All language subtitles for Twin Peaks Fire Walk With Me Extended Blue Rose Cut-eng

No!

Get me Agent Chester Desmond

out in Fargo, North Dakota.

James, come over here and help out.

The phone.

Hello.

Chet, I'm calling you
from Portland, Oregon.

It's Regional Bureau Chief
Gordon Cole

calling from Portland, Oregon.

- Okay, Gordon.
- Oregon.

I got a girl that's been murdered.
Seventeen years old.

Named Teresa Banks.

Chet, I've got a surprise for you.

Something interesting
I would like to show you.

Arrangements are being made,

and I will meet you
at the private Portland airport.

Okay, Gordon.

Thanks.

- Chet, good to see you.
- Gordon.

Chet, give Sam Stanley
the glad hand.

He's come over from Spokane.

It's a pleasure.
I've heard a lot about you.

Sam's the man
who cracked the Whiteman case.

Congratulations.

I heard about that.

Chet, your surprise.

Her name is Lil.

She's my mother's sister's girl.

Federal?

Good luck, Chet.

Sam, you stick with Chet.

He's got his own MO,
modus operandi.

You fellas can reach me
in the Philadelphia offices.

I'm flying out today.

That really was something
with the dancing girl, wasn't it?

What exactly did that mean?

I'll explain it to you.

Remember Lil
was wearing a sour face.

What do you mean?

Her face had a sour look on it.

We're gonna have problems
with the local authorities.

They're not gonna be receptive
to the FBI.

Both eyes blinking
means trouble higher up,

the eyes of the local authority.

A sheriff and a deputy
would be my guess.

If you noticed,
she had one hand in her pocket,

which means
they were hiding something,

and the other hand made into a fist,

which means
they're gonna be belligerent.

Lil was walking in place,

which means there's gonna
be a lot of legwork involved.

Cole said Lil was
"his mother's sister's girl."

Now, what's missing
in that sentence?

The uncle.

Not Cole's uncle, but probably
the sheriff's uncle is in federal prison.

Let me ask you something, Stanley.

Did you notice anything
about the dress?

The dress was altered to fit her.

I noticed a different colored thread
where the dress was taken in.

Gordon said you were good.

A tailored dress
is our code for drugs.

Oh.

You notice what was pinned to it?

A blue rose?

Good.

But I can't tell you about that.

You can't?

No, I can't.

Good afternoon.
Federal Bureau of Investigation.

Special Agent Chet Desmond.

I'd like to see Sheriff Cable, please.

Why don't you have a seat
over there with your partner?

Go ahead, make yourself at home.

Because it's gonna be a while.

Why don't you have some coffee?
Go ahead.

It was fresh about two days ago.

All right, I've had enough
of the waiting room now.

Oh, is that so?

You can start
that fresh pot of coffee right now.

- How did you get in here?
- Federal Bureau of Investigation.

Special Agent Chet Desmond.

I'm here to investigate
the murder of Teresa Banks.

Well, little fella,

we don't need any
outside help around here.

I don't like you people sniffing
around my neck of the woods.

In fact, when the state boys called me
about a J. Edgar coming up here,

I think I said:

"So what?"

It's all right, deputy.

Sheriff Cable
can handle it from here.

Cliff.

Your behavior is not funny,

and it's wasting the time
of the federal government.

You're lucky I'm not wasting you.

Well, little fella,
let me put it this way.

The operative word here
would be "federal."

I am now ordering you to release
all pertinent information

concerning Teresa Banks,
both while living and deceased.

A basic kill.

Banks was a drifter
and nobody knew her.

Where's the body?

It's out back in our morgue.

It's 4:30. We close at 5.

We have our own clock.
We'll lock up.

You know, Agent Desmond,

I figure this whole office,
furniture included,

is worth 27,000 dollars.

Teresa Banks.

Teresa Banks lived at the
Fat Trout Trailer Park for a month.

We'll check that.

Yeah.

Worked as a waitress
at Hap's Diner.

Worked the night shift.

Good place for dinner
when we're through here, Sam.

Yes.

No one came to claim the body.

No known next of kin.

Crushed skull.

Probable cause: repeated blows
to the back of the head

by a blunt, obtuse-angled object.

I wonder where her ring is.

Personal effects include
a watch, undergarment,

pink waitress uniform.

The ring's missing.

There seems to be
an interesting contusion

under the ring finger
of the left hand.

Accidental?

Agent Desmond,

could you hold the finger
for me, please?

There's something in there.

What is it?

It's a piece of white paper

with the letter "T" imprinted on it.
Come here, take a look.

Agent Desmond,
it's 3:30 in the morning.

Where are we going to sleep?

We're not.

You and I are gonna get some food.

Had the FBI here once before,

back in the '50s when Hap
was running the place.

- Where's Hap?
- He's dead. Good and dead.

Sorry to hear that.

Ah, he didn't suffer.

I'd like to ask you some questions
about Teresa Banks.

Sheriff Cable already asked me
a few questions about Teresa Banks.

She worked nights for a month.
That's it.

Any friends?

No.

Did you ever see her
with someone else?

No.

Did she ever mention any friends?

No. Ask Irene about that.

Now, Irene is her name,
and it is night.

Don't take it any further than that.

There's nothing good about it.

Thank you, Jack.

How's that goddamn light going?

Federal Bureau of Investigation,
Special Agent Chet Desmond.

I'd like to ask you a few questions
about Teresa Banks.

Jack said you knew her.

How well?

She only worked here a month.

Nice girl.

Never seemed to get here
on time, though.

You ask me,
she had a little problem with:

Did you ever see Teresa Banks
take cocaine?

No.

Do you ever take cocaine, Irene?

No, I do not.

I never took cocaine
or any other drug.

I don't take drugs.

Nicotine's a drug.

Caffeine's a drug.

Who's the toe-head?

Those drugs are legal.

He's with me.

Is there anything you'd like to tell us
about Teresa that might help us out?

I've been thinking about that.

If you ask me, her
death was what you'd call

a freak accident.

Thanks.

Are you talking about that little girl
that got murdered?

You got something to tell us?

I know shit from Shinola.

Agent Desmond, do you think
we should question him?

What time is it, Stanley?

It's late, Sam.

It's late, man. Hey, take... I'm sorry.

It's early. It's really early.

You know, I never told anybody this,

but once for about three
days, just before her time,

Teresa's arm went completely dead.

What do you mean?

Her left arm.

It was numb.

She said she couldn't use it.

Probably those drugs
she was taking.

I just thought I ought to tell you.

Thanks.

Are you talking about that little girl
that got murdered?

I doubt it was a drug problem.

It was probably a nerve problem.

I could recheck the arm for injuries,

but I'd have to take the body back to
Portland to do some real nerve work.

I think that's a good idea, Sam.

Irene?

We'd like to order
some food, please.

You wanna hear about our specials?

We don't have any.

What?

What is it?

- What?
- Nine.

Can't you read?

It's really late. Or really early.

Damn, this better be important.

Federal Bureau of Investigation.

Special Agent Chet Desmond,
Agent Sam Stanley.

Sorry to disturb you, but we need
to see Teresa Banks' trailer, please.

Oh, shit.

That goddamn trailer is more popular
than Uncle's Day in a whorehouse.

You see what I mean?

It just means
more shit I gotta do now.

Damn it.

Everything's exactly like she left it.

I haven't touched a goddamn thing.

God.

Take a look at this.

She's got the ring on.

I'm gonna make myself
a cup of good morning America.

Y'all want some?

Here you go, boys.

- Hey, thanks.
- Good morning America.

Thank you.

- Ahem. You weren't kidding, man.
- Heh, heh.

This stuff's got the sting
of the 48-hour blend.

Ha-ha-ha. That's right.
It's the best goddamn coffee

you're gonna get anywhere, buddy.

We sure do need a good wake-me-up,
don't we, Agent Desmond?

We need a wake-me-up,
don't we, Agent Desmond?

- Yeah, we do, Sam. Ahem.
Ha-ha-ha.

Mm.

Did you know Teresa Banks?

You see, I've already gone places.

I...

I ju...

I just wanna stay where I am.

What the hell
is that thing doing out there?

You're not taking that body
anywhere.

We're taking the body
back to Portland.

There's not a thing
you can do about it.

Teresa Banks had a ring.

Any idea what happened to it?

We got a phone here.
That's got a little ring.

Try that, you little monkey.

I think I'll just take this
badge off, J. Edgar, if you don't mind.

The only way you're gonna get
that body out of here

is over mine.

I think I'll take off my badge as well.

Come on.

This one's coming from J. Edgar.

Who's next?

That was very proficient,
Agent Desmond.

Take the van
back to Portland, Stanley.

I'm gonna take one more look
at the trailer park.

Agent Desmond,

one thing has been troubling me:
the blue rose.

You're going back to the trailer park
for the blue rose.

That's Deputy Cliff's trailer right there,
by that red truck.

- That's his truck too.
- Right.

Now, Teresa Bank's trailer's
over here.

Right where we left it.

Where's my goddamn hot water?

Do you see what I mean?

Ahem. I'll be in my trailer,
if you need me.

- Hot water, Carl.
- I wanna get you some Valium.

Diane,

you haven't changed your hair,

and I've seen
that beautiful dress before,

but I must say,
you look sensational today.

No, I am not trying to buy time.

It's Thursday, and you have changed
something in this room,

and this time,
you've done very well. Very well.

But I am going to tell you
exactly what it is

in a moment.

You have changed...

Got it. Diane, you've moved
that clock 12 inches to the left.

Ah, yes, another triumph
for the dashing Agent Cooper.

And now, Diane,
you must clean the coffee cups,

get fresh ground coffee from Sally,

and make a damn great
pot of coffee.

Gordon, it's 10:10 a.m.
on February 16th.

I was worried about today
because of the dream I told you about.

Mr. Jeffries?

Here's your key, Mr. Jeffries.

I hope you enjoy your stay here
at the Palm Deluxe.

Oh.

Do you have a Miss Judy
staying here by any chance?

This is for you.

The young lady, she left it for you.

Good day, señor. How are you?

Gordon.

Gordon?

Gordon?

Phillip, is that you?

- Phillip.
- Phillip?

Cooper, meet the
long-lost Phillip Jeffries.

You may have heard of him
at the academy.

Well, now, I'm not
gonna talk about Judy.

In fact, we're not gonna talk
about Judy at all.

- Gordon?
- I know, Coop. Stand fast.

Who do you think that is there?

Suffered some bumps
on the old noggin, eh, Phil?

What the hell did he say, Albert?

That's Special Agent Dale Cooper.

Where in the hell
have you been, Jeffries?

I sure as hell
want to tell you everything,

but I ain't got a whole lot to go on.

But I will tell you one little bitty thing.

Judy is positive about this.

Interesting. Thought we were
gonna leave Judy out of it.

Albert.

Sit down, Jeffries.

Hey, listen.

Listen up and listen carefully.

I've been to one of their meetings.

It was above a convenience store.

Whose meeting?

Where have you been?

Jeffries, you've been gone
damn near two years.

It was a dream.

We live inside a dream.

And it's raining Post Toasties.

Hell, God, baby, damn, no.

I found something
in Seattle at Judy's.

And then there they were.

And they sat quietly for hours.

And I followed.

Ring.

The ring.

Albert,
I'll take that second mineral water.

Phillip, let's calm down here,

and get all this
interesting story on paper.

Hello? Hello?

Hello? Give me some good news.

Cooper, the device has gone faulty.

Can anybody hear me?

Mayday. Mayday.

May.

February,

1989.

What, am I alone in here?

- He's gone.
- What?

He's gone!

He's gone!
Albert, call the front desk!

I've got the front desk now.
He was never here.

And news from Deer Meadow.

Agent Chester Desmond has disappeared.

Gordon,

what's going on?

Oh, Mr. Jeffries.
Oh, the shit, it come out of my ass.

Santa Maria, where did you go?

Are you the man?

Are you the man?

He was here.

But where did he go,

and where is Chester Desmond?

Well, Agent Desmond wanted to check
out the trailer court one more time.

He asked me to drive the van with
the body back to Portland, which I did.

It was 105 miles.

Anything else?

Did Gordon show you
a woman named Lil?

Stanley, I'm up to speed.

Agent Desmond never did explain
to me what the Blue Rose meant.

Neither will I.

Well, all right.

You know, I really did like
Agent Desmond. He had his own MO.

Oh, I cracked the Whitman case
with a machine like this.

- Stanley, I heard about it.
- They never would've found

the splinters without a machine
like this. Wanna know why?

- No one else had a machine like this.
- Tell me about the letters.

Oh. Well, look in here.

Right there.

Agent Desmond and I found that
under Teresa Banks' ring fingernail.

No one found the ring?

No, sir, we did not.

Sam Stanley.

If you ever need me.

That's her trailer over there,
and I never touched a goddamn thing.

Agent Chet Desmond
come by a second time

and asked to see
Deputy Cliff Howard's trailer over here,

which I showed him.

Then I went back to my trailer,
and after that, never saw him again.

Thank you, Carl.

- Sorry to wake you.
- It's all right.

I was having a bad dream, anyway.

That's not the way out
to Deputy Cliff's trailer, I told you.

I'm not going to Deputy Cliff's trailer.

Well, where the hell are you going?

I'm going over here.

What's over there?

Goddamn,
these people are confusing.

What are you looking for?

What was here, Mr. Rodd?

Well, a trailer was here.
What the hell do you think?

Can you tell me whose trailer it was
and who stayed in it?

An old woman and her grandson.

Can you tell me
what their names were?

Chalfont.

As a matter of fact,

Chalfont was the name of the people
that rented this space before.

Two Chalfonts.

Weird, huh?

Is that Agent Desmond's vehicle?

Yep. Sure is.

Diane, it's 4:20 p.m.

I'm standing here at Wind River,
near the location

where the body
of Teresa Banks was found.

Diane, this case
gives me a strange feeling.

Not only has Special Agent Chester
Desmond disappeared without a trace,

but this is one of Cole's
blue rose cases.

The clues that were found by Special
Agent Desmond and Agent Stanley

have led to dead ends.

The letter that was extracted from
beneath the fingernail of Teresa Banks

gives me the feeling
that the killer will strike again.

But like the song goes,
who knows where or when?

Donna.

Just a minute, Laura.

Hi.

- Bobby, the football?
- Yeah, the football.

The football's half-empty.

Where's the other half
of the coke?

What are you talking about?

Don't play games with me, man.

We either got to have
half that coke or half the money.

We owe Leo $5,000.

Relax, Mike.

It's not funny, sonny.

Look, snake, I have
the coke, all right?

Yeah, you better have it.

Here they come.

Want a ride?
We're all gonna bear our 'cudas.

No thanks, Bobby. We want to walk.

We weren't going to school
right away anyway.

Hey, Donna, I'll walk with you.

I'm walking with Laura.

That's what I like about you.
You're tough to handle.

That's why you need
a real man like me.

Yeah, Mike. You're the real man.

That's right, I am the man.

Mike is the man.

- Mike is the man.
- Is the man.

Laura Palmer,
I'll see you later.

Laura.

See you in a sec.

Hey, baby.

Just kiss me.

It does matter.

We're in love.

James, you don't know
what you're talking about.

Quit trying to hold on so tight.

I'm gone.

Long gone.

Like a turkey in the corn.

You're not a turkey.

A turkey's one of the
dumbest birds on Earth.

Gobble, gobble, gobble.

Don't ever leave.

Laura, don't ever leave.

I'll never leave you.

Hey, where were you for the last hour?
I've been looking all over for you.

I was standing right behind you,
but you're too dumb to turn around.

If he turned around,
he might get dizzy and fall down.

Where were you?

I'm not kidding around.

Who were you with?

Get lost, Bobby.

Oh, yeah?

You'll be calling soon
and maybe I won't be around.

Come on, Bobby.

Come on.

Just a little one?

Come on.

Love you, babe.

Are you gonna see James tonight?

Why are you suddenly so interested
in who I'm going to see at night?

Nighttime is my time.

You're telling me.

That's only because
you won't let me in on any of it.

You're not gonna see Bobby,
are you?

Maybe.

My God, Laura.

Well, why not?

Because Bobby is a loser.
You said so yourself.

He's a goon.

James is the one.

He loves you
with that everlasting love.

True love.

Yes, James is very sweet.

Why don't you get out
your violin, Donna?

"Sweet"?

God, he's gorgeous.

Yes, James is very
sweet and very gorgeous.

I wonder if Mike
could ever write a poem.

Do you think
that if you were falling in space

that you would slow down
after a while or go faster and faster?

Faster and faster.

And for a long time,
you wouldn't feel anything.

And then you'd burst into fire.

Forever.

And the angels wouldn't help you.

Because they've all gone away.

Mom?

Cigarette. Cigarette, cigarette.

Uh, Mom, can I borrow the car?

- Sure. What is the hurry?
- Oh.

- I forgot my books.
- Oh.

Ugh. Laura.

What?

Laura.

You will never be a smoker
if you don't start.

I mean it.

- Okay.
- Okay.

Laura.

My secret diary,
there are pages missing.

Well, who would do that?

Bob.

But Bob is not real.

There are pages torn out.
That is real, Harold.

Okay, okay, well, maybe, maybe.
Okay.

Bob is real.

He's been having me
since I was 12.

And the diary was hidden too well.

There is no other person
who could've known where it was.

He comes in
through my window at night.

He's real.

He's getting to know me now.

He speaks to me.

What does Bob say?

He says he wants
to be me or he'll kill me.

- No. No.
- Yes.

Yes.

What? What? Please, what?

Fire walk with me.

Me.

Oh, the trees.

The trees.

You have to hide the diary, Harold.

You made me write it all down.

He doesn't know about you.

You'll be safe.

I'm sorry.

Laura.

What?

I don't know when I can come back.

Maybe never.

Laura.

You lied to me

about those schoolbooks.

Laura,

I found them upstairs on your bed.

What were you doing in my room?

I was looking for my blue sweater
you borrowed,

which I found balled up
on the bottom of your closet.

Now, why did you lie to me?

And where the hell were you, Laura?

I had to see Bobby.

I know you don't like Bobby.

But there was a problem, and I just
didn't think that you would understand.

Oh, honey.

You don't have to lie to me ever.

You can tell me anything.
I will understand.

I'm sorry, Mom.

Okay.

Go on. Hurry up.

Dinner's about ready.

Your father says he's starving.

Hello, Sarah. Hello, Laura.

Where's my ax?

I'm hungry!

Oh, Leland.

Dad.

- What?
- Heh.

The Norwegians
are coming next week,

and I'd like you both to learn something
that I just learned in Norwegian.

I'd like you both to learn to say:

"Hello. How are you?
My name is Leland Palmer."

But my name isn't Leland Palmer.

Neither is mine. Can't we talk about
something serious for a change?

This is serious, my dear.

Mr. Benjamin Horne is expecting

a delegation of Norwegians
in town next week,

and I'd like you both
to be able to introduce yourself.

Now, Sarah, you first.

Ready?

What?

- Leland Palmer.
- Sarah. Sarah Palmer.

Okay, honey, now... That's very good.
We'll practice some more.

You try it, okay?

Laura Palmer.

Okay. All together now.

Hold hands.

A little bow. A little formal bow.

That's my girls. That's my girls.

Oh, my.

Oh, Sarah.

- Friend of Leo's, right?
- Yeah.

Power and the glory.

Hey, wait. Uh, I thought Leo said
this was my party.

If you can fuck and drive,
the party starts right now.

You shift that one.

This one's mine.

I want to taste through your mouth.

Lately, I've been filled
with the knowledge

that the killer will strike again.

But because it is just a feeling,
I am powerless to stop it.

One more thing, Albert.

When the next murder happens,

you will help me solve it.

Let's test it for the record.

Will the next victim
be a man or a woman?

A woman.

All right.

What color hair will she have?

Blond.

Tell me some other things
about her.

She's in high school.

She is sexually active.

She's using drugs.

She's crying out for help.

Well, damn,
that really narrows it down.

You're talking about half
the high school girls in America.

What's she doing right now?

She's preparing
a great abundance of food.

- Here you go.
- Thank you.

Thank you.

Heidi has a bloody nose.

A bloody nose?

Do you think you could give Laura
a hand with the Meals on Wheels?

Uh, I'm really busy, Norma.

You're not that busy.

I changed my mind.
I don't want any coffee, Eddie.

Nadine!

Sorry, Norma.

This would look nice on your wall.

- Shelly?
- Yeah?

Um, I can't do the Meals on Wheels today.

I... I just... I just can't.

What?

Oh, my God. Oh, my God.

No. No. No. No, no, no. No.

No. No. No.

No, not him.

No. No, it's not him. It's not...

It's not... No, it's not him. No.

Laura.

Donna, are you...?

Are you my...?

Are you my best friend?

Of course.

What is it, Laura? What's wrong?

I'm your friend always.

Come on.

Do you wanna talk?

No, I wanna smoke.

I'm really in a mess today too.

I'm thinking about doing it with Mike.

Mike's the man, right?

Well, what do you think?

Donna, you're such a crack-up.

You don't even like Mike.

Is this way your way of showing to me
that you're not uptight?

This is about sex, not like.

Mom, Laura's here,

and I think I'll have
one of those huckleberry muffins.

You want a muffin?

If I can smoke it.

Do you want a muffin?

Donna, you are a muffin.

Ipso facto.

The red rose.

Where's the red rose?

Oh, that's so embarrassing.

You know the light
at Sparkwood and 21?

It worked right there.
I just did it right there.

Why is it you can't smoke
in your home,

I'm a doctor and don't allow smoking
in my home,

and I let you smoke in my home?

- Because you love me so much?
Heh-heh.

I do love you,

you little smoking whippersnapper.

I want you to know that I put seven
whole huckleberries in each muffin.

Mm.

What the hell is this?

It's a prescription.

Uh, this isn't a prescription.

It's a secret message for Laura.

"The angels will return,

and when you see the one
that's meant to help you,

you will weep with joy."

I'll get it.

Hello?

Yeah, she's right here, Leland.

Laura, it's for you. It's your father.

Hello?

Okay.

I gotta go home.

I'll walk you out.

See you tomorrow.

Okay.

Bye, sweetie.

You okay?

Goodbye, muffin.

No, you're the muffin.

No, Donna, you're right.

I'm the muffin!

Hi, honey.

How's Donna?

Fine.

School?

School's fine.

Sit down.

Are you hungry?

Not really.

Hmm.

You didn't wash your hands before
you sat down to dinner, did you?

Let me see.

Dad.

Oh, these hands are filthy.

Look.

There's dirt
way under this fingernail.

- Leland, what are you doing?
- Look at this finger.

- Leland...
- Laura did not wash her hands

before dinner.

- Oh, look at this.
- Don't.

Oh.

Is it from a lover?

Did you get this from your lover?

They don't call them "lovers"
in high school, Leland.

Bobby didn't give you this.

How do you know that Bobby
didn't give her that?

Did Bobby give you this?

Or is there someone new?

Leland.

Leave her alone. Don't do that.
She doesn't like that.

How do you know what she likes?

Stop it!

Stop it!

Now, you sit down,

and we'll all have dinner.

Oh, I'll sit down.

But not a one of us
is going to start eating

until Laura washes her hands.

Wash your hands.

What is it, Leland?

Laura, honey.

I love you.

I love you so much.

Dad.

Good night, princess.

Is it true?

Don't take the ring, Laura.

Don't take the ring.

My name is Annie.

I've been with Dale and Laura.

The good Dale is in the
lodge, and he can't leave.

Write it in your diary.

Where were you last night?

I thought we were supposed to get together.

You're on something again, huh?

James...

So when will I get to see you?

I gotta go.

Ooh. You see what we can do?

- Ooh.
- No.

I want to taste through your mouth.

Laura!

Now I can't find my blue sweater.
Did you take it again?

- Mom.
- What?

What are you wearing?

Oh, no. Oh, no. Oh, no.

Mom.

- Oh, no.
- Mom.

Oh, no.

- Mom.
- It's happening again.

- No, it's...
- It's happening again.

- No. No, it's not. Just sit down.
- It's happening again.

Someone who knows how to clean

knows where the object was
before she started cleaning,

and then that object goes back
to the same exact spot.

Shelly, I know where everything
in this house is.

Sometimes on the road, I mentally
go through this whole house

and picture where every item is.

Lay off the bennies, Leo.

Anybody can clean the surface
of an object,

but dirt can find its way anywhere.

To really clean,
you have to scrub below the surface.

Where the dirt is, Shelly!

That's one thing you're gonna learn,
how to clean.

It takes scrubbing, Shelly.

There is no easy way.

This is where we live, Shelly!

As if I didn't know.

I'm gonna show you how to wash this,
and then you're gonna do it.

Come off it, Leo.
I need to get ready for work.

What did you say?

Shelly,
I'm not fooling around anymore!

First thing you got to learn
is good attitude.

That's the key.
Anybody will tell you that.

Ow!

Don't even think about
going anywhere.

I'm not finished with you.

- Yeah?
- Leo, Bobby.

What are you doing
calling me here?

I'm sorry. Um...

The football's empty.
I'm looking for Santa Claus.

No way.
You already owe me money.

- Five thousand, to be exact.
- Five thousand?

Leo Johnson,

are you telling me
there's no Santa Claus?

Yeah, Roadhouse.

Jacques, Bobby.

I need some things, man.

Heh.

How come you only call me
when you're desperate?

You desperate, baby?

Are you interested or not?

Yeah, maybe, Bobby, baby.

Maybe. Heh.

For 10 K, I have a friend
who has what you want.

Oh, his stuff is the best.

Hit me.

Two days, midnight, at
the sound of sawing wood.

Jacques,
you crazy fucking Canadian.

This sounds big.

We couldn't get any warmer.

- Mm.
- Ahem.

What are you playing?
I don't think I recognize that.

It's a tune called P-P-P-P-T-B.

It's a portable, uh, breath tester.
Harry gave it to me. What's it say?

It says you can't even walk. Ha, ha.

Oh.

Well, looks like we're gonna be here
for a long time.

Let's find something good
on the radio.

So far away.

God, that's beautiful.

It's you and me, Ed.

You can barely hear us.

Ed,

do you think we're lucky,

or just a terrible accident?

Sweetheart, I think we're so lucky.

I think

we're one great big giant

smash-up.

Laura?

Laura?

Where you going?

Nowhere fast.

And you're not coming.

Laura, come on.

You remember me?
I'm your best friend.

Laura...

aren't you gonna fix me a drink?

Where are the cookies?

You mean Fred and Ginger?

Dancing.

If I had a nickel for every cigarette
your mom smoked,

I'd be dead.

I'll call you tomorrow.

Laura.

Laura.

When this kind of fire starts,
it is very hard to put out.

The tender bows of innocence
burn first,

and the wind rises.

And then

all goodness is in jeopardy.

♪ Why did you go? ♪

♪ Why did you turn ♪

♪ away from me? ♪

♪ When all the world seemed to sing ♪

♪ Why? Why did you go? ♪

♪ Was it me? ♪

♪ Was it you? ♪

♪ Questions in a world of blue ♪

♪ How can a heart ♪

♪ that's filled with love ♪

♪ start to cry? ♪

♪ When all the world ♪
♪ seemed so right? ♪

♪ How ♪

♪ How can love die?

♪ Was it me? ♪

♪ Was it you? ♪

♪ Questions in a world of blue ♪

♪ When did the day ♪

♪ With all its light ♪

♪ Turn into night? ♪

♪ When all the world seemed to... ♪

So you wanna fuck
the homecoming queen?

Let's go around the world, babe.

This isn't gonna get you
to Walla Walla.

You do go all the way,
don't you, little girl?

Sooner or later.

You willing to go all the way, huh?

You gonna do it to me?

Let's boogie.

What the hell are you doing?

Are you part of the deal?

No, she isn't.

What did you say your name was?

Buck. Heh.

That was really nice, Buck.

Yeah. Ha-ha-ha.

Okay, Donna.

Let's go.

Yeah!

Yeah!

All right, I didn't even spill my beer.

Everybody's coming. Ow!

Yeah!

No.

What a downer you are.

Heh. Hey, Tommy.

Jacques beat us here.

Hold on, I'm choking the farm fed.

Come on, let's go inside.

Yeah.

Fire...

walk...

with me.

Fire...

walk...

with me.

How did I get in my house?

How did I get in my bed?

Life is full of mysteries, Donna.

Were you mad at me
for wearing something of yours?

I don't want you to wear my stuff.

I do love you, Laura.

I love you, Donna.

But I don't want you to be like me.

Why do you do it?

Excuse me, honey.

We're late to meet Mom
for breakfast.

I'll catch you later.

- Bye-bye, Donna.
- Bye.

Dad, is the engine on fire?

It smells like something's burning.

- Something is burning!
- It's the engine.

You stole the corn!

I had it canned over the store!

And, miss, the look on her face

when it was opened.
There was a stillness.

Like the Formica tabletop.

The thread will be torn, Mr. Palmer.

Come on!

The thread will be torn!

- It's him! It's your father!
- Aah!

Stop it!

What was that all about?

Mister, mister,
don't do that to your engine.

You ought to take it easy, mister.

You're going to
burn your engine out.

What the hell was all that about?

Why doesn't somebody
do something about this?

A man comes out of the blue
like that,

starts screaming at you
like a crazy person

and harassing my daughter.

- You all right, honey?
- Dad, are you all right?

Teresa Banks?

What can I do for you?

Oh, Teresa.

I really like your picture.

You wanna party?

Well, that sounds like fun.

Where did you see my picture?

In Flesh World.

Okay.

Come to the Red Diamond City Motel.

I'm coming from Twin Peaks.

Okay, if you're coming
from Twin Peaks,

it's just your side
of Red Diamond City.

- Ah. You'll be there?
- I'll be here.

What room?

Room 123.

As in ready, set, go?

Right, as in ready, set, go.

Oh, baby. Heh.

Okay.

Mm.

Teresa Banks.

You look just like my Laura.

So when's the next business trip,
big boy?

Soon.

And next time, let's party with those
girlfriends you told me about.

- Huh?
- Sure.

I can arrange that.

What are you doing?

Who am I?

I don't know.

That's right.

Dad?

- Dad?
- Aah.

Who was that?

He looked familiar. Have I met him?

No, honey, you haven't met him.
Have you met him?

No.

Let's go get your mother.

No, no, just sit here for a moment.

Oh, my God.

I mean, a man
comes out of the blue like that.

What's the world coming to?

- Hey, handsome.
- Hi.

- What's wrong?
- Nothing.

I chickened out.

Are you sure you're okay?

Yes.

Ah.

Dad?

Yes.

Did you come home
during the day last week?

No.

Leave us alone!

Goddamn it, get back to your work!

I thought I saw you.

Oh, God. You know,

I did stop home on Friday,
come to think of it.

I had this severe headache,
and I was in the neighborhood,

so I darted in and out of the house

to get some aspirin.

Where were you, Laura?

I didn't see you.

Um...

I was just down the street.

Yeah.

- The guy split.
- He split?

Got the money.

Looks like it's just us girls.

Hello, Roadhouse.

Jacques. It's Teresa.

Hey, Teresa. Heh.

- How you doing, eh?
- I'm okay.

Let me ask you a question.

What does Ronette's father
look like?

Short guy, heavyset, balding.

Why? What are you up to?

And what does Laura Palmer's father
look like?

Very handsome, wavy black hair.
He's like a movie star.

Well, I got J.B.'d by this guy up your
way, and I had a thought about it,

but, uh, no,
this guy was a big guy, about 6'4",

nose broken, like he was a boxer.

Oh, well. Okay, Jacques.
Thanks a lot.

Yeah.

Hello?

Hey, handsome.

It's your little party girl.

The same ring.

Who are you?

Who are you really?

Hey.

I'm nearly out.

It's taken care of, babe. You and I
are going to make a big score tonight.

What is that?

This should tide you over.

Bobby.

Thanks.

A big score?

Maybe our biggest.

Don't tell Mike.
This is just between you and me.

Tonight, meet me two doors
down from your place at 11.

Midnight.

Near the sound of sawing wood.

Do you love me, Laura?

- Bobby? Watch.
- Huh?

Okay, watch.

- Ha-ha-ha.
- That's good, Laura.

That's really good.
You're a great dancer.

Whoo!

Ooh. Whoa.

Come on, knock it off.

Knock it the fuck off.

- Give me the fucking...
- Okay, okay.

Give me the fucking bottle. Shh.

Bubby? I mean, Bobby?

I found a little pinecone. Ha-ha-ha.

Shut up. Shut up. Shut up.

- Bobby, I found some dirt.
- Shut up. Shut up.

Shut up.

- I found some dirt.
- Here he comes.

Here he comes.

Come on.

Who sent you?

Jacques.

That's right.

- Oh.
- Wow.

Like that, little girl? Huh?

What?

Oh, my God!

Oh, my God.
Bobby, what did you do?

I shot him. Oh, my God.

I shot him. Fuck.

Get over here and help me!

Come here!

Fuck.

Shut the fuck up.
This isn't funny, Laura.

This is not fucking funny.

Now, help me bury him.

Shit.

Bobby, you killed Mike.

This isn't fucking Mike!

Is this Mike?

Bobby, do you realize what you did?

You killed Mike.

Shut up.

Bobby.

Bobby, you killed Mike.

Shut the fuck up!

Shut the... Come on, let's
get the fuck out of here.

Come on.

Fuck. Let's get the fuck out of here.

Let's get the fuck out of here.

- Come on.
- Look at that.

Come on. Get... Come
on. Let's get the fuck out.

Come on.

I'm going out to the woods
to divvy up the product.

I want you to take this cash
and put it in your safety deposit box.

It's $10,000.

Bobby, did you kill Mike?

I'm not gonna give you this
if you don't stop fucking around.

It's not one goddamn bit funny.
I killed someone.

I killed someone, Laura.

Fuck. Laxative?

Shit!

Shit, fucking, fuck!

Hello?

Laura, you didn't come
to see me yesterday.

I couldn't.
It was Johnny Horne's birthday.

I promised I'd be with him.

I told you not to call me here.

Well, you know,
a little trouble with your parents, uh,

is the least of your worries,

and it's certainly something
that I'm willing to put up with.

I'm not.

Did you make me a tape?

I already made you two tapes.

Laura, you're going
to have to deal with all of this.

I'm dealing with it, doc.

Bigtime.

Maybe I'll make you
a tape tomorrow.

Good night.

Laura?

Send me a kiss.

Who are you?

Who are you? Who are you?

Who are you?

Laura, honey?

I really would like to talk to you.

Laura, sweetheart.

- Laura...
- No, no, no.

Laura, honey?

Sweetheart?

Laura, is something wrong
this morning?

Stay away from me.

No, not tonight.

I hate asparagus.

Sure you do. It's good for you.

Where's Dad?

Ben asked him to stay late
to help plan for the Norwegians.

If it's okay with you, I think I'm gonna
go to Bobby's and do my homework.

It's a school night.

Back by 9.

Okay.

Bobby's got it.

Good night.

Good night, sweetheart.

Bye, Mom.

Bye.

"And I will give power
unto my two witnesses,

and they shall prophesy a thousand
two hundred and threescore days,

clothed in sackcloth.

These are the two olive trees
and the two candlesticks

standing before the God of Earth.

If any man will hurt them,
fire proceedeth out of their mouth..."

Oh.

- Hi, Mrs. Briggs.
- Hello, Laura.

Bobby's in the basement.

- Right where he belongs, right?
- Yeah.

"And when they shall
have finished their testimony,

the beast that ascendeth
out of the bottomless pit

shall make war against them, and
shall overcome them and kill them."

- Laura?
- Yeah.

What's up, Bobby?

Bad news, kid.

It was baby laxative.

What was?

The stuff from last night.

Baby laxative?

- We can't snort baby laxative.
- Shh.

No shit.

I killed a guy for baby laxative.

What is the world coming to

when you kill a guy
for baby laxative?

Don't get funny on me again.

- I'm not.
- Shh.

- Bobby, I gotta get some more.
- Shh.

I mean it. I'm out.

- I'm out.
- Yeah.

Okay, okay.

I gotta get that 10,000 back too.

Sure, but I can't get it
until school is out tomorrow.

Shh.

Let's ditch this place and party.

Not tonight.

Just get me some
to hold me over until tomorrow.

Why?

Why not? Where are you going?

Where are you going?

I'm going home, Bobby.

To my bed.

To my nice warm bed.

We can... We can do it right here.

Bobby.

You don't want me.

You want the blow, don't you?

Oh.

Oh, it's okay.

Bobby's got it.

I always have enough for us.

My little round friends too.

Thanks, Bobby.

"And the angel thrust in his sickle
into the earth,

and gathered the vine of the earth
and cast it into the great winepress..."

"And the winepress
was trodden without the city..."

"even unto the horse bridles,
by the space of a thousand

and six hundred furlongs.

And I saw another sign in heaven,
great and marvelous,

and seven angels..."
Robert, put out the cigarette.

Hello.

James.

Yeah, okay.

Oh, James,

I do love you, but...

Okay.

I'll meet you in 15...

I'll meet you in 15 minutes.

Okay?

I'll meet you in 15 minutes.

God, why did I say that?

Fifteen minutes?

Go in the house.

What the hell is wrong with you?

That's right.

There's no place left to go,
is there, James?

What the hell is that
supposed to mean?

You know it and I know it.

What's wrong with us?

I mean, we have everything.

Everything but everything.

Laura.

"Laura."

You always hurt the ones you love.

You mean the ones you pity.

Say whatever you want.

Norma,

I know you love me.

And I love you.

I do love you, James.

Let's get lost together.

Shit.

What?

He might try to kill you.

Laura.

What's wrong?

What?

If he finds out.

Laura, what's the matter?

Bobby killed a guy.

What are you talking about?

Bobby didn't kill anybody.

Do you want to see?

See what?

Right.

Open your eyes, James.

You don't even know me.

There are things about me...

Even Donna doesn't know me.

Your Laura disappeared.

It's just me now.

Laura.

What about this, James?

I think you want
to take me home now.

- Laura!
- Don't!

Come on.

Just don't!

I love you, James!

You're right on time, baby.

Don't.

Jacques.

Don't.

Don't tie me up tonight, goddamn it!

- Stop it.
- Don't!

Laura!

- Don't tie me up!
- Laura!

Don't!

Leo, will you untie me?

Leo, will you please untie me?

Shut up!

Oh, my God. Oh, my God!

Daddy!

Bob?

Are you gonna kill me?

Father...

if I die now, will
you please see me?

Your diary.

I always thought
you knew it was me.

Don't look at me.

I never knew you knew it was me.

I want you.

I'm so dirty.

I'm not ready.

I'm sorry.

Let me in! Let me in!

No!

Don't make me do this!

No!

Judy?

- What happened?
- I don't know.

Sheriff Truman just brought her in
from Glastonbury Grove.

Where is the ring?

Annie?

Annie.

Where am I, and how can I leave?

My name is Annie.

I've been with Laura and Dale.

The good Dale is in the lodge
and he can't leave.

Write it in your diary.

Coop.

How's Annie?

How's Annie? How's Annie?

Coop, are you all right?

Coop? Coop, are you all right?

Cooper?

Coop?

Cooper?

I slipped and hit my head
on the mirror.

The glass broke
when my head struck it.

It struck me as funny, Harry.

Do you understand me?

It struck me as funny.

You're going right back to bed.

But I haven't brushed my teeth yet.