOW MUCH PLANNING IT TOOK 1168 01:21:16,088 --> 01:21:18,395 TO MAKE BANNISTER'S FOOTAGE AVAILABLE? 1169 01:21:18,438 --> 01:21:19,918 DO YOU?! 1170 01:21:19,962 --> 01:21:21,702 HE DIED OF A CORONARY COMPLICATION. 1171 01:21:21,746 --> 01:21:24,183 I WAS THE COMPLICATION. 1172 01:21:24,227 --> 01:21:26,925 OR DIDN'T YOU GET TO THAT PART YET? 1173 01:21:26,969 --> 01:21:28,231 I GUESS NO ONE WILL. 1174 01:21:28,274 --> 01:21:31,364 I BET HE STILL KEEPS GOOD NOTES. DON'T YOU, ALAN? 1175 01:21:51,210 --> 01:21:52,951 [DOORBELL RINGS] 1176 01:22:02,091 --> 01:22:03,527 ALL OF IT? 1177 01:22:03,570 --> 01:22:06,965 ALL OF IT. IT WAS A TERRIBLE ACCIDENT. 1178 01:22:07,009 --> 01:22:09,098 SOMETIMES THE OLDER GUILLOTINES 1179 01:22:09,141 --> 01:22:11,752 CAN DAMAGE A ZOE IMPLANT. 1180 01:22:11,796 --> 01:22:14,886 THERE'S NO REPLACING YOUR HUSBAND'S LIFE. 1181 01:22:14,930 --> 01:22:19,108 HE DESERVED A REMEMORY AND A PLACE IN YOUR ZOE FAMILY TREE. 1182 01:22:20,196 --> 01:22:21,414 I'M SORRY. 1183 01:22:24,940 --> 01:22:26,115 [SIGHS] 1184 01:22:26,158 --> 01:22:29,335 YOU WILL... WAIVE YOUR FEE? 1185 01:22:29,379 --> 01:22:30,684 OF COURSE. 1186 01:22:30,728 --> 01:22:33,600 AND YOU'LL NEVER SPEAK OF CHARLES TO ANYONE? 1187 01:22:34,819 --> 01:22:37,953 WHAT CAN ONE DO? ACCIDENTS WILL HAPPEN. 1188 01:22:40,042 --> 01:22:44,133 PERHAPS... SOME THINGS ARE BEST FORGOTTEN. 1189 01:22:48,180 --> 01:22:50,052 PERHAPS. 1190 01:22:55,187 --> 01:22:57,146 [DOOR CLOSES] 1191 01:23:00,671 --> 01:23:02,151 [GASPS] 1192 01:23:02,194 --> 01:23:03,369 OH. 1193 01:23:04,196 --> 01:23:06,677 GOD, ISABEL, YOU SCARED ME. 1194 01:23:09,201 --> 01:23:12,813 ISABEL, HONEY, WHAT'S THE MATTER? 1195 01:23:14,076 --> 01:23:15,860 ISABEL. 1196 01:23:17,644 --> 01:23:21,474 ISABEL, WHAT-- WHAT'S WRONG, HONEY? 1197 01:23:26,436 --> 01:23:28,177 ISABEL. 1198 01:24:55,742 --> 01:24:57,266 A FRIEND? 1199 01:24:59,181 --> 01:25:01,270 YEAH. SOMETHING LIKE THAT. 1200 01:25:01,313 --> 01:25:04,534 I HEAR YOU'RE NOT CUTTING ANYMORE. 1201 01:25:04,577 --> 01:25:07,928 WELL, I'VE HAD ENOUGH OF OTHER PEOPLE'S LIVES. 1202 01:25:09,147 --> 01:25:11,845 STOP, ALAN. I CAN'T LET YOU GO. 1203 01:25:11,889 --> 01:25:13,108 WHAT NOW? 1204 01:25:13,151 --> 01:25:15,327 WORD TRAVELS FAST IN MY CIRCLES. 1205 01:25:15,371 --> 01:25:20,158 AND THE WORD IS, A CUTTER CAME IN FOR A SYNTH TATTOO. 1206 01:25:20,202 --> 01:25:23,161 WORD IS THAT CUTTER IS YOU. 1207 01:25:23,205 --> 01:25:26,643 YOU SAW THAT IMPLANT. IT WAS DESTROYED. IT'S USELESS. 1208 01:25:26,686 --> 01:25:30,255 YOU. BANNISTER'S FOOTAGE IS GONE, 1209 01:25:30,299 --> 01:25:32,170 BUT YOU'VE SEEN HIS LIFE. 1210 01:25:32,214 --> 01:25:34,477 IT'S ENCRYPTED INTO YOUR IMPLANT. 1211 01:26:27,399 --> 01:26:29,184 AAH! 1212 01:26:44,503 --> 01:26:46,244 [GUNSHOT] 1213 01:27:10,747 --> 01:27:12,096 [GUNSHOT] 1214 01:28:14,158 --> 01:28:16,334 WILL YOU LOOK AT THAT? 1215 01:28:25,387 --> 01:28:26,910 [VIDEO STOPS] 1216 01:28:28,738 --> 01:28:31,175 [TYPING] 1217 01:28:50,499 --> 01:28:53,371 [VIDEO REWINDS] 1218 01:28:53,415 --> 01:28:54,894 Louis: COME AND GET ME. 1219 01:28:55,634 --> 01:28:57,636 MY DADDY IS THE BEST DADDY IN THE WORLD. 1220 01:28:57,680 --> 01:28:59,856 Isabel: HE HAD A VERY BIG MEETING ONE DAY, 1221 01:28:59,899 --> 01:29:02,511 BUT HE TOOK ME HORSEBACK RIDING INSTEAD. 1222 01:29:02,554 --> 01:29:05,383 HE WOULD READ ME STORIES EVERY NIGHT. 1223 01:29:05,427 --> 01:29:07,603 SOMETIMES HE WOULD MAKE IT UP AS HE WENT ALONG, 1224 01:29:07,646 --> 01:29:10,954 AND I KNEW, BUT I DIDN'T CARE. 1225 01:29:10,997 --> 01:29:13,957 Alan: YOUR MOM SAID I WAS HERE TO TALK ABOUT YOUR DAD. 1226 01:29:14,000 --> 01:29:16,394 WE DON'T NEED TO DO THAT IF YOU DON'T WANT TO. 1227 01:29:16,438 --> 01:29:19,179 YES, SWEETIE?DADDY. 1228 01:29:19,223 --> 01:29:20,616 I WANT TO GO BACK TO BED. 1229 01:29:20,659 --> 01:29:23,923 IT'S JOHN'S BIRTHDAY. ITALIAN. YOU LOVE ITALIAN. 1230 01:29:23,967 --> 01:29:24,924 A TOAST. 1231 01:29:24,968 --> 01:29:27,579 HAPPY BIRTHDAY, FLETCHER. 1232 01:29:27,623 --> 01:29:28,798 THANKS, ALAN. 1233 01:29:28,841 --> 01:29:32,236 ALAN. ALAN, PUT THE NEWSPAPER DOWN. COME ON. 1234 01:29:32,279 --> 01:29:35,413 YOU GONNA LIGHTEN UP AND BE GAY FOR A MOMENT? 1235 01:29:35,457 --> 01:29:37,981 [VIDEO REWINDING] 1236 01:29:56,042 --> 01:29:58,610 Fletcher: IT'S FOR THE GREATER GOOD, ALAN. 1237 01:29:58,654 --> 01:30:00,830 YOUR LIFE WILL MEAN SOMETHING. 1238 01:30:03,223 --> 01:30:04,616 I PROMISE. 1239 01:34:06,815 --> 01:34:10,470 ♪ I'LL STAY IN YOUR ARMS 1240 01:34:10,514 --> 01:34:16,476 ♪ UNTIL ENCHANTED DAYS 83106

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