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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:52,986 --> 00:00:55,489 [ KNOCKING ON DOOR ] 2 00:00:58,726 --> 00:01:00,461 WE'RE CLOSED. 3 00:01:00,494 --> 00:01:02,463 THERE'S A SHORT SUBJECT I'D LIKE TO SEE. 4 00:01:02,496 --> 00:01:04,132 A CARTOON? 5 00:01:04,165 --> 00:01:05,599 NO, THE DOCUMENTARY. 6 00:01:05,633 --> 00:01:08,736 FOURTH ROW, END SEAT, ON THE RIGHT SIDE. 7 00:01:29,690 --> 00:01:32,660 Man: GOOD EVENING, MR. BRIGGS. 8 00:01:33,827 --> 00:01:35,763 THIS IS ANTON CARDINAL VOSSEK 9 00:01:35,796 --> 00:01:39,400 WHO, DESPITE BEING 80 YEARS OF AGE AND PHYSICALLY INFIRM, 10 00:01:39,433 --> 00:01:41,235 IS NONETHELESS THE ACKNOWLEDGED LEADER 11 00:01:41,269 --> 00:01:43,137 OF HIS COUNTRY'S FREEDOM MOVEMENT. 12 00:01:43,171 --> 00:01:45,273 THE GOVERNMENT TOWARDS WHOSE OVERTHROW 13 00:01:45,306 --> 00:01:47,675 CARDINAL VOSSEK IS WORKING HAS ARRESTED HIM, 14 00:01:47,708 --> 00:01:50,544 PREPARATORY TO A TRIAL BEFORE A PEOPLE'S COURT, 15 00:01:50,578 --> 00:01:52,546 WHICH IS CERTAIN TO CONVICT HIM. 16 00:01:52,580 --> 00:01:54,482 HE'S BEING HELD FOR INTERROGATION 17 00:01:54,515 --> 00:01:57,285 ON THE TOP FLOOR OF THIS BUILDING, SERAVNO PRISON, 18 00:01:57,318 --> 00:01:58,752 WHICH IS LOCATED 19 00:01:58,786 --> 00:02:00,888 IMMEDIATELY ADJACENT TO THE CITY'S MAIN PARK. 20 00:02:00,921 --> 00:02:04,292 SERAVNO PRISON IS CONSIDERED THE MOST IMPREGNABLE 21 00:02:04,325 --> 00:02:05,726 IN EASTERN EUROPE. 22 00:02:05,759 --> 00:02:08,429 NO ESCAPE HAS EVER BEEN MADE FROM IT. 23 00:02:08,462 --> 00:02:09,797 MR. BRIGGS, YOUR MISSION, 24 00:02:09,830 --> 00:02:11,932 SHOULD YOU DECIDE TO ACCEPT IT, 25 00:02:11,965 --> 00:02:14,302 WOULD BE TO RESCUE CARDINAL VOSSEK. 26 00:02:14,335 --> 00:02:18,172 AS ALWAYS, SHOULD YOU OR ANY OF YOUR I.M. FORCE 27 00:02:18,206 --> 00:02:19,907 BE CAUGHT OR KILLED, 28 00:02:19,940 --> 00:02:22,376 THE SECRETARY WILL DISAVOW ANY KNOWLEDGE OF YOUR ACTIONS. 29 00:02:22,410 --> 00:02:25,879 IN ANY EVENT, PLEASE DISPOSE OF THIS TAPE RECORDING 30 00:02:25,913 --> 00:02:28,148 AS DIRECTED. 31 00:04:07,080 --> 00:04:09,983 HELLO, CRYSTAL. 32 00:04:10,017 --> 00:04:11,619 DAN! 33 00:04:13,654 --> 00:04:15,456 OH, NO. 34 00:04:15,489 --> 00:04:19,293 NO, NO, ABSOLUTELY NOT, NO! 35 00:04:19,327 --> 00:04:20,628 CRYSTAL. 36 00:04:20,661 --> 00:04:22,062 IT'S NOT FAIR. 37 00:04:22,095 --> 00:04:24,732 DON'T EVEN DISCUSS IT. I WON'T DO IT! 38 00:04:24,765 --> 00:04:26,767 I HAVEN'T ASKED YOU TO DO ANYTHING YET. 39 00:04:26,800 --> 00:04:28,869 BUT YOU'RE GOING TO. I KNOW IT AND I KNOW YOU. 40 00:04:28,902 --> 00:04:30,871 LOOK, IT'S BEEN TWO YEARS SINCE I SAW YOU LAST, 41 00:04:30,904 --> 00:04:32,973 AND THAT WAS ON BUSINESS, AND SO WAS THE TIME BEFORE THAT. 42 00:04:33,006 --> 00:04:35,343 SO WHATEVER IT IS, I WON'T DO IT! 43 00:04:35,376 --> 00:04:36,444 NOW -- 44 00:04:36,477 --> 00:04:37,878 LOOK, LOOK, LOOK. 45 00:04:37,911 --> 00:04:40,514 I HAVE JUST SIGNED THE BIGGEST CONTRACT OF MY CAREER. 46 00:04:40,548 --> 00:04:43,617 CENTER GARDEN, TOP BILLING, MY OWN PACKAGE. 47 00:04:43,651 --> 00:04:45,386 COMPLETE CREATIVE CONTROL, 48 00:04:45,419 --> 00:04:46,887 AND I'M NOT GONNA GIVE IT UP! 49 00:04:46,920 --> 00:04:48,088 CRYSTAL -- 50 00:04:48,121 --> 00:04:49,857 I DON'T WANT TO HEAR IT. 51 00:04:49,890 --> 00:04:52,360 I'M SURE IT'S IMPORTANT. I'M SURE IT'S VERY IMPORTANT. 52 00:04:52,393 --> 00:04:54,362 DESPERATELY URGENT. STOP! 53 00:04:54,395 --> 00:04:55,929 CRYSTAL, LISTEN -- GO AWAY! 54 00:04:55,963 --> 00:04:57,865 I'M NOT INTERESTED IN ANYTHING YOU HAVE TO SAY! 55 00:04:57,898 --> 00:04:59,533 IT'S JUST NOT FAIR! 56 00:04:59,567 --> 00:05:01,569 HAVE YOU EVER HEARD OF CARDINAL VOSSEK? NO! 57 00:05:01,602 --> 00:05:04,638 YES. 58 00:05:04,672 --> 00:05:07,375 THEN YOU KNOW WHAT THAT ONE OLD MAN MEANS 59 00:05:07,408 --> 00:05:08,809 IN THAT PART OF THE WORLD FOR HIS WORK -- 60 00:05:08,842 --> 00:05:11,445 PLEASE! [ WHISTLE BLOWS ] 61 00:05:15,649 --> 00:05:16,850 I NEED YOU, CRYSTAL. 62 00:05:16,884 --> 00:05:18,752 I DON'T CARE. I WON'T DO IT. 63 00:05:18,786 --> 00:05:20,788 AND NOTHING YOU CAN SAY IS GOING TO HELP. 64 00:05:20,821 --> 00:05:22,990 I WON'T DO IT, AND THAT'S FINAL. 65 00:05:23,023 --> 00:05:24,892 ARE YOU FINISHED NOW? 66 00:05:24,925 --> 00:05:27,395 YOU... 67 00:05:30,798 --> 00:05:35,035 AREN'T YOU EVER GONNA CALL ME FOR PERSONAL REASONS? 68 00:05:38,839 --> 00:05:42,142 CONCENTRATE, SIGNOR ALBERTI. 69 00:05:42,175 --> 00:05:44,745 THIS GENTLEMAN THINKS THIS OBJECT 70 00:05:44,778 --> 00:05:47,047 WILL GIVE YOU A BIT OF TROUBLE. 71 00:05:47,080 --> 00:05:49,650 THE OBJECT MAY GIVE HIM SOME TROUBLE. 72 00:05:49,683 --> 00:05:51,452 IT'S A WATCH, 73 00:05:51,485 --> 00:05:53,754 AND IT IS RUNNING FIVE MINUTES SLOW. 74 00:05:53,787 --> 00:05:54,922 SEVEN, DAN. 75 00:05:54,955 --> 00:05:56,990 "A BIT OF TROUBLE" IS "SEVEN." 76 00:05:57,024 --> 00:05:59,793 WELL, KEEP PRACTICING. YOUR TURN, ROLLIN. 77 00:05:59,827 --> 00:06:02,162 I'M FINISHED. 78 00:06:02,195 --> 00:06:05,633 BARNEY... 79 00:06:05,666 --> 00:06:08,969 YOUR WALLET. 80 00:06:09,002 --> 00:06:11,071 DAN...YOURS. 81 00:06:11,104 --> 00:06:13,974 WILLY...YOUR KEYS. 82 00:06:14,007 --> 00:06:17,578 CINNAMON...YOUR BROOCH. 83 00:06:17,611 --> 00:06:20,180 AND, UH, BARNEY... 84 00:06:20,213 --> 00:06:23,684 YOUR WALLET. 85 00:06:23,717 --> 00:06:26,019 LOVE YOUR SUIT, CINNAMON. 86 00:06:26,053 --> 00:06:27,988 THANK YOU. 87 00:06:28,021 --> 00:06:30,591 I WAS ADMIRING YOUR DRESS. 88 00:06:32,693 --> 00:06:36,163 ROLLIN, HOW WILL YOU HANDLE THE LOCKS? 89 00:06:36,196 --> 00:06:37,765 WITH THIS. 90 00:06:37,798 --> 00:06:40,000 THAT'S METAL -- YOU WON'T BE ABLE TO TAKE THAT. 91 00:06:40,033 --> 00:06:41,702 I KNOW. 92 00:06:41,735 --> 00:06:43,604 SO IT WON'T BE ME WHO TAKES IT IN. 93 00:06:46,574 --> 00:06:48,108 ONCE YOU GET OUT OF THE CELL, 94 00:06:48,141 --> 00:06:49,977 CAN YOU GET TO VOSSEK? 95 00:06:50,010 --> 00:06:51,812 WELL, IF EVERYTHING GOES LIKE CLOCKWORK 96 00:06:51,845 --> 00:06:53,981 AND THE GUARDS STICK TO THEIR SCHEDULES, YEAH. 97 00:06:54,014 --> 00:06:55,683 THEY WILL. THAT'S YOUR EDGE. 98 00:06:55,716 --> 00:06:57,818 NO ONE HAS EVER BROKEN OUT OF SERAVNO. 99 00:06:57,851 --> 00:07:00,220 THE PRISON STAFF HAS GOT TO BE BORED AND INDIFFERENT, 100 00:07:00,253 --> 00:07:02,456 WITH YEARS OF PRISON DUTY WITH NO TROUBLE. 101 00:07:02,490 --> 00:07:04,792 BUT I STILL HAVE TO KNOW WHAT TIME IT IS TO THE SPLIT SECOND. 102 00:07:04,825 --> 00:07:06,660 THEY WON'T LET YOU KEEP YOUR WATCH. 103 00:07:06,694 --> 00:07:08,562 ARE THERE ANY CLOCKS IN THE PRISON? 104 00:07:08,596 --> 00:07:11,799 NO, BUT WE'LL PROVIDE A TIMEPIECE JUST AS GOOD. 105 00:07:13,166 --> 00:07:14,502 BARNEY. 106 00:07:16,069 --> 00:07:20,608 WELL, I NEED A CROSSBOW, A RIGGER TRUCK, AND WILLY. 107 00:07:23,010 --> 00:07:24,545 CRYSTAL... 108 00:07:24,578 --> 00:07:26,514 CAN YOU TEACH ROLLIN THE WIRE ROUTINE IN TIME? 109 00:07:26,547 --> 00:07:29,082 HE'LL BE UP ON THE PART. 110 00:07:34,788 --> 00:07:36,657 HA! WELL? 111 00:07:36,690 --> 00:07:39,059 CAN'T I START AT THE BOTTOM AND WORK MY WAY UP? 112 00:07:39,092 --> 00:07:42,462 OH, GO ON UP. I'LL BE THERE IN A MINUTE. 113 00:07:44,598 --> 00:07:46,934 [ PLAYING CIRCUS MUSIC ] 114 00:07:46,967 --> 00:07:49,803 THAT'S NOT THEATRICAL ENOUGH, WILLY. 115 00:07:49,837 --> 00:07:52,906 GIVE IT MORE STRAIN. IT DOESN'T LOOK HEAVY. 116 00:07:52,940 --> 00:07:54,608 YOU WANT MORE WEIGHT? 117 00:07:54,642 --> 00:07:55,876 NO, I DON'T. 118 00:07:55,909 --> 00:07:58,145 YOU'VE GOT TO MAKE IT LOOK DIFFICULT. 119 00:07:58,178 --> 00:08:01,081 WELL, I'M IN THE HABIT OF MAKING THINGS LOOK EASIER. 120 00:08:01,114 --> 00:08:03,751 LOOK, WILLY, BARE YOUR TEETH. BREATHE HARDER. 121 00:08:03,784 --> 00:08:06,186 TRY TO MAKE IT LOOK LIKE YOU CAN'T MAKE IT. 122 00:08:06,219 --> 00:08:08,288 WOULD YOU, UH, LIKE TO SHOW ME HOW? 123 00:08:08,321 --> 00:08:10,524 GO ON. 124 00:08:18,899 --> 00:08:19,933 [ GRUNTS ] 125 00:08:19,967 --> 00:08:22,035 GOOD. 126 00:08:29,176 --> 00:08:30,678 [ MUSIC STOPS ] 127 00:08:30,711 --> 00:08:34,147 CARDINAL VOSSEK'S BEEN ORDERED EXECUTED. 128 00:08:34,181 --> 00:08:35,849 WHEN? 129 00:08:35,883 --> 00:08:37,751 NO DATE HAS BEEN SET. 130 00:08:37,785 --> 00:08:40,654 THEY'LL TRY TO BREAK HIM FIRST. 131 00:08:40,688 --> 00:08:41,889 WILL THEY? 132 00:08:41,922 --> 00:08:45,659 NO. 133 00:08:51,364 --> 00:08:52,833 WE HAVE A PROBLEM. 134 00:08:52,866 --> 00:08:53,834 WHAT? 135 00:08:53,867 --> 00:08:55,135 I'VE TIMED IT SIX TIMES. 136 00:08:55,168 --> 00:08:56,870 IT TAKES 20 MINUTES 137 00:08:56,904 --> 00:09:00,207 TO STRIKE AND LOAD CRYSTAL'S SAFETY NET. 138 00:09:00,240 --> 00:09:01,709 NO WAY TO CUT THE TIME? 139 00:09:01,742 --> 00:09:03,110 NO. 140 00:09:07,280 --> 00:09:09,583 CRYSTAL? 141 00:09:09,617 --> 00:09:11,719 YES, DAN. 142 00:09:11,752 --> 00:09:14,254 BETTER SPEND MORE TIME REHEARSING YOUR TRAPEZE ACT. 143 00:09:14,287 --> 00:09:16,924 WHY? I'VE DONE IT EIGHT A WEEK FOR TWO YEARS. 144 00:09:16,957 --> 00:09:19,660 NOT WITHOUT A NET. 145 00:09:25,032 --> 00:09:27,668 [ CIRCUS MUSIC PLAYING ] 146 00:10:03,871 --> 00:10:06,139 [ MUSIC CONTINUES ] 147 00:10:06,173 --> 00:10:08,876 [ AUDIENCE GASPS ] 148 00:10:39,773 --> 00:10:41,141 OOH! OOH! 149 00:10:57,390 --> 00:11:00,728 [ With Eastern European accent ] I'M TERRIBLY SORRY. 150 00:11:00,761 --> 00:11:01,895 PLEASE FORGIVE ME. 151 00:11:01,929 --> 00:11:03,363 THAT'S QUITE ALL RIGHT. 152 00:11:03,396 --> 00:11:04,898 [ MUSIC CONTINUES ] 153 00:11:40,167 --> 00:11:42,135 I-I-I'VE BEEN ROBBED! 154 00:11:42,169 --> 00:11:45,405 I HAD IT RIGHT HERE IN THIS POCKET! 155 00:11:45,438 --> 00:11:47,207 I'VE BEEN ROBBED! 156 00:11:47,240 --> 00:11:49,376 THE MAN ROBBED ME! HE TOOK ALL MY MONEY. 157 00:12:17,838 --> 00:12:20,774 THAT'S HIM. THAT'S HIM. 158 00:12:20,808 --> 00:12:23,110 YOU ARE UNDER ARREST. 159 00:12:28,448 --> 00:12:30,450 THAT'S IT. 160 00:12:31,852 --> 00:12:34,454 IT'S ALL HERE. IT'S ALL HERE. THANK YOU. 161 00:12:34,487 --> 00:12:37,825 HAND HIM OVER TO THEM AT THE PRISON. 162 00:12:44,998 --> 00:12:47,534 [ AUDIENCE GASPS ] 163 00:13:17,197 --> 00:13:22,002 Barney: AND NOW PRESENTING ROTRAI, MAN OF STEEL. 164 00:13:22,035 --> 00:13:24,204 [ AUDIENCE APPLAUDING ] 165 00:13:27,274 --> 00:13:29,309 [ MUSIC CONTINUES ] 166 00:13:48,962 --> 00:13:51,131 [ DOOR SLAMS ] 167 00:14:13,120 --> 00:14:16,056 WATCH. PIPE. 168 00:14:16,089 --> 00:14:18,425 TOBACCO. HANDKERCHIEF. KEYS. 169 00:14:18,458 --> 00:14:21,128 CAN'T I POST BOND OR SOMETHING? 170 00:14:21,161 --> 00:14:22,662 I'M A REGULAR WITH THE TROUPE PERFORMING AT THE PARK. 171 00:14:22,695 --> 00:14:24,031 I'LL LOSE MY JOB. 172 00:14:24,064 --> 00:14:25,933 QUIET. IS THAT EVERYTHING? 173 00:14:33,640 --> 00:14:34,942 THAT'S IT. 174 00:14:34,975 --> 00:14:37,610 NOW THE BELT AND SHOELACES. 175 00:14:40,713 --> 00:14:44,651 AND NOW, FOR YOUR PLEASURE AND AMAZEMENT, 176 00:14:44,684 --> 00:14:47,454 THAT WIZARD OF THE HUMAN MIND, 177 00:14:47,487 --> 00:14:49,222 THE GREAT ALBERTI. 178 00:14:49,256 --> 00:14:52,125 [ AUDIENCE APPLAUDING ] 179 00:14:57,530 --> 00:14:59,699 [ With accent ] GOOD AFTERNOON, LADIES AND GENTLEMEN. 180 00:14:59,732 --> 00:15:02,102 I WOULD LIKE A VOLUNTEER FROM THE AUDIENCE 181 00:15:02,135 --> 00:15:05,205 TO HELP BLINDFOLD SIGNOR ALBERTI. 182 00:15:05,238 --> 00:15:07,307 IF YOU PLEASE. 183 00:15:19,019 --> 00:15:20,420 THIS WAY. 184 00:15:29,696 --> 00:15:31,198 GO THERE! 185 00:15:31,231 --> 00:15:32,532 [ ALARM RINGING ] 186 00:15:32,565 --> 00:15:34,267 WHAT'S THAT? 187 00:15:34,301 --> 00:15:36,936 YOU HAVE SOMETHING METAL ON YOU. 188 00:15:39,139 --> 00:15:41,508 [ RINGING STOPS ] 189 00:15:46,379 --> 00:15:47,380 STRIP! 190 00:16:10,470 --> 00:16:11,971 Rollin: I'M SORRY. 191 00:16:18,145 --> 00:16:22,049 EXCUSE ME. EXCUSE ME, PLEASE. 192 00:16:23,483 --> 00:16:25,152 [ LAUGHING ] 193 00:16:26,486 --> 00:16:29,022 SIGNOR ALBERTI, CAN YOU HEAR ME? 194 00:16:29,056 --> 00:16:30,390 [ With accent ] I HEAR. 195 00:16:30,423 --> 00:16:32,759 CAN YOU PICTURE WHAT I HAVE IN MY HAND? 196 00:16:34,361 --> 00:16:37,197 PLEASE, CONCENTRATE. 197 00:16:40,300 --> 00:16:44,337 CAN YOU PICTURE WHAT I HAVE IN MY MIND? 198 00:16:50,477 --> 00:16:52,345 I SEE A FIELD... 199 00:16:52,379 --> 00:16:54,214 MANY YEARS AGO. 200 00:16:54,247 --> 00:16:58,251 SOLDIERS...A DARING EXPLOIT. 201 00:16:58,285 --> 00:17:00,287 YOU ARE HOLDING A MEDAL. 202 00:17:14,301 --> 00:17:15,702 HERE IT IS. 203 00:17:15,735 --> 00:17:17,804 A PIPE CLEANER AND A LIGHT. 204 00:17:17,837 --> 00:17:20,807 I'M SORRY. 205 00:17:25,445 --> 00:17:28,581 PICK UP THE SHOES... AND THE SHIRT! 206 00:17:42,762 --> 00:17:45,798 IF YOU LET ME HAVE MY PIPE AND TOBACCO, 207 00:17:45,832 --> 00:17:48,368 I'LL MAKE IT WORTH YOUR WHILE. 208 00:17:48,401 --> 00:17:50,103 THIS IS NOT A RESORT. 209 00:17:50,137 --> 00:17:52,139 TAKE HIM TO HIS CELL. 210 00:18:38,851 --> 00:18:41,521 WHAT IS THAT THING? 211 00:18:41,554 --> 00:18:43,356 EYELASH CURLER. 212 00:18:43,390 --> 00:18:46,193 [ SCOFFS ] THAT'S THE MOST DIABOLICAL-LOOKING 213 00:18:46,226 --> 00:18:48,361 PIECE OF EQUIPMENT I'VE EVER SEEN. 214 00:18:48,395 --> 00:18:51,264 ARE YOU SPEAKING PROFESSIONALLY AS AN ENGINEER? 215 00:18:51,298 --> 00:18:53,700 NO, I'M JUST A BIG EYELASH MAN. 216 00:18:56,336 --> 00:18:58,538 [ Normal voice ] PRISON GUARD EVENING SHIFT 217 00:18:58,571 --> 00:19:00,340 JUST WENT ON DUTY. 218 00:19:00,373 --> 00:19:01,841 GO WITH LUCK. 219 00:19:01,874 --> 00:19:04,644 I THINK I KNOW WHY DAN CAST YOU AS A CLOWN -- 220 00:19:04,677 --> 00:19:07,380 IT'S THE REAL YOU. 221 00:19:07,414 --> 00:19:10,583 WHAT I WANT TO KNOW 222 00:19:10,617 --> 00:19:12,452 IS WHAT COMEDIAN THOUGHT OF THIS MAKEUP. 223 00:19:12,485 --> 00:19:13,753 [ LAUGHING ] 224 00:20:15,648 --> 00:20:17,550 WHAT ARE YOU DOING HERE? 225 00:20:17,584 --> 00:20:19,286 [ With accent ] I'M WITH THE TROUPE. 226 00:20:19,319 --> 00:20:22,489 HUH. WHAT DO YOU DO? 227 00:20:22,522 --> 00:20:24,891 I READ MINDS. 228 00:20:24,924 --> 00:20:27,360 OH. COME ON. 229 00:20:27,394 --> 00:20:30,730 I DON'T BELIEVE IN THAT. IT'S SOME KIND OF A TRICK. 230 00:20:30,763 --> 00:20:32,965 NOBODY CAN READ MINDS. 231 00:20:32,999 --> 00:20:35,268 NO? 232 00:20:35,302 --> 00:20:36,636 WANT ME TO TELL YOU 233 00:20:36,669 --> 00:20:38,705 WHAT YOU ARE THINKING RIGHT NOW? 234 00:20:38,738 --> 00:20:40,373 [ LAUGHING ] 235 00:20:40,407 --> 00:20:42,409 THAT DOESN'T TAKE A MIND READER. 236 00:20:42,442 --> 00:20:45,612 NO, IT DOESN'T. 237 00:20:45,645 --> 00:20:47,314 [ LAUGHING ] 238 00:20:47,347 --> 00:20:50,517 BUT DON'T YOU WISH YOU COULD READ MY MIND? 239 00:20:50,550 --> 00:20:52,852 WHO KNOWS? 240 00:20:58,358 --> 00:21:00,660 MAYBE I CAN. 241 00:21:03,463 --> 00:21:06,265 WHO KNOWS? 242 00:21:10,670 --> 00:21:13,606 MAYBE YOU CAN, HUH? 243 00:22:23,610 --> 00:22:25,645 [ BELL TOLLING ] 244 00:22:37,023 --> 00:22:39,158 [ PLAYING CIRCUS MUSIC ] 245 00:22:39,191 --> 00:22:41,761 [ With accent ] PRESENTING THE DARING PAVLOVA 246 00:22:41,794 --> 00:22:42,929 OF THE HIGH TRAPEZE, 247 00:22:42,962 --> 00:22:45,798 MADEMOISELLE CRYSTAL, 248 00:22:45,832 --> 00:22:48,668 WHO WILL PERFORM FEATS OF DARING 249 00:22:48,701 --> 00:22:50,570 AND ACROBATIC SKILL 250 00:22:50,603 --> 00:22:53,840 50 FEET ABOVE SOLID GROUND 251 00:22:53,873 --> 00:22:56,676 WITH NO SAFETY NET. 252 00:23:03,049 --> 00:23:05,017 [ MUSIC CONTINUES ] 253 00:23:20,767 --> 00:23:22,602 [ DISTANT POUNDING ] 254 00:26:14,674 --> 00:26:16,008 [ MUSIC CONTINUES ] 255 00:26:16,042 --> 00:26:18,077 [ AUDIENCE GASPS ] 256 00:27:33,319 --> 00:27:35,087 [ Whispering ] Who are you? 257 00:27:35,121 --> 00:27:37,123 [ Normal voice ] A friend, Your Eminence. 258 00:27:37,156 --> 00:27:39,726 How do I know? 259 00:27:39,759 --> 00:27:42,028 I understand, sir. 260 00:27:42,061 --> 00:27:44,130 Tell me nothing. 261 00:27:44,163 --> 00:27:46,966 Come with me, and I'll prove to you 262 00:27:46,999 --> 00:27:49,435 I can get you out of this place. 263 00:27:49,468 --> 00:27:52,171 But...why should I believe you? 264 00:27:52,204 --> 00:27:55,775 Faith, sir. 265 00:27:59,946 --> 00:28:03,049 How can a prince of the Church 266 00:28:03,082 --> 00:28:04,884 argue with that? 267 00:28:44,023 --> 00:28:48,160 CARDINAL VOSSEK, HE IS NOT AT HOME. 268 00:28:48,194 --> 00:28:52,131 HOWEVER, HE IS EXPECTED SHORTLY. 269 00:29:18,457 --> 00:29:20,526 THANK YOU, YOUR EMINENCE. 270 00:29:20,559 --> 00:29:22,795 NOW FIX YOUR BEDCOVERS 271 00:29:22,829 --> 00:29:25,798 TO MAKE THEM LOOK LIKE A MAN ASLEEP. 272 00:29:25,832 --> 00:29:27,466 [ MUSIC CONTINUES ] 273 00:30:18,250 --> 00:30:20,419 VERY GOOD, YOUR EMINENCE. 274 00:30:20,452 --> 00:30:23,956 THANK YOU, BUT WHILE IN MY UNDERWEAR, 275 00:30:23,990 --> 00:30:27,026 I THINK I WOULD PREFER "ANTON." 276 00:30:53,385 --> 00:30:55,321 [ AUDIENCE APPLAUDING ] 277 00:31:02,394 --> 00:31:04,563 [ AUDIENCE MEMBER WHISTLES ] 278 00:31:33,492 --> 00:31:36,328 [ MUSIC CONTINUES ] 279 00:32:10,229 --> 00:32:11,463 [ GRUNTING ] 280 00:32:29,515 --> 00:32:32,118 OLD AGE. 281 00:32:38,424 --> 00:32:40,259 [ MUSIC CONTINUES ] 282 00:33:08,620 --> 00:33:12,124 IT WILL WORK. 283 00:33:12,158 --> 00:33:13,725 HOW? 284 00:33:13,759 --> 00:33:15,661 HOW DO WE GET DOWN? 285 00:33:15,694 --> 00:33:20,266 HOW DO WE CROSS THAT FENCE... PASS THE SENTRY... 286 00:33:20,299 --> 00:33:24,603 TO SAY NOTHING OF GETTING OUT OF THE COUNTRY. 287 00:33:24,636 --> 00:33:26,705 YOU'LL SEE...TOMORROW. 288 00:33:26,738 --> 00:33:29,108 TOMORROW? 289 00:33:29,141 --> 00:33:33,712 I'M SORRY, BUT I CAN'T TAKE YOU OUT NOW. 290 00:33:33,745 --> 00:33:36,515 THE GUARD WATCHES, THE BED CHECKS, 291 00:33:36,548 --> 00:33:40,286 AND EXACTLY HOW LONG IT WOULD TAKE TO GET UP HERE 292 00:33:40,319 --> 00:33:41,653 HAD TO BE TIMED... 293 00:33:41,687 --> 00:33:43,689 TIMED TO THE SPLIT SECOND. 294 00:33:43,722 --> 00:33:45,291 I SEE. 295 00:33:45,324 --> 00:33:49,061 BUT...TIMED WITH WHAT? 296 00:33:49,095 --> 00:33:51,497 [ MUSIC CONTINUES ] 297 00:33:51,530 --> 00:33:53,332 HEAR THAT... 298 00:33:53,365 --> 00:33:55,334 THAT CALLIOPE? 299 00:33:55,367 --> 00:33:58,404 THAT MUSIC IS MY WATCH. 300 00:33:58,437 --> 00:34:00,139 [ MUSIC CONTINUES ] 301 00:34:11,583 --> 00:34:13,119 COME ON. 302 00:34:13,152 --> 00:34:14,753 LET'S GO. 303 00:34:52,391 --> 00:34:54,726 [ DOOR CLOSES ] 304 00:35:00,732 --> 00:35:04,603 AND NOW, SIGNOR ALBERTI, WILL YOU TRY THIS? 305 00:35:04,636 --> 00:35:09,841 ALTHOUGH IT WILL BE MOST DIFFICULT... 306 00:35:09,875 --> 00:35:12,544 TRY. 307 00:35:12,578 --> 00:35:16,348 I AM THINKING OF SOMETHING... 308 00:35:16,382 --> 00:35:18,717 THINKING VERY HARD. 309 00:35:18,750 --> 00:35:23,622 IT IS A GOLD RING, WITH A BLUE STONE. 310 00:35:23,655 --> 00:35:27,526 THE INSCRIPTION INSIDE READS, 311 00:35:27,559 --> 00:35:33,499 "WITH LOVE, MIDAR," WHO IS NOT FAR AWAY. 312 00:35:33,532 --> 00:35:36,368 IS THE SIGNOR CORRECT? 313 00:35:53,952 --> 00:35:55,687 [ BELL TOLLING ] 314 00:36:09,601 --> 00:36:10,669 VOSSEK. 315 00:36:12,738 --> 00:36:14,373 VOSSEK! 316 00:36:14,406 --> 00:36:16,208 OPEN IT. 317 00:36:26,785 --> 00:36:28,587 WHAT IS IT? 318 00:36:28,620 --> 00:36:29,955 NOTHING. 319 00:36:29,988 --> 00:36:32,658 GO BACK TO SLEEP. 320 00:36:41,900 --> 00:36:43,902 [ TOLLING ] 321 00:37:25,711 --> 00:37:27,646 SIGNOR ALBERTI. 322 00:37:27,679 --> 00:37:29,515 YES. 323 00:37:37,723 --> 00:37:40,426 I CHECKED WITH THE LOCAL ARTISTS' REPRESENTATIVE. 324 00:37:40,459 --> 00:37:42,794 HE DOESN'T KNOW YOUR TROUPE. 325 00:37:42,828 --> 00:37:45,564 YOU'RE NOT LISTED IN HIS FILES, 326 00:37:45,597 --> 00:37:48,600 HIS PLAYBILLS, OR HIS PUBLICITY... 327 00:37:48,634 --> 00:37:51,370 ANYWHERE. 328 00:37:51,403 --> 00:37:53,839 NO, WE'RE MUCH TOO SMALL A TROUPE FOR THAT, 329 00:37:53,872 --> 00:37:56,708 AND THE GUILD DUES ARE VERY HIGH -- TERRIBLE. 330 00:37:56,742 --> 00:37:59,611 THEN YOU'VE NEVER PERFORMED HERE BEFORE? 331 00:37:59,645 --> 00:38:01,046 NO, BUT I'M GLAD WE CAME. 332 00:38:01,079 --> 00:38:03,382 WE'RE DOING VERY GOOD BUSINESS. 333 00:38:14,560 --> 00:38:15,927 WHERE DO YOU COME FROM? 334 00:38:15,961 --> 00:38:19,064 [ LAUGHING ] 335 00:38:19,097 --> 00:38:21,800 WHERE DOES ANY CIRCUS TROUPE COME FROM? 336 00:38:21,833 --> 00:38:24,703 WHEREVER IT WAS YESTERDAY. 337 00:38:24,736 --> 00:38:28,640 I COME FROM CESSNA, IF THAT IS WHAT YOU MEAN. 338 00:38:28,674 --> 00:38:31,643 MY PARTNER COMES FROM ANTURENE. 339 00:38:31,677 --> 00:38:34,780 AND THE MAN WHO WAS ARRESTED? THE THIEF? 340 00:38:34,813 --> 00:38:36,748 I PICK UP CASUALS TO DO MY RIGGING FOR ME 341 00:38:36,782 --> 00:38:38,049 ALL THE TIME. 342 00:38:38,083 --> 00:38:39,618 THEY NEVER LAST TOO LONG. 343 00:38:39,651 --> 00:38:42,053 AND SOME, LIKE THIS ONE, ARE THIEVES. 344 00:38:42,087 --> 00:38:44,423 SOME CHASE THE WOMEN. 345 00:38:44,456 --> 00:38:46,925 ALMOST ALL OF THEM DRINK. 346 00:38:46,958 --> 00:38:50,696 WE DON'T FIND TOO MANY ALTAR BOYS 347 00:38:50,729 --> 00:38:52,664 TO WORK THE CARNIVAL BUSINESS. 348 00:38:52,698 --> 00:38:54,933 BUT I'LL FIND ANOTHER MAN. 349 00:38:54,966 --> 00:38:58,570 HMM? YOU ARE GOING TO LEAVE THIS MAN BEHIND? 350 00:38:58,604 --> 00:39:00,406 IF I HAVE TO. 351 00:39:00,439 --> 00:39:02,441 I'LL TRY TO HELP HIM. 352 00:39:02,474 --> 00:39:04,976 HE WAS A VERY GOOD RIGGER, AND, UH... 353 00:39:05,010 --> 00:39:06,778 WAS NOT TOO BAD A SORT. 354 00:39:06,812 --> 00:39:10,982 I HOPE YOU DON'T THINK TOO BAD OF ALL CARNIVAL PEOPLE. 355 00:39:11,016 --> 00:39:14,119 I MYSELF COME FROM A VERY OLD FAMILY. 356 00:39:14,152 --> 00:39:15,787 MY MOTHER WAS -- 357 00:39:15,821 --> 00:39:18,023 I'M SURE. 358 00:39:18,056 --> 00:39:21,026 HOW LONG DO YOU EXPECT TO STAY IN SERAVNO? 359 00:39:21,059 --> 00:39:22,961 WE'LL BE LEAVING VERY SOON. 360 00:39:22,994 --> 00:39:25,997 MORE AND MORE OF THE AUDIENCE ARE REPEATS. 361 00:39:26,031 --> 00:39:28,834 THEY DON'T THROW ANYTHING INTO THE HAT 362 00:39:28,867 --> 00:39:30,168 THE SECOND TIME. 363 00:39:30,201 --> 00:39:31,870 WOULDN'T YOUR BUSINESS BE BETTER 364 00:39:31,903 --> 00:39:33,872 IF YOU WERE CLOSER TO THE CENTER OF THE PARK? 365 00:39:33,905 --> 00:39:35,474 NO, NO, NO. 366 00:39:35,507 --> 00:39:38,877 IT'S TOO OPEN AND TOO WINDY OUT THERE. 367 00:39:38,910 --> 00:39:42,481 MY TRAPEZE ARTIST WORKS WITHOUT A NET. 368 00:39:42,514 --> 00:39:45,584 ONE SUDDEN GUST AND... 369 00:40:16,715 --> 00:40:18,183 LET'S GO. 370 00:40:18,216 --> 00:40:20,118 [ With accent ] WHERE TO? 371 00:40:20,151 --> 00:40:21,687 OUT. 372 00:40:48,880 --> 00:40:51,583 SIGNORINA, HELLO. 373 00:40:51,617 --> 00:40:54,052 CAN YOU HEAR ME? 374 00:40:54,085 --> 00:40:55,921 YES. 375 00:40:55,954 --> 00:40:57,589 I CAME TO TELL YOU 376 00:40:57,623 --> 00:41:00,191 WE ARE CONTACTING A LAWYER THIS AFTERNOON. 377 00:41:00,225 --> 00:41:01,993 THANK YOU. 378 00:41:02,027 --> 00:41:07,065 SEE IF YOU CAN POST BOND AND GET ME OUT OF HERE. 379 00:41:07,098 --> 00:41:09,000 WE ARE TRYING. 380 00:41:09,034 --> 00:41:11,837 YOU TRY TO BE PATIENT. 381 00:41:11,870 --> 00:41:14,706 I DON'T HAVE VERY MUCH CHOICE. 382 00:41:14,740 --> 00:41:17,676 ARE THEY TREATING YOU ALL RIGHT? 383 00:41:17,709 --> 00:41:18,977 WELL ENOUGH. 384 00:41:19,010 --> 00:41:21,146 I HAVE NOT BEEN BEATEN. 385 00:41:21,179 --> 00:41:24,215 AND THE FOOD. HOW IS THE FOOD? 386 00:41:24,249 --> 00:41:25,951 TERRIBLE. 387 00:41:25,984 --> 00:41:30,656 BUT I DON'T SEEM VERY HUNGRY. 388 00:41:30,689 --> 00:41:32,791 I ALSO HAVE A BIT OF... 389 00:41:32,824 --> 00:41:35,927 [ Normal voice ] TROUBLE SLEEPING. 390 00:41:35,961 --> 00:41:38,897 [ Normal voice ] ANYTHING ELSE? 391 00:41:38,930 --> 00:41:42,000 NO. JUST CONVERSATION FOR EFFECT. 392 00:41:42,033 --> 00:41:43,569 [ SIGHS ] 393 00:41:43,602 --> 00:41:47,205 SIGNORINA, LAWYER, CHOICE, BEATEN, NOT HUNGRY. 394 00:41:47,238 --> 00:41:49,240 VOSSEK IS WEAK BUT WILLING. 395 00:41:49,274 --> 00:41:51,977 HE HAS THE PATROLS TIMED AND NO TROUBLE WITH THE LOCKS. 396 00:41:52,010 --> 00:41:53,779 WHAT TIME WILL HE BE READY FOR ME? 397 00:41:53,812 --> 00:41:56,815 HE HAD A BIT OF TROUBLE SLEEPING. 398 00:41:56,848 --> 00:41:58,750 "SLEEPING" IS "30," DAN, REMEMBER? 399 00:41:58,784 --> 00:42:01,620 "A BIT OF TROUBLE" IS "SEVEN." 7:30. 400 00:42:01,653 --> 00:42:02,788 POST BOND... 401 00:42:02,821 --> 00:42:04,022 THIS EVENING. 402 00:42:06,157 --> 00:42:07,593 [ KNOCK ON DOOR ] 403 00:42:07,626 --> 00:42:09,160 Man: COME IN. 404 00:42:13,732 --> 00:42:14,966 YES, SIR? 405 00:42:15,000 --> 00:42:17,703 CAPTAIN, I WANT YOU TO INTENSIFY 406 00:42:17,736 --> 00:42:19,771 VOSSEK'S INTERROGATION. 407 00:42:19,805 --> 00:42:22,774 CARDINAL VOSSEK IS AN OLD MAN. 408 00:42:22,808 --> 00:42:25,176 HE IS VERY WEAK. HE MIGHT EASILY DIE. 409 00:42:25,210 --> 00:42:27,078 THAT DOESN'T REALLY MATTER. 410 00:42:29,214 --> 00:42:34,052 I RECEIVED ORDERS TO EXECUTE HIM IN 48 HOURS. 411 00:42:39,658 --> 00:42:41,993 HEY, MIND READER, WHAT'S YOUR HURRY? 412 00:42:42,027 --> 00:42:43,895 [ With accent ] OH, HELLO. 413 00:42:43,929 --> 00:42:45,296 WOULD YOU LIKE A DRINK? 414 00:42:45,330 --> 00:42:46,564 TWO, PLEASE. 415 00:42:53,739 --> 00:42:55,907 [ With accent ] GIVE ME A DRINK. 416 00:42:58,877 --> 00:43:02,748 ONE MORE...PLEASE. 417 00:43:02,781 --> 00:43:05,050 WELL, DARLING, AREN'T YOU GOING TO INTRODUCE ME 418 00:43:05,083 --> 00:43:06,652 TO YOUR FRIEND? 419 00:43:06,685 --> 00:43:08,854 OH, HE'S NOT YOUR TYPE, ANGEL. 420 00:43:08,887 --> 00:43:11,823 OH? YOU MEAN HE LIKES WASHED-OUT BLONDES? 421 00:43:13,424 --> 00:43:15,927 DO, UH... DO YOU LIVE AROUND HERE? 422 00:43:15,961 --> 00:43:18,997 I, UH...I WORK OVER THERE. 423 00:43:19,030 --> 00:43:23,234 OH. THAT MAKES US ALMOST NEIGHBORS. 424 00:43:23,268 --> 00:43:26,071 [ LAUGHING ] 425 00:43:27,739 --> 00:43:29,841 GO TAKE A BATH, GYPSY. 426 00:43:32,177 --> 00:43:34,345 COME, HMM? COME WITH ME. 427 00:43:34,379 --> 00:43:37,816 SHOW ME HOW STRONG YOU ARE, YES? 428 00:43:37,849 --> 00:43:40,819 HANG ON TO YOUR BILLFOLD, NEIGHBOR. 429 00:43:40,852 --> 00:43:42,954 GO AWAY AND STAY AWAY! 430 00:43:42,988 --> 00:43:44,823 COME ON. 431 00:43:50,161 --> 00:43:52,664 I MAKE THAT A VERY GOOD ROUND. 432 00:43:52,698 --> 00:43:54,700 [ Normal voice ] IF I HAVE TO FIGHT, 433 00:43:54,733 --> 00:43:56,301 I'D RATHER IT WAS OVER YOU. 434 00:43:56,334 --> 00:44:00,071 YOU'VE GOT A TEMPER, MIND READER. 435 00:44:00,105 --> 00:44:02,107 I LOATHE ACROBATS. 436 00:44:02,140 --> 00:44:06,277 COME ON, BIG BOY. RING THE BELL, HUH? 437 00:44:17,756 --> 00:44:19,224 [ BELL TOLLING ] 438 00:44:20,926 --> 00:44:22,761 [ PLAYING CIRCUS MUSIC ] 439 00:45:51,016 --> 00:45:54,052 [ MUSIC CONTINUES ] 440 00:45:54,085 --> 00:45:56,788 [ AUDIENCE APPLAUDING ] 441 00:47:15,934 --> 00:47:17,903 [ MUSIC CONTINUES ] 442 00:47:48,266 --> 00:47:50,201 [ MUSIC CONTINUES ] 443 00:48:01,212 --> 00:48:03,214 [ DOOR CLOSES ] 444 00:48:07,685 --> 00:48:09,654 [ MUSIC CONTINUES ] 445 00:48:24,669 --> 00:48:26,604 HOW ARE WE FIXED FOR CASH? 446 00:48:26,637 --> 00:48:29,440 I WON'T HAVE TIME TO PASS THE HAT. 447 00:48:46,691 --> 00:48:49,494 OOH! OOH! OOH! 448 00:49:16,254 --> 00:49:18,056 [ MUSIC CONTINUES ] 29729

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