Original subtitles

[Zak] Ladies and gentlemen, I am in Simi Valley, California

and I'm very excited

because we have just secured a location

that was used in the filming

of one of the most classic horror films

in American history.

Now this film was produced by Steven Spielberg,

directed by Tobe Hooper.

This film was full of conflict, controversy

and a curse.

This is not only an iconic location,

but this is an absolutely historic investigation

for the host Adventures crew.

Ladies and gentlemen, buckle up.

Get ready.

We are going to investigate the Poltergeist ouse.

They're here.

[opening theme music playing]

There are things in this world that we will never fully understand.

Understand.

We want answers.

We have worked years to build our credibility,

our reputation.

Working alongside the most renowned professionals in the field.

Capturing groundbreaking proof of the paranormal.

-It's working! -I can't give you an explanation.

[Zak] This is our evidence.

Our host Adventures.

-Aaron, Jay, you guys there? -Yeah, we're here.

We can hear you.

What are you guys feeling right now?

Weird. It's like this weird, eerie feeling.

Well, there's so many stories, the movie, the production, everything.

I feel weird, like nervous and scared, but happy and excited.

-It's weird. -This has been such an iconic film my entire life.

-It's one of the most classic horror films. -[Aaron] Yeah.

It's so weird to say that as a little boy,

how things happen in life.

And there I was, just a, like I said, a little boy

watching this movie, more terrified about

the clown doll in Poltergeist han anything

that I've ever seen in my entire life.

And the way that I face my fears is now I own

what I was once scared of.

[all laughing]

[Zak] Not only do I own the clown doll that was used

in the movie, but look at where we're going right now.

This house has been owned by the same family, I believe,

for 45 years.

Oh, wow.

And the story just broke on worldwide media

that the house was for sale last month.

And here we are driving through the neighborhood

to investigate the Poltergeist ouse.

-Wow. -So there's a lot of truth behind the parallels

of the reality of the house and where it sits to the movie.

The oltergeist franchise is an icon of horror.

It begins with the story of a family who unknowingly moves

into a house built on a Native American burial ground.

What follows is a malevolent force that tries to destroy

the family and the home itself.

It turns out the home where the film was shot

is actually built on Chumash land.

And some believe this caused a curse that terrorized

the cast and crew of the film.

June 4th, 1982, Poltergeist hits theaters.

The film instantly becomes a nationwide phenomenon.

Five months after its release,

actress Dominique Dunne, who played the eldest daughter

of the Freeling family, is strangled to death by her ex-boyfriend.

Her senseless murder shakes Hollywood to its core.

1985.

On the set of oltergeist II, the cast and crew is plagued

by lights falling, shadow figures, and strange noises.

Actor and real-life shaman Will Sampson is asked

to perform an exorcism on the set.

And while it helps the cast and crew finish the 64-day shoot,

it has unforeseen consequences.

Will Sampson dies two years later from complications

of a heart and lung transplant.

September 14th, 1985, during the film's post-production,

actor Julian Beck passes away from cancer.

February 1st, 1988, four months before the release

of oltergeist III, actress Heather O'Rourke,

who played the beloved Carol Anne in all three of the oltergeist films,

tragically dies of a mysterious illness at the young age of 12.

News of her untimely death races across the globe.

January 2004, Poltergeist II director

Brian Gibson dies at age 59 of bone cancer.

April 1st, 2009, actor Lou Perryman

is murdered with an axe.

This is it, you guys. This is the street.

Wow.

Do you see it?

Oh, my God, this is it right here.

[Aaron] Oh, my God, it is.

Look at that.

I am not lost for words many times,

but right now, there's a photo of Heather O'Rourke,

and I believe she's sitting down.

I believe she's sitting right here playing with her doll.

And whenever I saw that, I said, "Man,

I would do anything to investigate that house."

There is a reason why we were able to have access

to this place less than a month after it was sold.

There's a reason why we were reached.

There's a reason why we're standing here right now.

And if it has anything to do with any of those that

were affected by the film's curse

or the family

that lived in here during filming and the ones who just sold it,

three members of that family died inside of this house.

The most recent death took place in 2020.

Is the oltergeist curse still active?

Does it continue to wreak havoc on those

who step foot inside this home, even to this day?

And the crazy part about this investigation

is nobody has officially investigated the curse

of the film and where it could have potentially originated from.

This is the house they filmed at.

They filmed a lot here.

-Yeah. -And the plot of the film is what?

-Based on a house that's on sacred ground. -Built on a burial ground.

On sacred ground of Native Americans, right?

-Which this-- -Most likely would be that.

This is sacred ground of the Chumash.

Just behind this house, you can see the mountain right there.

-See the mountain? See the top of it? -[Jay] Yeah.

That was one of the largest villages

-of the Chumash in Southern California. -Oh, yeah.

The truth that lies underneath of this house,

the truth in the history of Simi Valley.

Was that truth the actual plot for The Poltergeist?

-It pretty much was. -Yeah.

And when they filmed here, and when they carried out

these scenes involving real skeletons dug into the ground,

-did that desecrate the ground and the house? -[Aaron] Yeah.

I have big news.

We flew in somebody that was very important

during the production of the Poltergeist ilms.

The psychic advisor.

-Really? Wow. -The real life psychic that advised the film staff,

-the crew, the director, the cast, everybody. -Wow.

Her name is Jill Cook Richards.

Ladies and gentlemen at home, Billy, Jay, Aaron,

this is an absolute iconic investigation.

And for the first time, we're not just investigating a house.

We're investigating a curse.

To begin our investigation, we've asked the homeowner

for permission to explore the home alone in an attempt

to connect with the energy here without any influence.

They're here.

[soft music playing]

Oh, my gosh.

So this is the kitchen.

In oltergeist 1, you see /em Heather O'Rourke here.

It's really heavy in here, dude.

-Oh, my gosh. -Dude, look at this, Zach.

-That's the remote for the TV. -Oh, my gosh.

-Oh, bro, I just got chills. -[static]

-Hold on, hold on. -Dude.

Hold on, hold on, hold on.

[static]

Oh, my gosh.

I first discovered that the house was for sale.

Actually, I kind of knew it was for sale.

And I don't know how or why.

Um, I just knew.

And I actually didn't see the ad until

even another week or two.

It just kind of magically appeared in my feed

and kind of fast forward and put in an offer and here I am.

I know this was just a scene in a fictional movie,

but that fictional movie had something to do with a very real curse.

But I could not come to the Poltergeist ouse

without seeing this TV and not turning it on and touching the screen.

Now, within Paranormal Investigations,

there's something called ITC. Billy, talk to me about what ITC is.

ITC is Instrumental Transcommunication.

It's when you use electronic devices to try

and use the electromagnetic field and devices

to get communication through those devices.

And there are many different types of ITC devices.

We use several.

[Zak] This home is built on land that the Chumash people

have a sacred connection to.

A connection that lives on to this very day.

So this is Beverly Folkes.

She is an elder with the Tatavian tribe,

as well as Chumash. And this is Cheryl.

-Cheryl, pleasure to meet you. -I'm a senator for the tribe.

-Senator for the tribe, really? -Yes.

Well, first off, thank you both so much for coming here.

So, okay, any discoveries here?

Do you know where the burial grounds would be?

So I was going to say, so Chumash and Tataviam tribes

have been here for such a long period of time.

So we know at least 13,000 years.

-That's unfathomable. -And we're still here.

-Yes. -I like to say that too.

Sorry.

Throughout time, their village sites changed.

So let's say 5,000 years ago, they lived at the village of Ta'apu,

and they had their burial right next to it.

But that was maybe just 1,000 years or so.

-Right, right. -So what about before that?

It would have been here, there.

Where did the Chumash live? How close to this area?

They could have actually lived right here.

-Because this was all open land. -Really?

And this is where they settled,

-the Chumash and the Tataviam. -Okay.

And they were all over this area.

-Really? -So they could very well have been right here.

Let's just theorize that this could have been

a burial ground right here.

They talk about a curse that afflicted the cast

and the crew on the film.

And they also experienced a lot of supernatural events

to where they had to have a real exorcism on set.

So in the movie, this swimming pool

that we're looking at right now,

this was the actual hole that was dug for a scene

with the actress.

She was in here, and they put a bunch of humans,

real-life human skeletons in the pool with her.

And she was screaming, and they were using

these skeletons as props for the film.

I want to ask you, while they dug the hole

in this ground right here,

could that initiate something

like a curse or angry spirits?

It could.

I've been involved with burials

and in several different areas,

some neighborhoods.

I was called on one where it was right in a neighborhood

like this, and they were building a home,

and they found a burial.

The whole neighborhood was scared.

They were...

Scared of what?

They were scared of the fact that remains had been found.

[Zak] I now ask this woman, who is a Chumash elder,

if disturbing these remains found on home sites

could cause an angry spirit.

I know one thing for sure.

As beautiful as those homes are,

and if they wanted to give it to me, I wouldn't move in there.

Why? Because of the activity?

Because I know that I would feel like I was invading the spirits.

-That's the way I would feel. -Really?

And could this possibly be replicating that?

Could this situation here possibly be replicating that?

It could.

[Zak] Did the film crew unknowingly disturb

a sacred burial when digging the pool?

And did their use of real human skeletons

combined with a very emotional scene

unlock a gateway to a forbidden dimension

that has injected this property with a curse?

I send Billy inside the home to get an EMF baseline.

[Billy] I was taking readings with the Trifield meter,

and it was like a half of a milligauss, not even one.

The whole upstairs, nothing.

[Zak] While Aaron attempts to capture photographic evidence.

[Aaron] So right now, we're just walking around

with lights all on.

You and me are pretty much the only one in the house,

and we're just snapping pictures and trying to capture something.

The first time visiting the house

was for a tour of the house.

And it was pretty uneventful,

just like any other house tour.

But when I came back for inspections,

there were a couple times

that I got very kind of dizzy, felt like I was being kind of

like pulled down, I was nauseous, lightheaded,

and I had to go sit on the stairs

for a period of time.

I got a little kind of chill in the back of my arms.

It all happened simultaneously at the same time

and I'm a pretty healthy person,

so it's very, very out of character for me

when I left the building, I was normal.

Everything returned to normal.

Roll, roll, roll.

-What? -So...

We were up, like you said, go in there, take some Polaroids,

do some EMF, just check it out, right?

So we've been in here doing it, the whole thing.

I come out, and you're standing here,

and the lights start flickering on and off.

-What? -Were you in the camera?

-He was in there. -We were in the garage.

I'm like, Bill, come here, come here.

Okay, so if we didn't capture it on camera,

I would need to ask the owner, a third party witness, were they flickering?

Yes.

Can you grab me an EMF, please?

So let's just turn this on.

Is there somebody here?

Hold on, hold on. Oh, my God.

-Did you just see that? -[Rachel] Yeah.

I will say that she is my witness,

and I'm filming this as well. There's another spike.

Oh, my gosh.

[Zak] This is remarkable.

Billy just scanned the entire house

and got EMF readings of less than one milligauss.

Are these spikes an indication of resistance to our presence?

That is why we use scientific instruments.

[dramatic music playing]

This is the moment we've been waiting for.

Jill Cook Richards, the psychic who worked closely

with the oltergeist II crew, has arrived.

Hi, I'm Zach.

-Oh, I'm Jill. -Hi, Jill.

Nice to meet you.

Okay, see this? This is a letter from Brian Gibson, the director.

-Oh, wow. -It talks about all the stuff that I did.

So this is an actual letter from the director.

A copy from the director.

Now, you worked on Poltergeist II.

-Two. -Right, right.

Wow, now that we are in the final stretches

of completing Poltergeist II, I really want to thank you

for all your wonderful help over the last 18 months.

18 months you worked on this movie.

I worked on this a lot.

You've been a help in many, many ways

in giving your reactions to the script and the film

and offering me your thoughts and opinions about the astral plane.

There are many events that you predicted

that have indeed occurred.

First, that I would like to be asked to do this kind of film.

Second, that this film would certainly get made.

Third, your accurate projections about casting.

-So you helped with the casting? -Yeah.

Now, you saw oltergeist 1, did you?

-Oh, yeah. -I've seen it a lot.

Okay.

Did you pick up on anything from that filming

or what you've learned later about the real human skeletons?

Could you find anything at all within

what they shot here at the house that could have

initiated a curse?

Well, to me, everything started when they dug the hole.

-[Zak] In the backyard? -[Jill] In the backyard.

And that's what, to me, that's when I started,

you know, wait a minute.

[screaming]

[Zak] When it was time to film Poltergeist II,

director Brian Gibson also wanted to use human remains.

[Jill] I had a fight with Brian.

He wanted to use real skeletons.

And I said, you can't do that. You can't mess with the spirits.

You don't understand.

You know, I'm hearing voices all the time.

Don't do this.

[Zak] You had objection to it.

[Jill] Yes.

-And you told the director not to do that. -[Jill] Correct, absolutely.

Yes.

I just talked to the elder.

I just talked to the archaeologist

who validated to me that we are standing on grounds.

Yes, very hallowed ground.

And when you dig into that soil

and you make a big pit and you throw human skeletons in there,

did that aggravate something?

You know the answer to that. The answer is yes.

-I know, but there's nobody else. -If you mess with

-my house, okay? See what I mean? -Yeah, yeah.

Yes, absolutely yes.

[thunder rumbling]

Oh, Okay, that's a good start.

-They locked us in. -Rachel?

-[Rachel] Yeah? -They locked us out.

They don't want us in.

Oh, no.

[man] Is the back door still open?

[man speaking]

What? How do you, yeah...

Rachel?

-Oh, my God. -They could do that, you know?

Rachel, is this on an automatic lock?

-No, not at all. -What?

No, this is old school.

So how did it lock from the inside?

I have no idea.

[Zak] This dead bolt can only be locked from the inside.

So that does not lock by itself?

No, there's no way.

[Zak] Was there something here attempting to keep us out?

Sure you want to move in here?

[eerie music playing]

Hold on one second.

I'm living in here. I just heard that.

-You just heard that? -I just heard the voice say to me, "I'm living in here."

Did somebody just speak?

Who is living in here?

Is somebody speaking to Jill? Do you want to be heard?

Are you a cast member from the movie that was filmed here?

Are you a member of the family that lives here?

Mmm. Mmm. Mmm.

-Mmm. -You okay?

Mm-hmm.

Mm-hmm.

-Jill? -They couldn't talk.

-Really? -I had to break.

I had to do my little thing. I couldn't talk.

The answer is yes.

It was one of the family that owned here, that died here.

If people don't believe in something,

then they stay right where they were.

You understand? Their spirit stays there.

The body destroys itself.

But the spirit stays because it doesn't know where else to go.

-Right. -Where can it go?

-Really? -Yes.

He didn't know where to go.

He didn't have any faith or anything.

Now if there's anything.

[recording playing back]

Whoa, what was that?

Listen to that.

[recording playing back]

Die?

[voice speaking]

[Zak] Could this be the voice of one of the family members

who died in this home, reaching out to us?

After you.

I take Jill to what she believes to be

the source of all the darkness here.

Do you think that when they did the scene

with the skeletons and everything in the ground,

do you think that that could have angered them?

Oh, I know it did. I told the director that.

-Really? -I said, "What are you doing? What are you?"

He said, well, I've got to do this. It's part of the whole thing.

And I said, I said, you understand

you're messing with really angry spirits.

They're stuck down there, okay?

And this is really what caused a lot of problems.

-Yes. -Yes.

Yeah, this is what really bothered me on this.

This was the main thing that bothered me of everything.

What's up?

-Got a couple of things to show you. -Okay.

Look at these six photos.

-We're feeling something, right? -Yeah.

Aaron's just taking photo after photo.

Now, look at the last three here.

-There's some weird... -Blue.

-Purple, blue, uh... -Mm-hmm, mirror face.

Okay, when you zoom in on the last one,

it looks like a DNA strand. It's very, very strange.

Did this have anything to do with those readings

we were getting?

That's why we're saying, because that's when...

If you notice, I'm snapping, snapping, snapping, snapping,

and every time you guys... Here's the weird thing,

and I say something. Every time you guys were like, I feel it.

Like, you go, oh, it's spiking.

It actually took the picture at the exact moment.

You know what happened right directly after this?

You turned the TV on, we walked outside, and the deadbolt got locked.

-That's right. -So it's like, is this...

Is this a family member that's like, you know,

"Get out of my house?"

[Zak] While these photographs are interesting,

I'm still not fully convinced they're paranormal.

-Brian, how you doing? -So we are outside.

You're a neighbor here. You've lived here for a long time.

I've been in Simi since 1971.

You remember them filming the movie here, right?

I was here in 1981.

Nineteen eighty one?

Yeah. I was a college student

-over at the local college, -Mmm-hmm.

and I heard that Spielberg was producing a movie.

So as a film student,

I got my Super 8 camera came over,

stood across the street

for probably seven days straight

-while they were filming at this house. -Wow.

It was usually from 7:00 p.m. to 7:00 a.m.

[Zak] Did you meet-- You said you met Spielberg?

I came up here to the store right here

-and the casket that comes out onto the station wagon, -Mmm-hmm.

-they were prepping that. -Really?

So I stood here and just looked at it.

And it was just me

-and then out of nowhere comes Steven Spielberg. -Really?

And he stands there and he goes, "Hey, what's going on?"

And I say, "Hey, I'm a film student.

Right now, this week we're studying you."

You're talking to Steven Spielberg.

Just him and I right here at the store.

-And the skeleton. -Wow.

And so I said, "Yeah, we're studying you for the week."

And he goes, "Why me?"

And I go, you know, all the things

-you've already done. -Yeah.

And he goes, "Well, I have a new movie that I'm about to start."

And I go, "Okay, what's that called?"

And he goes, "It's a movie called E.T."

Jeez.

So I go and I asked him what it was about,

and he gave me a quick synopsis.

-That's crazy. -And then... and then we left it at that.

And then he goes, you know, feel free to stay,

feel free to tape whatever I want

-to film whatever I want back then with Super 8. -Really?

Did you ever witness anything that seemed strange

on the movie set of Poltergeist?

The strangest thing I saw

is as soon as I walked in the house

-and again, I was over-- -You walked in the house?

So as a 18-year-old, I wait until everybody went to lunch.

And then I walked into the house.

What did you see?

As soon as I walked into the house,

I saw a mound of dirt.

[electrical buzzing]

[Zak] Brian takes me inside the house to show me

where this strange mound of dirt was located.

I'm gonna say the dirt was over here.

And it was a mound of dirt.

It was on a piece of cardboard,

and it was right here.

And I could not understand why there was dirt

in this people's home.

[Zak] If the Poltergeist curse originated from the disruption

of sacred earth in the backyard.

Could bringing that soil inside

have invited the curse into this home?

[intense music playing]

[Zak] Roll.

So we're setting a shot up over here.

And what did you guys see?

Second floor, the light just got really,

really intensely bright

and then dropped down to normal light.

And now just dim down to that.

[Zak] This is, like, literally, the movie is replicating right now.

'Cause they did that through those windows.

[Jeff] It got bright.

It was like a bright flash.

I saw it.

[Zak] There's nobody in there, is there?

No, there's nobody in there.

[Zak] As we review the cameras that were rolling at the time,

we actually find one

that captured this moment.

[suspenseful music playing]

[Zak] Okay. Right now um...

it's getting late.

This is Tawney.

Tawney, how are you?

-I'm good. -So tell me about yourself.

You are a psychic medium?

Yes. I'm very familiar with Simi Valley

and the area as well.

Okay. Have you been past the house before?

Absolutely. Multiple times.

Have you picked up anything here before?

Absolutely.

For some reason, I've always been really drawn

to the room above the garage.

It feels like there's a man just staring at me.

Every single time I come by

he's just standing at the window just watching.

[Zak] That is the exact window that we all just saw

the flash of light come from in a vacant house.

Do you normally get feelings?

[Tawney] Yes, immediately want to go upstairs.

-[Zak] Okay, we'll follow you. -[Tawney] Okay.

It's weird. The energy in here feels like young kids.

It's actually kind of overwhelming.

Notice that I'm going towards the door.

It's like...it's almost like, "Get out, get out."

It's a lot of 'em.

Yeah. This is the space right between these rooms.

-I don't think this light was-- -[man] It was not on.

-[Tawney] Oh, no. -[man] I can promise you it was not on.

[Zak] Let's turn it off. Let's see if it turns back on.

What's that, Tawney?

Um... these two rooms here

-is where I feel like that man is here. -Yeah.

He's very--

It's a very... depressing but also intimidating presence.

Like this is my property.

This is my room.

I keep hearing, "I died. I died."

I think that's what that EVP said.

"Died."

"I died. I died." I keep hearing that.

That EVP that we got?

[man]

And it's very territorial, too.

And so I'm very curious to ask the owner if she's felt so far...

[Zak] She's only slept here one night.

Oh Interesting. Very territorial.

It's almost like I want to let her know like,

"Hey, just FYI this is my house. "

But she said when she first came in

through here during inspection,

she felt something pull her down.

Oh.

I felt like I was being kind of like, pulled down.

I was nauseous, light headed.

Yeah. I'm not even--

I actually feel like he's definitely not the only spirit here.

-[Zak] Mmm-hmm. -It's a conglomeration.

He's tied to this particular area,

which is interesting, like finally getting up here.

But also downstairs,

I feel like there's another male

and then possibly even a woman.

So there has been two male deaths here and one woman.

-Interesting. Okay. -And only like I said,

only we would know that.

[Zak] It is shocking that Tawney picked up

on the deaths of two men and one woman in this house.

This was privileged information given only to us

by the very private former owners.

[Jay] So I've been doing some research.

So, like you were saying, the main thing is,

why was all this happening?

Is it the curse?

-Is it-- -What's the source?

That's the biggest question.

First of all, the Chumash believed that the universe itself was divided

into three different planes of existence.

The first world that is above

belongs to supernatural beings.

-The cloud, the sky, the sky beings, yes. -[Jay] Exactly.

-And the middle ground as humans, is us, -[Zak] Us. Right.

and the below world is inhabited by monsters

which enter the human world after dark.

So the monsters of the world below

were thought to be malevolent supernatural beings

that always, always pose a threat to humans.

Whoa!

[Jay] They were often described as grotesque,

nocturnal and misshapen.

So they were like the evil of the evil

and that they are constantly a threat to human life.

[Zak] So much death and suffering,

all linked to one film.

The oltergeist curse has tormented so many for 42 years.

[door creaking]

What is in store for us

as we prepare for lockdown?

[electrical buzzing]

All right. It is now time to begin

our lockdown investigation

at a very iconic location,

the original Poltergeist ouse.

And we have already documented some very

compelling activity and evidence.

And we're very shocked by that.

So we need to dig deeper and find out if that hole

that was dug in the backyard and placed with real skeletons

might have opened this house up

to some type of ancient curse or something?

We do know that there have been

three deaths in this house from the last family.

And I did not bring this from home.

This is not my doll.

This doll I do own

as part of my museum collection.

This doll was owned and played with

by Heather O'Rourke from the Poltergeist ilms.

This is a certificate of authenticity

signed by her mother, Kathleen O'Rourke.

It came directly from her mother's estate.

We're dealing with a little child's death,

and the first thing I want to say

is how brilliant and talented she was as an actress.

She was incredible.

At a very young age, she could even read a script

which baffled the directors.

So by no means are we saying this curse

had anything to do with the deaths of hers

or any of the other actors and actresses in the films.

But did the curse have something else

to do with the activity

that is being experienced today

and possibly with this previous family?

So what I'm gonna do is

I'm gonna take this doll

and place it upstairs in what would have been

Heather O'Rourke's bedroom in the film.

And Jay, can you also tell us what those are over there?

So what we have are basically baby monitors.

They are things that, you know, you can get anywhere.

Every home in America probably has a set of these

at some point.

What we wanted to do is leave one on and have one

here at nerve center, so that way we can just have

a constant open line of communication.

So at any time we can hear them,

we can communicate.

We can talk back and just have this open,

-basically general communication. -Communication.

Earlier, we had a psychic medium Tawney go in that room

and start telling us

that she was sensing a child's spirit.

It's weird. The energy in here feels like young kid's.

And before we go upstairs, I'm gonna let Billy

talk about the experiment that we currently have running

near the Poltergeist V.

In this room,

we have set up our isolated video loop experiment,

which is a camera

that is projecting what it is seeing and recording itself.

Creating this isolated video loop.

Which sometimes,

as an ITC experiment,

can elicit some sort of results

in the pattern that you see here.

So we will be watching that from nerve

as well as the static on the TV.

We also have,

see here I dangled a microphone right here

that's going to be pointing right at the speaker of the static.

And then I'll be listening in with headphones from nerve center,

and we'll see if anything comes through

the speakers of the actual TV itself.

[Zak] Just like the movie.

Now it's crazy because in the movie,

this is where she was with her hands on the TV.

But before that, she started hearing the spirits

talking through the speaker of the TV.

She was saying, "I don't know. I don't know."

So we weren't able to hear what voices she was hearing.

So in real life, these devices can transmit spirit voices

through Instrumental Trans-Communication.

We are in a very interesting moment in time right now.

We are deeply connected right now to the movie Poltergeist.

We are in the home where they filmed a lot of the movie.

We did receive some interesting activity as well

right here at the bottom of these stairs.

We don't know what spirits are here.

We don't know if we're able to connect with any of those

who were in the movie that are no longer here.

But if we do,

we wanna be here for you.

And we know that you love being in front of the camera.

[suspenseful music playing]

Okay.

I'm gonna put this doll here so that we could see it

from that camera over there.

This is the baby monitor that we're gonna listen to.

Okay, ready?

With everything set and recording,

we now head back to nerve center

to begin monitoring.

Okay, so right now, Jay and I are monitoring the house.

We're listening to the house.

This is where we have a motion sensor

which is connected to my watch.

You'll notice we have them in every room.

One on the bed. We have one on the stairs.

We have one here.

So if anything alarms on my watch,

we'll be able to see what number sensor it is.

And that will tell us which room has the motion.

And I can use this monitor to speak.

We don't know exactly who or what,

or if anybody's in this house.

But we know there's a lot of memories

and we know there was three deaths.

Can anybody from the movie talk to us

and replicate the scenes that you did in the film?

Do you remember?

You were talking to the spirits

and now it is reversed.

You are the spirit.

Can you talk to us?

Can you give us a message?

We are your friends.

We have love for you.

We have respect for you.

Carol Anne.

Are you there, Carol Anne.

[eerie tone] They're here!

Can you move the door in the room?

[suspenseful music playing]

I just heard something on the baby monitor.

[intense music playing]

Can we hear you?

[man] Zak!

Did you hear it say "Zak"?

[Zak] Open the doorways, open the gateways, open everything.

Let our two worlds collide.

[crashes]

[man] Hold on, bro.

We are in a studio here in Las Vegas.

One, two, three.

Oh, my God!

[suspenseful music playing]

I just heard something on the baby monitor.

[indistinct noise]

What was that?

[mouthing]

[Zak] I want everyone to turn the volume up

and listen closely to what sounds like

a faint little girl's voice that's being captured

on the baby monitor and the X cam audio.

I put this speaker to my ear

and I started hearing a high pitched noise

like a little girl voice or something.

That's why I had to have everybody be quiet,

because the only way I can capture this is through this.

[bleep]

[bleep]

So right now we're hearing noises.

I quickly grabbed the ovilus

to see if we can get any information

regarding these noises.

Who's making these noises?

Is there somebody inside the house?

How are these spirits making these noises?

Their arms!

Oh, my God!

[man] Are you serious?

I just said, "How are you making these sounds?"

And it said, "Their arms."

Look at this.

-Yes. -Literally says, "Their arms."

[Zak] At this exact moment, our full spectrum camera

rolling in the family room

captures this strange misty anomaly.

Can you give us the name of whose arms

are being used to make the noises?

Chris. Aggression.

You just asked the name. That's a name.

Who's this? Chris.

The name said Chris Aggression.

-[Aaron] Dude, that's a name. -[Zak] Wrong.

It says "Wrong."

After you just said that.

[Aaron] No way.

[Zak] Look.

As we start gearing up to go into the house,

we hear this strange breath or brushing sound come through the baby monitor.

Not only that, but there's a meter, Tri field meter right here.

[breathing sound]

Whoa!

There's a meter, Tri field meter right here.

[all exclaim]

[Zak] Something just came through

the speaker of that baby monitor.

Like that is creepy.

-[man] Very. -[Zak] We all heard it.

We're all four down here.

[Zak] Aaron, Billy and I now enter the home

and set up a UV laser grid

in the kitchen, along with a tri-field meter.

Right there.

Back in the family room, we capture possibly

the same anomaly as before.

[Zak] Is there somebody in here?

[man1] Whoa! See that?

[man2] What? Why did it spike like that?

One point three all of a sudden from 0.2 to 1.4, 1.5?

Doesn't make any sense.

[Zak] Suddenly, Aaron quickly walks away from us.

[man] You okay, Aaron?

-Aaron? -[Aaron] That was weird, bro.

I just ran over here,

and I wasn't really thinking about it.

[Billy] Why did you just take off?

I don't know.

I just was standing here and something made me just--

And I stopped.

I'm like, "Why am I-- Why did I do that?"

Like, it was weird.

[Zak] In this moment, Billy heads back to the kitchen

and is adjusting the settings on our digital recorder.

He has no idea that his camera captures

something out this kitchen window

that's facing the backyard.

We will reveal this visual evidence

in an upcoming in depth analysis

with the owner of the house, Rachel.

[suspenseful music playing]

[Zak] I...

I just, I don't feel good.

Open the doorways! Open the gateways!

Open everything!

Let our two worlds collide!

I know members of the cast are gone,

and a lot of people blame a curse.

Is there truth to that?

So right now we just came upstairs

and we were hearing noises up here from the nerve center.

Jay, are you still hearing any sounds?

Nothing else.

Whoa, that was weird.

I feel like she's gonna start crying out of nowhere.

Can I there alone?

Yes. Yes.

[Zak] Aaron now begins using the Polterpod ITC device.

[device buzzing]

Who wants to talk to us?

What's your name?

[man speaking indistinctly]

[Zak] We capture an unintelligible male voice here.

Could this possibly be speaking in a native American language?

Who wants to talk to us?

What's your name?

[male speaking indistinctly]

[Zak] I now activate the APF-D processor along with the SB7 Pro.

[static]

[Zak] It just flatlined.

Why did it just flatline?

[Aaron] I don't know.

[Zak] Something weird is happening to this equipment right now.

It just completely flatlined.

And look.

[device beeps]

[Aaron] What was that?

Was that the baby monitor?

[Billy] Yeah.

[Zak] Can you see if this is sweeping?

[Billy] You all right, Aaron?

Aaron.

Dude.

So I just put a mint in my mouth.

When that started flatlining, all I could taste was dirt.

And I was basically felt like I was getting like,

I was being buried.

It was the weirdest thing.

[suspenseful music playing]

[static]

[Zak] Hi, can you please talk to us?

What's your name?

[bleep] Nothing, dude.

Try it with my speakers.

[Zak] It is frustrating.

This is just the part that gets me really upset

is when we feel things and we're hearing things.

We're using this right now, this ITC device,

then nobody wants to talk to us.

Let me hold it. Just let me hold it.

[girl's faint voice]

[gasps] Did you see a little girl?

[Billy] Dude.

[Zak] I want to make a very important note.

Aside from what we believe to be a Native American voice,

we have only captured these faint girl voices

earlier from the baby monitor.

And right now we capture another faint girl voice

through the APF-D processor.

Did you see a little girl?

[Billy] Dude, why do I keep hearing a little girl?

[Aaron] I hear it.

[Zak] Is there a little girl there?

After 35 minutes

we're getting--

[Zak gasps] Daddy?

Listen, as my question is answered.

Is there a little girl there?

[male voice]

Then another spirit tells us the girl left.

[male voice]

Then a little girl comes back and calls me daddy.

[girl voice]

[gasps] Daddy?

Is there a little girl there?

[male voice]

After 35 minutes, we're getting--

[gasps] Daddy?

Okay. We're out here at nerve center right now.

We're just switching things up.

I don't feel good.

I don't feel right right now.

I don't know why.

I'm just saying I don't know why.

We heard somebody in there in the kids room

and we heard your voice

and you saw our reaction.

I'm sorry if I'm not in the best of moods right now.

I'm just not feeling that great.

I think physically.

This happens when you get older, you know?

You just don't feel good for stupid reasons.

And we're getting older, you know, I'm getting older.

I've been doing this for a long time,

and sometimes things hurt, you know,

and things affect my...my asthma

and stuff like that, you know?

And everybody's gonna make fun of me for this.

Are you having a mental breakdown?

[all laughing]

[Aaron speaking]

You're having a mental breakdown.

[Zak] Maybe I am.

[Aaron] You picked the right moment.

That was great.

That was on TV.

[Aaron] I'm getting older. Goddamnit!

[laughing]

[speaking indistinctly]

Sometimes we're the only ones that listen.

[Zak] We don't know if you lived in the house before,

or you're connected to this movie

that we all watched, and we're scared of.

I had the clown that was in the bedroom with the little boy and...

I'm a huge fan of this movie.

And if you can hear me, let's have fun together.

Guys, look, we're alive right now,

but, you know, we know we're going to be on the other side someday too.

Can you move the doll?

Move the [bleep] doll.

Billy wants to now use the frequency generator,

which uses a physical coil to emit frequencies

that can stimulate emotions.

As we are getting ready to activate the device,

watch how the isolated video loop begins moving and undulating.

Then this large black mass moves through it,

causing the central image to also move.

All right, what I want to do now is shoot at

a frequency of 150 hertz, and anger is said to have

a vibrational frequency of 150 hertz,

which is associated with contraction.

So we're going to emit that vibrational frequency

through the glass table just like Jay said.

The glass will also resonate that frequency

at a larger vibration.

And we're going to see if it can affect anything

or stimulate anything from portals to manifestations

to our ITC experiments.

[low electrical hum playing]

Now watch as what we believe to be a long black arm

reaches up into the central loop image

and appears to extract the yellow part from the top.

And like Aaron says, the yolk of an egg.

What is that?

-Whoa. -What is that?

-[Zak] Whoa. What the hell? -[Aaron] Oh, my God.

It's like an egg dripping its yolk

down the [bleep] stairs or something.

[Billy] It's gone.

-Did you see that? -I saw that.

There was a black thing that came up here and, like,

touched it. And then the arm went away.

I don't know why, guys. I'd have to go upstairs to that room again.

[strange sounds playing]

What is that?

As I set my camera down in the kids' room,

I hear the strangest sound I've ever heard.

Jay also hears it from Nerve. Listen to this.

[strange sounds playing]

When we replay the sound, it's as if

an interdimensional door opens for like a quick moment.

[strange sounds playing]

What is that?

Downstairs, Aaron and Billy don't hear it,

but their equipment starts acting strange.

[Billy] Hey.

Oh, Aaron, why is that UV light doing that?

Hey, what was that UV light?

Your UV light just flashed on and flashed off.

-The one in front of me? -Yes.

And it was, hey, you know what's going on right now?

-Hey. What was that noise? -Yeah.

Dude, we didn't hear it down here.

Cole, you come here right now.

When I walked up there, it was just like, you know,

calm, quiet, everything.

And it was like for like five seconds,

it was like I heard like chattering.

It was like a quick terror in the spirit world.

It was like they just peeled it open real quick

-and let me hear something. -After we did the God frequency.

-Yeah, it was after the God frequency. -Yeah.

Something else happened that you don't know. Neither one of you know this.

This light is off right now, right?

Yeah, you said it kept going on and on.

It turned on, and then it turned off.

And I looked up, and I thought,

why is Aaron touching the light? But you weren't.

You were just standing back here.

I'm like, it reacted. Oh, it's giving me the chills, dude.

It was reacting to that frequency,

and it turned that light on.

And I looked up, expecting you, yeah, like that.

But look, it doesn't have an effect on that.

-It's when you did that... -It's when we did that frequency,

that specific frequency of 936 Hertz

and it changed the frequency.

It added a decimal point, it changed it on the machine.

[Zak] I decide to attach our SV7 spirit box directly

to the TV screen to see if the electromagnetic energy

from the old TV can amplify the spirit's energy source.

Let's just make sure this...

-[TV static blaring] -[bleep]

The TV volume suddenly blares,

scaring us all and knocking me back onto the carpet.

-[TV static blaring] -[bleep]

Can we hear you?

-Hello? -Hello?

-Hello? -Hello?

Can we hear you?

[voice speaking]

-Hello? Hello? -Hello?

Can you talk to us?

-[voice] Zak. -Zak!

Did you hear it say Zak?

It said Zak! Plain as day!

There was nothing that said hello?

Clearly said Zak!

Can you talk to us?

Zak?

Yes, that is me.

Can you tell me your name?

What are you doing in this house?

Tell me the name of the movie that was filmed here.

-Important. -Important?

-Important. -Important.

It might be a message that's trying to come through.

Tell me the name of the movie that was filmed here.

Important?

[Billy] It might be a message that's trying to come through.

[voice speaking indistinctly]

We capture this very creepy voice,

but don't understand the language.

Could this also be Native American?

[voice speaking indistinctly]

Where are you right now?

What was that flash? Give it again, everyone.

-What was that flash? -Wait, hey, hey.

You said, where are you right now?

And the light turned on for one split second.

-Flash. -It flashed.

-Hello. -Hello again.

It was like an older lady's voice.

[Zak] Who are these spirits that are suddenly greeting us?

We are getting crystal clear hellos

coming through the TV into our ITC device.

[female voice speaking]

-Hello. -Hello.

-Again. -That was like an older lady's voice.

[Zak] I know this sounds crazy, but the scene in the movie

is our reality right now.

With no further communication, Billy and I head back

to nerve center to start wrapping up the investigation.

Okay, so right now, Jay and Aaron are out back.

They are doing a ceremony, an offering

to the Native Americans.

Through the Chumash spirits and any other Native Americans

that were here first.

[Zak] This was their land, and before we end our investigation...

We want to give an offering of peace and respect.

A lot of time has gone by, and a lot of good people have been lost.

Please lift any kind of curse, and I hope you can find peace

and move on.

And this investigation was absolutely...

incredible.

Um...

Oh. Oh, my God.

[bleep] Did you just see that?

-What the [bleep]? -Hold on, let me roll this camera.

Are you kidding me right now?

-Oh, my God, dude. [bleep] -Shh. Wait, wait, wait, wait.

-Oh, my, you saw that, right? -Yeah, I watched it.

-So we both saw that on screen, right? -Yup.

-Right? -Yeah, and that camera right there for sure caught it.

This investigation was absolutely incredible.

Um...

My heart is racing right now.

That was [bleep] awesome, dude.

-Is that camera on? -Yes.

-It is? -Yes.

-We have two angles left. -Oh, great.

Holy [bleep]. We saw that at the same time.

We were wrapping up...

-I wasn't expecting it. -And the doll just fell over.

-Hey. -[Aaron] What?

-The doll just [bleep]... -I swear to God, come up...

-Are you serious? -Me and Billy were at nerve.

-Come here. -[Aaron] Coming.

[Zak] We did not have high expectations

for this house being this active.

And we also capture the doll falling on this X camera as well.

And this investigation was absolutely

incredible.

Um...

Oh.

...incredible. Um...

Oh.

This was captured on two separate cameras.

And throughout the night, I asked the spirits

multiple times to move this doll.

Can you move the doll in the room?

[on speaker] Can you move the doll?

Move the [bleep] doll.

-...incredible. Um... -Oh...

My God.

[bleep] Did you just see that?

What the [bleep]?

Hold on, let me roll the camera. Are you kidding me right now?

[Zak] With our investigation complete,

we head back to Vegas to do a full analysis of our evidence.

I know. This looks strange.

You just saw us in night vision,

and now we're actually stuck in the television set.

Lockdown ended really weird for us.

Here we are, and we don't know how to get out.

I just see a screen. Carol Anne, are you here?

Can you help us?

We want to get out.

Ladies and gentlemen, I did not know what to expect.

We went into this investigation

very skeptical of an actual haunting because the house

is based upon a fictionalized movie

dealing with fictional ghosts.

However, knowing that there was some truth

to that movie's storyline and the backstory,

of these Native American grounds.

And then us validating that with elders of the Chumash

made us realize, wow, this curse could be

very real.

And once we started digging into the history of the house,

the family that lived there, the three deaths,

what's going on with the current owner,

I don't think any of us expected the sensation

that we felt when we walked inside

this house.

The activity started and it never ended.

The scientific evidence that we documented,

the EMF readings, the anomalies,

the visual, the poltergeist activity,

the doll that you just saw,

it fell by itself

after it was sitting there

all night.

...incredible. Um...

Oh, my God.

The voices, the intelligence.

What are we dealing with?

We are just as shocked as you are.

And we are flying back Jill,

the psychic medium advisor

who worked with the director on the oltergeist films.

She has something she wants to show us,

something she captured while she visited us for her interview.

But I also have something that I wanna show her.

-Jill. -Yes, Zak.

Considering the movie, where does it feel like we're at?

-Inside the TV? -Yeah.

-Oh, that's cool. -I know you're here.

I know you flew back here because there's something

that you want to show us.

Yes. I really want everybody to see this.

My daughter took this photo.

She took a picture of me standing there pointing to the TV.

How can that TV reflect or go through,

transistently through me, the screen of the television?

[Zak] I don't know if it's just me, but do you see that face right there?

[Jill] Yes. Yeah, they said that. They said they saw the face, too.

-[Zak] This is weird. -You're not the only one that's seen this.

-Hang on a second. Billy? -Yes.

Didn't I send you, like, 10 or 12 photos

-of this same exact position? -Yep.

-Is that on your phone? -Yeah, you want to see them?

Come here for a second, and let me see those.

Let me compare this real quick.

-So this is what I don't understand. -Okay.

-You and I posed in the same exact position. -Right.

-And also took photos. -Right.

And Billy was moving around a little bit.

Different angles.

[Billy] Trying to get different, you know, angles.

[Zak] But you don't ever see that in any other pictures.

-Why is that? -That is weird.

[Jill] Because I'm the one that asked for the spirit to come to me.

[Zak] This is yet another interesting photo that,

through a series of other photos taken in the same

exact position, we had a hard time to debunk.

If this is paranormal, could this be a message from beyond?

And is this the chosen communication device?

But now, ladies and gentlemen, comes the time

that I present my special piece

of film history, a piece of film history

that Jill has a personal connection to.

Okay, so the TV was the focal point in the film.

-Absolutely. -But there was another object

that was a terrifying item

for the film, an item that was possessed.

And with that said, I have something that I...

-want to show you. -Okay.

Jill, follow me. Keep your eyes covered.

-They're covered. -And keep them closed.

-They're closed. They're closed. -So walk with me.

We're going to walk right here, okay?

I'm going to move back.

On the count of three, we're going to open your eyes, okay?

-Okay. -One, two, three.

Oh, my God!

Oh, my God.

[Zak] This was used in all their big scenes.

I acquired that from Planet Hollywood here in Las Vegas.

-I had it on display, I think, for a good 20 years. -Wow.

-The spirit is real. -What spirit?

Inside this clown, the spirit can get in and out.

Oh, my God. You're real.

-You're detecting a spirit in the doll? -Yes.

Are you really bad?

Now I'm hearing him say, I was told to act bad, to be bad.

-[Zak] Who's telling you to act bad? -The spirit, it's in there.

It's not the material.

The spirit's inside is around and all around the material.

I can almost, I can see like a little bit of an aura around.

Just here up, not the legs, but just here up.

And I'm seeing, and it's talking to me.

Oh, my God.

Oh, my God, you're real.

[Zak] Do you think that Poltergeist was cursed?

-It had curses. -Could objects from the film,

particularly the clown, which is probably

the scariest part of Poltergeist, ould artifacts,

props from the film, could they have absorbed

pieces or residual traces

of that curse or the spirits

from the people that played in the film?

Because you said when you first saw it, you had a big reaction.

And you said there was a spirit inside of it.

Why would you think something like this would be a vessel for a spirit?

Because that was his purpose. His purpose was to be scary.

Interesting to me it called itself an actor.

[Zak] We find it extremely interesting that Jill presents

the idea that an actor from the film is attached to the doll.

I wish we knew which one.

We now head to meet the owner of the oltergeist house,

Rachel, to analyze our findings with her.

Rachel, we didn't know what to expect going into

this investigation.

Is this curse real?

And we thought it was very important for you to come back

and see what we captured inside the house you now own.

Billy, take it away.

When we were in this room here and we were using the XLS camera,

this appeared over top of Zak.

[Zak] It's free floating. You see it's nothing behind it.

Now it's putting its hand over my head.

It's hovering over the TV, and then it vanishes.

-Just like that. -[Billy] And that was it.

It was just gone.

-That TV is an older vintage TV. -It is, yeah.

So it bleeds a lot of EMF, okay?

-Which provides for the spirits. -Yeah.

Zak, were you touching the TV at this point?

-You were, right? -I believe so.

Is it reaching to touch you to touch the TV?

Because you were feeling the static and the energy from the TV.

-Let's move to the next one. -[Billy] All right.

We're looking at a full spectrum camera.

This camera sees into the ultraviolet spectrum

as well as visible light and infrared.

It captured a mist.

It's a weird shape. That is not any type of flying insect.

That is not a dust particle.

-No. -No.

It grows in size as it goes up into the air.

-Wait a minute, Billy, do me a favor. -Yeah.

Go frame by frame.

Keep going. Stop.

-I don't know if that's just [bleep]. -There's light there.

Rachel is pointing to the same interesting attribute

of the mist anomaly that caught my eye during this review.

It appears as though there are tiny dots of illumination

within the slightly larger mist form.

What's wild is it's coming out of the ground.

And what do we know about the ground?

That backs up the theory that all this is coming from the ground.

-Right there. -Oh, [bleep], I didn't even think of that.

-Yeah. -It's literally right there in the floor.

-The whole house is on the ground. -Yeah.

So this is interesting. Let's move on to the next piece.

[Billy] Okay.

-This right here is... -This one is messing with my head.

[Zak] This is weird. Go ahead, Billy.

I can't figure out what this is.

In the backyard, there's no light contamination at all.

-Correct. Okay. -Let me just play this.

[Zak] Watch very closely.

See something there and then a light there.

See something there, and then a light.

Watch the bottom, boom, and then the light.

-This is glass, right? -Yes, it's all glass.

-Then why wouldn't we see the light here? -Exactly.

-And it only starts here. -Right.

But that's a very clearly defined light going down.

[Billy] The light is what's driving me nuts.

[Zak] There are no roads or any public views whatsoever

in the backyard.

This is not a car or any explainable source.

All right, next.

Now we're in the kids' room, and we're using the Polterpod.

[static]

[voice speaking indistinctly on device]

-Do you hear that? -Yeah, but what is it?

-We don't know. -Can you make it out?

No, but what I will say is when we were using the Polterpod in there,

Aaron was using it for how long before this happened?

-30 minutes. -And there was nothing that whole time.

Not a speck of a single voice.

Absolutely nothing.

And then all of a sudden, this crystal clear voice

comes out of nowhere and says something

that I think is Native American.

[speaking indistinctly]

-That gives you chills, doesn't it? -It does.

So we tried and tried and tried.

If anybody recognizes this voice from any culture,

any language at all, post something online.

-We will look. Help us. -Yeah.

I think that is important because of how long

-it took for us to get that voice. -Yeah.

-We didn't get any more voices after that. -[Aaron] Right.

So it was like, Okay, let's change to another device.

The APFD processor.

[static playing]

Did you see a little girl?

You hear it right there?

Did you see a little girl?

So it's a female-type sound.

[static playing]

And the interesting part is before we even began

our investigation, we started hearing

some female-type sounds, real low, faint,

but we could hear them coming from this room.

-Okay, go ahead, next piece. -Okay, same device.

Is your little girl there?

[static playing]

After 35 minutes, we're getting...

-There are several things there. -There's three things.

Zak asked the question, is there a little girl here?

-[Rachel] Mm-hmm. -And right after that, a voice says, no.

And then there's a pause, and another voice,

a different voice, says, she left.

And then Zak starts talking.

Hmm.

-And then-- -And then, it says, a little girl says, daddy?

Is there a little girl there?

[voice speaking]

-After 35 minutes, we're getting... -[gasps]

Daddy?

-Wow. -So here's the... We heard that in real time.

-Yeah. -Is there a little girl there?

[voice speaking]

After 35 minutes, we're getting...

-Do you hear it, Rachel? -That gave me goosebumps.

Okay.

I thought that was a crazy communication session.

It literally answered your question like that.

-You asked the question and said no. -Really?

So it's interacting.

-It is interacting. -And it's intelligent.

And that's a good point you make.

It is interacting intelligently.

-So they're hearing us. -We're hearing them.

There's your established interaction.

And that's what this all comes down to.

We are now ready to review the sound that we captured upstairs.

I've been investigating for a very long time, Rachel.

And what I heard was one of the strangest,

most disturbing things.

It wasn't that I even just heard it.

I felt it.

It was like a shock that came out of it.

This is an upstairs noise. We have no idea where

-the sound came from, but it was in the air. -Hmm.

[strange sounds playing]

-What is that? -What is that?

-Have you ever heard anything like that? -No.

And it's talking.

It's... There's conversation in there.

Isn't that strange?

It's very strange.

[unexplained sounds playing]

Okay, so now this is where

[bleep] really started to hit the fan.

-Can we hear you? - pulsed static playing]

[voice] Hello.

-Hello? -Hello?

[Billy] You know, what's weird?

When you're planning on this, I hear, like, help,

which is scarier, honestly.

Play it again.

-Hello? -Hello?

-Now I'm hearing that. -[Zak] What?

It sounds like "Help."

Hello?

Okay, let's move on to the next one.

-Hello? -Hello?

-Hello? -Again?

-[all laughing] -You can tell how amped we are.

Some people tell me, oh, don't get so excited.

-I'm not listening to you. -You guys are excited.

But that did sound more like a hello.

-Yeah. -That one did.

This one.

Hello?

-Hello? -Hello?

We now begin reviewing the Polaroids that Aaron took.

I would say there's at least 100 that are easy.

After all that, I got three pictures that have something on it.

The first one is a strange light anomaly

that's coming from Zak.

In all the other photos, there is no weird light anomalies

like this that wrap around his body.

And I will say, in this exact moment

when this photo was taken,

I stood in that same position the entire time,

absolutely still.

We are now ready to review the footage

of Heather O'Rourke's doll falling off the bookcase.

At the beginning of the night,

we placed the doll on a bookcase

along with a baby monitor, which I used to ask the doll

to move.

Can you move the doll in the room?

Can you move the doll?

Move the [bleep] doll.

At this point, it was the end of the night.

Hours had passed when something incredible happened.

I want you to watch what happens to this doll.

Oh.

Oh, my God.

-And that's been sitting there all night. -All night.

It's been sitting there all night.

Now the question is, did it just fall over

due to gravity, or did something influence it to fall?

Go back to it.

Yeah, that doll was stationary.

What is that glowing on it? Is there something in its hair?

-Oh, yeah, right there. I see that. -But then it goes away.

-It just went away. -Are you serious?

-It's not moving. -It goes away.

-It just went away. -It stopped glowing.

[Zak] It isn't until now that we make this discovery

of a strange glowing light right here in her hair

that then slowly dims to dark.

What the [bleep] is that?

Dude.

How in the hell?

And it's not some battery in the thing because it's old.

-There's no electronics in it at all. -From the '80s.

-There aren't any electronics in it at all. -No.

It's like that little light that was outside the window.

-Outside the window. -But the light goes away.

-Maybe it's like the energy-- -Did you see that?

-I did. -What is your take on that?

My initial take on it is that it came down

-almost as if it were dragged. -Right.

-Right. -But the light...

-It went away. -It goes away.

-Well, Rachel. -Well.

What do you think? Is this poltergeist activity

that we captured in the Poltergeist ouse?

-It's very strange. -We never expected this.

-Never. -I never expected this.

It has these weird little lights in it.

[Zak] This film altered my childhood.

I never thought I would be able to dive deep

into the strange curse as an adult.

My childhood fear...

is more real now than ever before.