All language subtitles for Ghost.Adventures.S29E05.1080p.HEVC.x265-MeGusta.srt - eng(2)

The Rispin Mansion,

the mayor approved

a paranormal investigation
here,

because of not things
he heard about,

because of things

he saw.

This is unprecedented access.

I think this is
getting dangerous.

People have died
on the property.

Then there's the Rispin curse.

Henry?

-[Billy] What?
-[Aaron] Zak!

[Zak] You guys?

[Aaron grunts]

[Mary Anne] Tell me my name.

[Zak] Oh, my God.

[Billy]
I'm in the boiler room.
The very, very bottom.

[Zak] What is here with us?

[Billy] A portal?

What does that mean for us?

There are things in this world

that we will never
fully understand.

[low-pitched voice echoing]
Understand.

[Zak] We want
answers. echoing]

We have worked years

to build our credibility,

our reputation,

working alongside
the most renowned
professionals in the field,

capturing groundbreaking proof
of the paranormal.

-[Aaron] It's working!
-[Zak] Oh, yeah.

I can't give you
an explanation.

[Zak] This is our evidence,

our host Adventures.

[Zak] The Rispin Mansion

is an abandoned building

with many dark mysteries.

If you grew up
in the neighborhood,

you knew to avoid this place

like the plague.

Then there's the Rispin curse.

People have died
on the property,

said to be from this curse.

[eerie music playing]

[Zak] Henry Rispin,

a successful
Canadian-born entrepreneur,

finished building
the mansion in 1923

with hopes that it would be

the centerpiece
of a world-class resort.

But his neglect
of essential responsibilities

birthed its downfall,

and only six years later,

in reflection
of great financial static,

Rispin Mansion was
auctioned off.

Following this loss,
Rispin's wife died,

and then his son.

Rispin died a year later,

totally broke

and buried
in an unmarked grave

in San Francisco.

After this wave
of defeat and tragedy,

the doors at Rispin were
wide open for more darkness.

Multiple fires, vandalism,

and a string
of mysterious deaths

have cemented what many call
the Rispin Curse.

[bell tolling]

[Zak] Guys, come here.
I want to tell you something.

I've been trying to set up

an investigation here
for years,

-but it was never allowed.
-[Jay] Mmm.

-You want me to tell you why?
-Yeah, why?

Because at one point,

the mayor approved

a paranormal
investigation here

-years and years ago...
-[Billy] Okay.

...to try to get answers,

because they believe
in this curse.

And anybody that's connected
to the building,

all the way back
to the owners and builders,

they're all struck
with this curse.

During that investigation,

they all witnessed

a lady being violently kicked
down the stairs

And after that was witnessed,

the mayor shut
the investigation down,

sealed the mansion up,

put this gate here
with the padlock.

They don't want to touch it.

This is unprecedented access.

-Are you guys ready
to enter the gates...
-[Aaron] Yeah.

...of the Rispin Mansion?

We're here to pick back up

where that last investigation
left off in 2012

to help the city unravel
this curse

and find its source.

The first steps
towards the dark,

violent, sad,
and downright evil energy

that lives inside
this building is exhilarating.

Opening that fence is a sign

that this curse is
upon us now,

whether we like it or not.

The mansion literally is
sitting on top of a cliff.

Resting on the banks
of the Soquel Creek,

named
after the Native Americans

that were forced to leave
their sacred land.

This entire region was
really born under a bad sign.

This was the home

of the Soquel
Native Americans.

And in 1791,
the Spanish came in

and built
the Santa Cruz mission system.

All of these Soquel
Native Americans were

either forced into the mission

and had to convert
their religion

or else many
of them were killed

or they were forced
to leave their homeland.

And right on the other side
of this building is

the Soquel Creek.

And that creek is
known to be very sacred

and literally is the vein

that runs right beside
the mansion.

If you look at the mansion,

every single window,

every single crack,
crevice, doorway

is completely sealed.

And I'm not talking about
just a piece of plywood.

I'm talking about--
It is literally...

I don't know if this is
stucco or whatever,

it is absolutely sealed.

Whatever this evil is inside,

they have
literally sealed it shut.

[eerie music playing]

[Zak] And there is
no doubt in my mind

that it has been waiting
for an opportunity to explode.

[eerie sound]

[Zak]
Our first interview, Tim,

a former Federal
law enforcement officer,

was involved

in the very investigation
I spoke of.

The one that ultimately shut
this place down in 2012.

You're the group

that was approved
to investigate from the mayor.

[Tim] Correct.

One of our investigators
was kicked

and she fell down some stairs.

-[Zak] And he saw it?
-[Tim] He saw it.

And once
the mayor witnessed that?

He was pretty much,
"Okay, that scared me,

and I think this is
getting dangerous."

The mayor shut down
a paranormal investigation

because of not things
he heard about,

because of things

he saw.

Why did
they keep it sealed up?

[Tim] There was some stuff
down here back in the day,

cult stuff.

What type of cult stuff?

If you know anything
about Santa Cruz,

there's been
a lot of murderers,

a lot of serial killers
from this area.

I mean, we were told

we were the murder capital
of the world there

-for a while.
- Zak] Really?

[Tim] Yeah. This place was

used as a place
for devil worshiping.

-[Zak] Dark stuff. Bad stuff.
-[Tim] Dark stuff.

Do you think
that people have been

sacrificed inside
this building?

-Yeah.
-Okay.

Tim, thank you very much.

-No, thank you
for inviting me out.
-[Zak] I appreciate it.

[eerie music playing]

[Zak] Continuing
our gathering of details

before we enter
this terrifying building,

I ask someone who was
raised near Rispin Mansion

to meet with me and the guys

so we can get a deeper view

of the energy that exudes
from this evil edifice

then and now.

My name's Aubrey Graves.

I'm a paranormal author.

Here's what's going on
right now.

We have not entered
the building yet.

I wanted to wait
until the sun disappeared.

You're a local.

-Have you ever been inside?
-[Aubrey] No.

I've been coming here
since I was 13,

but I always
just stayed outside

when my friends would
come in here,

just because I did not
feel comfortable,

did not feel welcome here
at all.

I can sense there's, like,
really bad energies here.

[Zak] Growing up here,

what has been
the talk of this place?

After it was a monastery,

people said
that they saw ghosts of nuns.

-[Zak] It was a monastery?
-[Aubrey] Yeah.

-[Zak] Really?
-[Aubrey] Yeah.

You can't deny
how much darkness

this building generates.

[Zak] Why are
you twiddling your fingers?

-Are you nervous?
-[Aubrey] Yeah.

All right. We're going
to take a minute to suit up.

I'm going to get
my respirator on.

We're going
to get our gear ready,

and we will
enter the building.

[eerie music playing]

[Zak] We are
getting ready right now

to break the seal
of the Rispin Mansion.

We're on your homeland.

I think it'd be best
if you go in first.

Oh, hell no.

-[Aaron] Oh.
-[Aubrey chuckling]

-[Zak] All right,
are you guys ready?
-[Aaron] Ready.

[Zak] Okay, when we go in,

I'm rolling on a full spectrum
video camera.

The moment this door opens,

years of concentrated energy
pours out,

thick and heavy
like wet cement.

It's moments like this

I question both our safety
physically and mentally.

There is a ritual circle.

This is definitely evidence

of a ritual right
in the middle.

If there is something in here
with intelligence,

we challenge you right now

to show yourself.

Billy, I want you to go
in the center of that circle,

and I want you
to take Aubrey with you,

and I want you to do
measurements there.

[Billy] All right.

[Zak] Utilizing our tools,
our devices,

these are the doors
to the other side,

the platforms
for communication,

and the key
to thorough investigating.

There is no electricity
in here whatsoever.

So this is the type of place,
if we do get EMF hits,

it is
completely unexplainable.

So I want to identify

if there are portals here
from the rituals.

[Billy gasps]

You okay, Billy?

-[Billy] Uh, there was
a weird spike.
-Yeah.

-Did you see that?
-Yeah.

[Zak] A hit
like this is telling us

we're already in the middle
of something powerful.

Let's move.

We sense an uneasy energy
coming from the stairwell

that leads to the basement.

What do you feel
down there, Aubrey?

[Aubrey] Something really bad.

-[Billy] Zak...
-[Zak] Aubrey.

[Aubrey] Really, really evil.

[Aaron] Not good in here, man.

[Zak] Whatever is here feels
like it's giving us a tour.

Are we walking
with Henry Rispin?

Is he leading us

to the most dangerous
and active areas?

If Henry is our guide
at this moment,

I'm curious as to where
he will lead us.

-Aaron.
-[Aaron] Yeah.

[Zak] Do ITC.

[Aaron] What's
in this mansion?
In the basement?

[Zak] What is here with us?

[static]

[automated male voice]
The Devil.

-[Billy] The Devil.
-[Zak] The Devil?

-Did you hear that?
-[Aubrey] Oh, my--

[automated
male voice speaking]

-[Billy] The Devil.
-[Zak] The Devil?

[automated
male voice speaking]

-Did you hear that?
-It said "The Devil."

[Aaron] Are
you [bleep] kidding?

[Billy] Shoot her.
Somebody shoot her.

[Aaron and Jay] I got her.

[Aaron] The Devil.

[Zak] Can you tell us
how many of us are here?

[static]

[automated male voice] Seven.

-[Jay] Seven.
-[Zak] Seven.

There's seven of us.

[automated
male voice speaking]

[Zak] We are completely seen.

I'm blown away.

Again, I'm feeling led
by something

and it's bringing me back
to the ritual circle.

Everybody stand in a circle.

Is there
seven [bleep] circles?

-[Billy] One,
two, three, four--
-[Zak] Seven.

-[Aaron] Oh, my God.
-[Aubrey] What?

[Aaron] Are you
[bleep] serious?

[Jay] There are seven circles.

[Zak] Talk about
synchronicities

and intelligence.

This is chilling
on a whole different level.

The spirit just
told us "seven."

And now we discover

there's seven circles
for people to stand in,

in the ritual circle.

What happens now?

Can you give us the name

of the female lady
that's with us?

Can you give us
the name of her?

Or else I don't believe
you're here.

What's her name?

[static]

[automated male voice] Aubrey.

[Billy] Aubrey?

-[Jay] Oh, my God.
-[Aaron] What?

[Zak] What's her name?

-[automated
male voice speaking]
-[Billy] Aubrey?

[Zak] What's her name?

-[automated
male voice speaking]
-[Billy] Aubrey?

-[Jay] Oh, my God.
-[Aaron] What?

That makes me
just... [whimpers]

[eerie music playing]

[eerie music playing]

[Zak] We are
all beyond stunned

as we come to the realization
a spirit is here with us,

listening to us,

looking at us,

and who knows
who our guest is.

[Aaron] Let's go.
I heard it go. Let's go.

[Zak] I think we are
in direct contact

with Henry Allen Rispin,

which means I need
to find a historian

with the most
comprehensive knowledge

of both his legacy
and his downfall,

so when we do our lockdown,

we have total awareness
of the nature of this man

and his curse.

In that moment of doing
that spirit box session,

I just felt like I was
giving permission.

Like I was acting as almost
like a translator

between her, Aubrey,
and the male entity.

This is why
we use these devices.

The spirit is there
using the device,

using our energy
to speak intelligently.

And then, I don't know,
it was just in that moment,

I just was like,
looking at Aubrey,

and I just did not
want to be around her,

and I was getting
the same vibe from her.

Even ask her.
Where is she? Aubrey!

Real quick question,

uh, when you were in there,

did you feel any tension
with me?

You seemed angry
when we were in the circle

-at the end.
-Okay.

But I also changed too,
especially when I...

But you could feel that,

-that's when I felt angry
in the circle?
-Yeah.

Maybe, uh, the-- the lady

that you're going
to interview next,

I-- uh, I-- uh,
she's my enemy.

-[Zak] She's your enemy?
-[Aubrey] Yeah.

She's just been
very jealous of me

and basically I just stopped

publicizing my stuff
because of her

for a long time.

Tried to kill myself,

like two months ago
and almost died.

-You did?
-Yeah.

-Are you okay now?
-Yes.

I think this is all deeper.

I think what you just said

might have something
to do with it.

I'm glad you're still here.

-Oh, thank you. [chuckling]
-[Zak chuckles softly]

-Don't do that again.
-Okay.

-Stay here with us.
-Okay.

You know
what would be interesting?

She said
that lady's her enemy.

It would be interesting
to take her enemy

and put her
in the same circle.

We continue our investigation
with Mary Anne,

who was present
during the investigation

where a woman was
kicked down the stairs.

I hear her yelling,
and I turn around,

and she's down the stairs.

And then afterwards,

she thought somebody literally
had kicked her.

[Zak]
With the XLS camera running,

we once again enter
the mansion

and return
to the ritual circle.

Before we begin, I confirm
her relationship with Aubrey.

I don't know why,

but I feel like the energy
of their conflict could

bring a key
to open this circle

that was created as a portal.

And if we could peek inside,

maybe we could find the source
of the Rispin curse.

All right, Mary Anne,

do you know Aubrey?

-I do know her.
-Okay.

[Zak] Are you
on good terms, bad terms?

Not good terms.

-[Zak] Not good.
-Mm-mm.

[Zak] Let's try something.

[static coming
through machine]

[Zak] Can you tell us
the name of the woman

who's here now?

Ask him to tell you your name.

[Mary Anne] Tell me my name.

[Zak] What's her name?

[automated male voice
speaking indistinctly]

-[Billy] That's the man.
-[Zak] That's him.

[automated
male voice speaking]

Although we were not able
to make it out at the time,

we will discover
while reviewing the evidence

that a very threatening
message came through,

which makes what happens next
even more disturbing.

[Zak] Whoa, look at that.
Look at that. Look at that.
Look at that.

Oh, my God.

Look.

It's right behind her.
Look at that.

The figure seems to disappear,

and I direct Mary Anne
to hold the ITC device.

What happens next is shocking

and will be revisited
in the evidence review.

Whoa.

I just saw, like,
a huge black, like, mist...

-[Billy] Serious?
-[Zak]...come up
in front of her.

You're not allowed to hurt me.

[automated male voice
speaking indistinctly]

-[Jay] "I can resist"?
-"I can"

or "I can't resist."

-[Zak] That's him.
-Yeah.

[automated male voice
speaking indistinctly]

-That's the same guy that's
been talking since we started.
-[Aaron] "Now leave."

It goes "Now leave."

[Mary Anne] It feels like
the temperature dropped.

[Zak] Hey, the man
that keeps talking,

what's your last name?

[automated male voice
speaking indistinctly]

"Rispin."

Henry Rispin?

[automated male voice
speaking indistinctly]

[Zak and Billy] Did he say
"Henry Allen"?

Who built the mansion.

[Zak] I'm telling you,

that's the guy
I saw behind her

that is now speaking.

It's absolutely incredible

that the only voice
we're hearing is

this same man.

As incredible
as the audio captures are,

we decide to quit
while we're ahead

and start to organize
what we have captured

for the evidence review
tomorrow.

We have yet to realize

how truly historic
this investigation is.

In a show
of Capitola's support

for the investigation,

we've been permitted
to use City Hall

for our evidence review.

I don't think you guys know
how much happened

during these two interviews
with Aubrey and Mary Anne.

-Really?
-Yeah.

We're gonna start
with the second

that Zak had Aubrey
and I go into this circle.

-[Zak] Boom.
-[Aaron] Whoa, that went
off the chart.

-36.6 spike. Yeah.
-[Zak] Yeah. Okay.

-Yeah, it never went--
it never did that again.
-Okay.

After that, the Polterpod,

you asked
the question out loud.

[Zak] Can you tell us
how many of us are here?

[automated
male voice speaking]

-Seven.
-Seven.

-This is all within a couple
of minutes time.
-[Zak] Mm-hmm.

Listen how clear
the voice of this man is.

[automated
male voice speaking]

-Fear.
-Fear.

-[automated
male voice speaking]
-Do it.

- automated male voice] Heart.
-Heart.

[automated
male voice speaking]

And then...

-[automated male voice] Stop.
-[all] Stop.

[automated
male voice speaking]

Heart stop.

Stop your heart.

If that's a command

he's giving
to something else there,

that's pretty frickin' scary.

Zak, you had

the full spectrum camera
pointing into the next room.

You didn't even know
that you captured this?

-I wasn't watching this.
-Right.

But you actually captured...

Watch this.

Whoa!

-Whoa, dude.
-Yeah.

-What was that?
-What?

You never know
when evidence will surface,

which is why we keep

our sensitive devices
recording at all times.

I had no clue
that I captured this.

-Wow.
-Dude...

After all this happened,

we walked back to this circle

and we placed the Polterpod...

-[Zak] In the center.
-[Billy] ...in the center.

-Where we got the spike
of electromagnetic energy.
-Right.

[Zak] Just when Aubrey was
with us.

Can you give us
the name of her?

-[Billy] Right, you asked--
-[Zak] Yeah, right.

[Zak] What's her name?

[automated male voice] Aubrey.

-[Aaron] Aubrey?
-[Jay] Oh...

-"Aubrey." It says her name.
-[Zak] Let me hear it.

-[automated
male voice speaking]
-[Aaron] Aubrey?

-[Aaron] Dude.
-It's there.

[eerie music playing]

[eerie music playing]

-We have our next interview,
which is... Mary Anne.
-[Zak] Mary Anne.

You brought in the XLS,

-and we're shooting
Mary Anne...
-[Zak] Mm-hmm.

-...standing
in the same place.
-[Zak] This was incredible.

The same place

-that Aubrey was
standing, okay?
-Watch.

[Zak] You said Aubrey's name.

Now say hers.

-Look. The floating--
-[Billy] Whoa, look at that,
look at that, look at that.

- Zak] I know.
- Billy] Oh, my God.

A black ball anomaly shot
behind her.

-Oh, my God, it did!
-Oh, it did that.

Watch-- Watch over here.

Three, two, one, boom.

-Comes in right to the figure.
-Oh, yeah, it did!

[Zak] Right to the figure.

[Billy] Whoa. Look at that.

It's literally just
behind her.

-[Zak] It's behind her.
-[Aaron] Yeah.

[Zak] It's like trying
to get inside of her.

[Aaron] Gone.

-Gone.
-[Zak] Wow.

And then this then.

Whoa.

That black anomaly just
came at the camera.

Yeah, it got bigger

because it came closer
to the camera.

-[eerie sound]
-Last thing.

-Back to the voice.
-Okay.

[automated male voice
speaking indistinctly]

Stop.

"Trap a soul"?

[automated
male voice speaking]

It's the same guy,
and he says more.
You want to hear more?

"Trap a soul."

[automated male voice]
Hard to resist.

"Hard to resist."

[automated
male voice speaking]

-The same voice.
-So clear.

-Dude, so clear.
-This is the most important.

We think
his name came through.

Last name first.

[automated male voice]
Ris-pin.

[all] "Ris-pin."

[automated
male voice speaking]

[automated male voice
speaking indistinctly]

"Henry Allen."

[automated
male voice speaking]

So, this is incredible.

I want to know more
about Henry Allen Rispin.

We're going to go meet
with somebody.

-She knows everything
about Henry Allen Rispin.
-Awesome.

If we can
get him back tonight,

we need to have
a lot of knowledge

-about who he was.
-Mm-hmm.

-[Zak] So that we can
get even deeper...
-I agree.

[Zak] ...and get the answers
we truly want.

[eerie music playing]

[Zak] We arrive
in downtown Capitola

to meet with local historians
Deborah and Carolyn.

If we are
to continue communicating

with Henry Allen Rispin,

we need to understand

the nature of the curse
the mansion is under.

We're going to go meet them,

but we're going
to hop in a cab.

-It's a little bit down
the road over here.
-[Jay] Here's one.

-Should I flag this one?
-Yeah, flag this one down.
Right here.

-[cab honks]
-[Jay] Perfect.

-[Jay] Very nice.
-I call shotgun.

-[Billy] What are you doing?
-[Aaron] Shotgun.

[big band jazz music playing]

-[Zak] It's good right here.
-[tires screech]

[Zak] My legs,
I need to stretch them out.

That was
a hell of a ride. [strains]

Although a long drive,

it's worth the reward.

What can you tell me
about his life

and how
this whole building was
built there?

[Carolyn] I mean, Rispin,
his idea was to come in

and quickly make a profit.

[Zak] Mm-hmm.
So did Rispin fail?

[Carolyn] Yeah,
he overextended himself.

He tried to do more
than he had money for.

-He builds the mansion
in what, '21?
- Deborah] '21.

[Carolyn] And then by '23,

he's already eager to sell.

He wants to divest himself
of Capitola.

[Zak] Of all of-- he just
wants to get out of here.

Why would you give up
on everything

and want to leave?

He was trying to attract
other wealthy people

to come to Capitola.

Why did people not come?

Nobody knows, really.

That's why the mystery.

It should have succeeded.

So what happened to his life
after 1922-23,

when he loses the mansion?

Poof, he's gone.

-He's gone. Where's he gone?
-He's gone.

Nobody knew where he went.

And he dies totally penniless,

and that's why he's buried
in a unmarked grave

-at the Olivet Cemetery
up in Colma.
-Wow.

So what is this whole
Rispin Mansion curse?

It wasn't a place that was
welcoming to people.

It was always
this odd building

down by the creek.

And it dominated
the whole landscape.

After the Rispin era,

after Poor Clares,

-it sat there.
-Yeah.

It sat there for 20 years.

Nothing that was ever proposed
for the Rispin Mansion, hotel,

retirement center,

all these ideas were proposed,

none of them succeeded.

Nothing has ever worked there.

-Nothing?
-Nothing.

This is where
the curse comes in?

The whole
Rispin Mansion era thing
has been mysterious.

[Deborah] Yeah, it has to be
something more to it.

It has to be
something more to it.

I needed this information.

[eerie music playing]

We are getting ready right now

to begin
our lockdown investigation

here at the very cursed,
the very abandoned,

the very haunted,

the very terrifying
Rispin Mansion.

We are the only second group

to ever be allowed access
to investigate this place.

The last team
that investigated this place,

the mayor had
to shut them down,

because of him even witnessing

a lady being attacked
by this entity.

I believe this entity may be
Henry Allen Rispin,

who we made contact with

for an extended
communication session,

one of the most incredible
communication interaction

that I have ever witnessed

and that we've captured ever.

Hey, the man
that keeps talking,

what's your last name?

[automated
male voice speaking]

"Rispin."

Henry Rispin?

[automated
male voice speaking]

-Did he say "Henry Allen"?
-Did he say "Henry Allen"?

You got to remember,

this whole property is said
to be cursed and haunted.

There's been two people
that have died here

that we know about,

that have been documented,

and very mysteriously.

And their bodies were found

right next
to the mansion outside.

So once we pass this gate,

we say a prayer and we hope

that we get through
this investigation safely.

As we prepare

for our lockdown
investigation,

Jay will be monitoring

a live surveillance
nerve center.

And almost immediately,

it seems as though
our cameras are

recording activity.

So right now,
we're just setting up.

And we're getting ready
to begin.

And we're starting to see

some weird black shadows
on this camera here.

And so we went
full screen with the camera

to see if we can get
a better eye on it.

After closer examination,

these dark shadows are
just bats.

[eerie music playing]

So as we go inside,

I have this new device,

invented and engineered
by Bill Chappell.

This is a prototype,
so nobody else has this.

You wear it on your wrist.

And it has
a built-in thermal camera.

There's a thermal gradient,

a thermal high-low.

There's a tracking camera.

There's a yes-or-no
communication feature.

There's an ITC feature.

There's a phonetic generator
in here.

Spirits can use the device

to put together the phonemes
to make speech.

There's a "Light 2 Sound."

What it will do is

it'll transform unexplained
light manifestations

into audio.

There's a shadow detection
device.

So if I press
the "Shadow Detection" device,

you can see this here.

It gives the coordinates
of where the shadow is.

And then here, you can
see it's detecting.

So I'll go here,
scroll up to ITC.

I'll ask the question now.

Henry, are we okay
to walk inside now?

Is there anything
that's going to happen to us

if we do come in?

[eerie music playing]

[Zak] Oh, my God.

-[Billy] What?
-[Zak] "Is there something

that's going to happen
if we go inside?"

It just said "boot."

-[Billy] I got it.
-[Aaron] Dude, that's like
the girl got kicked.

[Zak] What kind
of print was on her

-when she got kicked?
-[Billy] A boot print.

A boot print.

And it just said "Boot."

They all witnessed
a lady being violently kicked

down the stairs

with a boot print on her.

It is now time for us
to enter the Rispin mansion.

Henry, we just heard

that a little girl went
missing in here

and she was never found again.

We just heard that

from a uniformed
police officer.

As we head to a room

where a pentagram is
on the floor,

said to be a ritual site,

Billy sets up
the motion detection strip

directly over it.

[Billy] That sweeping blue dot
you see is

to show that it's working.

The sensor at this end
of the rope will sense

-any movement along this area
based on the floor.
-[Zak] Hey.

[Billy] What?

I just had a really bad
[bleep] stomach pain.

-[Aaron] For real?
-[Zak] Yeah, that's weird.

[Billy speaking indistinctly]

[Zak] I don't want
to acknowledge it,

'cause I don't want
to empower whatever's here.

I have a sharp stabbing pain
in my stomach

as we are near this pentagram.

Now I can't prove
this is being caused

by a malevolent spirit

or this said-to-be
satanic portal,

but it is coincidental timing.

[eerie music playing]

[Zak] Henry!

Can we see you, Henry?

Where did that little girl go?

Another staircase here
goes down another level.

I don't know
how many down we're right now,

two or three.

We decide to head
back to the room

where we caught
the very compelling mist form

using our specialized
full-spectrum camera.

[Billy] Aaron, you know
what you should do right here?

-Is that
your ultraviolet polaroid.
-[Aaron] Yeah.

[Billy] You should set up

next to that UV light point
this way.

This is where the mist was
captured, right here.

-[Aaron] Oh, okay.
Yeah, yeah, yeah.
-[Billy speaking indistinctly]

Shoot this direction,
use that UV light,

and Zak was right here.

-So that means
the mist was right here.
-[Aaron] Yeah.

-[Billy] All right, Aaron,
we'll be right back.
-[Aaron] All right.

[Billy] What are
the readings in here, Zak?

-[Zak] 0.2.
-[Billy] 0.2, that's normal.

So how did we get a 36,

a 36.6 in the center
of this circle?

Is this a portal?

[Zak] At this point,

Billy strays off towards
the basement levels

without me,

and I have no idea
where he went.

Bill?

Bill?

-Hey, Aaron?
-[Aaron] Yeah.

[Zak] Billy's not over here.

-Hey, Zak.
-[Zak] Billy?

Zak!

Come here right now!

-[Zak] Something's
not right here.
-[Aaron] Hey.

Something was just
crawling underneath this.

[Zak] What?

Dude, it sounded

like someone's underneath
the floorboard.

[eerie music playing]

[Billy] Right now, I'm down
in the boiler room.

I'm by myself.

This is the lowest point
in the entire mansion

that you can possibly go.

And I'm using the Ovilus 5.

And we're going to see
if we get any responses.

[automated male voice] Child.

Oh, it says "child."

We heard
that there was a child missing

from this property years ago.

Do you have
any more information

about what happened
to that child?

[automated male voice] Hobble.

-[eerie music playing]
-[Billy] "Hobble."

That's usually when they...

break their ankles
so they can't escape.

[Zak] Hobble, defined
as a form of torture,

is the repeated blows
to someone's ankles and feet

to immobilize them.

[Billy] Was she kidnapped?

[automated male voice] Solid

hair...

nail.

[Billy] Oh, my God.

Was she used for a ritual?

[Zak] The reason we continue
to use the Ovilus is

because of messages like this.

And by Billy piecing
the words together out loud,

he could gain a reaction
by a spirit.

Is something telling him

the missing girl was
beaten and tortured,

then her hair
and nail were used

in a dark summoning ritual?

[Billy] Oh, my God.

[eerie music playing]

[eerie music playing]

Who the [bleep] is
under the floorboard?

I'm not [bleep] kidding, Zak.

Who the [bleep]? Come here.

I swear to God, dude,

I'm not [bleep] kidding you.

You come walking over

and I'm almost there

and it just sounds like
someone's underneath
the floorboard

crawling on the ground.

[Zak] Oh.

Billy?

[Billy] Yeah, down here!

I'm in the boiler room!

At the very, very bottom!

After regrouping with Billy,

we head back upstairs
to the room

where Aaron was taking
extended exposure UV Polaroids

to check
the now-developed pictures.

[Aaron] What
the [bleep], dude?

Come here.

What the [bleep]?

[Zak] What?

[Billy] What?

What?

-[eerie music playing]
-[Billy] What?

Dude, what...

Wha--

[Billy] What's wrong?

Look at the Polaroids.

[Billy] Oh, my God.

[Billy and Zak] What?

Aaron is speechless

as he discovers

several of the photos have
very strange patterns on them.

[Aaron] I have never,
never seen this.

[Billy] What is that?

[Aaron] Holy moly.

What?

-[chuckling nervously]
-[bleep]

Oh, bro, what the [bleep]?

Look, look, look, shoot this.

I'll show you, like,
not in night vision.

-[Billy] Yeah.
-[Aaron] Okay.

[Billy] There's no pattern
on the lens.

There's the lens.

[Zak] Billy immediately
inspects the camera

to make sure the lens isn't
broken, cracked, or dirty.

You just picked those up.

I filmed you picking them up.

Hold them down just so I can
shoot them right here.

We did not touch these
in any way.

They have some weird pattern
on each of them.

Zak, this is where
that mist was, right here.

Literally right here is
where the mist was.

[Zak] We take the photos
back to nerve center

for additional examination.

[Aaron] This kind of all looks
the same up top,

but not really. Look!

-It's a story!
-It's still all different.

-[Zak] All different.
-[Aaron] What the [bleep]?

[Zak] You ever seen
anything like that?

-[Aaron] I've never seen
anything like that.
-[Zak] Hold on, Jay.

[Aaron] Dude.

-Oh, yeah, there's
no pattern on the back.
-There's nothing on the back.

[Jay] Right, it's not like
damaged or anything, right?

[Billy] No,
these are all clean.

That's something
in the actual film itself.

-[Zak] I mean,
are they symbols?
-[Aaron] Oh, yeah.

[Zak] Are they...

[Aaron] Yeah, that one would
be going up into there,

and that one goes there.

-Holy [bleep], dude.
-[Zak] Oh, my God.

-Look at that.
-No way.

-[Zak] Oh, my God!
-[Aaron] Get away!

[Zak] As Jay observes
the photos,

he discovers
that when they are

put together,

the patterns connect
like a puzzle.

[Jay] It's so complex,

-and the lines are perfect,
almost like a tree.
-[Billy] Mm-hmm.

[Jay] But, look,
it looks like art.

-I mean, a kid
or a high school kid.
-[Zak] Yeah.

That's just bored in class.

[Billy] Yeah, like a crayon
or something.

[Zak] And it's like,
a different pattern

on every photo.

-It's not the same.
-[Aaron] Yeah. No.

-[Billy] They're unique,
like a finger print.
-[Zak] It's all different.

Like, literally, somebody took
a marker or a crayon

and was just drawing shapes.

You could actually tape
that down and connect it.

[Zak] Look at how
this line carries over

exactly into that.

-[Billy] Same. Right.
-[Aaron] Yeah.

[Zak] And then this, look at--

these go together.

-You see the lines up here?
-[Jay] Yeah.

[Zak] This line here connects
with this line.

-[Aaron] Oh, my God.
-[Zak] And that design.

-Now look at this.
-Like, this whole circle.

-One, two, three...
-[Zak] Now look at this.

I call these like, roots.

-[Jay] Yeah.
-[Zak] The roots
all go together

on the bottom of these photos.

And look!

This line here connects
with this line.

That goes there.

These roots combine
with those roots.

Do you see the one
in the middle, too?

-Like, even this,
like, loops up...
-[Zak] I know.

[Jay]...and then goes over
to that diagonally.

Here's the question.

You just captured four pieces
to, like, a puzzle.

Yeah.

We just figured out

how to put
those four pieces together.

They go together perfectly.

What does that mean for us?

[eerie music playing]

[Zak] Aaron wants to go back
and take another photo

to see
if more patterns emerge.

[Billy] Okay,
there's a shot of you.

[Aaron] Okay, I'm getting it.

[machine whirring softly]

Okay, come here.

-[Aaron] Take it.
-[Billy] Okay, got it.

It's developing.

So right now, we came back
to the exact place

where the Polaroid camera is.

And what we want to do is

we want to take
a couple more pictures,

and see how these turn out,

to see
if these continue to have

this weird design symbols.

I don't know what it is,
black shadowy lines?

And we're just waiting to see
what happens with these.

As the photo develops,

Aaron notices
a large mist or anomaly.

[Aaron] Whoa, now there's
a big spot on the bottom.

[Billy] Yeah, there's
a big spot on the bottom.

What is that?

[Aaron] Dude, what?

[Billy] None
of the other photos
have that in it.

-[crashing]
-[Aaron] Whoa! What
the [bleep] just happened?

Holy [bleep], dude.

[Zak] You guys,

my [bleep] heart's gonna stop.

I swear to God,
I gotta calm down.

[sighs]

We immediately head
to the area

where the sound came from

and find a board laying
on the ground.

Did this fall due to gravity?

Or could
Henry Rispin have done this

to try and scare us
out of his home?

[Aaron exclaims]

What the [bleep]
just happened?

[Zak] We decide to head back
to the main ritual room

where we believe we spoke
with him the previous night

to see if he will come back
and talk to us about this.

[Aaron sighs]

[Zak] Aaron will use
the same ITC device we used

when we made contact
with the man last night

who we believe
to be Henry Rispin.

[static]

[Billy] Henry, can
you come back and talk to us?

[static]

[automated male voice
speaking indistinctly]

[dramatic music playing]

[Zak] This is
beyond incredible.

This is the same exact voice

we heard last night
talking to us,

who we believe
to be Henry Rispin.

[Aaron] Henry, can
you come back and talk to us?

[static]

[automated male voice
speaking indistinctly]

[eerie music playing]

I can't believe,

a separate night,

the only voice
that we captured so far,

the same exact guy
from yesterday.

[Billy] Clear as day!

[eerie music playing]

[eerie music playing]

-[static]
-[Billy] Thank you, Henry.

[automated female voice
cutting out] Help.

[Billy] Help!

[lady chuckling]

[Billy] Oh, my God!

[Zak] We now hear
a female ask for help,

followed by some
terrifying laughter.

[Billy] Thank you, Henry.

[automated
female voice speaking]

[Billy] "Help."

[automated
female voice speaking]

[Billy] "Help."

[Billy] Oh, my God!

[Zak] And shortly after this,

we capture a light anomaly
shooting down at us

right into
the Polterpod device.

[eerie music playing]

Guys, did you hear
that lady laugh?

[Aaron] She laughed at us.

-[mimics laughter]
-[Zak] I've never heard
a laugh like that, that clear.

Oh, my God, dude.

[Zak] Hey, who was
laughing at us?

[automated male voice
speaking] You're next.

[Billy and Zak] "You're next"?

[Aaron] "Your neck",
or "You're next."

We have to stay safe.

[Zak] Hey, Henry, we don't
want any trouble, okay?

[static]

[Zak] Who was that lady
that laughed?

Hey, who's here with us?

[automated male voice]
They're coming.

[eerie music playing]

[Zak] Incredibly,
we believe without a doubt

this is Henry Rispin

referring directly
and intelligently

to my question.

Hey, who's here with us?

[static]

[automated
male voice speaking]

[Billy] "They're coming."

[automated
male voice speaking]

-[Billy] "They're coming."
-[Zak] There it is,
"They're coming."

[Billy] Cold air.

Cold air around us.

[static]

[Billy] It's on my back.

-Freezing cold.
-[Zak] Are we in danger?

[Billy] Did you do that
to the pictures?

[automated female voice]
Listening.

[all] "Listening"?

Did you do that
to the pictures?

[automated
female voice speaking]

[automated
female voice speaking]

[all] "Listening"?

[Zak] As we conclude
our investigation

and broke the seal

of this very mysterious
mansion

connected
to unexplained deaths

and a missing little girl,

we are still very stunned

at the level of evidence
we documented.

This mansion has many portals,

and I believe we unlocked them

by putting
the puzzle pieces together.

And even though
Henry Rispin is still here

and communicating with us
as though he is still alive,

[automated
male voice speaking]

[Zak] ...he is not alone
in his house.

[automated
male voice speaking]

[Zak] And this is
why he is so angry.

[Aaron grunts] What
the [bleep] just happened?

[eerie music playing]