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[MUSIC PLAYING]
Welcome, everyone.
There are three things I want to talk with you about today.
First, as predicted by ancient prophecy,
the light of the center of our galaxy called Sion is rising.
It's delivering a hidden vibration or power to Earth.
They who bathe in these energies are called the Anointed.
The Anointed are fearless ones who grab this energy
and light up their souls, not for service to themselves
but for service to all.
The third thing is, there's a tribe of beings
that comes from the center of the galaxy,
and according to these prophecies
they will be returning in the period from 2012 on.
I want to open with a quote from Dr. Carl
Sagan from his presentation Cosmos from back in 1976,
in which he said, "The surface of the earth
is the shore of the cosmic ocean."
I love that quote for the word picture that it painted,
because it told us that back then we
were preparing to step out into the galaxy.
And when we did, we looked back, and for the first time ever
we saw our planet from space.
This photograph called Earthrise was published on Christmas
of 1968, and with it came in extraordinary message
for humankind.
As people looked at this, it touched their hearts deeply
because they realized we're all one race.
There are no lines separating people here.
This photograph inspired the environmental movement,
who used it with slogans that said love your mother,
because we began to recognize that our home planet was
in fact a living being, an organic being,
and that we had to take care of her.
Well, since then a new image has been introduced
into human consciousness that is also having a tremendously
expansive effect, and that's the image
of our Milky Way galaxy from afar.
If we could step outside our galaxy and look back
we would see it as this magnificent cosmic disk.
And what's happening now is that we're
beginning to recognize that we are part
of this great cosmic organism the Milky Way,
and that we're connected to what must
be a vast number of civilizations
that are out there.
Secondly, we're beginning to orient ourselves
towards the center of our Milky Way galaxy,
and we're beginning to now follow
a trail into the galaxies itself, into the universe.
We're seeing photographs such as this of the galaxy
Andromeda, our nearby neighbor, and also of Pegasus,
and we're beginning to wonder just how many civilizations
there might be out there in the known universe.
NASA tells us there might be as many as 450 billion galaxies
similar to our own in the known universe,
and then they tell us there might
be multiple universes out there.
We're entered into a realm of extraordinary possibility here.
And what I'm going to ask you to consider
is that the ancients might have known quite a bit
about the Milky Way, and they left us a trail to follow.
For example, when you go to the temple of Isis
at Sais in Egypt, it says "I am all that is,
all that hath been, and all that will forever be;
and my veil no moral hath drawn aside."
If in fact we're talking about the Milky Way here,
then this is literally a true statement,
because until now the center of our Milky Way galaxy
has literally been obscured from us.
Now with the invention of telescopes, and radio
telescopes, and infrared telescopes,
we're able to peer beyond the veil of the galaxy
and look into the galactic center.
And what science is showing us is absolutely extraordinary.
Here's a selection of images from NASA
and other space observatory's that are showing us
what the center of our galaxy looks like.
As we look at these images, I'd like
you to pay close attention to the colors that
are used to symbolize the center of the galaxy.
High purples, pinks, and fuchsias.
These are the colors of the divine feminine.
And based on what the ancients said,
our galaxy is in fact feminine in nature.
She is the great cosmic mother.
So it makes perfect sense for them
to pick these color schemes.
This is an artist's conception of the Arches star cluster
at the center of our Milky Way galaxy.
What's fascinating about this is that the ancients said
that the center of the galaxy was not only a star nursery,
it was also perhaps a soul nursery.
So what in fact we could be looking at here
is not the creation of stars, but actually
the creation of souls.
This is remarkable, because in the Gnostic tradition,
the Enlightenment tradition of the past,
they tell us that we all have a divine spark within us, a seed
atom, a tiny piece, a spark of the original great fire that
once existed at the center of the galaxy.
In fact, it is this divine spark that creates our human body
as a vehicle for exploration.
What they further tell us is that there
is a part of ourselves, our divine self, in fact,
that still dwells in the center of the galaxy, that
still dwells in Sion.
This wonderful painting is by an American artist
named Thomas Cole, that shows a baby soul on the boat of time
emerging from some center place.
Along for the ride is an angelic being, a bright white being
of light that actually represents this soul's higher
self.
There are different names for this higher self.
It's called the heavenly twin, the angelic spirit, the guide
of flight, the guide of the soul, the man of light,
the perfect nature, and the divine spark.
What the Gnostics teach is that we-- many of us--
have forgotten about our heavenly twin, our divine self,
and that we need to remember this aspect of ourselves,
because it is the part of ourselves that
seeks to enlighten us and to return us to the light of Sion.
I was once in Florida giving a presentation about this
and I asked the audience if they have ever
connected with their higher self,
and if so how do they know when they make that connection.
And I'll never forget one woman's answer.
She said, that in times of crisis,
in times of fear, times of uncertainty, I hear this voice
and it always asked me the same question,
what would you do if you weren't afraid?
And that to me is the message of the light of Sion.
It's asking us to overcome our fear
and to connect with that higher self
and to operate from that higher, finer place.
Now is the time for us to do this.
According to the Mayans, we are entering
into a very special time of prophecy.
For at sunrise on December 21, 2012
for the first time in 26,000 years,
our sun rises to conjunct the intersection of the Milky Way
and the plane of the ecliptic.
This cosmic cross, as they call it,
is considered to be the embodiment of the sacred tree,
the tree of life, which is a tree remembered
in all the world's spiritual traditions.
Some observers say this alignment
with the heart of our galaxy, Sion,
will open a channel for cosmic energy
to flow through the Earth, cleansing it and all
that dwells upon it, raising all to a higher level of vibration,
transforming us into righteous beings.
This is the gospel of 2012, the good news of 2012.
But the thing about it is that NASA has actually
discovered an energy source at the center of our Milky Way
galaxy.
In November 2010, NASA published this amazing image
of 26,000 light year tall plumes of energy coming
from the center of our Milky Way galaxy.
And the thing is, NASA really doesn't
know what caused this massive plume of energy
to suddenly be detected.
Was it the result of a star formation
at the center of the galaxy?
Or, was it the result of a expulsion
of energy from the black hole at the center of our galaxy?
The thing is, scientists don't know.
They're baffled by this image.
But when we look back into the ancient record,
we find clues for what might actually
be the nature of this energy.
For example, the ancient Israelites
followed a pillar of fire by day and a pillar of fire
by night as they were wandering in the wilderness.
Is it possible that what NASA has discovered for us
here is this pillar of fire by day and pillar
of fire by night?
Are we sinking once again with the center of the galaxy?
Are we aligning our consciousness the way
the ancients said that they had done?
And will this be the motivating force
that begins to transform us as a species?
I believe so.
And I believe that images such as this from NASA
are proving what the ancients knew
about the center of the galaxy, and it's time
now for us to put away our fear, to overcome our limitations,
and to become the true humans that we
know that we can become.
In 1896, a remarkable document was
discovered in Egypt called the Apocryphon of John,
or the secret Book of John.
It purports to contain the secret teachings of Jesus that
were given to one of his disciples named John.
In the story, John had been at the Temple,
and he had a confrontation with one
of the temple elders, who said that Jesus had been misleading
him and that John needs to come back into the Temple fold.
John goes out into the desert and he
has a bit of a confused moment where he's saying, well,
I'm not really sure about who Jesus really
was, where he came from, and what
he meant about all this eternal life
business that he was talking about.
Suddenly, the heavens opened up, a beam of light
manifested, and from out of this beam of light appears Jesus.
Jesus tells to John, I have come to teach you about what is,
and what was, and what will be, in order for you
to understand the invisible world,
and the world that is visible, and the immovable race
of perfect humanity.
So here Jesus seems to be talking
about a separate race of human beings referred
to as the perfect humans.
Could these be the same light beings
that the Tibetans have described and other traditions
have described as well?
I believe that that's what he's talking about.
He goes on to say to John, raise your head.
Understand my lessons.
Share them with any others who have received the spirit who
are from the immovable race of perfect humanity.
So once again, we are asked to believe
that there is this separate race of humankind.
Ascended humans who have achieved
the next level of manifestation.
Another figure who had an encounter with Jesus
as a perfect being is Saint Francis of Assisi.
Francis was a mystic who focused on and meditated
on the deep love of God.
And in a moment of ecstasy, Jesus
manifested to him as a perfect being.
And actually the artist Giotto-- the Italian artist--
portrayed Jesus as a seraphim.
This is based on Francis' encounter--
his description of his encounter--
where he said Jesus manifested before him as a seraph.
What is extraordinary about these depictions of Jesus
appearing as a seraph to Saint Francis
is that the name Quetzalcoatl means
winged serpent or feathered serpent.
That is exactly the definition of the seraphs
in Judeo-Christian tradition.
They are the fiery serpents or winged serpents.
Are we here seeing Jesus manifesting
as one of the members of this tribe of beings, of the seraphs
of the perfected light humans.
I believe that's exactly what we're seeing.
This is a painting by a Franciscan of the crucifixion
in which Jesus is being transformed
into one of these seraph angels.
Francis is portrayed levitating.
In fact, this whole painting portrays this extraordinary kit
of esoteric teachings about humankind
and how we can be transformed into perfect light humans.
Following the trail of Saint Francis
leads us into this extraordinary mystic teaching.
Clearly, we are being told that Sion, the center of the galaxy,
is a realm beyond the physical realm,
and that it is inhabited by higher dimensional
beings, actually transformed or ascended humans.
Clearly, we are being told Sion is inhabited
by otherworldly beings, the seraphs,
the perfect light humans.
They are ascended humans, transformed humans.
And what we are being asked to do is to put away our fear,
to raise our vibration, to connect with these beings,
and in fact to become them.
That is the extraordinary potential
that is within each and every one of us,
and as the Mayans are telling us, the period from 2012
on is the era in which we will see
the manifestation of these beings.
But the Gnostic Christians have the same message for us,
telling us that we must become perfect before leaving
this world.
We must become whole, holy, complete.
We must achieve this next level of human manifestation,
the perfect light human.
Jesus talks about perfection in an incredible meeting
with the rich man, when he says, I tell you the truth,
it's hard for a rich man to enter the Kingdom of Heaven.
Again I tell you, it's easier for a camel
to go through the eye of the needle
than for a rich man to enter the Kingdom of God.
I believe that when Jesus is talking
about the eye of the needle he's talking
about opening the eye or the mouth of the wormhole.
And what he's telling us is that in order
to enter the eye of the needle, we
are going to have to disembark from or unload all of the stuff
that we're carrying around in this world.
What had happened in this story is that the rich man had asked
Jesus, what is required for eternal life?
Jesus' response was, follow the commandments.
The commandments are love with all your heart,
all your mind, all your soul.
This is the first and greatest commandment.
And the second is like unto it.
Love your neighbor as yourself.
All the law and the prophets hang on these two commandments.
The rich man came back to Jesus and said
that he had always followed those commandments.
I doubt Jesus believed him, but then he
told him, if thou wilt be perfect, meaning whole, holy,
and complete, go and sell what you have.
Give it to the poor, and thou shalt have treasure in Heaven
and come and follow me.
To me, this is Jesus telling him that in order
to enter the Kingdom of God, Sion, the center of the galaxy,
we are going to have to become perfect light humans.
We are going to have to achieve the rainbow body.
So who are these higher vibrational or angelic beings
that dwell at the throne of God at the center of the Milky Way
galaxy, and who travel back and forth
from that galactic center?
Well, the answer in Judeo-Christian tradition
is it's the seraphim.
These are the highest order of angels.
As they were developed in Judeo-Christian tradition,
they are considered to be beings of pure light
and pure love who dwell at the throne of God
and constantly sing holy chants.
But as we see in history, they are constantly coming and going
from the center of the Milky Way galaxy,
influencing human affairs.
During the Renaissance there was a belief
that these beings were actually ascended human beings, humans
who had connected with the love of the creator
and focused so deeply on the love of God
that they were transformed into these angelic beings,
the brightest angels of all, the seraphim.
In Judeo-Christian art you can always identify the seraphim
because they have these vortex shaped bodies
with six wings and human faces.
They are portrayed as half human and half bird.
And what we see are seraphim portrayed
as some of the most extraordinary beings
of all angelic literature and iconography.
When we go back into the Bible we get more information
about these beings at the galactic center.
Our arrival at Sion on, according
to the book of Hebrews, marks our acceptance
into an innumerable company of angels
and just humans made perfect.
The word just means upright, righteous, and balanced.
The word humans, of course, refers
to a member of the species Homo sapiens,
not animal, divine, or machine.
Made means shaped or formed.
And the word perfect means whole, holy, compassionate.
So these beings who dwell at the center of the galaxy
are just humans made perfect.
They are the next level of humanity.
They are the beings we are in the process of becoming
and are in fact striving to become.
And in fact they are looking for us.
They are looking for us to raise our awareness about them
and to begin to match their level of frequency
or vibration.
Something that is highly interesting to me
is the correspondence between the seraphim, the just humans
made perfect, and the Tibetan tradition
called the great perfection.
In the Tibetan tradition of the great perfection,
they believe that the human body can
be transformed into a next level of vibration which
they call the rainbow body.
In this tradition, they tell us that through changing
the vibration of their body the yogini
can dissolve their subtle essences, the body's
subtle energy, and ultimately manifest as five
colored rainbow light, leaving behind only hair, toe,
and fingernails, which have no nerves to be transmuted.
Then they literally glow rays.
They become these glowing beings with rainbow colored bodies.
So over and again in Tibetan tradition,
when we see these depictions of the rainbow body beings,
they have these multicolor bodies
that appear to be sort of like vortexes.
We see these swirling energy patterns around their body
that are actually counter rotating energy fields.
This is very fascinating to us, because when
we compare the Judeo-Christian images of the seraphim
with their vortex shaped bodies with the Tibetan depictions
of the beings who've achieved the rainbow body,
we have a near perfect match.
I like to tell the story about how I became interested
in the whole concept of the rainbow body.
I was at a conference in California several years ago,
and a lovely couple came up to me during the event
and said that they were great fans of my work,
and they studied my work extensively.
In addition, they both had PhDs from the Harvard Divinity
School.
They studied with the Dalai Lama.
They knew the Dalai Lama.
They had lived in India, and translate Tibetan texts,
specifically those relating to the rainbow body.
And they asked me if I had any awareness or understanding
of that.
And I said no, I didn't.
And they told me essentially what I've just told you,
that the Tibetans believe that the human body can
be spun into a vortex of energy that ultimately manifests
as five colored rainbow light or the rainbow body.
And what the Tibetans teach is that once these Lamas or yogis
have achieved the rainbow body, that they are then
able to travel to an additional 13 star systems, including
our own, where this rainbow body teaching is taught.
And what they always wondered was how did they get there?
Once they've achieved the rainbow body
and can travel to these star systems,
how do they travel there?
And they told me that they were watching my presentation Star
Walkers and the Dimension of the Blessed,
and they got their answer.
What I had discussed in Star Walkers
was the ancient Egyptians belief in the eternal being.
The beings that the Egyptians portray
on the ceilings-- for example, here
at the temple of Hathor at Dendera,
the temple of love and joy-- show the ascended Egyptian gods
and pharaohs traveling for eternity
on board what they called their ships of eternity,
or the ark of the millions of years.
And when I first started studying
the ark of the millions of years and the Egyptian belief
in eternity, I was immediately struck
by something extraordinary.
That is the way the ancient Egyptians portrayed
the ship of eternity in there artwork precisely
matches the way modern science portrays a wormhole.
And when you do a A to B comparison of the Egyptian ark
of the millions of years or ship of eternity
with the modern scientific drawing of the wormhole,
they're a perfect match.
And what this suggested to me is that the Egyptians are saying
is that their descended beings, their god beings,
who they said we're light beings who traveled the stars,
were traveling the stars through stargates and wormholes.
When this couple who were experts in the rainbow body
saw this, they immediately got their answer
for how the Tibetan Lamas who've achieved the rainbow body
travel to these other star systems.
They open a wormhole.
Or perhaps they travel to these star systems
through the naturally occurring wormholes
that modern science now tells us actually permeates our galaxy.
Either way, I believe we're talking
about a perfect match between the Tibetan
and the ancient Egyptian tradition of beings
who transform themselves into beings of light
and travel these wormholes for eternity.
I took this work one step forward
by comparing the Christian tradition
with the Egyptian tradition of Jesus
traveling into the underworld.
When we look at the Egyptian gods traveling
on the ship of eternity, they're actually
descending in what they call the netherworld or the underworld.
We see Jesus descending into a netherworld or underworld
in between crucifixion and Resurrection.
And in Christian art that portrays this,
we always see the same thing.
We see Jesus in front of an
Open gateway composed of concentric rings
that's filled with stars.
And the question I pose is could this in fact
be a representation of a stargate
or a wormhole, an interdimensional transportation
system?
When Jesus descends into the underworld,
is he actually opening a stargate or a wormhole
and traveling into another realm to retrieve the souls who
are dwelling there as Christian tradition teaches?
I believe that this is exactly what's happening.
And I furthermore believe that the source for this imagery
is in fact the ancient Egyptian tradition, because when we see
Jesus as we see him here in the opening of this gateway,
he could well be in the opening of the mouth of the wormhole,
and he is exactly the same as Osiris, the resurrected god
of ancient Egypt, shown here traveling
aboard his ark of the millions of years or ship of eternity.
They're a perfect match.
The Book of Acts tells us that Jesus ascended.
It's one of the shortest stories in the Bible.
They don't tell us exactly how he ascended,
but Christian artwork informs us about how
it's believed this actually occurred.
The Book of Acts says that Jesus was taken up
before the disciples' very eyes and a cloud hid him
from their sight.
The disciples were looking intently up into the sky
as he was going, when suddenly two men dressed in white stood
beside them.
Men of Galilee, they said, why do you
stand here looking into the sky?
This same Jesus who has been taken from you into Heaven
will come back in the same way you
have seen him go into Heaven.
How does Christian are portray Jesus ascending into Heaven?
They show him aboard a ring composed
of concentric rings that is held aloft by angels, a winged ring.
When I compare this artwork with the way modern science
portrays a wormhole, it opens up the speculation
that what we're talking about is Jesus ascending
into the heavens in a wormwhole or a stargate.
And the Book of Acts tells us that he
will return the same way.
Remember what the Mayans said about Quetzalcoatl.
He will return to Earth riding upon a serpent rope that
also could be a wormhole.
Are we talking here about an ancient sacred tradition
of these higher vibrational beings, super human beings
if you will, that have a capability of traveling
the stars through stargates and wormholes?
I believe that's exactly what is going on.
And we are now at a level of technological and perhaps
spiritual sophistication where we can readily
interpret exactly what is going on in this artwork
and fully understand what is happening here.
We are talking about a race of beings who have the ability
to transform themselves into beings of light
and travel from Earth to the center of the galaxy
and return through stargates and wormholes.
So, when we look at this ascension art, this, I propose,
is exactly what we're looking at.
We are talking about Jesus as a member of a tribe of beings
who have this extraordinary capability,
and they wish for us to join them.
So in my opinion, when we're looking at this ascension
scene of Jesus ascending into the heavens in a winged ring,
and we compare it with the Mayan image
of the center of the galaxy opening
and the umbilical cord, the serpent rope, the wormhole,
descending into the Earth realm, we're
actually talking about exactly the same story.
And, if traditions such as the Mormons are correct,
then Jesus and Quetzalcoatl are actually, if not
the same person, certainly a member
of the same tribe of beings.
And this then fully illuminates the Russian depictions
from the 14th Century of the Last Judgment, in which we
see this strange serpent emanating from the earth plane,
going into the Heavenly realms.
But what we now know is that that is actually
a two way transportation system.
It's a cosmic tunnel system that modern science
calls a wormhole.
The original inspiration for this
might actually be this depiction here from Torcello in Italy,
where we see Jesus enthroned within an egg
and we see this umbilical cord, called a ribbon of hellfire
in the Christian tradition, emanating
from the center of this throne and coming into the Earth
plane.
Could this in fact be a stargate or a wormhole
when we see Jesus enthroned here in the concentric rings,
with this vibrant fire all around him,
these rays of light, and the umbilical cord emanating
from those concentric rings?
Are we in fact looking at a stargate or a wormhole?
I believe we are.
And as I said a moment ago, I further
believe that ancient Egypt is the original source
for this imagery.
Look at this pyramidion from the Cairo Museum
that portrays the ascension of Osiris,
the Egyptian god of resurrection.
Osiris is portrayed inside of a chamber that
is called the [? shetiyet ?] or the ascension chamber.
It was within the ascension chamber
that Osiris was transformed from a mortal
being into a light being.
Are we here again talking about some kind of a transportation
portal or the entrance to that portal?
I believe that's exactly what we're looking at.
Here's another example, also from the Cairo Museum,
where we see Osiris as Sokar, another form
of the resurrected Osiris.
We see two priestesses on either side of this portal,
or this gateway.
They are beaming energy to him or receiving energy from him.
Either way, they are assisting him in his ascension.
He is preparing to embark upon his journey on the ship
or the ark of the millions of years.
Now let's compare the ancient Egyptian image
with this [? bozze ?] from Saint Paul's Cathedral
in London from the 18th Century.
We see Jesus emerging from a radiant gateway, a portal,
that is flanked by two angels.
Jesus is lit up in light.
He has become a light being, and he's
either stepping into that gateway
or exiting through that gateway into the higher realms.
There's no question in my mind that the original source
for this imagery is the ancient Egyptian image
of Osiris in the ascension portal.
I feel that what's happening here
is that we're seeing an updating of the ancient Egyptian
tradition in the Christian tradition.
But today we're taking this imagery one step forward.
Modern science and science fiction talks
about the concept of the stargate, the ring or gateway
that we can enter into and travel
to distant star systems-- or perhaps even
to distant galaxies.
And the symbol for the stargate is the circular ring
or gateway.
When we take the image of the ring or the gateway
and apply it to the Tibetan image of the rainbow body,
we can see clearly that what we're talking about here
is the Tibetans transforming their bodies
into a beam of light, and then being
able to access these gateways.
In fact, this is what this couple told me
they believe is happening is that when the Tibetans achieve
the rainbow body, they literally turn
their body into a wormhole, and then
are able to travel to these distant star systems.
So it's more than just fascinating
to compare the Christian images of Jesus on his rainbow throne
with the Tibetan images, because we're
talking about the same thing.
We're talking about Jesus as a mortal being who turned himself
into a being of light and ascended into the heavens
and will return the same way he left.
What if we're talking about him leaving and returning
through a stargate or a wormhole?
I believe that that's exactly what we're talking about.
And our times is the time when we're
going to see this manifest.
So here again, another Tibetan image
of the being who's achieved the rainbow body.
Notice the ring surrounding his body.
Is that a symbol of the stargate or wormhole
that he has opened through his body?
I think that's exactly what we're talking about here.
Another image.
Here we see the rainbow body being
with the gateway surrounding his body.
Again, the stargate is indicated in this artwork.
Over and over again, the Tibetans
tell us that the human body is an intermediate form.
We are meant to transform ourselves
into a next level being to achieve the rainbow body.
The Christian tradition calls it the Resurrection body
or the glory body, and we're assured that we all
have the capability of manifesting
this body in the Tibetan tradition.
In fact, the Tibetans believe that just
seeing these revered images, these sacred images,
speaks to us at a very deep level, which tells us
that this is one way we begin to connect with our rainbow
body, our glory body, our Resurrection body is simply
by connecting with this extraordinary artwork.
What I've been doing is comparing the Tibetan images
of the rainbow body with the Christian images
of the resurrected Jesus, who is portrayed either on a rainbow
or in a rainbow.
Here we see the Tibetan Lama in the rainbow ring
compared with Jesus as a Christ angel
in a painting by the Renaissance artist Giotto.
You can see they're a perfect match.
Jesus is the winged angel who is in the rainbow ring.
And within the rainbow ring is additional concentric rings
that are filled with stars.
In my opinion, we're looking at a stargate or a wormhole.
Jesus is the resurrected being, the rainbow body being,
who is traveling through that stargate or wormhole.
It's an extraordinary possibility
that we're talking about here, this matching of the Christian
and the Tibetan tradition, because they both
tell us the same thing, that we are
in the process of morphing or transforming
into these higher beings.
And in this case we're talking about making
this transformation happen by beginning to study this artwork
and to connect with our rainbow body in this way.
So I believe that what we're looking
at what we see the rainbow ring is
in fact the stargate or the wormhole.
We're talking about an interstellar transportation
system that these advanced beings utilize.
And modern science is now beginning
to catch up with this ancient tradition.
So when I see Jesus in his Resurrection body or his glory
body is shown here in this painting
by William Holman Hunt, I know that what's happening here
is he has transformed himself into a being of light
and is now capable of accessing the stargates or wormholes that
permeate the galaxy.
What we're seeing here is the Tibetan rainbow body
next to Jesus and his glory body in a stained glass
that's in the Knights Templar chapel at the George Washington
Freemasonic Memorial in Washington DC.
We see the clear correspondence between Jesus
manifesting this glory body or rainbow body
and how it matches with the Tibetan tradition.
Now, let's go back and match these images
with those of the seraphim.
Remember the seraphim.
Look at their bodies now.
Remember their vortex shaped bodies
and how they appeared to be swirling energy beings.
Now let's compare those swirling vortex bodies of the seraphim
with the swirling bodies of the Tibetan rainbow body tradition.
We have a perfect match.
What I'm proposing to you is that the seraphim
and the beings who've achieved the rainbow body
are in fact the same beings.
The seraph being, the beings of pure light and pure love,
are in fact beings who have manifested
the next level of human manifestation, the rainbow
body.
And the reason why the Tibetan artwork
and the Judeo-Christian artwork of the seraphim match
is because they are in fact the same beings.
Furthermore, I'm asking you to consider
that the reason why Jesus is portrayed in the rainbow
is because he too has achieved the rainbow
body, or the Resurrection body.
There's an extraordinary story about a figure named
Enoch in the Old Testament times that explicitly describes
the transformation of a human, which
blurs the boundaries between human and angelic existence.
And the Lord said to Michael, take Enoch and strip him
of his earthly garments, and anoint him with the holy oil,
and clothe him in garments of glory.
And Michael stripped me of my garments,
and anointed me with the holy oil, and I looked at myself
and I was one of the glorious ones,
and there was no difference.
This story is explicitly describing this transformation
of Enoch into one of these radiant shining beings.
I believe he's talking about his transformation
into the rainbow body, just like what Jesus achieved
through his crucifixion and glorification.
We're talking about the possibility that each of us
have to transform into these beings.
And what my work has been about is
collecting this artwork and imagery that
shows this transformation, especially how it relates
to the idea of the stargate or wormhole,
and how we all have the capability of manifesting
this light body, or this rainbow body.
In fact, that is the very basis for all
of myth and sacred tradition.
We have it within us.
What we need to do is to begin to activate it.
It's fascinating that some compare Enoch
to Elijah, who ascended into the heavens
in a whirlwind that encircled his body.
According to the Zohar, a Jewish sacred text,
Enoch radiates the divine Shekhina, the divine rainbow.
It's apparent to us that the transformation of Enoch
into his shining body, or his radiant body,
is a story of him achieving the rainbow body.
Furthermore, Enoch is another model for us
for achieving this transformation.
And in the story of Enoch, he is given
a crown resembling the crown worn by God.
A heavenly herald proclaims that from then on his name
would no longer be Enoch but Metatron.
God then wrote the mystical secrets of creation
on Enoch's crown.
"Immense energy, beautiful sparks,
and fire emanated from him," says 3 Enoch
His material body turned into celestial fire.
Flesh, veins, bones, all metamorphosed
into glorious flame.
He became a seraphim.
The reason why Enoch's story is so important
is because earlier we mentioned the Mormon belief
that the center of our Milky Way galaxy
is inhabited by perfected humans, righteous humans.
In fact, it was the city of Enoch
was translated from Earth into the heavenly realms.
And in my view, what they're telling
us is that this is a group of beings
who have achieved the great perfection, the rainbow body,
and were therefore translated to the center of the galaxy, where
they may be presently still dwell.
They became seraphs or rainbow body beings,
and it is they will be returning in 2012.
I'd like to talk for a moment about the Maya symbolism
of 2012.
What we're looking at here is a Mixtec or Mayan diagram
of the sacred tree, which is how the Mayans viewed our alignment
with the center of our Milky Way galaxy.
What we see are two priests on either side of this tree.
Their hands are extended, because they're beaming energy
to it or receiving energy from it.
Remember, this is an energetic alignment
with the center of the galaxy.
The sacred tree is shaped like a T, and it's topped by a bird.
This is important Mayan symbolism,
because what they tell us is that this sacred tree,
this t-shaped tree actually represents
the Holy Spirit, which they called Ik,
meaning the spirit, the breath, the life.
And the idea is that this alignment is in fact
an infusion of this higher vibrational
energy, this Holy Spirit.
Furthermore, the Mayans tell us that this t-shaped tree also
represents a portal or a gateway into other dimensions.
So when we add to all of this together, what it's telling
us is that our alignment with the center of the galaxy
is an infusion of this higher vibrational sacred energy,
and it is also the opening of a portal or a gateway
into the center of the galaxy.
This is important to us because-- let's
establish we put a tree on the table
here in terms of our conversation.
What the Mayans say is going to happen in 2012
is that the center of the galaxy will open,
and from out of that opening in the galactic center
will emerge what they described as a serpent rope, shown here,
portrayed almost like an umbilical cord of sorts.
Riding upon this serpent rope is the figure
the Mayans called Quetzalcoatl, who is the Mayan savior.
And this is the whole Maya 2012 prophecy in a nutshell
here, that the center of the galaxy will open,
and from out of it will come this umbilical cord,
and riding upon it is the Mayan savior Quetzalcoatl.
What my friend and colleague John Major Jenkins
did-- who is a noted Mayan scholar--
is he took out the archaic Mayan term serpent rope
and inserted a modern word, wormhole,
and came to this question that, hey, maybe what we're
talking about here for the Maya 2012 prophecy
is the opening of a stargate or a wormhole
from the center of the galaxy.
A cosmic transportation system.
And emerging from that will be this Mayan savior figure,
Quetzalcoatl.
I think that's an extraordinary possibility,
and when we begin to look out into our culture,
look into our civilization, we find movies,
we find television shows, we even
find commercials showing us this idea of the stargate
or wormhole and how it is affecting
our consciousness at this time.
What we're looking at here is a comparison
of the Maya diagram of the center of the galaxy opening
and Quetzalcoatl emerging with a painting by a Buddhist painter
named Kano Hogai, who shows the goddess
Quan Yin, who also corresponds with the center of the galaxy,
holding a rod or a wand in her hand.
Attached to that rod or wand is a string,
and at the end of the string is a golden glowing orb
with a baby soul inside the golden orb.
We notice that there's an umbilical cord that
wraps around that baby.
As we follow the path of that cord
we see that it goes to a craggy, rocky area, which
Kano Hogai says represents Earth.
Here is a perfect correspondence between the Maya concept
of the center of the galaxy opening, a serpent rope
or umbilical cord emerging as a transportation
system for Quetzalcoatl and a Buddhist depiction of a baby
soul emerging from the center of the galaxy
and riding a similar umbilical cord to Earth.
It's an extraordinary correspondence
that we're talking about here, and tells us
that perhaps both of these traditions
have a shared tradition of our souls
originating in the center of the galaxy and from time
to time it opening up and special figures emerging.
For the moment, I want you to compare, or perhaps contrast,
the Maya idea of 2012 with what we find in Christian end time
prophecy.
If you go in the Book of Revelation
and look up Chapter 20 Verse 12, you
find that that is Judgment Day in the Christian prophetic
tradition.
That is the end of the world as far
as Christian prophecy is concerned.
This is the time when they see the second coming of Jesus
occurring.
If you've ever wondered if God has a sense of humor,
here is your evidence right here.
For how is it that the Maya end time prophecy which
ends in 2012 so perfectly corresponds to Revelation
20:12, the Christian end time prophecy?
That's a remarkable synchronicity or coincidence
in my view.
And when you actually read Revelation 20:12,
you find some astonishing things.
It says, "I saw the dead, great and small,
stand before the throne, and the books were opened,
and another book was opened, which is the book of life.
And the dead were judged out of those things which
were written in the books according to their works."
What are we talking about here?
Let's break down this statement, this prophecy.
First of all, let's think about where
is the throne of God located.
One of the things that we're asked
to consider by these ancient traditions
is that our Milky Way galaxy was thought of as the temple.
So any time you're in myth or in sacred traditions
and you see the word temple, you can, according to them,
insert the word galaxy, and you have another layer
of interpretation of this symbolism.
And this is why this is so interesting,
because the Maya over 1,000 years ago
said that in December 21, 2012, we
would be aligned in a special way, a rare and special way,
with the center of the galaxy.
With the throne of Revelation 20:12?
That's what we're asking you to think about here,
and it's an incredible possibility.
So what Revelation 20:12 is saying is that at that time
the dead, great and small, will be standing before the throne.
So then the question becomes, well, who are the dead?
Well the answer is, that's us.
Because in this tradition, we are not
considered to be fully living.
We are not in our fully ascended state.
We're not fully flowered human beings.
We haven't actually exceeded or achieved our full potential.
The way I like to view it is that within our spinal cord
system, our nervous system, we all have what
are called the chakras.
They're referred to as the stairway to heaven.
We count them 1, 2, 3, 4, 5 6, 7,
and we finish the children's song.
All good children go to Heaven.
The idea is that we want to awaken
and these energy centers and fully
activate them so that we become a fully functioning
human being.
But the problem is, our culture keeps us often living down
at the lower chakras, at the base level, beneath the spine.
Focused on fear, focused on worry,
focused on some of the baser or mundane issues of our life,
when what we're challenged to do is
to live beyond the level of the heart.
The way we can think about this as that really
none of our elevators go to the top.
It's like we all get stuck somewhere up in here,
and none of us is a fully functioning human being.
Another way of looking at this is that we all
have in our spinal cord system this system of chakras
as they can be viewed as a candle.
Our spinal cord system is the candle, our pineal gland,
the seat of our soul in the center of our brain
is considered to be the wick of the candle,
but the problem is none of our candles are lit.
And that's part of the challenge of our time
is to learn to activate these higher energy
centers, to light our candle.
Because the idea is that if I can awaken my consciousness
in this way, then I can turn to you
and help you to awaken yours, and you can help and awaken
the next person, and on and on we go.
That's what we're trying to make happen at this time.
So in a way, we are the dead who are standing
before the throne seeking to awaken our consciousness,
to become fully functioning human beings.
Our galaxy is the temple.
The center of the galaxy is the throne.
And we are presently experiencing
this rare alignment with the center of the galaxy.
When you research the ancient mystical and sacred traditions,
you find out that they knew a lot
about the center of our Milky Way galaxy.
In fact, if you read the Book of Hebrews
it says, "You have come to Sion, to the heavenly Jerusalem,
the city of the living God.
You have come to thousands upon thousands
of angels in joyful assembly."
What we take from this is that Sion, which means peace,
was the name of the center of the Milky Way
galaxy in the Judeo-Christian tradition.
This is an extraordinary possibility for us to explore,
because when you go into Christian art,
you begin to see some extraordinary examples
of figures such as Jesus enthroned in Sion.
And this is what we're asking you
to consider here is that the center of the galaxy is Sion,
and this is the place where the enthroned Jesus,
the enthroned Christ, dwells.
So what do we see in Christian art
when we see the enthroned Jesus?
Well, what we see is him sitting on a rainbow,
surrounded by heavenly beings.
In this painting here, we see Sion represented
in the heavenly realms, and then down below we
see the earthly realm, which is portrayed as chaotic,
in fact, a very frightening place.
And the idea is that we're down here in the earthly realms
and all the good stuff we want is
up here in the heavenly realms.
And what we've got to do is learn
to climb that stairway to heaven in order to enter Sion
and to more powerfully feel the light of Sion.
Looking at other examples of Christian art
that portray the enthroned Jesus,
we see that he's always accompanied by that rainbow,
and accompanied by these higher heavenly beings.
And so when we started to really grasp this concept here,
we raise a question.
Well, how do we get from Earth to Sion?
And the idea expressed by the ancients
is that we get there by traveling through gateways.
And that's what we're going to talk about in this section here
is how we are able to open gateways from Earth
and travel to Sion.
I should mention here that the Mormons have deep
seated beliefs about the center of our Milky Way galaxy,
going back into the 1800s, when we didn't even know--
or at least when science didn't even
know-- there was a galactic center.
We didn't even know we lived within a galaxy at this time,
but yet the Mormon belief says that God's home planet, which
they called Kolob, is at the center of our galaxy, which
all the other stars in our galaxy
rotate around, something that scientists have validated
within the past 10 years.
The Mormons teach that the city of Enoch was raised--
or the term they used is translated-- to Kolob
because the citizens attained perfection.
Now this is an extraordinary teaching,
because it says that the people of Kolob
are actually what they refer to as righteous humans,
humans who have achieved the highest human potential.
And because of this, they are literally taken, translated,
transported from Earth to the center of the galaxy.
And the Mormons teach they still live there.
I believe that Kolob and Sion are the same place,
because the city of Enoch was also called Sion.
And it's possible, at least according
to Mormon belief, that those people are still there.
They're ascended humans who dwell
at the center of the galaxy, and they
may be among the people who will be returning in the post 2012
period.
So, let's look at the Christian perspective
about these perfected or righteous beings.
Christians believe that in the end times,
Revelation 20:12, the entire human body of Christ
will be changed to match the exalted state of Christ
as he is portrayed in his kingdom.
This is called mystic rapture, and the belief
is that in the twinkling of an eye,
our bodies are suddenly going to be changed or transformed
into a higher state, a finer state, a perfected state.
So how will we know when we have achieved that state?
Well, coming back to Christian art,
we are given examples of how Christ is portrayed
in his exalted state in his kingdom.
And again, we will match Christ, his frequency, his vibration,
in this state.
So what we see here is John the Revelator
opening a hole in heaven and peering
into the throne of Christ.
And what we see is Jesus enthroned on his throne,
perhaps in the center of the galaxy,
and we notice that he is surrounded by rainbows.
This is the traditional way that Christians portray
the enthroned Christ and therefore how they portray
the throne of perhaps the center of our galaxy.
So let's look at a couple examples here
of the enthroned Christ as he is portrayed on a rainbow.
Sometimes we see half the rainbow,
but we are assured that it's actually
a 360 degree rainbow, a full circle.
So he's on the rainbow in his higher state,
in his higher vibration, enfolded within the rainbow.
What I started noticing is that the way Christianity portrays
Jesus on the throne has a dramatic connection
to some other sacred traditions of the world as well.
And once again as we look at this painting
we are seeing Jesus enthroned, and we
are down here on the earthly realm
trying to make that journey from Earth into the heavenly realms.
Let's look at this NASA image for a moment
about the center of our Milky Way galaxy.
This is a 400 by 900 light year mosaic of several Chandra x-ray
images of the central region of our Milky Way,
the holy of holies, the place where the throne is located.
And what we see is that NASA here
is showing the center of the Milky Way galaxy
in the colors red, green, and blue.
These are the colors of the rainbow.
Now this could be a simple coincidence
that the center of our galaxy appears like a rainbow
and so does the throne of Christ,
or it could be further evidence that we're being shown here
that we're on the right track.
That the throne that we're seeking,
the throne that we're seeking to connect with
is in fact the rainbow throne at the center of our galaxy.
What we're looking at here is another NASA image
of a black hole similar to the one
at the center of our galaxy, spilling a kaleidoscope
of color-- red, orange, yellow, green, blue, and purple.
This idea of our galaxy opening and a higher dimensional being,
a higher vibrational being, traveling back and forth
from the center of the galaxy to earth
is not original to the Mayans.
In fact, the Judeo-Christian tradition
talks about it as well.
In the 14th Century, Russian icon makers
were suddenly inspired to start portraying these last judgment
scenes.
And what they show is the earthly realm at the lower
zone of this painting and connecting Earth
with the throne of God is a serpent
that we see traveling upwards along a central axis.
Where did the Russians get this idea?
Nobody knows for sure, but what they tell us
in their writings about this serpent that
connects Earth and Heaven is that it
has 21 toll booths along the way.
Are these are some kind of intermediate star stations
or way stations along the way that
link Earth with the center of the galaxy?
How else are we supposed to interpret such symbolism?
The fact is that the Judeo-Christian tradition
of the last judgment, Revelation 20:12,
perfectly matches in its iconography
with the Maya tradition of what I call stargate 2012.
So let's talk about connecting with the light of Sion.
Earlier I talked about how the ancients
had a Milky Way based metaphysics.
When we go into the Talmud we read, she, the Milky Way,
was the spirit of God that hovered over the water
like a dove.
And as we look at this image of the Milky Way
we see the body of the bird in the center, the galactic core,
with the wings of the bird symbolized or being represented
by the wings of the galaxy.
In the Talmud, it further says she
spread her wings over her young.
So if the galaxy is the spirit we're talking about here,
then her young would be all the stars and planets
within the Milky Way galaxy.
So what I encourage you to do is when we go back
and take a look at Christian art and we
see depictions such as the Annunciation of Mary,
when the Holy Spirit descends, we
see the dove representing the Holy Spirit
and we see it hovering just above Mary's head.
In these depictions Mary is indicated as an ascended being,
as a highly trained initiate.
We know this because she has a nimbus or a halo
around her head and the dove is within that halo.
We are seeing here Mary's alignment or attunement
with the cosmic energies coming from the center of the galaxy
and being symbolized here by the dove.
The same thing happened at the baptism of Jesus
by John the Baptist.
We see John and Jesus and the River Jordan.
We see the dove descending from the cosmic realms.
We see the dove within the rainbow ring.
We also notice that there is an angel standing beside Jesus who
has a cloak in her hand, who is prepared to hand
that cloak to Jesus.
We're going to look at that cloak in a moment.
But first, let's just follow the descent
of the dove in these various Christian depictions
here, because what we are seeing is a representation
of the light of Sion descending from the cosmos
into the earth plane.
Here the heavens are tearing open.
We see a beam of light, almost like a laser beam,
descended from that tear in Heaven.
The beam of light is traced directly
into the open crown chakra of Mary.
Once again we see the dove.
It's lit up, it's radiant.
We see the beam of light, and we see
it descending right into a jewel on top of Mary's head.
This indicates that she has attained higher awareness.
She has opened up her higher energy centers, her higher
cosmic awareness, her crown chakra,
and is prepared to receive these energies from Sion.
Here we see the archangel Gabriel, also
with the jewel on his forehead, and we
notice as we look at Gabriel that the feather coming
from that jewel is shaped sort of like a serpent.
What we have here actually is a feathered serpent.
That again is the name of Quetzalcoatl,
the feathered serpent, or the seraph.
And of course, we learn that Gabriel is in fact
a seraph in the Judeo-Christian tradition.
Here's another depiction of the descent
of the dove, this cosmic energy from the galaxy.
We see it spewing energy into Mary's awakened consciousness.
We see the concentric rings surrounding
her symbolizing a gateway.
We see something similar here in this Annunciation scene
from the Pantheon in Rome.
The dove descends.
It's a radiant dove.
Its conducted by Gabriel, who has a rod or wand in her hand.
She's portrayed as a male sometimes, other times
as a female.
And she is conducting that cosmic energy, once again,
into the awakened consciousness of Mary.
But now note in this instance she
is enfolded within a rainbow halo,
an aura of rainbow colored light.
To me, this is telling us that she is actually
receiving this higher energy, and it
is helping her to achieve the rainbow body.
We see the exact same thing here in this Annunciation scene.
Gabriel with the rod or wand conducting the cosmic energy
into the awakened consciousness of Mary,
symbolized by the concentric rings,
again in a rainbow color.
She is attuning herself with these higher energies
of the cosmos, and it is helping her
to achieve the rainbow body or human perfection.
What is actually happening here is
that Gabriel is conducting this cosmic energy
into the pineal gland of Mary.
We talked earlier about the chakras.
We counted them.
1, 2, 3, 4, 5, 6, 7, all good children go to Heaven.
The sixth chakra, also called the third eye,
symbolizes the pineal gland, and it
is the pineal gland that is the receptor
for these cosmic energies.
This is a photograph from an electron microscope
of the calcite micro crystals in the human pineal gland.
What most people don't know is that our pineal gland which
is called the seat of the soul and is located
in the center of our brain is dotted
with crystalline geometry.
It is actually a wireless transmitter.
It is actually the cell phone industry
that is doing the most intensive research right now
on the human pineal gland, because they know ultimately
our cellphones will be taken out of our hands
and will be put inside of our body,
specifically inside our pineal gland,
utilizing the calcite micro crystals as tuners
for cellphone communication.
Is it possible that the ancients already
knew about the secrets of the pineal gland
and its ability to receive, perhaps,
off-world transmissions, even those coming
from the center of the Milky Way galaxy?
I believe that that's exactly what they knew,
and this is why in instance after instance
of this Judeo-Christian art, we see figures being
attuned with cosmic energies and that energy
is being specifically directed towards
the awakened consciousness and specifically the pineal gland.
This extraordinary painting is by [? Meran ?] [? Seralian ?]
and it's called The Opening of the Third Eye.
It shows the head of Minerva, the goddess of ancient Rome
who's equivalent to the Greek goddess
Athena, the goddess of wisdom.
And what it shows in part is the activities of the pineal gland
and the pituitary body at the time
of the opening of the third eye.
The spiritual energy, the Kundalini fire, the sacred fire
is seen rising upward through the spinal canal
in the shape of a dove.
The pineal is shown radiating a blue aura.
This is exactly what would be happening
inside the skull or the brain of Mary in these Annunciation
scenes where she is receiving the higher
energies of the cosmos.
She is activating the latent capabilities
of her pineal gland and is now able to operate
at a much higher level as a human being.
This idea of the galactic core being
the source of these energies was well
known to the ancients, especially the Greeks
and the Egyptians.
In fact, the Greeks said the rainbow symbolized the goddess
Iris, the source of the waters on high, the mother of love.
That's the Milky Way to the ancient Egyptians,
who called her Isis.
Like the part of the named after her,
Iris was the core or the virgin.
So in this depiction from the National Cathedral
in Washington DC, we see the eye above radiating the rainbow
light, and we see Jesus meditating on the Trinity.
In my view, what it's portraying is
Jesus' alignment with the energies coming
from the center of the Milky Way galaxy,
and it represents his awakening consciousness.
If the galaxy is in fact the all-seeing eye,
it gives new life to interpretations of such symbols
as the Great Seal of the United States,
the all-seeing eye on the back of the one dollar bill,
on the Great Seal of the United States
could in fact represent the center of our Milky Way galaxy
and the radiant eye is the eye of illumination,
the eye of awakened consciousness
and it is apprehended by those who
understand that the symbolism actually
represents the Milky Way's core.
I recently heard Alex Jones say, the war
for human liberty against total dehumanization is on now,
and what we are facing is a complete disaster
if we are in fact dehumanized.
Part of what he's talking about is the march of technology
to transform us into cyborgs, to take our technology
and put it underneath our skin.
But in fact the ancients knew a lot about liberty,
and they talked about true liberty
as being a time when we connect with cosmic energy
or cosmic power that the Gnostics called
exousia, which means the power.
Exousia is a Greek word that means the power,
it means jurisdiction, liberty, capacity, and strength.
And in the Judeo-Christian tradition,
true power was symbolized by a robe or a garment
of light that was called the robe of glory,
the seamless garment, the garment of light,
or the term I prefer, the beaming garment.
This is the garment that was worn by Jesus
and demonstrated by him at the Transfiguration, when
he took several disciples up to the top of a mountain
and pulled back his skin and revealed himself
as a being of light.
How did Jesus get this cosmic power, this beaming garment,
this garment of light?
The answer is he received it at the baptism
by John the Baptist.
As the Book of Mark says, "It came to pass in those days
that Jesus came from Nazareth of Galilee
and was baptized of John in Jordan.
And straight away coming up out of the water,
he saw the heavens torn open and the spirit
like a dove descending upon him."
Here again we're talking about a story in which the heavens open
and a cosmic vibration symbolized by the dove
descends.
As a result of the baptism, Jesus
is given his beaming garment or his garment
of light, which is what we see in the hands
of the angel at the baptism.
The thing about this beaming garment
is that we discover as we follow its myths and lore
and tradition is that it's likely, A, that the energy
for it came from the center of the Milky Way galaxy
and, B, this energy, this vibration of true liberty
is in fact transmittable.
That's right.
The beating garment, the robe of glory,
is a transmittable garment.
It can be given from one person to another person,
and this is what we see happening
in the Transfiguration.
As I researched the history of the beaming garment,
I follow the path of Jesus up the mount of Tabor,
the mount of transfiguration.
The disciples, we see them here at the base of the mountain,
they're terrified.
They're in great pain.
They're like many of the people that we
know in this world today who are looking for something more,
but don't know quite how to achieve it.
So Jesus takes the disciples up to the mountain,
and reveals himself as this beam being of light.
He puts on the beaming garment.
And what we notice in these depictions
is that behind him is an open gateway.
Let's talk for a moment about how
this garment is transmitted.
In ancient Iran, the beaming garment
was said to come from Vahu Mano, who
is a conductor of the souls of the righteous men to Ahura
Mazda, the high god of the Zoroastrians.
Vahu Mano introduces the soul to Ahura Mazda, the god of light.
He is a helper, a companion, and a guide.
It is at this meeting that the soul
is invested with a white and pure garment.
The Indo-Iranian concept of the garment of light
was taken up by Christians in the Gnostic tradition
and referred to as the beaming garment.
This companion that gives us the beaming garment
is the same companion that stays in the galactic center
according to the Gnostic tradition.
And taking us back to Thomas Cole's painting
where we see the baby soul on its boat
emerging from the source place with the messenger of light,
we see that that is the source of this garment.
So maybe in a way John the Baptist
is fulfilling the role of Jesus' higher self.
He is attuning him to these higher vibrations
of the center of the galaxy.
The angel waits to give him his beaming garment or garment
of light.
In these depictions of the Transfiguration,
we see that Jesus is a radiant or star being.
His body has turned to light, and behind him
is this open gateway.
As I look at this imagery and compare it
with what we saw earlier, I'm thinking that what we're seeing
is he's opening up a stargate or a wormhole.
As I mentioned, at the Transfiguration
the disciples are terrified.
While Jesus spoke with them a bright cloud
cast a shadow over them.
God spoke from the cloud, and terrified
the disciples fell prostrate, but Jesus
came and touch their souls, saying,
rise, and do not be afraid.
Rise, and do not be afraid.
That is the message of our times.
It is time for us to raise our vibration, to overcome fear,
and to seek our higher self.
It is time for us to seek our higher self,
to rise and not be afraid, to put on that beaming garment,
and to open that gateway to ourselves.
Early Christians were actually divine alchemists
who believed that the human body could be transmuted into light,
and they adopted the concept that the panel
icons such as these that we've just been looking at
were actually portals or gateways into the higher
dimensional realms.
They were taught the icons were literally mirrors,
and that by meditating with these panel icons of Jesus
and the Transfiguration, they believed that our body would
begin to mirror what is happening in Jesus' body.
So in other words, just by contemplating, meditating
on it, and reflecting upon what is happening
in the Transfiguration, our body begins
to mirror what Jesus is experiencing.
This is an extraordinary spiritual technology
that we're talking about here, and is a very key way for us
to begin to engage in this energy and to connect with it.
It's so simple.
All we need to do is contemplate, meditate,
and reflect on the icons of Transfiguration,
and our body begins to come alive with this energy.
And what I'm suggesting is that you
begin to incorporate these images into your daily routine.
To place them around you in your home or your office as
triggers, as memory icons for you,
so that you begin to connect with this energy
and begin to bring it alive within you.
And as you connect with the energy,
you too will be doing, what Jesus is doing here, opening
the gate full of stars, the stargate that leads to Sion,
the gate to the other dimensional realm.
And with this energy flowing through your body and the gate
opened, you begin to more and more reflect your higher self.
You begin to live a life filled with more love as opposed
to fear.
That is the premise of soul rising, that
is the premise of engaging with the light of Sion.
It's what we're all called upon to do at this time
and all of us can do it.
What we're talking about here ultimately is how we ascend.
And ascension doesn't necessarily
have to do with dying.
Ascension has to do with raising the soul's vibration,
embracing its highest light and its highest potentials.
One of my favorite paintings of ascension
is by Hieronymus Bosch, the Flanders painter who
lived in Italy and was given the teachings of the Cathars
of Southern France, the pure ones who claimed that they
possessed the secret esoteric teachings of Jesus and Mary
Magdalene.
And in his paintings, Bosch shows for us
the process of ascension.
Here he's showing the Cathar soul, the pure soul,
rising from the earthly plane, rising out
of the realm of fear, up into the gateway,
the light that leads into Sion.
A name for this gateway or this pillar that
is shown in these paintings is Tzadik.
It's one of the ancient Hebrew names for this pillar,
and it means righteousness.
The idea is that when the righteous souls in our world,
those focused on love and who have overcome fear, act
righteously, then this pillar linking Earth with Sion
is strengthened.
But if not, the pillar is weakened.
The soul, if found worthy, ascends this column of light
and is given a pass through the gate to Sion.
The Jewish Kabbalists tell us that the faithful and elect
do not practice for themselves alone, but for the sake
of Heaven, for the sake of Sion.
So as we raise our soul's vibration,
we raise the souls of all of humanity,
the world, and everything in it.
And that is the promise of our time
is that if enough righteous souls gather together,
we can strengthen this pillar, this gate, this stargate
to Sion, and keep it open for all the souls of this planet.
Hieronymus Bosch paints it for us
in his wonderful painting called Saint Jerome Praying.
In the center of the painting, we
see Jerome praying before a traditional Catholic image
of the crucifix.
But then down in the lower left hand corner,
he shows us the column of glory, the column of Christ,
the Christ column, or the pillar of righteousness.
And in this column, we see the perfected soul
rising through a gate of stars.
This looks just like what Gene Roddenberry invented
in the series "Star Trek," when he talks about beaming.
Hence the term the beaming garment,
because when we put on this garment of light,
we not only glow rays and actually beam or radiate light,
but we also have the capability of beaming,
teleportation transportation through the stargate to Sion.
So here in this detail of Hieronymus Bosch's painting
we see the pure soul rising through a cylinder filled
with stars, a glassy cylinder filled
with stars, through several zones
into the higher dimensional realms.
He is venturing through the stargate to Sion
and makes it through to the other side.
That is the hope of our time.
We can follow Jesus' path, the path of love,
through the gateway to Sion.
And it begins by doing something very simple.
It begins by overcoming fear, by putting away
that fear, by connecting with other souls
on the path of ascension, raising their vibration
and recognizing that the work we're doing on ourselves
is helping to raise the vibration of all on our planet.
You belong to the race of the perfect light humans.
It is our natural birthright .
It is who we are.
All we have to do is remember who we are.
I would like to thank you for watching.
And in closing, I would just like
to ask you to put away the fear, to raise your vibration,
because the work you're doing on yourself is helping you,
but it's also helping everyone in this world.
Remember, you are part of the eternal race
of the perfect light humans.
That is who we are, and this is a process
of remembering, and recalling, and joining together
with all are on this path.
Use the artwork of ascension on your path.
Its message is simple.
We can awaken these abilities within us
just by looking at the art.
It's talking to us at a very deep level,
and its message is simple.
You are doing the work now.
Thank you very much for watching.
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