Original subtitles

It's another spooky Hollywood celebrity place.

There is a crisis situation going on.

[Lisa] When I started digging,

that's when the bones started coming up.

[Zak] Blood was everywhere?

[Lisa] Yeah. It was everywhere.

[Zak] If here's somebody bad back here,

I'll sacrifice myself.

[Billy] Did you hear that?

-[Jay] Dude, that was so-- -[Zak] Holy [bleep].

-[Aaron] Get your hands off-- -[Zak] No, I'm feeding it.

-I'm feeding it. -[Aaron] No!

-Holy [bleep]! Oh, my God. -[Aaron] Oh, my God!

[Zak] There are things in this world

that we will never fully understand.

[echoes] Understand.

We want answers.

We have worked years to build our credibility,

our reputation.

Working alongside the most renowned professionals in the field,

capturing groundbreaking proof of the paranormal.

-[man] It's working! -[man 2] Whoa.

I can't give you an explanation.

[Zak] This is our evidence.

Our ghost adventures.

Okay, we are in West Hollywood, California.

We are here in the midst of a historic storm.

[reporter] A sea of mud and debris from relentless downpours.

Powerful and life threatening.

[Zak] As we begin to assess a paranormal threat

here in southern California,

a state of emergency

has been declared by the governor.

Unprecedented rainfall has caused mudslides,

power outages and at least three deaths.

It is extremely bad,

but right now we're catching a little break,

kinda like the eye of the storm.

We're here because there is an urgency.

There is a crisis situation going on

at a very historic building on La Brea.

The buildings on this lot have had multiple identities

since the first was built in 1903.

A private home

and exclusive school for movie business children,

and what remains today, the Women's Club of Hollywood.

The list of Golden Age celebrities who attended the school

includes Carole Lombard,

Douglas Fairbanks Jr., and Jean Harlow.

Charlie Chaplin, Mary Pickford and many other luminaries

have frequented the Woman's Club,

a social club that has drawn the famous

and served the community since 1905.

But now, something far more sinister has taken up residence.

We got tipped off to this case

by our good friend, psychic medium Patti Negri.

And there's something that was discovered at the location

that she believes has a connection to the hauntings.

And we apparently are waiting for some cars

that she has arranged for us.

Where's Aaron?

-[Jay] I haven't seen him. -I don't know.

-[Billy] Oh, Jesus, is that him? -Oh, gosh.

-Hey, guys. -[Zak] Are you serious?

Bro, we just came to the Pineapple Express storm in California.

I am prepared.

Whoa. Is that for us?

-Are you kidding? -That's pretty sick.

[Jay] Wow.

Excuse me. Are you Zac Bagans?

-[Zak] Yeah. You watch the show, like... -Well, I'm your ride.

[all laugh]

-You are? -Yes, I am.

-[Billy] That's awesome. -[Zak] All right. This is our ride?

Well, all right, Aaron,

-why don't you and I go in here? -[Aaron] Okay.

-Billy and Jay go in here. -[Billy] All right.

-Let's get in. -[Jay] Okay.

-[Aaron] Thank you, sir. -You're welcome.

-[Billy] After you, sir. -[Jay] Thank you.

[Aaron sings] ♪ We're ready for Hollywood ♪

♪ Dun, dun, dun, dun Dun, dun, Hollywood ♪

Pardon me.

Would you, uh, have any Grey Poupon? No?

So, have you ever picked up anybody famous in these?

Living or dead?

Ooh. [laughs]

[Zak] The setting of just the rain

and being in this old car is surreal.

Where are we going?

Are we going to a location or are we going back in time?

We arrive at our rendezvous with Patti.

But the driveway is blocked by emergency workers

dealing with major storm damage.

Oh, my gosh.

What kind of sign is this?

We just pull into the bar to meet Patti

and we can't get in

because a tree hit the building.

These are the signs I look for, guys.

This isn't a coincidence.

And we've been here before, didn't we?

-We did an investigation here. -[Billy] Yeah.

Demon.

-It just said [bleep]-- -[growls]

[screams]

Uh, excuse me.

Do you know if there's a Patti?

You have Patti's here?

Oh, there's Patti.

[inaudible conversation]

-[Zak] How you doing? -[Patti] I'm good.

-[Zak] Good. -[Patti] Yeah.

[Zak] So, what's the urgency

on the location that we're gonna go to?

It's another spooky Hollywood place.

-Hollywood celebrity place. -[Zak] Mmm.

[Patti] And they've been trying to save it.

And I'm watching everybody go a little crazy,

who works there.

[Zak] People are being affected?

People are being hugely affected.

It's always factions this side and that side and fighting,

and people who would never fight.

-Civic minded people. -So, people,

-the living are literally fighting... -[Patti] The living are...

...with each other because of negativity.

[Patti]...fighting with each other.

And I think it kind of possesses you in a way.

-[Zak] Okay. -[Patti] And, like, the gardener there,

when we first met her, she was, like,

just doing all this volunteering gardening.

And now, she started finding bones.

-Like, animal bones? -[Patti] Bones.

I think they're human bones.

I think they're human bones.

So, does the gardener still work there?

No, they don't want her there anymore.

She got affected so badly,

that they're not even getting along.

[Zak] This highly unusual rain has returned

as we enter the grounds

of the Woman's Club of Hollywood.

So, what we're gonna do,

we are first meeting with the gardener

who used to work here.

Apparently, there is some bad blood going on

between her and some of the people that run the place.

So, there has been an exception made

for her being here today to speak with us

or else she's not allowed back here.

Okay, are we ready?

Check one.

I try to ask Lisa Murphy about the bad blood

between her and the club officers.

But she feels we are being recorded.

So, I heard that

there is currently some tension

between you and the current people here?

You're on camera right now with the mic behind me.

[Zak] Okay.

When did you start noticing

the spiritual energy of the place

to start affect you or others?

[Lisa] Pretty much the first week.

I saw a white, like, a dress go by.

And then it happened again.

Would you say this would be a, a little girl?

It, it was definitely a girl.

And she had on, like, a white,

almost looked like a nightgown type dress.

But it was always a good feeling.

[Zak] When did that feeling turn?

When I had a seizure.

[Zak] Lisa suffered a grand mal seizure

that she claims was the result of a violent, demonic attack.

What you are about to see

are actual screen captures from the security video

that captured her terrifying experience.

Warning. The images are disturbing.

This was a nasty seizure.

[Lisa] It was.

[Zak] What damage did you suffer after?

-[Lisa] Um... -[Zak] Where was the blood coming from?

[Lisa] I had six stitches in the back of my head.

[Zak] And do you think that this was triggered by a darker force?

I think so.

I ended up looking at the footage on the camera,

and I couldn't find me.

The time that I should've been walking across the auditorium,

there was a flash on the camera.

And then you could see an orb.

-[Zak] Okay. -And I kept going over it and over it

saying, "That should be me walking across,"

'cause you can see me coming out,

I'm all bloody.

I didn't know a lot of the history.

And when I started digging deeper,

that's when it made sense.

-What did you dig deep and find? -[Lisa] Um...

Back in the late '60s, early '70s,

during the time when all the cults were coming to LA,

a gentleman named Wesley Swift,

who used to do his sermons in the auditorium.

[Zak] Wesley Swift pioneered

the white supremacist Christian Identity movement,

which asserted that Satan created non-whites and Jews.

So, you think the time that they were here,

this cult,

it brought on a darkness, maybe?

Absolutely.

Is it true that when you were gardening out here,

you discovered bones?

Yeah.

[Zak] Lisa takes us to the area

where she discovered the bones.

[Lisa] So, there's a wall here and a wall here.

When I started digging,

that's when the bones started coming up.

[Zak] Lisa takes us to the area in the Woman's Club building

where she had her horrifying seizure.

So, it happened here

'cause we found all the blood here.

It was all over that door.

[Zak] Blood was everywhere?

Yeah, it was everywhere.

Why was your seizure so violent?

Why was it so bloody?

I have no idea.

[Zak] I meet with Rosemary Lord,

the club's president and historian.

There are reports that Rosemary

and the other club officers

have had a mysterious falling out with Lisa

since she found the bones.

Have you experienced paranormal things here?

-Ghosts? -Oh, yeah.

-Yes. Oh, yeah. -[Zak] You have?

[Rosemary] I did see a little girl in the lounge.

[Zak] Wait a minute.

-You saw a little girl? -[Rosemary] Mmm-hmm.

She was in black and white.

That was what-- I kind of...

-[Zak] The, the coloring was like an old film? -Yes.

What was she doing?

She was skipping across the floor

and she went right through the wall.

[Zak] She disappeared into the wall?

[Rosemary] Into the wall.

[Zak] There is a very clear theme developing here.

Lisa mentioned a little girl in white,

and Patti contacted a young girl named Sarah.

One spirit that we always get when we're there,

it's a little girl named Sarah.

[Zak] Were those the bones

of a little girl in that grave?

Okay.

Um, right now, it's still raining.

And, uh, we can definitely tell who's,

who's more of the tougher guy out of the crew.

I don't need an umbrella here.

[indistinct chatter]

[Zak] So, protect the equipment, yeah.

Okay, okay. I didn't mean to hit a nerve.

But in the midst of this investigation,

we heard about you.

Now this, if you don't know, is Linda the Ghost Hunter.

Linda is a member of this exclusive private club.

So, she and Patti are the only people

who have ever been allowed to investigate inside its walls.

You guys ready for this?

-Yeah. Ready. -Are you ready for this?

-Let's go. -[Linda] Let's do this.

[Zak] As we enter the Women's Club building,

I ask Linda about the dark spirit here.

You know, there's so many children,

-and there's so many good spirits here. -Mmm-hmm.

And there's at least one

that I feel really, really controls the young children...

-[Zak] Really? -...and a lot of the other entities in here.

Really?

I'm not gonna say the word "evil,"

but a very dark spirit.

[Zak] We move through the ballroom and into the lounge.

Usually I'll get these flash images sometimes

-where I just, I can feel it. -Yes. Yes.

But I just don't know what it is.

[Linda] Nor do I.

And that's why I keep coming back,

because these kids need help.

And I don't know how to do it.

Who do you think those bones...

If those are human, who do you think they belong to?

I am not sure exactly,

but I will tell you the most common EVP I get here

is the name Sarah.

-It comes-- Sarah. -Sarah?

It's come up over and over and over again

the many times that I've been here.

One spirit that we always get when we're there,

it's a little girl named Sarah.

It's weird because the interviews,

-they all have seen a little girl. -Yeah.

Is this little girl have something to do with those remains?

I feel a strong energy drawing me upstairs.

Linda and the guys follow me up.

[Linda] Did you feel, like, a child brought you up here?

Yeah.

-[Linda] Can I ask-- -Why did you say that?

[Linda] Because can you just stand here for a minute

and just, just tell me

if this is where you felt they were drawing you to?

-It was like it wasn't even my thought to come up here. -[Linda] No.

-It was instant. -[Linda] This--

-[Zak] It was just like... -[Aaron] It's like a punishment room,

-it feels like. -[Zak]...go.

[Aaron] It feels like it's been--

Like, this is a room for punishment.

[Linda] It's got such a negative energy in this room.

-And I'm afraid-- -[Zak] In here?

I've never even been inside. I'm afraid of it.

-You wanna take that? -Yeah.

Do you wanna go inside?

I decide to send Linda into this room

with a digital recorder to face her fears

and try to gather evidence.

-Okay, here goes nothing. -[Zak] Okay.

[Linda] Hi. [chuckles nervously]

Guys, you know I've been afraid to do this.

[Zak] As Aaron records EMF spikes,

Linda rushes out of the room

where she's been attempting to communicate.

-[Linda] Whoa, I've gotta come out. -[Aaron] Whoa.

-[Linda] That was just, that was intense. -[Aaron] Whoa.

-What happened? -[Linda] I don't know.

I just feel like I have vertigo.

-[camera shutter clicks] -I, I don't know.

I feel a little nauseous.

And I felt a child by my legs.

[Zak] I decide to sit at the table

so we can all focus on communicating

with whatever is in this room with us.

I haven't felt this disturbed

since I've been in the building.

-And I'm feeling it up here. -[Linda] Mmm-hmm.

-Yeah. -And I feel like I'm mad.

-And I feel like I'm gonna cry. -[Zak] Sit down.

I'm the opposite.

I just feel such...

Some child was so badly hurt in that room...

-Really? -[Linda] Yeah.

It's the reason I've never been able to go in there before.

It's just, it's devastating me.

[Zak] And I feel very angry.

-I wonder if you're... -I don't know what it is.

...picking up the male entity.

-The strong male entity in here. -[Zak] Yeah.

And I'm wondering if I'm bringing up

and feeling these children that have suffered in here.

[Zak] If there's a little girl and you need our help,

can you try very hard to do something physical?

I know it's hard to do.

Can you get our attention?

[thuds]

-[Aaron] Whoa. -[Billy] What was that bang?

Can you get our attention?

[thuds]

-[Aaron] Whoa. -[Billy] What was that bang?

[Zak] Is there a man you're scared of?

-[Aaron] You heard that, right? -[Zak] In that room?

-[Linda] Yes, I heard it loud and clear. -[Aaron] Yeah, just went boom.

Like, like, in that back door.

[Zak] The door is locked.

Go grab the key.

Sarah, are you by this door?

Are you trying to tell us to go in here?

-Five, six, seven. -[Billy] What?

[Zak] Eight, nine, ten.

Eleven, 12, 13, 14, 15, 16.

Twenty, 21, 23, 25.

There's a lot of EMF by this window.

That's where the kids were hurt.

I, I just, I'm just telling you, I feel it so strong.

There's at least a couple kids in that room.

[Zak] Executive director Linda Donofrio interrupts us

to say that she has just gotten a call

from a psychic friend

saying he is sensing the presence of a child.

He was getting a feeling

from a child named Layla or Lila.

-Now, today, he was around the area here... -[Zak exhales]

I'm getting dizzy right now.

[Linda] You're getting the vertigo I had.

Yeah, really bad.

[Linda] You need to be careful

because I think that angry guy is in you.

Yeah, I feel it. I'm, I'm like...

-I think he's jumped into you. -...not, not, not,

-not too happy right now. -Yeah.

[Linda 2] The gentleman I just told you about

also said that little room used to be the torture--

Not, I don't wanna say torture room...

You did say torture.

-It, it came out. -[Zak] I know.

Oh, is that weird?

What I was trying to tell you

is it used to be the room for punishment.

Torture just came out.

Something down there told me to come up here.

Like, a little girl.

And as soon as we get to this room,

we felt torture, we felt bad.

And then she comes up, says torture.

Everything is just interlacing together.

It's just all these weird signs.

This is a weird, a weird place up here.

If I don't get out of this room,

I will black out.

And that's no exaggeration.

I feel like we are caught up in a stir of echoes,

and this girl is desperate

to transcend whatever realm she is in inhabiting

and deliver us a message.

I have to go back

where the bones were discovered by Lisa.

I have to know more about this abandoned schoolhouse.

The strange thing is where these bones were found,

which is right over here,

there's this house here

that houses the original schoolhouse

that all these icons of Hollywood history went to.

But the house is kind of defunct now.

We enter the lower level of the building,

which housed the school from 1915 to 1932.

See how close were those bones we found right there.

I grabbed the TriField meter to see how it reacts

as I approach the grave.

I'm gonna walk towards the grave

of where the bones were found.

Four, five,

six, seven, eight, nine, ten.

[Zak] After detecting extremely high EMF levels

near the pit where the bones were found,

I pull out the Polterpod

to see if we can communicate directly.

[distorted voice] Right down beneath.

-There could be... -[distorted voice] Hello.

-[Zak] Hello. -[distorted voice speaking indistinctly]

-[Zak] Hello? Do you hear-- Hello? -[Aaron] Hello?

-[distorted voice speaking] -[Zak] Laura? Laura?

[Zak] Do you know the name of the lady who--

[distorted voice] It's very sensitive.

[Zak] Very sensitive?

How'd it die? It's very sensitive.

[distorted voice] Older pain.

[Zak] This is an astonishing level of intelligent response.

We receive multiple answers to our questions

with crystal clear vocal tone.

[distorted voice speaking]

-[Zak] There could be... -[distorted voice] Hello.

-[Zak] Hello. -[distorted voice speaking indistinctly]

-[distorted voice speaking] -[Zak] Laura? Laura?

[Zak] Do you know the name of the lady who--

[distorted voice speaking]

[Zak] We move to the pit

to confirm that this is the source of all the evidence.

So, this is the window I was just at.

-[Aaron] Mmm-hmm. -[Zak] It still says a ten.

[Jay] What? Right there?

There's no power source.

[Zak] Look at this.

-What the... -[Jay] Wait, what is it?

-[Zak] Reading a 20. -[Jay] On the ground?

[Zak] Yes. That's weird.

[Jay] What the [bleep]?

That doesn't make any sense.

[Zak] We remove the covering on the pit

and even dig deep into the dirt inside it.

We find nothing that would create this alarming spike.

Our hypothesis confirmed,

we move to the small shed

where the bones have been stored

since Lisa unearthed them.

[Zak speaking]

[woman singing]

[Billy] Bro.

-[Zak] Did you just [bleep] hear singing up there? -[Billy] Yes.

Up there from the loft just now.

[Zak] Did you hear that?

-Mmm-hmm. Yeah. -[Zak] You heard it?

-It was like... [hums] -[Zak] Well, he heard it.

-It was like a full sentence, right. -[Billy] Yeah.

[Zak] It's like they're living in here.

Like they're living in here.

[Billy] Bro.

-[Zak] Did you [bleep] hear that? -[Billy] Yes.

[Zak] Did you hear that?

That was so clear.

[Jay] That was in here.

[Jay] Yes.

[Zak] Okay.

This is the moment that we get locked down

inside of the Women's Club of Hollywood.

This was also a schoolhouse.

This was also a drug den,

where they used these abandoned cottages.

And we just reviewed some absolutely incredible evidence.

This is raw audio.

No way.

[Zak] That was raw audio.

-[Billy] That's-- That's-- -No way.

-[Zak] That's not an ITC device. -Wow.

That was from our microphone, and we all heard it.

But even they say that there is a darkness

in the back of the property in those abandoned buildings.

It's our job to dig deeper, literally,

to see exactly what that dark energy is

and to see if it did indeed cause that grand mal seizure.

Before we begin,

we head to the rear of the building

where we have our nerve center stationed.

Jay is gonna be operating our nerve center right here in this van.

He's gonna be watching four cameras live.

Aside from that, we have a bunch of other X cameras

spread out through all these buildings.

Jay, what I want you to do right now

is to take this new 360-degree camera,

and I want you to place it in the cottage

where we captured that singing last night.

Aaron, Billy and I now enter the main building

as Jeff brings in a new monitoring station

equipped with four different cameras.

So, tell us the difference between the XLS1 and the XLS2.

Standard XLS that I did make before,

that one only has three dimensions

and a standard stick figure.

With the XLS2,

it gives us an opportunity to have a head

as well as hands, full hands.

These two cameras will give us facial, will give us age,

and whether or not it is male or female.

[Zak] Jeff and I now move the camera rig to the area

where Lisa claims she was violently attacked by an evil spirit

that caused her grand mal seizure.

And at this exact moment in the piano room,

our camera stops recording for no reason.

Can you come towards my voice?

Do you know who Lisa is?

If there's something here that attacked Lisa,

do you wanna attack us?

Is there something she did to cause that?

All right, listen.

If there's somebody bad back here,

I'll sacrifice myself

so that you can get whatever you need out of the attack.

If anybody is here,

I want you to show up right here.

Right in front of me.

[Billy] If the little girl's here that we heard yesterday,

can you come talk to us?

We're not mean.

So, this is the refrigerator

that Lisa opened up, I guess, and was staring inside of it.

And this is when it started.

When she feels the attack started.

[Billy] Can you come over here in this doorway?

We heard your voice.

-[Zak] You want a cigarette? -[electricity crackles]

[Billy] What the [bleep]?

[Zak] I mean, [scoffs] candy.

-[Billy] She's a little... Yeah. -[Aaron] Candy.

-Candy, yeah. -[Billy laughs]

[Aaron] Presents here.

Do you want candy?

We now decide to move the camera station closer to the kitchen.

Can we see you?

Are you getting mad

that we're getting closer to the spot

where you attacked her?

What if I send one of my crew members over there?

Would you do something to him?

So, right now, we're gonna send Aaron out,

-and see if, uh-- -Whoa!

What was that?

-What was that, dude? -[Billy] What?

What was that, bro?

Dude, it was like--

I swear to God, this sounds so crazy,

as soon as I walked past here,

I thought I went into a spider web

and they-- all the spider web went up my nose.

I-- This is the weirdest thing, dude.

But there's no spider webs. You just moved this here,

-there hasn't been any spider webs. -[Billy] Well, that's--

But my point is, it felt like spider web went-- [slurps]

Get back over there.

-Were you manifesting? -That was so weird, bro.

It felt like spider web going in my nose.

[Zak] I now use my live boom mic,

and as I do a sweep, I capture no audio evidence,

so we moved the camera station to the piano room,

unaware that we were having unexplained malfunctions to our camera equipment.

Little girl, can you appear right here?

Can you show me how you could play the piano?

We heard your voice.

[girl laughing]

-[gasps] -[Billy] Did you hear that?

-[Aaron] Dude, that was-- -[Billy] Holy [bleep]!

[Aaron] That was a girl laughing at you.

-Your response. -[Billy] The little kid's laughing.

And she responded to your question

-with a laugh. -[Billy] It's the little kid,

-it was the little girl's laughing just now. -[Aaron shushing]

[Zak] We are all completely shocked

because on cue, we all hear a little girl's voice

come from inside here with us,

and you can hear it faintly captured from our camera's audio.

Can you show me how you could play the piano?

We heard your voice.

-[Zak gasps] -[Billy] Did you--

-[Zak gasps] -[Billy] Did you hear that?

-[Aaron] Dude, that was-- -[Billy] Holy [bleep]!

[Aaron] That was a girl laughing at you.

[Zak] We now have Aaron,

who has a childlike disposition,

try to connect with her more.

-That was incredible. -[Aaron] I'm still tripping, I know that, dude.

[playing piano]

Come on.

Come and sing.

You can actually see Aaron playing the piano here.

-You see his hands? -[Billy] Zooming in.

Oh, wow. Yeah, you can.

[continues playing piano]

[Aaron] I need some help.

You gotta come over and help me sing.

[Zak] For the first time tonight,

one of our cameras captures something.

Watch as the XLS has an anomaly shoot away from the piano towards us.

Because we believe the little girl's spirit is here with us,

we offer her some treats.

Do you want a cookie?

Look, I'm gonna hold this,

and I wanna give it to you because we just heard you.

At this exact moment,

Aaron pulls out a large bag of gummies,

which angers me because he just complained

about how he's having problems with his teeth.

If you don't want that, I got this.

More snacks, but candy.

-Don't be pointing your-- -I'm just...

Don't be pointing your finger at the kid.

-I-- This is for the kids. -We just went over this.

You were just saying you have problems

in your teeth and it's because you're eating candy.

-But this is for the kids. -[Zak] You were just talking about

how you have to have some procedures done with your teeth.

-Right. -And I told you it's from eating all the candy,

-you agreed. -Back-- Back with the...

-[Zak] Did you not agree? -[Aaron] But it's not the new candy.

-[Zak] Did you not agree? -Well, yeah!

Okay, you did.

And now you pull out a whole baggie full of gummies.

-Right. -And that's what did that to your teeth.

Probably.

[Zak] And you're-- And you seriously just pulled that out?

You said that you weren't eating this anymore.

Well, I'm not eating it.

What, you just hold on to it?

It's just in case I need sugar or something.

-I have to have something, but right now-- -Oh, dude.

Right now, it's perfect for the kids.

[Zak] We decided to leave the camera station

aimed in the ladies' dressing room

while we prepare to investigate

the abandoned house and cottage

in the back of the property.

Okay, because we got so much evidence,

audio evidence with the ITC devices,

we used two different ones,

I'm gonna use this device here designed by Gary Galka,

and it's the PSB7-PRO.

And I use that with the APF-D Processor.

The APF-D Processor is great, too,

because it has a high pass filter and also a noise filter,

and also the ability to pause and rewind in real time.

Are you eating candy still?

-[Aaron] No. -[Zak] What did you just put in your mouth?

-[Aaron] Nothing. -[Billy] Pull your hand out of your pocket.

-Right now! -[Zak] Pull your hands out of your pocket.

-No! -[Zak] Pull your-- Come here, Aaron.

-I knew it! Aaron. -Come here, Aaron.

I think we might have to have an intervention.

It's not even... it's not even a joke.

At this point, he's sneaking candy.

-[Billy] And what if-- -[Zak] I just saw him

-put another into his mouth. -[Billy] Right, right, right.

-[Zak] When I was doing this-- -[Billy] Hey, open your mouth.

-[Zak] Aaron-- -[Billy] Open your mouth, bro.

-Open your mouth. -[Jay] All right.

-[Zak] Oh. -[Billy] No, open your mouth.

Let's see it, then.

-[Zak] Aaron-- -[Jay] This is an intervention.

[Billy] Open your mouth.

[Zak] We now conclude that Aaron has a candy addiction,

and this is further substantiated

when I tried to touch his candy that he left

for the little girl earlier, and I was attacked.

-[Billy] Trying to help you out. -Nice gummy, Aaron.

[laughs]

-Get your hands off-- -[Zak] No, I'm feeding it.

-I'm feeding it. -No!

-Let me have one. -[Aaron] No!

-Let me have one! Are you serious right now? -[Aaron] No!

[Billy] Oh, you won't even share?

[Zak] I know, I feel the low blood sugar.

I was gonna have one. Are you ser--

That possessive over your candy?

-[Billy] Yes, he is. -Yeah.

-[Billy] Yes, he is. -[Zak] Did you see that?

-[Billy] Yeah. -I was violently assaulted--

-[Billy] Attacked. -...and attacked

because I went to grab his candy.

-Did you see that? -[Billy] Yeah.

-[Jay] I saw you, dude. -[Zak] For everybody that says

I always beat up on Aaron,

and, oh, I bully Aaron, blah, blah,

what did you see, Jay?

When you went to get his candy,

he got pretty aggressive.

-With who? -With you.

-Yeah. -When you went to--

-Man, because he was stealing my gummies. -No. No, this isn't--

-No, I'm talking to Jay. -[Billy] This is an intervention.

-Don't get all agitated. -[Aaron] You were stealing my gummies.

[Zak] Don't get aggressive.

-You see what happens? -Exactly.

-Yeah, yeah. -Yeah.

-That's it. -Did Aaron get physical with me?

-He did. -When I tried touching his candy?

It was-- it was a bit aggressive.

-It was pretty intense. -Yeah, it was--

-It was extreme. -It was a little uncomfortable.

It wasn't, like, joking.

-[Jay] Yeah. -[Zak] No.

[Aaron] What you don't know

is I tried to make the energy amp up...

-[Jay] Okay. -...for a spirit to feed off of.

[Zak] We now head to the cottage

where we captured the singing and the man mumbling earlier.

It's like they're living in here.

[Zak] Can you talk to us?

Does somebody live in here?

Do you know who those bones are?

Do you know who Lisa is, the gardener?

[automated voice] I do.

"I do."

-[Zak] "I do." -"I do."

[Zak] Do you know who Lisa is, the gardener?

[automated voice speaking]

"I d--"

[automated voice speaking]

"I do."

-[Zak] "I do." -"I do."

[Zak] If you know who she is, who are you?

Was she in danger here?

[automated voice] Why'd you come here?

[Aaron] "Why'd you come here?"

[Zak] Was she in danger here?

[automated voice speaking]

[Aaron] "Why'd you come here?"

[automated voice speaking]

[Aaron] "Why'd you come here?"

[Zak] I want you to watch closely,

as this strange moving anomaly appears,

then disappears near my leg.

Whenever we start communicating with spirits using ITC,

these commonly appear.

Did somebody cause her seizure?

[automated voice] No.

[Zak] No?

Did you live in Hollywood when you were alive?

-[automated voice] Yes, sir. -[Zak] "Yes, sir."

-Did you-- It's very-- Faint. -[Zak] It's so faint.

-[Aaron] I heard it. -I heard it.

[Zak] This is incredible.

I receive a male voice saying, "Yes, sir,"

but it's faint.

So turn your volume up.

Did you live in Hollywood when you were alive?

[automated voice speaking]

[automated voice speaking]

[Zak] "Yes, sir."

-Did you-- It's very-- Faint. -[Zak] It's so faint.

Is there anything bad here, anything threatening?

[Billy] Can I put the PSB-PRO back here?

-That part? -[automated voice speaking indistinctly]

[Aaron] "My friends are... will regret," or something.

[Billy] Can I put the PSB-PRO back here?

-That part? -[automated voice speaking]

-[Billy] That part? -[automated voice speaking]

[Aaron] "My friends are... will regret," or something.

[Zak] Let's make a deal.

The deal is that if we leave, you appear on our camera.

[automated voice] Deal.

-[Zak] Deal! -[Aaron] "Deal."

-[Zak] Did you hear that? It said, "Deal." -[Aaron] It said, "Deal."

It said, "Deal."

[Zak] This is intelligent spirit communication.

And this session we're having right now

is one of the most compelling

because of these direct responses.

The deal is that if we leave, you appear on our camera.

-[automated voice speaking] -[Zak] "Deal!"

[automated voice speaking]

-[Zak] "Deal!" -[Aaron] "Deal."

-[Zak] Did you hear that? It said, "Deal." -[Aaron] It said, "Deal."

[Billy] It said, "Deal."

-[Zak] Oh, my God! -[Billy] It's clear.

[Zak] That was so intelligent, you guys.

[Aaron] Dude, these spirits are intelligent here.

[Zak] Holy [bleep]!

Was that guy a human spirit?

-[automated voice] It's not. -[Zak] "It's not."

-[Aaron] No! -[Zak] She just said, "Not."

-You hear that? -[Aaron] Yeah.

[Zak] Was that guy a human spirit?

-[automated voice speaking] -[Zak] "It's not."

-[automated voice speaking] -[Zak] "It's not."

-[Aaron] No! -[Zak] She just said, "Not."

The [bleep], you heard that, right?

-Yeah. -[Zak] I mean, that was a woman who said that.

[automated voice speaking]

-[Zak] "I knew that." -"I knew that."

[Aaron] Dude, what?

[automated voice] It scared you.

[Aaron] "It scares you? Scared you."

[Zak] As this spirit says, "It scared me..."

[automated voice speaking]

[Zak] ...watch this anomaly appear over my chest.

[automated voice speaking]

[Aaron] "It scares you?"

[Zak] Do you know any of our names?

Do you wanna possess any of us?

Name a name.

I don't think you know our names.

Pick one of us.

[automated voice] Hey, Zak.

-[Billy] "Hey, Zak." -[Aaron] "Hey, Zak."

-Holy [bleep]! Oh, my God. -[Aaron] Oh, my God!

-[Billy] Bro! [laughs] -Oh, my God! It just said, "Hey, Zak."

-[Aaron] Oh! -[Billy] Bro.

[Zak] I don't think you know our names.

Pick one of us.

[automated voice speaking]

-[Billy] "Hey, Zak." -[Aaron] "Hey, Z--"

[automated voice speaking]

-[Billy] "Hey, Zak." -[Aaron] "Hey, Zak."

-Holy [bleep]! Oh, my God. -[Aaron] Oh, my God!

[Billy] Bro.

-[Billy] That's-- They're-- -[Zak] I'm telling you. I'm telling you

I don't feel good, really.

[Billy] It's this [bleep] place.

[bleep], it's this half of the... of the property.

[Zak] Now watch this glowing anomaly appear

to move away from us in complete darkness.

I love you.

-It's just gone silent. -[Aaron] Yeah. [laughs]

-I know, dude, what? [laughs] -[Zak] I scared them.

Yeah, he said, "I love you."

[Zak] They're all like, "Get away."

-[Billy] What the-- What the [bleep]? -[Zak] "Back off."

[Aaron] We should probably go cruise around with the cameras and stuff

because it says it's gonna show itself.

So it was-- makes a deal.

[Zak] If we leave, you appear on our camera.

-[automated voice speaking] -[Zak] "Deal!"

-Show itself, we'll leave. -[Zak] Okay, hold on, hold on, hold on.

-We should go scan the property. -[Zak] Hold on.

As Aaron goes outside,

he takes Polaroid pictures everywhere.

And as he snaps photos in the area

where the bones were discovered,

he captures what appears to be a strange mist in two of the photos.

This is the location where the bones were found.

-Over here, there's some white condensed mist. -[Aaron] Ugh!

[Zak] And then over here, looks like it disperses.

-[Billy] Well, that's weird. -[Zak] Isn't that weird?

Yeah, that's weird.

[Zak] Here, it's very condensed mist, white mist.

-I've never seen that-- -[Zak] Over here, it looks like it--

[Billy] That's really weird.

[Zak] As we continue to review the photos,

we capture something else

at the exact moment Aaron snapped the shot of the upstairs window.

-Whoa, dude! -[Zak] What?

Guys, look at these windows.

Look at these windows.

-Look at the windows, Zak. -[Zak] Okay.

-Yeah. -[Aaron] Bro!

-[Zak] What, dude? -Look at that [bleep], bro.

[Zak] What the [bleep]?

-You see that? -[Zak] Wait, wait, well, to--

Give me another one.

-Did you take another set? -Dude, that's what I'm saying.

-Yeah, just-- I took tons. -[Zak] One, two.

-There's the one that was right at-- -[Zak] Whoa, dude!

This one.

[Zak] That's the same window, right?

-[Aaron] It's the same window. -[Jay] Yeah, you can see that.

[Zak] When we zoom into the photo,

we make a terrifying discovery.

You can easily tell that the drapes are now pulled over to the side,

and you can make out what appears to be

an old hag type face with long hair

and what appears to be a very large opened mouth.

-See, that is the same exact window. -[Billy] Yeah, yeah.

[Jay] So, hold up.

The drape is pulled

-and you see-- -[Billy] Whoa!

There's seven other shots that Aaron took,

and none of these have that face figure

or whatever that is in them.

[Zak] We immediately try to access the second floor to investigate this,

but it's sealed off, and we're told it's unsafe to enter.

So, here's the photo.

Do you see that?

[Aaron] You can see the forehead.

[Jay] What the [bleep]?

[Zak] There is what looks like,

-I don't know, I see a lady with long, scraggly hair. -[Aaron] Or a man.

[Zak] And it looks like her mouth is, like, really black and open.

[Billy] Yeah.

-That is the scariest thing I have ever seen. -It kind of--

-It also has that look of-- -[Billy] That is so scary.

[Zak] When we got word of an alarming discovery at a Hollywood institution...

Now, she started finding bones.

[Zak] ...we came ready to take on whatever we might find.

I'll sacrifice myself.

But we couldn't have predicted

that the spirits would be so ready to take us on, too.

[automated voice speaking]

[Aaron] "It scares you?"

-[automated voice speaking] -[Zak] "Deal!"

[automated voice speaking]

-[Billy] "Hey, Zak." -[Aaron] "Hey, Zak."

-Holy [bleep]! Oh, my God. -[Aaron] Oh, my God!