All language subtitles for Doctor.Who.Unleashed.S02E06.The.Interstellar.Song.Contest.1080p.iP.WEB-DL.AAC2.0.HFR.H.264-7VFr33104D_track3_[eng]

In this episode...

Action! Lights! Door!

..the stars are out
and shining bright.

Oh, my God,
it's the actual TARDIS.

I think I'm going to collapse.

I actually think
I'm going to collapse.

What do you think of this?

It says backing dancer.

Is that...

I get to direct 100 aliens
on my work experience...

You can move your mouths and
make as much noise as you can

without actually making
any noise.

We lift the lid on

an absolute howler of an earworm.

I'm wiping my hands
of Dugga Doo.

It was nothing to do with me.

SIREN WAILS
And spoiler alert -

we've got an exclusive clip

from the next episode
of Doctor Who.

Hi. Isn't this fantastic?
Look at you.

Don't you look fantastic? Hey!

And welcome to
Unleashed.

Yes!

CHEERING

Oh, good evening,
Harmony Arena!

Welcome, bienvenue, willkommen,
a croeso.

Unleashed,

your personal portal
to all things Who.

It can't be.

In this episode,
we'll be defrosting...

The 803rd Interstellar
Song Contest!

HOST WHOOPS

CHEERING

I think it's
a marvellously mad episode.

The Eurovision Song Contest
meets Die Hard.

And here's Bruce Willis.

Ba-ba-ba! You'd like to think.
LAUGHS

This is the dream brief.

I attend Eurovision regularly.

I'm a proper fan.

If you cut me
through the middle,

it's just Eurovision and sugar.

And try to stay calm...

Oh, my God, I'm so pleased
to meet you! It's Rylan!

..as we're gonna pop the top
on this explosive episode.

Let's start the show!

CHEERING

One of the many iconic things
about the Whoniverse

are the stellar guests
who pop in and deliver

memorable cameo roles.

SHE SHRIEKS

But who else had
a hologram of this fella...

Hello. I'm Graham Norton.

No way!

..on their bingo card?

Poor old planet Earth
died many years ago.

It is said the planet disintegrated

into rock and dust and ashes.

Graham, can I start by saying,
what do you think of this?

Would it fit in...

Well, Eurovision,

or also the Interstellar Song
Contest? What are you thinking?

It says backing dancer.

Is that...

I'll take... That's fine.
Or backing singer.

I can live with that.
I don't think you're the act.

Oh, Graham!

Sad face.

How did this happen, then?
How did you end up here?

Listen, they asked me
if I wanted to be in

an episode of Doctor Who.
And of course I said yes.

And also, it was very easy.
I'm just here for, like,

half a day, so it's easy.
Have you ever thought

of yourself as a hologram
before?

No, I have not.
But I like the idea.

I like that it seems like
very easy work.

X-Ray 231, take 7.

Now, there's a bit of history
with you and Doctor Who,

isn't there, from back in the day?

This is my first time

of officially being in Doctor Who.
Yes.

I've ruined a couple
of episodes.

STEFFAN LAUGHS

The first one
could have gone so wrong

because it was
my very, very first

live appearance on BBC One.
Yeah.

We came off air into

the first episode of
the revamped Doctor Who.

Yeah.

And I don't know
who messed up,

but we were doing a trail
for the next week

and somebody brought
my microphone up

and broadcast it
during Doctor Who.

So they were going through
a basement and people thought,

"Oh, that's clever." You know,

Billie Piper is listening to
Graham Norton in a basement.

And then they realised
it was just me wanging on.

I could have so easily sworn,
said something terrible,

you know?
Yeah.

Yeah, we got away with it.

But it's a full-circle moment. It is.
Here you are, as a proper...

I'm meant to be here.
I'm meant to be here.

CREW CHATTER

The star power in this episode
was doubled up

by cryogenic co-host Rylan.

Literally, I've been
here now for a couple of days

and I'm just still pinching
myself every time

I walk into these studios.
Yeah.

I got to go into the TARDIS
yesterday.

Oh, my God,
it's the actual TARDIS!

I think I'm going to collapse.

I actually think I'm going to
collapse.

So were you much of
a Doctor Who fan before this?

Massive Doctor Who fan.
Oh, is it?

I've been a massive Doctor Who
fan my entire life.

Oh, my God. I'm actually
walking on the TARDIS!

You can't press any buttons.
I won't press any buttons.

I don't want to end up
in the future.

So who was your first Doctor?

My first...my first Doctor
that I really got into

was Christopher Eccleston.
So when it came back,

the revival, that's when
I really got into it.

And I just remember being
obsessed with that series

so much, like the Game Station

and Satellite Five
and all of that.

Yeah.
And because obviously

I loved Big Brother as well
at the same time,

so when Game Station came in...

Yeah.
..and it was a crossover

of all the shows,
I was like, "Oh, my God,

"this is the best episode
I've ever seen in my life."

Right. So for every Whovian
out there,

I swear to you,

it is everything
you want it to be and more.

It is so gorgeous.

Your Venn diagram...
This is bang...

This episode has been written
for Rylan. And I will own that.

I'm so thrilled.

Thank you so much
for letting me do this.

Can I just, like, live here?

Is this slightly different

to maybe the stuff
you've done before?

There's obviously more acting
rather than presenting.

Yeah, I mean, I was a little
bit nervous, to be fair.

I've done some acting
in the past,

but nothing like Doctor Who.
Yeah, yeah.

But...obviously
I'm playing Rylan,

but I'm not playing real Rylan.

So, like, there's things
in the script where it's like,

I don't know what I'm doing.
As in like, "Oh, something's

"going wrong in my
ear." Whereas in real life

I just carry on, ignore it.
Absolutely.

He's a pro.
He's a pro.

Come on.
Um, so, yeah,

it's just getting it all right.
But, you know, it's just been

so lovely.
Like, everyone's amazing.

The crew are fantastic,

because you never get to
really see all what goes on

behind the scenes apart from
when you watch this.

Thank you very much. Thank you.
Thank you, Rylan.

Well done. Obviously.
Which I am a fan of.

The team know.
I didn't pay him to say that.

Yeah. It's just so lovely.
It feels like we're all, like,

family vibes. Yeah.

Everyone's just here because

they want to make it
a great show.

And this ep especially
is very glossy.

It's very glitzy,
it's very glam, and I love it.

Of course,
the Interstellar Song Contest

is a supersized Eurovision,
which means

the episode needed
some Eurovision-style songs.

Songs with that certain
je ne sais quoi

that land you...

Douze points, Doctor.
Mm-hm.

I wanted to kind of capture

how mad some Eurovision
Song Contest songs are,

without taking the mickey
out of it,

but sometimes songs
are just odd.

The past few days I just
keep singing My Big Feet,

which is a mad, mad lyric.

Russell enlisted
Who composer Murray Gold

and scriptwriter Juno Dawson

to help out on the Euro songs.

I left the gaps
in the script

and then Russell was like,
"No, we need to do some lyrics."

So Russell wrote some lyrics,
I wrote some lyrics,

it went to Murray
and it came back as songs.

Songs like Liz Lizardine's

I Love You
But My Heart Says No...

...and Cora's aria.

CORA SINGS IN HELLIAN

Were you relieved
when you got sent this song?

I'm assuming that you liked it.

I know!
Because you could have

been sent one and you thought,
"Oh, you know what?

"Doesn't vibe with me."

Because not every song does
vibe with you or speak to you.

True, true. No, yeah,
I loved it. I heard it,

and I was like, "Wow, this...

"I can see this filling
the auditorium."

SHE SINGS IN HELLIAN

I love that
it's a different language

because I've often listened to
songs in a different language,

and I feel it.
I go on that journey

and I don't know
what they're saying,

but I feel what they're saying.

So they always say that music
is a universal language.

So I really think
that's really powerful

in this episode to show that.

And like any Eurovision
worth its salt,

there was one song in
particular that split opinions.

So this is Dugga Doo.

It's going to
go on stage in a minute,

and it's got an amazing song,

which I think is going to...

Christmas number one.

And action.

Dugga, dugga, dugga doo

Worthy of the dreaded
nul points?

Let's see what Ncuti and Varada
make of Dugga Doo.

Oh, wow.

There is Dugga Doo.

I'm wiping my hands
of Dugga Doo.

It was nothing to do with me.

Dugga Doo is entirely
of Murray Gold's creation.

There was no point
in the script where I said,

"A funny little alien sings
a song called Dugga Doo."

It just landed in the inbox.

Oh, my God.

Mercifully, in the
edit, you don't hear it much.

Actually, you don't see much
of the Dugga Doo song.

If you isolate that,
it'll drive you mad.

It'll drive you absolutely mad.

I think...I think Unleashed is
the place to actually show,

properly, Dugga Doo.

You actually... You...

I thought you... That was not
the reaction I was expecting.

Nah, I think that's
a number one hit...

You were vibing with that.
..right there.

I was vibing with that.
I think that's...

The beautiful Murray Gold
with some fantastic work there.

That's not Murray, is it?

That's Murray Gold!
Oh, my God!

From the sublime to the ridiculous.

Oh, wow, Murray.
What can't that man do?

That is...that is the gem
of your career, Murray.

BOTH LAUGH

Wow.

I could say this
every time I'm on set

on Doctor Who, but today,
it really is a special day.

Because if you follow me
this way...

Last time this happened,
it was a gloriously sunny day.

We were outside.
We got to see a bi-generation.

Well, we are now seeing
another one.

Only the second time
it's happened

and it's happening
right there.

Today, the Who crew are
filming the huge plot twist

at the end of the episode
that reveals

not only is the mysterious
Mrs Flood the Rani,

but that she also bi-generates.

It feels totally different
to when David and Ncuti split

because it was outside and
sunny, and here we're inside

in a very green-screen
sort of area.

There's a lot...
It's very technical

because they've got to move
at the same time

and end up in the same place,

and look, they've got
a little green... If you come

this way, look, if you have
a little look over there,

there's a little green cross

that they've got to look at
for eyeline,

so that the bi-generation thing
works.

It's all very busy,
all very technical

and all very important.

When I read that there was
a bi-generation in my script,

the first thing I did was watch
Unleashed

because it's the best document
to show how to do it.

And so we, as the
programme-makers, watched

the behind-the-scenes
from the old special

to learn how to do it.

You want to get this right,

because this is like
a big moment,

not just for your episode,
but also in the sort of...

..the Doctor Who pantheon
of stories, if you will.

Yeah, yeah,
it's not lost on us

how significant a moment
this is.

What we have had to be
really careful about

is shoulder pads.

She's got some amazing
shoulder pads in this episode.

When someone bi-generates,

the clothes
that they're wearing

get shared between
the two resulting people.

I hadn't even
thought about that.

So in the original
bi-generation,

Ncuti took some
of David's costume.

Yeah. In this case,

Anita is giving some
of her costume to Archie.

But if we're doing like that

and my shoulder goes in front of
you,

then it's game over.
Yeah.

Shoulder pads aligned

and Unleashed
study notes memorised,

it's time for Ben and the team
to get this bi-generation done.

Let battle begin.

Oh, must we? How inelegant.

Oh, I'm ever so sorry, ma'am.

And while we're here...

Finally, Russell.

Finally, we found out
who Mrs Flood is.

I think ever since Mrs Flood
appeared

people have been saying
she's the Rani,

and sometimes you just want
to deliver what people expect.

I mean, yes, she's a Time Lady.
Yes, she is the Rani.

And, yes, she's bi-generated
and now she's Mrs Flood

and Archie Panjabi as the Rani,
which is so exciting.

It was kind of the plan
almost from the beginning.

I always thought
she was the Rani.

Which actually is a very old
Doctor Who villain

who's never been brought back

since the show came back
in 2005.

She's kind of been waiting
in the wings,

and the time has come.

The Rani is a renegade Time
Lord and nemesis of the Doctor,

who hasn't appeared on screen
since the early 1990s.

We'll have more of a deep dive
on the Rani

in the next episode
of Unleashed.

Meanwhile, I've been trying
to get to the bottom of

Mrs Flood's mystery since

she first turned up in 2023.

Despite numerous appearances,

Anita's resolutely refused
to give me a scoop.

Anything you can share with
us about what's going on?

No.

Surely by now
there must be something.

You're trying it on again,
you see.

This is why I love you, though.
You never give up.

But now...

Finally, Anita, some answers.

After all this time
dodging my questions,

ducking and diving,
here we are.

I did well, though, didn't I?
You did really well.

You did so well.
Often I would go home

and I'd curse
Anita Dobson's name

because you wouldn't
tell me anything.

Oh! My heart's broken.

So you're holding inside
Mrs Flood all this time

one of the most famous, iconic

Doctor Who villains
of all time?

We think.... I don't know
how long she's been in there,

but she's certainly out
and running now. Yeah.

Are you happy with what Mrs
Flood has ended up becoming?

Oh, yeah!

I mean, how many people
get the chance to split in half

and give birth to the Rani?

I mean, yeah, I'm made up
about the whole thing.

Yeah.

My whole journey's been
unusual and really exciting.

Well, congratulations on
one becoming two,

and for being very good
with secrets.

So if you need any secrets kept
at home,

Anita Dobson is your woman.

But don't tell him.
Don't tell me, apparently.

Hi!

Still to come on
Unleashed...

Hello, Unleashed.

..we go behind the screens
behind the scenes.

There's so many!
Look at all the screens!

We find out what drove
the return of a Who legend.

I think it was fan power.

I think fans have been saying,

"Where is she?
What's happening to her?

"Are we going to see her
again?"

SIREN WAILS
And spoiler alert -

we've got an exclusive clip

from the next Doctor Who
episode.

But first...

In the script for
The Interstellar Song Contest,

the Harmony Arena is packed
with 100,000 spectators

from all across the Whoniverse.

But in reality,
it would be impossible

to fill the studio with 100,000
people.

Instead, around 100 supporting
artists filled all the roles.

So how do you turn
100 into 100,000?

Well, there's lots of
different ways you can do it.

The way that we're picking
is that we're starting with

a number of SAs

who are going to be real-life
people in the frame,

and they provide the sort
of front layer that you'll see.

And then we're going to use
things called digi doubles,

which is digital mannequins
of people

that you programme in movement
and then you just times them,

in our case by 100,000,
and fill

your digital segment.
Right.

And we do that by scanning
the extras

that we've got here today,
but also just designing them

on a computer
and giving them movements

and then letting them,

in our case, have a big party
in the background of that shot.

Let's roll, please.

If you think of
the Eurovision Song Contest,

you've got Hungary
and you've got Sweden, well,

we've got Planet Zorg
and Planet Wotchinall.

So we've got bulbous-head men,
we've got vultures,

we've got wrinkly, scaly faces,
we've got pigs.

And, yes, they've been

dancing around a lot for
the last four days, sweating,

but having lots of fun. Um,

and Jen Day, my 3rd AD,
up on stage,

she's been bossing them around
for the last couple of days,

so, um,
hopefully they've enjoyed it.

They look great.

Unlucky for Jen, though,

those 100 people
she has to look after today

has turned into 101...

Morning.

..as I'm going to be joining
her for some work experience.

Jen. Hi.

You have drawn
the short straw today,

Haven't I?
So what are you up to today

and how can I help you?
So the crowd 3rd

is sort of
in charge of, um,

placing the background.
Yeah.

Dressing them to shots.

Not with their clothes,
but into the frame.

Yeah. Um,
sort of giving them directions.

Yeah, make sure they look good
on screen.

OK. Let's go do that, then.
Yeah, let's do it.

Let's watch a take.

First task - we need to closely
watch a take of the scene

being filmed.

Turning!

As 3rd ADs,
we specifically need

to keep our eyes on the SAs
in the background,

taking note of
their performances.

The scene being shot
is Cora's emotional big finale

towards the end of the episode.

CHEERING
Cut! Cut!

Lovely blurs in background.
Good blurs.

Do you have any notes?

Not really.

I reckon the lights could get up
earlier.

Yeah?
Maybe?

Get them up earlier, get them
waving in the air a bit more?

Yeah. They're pretty late.

Should we do it?
Yeah, let's do it.

As we're now between takes,

we can pass on directions
to the SAs.

In this case, I've got a note
about the LED wristbands

some of them are wearing.

Passing notes.

This is Steffan.
Hiya. I'm helping today.

If you've got a bracelet on,

can we get those slightly up
earlier?

Right? Slightly... Just like
30 seconds or so earlier,

towards the end of the song.

Because they look lovely
in the background. All twinkly.

Yeah, that's when you get
the bracelets in the air.

Lovely.
Wave them around a bit.

Thank you. Great.

Thank you. Thank you.
Thank you very much, gang.

Is this always
what you wanted to do?

Did you fall into it, or how
did you end up here doing this?

I was always interested
in making films,

but my sister did costume,
so she got me on set

as an extra one day
on Gavin & Stacey.

Yeah?
And I was just like,

"This is awesome." So much fun.

So then I did some extra work,
some SA work. Er, and...

Oh, so that's why
you're good with the SAs,

because this was you.
I used to be one.

They're your people.
Yeah. Yeah, basically.

Um, and I just thought, like,

that'd be amazing to, like,
be able to direct the SAs.

So I was like,
"Yeah, I want to 3rd."

And now it's like,
"Yeah, I want to direct."

So, yeah.

And then how easy was it
to get your first job?

Did you start as a runner?

I did, yeah, so I did, um...

I became a regular extra

and then got to know
the 2nd AD,

and I was like, "Please can I
have some work experience?"

And then got a runner job
from then on

and then worked my way up.

So basically once you get
your foot in the door,

then work hard from there.
Exactly.

And here you are,
in charge of 100 aliens.

Here we are. Yeah!

Pretty surreal.
Yeah.

Next task
is a bit of a challenge -

picking up on a scene
that is already half-shot.

We did this yesterday.
So we have to match -

so the same people
have the same props,

they're stood in
the same place.

But now we're moving on
to a later scene where they

start dancing to the song.
Right.

Continuity nightmare.
Absolutely.

So I've got photos of
where everyone was stood.

Yeah.
The props team are

giving out the same props to
the same people as yesterday.

So if you had, like, a
fluorescent popcorn cup yesterday,

you've got one back again
today.

Yeah, yeah.
And a flag.

And a flag.
Yeah. Yeah.

As I direct the SAs into

the right place
with the right props...

Oh, perfection. And take
a half a step to your right.

..Jen gets some notes

from director Ben
to pass on to the crowd.

Mute, mute, mute.
Mute! Mute, mute, mute.

So what was Ben
telling you then? Mute?

So no noise?

So no noise, so we can record
the dialogue for the actors.

So they've got to wave,

but not make any sound?
Yeah.

But they can still move
their mouths.

Love that.

Like that.
OK. And from the beginning.

From the beginning. Yeah.

Shall we go up on the stage
and tell them?

Yeah, we should do that.
Yeah, let's do it.

Hello, everyone.
How's it going? I'm Steffan.

I'm just going to let you know
some notes

for this take, if that's OK.

Do you mind,
as soon as they say action,

we need to be excited
from the get-go.

So get those flags up,
waving, really excited.

You can move your mouths and
make as much noise as you can

without actually making
any noise.

I'm quite enjoying this one
because in a strange way,

when you're talking to lots
of people, it's easier than

talking to one person,
if you know what I mean.

I know that sounds a bit odd,
but it is.

So we need it mute and excited
right from the kick-off.

Is that OK? Perfect.

Just like that!
Love that.

More of that energy, please.
Fantastic.

And it's fun because,
like, you're looking out

for little details
in the background,

and it's tough because your eye
always gets drawn to

the main performers. But you've
actually got to see past them.

They're not important.
Looking at the other people.

Um, so, no, it's good, it's
good. A lot to take in, mind,

a lot going on.

I don't want to, like,
get in a position whereby

on the day, when this is
on the telly, I think,

"That background performer's

"gone a bit early on that
flag-waving." You know?

There's a lot of pressure.

Where's Jen gone?

Now we've had the Rani,
we've had Rylan

and Graham Norton.

Surely there's no space

for any more legends
in this episode.

Well, this being Doctor Who,

there's always time and space
for one more.

This particular legend

had the TARDIS
buzzing with excitement.

I can't believe it!

She first appeared
in Doctor Who 62 years ago.

She hasn't been on the screen
in over 30 years.

But here she is
the Doctor's granddaughter,

his very first companion,
Susan Foreman,

played by Carole Ann Ford.

At that extreme moment
in the Doctor's life

where he's frozen in space
and could be dying, I wanted

something extraordinary
to bring him back.

It was a great moment
sitting with Juno,

who wrote that script, to say,

"Please can you put in Susan?

"Please can Susan appear to him

"and pull him out
of his deep freeze?"

Go back, Grandfather.

Go back!

She was like, "Wow!
Will I do that or what?"

And then along she came.

Carole Ann Ford came
to the studio, top secrecy.

Everything closed down.

Everyone signing NDAs.
Brought in,

onto the TARDIS.
And I think Ben

directed that beautifully
as well.

When you're working with
someone who's as experienced

as that, the temptation

is to just let them
do their thing.

But I learned very quickly
with Carole Ann Ford

that she is a sharp and
thriving actor

who really relished direction.

And even though she might be
in her 80s,

she was as present
and as energetic

as an actor
who's just starting out.

Last seen in 1993,
in Dimensions In Time,

a Children In Need special,
Susan's name

has popped up
in a number of episodes since,

and she's featured in books
and audio dramas,

but this is her first on-screen
appearance in 32 years.

Grandfather, go back.

So why is Susan back now?

Well, I think it was fan power.

I think fans have been saying,

"Where is she?
What's happening to her?

"Are we going to see her
again?" And...

Russell and I hadn't met,

and we had both been hoping
to meet

and we went to a party.

It was the screening
of Star Beast.

And so we met there

and it was big screams and hugs

and, you know, "At last
we meet," sort of thing.

And while we were hugging,
Russell said to me,

"Would you like to come back?"

And I said, "Yes, of course
I'd like to come back!"

And he said, "Well, that's good
because you're coming back."

And now that Carole Ann
is back,

how does today's TARDIS
compare with her own?

There's no comparison.

I could almost put my arms
around

the console of the TARDIS
that we were in.

I certainly can't do that
with the one we've got here.

Ours was maybe ten steps
across.

You'd have to take about
a thousand steps, I think,

to go up and around

to get across to the other side
of this. I mean,

this is like a universe
all of its own. It's stunning.

It's amazing. And I feel
very honoured to be here.

It's extraordinary.

Right, everyone. Here
we go. Bit of focus, please.

Tighter on Rylan.

Welcome to...

Music fade out. Steady on 26.

Every multi-camera event,

be it Eurovision, a Premier
League match or the news,

has a broadcast gallery
with multiple screens.

And cue confetti cannon.

This broadcast gallery
is the control room

for every image beamed to
the 3 trillion viewers

tuning in to
the Interstellar Song Contest.

But this is no ordinary
set-up,

and these
are no ordinary camera feeds.

Time to go behind the screens
behind the scenes.

I mean,
this is a TV gallery set,

and there are
close to 16 screens,

all of which we've
had to make content for

to make it look like
a real-life gallery. So, yeah,

that's what's been really
unusual about this episode,

that we've had to move heaven
and earth to get everything

ready to go on these screens,

because it's not just
we need one video -

we need upwards of 20 videos
ready,

all playing at once on screen
in the background.

The majority of the footage
on the screens,

including the shots of Rylan
and Sabine, aren't live.

They were shot
ten days previously

with a full cast and crew.

So in some cases
we need 12 angles

of scenes that we shot with
Rylan and Sabine,

and it's just meant that we've
had to be really on top of

getting the coverage we need
and then handing it over

to our amazing colleagues
at Painting Practice,

led by Erica McEwan,

who's just done all of this
and turned it into a realistic

futuristic TV gallery.
It's crazy.

So, often, you have a lot of...
You have graphics and cameras.

It's quite a normal thing,
but to be able to get footage

that we've shot within the same
shooting block

into camera is really unusual,
and it takes a huge amount of

military precision
coordination,

and it's been really hard.

But to have this many pieces,
and multi-camera as well,

it's quite a miracle
that we actually got it all.

It's mad. Yeah. Like,
we're looking at stuff here

that we shot less than
a week ago in some cases,

and it's here
in multi-camera form,

and it's just so convincing.
And it's just

those extra lengths
that you can go to

to make the set feel real,

to make the actors
feel more immersed.

And crucially, it means that

we're not having to replace
screens in the background,

which I think always looks
a little bit fake.

Nobody move.
This gallery is mine.

To be on set and it actually
physically be there -

so much easier than having it
all in your head all at once.

So, um, that's been
an absolute delight.

On top of the footage,

Erica had to also create
bespoke graphics,

music videos, and even
Hellian-language feeds.

Then there was the small matter

of making sure the right image
was on the right screen

at the right time.

These scenes in the gallery
are being intercut with shots

of Rylan and Sabine
on stage doing their thing.

So we need to make sure
that whatever's going on

behind them on the screens,
which we've already shot,

matches what we're going
to be intercutting with.

If we're cutting into a scene

where Rylan and Sabine are
already talking to the audience

we can't be showing a clip of
Rylan walking up on stage,

because that's already happened

and the audience
have already seen it.

And the same for the autocue.

The words have to be matching
what they're doing

and what we're seeing Rylan
and Sabine saying

when we're cutting in between,
if that makes sense.

We're working with Ben,
the director,

who obviously is all over what
is happening in the episode

and the performances and what
we're going to be seeing

at any one time,
and working with Brad...

There's so many!
Look at all the screens!

..our wonderful
art director who is all over

the visuals and the set
and props

and what we can see
and not see at any given time.

Working with Erica from
the visual effects team

who's making sure that
the screens are all in order.

There are so many
marvellous people

doing a marvellous job
to keep things running.

It's not all just
the continuity,

it's a group effort.

On the next episode
of Doctor Who...

Many years ago,
when Gallifrey was young,

the Doctor and the Time Lady
had been terrible enemies.

They had fought over
all sorts of irrelevant things.

But the Time Lady knew

they could be great friends.