Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:17,851 --> 00:00:18,686
HEY, ED, WHAT'S UP?
2
00:00:18,719 --> 00:00:21,189
SEAN, WHAT'S WITH
ALL THESE TOILETRIES?
3
00:00:21,222 --> 00:00:22,056
OH, I DON'T KNOW.
THEY'RE CLAUDIA'S.
4
00:00:22,090 --> 00:00:24,092
SHE'S HAVING SOME KIND
OF PARTY TOMORROW.
5
00:00:24,125 --> 00:00:25,393
WHY DON'T YOU TAKE
SOME OF THIS LOTION?
6
00:00:25,426 --> 00:00:27,061
I'VE GOT MORE
THAN I NEED HERE.
7
00:00:27,095 --> 00:00:28,496
NO, THANKS.
NO, THANKS.
8
00:00:28,529 --> 00:00:29,230
NO. NO.
9
00:00:29,263 --> 00:00:31,099
COME ON.
JUST HAVE A LITTLE BIT.
10
00:00:31,132 --> 00:00:31,865
NO.
11
00:00:31,899 --> 00:00:33,834
AAH! COME ON. WHAT
YOU DO THAT FOR?
12
00:00:33,867 --> 00:00:36,670
YOU COULD HAVE EASILY
HAVE PREVENTED THAT.
13
00:00:36,704 --> 00:00:39,673
OH, GOOD. FAYE
BROUGHT ALL THE STUFF.
14
00:00:39,707 --> 00:00:40,708
YEAH, HEY,
WHAT'S THE DEAL?
15
00:00:40,741 --> 00:00:43,544
OH, FAYE AND I
ARE HOSTING
AN ESPER'S OILS PARTY.
16
00:00:43,577 --> 00:00:44,445
A WHAT?
17
00:00:44,478 --> 00:00:45,379
ESPER'S OILS.
18
00:00:45,413 --> 00:00:46,780
THEY'RE SPA-QUALITY
BATH AND BODY PRODUCTS.
19
00:00:46,814 --> 00:00:47,715
WHAT? YOU'RE GOING
TO SELL THIS STUFF?
20
00:00:47,748 --> 00:00:49,283
YEAH. DON'T YOU REMEMBER,
A FEW MONTHS AGO,
21
00:00:49,317 --> 00:00:50,551
I WENT OVER TO REGINA'S.
SHE HAD A PARTY.
22
00:00:50,584 --> 00:00:51,552
I BOUGHT
ALL SORTS OF STUFF.
23
00:00:51,585 --> 00:00:55,123
DO YOU HAVE ANY,
UH, EXFOLIATING
FACIAL SCRUBS?
24
00:00:55,156 --> 00:01:00,228
YES, ACTUALLY,
I HAVE AN APRICOT SCRUB
THAT'S REALLY--
25
00:01:03,264 --> 00:01:05,166
YOU'RE MOCKING ME.
26
00:01:05,199 --> 00:01:06,200
YEAH, I'M SORRY.
27
00:01:06,234 --> 00:01:07,101
NO. THAT'S OK.
YOU KNOW WHAT?
28
00:01:07,135 --> 00:01:09,170
TODAY, YOU TWO AREN'T
GOING TO GET TO ME.
29
00:01:09,203 --> 00:01:10,671
OK, WHY? W-WHAT ARE YOU
SO HAPPY ABOUT?
30
00:01:10,704 --> 00:01:14,242
OH, NOTHING, REALLY.
JUST, UM,
OUT OF CURIOSITY,
31
00:01:14,275 --> 00:01:17,145
WHAT DO YOU THINK
IT WOULD BE LIKE
TO BE MARRIED TO A MODEL?
32
00:01:17,178 --> 00:01:19,780
I DON'T KNOW.
PROBABLY BE KIND
OF A DRAG.
33
00:01:19,813 --> 00:01:21,782
I WAS JUST WONDERING
'CAUSE TODAY
34
00:01:21,815 --> 00:01:24,685
I WAS APPROACHED
BY A FASHION PHOTOGRAPHER.
35
00:01:24,718 --> 00:01:27,321
WHAT? WHY?
36
00:01:28,556 --> 00:01:33,294
'CAUSE HE
SAID I--I HAVE
AN INCREDIBLE LOOK.
37
00:01:41,669 --> 00:01:42,536
CAN I HELP YOU?
38
00:01:42,570 --> 00:01:45,273
OH, I'M--I'M SORRY.
I'M STARING, AREN'T I?
39
00:01:45,306 --> 00:01:47,141
YES, YOU ARE.
40
00:01:47,175 --> 00:01:50,278
OH, WELL, UH,
PARDON ME.
41
00:01:50,944 --> 00:01:52,446
BUT, YOU SEE, I'M--
42
00:01:52,480 --> 00:01:54,548
EXCUSE ME.
I'M--I'M A PHOTOGRAPHER,
43
00:01:54,582 --> 00:01:58,186
AND, UH, YOU HAVE
AN INCREDIBLE LOOK.
44
00:01:58,219 --> 00:02:00,154
WHERE HAVE I
SEEN YOU BEFORE?
45
00:02:00,454 --> 00:02:02,456
UH, I--I DON'T KNOW.
46
00:02:02,490 --> 00:02:05,559
YOU DO CATALOG WORK.
BLOOMINGDALE'S?
47
00:02:05,593 --> 00:02:07,695
NO. I'VE NEVER
DONE MODELING.
48
00:02:07,728 --> 00:02:08,629
THAT JUST SURPRISES ME.
49
00:02:08,662 --> 00:02:11,265
WOULD YOU MIND IF
I WAS TO GIVE YOU MY CARD?
50
00:02:11,299 --> 00:02:13,167
WOULD YOU--WOULD YOU
CONSIDER CALLING ME?
51
00:02:13,201 --> 00:02:14,868
"DEREK PURCELL,
FASHION PHOTOGRAPHER.
52
00:02:14,902 --> 00:02:18,906
NEW YORK, LONDON,
PARIS, AND...HANOI"?
53
00:02:18,939 --> 00:02:21,242
VIETNAM
IS THE NEW BRAZIL.
54
00:02:21,275 --> 00:02:23,811
BUT, UH,
IT'S JUST SOMETHING
TO THINK ABOUT.
55
00:02:23,844 --> 00:02:25,346
THANKS.
56
00:02:29,350 --> 00:02:31,185
HE WANTS TO TAKE
SOME PICTURES OF ME.
57
00:02:31,219 --> 00:02:31,885
CAN YOU BELIEVE THAT?
58
00:02:31,919 --> 00:02:32,953
YEAH. HE WANTS
TO TAKE PICTURES
59
00:02:32,986 --> 00:02:35,356
OF YOU AND HIM
DOING IT.
60
00:02:35,989 --> 00:02:36,690
EXCUSE ME?
61
00:02:36,724 --> 00:02:37,358
COME ON.
EDDIE'S RIGHT, CLAUDIA.
62
00:02:37,391 --> 00:02:38,959
THIS GUY
WAS HITTING ON YOU.
63
00:02:38,992 --> 00:02:40,261
NO, HE WASN'T.
64
00:02:40,294 --> 00:02:43,631
OH, VIETNAM'S
THE NEW BRAZIL?
PLEASE!
65
00:02:43,664 --> 00:02:46,367
NEPAL IS THE NEW BRAZIL.
THIS GUY'S A HACK.
66
00:02:46,400 --> 00:02:49,237
HE'S A PROFESSIONAL
PHOTOGRAPHER.
67
00:02:49,270 --> 00:02:50,471
NO. THIS GUY'S
A SCAM ARTIST.
68
00:02:50,504 --> 00:02:52,473
MY OWN BROTHER'S
ONE OF THOSE GUYS.
69
00:02:52,506 --> 00:02:54,942
I'VE SEEN GUYS
LIKE THIS IN ACTION.
70
00:02:54,975 --> 00:02:57,345
I KNOW
HOW IT GOES DOWN.
71
00:02:57,578 --> 00:02:58,646
CAN I HELP YOU?
72
00:02:58,679 --> 00:03:01,949
YOU COULD HURT ME
AND ALL I WOULD SAY
IS THANK YOU.
73
00:03:01,982 --> 00:03:04,418
YOU ARE SO BEAUTIFUL.
74
00:03:04,452 --> 00:03:06,820
I'M A PHOTOGRAPHER.
YOU MUST BE A MODEL.
75
00:03:06,854 --> 00:03:09,357
I'VE NEVER DONE
ANY MODELING WORK.
76
00:03:09,390 --> 00:03:12,293
WHAT? WITH THAT RACK?
77
00:03:12,326 --> 00:03:13,894
THAT'S CRAZY.
78
00:03:13,927 --> 00:03:15,463
NOT LETTING THOSE
BE PHOTOGRAPHED,
79
00:03:15,496 --> 00:03:18,466
THAT'S LIKE NOT
LETTING A CHEETAH RUN.
80
00:03:18,499 --> 00:03:22,270
IT'S UNNATURAL.
IT'S CRUEL.
81
00:03:22,603 --> 00:03:25,673
DO ME A FAVOR.
DO YOURSELF A FAVOR.
82
00:03:25,706 --> 00:03:29,643
DO THOSE A FAVOR,
AND TAKE MY CARD.
83
00:03:29,677 --> 00:03:31,845
CALL ME.
84
00:03:38,419 --> 00:03:42,256
THAT'S UNCANNY.
WERE YOU WATCHING
FROM ACROSS THE STREET?
85
00:03:42,290 --> 00:03:43,156
WHAT HAPPENED NEXT?
86
00:03:43,190 --> 00:03:45,393
HEY! HEY,
WHAT ARE YOU KIDS
DOING THERE?
87
00:03:45,426 --> 00:03:46,960
DON'T WORRY.
WE WERE JUST LISTENING.
88
00:03:46,994 --> 00:03:48,529
YEAH. COULD YOU PLEASE
GO SOMEPLACE ELSE?
89
00:03:48,562 --> 00:03:50,564
DOES THIS GUY
EVER SHOOT FOR MAXIM?
90
00:03:50,598 --> 00:03:52,232
GO!
91
00:03:53,367 --> 00:03:55,569
I'M JUST SAYING
YOU WAY UNDERESTIMATE
92
00:03:55,603 --> 00:03:56,370
THE DEPTHS
TO WHICH A MAN
93
00:03:56,404 --> 00:03:58,339
WILL SINK TO SCORE
WITH A HOT CHICK.
94
00:03:58,372 --> 00:03:59,740
THAT IS SO INSULTING.
95
00:03:59,773 --> 00:04:01,409
HOW? I'M CALLING YOU
A HOT CHICK.
96
00:04:01,442 --> 00:04:03,811
YEAH. HE'S CALLING YOU
A HOT CHICK.
97
00:04:03,844 --> 00:04:05,346
SHUT UP.
98
00:04:06,046 --> 00:04:08,949
YOU KNOW,
YOU SHOULD TAKE A PAGE
FROM THAT GUY'S BOOK.
99
00:04:08,982 --> 00:04:10,050
WHAT ARE YOU
TALKING ABOUT?
100
00:04:10,083 --> 00:04:10,951
LOOK, YOU WANT TO SCORE
101
00:04:10,984 --> 00:04:12,320
WITH LORNA PAKOSTA,
RIGHT?
102
00:04:12,353 --> 00:04:13,587
WELL, THEN,
YOU GOTTA BE GUTSY,
103
00:04:13,621 --> 00:04:14,355
TAKE NO PRISONERS,
104
00:04:14,388 --> 00:04:15,556
LIKE THAT GUY
WHO HIT ON YOUR MOM.
105
00:04:15,589 --> 00:04:19,293
HE DIDN'T CARE
ABOUT LOOKING STUPID,
AND HE ALMOST SCORED.
106
00:04:19,960 --> 00:04:22,062
HE DID NOT ALMOST
SCORE ON MY MOM.
107
00:04:22,095 --> 00:04:24,332
WHO TRIED TO SCORE
ON MOM?
108
00:04:24,365 --> 00:04:26,500
OH, NOBODY.
HE'S AN IDIOT.
109
00:04:26,534 --> 00:04:28,469
I KNOW.
110
00:04:28,902 --> 00:04:29,870
WATCH THIS.
111
00:04:29,903 --> 00:04:34,475
LILY, ANYBODY
EVER TELL YOU
YOU GOT THE GOODS?
112
00:04:35,409 --> 00:04:36,176
WHAT?
113
00:04:36,209 --> 00:04:37,445
I'M JUST SAYING,
I GOT A NEW CAMERA,
114
00:04:37,478 --> 00:04:39,580
FILM, BATTERIES,
THE WHOLE 9 YARDS.
115
00:04:39,613 --> 00:04:41,915
OH, AND YOU'D LIKE
TO TAKE MY PICTURE?
116
00:04:41,949 --> 00:04:43,917
YES. PERHAPS WE COULD
DISCUSS THIS FURTHER
117
00:04:43,951 --> 00:04:46,487
BEHIND
SOME NEARBY GARAGE.
118
00:04:51,459 --> 00:04:53,861
I HOPE YOU WERE
TAKING NOTES.
119
00:05:09,577 --> 00:05:10,744
HEY, JUST STAY AWAY
FROM ME.
120
00:05:10,778 --> 00:05:12,646
COME ON!
I DID YOU A SOLID!
121
00:05:12,680 --> 00:05:15,649
THAT WAS A SOLID?
NO. THAT WAS A DISASTER!
122
00:05:15,683 --> 00:05:16,684
I GOT RESULTS!
123
00:05:16,717 --> 00:05:18,619
GUYS, WHAT
IS GOING ON?
124
00:05:18,652 --> 00:05:19,420
NOTHING!
125
00:05:19,453 --> 00:05:21,121
BOBBY MADE A SOLID.
126
00:05:21,154 --> 00:05:22,390
I DIDN'T
MAKE A SOLID.
127
00:05:22,423 --> 00:05:23,891
I DID JIMMY
A SOLID.
128
00:05:23,924 --> 00:05:26,460
I'M STILL NOT CLEAR
ON THE DIFFERENCE.
129
00:05:26,960 --> 00:05:28,696
MY YEARBOOK
PICTURES CAME!
130
00:05:28,729 --> 00:05:30,364
OOH! OPEN THEM.
131
00:05:34,635 --> 00:05:36,404
OH, MY GOD!
132
00:05:37,104 --> 00:05:37,771
OH, MY GOD!
133
00:05:37,805 --> 00:05:39,407
WHAT, WHAT, WHAT?
LET ME SEE.
134
00:05:39,440 --> 00:05:41,942
THEY'RE GROTESQUE!
135
00:05:41,975 --> 00:05:43,611
MY GOODNESS.
136
00:05:45,813 --> 00:05:47,815
THOSE AREN'T SO BAD.
137
00:05:47,848 --> 00:05:49,550
THEY'RE HORRIBLE!
138
00:05:49,583 --> 00:05:51,652
I--I--I LOOK
LIKE A HIDEOUS CROSS
139
00:05:51,685 --> 00:05:54,388
BETWEEN A--A LEPRECHAUN
AND A--I DON'T KNOW--
140
00:05:54,422 --> 00:05:57,558
WHATEVER WOULD HAVE SEX
WITH A LEPRECHAUN.
141
00:05:58,859 --> 00:06:00,494
COME ON.
IT'S ONE PICTURE.
142
00:06:00,528 --> 00:06:02,029
I MEAN,
YOU ARE GORGEOUS.
143
00:06:02,062 --> 00:06:02,996
OH, AND WHAT WOULD
YOU KNOW?
144
00:06:03,030 --> 00:06:03,897
YOU'VE NEVER TAKEN
A BAD PICTURE IN YOUR LIFE.
145
00:06:03,931 --> 00:06:07,034
YOU HAVE BOYS THINKING
YOU'RE A MODEL.
146
00:06:07,067 --> 00:06:07,835
ONE BOY.
147
00:06:07,868 --> 00:06:09,670
WELL, MAYBE HE COULD
TAKE MY PICTURE.
148
00:06:09,703 --> 00:06:12,005
FOR FREAK MAGAZINE!
149
00:06:12,573 --> 00:06:13,306
HONEY, COME ON.
150
00:06:13,340 --> 00:06:14,608
YOU ARE A BABE.
YOU NEED TO RELAX.
151
00:06:14,642 --> 00:06:20,481
MAYBE--MAYBE YOU SHOULD
DO AN ESPER'S EFFERVESCENT
MINERAL SOAK.
152
00:06:20,881 --> 00:06:23,917
OK. CAN I USE
A MUD MASK, TOO?
153
00:06:23,951 --> 00:06:25,118
YEAH, SURE.
WHATEVER, TAKE IT.
154
00:06:25,152 --> 00:06:29,423
OH, SURE! ANYTHING
TO COVER UP THE MONSTER!
155
00:06:31,559 --> 00:06:33,093
I DON'T SEE WHAT
YOU'RE SO UPSET ABOUT.
156
00:06:33,126 --> 00:06:35,195
YOU SAID YOU WANTED
TO GET CLOSE TO LORNA.
157
00:06:35,228 --> 00:06:37,865
I'M WELL AWARE OF
WHAT I SAID, YOU MORON.
158
00:06:37,898 --> 00:06:39,099
WHAT'D YOU DO?
159
00:06:39,132 --> 00:06:42,470
YOUR BROTHER WAS TOO SCARED
TO MAKE HIS MOVE,
160
00:06:42,503 --> 00:06:44,772
SO I MOVED HIM.
161
00:06:46,507 --> 00:06:48,208
GO SAY SOMETHING.
162
00:06:48,241 --> 00:06:50,744
I'M JUST WAITING
FOR THE RIGHT MOMENT.
163
00:06:50,778 --> 00:06:52,813
OH, WELL, HERE IT IS.
164
00:06:54,081 --> 00:06:55,148
OW!
165
00:06:55,182 --> 00:06:57,618
HEY, LORNA.
166
00:06:57,651 --> 00:06:59,853
HEY, JIMMY.
167
00:07:00,888 --> 00:07:01,755
YEAH, WELL,
168
00:07:01,789 --> 00:07:04,558
THAT GEOMETRY QUIZ
WAS SOMETHING ELSE, HUH?
169
00:07:04,592 --> 00:07:06,594
YEAH, I GUESS.
170
00:07:06,627 --> 00:07:08,496
SOH-CAH-TOA, RIGHT?
171
00:07:08,529 --> 00:07:09,162
WHAT?
172
00:07:09,196 --> 00:07:10,864
OH, YOU KNOW,
SINE IS EQUAL
173
00:07:10,898 --> 00:07:12,733
TO OPPOSITE
OVER HYPOTENUSE.
174
00:07:12,766 --> 00:07:13,634
SO COSINE--
175
00:07:13,667 --> 00:07:16,504
OK, OK, OK, OK. ENOUGH
OF THIS HYPOTENUSES.
176
00:07:16,537 --> 00:07:18,472
SO, LORNA, WE'RE
HAVING A STUDY PARTY
177
00:07:18,506 --> 00:07:21,074
OVER TO JIMMY'S HOUSE.
IT'S GONNA BE WILD.
178
00:07:21,108 --> 00:07:22,042
WHAT?
179
00:07:22,075 --> 00:07:22,910
REALLY?
180
00:07:22,943 --> 00:07:23,677
YEAH. I'M GOING
181
00:07:23,711 --> 00:07:24,878
TO BRING OVER
MY JERKY BOYS TAPES,
182
00:07:24,912 --> 00:07:25,879
THE UNCUT VERSION.
183
00:07:25,913 --> 00:07:28,516
SO, WHY DON'T
YOU GUYS COME?
184
00:07:32,586 --> 00:07:34,087
WOW. GOOD WORK.
185
00:07:34,121 --> 00:07:35,823
NO. IT WAS
HUMILIATING.
186
00:07:35,856 --> 00:07:39,960
IS LORNA NOT COMING
OVER HERE OR NOT?
187
00:07:41,529 --> 00:07:44,898
YOU DON'T EVEN
SPEAK ENGLISH.
188
00:07:51,004 --> 00:07:52,873
OH, GOD. WHAT'S THAT SMELL?
189
00:07:52,906 --> 00:07:55,943
IT'S NOT A SMELL.
IT'S A SCENT.
190
00:07:55,976 --> 00:07:56,810
WHAT SCENT?
191
00:07:56,844 --> 00:07:58,912
UH, LAVENDER
AND JASMINE
192
00:07:58,946 --> 00:08:00,013
AND FRESIA AND LILY.
193
00:08:00,047 --> 00:08:01,815
YEAH, WELL,
MY EYES ARE WATERING.
194
00:08:01,849 --> 00:08:03,551
YOU SHOULD
BLOW THEM OUT.
195
00:08:03,584 --> 00:08:04,552
Claudia: NO.
196
00:08:04,585 --> 00:08:05,586
I MEAN, GOD FORBID
FOR ONE DAY
197
00:08:05,619 --> 00:08:09,089
OUR HOUSE DOESN'T
SMELL LIKE BACON
AND PLAY-DOH.
198
00:08:09,122 --> 00:08:10,090
WELL, I'M
BLOWING THEM OUT.
199
00:08:10,123 --> 00:08:12,192
NO, YOU'RE NOT.
DON'T YOU TOUCH
THOSE CANDLES.
200
00:08:12,225 --> 00:08:14,695
YOU TWO KNOW
AS LITTLE ABOUT
AROMATHERAPY
201
00:08:14,728 --> 00:08:16,597
AS YOU DO
ABOUT PHOTOGRAPHY.
202
00:08:16,630 --> 00:08:18,832
OOH.
OOH.
203
00:08:19,099 --> 00:08:20,601
AFTER WHAT
YOU SAID YESTERDAY,
204
00:08:20,634 --> 00:08:23,604
I CALLED DEREK PURCELL
AT HIS STUDIO,
205
00:08:23,637 --> 00:08:24,471
AND WHAT DO YOU KNOW,
206
00:08:24,504 --> 00:08:26,039
HE WASN'T FLIRTING
WITH ME. HE'S MARRIED.
207
00:08:26,073 --> 00:08:30,711
OH, MY GOD.
EDDIE, HOW COULD
WE BE SO WRONG?
208
00:08:30,744 --> 00:08:33,981
A MARRIED MAN'S
NEVER HIT ON
A WOMAN BEFORE.
209
00:08:34,014 --> 00:08:36,083
IT JUST EATS YOU UP
THAT SOMEONE
210
00:08:36,116 --> 00:08:38,051
MIGHT ACTUALLY HAVE
AN ARTISTIC INTEREST
211
00:08:38,085 --> 00:08:39,152
IN TAKING
MY PICTURE.
212
00:08:39,186 --> 00:08:41,855
OH, COME ON, BABY!
THIS GUY, DEREK PURCELL,
IS A GUY.
213
00:08:41,889 --> 00:08:43,624
OK? HE WANTS
TO GET IN YOUR PANTS.
214
00:08:43,657 --> 00:08:45,826
AND EVERYONE AGREES
WITH ME ON THIS.
215
00:08:45,859 --> 00:08:47,861
OH, WHO IS EVERYONE?
216
00:08:47,895 --> 00:08:49,029
I TOOK A POLL.
217
00:08:49,062 --> 00:08:50,664
SO YOU GONNA
KICK HIS ASS, SEAN?
218
00:08:50,698 --> 00:08:53,667
I SHOULD, RIGHT?
I MEAN, THE JERK
WAS HITTING ON HER.
219
00:08:53,701 --> 00:08:55,636
PHOTOGRAPHER?
AND SHE BOUGHT IT!
220
00:08:55,669 --> 00:08:56,804
THE CARD THAT
SAID PHOTOGRAPHER,
221
00:08:56,837 --> 00:08:58,038
WHICH MEANS, HEY,
I'M A PHOTOGRAPHER.
222
00:08:58,071 --> 00:09:00,841
WHY DON'T YOU TAKE OFF
YOUR TOP WHILE I TAKE--
223
00:09:00,874 --> 00:09:03,010
YEAH. YEAH, RIGHT,
LIKE WOMEN ARE
REALLY GOING TO BELIEVE
224
00:09:03,043 --> 00:09:06,847
SOME BIG
FASHION PHOTOGRAPHER
LIVES ON STATEN ISLAND.
225
00:09:07,080 --> 00:09:08,882
HEY, HEY, IT WORKED
WITH HIS WIFE.
226
00:09:08,916 --> 00:09:12,252
HEY, HEY, HOW DO
YOU THINK I MET HER?
227
00:09:12,653 --> 00:09:16,624
I--I--I ONCE SCORED
BY TELLING A WOMAN
I WAS CHUCK YEAGER.
228
00:09:16,657 --> 00:09:17,891
ISN'T HE, LIKE, 80?
229
00:09:17,925 --> 00:09:19,359
I TOLD HER
SUPERSONIC FLIGHTS
230
00:09:19,392 --> 00:09:22,630
SLOWS
THE AGING PROCESS.
231
00:09:22,663 --> 00:09:23,897
BUT WHY GO
TO ALL THAT TROUBLE
232
00:09:23,931 --> 00:09:25,065
WHEN ALL YOU
GOT TO DO IS PRINT UP
233
00:09:25,098 --> 00:09:29,903
A FEW BOGUS BUSINESS CARDS
AND HELLO, LADIES.
234
00:09:29,937 --> 00:09:30,871
SO YOU
AND ALL YOUR FRIENDS
235
00:09:30,904 --> 00:09:33,206
JUST SAT AROUND
LAUGHING AT
HOW STUPID I AM?
236
00:09:33,240 --> 00:09:34,174
NO, THEY'RE
NOT MY FRIENDS.
237
00:09:34,207 --> 00:09:36,243
I DON'T EVEN KNOW
THESE GUYS.
238
00:09:38,311 --> 00:09:39,012
OH, THAT HELPS.
239
00:09:39,046 --> 00:09:40,213
BABY, I WAS
LOOKING OUT FOR YOU.
240
00:09:40,247 --> 00:09:43,350
RIGHT. BECAUSE
I'M TOO STUPID TO KNOW
WHEN I'M BEING HIT ON.
241
00:09:43,383 --> 00:09:45,653
NOT STUPID.
NAIVE.
242
00:09:45,686 --> 00:09:46,620
SHUT UP, EDDIE.
243
00:09:46,654 --> 00:09:47,821
EDDIE IS RIGHT, BABY.
YOU'RE KIND OF GULLIBLE.
244
00:09:47,855 --> 00:09:52,125
I MEAN, LOOK HOW
YOU FELL FOR THIS
WHOLE ESPER'S OILS SCAM.
245
00:09:52,159 --> 00:09:55,763
FELL FOR IT?
THIS IS A BUSINESS
OPPORTUNITY.
246
00:09:55,796 --> 00:09:57,631
WHAT? IT'S
A PYRAMID SCHEME!
247
00:09:57,665 --> 00:09:58,666
IT IS NOT!
248
00:09:58,699 --> 00:10:00,400
YES, I HAD TO PAY
REGINA A FEE
TO HOST MY PARTY,
249
00:10:00,433 --> 00:10:01,702
BUT IF
ANY OF MY FRIENDS
250
00:10:01,735 --> 00:10:02,736
WANT TO HOST
THEIR OWN PARTIES,
251
00:10:02,770 --> 00:10:03,570
THEY HAVE TO PAY ME.
252
00:10:03,603 --> 00:10:05,238
OH, WOW! THAT SOUNDS
VAGUELY FAMILIAR.
253
00:10:05,272 --> 00:10:06,940
IT SOUNDS LIKE
A PYRAMID SCHEME!
254
00:10:06,974 --> 00:10:09,142
YOU--YOU THINK
YOU KNOW EVERYTHING,
DON'T YOU?
255
00:10:09,176 --> 00:10:11,679
YOU KNOW EVERYTHING
ABOUT BEAUTY PRODUCTS,
256
00:10:11,712 --> 00:10:13,747
AND YOU KNOW EVERYTHING
ABOUT PHOTOGRAPHY
257
00:10:13,781 --> 00:10:15,215
AND MEN AND EVERY--
258
00:10:15,248 --> 00:10:16,316
YOU MISUNDERSTAND ME.
259
00:10:16,349 --> 00:10:18,118
WELL, OF COURSE
I MISUNDERSTAND YOU.
260
00:10:18,151 --> 00:10:19,319
YOU USE
SUCH BIG WORDS.
261
00:10:19,352 --> 00:10:21,321
GIVE ME A BREAK, CLAUDIA.
YOU'RE OVERREACTING!
262
00:10:21,354 --> 00:10:23,190
I'M OVERREACTING?
HOW CAN YOU BE SO SURE?
263
00:10:23,223 --> 00:10:24,992
DON'T YOU WANT
TO GO BACK DOWN
TO YOUR LITTLE BAR
264
00:10:25,025 --> 00:10:25,926
AND TAKE ANOTHER POLL?
265
00:10:25,959 --> 00:10:27,795
I DON'T HAVE TO
ON THIS ONE!
IT IS OBVIOUS!
266
00:10:27,828 --> 00:10:31,832
OH, YEAH? YOU KNOW
WHAT ELSE IS OBVIOUS?
I MARRIED AN ASS!
267
00:10:36,169 --> 00:10:38,806
I'M BLOWIN' OUT
THE CANDLES.
268
00:10:46,446 --> 00:10:47,314
SO...
269
00:10:47,347 --> 00:10:48,448
SO--SO WHAT?
270
00:10:48,481 --> 00:10:51,418
SO THAT WAS
A PRETTY BAD FIGHT.
271
00:10:51,451 --> 00:10:54,254
IT WASN'T THAT BAD.
WE'VE HAD WORSE.
272
00:10:54,287 --> 00:10:55,823
OK.
273
00:10:56,990 --> 00:10:59,292
I'M MEAN, SHE'S BEEN GONE
A LONG TIME.
274
00:10:59,326 --> 00:11:00,460
SHE HASN'T BEEN GONE
THAT LONG.
275
00:11:00,493 --> 00:11:02,229
THIS IS JUST
WHAT SHE DOES.
276
00:11:02,262 --> 00:11:05,298
YOU THINK SHE'S
EVER COMING BACK?
277
00:11:05,332 --> 00:11:08,168
OH, NO, YOU'RE
PROBABLY RIGHT!
278
00:11:08,201 --> 00:11:09,302
NO, NO, NO!
279
00:11:09,336 --> 00:11:11,705
OH, NO, MY WIFE'S
LEFT ME 'CAUSE OF
A 5-MINUTE FIGHT.
280
00:11:11,739 --> 00:11:13,273
YEAH! OH, GOD, I'VE
DRIVEN HER AWAY.
281
00:11:13,306 --> 00:11:16,209
I'M GONNA HAVE TO
RAISE OUR CHILDREN
BY MYSELF!
282
00:11:16,243 --> 00:11:17,377
OH, MY GOD.
283
00:11:17,410 --> 00:11:18,411
WHAT?
MOM LEFT?
284
00:11:18,445 --> 00:11:21,181
NO, MOM DIDN'T LEAVE.
WHERE IS SHE?
285
00:11:21,214 --> 00:11:22,950
WELL, SHE LEFT,
BUT SHE'S COMING BACK.
286
00:11:22,983 --> 00:11:25,819
YOU DON'T KNOW THAT.
SHUT UP, EDDIE.
287
00:11:25,853 --> 00:11:26,854
AM I GONNA
BE AN ORPHAN?
288
00:11:26,887 --> 00:11:28,355
NO.
ORPHANS ARE COOL.
289
00:11:28,388 --> 00:11:30,490
THEY EAT PORRIDGE
AND DANCE AND SING
ON THE STREETS.
290
00:11:30,523 --> 00:11:33,026
YOUR PARENTS HAVE TO DIE
BEFORE YOU BECOME AN ORPHAN.
291
00:11:33,060 --> 00:11:34,061
OH, RIGHT, OURS ARE
JUST GETTING DIVORCED.
292
00:11:34,094 --> 00:11:36,764
WE'RE NOT GETTIN'
DIVORCED.
SO THEN WHERE'S MOM?
293
00:11:36,797 --> 00:11:38,966
WE HAD A LITTLE FIGHT.
294
00:11:38,999 --> 00:11:40,000
OH, NO.
295
00:11:40,033 --> 00:11:41,068
[DOORBELL RINGS]
296
00:11:41,101 --> 00:11:41,935
IT'S GONNA BE ALL RIGHT.
297
00:11:41,969 --> 00:11:45,405
JUST GO UPSTAIRS
OR SOMETHING, ALL RIGHT?
298
00:11:49,509 --> 00:11:50,477
HEY, SEAN.
299
00:11:50,510 --> 00:11:53,380
OH, FAYE, HEY,
LISTEN, UM, ABOUT
THE OIL PARTY,
300
00:11:53,413 --> 00:11:54,414
YOU'RE PROBABLY
GOING TO HAVE
TO CALL
301
00:11:54,447 --> 00:11:56,049
THE OTHER LADIES
AND TELL THEM THAT--
302
00:11:56,083 --> 00:11:57,785
HEY, HI, SEAN.
303
00:11:57,818 --> 00:11:58,819
OH, HI.
304
00:11:58,852 --> 00:12:02,923
HI.
HELLO. PLEASURE.
WOW. THERE'S
A LOT OF YOU.
305
00:12:04,457 --> 00:12:07,995
WELL, OK,
JUST COME ON IN.
306
00:12:08,028 --> 00:12:11,765
MAKE YOURSELVES
AT HOME. UH,
HAVE SOME VEGGIES.
307
00:12:11,799 --> 00:12:13,400
UH, THANKS.
308
00:12:14,467 --> 00:12:15,368
WHERE'S CLAUDIA?
309
00:12:15,402 --> 00:12:17,437
SHE STEPPED OUT, BUT
SHE'S COMING RIGHT BACK,
310
00:12:17,470 --> 00:12:19,907
SO JUST MAKE YOURSELVES
COMFORTABLE,
311
00:12:19,940 --> 00:12:22,742
AND I'LL--I'LL LOOK
FOR SOME FOOD.
312
00:12:24,878 --> 00:12:28,281
HI. I'M EDDIE.
313
00:12:28,315 --> 00:12:29,416
THERE'S A LOT
OF GOOD STUFF HERE.
314
00:12:29,449 --> 00:12:32,219
YOU TRY THE, UM,
"LAVENDER INTERLUDE"?
315
00:12:32,252 --> 00:12:34,454
WE DATED
FOR 2 MONTHS.
316
00:12:34,888 --> 00:12:37,424
OH, I KNEW IT.
HOW ARE YOU DOING?
317
00:12:37,457 --> 00:12:39,960
HOW ARE YOU DOING...
318
00:12:40,427 --> 00:12:41,394
FAYE.
319
00:12:41,428 --> 00:12:43,296
FAYE.
320
00:12:43,330 --> 00:12:45,465
UH, HEY, HENRY,
321
00:12:45,498 --> 00:12:47,067
CUT UP SOME OF
THAT STRING CHEESE
322
00:12:47,100 --> 00:12:48,368
AND PUT TOOTHPICKS
IN IT, OK?
323
00:12:48,401 --> 00:12:51,204
I REMEMBER WHEN MOM
USED TO MAKE US FOOD.
324
00:12:51,238 --> 00:12:52,439
THAT WAS, LIKE,
45 MINUTES AGO!
325
00:12:52,472 --> 00:12:56,543
HEY, LILY, I NEED YOU TO
GO TO THE STORE FOR ME!
326
00:12:56,576 --> 00:12:58,478
COME ON! COME ON
DOWN HERE NOW! COME ON!
327
00:12:58,511 --> 00:13:00,881
WHAT DO YOU WANT
FROM ME?
328
00:13:00,914 --> 00:13:02,582
IS MY LIFE NOT
HELL ENOUGH FOR YOU?
329
00:13:02,615 --> 00:13:04,517
IS THE AGONY
THAT I GO THROUGH
330
00:13:04,551 --> 00:13:06,987
EVERY SINGLE DAY
NOT SUFFICIENT?!
331
00:13:07,020 --> 00:13:08,455
HAVE YOU SEEN
WHAT I LOOK LIKE?!
332
00:13:08,488 --> 00:13:10,523
LOOK, I DON'T HAVE
TIME FOR THIS, OK?
333
00:13:10,557 --> 00:13:12,459
YOUR MOM'S FRIENDS
NEED SOME FOOD.
334
00:13:12,492 --> 00:13:14,127
WELL, WHY DON'T YOU
SHOW THEM MY FACE?
335
00:13:14,161 --> 00:13:15,528
MAYBE THEY'LL LOSE
THEIR APPETITE.
336
00:13:15,562 --> 00:13:17,330
OH, COME ON,
YOU'RE BEAUTIFUL.
337
00:13:17,364 --> 00:13:18,431
I'M A GARGOYLE!
338
00:13:18,465 --> 00:13:19,599
WELL, FINE,
THEN IT'S DARK OUT!
339
00:13:19,632 --> 00:13:21,001
SO CLING
TO THE SHADOWS
340
00:13:21,034 --> 00:13:24,204
AND GO GET THOSE
WOMEN SOME NACHOS!
341
00:13:26,506 --> 00:13:27,240
I CAN'T BELIEVE THIS.
342
00:13:27,274 --> 00:13:29,409
MY PARENTS MIGHT
ACTUALLY SPLIT UP.
343
00:13:29,442 --> 00:13:31,211
YOU SHOULD BE SO LUCKY!
344
00:13:31,244 --> 00:13:32,479
DIVORCE RULES!
345
00:13:32,512 --> 00:13:35,015
YOU GET 2 BIRTHDAYS,
2 CHRISTMASES.
346
00:13:35,048 --> 00:13:37,384
NO, NO,
I WANT 2 PARENTS!
347
00:13:37,417 --> 00:13:38,585
NAH, YOU'LL LOVE IT.
348
00:13:38,618 --> 00:13:41,021
JUST--YA GOTTA KEEP
ASKIN' HER,
349
00:13:41,054 --> 00:13:42,923
"MOMMY, WAS IT MY FAULT?"
350
00:13:42,956 --> 00:13:44,491
"DADDY, WAS IT MY FAULT?"
351
00:13:44,524 --> 00:13:47,160
YOU'LL NEVER WEAR
THE SAME PUMAS TWICE.
352
00:13:47,194 --> 00:13:48,929
[KNOCK ON DOOR]
COME IN.
353
00:13:48,962 --> 00:13:51,064
HEY, JIMMY, BOBBY.
354
00:13:51,098 --> 00:13:52,365
HELLO, LADIES.
355
00:13:52,399 --> 00:13:56,303
LET'S GET THIS PARTY
STARTED, A'IGHT?
356
00:13:56,569 --> 00:13:58,271
CURLY,
THE FEMALES ARE HERE.
357
00:13:58,305 --> 00:13:59,372
YA GOTTA RALLY.
358
00:13:59,406 --> 00:14:01,474
WHY?
WHAT'S THE POINT?
359
00:14:01,508 --> 00:14:04,377
STATISTICS SHOW
CHILDREN OF DIVORCE
360
00:14:04,411 --> 00:14:05,212
ARE TWICE AS LIKELY
361
00:14:05,245 --> 00:14:07,214
TO HAVE
FAILED MARRIAGES
THEMSELVES.
362
00:14:07,247 --> 00:14:08,481
THAT'S A GREAT STATISTIC.
363
00:14:08,515 --> 00:14:11,451
NOW HOW MANY SQUARE FEET
ARE THERE IN "WHO CARES"?!
364
00:14:11,484 --> 00:14:15,022
YOU KNOW WHAT?
JUST LEAVE ME ALONE.
365
00:14:15,055 --> 00:14:16,990
WILL DO.
366
00:14:18,658 --> 00:14:19,559
IS HE OK?
367
00:14:19,592 --> 00:14:20,560
HE'LL BE FINE.
368
00:14:20,593 --> 00:14:23,130
NOW PUNCH ME
IN THE STOMACH
AS HARD AS YOU CAN!
369
00:14:23,163 --> 00:14:24,297
WHAT?
370
00:14:24,331 --> 00:14:26,433
IT'S A FLIRTING
THING!
371
00:14:27,134 --> 00:14:30,470
UHH. JUST KIDDING!
372
00:14:30,503 --> 00:14:34,174
OK, LADIES, HA HA!
373
00:14:34,207 --> 00:14:36,276
HOW'S IT GOING?
[SNIFFS]
374
00:14:36,309 --> 00:14:37,444
DO I SMELL LILAC?
375
00:14:37,477 --> 00:14:38,411
SEAN,
IT'S BEEN A WHILE.
376
00:14:38,445 --> 00:14:39,479
WHERE EXACTLY
IS CLAUDIA?
377
00:14:39,512 --> 00:14:42,149
WELL, UH,
SHE HAD TO RUN OUT,
BUT SHE'LL BE, UH--
378
00:14:42,182 --> 00:14:43,550
SHE LEFT HIM.
379
00:14:43,583 --> 00:14:44,884
WHAT?!
EDDIE!
380
00:14:44,918 --> 00:14:48,655
THE SOONER YOU ACCEPT
IT, THE SOONER YOU'LL
GET ON WITH YOUR LIFE.
381
00:14:48,688 --> 00:14:50,657
IT'S BEEN 45 MINUTES!
382
00:14:50,690 --> 00:14:51,491
WHAT DID YOU DO?
383
00:14:51,524 --> 00:14:52,926
WHY DOES IT HAVE
TO BE SOMETHING I DID?
384
00:14:52,960 --> 00:14:53,927
NO, THERE'S
ANOTHER MAN.
385
00:14:53,961 --> 00:14:56,063
THERE'S
NOT ANOTHER MAN!
386
00:14:56,096 --> 00:14:58,365
LOOK, I'M JUST
DEFENDING YOU.
387
00:14:58,398 --> 00:15:00,600
MY DAD SAID SHE WAS DUMB
AND COULDN'T BE A MODEL,
388
00:15:00,633 --> 00:15:01,368
AND THEN HE TOLD ME
I WAS UGLY
389
00:15:01,401 --> 00:15:03,336
AND COULD ONLY
GO OUT AT NIGHT.
390
00:15:03,370 --> 00:15:08,608
OK, YOU'RE TAKING THAT
WAY OUT OF CONTEXT,
YOUNG LADY!
391
00:15:09,342 --> 00:15:11,945
HE'S REALLY GOOD
WITH THE BOYS.
392
00:15:23,523 --> 00:15:24,624
MOM, WHAT ARE YOU DOING?
393
00:15:24,657 --> 00:15:27,260
JUST LOOKING
AT THIS MAP.
394
00:15:27,294 --> 00:15:28,361
WHERE ARE YOU GOING?
395
00:15:28,395 --> 00:15:30,663
NOWHERE, 'CAUSE
THERE'S NOTHING ELSE
TO READ IN HERE.
396
00:15:30,697 --> 00:15:33,400
WHY DON'T YOU
JUST COME HOME?
397
00:15:33,433 --> 00:15:34,101
I CAN'T.
398
00:15:34,134 --> 00:15:36,136
I MADE THIS BIG
DRAMATIC EXIT,
399
00:15:36,169 --> 00:15:37,337
SO I GOTTA LET
YOUR DAD SIT AROUND
400
00:15:37,370 --> 00:15:38,671
AND STEW
FOR AT LEAST
A COUPLE HOURS
401
00:15:38,705 --> 00:15:40,207
IF I WANT IT TO HAVE
ANY IMPACT AT ALL.
402
00:15:40,240 --> 00:15:42,642
SO YOU'RE JUST GOING
TO SIT OUT HERE AND FREEZE
403
00:15:42,675 --> 00:15:43,810
TO TEACH DAD A LESSON?
404
00:15:43,843 --> 00:15:46,013
I KNOW. USUALLY,
I JUST GO TO ONE OF
MY FRIENDS' PLACES.
405
00:15:46,046 --> 00:15:50,450
SO?
SO THEY'RE ALL
IN THE LIVING ROOM
FOR MY PARTY.
406
00:15:50,483 --> 00:15:52,152
OHH.
407
00:15:55,688 --> 00:15:58,391
HONEY, YOU'RE
CARRYING IT AROUND
WITH YOU?
408
00:15:58,425 --> 00:16:00,593
I DIDN'T WANT ANYBODY
TO STUMBLE ON THEM.
409
00:16:00,627 --> 00:16:02,629
THEY MIGHT GOUGE
THEIR EYES OUT.
410
00:16:02,662 --> 00:16:04,297
LILY, IT DOESN'T
EVEN LOOK LIKE YOU.
411
00:16:04,331 --> 00:16:06,399
YOU'RE MAKING
A REALLY STRANGE FACE.
412
00:16:06,433 --> 00:16:08,768
I WAS TRYING TO LOOK COOL.
413
00:16:08,801 --> 00:16:10,537
WHASSUP?!
414
00:16:10,570 --> 00:16:13,740
THERE WE GO.
PERFECT.
NEXT VICTIM!
415
00:16:15,308 --> 00:16:17,977
HELLO, PRETTY LADY.
416
00:16:18,345 --> 00:16:19,212
COME ON,
WHERE'S YOUR SMILE?
417
00:16:19,246 --> 00:16:22,082
I'M NOT GONNA SMILE.
I'M GOING FOR A LOOK.
418
00:16:22,115 --> 00:16:25,185
PICTURE THE PRINCIPAL
WITH NO PANTS ON.
419
00:16:25,218 --> 00:16:27,120
THE PRINCIPAL'S A NUN.
420
00:16:27,154 --> 00:16:28,488
OK, DON'T DO THAT.
421
00:16:28,521 --> 00:16:29,589
TAKE MY PICTURE.
422
00:16:29,622 --> 00:16:30,457
ALL RIGHT, FINE.
423
00:16:30,490 --> 00:16:31,558
ALL RIGHT--YOU KNOW
WHAT? YOU KNOW WHAT?
424
00:16:31,591 --> 00:16:34,427
I JUST WANT TO SEE
SOME TEETH. LET ME
SEE SOME TEETH.
425
00:16:34,461 --> 00:16:35,262
WHERE'D THEY GO?
426
00:16:35,295 --> 00:16:36,729
OH, DID YOU
GO TO THE
CRAZY DENTIST?
427
00:16:36,763 --> 00:16:39,066
DID THE CRAZY
DENTIST STEAL
ALL YOUR TEETH
428
00:16:39,099 --> 00:16:40,467
AND SELL THEM
TO THE GYPSIES?
429
00:16:40,500 --> 00:16:42,202
IS THAT
WHAT HAPPENED?
430
00:16:42,235 --> 00:16:43,136
STOP IT, NO!
431
00:16:43,170 --> 00:16:44,704
COME ON, BIG SMILE.
READY?
432
00:16:44,737 --> 00:16:47,474
OOGA BOOGA!
[HONK HONK]
433
00:16:51,778 --> 00:16:52,779
NEXT VICTIM.
434
00:16:52,812 --> 00:16:55,115
OH, MY GOD.
435
00:16:57,784 --> 00:16:59,252
"DEREK PURCELL"?
436
00:16:59,286 --> 00:17:00,287
DO YOU KNOW HIM?
437
00:17:00,320 --> 00:17:02,122
HE'S THE GUY.
438
00:17:02,155 --> 00:17:06,793
THE JET-SET
FASHION PHOTOGRAPHER
WHO DISCOVERED ME.
439
00:17:06,826 --> 00:17:09,429
HE'S YOUR YEARBOOK
PHOTOGRAPHER?!
440
00:17:09,462 --> 00:17:09,996
YEAH.
441
00:17:10,029 --> 00:17:11,798
UHH...HEY!
HA HA HA HA!
442
00:17:11,831 --> 00:17:16,736
HE ALSO DOES A CALENDAR
OF CATS WEARING DOLL CLOTHES.
443
00:17:16,769 --> 00:17:17,637
SORRY.
444
00:17:17,670 --> 00:17:18,538
DO ME A FAVOR,
ALL RIGHT?
445
00:17:18,571 --> 00:17:21,374
GO HOME,
GET ME A BLANKET
AND A TOOTHBRUSH
446
00:17:21,408 --> 00:17:22,409
AND A CHANGE
OF CLOTHES.
447
00:17:22,442 --> 00:17:24,111
YOU CAN'T LIVE IN THE CAR.
448
00:17:24,144 --> 00:17:26,813
OH, PEOPLE DO IT
ALL THE TIME.
449
00:17:26,846 --> 00:17:27,547
HEY, JIMMY.
450
00:17:27,580 --> 00:17:29,116
MOM, LISTEN,
I'VE BEEN THINKING,
451
00:17:29,149 --> 00:17:30,217
AND I WANT
TO LIVE WITH YOU.
452
00:17:30,250 --> 00:17:32,819
WHAT ARE YOU
TALKING ABOUT?
453
00:17:32,852 --> 00:17:34,754
I'M NOT BLIND, MOM!
454
00:17:34,787 --> 00:17:37,424
STOP TRYING TO SHIELD ME
FROM THE TRUTH!
455
00:17:37,457 --> 00:17:41,094
OK, THIS IS
RIDICULOUS.
456
00:17:41,128 --> 00:17:43,496
JIMMY!
457
00:17:43,530 --> 00:17:45,232
WHAT DO YOU WANT?!
458
00:17:48,601 --> 00:17:49,536
WHY'D YOU LEAVE?
459
00:17:49,569 --> 00:17:51,538
THINGS WERE JUST STARTING
TO GET INTERESTING.
460
00:17:51,571 --> 00:17:52,505
MY LIFE IS OVER.
461
00:17:52,539 --> 00:17:53,840
YOU MISSED
MY EMINEM IMPRESSION!
462
00:17:53,873 --> 00:17:57,777
* I NEVER MAKE A MOVE
WITHOUT DR. DRE *
463
00:18:00,847 --> 00:18:03,116
OK, BUCKLE UP.
WE'RE GOING HOME.
464
00:18:03,150 --> 00:18:05,618
[ENGINE STARTS]
465
00:18:14,827 --> 00:18:16,463
LOOK, I WAS LOOKING
OUT FOR CLAUDIA.
466
00:18:16,496 --> 00:18:17,764
THERE'S SOME BAD PEOPLE
OUT THERE.
467
00:18:17,797 --> 00:18:19,732
OH, SO YOU WERE
PROTECTING HER, THEN.
468
00:18:19,766 --> 00:18:21,801
I DON'T EVEN
KNOW WHY YOU LET
HER GO OUTSIDE.
469
00:18:21,834 --> 00:18:23,270
OH, COME ON. YOU KNOW
WHAT I WAS TALKING ABOUT.
470
00:18:23,303 --> 00:18:24,437
THIS GUY WAS
SCAMMIN' ON HER.
471
00:18:24,471 --> 00:18:25,705
HE WAS PUTTIN'
THE MOVES ON HER.
472
00:18:25,738 --> 00:18:26,839
BECAUSE SHE'S
NOT ANOREXIC
473
00:18:26,873 --> 00:18:28,875
WITH SILICONE
BREASTS AND
COLLAGEN LIPS,
474
00:18:28,908 --> 00:18:29,909
SHE CAN'T
BE A MODEL?
475
00:18:29,942 --> 00:18:30,843
THAT'S NOT WHAT I SAID.
476
00:18:30,877 --> 00:18:32,879
DO YOU REALIZE HOW DAMAGING
THAT ATTITUDE IS
477
00:18:32,912 --> 00:18:33,846
TO GIRLS GROWING UP
THESE DAYS?
478
00:18:33,880 --> 00:18:36,149
I DON'T RUN
A FASHION MAGAZINE!
479
00:18:36,183 --> 00:18:37,917
NO, YOU QUIT
A GOOD CITY JOB
480
00:18:37,950 --> 00:18:39,519
TO BUY A RUN-DOWN
BAR AND RUN IT
481
00:18:39,552 --> 00:18:40,587
WITH YOUR
WEIRDO BROTHER!
482
00:18:40,620 --> 00:18:43,690
WHY AM I BEING
DRAGGED INTO IT, FAYE?
483
00:18:43,923 --> 00:18:45,758
HE'S THE ONE WHO
DROVE HER OUT OF HERE.
484
00:18:45,792 --> 00:18:48,228
YEAH, THANKS, ED.
485
00:18:48,261 --> 00:18:49,229
MOM'S BACK!
486
00:18:49,262 --> 00:18:50,230
THANK GOD, CLAUDIA,
YOU'RE BACK--
487
00:18:50,263 --> 00:18:51,731
HEY, STAY AWAY
FROM HER, YOU!
ARE YOU ALL RIGHT?
488
00:18:51,764 --> 00:18:54,367
COME GET YOUR BAGS.
YOU CAN STAY AT MY PLACE.
489
00:18:54,401 --> 00:18:55,268
COME ON!
490
00:18:55,302 --> 00:18:56,102
IT'S ALL RIGHT, EVERYBODY.
I'M NOT LEAVING.
491
00:18:56,135 --> 00:18:59,206
SWEETIE, YOU NEED
TO BREAK THE CYCLE.
492
00:18:59,239 --> 00:19:01,808
IT'S NOT A CYCLE.
SEAN WAS RIGHT.
493
00:19:01,841 --> 00:19:03,343
HA!
494
00:19:03,376 --> 00:19:05,878
HOME WRECKERS!
495
00:19:07,780 --> 00:19:11,618
BABY, THEY WERE
PICKING ON ME.
496
00:19:12,719 --> 00:19:15,722
HEY, JIMMY.
MIND IF I HANG OUT HERE?
497
00:19:15,755 --> 00:19:18,425
UH, YEAH, SURE,
I GUESS.
498
00:19:19,659 --> 00:19:21,194
ARE YOU OK?
499
00:19:21,228 --> 00:19:22,161
I DON'T KNOW.
500
00:19:22,195 --> 00:19:23,963
I MEAN, MY PARENTS
ARE REALLY FREAKING ME OUT,
501
00:19:23,996 --> 00:19:26,899
AND THEIR MARRIAGE
COULD FALL APART
AT ANY MOMENT.
502
00:19:26,933 --> 00:19:27,800
THAT'S REALLY ROUGH.
503
00:19:27,834 --> 00:19:31,238
I JUST, YOU KNOW,
CAN'T HELP BUT THINKING
504
00:19:31,271 --> 00:19:35,975
IS IT SOMETHING I DID
OR I SHOULD HAVE DONE?
505
00:19:36,008 --> 00:19:38,911
YOU KNOW,
I JUST FEEL SO LOST.
506
00:19:40,980 --> 00:19:50,857
UH...YOU KNOW,
LIFE CAN JUST FEEL
SO DAMN MEANINGLESS.
507
00:19:58,398 --> 00:19:59,532
ALL RIGHT, JIMMY.
508
00:19:59,566 --> 00:20:02,835
I TAUGHT HIM THAT.
509
00:20:04,971 --> 00:20:08,508
OW! OW! OW! OW!
510
00:20:08,941 --> 00:20:10,877
WHAT ARE YOU SMOKING?
511
00:20:10,910 --> 00:20:13,480
MY YEARBOOK PICTURE.
512
00:20:13,513 --> 00:20:15,682
LET ME SEE.
513
00:20:20,653 --> 00:20:22,522
WHAT ARE YOU DOING?
514
00:20:22,555 --> 00:20:23,490
BURNING IT.
515
00:20:23,523 --> 00:20:26,393
YOU'RE SUPPOSED
TO TELL ME
IT'S NOT THAT BAD.
516
00:20:26,426 --> 00:20:28,628
YOU KNOW HOW BAD IT IS.
517
00:20:28,661 --> 00:20:30,930
OTHERWISE, YOU WOULDN'T
HAVE BEEN BURNING IT.
518
00:20:30,963 --> 00:20:32,332
YEAH, BUT--
519
00:20:32,365 --> 00:20:33,366
OK, WHAT DO YOU
WANT ME TO DO?
520
00:20:33,400 --> 00:20:34,367
PLAY THE GAME?
I'LL DO THAT.
521
00:20:34,401 --> 00:20:36,903
OH, IT'S NOT THAT BAD.
IT'S REALLY NOT THAT BAD.
522
00:20:36,936 --> 00:20:38,505
NO, STOP, STOP.
523
00:20:38,538 --> 00:20:39,939
MOM AND DAD
ALREADY DID THAT.
524
00:20:39,972 --> 00:20:43,610
HEY, DID YOU EVER
SEE YOUR MOTHER'S
YEARBOOK PHOTO?
525
00:20:43,643 --> 00:20:45,044
NO.
526
00:20:45,077 --> 00:20:46,979
YOU WANT TO?
527
00:20:47,013 --> 00:20:47,880
SURE.
528
00:20:47,914 --> 00:20:49,148
WELL, YOU CAN'T BECAUSE
SHE TOOK A MARKER,
529
00:20:49,181 --> 00:20:53,886
AND SHE BLACKED OUT
HER PICTURE IN EVERY
COPY OF THE YEARBOOK.
530
00:20:53,920 --> 00:20:55,288
REALLY?
YEAH.
531
00:20:55,322 --> 00:20:57,424
LEGEND HAS IT
SHE HAD SOMETHING
532
00:20:57,457 --> 00:20:59,792
HANGING OUT
OF HER NOSE.
533
00:21:00,627 --> 00:21:01,328
WOW.
534
00:21:01,361 --> 00:21:02,795
IT'S THE SAME THEN
AS IT IS NOW.
535
00:21:02,829 --> 00:21:04,664
IT'S
AN UGLY PICTURE...
536
00:21:04,697 --> 00:21:07,800
OF A PRETTY GIRL.
537
00:21:11,471 --> 00:21:12,305
THANKS.
538
00:21:12,339 --> 00:21:15,274
OH, NO PROBLEM.
539
00:21:16,008 --> 00:21:17,043
SHOULD I BURN THE REST?
540
00:21:17,076 --> 00:21:18,945
YEAH, I WOULD.
541
00:21:31,057 --> 00:21:32,024
TAKE IT BACK OFF.
542
00:21:32,058 --> 00:21:32,859
WHAT DO YOU WANT?
543
00:21:32,892 --> 00:21:35,562
I WANT IT TO BE RIGHT.
WHERE'S MY WIND?
544
00:21:39,466 --> 00:21:40,800
ALL RIGHT, HERE WE GO.
545
00:21:40,833 --> 00:21:44,804
ALL RIGHT, THAT WAS
GREAT. THAT WAS GOOD.
546
00:21:44,837 --> 00:21:46,673
IS THAT ALL?
547
00:21:46,706 --> 00:21:49,676
I ONLY HAD
ONE PICTURE LEFT.
38080
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof