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- Cross in front. Cross.

Ay, papi.

- Ay, Dios mío.

Eso.

Hey.

- Nice! Use those shoulders!

Eso. Toe, heel, Suzie Q.

Bien.

- Stop! Go! Nice!

Stop. Nice!

Salsa basic. One. Ta...

- You remember this one?

- Oh, your first ballerina! - It was ours, remember?

Mom gave it to both of us, Sophia.

- But you named her, so you claimed her.

That's "Sugarplum."

- And our parents thought that dance would be a phase.

- Oh, for me, it was a phase.

Just one year as a "Nutcracker" snowflake was more than enough.

But for Natalia, well...

- My daughter has that same poster in her bedroom.

She can't believe her mom's friend is a real ballerina,

right here in Richmond.

- You really gonna be happy here?

After New York?

You know, choreographing instead of dancing?

- I'm only assisting, Pam.

But it's a world-class ballet company, and, frankly,

I'm so relieved to be home, closer to family and friends.

- Aww. Well, speaking for myself

and your soon-to-be niece, close is good.

- And you won't miss the dancing?

- After years of sprains and strains,

it will be a welcome change.

Plus, I can't really dance like I used to anyway.

It's not like it was back when--

- Like when we were snowflakes together.

- So cute. - Oh, that's my cue.

Thomas is calling in an hour.

I need to get back so Bailey can speak to her daddy.

- When does he get back? - His deployment ends in March.

I am counting down the days.

- I bet. - Sophia, you ready?

I can drop you off on the way. - Oh, do you mind?

I should probably put my feet up.

- No. Go! - Okay.

- You kidding? My own tree, my own place.

My first Christmas back home in forever.

I am good.

- Don't forget the Christmas tree lighting

this weekend.

Oh, did Dad tell you that you were hosting

the Christmas karaoke this year?

- No. Here? He didn't.

- Well, he's renovating the kitchen, remember?

- Right. - But Grant can help you

with all the food and everything.

And I should probably let my husband know

that I volunteered him.

- That's probably a good idea. - Oh, he doesn't mind,

especially since he's been doing

all the cooking and the cleaning

while I focus on this sugar plum.

- So sweet. - All right, mami.

- Love you. - I'll see you later.

- See you soon. - Bye.

Drive safe.

- Bye. Good night.

Hola, papi.

- Have you made your big Christmas wish yet?

- Mm, yes. It's the same one as last year.

And every year before that.

- To dance?

I mean, you do that every day here at the studio.

- Yeah, but this time on a stage.

Lights and costumes,

and, I don't know, maybe pointe shoes.

- You can do it all, Vivi.

And one day soon, everyone will know it.

- So it's official, Glen's gone.

- As of this morning.

Any idea what happened...

and who the new choreographer's gonna be?

- Those sound like questions for Ms. Kat.

- Come.

- Good morning, Ms. Kat.

Is that the final casting for "The Nutcracker"?

- Almost.

You'll note I've assigned Mr. Corley

the role of Mouse King, per your recommendation.

- I think he'll be wonderful.

- I agree. I think he's ready.

What is that?

- I thought your office

could use a little bit of holiday cheer.

- Why would you think that?

- Well, you have to admit

it's not very Christmassy in here.

It lights up if you want it to.

- Well, it's very festive.

But there's little time for that.

We have barely three weeks before opening night.

How are rehearsals going with Bailey?

- Our Clara is doing very well.

You could see it later if you like.

Glen and I choreographed an exciting new approach

to her moment with--

- Mr. Walker is no longer with the company,

as you may have heard-- he missed traveling,

and he had an opportunity to join a touring company.

As for new approaches,

"The Nutcracker" has been a classic since 1892.

I see no benefit to new approaches.

- So Glen's--Mr. Walker's-- position with the company...

Ms. Kat, I know I've only been here

for a few months.

- Naturally, I will be taking his place for now,

as you will have your hands full

with the ensemble and the children,

the snowflakes, and the flowers.

Which brings us to this.

I spoke to Ingrid last night.

Her ankle has yet to heal, and we are going to have

to have a round of auditions to replace her.

- Sugar Plum Fairy's a major part.

Aren't there any professional dancers in the company?

- Sylvia's in Los Angeles. Nora's getting married.

And you have hung up your pointe shoes.

- Well, what about another company?

- I've been on the phone all morning.

Anyone who knows this role at this late date

is already booked.

- Well, what if we opened it up to locals?

- Local?

This is a professional company, Natalia.

- We could limit it to those who have taken

our summer intensives or members of the academy.

- I suppose. - It could be to our benefit.

Bring in a younger crowd, expand our audience.

- Very well, then.

I leave this in your hands.

I have too much on my mind to argue this morning.

- Thank you, Ms. Kat. You will not regret it.

- We'll see. Oh, one more thing--

would you stop by the Christmas market

on your lunch break?

I've ordered a selection of toys

for the opening sequence-- if you could pick those up.

- Isn't that something that Scott normally does?

- Mr. Owens has his hands full at the moment.

Thank you.

- See? Like Rockefeller Center.

- Mami, are we missing a sheep? 'Cause there's only one here.

- Papi broke one last year, remember?

- Yeah. - Maybe use a donkey.

- Okay, but I think the shepherd's gonna notice.

- Have you seen this?

- ¿Qué? - Vivi!

- What? - An audition

for this year's "Nutcracker" at the Center,

and not for the ensemble.

- Wait, mami. Sugar Plum Fairy?

That's huge! Like, huge!

- Look at the requirements.

You've taken sessions with them.

You can do this.

- Sí, pero I still have my classes.

And, I mean, with the amount of time that this would take,

if I got it, who would teach?

- Well, of course you'll get it.

And your father and I can teach.

- In addition to your own?

No, mami, that's too much.

- We did that for years in Puerto Rico

before you were born, after all.

I still have a new dance step or two in me.

- Ah, sí. - Yeah.

It's this Saturday.

Mi'ja, put on your dancing shoes

and show them what a Serrano can do.

- Ay, mamá. - Come on.

- Okay.

- Sophia, she treats me like her errand girl.

But if I want to move up in the company,

I can't make waves.

- Wait, so, who is this Ms. Kat anyway?

- Katarina Oblonsky.

She has danced for every major company in the world.

She was something in her time.

- Well, she sounds like something else now.

Did the Devil exchange her Prada for ballet slippers?

- You are not wrong.

Her bark is worse than her bite,

but her bark is bad enough.

She knows what she likes,

and she is not afraid to tell you.

And if my idea for these auditions

doesn't pan out-- - Natalia, hey, relax.

You'll be fine. You worry too much.

Oh, this would make a perfect wishing angel.

- A wishing angel? You remember that?

- Yeah. Mami still has our family one.

Top of her tree.

"A Christmas angel lights the way for Santa..."

both: "To bring your wishes on his sleigh."

- Oh, come on,

you definitely need to get this one for your tree.

- Hey, if this angel helps me find

the right Sugar Plum Fairy,

she'll be worth her wings.

I'll take it.

- And, hey, you can show her off when we come over next week

for the Christmas party.

And your first wish could be

that Mom and Dad are finally on pitch this year.

- Oh, well, that is asking a lot, even of an angel.

Have I got a wish for you.

- Preciosa. You ready?

Oh, yes, you're ready.

- You really think so? - I know!

Ballet was your first love.

- If I could just get this one role

and add that pro credit to my resume--

- You will! Tú puedes hacerlo.

There's nothing you can't do. Ask your father.

- Papi isn't exactly an impartial critic.

- He knows what he knows.

All his ribbons and trophies,

he won them because he knows dance--how to do it,

how to teach it, when it's good.

So hear his opinion. He's never wrong.

And what's his number-one rule?

- Dance like yourself. - Exacto.

Dance like yourself, and you can never go wrong.

You have to remember that.

- I do. I try.

- Stay on the beat, ladies.

Bailey, you're just one step behind.

There you go.

And great. Thank you, Brad.

Now, don't forget you're snowflakes,

so I need strong arms and legs.

So practice at home,

and we'll pick up where we left off tomorrow.

Okay? Thank you.

I wanted them to feel what it was like to dance onstage.

You think it's helping?

- I think it's a good thing we still have a couple weeks.

See you at the auditions later.

- Thanks, Brad.

Hello? Is someone up there?

- Beautiful moves deserve a spotlight.

- Hi. - Sorry.

Mateo Torres.

I'm the lighting designer for this year's production.

You must be the choreographer.

- Uh, only the assistant choreographer.

Natalia Haddad.

- Now, that seems like a waste.

From what I just saw, you should be in the show.

I mean, you could be a real dancer.

- Yeah? You think so?

- Trust me. I know these things.

- You're not the normal lighting guy.

- I'm filling in for a friend.

Checking the equipment today

to see what I have to work with.

- Natalia, here is the list you asked for--

dancers who signed up for the audition.

- Oh, thanks, Heather.

Sorry, I have to deal with this.

- No, that's okay.

I have 50 cables to sort and a 400-watt follow spot

waiting for me.

Nice talking to you.

- Yeah. You too.

- He's cute. - Oh.

Man, is this the only people who have signed up?

- Yeah.

- Was hoping we'd have more dancers.

- Don't I know you? - Um, do you?

- Viviana, right? - Yeah, hi.

- Your family owns that Latin dance studio on Grace Street?

- Yes. Baila Studio.

- Meredith McClain.

I took a couple classes there from your father

when I was a kid.

It was cute.

- Um, thanks?

- Meredith McClain?

- I see you've taken the summer intensive,

so you must know Ms. Oblonsky.

- Ms. McClain was one of our standouts this past summer.

Good to see you again.

- Well, we're eager to see what you can do.

Whenever you're ready. Brad?

Well, I thought that was terrific.

Ms. Oblonsky? - We'll talk.

Thank you, Ms. Serrano. You seem familiar to me.

May I ask about your experience?

- Yes. I teach at the Baila Studio.

Latin and ballroom.

- Ah, that's evident in your form.

- But I took several years of ballet as a child.

I studied dance at college.

And I actually took a couple of your workshops

at the academy as well.

- Have you? I'm sorry.

So many young ladies come and go.

Please wait outside with the others

while we discuss.

- Thank you.

Can I just say something?

I really love to dance.

And, I mean, I really, truly love it,

to my very soul.

I would just be honored if you gave me a chance at this role.

But either way, thank you so much for the opportunity.

- Quite the speech.

I wish her performance had been as good.

- I think she has something special.

- And our cast is complete.

I'll be working personally with Ms. McClain on the role.

- You have so much to do. I figured, since she's so new--

- It was a fine idea you had.

As you said, good for publicity

and so good for the ballet company.

But we have just over two weeks before opening.

There can be no mistakes.

- Ms. Kat, I know I don't have a strong résumé

as a principal choreographer, but I do have a vision,

and I have experience as a dancer.

If you would just give me the chance to show you.

- Don't take this the wrong way, Ms. Haddad,

but I don't honestly feel you have enough experience yet.

You said so yourself.

You do not have a strong résumé as a principal choreographer.

The transition from dancer to teacher

is never an easy one.

It takes time.

And this is not your time.

You may go. I'll see you in the morning.

- Viviana. - Hey.

- You're still here?

- Yeah. I hope that's okay.

Just wanted to be in a real theater

a little longer. - Of course.

- By the way, I need to tell you this.

My mom actually took me to New York to watch you

in "Giselle" years ago,

and you were the reason why I wanted to dance ballet.

You're my first role model. And... yeah.

- That is so sweet.

You know, there's no reason why you couldn't eventually

be a role model for other young women.

- Yeah. Just not this season, I guess.

- I'm so sorry you didn't get the part.

If you ask me, you were wonderful.

In fact, you reminded me of myself when I was your age.

- Really?

Wow, that means a lot, Ms. Haddad.

- Natalia, please. - Vivi, then.

- The way that you dance, Vivi,

I have no doubt there will be other roles.

Dozens, at least.

I'm here if you want to talk in the meantime.

You know where to find me. - Okay.

Thank you. - Mm-hmm.

Merry Christmas. - Merry Christmas.

- Find what you needed today? Your Sugar Plum?

- Yes, we did. How's your follow spot?

- All good.

Just waiting for the final set design

and a talk with the choreographer.

Still not you? - Still not me.

- Oh, that's a shame.

If I ran the ballet company...

But I don't, so, hey.

- Well, I appreciate the thought.

- If you ever want to take your mind off all this

for an evening, yeah...

I could take you out to dinner some night, if you're free.

- Is that too pushy?

- No.

It's the best offer I've had in months.

But the show-- - No, I get it, I get it.

You ever get hungry, though, I'm around.

Check the lighting booth.

- I will. Thank you.

- I still don't understand.

You put in the work.

You have a B.A. in dance.

You did summer intensives and national dance workshops.

What more did they want yesterday?

- You know you're taking this way harder than I am, right?

- Because you're my heart. And you wanted that so much.

- I mean, of course I am.

But I also know what I'm capable of,

and I just gotta find a way to show it to the world.

Don't worry, mami.

Everything is gonna work itself out, somehow.

- Listen to me.

We don't always get what we want.

But we keep going until we do.

Success doesn't always show up the way we expect.

It's not whether you dance with Richmond Ballet or ABT or XYZ.

- XYZ?

- Tsst, tsst, tsst, I'm making a point.

It's your passion for dance,

no matter where, that leads to happiness.

To get up every day excited for what you're doing.

Look at your father and me.

Over 30 years of loving this life we built.

It will happen for you, too.

- I know. I have faith.

- The tree lighting is in the square tonight.

That can still put a smile on your face.

You'll come with us, yes?

- Have I ever missed it? Come on.

Hola, papi. - Hola, mi amor.

- Mwah.

- How's she doing? - I think I cheered her up.

- You're very good at that, mi amor.

This is amazing!

Look what they did to the place!

- It's beautiful! - Can you--oh!

For my daughter. Here you go.

- Papi, those are for kids!

- Yeah, yeah, well, you'll always be my little girl.

- Ooh, it's freezing out here. We need hot chocolate.

- Okay, how about you guys go find a spot

and I'll get us hot cocoa?

- Okay.

Oh, mi amor, mira!

- Meredith! Hi!

I didn't get a chance to congratulate you yesterday.

- That's so sweet of you.

I hope you're not too disappointed.

- Um, it's only one role, so...

- One starring role. - Somehow I think I'll manage.

- Of course you think that.

And I'm sure you have tons of options.

Have you been sending out your reel to other companies?

- It's online.

I was hoping to add some ballet

before I make a big deal out of it.

- I already have offers from Denver and Seattle,

so you need to get a hop on that soon

if you want to have a chance. - Oh.

- The best slots are probably already gone.

- Oh, right.

- Merry Christmas! - Yeah.

Three hot cocoas, please. Lovely.

- What a crowd.

I forgot how popular this is.

- I know.

- It's been so long since I've come--I can't believe it.

I think the tree looks better than it did last year.

What do you think?

- Natalia.

- Mateo! Hey! - Hi.

- This is my sister Sophia and her husband, Grant.

- Hi. - Hi.

- And this is our friend Pam.

Her daughter Bailey is our Clara in the show.

- Oh, nice.

- Mateo's doing lighting design for the production.

- Oh, lighting!

Do you have anything to do with the tree lighting tonight.

- No, I'm just here to watch,

along with the rest of Richmond.

- Are you here alone? You want to join us?

- No, thanks, but I'm with some friends.

I just wanted to say hello.

- So you're an electrician?

- I actually teach English literature

at Thomas Jefferson.

- Oh, I didn't know that. - I also run the drama club.

- I also didn't know that. - Right.

So I'm developing a new citywide theater program

for the school system.

- I didn't know what either. Wow!

- Have you actually met Mateo, Natalia?

- Yes, I have met Mateo.

But we just haven't had a chance to talk yet.

- We need to fix that. - Yeah, we should.

- Have you seen the tree lighting before?

- Oh, every year when I was a kid.

But I've only been back in Richmond for a few months now.

You?

- I usually go back to Puerto Rico for the holidays.

My abuela still makes the best pasteles in San Juan.

- I used to do shows in Puerto Rico.

That is such a beautiful place.

- What kind of shows? - Ballet.

Choreography is actually new for me.

I've been dancing since I could walk.

- So you really are a dancer? - Mm-hmm.

- You've never heard of Natalia Haddad?

She's a dancer like Bobby Flay's a chef.

- Oh, Pam.

- New York Ballet, Paris, Rio.

- I don't follow dance.

But I think that's my cue to be embarrassed.

- Aw.

- Ladies and gentlemen, boys and girls,

it's almost time for Christmas to shine.

Let the countdown begin. Everybody, five...

all: Four, three, two, one!

- Looks like someone's Christmas present came early.

- Eso!

Hey!

- Hello. Whoa.

I thought you guys were done with that tree.

- I told him it was too much.

- Ah, you know your mom. Too much...

all: Is never enough.

- Not when it comes to Christmas.

The Serranos know how to celebrate.

- Yes, and no one will doubt that for even a minute.

By the way, I brought quesitos.

If anybody wants, anybody's hungry,

they're fresh from Ms. Rivera's bakery.

- Save a couple for me. Been working up an appetite.

- You just got here.

- Yeah, but I've been working all morning...

in the studio.

- Vivi, meet my baby brother.

He's visiting from New York for Christmas.

Justin, this is Viviana.

- Oh, so you're Vivi. - Hi.

- I hear you got the moves.

- On the dance floor. - Yes.

I teach here, if that's what you mean.

What's the studio that you're talking about?

- I'm a music producer. - Our parents are musicians.

- Oh!

- I'm sure you've heard my stuff.

- Well, I listen to a lot of music.

How would I know what is yours?

- Well, if you liked it, it was probably me.

- He's all talk, Vivi,

but underneath that, he's mostly okay.

- Oh, mostly okay. Hmm.

That's a great recomendación.

- Justin, you have to come over

for the festival tomorrow night.

- What festival is that?

- It's a family thing that my dad made up.

Festival of Treats.

- It's where we skip dinner

and go straight for the desserts.

And my wife graces us with her famous dulce de coco.

- My favorite. Sign me up.

- Don't agree so fast.

Everyone has to wear an ugly Christmas sweater.

House rules, not mine.

- It makes everything more festive.

- Sorry, I'm out of luck.

Not an ugly sweater kind of guy.

- Then you and Vivi have to go shopping.

- Mami.

- No, no, I heard you say the other day

that you needed a new sweater for the party.

- No, I told you the other day

that I was gonna wear mine from last year.

- I don't think so.

- Nobody needs more than one ugly Christmas sweater

in their closet.

- No arguments. Go.

We can finish with the decorations.

- Wait, there's more?

- Yeah, of course! You can stay and help.

- Your mom's right. - Yes. We're gonna go.

- Right. Let's do some shopping.

- Grab your jacket. - I'll grab my coat.

- Think I could guide a sleigh with this?

It's probably the only thing you could do with that,

which makes it perfect.

- Sold. - Just not a sweater.

- It's a start.

Your mom and dad seem really cool, remind me of my parents.

- Um, your sister said they're musicians, right?

- Yeah, our dad played for Hector Lavoe.

Mom sang backup.

They did the clubs, the records, everything.

Music's in my blood. - Hmm.

- You want to hear? - Wait, now?

- It's a new artist I'm producing.

- Okay.

Okay! It's great. Just not very seasonal.

Where's the Christmas?

- Does everything have to be Christmas with your family?

- In December, it does.

What do you think about this?

- Hard pass. - Yeah, I thought so, too.

Perfect. I'll go try it on.

- I can do Christmas, by the way.

- Hi, this is Vivi.

- Hey, it's Natalia Haddad.

Is now a good time to talk?

- Natalia?

Yes. Yes. It's fine.

It's fine.

- I found your dance reel online this morning.

- Oh, no, that's so rough. I only put that up for friends.

- Don't apologize. It's really good.

- Wait, seriously? You liked it?

- Yeah, I did. I've got some thoughts.

- Yes. Of course. Tell me, anything.

- It might be easier to show you.

We could even dance a little, if you like.

- Together? Like, you and me?

- I've got "Nutcracker" rehearsals today, but--

- Tonight, then.

You could stop by my family's studio, the Baila.

I don't know if that works for you, but--

- No. Tonight's fine.

- Okay. Awesome.

My last class ends at 7:00.

Do you know where it is?

- I do. I'll see you then.

- Okay. Thank you so much.

- Of course. Bye.

- Bye.

- Who was that?

- So here we go.

Toe. Heel.

Toe. Heel. Susie, nice!

Vuelta!

Ah, nice!

Nice. Reach. Reach!

Good. And stop.

And pose. Beautiful!

Now, with Christmas coming up,

I know I won't see some of you until next year.

But please, remember, salsa with your friends,

with your family.

Spread the joy. Y feliz Navidad, mi gente.

Thank you for coming. Beautiful.

Very nice, class.

Amazing today!

Bye.

- Hi. - Hi! How are you?

- Good. I'm a little early.

I hope that's okay.

- That's more than okay. Are you kidding?

I'm just happy you're here. Bye, everyone!

- Oh, man. - Have a great one.

- There is nowhere like a dance studio.

- Yeah.

- Some of my earliest memories are from places like these.

Wow. Someone likes Christmas.

- Oh, yeah.

My mom feels if there's a place without a decoration,

then she didn't do her job properly.

- I love that.

- You started dancing here in Richmond, right?

- I did.

Then I moved to New York when I was 16.

I lived with my aunt while I trained.

- Oh.

With the City Ballet, right? - Yep.

Did two years as an apprentice and then six more years

before I was a principal. - Wow.

- Yeah, I missed a lot of family time.

That's part of the reason why I'm moving home.

Could you show me the step that you were just teaching?

- What, the salsa?

- We'll get to ballet, but show me more

of what you were just doing.

- Yeah, of course. Oh, okay.

The toe. Heel. Suzie Q.

Toe. Heel. Su--

Now basic. And...

- Yes.

- And then you've got your turn.

- I remember some of these steps.

My stepmother used to do salsa around the house

with my stepsister and I when we were younger.

- No way! - Yes.

- Okay, wait. Now it's your turn.

- Oh. Ready?

Hmm? - Oh! "Giselle"!

Oh!

You know, honestly, it doesn't matter the ballet,

before the curtain went up, I was terrified every time.

But the second you step onstage,

you know, with the lights and the music

and the energy from the audience,

there's just nothing like it.

- I want your life. - I want your moves.

Show me something else.

- Okay.

And...

Ready?

- Nice!

- Ooh!

Go.

Here we go.

Yes!

Whoo!

- Where was that passion before?

- Well, you know, ballet requires

a lot of concentration,

and my moves needed to be perfect, so...

- You know, that might be the problem.

You're concentration is hiding your emotion.

You know, there's a difference between doing a step

and doing a step.

See?

- Yes. I-I see. I definitely see.

- You have to make that connection, Vivi.

And you'll feel the difference.

You have the talent for this.

- Wow. I mean, this, coming from you--

Thank you, Natalia.

I know I have a lot of things to work on my technique,

and my form isn't the greatest, but--

- Form can be taught. What you have can't.

A dozen dancers can do the same steps,

but one will always stand out, capture the audience.

- And you think that's me? - Could be.

I want this so bad.

But all the disappointments just really make you

second-guess yourself at times.

- I get it.

Disappointment is part of being a dancer.

I was passed over so many times before my first apprenticeship.

You have to know what you want.

Where do you want to dance?

- Well, are there really that many options?

All those photos of dancers at the Center,

but not many of them look like me.

- Well, there was even fewer when I was training.

But things are changing.

You've got Misty Copeland and Karina Gonzalez,

Evelyn Cisneros.

- And Natalia Haddad.

- I'm just saying that ballet has opened up

to a bigger world, so dream bigger!

Pick a company.

ABT.

- Now, that is a good fit for you.

The American Ballet Theatre's repertoire is so diverse.

But you're gonna need to show them everything you've got.

- Mm-hmm.

- I can help you with that if you want.

- Yes! Por favor. Yes.

- Great. Well, for now...

let's just dance. - Let's dance.

- Thank you.

- I'm glad you took me up on my offer.

- Well, it's easier than going ice skating.

- Come on, if you can dance, you can skate.

And I know you can dance.

- I don't skate, not on ice.

- Didn't you ever go to the rink in Central Park?

I thought that was a New York tradition.

- Are you kidding me?

The company would have killed me.

I mean, one fall, and my career could have been over.

Which reminds me, I've got rehearsal at 10:00.

- How's the ballet shaping up?

- Oh, well, I guess you can be the judge

when you put lights on it.

It's a classic. You know?

Audiences love it. I love it.

I just wish that Ms. Kat would let me try something new.

- How about a dancing Scrooge?

- Bah humbug.

- Yeah, right. - You love it.

- You're too nice. Nobody would believe it.

- No, I-I played him twice.

- What? You act, too?

- I'm not just a pretty face!

- Scrooge in summer stock.

Well, winter stock.

Curly in "Oklahoma!" Roger in "Rent."

"West Side Story."

- Of course. - Of course.

Yeah.

- So tell me more about this theater program

you're starting.

I've got big plans, if I can manage the budget.

Costumes, props, sets.

Even with community help, it adds up.

The kids deserve it, you know?

The city needs it.

- Well, at least we know the lighting will be great.

- Who knows?

Maybe we'll do our own "Nutcracker."

A no-music, no-dance, dramatic version.

- Sacrilege. Ms. Kat would faint.

- Ah, it's a classic for a reason, huh?

- I mean, you ask any professional ballerina,

and many will say "The Nutcracker"

is where their dream started.

- I guess it's time I saw it. - Wait, what?

- Never. - You've never seen it?

It is so beautiful!

Clara, the main girl in the piece,

one night she dreams that all of her toys

come to life on a magical Christmas Eve.

My family took me when I was, like, seven.

And I was hooked.

I've thought about dance every day since.

And I've been re-choreographing that ballet in my head.

- I hear your passion. - Do you?

- Yeah.

- I don't know anymore.

I had this fire inside me to dance,

but I want to feel the same thing

as a choreographer.

- You want to do it your way. Does Ms. Kat know that?

I mean, have you said it out loud to her...

made your point so she can't miss it?

You deserve that job. - Thank you. I do.

- So tell her, flat out.

Express yourself.

- You're right.

But right now what I feel

is that I'd like to take a bite of this Danish.

- What?

- The costumes are under construction.

Jewel tones. The set as well.

And as I made clear,

we are doing the traditional "Nutcracker."

- Balanchine is the only way. - Exactly.

I've already set most of the dances,

so you'll be hopping on a moving train, as it were.

But you'll be taking a huge weight from me.

Natalia Haddad, Tony Jarvis, our new choreographer.

- Natalia. - Tony.

I danced Tony's "Giselle" a few season ago.

- And beautifully.

I look forward to working with you.

With both of you.

- I have a donors' meeting in the theater this morning.

I will let you catch up.

We're so happy to have you with us.

- Ms. Kat.

- I know what you were hoping.

But as we discussed, it's too soon.

Mr. Jarvis has agreed to help us through this production

on a trial basis.

Now, play nice.

- You had no idea? - No.

He was just there, fresh off the plane from New York.

I feel like I have to choreograph something new

just to prove to myself that I can do it.

You know? Create steps I haven't done.

Maybe I can use the dancer I was telling you about.

- The one who didn't get the job?

- She's so good.

I could create something new and exciting for her,

something other dance companies will take notice of.

In the meantime, I've got my day job.

- Bailey says you're terrific at that.

She loves playing Clara.

- Oh.

And she says that the guy from the tree lighting

has been hanging around the stage a lot

whenever you're there.

- Oh, well, he runs the lights, remember?

He's contractually obligated to be there.

- You sure that's all there is to it?

- Don't go there.

- Why not?

You haven't had a good relationship in years.

If there's something there, go for it.

Who deserves it more than you?

- You know my track record, Pam.

If they're interested, I don't have time,

and if I do have the time, they're not interested.

So, between my love life and my career...

- You're a mess? - I'm a mess.

Mateo is coming with me to the Serranos' party tonight,

so we'll see.

- Maybe Santa can help you.

- I don't think what I need will fit in his sleigh.

But good thought.

- Ooh, tres leches.

Hey, hey, hey!

- Bueno, it's a good thing

that I'm an adult, and I don't have

to sneak around anymore.

- Ooh, our guests are gonna be here soon.

Finish up while I get changed, huh?

- Okay. No problema.

- And keep out of the coconut. - Ha. I make no promises.

Mmm, that's good.

You came! Come on in.

- I brought a friend. Mateo, Vivi.

- I hope that's okay.

- Of course it's okay!

Of course, bienvenidos.

- Gracias. - Ah, what's this?

- It is baklava.

My sittoo's recipe. One of our family traditions.

- Natalia, you really didn't have to go

through all the trouble.

- Well, I couldn't come empty-handed.

Plus, I thought, in case there weren't enough desse--

- Right.

- Well, that is definitely not a problem.

- It's okay. We'll find space for it.

- Wow.

- Papi, I want you to meet everybody.

This is Mateo and Natalia.

- Hi. - This is my dad, Pedro.

- Hi. - Hi, How are you?

Nice to meet you. Welcome.

- Encantado. - Bienvenidos.

Feliz Navidad!

- This is my mom, Camilla. - Hi.

- Our Vivi has told us so much about you.

You're all she talks about lately.

- That is so sweet. - Well, it's true!

Please, eat. Y disfruta la fiesta.

- Please tell me all this food isn't just for us.

- Ay, Pedro. - Huh?

- Did we forget to invite everyone else?

- No.

- So are you having enough to eat?

- Oh, so much. But this, this is delicious.

- Oh, thank you.

That's actually my mom's recipe.

Dulce de coco.

No Serrano family Christmas is complete without it.

- Well, after this, my sweet tooth will good for a month.

- Oh, give me a sec. I'll be right back.

Coming.

- It's me. Rudolph.

I caved. - I see that.

And you can come in.

You look great for a reindeer.

- And I did not come in empty-handed.

- Oh!

- I sent you the link to some new music.

Did you get it? Maybe good for tonight.

- I've been baking in the kitchen all day.

But got my phone with me.

Let's go check it out. Hmm?

All righty. This one?

-Yeah. - Okay.

Now it's a party.

Okay! I like this.

- Who's the artist? I love this song.

They're Justin's, actually.

He's a music producer. He's amazing.

- Vivi was telling me

that you were working with her on her dancing?

Maybe something for that? - Mm.

- But I can do it all.

Latin, classical, country. Let me know.

- Yeah, absolutely.

- Let's dance.

- Have you been practicing?

- Getting some ideas?

- Just might be.

- I have to stop you.

This is a battle, guys.

The Mouse King and the Nutcracker.

All right, it's a big moment. You need to go for it.

Show me that intensity! Let's do it again.

- Tony, I'm sorry to interrupt.

The reporter from the local paper is here

for the interview, whenever you're ready.

- Yes. I'll be right there.

Natalia, you see what we're doing here.

- Mm-hmm. - Take over for me?

- Sure.

Christopher, I know that this is your first time

as Mouse King, and the leaps can be challenging,

but we've got to get them higher.

Stephen, you can help him by giving him a little more space

so that he can really go for it.

- That's not what Tony asked for.

- I think that he'll approve.

I know I haven't danced your part,

but I've done numerous productions over the years,

and I understand the challenges.

Trust me.

Brad, take it from the same section.

We'll work on it.

- You're a terrific teacher. I hope you know that.

And if she didn't know before today,

Ms. Kat does now.

- You think so? Why?

- No one ever notices the lighting guy on the ladder,

so I got to see everything in your rehearsal.

She was impressed.

- I hope that's true.

Beautiful.

- So you know coquitos. - My stepmom loved them.

I grew up with them.

Well, without the rum at first.

But Christmas isn't Christmas without one...or two.

- Well, feliz Navidad. - Y próspero año.

- So what are your English classes like

compared to your theater program?

- Well, kids are kids everywhere, you know?

In school, onstage.

I love their energy, their creativity.

That's why art in the schools is so important to me.

- You know, I love the way you light up

when you talk about your program.

It's just pure joy.

- The same joy you have for dance.

I can see the dancers picking up on it

during your rehearsals,

whether they are the professionals

in the principal roles

or the ones from the ballet classes

in the ensemble.

You deserve that choreography position.

- So you said. But the position's filled.

And I've only been at Richmond for a few months.

- You've been dancing your whole life.

Those dancers respect you.

You think you can do the job?

- Someday, when the stars align.

I mean, with so many choreographers out there,

it's really stiff competition.

- So you have to stand out.

Like I tell my students,

your talent is what makes you stand out,

not your résumé.

But since you have both, you should go for it.

This Tony guy is good, but I-I don't feel--

- He has the job, Mateo.

- You said yourself,

he's only here on a trial basis.

Believe in your talent, Natalia.

I do!

Plus, it's Christmas.

- Season of miracles? - When anything can happen.

- Oh.

This doesn't feel right.

- That's 'cause you need to use your core and pull up.

- Yes. I know. I can feel it.

- Okay, and your left arm needs to come around quicker.

- Okay.

Oh!

Oh, I just want to get this exactly right!

- You're not trusting yourself.

Relax, okay?

Once this is done, it will look great on your reel.

You know what? Let's switch up the music.

Do you have one of Justin's tracks?

- Really?

Sure. It's this one.

- Okay. Forget technique.

Focus on the music.

That is it!

That's what I'm talking about!

I love what you just did!

- Really? 'Cause it felt great.

You didn't think so?

- No. It's terrific.

You know what I'm thinking?

What if we choreographed a salsa ballet piece?

- A what, now? - A fusion of the two.

Like a Sugar Plum Fairy goes Latin.

You're kidding.

You're not.

Um... - What's wrong?

- Nothing. I just--

Don't take this the wrong way.

I'm proud of who I am.

I just--doing a piece like that,

would it be too bold?

Do I really want to stand out that much?

- In dance, you need personality.

Look, when I first moved to New York,

I did everything that I could to blend in.

You know, I wanted to dance like everyone else.

And then I realized that all the dancers

who were getting noticed,

they were the ones who stood out.

And that's when I started

to embrace everything that made me special.

- Hmm.

Yeah, I've never felt like I quite fit in.

- So stop trying.

That's the lesson here.

With a dance like this, one that we're talking about doing,

it will show the ballet world why they will love you.

- Okay. - So dance like yourself.

Okay?

- Have you been talking to my mom?

- Okay. What are we waiting for?

- Just the music.

- Okay. Um...

- Yeah, let's keep the level right there.

- How's it going? - It's going.

- Do you have plans tonight?

Sorry, too pushy?

- What'd you have in mind? - My place? 8:00?

- I'm intrigued. What should I bring?

- Your best singing voice.

And maybe a pair of earplugs.

both:

- Oh, well, "Silent Night's" not so silent after all.

- So I guess musical talent doesn't run in your family.

- When I was little, I thought the song was

about a man with weight issues.

"Round John Virgin."

- Okay, everybody. Okay, it's my turn.

That was great.

All right, I drew the next slot.

But before we begin, I don't want to do this by myself.

Mateo, come here.

- You heard her.

After all the shows you've done, let's see what you got.

- Not by myself. - Fine.

all:

- You were the king of karaoke tonight.

- Your parents almost beat me.

- Something on your mind?

- You know, I was looking at our costumes and props

in the warehouse today.

Ms. Kat said that we're not gonna use half of it again.

Maybe you should tell her about your project,

talk to her about using some of it?

- It'd sure help with the budget.

You think this is because of the wishing angel up there?

- You know about that? - Your sister told me earlier.

And I made a wish.

She works fast.

The angel, not your sister.

Actually, I made a couple of wishes.

- She knows her stuff. - Shh. I'm still wishing.

- What's going on in here? - Ms. Kat.

- Natalia, what is this?

- I-I didn't know you were still here.

I'm just helping a friend, Vivi.

You remember Viviana Serrano?

- She's not part of our ballet company.

- No, but I thought-- - And that music.

Is that a Tchaikovsky variation of which I'm unaware?

- It's the "Dance of the Sugar Plum Fairy"...

sideways, kind of.

- It's sort of a salsa version.

- So I heard.

- We're just working something out for her reel.

- On company time.

- It's after hours.

- In company space, then.

- No one else is using it tonight.

And what Natalia's come with is amazing.

You should check it out.

- The last time I checked, Natalia,

you were under an exclusive contract to Richmond Ballet.

That is where your focus needs to be,

especially this close to opening.

- Vivi's just a friend.

- You were using the theater without permission

during a production week.

We open in five days!

- Ms. Kat, this really is all my fault.

- I didn't know that it would be an issue.

- If you could just look at what they're doing...

- We can talk about all of this after the production.

But as for now,

you're suspended.

- What?

- That's not fair, Ms. Oblonsky!

- What's not fair is Ms. Haddad

taking her time and focus away from this ballet company.

- Natalia, I'm so-- I would have never--

- It's not your fault, Vivi.

- I'm really sorry, Natalia.

- Why--why did you keep talking?

- I was defending you.

- No one asked you to. I can speak for myself.

- She was out of line.

- Well, now I'm out of a job, Mateo.

This is her theater.

- I thought I was helping. - Well, you weren't, okay?

- Hey. - Please...

just go.

Mateo, please, I don't have the energy for this.

- Sorry to disappoint you. It's only me.

- Tony. Sorry I yelled.

- I just passed Ms. Kat in the hall.

Care to tell me what just happened?

- You just lost your assistant choreographer

is what happened.

Wasn't my decision, but--

- I was just leaving for the night.

Can I buy you a drink somewhere?

We can talk.

- It's just so typical of my life these days.

- That's not like you.

Certainly not like the Natalia I first met in New York.

- I barely remember her.

Remind me?

- You had it all together.

You knew your craft, were at the top of your game.

The next thing I heard was you'd left,

moved home, and given up dancing.

- I didn't give up dance. I got injured.

Three years of procedures and rehab

took its toll.

After years of bumps and bruises,

I thought that this would be my second act.

Or at least I was.

- That's a shame. You're behind the scenes.

You were meant for the spotlight.

- Well, there are other ways to shine.

- Oh? Have you found something new?

- I think I might have.

You know, my whole life, I studied classical ballet.

But there's a whole world of dance out there

that I'm only beginning to explore.

Contemporary and Latin, hip-hop.

- Hip-hop? - Okay, maybe not yet.

What I mean is that there was so many ways

to express your feelings through dance.

- And Ms. Kat's way? - It's totally valid.

I mean, the centuries have proven that.

But, I mean, would it hurt to just inject

a little something new and fresh into things,

for me, for the dancers, or for the audiences?

- I admire that.

I've made a decent living re-creating

those original dances, but the past gets old.

- Yeah, by definition. - Exactly.

I'm looking for something new, too.

I thought it was here in Richmond.

New town, new attitude.

I thought this company needed me.

- It does.

- Does it? I'm not so sure.

- Well, I guess neither of us know

what we want to do when we grow up.

- I know it's late, but I took a chance.

- It's okay. It's good to see you.

- I just feel really bad about what happened today,

and I really wanted to say that to you in person.

- Can I get you something to drink?

Cocoa or something? - No, I'm fine.

- Let's sit. - Okay.

Your place is beautiful.

- Thank you.

Wow. Look at you.

- You've seen me. That was then.

Look at me now.

- You know, Mateo said he's tried reaching you...

and that you're not answering.

- I haven't felt like talking.

- He feels really bad about what happened.

And he was only trying to help.

- I know that...now.

- So you're suspended. What exactly does that mean?

- Anyone's guess.

There'll be a meeting. Then we'll see.

- And the show?

- Well, between Ms. Kat and Tony,

the show's in good hands.

Please, I don't want you to feel bad.

- It's just what you created is really something.

- What we created.

Vivi, that dance wouldn't exist without you.

Mateo said something the other day

that I think you need to hear.

It's your talent that makes you stand out,

not your résumé.

- Well...

he's so handsome and so kind

and so wise.

- He is, isn't he? - Mm.

So what's the next step?

- Who knows?

Where do we go from here?

- All right! That's better.

But we're all tired.

Take five, and we'll try it again.

- Much improved, Mr. Corley. I'm very impressed.

- Thanks, Ms. Kat.

Natalia gave me some pointers the other day

that really helped.

- Oh, well, good. I'm glad to hear that.

Tony, I need to go over these final details with you.

Oh, Heather, is it too late to change the candy canes

to red and green?

I forgot to mention it. - Way ahead of you.

Natalia passed along your suggestions last week.

- Fine, then. Carry on.

- We're all set.

- Are you telling me all of this has been taken care of?

- The revised set design, the new ensemble movement--

Natalia's taken care of everything.

- Really?

- You may have worried about her focus,

but she's been on top of all this.

Shame you let her go, but that's just my opinion.

Heather, can we get the second act ready?

- Yep.

- Hey, Vivi.

- Hi! Are you busy?

- I've just been wrapping gifts for the last few hours.

I feel like one of Santa's elves.

- Um, well, Justin and I had a thought.

We actually have an extra ticket

to the Holiday Lights tonight.

- The what?

- It's this new event at the botanical gardens.

Christmas for days.

I don't know. We thought it might make you feel better.

- I don't know. - Come on.

You should get out of the house.

It'll be more fun for us too if you're there.

- Well, sure. That sounds fun.

- Great. Meet us there at 8:00.

- Sharp.

- Okay. See you at 8:00.

- Bye.

- Hey, there.

- Mateo. both: Are you meeting Vivi?

- Oh.

I think we've been set up.

- This wasn't my idea, I promise.

- I know. Vivi has been very determined.

- Speaking for myself, I'm glad she is.

- Look, I should just get going.

- No, wait. You were right.

I spoke out of turn.

It's just, when someone's been accused of something,

someone I care about...

- Someone you care about?

- I have a hard time standing back, staying quiet.

- I don't need protecting. - I know.

- Or defending. - Got it.

- But, you know, it was kind of nice

to have someone in my corner like that.

Like you.

- So then as long as we're both here...

- Might as well take in

these beautiful lights together.

See the rehearsal today?

- Yeah. It looks good.

- Great. That's good.

- She knows what you brought to it, Natalia.

No way she couldn't.

- I just really wanted to be there today.

I just need to call her, you know, tell her how I feel.

She needs to know how much I care about my job.

- You can't always assume people just know...

how much they care...

about something...

or someone.

Sometimes...

you have to show it.

- I hear bells.

- I think that's your phone.

- Another message from Vivi.

It's Ms. Kat.

- You've no doubt wondered why our last choreographer, Glen,

was let go.

It wasn't because of his desire to travel.

I found out that he had been working

with another ballet company on the side.

After 12 years together,

it was his disloyalty that made my decision for me.

When you saw me working with Vivi--

- I overreacted.

I'm sorry.

- I am, too.

Ms. Kat, I grew up watching you build this company.

If it weren't for you,

I would never even had the courage to dream

about being a dancer in New York or anywhere.

I need you to know...

I am dedicated to this company.

- I believe you.

You are such an asset to this company.

I would like you to come back.

- I would love nothing more. - It's settled, then.

- But I do have two requests. - Don't push it, Natalia.

- I would like you to consider

exploring some new concepts.

Ballet is moving into the next century,

and I think we should move with it.

New sounds, new rhythms, new influences.

And...

- And?

- I would like to keep working with Vivi Serrano.

- Mamá! Mami, mira!

- I thought this wasn't your scene!

This is so old school.

- A parranda? Are you kidding?

If there's a party, I'm there.

This is exactly my thing.

- There you go.

One. Two. Three.

Nice. Keep it going.

Oh! You've been prac--

Okay, loosen up those hips, though.

- All right.

- What are you doing with your elb--

- I don't know.

- Okay, turn. And one.

Two. Three. Nice.

There you go.

And one. Two. Three.

Okay.

There you go. Nice footwork, by the way.

Ms. Kat.

Sorry, uh, Ms. Oblonsky.

What are you doing here?

- Natalia seems to think I'm missing something.

I thought I would come see what that might be.

You and I should talk.

And you, the music producer,

I have a thought.

- Break a leg, ladies.

Oh, Tony! I wanted to tell you--

you have done such amazing work on the show.

- I honestly couldn't have done it without you.

In fact, there's something you need to know.

- Did I hear right?

There's another Sugar Plum Fairy?

Am I only doing one show?

- Where did you hear that? - Not that we've heard of.

- So I'm not being replaced?

- Meredith, you have worked too hard!

No, not a chance.

All right, so go get ready,

unless you plan on dancing in those clothes.

- Thank you for everything.

- You are so good with these dancers.

- I've been in their ballet shoes.

- As I was saying-- - Sorry, Tony, can this wait?

I told some friends I'd say hi in the lobby.

- Sure. - Thanks.

- Natalia! - Hi!

Oh, my gosh, I'm so glad that you guys could make it.

Where's Vivi?

- We have no idea.

- This morning, she said she'll meet us here.

- Well, show starts soon. I hope she makes it.

- Oh, she'll be here. - Enjoy.

- Okay. - Vamos, vamos.

- Thank you so much.

But our show is not over.

Tonight we have a special treat.

- What? What is she talking about?

- Tonight we have a special treat.

It begins by introducing our own Natalia Haddad,

who, as of this evening,

becomes this company's new principal choreographer.

- That's what I was trying to tell you earlier.

- But you-- - Your life is here.

I'm heading back to New York to find my own.

You deserve this.

- Oh.

I'm sorry. I'm completely overwhelmed and surprised.

Uh, thank you, Ms. Oblonsky.

Thank you to the entire company.

Thank you to anyone I've ever met.

- Um...

- Read it.

- We are happy to announce a special performance tonight,

choreographed by me.

This company has been home to so many fine young dancers.

Tonight this encore performance

is a dream come true for a new discovery.

Her talent reflects

the rich and diverse culture of our city,

and we're honored to present to you "The Sugar Plum Twist."

The music is by Tchaikovsky, by way of Justin Ortiz,

and performed by Viviana Serrano.

- My daughter. That's my daughter.

- I now present "The Sugar Plum Twist."

- Mami, my performance was a surprise tonight.

I mean, how did you guys get that sign made so fast?

- Your father and I had it for years!

We knew we would use it one day!

- Te quiero. - Yo a ti, mi amor.

- I gotta go.

You guys made it! - Of course!

We weren't gonna miss the after party.

- Aw.

Honestly, Natalia,

I mean, this has been the best night of my life.

And all because of you.

- How long did you know you were gonna do

the dance tonight?

- Just a couple of days.

- We all wanted it to be a surprise.

- Well, it was.

How did you convince Ms. Kat?

- We didn't. It was her idea.

- Wow.

- Is she actually smiling?

- Yeah, she actually is. - It's a Christmas miracle.

- And she asked me to think

about a summer salsa ballet festival.

- Hmm. And in the meantime?

- A whole Christmas album.

What can I say? I found my inspiration.

- So, safe to say that he'll be visiting Richmond

a whole lot more this year.

- Yeah, for a couple reasons. - Oh!

Come on. Let's dance.

- So it all worked out. You got the job.

Vivi got to dance.

Justin got a big new project.

- What about you? - Oh, don't worry about me.

This is already the best Christmas ever.

- Well, I think that we could do a little better.

I spoke to Elena Frazier.

- Who's Elena Frazier?

- She's the chair of the ballet company's board.

I told her about your theater project,

and she wants to set up a meeting for you

with the executive board, so they can figure out

how the company can help you with your project.

Is this for real? - It is for real.

And she is connected all over town,

so between her and Ms. Kat, you're all set.

- Oh, this holiday is getting better and better.

- And better and better.

- Merry Christmas.