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1
00:00:00,980 --> 00:00:03,357
How important is
being good to you, Andres?
2
00:00:03,441 --> 00:00:05,818
I just want what's best
for my brother. That's all.
3
00:00:05,901 --> 00:00:07,528
Then you have nothing to worry about.
4
00:00:07,611 --> 00:00:09,405
Your brother is in good hands.
5
00:00:09,488 --> 00:00:10,614
He's living a good life.
6
00:00:13,242 --> 00:00:15,369
[engines revving]
7
00:00:15,453 --> 00:00:17,913
I know Manuel, he's very unpredictable.
8
00:00:17,997 --> 00:00:19,999
He's got a lot of security with him,
9
00:00:20,082 --> 00:00:21,709
even if we don't see them.
10
00:00:23,502 --> 00:00:24,587
[tires screeching]
11
00:00:27,840 --> 00:00:30,426
The important thing
is we've found the base.
12
00:00:31,260 --> 00:00:32,470
- Tomas.
- Hmm?
13
00:00:32,553 --> 00:00:34,388
Who was that woman
you were talking to earlier?
14
00:00:34,472 --> 00:00:36,140
Are you jealous, wifey?
15
00:00:36,223 --> 00:00:38,476
Stop that, okay? Stop joking around.
16
00:00:38,559 --> 00:00:41,062
[Doctor]
This is an intramuscular relaxant.
17
00:00:41,145 --> 00:00:42,313
Injectable?
18
00:00:42,396 --> 00:00:45,232
Yes, but only for emergencies, okay?
19
00:00:45,316 --> 00:00:48,110
I don't want you getting used to this
because this is addictive.
20
00:00:50,654 --> 00:00:57,661
[theme music playing]
21
00:01:35,241 --> 00:01:41,747
[upbeat cultural music playing]
22
00:01:55,136 --> 00:01:58,556
{\an8}[inaudible]
23
00:02:04,353 --> 00:02:11,360
{\an8}[upbeat cultural music playing]
24
00:02:15,531 --> 00:02:21,829
{\an8}[music turns dramatic]
25
00:02:28,711 --> 00:02:31,380
{\an8}[camera shutters clicking]
26
00:02:31,463 --> 00:02:37,553
{\an8}[dramatic music continues]
27
00:02:37,636 --> 00:02:39,096
{\an8}[camera shutters clicking]
28
00:02:39,180 --> 00:02:41,432
{\an8}[inaudible]
29
00:02:45,060 --> 00:02:50,900
{\an8}[dramatic music continues]
30
00:02:57,615 --> 00:03:00,284
{\an8}[camera shutters clicking]
31
00:03:09,418 --> 00:03:16,425
{\an8}[dramatic music continues]
32
00:03:35,319 --> 00:03:39,990
{\an8}[dramatic music crescendos]
33
00:03:42,952 --> 00:03:48,958
{\an8}[foreboding music playing]
34
00:03:49,041 --> 00:03:50,125
{\an8}[door opens]
35
00:03:51,919 --> 00:03:53,295
{\an8}- [door closes]
- [case clacks]
36
00:03:55,506 --> 00:03:57,841
{\an8}[locks click]
37
00:03:59,593 --> 00:04:00,803
{\an8}[gun clicks]
38
00:04:00,886 --> 00:04:02,137
{\an8}[gun cocks]
39
00:04:09,937 --> 00:04:10,980
{\an8}[light switch clicks]
40
00:04:11,063 --> 00:04:17,987
{\an8}[foreboding music continues]
41
00:04:32,584 --> 00:04:37,756
[foreboding music continues]
42
00:04:38,590 --> 00:04:39,675
{\an8}[door creaks]
43
00:04:44,138 --> 00:04:45,139
{\an8}[door closes]
44
00:04:46,974 --> 00:04:48,017
[door opens]
45
00:04:50,644 --> 00:04:52,396
[door creaks, closes]
46
00:04:53,480 --> 00:04:55,190
[locks clicks]
47
00:04:59,111 --> 00:05:01,196
[gun clicks]
48
00:05:02,072 --> 00:05:03,157
[gun cocks]
49
00:05:03,240 --> 00:05:10,414
[foreboding music continues]
50
00:05:14,835 --> 00:05:16,503
[light switch clicks]
51
00:05:16,587 --> 00:05:19,006
[door creaks]
52
00:05:21,258 --> 00:05:22,259
[door closes]
53
00:05:29,266 --> 00:05:35,606
[foreboding music continues]
54
00:05:44,073 --> 00:05:45,157
[window clicks]
55
00:05:46,366 --> 00:05:47,659
[door opens, creaks]
56
00:05:49,578 --> 00:05:53,832
[foreboding music continues]
57
00:05:53,916 --> 00:05:55,042
[door creaks, closes]
58
00:06:00,464 --> 00:06:02,132
[door opens, creaks]
59
00:06:03,717 --> 00:06:05,052
[door closes]
60
00:06:06,678 --> 00:06:07,930
[gun clicks, cocks]
61
00:06:08,013 --> 00:06:14,978
[foreboding music continues]
62
00:06:30,786 --> 00:06:37,793
- [guest chatter indistinctly]
- [foreboding music continues]
63
00:06:45,717 --> 00:06:47,386
[bag zips]
64
00:06:57,104 --> 00:07:00,649
[keyboard clacking]
65
00:07:00,732 --> 00:07:02,901
[breathes deeply] I'm getting in.
66
00:07:02,985 --> 00:07:04,862
[keyboard clacking]
67
00:07:04,945 --> 00:07:06,780
[trilling]
68
00:07:06,864 --> 00:07:11,410
[foreboding music continues]
69
00:07:12,119 --> 00:07:13,078
[clicks]
70
00:07:13,162 --> 00:07:14,746
Okay, I'm in.
71
00:07:20,878 --> 00:07:25,799
[foreboding music crescendos]
72
00:07:26,467 --> 00:07:29,761
[Greg] Copy that, Eagle.
Team, on your position now.
73
00:07:29,845 --> 00:07:35,225
[unsettling music playing]
74
00:07:49,323 --> 00:07:51,492
[Max] Almost all the guests are inside.
75
00:07:51,575 --> 00:07:53,035
Barrios hasn't arrived.
76
00:07:56,747 --> 00:07:59,416
[unsettling music intensifies]
77
00:07:59,500 --> 00:08:02,961
[guest chatter indistinctly]
78
00:08:10,719 --> 00:08:13,722
[unsettling music crescendos]
79
00:08:14,097 --> 00:08:16,058
[motorcycle revving]
80
00:08:16,141 --> 00:08:19,186
[truck idling]
81
00:08:22,981 --> 00:08:23,774
[door clangs]
82
00:08:26,652 --> 00:08:31,949
[sinister music playing]
83
00:08:40,415 --> 00:08:41,458
[locks click]
84
00:08:43,502 --> 00:08:45,003
[keyboard clacking]
85
00:08:47,839 --> 00:08:52,928
- [computer beeps]
- [keyboard clacking]
86
00:08:53,011 --> 00:08:53,971
[beeps, whirrs]
87
00:08:54,054 --> 00:08:58,559
[sinister music continues]
88
00:09:02,354 --> 00:09:07,025
[sinister music turns tense]
89
00:09:07,109 --> 00:09:08,360
Madam is in the area.
90
00:09:08,443 --> 00:09:09,861
She's entering the ballroom.
91
00:09:11,863 --> 00:09:12,698
[trills]
92
00:09:12,781 --> 00:09:16,285
[tense music continues]
93
00:09:16,368 --> 00:09:19,288
[guests chatter indistinctly]
94
00:09:19,371 --> 00:09:20,581
[hostess] Good morning, ma'am.
95
00:09:20,664 --> 00:09:22,082
- Good morning.
- [hostess] This way, ma'am.
96
00:09:22,165 --> 00:09:23,166
Thank you.
97
00:09:29,256 --> 00:09:35,721
[tense music continues]
98
00:09:35,804 --> 00:09:39,433
[Max] As expected, she's heavily
guarded by her security team.
99
00:09:43,020 --> 00:09:43,979
[coughs softly]
100
00:09:44,062 --> 00:09:45,355
Excuse me, sir.
101
00:09:45,439 --> 00:09:46,857
The smoking area's over there.
102
00:09:47,524 --> 00:09:49,735
Sorry, sir. I'll put it out now.
103
00:09:52,821 --> 00:09:55,824
[tense music fades]
104
00:09:56,658 --> 00:10:02,956
- [guests chattering]
- [suspenseful music playing]
105
00:10:05,709 --> 00:10:07,169
[Greg] Sparrow, Monkey…
106
00:10:07,252 --> 00:10:10,464
be on the lookout
for high-profile guests with red tags.
107
00:10:11,214 --> 00:10:12,883
- [Tomas] Copy, sir.
- Copy, sir.
108
00:10:13,508 --> 00:10:15,886
[Greg] Jaguar, monitor exterior threats.
109
00:10:15,969 --> 00:10:16,970
[Miguel] Copy.
110
00:10:17,054 --> 00:10:18,513
[dancers clatter]
111
00:10:18,597 --> 00:10:19,848
[Mrs. Rosario] Secretary!
112
00:10:20,891 --> 00:10:22,643
- Sec. Barrios, nice to see you.
- Hi!
113
00:10:22,726 --> 00:10:24,770
Nice to see you, Mrs. Rosario.
114
00:10:24,853 --> 00:10:26,688
- How are you?
- I'm okay. How are you?
115
00:10:26,772 --> 00:10:27,898
I'm good.
116
00:10:27,981 --> 00:10:30,859
[Mrs. Rosario]
I have to commend you, Secretary Barrios,
117
00:10:30,942 --> 00:10:36,657
for your efforts in shutting down the
operations of Velasco Mining Corporation.
118
00:10:37,824 --> 00:10:41,828
Their toxic waste has
caused serious harm to our community.
119
00:10:41,912 --> 00:10:44,790
And on top of that,
their mining operations
120
00:10:44,873 --> 00:10:47,209
are also linked to human trafficking.
121
00:10:47,292 --> 00:10:50,253
But I've heard there are another reasons.
122
00:10:50,837 --> 00:10:54,007
Word is you're
planning to report other findings.
123
00:10:55,133 --> 00:10:56,385
[exhales softly]
124
00:10:56,468 --> 00:10:59,304
You'll just have
to wait for that, Mrs. Rosario.
125
00:10:59,388 --> 00:11:01,515
This isn't the right time to discuss.
126
00:11:01,932 --> 00:11:04,518
A congressional hearing is on the way.
127
00:11:04,601 --> 00:11:08,522
All my findings will be made public there.
128
00:11:08,605 --> 00:11:13,402
I am so in awe with how
fearless you are, Secretary Barrios.
129
00:11:14,069 --> 00:11:16,655
Sorry, ma'am. We have to go.
130
00:11:16,738 --> 00:11:18,031
Let's go, ma'am?
131
00:11:18,657 --> 00:11:21,076
All in a day's work, Mrs. Rosario.
132
00:11:21,159 --> 00:11:22,911
- I'll see you inside?
- See you there.
133
00:11:22,994 --> 00:11:24,121
Excuse me.
134
00:11:32,462 --> 00:11:33,672
- Good morning, sir.
- Good morning, sir.
135
00:11:33,755 --> 00:11:35,132
Welcome to the event.
136
00:11:40,512 --> 00:11:44,558
[intense music sting]
137
00:11:45,559 --> 00:11:48,687
[indistinct chatter]
138
00:11:50,021 --> 00:11:52,649
Sir, good morning. This way, please.
139
00:11:53,400 --> 00:11:55,777
How's your day going, sir?
140
00:11:56,570 --> 00:11:58,447
I've got this. Go assist the other guests.
141
00:11:58,530 --> 00:11:59,823
No, I--
142
00:12:00,615 --> 00:12:03,618
[footsteps receding]
143
00:12:04,911 --> 00:12:09,916
- [guest chatter indistinctly]
- [camera shutters clicking]
144
00:12:18,717 --> 00:12:21,011
- Hello, sir, good morning.
- [Diego] Good morning.
145
00:12:21,094 --> 00:12:22,512
Excuse me.
146
00:12:24,598 --> 00:12:30,729
[unsettling music playing]
147
00:12:33,482 --> 00:12:36,485
[camera shutters clicking]
148
00:12:40,697 --> 00:12:42,115
Wolf.
149
00:12:42,199 --> 00:12:44,117
What's your brother doing here?
150
00:12:45,619 --> 00:12:48,121
[indistinct chattering continues]
151
00:12:51,291 --> 00:12:56,630
[unsettling music continues]
152
00:12:56,713 --> 00:12:58,006
I don't know.
153
00:12:59,841 --> 00:13:01,676
Have most of the guests arrived?
154
00:13:01,760 --> 00:13:02,385
[receptionist] Yes, sir.
155
00:13:02,469 --> 00:13:04,596
Mm-hmm. Okay.
156
00:13:05,805 --> 00:13:12,812
[unsettling music continues]
157
00:13:13,438 --> 00:13:15,190
- Thank you.
- This way, sir.
158
00:13:19,694 --> 00:13:26,701
[unsettling music continues]
159
00:13:36,836 --> 00:13:42,384
[unsettling music continues]
160
00:13:45,011 --> 00:13:45,929
[breathes deeply]
161
00:13:46,012 --> 00:13:48,265
He's a victim of human trafficking.
162
00:13:49,683 --> 00:13:52,769
Maybe he attends events like this often.
163
00:13:58,441 --> 00:13:59,651
[camera shutter clicking]
164
00:14:01,027 --> 00:14:03,572
But still, it was
Manuel Aguinaldo who adopted him.
165
00:14:04,447 --> 00:14:06,408
We know what kind of person he is.
166
00:14:06,491 --> 00:14:09,661
Manuel's not here. It's just Jun.
167
00:14:10,328 --> 00:14:13,373
Be careful, Andres.
He shouldn't recognize you.
168
00:14:13,456 --> 00:14:15,834
Remember, we're undercover.
169
00:14:15,917 --> 00:14:17,961
Don't worry, he won't see me.
170
00:14:18,044 --> 00:14:19,754
But I won't leave either.
171
00:14:20,672 --> 00:14:22,382
Leave him to me.
172
00:14:22,465 --> 00:14:24,384
I'll find out why he's here.
173
00:14:31,391 --> 00:14:37,230
[unsettling music builds, fades]
174
00:14:37,314 --> 00:14:38,607
[phone buzzes]
175
00:14:38,690 --> 00:14:41,484
[foreboding music playing]
176
00:14:41,568 --> 00:14:42,903
[Jun] How's everything going?
177
00:14:44,029 --> 00:14:48,408
[keypad tapping]
178
00:14:48,491 --> 00:14:54,205
[foreboding music continues]
179
00:14:54,289 --> 00:14:55,749
[phone buzzes]
180
00:14:57,334 --> 00:15:00,503
[Tres] Uno, all elements set. Standing by.
181
00:15:00,587 --> 00:15:03,757
[guest chatter indistinctly]
182
00:15:08,637 --> 00:15:10,931
- [Gab] Good morning!
- Good morning!
183
00:15:11,431 --> 00:15:13,975
Hi, ma'am!
May I ask for your name, please?
184
00:15:14,059 --> 00:15:16,603
- Heissa Soperable.
- Okay, um…
185
00:15:17,062 --> 00:15:19,481
You're on table number 6.
Right this way, ma'am.
186
00:15:20,941 --> 00:15:23,401
Martin will assist you.
Thank you so much.
187
00:15:23,485 --> 00:15:24,819
This way, ma'am.
188
00:15:25,570 --> 00:15:27,489
[Max] Sparrow, at your two o'clock.
189
00:15:27,572 --> 00:15:29,157
That's Alexon Tolentino.
190
00:15:30,325 --> 00:15:31,326
[screen trills]
191
00:15:31,952 --> 00:15:33,036
[keyboard clacks]
192
00:15:34,245 --> 00:15:36,289
He's the man in glasses using his phone.
193
00:15:37,082 --> 00:15:38,375
Who is he?
194
00:15:41,086 --> 00:15:42,295
[dramatic music sting]
195
00:15:42,712 --> 00:15:44,589
He's an advocate for mining companies.
196
00:15:45,423 --> 00:15:48,301
He's joined numerous
rallies against Sec. Barrios.
197
00:15:50,553 --> 00:15:51,805
On it.
198
00:15:53,890 --> 00:15:55,266
Hello, sir. May I help you?
199
00:15:55,350 --> 00:15:57,936
Um, what is your name
for the seating arrangement?
200
00:15:58,019 --> 00:16:00,397
- Tolentino, Alexon.
- Alright, let me check.
201
00:16:01,272 --> 00:16:03,608
You're on table number 12.
202
00:16:03,692 --> 00:16:06,403
- Right this way.
- No, I'll go to my table later.
203
00:16:06,486 --> 00:16:07,904
I'll stay out here for now.
204
00:16:07,988 --> 00:16:09,614
Okay. No problem, sir.
205
00:16:10,949 --> 00:16:12,158
Hey, bro.
206
00:16:12,242 --> 00:16:14,744
What's up? I'll see you inside.
207
00:16:14,828 --> 00:16:17,664
Monkey, I need backup. Yes, sir, this way.
208
00:16:17,747 --> 00:16:18,790
Monkey, backup.
209
00:16:22,794 --> 00:16:25,005
- Ah!
- Oops!
210
00:16:25,672 --> 00:16:27,966
- Are you okay, sir?
- Sorry, sir. I tripped.
211
00:16:28,049 --> 00:16:29,217
- What's wrong with you?
- Sorry, sir.
212
00:16:29,300 --> 00:16:30,510
Can you watch where you're going?
213
00:16:30,593 --> 00:16:33,179
It's my fault, sir. I tripped.
214
00:16:33,263 --> 00:16:35,015
- Miss, are you okay?
- Yeah, yeah, yeah. I'm sorry.
215
00:16:35,098 --> 00:16:36,516
I'm so sorry, sir. Thank you for your--
216
00:16:36,599 --> 00:16:37,892
Get out of my sight.
217
00:16:38,518 --> 00:16:40,603
Thank you so much for your patience.
218
00:16:40,687 --> 00:16:43,023
We're really packed today,
that's why the space is so…
219
00:16:43,106 --> 00:16:44,399
It's fine. Are you sure you're not hurt?
220
00:16:44,482 --> 00:16:46,526
Yes, yes, yes. I'm okay, sir.
221
00:16:46,609 --> 00:16:48,028
- May I assist you?
- Sure.
222
00:16:48,111 --> 00:16:50,280
- Alright. Right this way.
- Thank you.
223
00:16:50,363 --> 00:16:51,781
Martin will help you.
224
00:16:51,865 --> 00:16:53,074
Right this way.
225
00:16:53,158 --> 00:16:54,200
Thank you, sir!
226
00:16:54,284 --> 00:16:55,994
Good morning, sir. This way.
227
00:16:56,077 --> 00:16:57,370
Good morning, sir!
228
00:16:58,121 --> 00:16:59,748
Negative. He's unarmed.
229
00:16:59,831 --> 00:17:01,958
[dramatic music crescendos]
230
00:17:02,042 --> 00:17:03,168
Copy.
231
00:17:03,251 --> 00:17:05,795
I'll keep monitoring him on the CCTV.
232
00:17:05,879 --> 00:17:12,177
- [thrilling music playing]
- [keyboard clacking]
233
00:17:28,485 --> 00:17:31,029
- There's your table, ma'am.
- Thank you so much.
234
00:17:31,905 --> 00:17:33,323
Have fun!
235
00:17:34,199 --> 00:17:37,077
[indistinct chatter]
236
00:17:37,160 --> 00:17:41,956
[thrilling music continues]
237
00:17:42,040 --> 00:17:43,166
[glasses clink]
238
00:17:48,588 --> 00:17:53,885
[thrilling music continues]
239
00:17:53,968 --> 00:17:55,303
[camera shutter clicks]
240
00:17:57,931 --> 00:18:01,101
Check if Diego Aguinaldo
is on the guest list.
241
00:18:01,851 --> 00:18:08,608
[thrilling music continues]
242
00:18:08,691 --> 00:18:09,943
[woman] Diego?
243
00:18:10,026 --> 00:18:11,319
- Oh, Ms. Sanchez.
- Hello.
244
00:18:11,402 --> 00:18:13,363
- Hello. Hi, ma'am.
- Hi.
245
00:18:13,446 --> 00:18:15,448
- How are you doing?
- I'm just impressed
246
00:18:15,532 --> 00:18:18,868
that someone your age
supports something like this.
247
00:18:18,952 --> 00:18:23,540
Ah, of course, we need
to work together for the common good.
248
00:18:23,623 --> 00:18:26,709
[keyboard clacking]
249
00:18:26,793 --> 00:18:31,798
[thrilling music continues]
250
00:18:31,881 --> 00:18:32,924
[Max] Confirming.
251
00:18:34,092 --> 00:18:35,552
Yes, he's on the list.
252
00:18:38,805 --> 00:18:40,348
Diego Aguinaldo.
253
00:18:40,974 --> 00:18:42,976
He's one of the major sponsors.
254
00:18:43,601 --> 00:18:46,563
Yeah, I came across
his name while I was checking the files.
255
00:18:47,689 --> 00:18:48,982
Is he a threat?
256
00:18:49,065 --> 00:18:53,736
[thrilling music continues]
257
00:18:53,820 --> 00:18:55,780
Wait… Aguinaldo?
258
00:18:56,531 --> 00:18:57,866
As in connected to…
259
00:18:58,324 --> 00:18:59,492
Yes.
260
00:19:04,664 --> 00:19:06,040
Wait a second.
261
00:19:06,124 --> 00:19:07,667
Connected to who?
262
00:19:08,835 --> 00:19:11,379
- [camera shutter clicking]
- [indistinct chatter]
263
00:19:13,298 --> 00:19:15,091
Keep eyes on him.
264
00:19:15,175 --> 00:19:18,720
Young man, early 20s,
wearing glasses, stage right.
265
00:19:22,932 --> 00:19:24,267
There he is.
266
00:19:26,311 --> 00:19:29,522
[music turns dramatic]
267
00:19:29,606 --> 00:19:32,525
Wait, how did this
Diego Aguinaldo become a threat?
268
00:19:33,526 --> 00:19:39,616
[dramatic music continues]
269
00:19:41,201 --> 00:19:44,662
Diego Aguinaldo is Jun, my brother.
270
00:19:44,746 --> 00:19:51,044
[dramatic music intensifies]
271
00:20:01,221 --> 00:20:06,351
[dramatic music crescendos]
272
00:20:07,352 --> 00:20:09,312
Execute phase one of the plan now.
273
00:20:10,146 --> 00:20:11,940
Are you alright? You're shaking.
274
00:20:12,023 --> 00:20:12,941
Walk with me outside.
275
00:20:13,024 --> 00:20:15,401
- Come. Let's talk to the boss.
- No, no need.
276
00:20:16,194 --> 00:20:18,196
No one must get past us.
277
00:20:18,279 --> 00:20:20,323
Everyone here is a possible suspect.
278
00:20:20,406 --> 00:20:21,658
My brother's just here as a guest.
279
00:20:21,741 --> 00:20:23,201
That's what we have to confirm, Wolf.
280
00:20:23,284 --> 00:20:27,247
Get out of here before he finds out
you're using a different identity.
281
00:20:27,664 --> 00:20:33,086
[suspenseful music playing]
282
00:20:33,086 --> 00:20:38,086
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283
00:20:33,086 --> 00:20:43,086
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