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>>> HERE WE GO.
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>> SEMIFINALS!
>> TOP 12, BABY!
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>> YA!
>> HEY!
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>> WE MADE IT TO LIVES!
I MADE IT TO LIVES!
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>> I AM SO EXCITED TO BE HERE!
>> FOUR SUPER SAVE ARTISTS ARE
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COMING BACK.
>> OH, MY GOD!
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>> NOW IT'S ANYBODY'S GAME.
>> AMERICA, NOW IT'S UP TO YOU.
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I'M NOT A BAD GUY ANYMORE, OKAY?
*
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* BABY I'M A GIVER *
>> I LOVE IT.
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>> LET'S GO!
>> HERE WE GO.
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THE LIVE SHOW STARTS RIGHT NOW.
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>> Carson: AND HERE THEY ARE,
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OUR SEASON 27 COACHES AND THE
ARTISTS THEY SUPER-SAVED FOR THE
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LIVE SEMIFINALS.
GIVE IT UP FOR --
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JOHN LEGEND AND HIS SUPER SAVED
ARTIST, OLIVIA KUPER HARRIS.
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[ APPLAUSE ]
MICHAEL BUBLร AND HIS SUPER
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SAVED ARTIST, KAIYA HAMILTON.
KELSEA BALLERINI AND HER SUPER
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SAVED ARTIST, JAELEN JOHNSTON.
.
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[ APPLAUSE ]
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AND ADAM LEVINE AND HIS SUPER
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SAVED ARTIST, CONOR JAMES.
[ APPLAUSE ]
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BIG CONGRATULATIONS TO ALL OF
OUR SUPER SAVED ARTISTS.
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AND WELCOME TO THE TOP
12 SEMIFINALS, EVERYBODY.
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FOR THE FIRST TIME THIS SEASON,
IT FEELS GOOD.
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WE ARE LIVE.
I'M CARSON DALY.
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WE HAVE A TOP 12 SHOW.
TOMORROW NIGHT WE HAVE A
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DRAMATIC ELIMINATION.
FOR THE FIRST TIME EVER, WE'LL
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GO FROM 12 TO 5.
EVEN MICHAEL BUBLE CAN DO THAT
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MATH.
THAT MEANS SEVEN ARTISTS WILL GO
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HOME.
VOTING IS OPEN NOW ON
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"THE VOICE" OFFICIAL APP AND
NBC.COM.
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FOR ALL THE VOTING INFORMATION.
TONIGHT YOU'RE VOTING FOR ONE
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ARTIST, THAT IS, OF COURSE, YOUR
FAVORITE ARTIST OF THE NIGHT.
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AND SPEAKING OF VOTING, A BIG
THANKS TO OUR OFFICIAL VOTING
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PARTNER THIS SEASON THROUGHOUT
THE LIVE SHOWS, THE ACTIVE CASH
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CREDIT CARD FROM WELLS FARGO,
WHICH IS WITH YOU AS YOU PURSUE
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INTERESTS AND EXPLORE PASSIONS,
JUST LIKE OUR TOP 12 ARE DOING
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TONIGHT, SO WE APPRECIATE THAT.
SO, LET'S GET STARTED.
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LET'S KICK OFF THE SEMIFINALS
WITH TEAM ADAM'S CALIFORNIA R&B
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SINGER THAT LET'S HIM EXPLORE
BRAND-NEW AREAS IN HIS VOICE.
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HERE'S MORE FROM KOLBY CORDELL.
>> THE LOVE I'VE GOTTEN FROM THE
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SHOW HAS BEEN AMAZING.
WORKING WITH THE COACHES, JOHN
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AND NOW ADAM HAS BEEN A BLESSING
FOR ME BOTH MENTALLY AND AS AN
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ARTIST.
LOOK WHERE IT GOT US.
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TOP 12, BABY.
FOR THE SEMIFINALS I'LL BE
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BRINGING "DRUNK YOUR WAY" BY
JUSTIN TIMBERLAKE.
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>> CHRIS STAPLETON DID IT?
>> YEAH, COUNTRY MUSIC AWARDS.
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>> AND CHRIS, TOO, IS A BAD --
>> A COLD PIECE.
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>> ONE OF THE BADDEST.
YOU'RE DIPPING YOUR TOE.
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YOU HAVE THE R & B, THE COUNTRY,
IT'S A PERFECT CHOICE.
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>> YES, SIR.
* I CAN'T DRINK YOU AWAY *
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>> KOLBY HAS THIS RICHNESS TO
HIS VOICE AND THIS PERFORMANCE
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STYLE THAT IS SO PERFECT FOR
"THE VOICE."
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I THINK HE'S ONE OF THE MOST
ENTERTAINING PEOPLE ON THE SHOW.
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I WAS JUST REALLY SURPRISED HE
WAS AVAILABLE AT ALL.
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KOLBY IS MY BEST STEAL.
LIKE JOHN LEGEND MESSED UP.
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THANK YOU, JOHN LEGEND.
THANK YOU.
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APPRECIATE IT.
YOU'RE ONE OF THE ONES I DON'T
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WORRY ABOUT.
YOU PUT SO MUCH INTO YOUR
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PERFORMANCES.
>> I'M STANDING HERE WITH AN
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OPPORTUNITY TO TAKE HOME THE
GOLD, TAKE HOME THE BACON.
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MY FAMILY IS PROUD OF ME.
MY VILLAGE RALLIED BEHIND ME.
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I GREW UP IN CALIFORNIA, A VERY
BLUE-COLLARED TOWN.
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EVERYBODY THERE IS SO HARD
WORKING.
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MY PARENTS ARE ALSO BLUE COLORED
PEOPLE.
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THEY WORKED FOR THE PRISON.
MY FATHER IS ALSO A PASTOR.
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THEY WORKED HARD TO MAKE SURE WE
HAD CLOTHES ON OUR BACK.
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THE HARD WORK AND ETHICS
TRANSLATE TO ME CHASING THE
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DREAM, BEING A PASSION, THE
ARTIST, THE STORY TELLER.
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>> WHEN IT BREAKS DOWN, THAT'S A
MOMENT TO GET PEOPLE INVOLVED.
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PUT UP YOUR HANDS.
IT CAN BE AS SIMPLE AS YELLING
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AT THE AUDIENCE.
SAYING SOMETHING.
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THE LAST COUPLE WEEKS OF THE
SHOW IS A MOMENT OF TRUTH.
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NOT TO PUT TOO MUCH PRESSURE ON
IT, BUT DO WHAT YOU DO.
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YOU CHOSE A GREAT SONG.
YOU ARE GREAT.
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>> I'M READY FOR IT.
>> WHAT ELSE COULD YOU POSSIBLY
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BE DOING?
>> I'M READY FOR IT.
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>> I HAVE ONE MORE PERFORMANCE
BEFORE THE FINALE, MAKES ME A
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LITTLE NERVOUS BUT I TRUST GOD,
I TRUST MY ABILITY, I TRUST THE
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PROCESS.
AMERICA, LET'S DO THIS TOGETHER.
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*
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* BITTERSWEET THING
COULD THIS BE A DREAM
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OR JUST THE SAME NIGHTMARE
THAT KEEPS ME AWAKE *
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* I FEEL IT IN MY BRAIN
A TALL SHOT OF PAIN *
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* POUR A LITTLE OUT NOW
FOR THE LOVE
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THAT WE'VE MADE *
* I FEEL IT IN THE MORNING
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YOU'RE STILL HERE
IN THE MORNING
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I SEE YOU BUT YOU'RE GONE *
* TELEPHONE A DOCTOR
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I'M NOT OKAY *
* THE BOTTOM OF THE BOTTLE
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TO FILL THIS
EMPTY HEART UP *
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* A THOUSAND PROOF
DON'T CHANGE THE TRUTH
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I DIVE IN BUT I CAN'T
I CAN'T DRINK YOU AWAY *
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* I'VE TRIED JACK
I'VE TRIED JIM
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I'VE TRIED ALL
OF THEIR FRIENDS *
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* I CAN'T DRINK YOU AWAY
ALL THESE ROCKS *
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* I CAN'T SWIM
OUT OF THIS SKIN
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I'M LIVING IN *
* SAY TELL ME BABY
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DON'T THEY MAKE
A MEDICINE FOR HEART BREAK *
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* OOH
TELL ME BABY
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OH YEAH
TELL ME
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* DON'T THEY MAKE
A MEDICINE FOR HEART BREAK
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BREAK IT DOWN *
* BREAK IT DOWN *
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* I CAN'T DRINK YOU
I CAN'T DRINK YOU AWAY
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AWAY AWAY *
* I CAN'T
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OOOH
DRINK YOU
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I CAN'T DRINK YOU AWAY *
* I CAN'T DRINK YOU AWAY
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SAY I DRINK *
* I'VE TRIED JACK
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I'VE TRIED JIM
I'VE TRIED ALL
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OF THEIR FRIENDS *
* I CAN'T DRINK YOU AWAY
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ALL THESE ROCKS *
* I CAN'T SWIM
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OUT OF THIS SKIN
* TELL ME BABY
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DON'T THEY MAKE
A MEDICINE FOR HEART BREAK
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OOH *
* TELL ME BABY
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OH YEAH *
* DON'T THEY MAKE
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A MEDICINE FOR HEART BREAK
I CAN'T DRINK YOU AWAY *
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*
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[ APPLAUSE ]
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>> LET'S GO!
LET'S GO!
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>> Carson: THE BAR HAS BEEN SET.
KOLBY CORDELL KICKS OFF THE
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SEMIFINALS LIVE ON "THE VOICE."
HE'S TEAM ADAM.
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[ APPLAUSE ]
>> THAT'S WHAT HIM TALKING
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ABOUT!
LET'S GO!
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NICE JOB.
>> Carson: OH, MAN, YOUR COACH
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IS STANDING ON THE RED CHAIR.
>> MY GOODNESS.
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>> Carson: FIRED UP.
LET'S TALK TO YOUR FORMER COACH
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FIRST.
JOHN?
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>> YEAH, I FEEL A LITTLE REGRET
IN MY HEART AND MY SOUL.
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>> YOU FEEL IT.
>> YOU KNOW, I'VE ALWAYS LOVED
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YOU, KOLBY, BUT THAT WAS THE
BEST PERFORMANCE I'VE SEEN FROM
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YOU.
YOU JUST --
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[ APPLAUSE ]
>> APPRECIATE IT.
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>> YOU SAY YOU'RE A PREACHER'S
KID, BUT WHATEVER CHURCH YOU'RE
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PREACHING AT, I WANT TO BE.
>> AMEN.
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>> I FEEL LIKE YOU NEED TO START
YOUR OWN CHURCH OF KOLBY.
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>> UH-OH.
>> ADAM?
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>> I ALMOST DON'T NEED TO SAY
ANYTHING.
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BECAUSE WHAT COULD I POSSIBLY
SAY?
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I MEAN, LOOK, I HAVEN'T STOOD UP
ON THIS IN A LONG TIME.
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AND I COULDN'T HELP IT.
MY BODY JUST ROSE UP AND I STOOD
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UP.
BECAUSE WHAT JUST HAPPENED IN
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THIS ROOM DOESN'T HAPPEN VERY
OFTEN AND YOU SHOULD BE SO
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BEYOND PROUD OF YOURSELF, BRO.
THIS IS IT.
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THIS IS IT FOR YOU MAN.
>> APPRECIATE IT.
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>> Carson: IF YOU WANT KOLBY IN
THE FINALE, YOU CAN VOTE ON
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00:09:33,039 --> 00:09:36,076
NBC.COM AND "THE VOICE" OFFICIAL
APP.
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LET'S HEAR IT FOR KOLBY CORDELL.
GIVE IT UP ONE MORE TIME FOR
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00:09:41,448 --> 00:09:43,616
KOLBY CORDELL.
WE'RE OFF TO A GREAT START.
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WHEN WE COME BACK, ALANNA BRINGS
THE EMOTION WITH A HUGE SONG
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FROM "WICKED."
AND LATER, JADYN AND OLIVIA GIVE
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IT EVERYTHING THEY'VE GOT TO
MOVE ON TO THE FINAL FIVE.
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"THE VOICE" WILL BE
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MOVE ON TO THE FINAL FIVE.
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00:09:55,395 --> 00:10:06,339
"THE VOICE" WILL BE
>> Carson: AND WE'RE BACK.
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00:10:06,339 --> 00:10:10,110
WE'RE LIVE.
IT'S OUR SEMIFINALS.
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00:10:10,110 --> 00:10:17,751
REMEMBER, A LITTLE INFORMATION,
YOU COULD WIN AN AWESOME TRIP
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00:10:17,751 --> 00:10:22,188
FOR FOUR TO EXPERIENCE THE NEW
UNIVERSAL EPIC UNIVERSE THEME
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00:10:22,188 --> 00:10:24,724
PARK, OPENING MAY 22nd AT
UNIVERSAL ORLANDO RESORT.
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00:10:24,724 --> 00:10:26,126
FOR MORE INFORMATION AND TO
ENTER FOR A CHANCE TO WIN, HEAD
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00:10:26,126 --> 00:10:27,460
OVER TO "THE VOICE" OFFICIAL APP
OR NBC.COM/VOICESWEEPS.
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00:10:27,460 --> 00:10:31,131
THE DEADLINE IS WEDNESDAY, MAY
14th, SO ENTER NOW.
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KELSEA BALLERINI IS HERE,
EVERYBODY.
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00:10:32,999 --> 00:10:37,237
IS THIS YOUR FIRST LIVE SHOW?
>> MY FIRST LIVE SHOW.
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00:10:37,237 --> 00:10:40,540
>> Carson: WE TAKE SO LONG TO
SHOOT THIS SHOW --
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00:10:40,540 --> 00:10:41,908
>> WE STARTED IN JULY.
>> Carson: THIS IS ALL THAT
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00:10:41,908 --> 00:10:43,009
MATTERS.
>> I'M NOT NERVOUS.
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00:10:43,009 --> 00:10:45,278
YOU'RE NERVOUS.
>> Carson: I'M NOT NERVOUS.
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00:10:45,278 --> 00:10:50,350
ARE YOU HAVING FUN?
>> I'M HAVING FUN.
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00:10:50,350 --> 00:10:51,651
>> Carson: YOUR TEAM ADAM HAS
ALREADY SET THE BAR.
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00:10:51,651 --> 00:10:53,119
>> I KNOW.
>> Carson: IT'S GREAT TO SEE
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00:10:53,119 --> 00:10:56,723
YOU.
LET'S GET TO IT.
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00:10:56,723 --> 00:10:58,058
TEAM KELSEA'S SOULFUL POP
SINGER FROM TOLEDO WHO'S HAD
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00:10:58,058 --> 00:11:01,461
QUITE THE JOURNEY -- NOT ONLY ON
"THE VOICE" -- BUT ALSO IN HER
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00:11:01,461 --> 00:11:02,462
PERSONAL LIFE.
SHE'LL TELL YOU MORE.
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00:11:02,462 --> 00:11:10,070
HERE'S MORE FROM ALANNA LYNISE.
>> A COUPLE MONTHS AGO I WAS
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00:11:10,070 --> 00:11:12,405
WORKING IN A PHONE STORE AND
THINKING TO MYSELF, I'M MET FOR
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00:11:12,405 --> 00:11:17,911
SOMETHING BIGGER.
>> CONGRATULATIONS!
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00:11:17,911 --> 00:11:20,246
>> I'M ONE PERFORMANCE AWAY FROM
"THE VOICE" FINALE.
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00:11:20,246 --> 00:11:23,516
I'M TAKING IT DAY BY DAY.
>> HOW HAVE YOU BEEN?
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00:11:23,516 --> 00:11:25,185
>> I'M ENGAGED NOW AND I'M
PRACTICING.
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00:11:25,185 --> 00:11:28,555
OUR PLAN WAS TO GET MARRIED AND
WE ARE EXPECTING A CUTE LITTLE
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00:11:28,555 --> 00:11:30,657
BABY.
MY GOLLY.
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00:11:30,657 --> 00:11:32,792
>> ARE YOU GOING TO PROPOSE
RIGHT NOW?
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00:11:32,792 --> 00:11:37,964
>> AFTER OUR BRUNCH DATE, HE
PULLS OUT THIS RING.
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00:11:37,964 --> 00:11:41,234
>> ARE YOU SERIOUS?
>> I'M LIKE, WOW, I GET TO BE
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00:11:41,234 --> 00:11:42,902
WITH YOU FOREVER AND YOU REALLY
WANT ME.
188
00:11:42,902 --> 00:11:46,339
>> I'M SO THRILLED FOR YOU
BECAUSE YOUR JOURNEY ON THIS
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00:11:46,339 --> 00:11:48,975
SEASON HAS BEEN SINGING ABOUT
LOVE.
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00:11:48,975 --> 00:11:53,213
SPEAKING OF, THE SONG THAT YOU
PICKED IS JUST GUT-WRENCHING.
191
00:11:53,213 --> 00:11:58,752
I WAS IN GLEE CLUB IN HIGH
SCHOOL, AND WE SAW "WICKED," I
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00:11:58,752 --> 00:12:01,688
WAS FOREVER CHANGED.
* HANDS TOUCH *
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00:12:01,688 --> 00:12:05,592
>> I AM PURCHASING "I AM NOT
THAT GIRL" FROM THE "WICKED"
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00:12:05,592 --> 00:12:10,163
SOUNDTRACK.
I WANT TO MAKE MUSIC FOR MOVIES.
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00:12:10,163 --> 00:12:13,533
I STUDY THEM ALL THE TIME.
YOU HAVE TO PUT EMOTION BEHIND
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00:12:13,533 --> 00:12:15,201
THE MUSIC BUT BEHIND THE ACTING
AS WELL.
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00:12:15,201 --> 00:12:16,936
SO WHEN BOTH OF THEM TIE
TOGETHER, YOU HAVE A PERFECT
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00:12:16,936 --> 00:12:23,109
MOVIE.
* I'M NOT THAT GIRL *
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00:12:23,109 --> 00:12:24,244
>> FROM THE BEGINNING, YOU HAVE
DELIVERED.
200
00:12:24,244 --> 00:12:27,914
>> THANK YOU.
>> EVERY SINGLE TIME, YOU'RE
201
00:12:27,914 --> 00:12:31,084
JUST ONE-UPPING YOURSELF.
I THINK YOU CAN WIN.
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00:12:31,084 --> 00:12:34,421
>> WATCHING HER ELEVATE EVERY
WEEK AND CHALLENGE HERSELF AND
203
00:12:34,421 --> 00:12:36,456
BLOW EVERYONE OUT OF THE WATER.
ALANNA IS OUR RISING STAR.
204
00:12:36,456 --> 00:12:39,793
ONE THING I LOVE ABOUT YOUR
VOICE IS YOU WALK THAT LINE OF
205
00:12:39,793 --> 00:12:43,863
WHERE TO USE THE POWER AND WHERE
TO USE THE FRAGILE.
206
00:12:43,863 --> 00:12:49,602
WHEN YOU HAVE THAT BIG MOMENT --
* WHEN REALITY SETS BACK IN *
207
00:12:49,602 --> 00:12:52,105
BRING THAT BACK IN FOR A SEC.
EVEN THOUGH YOU ARE NOT IN A
208
00:12:52,105 --> 00:12:57,410
PLACE OF HEART BREAK IN YOUR
LIFE, SINGING THAT TO HEART
209
00:12:57,410 --> 00:13:01,181
BREAK IS REALLY IMPORTANT.
* DON'T WISH *
210
00:13:01,181 --> 00:13:04,284
>> I REALLY FEEL LIKE YOU'RE IN
YOUR FLOW OF LIFE RIGHT NOW.
211
00:13:04,284 --> 00:13:07,120
>> I JUST FEEL LIKE I'M ON A NEW
LEVEL OF SINGING.
212
00:13:07,120 --> 00:13:09,923
SO HAPPY TO NOT ONLY HAVE THIS
CUTE LITTLE BABY INSIDE OF ME,
213
00:13:09,923 --> 00:13:13,126
I'M HAPPY TO BE DOING THIS.
BECAUSE AT FIRST, I WAS JUST
214
00:13:13,126 --> 00:13:17,797
DOING THIS FOR ME.
IT'S REALLY COOL KNOWING I'M
215
00:13:17,797 --> 00:13:18,498
ACHIEVING MY DREAMS FOR MY BABY.
216
00:13:20,300 --> 00:13:20,667
[ APPLAUSE ]
217
00:13:24,671 --> 00:13:25,638
>> Carson: I SAW HER A COUPLE
218
00:13:25,638 --> 00:13:28,508
SECONDS BEFORE THE PERFORMANCE.
WHAT DID YOU THINK WATCHING THAT
219
00:13:28,508 --> 00:13:31,478
PACKAGE?
YOU KNOW SOMETHING ABOUT GLEE
220
00:13:31,478 --> 00:13:35,348
CLUB.
>> I DO WANT YOU TO KNOW WHEN I
221
00:13:35,348 --> 00:13:39,119
WAS IN HIGH SCHOOL, I AUDITIONED
FOR PETER PAN.
222
00:13:39,119 --> 00:13:42,355
I AUDITIONED FOR TINKERBELL OR
WENDY AND I GOT THE ROLE OF THE
223
00:13:42,355 --> 00:13:44,124
OSTRICH.
>> HOW DID YOU FEEL?
224
00:13:44,124 --> 00:13:47,894
>> WELL, YOU KNOW, I LEARNED HOW
TO BE FUNNY QUICKLY.
225
00:13:47,894 --> 00:13:50,296
IN LIFE.
>> YOU READY TO SEE YOUR TEAM
226
00:13:50,296 --> 00:13:52,766
SHINE?
>> I'M SO PROUD.
227
00:13:52,766 --> 00:13:56,870
>> LADIES AND GENTLEMEN, FROM
TEAM KELSEA, ALANNA LYNISE.
228
00:13:56,870 --> 00:13:57,270
TAKE IT AWAY.
229
00:14:03,643 --> 00:14:07,947
**
230
00:14:07,947 --> 00:14:17,457
* HANDS TOUCH
EYES MEET
231
00:14:17,457 --> 00:14:24,330
SUDDEN SILENCE
SUDDEN HEAT *
232
00:14:24,330 --> 00:14:35,442
* HEARTS LEAP
IN A GIDDY WHIRL
233
00:14:35,442 --> 00:14:44,417
HE COULD BE THAT BOY
I'M NOT THAT GIRL *
234
00:14:44,417 --> 00:14:50,757
* DON'T DREAM
TOO FAR
235
00:14:50,757 --> 00:14:56,596
DON'T LOSE SIGHT OF
WHO YOU ARE *
236
00:14:56,596 --> 00:15:08,241
* DON'T REMEMBER
THAT RUSH OF JOY
237
00:15:08,241 --> 00:15:14,547
HE COULD BE THAT BOY
I'M NOT THAT GIRL *
238
00:15:14,547 --> 00:15:16,683
* EVERY SO OFTEN
WE LONG TO STEAL
239
00:15:16,683 --> 00:15:21,955
TO THE LAND OF
WHAT-MIGHT-HAVE-BEEN *
240
00:15:21,955 --> 00:15:35,702
* THAT DOESN'T SOFTEN
THE ACHE WE FEEL
241
00:15:35,702 --> 00:15:39,406
WHEN REALITY SETS BACK IN *
* DON'T WISH
242
00:15:39,406 --> 00:15:45,745
DON'T START
WISHING ONLY
243
00:15:45,745 --> 00:15:53,119
WOUNDS THE HEART *
* I WASN'T BORN
244
00:15:53,119 --> 00:16:06,866
FOR THE ROSE AND PEARL
THERE'S A GIRL I KNOW
245
00:16:06,866 --> 00:16:19,846
HE LOVES HER SO *
* OOH
246
00:16:19,846 --> 00:16:20,380
I'M NOT THAT GIRL *
247
00:16:24,551 --> 00:16:26,853
[ APPLAUSE ]
248
00:16:26,853 --> 00:16:32,392
>> Carson: THAT IS ALANNA LYNISE
FROM TEAM KELSEA BALLERINI.
249
00:16:32,392 --> 00:16:33,560
THANK YOU FOR THAT
ACCOMPANIMENT, EVERYBODY.
250
00:16:33,560 --> 00:16:38,665
LADIES AND GENTLEMEN, THANK YOU
SO MUCH.
251
00:16:38,665 --> 00:16:41,201
BEAUTIFUL JOB.
YOU LOOK AMAZING.
252
00:16:41,201 --> 00:16:42,869
THAT WAS INCREDIBLE.
>> THANK YOU.
253
00:16:42,869 --> 00:16:46,506
>> Carson: MICHAEL, WE'RE GOING
TO START WITH YOU.
254
00:16:46,506 --> 00:16:48,942
>> THAT WAS REALLY BEAUTIFUL.
CONGRATULATIONS.
255
00:16:48,942 --> 00:16:52,245
WHAT A -- YOU WERE SO BEAUTIFUL
AND STILL AND POWERFUL.
256
00:16:52,245 --> 00:16:54,114
AND I SAW HOW PROUD YOU JUST
MADE YOUR COACH.
257
00:16:54,114 --> 00:16:56,983
I'M SO HAPPY FOR YOU.
WHAT A GREAT MOMENT FOR YOU.
258
00:16:56,983 --> 00:16:58,151
THANK YOU SO MUCH FOR THAT GREAT
PERFORMANCE.
259
00:16:58,151 --> 00:17:00,487
>> THANK YOU.
>> Carson: COACH, WHAT DID YOU
260
00:17:00,487 --> 00:17:03,156
THINK?
>> ONE THING THAT I JUST LOVE
261
00:17:03,156 --> 00:17:05,158
ABOUT YOU SO MUCH IS YOU'RE
NEVER SCARED TO SHOW YOUR HEART
262
00:17:05,158 --> 00:17:08,028
ON THIS STAGE.
AND YOU'VE SHOWN SO MANY
263
00:17:08,028 --> 00:17:12,532
DIFFERENT VERSIONS OF IT.
AND I THINK THAT THIS SET
264
00:17:12,532 --> 00:17:14,834
MATCHED THE MAGIC THAT YOU HAVE
IN YOURSELF, THAT YOU SHOW EVERY
265
00:17:14,834 --> 00:17:16,703
TIME.
I'M JUST -- I'M REALLY SO PROUD
266
00:17:16,703 --> 00:17:19,939
OF YOU.
>> YES.
267
00:17:19,939 --> 00:17:24,678
>> Carson: IF YOU WANT ALANNA IN
THE FINALE, YOU CAN VOTE ON
268
00:17:24,678 --> 00:17:29,949
NBC.COM AND "THE VOICE" OFFICIAL
APP.
269
00:17:29,949 --> 00:17:32,252
LET'S HEAR IT FOR ALANNA LYNISE.
WHEN WE COME BACK, JADYN SINGS A
270
00:17:32,252 --> 00:17:35,722
POP CLASSIC THAT MICHAEL THINKS
IS PERFECT FOR HER.
271
00:17:35,722 --> 00:17:40,894
AND LATER, OLIVIA AND IRIS DO
EVERYTHING THEY CAN TO GET TO
272
00:17:40,960 --> 00:17:41,494
THE END OF THIS COMPETITION.
273
00:17:42,328 --> 00:17:42,929
EVERYTHING THEY CAN TO GET TO
274
00:17:42,929 --> 00:17:52,572
THE END OF THIS COMPETITION.
>> Carson: WELCOME BACK TO THE
275
00:17:52,572 --> 00:17:55,208
TOP 12.
YOU ARE VOTING FOR YOUR SEASON
276
00:17:55,208 --> 00:18:01,648
27 FINALISTS TONIGHT.
VOTING IS OPEN NOW.
277
00:18:01,648 --> 00:18:05,318
WE'LL CONTINUE WITH TEAM BUBLE'S
24-YEAR-OLD NEBRASKA VOCALIST
278
00:18:05,318 --> 00:18:06,786
WHO'S EMBRACING THE PERSON AND
THE ARTIST SHE WAS ALWAYS MEANT
279
00:18:06,786 --> 00:18:07,721
TO BE.
HERE'S MORE FROM JADYN CREE.
280
00:18:10,590 --> 00:18:12,158
>> OH, MY GOD!
281
00:18:12,158 --> 00:18:17,630
MADE IT TO THE FINAL 12 AND I AM
SO EXCITED.
282
00:18:17,630 --> 00:18:19,566
IT'S ABSOLUTELY INSANE.
THIS IS A REAL DEAL.
283
00:18:19,566 --> 00:18:22,135
I'M HAPPY TO BE HERE.
THIS IS A HIGH-FUNCTIONING
284
00:18:22,135 --> 00:18:23,570
ROBOT.
BASICALLY YOU CAN'T EVEN TELL
285
00:18:23,570 --> 00:18:27,040
THAT I'M A ROBOT AND THAT'S KIND
OF THE POINT.
286
00:18:27,040 --> 00:18:28,274
>> HOW ARE YOU DOING?
WHAT'S HAPPENING?
287
00:18:28,274 --> 00:18:31,911
>> I'M GOOD.
WE HAD THE SHOW BEFORE I CAME
288
00:18:31,911 --> 00:18:34,748
OUT HERE.
>> OH, COOL.
289
00:18:34,748 --> 00:18:44,491
ONE LITTLE GIRL VIOLET CUT HER
HAIR TO MATCH MINE.
290
00:18:44,491 --> 00:18:48,862
OH, SOMEONE THINKS I'M COOL.
IT IS KIND OF CRAZY I HAVE FANS.
291
00:18:48,862 --> 00:18:52,932
GROWING UP I DIDN'T KNOW HOW TO
FIT IN BUT I GUESS I REALIZED MY
292
00:18:52,932 --> 00:18:56,369
WEIRD SELF.
I JUST LOVED POP SONGS.
293
00:18:56,369 --> 00:18:59,172
I'VE NEVER DONE ANYTHING THAT'S
HAPPY AND I SING ALL THESE
294
00:18:59,172 --> 00:19:02,842
YOUNGER GIRLS AT MY SHOW, I JUST
WANT TO INSPIRE THEM AND LET
295
00:19:02,842 --> 00:19:11,751
THEM KNOW, YOU CAN BE SILLY, YOU
CAN BE FUN, YOU CAN BE YOURSELF.
296
00:19:11,751 --> 00:19:16,256
>> I'M SO NOSTALGIC ABOUT THIS
SONG.
297
00:19:16,256 --> 00:19:19,192
I WISH I HAD MY OLD JELLY SHOES.
I'M OLD.
298
00:19:19,192 --> 00:19:21,361
THAT WAS AN OLD PERSON'S JOKE
* THAT'S WHAT THEY SAY WHEN
299
00:19:21,361 --> 00:19:23,930
WE'RE TOGETHER *
>> I THINK IT'S A PERFECT SONG
300
00:19:23,930 --> 00:19:27,567
FOR THIS MOMENT BECAUSE THERE'S
NO ONE MORE PERFECT THAN HER TO
301
00:19:27,567 --> 00:19:33,373
BRING SOMETHING LIKE THAT INTO
THE MODERN ERA AND MAKE IT XLIT
302
00:19:33,373 --> 00:19:37,410
COMPLETELY HERS.
JADYN CREE IS SO UNIQUE.
303
00:19:37,410 --> 00:19:43,316
SHE'S UNAPOLOGETICALLY HERSELF.
SHE JUST WALKS THROUGH THE
304
00:19:43,316 --> 00:19:46,820
SCREEN.
THE SECOND YOU OPEN YOUR MOUTH,
305
00:19:46,820 --> 00:19:55,562
I GO, OH.
BUT WE HIT THE CHORUS TOO MANY
306
00:19:55,562 --> 00:19:57,864
TIMES AT THE END AND IT GETS --
IT WOULD BE FUN TO DO --
307
00:19:57,864 --> 00:20:00,834
>> I ABSOLUTELY ADORE WORKING
WITH MICHAEL.
308
00:20:00,834 --> 00:20:02,869
IT'S BROUGHT OUT THE BEST IN ME
* DOESN'T SEEM TO BE ANYONE
309
00:20:02,869 --> 00:20:04,904
AROUND *
>> I DEFINITELY REALLY WANT TO
310
00:20:04,904 --> 00:20:09,843
MAKE IT TO THE FINALS AND
REPRESENT TEAM BUBLE.
311
00:20:09,843 --> 00:20:12,245
* RUNNING JUST AS FAST AS YOU
CAN *
312
00:20:12,245 --> 00:20:15,949
>> WHEN SHE WAS DOING THAT SONG,
THIS WHOLE STUDIO, EVERY SINGLE
313
00:20:15,949 --> 00:20:18,918
ONE WAS UP AND DANCING.
>> TRY TO STOP THEM.
314
00:20:18,918 --> 00:20:21,855
>> THERE WAS PURE JOY THROUGH
THE WHOLE ROOM.
315
00:20:21,855 --> 00:20:24,457
IF THAT'S THE IMPACT SHE HAS FOR
MILLIONS OF PEOPLE ON LIVE
316
00:20:24,457 --> 00:20:27,027
TELEVISION, I THINK AMERICA WILL
FALL IN LOVE AND VOTE FOR HER.
317
00:20:27,027 --> 00:20:30,030
>> GOD, I LOVE THAT.
I LOVE THIS JOB.
318
00:20:35,001 --> 00:20:37,737
**
319
00:20:37,737 --> 00:20:41,941
* CHILDREN BEHAVE
THAT'S WHAT THEY SAY
320
00:20:41,941 --> 00:20:47,180
WHEN WE'RE TOGETHER
AND WATCH HOW YOU PLAY *
321
00:20:47,180 --> 00:20:48,748
* THEY DON'T UNDERSTAND
AND SO WE'RE
322
00:20:48,748 --> 00:20:51,885
RUNNING JUST AS FAST
AS WE CAN *
323
00:20:51,885 --> 00:20:56,656
* HOLDIN' ON TO ONE
ANOTHER'S HAND
324
00:20:56,656 --> 00:20:59,292
TRYIN' TO GET AWAY
INTO THE NIGHT *
325
00:20:59,292 --> 00:21:01,895
* AND THEN YOU PUT YOUR
ARMS AROUND ME
326
00:21:01,895 --> 00:21:04,531
AND WE TUMBLE TO THE GROUND
AND THEN YOU SAY *
327
00:21:04,531 --> 00:21:10,870
* I THINK WE'RE ALONE NOW
THERE DOESN'T SEEM TO BE
328
00:21:10,870 --> 00:21:16,609
ANYONE AROUND *
* I THINK WE'RE ALONE NOW
329
00:21:16,609 --> 00:21:25,085
THE BEATING OF OUR HEARTS
IS THE ONLY SOUND *
330
00:21:25,085 --> 00:21:30,223
* LOOK AT THE WAY
WE GOTTA HIDE WHAT
331
00:21:30,223 --> 00:21:34,961
WE'RE DOIN' *
* AND WHAT WOULD THEY SAY
332
00:21:34,961 --> 00:21:39,165
IF THEY EVER KNEW
AND SO WE'RE RUNNING
333
00:21:39,165 --> 00:21:43,370
JUST AS FAST AS WE CAN *
* HOLDIN' ON TO ONE
334
00:21:43,370 --> 00:21:46,006
ANOTHER'S HAND
TRYIN' TO GET AWAY
335
00:21:46,006 --> 00:21:48,108
INTO THE NIGHT *
* AND THEN YOU PUT YOUR
336
00:21:48,108 --> 00:21:49,642
ARMS AROUND ME
AND WE TUMBLE TO
337
00:21:49,642 --> 00:21:53,346
THE GROUND *
* AND THEN YOU SAY
338
00:21:53,346 --> 00:21:59,119
I THINK WE'RE ALONE NOW
THERE DOESN'T SEEM TO BE
339
00:21:59,119 --> 00:22:02,789
ANYONE AROUND *
* I THINK WE'RE ALONE NOW
340
00:22:02,789 --> 00:22:08,261
THE BEATING OF OUR HEARTS
IS THE ONLY SOUND *
341
00:22:13,266 --> 00:22:13,900
**
342
00:22:13,900 --> 00:22:19,706
* RUNNING JUST AS
FAST AS WE CAN
343
00:22:19,706 --> 00:22:20,740
HOLDIN' ON TO ONE
ANOTHER'S HAND *
344
00:22:20,740 --> 00:22:23,877
* TRYIN' TO GET AWAY
INTO THE NIGHT
345
00:22:23,877 --> 00:22:25,679
AND THEN YOU PUT YOUR
ARMS AROUND ME *
346
00:22:25,679 --> 00:22:27,547
* AND WE TUMBLE
TO THE GROUND
347
00:22:27,547 --> 00:22:32,786
AND THEN YOU SAY *
* I THINK WE'RE ALONE NOW
348
00:22:32,786 --> 00:22:37,490
THERE DOESN'T SEEM TO BE
ANYONE AROUND *
349
00:22:37,490 --> 00:22:42,762
* I THINK WE'RE ALONE NOW
THE BEATING OF OUR HEARTS
350
00:22:42,762 --> 00:22:47,500
IS THE ONLY SOUND *
* I THINK WE'RE ALONE NOW
351
00:22:47,500 --> 00:22:51,905
THERE DOESN'T SEEM TO BE
ANYONE AROUND *
352
00:22:57,477 --> 00:22:57,844
[ APPLAUSE ]
353
00:23:03,683 --> 00:23:06,686
>> Carson: JADYN CREE,
354
00:23:06,686 --> 00:23:13,660
FROM TEAM BUBLE!
AS OUR TOP 12, WE'RE ALL LIVE
355
00:23:13,660 --> 00:23:17,931
TONIGHT IN THE SEMIFINALS.
GREAT JOB, BUDDY.
356
00:23:17,931 --> 00:23:19,199
DID YOU SEE YOUR OLD MAN SITTING
RIGHT OVER THERE?
357
00:23:19,199 --> 00:23:22,168
>> I DID.
>> RIGHT THERE.
358
00:23:22,168 --> 00:23:23,937
>> THUMBS UP, BRIAN.
LOOKING GOOD.
359
00:23:23,937 --> 00:23:26,840
JADYN, SO FUN.
YOU'RE ALWAYS SO FUN TO WATCH.
360
00:23:26,840 --> 00:23:28,908
LET'S GET COMMENTS FROM THE
COACHES.
361
00:23:28,908 --> 00:23:31,411
LET'S START WITH MR. LEGEND.
>> JADYN, I ALWAYS FEEL LIKE
362
00:23:31,411 --> 00:23:34,147
YOU'RE FAMILY.
EVEN THOUGH YOU'RE NOT ON MY
363
00:23:34,147 --> 00:23:37,417
TEAM, I FEEL LIKE EXTENSION
BECAUSE OF YOUR DAD.
364
00:23:37,417 --> 00:23:40,587
I'M JUST VICARIOUSLY VERY PROUD
OF YOU BECAUSE I JUST LOVE
365
00:23:40,587 --> 00:23:44,324
SEEING YOU DO WHAT YOU LOVE TO
DO AND JUST DO IT SO EXUBERANTLY
366
00:23:44,324 --> 00:23:47,193
AND WITH SUCH SKILL.
AND IT'S FUN EVERY SINGLE TIME
367
00:23:47,193 --> 00:23:48,228
YOU COME ON THE STAGE.
CONGRATULATIONS.
368
00:23:48,228 --> 00:23:51,464
>> THANK YOU SO MUCH.
>> Carson: THANK YOU, JOHN.
369
00:23:51,464 --> 00:23:55,735
MICHAEL?
>> WELL, I LOVE YOU, YOU KNOW.
370
00:23:55,735 --> 00:23:58,438
YOU'RE ALWAYS UNIQUE AND YOUR
VOICE IS SO PURE AND DIFFERENT.
371
00:23:58,438 --> 00:24:00,273
THAT'S WHAT MAKES A STAR, YOU
KNOW.
372
00:24:00,273 --> 00:24:02,542
MORE THAN THAT, I WAS TALKING TO
CLYDE, A GUY WHO'S BEEN ON THIS
373
00:24:02,542 --> 00:24:04,477
SHOW FOREVER.
AND HE'S A BIG PART OF THIS
374
00:24:04,477 --> 00:24:08,548
SHOW.
I SAID TO HIM, CLYDE, HOW BEST
375
00:24:08,548 --> 00:24:10,350
DO WE PAY SERVICE TO THIS
TELEVISION PROGRAM AND THIS
376
00:24:10,350 --> 00:24:11,785
CONTEST?
HE SAID, BRING JOY.
377
00:24:11,785 --> 00:24:14,154
BRING JOY.
TONIGHT, THAT'S WHAT YOU DO.
378
00:24:14,154 --> 00:24:16,589
ALL OVER AMERICA, PEOPLE ARE
PROBABLY DANCING.
379
00:24:16,589 --> 00:24:20,827
>> THANK YOU SO MUCH.
>> Carson: IF YOU WANT JADYN IN
380
00:24:20,827 --> 00:24:24,064
THE FINALE, CAN YOU VOTE ON
NBC.COM AND "THE VOICE" OFFICIAL
381
00:24:24,064 --> 00:24:27,567
APP.
LET'S HEAR IT AGAIN FOR JADYN
382
00:24:27,567 --> 00:24:29,302
CREE.
STRAIGHT AHEAD, OLIVIA SINGS A
383
00:24:29,302 --> 00:24:31,738
TIMELESS ELLA FITZGERALD
FAVORITE.
384
00:24:31,738 --> 00:24:36,076
PLUS, IRIS AND LUCIA LAY IT ALL
ON THE LINE TO SECURE A SPOT IN
385
00:24:36,076 --> 00:24:36,910
THE FINALE.
386
00:24:38,678 --> 00:24:38,978
THE FINALE.
387
00:24:38,978 --> 00:24:50,256
YOU'RE WATCHING
>> Carson: WE'RE BACK LIVE WITH
388
00:24:50,256 --> 00:24:53,360
THE TOP 12.
WE'LL CONTINUE OUR SEMIFINALS
389
00:24:53,360 --> 00:24:56,096
WITH THE SOULFUL JAZZ SINGER
FROM DALLAS WHO THOUGHT THAT SHE
390
00:24:56,096 --> 00:24:57,797
WAS ON HER WAY HOME, BUT JOHN
HAD OTHER PLANS.
391
00:24:57,797 --> 00:25:02,268
HERE'S MORE FROM OLIVIA KUPER
HARRIS.
392
00:25:02,268 --> 00:25:04,037
>> HELLO.
COULD YOU COME OVER HERE REAL
393
00:25:04,037 --> 00:25:05,338
QUICK?
>> WAIT.
394
00:25:05,338 --> 00:25:08,108
WHAT IS HAPPENING?
>> OUR PRODUCERS WERE SO
395
00:25:08,108 --> 00:25:12,846
IMPRESSED WITH THE TALENT WE HAD
THIS SEASON, THAT THEY WANTED TO
396
00:25:12,846 --> 00:25:17,550
GIVE EACH OF US ONE MORE ARTIST
TO GO TO THE LIVES.
397
00:25:17,550 --> 00:25:19,586
>> I MADE IT TO THE TOP 12
SEMIFINALS!
398
00:25:19,586 --> 00:25:23,056
>> MY HEART IS POUNDING.
I CAN'T BELIEVE THIS.
399
00:25:23,056 --> 00:25:25,592
THIS IS AAMAZING.
>> YOU ARE --
400
00:25:25,592 --> 00:25:28,061
>> I'M SO GRATEFUL TO JOHN
LEGEND.
401
00:25:28,061 --> 00:25:31,097
THIS CHANCE MEANS SO MUCH TO ME.
>> YOU'RE MY FIRST SUPER SAVE.
402
00:25:31,097 --> 00:25:34,634
YOU'RE BRINGING SOMETHING TO IT
IS SHOW NO OTHER ARTIST IS
403
00:25:34,634 --> 00:25:36,169
BRINGING.
I'M HAPPY YOU'RE HEAR.
404
00:25:36,169 --> 00:25:39,139
>> I'M SO HAPPY TO BE HERE.
>> YOU'VE BEEN ON TOUR WITH THE
405
00:25:39,139 --> 00:25:42,208
GREAT TEDDY SWIMS.
>> YEAH.
406
00:25:42,208 --> 00:25:44,310
>> I'M A HUGE FAN OF HIS.
>> HE'S INCREDIBLE.
407
00:25:44,310 --> 00:25:47,480
>> SINCE THIS SHOW HAS BEEN ON,
I THINK BACK TO VOCALS FOR TEDDY
408
00:25:47,480 --> 00:25:50,884
SWIMS, I HAVE SO MUCH LOVE AND
RESPECT FOR HIM AS AN ARTIST.
409
00:25:50,884 --> 00:25:55,655
IT'S BEEN INCREDIBLE.
HE EVEN HAS A NICKNAME FOR ME.
410
00:25:55,655 --> 00:25:58,925
OLIVE.
>> HEY, OLIVE, IT'S TED.
411
00:25:58,925 --> 00:26:01,761
DO NOT BLOW IT.
LOVE YOU, LOVE YOU.
412
00:26:01,761 --> 00:26:05,699
GIVE THEM HELL.
WE'RE ROOTING FOR YOU.
413
00:26:05,699 --> 00:26:07,500
>> BEING ON TOUR AND COMING TO
FINISH WHAT I STARTED HERE
414
00:26:07,500 --> 00:26:14,841
DEFINITELY PUTS A FIRE IN MY
BELLY.
415
00:26:14,841 --> 00:26:18,478
>> THIS SONG, IT'S SO ICONIC.
OLIVIA HAS A VOICE THAT COULD
416
00:26:18,478 --> 00:26:21,281
WORK IN ANY ERA.
SHE'S SHOWN US THAT SHE DOES
417
00:26:21,281 --> 00:26:23,216
SUCH A GREAT JOB INTERPRETING
THESE KIND OF SONGS.
418
00:26:23,216 --> 00:26:31,858
THIS IS RIGHT THERE FOR HER TO
KNOCK OUT OF THE PARK.
419
00:26:31,858 --> 00:26:34,761
OLIVIA IS TIMELESS.
* LOST IN A WORLD *
420
00:26:34,761 --> 00:26:38,264
>> THIS IS SUCH A CLASSIC JAZZ
SONG.
421
00:26:38,264 --> 00:26:42,602
I TRY MY BEST TO SING FROM A
PLACE THAT'S AUTHENTIC TO ME.
422
00:26:42,602 --> 00:26:44,137
NOT TRY TO SOUND LIKE ANYBODY
ELSE.
423
00:26:44,137 --> 00:26:47,474
LIKE THAT WAS THE OLIVIA VERSION
OF THIS SONG.
424
00:26:47,474 --> 00:26:48,908
>> WOW.
THAT WAS TASTY.
425
00:26:48,908 --> 00:26:52,846
>> OKAY.
>> YOU'RE PUTTING SUCH GREAT
426
00:26:52,846 --> 00:26:57,450
STYLE ON IT AND IT'S SOULFUL,
IT'S SEXY.
427
00:26:57,450 --> 00:26:59,919
AND YOU HAVE THE DISCIPLINE TO
WORK ON THE ARRANGEMENT AND GET
428
00:26:59,919 --> 00:27:02,088
IT READY.
YOU'RE DOING JUST ENOUGH SAUCE
429
00:27:02,088 --> 00:27:04,190
ON IT TO MAKE IT FRESH AND
INTERESTING BUT NOT TAKING US
430
00:27:04,190 --> 00:27:06,359
OUT OF THE VIBE.
>> I APPRECIATE THAT.
431
00:27:06,359 --> 00:27:09,295
>> OLIVIA IS ONE PERFORMANCE
AWAY FROM THE FINALE.
432
00:27:09,295 --> 00:27:12,365
SHE CAN PROVE TO ALL OF AMERICA
THAT SHE BELONGS HERE WITH THIS
433
00:27:12,365 --> 00:27:14,668
PERFORMANCE.
IT'S GOING TO BE ONE OF MY
434
00:27:14,668 --> 00:27:16,736
FAVORITES.
I'M JUST AS A FAN JUST GOING TO
435
00:27:16,736 --> 00:27:17,771
ENJOY LISTENING TO IT.
>> ALL RIGHT.
436
00:27:17,771 --> 00:27:20,040
I LOVE THAT.
OH, MY GOSH.
437
00:27:25,545 --> 00:27:26,680
**
438
00:27:26,680 --> 00:27:32,452
* LOOKING EVERYWHERE
HAVEN'T FOUND HIM YET
439
00:27:32,452 --> 00:27:45,565
HE'S A BIG AFFAIR
I CANNOT FORGET *
440
00:27:45,565 --> 00:27:56,109
* ONLY MAN I EVER
THINK OF WITH REGRET
441
00:27:56,109 --> 00:28:01,348
THERE'S A SOMEBODY
I'M LONGING TO SEE *
442
00:28:01,348 --> 00:28:16,029
* I HOPE THAT HE
TURNS OUT TO BE
443
00:28:16,029 --> 00:28:22,335
SOMEONE WHO'LL WATCH
OVER ME *
444
00:28:22,335 --> 00:28:28,108
* I'M A LITTLE LAMB
WHO'S LOST
445
00:28:28,108 --> 00:28:34,914
IN THE WOOD *
* I KNOW I COULD
446
00:28:34,914 --> 00:28:43,857
ALWAYS BE GOOD
TO ONE WHO'LL WATCH
447
00:28:43,857 --> 00:28:52,298
OVER ME *
* OVER ME
448
00:28:52,298 --> 00:29:03,810
ALTHOUGH HE MAY NOT
BE THE MAN SOME GIRLS
449
00:29:03,810 --> 00:29:13,820
THINK OF AS HANDSOME *
* TO MY HEART
450
00:29:13,820 --> 00:29:27,033
HE CARRIES THE KEY
WON'T YOU TELL HIM PLEASE
451
00:29:27,033 --> 00:29:40,613
TO PUT ON SOME SPEED *
* FOLLOW MY LEAD
452
00:29:40,613 --> 00:29:57,931
OH HOW I NEED
SOMEONE TO WATCH
453
00:29:57,931 --> 00:29:58,298
OVER ME *
454
00:30:01,534 --> 00:30:05,038
>> YES!
455
00:30:05,038 --> 00:30:07,907
>> THAT IS OLIVIA KUPER HARRIS,
EVERYBODY, FROM TEAM LEGEND.
456
00:30:07,907 --> 00:30:08,975
>> YES!
>> Carson: THANK YOU, LADIES AND
457
00:30:08,975 --> 00:30:16,182
GENTLEMEN.
[ APPLAUSE ]
458
00:30:16,182 --> 00:30:18,885
>> Carson: MY WORK, OLIVIA.
BEAUTIFUL IN BLACK AND WHITE.
459
00:30:18,885 --> 00:30:20,453
BEAUTIFUL IN COLOR AS WELL.
ADAM, SOME THOUGHTS, SIR.
460
00:30:20,453 --> 00:30:21,821
>> HOW ARE YOU DOING?
>> I'M GOOD.
461
00:30:21,821 --> 00:30:24,457
HOW ARE YOU?
>> I'M GREAT.
462
00:30:24,457 --> 00:30:27,293
YOU SHOULD FEEL AMAZING ABOUT
THAT.
463
00:30:27,293 --> 00:30:28,695
THAT WAS -- I THINK YOU HAVE
GOTTEN BETTER AND BETTER AND
464
00:30:28,695 --> 00:30:30,530
BETTER.
IT WAS SHOCKING TO THINK IT WAS
465
00:30:30,530 --> 00:30:32,899
POSSIBLE YOU WOULDN'T EVEN BE
HERE ANYMORE AND NOW YOU ARE,
466
00:30:32,899 --> 00:30:34,834
AND THANK GOD BECAUSE YOU
ABSOLUTELY DESERVE TO BE.
467
00:30:34,834 --> 00:30:35,802
THAT WAS A REALLY SPECIAL
MOMENT.
468
00:30:35,802 --> 00:30:38,605
>> AMEN.
>> I REALLY LOVED IT.
469
00:30:38,605 --> 00:30:41,941
>> WOO!
>> Carson: AND YOUR COACH, JOHN.
470
00:30:41,941 --> 00:30:48,248
>> I FEEL LIKE WE JUST GOT TO
WATCH A MASTER CLASS IN REALLY
471
00:30:48,248 --> 00:30:51,084
FINDING YOUR WAY IN A SONG AND
INTERPRETING IT SO BEAUTIFULLY.
472
00:30:51,084 --> 00:30:55,588
IT'S SUCH A CLASSIC SONG THAT
IT'S HARD TO DO SOMETHING NEW
473
00:30:55,588 --> 00:30:59,526
WITH IT, BUT I FELT IT WAS SO
FRESH WHAT YOU DID, SO SKILLFUL,
474
00:30:59,526 --> 00:31:02,562
SEXY, SOULFUL.
ALL OF IT.
475
00:31:02,562 --> 00:31:04,130
I WAS SO PROUD.
>> Carson: IF YOU WANT OLIVIA IN
476
00:31:04,130 --> 00:31:05,732
THE FINALE, YOU CAN VOTE ON
NBC.COM AND "THE VOICE" OFFICIAL
477
00:31:05,732 --> 00:31:08,702
APP.
LET'S HEAR IT FOR
478
00:31:08,702 --> 00:31:12,939
OLIVIA KUPER HARRIS.
THANK YOU, OLIVIA.
479
00:31:12,939 --> 00:31:18,211
COMING UP, IRIS SINGS A SONG
THAT JUST HIT NUMBER ONE.
480
00:31:18,211 --> 00:31:23,350
THEN, LUCIA AND BRYSON PULL OUT
ALL THE STOPS TO GET TO THE
481
00:31:23,416 --> 00:31:23,616
FINALE.
482
00:31:24,851 --> 00:31:25,418
ALL THE STOPS TO GET TO THE
483
00:31:25,418 --> 00:31:35,562
FINALE.
>> Carson: WELCOME BACK.
484
00:31:35,562 --> 00:31:37,697
WE ARE GOING FROM 12 TO OUR
FINAL 5 TOMORROW.
485
00:31:37,697 --> 00:31:39,799
MAKE SURE YOUR FAVORITE ARTIST
MAKES IT ALL THE WAY TO THE END.
486
00:31:39,799 --> 00:31:51,277
VOTING IS OPEN NOW FOR ALL
ARTISTS ON ALL METHODS.
487
00:31:51,277 --> 00:31:56,649
WE'LL CONTINUE WITH NUMBER ONE
SONG BY TEAM KELSEA'S
488
00:31:56,649 --> 00:31:58,985
20-YEAR-OLD RASPY ROCKER FROM
MICHIGAN, IRIS HERRERA.
489
00:31:58,985 --> 00:32:02,288
>> QUEEN!
>> I'M HERE, GUYS.
490
00:32:02,288 --> 00:32:07,127
TOP 12 SEMIFINALS.
I WENT FROM A NO CHAIR TURN ON
491
00:32:07,127 --> 00:32:11,264
SEASON 26 TO THREE CHAIRS 27.
I'M SO GRATEFUL FOR KELSEA
492
00:32:11,264 --> 00:32:13,366
TAKING ME FOR CHANCES, TAKING ME
TO LIVE.
493
00:32:13,366 --> 00:32:15,335
I HOPE TO NOT LET HER DOWN.
IT'S BEEN A WONDERFUL
494
00:32:15,335 --> 00:32:18,104
EXPERIENCE.
>> AND NOW YOU'RE GOING TO DO
495
00:32:18,104 --> 00:32:19,606
"MESSY"?
>> YES.
496
00:32:19,606 --> 00:32:23,343
>> WHY DID YOU PICK IT 1234.
>> LEARNING WHO I AM AS AN
497
00:32:23,343 --> 00:32:24,577
ARTIST, A WOMAN, ALL OF THE
ABOVE --
498
00:32:24,577 --> 00:32:26,846
>> IT'S SO MESSY?
>> YES.
499
00:32:26,846 --> 00:32:28,782
>> IT'S SUPPOSED TO BE MESSY.
THAT'S THE POINT OF LIFE.
500
00:32:28,782 --> 00:32:34,821
I'M GOING TO PITCH HERE.
>> OKAY.
501
00:32:34,821 --> 00:32:38,692
>> WHAT IF YOU STARTED, YOU AND
AN INSTRUMENT, MAYBE ELECTRIC,
502
00:32:38,692 --> 00:32:44,330
KEYS, DOING A DIFFERENT TEMPO,
SLOWER, CHORUS.
503
00:32:44,330 --> 00:32:48,268
>> I CHOSE "MESSY" BECAUSE I
THINK IT'S SO TRUE TO ME.
504
00:32:48,268 --> 00:32:50,203
I'M A 20-YEAR-OLD GIRL.
I'M DEFINITELY ROUGH AROUND THE
505
00:32:50,203 --> 00:32:53,406
EDGES.
I REALLY STRUGGLED TO FIND MY
506
00:32:53,406 --> 00:32:56,676
PLACE.
I CONSTANTLY FELT LIKE I WAS
507
00:32:56,676 --> 00:32:59,479
DISAPPOINTING SOMEBODY ONE WAY
OR ANOTHER.
508
00:32:59,479 --> 00:33:03,216
TO BE HERE AND HAVE KELSEA SEE
THAT ENERGY, KNOW WE AS WOMEN
509
00:33:03,216 --> 00:33:05,185
CAN DO HARD THINGS.
LITERALLY, THE GIRL POWER OF
510
00:33:05,185 --> 00:33:09,689
ALL.
IT'S BEEN WONDERFUL.
511
00:33:09,689 --> 00:33:12,792
* I WANT TO BE ME *
>> THIS SONG IS MY JAM ON THE
512
00:33:12,792 --> 00:33:16,696
RADIO RIGHT NOW.
AND IT'S SHOWING SHE CAN SING
513
00:33:16,696 --> 00:33:20,066
TRULY WHAT IS OUT THERE RIGHT
NOW AND BE COMPETITIVE WITH THAT
514
00:33:20,066 --> 00:33:26,639
SOUND.
>> I THINK YOU UNLEASH
515
00:33:26,639 --> 00:33:28,842
IMMEDIATELY.
**
516
00:33:28,842 --> 00:33:32,345
>> IRIS IS MY WILD FLOWER.
SHE HAS A WILDNESS TO HER.
517
00:33:32,345 --> 00:33:35,348
I THINK THAT THAT IS SO CRAVED
AND NEEDED IN TODAY'S ARTIST
518
00:33:35,348 --> 00:33:38,785
WORLD.
IRIS, TO ME, HAS GRIT.
519
00:33:38,785 --> 00:33:42,389
AND I THINK ESPECIALLY BEING A
FEMALE ARTIST IN MUSIC, YOU HAVE
520
00:33:42,389 --> 00:33:45,925
TO HAVE SOME VERSION OF GRIT.
>> IT'S A BIG DEAL.
521
00:33:45,925 --> 00:33:48,461
>> EVEN THOUGH I'M HERE IN THIS
ROOM AND DOING IT, I'M NOT
522
00:33:48,461 --> 00:33:53,433
ACKNOWLEDGING IT'S HAPPENING
UNTIL I'M GOING TO BE ON STAGE.
523
00:33:53,433 --> 00:33:56,903
>> WE'RE GOING FROM 12 TO 5.
>> THIS IS AMERICA'S FIRST TIME
524
00:33:56,903 --> 00:33:59,506
VOTING THIS SEASON.
WHICH CAN BE KIND OF
525
00:33:59,506 --> 00:34:02,575
NERVE-RACKING BUT I'M ALSO
EXCITED.
526
00:34:02,575 --> 00:34:03,576
I WANT TO KNOW WHAT AMERICA
THINKS.
527
00:34:03,576 --> 00:34:05,612
I'M EXCITED FOR THE SHOW.
I CAN'T WAIT TO PUT IT ON.
528
00:34:05,612 --> 00:34:08,448
THANK YOU.
I'M SO EXCITED.
529
00:34:08,448 --> 00:34:08,848
>> THANK YOU.
530
00:34:15,288 --> 00:34:18,458
* 'CAUSE I'M TOO MESSY
531
00:34:18,458 --> 00:34:20,060
AND THEN I'M JUST
TOO DAMN CLEAN *
532
00:34:20,060 --> 00:34:22,128
* YOU TOLD ME GET A JOB
THEN YOU ASK WHERE
533
00:34:22,128 --> 00:34:27,867
THE HELL I'VE BEEN *
* AND I'M TOO PERFECT
534
00:34:27,867 --> 00:34:32,605
TILL I OPEN MY BIG MOUTH
I WANT TO BE ME
535
00:34:32,605 --> 00:34:36,276
IS THAT NOT ALLOWED *
* AND I'M TOO CLEVER
536
00:34:36,276 --> 00:34:38,912
AND THEN I'M
TOO STUPID DUMB *
537
00:34:38,912 --> 00:34:44,751
* YOU HATE IT WHEN I CRY
UNLESS IT'S THAT
538
00:34:44,751 --> 00:34:46,786
TIME OF THE MONTH *
* AND I'M TOO PERFECT
539
00:34:46,786 --> 00:34:52,092
TILL I SHOW YOU
THAT I'M NOT *
540
00:34:52,092 --> 00:34:53,126
* A THOUSAND PEOPLE
I COULD BE FOR YOU
541
00:34:53,126 --> 00:34:58,898
AND YOU HATE
THE WHOLE DAMN LOT *
542
00:34:58,898 --> 00:35:00,467
* YOU KNOW I'M IMPATIENT
SO WHY WOULD YOU
543
00:35:00,467 --> 00:35:02,602
LEAVE ME WAITING
OUTSIDE THE STATION *
544
00:35:02,602 --> 00:35:04,704
* WHEN IT WAS LIKE
MINUS FOUR DEGREES
545
00:35:04,704 --> 00:35:08,908
AND I
I GET WHAT YOU'RE SAYIN' *
546
00:35:08,908 --> 00:35:11,077
* I JUST REALLY DON'T
WANNA HEAR IT RIGHT NOW
547
00:35:11,077 --> 00:35:16,783
CAN YOU SHUT UP FOR LIKE
ONCE IN YOUR LIFE *
548
00:35:16,783 --> 00:35:18,351
* LISTEN TO ME
I TOOK YOUR
549
00:35:18,351 --> 00:35:19,586
NICE WORDS OF ADVICE *
* ABOUT HOW YOU THINK
550
00:35:19,586 --> 00:35:20,620
I'M GONNA DIE
LUCKY IF I TURN 33 *
551
00:35:20,620 --> 00:35:23,089
* OK SO YEAH
I SMOKE LIKE A CHIMNEY
552
00:35:23,089 --> 00:35:26,259
I'M NOT SKINNY *
* AND I PULL A BRITNEY
553
00:35:26,259 --> 00:35:30,964
EVERY OTHER WEEK
BUT CUT ME SOME SLACK
554
00:35:30,964 --> 00:35:33,066
WHO DO YOU WANT ME TO BE *
* 'CAUSE I'M TOO MESSY
555
00:35:33,066 --> 00:35:35,735
AND THEN I'M JUST
TOO DAMN CLEAN *
556
00:35:35,735 --> 00:35:38,304
* YOU TOLD ME GET A JOB
THEN YOU ASK WHERE
557
00:35:38,304 --> 00:35:43,576
THE HELL I'VE BEEN *
* AND I'M TOO PERFECT
558
00:35:43,576 --> 00:35:46,713
TILL I OPEN MY BIG MOUTH
I WANT TO BE ME
559
00:35:46,713 --> 00:35:50,417
IS THAT NOT ALLOWED *
* AND I'M TOO CLEVER
560
00:35:50,417 --> 00:35:53,086
AND THEN I'M
TOO STUPID DUMB *
561
00:35:53,086 --> 00:35:57,223
* YOU HATE IT WHEN I CRY
UNLESS IT'S THAT
562
00:35:57,223 --> 00:36:01,428
TIME OF THE MONTH *
* AND I'M TOO PERFECT
563
00:36:01,428 --> 00:36:04,097
TILL I SHOW YOU
THAT I'M NOT *
564
00:36:04,097 --> 00:36:05,165
* A THOUSAND PEOPLE
I COULD BE FOR YOU
565
00:36:05,165 --> 00:36:11,438
AND YOU HATE
THE WHOLE DAMN LOT *
566
00:36:11,438 --> 00:36:15,675
* HATE THE WHOLE DAMN LOT *
* AND OH
567
00:36:15,675 --> 00:36:20,413
AND I'M TOO MESSY
AND THEN I'M JUST
568
00:36:20,413 --> 00:36:22,082
TOO DAMN CLEAN *
* YOU TOLD ME GET A JOB
569
00:36:22,082 --> 00:36:25,652
THEN YOU ASK WHERE
THE HELL I'VE BEEN *
570
00:36:25,652 --> 00:36:28,288
* AND I'M TOO PERFECT
TILL I OPEN MY BIG MOUTH
571
00:36:28,288 --> 00:36:36,196
I WANT TO BE ME *
IS THAT NOT ALLOWED *
572
00:36:36,196 --> 00:36:41,401
* YOU HATE THE
WHOLE DAMN LOT *
573
00:36:44,204 --> 00:36:45,372
[ APPLAUSE ]
574
00:36:45,372 --> 00:36:54,247
>> Carson: THAT IS IRIS HERRERA,
LADIES AND GENTLEMEN.
575
00:36:54,247 --> 00:36:56,783
TRYING TO NEIGHBORING ITMAKE IT TO THE FFIVE.
576
00:36:56,783 --> 00:36:57,617
NICE WORK.
VERY, VERY GOOD.
577
00:36:57,617 --> 00:36:58,818
WE'RE GOING TO RIGHT TO YOUR
COACH, KELSEA.
578
00:36:58,818 --> 00:37:00,787
>> I MEAN, I LOVE YOU.
IT'S SO GOOD TO SEE YOU.
579
00:37:00,787 --> 00:37:02,589
YOU KILLED IT.
>> THANK YOU.
580
00:37:02,589 --> 00:37:08,328
>> I'M SO PROUD OF YOUR
COMMITMENT TO YOUR ARTISTRY.
581
00:37:08,328 --> 00:37:10,163
YOUR FULL PACKAGE, FULL CIRCLE
ARTISTRY.
582
00:37:10,163 --> 00:37:11,598
IST SO IMPORTANT TO YOU AND IT
JUST SHOWED.
583
00:37:11,598 --> 00:37:13,533
>> THANK YOU.
>> RIGHT?
584
00:37:13,533 --> 00:37:16,770
RIGHT.
>> IF YOU WANT IRIS IN THE
585
00:37:16,770 --> 00:37:22,042
FINALE, YOU CAN VOTE ON NBC.COM
AND "THE VOICE" OFFICIAL APP.
586
00:37:22,042 --> 00:37:23,043
GIVE IT UP AGAIN FOR IRIS
HERRERA.
587
00:37:23,043 --> 00:37:26,046
>> THANK YOU.
588
00:37:26,046 --> 00:37:26,579
>> Carson: STRAIGHT AHEAD,
589
00:37:27,714 --> 00:37:28,048
>> THANK YOU.
590
00:37:28,048 --> 00:37:37,757
>> Carson: STRAIGHT AHEAD,
>> Carson: WELCOME BACK.
591
00:37:37,757 --> 00:37:39,359
WE'RE LIVE WITH THE TOP 12.
BACK-TO-BACK PERFORMANCES RIGHT
592
00:37:39,359 --> 00:37:41,961
NOW.
LET'S START WITH TEAM ADAM'S
593
00:37:41,961 --> 00:37:43,697
DISTINCTIVE VOCALIST FROM
WASHINGTON WHO HAS SO MUCH TO
594
00:37:43,697 --> 00:37:46,132
CELEBRATE THIS WEEK.
HERE'S MORE FROM
595
00:37:46,132 --> 00:37:48,535
LUCIA FLORES-WISEMAN.
596
00:37:54,174 --> 00:37:56,576
* HAPPY BIRTHDAY *
597
00:37:56,576 --> 00:38:01,247
* DEAR LUCIA *
>> MY 23rd BIRTHDAY, AND IF I
598
00:38:01,247 --> 00:38:03,016
WISH FOR ONE THING, MAYBE TO
SPEND THE DAY WITH ADAM.
599
00:38:03,016 --> 00:38:06,820
* TO YOU *
>> OH!
600
00:38:06,820 --> 00:38:09,656
THANK YOU SO MUCH.
>> THE BEST BIRTHDAY GIFT,
601
00:38:09,656 --> 00:38:14,094
THOUGH, WOULD BE TO MAKE A TRIP
TO THE FINALE, SO LET'S CROSS
602
00:38:14,094 --> 00:38:18,598
OUR FINGERS.
>> WHAT'S GOING ON?
603
00:38:18,598 --> 00:38:22,268
>> I'VE BEEN DOING PILATES.
ALL THE OLD LADIES, LUCIA,
604
00:38:22,268 --> 00:38:24,537
LUCIA.
>> LUCIA!
605
00:38:24,537 --> 00:38:27,207
>> MY MOM IS A SECOND GRADE
TEACHER AND HER WHOLE CLASS IS
606
00:38:27,207 --> 00:38:30,343
WATCHING ME.
>> LUCIA!
607
00:38:30,343 --> 00:38:33,213
>> SEATTLE'S JUST BEEN
SUPPORTING A LOT.
608
00:38:33,213 --> 00:38:36,383
THAT'S WHY I'M SO EXCITED TO DO
A SOUND GARDEN SONG.
609
00:38:36,383 --> 00:38:41,321
SOUND GARDEN IS FROM SEATTLE.
I GREW UP WITH MY DAD FROM NEW
610
00:38:41,321 --> 00:38:45,492
MEXICO LISTENING TO PUNK AND
ROCK AND GRUNGE, AND MY MOM
611
00:38:45,492 --> 00:38:49,229
FOLK, HIPPY, '70s.
I DO NOT LIKE BEING IN A BOX.
612
00:38:49,229 --> 00:38:52,065
>> EVEN WHEN MAROON 5 STARTED,
NOT FITTING IN IS HOW WE FIGURED
613
00:38:52,065 --> 00:38:53,967
OUT HOW TO FIT IN.
I LOVE THAT FOR YOU AND I LOVE
614
00:38:53,967 --> 00:38:59,072
THIS SONG FOR YOU BECAUSE IT'S
THE MOST UNEXPECTED.
615
00:38:59,072 --> 00:39:03,710
* IN MY EYES
INDISPOSED *
616
00:39:03,710 --> 00:39:05,345
>> LUCIA HAS A TONE THAT YOU CAN
INSTANTLY IDENTIFY.
617
00:39:05,345 --> 00:39:08,548
LUCIA IS ONE OF ONE.
THERE CAN ONLY BE ONE LUCIA.
618
00:39:08,548 --> 00:39:14,621
>> I HAVE AN IDEA ABOUT THIS
BECAUSE IT'S KIND OF DARK AND
619
00:39:14,621 --> 00:39:17,323
BROODING.
IF YOU DON'T HAVE A GUITAR, IT
620
00:39:17,323 --> 00:39:20,794
MIGHT BE AMAZING
* IN MY EYES
621
00:39:20,794 --> 00:39:25,799
INDISPOSED?
>> I FEEL GOOD ABOUT ADAM'S
622
00:39:25,799 --> 00:39:26,800
ADVICE OF STARTING OFF A
CAPPELLA.
623
00:39:26,800 --> 00:39:29,903
THAT'S WHAT THE WHOLE SEATTLE
MUSIC SCENE IS ALL ABOUT, JUST
624
00:39:29,903 --> 00:39:33,139
RAW EMOTION.
>> COULD WE ARRANGE IT LIKE
625
00:39:33,139 --> 00:39:35,642
JAMES BOND.
PUT SOME STRINGS IN THERE.
626
00:39:35,642 --> 00:39:42,182
THAT WILL HELP YOU DELIVER THIS
SONG LIKE ONE OF THOSE SUPER BAD
627
00:39:42,182 --> 00:39:52,058
ASS BOND VILLAIN VOCALS.
* BLACK HOLE SUN 9/*1
628
00:39:52,058 --> 00:39:55,061
* WON'T YOU COME *
>> I'M A GENIUS!
629
00:39:55,061 --> 00:39:58,865
>> THIS IS THE FIRST TIME
AMERICA GETS TO VOTE.
630
00:39:58,865 --> 00:40:01,368
I HOPE TO SHOW THEM WHO I AM AS
AN ARTIST.
631
00:40:01,368 --> 00:40:04,371
>> I'M SO GLAD I'M HERE!
THANK YOU.
632
00:40:04,371 --> 00:40:06,206
>> I'M ONE STEP AWAY FROM THE
FINALE.
633
00:40:06,206 --> 00:40:07,173
I WANT TO WIN THIS FOR TEAM
ADAM.
634
00:40:07,173 --> 00:40:15,148
>> THIS IS A PRETTY GOOD
BIRTHDAY.
635
00:40:15,148 --> 00:40:19,352
* IN MY EYES
INDISPOSED
636
00:40:19,352 --> 00:40:25,692
IN DISGUISE
AS NO ONE KNOWS *
637
00:40:25,692 --> 00:40:35,702
* HIDES THE FACE
LIES THE SNAKE
638
00:40:35,702 --> 00:40:40,407
AND THE SUN IN MY DISGRACE *
* BOILING HEAT
639
00:40:40,407 --> 00:40:45,679
SUMMER STENCH
'NEATH THE BLACK
640
00:40:45,679 --> 00:40:52,018
THE SKY LOOKS DEAD *
* CALL MY NAME
641
00:40:52,018 --> 00:40:57,824
THROUGH THE CREAM
AND I'LL HEAR YOU
642
00:40:57,824 --> 00:41:03,596
SCREAM AGAIN *
* BLACK HOLE SUN
643
00:41:03,596 --> 00:41:10,437
WON'T YOU COME
AND WASH AWAY THE RAIN *
644
00:41:10,437 --> 00:41:16,209
* BLACK HOLE SUN
WON'T YOU COME
645
00:41:16,209 --> 00:41:23,083
WON'T YOU COME
WON'T YOU COME *
646
00:41:23,083 --> 00:41:26,686
* STUTTERING
COLD AND DAMP
647
00:41:26,686 --> 00:41:32,992
STEAL THE WARM WIND
TIRED FRIEND *
648
00:41:32,992 --> 00:41:38,832
* HEAVEN SEND HELL AWAY
NO ONE SINGS
649
00:41:38,832 --> 00:41:45,105
LIKE YOU ANYMORE *
* BLACK HOLE SUN
650
00:41:45,105 --> 00:41:51,411
WON'T YOU COME
AND WASH AWAY THE RAIN *
651
00:41:51,411 --> 00:41:56,683
* BLACK HOLE SUN
WON'T YOU COME
652
00:41:56,683 --> 00:42:05,125
WON'T YOU COME *
* BLACK HOLE SUN
653
00:42:05,125 --> 00:42:16,302
WON'T YOU COME
AND WASH AWAY THE RAIN *
654
00:42:16,302 --> 00:42:21,775
* BLACK HOLE SUN
WON'T YOU COME
655
00:42:21,775 --> 00:42:24,077
WON'T YOU COME *
* BLACK HOLE SUN
656
00:42:24,077 --> 00:42:27,747
WON'T YOU COME
BLACK HOLE SUN
657
00:42:27,747 --> 00:42:33,953
BLACK HOLE SUN *
* WON'T YOU COME *
658
00:42:33,953 --> 00:42:34,354
**
659
00:42:43,329 --> 00:42:43,963
>> Carson: THAT IS LUCIA
660
00:42:43,963 --> 00:42:46,733
FLORIES-WISEMAN.
ALL FOUR COACHES ON THEIR FEET
661
00:42:46,733 --> 00:42:49,903
HERE IN THE SEMIFINAL.
>> FANTASTIC!
662
00:42:49,903 --> 00:42:51,004
YES, LUCIA!
>> Carson: THAT WAS AWESOME.
663
00:42:51,004 --> 00:42:55,775
THANK YOU, LUCIA.
>> YES!
664
00:42:55,775 --> 00:42:58,445
>> Carson: THAT WAS THE MOST
ADAM LEVINE PERFORMANCE EVER.
665
00:42:58,445 --> 00:43:00,914
IF YOU KNOW ADAM --
>> SO GOOD!
666
00:43:00,914 --> 00:43:04,317
>> Carson: HARD TO BELIEVE.
EIGHT YEARS WE LOST CHRIS, ONE
667
00:43:04,317 --> 00:43:07,554
OF OUR FAVORITES IN THE
BUSINESS.
668
00:43:07,554 --> 00:43:08,521
NICE TO HEAR THAT IN A WEIRD
WAY.
669
00:43:08,521 --> 00:43:11,291
IT WAS A TRIBUTE.
KELSEA, SOME THOUGHTS, PLEASE.
670
00:43:11,291 --> 00:43:15,328
>> I MEAN, I THINK WHATEVER YOU
WANT TO DO WITH YOUR VOICE, THE
671
00:43:15,328 --> 00:43:18,498
OPPORTUNITIES ARE ENDLESS.
I MEAN THAT VOCALLY.
672
00:43:18,498 --> 00:43:21,334
TRULY YOU CAN DO WHATEVER WITH
YOUR VOICE.
673
00:43:21,334 --> 00:43:23,970
I ALSO MEAN THAT IN YOUR
DREAMSCAPE OF WHERE YOU SEE YOUR
674
00:43:23,970 --> 00:43:25,205
CAREER.
THAT'S ALSO ENDLESS.
675
00:43:25,205 --> 00:43:27,374
I'M A FAN.
YOU'RE A STAR.
676
00:43:27,374 --> 00:43:28,375
YOU DON'T NEED ME TO TELL YOU
THAT.
677
00:43:28,375 --> 00:43:32,979
I THINK IT'S JUST -- I'M EXCITED
TO SEE WHAT'S NEXT.
678
00:43:32,979 --> 00:43:37,517
>> Carson: THANK YOU, KELSEA.
COACH ADAM?
679
00:43:37,517 --> 00:43:40,086
>> LUCIA, MAN, WOO, I GOT TO
TELL YOU SOMETHING.
680
00:43:40,086 --> 00:43:43,089
LET ME JUST SAY THIS, YOU GUYS.
THERE ARE PEOPLE OUT THERE THAT
681
00:43:43,089 --> 00:43:45,692
TRY TO BE DIFFERENT AND THERE
ARE PEOPLE OUT THERE WHO JUST
682
00:43:45,692 --> 00:43:49,929
SIMPLY ARE DIFFERENT.
AND CELEBRATING THAT WITH YOU
683
00:43:49,929 --> 00:43:51,331
HAS BEEN SUCH AN HONOR AND A
PLEASURE.
684
00:43:51,331 --> 00:43:54,701
IF YOU GUYS WANT TO KNOW WHAT
THE REAL DEAL IS, YOU'RE LOOKING
685
00:43:54,701 --> 00:43:55,935
AT IT RIGHT THERE.
>> Carson: IF YOU WANT LUCIA IN
686
00:43:55,935 --> 00:43:59,439
THE FINALE, YOU CAN VOTE ON
NBC.COM AND "THE VOICE" OFFICIAL
687
00:43:59,439 --> 00:44:07,213
APP.
GIVE IT UP AGAIN FOR TEAM ADAM'S
688
00:44:07,213 --> 00:44:09,516
LUCIA FLORES-WISEMAN.
>> HEY, GOOD WORK.
689
00:44:09,516 --> 00:44:12,585
THAT WAS BEAUTIFUL.
>> THANK YOU SO MUCH.
690
00:44:12,585 --> 00:44:16,890
>> Carson: A HUG FROM COACH AND
WE WILL CONTINUE RIGHT AWAY TO
691
00:44:16,890 --> 00:44:21,127
ANOTHER PERFORMANCE WITH TEAM
LEGEND'S SOULFUL VOCALIST FROM
692
00:44:21,127 --> 00:44:23,063
NORTH CAROLINA WHO WENT FROM
BEING AN ORDINARY MUSIC STUDENT
693
00:44:23,063 --> 00:44:25,298
TO SINGING LIVE IN FRONT OF
MILLIONS OF PEOPLE.
694
00:44:25,298 --> 00:44:40,380
HERE'S MORE FROM BRYSON BATTLE.
SIX MONTHS AGO I WAS A COLLEGE
695
00:44:40,380 --> 00:44:42,415
STUDENT AND NOW I'M HEADING OFF
TO THE SEMIFINALS OF "THE
696
00:44:42,415 --> 00:44:45,085
VOICE."
>> ARE WE READY?
697
00:44:45,085 --> 00:44:47,087
>> HERE WE GO.
>> BRYSON!
698
00:44:47,087 --> 00:44:49,756
>> HI, JOHN.
>> I'M JUST SO GRATEFUL.
699
00:44:49,756 --> 00:44:53,126
>> I'M PROUD OF YOU.
>> THANK YOU, JOHN.
700
00:44:53,126 --> 00:44:57,831
>> AS YOU'VE GONE ALONG THIS
JOURNEY, I'VE SEEN YOU CONTINUE
701
00:44:57,831 --> 00:45:02,035
TO GROW, YOUR CONFIDENCE.
YOU WERE ALWAYS SUPER NATURALLY
702
00:45:02,035 --> 00:45:03,403
GIFTED BUT YOU'RE OWNING IT
MORE.
703
00:45:03,403 --> 00:45:09,075
>> I ACTUALLY WANTED TO THANK
YOU FOR THE SONG.
704
00:45:09,075 --> 00:45:11,544
I FEEL LIKE MARIAH IS DIVA DOWN
AND --
705
00:45:11,544 --> 00:45:14,247
>> IF ANYONE YOU CAN DO IT.
>> KNOWING YOU TRUST ME WITH
706
00:45:14,247 --> 00:45:18,284
THIS SONG MEANS A LOT.
>> I'M GETTING GOOSEBUMPS
707
00:45:18,284 --> 00:45:22,288
ALREADY.
* NO I CAN'T FORGET THE SEASON *
708
00:45:22,288 --> 00:45:24,724
>> THIS SONG IS REALLY TIMELY
BEING THAT I'VE JUST LEFT
709
00:45:24,724 --> 00:45:27,260
SCHOOL.
* I CAN'T LIVE *
710
00:45:27,260 --> 00:45:31,331
>> IT'S THIS FEELING, AT LEAST
FOR ME, OF BEING IN THIS
711
00:45:31,331 --> 00:45:33,933
SITUATION FOR SO LONG THAT YOU
DON'T KNOW WHAT LIFE IS GOING TO
712
00:45:33,933 --> 00:45:36,803
BE LIKE WITHOUT IT.
IT'S BEEN KIND OF BITTER SWEET
713
00:45:36,803 --> 00:45:41,474
BECAUSE I'M MISSING MY
GRADUATION TO BE HERE.
714
00:45:41,474 --> 00:45:45,311
IT'S -- IT'S EMOTIONAL BECAUSE I
KNOW HOW HARD I'VE WORKED.
715
00:45:45,311 --> 00:45:50,850
YOU ONLY GET ONE GRADUATION AND
TO NOT BE ABLE TO THROW MY CAP
716
00:45:50,850 --> 00:45:57,090
IN THE AIR IS HEARTBREAKING.
BUT THIS JOURNEY, IT FEELS LIKE
717
00:45:57,090 --> 00:45:59,225
WHERE I BELONG.
>> IT'S BEAUTIFUL.
718
00:45:59,225 --> 00:46:01,327
>> THANK YOU.
>> MY ONLY QUESTION --
719
00:46:01,327 --> 00:46:05,031
>> YEAH.
>> -- IF WE WANTED TO HAVE MORE
720
00:46:05,031 --> 00:46:08,034
FIREWORKS T MIGHT HAVE MORE
NATURAL CRACKLE TO IT IF YOU
721
00:46:08,034 --> 00:46:11,538
RAISE THE KEY A LITTLE.
I KNOW YOU CAN HIT THOSE HIGHER
722
00:46:11,538 --> 00:46:14,341
NOTES IN YOUR CHEST.
>> YEAH.
723
00:46:14,341 --> 00:46:17,444
* CAN'T LIVE *
>> IF I COULD SING AS HIGH AS
724
00:46:17,444 --> 00:46:20,380
YOU, I WOULD GO A LITTLE HIGHER.
>> YEAH, LET'S TRY IT.
725
00:46:20,380 --> 00:46:24,551
>> I THINK AMERICA IS GOING TO
LOVE BRYSON'S PERFORMANCE.
726
00:46:24,551 --> 00:46:27,787
HE'S TRULY WHAT "THE VOICE" IS
ALL ABOUT.
727
00:46:27,787 --> 00:46:30,123
HE'S UNDENIABLE AND SUCH A
SOARING VOCALIST.
728
00:46:30,123 --> 00:46:32,592
I SEE HIM REALLY COMING INTO HIS
OWN AND IT'S THE PERFECT TIME
729
00:46:32,592 --> 00:46:36,162
FOR THAT TO HAPPEN BECAUSE
AMERICA IS VOTING AND THE STAKES
730
00:46:36,162 --> 00:46:39,733
ARE SO HIGH RIGHT NOW.
GIVE US, I NEED TO BE IN THE
731
00:46:39,733 --> 00:46:41,267
FINALE BECAUSE WE CANNOT LET
BRYSON GO HOME.
732
00:46:41,267 --> 00:46:45,205
>> ALL RIGHT.
>> IT WOULD BE A TRAVESTY!
733
00:46:51,344 --> 00:46:54,080
**
734
00:46:54,080 --> 00:46:56,149
* NO I CAN'T FORGET
THIS EVENING
735
00:46:56,149 --> 00:47:00,353
OR YOUR FACE
AS YOU WERE LEAVING *
736
00:47:00,353 --> 00:47:06,126
* BUT I GUESS
THAT'S JUST THE WAY
737
00:47:06,126 --> 00:47:08,261
THE STORY GOES *
* YOU ALWAYS SMILE
738
00:47:08,261 --> 00:47:19,305
BUT IN YOUR EYES
YOUR SORROW SHOWS
739
00:47:19,305 --> 00:47:26,146
YES IT SHOWS MM *
* I CAN'T LIVE
740
00:47:26,146 --> 00:47:33,520
IF LIVING IS WITHOUT YOU
I CAN'T LIVE
741
00:47:33,520 --> 00:47:41,394
I CAN'T GIVE ANY MORE *
* I CAN'T LIVE
742
00:47:41,394 --> 00:47:51,971
IF LIVING IS WITHOUT YOU
I CAN'T GIVE
743
00:47:51,971 --> 00:47:54,607
I CAN'T GIVE ANY MORE *
* WELL I CAN'T FORGET
744
00:47:54,607 --> 00:47:57,744
THIS EVENING
OR YOUR FACE
745
00:47:57,744 --> 00:48:00,380
AS YOU WERE LEAVING *
* BUT I GUESS
746
00:48:00,380 --> 00:48:06,186
THAT'S JUST THE WAY
THE STORY GOES *
747
00:48:06,186 --> 00:48:15,128
* YOU ALWAYS SMILE
BUT IN YOUR EYES
748
00:48:15,128 --> 00:48:24,070
YOUR SORROW SHOWS
YES IT SHOWS OH *
749
00:48:24,070 --> 00:48:30,910
* I CAN'T LIVE
IF LIVING IS WITHOUT YOU
750
00:48:30,910 --> 00:48:38,284
I CAN'T LIVE
I CAN'T GIVE ANYMORE *
751
00:48:38,284 --> 00:48:45,125
* I CAN'T LIVE
IF LIVING IS WITHOUT YOU
752
00:48:45,125 --> 00:48:53,566
I CAN'T LIVE
I CAN'T GIVE ANYMORE *
753
00:48:53,566 --> 00:49:05,679
* I CAN'T LIVE
I CAN'T GIVE ANYMORE
754
00:49:05,679 --> 00:49:12,052
AHH
AHH *
755
00:49:16,790 --> 00:49:17,157
[ APPLAUSE ]
756
00:49:20,860 --> 00:49:21,861
>> Carson: WELL, THAT'S GOT THE
757
00:49:21,861 --> 00:49:25,065
ROOM EXCITED.
THAT'S BRYSON BATTLE, LADIES AND
758
00:49:25,065 --> 00:49:27,901
GENTLEMEN.
>> BRING IT DOWN!
759
00:49:27,901 --> 00:49:34,040
>> I'M SWEATING.
>> LET'S GO!
760
00:49:34,040 --> 00:49:40,046
>> Carson: WELL, NOT EASY TO GO
FROM 12 TO 5, BUT WITH
761
00:49:40,046 --> 00:49:41,681
PERFORMANCES LIKE THAT --
>> WHOA!
762
00:49:41,681 --> 00:49:43,817
>> Carson: WE'LL SEE WHAT THE
ODDS ARE.
763
00:49:43,817 --> 00:49:46,353
GREAT WORK.
I THINK THAT WAS ALMOST VOCALLY
764
00:49:46,353 --> 00:49:47,587
FLAWLESS.
ALMOST PERFECT.
765
00:49:47,587 --> 00:49:49,689
LITERALLY DOWN THE LINE.
WHAT DID YOU THINK, JOHN?
766
00:49:49,689 --> 00:49:53,159
>> OH, MY GOD.
YOU KNOW, I SAID WE NEEDED A
767
00:49:53,159 --> 00:49:54,861
LITTLE CRACKLE AND SOME
FIREWORKS.
768
00:49:54,861 --> 00:49:58,932
YOU WENT BEYOND -- YOU WENT
BEYOND THE LITTLE CRACKLE THAT
769
00:49:58,932 --> 00:50:00,900
WE NEEDED AND WE HAD LITERAL
FIREWORKS BEHIND YOU AS YOU WERE
770
00:50:00,900 --> 00:50:03,803
DOING IT.
AND THAT WAS STUNNING.
771
00:50:03,803 --> 00:50:04,771
IT WAS SO BEAUTIFUL AND
STUNNING.
772
00:50:04,771 --> 00:50:09,409
>> THANK YOU.
THANK YOU.
773
00:50:09,409 --> 00:50:11,811
>> YOU LOOK GOOD.
YOU SOUND LIKE GALACTICALLY
774
00:50:11,811 --> 00:50:13,179
GOOD.
IT WAS AMAZING.
775
00:50:13,179 --> 00:50:17,317
>> Carson: IF YOU WANT BRYSON IN
THE FINALE, YOU CAN VOTE ON
776
00:50:17,317 --> 00:50:18,318
NBC.COM AND "THE VOICE" OFFICIAL
APP.
777
00:50:18,318 --> 00:50:23,289
GIVE IT UP AGAIN FOR BRYSON
BATTLE.
778
00:50:23,289 --> 00:50:25,892
WHEN WE COME BACK, JAELEN SINGS
A LEE BRICE HIT IN HONOR OF
779
00:50:25,892 --> 00:50:28,528
SOMEONE VERY SPECIAL.
AND LATER, ADAM AND KAIYA FIGHT
780
00:50:28,528 --> 00:50:31,464
FOR YOUR VOTES AND A CHANCE TO
781
00:50:31,531 --> 00:50:32,032
MAKE IT TO THE FINAL FIVE.
782
00:50:32,899 --> 00:50:33,533
FOR YOUR VOTES AND A CHANCE TO
783
00:50:33,533 --> 00:50:43,943
MAKE IT TO THE FINAL FIVE.
>> Carson: WE'RE BACK.
784
00:50:43,943 --> 00:50:45,178
THE TOP 12 GOING LIVE TONIGHT
FOR THE FIRST TIME.
785
00:50:45,178 --> 00:50:47,113
TOMORROW NIGHT ONLY 5 WILL MOVE
ON TO THE FINALE.
786
00:50:47,113 --> 00:50:50,283
VOTING IS OPEN NOW.
LET'S CONTINUE OUR SEMIFINALS
787
00:50:50,283 --> 00:50:52,352
WITH THE KANSAS COUNTRY SINGER
KELSEA KNEW SHE NEEDED TO BRING
788
00:50:52,352 --> 00:50:53,386
TO THE LIVE SHOWS.
HERE'S MORE FROM
789
00:50:53,386 --> 00:51:02,696
JAELEN JOHNSTON.
>> IN THE PLAYOFFS AFTER NOT
790
00:51:02,696 --> 00:51:04,230
BEING CALLED I THOUGHT I WAS
GOING HOME.
791
00:51:04,230 --> 00:51:06,633
NEXT THING I KNOW I GOT A
FACETIME CALL FROM KELSEA.
792
00:51:06,633 --> 00:51:09,069
>> HEY, BUDDY.
>> HOW ARE YOU?
793
00:51:09,069 --> 00:51:11,705
>> I'M GOOD.
THE PLAYOFFS ARE ROUGH SO
794
00:51:11,705 --> 00:51:13,673
THEY'RE GIVING US A SUPER SAVE.
>> NO.
795
00:51:13,673 --> 00:51:16,076
>> AND, JAELEN, I WOULD REALLY,
REALLY LOVE IF YOU WOULD COME TO
796
00:51:16,076 --> 00:51:18,445
THE LIVES WITH ME.
>> MY FACIAL REACTION WHEN SHE
797
00:51:18,445 --> 00:51:20,814
CALLED.
THAT'S AWESOME.
798
00:51:20,814 --> 00:51:22,682
>> I CAN'T EVEN RECREATE.
MY FACE CONTORTED.
799
00:51:22,682 --> 00:51:25,385
THAT'S CRAZY.
>> I'M SO GLAD NOW WE CAN LET
800
00:51:25,385 --> 00:51:28,588
AMERICA KNOW.
I WAS GETTING DEMOLISHED ON THE
801
00:51:28,588 --> 00:51:31,758
INTERNET.
THEY'RE LIKE, KELSEA, YOU FOOL.
802
00:51:31,758 --> 00:51:34,794
I'M LIKE, GUYS, I KNOW.
I'M EXCITED FOR AMERICA TO VOTE.
803
00:51:34,794 --> 00:51:37,897
PEOPLE ARE REALLY INVESTED IN
THEIR FAVORITE ARTIST AND
804
00:51:37,897 --> 00:51:42,669
CLEARLY JAELEN IS A FAVORITE.
WHAT ARE YOU SINGING?
805
00:51:42,669 --> 00:51:45,171
>> I'M SINGING "I DRIVE YOUR
TRUCK" BY LEE BRICE.
806
00:51:45,171 --> 00:51:51,678
>> I LOVE THAT.
WHY DID YOU CHOOSE IT?
807
00:51:51,678 --> 00:51:54,214
>> MY COUSIN WAS IN A REALLY BAD
ACCIDENT.
808
00:51:54,214 --> 00:51:55,849
HE WAS ONE OF THE BEST DUCK
CALLERS.
809
00:51:55,849 --> 00:51:57,417
>> IT'S A BEAUTIFUL WAY TO HONOR
HIM.
810
00:51:57,417 --> 00:52:00,820
>> I THINK IT'S THE PERFECT SONG
CHOICE AT THE MOMENT BECAUSE IT
811
00:52:00,820 --> 00:52:03,790
ENCOMPASSES EVERYTHING COUNTRY
IS ABOUT.
812
00:52:03,790 --> 00:52:07,827
TELLING A STORY, SHOWING THAT
VULNERABLE SIDE OF YOU.
813
00:52:07,827 --> 00:52:12,766
EVERYBODY HAS HAD A LOSS AT SOME
POINT IN THEIR LIVES AND
814
00:52:12,766 --> 00:52:15,068
EVERYBODY CAN RELATE TO IT IN
SOME WAY.
815
00:52:15,068 --> 00:52:17,103
* DRIVE YOUR TRUCK *
>> JAELEN IS COUNTRY TO THE
816
00:52:17,103 --> 00:52:19,406
CORE.
THE LADIES LOVE HIM.
817
00:52:19,406 --> 00:52:23,877
I KNOW WHAT'S GOING ON.
WE'RE GOING TO CALL HIM THE RED
818
00:52:23,877 --> 00:52:30,784
DIRT ROMANTIC.
I THINK HE ROMANTICIZES THE
819
00:52:30,784 --> 00:52:39,759
SONGSS HE PICKS.
PUT YOURSELF IN A SHOW TO BE ON
820
00:52:39,759 --> 00:52:46,499
LIKE "THE VOICE," YOU
ROMANTICIZING.
821
00:52:46,499 --> 00:52:50,136
DON'T BE SCARED TO REIN IT BACK
IN AND THEN LET IT ALL OUT.
822
00:52:50,136 --> 00:52:54,174
* DRIVE YOUR TRUCK *
>> YEAH, THERE WE GO.
823
00:52:54,174 --> 00:52:58,511
* I ROLL EVERY WINDOW DOWN *
>> THE FACT I'M THE LAST COUNTRY
824
00:52:58,511 --> 00:53:02,582
ARTIST, IT'S A HUGE, HUGE HONOR.
* EVERY BACK ROAD *
825
00:53:02,582 --> 00:53:05,151
>> "THE VOICE" HAS DEFINITELY
BEEN A LIFETIME OPPORTUNITY.
826
00:53:05,151 --> 00:53:09,055
I WAS NERVOUS.
I WAS CHICKENING OUT OF IT.
827
00:53:09,055 --> 00:53:13,460
SHE WASN'T HAVING ANY OF IT.
TO REPRESENT KELSEA IN HER FIRST
828
00:53:13,460 --> 00:53:16,096
FINALE, I'M GLAD I'M BACK.
>> I'M NOT A BAD GUY ANYMORE,
829
00:53:16,096 --> 00:53:18,298
OKAY?
[ APPLAUSE ]
830
00:53:26,406 --> 00:53:26,973
* EIGHTY-NINE CENTS
831
00:53:26,973 --> 00:53:29,609
IN THE ASHTRAY *
* HALF EMPTY BOTTLE
832
00:53:29,609 --> 00:53:33,847
OF GATORADE
ROLLIN' ON THE FLOORBOARD *
833
00:53:33,847 --> 00:53:39,152
* THAT DIRTY BRAVES CAP
ON THE DASH
834
00:53:39,152 --> 00:53:44,424
DOGTAGS HANGIN' FROM
THE REAR VIEW *
835
00:53:44,424 --> 00:53:50,797
* SKOAL CAN AND COWBOY BOOTS
AND A "GO ARMY" SHIRT
836
00:53:50,797 --> 00:53:56,603
FOLDED IN THE BACK *
* THIS THING BURNS
837
00:53:56,603 --> 00:53:58,705
GAS LIKE CRAZY
BUT THAT'S ALL RIGHT *
838
00:53:58,705 --> 00:54:03,043
* PEOPLE GOT THEIR
WAYS OF COPIN'
839
00:54:03,043 --> 00:54:09,315
OH AND I GOT MINE *
* I DRIVE YOUR TRUCK
840
00:54:09,315 --> 00:54:17,791
I ROLL EVERY WINDOW DOWN *
* AND I BURN UP
841
00:54:17,791 --> 00:54:19,392
EVERY BACK ROAD
IN THIS TOWN *
842
00:54:19,392 --> 00:54:21,061
* FIND A FIELD
I TEAR IT UP
843
00:54:21,061 --> 00:54:26,800
TILL ALL THE PAIN'S
A CLOUD OF DUST *
844
00:54:26,800 --> 00:54:35,275
* YES SOMETIMES
I DRIVE YOUR TRUCK *
845
00:54:35,275 --> 00:54:39,746
* I'VE CUSSED I'VE PRAYED
I'VE SAID GOODBYE
846
00:54:39,746 --> 00:54:43,383
I'VE SHOOK MY FIST
AND ASKED GOD WHY *
847
00:54:43,383 --> 00:54:49,522
* THESE DAYS
WHEN I'M MISSIN'
848
00:54:49,522 --> 00:54:54,294
YOU THIS MUCH
I DRIVE YOUR TRUCK *
849
00:54:54,294 --> 00:54:59,566
* I ROLL EVERY WINDOW DOWN
AND I BURN UP
850
00:54:59,566 --> 00:55:03,303
EVERY BACK ROAD
IN THIS TOWN *
851
00:55:03,303 --> 00:55:06,506
* I FIND A FIELD
I TEAR IT UP
852
00:55:06,506 --> 00:55:12,846
TILL ALL THE PAIN'S
A CLOUD OF DUST *
853
00:55:12,846 --> 00:55:28,261
* YES SOMETIMES
I DRIVE YOUR TRUCK
854
00:55:28,261 --> 00:55:39,072
I DRIVE YOUR TRUCK
I DRIVE YOUR TRUCK *
855
00:55:44,411 --> 00:55:44,778
[ APPLAUSE ]
856
00:55:46,079 --> 00:55:53,987
>> Carson: JAELEN JOHNSTON,
857
00:55:53,987 --> 00:55:57,090
EVERYBODY.
ALL RIGHT, COACH, YOU ARE UP.
858
00:55:57,090 --> 00:56:00,827
WHAT DID YOU THINK?
>> WELL, THERE YOU ARE.
859
00:56:00,827 --> 00:56:06,066
YOU JUST MADE -- I KNOW YOUR
MOMMA IS HERE SOMEWHERE.
860
00:56:06,066 --> 00:56:09,736
YOUR MOMMA'S SO PROUD.
YOU MADE YOUR COUSIN, WHO IS
861
00:56:09,736 --> 00:56:12,405
LOOKING DOWN FROM HEAVEN RIGHT
NOW, SO PROUD.
862
00:56:12,405 --> 00:56:15,875
YOU'RE MAKING COUNTRY MUSIC
PROUD ALREADY.
863
00:56:15,875 --> 00:56:18,211
I'M SO HONORED TO BE YOUR COACH.
YOU JUST -- HERE YOU ARE.
864
00:56:18,211 --> 00:56:21,781
>> THANK YOU SO MUCH.
>> Carson: IF YOU WANT JAELEN IN
865
00:56:21,781 --> 00:56:24,050
THE FINALE, YOU CAN VOTE ON
NBC.COM AND "THE VOICE" OFFICIAL
866
00:56:24,050 --> 00:56:27,220
APP.
GIVE IT UP AGAIN FOR JAELEN
867
00:56:27,220 --> 00:56:29,356
JOHNSTON.
COMING UP, ADAM DAVID TAKES ON A
868
00:56:29,356 --> 00:56:34,761
BLUESY SAM COOKE CLASSIC.
THEN, KAIYA AND CONOR COMPETE
869
00:56:34,828 --> 00:56:35,428
FOR A COVETED SPOT IN THE FINAL
870
00:56:36,196 --> 00:56:36,796
THEN, KAIYA AND CONOR COMPETE
871
00:56:36,796 --> 00:56:47,073
FOR A COVETED SPOT IN THE FINAL
>> Carson: WELCOME BACK TO THE
872
00:56:47,073 --> 00:56:48,942
TOP 12.
WE ARE LIVE FOR THE FIRST TIME
873
00:56:48,942 --> 00:56:51,611
THIS SEASON, AND NOW IT'S YOUR
TURN TO VOTE FOR YOUR FINALISTS.
874
00:56:51,611 --> 00:56:54,781
VOTING IS OPEN NOW FOR ALL
ARTISTS ON ALL METHODS.
875
00:56:54,781 --> 00:56:57,417
PERFORMING NEXT IS THE ROCKER
FROM FORT LAUDERDALE WHO'S GOING
876
00:56:57,417 --> 00:56:59,285
BACK TO HIS ROOTS TONIGHT.
HERE'S MORE FROM TEAM BUBLร'S
877
00:56:59,285 --> 00:57:03,189
ADAM DAVID.
878
00:57:06,926 --> 00:57:09,562
>> THIS IS THE NIGHT THAT MY
879
00:57:09,562 --> 00:57:13,466
BLIND AUDITION AIRS.
WE GOT A ROOM FULL OF PEOPLE
880
00:57:13,466 --> 00:57:17,437
HERE JUST TO SUPPORT ME.
TRUE STORY, I'M PRETTY
881
00:57:17,437 --> 00:57:23,843
OVERWHELMED.
I STARTED CRYING WHEN IT WAS ON.
882
00:57:23,843 --> 00:57:27,047
THAT'S A SPECIAL MOMENT, MAN.
>> ADAM!
883
00:57:27,047 --> 00:57:30,450
>> WELL, DUDE, WE FIND OURSELVES
IN A DRAMATIC MOMENT.
884
00:57:30,450 --> 00:57:33,053
TOP 12.
AMERICA WILL VOTE.
885
00:57:33,053 --> 00:57:37,090
THEN WE'LL BE LEFT WITH FIVE.
WHAT I LOVE IS YOU ARE ONE CHAIR
886
00:57:37,090 --> 00:57:43,396
TURN AND YOU JUST CONTINUE TO
BEAT THE ODDS.
887
00:57:43,396 --> 00:57:48,101
* BABY BRING THAT SWEET LOVING *
* ONTO ME *
888
00:57:48,101 --> 00:57:51,538
>> YEAH, MAN.
THIS SONG IS A BLUES SONG.
889
00:57:51,538 --> 00:57:55,642
THE BLUES IS REALLY WHERE MY
ROOTS ARE.
890
00:57:55,642 --> 00:57:58,144
I RESONATE WITH THE MESSAGE OF
THE SONG BECAUSE I'VE
891
00:57:58,144 --> 00:58:01,715
EXPERIENCED HEARTBREAK.
I WAS NOT A GOOD PARTNER AND SHE
892
00:58:01,715 --> 00:58:03,883
LEFT.
SHE'S THE REASON THAT WHOEVER I
893
00:58:03,883 --> 00:58:08,355
END UP WITH, I WON'T MAKE THOSE
SAME MISTAKES AGAIN.
894
00:58:08,355 --> 00:58:13,026
* OH BABY PLEASE *
>> WITH SONGS WE WANT TO TAP
895
00:58:13,026 --> 00:58:15,628
INTO REAL EMOTIONS.
WHEN I'M SINGING THIS SONG, I'LL
896
00:58:15,628 --> 00:58:20,700
BE SINGING ABOUT HER.
>> ADAM DAVID IS ONE OF MY
897
00:58:20,700 --> 00:58:24,637
FAVORITE ARTISTS I'VE EVER BEEN
WITH ON THIS SHOW BECAUSE HE'S
898
00:58:24,637 --> 00:58:27,841
REAL.
BECAUSE HE'S BEEN THROUGH AND
899
00:58:27,841 --> 00:58:29,442
CAN DIG DOWN DEEP AND TELL
STORIES BECAUSE OF LIFE
900
00:58:29,442 --> 00:58:33,046
EXPERIENCES.
HE REALLY BRINGS THEM TO LIFE.
901
00:58:33,046 --> 00:58:36,149
ADAM DAVID IS MY SECRET WEAPON.
YOU'RE A REAL LIFE BLUES
902
00:58:36,149 --> 00:58:40,720
MUSICIAN WHO HAS LIVED A LOT.
THIS IS WHO I THINK TEDDY SWIMS,
903
00:58:40,720 --> 00:58:44,791
YOU SEE THIS KIND OF STUFF
BECAUSE PEOPLE WANT REAL
904
00:58:44,791 --> 00:58:47,927
MUSICIANSHIP AND STORY TELLING.
AND YOU BRING THAT.
905
00:58:47,927 --> 00:58:49,195
>> I DON'T EVEN KNOW WHAT TO SAY
TO THAT.
906
00:58:49,195 --> 00:58:56,770
THANK YOU.
>> HAND UP, BE THE POWER.
907
00:58:56,770 --> 00:58:59,472
YOU CUT IT OFF.
>> I'M GRATEFUL TO MICHAEL, IT'S
908
00:58:59,472 --> 00:59:01,541
AN UNDERSTATEMENT.
TODAY IN REHEARSAL, WE SANG
909
00:59:01,541 --> 00:59:02,642
TOGETHER.
THAT WILL BE A MEMORY I HAVE FOR
910
00:59:02,642 --> 00:59:09,149
THE REST OF MY LIFE.
**
911
00:59:09,149 --> 00:59:11,017
>> WOW!
>> I GET YOU.
912
00:59:11,017 --> 00:59:15,889
YOU YOU GOT IT.
>> I WANT TO GIVE MICHAEL HIS
913
00:59:15,889 --> 00:59:18,024
FIRST BACK-TO-BACK WIN.
I'M GOING TO BE PRACTICING THIS
914
00:59:18,024 --> 00:59:20,727
IN MY SLEEP.
I'M DOING IT WRONG STILL.
915
00:59:29,302 --> 00:59:33,640
**
916
00:59:33,640 --> 00:59:44,250
* IF YOU EVER CHANGE
YOUR MIND ABOUT LEAVING
917
00:59:44,250 --> 00:59:52,759
ME BEHIND *
* WELL BABY
918
00:59:52,759 --> 01:00:08,308
BRING THAT LOVING
MMMM
919
01:00:08,308 --> 01:00:19,452
BRING IT ON HOME TO ME *
* YOU KNOW I'LL ALWAYS BE
920
01:00:19,452 --> 01:00:22,122
AFRAID *
* OH BABY
921
01:00:22,122 --> 01:00:46,446
BRING THAT SWEET LOVING
BRING IT ON HOME TO ME
922
01:00:46,446 --> 01:00:49,616
* I'LL BE YOUR FRIEND
* WOAH BABY
923
01:00:49,616 --> 01:00:56,456
BRING THAT LOVING
MMM
924
01:00:56,456 --> 01:00:58,925
BRING THAT SWEET LOVING HOME TO
ME *
925
01:00:58,925 --> 01:00:59,359
OH YEAH COME ON!
926
01:01:18,144 --> 01:01:27,087
**
927
01:01:27,087 --> 01:01:30,724
OH OH OH
.
928
01:01:30,724 --> 01:01:40,300
BEFORE BRING IT ON HOME *
* OOOOOH
929
01:01:40,300 --> 01:01:49,609
JUST BRING IT ON HOME *
**
930
01:01:49,609 --> 01:01:53,113
>> YA!
>> Carson: WOW.
931
01:01:53,113 --> 01:01:56,116
THAT IS ADAM DAVID, EVERYBODY,
WITH THE ROOM ELECTRIFIED BY
932
01:01:56,116 --> 01:01:58,885
THAT.
SEMIFINALS PERFORMANCE.
933
01:01:58,885 --> 01:02:06,593
>> THAT WAS --
>> Carson: TEAM BUBLE!
934
01:02:06,593 --> 01:02:10,296
>> ADAM, ADAM, ADAM.
>> Carson: WHAT'S GOING ON
935
01:02:10,296 --> 01:02:13,166
TONIGHT?
THE FINALS ARE KIND OF JUMPING
936
01:02:13,166 --> 01:02:15,769
INTO THE SEMIFINALS AND THINGS
ARE HAPPENING AROUND HERE.
937
01:02:15,769 --> 01:02:20,840
ADAM, I KNOW YOU LOVED EVERY
SECOND OF THAT.
938
01:02:20,840 --> 01:02:24,344
>> ADAM DAVID, WOW, HOLY SMOKES,
DUDE!
939
01:02:24,344 --> 01:02:27,180
I MEAN, FIRST, YOU'RE MY BIGGEST
REGRET, HONEST TO GOD -- I WANT
940
01:02:27,180 --> 01:02:29,082
YOU TO KNOW SOMETHING.
THAT WAS UNBELIEVABLE, EVERY
941
01:02:29,082 --> 01:02:31,851
SECOND.
AND THEN HE CASUALLY RIPS AN
942
01:02:31,851 --> 01:02:34,087
UNBELIEVABLE GUITAR SOLO.
>> YEAH!
943
01:02:34,087 --> 01:02:38,391
>> AND IT MAKES ME MAD.
I WISH YOU WERE ON MY TEAM.
944
01:02:38,391 --> 01:02:41,728
>> HEY, HEY, FOR REAL, WANT JUST
MOST IMPROVED PLAYER IN THIS
945
01:02:41,728 --> 01:02:43,129
GAME BUT ONE OF MY FAVORITES IN
THIS WHOLE COMPETITION, MAN.
946
01:02:43,129 --> 01:02:47,000
AMAZING JOB.
AMAZING.
947
01:02:47,000 --> 01:02:47,967
>> Carson: HIGH PRAISE FROM
ADAM.
948
01:02:47,967 --> 01:02:53,973
WE'LL GO OVER TO MICHAEL.
>> I'M JUST -- I'M SWEATING.
949
01:02:53,973 --> 01:02:56,109
THAT MEANT MORE TO ME THAN ANY
PERFORMANCE HAS MEANT ON THE
950
01:02:56,109 --> 01:03:03,083
TIME I'VE SPENT HERE.
YOU AND I HAVE FORMED A REALLY
951
01:03:03,083 --> 01:03:04,851
DEREK I THINK A REALLY GOOD
FRIENDSHIP AND WE GOT REALLY
952
01:03:04,851 --> 01:03:08,421
CLOSE AND WE TALKED A LOT.
I WANTEDED THIS SO MUCH FOR YOU.
953
01:03:08,421 --> 01:03:11,224
YOU'RE A BRAVE DUDE.
YOU'VE COME FROM A LOT.
954
01:03:11,224 --> 01:03:14,327
THE FACT YOU SHOW UP AND
DELIVER, LIKE I SAID YOU WOULD,
955
01:03:14,327 --> 01:03:16,730
LIKE I KNEW YOU COULD, I'M SO
HAPPY FOR YOU, ADAM.
956
01:03:16,730 --> 01:03:20,767
I'M SO HAPPY FOR YOU, MAN.
>> Carson: IF YOU WANT ADAM IN
957
01:03:20,767 --> 01:03:22,869
THE FINALE, YOU CAN VOTE ON
NBC.COM AND "THE VOICE" OFFICIAL
958
01:03:22,869 --> 01:03:30,610
APP.
GIVE IT UP AGAIN FOR ADAM DAVID.
959
01:03:30,610 --> 01:03:36,249
WHEN WE COME BACK, KAIYA TAKES
ON A CHAKA KHAN CLASSIC SHE'S
960
01:03:36,316 --> 01:03:36,750
ALWAYS WANTED TO SING.
961
01:03:37,684 --> 01:03:38,284
ON A CHAKA KHAN CLASSIC SHE'S
962
01:03:38,284 --> 01:03:48,328
ALWAYS WANTED TO SING.
>> Carson: WELCOME BACK TO OUR
963
01:03:48,328 --> 01:03:49,562
LIVE SEMIFINALS.
WE ARE ONLY ONE WEEK AWAY FROM
964
01:03:49,562 --> 01:03:53,633
FINDING OUT YOUR SEASON
27 WINNER.
965
01:03:53,633 --> 01:03:56,836
YOUR VOTES ARE CRUCIAL TONIGHT.
NOW, WHEN THE OPPORTUNITY CAME
966
01:03:56,836 --> 01:03:59,472
UP, MICHAEL JUMPED AT THE CHANCE
TO SUPER-SAVE THE SOULFUL
967
01:03:59,472 --> 01:04:07,247
POWERHOUSE FROM ATLANTA,
KAIYA HAMILTON.
968
01:04:07,247 --> 01:04:10,250
>> YOU WERE MY SUPER SAVE.
>> I AM.
969
01:04:10,250 --> 01:04:15,355
>> AND THAT CHOICE, IT WAS
IMPOSSIBLE.
970
01:04:15,355 --> 01:04:19,225
* IF YOU LOVE *
>> I DON'T KNOW HOW HE SENT YOU
971
01:04:19,225 --> 01:04:21,428
HOME AFTER THAT.
I REALLY CAN'T EXPRESS HOW HAPPY
972
01:04:21,428 --> 01:04:24,364
I WAS.
I COULDN'T WAIT TO RUN BACK TO
973
01:04:24,364 --> 01:04:26,900
GET YOU.
THERE'S NO ONE LIKE YOU HERE.
974
01:04:26,900 --> 01:04:28,468
>> WOW.
>> OKAY.
975
01:04:28,468 --> 01:04:30,203
WE'RE GOING TO GO FAR.
>> YES.
976
01:04:30,203 --> 01:04:33,306
>> YOU EARNED YOUR TICKET.
THERE'S A REASON WHY YOU'RE
977
01:04:33,306 --> 01:04:35,942
HERE.
THIS SONG WAS SOMETHING THAT YOU
978
01:04:35,942 --> 01:04:39,979
REALLY FELT YOU WANTED TO DO.
>> THE SONG TO ME JUST
979
01:04:39,979 --> 01:04:43,516
REPRESENTS LIKE SUCH AN ALL
BASIC TIME IN MUSIC.
980
01:04:43,516 --> 01:04:48,154
I FEEL IT REPRESENTS EXACTLY WHO
I AM AS AN ARTIST.
981
01:04:48,154 --> 01:04:49,356
>> I THINK YOU REPRESENT
AUTHENTICITY AS WELL.
982
01:04:49,356 --> 01:04:53,426
>> THANK YOU.
>> YOU ARE THE REAL DEAL.
983
01:04:53,426 --> 01:04:56,363
**
>> WHEN I FOUND OUT THAT I GOT A
984
01:04:56,363 --> 01:05:01,201
CHANCE TO HAVE SOMEONE COME
BACK, INSTANTLY IT WAS HER
985
01:05:01,201 --> 01:05:04,037
BECAUSE I KNEW THAT I HAD LOST
SOMEONE WHO VERY WELL COULD WIN
986
01:05:04,037 --> 01:05:06,139
THIS WHOLE SHOW.
* AIN'T NOBODY *
987
01:05:06,139 --> 01:05:09,142
>> THIS IS NOT A BEGINNER.
THIS IS SOMEONE WHO HAS REALLY
988
01:05:09,142 --> 01:05:17,050
CRAFTED AND HONED HER ABILITIES
AND SHE'S A WORKING ARTIST.
989
01:05:17,050 --> 01:05:18,518
I THINK KAIYA IS AN UNDENIABLE
SOULSTA.
990
01:05:18,518 --> 01:05:21,888
>> IT MEANS A LOT TO ME TO BE
ABLE TO PERFORM THIS SONG WITH
991
01:05:21,888 --> 01:05:25,458
MY KID AS MY BROTHERS, I
REMEMBER DANCING TO '70s AND
992
01:05:25,458 --> 01:05:27,827
'80s MUSIC AND THIS IS A FULL
CIRCLE MOMENT FOR US.
993
01:05:27,827 --> 01:05:30,096
I FEEL LIKE WE'RE ALL GOING TO
ENJOY THIS TOGETHER.
994
01:05:30,096 --> 01:05:34,634
IT'S GOING TO BE A LITTLE
CONNECTION BETWEEN US.
995
01:05:34,634 --> 01:05:37,070
>> HEY, KAIYA, KIDDO, WE JUST
WANT TO SAY WE ARE VERY PROUD OF
996
01:05:37,070 --> 01:05:38,571
YOU.
>> YOU ARE THE BIGGEST THING IN
997
01:05:38,571 --> 01:05:44,878
THE WORLD TO ME.
I'M JUST SUPER PROUD OF YOU.
998
01:05:44,878 --> 01:05:46,846
>> MY BROTHERS ARE LIKE HOME FOR
ME.
999
01:05:46,846 --> 01:05:50,116
FROM THE START OF MY CAREER,
THEY HAVE BEEN IN MY CORNER.
1000
01:05:50,116 --> 01:05:52,218
WHILE I'M HERE, THEY'RE HELPING
MY PARENTS WITH MY TWINS.
1001
01:05:52,218 --> 01:05:56,556
I COULD NOT GO FORTH WITHOUT
THEM.
1002
01:05:56,556 --> 01:05:57,590
THIS PERFORMANCE IS FOR MY
BROTHERS.
1003
01:05:57,590 --> 01:06:00,827
THAT'S WHY I KNOW I HAVE TO DO
MY BEST.
1004
01:06:00,827 --> 01:06:04,898
* NOBODY MAKES ME FEEL BETTER
THAN YOU *
1005
01:06:04,898 --> 01:06:08,068
>> YOU SOUND REALLY GOOD.
YOU KNOW WHAT, I LOVE THE SONG.
1006
01:06:08,068 --> 01:06:13,206
HERE'S THE THING, I KNOW YOU'RE
PAYING TRIBUTE TO WONDERFUL
1007
01:06:13,206 --> 01:06:14,274
SINCERS BUT YOU'RE A WONDERFUL
SINGER.
1008
01:06:14,274 --> 01:06:16,443
>> THANK YOU.
>> AND THIS SONG SHOULD BOW DOWN
1009
01:06:16,443 --> 01:06:18,578
TO YOU.
MAKE IT YOURS.
1010
01:06:18,578 --> 01:06:22,048
WE ARE IN THE FINAL 12 AND YOU
ARE GOING TO BE VOTED THROUGH TO
1011
01:06:22,048 --> 01:06:23,717
BE IN THE TOP FIVE.
>> I HOPE SO.
1012
01:06:23,717 --> 01:06:27,220
>> THIS IS WHAT'S GETTING YOU
THERE.
1013
01:06:27,220 --> 01:06:27,787
>> THAT'S WHY I'M HERE.
1014
01:06:34,127 --> 01:06:38,365
* AIN'T NOBODY
1015
01:06:38,365 --> 01:06:48,441
LOVES ME BETTER
MAKES ME HAPPY
1016
01:06:48,441 --> 01:07:01,187
MAKES ME FEEL THIS WAY *
* AIN'T NOBODY
1017
01:07:01,187 --> 01:07:11,264
LOVES ME BETTER
THAN YOU
1018
01:07:11,264 --> 01:07:16,036
YOU *
* CAPTURED EFFORTLESSLY
1019
01:07:16,036 --> 01:07:20,907
THAT'S THE WAY IT WAS
IT HAPPENED SO NATURALLY
1020
01:07:20,907 --> 01:07:22,409
DIDN'T I KNOW IT WAS LOVE *
* THE NEXT THING
1021
01:07:22,409 --> 01:07:38,858
I FELT WAS YOU
HOLDIN' ME CLOSE
1022
01:07:38,858 --> 01:07:40,960
WHAT WAS I GONNA DO *
* I LET MYSELF GO
1023
01:07:40,960 --> 01:07:42,595
AND NOW WE FLY
THROUGH THE STARS*
1024
01:07:42,595 --> 01:07:43,663
* I HOPE THIS NIGHT
WILL LAST FOREVER
1025
01:07:43,663 --> 01:07:45,765
OH OH OH OH *
* AIN'T NOBODY
1026
01:07:45,765 --> 01:07:48,401
YEAH BODY
LOVES ME BETTER
1027
01:07:48,401 --> 01:07:51,071
OOH MAKE ME *
* MAKES ME HAPPY
1028
01:07:51,071 --> 01:07:53,707
FEEL THIS WAY
MAKES ME FEEL THIS WAY *
1029
01:07:53,707 --> 01:08:00,080
* AIN'T NOBODY
NOBODY
1030
01:08:00,080 --> 01:08:01,681
LOVES ME BETTER *
* AND FIRST YOU PUT
1031
01:08:01,681 --> 01:08:07,020
YOUR ARMS AROUND ME
THEN YOU PUT
1032
01:08:07,020 --> 01:08:11,725
YOUR CHARMS AROUND ME *
* GOT A FEELIN'
1033
01:08:11,725 --> 01:08:14,394
MOST WITH TREASURE
AND A LOVE SO DEEP
1034
01:08:14,394 --> 01:08:18,665
WE CANNOT MEASURE *
* AIN'T NOBODY
1035
01:08:18,665 --> 01:08:20,800
LOVES ME BETTER *
* GONNA MAKE ME
1036
01:08:20,800 --> 01:08:25,038
MAKES ME HAPPY
FEEL THIS WAY
1037
01:08:25,038 --> 01:08:29,309
MAKES ME FEEL THIS WAY *
* NOBODY
1038
01:08:29,309 --> 01:08:34,414
LOVES ME BETTER
AIN'T NOBODY
1039
01:08:34,414 --> 01:08:37,550
LOVES ME BETTER *
* THAN YOU
1040
01:08:37,550 --> 01:08:41,788
YOU
YOU YOU YOU *
1041
01:08:41,788 --> 01:08:47,127
* NOBODY YOU
NOBODY
1042
01:08:47,127 --> 01:08:49,229
NOBODY YOU *
* NOBODY NOBODY BABY
1043
01:08:49,229 --> 01:08:54,100
NOBODY MAKES ME FEEL BETTER
THAN YOU *
1044
01:09:02,008 --> 01:09:03,243
>> Carson: KAIYA HAMILTON,
1045
01:09:03,243 --> 01:09:09,215
MICHAEL BUBLE'S SUPER-SAVED ART
IT'S HERE IN THE SEMIFINAL.
1046
01:09:09,215 --> 01:09:10,316
TRYING TO MAKE IT FROM 12 TO 5
TOMORROW.
1047
01:09:10,316 --> 01:09:18,291
>> YES!
YES!
1048
01:09:18,291 --> 01:09:21,528
YES!
>> Carson: THAT SOUNDED GREAT.
1049
01:09:21,528 --> 01:09:22,662
LET'S GET SOME THOUGHTS FROM
YOUR COACH.
1050
01:09:22,662 --> 01:09:24,931
MICHAEL?
>> YOU ALREADY KNOW -- YOU
1051
01:09:24,931 --> 01:09:28,034
ALREADY KNOW YOU'RE FLAWLESS.
I DON'T WANT TO TALK TOO MUCH
1052
01:09:28,034 --> 01:09:31,037
BECAUSE I DON'T WANT TO DISTRACT
THE PEOPLE RIGHT NOW AT HOME.
1053
01:09:31,037 --> 01:09:33,306
THEY SHOULD BE VOTING FOR YOU.
SO, I'M JUST GOING TO SAY, I
1054
01:09:33,306 --> 01:09:34,908
LOVE YOU.
WAY TO GO.
1055
01:09:34,908 --> 01:09:37,043
WAY TO GO.
[ APPLAUSE ]
1056
01:09:37,043 --> 01:09:41,247
>> Carson: IF YOU WANT KAIYA IN
THE FINALE, YOU CAN VOTE ON
1057
01:09:41,247 --> 01:09:42,248
NBC.COM AND "THE VOICE" OFFICIAL
APP.
1058
01:09:42,248 --> 01:09:45,919
GIVE IT UP AGAIN FOR KAIYA
HAMILTON.
1059
01:09:45,919 --> 01:09:48,054
WHEN WE RETURN, CONOR TAKES ON
ONE OF THE BEST SINGERS OF ALL
1060
01:09:48,054 --> 01:09:49,689
TIME.
THEN, RENZO CLOSES OUT THE
1061
01:09:49,689 --> 01:09:52,292
NIGHT.
THIS IS THE TOP 12 LIVE
1062
01:09:52,292 --> 01:09:52,859
SEMIFINALS SHOW ON NBC.
1063
01:10:05,338 --> 01:10:06,740
>> Carson: WELCOME BACK.
1064
01:10:06,740 --> 01:10:10,176
LET'S KEEP THE MUSIC GOING WITH
THE POP ARTIST FROM
1065
01:10:10,176 --> 01:10:16,116
MASSACHUSETTS WHOM ADAM
SUPER-SAVED FOR THE SEMIFINALS.
1066
01:10:16,116 --> 01:10:19,152
HERE'S MORE FROM CONOR JAMES.
>> I'M SO GRATEFUL ADAM BROUGHT
1067
01:10:19,152 --> 01:10:20,653
ME BACK FOR ANOTHER CHANCE OF
THIS.
1068
01:10:20,653 --> 01:10:22,956
>> YOU'RE ONE OF MY TOP THREE.
>> OH, DUDE.
1069
01:10:22,956 --> 01:10:25,525
>> I REALLY THOUGHT I WAS DONE.
ALL OF A SUDDEN WE'RE HERE AND
1070
01:10:25,525 --> 01:10:28,561
GOING LIVE.
>> THANK YOU.
1071
01:10:28,561 --> 01:10:30,663
>> AWESOME, DUDE.
>> CONOR IS STILL A UNICORN TO
1072
01:10:30,663 --> 01:10:33,099
ME.
I COULDN'T SEE HIM GO.
1073
01:10:33,099 --> 01:10:35,468
WHEN I TURNED MY CHAIR AROUND
FOR HIM, I DIDN'T KNOW WHAT TO
1074
01:10:35,468 --> 01:10:39,205
EXPECT.
HE'S A COMPLETELY UNIQUE SOUL.
1075
01:10:39,205 --> 01:10:42,342
I YOU CAN WIN THIS SHOW AND I
WANT YOU BAD ON MY TEAM.
1076
01:10:42,342 --> 01:10:45,378
>> I COULDN'T IMAGINE HIM NOT
BEING IN THE TOP.
1077
01:10:45,378 --> 01:10:46,479
>> THE NEW SONG WITH LISA IS
FIRE, MAN.
1078
01:10:46,479 --> 01:10:50,350
>> THANKS.
>> I SAW HER AT COACHELLA.
1079
01:10:50,350 --> 01:10:51,651
SHE'S PRECISE.
>> SHE'S SO COOL.
1080
01:10:51,651 --> 01:10:53,920
>> SHE'S LIKE THE NICEST,
SWEETEST HUMAN BEING.
1081
01:10:53,920 --> 01:11:00,326
>> THAT'S GOOD TO HEAR.
* I MADE UP MY MIND
1082
01:11:00,326 --> 01:11:08,835
DON'T NEED TO THINK IT OVER *
>> I LOVE THIS RECORD.
1083
01:11:08,835 --> 01:11:11,504
IN THIS DISCOGRAPHY, THIS ONE
ISN'T OVERDONE.
1084
01:11:11,504 --> 01:11:14,741
>> IT'S NOT ADELE, SHE'S NOT ONE
OF THE BEST SINGERS OF ALL TIME.
1085
01:11:14,741 --> 01:11:18,411
>> NO, NOT AT ALL.
* SHOULD I GIVE UP
1086
01:11:18,411 --> 01:11:20,480
OR SHOULD I JUST KEEP CHASING
PAVEMENTS *
1087
01:11:20,480 --> 01:11:23,416
>> IN THE SONG SHE ASKS THE
QUESTION, SHOULD I GIVE UP OR
1088
01:11:23,416 --> 01:11:26,386
JUST KEEP CHASING PAVEMENTS?
MAKING A CAREER OUT OF MUSIC,
1089
01:11:26,386 --> 01:11:30,123
THERE ARE A LOT OF TIMES IN MY
LIFE WHEN I HAVE NO MONEY IN MY
1090
01:11:30,123 --> 01:11:33,693
BANK ACCOUNT, I HAVE NO GIGS
LINED UP AND I'M SENDING COLD
1091
01:11:33,693 --> 01:11:36,296
EMAILS LEFT AND RIGHT TRYING TO
GET SOME WORK SOMEHOW.
1092
01:11:36,296 --> 01:11:38,998
THAT MAKES YOU WANT TO GIVE UP.
MY PARENTS, MY WHOLE LIFE
1093
01:11:38,998 --> 01:11:40,900
THEY'VE BEEN THERE FOR ME AND
THEY'VE SUPPORTED EVERYTHING
1094
01:11:40,900 --> 01:11:45,105
I'VE DONE.
THEY'VE SENT ME VIDEOS FROM
1095
01:11:45,105 --> 01:11:47,574
THEIR WATCH PARTIES AND IT'S
MORE PEOPLE THAN I HAVE AT MY
1096
01:11:47,574 --> 01:11:51,644
OWN WATCH PARTIES, TO BE HONEST.
I CAN TELL THEY'RE JUST ELATED
1097
01:11:51,644 --> 01:11:53,880
TO TELL PEOPLE ABOUT THIS
EXPERIENCE.
1098
01:11:53,880 --> 01:11:56,316
SO PROUD THAT IT'S -- IT JUST
MAKES ME EMOTIONAL.
1099
01:11:56,316 --> 01:11:58,551
THEY'RE THE REASON I'M STILL
DOING THIS.
1100
01:11:58,551 --> 01:12:01,888
>> WHAT'S SO GREAT ABOUT YOU IS
YOU'VE GOT THIS GREAT TONE.
1101
01:12:01,888 --> 01:12:05,859
I DON'T WANT THAT TO BE SECOND
FIDDLE TO YOUR ABILITY.
1102
01:12:05,859 --> 01:12:08,528
I'M NOT SAYING DON'T EMBELLISH
BECAUSE YOU ABSOLUTELY SHOULD,
1103
01:12:08,528 --> 01:12:10,363
YOU DO IT SO GREAT, BUT I THINK
LESS IS MORE WITH THIS ONE.
1104
01:12:10,363 --> 01:12:13,099
>> SURE.
>> ADELE IS A GREAT EXAMPLE.
1105
01:12:13,099 --> 01:12:18,772
SHE'S ROOTED IN HER TONE.
>> YEAH.
1106
01:12:18,772 --> 01:12:20,073
I WANT TO GO TO THE TOP FIVE
REALLY, REALLY BAD.
1107
01:12:20,073 --> 01:12:21,875
* SHOULD I *
>> IT WOULD BE THE ULTIMATE MARK
1108
01:12:21,875 --> 01:12:24,644
OF SUCCESS FOR ME.
I HOPE AMERICA SEES JUST THE RAW
1109
01:12:24,644 --> 01:12:27,313
JOY THAT MUSIC GIVES ME AND MY
COMMITMENT TO MAKING MUSIC MY
1110
01:12:27,313 --> 01:12:29,416
LIFE.
>> SOUNDS AWESOME, DUDE.
1111
01:12:29,416 --> 01:12:32,385
>> THANK YOU.
>> I'M HAPPY, MAN.
1112
01:12:32,385 --> 01:12:33,420
>> I FEEL GOOD.
>> I'M REALLY HAPPY.
1113
01:12:33,420 --> 01:12:34,521
>> THANK YOU FOR BRINGING ME
BACK, MAN.
1114
01:12:34,521 --> 01:12:36,856
>> YOU DESERVE IT.
>> THANK YOU.
1115
01:12:39,092 --> 01:12:40,660
* I'VE MADE UP MY MIND
1116
01:12:40,660 --> 01:12:44,964
DON'T NEED
TO THINK IT OVER *
1117
01:12:44,964 --> 01:12:50,770
* IF I'M WRONG I AM RIGHT
DON'T NEED
1118
01:12:50,770 --> 01:12:53,940
TO LOOK NO FURTHER *
* THIS AIN'T LUST
1119
01:12:53,940 --> 01:13:05,085
I KNOW
THIS IS LOVE *
1120
01:13:05,085 --> 01:13:10,390
* IF I TELL THE WORLD
I'LL NEVER SAY ENOUGH 'CAUSE
1121
01:13:10,390 --> 01:13:16,262
IT WAS NOT SAID TO YOU *
* THAT'S EXACTLY
1122
01:13:16,262 --> 01:13:23,169
WHAT I NEED TO DO
IF I END UP WITH YOU *
1123
01:13:23,169 --> 01:13:27,941
* SHOULD I GIVE UP
OR SHOULD I JUST KEEP
1124
01:13:27,941 --> 01:13:33,780
CHASING PAVEMENTS
EVEN IF IT LEADS NOWHERE *
1125
01:13:33,780 --> 01:13:39,085
* OR WOULD IT BE A WASTE
EVEN IF I KNEW MY PLACE
1126
01:13:39,085 --> 01:13:42,255
SHOULD I LEAVE IT THERE *
* SHOULD I GIVE UP
1127
01:13:42,255 --> 01:13:50,196
OR SHOULD I JUST KEEP
CHASING PAVEMENTS *
1128
01:13:50,196 --> 01:13:54,434
* EVEN IF IT LEADS NOWHERE
YEAH *
1129
01:13:54,434 --> 01:14:04,044
* OR WOULD IT BE A WASTE
EVEN IF I KNEW MY PLACE
1130
01:14:04,044 --> 01:14:09,816
SHOULD I LEAVE IT THERE *
* SHOULD I GIVE UP
1131
01:14:09,816 --> 01:14:14,621
OR SHOULD I JUST KEEP ON
CHASING PAVEMENTS *
1132
01:14:14,621 --> 01:14:18,858
* SHOULD I JUST KEEP ON
OOH
1133
01:14:18,858 --> 01:14:24,698
CHASING PAVEMENTS
OHH *
1134
01:14:24,698 --> 01:14:28,968
* SHOULD I GIVE UP
OR SHOULD I JUST KEEP
1135
01:14:28,968 --> 01:14:34,274
CHASING PAVEMENTS
EVEN IF IT LEADS NOWHERE *
1136
01:14:34,274 --> 01:14:39,579
* OR WOULD IT BE A WASTE
OR WOULD IT BE A WASTE
1137
01:14:39,579 --> 01:14:54,494
EVEN IF I KNEW MY PLACE
SHOULD I LEAVE IT THERE *
1138
01:14:54,494 --> 01:14:55,628
* SHOULD I GIVE UP
OR SHOULD I JUST KEEP
1139
01:14:55,628 --> 01:15:02,302
CHASING PAVEMENTS *
* EVEN IF IT LEADS NOWHERE
1140
01:15:02,302 --> 01:15:02,635
YEAH *
1141
01:15:07,674 --> 01:15:12,612
>> Carson: CONOR JAMES,
1142
01:15:12,612 --> 01:15:14,848
TEAM ADAM SKRM ADAM, SUPER-SAVED
ART IT'S HERE IN THE SEMIFINALS
1143
01:15:14,848 --> 01:15:15,749
TONIGHT.
LOOKING TO MOVE ON.
1144
01:15:15,749 --> 01:15:24,958
THANK YOU FOR THAT
ACCOMPANIMENT.
1145
01:15:24,958 --> 01:15:27,060
COACH ADAM, WE'RE GOING RIDE-E
RIGHT TO YOU, BUDDY.
1146
01:15:27,060 --> 01:15:30,697
>> WHAT'S UP, MAEN?
OH, THANK YOU.
1147
01:15:30,697 --> 01:15:33,266
MY HAWAIIAN LOOK.
MAN, LIKE, YOU KNOW, GREAT
1148
01:15:33,266 --> 01:15:35,902
SINGERS SING.
AND THE SIMPLICITY AND THE
1149
01:15:35,902 --> 01:15:39,072
BEAUTY OF THAT IS SO NICE.
AND SOMETIMES THERE CAN BE A LOT
1150
01:15:39,072 --> 01:15:40,740
OF OTHER THINGS THAT HAPPEN,
ESPECIALLY THIS LATE IN THE
1151
01:15:40,740 --> 01:15:42,876
GAME.
LOTS OF BELLS AND WHISTLES, LOTS
1152
01:15:42,876 --> 01:15:46,413
OF FIREWORKS.
THAT'S GREAT, TOO.
1153
01:15:46,413 --> 01:15:49,482
I LIKE THE FACT WE KEPT IT PURE
AND SIMPLE HERE BECAUSE THAT WAS
1154
01:15:49,482 --> 01:15:51,351
A NICE THING FOR YOU TO DO AT
THIS POINT.
1155
01:15:51,351 --> 01:15:54,287
I BROUGHT YOU BACK INTO THIS
THING, WHERE YOU BELONG AND YOU
1156
01:15:54,287 --> 01:15:55,321
ABSOLUTELY DELIVERED TONIGHT,
MAN.
1157
01:15:55,321 --> 01:15:56,589
I'M SUPER PROUD.
>> Carson: IF YOU WANT CONOR IN
1158
01:15:56,589 --> 01:15:58,491
THE FINALE, YOU CAN VOTE ON
NBC.COM AND "THE VOICE" OFFICIAL
1159
01:15:58,491 --> 01:16:05,932
APP.
LET'S HEAR IT FOR CONOR JAMES.
1160
01:16:05,932 --> 01:16:08,068
WHEN WE COME BACK, RENZO CLOSES
OUT THE NIGHT WITH A LEGENDARY
1161
01:16:08,068 --> 01:16:10,704
AEROSMITH SONG.
IT'S TIME TO VOTE FOR YOUR
1162
01:16:10,704 --> 01:16:13,740
FINALISTS.
THIS IS "THE VOICE" ON NBC.
1163
01:16:15,241 --> 01:16:15,809
THIS IS "THE VOICE" ON NBC.
1164
01:16:15,809 --> 01:16:25,585
STAY W
>> Carson: WELCOME BACK.
1165
01:16:25,585 --> 01:16:27,687
ONE MORE PERFORMANCE TO GO.
LET'S CLOSE OUT THE NIGHT WITH
1166
01:16:27,687 --> 01:16:29,823
TEAM LEGEND'S PHILLY ROCKER
WHO'S TAKING SOME OF ADAM'S
1167
01:16:29,823 --> 01:16:31,358
ADVICE THIS WEEK.
HERE'S MORE FROM RENZO.
1168
01:16:38,064 --> 01:16:43,169
>> I MADE IT TO LIVES!
1169
01:16:43,169 --> 01:16:45,605
>> I MADE IT!
>> RENZO!
1170
01:16:45,605 --> 01:16:49,342
I'M SO EXCITED FOR YOU TO BE
HERE IN THE LIVES.
1171
01:16:49,342 --> 01:16:53,747
ALL THE OTHER COACHES ARE VERY
JEALOUS YOU'RE ON MY TEAM.
1172
01:16:53,747 --> 01:16:56,783
ESPECIALLY ONE ADAM LEVINE,
WHICH MEANS WE'RE DOING OUR JOB
1173
01:16:56,783 --> 01:16:57,684
CORRECTLY.
>> LOCKING IT IN.
1174
01:16:57,684 --> 01:17:00,520
>> YEAH.
BUT ADAM DID SAY --
1175
01:17:00,520 --> 01:17:04,024
>> I WANT MORE SCREAMRY.
YOU HAVE MORE SCREAMING VOICE IN
1176
01:17:04,024 --> 01:17:06,926
THIS COMPETITION.
WE HAVEN'T HEARD ENOUGH OF THAT.
1177
01:17:06,926 --> 01:17:09,662
>> WE PICKED THE BEST SCREAMRY
SONG.
1178
01:17:09,662 --> 01:17:14,534
I HAVE A FEELING YOU'RE GOING TO
KILL THIS.
1179
01:17:14,534 --> 01:17:18,038
* FROM FOOLS *
>> RENZO IS OUR ROCK STAR, BABY.
1180
01:17:18,038 --> 01:17:21,074
HE IS OUR ROCK STAR.
HE'S WHAT THE SHOW NEEDS BECAUSE
1181
01:17:21,074 --> 01:17:23,309
WE DON'T GET A LOT OF GREAT ROCK
STARS ON THE SHOW.
1182
01:17:23,309 --> 01:17:28,415
RENZO'S GIVING IT TO US.
* COME BACK TO YOU *
1183
01:17:28,415 --> 01:17:32,619
* SING FOR THE YEARS *
>> HE COMBINES ROCK STAR
1184
01:17:32,619 --> 01:17:35,722
SENSIBILITY AND ROCK STAR
ABILITY WITH REAL HUMILITY AND
1185
01:17:35,722 --> 01:17:39,092
LIKABILITY.
IT'S A REALLY GREAT COMBINATION.
1186
01:17:39,092 --> 01:17:44,164
I THINK AMERICA IS DEFINITELY
FALLING IN LOVE WITH RENZO.
1187
01:17:44,164 --> 01:17:45,965
>> "DREAM ON" IS SUCH A STAPLE
IN THE ROCK COMMUNITY.
1188
01:17:45,965 --> 01:17:51,237
IT IS A BIG SONG.
THE CHALLENGE IS MAKING SURE I
1189
01:17:51,237 --> 01:17:54,407
PAY HOMAGE TO THESE LEGENDS BUT
ALSO MAKING SURE I ADD A MODERN
1190
01:17:54,407 --> 01:17:59,245
TWIST TO IT WITH WHAT RENZO CAN
BRING.
1191
01:17:59,245 --> 01:18:02,148
>> THE CROWD'S GOING TO GO WILD!
I LOVE THE JOURNEY OF THAT SONG.
1192
01:18:02,148 --> 01:18:04,117
I THINK IT'S A REALLY GREAT
CHOICE FOR THIS.
1193
01:18:04,117 --> 01:18:06,252
YOU GET TO BE PRETTY AND A
LITTLE MORE SUBTLE AT THE
1194
01:18:06,252 --> 01:18:08,688
BEGINNING AND THEN --
>> I GET TO SCREAM.
1195
01:18:08,688 --> 01:18:10,423
>> THAT'S THE MAP OF A GREAT
PERFORMANCE.
1196
01:18:10,423 --> 01:18:12,659
>> THIS JOURNEY IS DEFINITELY
FOR MY MOM.
1197
01:18:12,659 --> 01:18:14,728
GROWING UP SHE WANTED TO BE A
SINGER.
1198
01:18:14,728 --> 01:18:17,664
SHE WAS GIGGING A LOT AND SHE
WAS IN YOU CAN THATS TO GETTING
1199
01:18:17,664 --> 01:18:21,634
SIGNED TO SEVERAL LABELS.
WHEN MY MOM PASSED AWAY, MY MOM
1200
01:18:21,634 --> 01:18:24,838
GAVE IT ALL UP TO TAKE CARE OF
MY SISTER AND I.
1201
01:18:24,838 --> 01:18:27,040
MA, YOU'RE THE BIGGEST
INSPIRATION TO ME IN MY LIFE.
1202
01:18:27,040 --> 01:18:30,210
NOT JUST IN MUSIC.
>> I'M SO PROUD.
1203
01:18:30,210 --> 01:18:33,046
LIKE, EVERY TIME I SEE YOU UP
THERE SINGING, I JUST GET THE
1204
01:18:33,046 --> 01:18:35,148
GOOSE BUMPS.
I KNOW YOU'RE GOING TO DO
1205
01:18:35,148 --> 01:18:37,117
AWESOME.
YOU'RE GOING TO DO AWESOME.
1206
01:18:37,117 --> 01:18:39,919
>> IT'S GO TIME.
LET'S GET IT.
1207
01:18:39,919 --> 01:18:41,788
>> IT'S GO TIME.
>> LOVE YOU.
1208
01:18:41,788 --> 01:18:43,056
BYE.
>> LOVE YOU.
1209
01:18:43,056 --> 01:18:47,794
>> APPRECIATE YOU, BROTHER.
YOU'RE GOING TO BE AMAZING.
1210
01:18:47,794 --> 01:18:48,828
>> ADAM, YOU WANTED MORE
SCREAMING.
1211
01:18:48,828 --> 01:18:49,662
HERE WE GO.
SORRY, ADAM.
1212
01:18:49,662 --> 01:18:53,633
>> I'M NOT SORRY.
I'M NOT SORRY.
1213
01:18:58,805 --> 01:19:01,541
**
1214
01:19:01,541 --> 01:19:08,415
* EVERY TIME
I LOOK IN THE MIRROR
1215
01:19:08,415 --> 01:19:20,093
ALL THESE LINES ON MY FACE
GETTING CLEARER *
1216
01:19:20,093 --> 01:19:23,263
* THE PAST IS GONE
IT WENT BY
1217
01:19:23,263 --> 01:19:27,033
LIKE DUSK TO DAWN
ISN'T THAT THE WAY *
1218
01:19:27,033 --> 01:19:35,408
* EVERYBODY'S GOT THEIR
DUES IN LIFE
1219
01:19:35,408 --> 01:19:37,544
TO PAY *
TO PAY *
1220
01:19:37,544 --> 01:19:40,714
* I KNOW NOBODY KNOWS
WHERE IT COMES
1221
01:19:40,714 --> 01:19:43,883
AND WHERE IT GOES *
* I KNOW
1222
01:19:43,883 --> 01:19:50,256
IT'S EVERYBODY'S SIN
YOU GOT TO LOSE TO KNOW
1223
01:19:50,256 --> 01:19:57,130
HOW TO WIN *
* HALF MY LIFE'S
1224
01:19:57,130 --> 01:20:04,537
IN BOOKS' WRITTEN PAGES
LIVED AND LEARNED
1225
01:20:04,537 --> 01:20:10,377
FROM FOOLS AND FROM SAGES *
* YOU KNOW IT'S TRUE
1226
01:20:10,377 --> 01:20:14,080
ALL THE THINGS
COME BACK TO YOU
1227
01:20:14,080 --> 01:20:16,750
YEAH *
* SING WITH ME
1228
01:20:16,750 --> 01:20:19,386
SING FOR THE YEAR
SING FOR THE LAUGHTER
1229
01:20:19,386 --> 01:20:22,022
SING FOR THE TEAR *
* SING WITH ME
1230
01:20:22,022 --> 01:20:25,191
JUST FOR TODAY
MAYBE TOMORROW *
1231
01:20:25,191 --> 01:20:34,200
* THE GOOD LORD
WILL TAKE YOU AWAY
1232
01:20:34,200 --> 01:20:38,438
DREAM ON DREAM ON
DREAM ON *
1233
01:20:38,438 --> 01:20:44,277
* DREAM UNTIL YOUR DREAM
COMES TRUE
1234
01:20:44,277 --> 01:20:48,481
DREAM ON DREAM ON
DREAM ON *
1235
01:20:48,481 --> 01:20:59,092
* DREAM UNTIL YOUR DREAM
COMES THROUGH
1236
01:20:59,092 --> 01:21:07,067
DREAM ON DREAM ON
DREAM ON DREAM ON *
1237
01:21:07,067 --> 01:21:19,145
* DREAM ON
OHH
1238
01:21:19,145 --> 01:21:19,546
**
1239
01:21:29,789 --> 01:21:32,492
>> YA!
>> Carson: THAT IS RENZO CLOSING
1240
01:21:32,492 --> 01:21:42,202
OUT THE NIGHT, EVERYBODY.
AND THE ROOM IS ELECTRIC!
>> OH!
1241
01:21:42,202 --> 01:21:45,739
>> Carson: OKAY.
WE'VE ONLY GOT ABOUT A MINUTE
LEFT.
1242
01:21:45,739 --> 01:21:47,941
JOHN, WHERE DO YOU WANT TO
START?
>> MAN!
1243
01:21:47,941 --> 01:21:57,317
RENZO!
I'M OVER HERE GOING CRAZY.
YO, THAT WAS LIKE YOU REHEARSED
1244
01:21:57,317 --> 01:22:06,292
IT BEAUTIFULLY, BUT THAT WAS,
LIKE, AT LEAST THREE TIMES AS
GOOD AS REHEARSAL.
1245
01:22:06,292 --> 01:22:11,431
IT WAS SO INCREDIBLE.
YOU JUST LOOK LIKE YOU ARE
SUPPOSED TO BE HERE ON THIS
1246
01:22:11,431 --> 01:22:14,701
STAGE, ON THE GRAMMY STAGE, ALL
THE STAGES.
YOU LOOK LIKE A SUPERSTAR UP
1247
01:22:14,701 --> 01:22:18,705
THERE.
AND YOU SOUNDED LIKE ONE.
IT WAS PERFECT.
1248
01:22:18,705 --> 01:22:24,277
>> THANK YOU SO MUCH.
>> Carson: IF YOU WANT RENZO IN
THE FINALE, YOU CAN VOTE ON
1249
01:22:24,277 --> 01:22:28,715
NBC.COM AND "THE VOICE" OFFICIAL
APP.
GIVE IT UP AGAIN CLOSING OUT THE
1250
01:22:28,715 --> 01:22:32,152
NIGHT FOR RENZO.
WOW.
THERE YOU HAVE IT.
1251
01:22:32,152 --> 01:22:36,956
WHAT A NIGHT.
VOTING IT OPEN.
BE SURE TO GET THOSE VOTES IN.
1252
01:22:36,956 --> 01:22:42,395
TOMORROW NIGHT YOUR FINAL FIVE
WILL BE REVEALED.
PLUS, BIG PERFORMANCES BY
1253
01:22:42,395 --> 01:22:46,866
COACHES JOHN LEGEND AND
KELSEA BALLERINI.
THANK YOU, EVERYBODY.
1254
01:22:46,866 --> 01:22:49,002
WE'LL SEE YOU TONIGHT ON "THE
99019
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