Original subtitles

This is a good one.

All right, Jack.

See that guy there talking to the constable?

Yeah, that's his car there. Okay.

He pulls up on this big flatbed truck that's waiting here.

The stoplight.

Right. Okay.

Waits truck pulls away.

There's a guy laying here on the road.

Yeah. Really?

Yeah. Did he get a plate number? Yeah.

He got the first three numbers.

Yeah, we're running them.

So, what do you think?

And he got hit when he's crossing the road?

Well, no, because, you know, if that had happened,

that would send him out into the Intersect.

That's what I was thinking.

So the way it looks to me, of course, you're the expert.

Excuse me, please. Could you.

Thank you. Yeah, just. Just keep going.

Nothing to see here.

Looks to me like this

guy's got a fair amount of road rash, huh?

Oh, yeah.

He definitely drags on his hands and everything.

That's what I thought.

So I've been up and down here looking for a point of impact,

and I haven't found anything so far.

He didn't see the point of impact.

This guy.

Well, he's not sure because he pulled up behind the truck.

It was already stopped at the stoplight. Right.

So he's not a very good witness.

And that's his car right there, right?

Yeah, it's his car.

Did you check out that car?

Well, yeah.

You know, I've been doing this for a few years,

so I did look at.

There's no way his car can hit this guy.

Okay, Take a gander for yourself.

What for?

I want you to. Well, I'm doing a body.

I haven't finished here yet. On the corner.

I got to do this first.

All right?

Okay.

Pretty serious one.

Yeah.

He's got a thing there on his neck, too.

Yeah, I can see that.

But it's a direct a red line, and it looks like maybe somebody

pulled a necklace off him or something.

Almost looks like a rope. He

who knows

I’m not finding any I.D.?

Nothing?

No. Big clump of keys

That's it.

Like I said, this is a good one.

Yeah, I'm coming.

I’ll be right there.

You want me to wait in the car?

No, it’s OK, I’m coming

. Yeah, I'm coming.

Just a second.

I'm going to wait in the car.

Yeah.

Sorry. Did I wake you up?

No, I was in the bathroom

He got shot 11 times.

Sergeant thinks it's a record, but I don't think so.

No, I don't think it's a record.

Here you go. Yeah, that's him.

Danny's and Danny's in.

What can you tell me?

Small time's not even on the map.

No headshots, no body wounds, just extremities.

Thanks.

We're doing the autopsy this afternoon.

We'll get you the slugs for ballistics.

Okay. I'll be back for that. All right.

No headshots like that.

It looks like they want him identified right away.

Yeah, it looks like a shoot one from the wind.

Others?

Who's he associated with?

East Indians. That's what I think.

They've been in a war.

I'm looking for his girlfriend.

Can you help me there?

Yeah. I got a name and a picture somewhere.

Yeah, I'll get that support.

You all right?

You got a stop sign here.

I see it.

Who is it?

Says he got something on this guy's diligence.

Got it off of ice file.

Somebody said something about two native guys buying a rifle.

Yeah.

This is the guy we're going to see.

the guy with the guns. Yeah.

Could be something.

Yeah, let's hope so.

You got to make a right here.

Yeah, I got it.

You got a green light.

Okay, I'm going. I'm. I know where we're going.

Geeseman, You want to drive? No.

You okay?

Yeah, I'm fine.

Just, you know, I got the wheel over here.

Let me drive.

I just said we're got to make it right up here.

So, you know, we got all the time.

You want to stop and get a coffee or something?

Oh, no, thanks.

I got a stomach this morning.

I got some antacids.

I want to go up. Sure.

You don't mind if she's to make the day

stages with leaks and have jokes in it?

That was good for an acid stomach,

But I made too much.

Because you always make too much when you leave it alone.

Anyways, I got some left over. If you like.

I'll put some of the container for you.

You take it home

Better yet,

maybe when you come over tonight, I'll heat it up.

It's even better after a couple of days.

Maybe we'll catch a ballgame on a TV or something.

No, I don't think so, Leo.

I got a thing to do. Thanks.

I tell you, I was thinking about getting a dog.

I can't get a dog.

Never home.

He's going to look after me sitting in the

apartment all day by himself.

I'll tell you about my grandfather's dog.

How he saved his life.

Yeah, it was the time he was driving along, and

the bridge was all washed out, and the dog was barking so much,

it made him pull over.

Stopped him from driving right into the drink.

Right? Yeah.

I guess I could tell you.

Anyway, so

you remind me.

I'll put some of that soup

in a container for you to take it all.

Oh, just take it. Coming home

to an empty apartment every night in my ecstatic.

You know, we don't want to go

nick...

the lights green

Sorry.

Got a wallet.

Found it way down here.

She your daughter?

Yeah. Ramona, She got the call.

Now she don't.

She's doing really good.

Yeah, I think she's finally starting

to appreciate what it is I did now, actually.

Accident Investigation?

Yeah, I think she's

starting to realize it's a pretty good field now

that it?

Yeah. See,

Hi Ramona, nice to see you again I got a license here.

John Francis Keeler.

I look like him, too, you know?

Where do you find this stuff?

Down on the corner.

You know, you should have probably left us.

Yeah.

Marked the spot and got a picture.

of where it was laying to

good job, show me where it was laying?

Oh, this looks to me like he was dragged it pretty far.

Yeah, it's already too far,.

No debris, no blood on the road.

No, I don't think you will see it here.

Doesn't look like it to me.

Hey, you're not always going to see blood or debris, right?

Oh, yeah.

No sign of breaking.

No skid marks. Just a wallet.

A wallet right here.

A quarter where I marked the spot.

Just the wallet.

Yeah.

Did I got a chance to apologize to you last time I saw you?

I'm going to apologize to.

I don't know if I.

If I really got around. Turn on time.

What were you going to apologize from?

From when I met you before at the bar.

And I just before I knew you were Zack's

daughter and everything. And I.

I think I tried to pick you up.

Yeah, you did.

Well, I'm apologizing for that.

I already forgotten all about it.

When I say Zack, I'm not seeing anything around here.

It looks like impact, so

I guess this wallet just fell out

while he's being dragged from further up the road.

Yeah, I think that's what we're looking at. So.

So, look, why don't you take your eagle

eyes on the road, see what else you can spot?

Okay.

Pretty sharp arm.

I got a couple minutes back of deficit.

You guys going to be okay down here for?

Well, when she's doing this? Yeah, we're fine now. Okay.

We'll let you know if we find anything.

I'll be back.

SO SHOW ME YOUR SHRINK TICKET.

SHOW ME THE PIECE OF PAPER THAT SAYS YOU'RE QUALIFIED

TO TALK TO PEOPLE ABOUT THEIR GRIEF.

I DON'T NEED A PIECE OF PAPER. I HAVE EXPERIENCE.

YES, YOU DO HAVE EXPERIENCE,

BUT DOES THAT QUALIFY YOU TO TALK TO PEOPLE ABOUT GRIEF,

ESPECIALLY WHEN YOU'RE IN THE MIDDLE OF YOUR OWN?

HOW DOES THAT MAKE YOU A GOOD THERAPIST?

SOMETIMES, PEOPLE JUST NEED TO GET TOGETHER WITH OTHERS

WHO HAVE GONE THROUGH THE SAME KIND OF TRAUMA.

YEAH, BUT, YOU KNOW,

I DON'T KNOW IF YOU HAVE THE TOOLS TO DEAL PROPERLY.

SIT DOWN, WILL YOU? FOR GOD'S SAKE, MORRIS,

I JUST GOT YOU DOWN HERE

SO I COULD TRY AND TALK SOME SENSE INTO YOU,

MAYBE PREVENT YOU FROM GETTING YOURSELF ARRESTED.

WELL, I APPRECIATE THAT,

BUT I THINK I'M HELPING MYSELF BY DOING THIS.

IF I CAN HELP OTHERS JUST A LITTLE,

GET THROUGH HEIR HARD TIMES,

THAT'S ENOUGH.

I DON'T NEED TO BE AN EXPERT.

THE WORLD IS FULL OF EXPERTS.

SOMETIMES, IT'S THE AMATEURS WHO KNOW WHAT THEY'RE DOING.

NOT WHEN THE AMATEUR IS OUT THERE MAKING A FOOL OF HIMSELF,

CHASING FIRES AND INSERTING HIMSELF INTO INVESTIGATIONS, AND--

WHAT, ARE YOU WALKING OUT ON ME?

DON'T YOU WALK OUT ON ME!

INVOLVING HIMSELF IN INVESTIGATIONS

WHERE HE HAS NO BUSINESS. THAT'S WHAT THEY'RE LOOKING FOR

WHEN THEY'RE LOOKING FOR ARSONISTS. DID YOU KNOW THAT?

PEOPLE WHO INVOLVE THEMSELVES IN INVESTIGATIONS,

WHO TRIES TO INSERT HIMSELF IN AN INVESTIGATION WHERE HE HAS NO PART,

- AND THAT'S SIGN OF A TRUE PSYCHOPATH! - LOOK IN THE MIRROR.

NO, YOU LOOK IN THE MIRROR.

TAKE A GOOD, HARD, LONG LOOK, MR. STEADMAN.

ARE YOU AWARE THAT MR. MOOREHOUSE, THE FATHER IN THAT HOUSE,

- WAS INVOLVED IN ANOTHER FIRE BEFORE THE LAST TIME? - YES, YES, I AM.

I THINK THAT'S THE POINT. I DID AN INQUEST INTO IT,

I'M LOOKING INTO IT NOW,

AND I DON'T NEED A WILD CARD GOING AROUND TALKING TO MOOREHOUSE,

AND DON'T YOU DARE TELL HIM WHAT I JUST TOLD YOU, DAMN IT.

I KNOW YOU DID AN INQUEST INTO IT,

AND I'M GOING TO MAKE SURE YOU DON'T LET HIM GO FREE A SECOND TIME.

WE DON'T KNOW IF HE'S GUILTY OF EITHER INCIDENT,

AND I DON'T NEED A VIGILANTE GOING AROUND SEEKING RETRIBUTION

FOR SOME UNRELATED SITUATION!

- GEEZ! - DO YOU NEED A MINUTE?

DAMN IT!

LOOK, I GOT A NAME ON THE PROSTITUTE

YOUR CITY COUNCILOR'S BEEN SEEING.

WHO'D YOU TAP FOR THAT?

- NEVER MIND. IT'S ALL GOOD. - OKAY.

THE GIRL'S NAME IS BRENDA EBERHART, 20 YEARS OLD,

ARRESTED ONCE FOR SOLICITING. SHE'S A STRIPPER.

SHE DOES THE OCCASIONAL TRICK ON THE SIDE

WHEN HER BOYFRIEND NEEDS THE EXTRA CASH.

HER BOYFRIEND IS THE ONE THAT TURNED HER OUT.

DID YOU MANAGE TO CORROBORATE THE ALLEGED RELATIONSHIP WITH JACK PIERCE?

NO. DOESN'T MEAN IT DIDN'T HAPPEN.

JUST MEANS NO ONE'S RAISING ANY FLAGS ON IT YET.

WELL, I'LL HAVE TO TALK TO HER, SEE IF I CAN GET THE SKINNY

ON WHAT WAS GOING ON THERE BETWEEN THEM.

SHE'S GOT AN OUTSTANDING WARRANT.

I COULD PICK HER UP FOR FAILURE TO APPEAR, IF THAT WORKS FOR YOU.

GOSH, ROSE, THAT WOULD SAVE ME SO MUCH TROUBLE.

- I'LL CALL YOU ON YOUR CELL WHEN IT HAPPENS. - THANKS, ROSE.

I OWE YOU ONE.

YES, YOU DO.

WE HAVEN'T DONE THE AUTOPSY ON HIM YET.

- I'M GOING IN FOR THAT THIS AFTERNOON. - I CAN'T HANDLE AUTOPSIES.

WELL, IT ALWAYS DEPENDS ON WHO IT IS FOR ME.

YOU KNOW, IT'S NOT SO BAD. YOU GET USED TO IT.

I AVOID 'EM WHENEVER I CAN.

YOU KNOW, I'M GOING TO NEED TO TALK TO YOUR INFORMANT.

OTHERWISE, I'M JUST TREADING WATER ON THIS.

- I CAN'T WAIT ANY LONGER. - YOU KNOW WHAT MY PROBLEM IS?

MY CREDIBILITY GOES RIGHT OUT THE WINDOW

IF SHE THINKS I GAVE HER UP.

SHE'LL PUT IT ALL OVER THE STREET THAT I'M VICE.

I'LL END UP STUCK ON A DESK SOMEWHERE.

WELL, I CAN GET AROUND THAT. I CAN GET IT FROM JOE TANG.

I JUST WANTED TO CLEAR IT WITH YOU FIRST.

YOU KNOW, DIDN'T WANT TO STEP ON YOUR TOES.

AS LONG AS SHE DOESN'T CONNECT IT TO ME,

I'M ALL RIGHT WITH IT.

OKAY, THEN I'LL DO IT LIKE THAT.

JOE'S GETTING A NAME FOR ME.

I'LL WORK IT OUT SO IT'S NOT CONNECTED TO YOU,

YOU KNOW, THEN PICK HER UP ON A DRUG WARRANT.

- YEAH, THAT'S FINE. - YEAH?

[ DOOR OPENING ]

SO HOW'S IT WORKING WITH BRIAN?

- IT'S ALL RIGHT. - YEAH?

ANY TIME YOU NEED ANYTHING,

IF YOU'RE IN A JAM OR SOMETHING--

HEY, ANGIE. SORRY I'M LATE.

- THAT'S ALL RIGHT. - COFFEE, PLEASE?

HOW'S IT GOING?

IT'S GOING GOOD, IT'S GOING GOOD, THANK YOU.

SEE, UH, WHAT'S THE STORY ON THE SHOOTING?

WELL, IT'S GOING COLD FAST.

I'M TRYING TO WARM IT UP A LITTLE.

I TOLD SUKI I'VE GOT TO GET TO YOUR INFORMANT.

I CAN HANDLE THAT FOR YOU.

NO, THAT'S ALL RIGHT. I'VE GOT ANOTHER WAY TO GET TO HER.

- I WON'T BURN YOU. - NO, NO, NO, LET ME DO IT. I CAN GET WHAT SHE'S GOT

AND GIVE IT TO YOU LATER ON.

YOU KNOW, THAT WAY, IT WON'T SPOOK HER.

WHAT? IS THAT A PROBLEM FOR YOU?

I'VE GOT TO TALK TO HER DIRECT.

NOPE. SHE'S MY INFORMANT.

I'VE BEEN DEVELOPING HER FOR THREE AND A HALF YEARS.

I'M NOT GOING TO GIVE HER UP

JUST BECAUSE HER BOYFRIEND GOT KILLED, OKAY?

SHE'S WORKING SOMETHING BIG FOR ME.

YEAH, WELL, THIS IS A HOMICIDE.

AND I'M TELLING YOU THAT I WILL HELP YOU, OKAY?

UM, BUT IT'S NOT GOING TO HAPPEN, OKAY.

YOU WANT ME TO GET INTO IT WITH YOUR SERGEANT, I'LL GET INTO IT.

I DON'T WANT YOU TO GET INTO IT WITH MY SERGEANT.

ALL RIGHT, HOW ABOUT YOU BRING HER TO ME AND YOU CAN BE THERE?

HOW'S THAT?

YEAH, OKAY. OKAY, THAT'S ALL RIGHT.

THAT'LL GIVE HER THE COMFORT FACTOR, SO THAT'S COOL.

OKAY, SO YOU'LL PICK HER UP AND BRING HER TO ME?

- IF THAT'S WHAT YOU WANT. - YEAH, THAT'S WHAT I WANT.

I WANT YOU TO HURRY UP AND MAKE IT AS SOON AS POSSIBLE, OKAY?

OKAY. THANK YOU. APPRECIATE IT.

KEEP YOUR PAGER ON.

SO, WHAT, ARE YOU GUYS, LIKE, BEST FRIENDS NOW?

IT'S A HOMICIDE. WHAT DO YOU WANT ME TO DO, BLOW HER OFF?

YEAH, THE GUY WHO GOT SHOT ON THE DOCKS IS NAMED DANNY ZINN.

YEAH, DANNY ZERO WE CALL HIM,

ON ACCOUNT OF HE'S SUCH A LOSER.

YOU TOLD ME YOU KNEW DANNY'S GIRLFRIEND.

I KNOW HER. SHE'S NOT A FRIEND.

WHERE'S SHE LIVING?

JACKSON STREET.

IT'S A ROOMING HOUSE NEAR THE METHADONE CLINIC.

I HEARD IT WAS THE EAST INDIANS WHO DID HIM IN.

YEAH? THAT'S THE RUMOR?

YEAH.

WHERE'D YOU HEAR THAT?

UH, JOE TANG. HE'S THE NARC I TOLD YOU ABOUT.

GEEZ. THAT SHOULDN'T BE PUT OUT ON THE STREET.

HEY, I JUST TOLD YOU WHAT I HEARD.

I DON'T KNOW WHO SHOT HIM.

WHAT DID YOU SAY HER NAME WAS?

CARLA SOMETHING-OR-OTHER.

SHE'S PRETTY SKANKY.

- ARE YOU STILL, UH, SEEING BRIAN CURTIS? - NOPE, NOT LATELY.

EVER SINCE I STOLE HIS BADGE, HE'S BEEN PISSED AT ME.

I THOUGHT YOU SAID HE FOUND IT FUNNY THAT YOU STOLE IT FROM HIM.

YEAH, AT FIRST IT WAS FUNNY, THEN IT WASN'T.

JACKSON, YOU SAID?

YEAH. IT'S A BIG BRICK PLACE.

I PARTIED THERE A COUPLE OF TIMES.

I'M GOING TO HANG ON TO YOU FOR A SECOND,

- RUN YOU THROUGH THE COMPUTER, SO TAKE IT EASY. - ALL RIGHT.

- YOU MIND RUNNING HER FOR ME? - YEAH, NO PROBLEM.

YOU'VE GOT A WARRANT OUT FOR FAILURE TO APPEAR. YOU KNOW THAT?

YEAH, I KNOW. I JUST-- I FORGOT ABOUT THAT COURT DATE.

WELL, I THINK WE CAN GET YOU ANOTHER APPEARANCE ON THAT,

MAYBE LET IT SLIDE IF YOU ANSWER A COUPLE OF QUESTIONS

FOR ME AND THIS GENTLEMAN COMING UP HERE, OKAY?

WHO'S HE?

HE'S A FRIEND OF JACK PIERCE.

YOU KNOW JACK PIERCE, DON'T YOU?

THE CORRECT ANSWER IS "YES".

- HOW ARE WE DOING? - HEY, THIS IS BRENDA.

HEY, BRENDA. YOU GOT A COUPLE OF MINUTES FOR ME?

- UH-HUH. - THANKS.

ALL RIGHT.

LOOK, I JUST NEED SOME-- YOU BE STRAIGHT WITH ME, OKAY?

I JUST NEED SOME STRAIGHTFORWARD ANSWERS

TO A COUPLE OF QUESTIONS I HAVE FOR YOU

ON YOUR RELATIONSHIP WITH JACK PIERCE.

HE'S A FRIEND.

OKAY. CAN YOU TELL ME ABOUT THAT?

HE KNOWS MY MOTHER.

HE CAME TO SEE ME ABOUT GETTING INTO A REHAB PROGRAM.

OH, AND HOW DID THAT GO?

DID HE MANAGE TO HELP YOU GET INTO A PROGRAM?

- HE TRIED. - BUT?

I TOLD HIM I DON'T NEED A PROGRAM.

I'M NOT INTO ANYTHING SERIOUSLY.

OKAY, SO HOW MANY TIMES DID YOU-- HAVE YOU MET WITH JACK ABOUT THAT?

UH, COUPLE.

- COUPLE, COUPLE. IS THAT TWO, THREE TIMES? - YEAH.

NOW, YOU TOLD ME YOU'D BE STRAIGHT WITH ME, RIGHT?

YOU SAID YOU'D GIVE ME STRAIGHTFORWARD ANSWERS.

I AM. I'M BEING STRAIGHTFORWARD.

GOOD.

SO WHERE DID THESE MEETINGS TAKE PLACE?

- AROUND. - AROUND? AROUND WHERE?

- AROUND HIS OFFICE. - HIS OFFICE?

YEAH, HIS OFFICE.

HE'S GOT AN OFFICE DOWN ON MAIN NEAR THE CARNEGIE.

YOU KNOW, WHERE HE DOES HIS CITY COUNCIL THING.

HOW MANY TIMES DID YOU MEET AT HIS OFFICE?

- THREE, FOUR TIMES? - YEAH.

THAT WOULD BE GOOD?

OKAY, WHAT ABOUT WHEREOU WORK OR AT WHERE YOU DANCE?

- EVER HAVE ANY MEETINGS IN THERE AT ALL? - WHAT'S YOUR PROBLEM?

MY PROBLEM? MY PROBLEM IS JACK PIERCE.

HE'S A FRIEND OF MINE, AND I HEAR HE'S BEEN SEEN IN PUBLIC

WITH A DANCER OR WITH A STRIPPER,

AND THIS STRIPPER HAS A CHARGE ON HER RECORD FOR SOLICITING,

AND I'M THINKING MY FRIEND THERE,

HE'S NOT REALLY THINKING ABOUT WHAT PEOPLE MIGHT SAY. I'M CONCERNED.

HOW ABOUT "MIND YOUR OWN BUSINESS"?

HOW ABOUT SAYING THAT? THAT'S WHAT I DO.

WELL, LET'S JUST GET BACK TO WHAT YOU AND JACK WERE DOING

AT THE DRUG HOUSE UP HERE ON POWELL STREET.

YOU KNOW WHICH ONE I'M TALKING ABOUT.

WHAT WERE YOU DOING THERE?

WE MET THERE A COUPLE OF TIMES.

ALL RIGHT, SO WHEN WAS THE LAST TIME YOU SAW JACK, THE MOST RECENT TIME?

- CAN YOU TELL ME THAT? - IT'S GOT TO BE A COUPLE OF WEEKS AGO.

OH YEAH?

OKAY, WHAT'S THE LAST TIME YOU TALKED TO HIM?

I THINK HE CALLED ME A COUPLE OF DAYS AGO.

HE DIDN'T MENTION TO YOU HE'S BEING INVESTIGATED?

NO. IS HE?

DID JACK EVER SOLICIT SEX FROM YOU? DID HE?

- NO. - NO?

- NO, BRENDA? - NO.

I DON'T EVEN KNOW WHY I'M TALKING TO YOU.

WELL, YOU'RE A FRIEND OF JACK'S,

AND I'M A FRIEND OF JACK'S, AND I'M JUST TRYING TO MAKE SURE

THAT HE STAYS AWAY FROM SOMETHING

THAT MIGHT MAKE A BIG FAT FRONT-PAGE MESS OUT OF HIS LIFE,

OKAY?

NOW, YOU KNOW WHAT I'M SAYING HERE, DON'T YOU?

- DO YOU? - UH-HUH.

OKAY.

OKAY, WELL, THANKS FOR TAKING THE TIME TO TALK TO ME.

I REALLY APPRECIATE IT.

OKAY, ROSE, WE'RE PRETTY MUCH DONE HERE.

- HEY, WHAT'S YOUR NAME AGAIN? - TAKE IT EASY, OKAY?

EVERYTHING SEEMS TO BE IN ORDER. YOU CAN GO ON YOUR WAY.

HEY, YOU FOUND SOMETHING?

YEAH, TAKE A LOOK.

JUST PAST THIS GATE HERE, WE'VE GOT OURSELVES A LUNCH BOX.

WOW.

I WAS JUST SAYING WE'VE GOT SOME INITIALS HERE, J.F.K.

- JOHN FRANCIS KEELER, MAYBE? - COULD BE OUR VICTIM'S,

COULD BE J.F.K. ANYBODY.

COULD BE JACK KENNEDY'S.

- COULD BE. - WELL, LET'S JUST TAKE A LOOK, THEN.

A THERMOS...

A PEAR...

A FLASHLIGHT...

SOME KIND OF SANDWICH HERE, AND, ZACK, WE'VE GOT A BOOK.

OUR MUTUAL FRIEND BY--

THIS GUY'S READING CHARLES DICKENS.

OH, AND WE'VE GOT A NAME RIGHT HERE,

- EX LIBRIS JOHN FRANCIS KEELER. - OKAY.

SO NOT JACK KENNEDY.

SO, OKAY, WHAT'S HE DOING HERE?

I MEAN, IS HE, WHAT, WALKING ALONG THE ROAD,

- HE'S GOING TO WORK, WHAT? - I DON'T KNOW.

DID YOU CHECK WITH HIS NEXT OF KIN, WITH HIS FAMILY?

WELL, THERE'S NO ANSWER AT HIS ADDRESS, RIGHT.

TALKED TO THE NEIGHBOR.

HE SAYS HE'S GOT A DAUGHTER LIVING IN IRELAND.

- WE'RE TRYING TO GET A HOLD OF HER. - IT'S STILL HOT.

OKAY, WELL, WE KNOW HE WAS HERE.

OKAY. THIS IS HIS STUFF.

SO DID YOU SEE ANY EVIDENCE? DID YOU LOOK AROUND HERE

TO SEE IF THIS IS MAYBE WHERE HE GOT CLIPPED?

WELL, I WAS JUST ABOUT READY TO DO THAT.

DO YOU WANT TO GIVE ME A HAND?

SURE. SURE, LET'S TAKE A LOOK.

DO YOU WANT TO TAKE SOME PHOTOGRAPHS

- OF ALL THIS STUFF FOR ME, HONEY, OKAY? - OKAY.

HEY, A LOT OF TIRE MARKS HERE.

NONE OF THIS IS RECENT.

WHAT ABOUT THIS SET RIGHT HERE?

AH, NO. NO, THOSE ARE OLD.

OKAY, NOW, WE'RE NOT ACTUALLY GOING TO SEE ANYTHING

IF THE GUY WHO HIT HIM DIDN'T PUT ON THE BRAKES FIRST, RIGHT?

WHAT ABOUT THESE, THOUGH?

THESE ARE PRETTY MUCH PERFECT.

THOSE LOOK PRETTY RECENT, AND THEY GO RIGHT INTO THE CURB.

- YEAH, YEAH, OKAY. - YOU LIKE THOSE?

THESE ARE MUCH MORE RECENT.

YEAH, FOR SURE.

OKAY, LET'S JUST SAY HE WAS HERE, THEN,

WHEN HE GOT CLIPPED, OKAY? THEN WHAT?

WELL, HE'S WALKING ALONG THE ROAD HERE, OR TRYING TO CROSS IT, RIGHT?

- JUST SAY HE WAS HERE. - OKAY, OKAY. ALL RIGHT.

HE GETS CLIPPED, AND THEN WHAT?

HE GETS CLIPPED HERE.

WELL, THAT WOULD LAUNCH HIM...

INTO THE... OUT INTO THE ROAD, RIGHT?

- WOULDN'T YOU THINK? - I DO.

OKAY.

WHAT AM I SEEING OVER HERE? LOOK AT THIS, ZACK.

WELL, THIS LOOKS PRETTY GOOD.

DOES THAT LOOK LIKE BLOOD TO YOU?

WELL, THAT COULD BE BLOOD. IT COULD BE OIL.

COULD BE BLOOD. THIS IS WHAT, ABOUT 30 FEET

FROM WHERE WE WERE JUST STANDING?

ABOUT, UH, 10 METRES, YEAH, YEAH.

OKAY, SO HE GETS CLIPPED THERE,

AND HE GETS SENT OVER HERE ABOUT 10 METRES AWAY--

HE GETS CLIPPED BACK HERE.

THIS PUTS HIM INTO THE STREET.

HE ENDS UP RIGHT HERE.

RIGHT, AND HOW DOES HE END UP WHERE WE FOUND HIM,

ALL THE WAY DOWN THERE ON THE CORNER?

- WELL, THE SAME TRUCK THAT HITS HIM KEEPS GOING... - SAME TRUCK.

- CATCHES HIM UP UNDER THE WHEELS THERE. - OKAY, YEAH, OH YEAH.

YOU KNOW, THESE TWO NATIVE GUYS WE'RE LOOKING FOR,

THEY COULD SLIP INTO A RESERVATION SOMEWHERE. WE'D NEVER FIND 'EM.

- THEY COULD BE IN THE STATES, EVEN. - YEAH.

WELL, I GUESS IF YOU'RE A MEMBER OF A TRIBE,

- YOU'RE A NATIVE ANYWHERE, RIGHT? - USED TO BE.

YEAH, I GUESS SO.

WHAT'S THE NAME OF THAT TRIBE THAT, UH, THEY WERE IN OKLAHOMA?

THEY USED TO BE IN FLORIDA?

FLORIDA.

I DON'T KNOW,

MAYBE THE CHEROKEES OR SEMINOLES OR SOMETHING.

SEMINOLES, YEAH, MAYBE. ANYWAY, I READ SOMEPLACE

THAT THERE WAS A BUNCH OF RUNAWAY SLAVES

THAT JOINED UP AND FOUGHT WITH THEM

WHEN THEY WERE LIVING IN FLORIDA,

AND NOW I GUESS THEY GOT SOME LAND CLAIMS MONEY,

AND THE BLACKS, THEY'VE GOT TO PROVE THEY HAVE TRIBAL ROOTS TO GET ANY OF IT.

REALLY?

YEAH, JUST LIKE US PAYING INTO OUR OUR OLD-AGE PENSION

FOR A LITTLE RETIREMENT NEST EGG.

NOW I'M READING THEY'RE GOING TO CHANGE THE LAW

SO THEY CAN TAKE ALL OF THAT MONEY AND INVEST IT IN THE STOCK MARKET.

LIKE THAT'S A GOOD INVESTMENT.

THEY START OFF, THEY TELL YOU "THESE ARE THE RULES."

THEN, IN THE MIDDLE OF EVERYTHING, THEY CHANGE IT UP ON YOU.

HEY, THIS IS OUR GUY?

YEAH.

YEAH, THAT'S HIM.

YOU THINK HE'S CARRYING A GUN IN THOSE PANTS?

MAYBE HE'S GOT IT STUCK UP HIS ASS.

HEY, TOMMY. YOU WANT TO HOLD IT THERE FOR A SECOND?

- WHAT? - VANCOUVER HOMICIDE.

YOU WANT TO PUT THAT BAG DOWN AND--

HEY!

HE'S GOIN' OUT THE BACK.

WAIT!

HEY!

PUT YOUR HANDS BEHIND YOUR HEAD!

HANDS BEHIND YOUR HEAD! DON'T MOVE!

GIVE ME THAT.

WHAT ARE YOU DOING?

WHAT ARE YOU DOING, HUH?

MICK! MICK, MICK.

- I COULD HAVE SHOT YOU! - MICK, MICK.

COME ON, GET OVER HERE, GOOF.

GET IN THERE. GET IN THERE!

- OKAY? - YEAH!

GET IN THE CAR.

- YOU OKAY, MICK? - YEAH.

YEAH? YOU OKAY?

WELL...YEAH. I JUST NEED TO TAKE A MINUTE.

I JUST ABOUT LOST IT.

- GOT TO TAKE A MINUTE HERE. - YEAH, GO AHEAD. TAKE A MINUTE.

TAKE THE REST OF THE DAY OFF. YOU'LL BE FINE.

- REALLY. YOU'LL BE OKAY. - YEAH?

- I CAN TAKE CARE OF THIS. - YEAH, I CAN TAKE THE DAY.

YEAH.

LET'S SEE WHAT TOMMY'S GOT IN HIS TRUNK HERE.

OH, YEAH.

MICK, WE GOT A LOAD OF WEAPONS IN HERE.

- IS THIS IT RIGHT HERE? - YEAH, THIS IS IT.

NUMBERS ON THE PLATE MATCH UP.

- IS THAT THE DRIVER? - YEAH.

GUY'S NAME IS STEVEN MAYNARD.

OKAY, WE WANT TO LOOK AT THIS FIRST,

- AND THEN WE'LL TALK TO HIM, OKAY? - ALL RIGHT.

- OKAY, OKAY. - THIS LOOKS PRETTY CLEAN.

YEAH.

I DON'T SEE ANY DAMAGE. I DON'T SEE ANY DENTS

- OR ANY CRUSH OR ANYTHING HERE. - NO.

YEAH.

YEAH, LOOK UNDERNEATH.

DON'T SEE MUCH OF ANYTHING, REALLY.

IT'S PRETTY EASY TO IMAGINE

HOW SOMEBODY GETS CAUGHT UP UNDER THERE, EH?

- ALL THIS STUFF IS HANGING DOWN. - YEAH.

YEAH.

YEAH, IT HAPPENS.

WE'VE GOT SOME BROKEN GLASS HERE ON THE FLOOR.

YOU KNOW WHAT? THE WINDOW'S BROKEN THERE. ROLL IT UP AND SEE.

[ GLASS SHARDS CRACKLING ]

YEAH, YEAH, IT'S BROKEN, BROKEN RIGHT OUT.

WELL, IT'S GOT TO BE RECENT, RIGHT?

HE HASN'T FIXED IT, HE HASN'T CLEANED IT UP, ANYTHING.

WHAT'S THIS RIGHT BESIDE YOU HERE? IS THAT BLOOD?

- OOH. WELL, MAYBE. MAYBE IT IS. - ALL RIGHT.

YEAH, YEAH, YEAH.

EXCUSE ME.

- HAVE YOU GOT A MINUTE? - YEAH, SURE.

I JUST WANT TO ASK YOU ABOUT THIS WINDOW HERE. HOW'D THAT HAPPEN?

YEAH, SOME GUY TRIED TO BREAK INTO THE TRUCK OUT IN CALGARY.

- OH, DID YOU CATCH HIM? - NO.

I TRIED TO IN THE PARKING LOT OF THE RESTAURANT.

I SAW HIM FROM THE WINDOW, SO I WENT OUT,

AND HE RAN AWAY WHEN HE SAW ME COMING.

IS THAT BLOOD IN THERE ON THE SEAT?

UH, I DON'T KNOW. UH, COULD BE.

MAYBE HE CUT HIMSELF.

- DID YOU SEE HIM BREAK OUT THE WINDOW? - YEAH.

HE HAD A PIECE OF SOMETHING,

A WRENCH, A PIECE OF PIPE OR SOMETHING.

HE DID. OKAY.

WE'RE GOING TO HAVE TO SEIZE THIS VEHIE.

GET IT DOWNTOWN, TAKE A LOOK AT IT, EH?

WHERE WERE YOU LAST NIGHT?

COMING BACK FROM CALGARY.

WHAT TIME DID YOU ROLL IN?

EARLY. 5:00, 5:30.

ON THE HIGHWAY, WHAT ROUTE DID YOU TAKE?

- HIGHWAY 1. - NUMBER 1.

WHERE'D YOU GET OFF THE, UH, NUMBER 1? WHAT EXIT?

- UM, THAT'D BE THE ONE THAT RUNS ALONG THE WATERFRONT. - McGILL?

YOU WENT RIGHT DOWN McGILL,

RIGHT PAST ALL THE GRANARIES

AND THE FACTORIES THERE, THE CANNERIES AND ALL THAT?

RIGHT.

YOU DIDN'T HAPPEN TO HAVE ANY ACCIDENTS OR ANYTHING DOWN THERE, DID YOU?

UH, NO.

- YOU DIDN'T SEE ANY ACCIDENTS? - NO.

- WHAT'S THIS ABOUT? - WE'LL LET YOU KNOW.

THANKS. COULD YOU GO WITH THE OFFICER?

THANKS A LOT.

I'M GOING TO GET THE BODY DOWN THERE INTO AUTOPSY,

TAKE A STATEMENT FROM HIM, AND THEN WE'LL GO AT HIM.

YEAH, I'LL GET THIS TOWED TO THE GARAGE.

WE'LL TAKE A GOOD LOOK AT IT, SEE WHAT WE CAN SEE.

- OKAY. - OKAY.

SIT DOWN OVER THERE.

WE FOUND A LOAD OF GUNS IN THE TRUNK OF YOUR CAR.

YEAH, I KNOW.

YOU KNOW YOU'RE IN A LOT OF TROUBLE. DO YOU KNOW THAT?

SO, OKAY.

IS THERE ANYTHING I MIGHT BE ABLE TO DO

- TO HELP MYSELF OUT HERE? - I DON'T KNOW. MAYBE.

WHY? YOU GOT SOMETHING YOU WANT TO TELL ME?

I COULD. I KNOW SOME THINGS.

DO YOU KNOW ANYTHING BIG?

YEAH, SOME GUYS WITH A GROW OP.

I HEARD THEY'R GOING TO BE MOVING A LOT OF GOOD BUD OUT OF THERE PRETTY SOON.

I'M NOT INTERESTED IN THAT. THINK BIGGER.

OKAY. LET ME THINK HERE.

DON'T STRAIN YOURSELF.

HOW ABOUT IF I TELL YOU WHERE I GOT THE GUNS FROM?

WELL, THAT DOESN'T REALLY HELP ME EITHER. I'M SORRY.

MAYBE IF YOU COULD TELL ME WHO YOU SOLD THE GUNS TO.

NOW, THAT COULD HELP.

OKAY, WELL, I SOLD A .38 TO A WOMAN LAST NIGHT.

SHE'S A HOOKER, REAL PRETTY, WORKS THE HIGH TRACK.

- YOU GOT A NAME? - YEAH, LUPE.

YOU GOT A LAST NAME?

NO, BUT I KNOW WHERE SHE LIVES.

YOU KNOW WHERE SHE LIVES. THAT'S ALL YOU KNOW. THAT'S IT?

YOU DON'T HAVE ANYTHING ELSE ABOUT THE GUNS?

OH, THERE WAS A COUPLE OF INDIAN GUYS

I SOLD A RIFLE TO A LITTLE WHILE AGO,

CARL AND, UM, ROB.

I DON'T KNOW THEIR LAST NAMES.

DO YOU HAVE AN ADDRESS FOR THEM?

NO, I RAN INTO THEM AT A PUB ON MAIN STREET

NEAR THE TRAIN STATION.

I BOUGHT A COUPLE OF CARTONS OF CIGARETTES FROM THEM.

YOU KNOW ANYBODY ELSE WHO MIGHT KNOW WHERE THEY LIVE?

NO, I DON'T KNOW ANY OF THOSE INDIAN PEOPLE.

I WOULDN'T KNOW THOSE TWO EXCEPT FOR THE CIGARETTE CONNECTION.

- SO THAT'S IT, THEN? THAT'S ALL YOU'VE GOT? - YEAH.

I TALKED TO THE BUSINESSES AROUND HERE,

AND FOUND OUT THAT OUR VICTIM, MR. KEELER,

USED TO WORK IN THAT OLD FACTORY

BACK WHERE WE RECOVERED HIS LUNCH BOX.

- I THOUGHT THAT WAS CLOSED. - YEAH, SHUT FOR GOOD.

- THE COMPANY PACKED IT IN, MOVED TO MEXICO. - OH, GREAT.

WELL, I GUESS THAT MAKES PERFECT SENSE.

YOU KNOW, CHEAPER LABOR COSTS AND ALL THAT.

- SO WHEN DID THAT HAPPEN? - THREE YEARS AGO. THERE WAS A LOCKOUT.

COMPANY WOULDN'T SETTLE, SO THEY TOOK THE WHOLE THING SOUTH.

SO IT'S SAFE TO ASSUME MR. KEELER LOST HIS JOB,

BUT HERE HE IS WITH HIS LUNCH BOX

COMING TO WORK EVERY DAY THREE YEARS LATER.

DOES ANYBODY KNOW WHY THAT IS?

HE NEVER GAVE UP ON THE LOCKOUT. EVERY DAY FOR THREE YEARS,

- HE'D COME DOWN HERE AND WALK THE PICKET LINE. - ARE YOU KIDDING ME?

HE WAS A FIXTURE OUT THERE.

EVERY DAY HE WAS DOWN THERE AT THE PICKET LINE?

- FOR THREE YEARS. - YEP.

YOU DON'T SEE THAT KIND OF COMMITMENT ANYMORE, DO YOU?

NOPE. TAKE A LOOK AT THIS.

YOU GOT SOMETHING ELSE, DON'T YOU?

SO YOU'RE THINKING THIS IS HIS PICKET SIGN?

YEAH, THAT'S WHAT I THOUGHT.

"LOCKED OUT, PENSION STOLEN."

SEE, THAT'S THE THING THEY WERE ALL UPSET ABOUT. SO, OKAY.

SEE, HE'S GOT THE ROPE HERE.

HE CAN WEAR THAT AROUND HIS NECK.

THE SIGN WITH THE ROPE-- YOU KNOW, THE VICTIM HAD

THIS RED MARK AROUND HIS THROAT,

LIKE SOMEBODY HAD RIPPED OFF A PIECE OF JEWELLERY OR SOMETHING,

BUT THE ROPE MAKES MUCH MORE SENSE.

THAT'S WHAT I THOUGHT AT THE TIME.

IT LOOD LIKE THAT KIND OF CONTUSION.

SO IT COULD HAVE BEEN THAT HE WAS GETTING DRAGGED BY IT.

YEAH, MAYBE. MAYBE HE WAS GETTING DRAGGED BY IT,

THEN, UH, THIS GETS FLUNG DOWN HERE, SOMETHING LIKE THAT.

DID YOU FIND ANYTHING ELSE HERE THAT MIGHT BE RELATED?

I GOT, UM, A BABY'S CHILD SEAT, A LOT OF USED CONDOMS,

NEEDLES, BEER BOTTLES,

I GOT SOME BROKEN GLASS.

BACK NEAR THE FACTORY, I'VE GOT A LAWN CHAIR.

- A WHAT? - A FOLDING CHAIR.

YOU KNOW, THE KIND YOU PUT IN YOUR BACKYARD,

AND IN THE WEEDS, I GOT A PIECE OF PIPE,

AND OVER HERE, I'VE GOT A BOWLING BALL.

- A WHAT? - A BOWLING BALL.

YOU GOT A BOWLING BALL IN THERE?

YEAH. IT'S A GOOD ONE. IT'S IN PRETTY GOOD SHAPE.

I THINK I'M GOING TO CLEAN IT UP, USE IT MYSELF.

YOU'RE GOING TO USE IT YOURSELF? YOU'RE A BOWLER?

- A LITTLE. YOU? - USED TO, YEAH, ACTUALLY.

MY BROTHER AND I USED TO SET PINS

AND THEY'D LET US BOWL FOR FREE.

WHAT WAS I GOING TO--

SOMETHING I WANTED TO ASK YOU.

OH, THE, UM, THE LAWN CHAIR.

- WHERE WAS THAT AGAIN, NOW? - BACK NEAR THE FACTORY.

YOU THINK IT'S RELATED?

WELL, YOU KNOW, MIGHT BE.

DO YOU WANT TO RIDE OVER THERE WITH ME?

YOU CAN SHOW ME WHERE IT WAS?

I WAS WONDERING,

THE, UH, THE CORONER'S SERVICE,

IS THAT A HARD THING TO GET INTO?

UH, YOU'VE GOT TO KNOW SOMEBODY.

I HAVEN'T SEEN HER OR HEARD HER ALL DAY.

COULD BE SHE'S JUST SLEEPING. IT'S JUST DOWN HERE.

THIS IS IT.

CARLA?

CARLA?

- YOU WANT TO OPEN IT FOR ME? - YEAH, SURE.

- CAN YOU JUST WAIT HERE PLEASE? - OKAY.

- YOU DIDN'T SEE HER LEAVE? - NO.

DID ANYBODY VISIT HER TODAY OR YESTERDAY?

I COULDN'T TELL YOU. PEOPLE COME AND GO HERE ALL THE TIME.

I DON'T KEEP TRACK.

- IS HER RENT PAID UP? - YEAH, TILL THE END OF THE MONTH.

HMM.

OKAY, WELL, IF SHE COMES BACK, GIVE ME A CALL.

OKAY, WE GOT A GOOD SET OF FIBERS

FROM THE HINGE ON THE PASSENGER-SIDE DOOR.

- DID YOU? - YEAH.

THEY MATCH THE COLOR OF YOUR PICKETER'S SHIRT, RIGHT,

AND ALSO, ON THE TRUCK MIRROR THERE,

ON THE SIDE MIRROR...

WE GOT A CLEAR SET OF HIS FINGERPRINTS, TOO, RIGHT, THE WHOLE HAND,

LIKE HE WAS HOLDING ONTO THE MIRROR.

LIKE, RIGHT ON THE MIRROR? OUTSIDE THE MIRROR?

YEAH, AS IF HE HOPPED UP ON THE RUNNING BOARD THERE.

- HE WAS HOLDING ONTO THE MIRROR. - OKAY, THAT'S GREAT.

OKAY, AND, ALSO, WE GOT A PIECE OF TWINE

THAT MATCHES THIS TWINE HERE ON THE PICKET SIGN, RIGHT?

OKAY, WELL, THEN HE'S STANDING THERE

HANGING ONTO THE SIDE OF THE TRUCK, THEN.

YEAH, YEAH, THAT'S WHAT IT LOOKS LIKE.

SO, UH, HERE HE IS. HOW YOU WANT TO DO THIS?

CUFF HIM.

TELL HIM WE'RE LOOKING AT CRIMINAL NEGLIGENCE CAUSING DEATH.

SEE WHAT HE SAYS.

SIR, TURN AROUND.

- AT THIS TIME, I'M TAKING YOU INTO CUSTODY. - WHAT FOR?

CRIMINAL NEGLIGENCE CAUSING DEATH.

WHAT?

WELL, YOU KNOW, SOMETIMES, YOU SEE YOUR KID DO SOMETHING, YOU KNOW,

AND YOU KNOW THEY'RE GOING TO BE JUST FINE.

THESE GENTLEMEN WOULD LIKE TO SPEAK WITH YOU.

WHAT'S GOING ON?

WE WANTED TO ASK YOU WHAT TIME YOU ARRIVED HERE LAST NIGHT.

I WASN'T HERE LAST NIGHT.

WE'VE GOT EVIDENCE FROM YOUR TRUCK THAT YOU WERE HERE,

AND WE JUST WANT TO KNOW WHAT TIME THAT WAS.

CAN YOU LET US KNOW THAT?

IT WAS ABOUT 2:00 IN THE MORNING.

WE GOT HERE ABOUT 2:00 IN THE MORNING.

- OKAY, WAS ANYBODY ELSE WITH YOU? - YEAH.

OKAY, WHAT WAS HIS NAME?

I'M NOT TELLING YOU THAT.

- OKAY, BUT YOU ADMIT THAT YOU WERE HERE, RIGHT? - MM-HMM.

OKAY, SO WHAT WERE YOU DOING HERE?

WE HAD TO MOVE SOME EQUIPMENT

FROM INSIDE THE FACTORY THERE.

THERE'S EQUIPMENT IN THIS PLACE?

THE GUY WHO HIRED US SAID THE COMPANY CLOSED UP SHOP

AND WANTED TO GET ITS EQUIPMENT OUT OF THERE.

OKAY, SO YOU GOT DOWN HERE. WHAT HAPPENED THEN?

WELL, WE PULLED UP, AND WE DIDN'T HAVE THE KEY.

THE GUY GAVE US THE WRONG KEY TO THE GATE, SO WE LEFT.

YOU LEFT? YOU DIDN'T SEE ANYBODY ELSE HANGING AROUND?

- NO. - YOU DIDN'T, FOR EXAMPLE, SEE A GUY STANDING HERE

WITH SIGN LIKE THIS AROUND HIS NECK?

IS THAT POSSIBLE YOU SAW THAT GUY HERE?

YEAH, OKAY. THERE WAS A GUY THERE.

OKAY. HEY, HEY,

- YOU'RE GOING TO TELL US THE STORY. - ALL OF IT.

OKAY, WELL, WHEN WE GOT HERE, THERE WAS A GUY HERE,

AND HE WOULDN'T LET US INSIDE.

HE KEPT YELLING ABOUT HOW THE COMPANY WAS IN LOCKOUT

- AND WE COULDN'T CROSS THE PICKET LINE. - HE JUST YELLED AT YOU?

- HE DIDN'T TRY AND GET IN YOUR WAY? - WELL, YEAH.

HE STOOD RIGHT THERE IN FRONT OF THE GATE.

WE WERE TRYING TO BACK IN THERE, AND HE WOULDN'T MOVE.

- SO WHAT HAPPENED? YOU BACKED OVER HIM? - NO.

IS THAT WHERE YOU BACKED OVER HIM?

NO, HE WAS MAKING SUCH A BIG FUSS

THAT WE DECIDED IT WASN'T WORTH IT

AND WE STARTED BACK DOWN THE ROAD.

YOU JUST GAVE UP? YOU DIDN'T GET INTO A FIGHT WITH THE GUY,

YOU DIDN'T GET INTERFERING WITH HIM?

- NO, NO. - COME ON.

OKAY, SO WHAT HAPPENED THEN?

- WELL, UH, THAT'S THE REAL CRAZY PART. - WHAT?

HE RAN AFTER THE TRUCK

AND HE JUMPED UP ON THE RUNNING BOARD.

WHAT, WAS HE TRYING TO HITCH A RIDE OR SOMETHING?

WELL, I DON'T KNOW. HE WAS MAD.

- HE WAS MAD. - OKAY, HEY,

HOW DID THE WINDOW IN YOUR TRUCK GET BROKEN OUT?

HE DID THAT. HE HAD A PIECE OF PIPE.

SCARED ME.

OH, I'M SORRY TO HEAR THAT.

OKAY, SO HE'S HANGING ON THE SIDE,

AND YOU'RE GOING DOWN THIS ROAD, RIGHT?

HOW FAR DOWN THIS ROAD?

WELL, HE DID THAT UNTIL MY BUDDY GOT THE DOOR OPEN

- AND SHOOK HIM LOOSE. - OKAY, WELL, WHERE WAS THAT?

HERE'S THE ROAD RIGHT HERE. WHERE WAS IT?

- ABOUT A HUNDRED YARDS. - I DON'T THINK A HUNDRED YARDS.

WE FOUND THE BODY-- YOU KNOW WHERE WE FOUND HIM?

UP BY THE INTERSECTION, DOWN AROUND THE CORNER--

- WAY, WAY-- - IT WAS AT LEAST 500 YARDS.

DO YOU WANT TO REVISE YOUR STORY THERE?

HOW DID THAT HAPPEN?

HE, UH, HE GOT CAUGHT UP IN THE UNDERCARRIAGE.

WELL, HOW DO YOU KNOW THAT?

WELL, WHEN HE FELL OFF, THE TRUCK DIDN'T SOUND RIGHT,

SO WE STOPPED, AND WE COULD SEE HIM UNDER THERE.

- OKAY, SO HE GOT SUCKED UP UNDER THERE SOMEHOW, RIGHT? - YEAH, YEAH.

ANYWAYS, WE PUT HIM IN THE CAB OF THE TRUCK

TO TAKE HIM TO THE HOSPITAL, AND--

YOU PUT HIM IN THE CAB OF THE TRUCK TO TAKE HIM IN THE HOSPITAL?

HOW DOES HE END UP AT THE SIDE OF THE ROAD AT THE INTERSECTION?

WELL, WE GOT HIM INTO THE CAB AND COULD SEE HE WAS ALREADY DEAD,

SO WE GOT SCARED, AND WE PUT HIM ON THE SIDE OF THE ROAD.

WE DIDN'T MEAN TO HURT HIM. IT WAS AN ACCIDENT.

YOU JUST THREW HIM ON THE SIDE OF THE ROAD. ALL RIGHT.

WELL, SIR, WOULD YOU CONSIDER GIVING US THE NAME

OF THE MAN THAT HIRED YOU TO REMOVE THIS STUFF FROM THIS FACTORY?

I WOULD ADVISE YOU TO DO THAT.

- YOU'LL GIVE US THAT NAME? - YEAH.

TAKE HIM DOWN, GET A STATEMENT FROM HIM.

- COME ON, SIR. LET'S GO. - IT WAS AN ACCIDENT.

THAT PIECE OF PIPE I FOUND IS BY THE ROAD SIGN DOWN THERE.

YOU MIGHT WANT TO TAKE A LOOK AT IT.

WHICH SIGN? I HAVEN'T GOT MY GLASSES.

ME NEITHER. THERE'S A COUPLE OF SIGNS DOWN THERE.

WELL, WE'LL FIND IT.

LET'S GO SIGN THE SIGN, I GUESS.

HEY, MICK. I GUESS YOU'RE NOT THERE.

ANYWAYS, I FORGOT TO GIVE YOU THE SOUP,

SO I MADE TOO MUCH OF IT AND IT'S GOING TO GO BAD NOW,

BUT WHAT THE HELL.

ANYWAY, YOU CALL ME IF YOU NEED ANYTHING.

YOU'RE SIX MILES UP AND SINKING, JACK.

I DON'T SEE WHY MY PERSONAL LIFE IS ANYBODY'S BUSINESS.

YOU HAVEN'T GOT A PERSONAL LIFE. IT'S A PUBLIC LIFE.

THAT'S WHAT YOU TOOK ON WHEN YOU GOT YOURSELF ELECTED,

BY SOME MIRACLE, I MIGHT ADD,

BECAUSE YOU DISPLAY ZERO ETHICS ON THIS.

WHAT DID BRENDA TELL YOU?

IT'S NOT WHAT BRENDA TOLD ME THAT'S IMPORTANT,

IT'S WHAT THE VICE SQUAD HAS ON TAPE THAT'S IMPORTANT.

WHAT DO THEY HAVE?

WELL, JACK, IMAGINE THAT THEY'VE GOT

THAT HOUSE ON POWELL STREET ON TAPE.

IMAGINE YOUR GIRLFRIEND IS COOPERATING.

- OKAY. - OKAY.

IT'S NOT GOOD.

YOU KNOW WHAT YOU'VE DONE, RIGHT?

YOU'VE COMPROMISED THE WHOLE ENTIRE COMMITTEE.

YOU COMPROMISED ME, YOU COMPROMISED SERGEANT KURTZ,

- YOU COMPROMISED EVERYBODY ON THE DAMN COMMITTEE. - YEAH.

YEAH IS RIGHT.

- I'LL RESIGN. - WHAT?

NO, YOU WON'T.

I DIDN'T SPEND THREE YEARS

TRYING TO DRAG YOU ONSIDE OF THIS RED-LIGHT PROPOSITION

TO SEE YOU GO -- IT ALL DOWN THE DRAIN RIGHT NOW. NO.

YOU'RE STAYING ON THE COMMITTEE, YOU'RE GOING TO STEER IT THROUGH COUNCIL.

WE'RE GOING TO GET THIS THING DONE.

THERE'S NO GUARANTEE I CAN DO THAT.

IT'S A LONG SHOT AT BEST.

WELL, IT CERTAINLY WON'T HAPPEN WITHOUT YOU, OKAY?

SO THIS IS WHAT YOU'LL DO. YOU'RE GOING TO STAY ON THE COMMITTEE,

YOU'RE GOING TO PULL TWO OR THREE OTHER COUNCILLORS ONSIDE,

AND THAT'S ALL WE'LL NEED. THEN DO WHAT YOU WANT.

AND WHAT IF ALL THIS COMES OUT IN THE MIDDLE OF IT ALL?

WELL, THAT'S WHAT I'M HERE FOR.

I'M TRYING TO WORK ON YOUR BEHALF

TO PREVENT THAT FROM HAPPENING, OKAY?

SO WHAT YOU'RE GOING TO DO IS TELL ME EVERYTHING, EVERYTHING,

THAT NEEDS CLEANING UP RIGHT HERE, OKAY?

I DON'T WANT TO GO CLEANING UP AFTER THE DOG

AND FIND OUT HE -- IN THE OTHER CORNER OVER HERE.

I SAID OKAY.

ALL RIGHT, SO THIS IS THE ONLY PROSTITUTE YOU'RE SEEING?

YEAH.

- AND YOU'RE PAYING HER, WHAT, CREDIT CARD? - NO, IT'S NOT LIKE THAT.

UH, IS THERE CANCELLED CHECKS OUT THERE?

I NEVER PAID HER. NEVER PAID FOR IT.

YOU'RE TELLING ME THIS IS NOT SOLICITING?

THIS IS A ROMANTIC RELATIONSHIP?

YEAH.

YOU'RE 50, SHE'S 20,

AND YOU'RE NOT PAYING FOR IT?

- NEVER PAID FOR IT. - OH.

OKAY, WELL, YOU TOLD ME THAT SHE'S THE DAUGHTER OF A CONSTITUENT.

- NOW, IS THAT JUST BULL, OR IS THAT THE TRUTH? - NO, THAT'S THE TRUTH.

SO DOES HER MOTHER KNOW ABOUT THIS RELATIONSHIP, THEN?

- NO. - NOBODY ELSE KNOWS?

NOT YOUR FRIENDS, HER FRIENDS,

- NOT YOUR PRIEST, NOBODY. - NO.

OKAY, WELL, LET'S JUST SEE WHAT WE'VE GOT HERE.

WHAT HAVE THEY GOT, THEN?

WHAT THEY'VE GOT IS AN OLDER MAN

HAVING AN AFFAIR WITH A YOUNGER WOMAN.

- IT'S JUST AN AFFAIR. AM I RIGHT? - YEAH.

OKAY, SO THIS IS HOW WE DEAL WITH IT.

THIS IS HOW WE CLEAN IT UP.

RIGHT FROM NOW, YOU BREAK IT OFF.

YOU CAN'T SEE HER ANYMORE.

FROM THE MOMENT YOU WALK OUT OF THIS DAMN BAR,

YOU CANNOT SEE HER AGAIN. IT'S OVER, IT'S FINISHED.

ARE YOU OKAY WITH THAT?

JACK? ARE YOU OKAY?

NO, I'M NOT OKAY WITH THAT. I'M IN A RELATIONSHIP WITH HER.

JACK, JACK, TAKE A LOOK AT YOURSELF.

SHE'S 20. ARE YOU TELLING ME SHE'LL FALL FOR YOU?

WHAT ARE YOU SMOKING?

MAYBE I OFFER HER SOMETHING SHE NEVER HAD.

- I THINK SHE'S HAD OTHER 50-YEAR-OLDS, JACK. - UP YOURS.

AND ONE MORE THING, OKAY.

IF YOU'VE BEEN LYING TO ME ABOUT ANY OF THIS,

AND THEN TONIGHT, YOU GET A SUDDEN ATTACK OF THE GUILT

AND WANT TO GO HANGING YOURSELF FROM SOME BRIDGE

AS PENANCE FOR YOUR SINS, ALL RIGHT, PLEASE DON'T,

BECAUSE I DON'T WANT TO SEE YOU AGAIN TONIGHT.

I'LL BE SURE TO DO IT ON SOMEBODY ELSE'S SHIFT.

I'D APPRECIATE THAT.

[ THEME MUSIC PLAYING ]