Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:03,359 --> 00:00:09,468
All right, here we
2
00:00:06,320 --> 00:00:09,469
[Music]
3
00:00:11,480 --> 00:00:20,920
go. There is a house. Cool. In New
4
00:00:18,359 --> 00:00:24,019
Orleans they call.
5
00:00:20,920 --> 00:00:24,019
[Music]
6
00:00:24,960 --> 00:00:30,519
Do you know the song or you too young?
7
00:00:27,359 --> 00:00:30,519
Too young.
8
00:00:31,079 --> 00:00:35,558
of
9
00:00:32,679 --> 00:00:37,878
many poor
10
00:00:35,558 --> 00:00:39,718
boy and
11
00:00:37,878 --> 00:00:43,199
God I
12
00:00:39,719 --> 00:00:43,200
know I'm
13
00:00:52,198 --> 00:00:57,309
one making
14
00:00:54,280 --> 00:00:59,679
this sexier
15
00:00:57,310 --> 00:01:02,820
[Music]
16
00:00:59,679 --> 00:01:05,929
the rising sun.
17
00:01:02,820 --> 00:01:05,929
[Music]
18
00:01:07,040 --> 00:01:12,240
Feels more swishy, but Oh, no. I know
19
00:01:09,680 --> 00:01:13,520
this song.
20
00:01:12,239 --> 00:01:19,598
Okay.
21
00:01:13,519 --> 00:01:19,598
[Music]
22
00:01:22,680 --> 00:01:28,600
She my new blue dreams.
23
00:01:31,099 --> 00:01:34,129
[Music]
24
00:01:37,359 --> 00:01:41,400
Gigi, I have a question for you. Just
25
00:01:40,478 --> 00:01:46,438
you and
26
00:01:41,400 --> 00:01:51,200
me. From this amount of belting that you
27
00:01:46,438 --> 00:01:57,078
do, twang, all this upper stuff, are you
28
00:01:51,200 --> 00:02:00,478
able to never get fatigued, tight,
29
00:01:57,078 --> 00:02:02,319
sore, tired voice?
30
00:02:00,478 --> 00:02:05,039
Honestly, I'm waiting for hopefully
31
00:02:02,319 --> 00:02:07,279
you'll answer. Honestly, no. No. I'm I'm
32
00:02:05,040 --> 00:02:09,200
genuinely wondering because this sounds
33
00:02:07,280 --> 00:02:13,280
completely loose, completely relaxed. It
34
00:02:09,199 --> 00:02:16,159
obviously sounds fantastic. Um, but I I
35
00:02:13,280 --> 00:02:19,598
genuinely do wonder if if this takes a
36
00:02:16,159 --> 00:02:20,680
toll on you at all because it's not just
37
00:02:19,598 --> 00:02:25,119
about
38
00:02:20,680 --> 00:02:26,239
having fabulous technique. It it is, you
39
00:02:25,120 --> 00:02:28,319
know, when we're in the moment, when
40
00:02:26,239 --> 00:02:30,560
we're live, and these are live, right?
41
00:02:28,318 --> 00:02:31,919
These are live. Yeah. Yeah. I mean,
42
00:02:30,560 --> 00:02:33,680
whatever. They're Yeah. They're touched
43
00:02:31,919 --> 00:02:37,359
up or whatever, but but I think these
44
00:02:33,680 --> 00:02:40,120
are live takes. Takes. So that tells me
45
00:02:37,360 --> 00:02:42,400
and all of the songs you sing, Gigi, are
46
00:02:40,120 --> 00:02:45,439
wild. Okay. They're all wild. They're
47
00:02:42,400 --> 00:02:49,760
all rooted. They're all designed to show
48
00:02:45,439 --> 00:02:52,759
your voice off. Uh so I just wonder if
49
00:02:49,759 --> 00:02:55,519
it ever if you ever feel it or if you
50
00:02:52,759 --> 00:02:57,399
always come out of these things
51
00:02:55,519 --> 00:02:59,519
completely loose, relaxed, and
52
00:02:57,400 --> 00:03:01,840
unfatigued. Inquiring minds want to
53
00:02:59,519 --> 00:03:03,680
know. But you you you sound absolutely
54
00:03:01,840 --> 00:03:05,878
great. I don't ask this because I'm
55
00:03:03,680 --> 00:03:08,640
hearing anything. I ask this because I'm
56
00:03:05,878 --> 00:03:11,079
not hearing anything, but still it's
57
00:03:08,639 --> 00:03:14,859
just it's a crazy amount of of
58
00:03:11,080 --> 00:03:17,879
athleticism vocally.
59
00:03:14,860 --> 00:03:21,920
[Music]
60
00:03:17,878 --> 00:03:24,158
And I also don't hear her o hyper or
61
00:03:21,919 --> 00:03:25,439
overuse twang so that we still like we
62
00:03:24,158 --> 00:03:26,799
always get lots of thickness and
63
00:03:25,439 --> 00:03:30,680
juiciness. It's not like she's taking
64
00:03:26,800 --> 00:03:30,680
shortcuts all the time.
65
00:03:30,799 --> 00:03:37,239
Not that twang is bad or a shortcut,
66
00:03:32,719 --> 00:03:37,239
people. It's just a technique.
67
00:03:41,560 --> 00:03:44,658
[Music]
68
00:03:44,719 --> 00:03:48,560
Yeah, this is so good.
69
00:03:53,969 --> 00:04:03,639
[Music]
70
00:04:00,879 --> 00:04:06,079
[Applause]
71
00:04:03,639 --> 00:04:08,079
Yeah. That's one of the only times I've
72
00:04:06,080 --> 00:04:11,920
heard her put an H in. And it's
73
00:04:08,080 --> 00:04:13,860
completely on purpose to be a sassy
74
00:04:11,919 --> 00:04:16,908
diva.
75
00:04:13,860 --> 00:04:16,908
[Music]
76
00:04:20,879 --> 00:04:25,439
Do you think she'll ever show up in TV
77
00:04:23,199 --> 00:04:27,360
and movies?
78
00:04:25,439 --> 00:04:28,719
I say that because beautiful. She Oh,
79
00:04:27,360 --> 00:04:30,199
yeah. She's stunningly beautiful, but
80
00:04:28,720 --> 00:04:32,720
she's also
81
00:04:30,199 --> 00:04:35,120
extremely expressive and very, very fun
82
00:04:32,720 --> 00:04:38,479
to watch. Actually, I watch her mouth a
83
00:04:35,120 --> 00:04:42,319
lot. She makes some beautiful shapes and
84
00:04:38,478 --> 00:04:44,240
sounds, but she is just fearless when it
85
00:04:42,319 --> 00:04:47,599
comes to sort of playing the role of
86
00:04:44,240 --> 00:04:51,280
each song. Sexy, sassy, whatever it is.
87
00:04:47,600 --> 00:04:52,960
Like I don't know. Oh, maybe she You
88
00:04:51,279 --> 00:04:56,239
think maybe she's already in something?
89
00:04:52,959 --> 00:04:59,839
It says she's singer. Oh, yeah. Uh she's
90
00:04:56,240 --> 00:05:01,759
known for a family affair, a broken
91
00:04:59,839 --> 00:05:04,799
marriage trial. So she Four sisters
92
00:05:01,759 --> 00:05:06,960
before the wedding. Okay. So, she's she
93
00:05:04,800 --> 00:05:08,879
is she's been in a few. She's haven't
94
00:05:06,959 --> 00:05:12,399
seen that one, but that's on my list.
95
00:05:08,879 --> 00:05:13,918
Okay. Can Can we like weave a clip of it
96
00:05:12,399 --> 00:05:16,000
into one of these? Like, I'd love to see
97
00:05:13,918 --> 00:05:17,599
what it feels like. Okay. I can try to
98
00:05:16,000 --> 00:05:20,000
sush it up. Yeah. Like, I just want to
99
00:05:17,600 --> 00:05:21,520
see what it feels like when she's Yeah.
100
00:05:20,000 --> 00:05:23,120
I mean, when she's doing this, she's
101
00:05:21,519 --> 00:05:24,879
playing herself. She's playing a
102
00:05:23,120 --> 00:05:26,639
character, but she's playing herself.
103
00:05:24,879 --> 00:05:29,120
So, I'm kind of curious. Like, I think
104
00:05:26,639 --> 00:05:33,069
she'd be great. I think she'd be
105
00:05:29,120 --> 00:05:34,899
fantastic. Yeah, absolutely.
106
00:05:33,069 --> 00:05:38,028
[Applause]
107
00:05:34,899 --> 00:05:38,028
[Music]
108
00:05:41,199 --> 00:05:46,879
Was she on a singer show?
109
00:05:44,240 --> 00:05:48,319
No. So, she did her own thing by via
110
00:05:46,879 --> 00:05:50,399
social media. Like that's how she's
111
00:05:48,319 --> 00:05:53,599
risen herself to fame or no? I don't
112
00:05:50,399 --> 00:05:56,719
know. Let's see.
113
00:05:53,600 --> 00:05:58,960
[Music]
114
00:05:56,720 --> 00:06:00,440
She competed. Uh she rose to fame when
115
00:05:58,959 --> 00:06:04,159
she competed on
116
00:06:00,439 --> 00:06:07,360
Tawagalan on It's Showtime. So one of
117
00:06:04,160 --> 00:06:08,620
their Yeah. singy shows. Okay. That's uh
118
00:06:07,360 --> 00:06:10,280
d and
119
00:06:08,620 --> 00:06:13,199
[Music]
120
00:06:10,279 --> 00:06:15,839
then then Yeah. Then she did acting as
121
00:06:13,199 --> 00:06:17,759
well. So that also got her out there.
122
00:06:15,839 --> 00:06:20,079
But that was what her rise to fame being
123
00:06:17,759 --> 00:06:22,400
on the show. So great as a singer. As a
124
00:06:20,079 --> 00:06:24,240
singer. As a singer. Yes. She Sorry.
125
00:06:22,399 --> 00:06:27,239
Sorry. On a competition. Yeah. Of
126
00:06:24,240 --> 00:06:27,240
course.
127
00:06:29,310 --> 00:06:32,439
[Music]
128
00:06:33,680 --> 00:06:38,000
Oh my god, his pick guard has someone's
129
00:06:36,160 --> 00:06:41,120
face on it. Or am I cray? Oh no, you're
130
00:06:38,000 --> 00:06:44,519
not cray. You're right.
131
00:06:41,120 --> 00:06:44,519
Is it Jesus?
132
00:06:48,720 --> 00:06:52,360
Who was that to?
133
00:06:59,490 --> 00:07:02,588
[Music]
134
00:07:04,478 --> 00:07:07,399
Oh,
135
00:07:05,800 --> 00:07:10,520
mother.
136
00:07:07,399 --> 00:07:12,519
Tell your
137
00:07:10,519 --> 00:07:15,549
children not to
138
00:07:12,519 --> 00:07:18,318
do what I
139
00:07:15,550 --> 00:07:19,639
[Music]
140
00:07:18,319 --> 00:07:22,639
spent your
141
00:07:19,639 --> 00:07:22,639
lives
142
00:07:23,709 --> 00:07:29,318
[Music]
143
00:07:25,160 --> 00:07:31,350
in the house of the
144
00:07:29,319 --> 00:07:34,449
rising sun.
145
00:07:31,350 --> 00:07:34,449
[Applause]
146
00:07:44,000 --> 00:07:50,360
You're one for all the
147
00:07:52,800 --> 00:07:57,079
the foot of the
148
00:07:55,370 --> 00:08:00,399
[Music]
149
00:07:57,079 --> 00:08:00,399
train. I'm
150
00:08:04,199 --> 00:08:08,199
going to
151
00:08:09,639 --> 00:08:15,598
go. So again, she is extremely play
152
00:08:13,199 --> 00:08:18,879
playful with not just tone but vowels.
153
00:08:15,598 --> 00:08:21,199
She uses vowel shapes to also make
154
00:08:18,879 --> 00:08:23,240
whatever genre she's kind of bringing to
155
00:08:21,199 --> 00:08:25,520
life in their
156
00:08:23,240 --> 00:08:30,000
reinterpretation. She uses vowels to
157
00:08:25,519 --> 00:08:32,799
really solidify the genre shifts. She
158
00:08:30,000 --> 00:08:35,440
has kind of a set of rockier vowels. She
159
00:08:32,799 --> 00:08:38,158
can she she absolutely uses the softer,
160
00:08:35,440 --> 00:08:41,279
rounder, warmer vowels when she's doing
161
00:08:38,158 --> 00:08:43,120
a more sweet ballad. But she is
162
00:08:41,278 --> 00:08:46,120
constantly playing playing through
163
00:08:43,120 --> 00:08:46,120
vowels.
164
00:08:46,529 --> 00:08:53,449
[Applause]
165
00:08:54,000 --> 00:08:58,679
I love
166
00:08:56,120 --> 00:09:01,120
that like that's so
167
00:08:58,679 --> 00:09:04,919
fun playing with it. I love Yeah, it's
168
00:09:01,120 --> 00:09:04,919
super playful. Yeah.
169
00:09:06,559 --> 00:09:09,958
What even is
170
00:09:15,289 --> 00:09:22,308
[Applause]
171
00:09:18,100 --> 00:09:22,308
[Music]
172
00:09:24,480 --> 00:09:29,278
So, we hear her kind of exhaling that
173
00:09:27,360 --> 00:09:32,720
kind of sound at the end of phrases,
174
00:09:29,278 --> 00:09:34,559
which completely convinces us that she's
175
00:09:32,720 --> 00:09:36,320
pretty much pained, right? that the
176
00:09:34,559 --> 00:09:39,919
character, the character she's playing,
177
00:09:36,320 --> 00:09:41,399
who is her, is not only in the emotion
178
00:09:39,919 --> 00:09:46,159
of the song and the
179
00:09:41,399 --> 00:09:49,399
lyrics, but is is genuinely creating it,
180
00:09:46,159 --> 00:09:56,178
feeling it, feeling it, creating it.
181
00:09:49,399 --> 00:09:56,178
[Music]
182
00:09:59,169 --> 00:10:03,259
[Music]
183
00:10:08,129 --> 00:10:11,710
[Music]
184
00:10:13,919 --> 00:10:17,919
Like, do you honestly think she gets to
185
00:10:16,159 --> 00:10:21,600
the end of a song or several songs like
186
00:10:17,919 --> 00:10:27,240
this and feels nothing? Like, it's wild.
187
00:10:21,600 --> 00:10:27,240
I don't know. It's wild. Yeah,
188
00:10:32,240 --> 00:10:35,528
[Music]
189
00:10:39,240 --> 00:10:43,600
drool. Drool coming out of my mouth.
190
00:10:45,360 --> 00:10:49,120
She's a crazy crazy
191
00:10:50,440 --> 00:10:56,240
vocalist like Yeah. Yeah. It's really
192
00:10:54,320 --> 00:10:59,920
amazing.
193
00:10:56,240 --> 00:11:03,440
It's so, you know, it's so athletic
194
00:10:59,919 --> 00:11:06,039
without sounding masturbator potato.
195
00:11:03,440 --> 00:11:08,880
It's true. It does not sound like
196
00:11:06,039 --> 00:11:11,039
someone purposefully pushing themselves
197
00:11:08,879 --> 00:11:15,278
too hard or showing off for the sake of
198
00:11:11,039 --> 00:11:16,879
showing off, but it's bananas.
199
00:11:15,278 --> 00:11:18,559
But that's the thing why I've said in
200
00:11:16,879 --> 00:11:20,958
the past that her band leader is so
201
00:11:18,559 --> 00:11:24,078
amazing because they create vibes and
202
00:11:20,958 --> 00:11:25,679
arrangements that absolutely play. Well,
203
00:11:24,078 --> 00:11:27,039
I think she has many strengths and can
204
00:11:25,679 --> 00:11:29,039
lean into many different vibes and
205
00:11:27,039 --> 00:11:30,879
genres, but they're all designed with
206
00:11:29,039 --> 00:11:32,480
her in mind. Absolutely. They're all
207
00:11:30,879 --> 00:11:36,240
designed with her in mind. What a
208
00:11:32,480 --> 00:11:36,240
fantastic team of musicians. I'll say it
209
00:11:41,720 --> 00:11:46,399
forever. I love that Kelly Clarkson
210
00:11:44,159 --> 00:11:50,159
riff. Let's tech talk about it. First,
211
00:11:46,399 --> 00:11:50,159
we have what I call an upward
212
00:11:50,278 --> 00:11:54,720
bounce. Then a quick three note riff
213
00:11:52,639 --> 00:11:56,120
that starts by lifting up a semmit tone
214
00:11:54,720 --> 00:11:58,480
and
215
00:11:56,120 --> 00:12:00,320
descending. Do you hear them? Then
216
00:11:58,480 --> 00:12:01,879
another three note riff, but this time
217
00:12:00,320 --> 00:12:04,360
we scoop into
218
00:12:01,879 --> 00:12:06,799
it. Do you hear that little
219
00:12:04,360 --> 00:12:08,720
scoop? And she finishes it off with a
220
00:12:06,799 --> 00:12:10,319
snatch downwards. By that I mean she
221
00:12:08,720 --> 00:12:14,240
ends the whole thing by pulling the
222
00:12:10,320 --> 00:12:14,240
melody down. Bye.
14739
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof