Original subtitles

(bright music)

(rousing inspirational music)

(dramatic inspirational music)

(dramatic music) (logo whizzing)

(solemn music)

(solemn music continues)

- These cliffs, they remind me of the wrinkles

on a wise old man's face,

full of stories, legends.

Epic adventures happened here, and major battles.

A long time ago, the rock giants

arrived on Earth and they endangered our very existence.

And just when everyone thought it was too late,

a legendary creature descended from the sky,

and it was so powerful that it resonated

with the air like thunder.

(thunder rumbles)

The Thunderbird battled the giant and defeated it.

When the battle was over, it didn't leave.

It stayed and is watching over us,

high up in the mountains above the clouds,

because the rock giant's still here,

waiting for the day when it can rise again.

I have something I want you to have.

It served its purpose for me.

It's a Thunderbird talisman.

I hope it will keep you safe.

(solemn music)

- [June] But Dad, you're protecting us.

- Sweetie, I'm only on this Earth

for a, a brief time in history.

The Thunderbird's forever.

(solemn dramatic music)

(dramatic music)

(bird screeching)

(slow bright music)

(slow dramatic music)

(dramatic music)

(car whooshing)

- Hard right, now!

(car engine rumbling)

(car tires crunching)

(soft suspenseful music) (wind whooshing)

Cory! Come on, man, we gotta record this.

(dramatic rock music)

Hey! Come on!

Morning. - Morning, Mark.

(car door thuds)

Hey. (gentle bright music)

- Cory, I want you to make sure

that you're getting close on Alice, okay?

(Mark groaning)

(keyboard keys clacking)

(Mark grunts)

Yeah. Yeah. (screen trilling)

All right. This (chuckles) is Alice Wright.

Now she developed pretty much every instrument

that you can see here.

- Problems?

- Just some last minute logistics.

- Because if there's a problem I need to let corporate know.

- [Alice] Susan, everything is fine.

- Who is this guy and why does he have a camera?

- Yeah, (chuckles) wait, um,

we're about to make history here, Ms. Klaas,

and you don't want a, a record of it?

But besides, he's signed all of your NDAs.

That's right?

- Yeah, but I don't even know why I'm here.

- Good. Because you're not here.

None of us are here.

(computer beeps) (screen trilling)

(Mark sighs)

- [Cory] Mark, is, is this even legal?

- Hey, new guy, she's the one that pays our bills.

(keyboard keys clacking)

Mark, what's our window?

- Uh, oh, we lose the window in four minutes. Okay.

- [Alice] Four minutes, okay.

- All right, today we make history,

thanks to a coordinated effort between our team here

on the surface of the Earth

and the PAX orbiting space station.

Today we are about to execute

the first teleport experiment ever attempted.

Now we're gonna start with a small object

and then we're gonna move to bigger objects,

and then hopefully biological elements.

- Yeah, but we need the transmitter

to be perfectly aligned with PAX's orbit.

- Three minutes!

- Okay, in three minutes, PAX's orbit

will be perfectly aligned with us and well,

hey, you, you can't see it, only we can see it,

but um, that's when we're gonna make the transfer.

(computer trills) - Here they are.

PAX, Thunderbird One here, do you copy?

(upbeat music)

(slow dramatic music)

(computer trills)

- [Computer] Incoming transmission from Thunderbird One.

- [Mark] PAX, this is Thunderbird One.

You're entering our communication space.

Do you copy?

(computer trilling)

- [Computer] Commander on speakers.

- [June] All personnel at stations.

We are entering the transverse window.

(dramatic music)

(slow dramatic music)

- [Computer] All procedures initiated.

(slow dramatic music) Entering in three sequences.

- Sir?

(slow dramatic music)

(computer beeps)

- [Computer] Attention, gate opening.

(dramatic music)

(suspenseful music)

(gate creaks)

Gate open.

(keyboard keys clacking)

This is not a simulation.

Receiving the target.

- Who's monitoring the storm?

- The storm is miles away.

- We won't have time to reposition if this storm-

- The storm is stationary.

- Storm holding steady, sir.

(air whooshing)

- They should've brought the plasma cannons.

They're gonna need the boost if this storm interferes.

- [Computer] Incoming transmission.

(static hisses)

- Good morning, everyone.

- We're busy, June.

- Be nice.

- Monitors up.

- Monitors are up.

(screen trilling)

- [Computer] Countdown to transport initiated.

(dramatic music)

- Go ahead.

- Countdown confirmed.

All system holding.

- We got a Condition Red at the receiver.

(receiver whirring and clicking)

- [Computer] Receiver engaged.

All levels sealed.

(dramatic music)

Projector locked.

- Projectors one and two locked.

- [Computer] Five, four, three, two, one.

Projector locked.

- [Kyle] Projector three locked.

- This is as far as we have ever been able to get.

(dramatic music) (static hissing)

(screen humming) (upbeat music)

- Alice! Get out of there, it's time.

(bright upbeat music) (energy humming)

(screen trilling)

(bright upbeat music continues)

- [Computer] Emergency: energy levels at security point.

- Energy levels are too high. We need to abort.

- No!

- We can't afford a structural damage.

- The station will hold. Trust me.

It will hold.

- System alert. (alarm blaring)

(static hissing)

Emergency! Emergency!

(energy humming)

(uplifting upbeat music)

(uplifting upbeat music continues)

(uplifting upbeat music continues)

- Check the receiver.

(suspenseful music)

- We did it!

- (gasps) Well done, everyone.

(screen whooshes) - Transfer completed.

- Yes! (chuckles) Thank God, we did it.

(air whooshing) (gentle suspenseful music)

(fire crackling)

(upbeat rock music)

(upbeat rock music continues)

♪ On top ♪

♪ Standing on top of the world ♪

♪ Everybody rocks ♪

♪ Hey, hey, hey ♪

♪ Everyone's in shock ♪

♪ Standing on top ♪

♪ On top of the world ♪

(fire crackling)

- Thank you.

(Cory sighs) (screen trilling)

- [Computer] Incoming transmission.

- Dr. Wylde, congratulations. We made history today.

- Yeah, you sent a trinket into space. Good for you.

- Hey, Alice. Good job today.

- So what about June? Hmm?

Do we get to see her finally?

Maybe it's time to reconnect the family.

- I just wanna talk to Alice about tomorrow's test.

- You can talk tomorrow.

- Never put off until tomorrow what you can do today.

So- - See you later!

(screen trills)

(upbeat rock music)

- (scoffs) Good night.

- Were they?

- Yes, they are in space.

- Wild. Who is June?

- My big sis. Yeah.

All of this, passion for space, Thunderbird project.

It all started from our father.

(melancholic music) (fire crackling)

- Is he?

- Yeah. And he's up there somewhere.

(solemn music)

(Alice sighs)

Look, I need to get back to the lab at ground control.

I wanna look over our data.

- Can I go with you?

- Uh, (chuckles) no.

Stay here and help 'em pack.

- Okay.

(solemn music)

(Alice sniffles)

(footsteps crunching)

(Mark sighs)

(wind whooshing) (footsteps tapping)

- Headed back to the lab?

(car door thuds)

- (scoffs) You're more nervous

trying to make a human connection

than actually sending people into space.

Susan, we got fire,

we got beers and the stars.

This is your chance. This is your chance.

(wind whooshing)

(car door clicks)

(car door thuds)

- This and that'll light up. Oh, oh.

Oh, hey look, uh, it's time.

Come here. You need to see this.

All right, (sighs) um, now you can't

see this during the day,

because there's too much light,

but when it's dark, go ahead.

- That is freaking cool.

(air whooshing)

- She didn't wanna-

- [Computer] Danger!

(asteroids whooshing)

(asteroids crashing)

Impact. Impact!

(alarm blaring) (ship rattling)

Impact!

(glass clattering)

Danger!

- I didn't know there was so many shooting stars up there.

(cameras whirring)

- Cory. Cory, Cory, get up.

Take this. Take it, take it.

- [Cory] Okay.

(suspenseful music)

- [Mark] We've got a problem.

- Oh my God! (asteroids crashing)

- [Mark] Help me!

- Oh my God! Mark! - Come on.

(explosion crashing)

(all panting) Come on.

(dramatic music) - Mark!

Mark! Come on! - Keep going!

Keep going! Come on, Mark!

Let's go. Mark!

What the hell are you doing? We gotta go, come on!

(asteroids whooshing)

(Mark groans) (asteroids crashing)

(dramatic music)

(rock clattering)

(asteroids whooshing) (asteroids crashing)

(suspenseful music)

- Ground control, do you copy?

We've just been hit with an apparent asteroid swarm.

The station has been damaged.

We're still operational,

but I'll transmit a damage report

as soon as all sectors have reported in.

(screen trills)

- [Computer] Pressure system activated.

(suspenseful music) (alarm blaring)

50%.

80%.

Gravity restored.

(dramatic music)

(soft suspenseful music)

(door whirring and whooshing)

(June grunts) (air whooshing)

(dramatic music) (June panting)

(June groans)

(dramatic music) (air continues whooshing)

(case whizzing)

(June screaming)

(air whooshing) (June panting)

(dramatic music)

(suspenseful music)

(June screams)

(metal creaking)

(button trills) (door whooshes)

(June gasps)

(June panting) (dramatic music)

(screen trills)

- We have a breach at level seven.

Please report damages.

(eerie suspenseful music)

(eerie suspenseful music continues)

(gentle bright music)

(gentle bright music continues)

(gentle bright music continues)

- Oh. (groans)

(gentle bright music)

- Oh, damn!

This is all destroyed.

Cory, will you check to see if the Jeep still works?

(car door thuds)

(car engine rumbling)

- We're good to go.

(gentle foreboding music) (cases clattering)

(gentle foreboding music continues)

- No! Oh, no, no, no!

Oh no.

(Cory groans) (Alice exclaims)

(Mark sighs)

Did we lose any more equipment?

- Well, one of the transmitters got trashed by the storm,

but (clears throat) we can probably repair it here.

(sighs) I haven't been able to make contact

to ground control since then.

- Yeah, well they probably lost their communications too.

What about the actual send unit?

- Well, I mean, it's banged up but it's operational.

- Okay, well, we should probably contact PAX

and tell them what the heck just happened here.

I mean, we're gonna have to delay the organics test.

- Oh (chuckles) yeah.

Dr. Stewart's not gonna be crazy about that,

but that is the least of our worries

because the storm trashed our link to PAX as well.

Probably the asteroid swarm

took out some of their equipment too.

I've been outta communication with them

since the start of the storm.

- Oh crap, okay, well, do you think

you can make any of this work?

- Let's see.

All right, batteries are okay.

Um, the main console is still good, so.

- Okay. - I mean,

outside of the communication system

and some wire DI,

I can probably fix everything, yeah.

- Okay. Well, you know what, these, these should work.

I mean, we'll have about, I don't know, a 10-mile range

and ground control is about 60 miles out.

So if I'm going full speed there and back,

we'll be outta communication for about two hours.

- Yeah, I can survive with that.

- Okay, great.

- Alice, you can't go by yourself.

You don't know what you're gonna find out there.

- Uh, I'm not gonna go alone. Susan, you come with me.

- I may be more useful here.

- No, Cory's right.

And it's better to have more options on your way.

Look, I-I'm good here. You guys go.

- I insist. My financial and technical interests are here.

- Look, I will contact you every 10 minutes

until we're outta communication, okay?

- Okay. - Right,

let's do this.

- Be careful.

(suspenseful music)

(door rumbles and whooshes)

(John panting)

(door whooshes and clicks)

(suspenseful music)

(John continues panting)

(suspenseful music continues)

(static crackles) (screen trills)

(John continues panting)

- [John] Oh!

(suspenseful music continues)

(John panting)

(keyboard key clacking) (screen trills)

- [Elisabeth] John?

- [John] I repaired the leak in the section

aft of the hydroponics lab,

but I need to check in with the doc

before I do anything else.

I cut myself on one of the damn rocks I found inside.

- Would be great if you could get it fixed

before Stew wakes up.

He's determined to do that test today.

- [John] If he can do it any faster,

he's welcome to do it himself.

- John, I really appreciate what you're doing.

Do you have any samples?

- [John] Anything else I can do for you?

(John sighs)

(soft slow suspenseful music) (air whooshing)

(slow suspenseful music)

- Good news, no fractures, but not so good,

your DMX test shows bone density

is decreasing exponentially.

- I knew this was a risk.

- How's the pain?

- Comes and goes.

Don't look at me like that.

(Dr. Singh sighs)

- June, your articular cartilage and inter vertebral disc-

- Oh, come on, Doc, stop throwing medical jargon at me.

- All right, let's put it like this.

If you don't take the next shuttle back down to Earth,

you will lose all mobility.

Forget about walking. You won't be able to turn over in bed.

- My work here isn't done.

There's still the teleportation experiments.

I can't leave the work undone.

(solemn music)

- Reminds me.

For you. Special tele-delivery.

(solemn music continues)

Now every astronaut develops osteoarthritis

with exposure to microgravity,

and you've been here how long?

June, you've done great work here. Pioneering work.

You, you, you've done the hard part.

You can rest on your laurels.

Let someone else do the job.

- It's not just ego.

(solemn music)

Daniel Habid had been training for this job forever.

He'd be awesome.

But my condition is incurable,

and I'd be in a lot more pain in the higher gravity.

- I'm going to add Celecoxib into your milkshake.

- Does it come in chocolate?

- It tastes like mortadella.

(June chuckles) (keyboard keys clacking)

(John panting)

- Dr. Singh! Ma'am.

Ma'am.

- Oh, that looks nasty. What happened?

- [John] Something caught me.

- Right through the Kevlar glove.

Do you think there's any foreign debris in there?

- I don't think so.

(screen trills)

(John yells)

- Good, you still have feeling.

We'll have the analysis back later today.

- I need to get back to work.

- No, no, no. I think you should stay right here.

We're gonna keep an eye on you.

- Uh, John, did you happen to collect some samples?

(suspenseful music)

- Ah, well, they just look like rocks.

Sometime rock is just a rock, you know?

- It just strikes me as more than a coincidence

that minutes after a successful teleportation experiment

we've been hit with the worst asteroid swarm

since PAX was constructed.

It's almost as if we woke something up.

I'll take these to Dr. Stewart for analysis.

Thanks, Doc.

- No problem.

You might as well get comfortable.

(John groans)

(soft suspenseful music)

(suspenseful music)

(dramatic rock music)

(upbeat rock music)

- [Alice] Mark? Mark, do you copy?

- [Mark] Loud and clear.

- All right, we're about nine miles away from you,

so this will probably be our last communication.

- [Mark] Okay. Well, keep going, we're good here.

Transmitter's almost repaired.

- [Alice] Awesome, okay, well, hang tight and we'll be back

before you start getting too hangry.

- [Mark] (chuckles) Okay. Be careful out there.

(static hissing) Over and out.

(signal trills) - (chuckles) Over.

(dramatic rock music) (singer vocalizing)

Turn right here.

Ground control should be right up this road.

(dramatic rock music)

- Sorry to disappoint you,

but I don't think we're gonna make it there.

- What do you mean?

- When we first started the tank was full.

Now it's almost empty.

I think one of the rocks must have hit the tank.

- Okay, well, just keep going,

and we have to hit a gas station or something.

(dramatic rock music)

- [Computer] Sector five operative.

Power lost in sectors three and four.

- Okay, thank you.

(screen trilling)

(suspenseful music)

(ship rumbling and creaking)

(suspenseful music continues)

(eerie suspenseful music)

(suspenseful music)

(bed clattering)

(soft ominous music)

(screen trilling)

(car engine rumbling)

(car doors clicking)

(Cory gasps)

(car door thuds)

- Huh!

Maybe they ran to find shelter.

Weird.

- Yeah, the tank has been hit.

I could try to find something to repair it quick,

unless you wanna find another car.

- Let's try to find something.

I'm gonna go inside and see if there's anyone

that can tell us what just happened here.

- Oh, you do that.

(Cory sighs)

(bell dings)

- Hello?

Hello?

(radio clunks)

(door rattles and squeaks)

(gentle soft suspenseful music)

(door thuds)

(bottle clatters)

(slow suspenseful music)

That's.

(objects clattering)

(gentle soft suspenseful music)

- Well, that's weird.

- Oh! Welcome to my world.

- Welcome to my world!

(both chuckle)

- You're silly.

(gentle soft suspenseful music)

- Hey, isn't this your dad?

He's talking about you here.

- Yeah, but let's not read that.

- Come on. - No, seriously.

Let's just put it back.

- Sorry, Alice, I didn't mean to.

- It's okay. Don't worry about it.

You know, he was ahead of his time.

Maybe too much.

He never got enough credibility for his theories,

so he just started to slowly lose everything.

You know, the teaching career, his money,

his family.

He just felt like a failed scientist.

A failed husband, failed father.

- [Cory] I'm sorry.

- You know that day,

I don't know if it was pure chance

or if it was planned,

but we actually ran into him

on a field trip at the Grand Canyon.

(solemn music)

We played and we talked.

It's like magic.

It's like if time never passed,

like if we were a family again.

(rousing solemn music)

- Now, here's.

What kinda rock is this now? Huh?

- Obsidian.

- Right. Right, you two.

Hey! Hey, hey, hey, hey, look at this.

What is this? What is this now, huh?

- Wehrlite.

- You knew that that quick, huh? (chuckles)

You are the clever one, aren't you?

Now this, this is what I'm gonna get you on.

What is this?

What kinda rock is that?

It's not a rock.

It was wood, now it's petrified wood.

It's from a tree that used to grow out here

230 million years ago.

Now just because you don't know the answer

doesn't mean you're incompetent.

There's a lot of fake questions out there

and there's a lot of games that don't play by the rules.

You girls are special.

There's no one else like you in the whole universe.

Just remember that, okay?

Come on, let's go to the river.

(solemn music)

- He gave me the Thunderbird necklace

and, and then it was time to go.

(solemn music)

- [Mom] Okay, guys, let's go.

(solemn music)

- And as I was walking back to the car,

I realized that I left the necklace on a rock.

- [Alice] Oh, no, the necklace!

- (groans) Fine, I'll go get it.

(solemn music)

(air whooshing)

(mysterious solemn music)

(mysterious music)

(mysterious somber music)

- After that day, like, June doesn't even wanna

talk to me anymore.

She started focusing on her passion for space

and (sighs) she just kinda forgot about me.

I guess I triggered too many memories for her.

- Come on, let's go.

Come on, come on, let's, let's leave this place.

Come on. - All right.

(air whooshing)

(foreboding music)

(keyboard keys clattering) (slow suspenseful music)

(screen trilling)

- All of the samples seems to be fragments

of one or more S-type asteroids.

Footnote: siliceous.

The individual fragments have smooth margins,

but sharp on the edges.

This suggests they may be part of a larger whole.

- Communication still isn't working.

- Get John back on it.

- [Elisabeth] Doctor, are you with John?

- No. - Can you please check on him?

- [Dr. Singh] I'm on my way.

- Am I the only one who understands

the urgency of the situation?

If we lose our window for the experiment,

I will have to wait weeks to try again.

- There is something here you need to see.

(ominous music)

(dramatic ominous music)

(suspenseful music)

(suspenseful music continues)

If this happened as a result of his touching the space rock

we need to be very careful,

and we have to inform Earth to keep people away

from any that might have fallen down there.

- John was supposed to repair the comms array.

- You mean we're still out of touch with Earth?

- I'm afraid so.

- I need to understand exactly what happened.

(ominous music)

(door thuds) (footsteps crunching)

(object clatters)

(metal clunks)

(footsteps crunching)

(foreboding music)

(Mark sighs)

(Mark gasps)

- Any contact with Alice? - No.

- [Mark] (sighs) We need her to recalibrate the machine

for the organics test.

- We need to reestablish a connection with PAX.

I need to make sure those people are still in one piece.

(Mark groans)

- There's something here.

(ominous music)

Ow! (grunts) Hm!

- Is that?

- Yeah. Yeah, I think so.

- Let me see. - No, no, no, no.

It's, uh, it's fine, it's fine.

It's nothing bad.

Um, you know, we should, uh, we should get back to work.

We got a lot more important things to do here.

Any contact yet?

Maybe try again?

- [Susan] Alice? Alice, do you copy?

Alice, do you copy?

(static crackling)

Alice?

(ominous music)

Alice? (Mark grunting)

Anybody?

(suspenseful music)

- Cory, do you know where I put my radio at?

I think I left it inside.

(suspenseful music)

(door creaks and thuds)

(suspenseful music continues)

(eerie suspenseful music)

(suspenseful music)

(screen trilling)

(machinery whirring)

(suspenseful music)

(screen trilling)

- [Computer] Sample collected.

(suspenseful music)

(dramatic music) Scan complete.

(screen trilling)

(gentle suspenseful music)

- I am still detecting a heartbeat.

- You mean John could be alive in there?

- Do you have the results of the DNA scans?

Could this be some sort of scleroderma in acceleration?

- There's no data until we're back in touch with Earth.

(suspenseful music)

- We're all by ourselves out here.

(eerie suspenseful music)

(suspenseful music)

- Hey, other than the water,

I couldn't find anything else useful.

- So what's this about?

- What?

- You know, the story of the petroglyph?

- Oh, well, it's a very old legend,

open to tons of interpretation.

The Thunderbird and the Giant Rock.

Yeah, it's, it's something so bizarre

that happened back in the Bronze Age.

But all stories suggest that a deity

sent creatures down as punishment.

It was a near-extinction event,

which is how most people explain the unexplained.

- (groans) What do you mean by unexplained?

- An alien encounter.

The Phoenix Petroglyph,

it dates back approximately 12,000 years ago.

It tells a story of an epic battle

that happened here on Earth,

and how it was saved from an alien organism

that scattered its seeds.

(wind whooshing) (suspenseful music)

Uh, Cory, have you noticed these formations before?

Mark? Mark, Susan, do you copy?

(static trilling and hissing)

(dramatic music)

- Shew! That should do it.

Let's try and find some fuel. Come on.

- Yeah, let's go.

We need to figure out exactly what's going on here.

(suspenseful music)

(eerie suspenseful music)

(soft foreboding music)

(ominous music)

(keyboard keys clacking) (screen trilling)

(suspenseful music)

(dramatic music) (menhir crackling)

(suspenseful music)

(suspenseful music continues)

(foreboding music) (menhir crackling)

(dramatic music)

(suspenseful music)

(energy booming and whooshing)

(lights clatter) (eerie suspenseful music)

(screen trills) - Yes, ma'am?

- I've just lost power in my quarters.

Is it a system's wide failure?

- [Kyle] No, ma'am.

It seems to be local to the lab section.

(dramatic music)

(screen trilling) (eerie suspenseful music)

(dramatic music)

(suspenseful music)

(switches clicking)

(screen beeping)

- [Computer] Illumination system compromised.

(creature gasping) (creature squelching)

(suspenseful music)

(creature panting and creaking)

(slow suspenseful music)

(dramatic music) (creature squelching)

(suspenseful music)

(creature creaking) (eerie suspenseful music)

(creature huffing)

(dramatic music)

(tense suspenseful music)

(slow suspenseful music)

(energy humming)

(slow suspenseful music)

(slow suspenseful music continues)

(suspenseful music)

(June gasps)

- Computer, seal the infirmary sector.

- [Computer] The sensors show life forms in the sector.

- I'm in that sector.

- [Computer] Two life forms detected:

one human, one undefined.

- Seal the whole sector,

but allow my override so I can leave.

(doors whizzing) (dramatic music)

(door rumbling) (suspenseful music)

(door clicks)

Computer, open a security line with Dr. Stewart.

- What is it, June?

- Dr. Singh is dead.

- What? (clicks fingers)

- It looks like John killed him.

And it looks like John isn't John anymore.

(keyboard keys clacking)

- I'm bringing up security camera footage now.

That's odd. (static hissing)

June, some of the cameras are down.

(eerie dramatic music) (static hissing)

(creature rumbling) (dramatic music)

(static hissing)

(rousing suspenseful music)

(eerie suspenseful music)

(Mark grunts)

- No! Susan, don't touch, don't touch me.

Ow! I can feel my body changing.

It's, it's something, something from the fragment.

If this is happening to me,

it's happening to, to anyone

that touched the space rock.

(Mark grunting)

You need to find them.

You've got to find them. (panting)

(Mark groans)

I- I can't. I can barely move.

(suspenseful music) (Mark groaning)

(Mark gasping)

Got it, here, take that, take that, take it to 'em.

Take it, take it, take that to them.

Yes, grab that GPS. Go, go, go!

(dramatic music)

(Mark grunting)

(intense dramatic music)

- Looks like he went on a rampage.

We need to contain him.

(intense dramatic music continues)

(intense dramatic music continues)

Where is he?

- [Elisabeth] Sector B.

- Let's seal the compartment.

Let's keep him there until we don't know what to do with it.

I'm coming to the control room.

(tense dramatic music)

(keyboard keys clacking)

(computer beeping)

(keyboard keys continue clacking)

(door whirring)

- I'm checking the cameras.

(keyboard keys clacking)

(static hissing)

(tense dramatic music)

It's barely moving.

Even motion sensor have hard time detecting it.

(tense dramatic music)

(static hissing) (computer beeping)

(rousing dramatic music)

There!

(static crackling) (suspenseful music)

- We need the results on that DNA.

Is there anything we can do up here?

- Can try in Dr. Singh lab and see what we can do.

- Good. Let's go.

- Professor, as second in command,

I need you to come with me first.

(tense dramatic music)

(door whooshing) (dramatic music)

(suspenseful music) (static hissing and crackling)

(screen trilling) (dramatic music)

(tense dramatic music)

(dramatic staccato music)

(suspenseful music)

(Susan sighs)

(zipper rasps)

(Susan sighs)

- Why did I wear the cute boots?

(Susan sighs)

(suspenseful music continues)

(eerie suspenseful music)

(tense dramatic music)

(tense dramatic music continues)

- We are here to celebrate Dr. Singh and Rose.

They've dedicated their life to-

(eerie suspenseful music)

(coffin rattles)

(suspenseful music)

(dramatic music)

- Are they alive?

- Open the deck. Now!

- Now look, June, we need to study this.

- One creature in my station is enough.

Do it.

- No! (suspenseful music)

(coffins whooshing) (dramatic music)

(suspenseful music)

- Hello?

Anybody? Hello?

(suspenseful music)

(radio trills)

Alice? Cory?

(static crackling)

Are you there?

(suspenseful music)

(footsteps crunching)

(footsteps tapping)

(upbeat rock music)

(horse snorts)

(upbeat rock music continues)

(horse snorts)

Let's do this.

(upbeat dramatic music) (screen whirring)

- Is the sample corrupted?

- It's the assumption that's corrupt.

You're assuming the DNA is human.

- I'll run it again.

There has to be another explanation.

- It's pretty obvious what's happening here.

Brown's study of the Murchison meteorite

at JPL found organic matter.

- But nothing this complex.

Nothing that could create that.

- [Dr. Stew] What does it want?

What does it need?

- How long before we can contain him?

- What if we can't contain him?

- We have to kill it.

- Are you insane?

The first contact with an alien life form in history

and you wanna kill it, again!

- And if it's silicon-based, like Dr. Stewart thinks,

all bets could be off.

(dramatic music)

- Our core-based are tipped with diamond blades.

- That might do it.

- Flame throwers.

Rock melts at 1,000 degrees Celsius.

- There are some stored in the utility sector.

- But maybe we can trap it.

- We're about to play a cosmic game

of rock, paper, scissors.

And I don't like our odds. (rousing suspenseful music)

(suspenseful music)

(zipper rasps)

- Do we really have to do it?

- Time to be a hero.

(suspenseful music)

(static crackling)

(screen trilling)

(suspenseful music)

(footsteps tapping) (ship creaking)

(Dr. Stew sighs)

(keyboard keys clacking)

(suspenseful music) (June panting)

(screen trilling)

(tense dramatic music)

(computer beeping)

(rousing suspenseful music)

(suspenseful music)

(June panting)

(suspenseful music)

(dramatic music)

(camera whirring)

(tense dramatic music)

(tense dramatic music continues)

(static crackling)

(dramatic music)

- [June] Where is he?

- He's moving to sector one.

He's coming here!

(suspenseful music) (static crackling)

- [June] Kyle, behind you!

(dramatic music) (flame roaring)

(Kyle yelling) (static crackling)

(Kyle panting) (suspenseful music)

- The flame thrower back it off,

but I'm not sure if it's hurt.

- Wounded animals are dangerous.

- Kyle, I'm coming your way.

(suspenseful music)

(screen trilling)

(dramatic music) (Kyle screams)

(suspenseful music)

(static crackling)

(screen beeps)

(tense dramatic music)

(creature grunting)

(screen whirs)

(tense dramatic music continues)

(creature growling)

(dramatic music) (June yells)

(flames roaring)

(creature screaming)

(static crackling)

Okay!

I think I'm outta flames here.

(screen crackling)

- The flame made the sensor crazy.

- Emergency! Emergency! (alarm blaring)

(suspenseful music)

(screen trills)

- Elisabeth, he's gone.

(suspenseful music)

(button beeps) - Access denied.

Access denied.

(alarm blaring) - It's not working!

- I! - Emergency!

Emergency! - There's too many damages.

- [Computer] System not responding.

Reboot needed. - It's not working! June!

(slow suspenseful music)

(screen trills) - Come on, guys,

I'm a sitting duck out here.

- [Elisabeth] Do you have access to an oxygen mask?

(alarm blaring)

- There's a compartment before the lab.

- [Elisabeth] I need to reboot the whole system.

We will lose life support during the procedure.

(alarm blaring) (dramatic music)

- I'm on my way.

(tense dramatic music)

(alarm blaring)

(tense dramatic music) (June panting)

(creature creaking)

(screen trills) He's here.

(June panting)

(tense dramatic music) (creature grunting)

(lights buzzing)

(June gasping)

(creature creaking) (suspenseful music)

Do it! Do it now.

(rousing suspenseful music) (alarm blaring)

(screen trills)

- [Computer] Reboot.

(machinery whirring)

(June panting)

(June gulps and pants)

(soft slow suspenseful music)

(suspenseful music)

(lights whirring)

(eerie suspenseful music)

(creature creaking and squelching)

(creature purring)

(creature growling)

(slow eerie suspenseful music)

(creature creaking) (eerie bright music)

(dramatic music) (creature squelching)

(creature creaking and huffing)

(creature squelching)

(dramatic music)

(June panting)

(screen trilling)

System rebooted. (alarm beeping)

(machinery whirring)

(air whooshing)

(lights clicking and buzzing)

(tense dramatic music)

(creature thudding and grunting)

- Open the door!

Open the fucking door!

(button beeps) (intense suspenseful music)

(button beeps)

(creature whines) (suspenseful music)

(June panting)

No more reboots!

(Elisabeth gasping)

(Elisabeth exhales sharply)

(creature creaking and huffing)

(screen trilling) (air whooshing)

(car engine rumbling)

- [Alice] Ground control.

This is one of the secret Zosgate installations.

(car tires crunching)

(screen trilling)

- [Computer] Access denied.

Access denied.

(car door clicks)

- Come on!

(screen trilling)

- [Computer] Access denied.

- It's not working!

Okay, well, if they're out of power,

then the emergency generators must be giving energy

to the main building.

But (sighs) we're gonna have to go

all the way around this mountain to reach it.

Come on!

(screen trilling)

(ground rumbling)

- What was that?

(suspenseful music)

(slow dramatic music)

(dramatic music) (rock groaning)

(rocks clattering)

You said it was way around the mountain side?

- Yeah. Yeah, I did.

(dramatic music)

(car engine rumbling)

(dramatic music)

(rocks clattering)

(screen beeping) - Are you all right?

- It spent some time going back and forth in the hallway.

Then we lost the signal.

- Uh, any breaks in the hull?

Anyway he got sucked out the station?

- Negative. He's here somewhere.

(screen trilling)

- Well, (sighs) time to be a man.

(cables clatter)

(screen trilling)

(door clicks and whooshes) (suspenseful music)

(zipper rasps)

The last track we have of it is 50 feet on your left.

- I left the flame thrower towards the infirmary.

Maybe we can recover it first.

(suspenseful music)

- [Dr. Stew] You're going the opposite way.

- We're trying to get some weapons at least.

You can come out here, if you prefer.

(suspenseful music) (clock ticking)

(suspenseful music continues)

(clock continues ticking)

(June and Elisabeth panting)

It's there!

(suspenseful music continues)

(air whooshing)

(suspenseful music)

(suspenseful music continues)

(steam hissing) Shit!

- [Dr. Stew] What? What's going on?

(June and Elisabeth panting)

(metal creaking)

(dramatic music)

- June! Shoot, shoot!

- I can't! This thing is not working!

Run! Run!

Let's go!

Wait! (dramatic music)

(intense suspenseful music)

(metal creaking)

(creature squelching)

(June panting)

(tense dramatic music)

(car door clicks)

(footsteps crunching)

(footsteps continues crunching)

(screen trilling)

(lock clicks) - Door unlocked.

(door clicks and creaks)

(door thuds)

- Come on!

(soft suspenseful music)

(gentle suspenseful music)

(Alice sighs)

(soft suspenseful music)

(suspenseful music)

There's more of them.

(suspenseful music continues)

(dramatic music) (torches clicking)

(suspenseful music)

Emergency generators. We'll try to turn them on.

Hey, but be careful.

We don't know what these things are

or how dangerous they can be.

- [Cory] You don't have to tell me twice.

(suspenseful music)

(generators whirring) Thank God.

This is the equipment Mark was talking about.

Check if there are damages.

(suspenseful music)

(keyboard keys clacking)

(suspenseful music)

(keyboard keys clacking) (screen trilling)

(dramatic music)

(creature squelching)

(creature creaking)

(dramatic music)

(suspenseful music)

(creature creaking)

(intensifying dramatic music)

(creature whooshing)

(intense dramatic music)

(tense dramatic music)

(dramatic music)

- Dear God.

- [Elisabeth] June, we are ready for the autopsy.

- Thank you. I'll be there shortly.

(dramatic music)

(energetic dramatic music)

(horse hooves thudding)

(energetic dramatic music continues)

- Mother of God. What is that?

(rock rumbles) (dramatic music)

Alice? Cory, do you copy?

(dramatic music continues)

(rock rumbling)

(dramatic music continues)

- What the hell were those?

- Just the beginning. (sighs)

(suspenseful music)

Dad knew it. He knew!

If it keeps this path, it's heading straight to Phoenix.

(suspenseful music)

- What we did back there, you said this was a test.

We were trying to transport something bigger?

- We teleported a necklace, and it took years

and a multimillion investment.

- I'm no scientist, but w-what's the difference

between a necklace and a big rock?

- We need to triangulate with PAX

and the energy needed is.

(suspenseful music)

A rock!

The main part of this project is to complete the transfer

of rebuilding the molecular map of an object or an organism.

But in this case, we need to do exactly the opposite.

- Sounds good to me.

- Yeah!

(slow soft suspenseful music)

(gentle dramatic music)

(suspenseful music)

(machinery whirring)

(creature squelching)

(screen trilling)

(suspenseful music)

(static hissing)

(soft gentle dramatic music)

(camera whirring)

(soft suspenseful music)

- [Elisabeth] The cause of death appears to be hypoxia.

- [Dr. Stew] Just like any other human being?

- Yes.

We had to reboot the whole station

and we lost life support for a few minutes.

- Hm, in the simulations,

we tried to project a teleported object to an off target.

That's how we have supposed to travel

to other planets, correct?

- We call it the jump.

- Yes, the jump.

What if we jumped that thing into the open space?

(rousing suspenseful music)

(slow soft suspenseful music)

(keyboard keys clacking) (screen trilling)

- [Computer] Incoming transmission.

- PAX? PAX, this is ground control.

- [Dr. Stew] Alice, you're alive!

- There is a giant entity

that just destroyed ground control.

It's heading straight to Phoenix,

but, but we came up with this idea.

I know it sounds crazy, but-

- [Alice and Dr. Stew] We can teleport it into space. (sigh)

- Okay, so we have the transmitter

but we don't have a platform big enough.

This thing is too big.

- [Dr. Stew] Okay, Alice, listen.

- We don't have the chip.

(sighs) We don't have the chip. It won't work.

- Alice? Cory, do you copy?

(static crackling and hissing)

(radio trills) - Susan?

- You will not believe what I just saw.

- We all saw it. (chuckles)

Susan, are you with Mark?

(somber music)

- No. He, he got infected by something.

But before letting me go, he gave me a small device.

It looked like a chip card.

- (gasps) Susan, you just saved the world.

(suspenseful music)

Susan, if we can hear you,

you should be in the 10-mile range.

Coming from the transmission site, you-

- I have a GPS. I'll send you the coordinates.

- You are a genius.

(dramatic music)

Wait, Susan, don't move from there.

(gentle suspenseful music)

Dr. Stewart, maybe we have a spot.

If the entity isn't changing its course,

then it's gonna cross Globes's path.

- [Dr. Stew] So?

- (scoffs) Stewart, it's gonna be sitting

on the biggest plate of copper in North America.

- [Dr. Stew] You have your transfer platform!

- Yes!

- [Dr. Stew] We need coordinates.

We need to calculate the right triangulation.

- Okay. Cory, go get the cases, put 'em on the Jeep.

(suspenseful music)

(singer humming)

(dramatic music)

(air whooshing)

(screen beeping)

- [Computer] Gravity pressure activated.

(chair creaking)

- We can start the calibration.

(screen whirring and trilling)

(screen trilling)

(screen beeps)

June, we need to correct the orbit by five degrees.

- Professor, this is not a starship.

We're trying to tow the Titanic with a raft.

- It's our only chance, June.

We need to do it and do it right.

- We're using every drop of fuel from the emergency shuttle.

Do you understand that?

We won't be able to go back on Earth.

- June, there won't be an Earth if we fail.

- Got it, Professor.

You couldn't be more clear.

- We need a 10-second blast on 2.25 clicks.

- Executing in five, four, three, two, one.

(engines roaring) (gentle dramatic music)

(engines continue roaring)

(gentle dramatic music continues)

- Go! Go!

(engines continue roaring)

(gentle dramatic music continues)

(screen whirring)

(screen beeps) (gentle dramatic music)

- Confirm, our orbit's changed to 2.25.

- We're on the right path now.

(gentle dramatic music)

(soft suspenseful music)

(car engine rumbling)

- Oh my God.

Okay, keep going.

We're gonna make a right up here.

(car engine rumbling)

Turn right.

Watch out!

(dramatic music)

(dramatic music continues)

Stop. Stop!

(car brakes squeak) Good.

Here, take this.

I'm gonna come help you.

(dramatic music)

Okay, take this.

Hey, this is gonna work.

We just connect the monitor with the transmitter.

Like this.

Snap. Go get the activator.

Okay, so to activate the transport,

we basically need to align all three corners of a triangle.

Now we need to hit the trigger at the same time.

PAX is gonna send you a countdown

and you need to be very focused, okay?

What we need to do is turn on,

release, hold and then push.

Okay? - Right.

- Okay. This is gonna work.

It's gonna work. Gonna work.

Cory, you sure you can do this?

- Release, hold and push. Can't be that hard, right?

(gentle suspenseful music)

(car door thuds)

(eerie suspenseful music)

(radio trills)

(dramatic music)

(Alice exhales sharply) (car engine rumbling)

(dramatic rock music)

(door thuds) (hand tapping)

(dramatic music)

♪ Dust in the door ♪

♪ We're asleep on the floor ♪

♪ 'Cause the show doesn't start til 10 ♪

♪ Up all night 'cause the company's right ♪

♪ And we let the bunny sleep in here ♪

♪ Living the dream in a stretch limousine ♪

♪ But the driver doesn't respect ♪

♪ They don't know our name ♪

♪ But that's so gonna change ♪

♪ We just, just didn't get there yet ♪

♪ We will be heroes ♪

♪ Heroes ♪

(dramatic rock music)

- [Alice] Susan? Do you copy?

- Copy. - Okay, don't move

from where you are and lose the horse.

We don't want it to interfere with the transmitter.

- Copy.

(dramatic rock music)

♪ Taking the knocks like the love on the rocks ♪

♪ And I keep coming back for more ♪

♪ Can never go back ♪

♪ I'm a live heart attack ♪

♪ There's only one way my life can go ♪

♪ A hero can flag me ♪

♪ I've got the scars ♪

♪ Sit me down on an electric chair ♪

♪ My kids will be strong ♪

♪ As the journey is long ♪

♪ But I promise you we're almost there ♪

♪ We will be heroes ♪

- All energy converged on the cannons in three, two, one!

(metal creaking) (engines whirring)

- We're falling apart!

- Any trajectory change?

- Zero two.

- Still acceptable. We're still there!

(metal creaking) (engines whirring)

(dramatic rock music) (car engine rumbling)

(car tires crunching)

- Susan!

(dramatic rock music)

So happy to see you. (chuckles)

Oh, gosh.

You drive.

(dramatic rock music)

(dramatic rock music continues)

(wind whooshing)

- Is ground control ready?

- Ground control's gone. Nobody's left.

- Who's managing?

- Cory! - What?

(gentle dramatic music)

(screen trilling)

(gentle dramatic music)

(dramatic rock music)

♪ We will be heroes ♪

♪ Heroes ♪

(dramatic rock music continues)

(dramatic rock music continues)

(machinery whirring)

(dramatic rock music continues)

♪ We will be heroes ♪

♪ Heroes ♪

♪ Heroes ♪

- Now!

(dramatic rock music continues)

(machinery whirring)

(rock groaning)

(light whizzing) (rocks clattering)

(dramatic rock music continues)

♪ We will be heroes ♪

- That's it!

(machinery whirring) (light buzzing)

(dramatic music)

(light trilling and buzzing)

(dramatic music)

(rock groaning)

♪ Heroes ♪

(dramatic rock music)

- Come on, come on.

I ask for just this one last thing.

Please. - Do it!

(alarm blaring) (dramatic rock music)

(light whooshing)

♪ Heroes ♪

(light whooshing)

(dramatic rock music continues)

♪ Heroes ♪ (dramatic music)

(screen trilling) (slow dramatic music)

(machinery whirring)

- [June] Did it work?

- Of course it worked.

(gentle dramatic music)

(June gasps)

(car engine rumbling)

(gentle dramatic music)

- This is, uh, this is where I left him.

This is where we were.

Cory, do you copy?

(gentle dramatic music)

(Alice laughing)

Cory.

(gentle dramatic music)

- [Dad] You're special.

There's no one else like you in the whole universe.

Remember that, okay?

The Thunderbird's forever.

(gentle dramatic music)

(upbeat rock music)

♪ I'm standing up on a mountain ♪

♪ Looking through the smoke ♪

♪ Been climbing up and down the gutter ♪

♪ I was hungry and broke ♪

♪ They're screaming louder than the thunder ♪

♪ And they pray to the sky ♪

♪ Like nothing's gonna stop them ♪

♪ As they fly on by ♪

(upbeat rock music continues)

♪ Everyone's in shock ♪

♪ Standing on top ♪

♪ On top of the world ♪

♪ Everybody rocks ♪

♪ Standing on top ♪

♪ On top of the world ♪

♪ It's a spin and grind ♪

♪ To get enough for the week ♪

♪ And meet the people ♪

♪ That can only do the stuff that screams ♪

♪ Now take to the circus their rhythm and blues ♪

♪ Everyone's in shock ♪

♪ Everyone's in shock ♪

♪ Standing on top ♪

♪ Standing on top ♪

♪ Everybody rocks ♪

♪ Hey, hey, hey ♪

♪ Everyone's in shock ♪

♪ Standing on top ♪

♪ On top of the world ♪

♪ Everybody rocks ♪

♪ Standing on top ♪

♪ On top of the world ♪

(dramatic rock music)

(singer laughing)

♪ Yeah ♪

♪ Who's ready now ♪

♪ Listen, got this ♪

♪ I got your math lesson ♪

♪ Right here ♪

(dramatic rock music)

♪ Everyone's in shock ♪

♪ They tell me not to rock ♪

(dramatic rock music continues)

(dramatic rock music continues)

♪ Everyone's in shock ♪

♪ Standing on top ♪

♪ On top of the world ♪

♪ Everybody rocks ♪

♪ Standing on top ♪

♪ On top of the world ♪

♪ Everyone's in shock ♪

♪ Everyone ♪ ♪ Standing on top ♪

♪ Standing on ♪

♪ Everybody rocks ♪

♪ Everybody ♪ ♪ Standing on top ♪

♪ Standing on top of the world ♪

(dramatic rock music continues)

(dramatic rock music continues)

(rousing inspirational music)

(dramatic inspirational music)

(dramatic music) (logo whizzing)