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[MUSIC PLAYING]
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[LAUGHTER]
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[CHEERING]
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[CHEERING]
[MUSIC PLAYING]
[MUSIC PLAYING]
[CHEERING]
[CHEERING]
OK, let's get started.
Right now.
[MUSIC PLAYING]
Here's the first ball.
It was going to be high 17, the dancing queen.
How many dancing queens do we have up there tonight?
[CHEERING]
The right.
This is the queen.
She's been in the evening.
[CHEERING]
[MUSIC PLAYING]
This is going to be me.
[MUSIC PLAYING]
[MUSIC PLAYING]
[MUSIC PLAYING]
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[MUSIC PLAYING]
Hi, how's she's here?
I'm King still inside.
Be sure is.
I'm like a little lamb.
I want the jacks clear up, both of them are instead.
Gonna watch, wait, now report back, Merk.
[MUSIC PLAYING]
[MUSIC PLAYING]
[MUSIC PLAYING]
This is the six.
Watch, she's running.
[MUSIC PLAYING]
[MUSIC PLAYING]
I love getting out there through.
[MUSIC PLAYING]
[MUSIC PLAYING]
Hello, Reking.
On ease.
Please, have a seat.
[MUSIC PLAYING]
You have a job for me.
Yeah, here, let me have.
This is genome and even the Sanchez.
[MUSIC PLAYING]
Yeah, you have a job for me.
Yeah, here, let me have.
[MUSIC PLAYING]
This is genome and even the Sanchez.
[MUSIC PLAYING]
This is genome and even the Sanchez, the son Alberto.
They left El Salvador to come to the US.
Alberto would be 13 hours.
He's five there.
I don't care, children.
Don't, what?
Turn your hearing aid up.
I do adults.
I don't care, children.
Yeah, no, no.
They disappeared.
I was hired to find them.
By her father.
I just--
I need you to help me.
I mean, you're really the only person who can.
You see, I'm semi-retired now.
And I'm only taking cases that mean something to me.
What do you want, King?
And I need you.
Do you know what acquired Savant syndrome is?
No.
But I know, the other man outside, the kind of sleep
are there poor kids in Africa and the Middle East.
They didn't follow me.
OK, they're going to come after me when they do get out of here.
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(somber music)
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
(yelling)
(dramatic music)
(grunting)
(dramatic music)
(dramatic music)
(grunting)
(grunting)
[grunting]
[grunting]
[grunting]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
Deputy Director Medina's office.
Director Medina, I have the LAPD on the phone for you.
>> Okay.
>> Chair.
>> Yeah, two Herman Miller's and a steel case.
>> Thanks.
[music]
>> This is my methadina.
>> Yep.
>> Wait, what?
>> Hit that.
>> Describe him, please.
[music]
>> No.
I understand.
[music]
>> You didn't share what he was working with you?
>> No, and you put it for PI-Shinkle, but you fell out of touch.
>> So no money problems that you're aware of?
>> No.
[music]
>> I think I'm just waiting.
[music]
>> Herman King.
He was Deputy Director of Fincen.
>> My boss.
He said they didn't find anything on him in a while.
>> No, he might have.
But it took us a little while to get there.
Things have a tendency of disappearing.
>> Well, how'd you know to call me?
>> His cell phone.
He was his in case of emergency contact.
[music]
>> But why'd you ask if he was having money problems?
[music]
>> What's the difference between dressy casual and business casual?
>> Both mean leave your cargo shorts and flip blocks at home.
>> I don't own cargo shorts.
I don't own flip-ups.
>> Could we discuss business now?
Or do you need more first date tips?
>> Go.
>> The Enago are high when you do order to bank before the assume control.
>> Thoughts?
>> You're very conspicuous in Tokyo.
>> But.
>> The accrues are always pay on time.
>> Next.
>> Signo Obergon wants to know if we want payment in cash or artwork.
>> What art does he have?
>> A Rivera, he says you admired.
>> Almost as he owns.
>> 2.4 million.
>> Rivera, of course.
>> Heavy side.
>> What's the remainder of the receivables?
>> 1.35 million.
>> There are the rest in the New Zealand Council in France and the remainder in Harvors Endowment.
>> Under what name?
Gous?
Babbage or Carol?
>> Nash.
Anything else?
>> Don't wear your black suit.
It makes you look like a mortician.
[MUSIC]
>> Love is like can be on a shed.
>> Well, welcome to the 13th annual Boise romance festival.
>> [APPLAUSE]
>> You are here for one reason.
>> To make a connection, meet that special someone and find love.
OPS, don't forget to pick up your free romance festival t-shirts.
>> Ooh, $25 value there.
>> Yeah.
>> So since most of you are first timers, let's recap how this works.
You answered a battery of questions designed to express your wants, needs, hopes, and
desires.
We then used our proprietary mathematical algorithm to search for your 10 best fix.
>> That same algorithm in 12 previous festivals has resulted in 53 mergers.
>> [APPLAUSE]
>> I give it up for that.
>> [APPLAUSE]
>> Now, no names were sent to you only the ID numbers and photos ranked in order of connectivity.
>> No early online searches allowed.
>> You'll each spend five minutes per day, then unlimited time later in the day.
>> Oh, ladies, it's not a competition.
No, there's plenty of time to get to your first date last.
>> Well, George.
>> Okay, go ahead, go on.
Go meet that special someone.
>> Godspeed.
>> Yeah, non-denominational.
>> Hi.
>> I'm Anne Renee.
>> I just love, love, love accountants.
>> Oh, that's a coincidence.
>> Yeah.
Do you believe in love at first sight that there's someone who are meant to be with soulmate?
>> Well, no, that's an absurd childish notion.
Of course, that's not real.
>> What do you mean you reverse engineered our algorithm?
>> I date it on the top online meeting apps and mapped a battery of your questions against theirs.
>> Anne?
>> I built my own dating algorithm.
>> Both the question of whether or not there's such a thing as love or it's simply an electrical, neurochemical process that takes place in the brain is up for debate.
>> Oh, my God.
>> I escaped the data clusters for the likely state-prucing words.
>> Wait, date-producing words?
>> Yes.
>> For example, women claim to value commitment and stability, but they swipe for dangerous and exciting.
>> I think it's a bad voice.
>> How are you?
>> I'm doing really well.
>> Glory.
>> Yeah.
>> Is that nickname or short for anything?
>> No, it's just glory.
>> Oh, I assigned numerical values to your questions by tokenizing them in an embedding matrix and generating a predictive model for the most effective answers, but you're provided without line.
>> My last boyfriend spent every weekend golfing with his friends to spend a lot of time with friends?
>> No.
>> Not at all.
>> No.
>> I have no friends.
>> No friends.
>> Pets?
>> I identified misleading profile photos as a top complaint across all dating apps.
Women lie about weight and age, men lie about height and age, so I adjusted my photo and smile accordingly.
>> I like camping a lot.
>> I thought I saw an air stream in one of your photos?
>> Yes, that's my home.
>> That's where I live.
>> Oh, permanently.
>> Well, as long as I'm live, and I know it's -- are living anywhere permanently.
>> Okay.
>> This body will be a corpse.
>> And the best part is you don't have to amend your tax return or unclaimed appreciation.
>> I will share this with you, even though it's a bit of a trade secret, I'll be not a priority one, but the best part is you don't have to amend your tax return for unclaimed appreciation.
>> Yeah.
How about something else, kids?
>> You're 44.
>> 45.
>> I suppose anything's possible.
>> Oh, God.
>> I just mean mathematically.
>> You game the system?
>> I optimize the microfowl.
>> [MUSIC]
>> Whole wall covered top to bottom.
>> The interesting you ever saw.
>> The map's posted notes, sickle photos.
>> Like something out of one of those, let's catch us up, pervert shows.
[BLANK_AUDIO]
>> Busy little bee, wasn't he?
>> What did you do with this stuff?
>> Oh, we didn't throw it away.
>> Couldn't rent it like that, all those nasty photos he had.
[BLANK_AUDIO]
>> How long was he here?
>> Two months.
>> Next payment was due yesterday.
[BLANK_AUDIO]
>> The rent, how much?
>> [INAUDIBLE]
[MUSIC]
[MUSIC]
>> Harbor neurosines Academy.
>> Yeah, this is Deputy Director Medina, US Treasury Department.
>> Is there a Christian wolf on staff?
>> I'm sorry, ma'am, no.
>> Okay, have it a Carl Gous, or Charles Babbage, Lewis Carroll, Lou, maybe?
>> This is Harbor Neurosines Academy.
>> Yeah, I'm aware of that.
>> Do you have any employees, maybe female, British accents?
What's this in reference to?
>> About a former student whose father was in the military.
>> The student records the field.
And after hours with such an end.
>> You should probably call back tomorrow when there's someone here who can answer that for you.
>> I need to talk to the handler of the account.
I know she's listening, and I know he listens to her.
>> My name is Mary Beth Medina.
I'm staring at a pile of homicide photos, maps of Central America, Mexico,
pizza receipts, and.
>> Pretty sure I'm staring at a photo of her boss.
I need his help.
>> Hang up now.
>> Great king, husband murdered.
[MUSIC]
[SOUND]
[MUSIC]
[MUSIC]
[SOUND]
[MUSIC]
[SOUND]
>> Okay, let's see.
10, 8, give me 7.
>> 10, 8, 7, a pound.
>> A pound.
>> It's sushi grade, too.
Come on, it's got sushi grade.
>> It's sushi grade.
>> It's bruised, no fadons, not sushi grade at all.
Come on, take it to leave it.
>> Dickie inside, Dickie inside, he'll give you a money like last week and a week before you can fuck her.
>> Yeah, Tony, come on.
[MUSIC]
>> Let's see that.
>> Okay, okay.
Four pro-hears.
Couldn't take out one one.
That's impossible.
>> Definitely two hitters, two and after King, two took her.
>> Three, counting you.
Man, I have a clean shot.
>> Oh.
>> You sure knows we're off to her instead of King?
>> No chance.
>> How you figure?
>> We're above ground.
>> Promsolved.
Are your own logic if she wanted to kill you, she would have?
Relax boss, she don't remember you yet.
>> The fuck does that mean?
>> If you showed up a couple of years ago, a three men I was negotiating with had pissed off the wrong people.
>> So let's talk about our success.
Your ships, my books, 20 miles out to sea.
No Los Angeles port.
Just, you know.
>> [SOUND]
>> Is she didn't recognize you?
>> No.
>> But one day she remembered who I am and what I did.
And my whole world turns to shit.
You fly to Fort Worth tonight.
No more Ray Kings.
>> Okay.
>> No more private investigators.
I don't want to get out of the shower one day and find a human chainsaw waiting for me.
[SOUND]
[SOUND]
[SOUND]
[SOUND]
[SOUND]
[SOUND]
[SOUND]
[SOUND]
>> I cough down, Leet twice.
>> Please don't do that.
>> Your Christian Wolf.
>> Your Mary Beth Medina.
>> But make you nervous.
>> I escaped convict, trained by mob accountants, your clients or drug cartels, money launderers,
or landlords.
>> Is that a yes?
>> I saw a video of you killing men in Brooklyn.
I was in Chicago eight years ago.
Who's Ray?
Living robotics, I saw the dead bodies heard the chanting.
Solomon Grundee for not a Monday.
>> Can I do for you, Miss Medina?
>> I don't know if this is one case for ten.
I do know Ray was nearly broke.
[MUSIC]
I found that photo in between the seat cushions that the tavern Ray was at the night he was killed.
Three men were also shot to death inside the tavern, one struck by a car outside.
All excellane special forces lapped out over gate.
>> Was Ray capable of that?
>> No, he was not.
[SOUND]
>> Dimitri Sanko, throat slit in a Moscow hotel.
Moistiot's car bomb Jerusalem.
We have an ID the rest.
>> Armando Reyes, excosay was an urnal, extendable, sentino seminary, Naples.
>> Mr. MQuiet the fall.
>> The fall didn't kill him.
Who was the abrupt stop?
>> The joke.
>> [COUGH]
>> Why are you helping me?
>> Look as you asked me.
[MUSIC]
[SOUND]
[MUSIC]
>> Okay, so we've got four dead marks in the morgue.
All the sides, tax returns.
Mexico, drain schedule, pizza, fish, family photo, and a trashed Toyota.
So how does this all connect?
[SOUND]
>> What are you doing?
>> Waiting?
>> Four?
>> Well, for you to finish.
>> Finish one.
>> I don't know.
Whatever is it that you are and the process of doing.
>> So you can do what I need to do.
[MUSIC]
[SOUND]
>> You might seek medical attention for the snoring problem.
>> Coffee?
>> I don't smoke.
>> Mm-hm.
>> Nothing's where it was.
>> Well, your brain, most brains, when confronted with ambiguous visual data seek subconsciously
to arrange it in a pattern that's familiar but that's not the pattern we're looking for here.
>> Right.
Okay.
>> What pattern are we looking for?
>> Survival probability.
>> They started here, Central America.
>> Okay.
How do we know that?
>> He's tattooed.
Barrio 18 is Alco prison, El Salvador, their war with MS-13.
When they reached the border in Mexico, they boarded this train.
>> No, that's a freight train, not a passenger train.
>> It's the death train.
Family is right on the roof, not in the cars.
It's the surest way to avoid immigration checkpoints.
When they arrived at Mexico City, they would have typically headed to one of three areas
across the Texas United States.
The Paso, the Rio, the Calum, in this case they crossed the Rio Grande and the Macauen.
>> Why Macauen?
>> The gallon of water weighs eight pounds of human being requires between one and a half and two gallons of water.
And they hate to survive.
In the desert, that's 36 to 48 pounds of person not carrying a five-year-old.
>> That's the carry.
Here's your son at five.
In this photograph, he looks to be about 13.
Edith arrived in Los Angeles and claimed work at Studio Speed Zone.
>> Hold on.
Edith.
>> Edith Sanchez.
>> No, you can't possibly know that this woman in the photo is the same Edith Sanchez on these 1040s.
>> Yes, it's a certainty.
She claimed one dependent, a child of the 31040 shoe file.
>> The city comes roughly $15,000, a third was $60,250.
>> This twice is much in one year than the previous two combined.
>> Yes, that's not the strangest part.
She checked married but filed separately.
If she failed jointly, she could have taken advantage of the child independent care exception.
Four times as much money in the third year, checks married.
Files separately, has a child in her child care.
A list of raised clients over the last 18 months show six names only one that had Latino surname,
Amy Gonzalez for a reference.
>> So if Emmy was Edith's father, why didn't she call for help?
>> I have no way of knowing that.
Do you have any influence to the IRS?
>> I'm not a fan of getting pistol whipped and robbed.
No, I don't remember any Edith.
Sorry, can't help you.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> I'm not a fan of that.
>> That's right.
Two thirds.
Ask me anything.
Unit costs payroll, promotions, you name it.
I know where every dime goes.
>> Last year's earnings before interest taxes depreciation and
the number to the nation.
>> 42.9 mil.
>> You claim 41.9 million.
>> Keep reading the F-button.
A million in charitable contributions to homeless shelters.
>> Let's go.
>> Setting aside the amateur nature of this preparation.
You could have detected considerably more from the taxable income.
What is the most frequently ordered size of pizza?
>> $13,400, $13,400.
>> $13,400.
>> $13 large pizza.
>> What's your point?
>> Your paper crossed $360,000, which only accounts from $9,000.
>> Your make and my head hurts.
>> It's considerably less than the, I've mentioned $14,400,000, $13,000.
>> That's because we do it by the slice.
>> By the slice.
>> Impossible.
>> You're fraudulently claiming more income than you're receiving in order to
conceal the income from another source.
What is it?
>> I'm fucking Rodin.
>> Now wait just a second.
>> I take time out of my busy day to answer your silly ask questions.
Have you got the balls to accuse me of money laundering?
>> [APPLAUSE]
>> [NOISE]
>> Stop!
>> Stop!
>> Stop!
>> Stop!
>> Stop!
>> Stop!
>> You're laundering money.
>> Where is it coming from?
>> No, I don't really.
>> Stay back everything's fine.
>> You're washing money.
>> Don't.
>> It's coming from or dislocate your shoulder.
>> No.
>> It's quite painful.
>> Chris, that's enough.
>> No!
>> I don't really know.
>> No!
>> God, I don't trap those girls.
Nice, I swear to God, I get a call.
I get a call, the cash comes in.
>> I know where they use the one.
>> Who was that?
>> The other two are sweet.
>> Who was that?
>> I don't know what I scored in a girl.
>> What?
>> What?
>> What's that?
>> He's centered downtown.
>> Please, no.
>> Who's your contact?
>> Who's your contact?
>> Go, boss!
>> [GRUNTS]
>> We should go.
>> Were you dropped on your head as a child?
>> I feel that's not really a question.
>> No, I work for a government agency.
I don't torture people.
>> You didn't.
>> I'm the deputy director of Fincense, so I can't.
>> I don't.
I put you there.
You and Rick.
>> A British woman calls and gives me tips.
So criminals, which is what you are, give law enforcement.
That's me, tips every day.
>> If by tips you mean names, dates, acts, account numbers, routing numbers.
Yes, I give tips.
>> Now, I'm not like you.
I can't just break the law when it suits me.
>> No more violence.
>> I need to take what he gave us and work our way up the chain.
That's how this is done.
Maybe the bureau has an aging in the office they can spare.
>> I may know someone.
[MUSIC]
>> [FOREIGN]
>> [FOREIGN]
>> [FOREIGN]
[MUSIC]
>> [FOREIGN]
>> Hello.
>> Hi.
>> Hi.
>> Hi.
>> Hello.
>> Hi.
>> Hey, Margaret.
It's Margaret.
>> Hey.
>> Hey.
>> Hey.
>> Fuck you.
>> Hi.
>> Hi.
Margaret, it's Brackson.
Hello.
Hi.
>> Hello.
>> Hello.
Margaret.
>> Fuck.
>> Fuck.
Stop.
>> Okay.
>> Hello.
>> Hello.
>> Margaret, it's Brackson.
I was just good.
>> You want to fall.
>> Motherfucker.
Just fucking do it.
Fucking do it.
You fucking do it.
You fucking do it.
You fucking pussy.
Hi.
Hi.
Hi.
Hi.
Margaret.
Hey.
>> Fuck.
>> What are you fucking scared of man?
>> What are we at the top?
>> I hear we talked about two weeks.
Some season.
It's 14 days.
I've written a life in a living, in his life.
Even notice names.
It's great.
>> Hey.
>> Hey.
>> Hey.
>> It's my grave.
She is mine.
>> Yeah.
>> Of course, she's got to sleep with me, of course.
>> You want to bottle?
I can bottle.
I can bottle.
I can bottle.
I can bottle.
I can bottle.
I can.
I can.
I can.
I can.
I can.
I can.
I can connect.
>> What should you stop me in?
>> I can't.
>> I can't.
>> I can't.
>> I can't.
>> I can't.
>> Margaret.
It's crashing.
Yeah.
Me again.
You got me there, Margaret.
Listen, I was thinking about our last conversation, and I have gone ahead and decided that I'm
going to swing on through and pick up the pup on Thursday.
Yeah.
No.
We did eight weeks.
No.
You made that abundantly clear.
Margaret.
I'm fully aware it's only been six, but a corgi is an enormously smart dog.
Margaret.
Fair enough.
I'm just not sure that I'm able to wrap my head around the logic of building a bond
between a puppy and its mother when it's literally never going to see the mother again.
I mean, why not take that precious two weeks and build a bond between the owner and its
pup when they're going to spend the rest of their lives together.
Well, no, but that's where the bottle feeding component comes in.
Okay.
Jesus.
Yeah, you really don't have me, Margaret.
Okay.
See you in two weeks.
Yep.
Perfect.
Bye-bye.
Oh,
Oh,
Oh,
Oh,
Oh,
Oh,
It's coming by you.
What are you doing?
What are you not doing?
Whatever it is you do.
You like hobbies?
What are you, Baker?
Are you fish?
No.
You don't fish?
No.
I like to read maybe.
You garden?
Fimmor?
Movies.
Yeah.
You got a favorite.
I have a table of fun.
Us?
Um,
Wizard of Us?
Us.
What are you little?
Us fun fact?
Little dog, Toto.
It's real name was Terry, Terry the dog.
Terry the dog, I mean, 125 bucks a week on us.
You know what the little people made?
Played the munchkins?
50 bucks.
You may have a travesty of justice or what?
Sometimes I like to think about those little people, you know.
Put yourself in their shoes.
But they sat around with their little people friends.
Look at that, Terry.
This motherfucker.
You know, this guy's making twice as much as we are.
Now remember Terry do it any song and dance numbers to you.
What do you want?
Raxten.
Hi.
Hello with me, Chris.
Your brother.
I know it's you.
You can't tell from the tone of my voice that I know it's you.
Oh, well, you sound hostile.
What do you want?
I need your help.
Goodbye.
Right.
Bagnin?
I believe--
I don't believe--
Well, you just go, "Motherf--"
[ Sighs ]
You just crash.
That'll be fine.
All right.
Well, the last time that I did help you,
you nearly cost me my career.
Are you aware of that?
You sound angry?
I mean, why?
Yes.
He's goddamn right.
I'm angry.
I'm angry because you're after a year.
I call.
He's always sweet reaching out.
It's never you.
And now, just out of the blue, you call.
And why?
Because what?
You need my help?
How about--
I've been just calling.
How about just calling?
You shoot this shit.
Hey, man.
How are you doing?
How have you been?
Merry Christmas.
Happy birthday.
If you want about that one.
That's not your birthday.
Birthday's November.
I--
I know it's on my fucking birthday.
That's not fucking--
fucking point in one of them.
What do you want?
Can you be in Los Angeles, California, in 24 hours?
Back then.
Hello?
Back then?
It's nice to be heard of me.
I'm sorry.
What?
All right.
Heard of me?
How would you say that to me?
What have I done to you?
What?
Have I done anything at all that would give you
that shit that I would do something to hurt you?
What would you say that to me?
I'm sorry.
I'm sorry.
Yeah.
Makes two of us.
I'm going to have a conversation.
You kind of suck as a conversation.
I mean, I know there's a language barrier, but holy shit.
It's not so fucking confusing when I'm saying to you.
I'm sorry.
♪ But it wasn't, it wasn't out ♪
♪ It was, it wasn't out ♪
♪ I have not ever solved ♪
♪ Why would you stop me ♪
♪ Oh ♪
♪ Or I do some more ♪
( Sharpness noise )
♪ ♪
♪ ♪
- Can't seem to find an office chair like...
they're also uncomfortable, you know?
♪ ♪
You know, actually, it's not the chair.
I think maybe it's what you said about putting me there.
♪ ♪
I don't feel like I've ever in the job.
- Maybe you need more lumbar support.
Costco has an excellent line of chairs.
Right, sport to lower back. - Never mind.
♪ ♪
- So is your brother up to speed on the case?
- Yes.
- When was the last time he saw him?
- Eight years ago in Chicago.
♪ ♪
- Younger brother? - I'm two years older than Baxter.
He doesn't...
♪ ♪
- Is there something wrong? - It's just often very angry at me, for no reason.
It's fine.
- Well, I'm sure he'll be happy to see you. - Right.
- Well...
- I get it. I have a sibling, too.
- Maybe thank him for coming to help.
I'm telling him how glad you are to see him.
It's just been my experience that people want to be appreciated, you know?
- Oh, that's him.
♪ ♪
♪ ♪
- Hello, Braxton.
- This is pretty.
♪ ♪
- Who are you? - I am Mary Beth Medina,
Deputy Director of Financial Crimes Enforcement.
- Mm.
- I'm fed.
- You suffer a stroke.
- You're upset.
- We're working together.
So whatever profession you're in, I currently have zero interests.
- Currently, huh?
- I guess that's great to hear.
Talk to you for a second.
♪ ♪
♪ ♪
- So it's been a minute. Yeah?
- Eight years.
- Two months.
- That's right.
- You look good, Chris.
- I think so, too.
- I...
♪ ♪
- Braxton, thank you for coming.
I'm really glad you're here.
♪ ♪
- Did you tell you to say that?
♪ ♪
- Yeah.
- You're right.
- That's a squirt.
- But just Braxton, should we go over the plan again?
- What are you doing?
- I'm gonna just take a piss, yeah?
- Okay, and then we'll talk about the plan.
♪ ♪
- I just yesterday, the one that you have, one of them,
like the one that represents the candidates, they deserve to do that.
- Okay, what'd you like?
- Yeah.
- How many?
- I'm ready.
- Son of a...
- Appreciate it.
- All righty.
♪ ♪
- Okay.
- What is your name?
- You're right.
- You're right.
- You're right.
- You're right.
- My time's money, right?
- It's over done.
- I'll send you an invoice.
- Okay.
- Fair.
- See how fair you think it is when you get to build their hot shot?
- Oh, it's okay.
I'm sure I can afford it.
- I'm sure I can have her today.
- Braxton.
- Braxton.
- Braxton, don't repeat me.
- Braxton, don't--
- Braxton.
- Braxton.
- You know, I don't--
- Braxton, I'm not asking her nicely.
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I'm not asking her nicely.
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Braxton, I don't--
- Horace, it's not off your business.
- Amelos.
- No, I'll give it a good possible.
- What is on?
- It's best to be done.
- That's your money, you take it.
- Amelos.
- Thank you, ladies.
[door opens]
- It'll take a lot more than this.
To get away from those people.
- Okay, okay.
Come on, Mr. I can afford to pay the lady.
I'm risking my life.
- Really? - Ooh.
- There we go.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- Okay.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- I'm not going to be there.
- Thank you.
- Thank you.
- Thank you.
- I don't have kids.
- I don't have kids.
- I'm not going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I'm going to be there.
- I've got my fucking bitches, that's one.
- Full disclosure, assholes.
- My gala.
- It's just in the bagging first up.
- My gala.
- Hey, come on, man.
We got Wi-Fi and everything.
- Come on in.
- My gala.
- Get some hate them harder than I thought.
- You like it?
- I'm going to get my shit.
- Have you lost your fucking mind?
- Can I be kidding that person out?
- I'm kidding that man.
- That's pretty harsh, isn't it?
- I'm really, we detained him for a question.
- No, we have no right to detain anyone.
- This man may know who killed great king.
Do you want to know who knows or not?
- If the cops stop me, if they search the trunk
with then genius.
- Hello, Dray Bird.
- Do you have my location?
- Yes.
- And you'd green lights from here to victory, Boulevard.
And please call in a fake robbery.
10 blocks south of here.
It's tracked to police and so many vets get to get to get
to get home to the Airbnb.
- Yeah.
- Anything else?
- I need to know who great king was V.D.
- Okay.
Pretty good, though.
Okay.
- We'd sound there.
- Taco Bell.
There we go.
[MUSIC PLAYING]
Good morning, boys and girls.
Who wants to brute force the city of Los Angeles?
We have Chris and his friend joining us remotely this morning.
They would like us to find and identify a person of interest.
Let's prepare to examine all traffic and security cameras.
- Okay.
Okay.
So I've been looking at the footage home, then, sent.
Ray goes in, comes out 45 minutes later.
We don't even know for sure if he was there to meet anyone at all.
- I won't just get that to Moscow to tell us where cops at.
- And how are we going to do that, exactly?
- If you just take out his eye, right?
- I'm going to take the other one out, let's just talk in.
It works every time.
It's like a ten out of debt.
We want to be blind, right?
You show him the one eye.
They know you're serious.
- Secure Link is active.
- How good process.
- Good morning.
I've warmed up the orchestra.
We are looking for your person now.
Finding footage from the dirty incident.
Isolating street cameras.
- Look, my guy at home, Aunt.
- My guy at home, Aunt.
- He has a doctorate in computer science from Caltech.
- Well.
- He can access every database you can name and some you can't.
There were only two cameras recording that night.
I'm sure the kids at Harbor are bright, but we are wasting time.
- Oh, look.
- Here are the other cameras you were looking for, deputy director Medina.
You can unmute your mic now.
Everyone take a feed and look for anything suspicious between 8 and 10 PM.
- Lane, let's see the front entrance post-gun fire.
- Agent, what's happening in the back?
Look for any behavior that doesn't match the situation.
- Go back.
- Isolating mean on the front door.
- She's not her first.
- That is our person of interest.
- She's not her.
- She's not afraid.
- Let's find her before she arrived.
Check every alley in street.
Cover four square blocks around them on to 19th.
She's hiding her face.
She knows where the cameras are.
- Miles, reverse.
- Pink jacket is taking a selfie.
- Let's get that photo.
- There's no way they can zoom in on our phone screen from that angle.
- They don't have to. They'll identify the woman who find likely passwords
hacked into the phone and email the selfie.
- Yeah, okay, sure.
- Heavy sigh.
- Would you like to bring the normy up to speed, Chris?
- That's what I would do.
- Run facial scan for ID, please.
- I got it.
- I got it.
- Chris, Lane and Charles are going head to head for this one.
- Hello, Pam.
Let's get to know each other.
- Iowa.
- Birthplace of the world's first computer.
Let's pay Pam's a visit.
- Agent, that zip code is serviced by Midwest power and energy.
- Wrenching from utility company, the gentleman's secure printer in the network
or smart things, then.
- Who are these kids?
- My people.
- There are more of us than you think, deputy director Medina.
- Skye, we need the password to the smart home network.
- Good morning, Iowa.
- Good morning, Pam.
Let's not let Pam get comfortable.
- This isn't right.
- Lane, get her out of that chair and let's go find that photo.
- Miles have that page ready when she comes back.
- Charles, get into her photo library.
- Wait, but we can't do this.
- Tell her to stop.
- Chris, please explain to the normie
we need to finish what we've started.
- Red light.
- Aidan, your turn.
- Green light.
- Tell her to stop.
- If she comes, red light.
- Lane, let the neighbors hear that TV.
- All right, all that butter.
- Love it, it's all.
- Mm-hmm.
- Tell her to stop now.
- Chris, enough.
Stop.
Tell her to stop.
Stop this now.
- Uh-uh.
Here's her selfie.
Aidan, email photo.
- That she takes the sweetness.
- Oh, yeah.
- I love that.
- That's a great thing to tie away her spines.
- Sky, get us out.
- I think you're a good man.
- You know that every morning it's so good.
- You like the road back there?
- There's a little bit of a cranny or a dog with your line.
- I think you will.
- Miles, enhance please.
- Running into pole facial recognition.
(gentle music)
(gentle music)
- It looks like she was the last person to speak to Ray,
but she doesn't want to be found.
Goodbye, Dreamboat.
(gentle music)
(sighs)
- I would agree with someone who killed all these people.
- I'm going to kill all these people to find a mother and child.
- I didn't kill all those people.
I'm just saying she definitely didn't kill that one or...
- That one right there?
- So.
- How do you know that?
- She's kind of thawed it out there, that's all.
- Yeah.
- Just how much?
- It's cute, I guess.
- That's all it is, really.
- Yeah, it's nowhere, not.
- Yeah, just a hypothetical.
- True.
- Stop talking.
- Okay.
- Regardless.
- Oh, fuck no.
- Ah.
- I do often confess to Captain LaMurdo.
- I actually didn't say anything.
- You think about it?
- I literally made a gesture.
- Is that bothering?
- That's it?
- I'm out.
- Okay, one moment, Mary Beth,
these were a time, one thing that you may want to consider.
There's some of those men whose pictures were on the wall.
They may not have been killed or likely
very in savory characters.
- It doesn't fucking matter if they're on savory.
We don't get to decide who lives and who dies.
- Apparently I do.
- Right.
- The law is what separates us from people like him.
- I've been a pleasure in an honor.
I hope we get to work with each other again.
You take care and stay safe.
(dramatic music)
(dramatic music)
- Hey, I'm gonna pick up.
I'm gonna pick up.
I'm gonna pick up.
I'm gonna pick up.
I'm gonna pick up.
I'm gonna pick up.
I'm gonna pick up.
(dramatic music)
(dramatic music)
- We have a problem.
- Is it the man in the trunk?
- It is.
- Sounds like you got a problem.
- Remove him, please.
- And do it with him.
- I'm gonna state the attorney general.
- Sure I'm glad it's not my car.
- You know what? I made a mistake calling you.
Okay, I'm gonna do this myself.
Buy the book.
No more lying.
No more breaking the law.
Tell the Brit.
No more tips.
And don't be here when I get back.
If I see either of you again, I'll have you arrested.
(dramatic music)
(screaming)
(dramatic music)
(dramatic music)
(suspenseful music)
(camera clicks)
(suspenseful music)
(camera clicks)
(suspenseful music)
(suspenseful music)
(camera clicks)
(suspenseful music)
(camera clicks)
(camera clicks)
(suspenseful music)
(camera clicks)
(suspenseful music)
(camera clicks)
(suspenseful music)
(camera clicks)
(suspenseful music)
(suspenseful music)
(suspenseful music)
(suspenseful music)
The Midska Tiaras I'm confused.
(suspenseful music)
The only thing that my client is guilty of
is coming to the aid of a young lady
in distress after which he was attacked beaten
with kidnapped, bought instead of pursuing these men.
You hold this cob individual over my client's head,
threatened him with prison time, amidst accusations
of human trafficking, in what bizarre, legal world
do you imagine getting a grand jury indictment?
Funny.
(suspenseful music)
Exactly what I exudeos, lawyer said
when I offered the same plea deal to his client.
I do not know Mr. Sudio.
Looks like your client does.
No, what you don't see are the bite marks
on Sudio's tongue and the rat.
It went into his mouth when both were still alive.
No, this is just a hunch.
I'm guessing Ike was more important than a pimp.
What do you think they'll do to you?
(suspenseful music)
Okay, we're done here.
(door slams)
I should note Mr. Sudio's attorney is missing.
(door slams)
And a rope.
I watched the fucking money, man.
I want you made from human trafficking.
Most of them from Central America, Mexico.
Like drugs, only better.
A good earner lasts five, six years.
Mostly women, under bags in the fields, scrubbing toilets,
some man picking balance, slaughterhouse, kill floors.
Any job in America won't fucking do in a machine cat.
Where can I send?
No.
(sighs)
This was taken eight years ago.
Oh, yeah.
This should work a good man to dad.
She threw down a few times, but she was too quiet,
so it didn't make work, man.
Your name is Edith. Where is she?
She t-bone a car outside a parking garage on El Verado.
Four or five years ago?
So she's done.
No, her she went through the windshield, though.
Two seconds for us.
What hospital?
Fuck what I know.
She had a father in Texas, why wouldn't she go to him for help?
Yes, Kim.
We're asking you.
You put everything on the record, you'll get immunity.
An exchange for your testimony.
Less chance.
Give me the fucking pen.
(grunts)
(grunts)
(grunts)
(grunts)
(dramatic music)
18 reported accidents within the garage in the last five years.
None serious.
None on that level.
What street did the garage exit out to?
El Verado, 32 accidents within a mile radius,
three with serious bodily injuries.
Any of those involved vehicle exiting the garage?
One.
One.
Inversion.
One.
Critical.
An unidentified woman, so lokupant.
Hospital.
University Medical Center.
Vehicle.
Yeah.
Toyota Camry.
Color.
Blue.
Explore the medical center's patient files.
(sighs)
I don't have kids.
I'm a guy for that.
What?
What?
The woman at the hotel.
She's not a new kid's.
Yeah, I remember, man.
Yeah, I let it go already.
Well, I'm saying why is that significant
by us being a mother important?
Yeah.
Yeah, and I don't think you and I really authority's
on the importance of motherly love.
Hate to tell you.
This is it, huh?
Living a lunch box.
It's quite comfortable.
That was the four seasons.
Right, house.
Cheap like pot, tattered and bark in the tree,
aren't you?
No.
He wasn't cheap.
He was frugal.
Yes, bullshit.
Seven T-shirts.
Seven pairs, underwear and socks,
all I need.
A grown man wearing a time excuse.
Fucking pathetic.
Look at that.
See that?
Yes.
It's worth more than he made it in a year.
You think he's say about this.
Let's say it's the same time on his watch.
He probably would wouldn't.
You'd have to be Braxton?
I'd be happy.
Yes.
Yeah.
Yeah, man, of course I'd be happy.
Well, wouldn't I be happy?
They're transient.
You have no significant other completely alone, no friends,
or I think.
We talk about me.
We talk about you.
You never thought about why I'm alone, Chris?
Sure, basically.
Selfish.
Where are you?
Where are you talking?
I'm alone because I want to be alone.
I choose to be alone.
I don't have anybody that I got an answer to, you know?
Check in with.
I travel the world.
I stay at five star hotels.
I do what I want when I want it.
Have gun will travel motherfucker.
I mean, yeah.
Shit, yeah, I'm happy.
Fucking happy.
But you're asking, man.
I'd like to have someone check in on him.
Yeah.
Yes.
Well, get a dog.
Do you have a dog?
Get in a dog.
Look at this.
Yeah.
That's great.
Ungumancing.
I mean, unconvinced yet.
That's great.
I'm getting this dog.
You know, you like the idea of a dog.
Anybody who has a dog likes the idea of getting a dog is why they
got the dog in the first place.
Do you have a permanent residence?
No.
Anyone to care for your dog during long absence?
I do not.
Do you keep a regular schedule in terms of eating sleep?
No.
I don't.
You're a cat person.
There's nothing wrong with that.
Well, you know, something if I had a cat, at least a cat would
miss me.
That's what I'm talking about.
That's possible.
Come here.
Yeah.
Chris, is it because you're because of me?
What?
That you like?
What?
You.
I know I understand.
You don't.
You just like don't like like miss me like is that because of you or me?
I spent years looking for you.
I was just trying to track you down, but you don't look for me at all.
I finally find you.
You know, I was there.
I saved your life.
And you said that you were coming find me.
You said you were coming find me soon.
And you just disappeared again.
I guess you had my phone number.
I guess what I'm asking you, man.
It's like.
Do you not miss me because of me or is it?
It's because you're like my one.
You know, you're, you're conditioned.
I'm just me.
I'm dying sunscreen.
My lower stomach is fixes 100 SPF.
I had more than four sunbirds.
My childhood.
I saw when twice as likely to develop, I'll know the adults.
Can I get a little bit of this?
Yeah.
Thanks.
You know I don't like that.
It's not funny, Braxton.
I like things.
Oh, it's so funny.
It's so funny.
I think we gotta go get drunk.
I'm on, man.
Let's go get drunk.
Okay.
I don't know if it's a sack of what I had.
I don't know if it's a sack of what I had.
I don't know if it's a sack of what I had.
I don't know if it's a sack of what I had.
I don't know if it's a sack of what I had.
I don't know if it's a sack of what I had.
I don't know if it's a sack of what I had in my.
Tell me.
To me that means nightclubs, bellades, velvet ropes,
douchebags everywhere.
Not really a honky tongue-type town.
I don't know.
I just never took you for a country western kind of guy,
but it's cool.
I mean, I guess you pretend to be an ordinary accountant.
You can pretend to be a cowboy tonight.
Right?
Huh?
No.
Yes.
Okay.
Are we having a conversation here, Chris?
By the way, as far as the whole cowboy thing,
I think the four scum shoes, they're a bit of a misfire,
but--
Well, well what?
Well, I'm--
Hey, now.
Hello.
The bands looking for a quest.
Is there a song you like, handsome?
Yeah.
I guess I'm good with like Alan Jackson, something like that,
tell him not a lot.
That'll do me just fine, as we are.
Okay, slow down.
Night moves.
I was asking him.
I'm Angie.
Hello, Angie.
My name is Chris.
What's your favorite tune, Chris?
My favorite song is Appalachian Spring by Copeland.
Uh.
Second favorite.
Uh, this context, yes.
Um, Metallica, interest in it.
I don't think that's in their wheelhouse.
Yeah, yeah.
Maybe you should ask them more familiar with the bandscape abilities.
Okay.
Oh, I--
No, what?
What do you do right there?
Why'd you go down like that?
It was the same.
It was working.
I--
You were supposed to say, just say you picked.
You know what I'm saying?
I just picked you up in my favorite song.
Did you ask me?
I asked you to.
Yes, she did just.
I liked you.
She just shocked us.
You were, but she liked you.
It's what she came here.
I don't know.
It was like a mani call.
How do you not see what she was doing?
It wasn't-- my brain doesn't work that way, Braxton.
[CHEERING]
[CHEERING]
There you go.
Hey, hey, hey, hey.
Who's good?
Your meal was good.
That may seem like you were seeing it, and she was seeing it.
It was just a matter of smile.
Yeah, I don't know what the first thing you said,
but Metallica did.
And I had it.
It was funny.
You know?
You see, just I don't know.
You're something like that, but definitely made her smile.
They maybe don't give yourself enough credit.
You just think so.
We're in.
We had to do it, Harry.
We're on a test where you going.
[CHEERING]
[MUSIC PLAYING]
[CHEERING]
[MUSIC PLAYING]
[CHEERING]
[MUSIC PLAYING]
[MUSIC PLAYING]
Oh, no, no, no, no.
Oh, no.
Oh, no.
Yeah, I'm a who's there, yeah.
For my time, I'm in trouble.
Never come back to--
You got it, everybody.
Oh, oh, oh, yeah, there you go.
Hey.
[MUSIC PLAYING]
Get the fuck out of here.
I'm getting rid of what you think about that.
[MUSIC PLAYING]
Hey.
I'm gonna let him open up and reach the door.
[CHEERING]
I don't think I should have been on the side.
[MUSIC PLAYING]
I'm gonna shut up on a loved you who thinks I'm.
Hey.
Hey.
Hey.
You're a man who's the kid in hell.
Hey.
[CHEERING]
Well, I still don't know what you're saying.
Hey.
Hey.
Hey.
Hey.
Hey.
Hey.
Hey.
Hey.
Hey.
Hey.
Hey.
I got a nice little boy.
I'll just give him a stick.
I'm gonna let him down.
I'll cover him.
Let's go.
[CHEERING]
[MUSIC PLAYING]
Oh.
[CHEERING]
Oh.
[MUSIC PLAYING]
Hey.
[CHEERING]
[LAUGHTER]
[LAUGHTER]
[MUSIC PLAYING]
Ah.
Hey.
You see that?
It's my brother.
That's my big brother up there.
[MUSIC PLAYING]
[LAUGHTER]
[LAUGHTER]
Oh my gosh.
Oh my gosh.
Oh my gosh.
Guys.
You're a good girl.
[MUSIC PLAYING]
[CHEERING]
Sorry.
I didn't be good.
[MUSIC PLAYING]
[CHEERING]
[LAUGHTER]
[CHEERING]
It's how we dance it.
Well, I'll be dipped in dog shit.
Oh, hello.
That was some dancing.
Glad on your feet, big man.
Thank you.
Yes, I'm a big inner.
It's my first time.
It wasn't a compliment, huh?
Jerry, don't start.
Hey.
Hey.
I forward, son.
Well, that's not kind.
Hey, I don't think you heard me.
Look at me when I'm fucking talking to you.
Hey.
Hey.
Come on.
You're in cowboy country.
Oh, I--
With another man's girl there.
Yeah.
You're from Glendale, Gerald, and I'm not your girl.
It's OK.
My brother wasn't having a good time tonight, but now he will.
OK, get me, Jerry.
Well, your brother can get it too.
Oh, good.
Your face is like an anus.
Sweetheart, me, Jerry.
Oh, no.
Cacky pants here wants to scrap.
Oh, goodness gracious.
Fuckin' him.
Hey.
How much you got?
Get him, Jerry.
You got the love of your father.
I'm prepared.
Stop the love of your father.
I'm not.
Stop.
Stop.
I'm here.
Oh, no.
Go, Jerry.
[GUNSHOTS]
[GUNSHOTS]
[GUNSHOTS]
[GUNSHOTS]
[GUNSHOTS]
[GUNSHOTS]
[GUNSHOTS]
God damn.
Is there anything in this world better than punching a motherfucker
in the face who's got to come in?
Huh?
Well, huh?
What?
No.
Shocked off my door.
You--
Hey.
Hey.
I'm Bruce Moon.
You.
You look at you.
I'm sorry.
It was Miss--
It was the deputy director Medina.
You have a patient files past and present
require a subpoena.
I'm quite sure you know that Miss Medina.
Yes, I do.
A woman and her child disappeared eight years ago now.
They're either dead or living the nightmare.
Look, could you just do this for me, please?
I really need your help.
And I just--
Yeah, and I need a court order to do so.
Now, I'm sorry.
Hey.
[BLANK_AUDIO]
Harbor neuroscience.
The Harbor neuroscience?
Treasury and Harbor have partnered to support
health care professionals who work with individuals
possessing unique abilities.
Define support.
[BLANK_AUDIO]
There you go.
[BLANK_AUDIO]
Jane Doe 636, five years ago, skull fracture, jaw ribs,
left arm broken, an extensive facial injuries
as a result of an auto accident.
Delereus in an out of consciousness from she arrived.
Said something about being attacked by somebody.
[BLANK_AUDIO]
Prior to reconstructive surgeries,
she was exposed to a neuroreubilitation
and a strategy as I designed to treat individuals with extensive brain trauma.
How extensive?
An early total loss of memory.
I played top boards in college.
But Jane never played.
She didn't remember how.
That's a three-day Slater.
Acquired syvonsin' drone.
So where some neurologist out it exists.
But you don't.
[BLANK_AUDIO]
Victims of blunt force trauma can, on extremely rare occasions,
exhibit extraordinary outcomes.
The woman who's never played piano, fractures are skull on the fall,
masters are monitored off in a day.
The baseball fan takes a 90-mile-power foul ball to the head
and wakes to discover he can learn a foreign language in an afternoon.
How is that possible?
Their brains, for lack of a better word, are rewired.
Unlocking hidden abilities.
Abilities at least theoretically, we all possess.
And Jane's talent was chess.
No.
Not exactly.
The brain injury Jane suffered that of her frontal and parietal cortex.
Those areas responsible for pattern recognition, problem solving, critical thinking.
The same areas of the brain chest masters rely on.
Cabbio had his their ability to start and stop with chess.
Jane Doe, they didn't.
[BLANK_AUDIO]
And acquired Savani syndrome would explain the exponential acceleration of her ability
to decode and assimilate information, the anti-coordination.
But what it does explain is why her memory was all better raised.
[MUSIC]
But the personality changed.
[MUSIC]
My theory.
[MUSIC]
The trauma that rewired her brain, also in Plagdini, unnecessary neural networks.
Unnecessary for survival.
The brain's frontal lobes are also where our fight or flight decisions are made.
I think the appeal of chess wasn't strategy, but combat.
I don't know what Jane's life was like prior to the accident.
But whoever she wasn't, they brought her in.
[MUSIC]
What in the same person who left?
[MUSIC]
Over the following months, she became increasingly isolated, aggressive.
[MUSIC]
Until one night, she beat a security guard unconscious, took his gun and disappeared.
[MUSIC]
You said her memory was all but a race, did she retain any memory of her life before
the accident family, kids, anything?
I asked her that exact question multiple times.
Only one's did she come up with something.
Let's go back over family, any memory of children or
husband.
[MUSIC]
So, should we order in some dinner?
Discuss the grant, next steps.
The applications are in my car, they write back.
[MUSIC]
You're asking me to divulge the identity of a woman who may or may not be under my employment.
I know she works for us back, too.
And you know this, how?
At those jobs, I turned down.
I just, I just want to talk to her, that's all.
Talk to her, why?
Yeah, it's a family thing.
Don't tell me, if one man had terminated for three minus one very inconvenient fact.
I know he's my brother.
No, he might kill all my killers.
[SOUND]
One bit.
But, accident, tell me that the engine of destruction isn't with you now.
No, sir, he is not.
Because the last time you had a family thing, he nearly ruined me.
Makes two of us.
Since you're in Los Angeles.
Yeah.
Even you client who's in house here, there isn't getting a job done.
See, I think I've fought on now.
It's drugs to follow only if we engage.
Every little now, soon, if I need your services.
[BLANK_AUDIO]
[SOUND]
[MUSIC]
[SOUND]
[MUSIC]
I don't have kids.
I don't have kids.
[MUSIC]
Why didn't you just call her father?
Negative counsel.
It's a father that ain't you?
[MUSIC]
It's not a school that it, it's a, it's a prison.
Why?
[MUSIC]
Because of you.
He is afraid for you.
I do have him.
[MUSIC]
[SOUND]
[MUSIC]
[SOUND]
My dean is out there, B&B.
Call her, then the police.
He's that wise, you're an escape convict from a federal penitentiary.
[MUSIC]
Gave the house.
We found Edith Sanchez.
Raking wasn't murdered because he was looking for Edith.
He was murdered because he found.
Call Marybeth now.
Tell her I'm on my way.
Then we need to find Edith's son Alberto.
She's being held as a prisoner in where is.
>> Okay, Chris, understood.
[MUSIC]
[SOUND]
[MUSIC]
Hello, someone's coming to kill you.
Marybeth, hello.
>> Hello.
>> Hello.
>> Drop it.
Drop it.
[MUSIC]
Turn around.
[MUSIC]
I'm a federal agent, big mistake.
I'll leave your name as not Marybeth, Melina.
[MUSIC]
Hands.
[MUSIC]
>> Tell her you need it.
Now.
[MUSIC]
[MUSIC]
[MUSIC]
[MUSIC]
[MUSIC]
[MUSIC]
[MUSIC]
[MUSIC]
[MUSIC]
[MUSIC]
[MUSIC]
[MUSIC]
[MUSIC]
[MUSIC]
[MUSIC]
>> A little longer.
>> And my life.
>> And my life.
>> And my life.
>> And my life.
>> And my life.
>> And my life.
[MUSIC]
[MUSIC]
>> You're your Sanchez.
>> Not anymore.
>> I think your child is a prisoner in the compound in Porez.
>> [MUSIC]
>> [MUSIC]
>> I need to put pressure.
>> No, no, I paid you to tell her not to try and kill her.
>> Someone intervened in the head and
an extraordinarily lethal someone.
A contract's unfortunate all the target is dead on the client's expired.
Enjoy your evening.
[MUSIC]
[MUSIC]
>> Good o'er-ass.
Take those kids into the desert.
I want them dead in bury.
No trace.
I want them to tie me to them.
>> I think you can handle that.
>> Yeah, Bert.
>> Yeah, I can handle that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> Build trip.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
>> I'm sure you can do that.
[MUSIC]
[SOUND]
[MUSIC]
>> [SOUND]
>> Rachston.
>> Yeah.
>> Thank you.
>> [MUSIC]
>> [INAUDIBLE]
>> [INAUDIBLE]
>> [INAUDIBLE]
>> [INAUDIBLE]
>> [SOUND]
>> [INAUDIBLE]
>> [INAUDIBLE]
>> [INAUDIBLE]
>> [INAUDIBLE]
>> [INAUDIBLE]
>> [INAUDIBLE]
>> [INAUDIBLE]
>> [INAUDIBLE]
>> [INAUDIBLE]
>> What are you doing?
>> [INAUDIBLE]
>> Come on, this way.
>> [INAUDIBLE]
>> [INAUDIBLE]
This is the place for the
[Crowd chanting]
[shrieking]
[shrieking]
[shrieking]
[shrieking]
[shrieking]
[shrieking]
[shrieking]
[shrieking]
[shrieking]
[shrieking]
[shrieking]
[shrieking]
[shrieking]
[shrieking]
[shrieking]
[shrieking]
[shrieking]
[shrieking]
[shrieking]
[shrieking]
[shrieking]
There's a one and a half!
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
You're hit.
You're good.
You're good.
[GUNSHOT]
All right, cool.
I'm fine.
Hey, stop.
This is fucking job.
I got you.
This is my fucking score.
Go Chris.
Go get those kids.
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
[GASPING]
[GROANING]
[GROANING]
[GROANING]
- You are not here!
(grunting)
(leaves rustling)
- Put the mud in the chin, guys.
- Okay.
- Now, we're gonna put the air in a way.
(grunting)
(grunting)
(grunting)
(motor whirring)
(dramatic music)
(shrieking)
(sighing)
- Let's go.
(dramatic music)
- Oh, come on!
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
- Yeah.
(dramatic music)
(grunting)
(grunting)
- I need to steal it.
(dramatic music)
(grunting)
(dramatic music)
(dramatic music)
- Open up!
Help them off the bus!
- Hold on a second!
- I'm on a second!
- Hold on a second!
- I'm on a second!
- You lost the bus!
- Get this over!
- Come on!
- Hold it!
- That's the best thing!
- Handily!
- Hold on a second!
- Handily!
- Handily!
- Get off the fucking hole!
- This is the hole now!
Hurry up!
- Hold on a second there!
- No!
- Follow the person in front of you!
Go!
(dramatic music)
(dramatic music)
(dramatic music)
- I'm landing!
(dramatic music)
- Hold on, hold on!
- Hold on, hold on!
- Hold on, hold on!
- Hold on, hold on!
- Hold on!
- Hold on!
- Fire!
- Fire!
- Go!
- Handily!
- Handily!
- Handily!
- Handily!
- Handily!
- Go!
(dramatic music)
(dramatic music)
- Handily, die!
- Hold on, hold on!
- Hold on, hold on!
- Hold on, fire!
(dramatic music)
- Fire!
(dramatic music)
- Whoa!
(dramatic music)
- No!
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
- You again!
- You again!
Get up!
(dramatic music)
- Oh!
- Be back up!
- Back to fuck up!
- Son of a grenade.
- Hey, I gotta have you figure!
- I'm knee.
- We're sitting down two seconds.
- I'm not the guy you won.
- He's the guy you won.
- We're sitting in the end.
- Yeah, he's done Saturday.
- That's it, man!
- Fuck!
(dramatic music)
(dramatic music)
- That was the end of Solomon Runde.
- Oh, Brittocentius.
- It's okay.
- It's okay.
- It's not being.
That's the widow.
That's being.
(dramatic music)
- You're safe.
(dramatic music)
- It's okay.
- Is that so subtle?
- Mm-hmm.
- It's cool, yeah, I mean.
- If I'm wrong, it's okay.
- It's okay.
- Look at this old door with the bus.
- It's okay.
- It's okay.
- It's okay.
- It's okay.
- It's okay.
(dramatic music)
(dramatic music)
- Who's that?
- The Chris's something was.
- It's not the bus, mate.
Just...
Open the door.
Open the door, take it on.
(dramatic music)
(dramatic music)
- Oh.
(dramatic music)
- Hi.
(dramatic music)
- Hey.
- Hi, are you for you?
(dramatic music)
- Oh, my God.
- Oh, Chris.
- She looked like she looked like she had...
- Mm.
- You were...
You were gonna come over with me.
Chris.
Hey.
Get her.
- Yeah.
You better be mine.
- As I suspected.
- You think, man, what should I call her?
- Huh?
- That's a...
- What's that male?
- I can't.
(laughing)
(dramatic music)
- Duh.
- Back to the Nesk.
- Owner of the largest kill squad in Europe.
- I'm sorry.
- You have me confused as Simon Nels.
- 52 years old born in Neskney, Nafka, Rachn, Romanian,
Mongol descent.
Seven years in the prison known as the Black Dolphin,
married four times, one child by a mistress.
Would you like me to tell you the mileage on your Bentley?
- What can I do for you?
- Terminate the contract on Mary Beth Medina.
- Why would I do that?
- Let me tell you the story.
- More topirash and glissile.
- It's a few more, sir.
- I scream to go, yeah, quite, yeah,
I call my chisel.
- I say that I'm in the black one.
- Is it good?
- I know what you say.
- Right.
(dramatic music)
- Yeah.
- Oh, man.
(laughing)
- Speak.
- When a cast-aid province, Costa Rica.
- Write it down.
- How about you do your fucking job and stick to the contract?
You said the contract would stay in place
until that treasury bitch was dead.
- What until you expired?
- Correct?
- Well, I am very much alive.
- You can see the redone.
- Good.
- What?
- Momentarily, sir.
Goodbye.
(whistling)
(whistling)
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[Door creak]
[Sighs]
[Sighs]
[Sighs]
[Sighs]
[Sighs]
[Music]
(tense music)
- Hello?
- This is a new director.
- You doing okay?
- Yeah, I'm feeling pretty good.
(tense music)
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(tense music)
- Hi, my name is Nancy Academy.
I'm a Deputy Director Medina, U.S. Treasury.
- Ma'am, I don't think you're calling who you think you are.
- I think I am.
I know you can hear me.
I just wanted to say thank you.
I found Edith, but you and Chris helped me solve the rest
of the puzzle.
- I would be grateful.
It's all mine.
(tense music)
- I can eat it.
- All right.
- What's up?
- What's up?
- I'm so glad you're going to have a little while.
- Oh, that's fine.
- It's fine.
- Yeah.
(tense music)
♪ One hour, one hour, one hour, one hour ♪
♪ I was searching but couldn't take anymore ♪
♪ But the best I've did ♪
♪ They'll ever have ♪
♪ Seek the answers I've been looking for ♪
♪ What are close to indifference ♪
♪ To the things I did not think about ♪
♪ And I've waged this war for far too long ♪
♪ When it changes, or it's time for a heart ♪
♪ So finally ♪
- Kids, I believe in that.
- Right?
- It's wildly unfair.
- Is it a child?
- I don't care.
He's a child.
- I'm a man.
You're a man.
He's a kid.
That's a cat.
Who cares.
The point is, we're supposed to be taking turns.
He's been holding my calf for the last hour and a half, Chris.
How much longer, man?
- A betto.
One to fault us to harbor.
- You made a clear and tough one in place, you can be.
- Yeah, she's a son.
- I don't want those 200 frees out.
- It's amazing how you can just come up with that,
but he can't figure out how long it takes to give somebody else
to turn and hold in the damn cat.
It's like the fucking genius.
Just out of idle curiosity.
What are your plans after?
After we jump up to the harbor?
My plans?
- Hmm?
- I don't know.
- Do you think, well, I met a reservation at an RV park
at the Chateau Sheet for after we dropped a febberto in mid-ath
(laughing)
(upbeat music)
♪ Follow me ♪
♪ Help me out ♪
♪ I have no guarantees ♪
♪ But the shade of a safe house ♪
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