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[MUSIC PLAYING]

>>Hello, I'm William Henry.

I want to talk with you today about my new book,

"The Judgment Day Device," the lost

secrets of the throne of the Second Coming,

the Ark of the Covenant, and the Messiah's End Time Kit.

The premise of my book is that it's

Judgment Day, not the end of the world,

but certainly the end of the world as we know it.

In Christianity, Judgment Day is in the Book

of Revelation, chapter 20, verse 12.

And this is where we stand before the throne of Christ,

who is portrayed enthroned on his rainbow ring.

The interesting thing about this scenario

is that it's repeated in other traditions.

Not just Christianity anticipates the arrival

of a Messianic figure, but so does Judaism and Islam.

All three anticipate the imminent arrival of an End Time

figure at Judgment Day.

But what most people don't realize

is that each of these figures are symbolized

by the same symbol or device, the Ark of the Covenant.

When most people think of the Ark of the Covenant

they think of a simple golden box made by Moses

at the base of Mount Sinai to house the Ten Commandments.

What most don't realize is that there

were other tools or implements that

were contained within the Ark.

These include the rod of Aaron that budded,

the flask of manna, and the [? cruise ?]

of sacred oil, an oil that was rubbed

upon the body of the priest and transformed them

into illuminated beings.

The Ark was actually crafted by a master craftsman

by the name of Bezalel, who was given wisdom directly by God

and then was given a pattern to make the Ark, which

was to be a copy of a heavenly original.

We have to ask, why would God gives this craftsman

such incredible wisdom if he was simply

making a simple golden box?

This is a tip that there is something far more profound

going on with the Ark the Covenant.

The Ark is a copy of the heavenly original.

In fact, John the Revelator said that he saw heaven open

and saw the Ark of the Covenant located

at the throne of Christ.

So we now know there are at least two Arks of the Covenant.

There is the one in heaven and the one on earth.

This is a tip that we are to follow the ancient adage, "As

above, so below, as within, so without."

Later in the program I'm going to show

you the inner Ark of the Covenant.

Let's talk for a moment, though, about the Ark of the Covenant

in more detail.

What most Jews, Christians, and Islamic people

don't realize about the Ark of the Covenant

is that there are two scholarly trends about the Ark.

One says that it's a simple golden box,

but the other says that it is actually

the throne of a God being.

And in our presentation we're going to look at the Ark

as the throne of the Christ Messiah,

or Islamic Messiah, the Mahdi.

In these traditions, an illuminated being

is shown sitting on the throne, which

is in fact the Ark of the Covenant.

The Israelites carry the Ark during their 40 years

of wandering in the wilderness.

During this time, the Ark acted as a multi-purpose device.

I prefer to call it a device because the word "device" means

a tool, an appliance, but it also means a sign and a symbol.

And the Ark of the Covenant, to the Israelites,

was a sign of God's divine presence.

Joshua used the Ark as a tool or device

to part the River Jordan.

And in this wonderful painting by James Tissot

we see the Israelite priest, dressed in white,

carrying the Ark of the Covenant.

In this painting we see two key details

that will become very important.

One, we see that the Ark is, in fact, feathered.

Two, we see the two cherubim on either side

of the Ark of the Covenant with their wings

touching one another.

Joshua also used the Ark of the Covenant to take Jericho.

In this painting by John Martin in the National

Gallery in Washington, D.C., we see

Joshua causing the sun to stand still.

The Israelite priest utilized the Ark of the Covenant

as a tool or device that helps Joshua

to accomplish this extraordinary feat.

A key detail is that the two cherubim on top of the Ark

had wingspans that touched.

These wingspans are estimated to be about 15 feet.

And it was between these two cherubim

that Yahweh would manifest on his Ark throne.

The Ark of the Covenant manifests

what's called the mystical Shekinah, the divine glory

or the divine presence.

This divine presence is visualized as either a rainbow

or as a brilliant beam of light that

emanates from the Ark of the Covenant.

In the Jewish mystical book the Zohar,

this pillar or beam of light serves

as a conduit for the ascent of the souls of the righteous

to paradise.

It's called the foundation of the Mount of Sion, which

is thought of as a cosmic center.

The pillar of light or conduit emanates

from the Ark of the Covenant, and is

thought of as the throne of God.

In Jewish mysticism, the term "tzadik" or "righteous"

is also given to the cosmic pillar, as well as

the ones who scale it to heaven.

What we must fill in is the realization

that this luminous pillar is in fact

a portal through which the righteous ones pass

to the heavenly Sion and return.

This pillar is thought of as an incandescent pillar

at the center of Eden that is utilized as a transportation

portal for these righteous beings.

This is a conduit for these righteous souls that

transports them to this heavenly place, where they

are transformed into angels and returned to earth.

In this amazing painting we see the Israelites lined up,

approaching the Ark of the Covenant, which

has the pillar of righteousness shooting from within it.

This is the portal that they will

scale to the heavenly Sion.

In Jewish tradition it was King David

who brought the Ark of the Covenant to Jerusalem.

It was his son, Solomon, who built a temple

to house the Ark of the Covenant.

In the next chapter I'm going to show you

why I believe Solomon's Temple is in fact Solomon's Stargate.

[MUSIC PLAYING]

>>The temple of Solomon was constructed

atop Jerusalem's Mt.

Moriah, which is also called Sion.

The temple itself was divided into two areas.

The outer part of the temple was called the Holy Place.

A short staircase or ramp led into the Most Holy Place,

which is where the Ark of the Covenant was located.

the Most Holy Place is actually a cube-shaped room

that was lined with gold.

A veil separated the Holy Place from the Most Holy Place.

Holy of Holies and Most Holy mark an important distinction.

Things or persons can become holy.

Something that is Most Holy has the ability

to actively impart holiness or cause something to become holy.

Because it was in the Most Holy place, the Ark of the Covenant

itself had the ability to actively impart holiness.

In fact, the golden cube-shaped room itself imparted holiness.

It made those who entered into it holy people, or what

we might even think of as angelic beings.

The Most Holy Place was the secret chamber

of the high priest.

And only they knew its secrets.

At the dedication of the Temple of Solomon

the Ark of the Covenant was moved into the Most Holy Place.

And the Bible describes how a cloud of glory, the Shekinah

Presence or Divine Presence filled

the golden cube-shaped room.

When the high priest entered the Most Holy Place

he wore specially designed clothing

that was, in fact, made of the same material

as the veil that separated the Holy Place from the Most

Holy Place.

The veil symbolized the veil of matter.

And when the high priest crossed through the veil,

he was entering into the sacred realms.

Central to my thesis is Dr. Margaret Barker's proposal

that the veil represented a boundary between heaven

and earth, between the material and the immaterial realm

between time and eternity.

The veil represented matter, which veils humanity

from the presence of God.

Parting this veil took one beyond the material world.

Philo says that the veil separated the changeable parts

of the world from the heavenly region, which

is without transient events and is unchanging.

The people who passed through the veil, notes Barker,

were the mediators, divine inhuman,

clad in the priestly garments, who walked between worlds

to bring blessings and the presence of God to the people.

It was believed that those who entered the most holy place

entered heaven alive, and were transformed

as a result of entering that chamber.

In Barker's view, Solomon's Temple

was a place where pilgrims would come

to be anointed so that they, too, could come face

to face with the presence of God.

The transformed humans who received this anointing

and entered the Most Holy Place entered it alive,

were transformed, and then returned to the material world.

They were called angels.

In addition, the priests who received this anointing

and experienced this transformation

were called the priests after the order of Melchizedek.

As the Melchizedek high priest went beyond the veil

and entered the Holy of Holies, he entered heaven.

And when he passed back through the veil

he came down from heaven.

Dr. Barker tells how these people became angels and lights

among the living.

Is this experience literal or is it metaphorical?

I believe that it was a literal experience,

that they who entered this golden chamber

were transformed by the tools and implements

in that room, especially the Ark of the Covenant.

As the priest forever after the order of Melchizedek,

Jesus is believed to have been one of these high priests.

And this is why this painting by the German painter Wilhelm von

Kaulbach is so important.

We see the Israelite priest carrying

the Ark of the Covenant.

In the background is Jerusalem.

And above the Ark we see Jesus among some other saintly

beings, including Mary and John the Baptist.

It's as if the Ark of the Covenant

was used to open a portal or a gateway that

leads to Sion, the heavenly throne of Christ.

Christ is shown as an illuminated being,

as a light being, because this is the form

that all of the resurrected beings take.

The Ark of the Covenant is believed

to have remained in the Most Holy Place

until approximately 570 BC.

That's when the Babylonian king, Nebuchadnezzar,

came to Jerusalem, leveled the Temple of Solomon,

looted it of its treasure, including,

it's believed, the Ark, and took it back

to Babylon with them along with the wise men

from the Temple of Solomon.

Among the wise men that were taken to Babylon

were the prophets Daniel and Ezekiel.

It was Ezekiel who had the incredible vision of God

on his flying throne.

It was during the Babylonian captivity

that the Jews began to prophesy about the appearance

of a Messiah who would return them to Sion

and would reclaim the Ark of the Covenant,

as well as the other tools or implements housed within it--

the rod of Aaron, the flask of manna,

and the [? crews ?] of anointing oil.

The Jews still await the appearance of this Messiah.

However, some believe this figure's return is imminent.

According to Jewish legend, the Messiah

will reassemble the complete Ark of the Covenant

and will reveal the secret of redemption.

The secret of redemption has to do

with the transformation of the human body

into its resurrected form, what is known as the glory body

or resurrection body.

Images of Christ resurrecting from the tomb

affirm this ancient belief that the human body

can be transformed into a being of light.

In a moment we're going to explore

the incredible possibility that the tomb that Christ is shown

rising from is actually the Ark of the Covenant.

Did Jesus secretly recover the Ark of the Covenant

and use it in the transformation chamber in the Most Holy Place?

We'll find out.

[MUSIC PLAYING]

>>It is generally accepted by Islam

that the Islamic Messiah, the Mahdi,

will be the one to recover the Ark of the Covenant.

His name, the Mahdi, means "the guided one,"

because it is believed he will be guided by Allah to recover

the Ark of the Covenant.

In Islamic prophecy the Mahdi will be accompanied by Jesus.

Together they will recover the Ark of the Covenant

and will reveal it to the world in Jerusalem.

The Ark of the Covenant will be recovered by the Mahdi

and will be taken to Jerusalem, where

it will be the sign and symbol of his sovereignty

as well as his dominion.

For Muslims, the Ark of the Covenant

will be the sign of a great new age of peace,

prosperity, and rapid advancement

in human civilization that will be ruled by the Mahdi.

It will be returned to the sacred rock

atop Jerusalem's Mt.

Moriah, the place where it once rested in the Most Holy Place.

It was from this sacred spot that the prophet Mohammed

ascended to the throne of God aboard his magic horse, called

Al-Buraq.

Today the interior of the Dome of the Rock

features imagery and symbolism that reinforces the idea

that it is a portal or a gateway,

just as it was in the ancient world.

Is the Dome of the Rock this place

marking the most sacred spot to Jews, Christians, and Muslims,

in fact a portal or gateway to another region of space time,

referred to as the throne of God in the ancient text?

Millions believe that it is.

And this is why it is the most highly contested dot

of real estate on earth.

The recovery of the Ark of the Covenant by the Mahdi

is regarded by Islamic scholars as heralding

a time when Quranic moral values will prevail on earth.

In the Qur'an, the Ark of the Covenant is a sign

for the faithful and is described in these terms.

"Mohammed, their prophet, said to them,

'The sign of his kingship is that the Ark will come to you,

containing serenity from your Lord and certain relics left

by the families of Musa and Harun.

It will be borne by angels.

There is a sign in that for you if you believe.'"

One who believes is Mahmoud Ahmadinejad, the president

of Iran, who believes it is his divine mission

to cause cosmic jihad in order to hasten

the arrival of the Mahdi and therefore

the arrival of the Ark of the Covenant.

But in order for the Mahdi to arrive in Islamic prophecy

it is believed that there must be a major cataclysmic event.

Some believe that Iran's nuclear weapons program

is designed to facilitate or hasten

the arrival of the Mahdi.

So does the government of Iran actually want war

on a global scale, chaos on a global scale,

because that's what the prophecy says

for the arrival of the Mahdi?

Is Iran presently seeking the Ark of the Covenant?

Does it possess they Ark of the Covenant,

and will it be revealing it to the world?

As crazy as that sounds, the vast majority

of people around the world have no idea

how obsessed the Iranian government

is with its brand of Shia Islam and the belief

that it can hasten the arrival of the Mahdi

by creating global chaos.

The Shia Muslims believe that the arrival of the Mahdi

is imminent.

And that means the return of Jesus

is imminent as well, along with the appearance

of the Ark of the Covenant.

It surprises many to learn that the Iranian government's

official websites are filled with information

about the imminent arrival of the Mahdi.

The Islamic Republic of Iran Broadcasting website

said, in a program called "The World Towards Illumination,"

that the Mahdi will form an army to defeat the enemies of Islam

in a series of apocalyptic battles

in which the Mahdi will overcome his arch villain in Jerusalem.

Likely this figure will be carrying

the Ark of the Covenant.

The Iranian regime believes that it

can hasten the arrival of the Mahdi

by destroying the little Satan, Israel,

and the great Satan, the United States.

Since 2010 the Ayatollah Khomeini, Iran's Supreme

religious leader, has been telling the Iranian people

that he has been in contact with the Mahdi

and has in fact met him personally.

And the Mahdi has assured him that he will manifest on earth

during the Ayatollah's lifetime.

In July 2012, the Ayatollah Khomeini

told the Iranian people to prepare for the End Times.

On September 26, 2012, on Yom Kippur, the day of Atonement,

the day when the Israelite high priest would enter the Most

Holy Place and address the Ark of the Covenant,

Mahmoud Ahmadinejad addressed the United Nations

and told the world to prepare for the imminent arrival

of the Mahdi.

Ahmadinejad said that the arrival of the Savior figure

would mark a new beginning for humanity,

an age of rebirth and resurrection.

Is the Ark of the Covenant soon to be revealed in our world?

The fact that the Ark of the Covenant

has been lost for centuries suggests that it may never

be found, has secretly been found, possibly even by Jesus,

or may be awaiting a time, such as our own,

when so many signs and warnings of the End Times

have been fulfilled.

What most don't realize is that the Ark of the Covenant

is just one component of a larger supernatural

device I call the Judgment Day Device.

This complete Ark will be the sign

of the Christ Messiah or Mahdi.

[MUSIC PLAYING]

>>So let's talk about this complete device.

To fully understand it, we have to begin with the realization

that the Ark of the Covenant was thought

of as the throne of the Israelite God, Yahweh.

In Israelite thought, Yahweh is imagined on an immense throne

in the Most Holy Place of Solomon's Temple

with his feet propped on the Ark of the Covenant, which

serves as his footstool.

This Ark slash footstool is in fact the throne of Yahweh.

A most influential text is Ezekiel,

which describes the being on the throne as something

that seemed like human form.

The prophet goes on to describe this human-like figure

in detail, especially focusing on his luminosity.

A rainbow surrounded the throne and the figure.

It was covered in fire.

Isaiah also saw a human form on the throne.

"In the year that King Uzziah died,

I saw the Lord sitting upon a throne, high and lifted up.

And his train filled the temple.

And above him stood the seraphim."

This fourth century BC depiction of Yahweh on his throne

portrays that throne as a winged ring, because it flies.

This flying throne or winged throne

is known as the Merkabah vehicle, the Throne Chariot.

It's from the word "Merkabah" that we in fact

get our word "cab," which means "vehicle."

What we realize is that the Ark of the Covenant and the throne

are equated.

The Bible tells us this.

"Therefore, hear the word of the Lord.

I saw the Lord sitting on his throne.

So the people sent to Shiloh and brought

from there the Ark of the Covenant of the Lord of Hosts,

who is enthroned on the cherubim.

And the two sons of Eli, Hophni and Phinehas,

were there with the Ark of the Covenant."

The Lord's Throne is the Ark of the Covenant.

Merkabah, or throne chariot, literature

describes the seraphim beings that

accompany the Ark of the Covenant

in the heavenly temple, meaning they surround

the heavenly Ark of the Covenant.

Here's what it says.

"Their walking is like the appearance of a lightning bolt.

A vision of them is like a vision of a rainbow.

Their faces are like a vision of a bride.

Their wings are like the radiance

of the clouds of glory."

Remember, the Ark of the Covenant

manifests the Shekinah Glory or the Divine Presence,

which is visualized as a rainbow.

On either side of the Ark are these rainbow beings,

the seraphim.

The seraphim are considered to be the highest order of angels.

They are beings of pure light and pure love.

And in certain traditions they're

viewed as transformed humans, humans

who have completed the cycle of earthly evolution

and have transformed themselves into light beings

and now dwell at the throne of God,

where the heavenly Ark is located.

In this example here we see Christ ascending

above an Ark-like box, in an almond-shaped gateway

or a mandorla, filled with light.

On either side of them are the rainbow beings, the seraphim.

The seraphim are shown in Judeo Christian

art as having six wings and also swirling

or vortex-shaped shaped bodies.

The description of the seraphim as beings

of light with swirling vortex-shaped bodies

is strikingly similar to the way the Tibetans portray their most

advanced teaching, the Great Perfection, or Rainbow Body

teaching.

In this teaching we're told that the human body can

be spun into a vortex of energy that ultimately manifests

as five-colored rainbow light, leaving behind only hair,

toe, and fingernails that have no nerves to be transmuted.

Is it possible that the seraphim are in fact rainbow body

beings, humans who've achieved the highest

level of human evolution and now dwell at the throne of God

as rainbow beings?

What intrigues me about this is that the Tibetan rainbow body

seems to match the Christian concept of the resurrection

body or glory body.

When Christ is shown resurrected he is shown either in a rainbow

or on a rainbow.

He is in glory, meaning he is glowing rays,

glowing rainbow light.

The interchange of these images makes it clear

that we are describing beings who've

achieved the ultimate human transformation.

What is the role of the complete Ark

of the Covenant in this transformation?

We'll soon find out.

One thing seems clear, and that is

that the resurrection body, the redeemed body, the glory body,

or the rainbow body is the form in which we

will ride the beam that emanates from the Ark of the Covenant.

This beam, or pillar of righteousness as it's called,

is featured in this painting by Hieronymus Bosch.

Painted in 1600 AD, it's thought to contain

the secrets of the Cathars of Southern France.

The Cathars claimed that they possessed a secret teaching

that once belonged to Jesus and the disciples

about resurrection.

In the painting we see Saint Jerome

praying before a traditional image of the Catholic crucifix.

This time, though, it's attached to a throne.

Highly intriguing.

In the lower left-hand corner is what the Cathars

may have called the Christ column, or the column of glory.

Scholars believe Jesus referred to this Christ column

or tube of light in the book of John.

"I tell you the truth, you shall see heaven open

and the angels of God ascending and descending

on the Son of Man."

So the heavens have opened, via something--

the Ark of the Covenant?-- and we now know that this tube

of light is also called the Son of Man.

It's possible that this tube of light

is what Jacob saw in the book of Genesis

when he fell into a dream and saw a ladder

or stairway reaching into the heavens with angels

ascending and descending on either side.

Jacob scaled that ladder, got to the top,

and saw [? El ?] looking back down on him.

Jacob awoke from his dream, set up the pillow

that he had his head upon as a pillar, anointed it with oil,

and declared that this is none other than the House of God

and this is the gate to heaven.

It appears to me that Jacob may have

been assembling a sort of a kit.

He took his pillow, set it up as a pillar,

and poured oil on top of it.

It's possible that the beam of light coming

from the Ark of the Covenant and the tube of light in Hieronymus

Bosch's painting are representative

of the same thing.

If that's the case, then the Christ column or column

of glory in Bosch's painting is in fact resting upon

or attached to the Ark of the Covenant.

This is our first reference to the complete Ark

of the Covenant, which we will see again in a moment.

Bosch seemed to have known something

very important about riding this beam.

That is that we won't ride it in flesh and blood form.

Rather, we will acquire a garment of light or light body

before we embark on this journey.

In the background we see the Cathar initiate

receiving a cloak or garment of light from an angel.

This prepares this figure to kneel before Christ,

who is also portrayed as a being of light.

This is the same garment of light

that John the Baptist transmitted to Jesus

during his baptism.

It is believed in Judeo Christian tradition

that John the Baptist is in fact the reincarnation

of the biblical prophet Elijah, the forerunner of the Messiah.

Elijah is called a translated being.

What this means is that he has transformed himself

into a higher form beyond human.

A translated being is one who can

materialize and dematerialize at will

and travel the universe in a fiery chariot or Merkabah

throne.

In fact, this is what we see in Jewish art

of the ascension of Elijah.

He rides into the heavens on his Merkabah throne.

He rides into the heavens on his Merkabah throne chariot.

As he ascends, he turns to his priesthood Elisha

and transmits his holy garment, his power garment or miracle

garment, which is the same as Christ's light body garment.

This is the same garment that John the Baptist transmitted

to Christ at the baptism.

After the baptism, Jesus took several disciples up

to the top of a mountain and, in a moment

called the Transfiguration, he changed his form.

He metamorphosed into a shining or radiant being of light,

symbolized by his bright white garment.

A portal or gateway opened behind him.

Suddenly Moses and Elijah appeared as if out of thin air.

What they are demonstrating for us here

is the ability that translated beings

possess, the ability to phase back and forth

between the material and the immaterial realm,

because they know the secret of the throne

chariot or Merkabah metaphysics.

The robe of light itself is an important symbol

of this Merkabah metaphysics.

There are several names for it.

It's called the Robe of Sanctity, the Robe of Glory,

the Shining Garment, the Garment of Light.

But my favorite term is the Beaming Garment.

Because when we put on the Beaming Garment

we literally radiate light.

And we may even have the ability to beam through the universe.

A Greek term that describes the attributes of this garment

is the word "exusia."

It means power, jurisdiction, capacity, strength,

and liberty.

This is our motivation for pursuing these mysteries.

Because as we put on this garment of light ourself,

we acquire true power, true capacity, true strength,

and true liberty.

This Robe of Glory is the garment

of light worn by the Cathar initiate

as it rises through the Christ column or tube of light.

400 years after Hieronymus Bosch,

Gene Roddenberry invented the idea of beaming.

Is it possible that the ancients knew

the secrets of dematerializing the body into light

and beaming it across the universe,

and we are only today rediscovering what they already

knew?

It's possible that another painting by Hieronymus Bosch

also is an image of the tube of light or the column of glory.

The painting is called "The Ascent into the Empyrean."

And what we see is an initiate who

is rising from the earth plane, the material realm.

And as this figure rises it becomes less and less material,

until it is completely naked, indicating

that it is in a light body form.

It is in this form that the figure

enters into the tube or tunnel of light that

is composed of concentric rings.

At the end of the tube or tunnel is a being of light.

The incredible thing about this painting

is that people who have had a near death experience

report seeing such a tunnel of light.

And it's possible that this tunnel

is in fact what we today call a stargate or a wormhole.

Something that's very important to us

is that those who have had near death experiences

report immense feelings of love and joy

emanating from this tunnel, as well as the beings of light

that they see in this tunnel.

It's likely that immense feelings of love and joy

accompany us as we enter this tube.

So how close are we to beaming?

The fact of the matter is that quantum teleportation

has been proven experimentally over and over.

Though it may be disappointing to hear,

quantum teleportation is not yet about instantly sending

a person or object between two places.

In other words, there's no "Beam me up, Scotty" yet.

However, what they're doing is something

absolutely extraordinary.

They're separating a subatomic particle

from the quantum state.

And once you disembody the state of one particle,

you can then recreate the particle in a remote copy.

What they're suggesting is that a beaming device would scan us,

make a copy of us at another location.

Remember, the Ark of the Covenant on earth

is a copy of the heavenly original.

Is it possible that the Ark of the Covenant

was some form of an ancient scanning device, whereby

copies of individuals were beamed

from Earth to the heavenly Sion?

If so then we are on the verge of recreating the Judgment Day

Device.

[MUSIC PLAYING]

>>So let's return to the ancient world

for evidence of the ancient Judgment Day Device.

Some believe that the Ark of the Covenant

had Egyptian antecedents.

In this example here from the temple of Rameses II at Abydos,

we see what's called the [INAUDIBLE] shrine,

the power shrine, the symbol of upper Egypt

that is carried on poles exactly like the Ark of the Covenant.

This shrine resembles in form, and I

believe in function, the Ark of the Covenant,

suggesting that in fact the Egyptians did

have a form of Ark of the Covenant.

We compare the ancient Egyptian version

with James Tissot's version of the Ark of the Covenant

and see that they're a very close match.

At the temple of Medinet Habu we see

the pharaoh enshrined on a throne inside the Ark,

combining the Ark and the throne.

In this example from the temple at Medinet Habu,

we see the pharaoh on his throne chair, his winged throne chair,

that is in fact placed within the [INAUDIBLE] shrine,

which could be an early version of the Ark of the Covenant.

In a second example from Medinet Habu

the Ark shrine is attached to the Ark

of the Millions of Years.

In ancient Egypt it was believed that one

could enter the realm of the gods

through a ladder or stairway or via the pharaoh's throne, which

could fly.

This is why the pharaoh's throne, or the throne of Osiris

in particular, was shown with feathers on it.

The feathered throne reminds us once again

of Tissot's version of the Ark of the Covenant.

Osiris sits on the feathered throne.

He wears his tight-fitting holy garment

called his crossed garment.

It's pure white, again reminding us of the Transfiguration

garment or the robe of light of Christ.

Osiris's face is green, indicating

that he is the god of rebirth, renewal, and resurrection.

The passion of Osiris is reflected

in his name, Wennefer, the One Who Continues To Be Perfect,

which alludes to his post-mortem power.

Osiris is portrayed as a perfected one.

Is it possible that he too is one

who has achieved the perfect body or the rainbow body?

The connection between Osiris and the Tibetan rainbow body

tradition once again suggests that in order

to travel upon the throne into the stars,

we must first manifest our glory body or resurrection body.

In fact, it is no coincidence that the resurrected Christ,

the resurrected Osiris, and the perfected Lama in the Tibetan

rainbow body tradition all manifest the same light body.

For additional evidence we turn to the temple of Hathor

at Dendera.

There, on the incredible astronomical ceiling,

we see celestial beings, transformed

humans riding upon the Ark of the Millions of Years

into eternity.

They sit upon their feathered throne,

which is attached to the Ark or Bark of the Millions of Years.

What I would propose is that we're actually

looking at the complete Ark throne.

As they sit on this feathered throne

they are transformed beings who've achieved the light body

form and are now traveling for eternity on the Ark or Bark

of the Millions of Years.

The amazing thing about the Ark of the Millions of Years

is the way it compares to the way modern science portrays

a wormhole.

In this artist visualization we see

a of warp craft entering the mouth of a wormhole.

It travels through the throat of the wormhole and exits

at the other side in what could be another dimension

or millions of lightyears of space time.

The warp craft is able to travel through the wormhole

across these vast distances as if there's nothing in between.

In this example, we see the U shape of the wormhole

once again.

We enter the mouth on the left.

We travel through the throat of the wormhole and exit

on the mouth on the right.

What I have done is taken this modern depiction

of the wormhole and superimposed it over the imagery

that we find on the ceiling at the temple up Hathor

at Dendera.

And what we find is a perfect match

between the symbolism of the wormhole

and the ancient Egyptian depiction

of the Ark of the Millions of Years.

Once again, it's asking us to consider the possibility

that the ancient Egyptian gods knew

how to transform themselves into celestial or star beings

and travel the stars for eternity through wormholes.

[MUSIC PLAYING]

>>What most Christians don't realize

is that Christ is also shown ascending or traveling

through the stars on an ark throne.

Earlier we looked at this image of the seraphim

on either side of the Ark of the Covenant

with the Shekinah rainbow in between.

We noted the key detail, that their wing tips touch.

Now, compare that with this image of Christ on his throne.

We note that he's sitting on a throne with his feet

on a footstool.

That's the Ark of the Covenant.

Angels are on either side of him, and their wing tips touch.

This is a clear sign to scholars that, in fact, Christ

is sitting on the ark throne.

As we look around Christian art we

see other compelling examples of Christ on the ark throne.

In this example from ancient Egypt from the fourth century,

to be precise, we see Christ sitting on his throne.

He has his feet on the footstool, which

means once again we're talking about the Ark of the Covenant.

He's in the concentric rings, which symbolize the portal.

He is portrayed ascending on the Ark throne

through this pillar or tunnel of light.

This is exactly what we saw in Hieronymus Bosch's painting

of the tube of light or the Christ column.

Is it possible that all of these scenes

are portraying the same event from a different perspective?

One shows it from a side view.

Another shows it from the face view.

And another actually shows us entering

into that tunnel or portal.

It's clear to me that Jesus is, in fact,

associated with the Ark of the Covenant.

It's his ascension vehicle.

This thought is contrary to traditional Christian teaching.

But let's go back and compare the early Christian images

to the Egyptian images.

The Egyptian image shows the pharaoh

on his feathered throne, his Ark throne,

attached to the Ark of the Millions of Years,

traveling as a celestial being through the stars.

Christian imagery shows the same story from the face on.

Christ is on his Ark throne, traveling

through the tube of light.

In this example from Russia, we see Christ enthroned.

He's sitting on the lap of the Father.

The seraphim are on either side of this throne.

The Father's feet are on the footstool,

indicating once again that this is

the Ark of the Covenant flanked by the seraphim.

In this detail we see that the footstool is in fact winged.

These are the wheels of Ezekiel's chariot,

also called the Merkabah chariot,

affirming once again that Christ's throne is in fact

the Merkabah chariot.

All three of these images portray the ark throne.

And it is clear that this ark throne or Merkabah

throne is, in fact, the throne of Christ.

It is his ascension vehicle.

In this example we see two angels lifting Christ

into the heavens.

He ascends into the heavens and then is shown on his throne.

This once again is a winged throne telling us

that this is the Merkabah throne.

This illumination from a sixth century Syrian manuscript

called the Rabula Gospels shows the ascension of Jesus

upon a chariot exactly like the one Ezekiel saw.

As art historians note, a great many Western ascension images

adopt the pattern seen in this image.

This became the common way of portraying this event.

We see the flying and wheeled vehicle

or craft that is the vehicle of ascension that Christ rides

into the stars.

We also note that he is in fact in a rainbow ring,

again, because he has achieved the rainbow body or the glory

body.

But this is exactly what Ezekiel saw

when he saw Yahweh on his throne.

In this example from Macedonia we

see Christ ascending on his winged throne amidst

a portal or a gateway.

Again this is suggestive of the tube of light of the Cathars.

In this example Christ once again

is on his red-winged throne.

It is his flying throne vehicle, the Merkabah.

This Russian example portrays exactly the same concept,

where he is on the winged throne in this radiant gate

or portal of light.

In this example Christ sits on the rainbow ark or bridge

that is his throne vehicle.

Here we see Christ on his winged throne

actually in a rainbow ring.

We see that he wears a cloak covered with stars.

Above him is an empty throne called the Prepared Throne

of the Second Coming, which we'll discuss momentarily.

It is clear to us now that Ezekiel's throne and the throne

that Christ rides upon are the same thing.

It's a light body vehicle that manifests from within us.

Today we visualize creating flying vehicles.

In 2012, the Volkswagen company went to China

and asked the people there to design

the new people's car, or Volkswagen.

The winning contestant came up with an idea

of a levitating car, a circular vehicle that

would ride upon magnetic strips that

actually recharge the vehicle.

It appears that the idea of the levitating or flying ring

has been in the human imagination

for a very long time.

And we appear to be on the verge of recreating it.

But we must go back again to the ancient images

of the original conception of the Merkabah throne.

As shown here in this Armenian version,

Christ again is on his Merkabah throne, the complete Ark

throne, in the portal.

John the Baptist and Mary are on either side,

taking the place of the two seraphim.

Here Christ is on the Ark throne,

his feet on the footstool.

He's in the tube of light that's filled with stars

and is composed of concentric rings.

He's in what is unmistakably to modernize a stargate

or in fact a wormhole.

This appears once again to be the same tube of light

that Hieronymus Bosch portrayed in his painting

and also the tube of light that emanates

from the Ark of the Covenant.

In later ascension images the rising Christ is shown face-on.

We see the living beings surrounding the throne

are present, but the throne is now gone.

Instead of Ezekiel's winged chariot,

now the rising Jesus rises upon a transparent ark or bow

in a portal or gateway composed of concentric rings.

The tube is filled with stars again.

And in my opinion, he is in the beam of light or conduit

opened by the Ark of the Covenant

and is traveling through it.

We have to fill in the blank that the transparent ark or bow

actually represents the Ark of the Covenant.

In Perugino's 14th century "Ascension," all traces

of Merkabah mysticism or the Merkabah throne

disappear from Christian art.

He keeps the gate of light but omits the winged chariot

or craft.

And he adds Saint Paul.

In the detail we see that he is in the almond-shaped mandorla

or gateway that is framed by rainbow light,

hinting once again the rainbow body.

In Renaissance and Baroque images,

Christ ascends through clouds under his own power

rather than being borne by angels or Ezekiel's chariot.

It's possible this reflects the golden legend's firm

insistence on self-portation.

So when we see Christ riding in the rainbow ring

we know that he's actually manifested the rainbow body

or glory body and is ascending through the stars as a light

being.

[MUSIC PLAYING]

>>I'd like to talk with you now about Russian last judgment

images that portray the Throne of the Second Coming, the Ark

throne.

At the end of my book "The Secret of Sion"

I came upon some rather unusual Russian last judgment images.

In the book I had described how the earthly Sion

and the heavenly Sion are connected.

Because there's an earthly Ark and a heavenly Ark

it suggested to me the possibility that

the Ark of the Covenant, the complete Ark, that is,

functions as a sort of a docking station.

If we are thinking of Christ and others

who utilize the Ark of the Covenant as fast-moving,

higher vibrational light beings, then it's

possible that when they manifest in the lower density, lower

vibration earth realm that they need

some form of an anchor point or perhaps a docking station,

if you will, in order to manifest in this realm.

And this is what I propose the last judgment device is.

It is that docking station or portal

for transportation for these beings coming and going

from the earthly to the heavenly Sion.

Here we see a 14th century Russian last judgment image.

In the top zone we see Christ enthroned.

Linking the throne of Christ with the Earth realm

is a serpent that is winding its way up a central axis.

As we look at the details here we

see a group of saints that are entering a pair of golden doors

that are guarded by a red-winged seraph.

Beside them is the serpent making its way up

to Christ's thrones.

Christ is shown in a radiant gateway filled with light,

standing on a blue orb.

Beneath him is a device, a symbol.

It is the cross attached to a red alter

or box that is guarded by two angels.

This device is called the Hetoimasia,

or the Throne of the Second Coming.

It is called the Prepared Throne,

and Christ keeps it close because it's his.

In Christian end time art that portrays the Second Coming,

the Hetoimasia is most often composed

of a cross, which is viewed as an instrument of transmutation

converting flesh or mass into light, spirit, or energy;

a spear, the spear of destiny that

pierced the side of Christ; a sponge that

quenched Christ's thirst; a scroll or book;

a robe of light; a jar containing sacred oil;

and additionally, a platform that

is in fact the Ark of the Covenant.

What I have just described in fact

is not only the Throne of the Second Coming,

but the complete Ark of the Covenant.

In this comparison we once again see

Tissot's version of the Ark of the Covenant

and can see that in fact the Ark of the Covenant

is the platform for the Throne of the Second Coming.

It is the Ark Throne.

And this is the complete judgment day device.

Is in fact this device some form of docking station?

Christian art seems to suggest that.

Because once again it fulfills all

of the symbolism of the Ark of the Covenant.

We see the Ark flanked by the two angels,

but now we have the robe of light attached.

The cross is attached, the jar of sacred oil,

and also the open book.

Sometimes in this artwork we see the crown

of thorns as also attached, as well as other tools

and implements.

The star-spangled cloak that we see attached to the Hetoimasia

is in fact the Shroud of Turin, the light body

garment of Christ.

In 2011 Italian scientists were able to prove

that the image on the Shroud of Turin

was created by a sudden burst of light that emanated

from within the body of the figure covered by that shroud.

I believe that the shroud of Turin

is an actual relic of Christ's manifestation of the glory

body, the light body, or the rainbow body.

Here's a few more examples of the Hetoimasia

or the complete Ark of the Covenant, the judgment day

device.

This example is from Moldavia.

We see the two angels on either side of the arc,

again with the footstool, with the cross attached to it,

the crown of thorns, the spear of destiny,

the rod with the sponge, the book, and the garment of light.

This is the complete device or docking station.

There's one of these on Earth, located

in the temple of Solomon, and one in heaven.

And when beings come and go from the two locations,

we are told, they utilize this device.

Another example featuring Mary and John

the Baptist in the place of the two angels on either side.

But we have the same Ark of the Covenant as the base

or platform; the dove, now symbolic of the Holy Spirit;

the book; the cross attached.

This next example is from Russia, from the 16th century.

We see Christ above the Hetoimasia,

sitting on his Ark throne with transparent wheels.

And beneath him is the Hetoimasia.

This is a very key, example because as

in the example of Tissot's ark once again,

the Ark of the Covenant is portrayed as feathered.

When feathers are shown on the Ark of the Covenant

it indicates that it is in fact in ascension vehicle.

Let's take a little deeper look at the serpent symbolism

in these Russian last judgment images.

Because once again it affirms my theory

that the complete Ark of the Covenant, the judgment day

device, is in fact a device that opens a stargate or a wormhole.

Part of my inspiration for interpreting this symbolism

comes from Maya symbolism.

Here we are seeing a comparison between the Russian last

judgment images and a Mayan depiction

of the birth of Quetzalcoatl, the Mayan Savior,

from his celestial or star place.

Interestingly, Quetzalcoatl's name

means "the feathered serpent," which is exactly

the definition of the Hebrew word seraph,

indicating that in fact Quetzalcoatl

could be one of the seraphim.

At the top of the image we see an eight-spoked wheel,

which Mayan symbolists tell us represents

the center of the Milky Way galaxy.

Here we see the center of the galaxy opening, a serpent rope

or umbilical cord emanating from the center of the galaxy.

And riding upon it is Quetzalcoatl.

Now, what my friend and colleague John Major Jenkins

did is quite interesting.

He said that we can take out the archaic Mayan term "serpent

rope" and put in the modern term "wormhole"

and we have an accurate depiction or representation

of what the Mayans say is going to happen

at the birth of Quetzalcoatl.

Another example of a serpent rope or umbilical

cord linking Earth with the celestial or star place

is featured here in this painting

by the Japanese painter Kano Hogai.

It features the goddess Quan Yin,

the goddess of love and compassion,

who holds a rod or a wand in her hand with a string attached.

Attached to the string is a golden orb

with a baby's soul in the golden orb.

An umbilical cord wraps around the baby.

And it descends into a craggy rocky area

that Kano Hogai tells us is Earth.

This is clearly what we're seeing

in this Russian last judgment image, is this notion

that there is an umbilical cord, a cosmic transportation

system, that links Earth with the center of the galaxy

or some other source location.

I believe that that's what we're seeing in this imagery here,

is a Russian representation this cosmic umbilical cord.

And as this umbilical cord ascends up

through these various levels, it is actually

depicting a transportation system

taking us through various levels of frequency or density

or even into other regions of the galaxy.

As we follow the path of this serpent rope or umbilical cord,

we see that it wraps around the Throne of the Second Coming

and ultimately makes its way through the throne of Christ,

up to a ring composed of eight circles,

in the center of which we see God the Father.

This ring with the eight circles,

the eight-spoked wheel, is virtually

identical to the Maya symbol of the center of the Milky Way

galaxy.

Is it possible that the Russian last judgment imagery

is telling us that there is an umbilical cord linking earth

with the center of the Milky Way galaxy?

Is in fact the galactic center the location

of Christ's throne?

This umbilical cord, of course, reminds us of Jacob's Ladder.

He laid his head on the stone and saw this stairway to heaven

snaking its way from Earth up to the throne of the Israelite God

El.

Is this a journey to the galactic center?

Is Jacob's story possibly the origin of this imagery

or does it come from somewhere else?

Let's take a look at this incredible Tibetan thangka

that portrays the journey of the soul rising

its way up a serpentine pathway all

the way to the throne of Buddha.

At the base of the painting we see that there is a grey

elephant making its way up this path.

It passes through trials and tribulations,

represented by fire and by challengers.

As the gray elephant makes its way up the path

it suddenly starts becoming half gray and half pink,

until it makes its way all the way up to the top

of the path, where it's now completely pink.

And there is in fact a rainbow bridge

that links this pathway with the throne of Buddha.

I believe that the Tibetan and the Russian images

are telling exactly the same story.

There is an umbilical cord, a pathway, maybe

even a wormhole that links earth with the center of the Milky

Way galaxy.

In order to access this gateway we

must go through this process of purification,

of cleansing ourselves, of opening our hearts

and becoming beings of light in order to make this journey.

Some additional Russian last judgment images

that are worth taking a look at, especially because they

focus on the throne of the Second Coming, the Hetoimasia.

In this example here we see the Hetoimasia

is flanked once again by angels.

Christ sits above it on his Ark throne,

his feet on the footstool.

Another example.

We see the umbilical cord, the serpent roper

wormhole winding its way up past the Hetoimasia,

all the way to the throne.

Here we see the complete throne of the Second Coming.

The Ark of the Covenant is the platform,

the robe laid upon the Ark with the open book on top

and the cross attached.

This ark makes clear that one complete throne of the Second

Coming is located at the throne of Christ.

Is there one on earth?

Let's take a quick look at the development

of the cross as a symbol and see how these missing pieces start

to fall into place.

One of the earliest representations

of the crucifixion is from the fourth century.

It's in the British Museum in London.

We see a very simple scene with Christ attached to the cross.

There are no other implements in this scene.

Christ carries the cross to the crucifixion

in this scene from the same period,

but we note that there's an addition of a footstool nearby.

Is this a possible hint that someone at this time

knew that the cross was to be placed

on the Ark of the Covenant or the footstool?

In the sixth century, Pope Gregory the Great

had a vision in which he saw Christ manifest before him,

accompanied by various tools and implements that became known

as the Arma Christi, or the instruments of the passion.

In this image, we see Christ manifesting

before Pope Gregory in a gateway filled with light.

He is surrounded by the Veil of Veronica,

the Holy Grail, the crown of thorns,

the dice that were used by the Roman soldiers

to gamble for his robe of light.

And this inaugurates a time period

in which we start to see these various tools and implements,

the Arma Christi, present in Christian art.

All of these tools and implements

were thought to have been assembled at the crucifixion

and utilized to help Christ manifest his resurrection body.

After the crucifixion all of these tools

disappear into myth and legend.

And by the sixth century, efforts

were being made to reclaim these items.

In these examples we see the complete kit

of tools of the crucifixion, the Arma Christi,

or in fact the throne of the Second Coming.

We see Christ emanating or rising

from a tomb that could well be the Ark of the Covenant.

We see the cross attached to the Ark of the Covenant.

That is the Hetoimasia or the throne of the Second Coming.

In my view, each of these images is

portraying the complete throne of Christ,

the throne of the Second Coming, or the Hetoimasia,

the Ark of the Covenant with the cross attached

and the various tools or implements that

are assembled that ultimately manifest the resurrection

body or the light body.

This example here is key, because it includes the INRI

placard.

This was placed atop the cross by Pontius Pilate

and is supposed to identify Christ as the King of the Jews

and also to state his crime.

In the esoteric tradition, however, INRI

stands for by fire, frequency, or vibration,

humankind is renewed or made whole.

And it indicates that this complete device

is a tool that harnesses a fire, frequency, or vibration that

transforms us.

This fresco is a favorite example.

It's by an anonymous painter in Italy.

At the base we see three priests who

have assembled the complete kit or Hetoimasia.

And above it is Christ manifesting

through an almond-shaped mandorla or gateway composed

of rainbow colored light.

In the gateway he sits upon his throne,

indicating that what we're looking at here

is, in fact, the complete ark throne of the Second Coming.

Here in this example from San Marco in Venice

we see a ring of apostles who are sitting on benches,

or perhaps thrones of their own.

They are linked through their consciousness

to the throne of the Second Coming, which

is located in some other realm, indicating that there

is a consciousness link that is being made to that throne.

It suggests to me that these apostles know the secret

that the throne, in fact, emits a frequency or vibration that

transforms our consciousness.

In this incredible example from the 15th century,

we see that Christ has all of the symbols of the Hetoimasia

or the Arma Christi, the instruments of the passion,

on his body.

This is a tip for us to embody these tools.

The Ark of the Covenant is within us.

So is the cross or the tree of life.

So is the crown of thorns.

And our objective is to learn to embody this consciousness

and to become the throne itself.

We see the same thing here, in this example from the Brooklyn

Museum by an anonymous painter from Spain in the 14th century.

We see that Christ wears all of the tools or implements

of the passion, the Arma Christi.

What we are to deduce from this is

that he spent his life mastering this symbolism,

learning to utilize all of these tools

and implements to achieve the resurrection body or light

body.

For when the Arma Christi, this kit of tools,

is fully assembled within us, it manifests the resurrection

body.

This is why Jan van Eyck's depiction

of the crucifixion of Jesus is so important.

It shows John the Baptist and Mary

on either side as the two angels.

Christ is sitting on the ark throne

with the cross behind him.

And he has fully manifested the rainbow body.

[MUSIC PLAYING]

>>So why the symbols?

The answer comes from Buddhism.

The first Buddhist artist showed the Buddha aniconically,

meaning he wasn't shown as a person,

but represented by symbols.

Common symbols were a wheel, a set of footprints,

an umbrella, a throne, and a tree.

The tree that is shown here is the tree

at Bodh Gaya where Bhudda reached enlightenment,

the Bodhi Tree.

At this pilgrimage site a throne was later created.

And this throne is often shown on pictures that otherwise

seem meant to show the moment of enlightenment.

What is shown is probably not the moment of enlightenment,

but rather the journey to enlightenment.

And that is what this complete kit of symbols

represents in Buddhism.

The Bodhi Tree is a symbol of Buddha's enlightenment.

It's a reminder of the ultimate human potential

that lies within all of us.

"Bodhi" is the Sanskrit word for "fully awake."

Some people see the Bodhi Tree as an example

of the world tree, whose roots are deep in the earth

but whose branches reach into the heavens.

Here we see the Bodhi Tree attached to the throne.

Importantly, these symbols represent the devotee coming

face to face with the absent Buddha.

He's not there, because he's entered nirvana.

He's transcended the earthly human condition

and now exists in the Dharma realm

in his Dharma body or light body.

This body cannot be completely or adequately visualized

by humans.

Therefore it's not portrayed.

And in its place we see the symbols.

Importantly, the images of the blessed throne of Buddha

were used as meditation tools.

Ananda Coomaraswamy points out that they

were made to be used in the practice of visual formulation.

The artist would meditate before the created image,

and their purpose is to be used as visual aids and meditations

on the Buddha.

In practice, the meditator concentrates

on the object in such a way that the symbol for the object

is created in his mind.

The meditator can then reassemble this kit at any time

without the need of the actual object.

Remember, the Ark of the Covenant

was made after a pattern given to Moses by God.

Is it possible that the Ark of the Covenant

follows the same pattern as the Buddhist throne, that

is that as we meditate on and visualize

the full symbolism of the Ark of the Covenant

we are able to create it in our minds

and in fact in our own bodies?

Now, let's compare the image of the throne of Buddha

with the throne of Christ.

As we can see, they are exactly the same symbol.

In its simplest form we see a throne

with a tree attached to it, as well as other symbols.

This is clearly the throne of the fully awake

of the Buddhist tradition.

What it suggests to me is that, as in the Buddhist tradition,

if we visualize, meditate, and focus

on assembling these symbols within ourselves,

that we too can reach that state of fully

awake or Christ consciousness.

It appears that Christian artists throughout time

knew that our consciousness had the ability

to manifest this device within ourselves,

simply by meditating and focusing on these symbols.

In this example here, found in the British Museum,

we see an assortment of symbols, the Hetoimasia,

the throne of the Second Coming.

The text that accompanies it declares that whoever recites

the prayer, ave [? fasis preclara, ?]

and looks at the image with devotion will receive

an indulgence of three years and may experience a beatific

vision of Christ in which the glory pours upon the meditator.

Think of that.

By focusing on meditating on this image

it can open our consciousness so that we receive

a download, if you will, of the glory or vibration of Christ.

This is exactly what the Buddha said

the images of the throne of Buddha could do as well.

And if my assessment is correct, this

is what happened with the Ark of the Covenant symbolism as well.

So where did the image of the Buddhist throne

come from originally?

Where did the image of Christ's throne of the Second Coming

come from originally?

Where do we find this idea of a ark or a platform or a throne

with the tree of life attached to it?

My research reveals that we find the earliest example

of such a throne at the temple of Seti I in Abydos, Egypt.

Inside we find what is called the head of Osiris,

an image that was created at the time of Moses.

And what we see is that the head of Osiris is in fact a device.

It is a symbol.

The hieroglyph for the head of Osiris

features a pillar with a serpent levitating on it.

That pillar is placed on the shrine symbol that

is shown flanked by two tet or power pillars.

When fully assembled, it forms a device

known as the head of Osiris or perhaps the throne of Osiris.

In this comparison here we can see

that the platform of the throne of Osiris

is virtually identical to the Ark of the Covenant,

or rather the Ark of the Covenant

is virtually identical to the platform

upon which the head of Osiris sits.

The head of Osiris functioned as a symbol,

not only of Osiris and his earthly kingdom,

but also of the underworld realm of the god

and the hope for the afterlife.

So what we're actually looking at in this device,

this symbol is the ancient Egyptian symbol

for the hope for the afterlife.

Now what's amazing about this is that the serpent levitating

on a pillar or pole is a symbol that

was well-known to Moses and the Israelites.

In the book of Numbers, Moses was

told to make a fiery serpent and set it upon a pole.

"And it came to pass that everyone that

was bitten by this fiery serpent, when

he looked upon it was healed."

The fiery serpent is actually the Hebrew definition

of a seraph.

So in fact what we are looking at in this episode of Moses

lifting the serpent on a pole is that he is, in fact,

making or identifying a seraph.

The serpent on a pole is the logo

for the seraphim, the highest order of angels

who guard the Ark of the Covenant.

In my view, the logo of the seraphim

is in fact the same as the head of Osiris.

Based upon this I propose that what

we are looking at with the head of Osiris

is in fact the complete ark throne device.

And as this symbolism dates to around 1450 BC,

it is the earliest version of this ark throne symbolism

that was later adopted by the Buddhists

and adopted by Christianity as the throne of the Second

Coming.

So what function did the ark throne of Osiris perform?

The answer is provided at the temple of Seti

at Abydos, where on the opposite wall that portrays the ark

throne we see that King Seti has transformed into the pillar.

We see Seti as the head of Osiris

attached to the ark throne.

And now the Egyptian artists have

included the Ark of the Millions of Years, the ship of eternity.

What this suggests to me, and is validated by physicists

and other scholars that I have consulted about this,

is that we are seeing Seti's transformation into Osiris.

It's as if the ark throne of Osiris

is a transformation device that turns or transforms Seti

into the God being and prepares him

for his journey into the field or the dimension

of the blessed.

Again, the ark of eternity resembles

in its symbolism, and possibly its function, a wormhole.

Could it be that what we are looking at here in the ark

throne is an ascension device?

I believe that that's exactly what we are seeing.

And I would suggest that this is the earliest

version of the complete judgment day device.

This is the device that has been sought for centuries,

and once fully assembled is actually a stargate device.

In Egyptian symbolism it's most often

Isis who operates this Osiris device.

He or she is shown beside the Osiris device in a [INAUDIBLE]

that was taken off the walls of the temple of Seti at Abydos

and is now found in the Metropolitan Museum of Art

in New York City.

Let's compare the image of Isis tending the Osiris device

with Mary Magdelene at the foot of the cross of crucifixion.

Atop of this cross, in this example,

we see a tree growing from the cross,

indicating that this in fact is the tree of life.

In my view, these images are telling the same story.

A priestess or a goddess is operating the complete ark

throne tree of life device that transforms a human

into a resurrected light being.

In my view, this is how the ark throne symbolism

was transposed into Christian symbolism.

In the early 1100s, nine French Knights Templar

left Paris and went to Jerusalem.

They did years of excavation beneath the site

of Solomon's temple.

They came back to France with some stupendous secret.

No one's exactly sure what it was

that the Knights Templar discovered.

However, we know the Templar paid a visit to Abbot Suger

at St. Denis, near Paris.

Abbot Suger is believed to have taken whatever secret knowledge

the Templars gave to him and enfolded that knowledge

or encoded that knowledge into this window medallion

at St. Denis.

In his own words, Abbot Suger tells us

that this is the complete or true cross of crucifixion.

What we see is the cross of crucifixion

attached to the Ark of the Covenant.

It's obvious to us that Suger is portraying

the throne of Osiris, the complete ark throne of Osiris,

and the throne of the Second Coming,

opening up the possibility that what the Knights

Templar discovered beneath Solomon's temple

was in fact the secrets of the complete cross of Christ.

This complete cross is found in other instances

of Christian art, including this piece here featuring

Mary Magdalene.

We can decode this for ourselves now.

She's sitting on the ark throne.

She holds the flask containing the sacred oil,

the resurrection oil.

And she holds the tree of life, the cross of crucifixion,

on her lap.

She is shown with the complete ark cross.

Ultimately my research reveals that this symbolism is inside

of us.

We are meant to connect the imagery that we're

seeing in all of these paintings with psychospiritual attributes

within our own bodies.

For example, what I've done here is taken the Osiris device

and superimposed over a meditating woman.

It's a perfect match.

And what it suggests is that, in fact, the Ark of the Covenant

is within us.

It's located in our first three shakras.

The pillar or cross, the tree that is attached

is in fact our spinal cord system.

The two tablets on top of the Osiris device

are in fact the two hemispheres of our brain.

Once we fully activate our mind-brain spiritual system,

we are able to transform our bodies into beings of light,

ascend on our Merkabah throne into the heavens,

and perhaps even to phase back and forth

between the material and the immaterial realms.

[MUSIC PLAYING]

>>The connection between the human body and the Osiris

device suggests to me that our body could in fact

be a sort of an antenna.

Earlier we talked about the possibility

that the cross somehow manifested a higher dimensional

energy, the INRI, the higher frequency or vibration

that makes humanity whole, holy, or new.

So let's talk about this celestial fire and its role

in the Second Coming and its connection

with the throne of the Second Coming.

This is a scene from a monastery in Moldavia.

As we look at it, we see several zones.

At the very topmost zone is God the Father in a rainbow ring.

Beneath him is Christ enthroned on his winged throne.

And beneath him is the Hetoimasia,

the throne of the Second Coming.

What we notice is that emanating from Christ's throne

is a channel of cosmic energy called

the River of Divine Fire.

That River of Divine Fire is shown in this example as well.

Again we see several zones with Christ at one of the top zones.

We see the Hetoimasia beneath him.

And we see the River of Divine Fire emanating from the throne

and actually going through the throne of the Second Coming.

The same thing is shown in this example as well.

We see the throne of the Second Coming.

We see Christ enthroned above.

And emanating from that throne is this channel

of cosmic energy, this River of Divine Fire.

In each example the Hetoimasia, the throne

of the Second Coming, appears to perform

an intermediary function.

It's between Earth and heaven.

And it is acting as sort of a transformer, if you will,

of this vibration.

Here in this example from Torcello near Venice, Italy,

we see the Hetoimasia, the throne of the Second Coming,

beneath the throne of Christ.

We see the two angels on either side tending

that thrown with Mary and John the Baptist on either side

once again.

Christ is on his throne.

It's a wheeled throne.

The River of Divine Energy emanates from that throne,

leaves that throne, and finally makes its way down

to the earth plane.

One wonders if this is the same as the umbilical cord portrayed

in the Maya imagery portraying the birth of Quetzalcoatl

from the center of the Milky Way galaxy.

Is this early Christian art possibly portraying a channel

or an umbilical cord of cosmic energy

from the galactic center, making its way to earth?

What's incredible about this is that just a few years ago NASA

discovered that there are, in fact magnetic portals

that link Earth with the sun.

NASA imagery portrays these magnetic portals,

which they also call flux ropes, connecting Earth with the sun.

When we note the similarity between the images

of the River of Divine Fire emanating

from the throne with images of the sun

releasing rivers of charged particles,

it raises the possibility that the throne is the sun.

Interestingly, the physics of flux ropes

is applied across the universe.

For example, a solar physics model of flux rope ejection

was recently used to explain the jets driven by the accretion

discs around the super massive black holes found

in the center of galaxies.

Applying this model to Last Judgment imagery

suggests that the throne could be the sun.

But jumping scale, as is allowed,

suggests that the throne could in fact

be located at the center of the Milky Way galaxy.

Jack Scudder and his team of researchers

at the University of Iowa have found

what they call X-points in the earth's magnetosphere,

the magnetic field that is naturally generated

by the earth and protects the earth

from these cosmic particles.

NASA satellites have revealed X portals

in the magnetosphere, which Scudder explains are, quote,

"places where the magnetic field of Earth

connects to the magnetic field of the sun,

creating an uninterrupted path leading from our own planet

to the sun's atmosphere."

What they are saying is that there

is an umbilical cord linking Earth

with the sun through which highly charged particles flow.

Scaling this up one level tells us

that it's possible that such portals might exist

between our sun and the galactic center.

These openings allow charged solar particles

to be conducted in the planet's upper atmosphere.

The effects of this phenomenon are

seen as the Aurora displays and geomagnetic storms.

As foretold in Revelation 20:12, "At judgment day

the dead, great and small, will stand before God's throne."

In Daniel 7:9 and we learn Daniel saw a river of fire

or a fiery stream flowing out from the throne,

stretching to earth.

The throne he is describing is the Hetoimasia

or the throne of the Second Coming.

"I watched till thrones were put in place

and the Ancient of days was seated.

His garment was white as snow and the hair of his head

was like pure wool.

His throne was a fiery flame, its wheels a burning fire.

A fiery stream issued and came forth from behind him."

The illustrations of this River of Divine Fire

leave little doubt that the ancients believed

that there was an umbilical cord linking

Earth with the throne of God.

This fire is the same as the living waters,

the waters of immortality prophesied

to appear in the end time by the prophet Isaiah who

said, "The earth shall be full of the knowledge of the Lord

as the waters cover the sea."

In 2012 NASA researchers discovered a channel

of cosmic energy emanating from the center of the Milky Way

galaxy.

A research team of the Department of Physics,

Keio University, has discovered a giant molecular cloud or star

nursery located in the galactic center.

The team called it a pig tail because of its shape,

but it clearly looks more like a serpent rope

or a channel of cosmic energy.

We see channels of living water connecting

Earth with the heavens in ancient Egyptian imagery.

In the top zone we see a figure riding upon a ship of eternity

in an ark-like enclosure.

And we see this channel of cosmic water emanating

from that throne.

This is very much like what we see

in Spell 110 of the Egyptian "Book of the Dead,"

where we see a scene of a soul rising from the earth plane

to the celestial realm, called the field

or Dimension of the Blessed.

In the lower zone we see a dual-headed serpent ship

with a stairway to heaven attached to it.

This is the Ark of the Millions of Years, the boat upon which

the soul travels for eternity.

The shape of this dual-headed serpent ship

resembles a modern wormhole.

With the addition of the stairway to heaven

we once again get the idea that this an ascension vehicle.

As the soul rises through these cosmic waterways

it is portrayed doing ordinary things-- it's tending fields,

it's harvesting-- until it gets to the very top zone, where

it is once again riding aboard the Ark of the Millions

of Years into eternity.

In my view, the Egyptian imagery in this Spell 110

of the Book of the Dead is interchangeable

with the Russian last judgment imagery.

It's telling us or affirming this idea

that there is an umbilical cord, a channel of cosmic energy,

that links earth with the celestial realms, the realm

of eternity.

When I give presentations about the throne of the Second Coming

people always ask me, well, what does the Vatican

know about this?

Well let me show you.

These murals are from the Redemptoris Mater Chapel,

which is located just outside the doors

of the papal apartment in the Vatican.

We clearly see our throne.

We see the complete Hetoimasia device.

And we see Christ manifesting through an open portal

or gateway.

The message of this imagery is clear-- the throne

of the Second Coming is a stargate.

And here we see Christ manifesting

through that open portal or gateway

at the other end of a river or channel of cosmic energy.

What all of this means to me is that the ancients clearly

knew of an advanced device that was

capable of opening portals or gateways.

That device is within us.

That's for certain.

What is also possible is that there

is an actual literal physical device out here that

acts as a sort of docking station for these beings.

In the coming years we will begin

to see more and more scientific validation of this idea,

this concept of the transformation

of the human being into a body of light,

and the existence of these portals or gateways.

What we must be aware of in these next few years as well

is that there are religious and political figures on the planet

today who seek to utilize this knowledge for their benefit.

If Mahmoud Ahmadinejad is successful in his cosmic quest,

he will open the way towards the appearance

of the Islamic Messiah, the Mahdi.

As we noted, that figure will be delivering or revealing

the Ark of the Covenant to Earth.

He will be assisted by Jesus.

My reason for doing this work is because my concern would

be that if these figures show up with a simple golden box

and tell us that that is the Ark of the Covenant

that this figure is symbolized by,

then we probably know we're not dealing

with a legitimate figure.

Because I believe that the body of evidence I

have shown you in this program reveals

that the true Ark of the Covenant

is in fact a complete ark throne device and ascension

vehicle that is utilized by these beings, who will teach us

how to transform ourselves into these higher beings.

[MUSIC PLAYING]