Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
Frisian
Ga
Galician
Georgian
German
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranรฎ)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
[thunder rumbling]
[grunting]
[crows cawing]
[thunder rumbling]
[woman] [softly] It's too soon.
[man] [softly] It's okay.
-Cemetery's closing for tonight. -[sobbing]
Opens again tomorrow morning at 8:00.
Okay.
[thunder rumbling]
[objects clattering]
Hello? Somebody in there?
[suspenseful music playing]
Who the hell are you?
What in the name of God do you think you're doing?
This is a desecration.
[man screaming]
[narrator] Since the beginning of time, mankind has existed between
the world of light and the world of darkness.
Our secret society has been here forever,
protecting others from the creatures
who inhabit the shadows and the night.
Known only to the initiated by our true name,
The Legacy.
[opening theme music playing]
Did they hit any other display rooms in the hall?
Uh, I don't know.
You'd better speak to the detective on the case.
I'm just the assistant curator.
I'm sorry, Dr. Rayne,
I know how much this gallery means to you.
Well, where are the police? Why aren't they here?
Well, they've come and gone already.
What did they find?
Did they
test it for fingerprints?
Well, in a museum, they said it would be hopeless.
There'd be so many.
[Alex] Who would do something like this?
Is there anything missing?
Unfortunately, we were just about to start our yearly inventory.
But with all the labels missing and everything in such disarray,
it's going to take twice as long.
Well, if I can be of any help,
you let me know, Miss... Blake, was it?
Miranda Blake. Thank you, Doctor.
Thank you for your help.
Thank you.
[music playing]
[door opens]
Mother, I'm home.
Hey, Ernie.
Is everything all right?
Who is it?
It's... It's just me, Mom.
Oh. Miranda.
-[phone ringing] -Oh, I'll get it.
Hello?
[man] [raspingly] Miranda.
Who is this?
It's probably that same prank.
Please, who is this?
All I could hear was his breathing.
Miranda...
Is everything okay?
Fine.
So, uh, how's your new medication?
I didn't take it.
It's too big.
How are you gonna get any better
unless you do what the doctors say?
Where are you going?
I'm going to wash up for dinner.
[ringing]
[Alex] Well, the police are looking into the incident,
but they think the whole thing's very unusual.
In what way?
Well, usually, the thieves are after a specific piece.
[Derek] Only this time, they decided to stop
and create a little mayhem.
Exactly. As if they came in purposely to destroy things.
We'll have to see when the inventory comes in.
What do you think of, uh, Miranda Blake?
Mmm, competent.
A bit flustered,
but that could have been your fault.
Now, don't be silly.
As soon as she completes the new inventory,
I want to know.
Depending on what's missing,
it might give us a clue as to who the thief is.
Then we should also consider what's been destroyed.
-Exactly. -Right.
And if you come up with anything,
even a hunch, I want to know.
[Mrs. Blake] For heaven's sake,
you don't have to treat me like a child.
I am perfectly capable of putting myself to bed.
I know you are, Mom.
Why don't you get a good night's sleep?
You need your rest.
Why?
Pretty soon, it's all I'll be doing.
I wish you wouldn't say that.
Well, it's the truth.
You spend too much time worrying about me.
Ever since Anton--
You need to get out more, find yourself another young man.
I don't want another.
Nonsense. Course you do.
Good night, Mother.
[CD tray opens, closes]
[serene violin music playing]
[thunder rumbling]
[opens window, thunder rumbling]
Where are you now, my love?
[playing classical tune]
[feet shuffling, objects clattering]
[growls]
[yells]
[groaning]
[man speaking indistinctly]
Yeah, yeah.
Hey, man. Yo, get out of there!
[groaning]
Hey, yo. What, you deaf or stupid, man?
-I said get-- -[roars]
[screaming]
Let me go!
Come on, let me go! Please, somebody!
[bones crunch]
[Alex] Derek.
Alex, is that inventory done yet?
Well, that's what I came to tell you.
It's been two days, and I haven't heard a thing.
Have you called Miranda Blake?
Well, twice. I left a message on her voice mail.
She hasn't called back.
[dialing]
[ringing]
This is Miranda Blake.
The Winston Rayne Hall of Antiquities
is presently closed.
If you wish to leave a message,
please do so at the tone.
I will get back to you as soon as possible.
-[beep] -Told you.
Hi, Miranda. This is Derek Rayne.
Can you please call me, so we can discuss
whatever items may have been taken
during the recent break-in at the museum?
-Um-- -Antiquities, Miss Blake.
How are you?
Better, thanks.
I've been monitoring my calls,
trying to finish this inventory.
-How's it coming? -Almost complete.
In fact, I was just about to call you.
Excellent, um...
How soon can we see it?
Uh, hopefully this afternoon.
Good. I'll send a car.
Why don't you bring it out?
[chuckles]
Bring it? Myself?
Right. So we can go over it together
before we reopen the collection to the public.
Yes. Of course.
I'll see you this afternoon, then.
Say, around 3:00?
I look forward to it.
Me too. Bye.
Bye.
What?
Nothing.
It's just nice to know she talks to one of us.
-Thank you. -You're welcome.
So, you made it.
Dr. Rayne. Yes. Thank you.
Call me Derek, please.
Derek. I've always wanted
to see the inside of this house.
Well, be my guest.
Oh, is that what I think it is?
The armor of Edward, the Black Prince.
Who wore it at his first great victory over the French
at Crecy in 1346.
[chuckles]
Please.
So did you come to specialize in the Middle Ages
by chance or by design?
Both, I guess.
I was visiting Winchester Cathedral
when I realized this is what I wanted to do with my life.
I was looking up at the stained-glass window
-over the main altar. -Oh.
The blue ground,
with the figure of St. George battling the dragon.
-You know it? -Oh, very well.
On weekends, I used to take a train down from Oxford
to study the windows.
-You were at Oxford? -Yes.
So was I.
My room looked out toward the river.
It was the most beautiful view I'd ever seen.
Well, my room had a view of a brick wall.
[chuckles]
Please.
So do you work all the time or occasionally take time out?
Um, until recently, I was engaged.
Oh, I see.
And that has been broken off?
Yes.
Oh, I almost forgot. The inventory.
Any serious damage?
So far, no.
All that mayhem and nothing destroyed?
That's curious.
Well, I... I suppose that it is.
I guess I hadn't considered it.
I was... I was simply relieved.
And what's missing? Surely something must have been taken.
No, nothing.
Well, there must be something.
No. No, nothing. I'm certain.
I expect to have the records collated by tomorrow,
uh, Thursday at the latest.
Um, I'm sorry. I... I've really gotta go.
I have so much work to do at the, uh...
at the museum.
Of course. I understand.
[bells tolling]
Hopefully, next time you can stay a little longer.
Yes, I'd like that very much.
[growling]
[crows cawing]
[exhales]
[whispering] Anton?
[exhales]
[gasps]
Miranda!
[thunder rumbling]
[Mrs. Blake] Thank you for bringing her home.
She's had a terrible shock.
She needs rest.
This, um, Anton Lazaroff.
She knew him well?
Well, they were engaged.
Oh.
Was his death unexpected?
Anton isn't dead.
He's not?
Of course not!
I've heard what people have said.
But that was just to hide the fact that
Anton left Miranda
because of me.
Why would you think that?
It's the truth.
If Miranda didn't have me to care for,
why, he would have married her without a second thought.
[chuckles]
Do you have any idea
how difficult it is to get old, Mr. Rayne?
The strangest thing.
You wake up in the morning,
and you lie there in bed,
and you think of all the things you have to do,
and you feel just the way you did at 25.
And if you stay there long enough,
you could almost believe you haven't changed at all.
Then you have to get up and go wash your face,
and there in the mirror
is a stranger staring back at you.
And you ask yourself,
"Who could this stranger be?"
Well, life is for the living, Mrs. Blake.
No matter your age.
What makes you so sure Anton is still alive?
Well, I spoke to him.
When?
This morning.
Right after Miranda went to work.
I told him I was sorry he went away,
and that all I wanted for Miranda
was her happiness.
What did he say?
Nothing.
He hung up.
You know, I've been over this material
three times already, and it still doesn't add up.
What doesn't?
The inventory documents
sent over from the museum don't match our own archives.
Really? Who did them?
The assistant curator, Miranda Blake.
The thing is, it doesn't look like someone's being careless.
It looks like the confusion's deliberate.
What, you think that she purposely messed
with the records to hide the fact
that she took something?
Maybe the idea of making it look like simple vandalism
takes pressure off what really happened.
Is that right?
[Nick] You're back.
Is everything all right?
I'm not sure.
I need you to do a complete rundown
on a man named Anton Lazaroff.
-The violinist? -[Derek] Uh-huh.
I thought he was dead.
I'm sure I read an obit on him a couple of weeks back.
You did. Only I'm not sure it's true.
Why not?
Because he was engaged to Miranda Blake.
And after she was here today, I followed her to the cemetery.
Anton's body isn't in the crypt.
You think somebody snatched it?
Maybe.
Or maybe he isn't really dead.
[Anton yelling]
How can this be?
I've made my peace.
Accepted my fate.
[yells]
What right did she have
to rip me from my eternal rest?
Was it love?
Is that the reason?
Then she must be taught
to grow old together is a lie!
To die together,
that's the only truth!
I must make her understand.
Death is the only path.
United for all eternity.
The time has come, my love, to set you free.
[Miranda] Derek, you shouldn't have come over.
How are you feeling?
And you shouldn't have followed me to the cemetery.
I'm just trying to help you.
I need you to tell me the truth.
The truth about Anton Lazaroff.
What's there to tell?
He was my fiance.
He died.
I don't want your pity,
and I don't want your condolences.
All I really want
is Anton back.
It cannot be done, Miranda.
So they say.
I'm sorry.
Yeah, we can talk some other time.
-Okay. -Get some rest.
Derek?
Yes?
Do you believe that the dead forgive us?
For what?
For... our folly.
Yes. I'm sure they do.
How is she?
Shaken, but she'll live.
What did you find out on Anton Lazaroff?
Among other things, his obituary.
According to the Chronicle, he was a world-class violinist.
Old money, parents dead, he was an only child.
How about cause of death?
An aneurysm, without any warning.
He died on-stage
during a rehearsal of an adagio
he recently composed.
They say he was a pretty eccentric guy.
He even demanded to be buried with his violin.
Well, they said when Paganini played,
he had the devil himself on-stage to assist him.
[chuckling] Well,
nothing here indicates that Anton went that far.
But if he's not in the crypt,
how can you be so sure?
[glass breaking]
[growling]
[growling]
[barking]
[growling]
[barking]
[snarling, barking]
[Anton grunting]
[Derek] Are you sure this is everything in the current collection?
Well, the numbers have been altered,
apparently to conceal this.
The Bell of Girardius.
[Alex] It's the only piece still missing.
Remember what it was used for?
Yeah, vaguely.
Services for the dead, wasn't it?
Close. Summoning of the dead.
It was made in 1412 by the goldsmith Girardius.
He made it for this mad Austrian countess,
whose only son had died.
Oh, yeah, I remember now.
The bell was buried in the boy's grave
to absorb the aura of death.
And then when the bell was dug up and rung three times,
the boy came back to life.
Well, assuming it really worked.
Supposedly, the boy went mad,
and the only way to stop him was to ring the bell again.
Is that what killed him?
According to the legend.
So Miranda stole the bell
to bring Anton back to life.
That's what I intend to find out.
[doorbell rings]
[Mrs. Blake] Miranda!
What's going on?
Are you there, Miranda?
I'm here, Mother. Everything's fine.
-Go back to sleep. -[doorbell rings]
Anton!
Miranda? Open the door. I need to talk to you.
I don't believe the omission was accidental.
I believe it was intentional.
But who would do that?
You would, Miranda.
To keep us from discovering the Bell of Girardius
had already been taken.
And then you staged the entire act of vandalism
to cover up the theft.
But I am a curator.
Do you honestly believe
that I could deliberately destroy artifacts?
No.
That's what gave you away.
Despite the mayhem,
nothing was actually damaged.
Why would I do such a thing?
To bring your lover back from the dead.
You buried the bell in his coffin
then rang it to wake him.
Miranda,
you have to send him back.
The bell's created enough havoc.
It must end now.
I don't know what you mean.
You saw the body in Anton's crypt.
Who do you think killed him?
Whoever removed Anton.
Or Anton himself.
No. That's impossible.
Nothing is impossible.
If Anton were alive,
he would never be capable of murder.
He was...
He was gentle and caring.
Whatever's come back from the dead, it's not Anton.
It's something else.
I think you better go.
Don't be foolish.
Think about what I've said.
We'll talk again in the morning.
[door opens, closes]
[objects clattering]
Miranda.
You brought me back.
It worked.
How? Why?
The Bell of Girardius.
Because I love you, Anton.
Love?
Yes.
Ours was strong.
Do you still love me?
Oh, yes.
No matter what?
Yes. Always.
[gasps]
What have I done?
I need to take you back
with me.
The bell.
Where is it?
It's in my room.
You rang it?
Yes. Three times.
And if you ring it again?
Then you will return to the dead forever.
Together in death.
Never to part.
Now. Forever.
Oh, Anton, please. Please.
I could never go on without you again.
Even in my coffin, I wanted you with me.
[stammering] I need time.
I need time. I have to say goodbye to my mother.
And you've gotta understand.
Just wait here for five minutes.
Five minutes?
Five minutes. You can wait here.
I know how I look.
But all this will disappear once you come with me.
You'll see.
Death
is so much sweeter than life.
[sobs]
[sobbing] Oh, no!
I had to kill him. He wouldn't stop.
[sobbing]
Miranda!
[screaming]
Miranda, don't leave! Miranda!
[snarls]
[snarling] Open the door, Miranda!
I want to save you, Miranda!
We were meant to be married, Miranda.
It's still possible, even in death.
Together, forever!
Miranda!
[doorknob rattling]
Miranda.
Miranda!
[Derek] You left him there?
Alone in the cellar?
It's me he's after.
[sobbing] He wants me to return to the dead with him.
So I bolted the door.
I told my mom not to leave her room.
I don't know what to do. You've gotta help me.
Give me the bell.
-[growling] -Anton!
You must confront Anton
and ring the bell again.
Three times.
Are you up to it?
If you'll go with me.
Every step of the way.
[music playing]
Ernie?
Are you in there?
Is that you?
[Anton] No, Mrs. Blake.
It's Anton.
Oh.
Miranda said that you were here, but I didn't believe her.
She said
not to let you out.
Why would she say that?
I'm not gonna hurt you.
Why don't you open the door,
find out for yourself?
No, I...
I don't think I should do that.
I think I should wait for Miranda,
and she'll know what to do.
I'm very thirsty.
Can I have some water?
And then, of course, I will come right back here.
All right.
But you'll have to go right back
until Miranda comes home.
I understand.
Just open the door,
and let me get a drink of water.
And then I will go right back.
I'm sure Miranda
will understand.
[grunts]
This bolt is very stiff.
[screams]
[tires squealing]
-Take the bell. -No.
Let me get him to the mausoleum first.
-I owe him that much. -What if he doesn't want to?
Then we'll do it your way.
[gasping and muttering]
[gasps] Mother!
She's going to be all right.
I don't think he hurt her.
I mustn't... I mustn't...
We can't take any more chances with this.
Go to the car and get the bell.
Anton's got to be here somewhere.
We have to finish it.
It's all right.
No, no. She'll be very angry.
It's... It's all right.
[Anton] I knew you would come back!
[screams]
[tires squealing]
Yes. I need an ambulance.
[tires squealing]
[sobbing]
Let go of me! Let me go!
[screaming and sobbing]
[Anton] We have so much to share now
in death.
I was wrong, Anton.
Our chance is over.
I don't wanna die.
You know nothing about death.
How could you? How could anyone?
Death
is silent and serene.
It's nothing like this.
No decay.
No change.
It's like music.
No longer playing,
yet haunting in its melody.
It's like nothing I could say in words.
[elegant violin music playing]
Where could you go that I couldn't find you?
Anton, you're hurting me.
-Please! Anton! -[growling]
[grunts]
[both grunting]
No!
The bell!
[Anton] Put it down!
[grunting] Don't do it!
Do it! It's your only chance!
No, Miranda.
I'm sorry, Anton.
Don't!
-[clangs] -No!
-No! -[clangs]
[clangs]
No!
[sobs]
[door closes]
Thank you, Derek.
I'm so sorry for everything.
It's done now.
It is.
It's strange.
Until now, I believed that love was strong enough
to overcome anything.
Even death.
But it isn't.
No. It isn't.
Love has no past, no future.
Just the present.
Cherish the moment when it comes,
for all too soon, it may slip away.
[theme music playing]
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.