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- Hmm, no chicken, pasta.
- Dad, I've got practice after school, don't forget.
Milk, uh oh chicken, pasta,
oh, and more bread and butter.
Oh, have a good day too, Max.
- And demi one.
And up, and demi.
Grande plie.
Port de bras forward, and one.
And up.
Cambre back.
Good.
Into second.
Fondu 45, fondu to 90, fondu to the side,
double rond, lift, close it back.
Fondu 45, fondu to 90, fondu to the side,
double lift, put it down.
Yeah? - Mmm hmm.
- Great, thank you, Maestro.
Stop, thank you.
Can you give me a tango, please?
- Okay.
- Thank you.
- Shit, I don't got a tango. - Guys again, that's it.
- Fuck, shit, okay.
- And fondu, and place.
Fondu, to the side, plie.
Lift, double lift, good.
Lift it, and close.
And one.
Nice, nice.
And one, and place, good.
Lift, lift the leg, good.
Double lifts.
Let's do the other side, here we go.
And plie, and place, good.
Place big, one, and place.
One, look, double lift.
And fondu.
Yes.
And one, good.
Fondu, to the side.
And lift, and finish.
Thank you, Maestro.
Nice, let's move the barres.
We'll come to the center.
Okay, let's do double pirouette.
One, two, chaine lie, port de bras, three, four.
Lift it, five six, plie, seven.
Up onto it, eight, plie.
One, two, three, four, pas de bourre.
Single to fifth, single en dehor to fifth.
Yeah, questions?
Great.
Maestro, if you will?
Fifth position, croise.
And grande, one.
And heels down, pirouette, up, arabesque.
Promenade.
Yes.
And stay, en dehors.
One, place in fifth, and again.
Up and let's finish, and...
Thank you.
Thank you.
Nice, nice, good, excellent.
- I didn't know a mazurka
could pass for a tango, even if it's Schumann.
- It's Chopin.
- Anyway, thank you so much.
I just wanted to say thank you.
- It takes a lot to impress Ryan.
You might have a place there.
- Thank you, Nadine, I appreciate it.
- Thought you might like this little guy.
- Ah, no.
- One of the parents gave him to me.
- I can't.
- Huh?
- I gotta go.
- What?
- I, no.
- He does play beautifully.
Yes. - Nadine, no.
- And he's handsome.
Oh, yeah.
I think you got a little friend here likes you.
- No, I gotta go.
- No you're not.
Not without him you're not.
- I can't.
- Take me.
Take me home.
Oh, please, oh please.
- I'm not, I can't.
Shit!
Why did I take this fucking goldfish?
Shit.
- Hey, I can help you with that, no problem.
- Thanks.
- Yeah.
Thank you so much, by the way.
That was a beautiful class.
I'm Brandon Wykowski.
- Ah.
I'm, Jason-- - Jason Holden.
I know.
I asked around about you.
You're incredible, you know that?
- Thanks.
- Did you hear what I said?
- What?
- New York City Ballet Company is coming to town next month
and I really want to audition for them.
I need a rehearsal pianist.
Look, I'm coming back from a broken ankle.
I could use your help.
Is that for your kids?
- Yeah.
Look, it's just, it's just impossible right now.
- Meet me at the back of the studio tonight.
Nadine gave me an extra key.
10 p.m. sharp?
You won't regret it.
- Oh yeah.
Hey you.
Come up here.
Oh.
Moses, I'm so glad I brought you home with me.
Yeah?
See, I'm right here.
See me?
See me?
I gotta go back to bed.
$50 an hour.
And if you miss a rehearsal
or you're more than five minutes late,
I'll charge you for the hour.
- Deal.
- Okay.
You ready?
- Hey, wait, hold on.
I heard you playing some amazing music after class.
That's your own, right?
- Yeah.
- Can we play that?
It's so magical.
- I don't think that's a good idea.
You wouldn't like it.
- Will you trust me?
Whatever this big secret is,
I can handle it.
- Fuck.
Shit.
- What the hell was that?
Do you feel that?
Was that an earthquake?
You okay?
- Mmm hmm.
- Holy shit.
Oh my God.
Hold on.
There's nothing on the news.
- Look, go get the dust pan and the broom.
- Okay.
- Let's get this cleaned up.
- You, you don't think you did this, do you?
- I tried to warn you.
- No, you're not leaving until I get an explanation.
- The universe is basically a complex mathematical formula
that can be manipulated and finessed.
Certain harmonies and melodies can actually transcend
the space-time continuum.
- Yeah, and I can do five double tours without practicing!
Stop with this "Carrie" bullshit.
Could you imagine what Nadine would say if she found out?
Man.
Come on, Moses, let's go.
- Ah, shit.
- Ah, what?
- Dad, don't you ever go to the store?
- Jesus, Izzy, you startled me.
I didn't expect you to be here.
- Mom's been getting on my nerves lately.
She was in such a bad mood yesterday.
Something to do with the lawyer.
- You want some more toast?
- No, I'm fine.
But if it's a problem, I--
- No, no, no, no, no.
I love having you here.
And we've kept your room just the way it was.
- Actually, sorry, Izzy,
I actually kinda re-arranged your room.
- What happened to all my stuff?
- In the garage.
- What?
- I needed a place to practice.
You didn't tell me she was moving back.
- That's because I'm not moving back.
- Okay, okay.
Slow down, both of you.
Max, you need to put your drums back in the garage
and put Izzy's things back in her room.
- Whatever, I gotta go.
- Bye.
- I'm sorry, I don't know what his problem is.
- Oh, it's fine, don't worry.
- You have a ride?
- Yeah.
Penny's picking me up.
- Ah.
She got her license?
- Dad, I'm fine.
Stop worrying about me.
- You sure?
- Yeah, but I have to go.
So...
- Yeah, yaa.
- I'm sorry to leave - Here we go.
- my dish behind, but
I gotta get to school. - It's full service here.
- One, two, six.
- Okay, whoa, there you go.
- Yep, almost there.
- All right.
And, one little foot and another.
- Thank you.
- There you go.
- Okay, I'll see you soon, Dad.
- Um, okay, ah, do you need anything?
- Just the door.
- The door, okay.
I love you.
- I love you too, Dad.
- Have a good day.
- Can you turn that fucking music down?
I have to get up early.
- Do you want me to go with you--
- No, just let me get some sleep.
- And up, and place.
Here we go, grande plie.
One.
Heels down on three, pirouette, arabesque.
Five, promenade.
Nice.
Elonge, one.
Yes.
Up to attitude, stay.
And tombe, fifth into the pas de basque.
Reach and stay.
Put it down on one.
One, pirouette, and around.
And plie, up to fifth, fifth, fifth,
brush through, brush and stay.
Good.
Pas de bouree under.
Slow, stay.
And up.
And open, and finish.
Thank you, guys.
Maestro, thank you.
- You know what, Brandon,
you're a worthless piece of fucking shit.
Don't fucking lie to me.
Where were you? - I'm not lying to you.
Why are you always doing this?
I have a fucking audition coming up
and you're always trying to take me down with you.
- Bullshit!
You know what, you know what,
your're a fucking shitty dancer, you're a shitty person.
Don't fucking lie to me.
Where were you?
- I was rehearsing, okay?
This isn't about you.
I need to get my life back.
- It isn't about me, it isn't about us?
You know how that makes me feel?
- Why do you always have to do this?
- Do what?
Do what?
Oh, you're gonna cry know?
- Yes, I'm gonna cry.
- Don't be a little bitch.
Don't be a little fucking bitch right now.
Talk to me like a man.
Tell me where the fuck you were last night.
- Okay, I will tell you where I was last night.
I was out with myself, working on my audition,
so that I can get away from you.
- You were out with yourself?
Bullshit!
You're fucking that guy from the studio.
Just tell me, you're fucking him from the studio.
Just tell me right now.
- Ow, fuck.
Fucker.
- I'm gonna a give them a little,
couple of steps first
and you look at the first two.
Okay, Maestro, we gonna do a waltz.
We gonna do ecarte, two, three,
balance, back soutenou, up,
and big preparation seven, eight.
Pique one, step back two, tombe,
pas de bouree, plie, pirouette, seven, eight.
You got it?
- Got it, guys?
Okay, Maestro.
Okay, we gonna do two, two.
Okay?
- Yeah.
- Yeah, we gonna go
these two go.
The first, guys there.
Big step back, soutenou, and up.
Pique one, step back, two, tombe.
And finish it.
Plie, grande.
Next, and up, up.
Seven.
One, failli, failli.
Up, balance, soutenou.
Little faster, Maestro.
And up, up, up,
Chanee spot there.
Next, prepare.
Two, three.
And up, sousou.
Balance, two, soutenou, stay.
And step, up.
Next.
That's all right, that's all right.
One, two.
Sousou, one.
That's, now with, we can do sissone ferme.
And one.
Up and stop.
You switch your feet, to one less, switch your feet.
Okay.
Thank you, Maestro, thank you. - Thank you.
- That was...
All right.
We going to do a little jump, assemble.
I'll show you.
And we go the same tempo.
Maestro.
One, two, one, two,
one, attitude, glissade.
It's okay.
Glissade.
Pique, stop.
All right, let's repeat again.
I know, sometimes it happen.
Okay, tombe, coupe, ballonnะยฉ, tombe, coupe, ballonnะยฉ.
Tombe, coupe, attitude,
for glissade here.
Assemble up, glissade, assemble, pique,
failli, glissade, assemble.
Okay.
Seven, eight.
Ta-tam e-ram.
Attitude,
Glissade, up, go ahead, pique.
Don't travel, don't travel much.
Up, eight.
Ram, bam.
Good, one, two, attitude.
Glissade, listen, one,
pique up, glissade.
Bam.
Very good, Maestro.
Excellent.
Good, guys.
That was end of it, but I'm gonna just tell them
you guys are great.
I see lots of talent.
You understand what
audition is.
If I would have four spaces, I would take all of you.
But some of you today was better than other.
You will know, we'll send you the whole information
and we'll try to be as fair as we can.
- Hey!
Better work on your technique, my friend.
You're a little rusty.
- Why don't you mind your own fucking business.
- Hey!
- What?
You wanna tell me how I fucked up the audition?
- You kidding?
I saw you, I saw the whole thing.
You did very well.
- Very well does not get me hired.
- Well, you just, I don't know,
you just seemed so positive.
What?
Is that alcohol on your breath?
- I dance better with a six pack.
- Really?
You think that's funny?
- Yeah, kind of.
- Fuck you.
You're wasting my time.
I don't wanna work with you anymore.
- Then fuck off, then.
- All right. - Okay, okay, wait.
Hold up, hold up.
I'm sorry, I'm sorry.
It's just, have you ever had a dream
and see it fall apart right in front of you?
- You mean, because of your accident?
- My accident?
- Yeah.
- Right, my accident.
- Come on, Dude, I feel like I'm gonna throw up.
Let's go. - Hold on.
Hold on.
Thank you so much.
- Look, you're gonna do
better next time. - Excuse me.
That's five fucking hours in the hospital.
Let's go.
- Okay, okay!
Thank you for sticking with me.
I gotta, I gotta go.
- Let's fucking go.
- Coming, God!
- The fucking car.
- Always have to be such a fucking dick?
- Moses, hey.
I wanna talk to you.
Moses.
I don't know what to do about this guy.
He's really, he's really captured my heart.
But I'm worried about him.
I think he's got a lot of problems
and I don't know,
I wanna take a chance to get to know him better.
Are you a magic goldfish?
Maybe you'll bring me luck,
better luck than I've had.
I'm gonna go to bed.
- Nice.
Here we go.
And, Fondu 45,
Fondu, put it at 90.
- Yeah, thanks for calling me on my bullshit.
- Yeah.
- I've been listening to your music.
- Really?
That's cool.
- Do you think you can heal Adam?
- What do you mean?
- He's really sick.
He's got lung cancer.
- Wow, I'm really sorry to hear that.
He doesn't look sick.
- Lung cancer is very tricky.
You can seem fine for a very long time
until the disease progresses.
- Well, if he's open to it.
Yeah, the energy heals someone
where they need to be healed the most.
But look, maybe we could talk about this another time.
I'd-- - I'd like that.
- I'll see you in class, okay?
- I'll see you tomorrow.
- Let's do from fifth, go left,
grande plie, one, and two, heels down three.
Arabesque five, promenade six, seven, and eight.
Elonge one, two,
up to attitude three, four,
through passe, tombe, pas de bourre,
six, pas de basque, seven, eight.
Put it down in fourth, double pirouette,
grande port a bras around,
lift the leg, plie.
Up to fifth, brush the leg through passe to arabesque,
pas de bourre under, single en dehors to fifth,
single en dehors to fifth, we go left, grande plie.
Clear?
Are we good?
- Yes.
- Great.
Maestro?
And up, and place.
Here we go, grande plie.
One.
Heels down on three, pirouette four,
arabesque five, promenade.
Nice.
Lift up, then pas de bourre under.
Slow, stay.
And up.
And open, and finish.
- Brandon, I didn't see you in class today.
I'm just, I'm kinda worried about you.
Can you just let me know you're okay?
- I hung you.
Are you fucking him?
- No!
- Tell me, are you fucking him?
- No!
- Tell me are you fucking him?
- No!
- Tell me! - No!
You're fucking crazy!
- The police are coming,
you need to leave.
- Fuck.
- This is your little fuck buddy.
Huh, huh?
- We're friends.
- Friends don't fuck each other.
- Jason, just get out.
I can handle this.
- What the fuck!
- You better get the fuck outta here
before I dice you up.
Get the fuck out of here.
- Your dad sent you to juvenile hall
when you were 15 and you never forgave him.
- What the fuck?
Did you tell him that?
Did you fucking tell him that?
- Adam, get the fuck out of here.
There's no treatment in jail.
- I'm not done with you yet, bitch.
Shit!
Fuck!
Bitch!
Fuck.
Fuck out of the way!
Fucking shit.
- Did you do that?
The sirens?
- Start packing.
You're staying with me.
- He's just frustrated with his life right now.
You don't understand.
- No, I do understand.
Adam broke your ankle.
That's what sidelined you for a year.
The next time he's frustrated he's likely to kill you.
Let's go.
- No.
Just, will you trust me?
I can, I can handle this.
I just, I can't leave right now.
He's, he's sick.
He needs me.
- That's bullshit and you know it.
- Nice, cambre back.
Nice, nice.
Into second.
And demi, one.
And demi, nice.
Grande plie.
Into the barre, and reach one.
Good.
And up, and away.
Tendu to fifth.
And one, nice, one.
Now, good, and finish.
- Shit.
- I'm so sorry.
I'll take care of you.
Oh.
Come on, let's go inside.
- Okay.
- What did he do to you?
The fucker.
- I'll tell you later.
- Here.
- Thank you.
Cute place.
- His name is Moses.
- Aw.
Hey, Moses.
How's it going?
Hey little dude.
Amazing.
- Let me help you with that.
- Please.
- Just make yourself comfortable.
- Thank you so much.
- Can I get you anything?
- Just please stay with me,
the whole night.
I don't wanna sleep alone.
Tell me your secret.
Your music, how do you do it?
- When I was 12 years old, I got really sick.
I almost died.
But I managed to practice piano every day.
And then one morning
this golden light flowed through me,
and I was healed.
This voice inside me spoke and said
to send things back in time
to where they need to be healed the most.
-And what did you do with this gift?
- When I was in college, I learned that people
who had near death experiences
commonly heard celestial music.
This music of the spheres guides our solar system.
The planets emit this sacred noise.
It's a kind of universal music
that has a powerful influence on the destiny
of human beings.
- And your wife, did she believe?
Karen?
I tried to prove it to her, the kids tried to tell her,
but in the end she forbid me to do
any kind of magic, until now.
- And what about this?
- Mmm.
We fought about that, too.
Mmm.
I have a business appointment.
- We're going to dinner, Jason.
What do you mean you're dropping us off
at 8:30 at night.
- How many damn dinners have I been with you guys?
So I'm missing one.
What's the big deal?
- Angela has a birthday tonight.
She's expecting you.
- Shut up for a minute.
Just shut up.
- There's no need to be rude.
- Okay, then be quiet.
I am going to a business appointment.
I've had this planned for a month.
I told you that. - It is 8:30 at night, Jason.
- You know what?
It doesn't matter. - No, I don't believe
you're going to any business appointment.
- Business is 24 hours a day.
It's not just when
you think it's convenient. - Who are you meeting?
- It's a Fortune 500 company. - Do you know, the kids
are in the back? - Is that enough for you?
- Jason, the kids are in the back.
- Yeah, I'm not swearing.
What, what is your problem?
So there's a cool, little roundabout here.
- Yeah?
- And then we're gonna go to the left
and go on - Okay.
- by the fire station.
- Very cool.
- Yeah.
- Oh, okay.
I'm starting to sweat.
Whoa.
Try to keep up there.
- Yeah, I'll try.
Man, I think I'm out of shape.
- Come on, keep your focus.
- Hey.
- Come on, old man, keep up. - Oh man.
Man, you're killing me.
- Oh, wow!
Look at that. - So, no old man,
okay, no old man, yeah.
Oh, actually, this is my favorite spot
just to hang out.
Check this out.
Arts, that's like--
- Pretty color.
- Yeah.
I mean, that's like you and me, music, dance.
- You really need to clean up the dust in Isabella's room.
It's not healthy.
And Max's room?
- Well, I used to be able to afford a maid
until Karen moved out.
But, you know what, the great news is,
the kids are really excited to meet you.
- Are you serious?
- Yeah.
- I can't wait to meet them.
I feel like I know them already.
- Look, come on, I don't want you to be late for class.
Fuck!
Ah!
Oh my God.
Fuck, I think I'm gonna come.
Oh, man, I know nothing.
I'm so stupid.
- You did great.
- Yeah?
- You okay?
- Yeah.
- Ah, you're insane.
- Can we do it again?
Check this out.
You remember that?
- Oh, yeah.
That was a great trip.
- It was a great trip.
You could barely, you were so little
you could barely hold up the fish.
- Yeah, you never caught anything.
- Yeah, except a cold.
Ha ha!
- Dad, your jokes still suck.
- Yeah, I know.
- Hey, that night in the car,
when you and Mom were arguing.
What were you arguing about?
- I, I don't remember.
- Was it about being gay?
- What?
- Izzy and I know what you and Brandon are doing.
- What?
We're friends.
- Yeah, right, Dad.
- Max!
- Good morning.
- How'd you sleep?
- Like the dead.
- Please, don't.
- Why?
Are the kids still here?
- They just left.
- You liked it last night.
- Brandon, I'm a parent.
I can't do this.
- Wow, okay.
Just another one night thing, huh?
I'm used to it.
Thought you'd be a couple steps ahead
but wow, wishful thinking kicks in, doesn't it?
- Look, we have this amazing connection.
We're helping each other be better.
Isn't that enough?
- That's bullshit and you know it.
Okay.
I think Isabella and I are bonding.
- Really?
You haven't even met her yet.
- I heard you guys last night.
I was about to come into the kitchen
but then I realized I didn't have a shirt on.
- It's not like you to be so modest.
- I can tell she already likes me.
- What, are you a mind reader?
-You said she likes my idea
about the gym in the garage.
- She does?
- Why are you so afraid of her?
- Izzy?
- Karen.
It's like you're afraid to make a move
because you feel like she won't approve.
- She's, she's made my life hell.
- And it's gonna be better all the way around
now that I moved in.
- Hmm.
Okay.
What do you know about raising children?
- I had a guppy and a pet fish once.
Does that count?
- Really?
You're joking, right?
- Isn't that parenting?
I had to feed them, watch them,
sometimes clothe them.
- I honestly, I just, I don't think
you have any clue about being a parent.
- Well how about this?
- Yeah.
- I'll prove it to you.
- You're gonna prove it to me?
- Promise.
- I'd like that.
- Deal?
- Mmm hmm.
- Deal.
- Ooh fuck!
What...
What the fuck?
- Think you can make him happy?
- Let go of me!
Ow, fuck!
- That's right.
Brandon told me about your little time machine.
- What?
What are you talking of?
- Bran's music!
Send me back.
Heal me.
Heal me.
Heal me.
- Oh.
- I talked to him.
He's not gonna bother you again.
- Anyway, I wrote this song for you this morning.
You wanna hear it?
- Please.
- Okay.
- Wow!
Wow!
- You like it?
- Yes, I love it.
It's incredible.
- Oh fuck.
- You're really special.
You're really something.
Thank you.
Listen, sorry about class today.
I'm just not feeling great.
I need a rest but I'll see you tonight
at the studio for rehearsal.
- I missed you.
- I know.
- I love you.
- Heel forward, pinky toes back, don't sickle.
Mmm.
Yes, okay, keep that.
Yes, you finally pointed your foot.
- I have a good teacher.
- But to be a professional dancer,
you can't have bent knees
and you must have a full, straight leg.
- You leaving?
- No, you're leaving.
I've got class.
- Okay.
I thought it's...
- One time, babe.
Shit!
Woo!
Ooh!
- What?
- Oh man.
Maybe I don't wanna go to New York anymore.
- Listen,
that's the only place for you to have a career.
There's nothing here for you in L.A.
- Tell me you love me and I'll stay.
- Look at these two lovebirds.
- What are you doing here?
- It's cute.
Play your music.
Heal me.
Yeah, that's right, he told me
how you almost died at 12.
- What the fuck? - How this golden light
poured through you.
Yeah, I guess your boyfriend didn't tell you
that I fucked him this morning, too,
in your bed.
What did you do to me?
What did you do to me?
- I danced for the Bolshoi
at the Mariinsky Theatre in St Petersburg.
Baryshnikov was in the audience.
Aren't you happy for me?
- Sure, I'm happy for you.
I want you out of my house tonight.
- What?
- Key.
- What, Nadine, I thought--
- Don't you Nadine me.
- Maybe you need new ceilings?
- What about the dents in the floor?
- Damn.
- Language.
- Here.
- Thank you.
- Could you tell me about Jason's family?
- Oh, these little rascals.
They were so sweet.
She used to dance here, his daughter, Isabella.
Beautiful dancer.
Perfect turn out, great feet.
Miss those little silly rabbits.
Oh, honey, don't get so upset
about the ceiling tiles.
Just be more careful next time.
Don't do it again.
- Thank you, Nadine.
I'll see you tomorrow.
- All right, I'll see you tomorrow, honey.
Be careful.
Doh.
- Why did you lie to me?
- Lie to you?
I was trying to help you.
Congratulations.
You got what you wanted.
The New York Ballet Company corps.
- Tell me about your kids.
- I don't wanna talk about my kids.
- Come with me.
- Brandon, I thought I'd never say this
but you and Adam deserve each other.
- Maybe you're right.
And maybe Adam is fucked up.
But at least he can say I love you.
Thanks for nothing.
- Tonight. - How many damn dinners
have I been with you guys?
So I'm missing one, what's the big deal?
- Angela has a birthday tonight.
She's expecting you.
What do you mean you're not coming?
- Who is Angela?
I don't know anyone named Angela.
- Are you on some--
- It's business.
You don't know him.
He's a businessman. - I'm just you're wife.
I'm your wife.
- We're making a deal.
It's a Fortune 500 company.
- Do you know the kids are in the back.
Is that enough for you.
- Jason, the kids are in back.
- Yeah, I'm not swearing.
What, what is your problem?
- We're going for dinner
for God's sake. - You are on me all the time.
You're on me all the time.
You're so suspicious.
You think I sneak out to things
and I go off-- - You do.
- I'm around for the kids.
Ask them, ask them.
- I'm done with this, Jason.
I am done with it. - No, I am--
- I'm done with it!
- Huh!
Shit!
What the fuck are you doing here?
- Brandon's extra key.
- Thanks.
- Got my three-month pin from Violence Anonymous.
- I'm happy for you,
but couldn't you just have called or text--
- Brandon doesn't know I'm here.
We got a early morning flight tomorrow.
When you sent me back in time,
I thought it was to heal my cancer.
But I got a chance to confront my dad.
He abused my entire family
and I finally had the strength
to stand up to him,
tell him he couldn't control me anymore.
I forgave him.
Thank you.
- Happy that I helped you.
- Take care.
- Dad, do you ever go shopping?
- Jesus, Izzy, you startled me.
- Mom's been getting on my nerves lately.
- Well, you want something to eat?
Oh.
- I have to go.
- What, at this hour?
Well, where are you gonna go?
You should be sleeping.
- I gotta go, too.
- Well, if you're going to your Mom's,
you should bring an extra key.
- Take care of yourself, Dad.
He loves you, you know.
- Yeah, and don't be so stubborn.
You deserve to be happy.
- Okay.
- And don't forget to feed Moses.
- Mom's been getting on my nerves lately.
She was in such a bad mood yesterday.
Something to do with the lawyer.
- Here, honey.
- That night in the car, when you and mom were...
What were you arguing about?
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