Original subtitles

(Smash "El Garrotín")

Sonreíd.

¡Carmen, Carmen, come, it's your turn!

Poneos para la foto.

Come, ask for the photo. (MUJER) Oars, bridge.

No, yo, now, with Miguel.

Mira, Ponte tú, que ya te hago yo.

Yes, I don't believe in marriage.

What if you say them to the newbie?

(TODOS) ¡Guapa!

Ay, thanks.

The idea was that you will hope in the parish.

Mamá, go to explore.

For peace, Amparo, that's great.

What is the apaño? - I'm not going in soon.

The important thing is that you don't notice the barriga.

The important thing will be that the chiquilla can breathe.

What do you say? -Are you a kid?

Eso digo yo.

¡Miguel!

(MUJER TV) "Novedades que se suman a las

categorías de canción lightera y canción española".

"Our contestants will be able to

compete to win the prize in modern song.

" "So it will be better if they don't forget it.

" "In the next edition they will return to

their testimonies and to share with us the joy

of our youth and their enormous desires of triumph".

"And with this selection of the best acts of this year we look

forward to it.

" "Será hasta la próxima en 'Gente joven'".

(Smash "El Garrotín")

(SINGS IN ENGLISH)

(For the music)

¡Mamá!

¿Studying? Let's go...

Toma, Ponte la Camisa, that we were going.

I'm sweating.

(MUJER) Come, we're all here.

Sonreíd... (MUJER) I'm listening.

Rocío, come, we are waiting for photography.

No, no photography, that you have that sonreír.

Come, what voy, eh?

The black life.

(Photo click)

Long live the novios!

(Bells)

Long live the novios! -Toma, toma, toma.

¡Ay, they come! Viva!

(VITOREAN)

Not if he notices them at all. - How do you know it?

(HOMBRE) Three months have passed in organizing the trip.

(MUJER) ¡Vivan los novios! -Viva!

(Fiesta atmosphere)

A sevillanita, come, let's move.

Come, whoever you want. -Come, mother.

Look, it's Manolo. One y ya, one y ya.

The first time, the first time.

Habrase seen, a Sevillanas life dancing...

Yes, that's what happened to me.

The husband.

It's the same. El.

(Music, sevillana)

# That raised.

# Don't wait for me this night, sea, which raised.

# Don't wait for me this night, sea, which raised.

# That raised.

# Que me voy "pa" Bodegones, sea, hasta mañana.

# Que me voy "pa" Bodegones, sea, hasta mañana.

# Don't worry about it # it's because I take

my morning home "mu" is late to the truth.

# Volveré full of dust, sea, with more quererte ganas. # ¡Olé!

-How beautiful is this mother.

Mira, ahí está Don Ignacio. Let's go and say hello to him.

Oh, mamá, no hace falta. -Everything happens, Miguel.

This shame!

- Vergüenza is stuff that you pillen. Don Ignacio...

Hombre, Remedios.

How is it?

Iba to greet her before, but... does this sound right to you?

It sounds to me. It sounds to me.

Niño, say hello to Don Ignacio. -Hola, Don Ignacio. How are you?

How is this going, future abogado?

Good, first thing to do is select.

Ah, that's it.

Who doesn't trust himself, who goes to be the

first of the family to be able to enter the university.

Good, Remedios, who in your

house was born to be sad, huh?

Yes, I will tell you the juices that I got

with the tricks that your father gave me...

(RÍE) -Chiquillo, what's up?

Mmm... -Por Dios!

¡Por Dios, estos niños!...

Say it's celebrated, lady.

And we too. ¿Huh?

Yes.

(Pop music)

(RÍEN)

A branch for the lady.

A pure para el caballero.

¡Ay, no, Amparo! Here I go! Yo I don't smoke.

Maca, always with you comedy, hija.

¿Who goes to serve the next one, what embarassed you?

Tell me what I mean. Come, stop dancing.

(HOMBRE) Let's get into some rhythm.

This song goes for new friends.

(Pop music)

Is everything good? -Muy bien, muy bien.

All well. Thank you. -Rocío, is everything good?

Amazingly. I'm spending it very well.

(MUJER) I'm happy. -Chiquilla, no more babies.

Gift, courtesy of the new ones.

Thank you, goodness.

I want a branch. -No, you, a pure.

You just touched the pure one. Ahí.

Ahí. Purity. -Give me a branch too.

(MACA) A ramillete.

Nope, nothing.

(Pop music)

Look, are you going back? - Let's go!

It's only so easy that you're going to get the new one.

(RÍEN) (ROCÍO) Oh, my God.

Is everything good, Reme?

(HOMBRES) Let's go!

¡Ahí, ahí, ahí!

Don't know this facetiously.

I want to introduce myself to "Gente joven".

What?

-What I want to introduce to "Gente joven". -¡Ah!

Miguel.

¡Miguel!

Let's go to the house. -What?

Que te bajes, that we went home.

Come on buddy. -Chiquillo, no neighbor.

Come, Miguel, go. Haz el favor.

No more babies, please. - Ya voy, mama.

Then you say you sweat. (MIGUEL) Ay, yes, mamá.

(MACA) Vosotros...

What are you talking about.

That's what you're thinking about.

Miguel Acosta Fernandez, I won't tell you again.

(MACA) What are you thinking about? Let's go see...

To see you want to keep those echoes of the boat.

What are these from? -Where are you going?

What makes you so graceful? -The lot is that dances very well.

Baila muy bien, ¿no? -How is it?

(REME) See you, please. -It's not like that.

Maca, please I'll tell you.

Get it.

And you would have to suffer shame with

so much management and so much mockery.

Yes, ma'am, that's it. -It's very fun, isn't it?

In truth, huh? -What happens?

(REME) Let's go. (MIGUEL) What happens?

No, no, leave it here.

We know what you like. Are you sure?

What happens, maricón? -Don't worry.

Vete, Miguel.

Miguel, you're worth it.

Is it worth it to me?

If it was I'll get back to you.

(For the music)

("You are loving locally")

# I'm loving you locally, # but I

don't know how I want you to decide.

# This is what I understand # and

without art I know what worries me.

# I prefer not to think.

# I prefer not to suffer.

# What I want is that I love it.

# Remember that I want to keep you always looking,

# but without art I think of you as alejas de mí.

# What I want is that I love it.

# Remember that I want to keep you always looking,

# but without art I think of you as alejas de mí.

# You are loving locally,

# but I don't know how I want you to decide.

# This is what I understand

# and since I know you are happy about me.

# I prefer not to think.

# I prefer not to suffer.

# What I want is that I love it.

# Remember that I want to keep you always looking,

# but without art I think of you as alejas de mí.

# What I want is that I love it.

# Remember that I want to keep you always looking,

# but without art I think of you as alejas de mí.

# Yes, I agree,

# yes I agree,

# dame you aussi,

# que sabe a besos. #

(For the music)

They didn't catch the bus. They have detained.

Calla. -Yo I don't see it.

Mirala. - Where?

(MUJER) On panuelo. Mirala.

(MUJER) Ay, la pobre...

Ay... -Mis niñas...

No habrás ni "comío", no? So you're dog.

Let's go, what's with you. -Come, let's go home.

(Indistinct conversations)

(MUJER) And ahí let's see the lecheras at

the bottom and the police in line hope for us.

Is it worth it? People rushed to the Ramblas below.

Let's get some of us, let's take away everything we've taken away.

Peace, that's how you'll find it while living the same thing now. Mira.

Ahí I had a longing for you.

Toma más carteles. We follow us through Triana.

Hey, Manolo... -Dime.

Do you know more? -This follows during the consultation period.

But let's go, if you have more than a thousand words.

What do you say?

Afterwards I go through the factory to see if I'm new.

Much thanks. -Adios.

Do you have women? -Muchas.

Do you want us to organicize more of this here?

See you later. Something we will try to do.

That's not what we're doing.

What I gave you with this.

Let's have a meeting with old people, of paradoxes...

We will try to keep ours as well as ours.

I know what you tell me exactly.

I know you need to be entertained

now, but you can't give enough.

Yes doy. -Manolo!

(LOLE) Yes I do. Are there any hues in the Catholic Action salons?

-In the Palacio Arzobispal?

(PACA) Yes. -Pues some during the week, I think.

No wonder the honey is late.

Now let's go and look for it. -Yes.

Miedo me dais.

Is this your mother?

(MIGUEL) Mamá, Manolo.

Voy.

(MANOLO) Please hang up one of the cards.

(HOMBRE) I think you're going to ask a little...

(REME) What's up, Manolo? (MANOLO) I want to close the text.

Súbete. (REME) What happens?

Is there anything you can't resist that you can't resist?

Where are you going to load your canvases now?

Miguelito, come with us to reach out a hand.

For me, yes. Please ask my mother.

No, déjate, Manolo, that I'm making a trip.

What's the deal with you? -For the exam.

Are you happy with this?

Nada, nada. Toma, put one in the monster

and to see you have some retalitos for alas...

No more to me, that I don't give you more cloth for paper. That's not it!

Look, what our faltaba.

(HOMBRE) Let's try to stretch it out.

(HOMBRE) What is it? -Los de Hytasa again.

These people spend more time than working.

¡Poor people! What do you say, Mariano? Yes el derecho

Huelga doesn't last three months. -Míralo, you, like your father.

No, like your father, no. As a student of Derecho who goes to be.

Mamá, this is ridiculous.

Is it ridiculous why?

It seems like I'm wearing a flag. Go to the sweat of the nerves.

¿What sweat no sweat? With the goodness that is...

Te pareces a Tyrone Power.

Good, I can go to the library, what did I eat with Maca?

Yes, now you're welcome and you're welcome and making friends.

Are you friends, mama? -Amigos, Miguel. Amigos.

(Pop music)

Maca, you are looking at it. -¿Quién?

(MIGUEL) El de la barra. - El de blanco?

Miguel, por Dios, si tener

pinta de haber votedo a UCD.

Maca, it's a tío, not a mitin.

(RÍE)

Yes, yes. -¿Quién?

(MACA) The green thing is ahí. -Uy, Maca.

You keep a fur sheep.

Don't know what the labia holds. Of authentic communist leader.

Come on, Mao Tse-Tung is now. -Mao Tse-Tung...

(Without audio, follow the music)

My friend, yes.

El de cuadros.

Clear.

(MACA) A baile. A baile. -It's worth it.

(MACA) A baile.

(Rock music)

It doesn't seem like you're new. - Don't worry.

(Indistinct conversations)

Sorry.

(Indistinct conversations)

(DANI) Listen, I talked with him and he took my reason.

I owe you two bolos. -I think no.

But, good, that "pa" makes you happy.

Look, Jorge, with what you paid me to

sing, I'm even more ready to return to my life.

Are you listening to me?

To me no need to be lying, that I didn't travel.

Pues ya sabes. Ahí he holds the door.

Hola.

Shall I ask you something?

(For the music)

(MILI) Go, away, to set up the circus in your house.

¡Mierda payasos!

Imbeciles...

(Indistinct conversations)

Go maricon...

But good, and what is here badly.

You have a cobra, don't you? -Ahora te cuento.

How are you today? -Llena.

Really?

Mili, will we be able to meet again on a couple's day?

I hope not.

(PACA) Ask me, just in case, I'm moving forward.

(MILI) What's up, chiquilla?

Mili, we were going to London,

that I want to sing for Donna Summer.

"What do you think?".

"Yes."

"Yes" what?

¿"Yes... terday"?

(RÍE)

(Applause)

(MUJER) With all ustedes...,

¡Madame 2000!

(Applause, victories)

# To you true, always tell the truth,

# always tell the truth,

# wait for me to die.

# Don't look at your eyes.

# Don't call me at your door.

# I don't eat at night

# the stones of your street.

# To you true, always tell the truth,

# always tell the truth,

# wait for me to die.

# See what they say and say.

# Mira que la tarde aquella.

# Mira que si fue y si vino

# of his house in la alameda.

# And so, looking and looking,

# and that's how I started.

# And so I'll be waiting.

# To you true, always tell the truth,

# always tell the truth,

#hasta el día en que me die. #

(For the music)

(Applause, victories)

Are you coming to this place? -No.

Next time, I can get a used cloth.

Ay, truthfully. -We need this.

We ask you what constitutes the foundational act.

(DANI) No, best treasurer.

(LOLE) This is serious, Dani. (DANI) I'm also serious,

what seems to be the Holy Inquisition.

A ver, escúchame. You are the one who keeps shooting.

No, Mili, I am the one who has the antecedents.

I'm dying of revolution.

(LOLE) ¡Oye, oye, oye!

What happens here? -(RÍE)

Are you here?

These are the ones who keep liar, the new generations.

That's nice.

As you can see, I learned the best.

To be honest, because I've had a little bit of barrel these months.

You are stupendous. With permission.

Barriga the one who has echoed another, because the menu equals the bottle.

Y además, the disgust that aroused your child.

Rocio, Are you afraid you don't have anything to do?

Wouldn't you like to take a spin on the good day that happens?

It will be a good day for you, because

the only one I care about is dying for me.

That's what this woman has!

(ROCÍO) When talking about the dead, have

you thought about changing the name to the witch?

How do these studios go, Miguelito? Do you approve the exams?

Good, I'm preparing now to introduce myself.

He's enchanted.

I'm going to the faculty to study with other friends.

What friends?

If you want to stop by the description and get to know the world...

We are waiting until we arrive. With so much change and so much legalization, we would have a very good hand.

-Claro.

Ah, yes, of course. Yes, yes. I would like it very much.

(IGNACIO) I'll take the word back from you.

Much thanks, Don Ignacio.

(Bells)

Don't worry. Pasa, que ahora te cuento. Hola.

Wait, wait, wait. -Hola.

Hola. -Pasa.

(Indistinct conversations)

¡Hombre!...

Welcome. - Pasa, sin miado.

(MUJER) Here we all are. (MUJER) It enchants me.

Hola. -Hola.

Introduce yourself, si queréis. No yes, yo...

Hola. -Hola.

¿Qué hay?

Much care with the girl.

What happens?

It's my godfather and my mother

thinks I'm in the library studying.

¿Studying?

(LOLE) Now yes we are alone. Come.

Good, come, let's start with the latest.

What happens? Don't make this happen.

Don't worry, what nadie goes to see this.

Come when you ask, but be careful because you leave the chiringuito.

Gracias, Manolo.

Pues nada, I'll settle for it.

(LOLE) Coming. Thanks for coming.

Y..., Paca, come.

Yes. To be honest...

We are here because of the diversity

of our members of Christian youth.

Christian? (LOLE) Good, to be honest...

Escuchame, that here we come not to rezar nor

to decorate ourselves with flowers, to the point

of being in contact with repression and injustice.

Is it against those who always give abuse?

Contra los mismos degraciaítos. No?

Eso es, eso es.

We want to sell that we are in a democracy.

¿Huh?

But to us we are treated like infected

people and like criminals, because

there is a law of social injustice that

is still in force and it is a fascist law, eh?

Frankly, he's dead.

There is a law of amnesty also cooking,

which we know. What do you want to do with us?

We continue to forbid living

our sexual condition in freedom.

One thing, do you expect us to always meet here?

Yes, what happens? - Here?

At two meters of the police?

Are you going to put your house in? -No, I can't move into my house.

Pues chiton.

(Risas)

But there are bares.

This is where we come from the coffins. That's what it's all about.

Look, Arturito, this is the last place where

they go looking for a panda of maricones.

So cooperate, my friend.

(LOLE) If we want to buy, what we are looking for.

Likewise you want to hide.

Because you can hide, is it true?

If you want to hide, hide. -Si no te gusta, ya sabes.

Me voy. -Pues nada, adios.

Today we have here with us an example of true resistance, not of those high and low ones.

-Lole...

He is vivid about marginality and has

often been imprisoned by this very unfair law.

Dile. -Lole, para.

(LOLE) Dani, please.

-A loud applause for Madame 2000!

(LOLE) ¡Ole!

Eh, let's see, what's the same?

What do I have? -How we tasted in the bar.

Nope, nothing. Nope, nothing. Experiment for a moment.

I was on point. -Yes.

Is the emphasis another way valid? But help me, please.

Lole, yes I am like you.

Yes yo ya I fought and I shouted, Lole.

But nevertheless, when you are against a wall

800 times, what you want is to escape peace of mind.

Everything you want to be is stopped.

That's it, cute. (LOLE) Entre lentejuelas.

I say. -Much good, may we go to be ahí,

enjoy the rest every night. -Pues all the hope.

Goodbye, let's go.

That doesn't come, right?

Pues come, hala.

What are you looking for, an autograph?

No.

O sea que.., If you give it to me, I'll be delighted.

But no...

I would like to see something else.

Chiquillo, trudges.

(CARRASPEA)

I want to present "Young people". And I want you to help me.

"Young people"?

Yes. What happens? -People, like little, know how to talk.

Do you know? -Yes.

And sing.

Also.

Yes it's what I want.

No, because I'm never subjected to a

scenario that hasn't been sung in public like you.

How do you call them? (MANOLO) Miguelito?

Miguelito, what happened here?

Hola. A moment, a moment. Ahora voy. Ahora voy.

Good, now tell me. -Yes, now voy.

Miguel. -Miguelito.

Miguelito.

Miguel, little by little the scenario doesn't hold up.

You're coming, chasing you with fire and everything

that comes to you or you're below and they've pillaged you.

Ahora hay que irse.

(Marti Trini "Yo no soy esa")

# I'm not the one you imagine, # a

calm and simple lady # who abandons

you for a day and always forgives.

# It's a girl, yes,

no... # (For the music)

(Marti Trini "Yo no soy esa")

¿What makes this child # I'm not

the one you imagine, # a calm

and simple lady # who abandons

you for a day and always forgives.

# Esa niña, yes... # -Chiquillo, what happened?

Are we deaf here? But What are you doing, who?

What are you doing here?

Mamá, I would love to introduce myself "Young people".

Look, take all this, that you should be studying.

Mama, it's serious.

Of the truth I want to introduce myself to you.

And I want to introduce myself to monja to see me cogen to me too.

Mamá, wait. In truth, go back.

What is this? -An authorization.

You have to sign here. Tom.

For proof. Tom. - Where did you find this?

From the program of "Gente joven". -But, Miguel...,

que ni "Young people" no old people.

That in a week he takes an exam

to be able to enter the university.

I also like to sing.

Do you enjoy singing? -¡Mamá!

¡Mamá!

¿What do you want, the

other dead eye also, to play?

What are you talking about, mother?

You know perfectly what you are talking about.

Look, Miguel, it's more important that you center yourself

because Don Ignacio won't let you have these balls in your space.

Are you listening to me? -Good nights.

(REME) How do you have good nights?

Good nights, no. Are you listening to me?

Miguel, are you listening to me?

Yes.

Put the door open.

What we need is a name that defines us.

(Music, flamenco)

What defines us as a group.

¡Chist! -Yes.

Las mariquitas barefoot.

What do you say now?

Man, we are going to be giving away the

microphone to the first person who passes

by, I believe that this will tend to call

the homosexual movement of barefoot husbands.

This is also militancy.

No, that's buying it for a kid with a microphone.

Yes, militancy.

And we cannot be four cats.

No.

What we need is more action and less shit.

I go to talk with feminists. -Yes. Mira, a feminist like esa.

Ay, look...

No, no, please.

(MILES) Late. (PACA) Hello.

What is this, beautiful?

¡How is she going!... -Many thanks. You also.

What is this Dani? (PACA) Ya te contaré.

Happy to keep me. -Aren't you in Madrid?

Good, now I'm here.

(PACA) ¡Uy! ¿Y eso?

I come to the Estatuto de Autonomía.

Ah, qué bien. No?

Ah, that we wrote our status.

No? (PACA) Yes, of course.

This is what we are in the assembly. What do you think?

(RÍE)

Yes. Last minute start: We are an organized group.

Our name is wrong, but cases, cases we keep it.

Forgive me, I don't know.

If you need anything, count with my friend.

Hey, thank you. Yes... (LOLE) No.

(MILI) Why? -No, I don't think so.

No, because we are doing a movement

of homosexual revolutionary action...

for visibility.

I think this doesn't go together, right?

Pues nada, Lole...,

that goes well. Goodbye. -Adios.

We see you.

Lole, what desaboría heres.

So much double life... Let's go.

For those who cannot hide!

It's also true.

Come, greetings.

What are you looking for so much ahí?

(PACA) What are you going to do?

Ah, she is Livian.

(RÍE) -That weighs little.

(REY JUAN CARLOS TV) "The discipline of our armed forces

and, ultimately, the patriotism of all

we allow ourselves to face with enthusiasm and optimism

the problems of the present

and trust in a future of peace and freedom".

"Queda abierta la legislature".

(Applause)

(HOMBRE) "With these words, the monarch Don Juan Carlos has begun

the constitution of the new courts is short."

(background TV)

(City environment)

(HOMBRE) Review that they have this name and name.

(Drama music, guitar)

(Without audio, follow the music)

(HOMBRE) Id finishing. For five minutes.

(For the music)

¡Señora! What happens? What happens? What happens?

What? No, I'm sorry, I took

the exam and forgot to take it.

How? No entiendo.

That's why he's very despondent.

You have finished the exam and, instead of

examining it, of your nerves, he lifted it in his hand.

Así, sin darse cuenta. A morenito chico who

lives with a very elegant dress. -Yes, he who has no protection from sweating.

¡Ese!

-Señora, but I cannot take an exam that takes you outside. I feel it.

Pues no lo coja.

Ya I dejo yo here, en el montón con lo demás.

(Timbre)

¡Miguel!

¡Miguel!

I want to put it and I want to put it here.

Manolo...

What happens here, Reme?

Have you seen Miguel? -No, I didn't see him.

Why? What happened?

Who didn't take the exam. -How did you not get it?

He didn't understand that.

Is this what you want?

Are Miguel coming here?

Look here, Reme.

Let me help you get it.

Señora, I assure you that your husband is not inside.

My husband is dead.

(Bully)

Bares like the Underground play an essential piece in our lives.

They are places in which we feel safe,

but we cannot conform with a silence in

which we have a false sense of freedom.

This game belongs to us.

It's time to get organized seriously and get down to business.

(Applause)

(LOLE) Just one more thing, that I can't get away from here

without giving her the thanks of heart... -I'll get it for you yo.

(LOLE) This is very exciting... To the companions of Prímula,

who are here to see the birth

of the Movimiento homosexual de acción revolucionaria.

And this is very exciting because we know, yes we know,

that this game keeps going hand in hand

with feminism, huh?

Y ya está. Nothing more: That lesbianism is revolution!

(Applause, victories)

Demasiada, demasiada politica por hoy.

¿Verdad? -Gracias. Thank you.

It is clear that it was necessary to do a lot every day,

but for this reason I prefer the scenario,

because here everything is possible.

(Música, piano, "Yo no soy esa")

# I don't know what you imagine,

# a calm and serene lady

# that one day you abandon yourself and always...

#Y always forgives.

# Esa niña, yes, no,

# esa no soy yo.

# (Applause, victories)

# I don't know what you believe, #

the white dove that bathes you in

water, # that you can't say yes to all.

# Esa niña, yes, no, # esa no soy yo.

# Let's go!

A little stronger, hijo, a little stronger!

# You can't assume that you've jammed... # The mother who called him!

-Are you going to him?

# ...de haber jugado

# with truth, with love...

# of the others.

# Yes in truth I wonder, yo ya

no soy esa # que si cobarda in

front of a borrasca # luchando

entre las # que encuentra la playa.

Esa niña, yes, no, # esa no soy yo.

# But you only seek adventures, #

friend, guard your house all the time.

.. # Are you going to get it?

¡Reme!

¡Reme!

¡Reme!

You know it, don't you?

You know that I was doing these

things and didn't tell me anything.

I knew I wanted to be an artist.

Confessional secret, right?

I don't know the things here. Stop for a moment.

Mira, Manolo..., in my family

we have been told enough.

I'm not willing to go for the same thing.

But that will tend to happen Antonio with this, Reme?

Es Miguel, which requires escuches.

Clear.

How did Antonio teach you, right?

With the revolution and the obreros and the pájaros in the head.

There were no people in Antonio's head.

It was something much bigger, that we cannot control you.

Pues, look, as this is the way to control it, you

have the ability to change the world and keep it safe

for you and for your thoughts, and please keep me calm.

This is what passes to Miguel, that it is impossible to connect contiguously.

It says: 21 year old gay guy wants to

chat with young homosexuals from Vigo and his elders.

How are the Gallegos, eh?

Mira Mari Trini. -Do you want an autograph?

Mírala, medium applause and you think you are the little girl of the peines.

Are you happy to be presented? -Hola.

I want to be my manager and everything. -Ay, please...

Mili manager. As it goes.

(MILES) ¡Qué pasada!

Em...

Thank you.

Seriously.

It was necessary... enough.

No hay de qué, querido.

What you have to do is get ready for home, that

your mother needs to be with the exam...

You'll be smoking it.

I'm going to death. I'm going to death.

Good, I'm going to change my clothes.

Pull. (MILI) Ahora os veo.

Miguelito, no pasa nada.

But if we are better for one thing, we

must use it for everything.

Ya.

(SHIGH)

More important is that I cojan in "Young people".

You don't think about it now. These are things of the future.

I'm telling you yo, Madame 2000.

(RÍE)

(City environment)

(MUJER, MEGAFONÍA) "Doctor Martínez, intensive care".

¿Remedios Fernandez?

Please.

Muy bien.

Forgive.

Encantado, Miguel.

How are you?

Good.

(HOMBRE) Your mother told me

that let's go a little... despistados lately.

Is there anything that worries you?

Is there anything I can help you with?

No yes.

To the best thing that makes

you feel bad..., some thoughts...

oh I desire...

which is not very usual.

No. No self.

(HOMBRE) No pasa nada. You know, it's difficult to talk about these topics.

We will work on it little by little.

Mira, come commigo.

Acompáñame, Miguel.

Ve.

Do you also want to...? (HOMBRE) No, don't worry.

Accompaniment.

Look, sit here.

Siéntate.

Put your arm here. Eso ex.

Miguel, Our mind is very complete.

We cannot decide on our thoughts.

But we can help you organize them with some exercises.

Now I'm going to show you some images.

I want you to concentrate and analyze them.

May you be raised by what they provoke you.

Remedies..., I think it would be

better than I had previously hoped for.

I would prefer to go in with el niño if she doesn't care.

Clear. What you wanted was here. (REME) Thank you.

(HOMBRE) Muy bien, Miguel. Let's go there.

When you asked.

Opening ahí... pasas.

Eso ex.

What do you feel?

No yes.

A new pair.

Concentrate on what you feel.

Don't let me say it in a loud voice.

Continues.

¡Miguel, Miguel, Miguel!...

This is happening very quickly.

I need you to be truthful in your

images, to be sincere with your

thoughts and with what they provoke you.

If you have someone who is attractive to you...

Let's go there.

(Electricity)

¡Ah!

What happens? What's up with you?

He gave me a calambre. -A calambre?

How did he give you a calambre? She says he gave her a calambre.

Don't worry, no worries. Nope, nothing.

You told me it was harmless.

(HOMBRE) Yes, señora. Y is harmless.

Indeed, these small corridors block

the patient's homosexual desires.

This is therapy. Miguel, let's continue.

(REME) But you've asked me not to tell me about this.

Here's this! ¡Quitemelo! -Head, who is going to break it.

Wait a moment. Where does it go? -¡Déjame!

¡Déjame! ¡Déjame!

Where is it, Miguel? -To talk to me, aren't you jode?

But what do you say? -Mamá, I'm here in the middle.

Don't let me shine in the light. -¡Cállate!

Don't know about the danger that we are asking.

Sube para arriba, go, and let's talk.

Is this the only thing that matters to you? -Come, calm down, please.

Who enters the neighbors? -Please, I'll tell you.

What do you want me to care about? Why am I sick?

Miguel, I'm going through a lot of shame.

But what's the matter, mama?

¿Vergüenza de qué?

Want to have a hijo maricón?

Yes, I'm married!

Soy maricón!

Y no me vas a enchufar, who is local,

I don't know that my father will commit suicide.

(Música suave, piano)

# Clavel, a clavel...,

# to the orilla... #

What do they have hecho?

("Don't Leave This Way")

(Indistinct conversations)

(HACE VIBRAR LOS LABIOS) ¿Asi?

Not you Levantes.

This is beautiful!

Next.

Come, let me know.

No, ask again, please.

(DANI) Miguelito, this is the good one.

(Indistinct conversations)

Newspaper from the Este de Prímula group. -Oh now?

(The music continues)

A little more to arrive. Ahí, ahí.

Let's go.

(Growing up musical)

(Indistinct conversations)

(Without audio, follow the music)

(Indistinct conversations)

(LOLE) Ya?

This faculty is in the national area! -Vete a la mierda!

(The music continues)

It wouldn't be the first day that bailas.

(Indistinct conversations)

Go!

(MUJER) Lole, what keeps me counting!

¡Luego!

(Vitores)

(For the music)

Miguel, Miguel, come.

Miguel, let me finish it.

(MIGUEL) That heat...

Do you have a lot of people? -Better, so you see the whole world.

Maca, with a bread, please.

Tom. Ah, it goes. -No, this isn't.

Really?

Miguel, here I go, hijo.

Come, I'll introduce you.

Haz time... -Yes, don't worry.

If I'm a little confused, is it worth it? - Bridge ahí, bridge ahí.

The last one. -Que no, Maca, que no, que no.

Ponte ahí, sonríe.

Guapísimo, eh, Miguel?

I need air.

Good...

What's up with you, eh?

(RESOPLA)

Oye, what a vas de puta madre.

Yes?

(RESOPLA)

Shall we go?

Come.

Abre.

Maca, the girl.

(RÍE)

Maca, no te rías. ¡Maca! -(RÍE)

Not you... Dani!

(Applause, victories)

(LOLE) ¡Ole!

Let's go! -The best singer in Sevilla!

Callaos, places, which are places.

Please tell me another day to my friend from

Málaga, Enriqueta Escopeta, and he tells me

that he dreamed of me, that I was a virgin and

that I was killed in the process. -¡Impossible!

I love you inside, Are you inside?

Come, come in a moment, quickly. -Maca, no delays, please.

Very fast.

¡Dani!

(DANI) I want to introduce myself to someone who is going to sing "La saeta" to me.

Big applause to Miguel Acosta!

(Applause, victories)

(Silence)

The angel, who was caught.

Come on, we're in the family! ¡No pasa nada!

That's nice.

Thank you. Good nights.

¡Que me dejes de cuentos! The documentation!

I don't have any documentation.

(Mermaids)

(HOMBRE) ¡Eh, eh, come here!

¡Callaos, callaos!

Come and lock the door.

Here no need to pass anything. Is it worth it?

¡Miguel! -¡Oiga!

Where are you from?

But what happens? Those are police!

(Coup)

¡Ah!

¡Suéltalo!

(Silence)

Ya te va, Macarena. Ya you are worth it.

Hello? -Hola.

Good nights. Good nights. -Buenas.

Good nights.

-Buenas. I'm sorry..., it's that I had a bad idea and they detained me.

You must be here for an hour.

More or less. -Tell me what your name is.

Remedios Fernandez. -Are you calling Remedios?

No, no, no, Miguel. -Ninth.

Remedios soy yo. My name is Miguel Acosta Fernández.

Eso ex. - Now I'm going back.

Thank you. -Muy bien.

And you can also have this lifter.

(Timbre)

Don't worry, we will have someone else. Don't worry.

(open door)

¿Dani?

(DANI) Raquel, Forgive me, can you bajar?

Good, good. Do you see it? Come on, dame.

Habla tu, eh? Don't tell me.

Don't tell me.

What happens? Has the lottery touched you and are you coming to share the prize?

The prize of being a maricón.

I enjoy a lot of fun.

What happened? -Hola.

We need an abogado.

Again?

Do you now believe in justice?

Raquel, we believe in you.

(SHIGH)

Please.

I feel it, Raquel. Let us not come.

Don't worry, yes jode me for the hour that is.

For the next time I'll tell you what to

expect, that this time won't be good for you.

Voy inside. -Yo voy contigo.

Ninth. The only thing that can be achieved is that

they make you dear to the next one. Let us wait here.

Now that's what.

For those who don't hide.

(Puerta cerrándose)

Good nights. -Good nights.

I am Raquel Álvarez Castro, abogada de Miguel Acosta Fernández.

Can you give notice? -Yes, wait a second, please.

Sorry, are you here?

I am Miguel Acosta's mother.

I'm Raquel. Dani warned me.

But it is that no one is Dani. -Soy Manolo. Thanks for coming.

Macarena, enchanted. -Hola.

Remedios. - Enchanted.

How are you? ¿Sabéis algo?

Are you looking for Miguel Acosta Fernandez?

Yes, I'm my mother.

On the person who was detained as a precautionary measure.

How? -Hasta que el Juzgado de

Deligrosidad Social ratifique su

permanencia en prisión o libertad. (MANOLO) How much?

A maximum of 15 days.

15 days? (HOMBRE) Yes. Wait until the jury receives

the information requested and realizes the confirmations.

What are the confirmations?

Comprobaciones agreed with the tax office.

Si usted no me interrupte, we'll go ahead.

Once the game will declare the social

dependence of your child or it will be well archived.

But it's that I don't feel anything at all.

I want to decide that Miguel is going to be detained...

Yes, wait until I entered.

But what does this man of social crime say?

If you are a child. Can I see it?

Hasta el día del juicio, no.

Haga usted the favor.

I am communicating what the decision was made.

But why do you accuse them?

If I say it now mismo. I keep it written down here.

Miguel, 17 years old, younger, living

outside the family home, accused of

resisting the authorities, public scandal

for dressing in clothes not related to the

male gender and suspected of committing homosexual acts.

(Extruding)

¡Como putas cabras! -¡Macarena, vete fuera!

Please remove it, please.

Can I see them? Soy su abogado. -No, I don't know her.

Remedios, deja to Raquel.

In these cases, official prosecutors intervene.

Return today and ask for the request. Come, leave.

Quiero verlo. You told me that I should stop seeing it.

Señora, no va ser posible. Gives me the same.

Can I pass by? Yes, they keep it, alas. (HOMBRE) Llévensela.

I want to see my son. -Apartese.

Tell her you want me. No, déjeme. -Marquis now.

Get it. -It's worth it, it's worth it.

Reme, Reme, Reme...

I am sorry that you have created a baby.

¡Oiga, please! -Come, Marquis.

(REME) But why?

(LLORA)

-Señorita, haga el favore, a ver si temos que detenera la usted ambién.

Why do you have this? -Good nights.

(HOMBRE) This is a bad girl.

(SOLLOZA)

(Indistinct conversations)

Let's go home, Reme.

Déjame.

On mother no quiere.

What's up, Maca?

What? Are you dating Miguel?

Yes. Mire, Remedios, es Daniel. He warned me.

Are you Dani?

You can explain to me that my

child is in the calabozo and not you.

Señora, we come here to help you.

(REME) ¿To help? -Yes, to help.

Yes, no? Why don't you go inside and give the dear?

Do I inform the commissioner that the criminals are here?

If they are confused. (MANOLO) I'm going to rule.

Do you want to empeorar?

Here you are at the mercy of the Christian Obrera Juventus.

Señora, please.

Señora que? When I fought, ayudaba to the people.

Not the half in prison. That's what I deserved from their shame.

Vergüenza will give me to keep my hijo in the street.

What does this say? -¡Hombre!

Remedies, please, This is not the site.

Truth be told, no.

I took four months without my little boy. Do you enter?

And the first piece of news I have about you is that you

are in prison to do the mono with this gang of mamarrachos.

Señora, these people have come to ask me at

04:00 to ask Miguel. So we must respect everyone.

I'm doing business here.

¿No ves?

But they are part of us.

But where does he leave, Maca? What are the parties?

What are the parties?

Are the parts of what I have inside, are they

inside because of these people? And I blame you too.

That separates it. -Let's do the ridicule, Reme.

I'm helping. Quieren help. -Is the ridiculous thing happening?

Now, look, I'm going to make the joke a little more. ¿Sabes?

Look, I've left it at peace because I've had enough of it.

Hasta here.

Hasta here.

Good...

That's a bad thing.

If he goes to shit. -What's the matter with you, Lole?

Let's go here. -If he goes to shit.

(LOLE) Manolo, do you have the voice of the local encima?

(Pop music)

(PACA) The lower signatories direct us to

the Ministerio de Justice to solicit the following.

(Indistinct conversations)

¡Arturo!

¡Sonríe!

Look, I want you to do something I saw on TV.

(Photo click)

Dejadme, dejadme, dejadme.

(Photo click)

Reme..., What makes this so hard?

The journey of Don Ignacio, what was needed today.

Do you place yourself with solapa?

(MACA OFF) "Sonríe un poquito".

Ah, it goes. Relax your arm a little.

Voy, huh? Y...

(Indistinct conversations)

The government does not want to protect us and we will oblige us to do so.

Derogation from the Social Security Law.

Is it a signature for sexual freedom?

A signature for acabar with the Ley de peligrosidad...

A signed para... Yes, come.

An anti-fascist signature from here.

I'm the izquierdas. -It is for sexual freedom.

Oh, no, no.

Oh, we are also curious.

Sexual freedom! Total amnesty!

¡Maricones! -Yes, thank you very much.

(HOMBRE) Let's see, that ya os estáis columpiando.

¡Todos fuera!

Do you want me to know? ¡Todos fuera!

You, Manolo, come.

I know it all. I know it all.

What kind of thing is this?

A record of signatures. -No more explanations.

It seems amazing to me that you create the savior of the poor, but what is this?

-The guitar is ours.

Come, yes, Lole, come. -We'll sell it to buy.

Go aberration. -A little respect, Clemente.

Don't touch my balls, Manolo. Dame las llaves.

Tell me the least I can explain it.

Not to me. If you explain it to the arzobispo.

Let's go, come on.

(For the music)

When did Don Ignacio hold the conference?

No conference, Mariano.

How come there is no conference?

I need you to accompany me to talk with him.

¿With Don Ignacio?

It's for Miguel.

It made me do a good job. -For Miguel?

What happened now?

Hubo a mischief.

Malas compañías, dicen.

Ya, malas compañías.

(REME) Set the direction, go.

Calle Panama.

Number 14.

I don't think we want to put Don Ignacio in this.

¿Pardón? -Que no me voy arriesgar

to lose him as a customer.

That Miguel will get you an official abogado.

Draws "pacá".

(MARIANO) Do you care about me or don't you care about me?

This is no pint now.

Reme...,

What should I do? (REME) Déjame pasar, Mariano.

(Traffic environment)

(Timbre)

(IGNACIO) ¡Remedios! But where do you get it from here?

Come and talk to them personally about the trip, once we have finished.

Peor, mujer, Don't let yourself be bothered.

No, it's not a nuisance.

Remedios is the official one of my remedies.

The queen of her husband.

It's a shop like the ones before, de los que ya no quedan.

What would you expect?

Good, now it's called Mariano López Hierro, on learning.

This is the sastre now.

Good, good, but alas what truthful things are known.

Much thanks.

Good, many thanks, ladies.

As cumplidora as always.

Mire...

Thank you.

Don Ignacio, yo, apart from the traje,

quería... comment on an assumption.

Clear.

Dígame. Sorry.

No if that's usted ahí, pase.

Yes, no, it matters to you, Mauro.

Pasa, pasa, pasa. Pase, please.

Do you want to go back to something else? -No, by God.

Permission. (IGNACIO)

Good..., you'll say.

Maybe my son Miguel has a little problem.

Is it legal?

What happened to you?

Verá usted, es que es detainados.

They told me that the Law of social crime can be applied to you.

But it's a drug habit, prostitution, pornography...?

Remedies, won't your son be married?

No?

Don Ignacio...,

I'm just a kid.

And as you know well, sometimes

children become upset and lose heart.

Good, good, to be honest, if they have detained him, it

is for something more than to unmadrarse, Remedios.

But don't worry about usted, because these

things, as soon as they approach, better than

better, because it is very difficult to redirect them.

But... it's that Miguel doesn't have to redirect anything.

He only had bad strength and bad joints, nothing more.

Entonces... what do you want me to do?

Please ask me if you can take care of yourself...

To be honest... -If I ask you please.

Remedios, I've lost my reputation.

Meaning to defend a case like this one I am

wondering about in a very delicate situation,

above all dear to my clients. ¿Usted me entiende?

Yes, but if you used a

called pudiera hacer...

Remedies, I complain a lot about the

situation, above all because you don't

hold the blame for the things that happen to you.

It's late and it will be safe.

Don Ignacio...

Good nights, Remedios.

Good nights.

Thank you.

(Drama music)

Mama, But it's not doing anything bad.

It is a program that is organized at the university.

There are a lot of retort people there.

She is the one who is supporting Miguelito.

Apoyando to Miguelito.

(MUJER) Yes, I feel sorry for Miguelito a lot.

I feel a lot of pain about my mother,

because this woman looked at her like this.

But to see it all now if we are going to turn to each other.

Between the curly husband and the little Mariquita, this is a picture.

Rocío, please. -But I'm telling the truth.

This woman without her head.

(MUJER) That's why I should support you.

(For the music)

# Pobrecitos mis recuerdos.

# How can they come to me.

# I tell you that they march,

# que me dejen,

# that doesn't bother me more than you.

# That you were happy,

# that you have experienced my pain, who would duel me again

# the inheritances of your love.

# Pobrecitos mis recuerdos

# who don't think more than in you.

# Pobrecitos.

# How they want to come to me. #

¿Huh? To be sure, we believe that we are not family.

We accuse ourselves of going against the family.

We will believe that we are stocked with an olive tree.

Maybe no, of course we have family.

The movement is also a family.

What we don't want to accept is

that the patriarchal family model imposes itself on us.

For this reason we repress ourselves,

because we rise above the norm and must use

all the means at our disposal to repress ourselves.

The uses: psychiatry, medicine and law.

That's why we are here, to learn the law of social crime.

We are not the peligrosos.

Who dares to expect a 17 year old chaval to go up the street with a shadow of eyes?

-Is this Miguel's mother?

Y mi hermana.

Our companion Miguel is now the same on the slope

of the judiciary. A younger man, Miguel, is

going to keep us on his side unconditionally apoyándole.

This is evident.

What makes me very happy is that I also go to keep my mother.

(Applause)

(PACA) Thank you all for coming, for the

truth. Now let's go outside by collecting signatures.

My companions and we appreciate that you will pass by.

Good, you can because you want to come to apoyaros.

Yes? -De truth.

Of the truth.

Sorry. -Hombre, what's this? How are we?

Can we talk for a moment?

(RAQUEL) Of course.

I thought the screen was the one to sign.

The siesa has smelled you.

Good, in the first place, I'll ask you to

explain it to me next night. I was very nervous.

Not if you're worried. Not if you're worried.

Of truth, nothing to forgive. - Can you defend my son?

Clear.

Of course yes. -I want to pay you.

Good, in truth, let's talk about it.

No, no, but it's clear that I want to pay for them.

Very well, let me know clearly.

What do we want to do?

Sincerely, until the end of the juice can be done a lot.

But we can be calm because we can

realize that Miguel was working in a show bar.

In a performance bar?

-Although I don't have the flesh of an artist, I have friends in the Vertical Union.

I don't think there is a problem getting one.

And after that there are four months that don't appear.

Profirió words injurious, as, for example, pardon, maricón.

What happens?

Let me ask you one by one.

Are you the mother of Miguel Acosta?

Yes, soy yo. What happens?

We are writing the information about good conduct

for your detention with the help of your neighbors.

Let's talk to you to get to know the surroundings and the influences of your child.

-Clear, above all.

In his home he is so lovely.

How not? Accompaniment.

(Drama music)

Amparo, come comrade.

Fri.

Pasen, please.

Let us offer a café to this señor.

(HOMBRE) Please, señora, si no face falata.

Obviously it's wrong. -That no, woman, that doesn't make it wrong.

He's going to take it back.

See you, you know where these things are.

Amparo, please, have the café. (AMPARO) But...

Please see you.

Clear.

I feel it.

Please proceed with the informant who has requested the tax of the case.

-Por supuesto. Clear.

What do you dedicate to your son?

Miguel is studying.

Disculpa.

Disculpe.

Reme, where are you, the Sansona de Seville? I can't open this.

Does it matter to you? -No, yes, yes.

Tell me. (AMPARO) Many thanks.

Muy amiable.

Nothing.

Are we following us?

Yes, of course.

If he goes for a walk or...?

Yes, sorry, that's what it was...

How long does he live on here?

Approximately four months.

Why do I hear from home?

No. I don't leave the house.

This is what many of your elders have said.

I imagine it will be referred to...

Excuse me, señor agent, you who used me

would not be true to what the old people say.

It's my own mother, for example, he is insane.

Can I see my habitation? -My mother's life is pure barroquism.

No, la de su hijo. -No, of course.

La de mi hijo... Clear.

A la izquierda.

(LLORANDO) It is that I cannot enter from where it was.

(SOLLOZA)

(WHISPRING) Come with him, he won't be alone.

What is it? -The things of Antonio.

What pint here Antonio? Yes Antonio is dead.

Good, you know what keeps the Miguelito in the heart...

(REME) ¡Ah, water! -What?

¡Water! ¡Has roto aguas, Amparo, who has broken water!

¿He roto aguas? ¡Ah, ah, ah!

What happened? -Go to call an ambulance.

(AMPARO) I'm not very nervous about what happened.

(AMPARO GRITA)

(Music, flamenco)

(Silbido)

¡Uh, the cafetera! Oh!

¡Oh, oh!

I need an ambulance.

Calle Pureza.

Number 24.

It's for a birth.

Yes, it has roto aguas, I think he got ahead of her.

(HOMBRE) Let's go, let's go. (AMPARO) Yes, let's go.

Yes, it takes a lot of pain.

(For the music)

Discuss the show, señor agent.

And what I have is the only one I have.

Nada, I'll take note of what I see and what the judge decides.

Ay, it's that for me the police have always made me

very nervous and without that I have nothing for nothing.

To see my companions how they brought up the medical

informant and the criminal antecedents. With permission.

Much thanks. -Of nothing.

Thank you.

We love it. -A little.

Señor inspector, if you offer them...

Has the doctor informed me?

Inform medico, si, señora.

(Rock music)

(For the music)

(TODAS) ¡Vosotros, fascistas, sois the terrorists!

¡Vosotros, fascists, sois the terrorists!

¡Vosotros, fascists, sois the terrorists!

¡Vosotros, fascists, sois the terrorists!

¡Vosotros, fascists, sois the terrorists!

You are an accomplice!

What happened?

(HOMBRE) What's happening?

¡Vosotros, fascists, sois the terrorists!

(Bully)

(Gritos)

(Bully)

Let's go! -What is happening?

Cognitive delirium, esquizophrenia...

Homosexuality.

(Rock music)

We are victims of the French nation!

No to psychiatric violence!

(Bully)

(MUJER) Don't worry, the policy is out of the way.

(The music continues)

(SILBA)

¡Ah!

Run, run!

(For the music)

Let's go! (PACA) Come, Mili!

Don't worry about the girl. - How not?

Let's go!

The voice, here it is!

Let's go!

Pareces Niki Lauda.

¡Lole, caretaker!

(Rock music)

Tom.

Come, which cannot take up more space.

They don't go to the river. -They don't go to the river.

They don't go to the river.

Lole, cocho, para el coño! -Esperate.

(Frenazo)

¡Ah!

Here I can't stop. One more moment.

(Klaxon)

Don't worry about it. Let's go.

(Klaxon)

Reme, it's not for anything, but you should always dress like this.

The truth with the heart! ¡Subirse!

What is this? -Ahora te cuento. Muy bien.

Ver. Ayúdame ahí, Daniel, please.

Muy bien. -Now tell me.

Id passing. - Safe and sound.

What is this?

Good, it was... interesting.

(REME) Pasad, pasad, por aquí. Quitaos los abrigos si queréis.

Is this?

These are solid pieces that we sold when Antonio lived.

They are spectacular. -Good..., many thanks.

Tampoco... -I'm telling you seriously.

This canvas is a marvel.

(REME) Do you like it?

Pues all tuyo. You can understand what you want.

(DANI) But what does all this mean to you?

Yes, with these hands.

-I'm not the only one who can give her the shop to Mariano's friend.

Macarena, hija, the sastre office always has the same thing as men.

What does this say?

-Reme..., is this a writing machine?

The turns of life, letrada.

Yes..., secretary.

The photo.

Artist's flesh... Yes, good, no hay evil that for good it doesn't come.

And now you need to register and sign the authorization.

Where do we go from here? -Good, trust me, Reme.

Confía porque con eso es como si Miguel hubiese hecho el examen

of the syndicate to be able to actuar.

But have the artists performed exams? (MILI) Y ni esos los los hace tu hijo.

It always goes freely.

Sexuality and... -The social margin in general.

¿Asi?

What are you doing?

A question book to send them to political parties

and who positions themselves on the topic.

Come, other.

Postures before the Law of Social Protection.

I like it. -The misionero.

I don't like it.

Do we support the homosexual liberation movement?

I like it. Very direct.

Señoritas..., I wanted to work for today.

¡Uh, Madame 2000!

# Y a la virgen del Carmen tres cosas pido:

# salud, dinero, before, and a good husband. #

¡Ole! # (DANI) Hello, money, first,

# and a good husband.

# A la virgen del Carmen tres cosas pido. #

¡Ole, well done!

(Applause)

(DANI) Why?

No, no, no. Ya I'm looking at it yo.

When you ask me, you know.

Much thanks.

(PACA) ¡Dani, come! -Ahora voy.

Let's go pulling.

(DANI) Can I tell you this?

Chico, you are waiting. -Now go to allá.

Good, many thanks. Ahí at the bottom.

(SHIGH)

What happens?

I'm longing for Miguel.

And tell her which mother holds her. -Ay... Don't say these things.

This doesn't happen in the whole world. My fathers pass

through here and, if they want to take a turn to look at me, they do it.

Are you in prison, Dani?

Various times.

(REME) How long will it take you?

Five months is the last time.

Five months?

But here I am. Here we are all.

And the doors to hide me are quieting me.

Y with Mili searches, you can't ask me anything else.

It's that these things haven't changed as much as they seem.

Reme, things are changing.

But they haven't changed yet.

They looked after Miguel.

En "Young people", who understood it.

(Telephone)

Good days.

Mariano... -You saw it, didn't you?

Yes. -I know that this is the time to stop.

So we can't open. Go, I'll quit it.

I'm canceling today's pruebas.

Mariano, I'm going to Miguel's juicio.

Now I can't. -Ya, Reme.

But I don't leave myself alone with this.

Look, look, look at the old people commenting.

This shame!

Go, go, quit it. -Hey, but what did you believe?

¡That's quites, Reme!

What? What?

And now I've done all the things so that you come and sing to me the 40th

when I don't connect to anyone else. -What are you saying?

For once you need it: once.

Mira, haz lo que que eras. When you are more calm, let's talk.

No, more calmly, no. Do you know what I'm telling you?

You're going to the same thing!

Tú y tus trajes, ¡chaquetero!

You have no idea what the misunderstanding is.

Borracho.

Mamarracho.

(City environment)

(MANOLO) Reme...

Reme...

Déjame, ya sigo yo.

(MILI) Is this woman what? (DANI) Please be aware.

(MILI) Please...

(Indistinct conversations)

Are you well? -Yes.

How is Miguel? -Not the self.

They didn't bother me to see it. - How not?

I have nine days. -What happened?

They were asked to declare the secrets

because Miguel supposedly asked one of them.

Ay, my God.

-I need to realize that this complicates the situation a little.

Let's see, Raquel, I'm here. I could come in and testify.

Macarena, no valdria para nada.

Here the word of a policy weighs

more than yours, Miguel's and mine.

We must enter. (PACA) Yes, let's go.

I think that..., that the best thing is that you don't enter.

(MILI) But what do you say? -What are we here?

This has been for you. Do I tell you if I have it?

Lole, no. -Have I told you?

No, this is my thing. Raquel doesn't have anything to say.

Why?

I don't want to risk knowing what the

game is..., that I have a relationship with you.

How? -This can harm Miguel.

To tell the truth, I appreciate everything that has happened to me.

I know, Reme. -We played a lot about this.

The movement has to be ahí.

There are more comrades who are in prison.

The opinion of a judge depends on whether Miguel enters prison or not.

That's why we want to have a look here.

Callate.

Please.

I remember that I thought it would be good to be on this site with you.

We should not use it. We should not use it.

Where are you from, Daniel?

Reme, I want to enter.

Daniel, you better than anyone should hear from me.

It has been in the prison and you

know perfectly well what I am saying.

Same today is not the best idea. Do you want to know?

We are on our side. -We think about Miguel.

Let's not go in. Let's not go in.

But we don't move from here.

We care that you are, Reme. (LOLE) We don't move from here!

(PACA) Suerte.

(Drama music, piano)

(Without audio, follow the music)

(For the music)

(Indistinct conversations)

Come on, let's go!

Forgive, forgive, forgive.

-Ponla debajo, que esté no la vista.

Do you want help? -Ninth.

Thank you, huh? -Maca...

I want you. -Y yo.

You, now, "palante, palante y palante".

Luego, we'll see you again.

Thanks for all.

Mi niño... Toma.

Because the Underground comes and the Underground will return.

Underground, no. Ya, for Eurovision.

Yes, good, but you don't get much use out of it.

They always want to be closer.

Enjoy. -It's worth it.

Pues ya está.

Make sure you take the bite.

It's worth it.

Many thanks, mama.

(Drama music)

(EMOTIONED) Come on, come on.

(Indistinct conversations)

Now, here I have to go to Sevilla.

¡Rosa encima! -That doesn't escape.

Like the first Christians.

Here, like the first ones, so go canvas with the latest ones.

(Indistinct conversations)

You don't know where you're going. -This is what happens.

¡Lole, Lole, Lole!

It's to ask her anything more, flojito, para ir viendo.

I am guarded by you who, like you, despistes, the pint enters.

So, help me, it's that this kid does it all the same.

Señorita..., from

usted much care.

I keep you in mind.

(Drama music)

(PACA) Chicas, thanks for coming.

Let's go to get you.

We are here for the abolition of the Law

of Social Crime and homosexual freedom.

(Vitores)

We demand the abolition of all discrimination against women.

(Vitores)

Free use of one's body and free sexual education

from childhood.

We would like to express freely all the tendencies of affection.

(TODAS) Sexual freedom, total amnesty!

Sexual freedom, total amnesty!

Sexual freedom, total amnesty!

Sexual freedom, total amnesty!

Sexual freedom, total amnesty!

We go to punish the Señor. -Hazte la sueca.

"Oh, but this is the cathedral".

They did it alas.

"In English. I do not speak Spanish".

Sexual freedom, total amnesty!

Sexual freedom, total amnesty!

One moment, a moment, a moment.

Can I know what cojones is this?

Are you at the front? (PACA) Yo, officer.

Nope, nothing.

Go look. -Yes, please.

The protest was not communicated. For that matter, it's illegal.

Hagan el favor de detenrla hora mismo.

Lole.

Look, here we have in writing the support of

trade unions, associations, political parties...

Y, if you want to detain us all, go and keep asking for refuerzos.

Usted verá, officer.

Where are they headed? -At the Giralda.

As I call myself Paca, this event ties into the finale.

Detained or en libertad,

how we are doing it now.

Quitarse.

Come!

(VITOREAN)

(Drama music)

# No wonder this is something of a romance

# que ya fue.

# No se si no signo signos que yo no logré entender.

# Where are the things we want to hide?

# Where does love go?

# I want to listen to you. #

Gobierno, escucha! -We're in the game!

# I try not to explain why.

# Yo te quiero querer

# I don't want to go back to what I can do.

# I have the strength to jump on your pies.

# Remove the parqué.

# Contarle a Dios quién quiero ser.

# Where are the things I studied for a day?

(Disco music)

# Where are the sites we want to visit?

(Without audio, follow the music)

# Where do we go from the places we can't go back to?

# ¿Where does the ayer go

# yes now I can only go shouting in your portal?

# I try not to explain why.

# Yo te quiero querer

# I don't want to go back to what I can do.

# I have the strength to jump on your pies.

# Remove the parqué.

# Contarle a Dios quién quiero ser. #

(For the music)

(Music by Nico Casal)

(For the music)