All language subtitles for Ghost.Adventures.S29E06.1080p.HEVC.x265-MeGusta.srt - eng(2)

It's another spooky
Hollywood celebrity place.

There is a crisis situation
going on.

[Lisa] When I started digging,

that's when the bones
started coming up.

[Zak] Blood was everywhere?

[Lisa] Yeah.
It was everywhere.

[Zak] If here's somebody bad
back here,

I'll sacrifice myself.

[Billy] Did you hear that?

-[Jay] Dude, that was so--
-[Zak] Holy [bleep].

-[Aaron] Get your hands off--
-[Zak] No, I'm feeding it.

-I'm feeding it.
-[Aaron] No!

-Holy [bleep]! Oh, my God.
-[Aaron] Oh, my God!

[Zak] There are things
in this world

that we will never
fully understand.

[echoes] Understand.

We want answers.

We have worked years
to build our credibility,

our reputation.

Working alongside the most
renowned professionals
in the field,

capturing groundbreaking
proof of the paranormal.

-[man] It's working!
-[man 2] Whoa.

I can't give you
an explanation.

[Zak] This is our evidence.

Our ghost adventures.

Okay, we are in
West Hollywood, California.

We are here in the midst
of a historic storm.

[reporter]
A sea of mud and debris
from relentless downpours.

Powerful and life threatening.

[Zak] As we begin to assess
a paranormal threat

here in southern California,

a state of emergency

has been declared
by the governor.

Unprecedented rainfall
has caused mudslides,

power outages
and at least three deaths.

It is extremely bad,

but right now
we're catching a little break,

kinda like the eye
of the storm.

We're here because
there is an urgency.

There is a crisis situation
going on

at a very historic building
on La Brea.

The buildings on this lot
have had multiple identities

since the first was built
in 1903.

A private home

and exclusive school
for movie business children,

and what remains today,
the Women's Club of Hollywood.

The list
of Golden Age celebrities
who attended the school

includes Carole Lombard,

Douglas Fairbanks Jr.,
and Jean Harlow.

Charlie Chaplin, Mary Pickford
and many other luminaries

have frequented
the Woman's Club,

a social club
that has drawn the famous

and served the community
since 1905.

But now,
something far more sinister
has taken up residence.

We got tipped off to this case

by our good friend,
psychic medium Patti Negri.

And there's something
that was discovered
at the location

that she believes
has a connection
to the hauntings.

And we apparently
are waiting for some cars

that she has arranged for us.

Where's Aaron?

-[Jay] I haven't seen him.
-I don't know.

-[Billy] Oh, Jesus,
is that him?
-Oh, gosh.

-Hey, guys.
-[Zak] Are you serious?

Bro, we just came
to the Pineapple Express storm
in California.

I am prepared.

Whoa. Is that for us?

-Are you kidding?
-That's pretty sick.

[Jay] Wow.

Excuse me. Are you Zac Bagans?

-[Zak] Yeah.
You watch the show, like...
-Well, I'm your ride.

[all laugh]

-You are?
-Yes, I am.

-[Billy] That's awesome.
-[Zak] All right.
This is our ride?

Well, all right, Aaron,

-why don't you and I
go in here?
-[Aaron] Okay.

-Billy and Jay go in here.
-[Billy] All right.

-Let's get in.
-[Jay] Okay.

-[Aaron] Thank you, sir.
-You're welcome.

-[Billy] After you, sir.
-[Jay] Thank you.

[Aaron sings]
♪ We're ready for Hollywood ♪

♪ Dun, dun, dun, dun
Dun, dun, Hollywood ♪

Pardon me.

Would you, uh,
have any Grey Poupon? No?

So, have you ever picked up
anybody famous in these?

Living or dead?

Ooh. [laughs]

[Zak] The setting
of just the rain

and being in this old car
is surreal.

Where are we going?

Are we going to a location
or are we going back in time?

We arrive at our rendezvous
with Patti.

But the driveway is blocked
by emergency workers

dealing with
major storm damage.

Oh, my gosh.

What kind of sign is this?

We just pull into the bar
to meet Patti

and we can't get in

because a tree
hit the building.

These are the signs
I look for, guys.

This isn't a coincidence.

And we've been here before,
didn't we?

-We did an investigation here.
-[Billy] Yeah.

Demon.

-It just said [bleep]--
-[growls]

[screams]

Uh, excuse me.

Do you know
if there's a Patti?

You have Patti's here?

Oh, there's Patti.

[inaudible conversation]

-[Zak] How you doing?
-[Patti] I'm good.

-[Zak] Good.
-[Patti] Yeah.

[Zak] So, what's the urgency

on the location
that we're gonna go to?

It's another spooky
Hollywood place.

-Hollywood celebrity place.
-[Zak] Mmm.

[Patti]
And they've been trying
to save it.

And I'm watching everybody
go a little crazy,

who works there.

[Zak] People are
being affected?

People are being
hugely affected.

It's always factions
this side and that side
and fighting,

and people
who would never fight.

-Civic minded people.
-So, people,

-the living
are literally fighting...
-[Patti] The living are...

...with each other
because of negativity.

[Patti]...fighting
with each other.

And I think
it kind of possesses you
in a way.

-[Zak] Okay.
-[Patti] And, like,
the gardener there,

when we first met her,
she was, like,

just doing all this
volunteering gardening.

And now,
she started finding bones.

-Like, animal bones?
-[Patti] Bones.

I think they're human bones.

I think they're human bones.

So, does the gardener
still work there?

No, they don't want her
there anymore.

She got affected so badly,

that they're not even
getting along.

[Zak] This highly unusual rain
has returned

as we enter the grounds

of the Woman's Club
of Hollywood.

So, what we're gonna do,

we are first meeting
with the gardener

who used to work here.

Apparently, there is some
bad blood going on

between her
and some of the people
that run the place.

So, there has been
an exception made

for her being here today
to speak with us

or else she's not allowed
back here.

Okay, are we ready?

Check one.

I try to ask Lisa Murphy
about the bad blood

between her
and the club officers.

But she feels
we are being recorded.

So, I heard that

there is currently
some tension

between you
and the current people here?

You're on camera right now
with the mic behind me.

[Zak] Okay.

When did you start noticing

the spiritual energy
of the place

to start affect you or others?

[Lisa] Pretty much
the first week.

I saw a white, like,
a dress go by.

And then it happened again.

Would you say
this would be a,
a little girl?

It, it was definitely a girl.

And she had on, like, a white,

almost looked like
a nightgown type dress.

But it was always
a good feeling.

[Zak] When did that
feeling turn?

When I had a seizure.

[Zak] Lisa suffered
a grand mal seizure

that she claims was the result
of a violent, demonic attack.

What you are about to see

are actual screen captures
from the security video

that captured
her terrifying experience.

Warning.
The images are disturbing.

This was a nasty seizure.

[Lisa] It was.

[Zak] What damage
did you suffer after?

-[Lisa] Um...
-[Zak] Where was the blood
coming from?

[Lisa] I had six stitches
in the back of my head.

[Zak] And do you think
that this was triggered
by a darker force?

I think so.

I ended up looking
at the footage on the camera,

and I couldn't find me.

The time that
I should've been walking
across the auditorium,

there was a flash
on the camera.

And then you could see an orb.

-[Zak] Okay.
-And I kept going over it
and over it

saying, "That should be me
walking across,"

'cause you can see me
coming out,

I'm all bloody.

I didn't know
a lot of the history.

And when I started
digging deeper,

that's when it made sense.

-What did you dig deep
and find?
-[Lisa] Um...

Back in the late '60s,
early '70s,

during the time
when all the cults were coming
to LA,

a gentleman
named Wesley Swift,

who used to do his sermons
in the auditorium.

[Zak] Wesley Swift pioneered

the white supremacist
Christian Identity movement,

which asserted that
Satan created non-whites
and Jews.

So, you think the time
that they were here,

this cult,

it brought on
a darkness, maybe?

Absolutely.

Is it true that
when you were gardening
out here,

you discovered bones?

Yeah.

[Zak] Lisa takes us
to the area

where she discovered
the bones.

[Lisa] So, there's a wall here
and a wall here.

When I started digging,

that's when the bones
started coming up.

[Zak]
Lisa takes us to the area
in the Woman's Club building

where she had
her horrifying seizure.

So, it happened here

'cause we found
all the blood here.

It was all over that door.

[Zak] Blood was everywhere?

Yeah, it was everywhere.

Why was your seizure
so violent?

Why was it so bloody?

I have no idea.

[Zak] I meet
with Rosemary Lord,

the club's president
and historian.

There are reports
that Rosemary

and the other club officers

have had a mysterious
falling out with Lisa

since she found the bones.

Have you experienced
paranormal things here?

-Ghosts?
-Oh, yeah.

-Yes. Oh, yeah.
-[Zak] You have?

[Rosemary]
I did see a little girl
in the lounge.

[Zak] Wait a minute.

-You saw a little girl?
-[Rosemary] Mmm-hmm.

She was in black and white.

That was what-- I kind of...

-[Zak] The, the coloring
was like an old film?
-Yes.

What was she doing?

She was skipping
across the floor

and she went
right through the wall.

[Zak] She disappeared
into the wall?

[Rosemary] Into the wall.

[Zak]
There is a very clear theme
developing here.

Lisa mentioned
a little girl in white,

and Patti contacted
a young girl named Sarah.

One spirit that we always get
when we're there,

it's a little girl
named Sarah.

[Zak] Were those the bones

of a little girl
in that grave?

Okay.

Um, right now,
it's still raining.

And, uh,
we can definitely tell who's,

who's more of the tougher guy
out of the crew.

I don't need an umbrella here.

[indistinct chatter]

[Zak] So,
protect the equipment, yeah.

Okay, okay.
I didn't mean to hit a nerve.

But in the midst
of this investigation,

we heard about you.

Now this, if you don't know,
is Linda the Ghost Hunter.

Linda is a member of this
exclusive private club.

So, she and Patti
are the only people

who have ever been
allowed to investigate
inside its walls.

You guys ready for this?

-Yeah. Ready.
-Are you ready for this?

-Let's go.
-[Linda] Let's do this.

[Zak] As we enter
the Women's Club building,

I ask Linda
about the dark spirit here.

You know,
there's so many children,

-and there's so many
good spirits here.
-Mmm-hmm.

And there's at least one

that I feel really,
really controls
the young children...

-[Zak] Really?
-...and a lot of the other
entities in here.

Really?

I'm not gonna say
the word "evil,"

but a very dark spirit.

[Zak]
We move through the ballroom
and into the lounge.

Usually I'll get these
flash images sometimes

-where I just, I can feel it.
-Yes. Yes.

But I just don't know
what it is.

[Linda] Nor do I.

And that's why
I keep coming back,

because these kids need help.

And I don't know how to do it.

Who do you think
those bones...

If those are human,
who do you think
they belong to?

I am not sure exactly,

but I will tell you
the most common EVP I get here

is the name Sarah.

-It comes-- Sarah.
-Sarah?

It's come up over and over
and over again

the many times
that I've been here.

One spirit that we always get
when we're there,

it's a little girl
named Sarah.

It's weird because
the interviews,

-they all have seen
a little girl.
-Yeah.

Is this little girl
have something to do
with those remains?

I feel a strong energy
drawing me upstairs.

Linda and the guys
follow me up.

[Linda] Did you feel, like,
a child brought you
up here?

Yeah.

-[Linda] Can I ask--
-Why did you say that?

[Linda] Because can you just
stand here for a minute

and just, just tell me

if this is where you felt
they were drawing you to?

-It was like it wasn't even
my thought to come up here.
-[Linda] No.

-It was instant.
-[Linda] This--

-[Zak] It was just like...
-[Aaron] It's like
a punishment room,

-it feels like.
-[Zak]...go.

[Aaron]
It feels like it's been--

Like, this is a room
for punishment.

[Linda] It's got such
a negative energy
in this room.

-And I'm afraid--
-[Zak] In here?

I've never even been inside.
I'm afraid of it.

-You wanna take that?
-Yeah.

Do you wanna go inside?

I decide to send Linda
into this room

with a digital recorder
to face her fears

and try to gather evidence.

-Okay, here goes nothing.
-[Zak] Okay.

[Linda] Hi.
[chuckles nervously]

Guys, you know
I've been afraid to do this.

[Zak] As Aaron records
EMF spikes,

Linda rushes out of the room

where she's been attempting
to communicate.

-[Linda] Whoa,
I've gotta come out.
-[Aaron] Whoa.

-[Linda] That was just,
that was intense.
-[Aaron] Whoa.

-What happened?
-[Linda] I don't know.

I just feel like
I have vertigo.

-[camera shutter clicks]
-I, I don't know.

I feel a little nauseous.

And I felt a child by my legs.

[Zak] I decide
to sit at the table

so we can all focus
on communicating

with whatever is in this room
with us.

I haven't felt this disturbed

since I've been
in the building.

-And I'm feeling it up here.
-[Linda] Mmm-hmm.

-Yeah.
-And I feel like I'm mad.

-And I feel like
I'm gonna cry.
-[Zak] Sit down.

I'm the opposite.

I just feel such...

Some child was so badly hurt
in that room...

-Really?
-[Linda] Yeah.

It's the reason
I've never been able
to go in there before.

It's just,
it's devastating me.

[Zak] And I feel very angry.

-I wonder if you're...
-I don't know what it is.

...picking up the male entity.

-The strong male entity
in here.
-[Zak] Yeah.

And I'm wondering
if I'm bringing up

and feeling these children
that have suffered in here.

[Zak] If there's a little girl
and you need our help,

can you try very hard
to do something physical?

I know it's hard to do.

Can you get our attention?

[thuds]

-[Aaron] Whoa.
-[Billy] What was that bang?

Can you get our attention?

[thuds]

-[Aaron] Whoa.
-[Billy] What was that bang?

[Zak] Is there a man
you're scared of?

-[Aaron] You heard that,
right?
-[Zak] In that room?

-[Linda] Yes,
I heard it loud and clear.
-[Aaron] Yeah, just went boom.

Like, like, in that back door.

[Zak] The door is locked.

Go grab the key.

Sarah, are you by this door?

Are you trying to tell us
to go in here?

-Five, six, seven.
-[Billy] What?

[Zak] Eight, nine, ten.

Eleven, 12, 13, 14, 15, 16.

Twenty, 21, 23, 25.

There's a lot of EMF
by this window.

That's where
the kids were hurt.

I, I just,
I'm just telling you,
I feel it so strong.

There's at least a couple kids
in that room.

[Zak] Executive director
Linda Donofrio interrupts us

to say that she has just
gotten a call

from a psychic friend

saying he is sensing
the presence of a child.

He was getting a feeling

from a child
named Layla or Lila.

-Now, today, he was around
the area here...
-[Zak exhales]

I'm getting dizzy right now.

[Linda] You're getting
the vertigo I had.

Yeah, really bad.

[Linda] You need to be careful

because I think
that angry guy is in you.

Yeah, I feel it.
I'm, I'm like...

-I think he's jumped into you.
-...not, not, not,

-not too happy right now.
-Yeah.

[Linda 2] The gentleman
I just told you about

also said that little room
used to be the torture--

Not, I don't wanna say
torture room...

You did say torture.

-It, it came out.
-[Zak] I know.

Oh, is that weird?

What I was trying to tell you

is it used to be the room
for punishment.

Torture just came out.

Something down there
told me to come up here.

Like, a little girl.

And as soon
as we get to this room,

we felt torture, we felt bad.

And then she comes up,
says torture.

Everything is just
interlacing together.

It's just all these
weird signs.

This is a weird,
a weird place up here.

If I don't get out
of this room,

I will black out.

And that's no exaggeration.

I feel like we are caught up
in a stir of echoes,

and this girl is desperate

to transcend whatever realm
she is in inhabiting

and deliver us a message.

I have to go back

where the bones
were discovered by Lisa.

I have to know more about this
abandoned schoolhouse.

The strange thing is
where these bones were found,

which is right over here,

there's this house here

that houses the original
schoolhouse

that all these icons
of Hollywood history went to.

But the house
is kind of defunct now.

We enter the lower level
of the building,

which housed the school
from 1915 to 1932.

See how close were those bones
we found right there.

I grabbed the TriField meter
to see how it reacts

as I approach the grave.

I'm gonna walk
towards the grave

of where the bones were found.

Four, five,

six, seven, eight, nine, ten.

[Zak] After detecting
extremely high EMF levels

near the pit
where the bones were found,

I pull out the Polterpod

to see if we can
communicate directly.

[distorted voice]
Right down beneath.

-There could be...
-[distorted voice] Hello.

-[Zak] Hello.
-[distorted voice
speaking indistinctly]

-[Zak] Hello?
Do you hear-- Hello?
-[Aaron] Hello?

-[distorted voice speaking]
-[Zak] Laura? Laura?

[Zak] Do you know the name
of the lady who--

[distorted voice]
It's very sensitive.

[Zak] Very sensitive?

How'd it die?
It's very sensitive.

[distorted voice] Older pain.

[Zak]
This is an astonishing level
of intelligent response.

We receive multiple answers
to our questions

with crystal clear vocal tone.

[distorted voice speaking]

-[Zak] There could be...
-[distorted voice] Hello.

-[Zak] Hello.
-[distorted voice
speaking indistinctly]

-[distorted voice speaking]
-[Zak] Laura? Laura?

[Zak] Do you know the name
of the lady who--

[distorted voice speaking]

[Zak] We move to the pit

to confirm that
this is the source
of all the evidence.

So, this is the window
I was just at.

-[Aaron] Mmm-hmm.
-[Zak] It still says a ten.

[Jay] What? Right there?

There's no power source.

[Zak] Look at this.

-What the...
-[Jay] Wait, what is it?

-[Zak] Reading a 20.
-[Jay] On the ground?

[Zak] Yes. That's weird.

[Jay] What the [bleep]?

That doesn't make any sense.

[Zak] We remove the covering
on the pit

and even dig deep
into the dirt inside it.

We find nothing
that would create
this alarming spike.

Our hypothesis confirmed,

we move to the small shed

where the bones
have been stored

since Lisa unearthed them.

[Zak speaking]

[woman singing]

[Billy] Bro.

-[Zak] Did you just [bleep]
hear singing up there?
-[Billy] Yes.

Up there from the loft
just now.

[Zak] Did you hear that?

-Mmm-hmm. Yeah.
-[Zak] You heard it?

-It was like... [hums]
-[Zak] Well, he heard it.

-It was like
a full sentence, right.
-[Billy] Yeah.

[Zak] It's like
they're living in here.

Like they're living in here.

[Billy] Bro.

-[Zak] Did you [bleep]
hear that?
-[Billy] Yes.

[Zak] Did you hear that?

That was so clear.

[Jay] That was in here.

[Jay] Yes.

[Zak] Okay.

This is the moment
that we get locked down

inside of the Women's Club
of Hollywood.

This was also a schoolhouse.

This was also a drug den,

where they used
these abandoned cottages.

And we just reviewed
some absolutely
incredible evidence.

This is raw audio.

No way.

[Zak] That was raw audio.

-[Billy] That's-- That's--
-No way.

-[Zak] That's not
an ITC device.
-Wow.

That was from our microphone,
and we all heard it.

But even they say
that there is a darkness

in the back of the property
in those abandoned buildings.

It's our job to dig deeper,
literally,

to see exactly what
that dark energy is

and to see if it did indeed
cause that grand mal seizure.

Before we begin,

we head to the rear
of the building

where we have
our nerve center stationed.

Jay is gonna be operating
our nerve center right here
in this van.

He's gonna be watching
four cameras live.

Aside from that,
we have a bunch
of other X cameras

spread out through
all these buildings.

Jay, what I want you
to do right now

is to take this new
360-degree camera,

and I want you to place it
in the cottage

where we captured
that singing last night.

Aaron, Billy and I
now enter the main building

as Jeff brings in
a new monitoring station

equipped with four
different cameras.

So, tell us the difference
between the XLS1 and the XLS2.

Standard XLS
that I did make before,

that one only has
three dimensions

and a standard stick figure.

With the XLS2,

it gives us an opportunity
to have a head

as well as hands, full hands.

These two cameras
will give us facial,
will give us age,

and whether or not
it is male or female.

[Zak] Jeff and I now move
the camera rig to the area

where Lisa claims
she was violently attacked
by an evil spirit

that caused
her grand mal seizure.

And at this exact moment
in the piano room,

our camera stops recording
for no reason.

Can you come towards my voice?

Do you know who Lisa is?

If there's something here
that attacked Lisa,

do you wanna attack us?

Is there something she did
to cause that?

All right, listen.

If there's somebody bad
back here,

I'll sacrifice myself

so that you can get
whatever you need
out of the attack.

If anybody is here,

I want you to show up
right here.

Right in front of me.

[Billy]
If the little girl's here
that we heard yesterday,

can you come talk to us?

We're not mean.

So, this is the refrigerator

that Lisa opened up, I guess,
and was staring inside of it.

And this is when it started.

When she feels
the attack started.

[Billy] Can you come over here
in this doorway?

We heard your voice.

-[Zak] You want a cigarette?
-[electricity crackles]

[Billy] What the [bleep]?

[Zak] I mean, [scoffs] candy.

-[Billy] She's a little...
Yeah.
-[Aaron] Candy.

-Candy, yeah.
-[Billy laughs]

[Aaron] Presents here.

Do you want candy?

We now decide
to move the camera station
closer to the kitchen.

Can we see you?

Are you getting mad

that we're getting closer
to the spot

where you attacked her?

What if I send one
of my crew members over there?

Would you do something to him?

So, right now,
we're gonna send Aaron out,

-and see if, uh--
-Whoa!

What was that?

-What was that, dude?
-[Billy] What?

What was that, bro?

Dude, it was like--

I swear to God,
this sounds so crazy,

as soon as I walked past here,

I thought I went
into a spider web

and they-- all the spider web
went up my nose.

I-- This is
the weirdest thing, dude.

But there's no spider webs.
You just moved this here,

-there hasn't been
any spider webs.
-[Billy] Well, that's--

But my point is,
it felt like spider web went--
[slurps]

Get back over there.

-Were you manifesting?
-That was so weird, bro.

It felt like spider web
going in my nose.

[Zak] I now use
my live boom mic,

and as I do a sweep,
I capture no audio evidence,

so we moved the camera station
to the piano room,

unaware that we were having
unexplained malfunctions
to our camera equipment.

Little girl, can you
appear right here?

Can you show me
how you could play the piano?

We heard your voice.

[girl laughing]

-[gasps]
-[Billy] Did you hear that?

-[Aaron] Dude, that was--
-[Billy] Holy [bleep]!

[Aaron] That was a girl
laughing at you.

-Your response.
-[Billy] The little
kid's laughing.

And she responded
to your question

-with a laugh.
-[Billy] It's the little kid,

-it was the little girl's
laughing just now.
-[Aaron shushing]

[Zak] We are all
completely shocked

because on cue, we all hear
a little girl's voice

come from inside here with us,

and you can hear it
faintly captured
from our camera's audio.

Can you show me
how you could play the piano?

We heard your voice.

-[Zak gasps]
-[Billy] Did you--

-[Zak gasps]
-[Billy] Did you hear that?

-[Aaron] Dude, that was--
-[Billy] Holy [bleep]!

[Aaron] That was a girl
laughing at you.

[Zak] We now have Aaron,

who has
a childlike disposition,

try to connect with her more.

-That was incredible.
-[Aaron] I'm still tripping,
I know that, dude.

[playing piano]

Come on.

Come and sing.

You can actually see Aaron
playing the piano here.

-You see his hands?
-[Billy] Zooming in.

Oh, wow. Yeah, you can.

[continues playing piano]

[Aaron] I need some help.

You gotta come over
and help me sing.

[Zak]
For the first time tonight,

one of our cameras
captures something.

Watch as the XLS
has an anomaly shoot away
from the piano towards us.

Because we believe
the little girl's spirit
is here with us,

we offer her some treats.

Do you want a cookie?

Look, I'm gonna hold this,

and I wanna give it to you
because we just heard you.

At this exact moment,

Aaron pulls out
a large bag of gummies,

which angers me
because he just complained

about how he's having
problems with his teeth.

If you don't want that,
I got this.

More snacks, but candy.

-Don't be pointing your--
-I'm just...

Don't be pointing your finger
at the kid.

-I-- This is for the kids.
-We just went over this.

You were just saying
you have problems

in your teeth
and it's because
you're eating candy.

-But this is for the kids.
-[Zak] You were just
talking about

how you have to have
some procedures
done with your teeth.

-Right.
-And I told you it's from
eating all the candy,

-you agreed.
-Back-- Back with the...

-[Zak] Did you not agree?
-[Aaron] But it's not
the new candy.

-[Zak] Did you not agree?
-Well, yeah!

Okay, you did.

And now you pull out a whole
baggie full of gummies.

-Right.
-And that's what did
that to your teeth.

Probably.

[Zak] And you're--
And you seriously
just pulled that out?

You said that you weren't
eating this anymore.

Well, I'm not eating it.

What, you just hold on to it?

It's just in case
I need sugar or something.

-I have to have something,
but right now--
-Oh, dude.

Right now,
it's perfect for the kids.

[Zak] We decided
to leave the camera station

aimed in
the ladies' dressing room

while we prepare
to investigate

the abandoned house
and cottage

in the back of the property.

Okay, because we got
so much evidence,

audio evidence
with the ITC devices,

we used two different ones,

I'm gonna use this device here
designed by Gary Galka,

and it's the PSB7-PRO.

And I use that
with the APF-D Processor.

The APF-D Processor
is great, too,

because it has
a high pass filter
and also a noise filter,

and also the ability to pause
and rewind in real time.

Are you eating candy still?

-[Aaron] No.
-[Zak] What did you just
put in your mouth?

-[Aaron] Nothing.
-[Billy] Pull your hand
out of your pocket.

-Right now!
-[Zak] Pull your hands
out of your pocket.

-No!
-[Zak] Pull your--
Come here, Aaron.

-I knew it! Aaron.
-Come here, Aaron.

I think we might have
to have an intervention.

It's not even...
it's not even a joke.

At this point,
he's sneaking candy.

-[Billy] And what if--
-[Zak] I just saw him

-put another into his mouth.
-[Billy] Right, right, right.

-[Zak] When I was doing this--
-[Billy] Hey, open your mouth.

-[Zak] Aaron--
-[Billy] Open your mouth, bro.

-Open your mouth.
-[Jay] All right.

-[Zak] Oh.
-[Billy] No, open your mouth.

Let's see it, then.

-[Zak] Aaron--
-[Jay] This is
an intervention.

[Billy] Open your mouth.

[Zak] We now conclude
that Aaron has
a candy addiction,

and this is
further substantiated

when I tried to touch
his candy that he left

for the little girl earlier,
and I was attacked.

-[Billy] Trying
to help you out.
-Nice gummy, Aaron.

[laughs]

-Get your hands off--
-[Zak] No, I'm feeding it.

-I'm feeding it.
-No!

-Let me have one.
-[Aaron] No!

-Let me have one!
Are you serious right now?
-[Aaron] No!

[Billy] Oh,
you won't even share?

[Zak] I know, I feel
the low blood sugar.

I was gonna have one.
Are you ser--

That possessive
over your candy?

-[Billy] Yes, he is.
-Yeah.

-[Billy] Yes, he is.
-[Zak] Did you see that?

-[Billy] Yeah.
-I was violently
assaulted--

-[Billy] Attacked.
-...and attacked

because I went to grab
his candy.

-Did you see that?
-[Billy] Yeah.

-[Jay] I saw you, dude.
-[Zak] For everybody that says

I always beat up on Aaron,

and, oh, I bully Aaron,
blah, blah,

what did you see, Jay?

When you went
to get his candy,

he got pretty aggressive.

-With who?
-With you.

-Yeah.
-When you went to--

-Man, because he was
stealing my gummies.
-No. No, this isn't--

-No, I'm talking to Jay.
-[Billy] This is
an intervention.

-Don't get all agitated.
-[Aaron] You were stealing
my gummies.

[Zak] Don't get aggressive.

-You see what happens?
-Exactly.

-Yeah, yeah.
-Yeah.

-That's it.
-Did Aaron get
physical with me?

-He did.
-When I tried
touching his candy?

It was-- it was
a bit aggressive.

-It was pretty intense.
-Yeah, it was--

-It was extreme.
-It was
a little uncomfortable.

It wasn't, like, joking.

-[Jay] Yeah.
-[Zak] No.

[Aaron] What you don't know

is I tried to make
the energy amp up...

-[Jay] Okay.
-...for a spirit
to feed off of.

[Zak] We now head
to the cottage

where we captured the singing
and the man mumbling earlier.

It's like they're living
in here.

[Zak] Can you talk to us?

Does somebody live in here?

Do you know
who those bones are?

Do you know who Lisa is,
the gardener?

[automated voice] I do.

"I do."

-[Zak] "I do."
-"I do."

[Zak] Do you know who Lisa is,
the gardener?

[automated voice speaking]

"I d--"

[automated voice speaking]

"I do."

-[Zak] "I do."
-"I do."

[Zak] If you know who she is,
who are you?

Was she in danger here?

[automated voice]
Why'd you come here?

[Aaron]
"Why'd you come here?"

[Zak] Was she in danger here?

[automated voice speaking]

[Aaron]
"Why'd you come here?"

[automated voice speaking]

[Aaron]
"Why'd you come here?"

[Zak] I want you
to watch closely,

as this strange
moving anomaly appears,

then disappears near my leg.

Whenever we start
communicating with spirits
using ITC,

these commonly appear.

Did somebody cause
her seizure?

[automated voice] No.

[Zak] No?

Did you live in Hollywood
when you were alive?

-[automated voice] Yes, sir.
-[Zak] "Yes, sir."

-Did you-- It's very-- Faint.
-[Zak] It's so faint.

-[Aaron] I heard it.
-I heard it.

[Zak] This is incredible.

I receive a male voice
saying, "Yes, sir,"

but it's faint.

So turn your volume up.

Did you live in Hollywood
when you were alive?

[automated voice speaking]

[automated voice speaking]

[Zak] "Yes, sir."

-Did you-- It's very-- Faint.
-[Zak] It's so faint.

Is there anything bad here,
anything threatening?

[Billy] Can I put the PSB-PRO
back here?

-That part?
-[automated voice
speaking indistinctly]

[Aaron] "My friends are...
will regret," or something.

[Billy] Can I put the PSB-PRO
back here?

-That part?
-[automated voice speaking]

-[Billy] That part?
-[automated voice speaking]

[Aaron] "My friends are...
will regret," or something.

[Zak] Let's make a deal.

The deal is that if we leave,
you appear on our camera.

[automated voice] Deal.

-[Zak] Deal!
-[Aaron] "Deal."

-[Zak] Did you hear that?
It said, "Deal."
-[Aaron] It said, "Deal."

It said, "Deal."

[Zak] This is intelligent
spirit communication.

And this session
we're having right now

is one of the most compelling

because of these
direct responses.

The deal is that if we leave,
you appear on our camera.

-[automated voice speaking]
-[Zak] "Deal!"

[automated voice speaking]

-[Zak] "Deal!"
-[Aaron] "Deal."

-[Zak] Did you hear that?
It said, "Deal."
-[Aaron] It said, "Deal."

[Billy] It said, "Deal."

-[Zak] Oh, my God!
-[Billy] It's clear.

[Zak] That was so intelligent,
you guys.

[Aaron] Dude, these spirits
are intelligent here.

[Zak] Holy [bleep]!

Was that guy a human spirit?

-[automated voice] It's not.
-[Zak] "It's not."

-[Aaron] No!
-[Zak] She just said, "Not."

-You hear that?
-[Aaron] Yeah.

[Zak] Was that guy
a human spirit?

-[automated voice speaking]
-[Zak] "It's not."

-[automated voice speaking]
-[Zak] "It's not."

-[Aaron] No!
-[Zak] She just said, "Not."

The [bleep],
you heard that, right?

-Yeah.
-[Zak] I mean, that was
a woman who said that.

[automated voice speaking]

-[Zak] "I knew that."
-"I knew that."

[Aaron] Dude, what?

[automated voice]
It scared you.

[Aaron] "It scares you?
Scared you."

[Zak] As this spirit says,
"It scared me..."

[automated voice speaking]

[Zak] ...watch this anomaly
appear over my chest.

[automated voice speaking]

[Aaron] "It scares you?"

[Zak] Do you know
any of our names?

Do you wanna possess
any of us?

Name a name.

I don't think you know
our names.

Pick one of us.

[automated voice] Hey, Zak.

-[Billy] "Hey, Zak."
-[Aaron] "Hey, Zak."

-Holy [bleep]! Oh, my God.
-[Aaron] Oh, my God!

-[Billy] Bro! [laughs]
-Oh, my God!
It just said, "Hey, Zak."

-[Aaron] Oh!
-[Billy] Bro.

[Zak] I don't think
you know our names.

Pick one of us.

[automated voice speaking]

-[Billy] "Hey, Zak."
-[Aaron] "Hey, Z--"

[automated voice speaking]

-[Billy] "Hey, Zak."
-[Aaron] "Hey, Zak."

-Holy [bleep]! Oh, my God.
-[Aaron] Oh, my God!

[Billy] Bro.

-[Billy] That's-- They're--
-[Zak] I'm telling you.
I'm telling you

I don't feel good, really.

[Billy] It's this
[bleep] place.

[bleep], it's this half
of the... of the property.

[Zak] Now watch this
glowing anomaly appear

to move away from us
in complete darkness.

I love you.

-It's just gone silent.
-[Aaron] Yeah. [laughs]

-I know, dude, what? [laughs]
-[Zak] I scared them.

Yeah, he said, "I love you."

[Zak] They're all like,
"Get away."

-[Billy] What the--
What the [bleep]?
-[Zak] "Back off."

[Aaron] We should
probably go cruise around
with the cameras and stuff

because it says
it's gonna show itself.

So it was-- makes a deal.

[Zak] If we leave,
you appear on our camera.

-[automated voice speaking]
-[Zak] "Deal!"

-Show itself, we'll leave.
-[Zak] Okay, hold on,
hold on, hold on.

-We should go
scan the property.
-[Zak] Hold on.

As Aaron goes outside,

he takes
Polaroid pictures everywhere.

And as he snaps
photos in the area

where the bones
were discovered,

he captures what appears
to be a strange mist
in two of the photos.

This is the location
where the bones were found.

-Over here, there's some
white condensed mist.
-[Aaron] Ugh!

[Zak] And then over here,
looks like it disperses.

-[Billy] Well, that's weird.
-[Zak] Isn't that weird?

Yeah, that's weird.

[Zak] Here, it's very
condensed mist, white mist.

-I've never seen that--
-[Zak] Over here,
it looks like it--

[Billy] That's really weird.

[Zak] As we continue
to review the photos,

we capture something else

at the exact moment
Aaron snapped the shot
of the upstairs window.

-Whoa, dude!
-[Zak] What?

Guys, look at these windows.

Look at these windows.

-Look at the windows, Zak.
-[Zak] Okay.

-Yeah.
-[Aaron] Bro!

-[Zak] What, dude?
-Look at that [bleep], bro.

[Zak] What the [bleep]?

-You see that?
-[Zak] Wait, wait, well, to--

Give me another one.

-Did you take another set?
-Dude, that's what I'm saying.

-Yeah, just-- I took tons.
-[Zak] One, two.

-There's the one
that was right at--
-[Zak] Whoa, dude!

This one.

[Zak] That's the same
window, right?

-[Aaron] It's the same window.
-[Jay] Yeah, you can see that.

[Zak] When we zoom
into the photo,

we make
a terrifying discovery.

You can easily tell
that the drapes are now
pulled over to the side,

and you can make out
what appears to be

an old hag type face
with long hair

and what appears to be
a very large opened mouth.

-See, that is the same
exact window.
-[Billy] Yeah, yeah.

[Jay] So, hold up.

The drape is pulled

-and you see--
-[Billy] Whoa!

There's seven other shots
that Aaron took,

and none of these
have that face figure

or whatever that is in them.

[Zak] We immediately try
to access the second floor
to investigate this,

but it's sealed off,
and we're told
it's unsafe to enter.

So, here's the photo.

Do you see that?

[Aaron] You can see
the forehead.

[Jay] What the [bleep]?

[Zak] There is
what looks like,

-I don't know, I see a lady
with long, scraggly hair.
-[Aaron] Or a man.

[Zak] And it looks like
her mouth is, like,
really black and open.

[Billy] Yeah.

-That is the scariest thing
I have ever seen.
-It kind of--

-It also has that look of--
-[Billy] That is so scary.

[Zak] When we got word
of an alarming discovery
at a Hollywood institution...

Now, she started
finding bones.

[Zak] ...we came ready to take
on whatever we might find.

I'll sacrifice myself.

But we couldn't have predicted

that the spirits would be
so ready to take us on, too.

[automated voice speaking]

[Aaron] "It scares you?"

-[automated voice speaking]
-[Zak] "Deal!"

[automated voice speaking]

-[Billy] "Hey, Zak."
-[Aaron] "Hey, Zak."

-Holy [bleep]! Oh, my God.
-[Aaron] Oh, my God!