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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,210 --> 00:00:10,377 * 2 00:00:12,512 --> 00:00:12,645 * 3 00:00:17,250 --> 00:00:18,418 >>> HERE WE GO. 4 00:00:18,418 --> 00:00:21,454 >> SEMIFINALS! >> TOP 12, BABY! 5 00:00:21,454 --> 00:00:25,692 >> YA! >> HEY! 6 00:00:25,692 --> 00:00:32,098 >> WE MADE IT TO LIVES! I MADE IT TO LIVES! 7 00:00:32,098 --> 00:00:35,535 >> I AM SO EXCITED TO BE HERE! >> FOUR SUPER SAVE ARTISTS ARE 8 00:00:35,535 --> 00:00:38,772 COMING BACK. >> OH, MY GOD! 9 00:00:38,772 --> 00:00:44,544 >> NOW IT'S ANYBODY'S GAME. >> AMERICA, NOW IT'S UP TO YOU. 10 00:00:44,544 --> 00:00:51,785 I'M NOT A BAD GUY ANYMORE, OKAY? * 11 00:00:51,785 --> 00:00:54,020 * BABY I'M A GIVER * >> I LOVE IT. 12 00:00:54,020 --> 00:00:58,224 >> LET'S GO! >> HERE WE GO. 13 00:00:58,224 --> 00:00:58,825 THE LIVE SHOW STARTS RIGHT NOW. 14 00:01:07,133 --> 00:01:07,734 >> Carson: AND HERE THEY ARE, 15 00:01:07,734 --> 00:01:11,271 OUR SEASON 27 COACHES AND THE ARTISTS THEY SUPER-SAVED FOR THE 16 00:01:11,271 --> 00:01:13,373 LIVE SEMIFINALS. GIVE IT UP FOR -- 17 00:01:13,373 --> 00:01:26,820 JOHN LEGEND AND HIS SUPER SAVED ARTIST, OLIVIA KUPER HARRIS. 18 00:01:26,820 --> 00:01:41,001 [ APPLAUSE ] MICHAEL BUBLร‰ AND HIS SUPER 19 00:01:41,001 --> 00:01:50,110 SAVED ARTIST, KAIYA HAMILTON. KELSEA BALLERINI AND HER SUPER 20 00:01:50,110 --> 00:01:51,144 SAVED ARTIST, JAELEN JOHNSTON. . 21 00:01:57,350 --> 00:01:57,617 [ APPLAUSE ] 22 00:01:59,452 --> 00:02:05,158 AND ADAM LEVINE AND HIS SUPER 23 00:02:05,158 --> 00:02:15,969 SAVED ARTIST, CONOR JAMES. [ APPLAUSE ] 24 00:02:15,969 --> 00:02:20,173 BIG CONGRATULATIONS TO ALL OF OUR SUPER SAVED ARTISTS. 25 00:02:20,173 --> 00:02:24,678 AND WELCOME TO THE TOP 12 SEMIFINALS, EVERYBODY. 26 00:02:24,678 --> 00:02:26,079 FOR THE FIRST TIME THIS SEASON, IT FEELS GOOD. 27 00:02:26,079 --> 00:02:32,952 WE ARE LIVE. I'M CARSON DALY. 28 00:02:32,952 --> 00:02:35,488 WE HAVE A TOP 12 SHOW. TOMORROW NIGHT WE HAVE A 29 00:02:35,488 --> 00:02:40,593 DRAMATIC ELIMINATION. FOR THE FIRST TIME EVER, WE'LL 30 00:02:40,593 --> 00:02:42,862 GO FROM 12 TO 5. EVEN MICHAEL BUBLE CAN DO THAT 31 00:02:42,862 --> 00:02:44,330 MATH. THAT MEANS SEVEN ARTISTS WILL GO 32 00:02:44,330 --> 00:02:45,899 HOME. VOTING IS OPEN NOW ON 33 00:02:45,899 --> 00:02:50,503 "THE VOICE" OFFICIAL APP AND NBC.COM. 34 00:02:50,503 --> 00:02:54,641 FOR ALL THE VOTING INFORMATION. TONIGHT YOU'RE VOTING FOR ONE 35 00:02:54,641 --> 00:02:56,676 ARTIST, THAT IS, OF COURSE, YOUR FAVORITE ARTIST OF THE NIGHT. 36 00:02:56,676 --> 00:02:57,877 AND SPEAKING OF VOTING, A BIG THANKS TO OUR OFFICIAL VOTING 37 00:02:57,877 --> 00:02:59,212 PARTNER THIS SEASON THROUGHOUT THE LIVE SHOWS, THE ACTIVE CASH 38 00:02:59,212 --> 00:03:05,051 CREDIT CARD FROM WELLS FARGO, WHICH IS WITH YOU AS YOU PURSUE 39 00:03:05,051 --> 00:03:07,821 INTERESTS AND EXPLORE PASSIONS, JUST LIKE OUR TOP 12 ARE DOING 40 00:03:07,821 --> 00:03:10,457 TONIGHT, SO WE APPRECIATE THAT. SO, LET'S GET STARTED. 41 00:03:10,457 --> 00:03:21,434 LET'S KICK OFF THE SEMIFINALS WITH TEAM ADAM'S CALIFORNIA R&B 42 00:03:21,434 --> 00:03:23,336 SINGER THAT LET'S HIM EXPLORE BRAND-NEW AREAS IN HIS VOICE. 43 00:03:23,336 --> 00:03:29,309 HERE'S MORE FROM KOLBY CORDELL. >> THE LOVE I'VE GOTTEN FROM THE 44 00:03:29,309 --> 00:03:32,379 SHOW HAS BEEN AMAZING. WORKING WITH THE COACHES, JOHN 45 00:03:32,379 --> 00:03:35,081 AND NOW ADAM HAS BEEN A BLESSING FOR ME BOTH MENTALLY AND AS AN 46 00:03:35,081 --> 00:03:37,550 ARTIST. LOOK WHERE IT GOT US. 47 00:03:37,550 --> 00:03:43,690 TOP 12, BABY. FOR THE SEMIFINALS I'LL BE 48 00:03:43,690 --> 00:03:46,092 BRINGING "DRUNK YOUR WAY" BY JUSTIN TIMBERLAKE. 49 00:03:46,092 --> 00:03:49,562 >> CHRIS STAPLETON DID IT? >> YEAH, COUNTRY MUSIC AWARDS. 50 00:03:49,562 --> 00:03:52,799 >> AND CHRIS, TOO, IS A BAD -- >> A COLD PIECE. 51 00:03:52,799 --> 00:03:59,506 >> ONE OF THE BADDEST. YOU'RE DIPPING YOUR TOE. 52 00:03:59,506 --> 00:04:03,076 YOU HAVE THE R & B, THE COUNTRY, IT'S A PERFECT CHOICE. 53 00:04:03,076 --> 00:04:08,114 >> YES, SIR. * I CAN'T DRINK YOU AWAY * 54 00:04:08,114 --> 00:04:13,053 >> KOLBY HAS THIS RICHNESS TO HIS VOICE AND THIS PERFORMANCE 55 00:04:13,053 --> 00:04:14,054 STYLE THAT IS SO PERFECT FOR "THE VOICE." 56 00:04:14,054 --> 00:04:18,058 I THINK HE'S ONE OF THE MOST ENTERTAINING PEOPLE ON THE SHOW. 57 00:04:18,058 --> 00:04:24,664 I WAS JUST REALLY SURPRISED HE WAS AVAILABLE AT ALL. 58 00:04:24,664 --> 00:04:25,965 KOLBY IS MY BEST STEAL. LIKE JOHN LEGEND MESSED UP. 59 00:04:25,965 --> 00:04:29,602 THANK YOU, JOHN LEGEND. THANK YOU. 60 00:04:29,602 --> 00:04:32,572 APPRECIATE IT. YOU'RE ONE OF THE ONES I DON'T 61 00:04:32,572 --> 00:04:35,075 WORRY ABOUT. YOU PUT SO MUCH INTO YOUR 62 00:04:35,075 --> 00:04:37,177 PERFORMANCES. >> I'M STANDING HERE WITH AN 63 00:04:37,177 --> 00:04:41,915 OPPORTUNITY TO TAKE HOME THE GOLD, TAKE HOME THE BACON. 64 00:04:41,915 --> 00:04:45,885 MY FAMILY IS PROUD OF ME. MY VILLAGE RALLIED BEHIND ME. 65 00:04:45,885 --> 00:04:48,154 I GREW UP IN CALIFORNIA, A VERY BLUE-COLLARED TOWN. 66 00:04:48,154 --> 00:04:50,957 EVERYBODY THERE IS SO HARD WORKING. 67 00:04:50,957 --> 00:04:54,928 MY PARENTS ARE ALSO BLUE COLORED PEOPLE. 68 00:04:54,928 --> 00:04:58,264 THEY WORKED FOR THE PRISON. MY FATHER IS ALSO A PASTOR. 69 00:04:58,264 --> 00:05:02,302 THEY WORKED HARD TO MAKE SURE WE HAD CLOTHES ON OUR BACK. 70 00:05:02,302 --> 00:05:05,805 THE HARD WORK AND ETHICS TRANSLATE TO ME CHASING THE 71 00:05:05,805 --> 00:05:07,407 DREAM, BEING A PASSION, THE ARTIST, THE STORY TELLER. 72 00:05:07,407 --> 00:05:12,145 >> WHEN IT BREAKS DOWN, THAT'S A MOMENT TO GET PEOPLE INVOLVED. 73 00:05:12,145 --> 00:05:14,614 PUT UP YOUR HANDS. IT CAN BE AS SIMPLE AS YELLING 74 00:05:14,614 --> 00:05:16,916 AT THE AUDIENCE. SAYING SOMETHING. 75 00:05:16,916 --> 00:05:20,286 THE LAST COUPLE WEEKS OF THE SHOW IS A MOMENT OF TRUTH. 76 00:05:20,286 --> 00:05:22,522 NOT TO PUT TOO MUCH PRESSURE ON IT, BUT DO WHAT YOU DO. 77 00:05:22,522 --> 00:05:24,290 YOU CHOSE A GREAT SONG. YOU ARE GREAT. 78 00:05:24,290 --> 00:05:28,061 >> I'M READY FOR IT. >> WHAT ELSE COULD YOU POSSIBLY 79 00:05:28,061 --> 00:05:29,062 BE DOING? >> I'M READY FOR IT. 80 00:05:29,062 --> 00:05:33,166 >> I HAVE ONE MORE PERFORMANCE BEFORE THE FINALE, MAKES ME A 81 00:05:33,166 --> 00:05:35,502 LITTLE NERVOUS BUT I TRUST GOD, I TRUST MY ABILITY, I TRUST THE 82 00:05:35,502 --> 00:05:39,205 PROCESS. AMERICA, LET'S DO THIS TOGETHER. 83 00:05:43,643 --> 00:05:44,878 * 84 00:05:44,878 --> 00:05:48,848 * BITTERSWEET THING COULD THIS BE A DREAM 85 00:05:48,848 --> 00:05:53,086 OR JUST THE SAME NIGHTMARE THAT KEEPS ME AWAKE * 86 00:05:53,086 --> 00:05:56,756 * I FEEL IT IN MY BRAIN A TALL SHOT OF PAIN * 87 00:05:56,756 --> 00:06:00,427 * POUR A LITTLE OUT NOW FOR THE LOVE 88 00:06:00,427 --> 00:06:02,595 THAT WE'VE MADE * * I FEEL IT IN THE MORNING 89 00:06:02,595 --> 00:06:06,232 YOU'RE STILL HERE IN THE MORNING 90 00:06:06,232 --> 00:06:09,903 I SEE YOU BUT YOU'RE GONE * * TELEPHONE A DOCTOR 91 00:06:09,903 --> 00:06:13,073 I'M NOT OKAY * * THE BOTTOM OF THE BOTTLE 92 00:06:13,073 --> 00:06:15,175 TO FILL THIS EMPTY HEART UP * 93 00:06:15,175 --> 00:06:21,047 * A THOUSAND PROOF DON'T CHANGE THE TRUTH 94 00:06:21,047 --> 00:06:24,684 I DIVE IN BUT I CAN'T I CAN'T DRINK YOU AWAY * 95 00:06:24,684 --> 00:06:26,786 * I'VE TRIED JACK I'VE TRIED JIM 96 00:06:26,786 --> 00:06:33,626 I'VE TRIED ALL OF THEIR FRIENDS * 97 00:06:33,626 --> 00:06:35,729 * I CAN'T DRINK YOU AWAY ALL THESE ROCKS * 98 00:06:35,729 --> 00:06:40,500 * I CAN'T SWIM OUT OF THIS SKIN 99 00:06:40,500 --> 00:06:44,371 I'M LIVING IN * * SAY TELL ME BABY 100 00:06:44,371 --> 00:06:50,076 DON'T THEY MAKE A MEDICINE FOR HEART BREAK * 101 00:06:50,076 --> 00:06:57,851 * OOH TELL ME BABY 102 00:06:57,851 --> 00:06:58,885 OH YEAH TELL ME 103 00:06:58,885 --> 00:07:04,391 * DON'T THEY MAKE A MEDICINE FOR HEART BREAK 104 00:07:04,391 --> 00:07:05,358 BREAK IT DOWN * * BREAK IT DOWN * 105 00:07:05,358 --> 00:07:12,766 * I CAN'T DRINK YOU I CAN'T DRINK YOU AWAY 106 00:07:12,766 --> 00:07:15,902 AWAY AWAY * * I CAN'T 107 00:07:15,902 --> 00:07:22,742 OOOH DRINK YOU 108 00:07:22,742 --> 00:07:26,446 I CAN'T DRINK YOU AWAY * * I CAN'T DRINK YOU AWAY 109 00:07:26,446 --> 00:07:28,048 SAY I DRINK * * I'VE TRIED JACK 110 00:07:28,048 --> 00:07:30,684 I'VE TRIED JIM I'VE TRIED ALL 111 00:07:30,684 --> 00:07:32,786 OF THEIR FRIENDS * * I CAN'T DRINK YOU AWAY 112 00:07:32,786 --> 00:07:43,129 ALL THESE ROCKS * * I CAN'T SWIM 113 00:07:43,129 --> 00:07:45,965 OUT OF THIS SKIN * TELL ME BABY 114 00:07:45,965 --> 00:07:47,100 DON'T THEY MAKE A MEDICINE FOR HEART BREAK 115 00:07:47,100 --> 00:07:53,873 OOH * * TELL ME BABY 116 00:07:53,873 --> 00:07:55,475 OH YEAH * * DON'T THEY MAKE 117 00:07:55,475 --> 00:08:01,348 A MEDICINE FOR HEART BREAK I CAN'T DRINK YOU AWAY * 118 00:08:01,348 --> 00:08:01,514 * 119 00:08:06,419 --> 00:08:08,254 [ APPLAUSE ] 120 00:08:08,254 --> 00:08:11,691 >> LET'S GO! LET'S GO! 121 00:08:11,691 --> 00:08:13,793 >> Carson: THE BAR HAS BEEN SET. KOLBY CORDELL KICKS OFF THE 122 00:08:13,793 --> 00:08:19,933 SEMIFINALS LIVE ON "THE VOICE." HE'S TEAM ADAM. 123 00:08:19,933 --> 00:08:21,601 [ APPLAUSE ] >> THAT'S WHAT HIM TALKING 124 00:08:21,601 --> 00:08:30,677 ABOUT! LET'S GO! 125 00:08:30,677 --> 00:08:34,681 NICE JOB. >> Carson: OH, MAN, YOUR COACH 126 00:08:34,681 --> 00:08:35,915 IS STANDING ON THE RED CHAIR. >> MY GOODNESS. 127 00:08:35,915 --> 00:08:39,152 >> Carson: FIRED UP. LET'S TALK TO YOUR FORMER COACH 128 00:08:39,152 --> 00:08:41,121 FIRST. JOHN? 129 00:08:41,121 --> 00:08:44,557 >> YEAH, I FEEL A LITTLE REGRET IN MY HEART AND MY SOUL. 130 00:08:44,557 --> 00:08:47,093 >> YOU FEEL IT. >> YOU KNOW, I'VE ALWAYS LOVED 131 00:08:47,093 --> 00:08:49,662 YOU, KOLBY, BUT THAT WAS THE BEST PERFORMANCE I'VE SEEN FROM 132 00:08:49,662 --> 00:08:50,864 YOU. YOU JUST -- 133 00:08:50,864 --> 00:08:56,503 [ APPLAUSE ] >> APPRECIATE IT. 134 00:08:56,503 --> 00:08:59,272 >> YOU SAY YOU'RE A PREACHER'S KID, BUT WHATEVER CHURCH YOU'RE 135 00:08:59,272 --> 00:09:02,008 PREACHING AT, I WANT TO BE. >> AMEN. 136 00:09:02,008 --> 00:09:07,647 >> I FEEL LIKE YOU NEED TO START YOUR OWN CHURCH OF KOLBY. 137 00:09:07,647 --> 00:09:08,581 >> UH-OH. >> ADAM? 138 00:09:08,581 --> 00:09:13,019 >> I ALMOST DON'T NEED TO SAY ANYTHING. 139 00:09:13,019 --> 00:09:14,788 BECAUSE WHAT COULD I POSSIBLY SAY? 140 00:09:14,788 --> 00:09:20,360 I MEAN, LOOK, I HAVEN'T STOOD UP ON THIS IN A LONG TIME. 141 00:09:20,360 --> 00:09:23,029 AND I COULDN'T HELP IT. MY BODY JUST ROSE UP AND I STOOD 142 00:09:23,029 --> 00:09:24,664 UP. BECAUSE WHAT JUST HAPPENED IN 143 00:09:24,664 --> 00:09:28,034 THIS ROOM DOESN'T HAPPEN VERY OFTEN AND YOU SHOULD BE SO 144 00:09:28,034 --> 00:09:29,135 BEYOND PROUD OF YOURSELF, BRO. THIS IS IT. 145 00:09:29,135 --> 00:09:31,771 THIS IS IT FOR YOU MAN. >> APPRECIATE IT. 146 00:09:31,771 --> 00:09:33,039 >> Carson: IF YOU WANT KOLBY IN THE FINALE, YOU CAN VOTE ON 147 00:09:33,039 --> 00:09:36,076 NBC.COM AND "THE VOICE" OFFICIAL APP. 148 00:09:36,076 --> 00:09:41,448 LET'S HEAR IT FOR KOLBY CORDELL. GIVE IT UP ONE MORE TIME FOR 149 00:09:41,448 --> 00:09:43,616 KOLBY CORDELL. WE'RE OFF TO A GREAT START. 150 00:09:43,616 --> 00:09:46,219 WHEN WE COME BACK, ALANNA BRINGS THE EMOTION WITH A HUGE SONG 151 00:09:46,219 --> 00:09:48,822 FROM "WICKED." AND LATER, JADYN AND OLIVIA GIVE 152 00:09:48,822 --> 00:09:53,360 IT EVERYTHING THEY'VE GOT TO MOVE ON TO THE FINAL FIVE. 153 00:09:53,426 --> 00:09:53,827 "THE VOICE" WILL BE 154 00:09:54,861 --> 00:09:55,395 MOVE ON TO THE FINAL FIVE. 155 00:09:55,395 --> 00:10:06,339 "THE VOICE" WILL BE >> Carson: AND WE'RE BACK. 156 00:10:06,339 --> 00:10:10,110 WE'RE LIVE. IT'S OUR SEMIFINALS. 157 00:10:10,110 --> 00:10:17,751 REMEMBER, A LITTLE INFORMATION, YOU COULD WIN AN AWESOME TRIP 158 00:10:17,751 --> 00:10:22,188 FOR FOUR TO EXPERIENCE THE NEW UNIVERSAL EPIC UNIVERSE THEME 159 00:10:22,188 --> 00:10:24,724 PARK, OPENING MAY 22nd AT UNIVERSAL ORLANDO RESORT. 160 00:10:24,724 --> 00:10:26,126 FOR MORE INFORMATION AND TO ENTER FOR A CHANCE TO WIN, HEAD 161 00:10:26,126 --> 00:10:27,460 OVER TO "THE VOICE" OFFICIAL APP OR NBC.COM/VOICESWEEPS. 162 00:10:27,460 --> 00:10:31,131 THE DEADLINE IS WEDNESDAY, MAY 14th, SO ENTER NOW. 163 00:10:31,131 --> 00:10:32,999 KELSEA BALLERINI IS HERE, EVERYBODY. 164 00:10:32,999 --> 00:10:37,237 IS THIS YOUR FIRST LIVE SHOW? >> MY FIRST LIVE SHOW. 165 00:10:37,237 --> 00:10:40,540 >> Carson: WE TAKE SO LONG TO SHOOT THIS SHOW -- 166 00:10:40,540 --> 00:10:41,908 >> WE STARTED IN JULY. >> Carson: THIS IS ALL THAT 167 00:10:41,908 --> 00:10:43,009 MATTERS. >> I'M NOT NERVOUS. 168 00:10:43,009 --> 00:10:45,278 YOU'RE NERVOUS. >> Carson: I'M NOT NERVOUS. 169 00:10:45,278 --> 00:10:50,350 ARE YOU HAVING FUN? >> I'M HAVING FUN. 170 00:10:50,350 --> 00:10:51,651 >> Carson: YOUR TEAM ADAM HAS ALREADY SET THE BAR. 171 00:10:51,651 --> 00:10:53,119 >> I KNOW. >> Carson: IT'S GREAT TO SEE 172 00:10:53,119 --> 00:10:56,723 YOU. LET'S GET TO IT. 173 00:10:56,723 --> 00:10:58,058 TEAM KELSEA'S SOULFUL POP SINGER FROM TOLEDO WHO'S HAD 174 00:10:58,058 --> 00:11:01,461 QUITE THE JOURNEY -- NOT ONLY ON "THE VOICE" -- BUT ALSO IN HER 175 00:11:01,461 --> 00:11:02,462 PERSONAL LIFE. SHE'LL TELL YOU MORE. 176 00:11:02,462 --> 00:11:10,070 HERE'S MORE FROM ALANNA LYNISE. >> A COUPLE MONTHS AGO I WAS 177 00:11:10,070 --> 00:11:12,405 WORKING IN A PHONE STORE AND THINKING TO MYSELF, I'M MET FOR 178 00:11:12,405 --> 00:11:17,911 SOMETHING BIGGER. >> CONGRATULATIONS! 179 00:11:17,911 --> 00:11:20,246 >> I'M ONE PERFORMANCE AWAY FROM "THE VOICE" FINALE. 180 00:11:20,246 --> 00:11:23,516 I'M TAKING IT DAY BY DAY. >> HOW HAVE YOU BEEN? 181 00:11:23,516 --> 00:11:25,185 >> I'M ENGAGED NOW AND I'M PRACTICING. 182 00:11:25,185 --> 00:11:28,555 OUR PLAN WAS TO GET MARRIED AND WE ARE EXPECTING A CUTE LITTLE 183 00:11:28,555 --> 00:11:30,657 BABY. MY GOLLY. 184 00:11:30,657 --> 00:11:32,792 >> ARE YOU GOING TO PROPOSE RIGHT NOW? 185 00:11:32,792 --> 00:11:37,964 >> AFTER OUR BRUNCH DATE, HE PULLS OUT THIS RING. 186 00:11:37,964 --> 00:11:41,234 >> ARE YOU SERIOUS? >> I'M LIKE, WOW, I GET TO BE 187 00:11:41,234 --> 00:11:42,902 WITH YOU FOREVER AND YOU REALLY WANT ME. 188 00:11:42,902 --> 00:11:46,339 >> I'M SO THRILLED FOR YOU BECAUSE YOUR JOURNEY ON THIS 189 00:11:46,339 --> 00:11:48,975 SEASON HAS BEEN SINGING ABOUT LOVE. 190 00:11:48,975 --> 00:11:53,213 SPEAKING OF, THE SONG THAT YOU PICKED IS JUST GUT-WRENCHING. 191 00:11:53,213 --> 00:11:58,752 I WAS IN GLEE CLUB IN HIGH SCHOOL, AND WE SAW "WICKED," I 192 00:11:58,752 --> 00:12:01,688 WAS FOREVER CHANGED. * HANDS TOUCH * 193 00:12:01,688 --> 00:12:05,592 >> I AM PURCHASING "I AM NOT THAT GIRL" FROM THE "WICKED" 194 00:12:05,592 --> 00:12:10,163 SOUNDTRACK. I WANT TO MAKE MUSIC FOR MOVIES. 195 00:12:10,163 --> 00:12:13,533 I STUDY THEM ALL THE TIME. YOU HAVE TO PUT EMOTION BEHIND 196 00:12:13,533 --> 00:12:15,201 THE MUSIC BUT BEHIND THE ACTING AS WELL. 197 00:12:15,201 --> 00:12:16,936 SO WHEN BOTH OF THEM TIE TOGETHER, YOU HAVE A PERFECT 198 00:12:16,936 --> 00:12:23,109 MOVIE. * I'M NOT THAT GIRL * 199 00:12:23,109 --> 00:12:24,244 >> FROM THE BEGINNING, YOU HAVE DELIVERED. 200 00:12:24,244 --> 00:12:27,914 >> THANK YOU. >> EVERY SINGLE TIME, YOU'RE 201 00:12:27,914 --> 00:12:31,084 JUST ONE-UPPING YOURSELF. I THINK YOU CAN WIN. 202 00:12:31,084 --> 00:12:34,421 >> WATCHING HER ELEVATE EVERY WEEK AND CHALLENGE HERSELF AND 203 00:12:34,421 --> 00:12:36,456 BLOW EVERYONE OUT OF THE WATER. ALANNA IS OUR RISING STAR. 204 00:12:36,456 --> 00:12:39,793 ONE THING I LOVE ABOUT YOUR VOICE IS YOU WALK THAT LINE OF 205 00:12:39,793 --> 00:12:43,863 WHERE TO USE THE POWER AND WHERE TO USE THE FRAGILE. 206 00:12:43,863 --> 00:12:49,602 WHEN YOU HAVE THAT BIG MOMENT -- * WHEN REALITY SETS BACK IN * 207 00:12:49,602 --> 00:12:52,105 BRING THAT BACK IN FOR A SEC. EVEN THOUGH YOU ARE NOT IN A 208 00:12:52,105 --> 00:12:57,410 PLACE OF HEART BREAK IN YOUR LIFE, SINGING THAT TO HEART 209 00:12:57,410 --> 00:13:01,181 BREAK IS REALLY IMPORTANT. * DON'T WISH * 210 00:13:01,181 --> 00:13:04,284 >> I REALLY FEEL LIKE YOU'RE IN YOUR FLOW OF LIFE RIGHT NOW. 211 00:13:04,284 --> 00:13:07,120 >> I JUST FEEL LIKE I'M ON A NEW LEVEL OF SINGING. 212 00:13:07,120 --> 00:13:09,923 SO HAPPY TO NOT ONLY HAVE THIS CUTE LITTLE BABY INSIDE OF ME, 213 00:13:09,923 --> 00:13:13,126 I'M HAPPY TO BE DOING THIS. BECAUSE AT FIRST, I WAS JUST 214 00:13:13,126 --> 00:13:17,797 DOING THIS FOR ME. IT'S REALLY COOL KNOWING I'M 215 00:13:17,797 --> 00:13:18,498 ACHIEVING MY DREAMS FOR MY BABY. 216 00:13:20,300 --> 00:13:20,667 [ APPLAUSE ] 217 00:13:24,671 --> 00:13:25,638 >> Carson: I SAW HER A COUPLE 218 00:13:25,638 --> 00:13:28,508 SECONDS BEFORE THE PERFORMANCE. WHAT DID YOU THINK WATCHING THAT 219 00:13:28,508 --> 00:13:31,478 PACKAGE? YOU KNOW SOMETHING ABOUT GLEE 220 00:13:31,478 --> 00:13:35,348 CLUB. >> I DO WANT YOU TO KNOW WHEN I 221 00:13:35,348 --> 00:13:39,119 WAS IN HIGH SCHOOL, I AUDITIONED FOR PETER PAN. 222 00:13:39,119 --> 00:13:42,355 I AUDITIONED FOR TINKERBELL OR WENDY AND I GOT THE ROLE OF THE 223 00:13:42,355 --> 00:13:44,124 OSTRICH. >> HOW DID YOU FEEL? 224 00:13:44,124 --> 00:13:47,894 >> WELL, YOU KNOW, I LEARNED HOW TO BE FUNNY QUICKLY. 225 00:13:47,894 --> 00:13:50,296 IN LIFE. >> YOU READY TO SEE YOUR TEAM 226 00:13:50,296 --> 00:13:52,766 SHINE? >> I'M SO PROUD. 227 00:13:52,766 --> 00:13:56,870 >> LADIES AND GENTLEMEN, FROM TEAM KELSEA, ALANNA LYNISE. 228 00:13:56,870 --> 00:13:57,270 TAKE IT AWAY. 229 00:14:03,643 --> 00:14:07,947 ** 230 00:14:07,947 --> 00:14:17,457 * HANDS TOUCH EYES MEET 231 00:14:17,457 --> 00:14:24,330 SUDDEN SILENCE SUDDEN HEAT * 232 00:14:24,330 --> 00:14:35,442 * HEARTS LEAP IN A GIDDY WHIRL 233 00:14:35,442 --> 00:14:44,417 HE COULD BE THAT BOY I'M NOT THAT GIRL * 234 00:14:44,417 --> 00:14:50,757 * DON'T DREAM TOO FAR 235 00:14:50,757 --> 00:14:56,596 DON'T LOSE SIGHT OF WHO YOU ARE * 236 00:14:56,596 --> 00:15:08,241 * DON'T REMEMBER THAT RUSH OF JOY 237 00:15:08,241 --> 00:15:14,547 HE COULD BE THAT BOY I'M NOT THAT GIRL * 238 00:15:14,547 --> 00:15:16,683 * EVERY SO OFTEN WE LONG TO STEAL 239 00:15:16,683 --> 00:15:21,955 TO THE LAND OF WHAT-MIGHT-HAVE-BEEN * 240 00:15:21,955 --> 00:15:35,702 * THAT DOESN'T SOFTEN THE ACHE WE FEEL 241 00:15:35,702 --> 00:15:39,406 WHEN REALITY SETS BACK IN * * DON'T WISH 242 00:15:39,406 --> 00:15:45,745 DON'T START WISHING ONLY 243 00:15:45,745 --> 00:15:53,119 WOUNDS THE HEART * * I WASN'T BORN 244 00:15:53,119 --> 00:16:06,866 FOR THE ROSE AND PEARL THERE'S A GIRL I KNOW 245 00:16:06,866 --> 00:16:19,846 HE LOVES HER SO * * OOH 246 00:16:19,846 --> 00:16:20,380 I'M NOT THAT GIRL * 247 00:16:24,551 --> 00:16:26,853 [ APPLAUSE ] 248 00:16:26,853 --> 00:16:32,392 >> Carson: THAT IS ALANNA LYNISE FROM TEAM KELSEA BALLERINI. 249 00:16:32,392 --> 00:16:33,560 THANK YOU FOR THAT ACCOMPANIMENT, EVERYBODY. 250 00:16:33,560 --> 00:16:38,665 LADIES AND GENTLEMEN, THANK YOU SO MUCH. 251 00:16:38,665 --> 00:16:41,201 BEAUTIFUL JOB. YOU LOOK AMAZING. 252 00:16:41,201 --> 00:16:42,869 THAT WAS INCREDIBLE. >> THANK YOU. 253 00:16:42,869 --> 00:16:46,506 >> Carson: MICHAEL, WE'RE GOING TO START WITH YOU. 254 00:16:46,506 --> 00:16:48,942 >> THAT WAS REALLY BEAUTIFUL. CONGRATULATIONS. 255 00:16:48,942 --> 00:16:52,245 WHAT A -- YOU WERE SO BEAUTIFUL AND STILL AND POWERFUL. 256 00:16:52,245 --> 00:16:54,114 AND I SAW HOW PROUD YOU JUST MADE YOUR COACH. 257 00:16:54,114 --> 00:16:56,983 I'M SO HAPPY FOR YOU. WHAT A GREAT MOMENT FOR YOU. 258 00:16:56,983 --> 00:16:58,151 THANK YOU SO MUCH FOR THAT GREAT PERFORMANCE. 259 00:16:58,151 --> 00:17:00,487 >> THANK YOU. >> Carson: COACH, WHAT DID YOU 260 00:17:00,487 --> 00:17:03,156 THINK? >> ONE THING THAT I JUST LOVE 261 00:17:03,156 --> 00:17:05,158 ABOUT YOU SO MUCH IS YOU'RE NEVER SCARED TO SHOW YOUR HEART 262 00:17:05,158 --> 00:17:08,028 ON THIS STAGE. AND YOU'VE SHOWN SO MANY 263 00:17:08,028 --> 00:17:12,532 DIFFERENT VERSIONS OF IT. AND I THINK THAT THIS SET 264 00:17:12,532 --> 00:17:14,834 MATCHED THE MAGIC THAT YOU HAVE IN YOURSELF, THAT YOU SHOW EVERY 265 00:17:14,834 --> 00:17:16,703 TIME. I'M JUST -- I'M REALLY SO PROUD 266 00:17:16,703 --> 00:17:19,939 OF YOU. >> YES. 267 00:17:19,939 --> 00:17:24,678 >> Carson: IF YOU WANT ALANNA IN THE FINALE, YOU CAN VOTE ON 268 00:17:24,678 --> 00:17:29,949 NBC.COM AND "THE VOICE" OFFICIAL APP. 269 00:17:29,949 --> 00:17:32,252 LET'S HEAR IT FOR ALANNA LYNISE. WHEN WE COME BACK, JADYN SINGS A 270 00:17:32,252 --> 00:17:35,722 POP CLASSIC THAT MICHAEL THINKS IS PERFECT FOR HER. 271 00:17:35,722 --> 00:17:40,894 AND LATER, OLIVIA AND IRIS DO EVERYTHING THEY CAN TO GET TO 272 00:17:40,960 --> 00:17:41,494 THE END OF THIS COMPETITION. 273 00:17:42,328 --> 00:17:42,929 EVERYTHING THEY CAN TO GET TO 274 00:17:42,929 --> 00:17:52,572 THE END OF THIS COMPETITION. >> Carson: WELCOME BACK TO THE 275 00:17:52,572 --> 00:17:55,208 TOP 12. YOU ARE VOTING FOR YOUR SEASON 276 00:17:55,208 --> 00:18:01,648 27 FINALISTS TONIGHT. VOTING IS OPEN NOW. 277 00:18:01,648 --> 00:18:05,318 WE'LL CONTINUE WITH TEAM BUBLE'S 24-YEAR-OLD NEBRASKA VOCALIST 278 00:18:05,318 --> 00:18:06,786 WHO'S EMBRACING THE PERSON AND THE ARTIST SHE WAS ALWAYS MEANT 279 00:18:06,786 --> 00:18:07,721 TO BE. HERE'S MORE FROM JADYN CREE. 280 00:18:10,590 --> 00:18:12,158 >> OH, MY GOD! 281 00:18:12,158 --> 00:18:17,630 MADE IT TO THE FINAL 12 AND I AM SO EXCITED. 282 00:18:17,630 --> 00:18:19,566 IT'S ABSOLUTELY INSANE. THIS IS A REAL DEAL. 283 00:18:19,566 --> 00:18:22,135 I'M HAPPY TO BE HERE. THIS IS A HIGH-FUNCTIONING 284 00:18:22,135 --> 00:18:23,570 ROBOT. BASICALLY YOU CAN'T EVEN TELL 285 00:18:23,570 --> 00:18:27,040 THAT I'M A ROBOT AND THAT'S KIND OF THE POINT. 286 00:18:27,040 --> 00:18:28,274 >> HOW ARE YOU DOING? WHAT'S HAPPENING? 287 00:18:28,274 --> 00:18:31,911 >> I'M GOOD. WE HAD THE SHOW BEFORE I CAME 288 00:18:31,911 --> 00:18:34,748 OUT HERE. >> OH, COOL. 289 00:18:34,748 --> 00:18:44,491 ONE LITTLE GIRL VIOLET CUT HER HAIR TO MATCH MINE. 290 00:18:44,491 --> 00:18:48,862 OH, SOMEONE THINKS I'M COOL. IT IS KIND OF CRAZY I HAVE FANS. 291 00:18:48,862 --> 00:18:52,932 GROWING UP I DIDN'T KNOW HOW TO FIT IN BUT I GUESS I REALIZED MY 292 00:18:52,932 --> 00:18:56,369 WEIRD SELF. I JUST LOVED POP SONGS. 293 00:18:56,369 --> 00:18:59,172 I'VE NEVER DONE ANYTHING THAT'S HAPPY AND I SING ALL THESE 294 00:18:59,172 --> 00:19:02,842 YOUNGER GIRLS AT MY SHOW, I JUST WANT TO INSPIRE THEM AND LET 295 00:19:02,842 --> 00:19:11,751 THEM KNOW, YOU CAN BE SILLY, YOU CAN BE FUN, YOU CAN BE YOURSELF. 296 00:19:11,751 --> 00:19:16,256 >> I'M SO NOSTALGIC ABOUT THIS SONG. 297 00:19:16,256 --> 00:19:19,192 I WISH I HAD MY OLD JELLY SHOES. I'M OLD. 298 00:19:19,192 --> 00:19:21,361 THAT WAS AN OLD PERSON'S JOKE * THAT'S WHAT THEY SAY WHEN 299 00:19:21,361 --> 00:19:23,930 WE'RE TOGETHER * >> I THINK IT'S A PERFECT SONG 300 00:19:23,930 --> 00:19:27,567 FOR THIS MOMENT BECAUSE THERE'S NO ONE MORE PERFECT THAN HER TO 301 00:19:27,567 --> 00:19:33,373 BRING SOMETHING LIKE THAT INTO THE MODERN ERA AND MAKE IT XLIT 302 00:19:33,373 --> 00:19:37,410 COMPLETELY HERS. JADYN CREE IS SO UNIQUE. 303 00:19:37,410 --> 00:19:43,316 SHE'S UNAPOLOGETICALLY HERSELF. SHE JUST WALKS THROUGH THE 304 00:19:43,316 --> 00:19:46,820 SCREEN. THE SECOND YOU OPEN YOUR MOUTH, 305 00:19:46,820 --> 00:19:55,562 I GO, OH. BUT WE HIT THE CHORUS TOO MANY 306 00:19:55,562 --> 00:19:57,864 TIMES AT THE END AND IT GETS -- IT WOULD BE FUN TO DO -- 307 00:19:57,864 --> 00:20:00,834 >> I ABSOLUTELY ADORE WORKING WITH MICHAEL. 308 00:20:00,834 --> 00:20:02,869 IT'S BROUGHT OUT THE BEST IN ME * DOESN'T SEEM TO BE ANYONE 309 00:20:02,869 --> 00:20:04,904 AROUND * >> I DEFINITELY REALLY WANT TO 310 00:20:04,904 --> 00:20:09,843 MAKE IT TO THE FINALS AND REPRESENT TEAM BUBLE. 311 00:20:09,843 --> 00:20:12,245 * RUNNING JUST AS FAST AS YOU CAN * 312 00:20:12,245 --> 00:20:15,949 >> WHEN SHE WAS DOING THAT SONG, THIS WHOLE STUDIO, EVERY SINGLE 313 00:20:15,949 --> 00:20:18,918 ONE WAS UP AND DANCING. >> TRY TO STOP THEM. 314 00:20:18,918 --> 00:20:21,855 >> THERE WAS PURE JOY THROUGH THE WHOLE ROOM. 315 00:20:21,855 --> 00:20:24,457 IF THAT'S THE IMPACT SHE HAS FOR MILLIONS OF PEOPLE ON LIVE 316 00:20:24,457 --> 00:20:27,027 TELEVISION, I THINK AMERICA WILL FALL IN LOVE AND VOTE FOR HER. 317 00:20:27,027 --> 00:20:30,030 >> GOD, I LOVE THAT. I LOVE THIS JOB. 318 00:20:35,001 --> 00:20:37,737 ** 319 00:20:37,737 --> 00:20:41,941 * CHILDREN BEHAVE THAT'S WHAT THEY SAY 320 00:20:41,941 --> 00:20:47,180 WHEN WE'RE TOGETHER AND WATCH HOW YOU PLAY * 321 00:20:47,180 --> 00:20:48,748 * THEY DON'T UNDERSTAND AND SO WE'RE 322 00:20:48,748 --> 00:20:51,885 RUNNING JUST AS FAST AS WE CAN * 323 00:20:51,885 --> 00:20:56,656 * HOLDIN' ON TO ONE ANOTHER'S HAND 324 00:20:56,656 --> 00:20:59,292 TRYIN' TO GET AWAY INTO THE NIGHT * 325 00:20:59,292 --> 00:21:01,895 * AND THEN YOU PUT YOUR ARMS AROUND ME 326 00:21:01,895 --> 00:21:04,531 AND WE TUMBLE TO THE GROUND AND THEN YOU SAY * 327 00:21:04,531 --> 00:21:10,870 * I THINK WE'RE ALONE NOW THERE DOESN'T SEEM TO BE 328 00:21:10,870 --> 00:21:16,609 ANYONE AROUND * * I THINK WE'RE ALONE NOW 329 00:21:16,609 --> 00:21:25,085 THE BEATING OF OUR HEARTS IS THE ONLY SOUND * 330 00:21:25,085 --> 00:21:30,223 * LOOK AT THE WAY WE GOTTA HIDE WHAT 331 00:21:30,223 --> 00:21:34,961 WE'RE DOIN' * * AND WHAT WOULD THEY SAY 332 00:21:34,961 --> 00:21:39,165 IF THEY EVER KNEW AND SO WE'RE RUNNING 333 00:21:39,165 --> 00:21:43,370 JUST AS FAST AS WE CAN * * HOLDIN' ON TO ONE 334 00:21:43,370 --> 00:21:46,006 ANOTHER'S HAND TRYIN' TO GET AWAY 335 00:21:46,006 --> 00:21:48,108 INTO THE NIGHT * * AND THEN YOU PUT YOUR 336 00:21:48,108 --> 00:21:49,642 ARMS AROUND ME AND WE TUMBLE TO 337 00:21:49,642 --> 00:21:53,346 THE GROUND * * AND THEN YOU SAY 338 00:21:53,346 --> 00:21:59,119 I THINK WE'RE ALONE NOW THERE DOESN'T SEEM TO BE 339 00:21:59,119 --> 00:22:02,789 ANYONE AROUND * * I THINK WE'RE ALONE NOW 340 00:22:02,789 --> 00:22:08,261 THE BEATING OF OUR HEARTS IS THE ONLY SOUND * 341 00:22:13,266 --> 00:22:13,900 ** 342 00:22:13,900 --> 00:22:19,706 * RUNNING JUST AS FAST AS WE CAN 343 00:22:19,706 --> 00:22:20,740 HOLDIN' ON TO ONE ANOTHER'S HAND * 344 00:22:20,740 --> 00:22:23,877 * TRYIN' TO GET AWAY INTO THE NIGHT 345 00:22:23,877 --> 00:22:25,679 AND THEN YOU PUT YOUR ARMS AROUND ME * 346 00:22:25,679 --> 00:22:27,547 * AND WE TUMBLE TO THE GROUND 347 00:22:27,547 --> 00:22:32,786 AND THEN YOU SAY * * I THINK WE'RE ALONE NOW 348 00:22:32,786 --> 00:22:37,490 THERE DOESN'T SEEM TO BE ANYONE AROUND * 349 00:22:37,490 --> 00:22:42,762 * I THINK WE'RE ALONE NOW THE BEATING OF OUR HEARTS 350 00:22:42,762 --> 00:22:47,500 IS THE ONLY SOUND * * I THINK WE'RE ALONE NOW 351 00:22:47,500 --> 00:22:51,905 THERE DOESN'T SEEM TO BE ANYONE AROUND * 352 00:22:57,477 --> 00:22:57,844 [ APPLAUSE ] 353 00:23:03,683 --> 00:23:06,686 >> Carson: JADYN CREE, 354 00:23:06,686 --> 00:23:13,660 FROM TEAM BUBLE! AS OUR TOP 12, WE'RE ALL LIVE 355 00:23:13,660 --> 00:23:17,931 TONIGHT IN THE SEMIFINALS. GREAT JOB, BUDDY. 356 00:23:17,931 --> 00:23:19,199 DID YOU SEE YOUR OLD MAN SITTING RIGHT OVER THERE? 357 00:23:19,199 --> 00:23:22,168 >> I DID. >> RIGHT THERE. 358 00:23:22,168 --> 00:23:23,937 >> THUMBS UP, BRIAN. LOOKING GOOD. 359 00:23:23,937 --> 00:23:26,840 JADYN, SO FUN. YOU'RE ALWAYS SO FUN TO WATCH. 360 00:23:26,840 --> 00:23:28,908 LET'S GET COMMENTS FROM THE COACHES. 361 00:23:28,908 --> 00:23:31,411 LET'S START WITH MR. LEGEND. >> JADYN, I ALWAYS FEEL LIKE 362 00:23:31,411 --> 00:23:34,147 YOU'RE FAMILY. EVEN THOUGH YOU'RE NOT ON MY 363 00:23:34,147 --> 00:23:37,417 TEAM, I FEEL LIKE EXTENSION BECAUSE OF YOUR DAD. 364 00:23:37,417 --> 00:23:40,587 I'M JUST VICARIOUSLY VERY PROUD OF YOU BECAUSE I JUST LOVE 365 00:23:40,587 --> 00:23:44,324 SEEING YOU DO WHAT YOU LOVE TO DO AND JUST DO IT SO EXUBERANTLY 366 00:23:44,324 --> 00:23:47,193 AND WITH SUCH SKILL. AND IT'S FUN EVERY SINGLE TIME 367 00:23:47,193 --> 00:23:48,228 YOU COME ON THE STAGE. CONGRATULATIONS. 368 00:23:48,228 --> 00:23:51,464 >> THANK YOU SO MUCH. >> Carson: THANK YOU, JOHN. 369 00:23:51,464 --> 00:23:55,735 MICHAEL? >> WELL, I LOVE YOU, YOU KNOW. 370 00:23:55,735 --> 00:23:58,438 YOU'RE ALWAYS UNIQUE AND YOUR VOICE IS SO PURE AND DIFFERENT. 371 00:23:58,438 --> 00:24:00,273 THAT'S WHAT MAKES A STAR, YOU KNOW. 372 00:24:00,273 --> 00:24:02,542 MORE THAN THAT, I WAS TALKING TO CLYDE, A GUY WHO'S BEEN ON THIS 373 00:24:02,542 --> 00:24:04,477 SHOW FOREVER. AND HE'S A BIG PART OF THIS 374 00:24:04,477 --> 00:24:08,548 SHOW. I SAID TO HIM, CLYDE, HOW BEST 375 00:24:08,548 --> 00:24:10,350 DO WE PAY SERVICE TO THIS TELEVISION PROGRAM AND THIS 376 00:24:10,350 --> 00:24:11,785 CONTEST? HE SAID, BRING JOY. 377 00:24:11,785 --> 00:24:14,154 BRING JOY. TONIGHT, THAT'S WHAT YOU DO. 378 00:24:14,154 --> 00:24:16,589 ALL OVER AMERICA, PEOPLE ARE PROBABLY DANCING. 379 00:24:16,589 --> 00:24:20,827 >> THANK YOU SO MUCH. >> Carson: IF YOU WANT JADYN IN 380 00:24:20,827 --> 00:24:24,064 THE FINALE, CAN YOU VOTE ON NBC.COM AND "THE VOICE" OFFICIAL 381 00:24:24,064 --> 00:24:27,567 APP. LET'S HEAR IT AGAIN FOR JADYN 382 00:24:27,567 --> 00:24:29,302 CREE. STRAIGHT AHEAD, OLIVIA SINGS A 383 00:24:29,302 --> 00:24:31,738 TIMELESS ELLA FITZGERALD FAVORITE. 384 00:24:31,738 --> 00:24:36,076 PLUS, IRIS AND LUCIA LAY IT ALL ON THE LINE TO SECURE A SPOT IN 385 00:24:36,076 --> 00:24:36,910 THE FINALE. 386 00:24:38,678 --> 00:24:38,978 THE FINALE. 387 00:24:38,978 --> 00:24:50,256 YOU'RE WATCHING >> Carson: WE'RE BACK LIVE WITH 388 00:24:50,256 --> 00:24:53,360 THE TOP 12. WE'LL CONTINUE OUR SEMIFINALS 389 00:24:53,360 --> 00:24:56,096 WITH THE SOULFUL JAZZ SINGER FROM DALLAS WHO THOUGHT THAT SHE 390 00:24:56,096 --> 00:24:57,797 WAS ON HER WAY HOME, BUT JOHN HAD OTHER PLANS. 391 00:24:57,797 --> 00:25:02,268 HERE'S MORE FROM OLIVIA KUPER HARRIS. 392 00:25:02,268 --> 00:25:04,037 >> HELLO. COULD YOU COME OVER HERE REAL 393 00:25:04,037 --> 00:25:05,338 QUICK? >> WAIT. 394 00:25:05,338 --> 00:25:08,108 WHAT IS HAPPENING? >> OUR PRODUCERS WERE SO 395 00:25:08,108 --> 00:25:12,846 IMPRESSED WITH THE TALENT WE HAD THIS SEASON, THAT THEY WANTED TO 396 00:25:12,846 --> 00:25:17,550 GIVE EACH OF US ONE MORE ARTIST TO GO TO THE LIVES. 397 00:25:17,550 --> 00:25:19,586 >> I MADE IT TO THE TOP 12 SEMIFINALS! 398 00:25:19,586 --> 00:25:23,056 >> MY HEART IS POUNDING. I CAN'T BELIEVE THIS. 399 00:25:23,056 --> 00:25:25,592 THIS IS AAMAZING. >> YOU ARE -- 400 00:25:25,592 --> 00:25:28,061 >> I'M SO GRATEFUL TO JOHN LEGEND. 401 00:25:28,061 --> 00:25:31,097 THIS CHANCE MEANS SO MUCH TO ME. >> YOU'RE MY FIRST SUPER SAVE. 402 00:25:31,097 --> 00:25:34,634 YOU'RE BRINGING SOMETHING TO IT IS SHOW NO OTHER ARTIST IS 403 00:25:34,634 --> 00:25:36,169 BRINGING. I'M HAPPY YOU'RE HEAR. 404 00:25:36,169 --> 00:25:39,139 >> I'M SO HAPPY TO BE HERE. >> YOU'VE BEEN ON TOUR WITH THE 405 00:25:39,139 --> 00:25:42,208 GREAT TEDDY SWIMS. >> YEAH. 406 00:25:42,208 --> 00:25:44,310 >> I'M A HUGE FAN OF HIS. >> HE'S INCREDIBLE. 407 00:25:44,310 --> 00:25:47,480 >> SINCE THIS SHOW HAS BEEN ON, I THINK BACK TO VOCALS FOR TEDDY 408 00:25:47,480 --> 00:25:50,884 SWIMS, I HAVE SO MUCH LOVE AND RESPECT FOR HIM AS AN ARTIST. 409 00:25:50,884 --> 00:25:55,655 IT'S BEEN INCREDIBLE. HE EVEN HAS A NICKNAME FOR ME. 410 00:25:55,655 --> 00:25:58,925 OLIVE. >> HEY, OLIVE, IT'S TED. 411 00:25:58,925 --> 00:26:01,761 DO NOT BLOW IT. LOVE YOU, LOVE YOU. 412 00:26:01,761 --> 00:26:05,699 GIVE THEM HELL. WE'RE ROOTING FOR YOU. 413 00:26:05,699 --> 00:26:07,500 >> BEING ON TOUR AND COMING TO FINISH WHAT I STARTED HERE 414 00:26:07,500 --> 00:26:14,841 DEFINITELY PUTS A FIRE IN MY BELLY. 415 00:26:14,841 --> 00:26:18,478 >> THIS SONG, IT'S SO ICONIC. OLIVIA HAS A VOICE THAT COULD 416 00:26:18,478 --> 00:26:21,281 WORK IN ANY ERA. SHE'S SHOWN US THAT SHE DOES 417 00:26:21,281 --> 00:26:23,216 SUCH A GREAT JOB INTERPRETING THESE KIND OF SONGS. 418 00:26:23,216 --> 00:26:31,858 THIS IS RIGHT THERE FOR HER TO KNOCK OUT OF THE PARK. 419 00:26:31,858 --> 00:26:34,761 OLIVIA IS TIMELESS. * LOST IN A WORLD * 420 00:26:34,761 --> 00:26:38,264 >> THIS IS SUCH A CLASSIC JAZZ SONG. 421 00:26:38,264 --> 00:26:42,602 I TRY MY BEST TO SING FROM A PLACE THAT'S AUTHENTIC TO ME. 422 00:26:42,602 --> 00:26:44,137 NOT TRY TO SOUND LIKE ANYBODY ELSE. 423 00:26:44,137 --> 00:26:47,474 LIKE THAT WAS THE OLIVIA VERSION OF THIS SONG. 424 00:26:47,474 --> 00:26:48,908 >> WOW. THAT WAS TASTY. 425 00:26:48,908 --> 00:26:52,846 >> OKAY. >> YOU'RE PUTTING SUCH GREAT 426 00:26:52,846 --> 00:26:57,450 STYLE ON IT AND IT'S SOULFUL, IT'S SEXY. 427 00:26:57,450 --> 00:26:59,919 AND YOU HAVE THE DISCIPLINE TO WORK ON THE ARRANGEMENT AND GET 428 00:26:59,919 --> 00:27:02,088 IT READY. YOU'RE DOING JUST ENOUGH SAUCE 429 00:27:02,088 --> 00:27:04,190 ON IT TO MAKE IT FRESH AND INTERESTING BUT NOT TAKING US 430 00:27:04,190 --> 00:27:06,359 OUT OF THE VIBE. >> I APPRECIATE THAT. 431 00:27:06,359 --> 00:27:09,295 >> OLIVIA IS ONE PERFORMANCE AWAY FROM THE FINALE. 432 00:27:09,295 --> 00:27:12,365 SHE CAN PROVE TO ALL OF AMERICA THAT SHE BELONGS HERE WITH THIS 433 00:27:12,365 --> 00:27:14,668 PERFORMANCE. IT'S GOING TO BE ONE OF MY 434 00:27:14,668 --> 00:27:16,736 FAVORITES. I'M JUST AS A FAN JUST GOING TO 435 00:27:16,736 --> 00:27:17,771 ENJOY LISTENING TO IT. >> ALL RIGHT. 436 00:27:17,771 --> 00:27:20,040 I LOVE THAT. OH, MY GOSH. 437 00:27:25,545 --> 00:27:26,680 ** 438 00:27:26,680 --> 00:27:32,452 * LOOKING EVERYWHERE HAVEN'T FOUND HIM YET 439 00:27:32,452 --> 00:27:45,565 HE'S A BIG AFFAIR I CANNOT FORGET * 440 00:27:45,565 --> 00:27:56,109 * ONLY MAN I EVER THINK OF WITH REGRET 441 00:27:56,109 --> 00:28:01,348 THERE'S A SOMEBODY I'M LONGING TO SEE * 442 00:28:01,348 --> 00:28:16,029 * I HOPE THAT HE TURNS OUT TO BE 443 00:28:16,029 --> 00:28:22,335 SOMEONE WHO'LL WATCH OVER ME * 444 00:28:22,335 --> 00:28:28,108 * I'M A LITTLE LAMB WHO'S LOST 445 00:28:28,108 --> 00:28:34,914 IN THE WOOD * * I KNOW I COULD 446 00:28:34,914 --> 00:28:43,857 ALWAYS BE GOOD TO ONE WHO'LL WATCH 447 00:28:43,857 --> 00:28:52,298 OVER ME * * OVER ME 448 00:28:52,298 --> 00:29:03,810 ALTHOUGH HE MAY NOT BE THE MAN SOME GIRLS 449 00:29:03,810 --> 00:29:13,820 THINK OF AS HANDSOME * * TO MY HEART 450 00:29:13,820 --> 00:29:27,033 HE CARRIES THE KEY WON'T YOU TELL HIM PLEASE 451 00:29:27,033 --> 00:29:40,613 TO PUT ON SOME SPEED * * FOLLOW MY LEAD 452 00:29:40,613 --> 00:29:57,931 OH HOW I NEED SOMEONE TO WATCH 453 00:29:57,931 --> 00:29:58,298 OVER ME * 454 00:30:01,534 --> 00:30:05,038 >> YES! 455 00:30:05,038 --> 00:30:07,907 >> THAT IS OLIVIA KUPER HARRIS, EVERYBODY, FROM TEAM LEGEND. 456 00:30:07,907 --> 00:30:08,975 >> YES! >> Carson: THANK YOU, LADIES AND 457 00:30:08,975 --> 00:30:16,182 GENTLEMEN. [ APPLAUSE ] 458 00:30:16,182 --> 00:30:18,885 >> Carson: MY WORK, OLIVIA. BEAUTIFUL IN BLACK AND WHITE. 459 00:30:18,885 --> 00:30:20,453 BEAUTIFUL IN COLOR AS WELL. ADAM, SOME THOUGHTS, SIR. 460 00:30:20,453 --> 00:30:21,821 >> HOW ARE YOU DOING? >> I'M GOOD. 461 00:30:21,821 --> 00:30:24,457 HOW ARE YOU? >> I'M GREAT. 462 00:30:24,457 --> 00:30:27,293 YOU SHOULD FEEL AMAZING ABOUT THAT. 463 00:30:27,293 --> 00:30:28,695 THAT WAS -- I THINK YOU HAVE GOTTEN BETTER AND BETTER AND 464 00:30:28,695 --> 00:30:30,530 BETTER. IT WAS SHOCKING TO THINK IT WAS 465 00:30:30,530 --> 00:30:32,899 POSSIBLE YOU WOULDN'T EVEN BE HERE ANYMORE AND NOW YOU ARE, 466 00:30:32,899 --> 00:30:34,834 AND THANK GOD BECAUSE YOU ABSOLUTELY DESERVE TO BE. 467 00:30:34,834 --> 00:30:35,802 THAT WAS A REALLY SPECIAL MOMENT. 468 00:30:35,802 --> 00:30:38,605 >> AMEN. >> I REALLY LOVED IT. 469 00:30:38,605 --> 00:30:41,941 >> WOO! >> Carson: AND YOUR COACH, JOHN. 470 00:30:41,941 --> 00:30:48,248 >> I FEEL LIKE WE JUST GOT TO WATCH A MASTER CLASS IN REALLY 471 00:30:48,248 --> 00:30:51,084 FINDING YOUR WAY IN A SONG AND INTERPRETING IT SO BEAUTIFULLY. 472 00:30:51,084 --> 00:30:55,588 IT'S SUCH A CLASSIC SONG THAT IT'S HARD TO DO SOMETHING NEW 473 00:30:55,588 --> 00:30:59,526 WITH IT, BUT I FELT IT WAS SO FRESH WHAT YOU DID, SO SKILLFUL, 474 00:30:59,526 --> 00:31:02,562 SEXY, SOULFUL. ALL OF IT. 475 00:31:02,562 --> 00:31:04,130 I WAS SO PROUD. >> Carson: IF YOU WANT OLIVIA IN 476 00:31:04,130 --> 00:31:05,732 THE FINALE, YOU CAN VOTE ON NBC.COM AND "THE VOICE" OFFICIAL 477 00:31:05,732 --> 00:31:08,702 APP. LET'S HEAR IT FOR 478 00:31:08,702 --> 00:31:12,939 OLIVIA KUPER HARRIS. THANK YOU, OLIVIA. 479 00:31:12,939 --> 00:31:18,211 COMING UP, IRIS SINGS A SONG THAT JUST HIT NUMBER ONE. 480 00:31:18,211 --> 00:31:23,350 THEN, LUCIA AND BRYSON PULL OUT ALL THE STOPS TO GET TO THE 481 00:31:23,416 --> 00:31:23,616 FINALE. 482 00:31:24,851 --> 00:31:25,418 ALL THE STOPS TO GET TO THE 483 00:31:25,418 --> 00:31:35,562 FINALE. >> Carson: WELCOME BACK. 484 00:31:35,562 --> 00:31:37,697 WE ARE GOING FROM 12 TO OUR FINAL 5 TOMORROW. 485 00:31:37,697 --> 00:31:39,799 MAKE SURE YOUR FAVORITE ARTIST MAKES IT ALL THE WAY TO THE END. 486 00:31:39,799 --> 00:31:51,277 VOTING IS OPEN NOW FOR ALL ARTISTS ON ALL METHODS. 487 00:31:51,277 --> 00:31:56,649 WE'LL CONTINUE WITH NUMBER ONE SONG BY TEAM KELSEA'S 488 00:31:56,649 --> 00:31:58,985 20-YEAR-OLD RASPY ROCKER FROM MICHIGAN, IRIS HERRERA. 489 00:31:58,985 --> 00:32:02,288 >> QUEEN! >> I'M HERE, GUYS. 490 00:32:02,288 --> 00:32:07,127 TOP 12 SEMIFINALS. I WENT FROM A NO CHAIR TURN ON 491 00:32:07,127 --> 00:32:11,264 SEASON 26 TO THREE CHAIRS 27. I'M SO GRATEFUL FOR KELSEA 492 00:32:11,264 --> 00:32:13,366 TAKING ME FOR CHANCES, TAKING ME TO LIVE. 493 00:32:13,366 --> 00:32:15,335 I HOPE TO NOT LET HER DOWN. IT'S BEEN A WONDERFUL 494 00:32:15,335 --> 00:32:18,104 EXPERIENCE. >> AND NOW YOU'RE GOING TO DO 495 00:32:18,104 --> 00:32:19,606 "MESSY"? >> YES. 496 00:32:19,606 --> 00:32:23,343 >> WHY DID YOU PICK IT 1234. >> LEARNING WHO I AM AS AN 497 00:32:23,343 --> 00:32:24,577 ARTIST, A WOMAN, ALL OF THE ABOVE -- 498 00:32:24,577 --> 00:32:26,846 >> IT'S SO MESSY? >> YES. 499 00:32:26,846 --> 00:32:28,782 >> IT'S SUPPOSED TO BE MESSY. THAT'S THE POINT OF LIFE. 500 00:32:28,782 --> 00:32:34,821 I'M GOING TO PITCH HERE. >> OKAY. 501 00:32:34,821 --> 00:32:38,692 >> WHAT IF YOU STARTED, YOU AND AN INSTRUMENT, MAYBE ELECTRIC, 502 00:32:38,692 --> 00:32:44,330 KEYS, DOING A DIFFERENT TEMPO, SLOWER, CHORUS. 503 00:32:44,330 --> 00:32:48,268 >> I CHOSE "MESSY" BECAUSE I THINK IT'S SO TRUE TO ME. 504 00:32:48,268 --> 00:32:50,203 I'M A 20-YEAR-OLD GIRL. I'M DEFINITELY ROUGH AROUND THE 505 00:32:50,203 --> 00:32:53,406 EDGES. I REALLY STRUGGLED TO FIND MY 506 00:32:53,406 --> 00:32:56,676 PLACE. I CONSTANTLY FELT LIKE I WAS 507 00:32:56,676 --> 00:32:59,479 DISAPPOINTING SOMEBODY ONE WAY OR ANOTHER. 508 00:32:59,479 --> 00:33:03,216 TO BE HERE AND HAVE KELSEA SEE THAT ENERGY, KNOW WE AS WOMEN 509 00:33:03,216 --> 00:33:05,185 CAN DO HARD THINGS. LITERALLY, THE GIRL POWER OF 510 00:33:05,185 --> 00:33:09,689 ALL. IT'S BEEN WONDERFUL. 511 00:33:09,689 --> 00:33:12,792 * I WANT TO BE ME * >> THIS SONG IS MY JAM ON THE 512 00:33:12,792 --> 00:33:16,696 RADIO RIGHT NOW. AND IT'S SHOWING SHE CAN SING 513 00:33:16,696 --> 00:33:20,066 TRULY WHAT IS OUT THERE RIGHT NOW AND BE COMPETITIVE WITH THAT 514 00:33:20,066 --> 00:33:26,639 SOUND. >> I THINK YOU UNLEASH 515 00:33:26,639 --> 00:33:28,842 IMMEDIATELY. ** 516 00:33:28,842 --> 00:33:32,345 >> IRIS IS MY WILD FLOWER. SHE HAS A WILDNESS TO HER. 517 00:33:32,345 --> 00:33:35,348 I THINK THAT THAT IS SO CRAVED AND NEEDED IN TODAY'S ARTIST 518 00:33:35,348 --> 00:33:38,785 WORLD. IRIS, TO ME, HAS GRIT. 519 00:33:38,785 --> 00:33:42,389 AND I THINK ESPECIALLY BEING A FEMALE ARTIST IN MUSIC, YOU HAVE 520 00:33:42,389 --> 00:33:45,925 TO HAVE SOME VERSION OF GRIT. >> IT'S A BIG DEAL. 521 00:33:45,925 --> 00:33:48,461 >> EVEN THOUGH I'M HERE IN THIS ROOM AND DOING IT, I'M NOT 522 00:33:48,461 --> 00:33:53,433 ACKNOWLEDGING IT'S HAPPENING UNTIL I'M GOING TO BE ON STAGE. 523 00:33:53,433 --> 00:33:56,903 >> WE'RE GOING FROM 12 TO 5. >> THIS IS AMERICA'S FIRST TIME 524 00:33:56,903 --> 00:33:59,506 VOTING THIS SEASON. WHICH CAN BE KIND OF 525 00:33:59,506 --> 00:34:02,575 NERVE-RACKING BUT I'M ALSO EXCITED. 526 00:34:02,575 --> 00:34:03,576 I WANT TO KNOW WHAT AMERICA THINKS. 527 00:34:03,576 --> 00:34:05,612 I'M EXCITED FOR THE SHOW. I CAN'T WAIT TO PUT IT ON. 528 00:34:05,612 --> 00:34:08,448 THANK YOU. I'M SO EXCITED. 529 00:34:08,448 --> 00:34:08,848 >> THANK YOU. 530 00:34:15,288 --> 00:34:18,458 * 'CAUSE I'M TOO MESSY 531 00:34:18,458 --> 00:34:20,060 AND THEN I'M JUST TOO DAMN CLEAN * 532 00:34:20,060 --> 00:34:22,128 * YOU TOLD ME GET A JOB THEN YOU ASK WHERE 533 00:34:22,128 --> 00:34:27,867 THE HELL I'VE BEEN * * AND I'M TOO PERFECT 534 00:34:27,867 --> 00:34:32,605 TILL I OPEN MY BIG MOUTH I WANT TO BE ME 535 00:34:32,605 --> 00:34:36,276 IS THAT NOT ALLOWED * * AND I'M TOO CLEVER 536 00:34:36,276 --> 00:34:38,912 AND THEN I'M TOO STUPID DUMB * 537 00:34:38,912 --> 00:34:44,751 * YOU HATE IT WHEN I CRY UNLESS IT'S THAT 538 00:34:44,751 --> 00:34:46,786 TIME OF THE MONTH * * AND I'M TOO PERFECT 539 00:34:46,786 --> 00:34:52,092 TILL I SHOW YOU THAT I'M NOT * 540 00:34:52,092 --> 00:34:53,126 * A THOUSAND PEOPLE I COULD BE FOR YOU 541 00:34:53,126 --> 00:34:58,898 AND YOU HATE THE WHOLE DAMN LOT * 542 00:34:58,898 --> 00:35:00,467 * YOU KNOW I'M IMPATIENT SO WHY WOULD YOU 543 00:35:00,467 --> 00:35:02,602 LEAVE ME WAITING OUTSIDE THE STATION * 544 00:35:02,602 --> 00:35:04,704 * WHEN IT WAS LIKE MINUS FOUR DEGREES 545 00:35:04,704 --> 00:35:08,908 AND I I GET WHAT YOU'RE SAYIN' * 546 00:35:08,908 --> 00:35:11,077 * I JUST REALLY DON'T WANNA HEAR IT RIGHT NOW 547 00:35:11,077 --> 00:35:16,783 CAN YOU SHUT UP FOR LIKE ONCE IN YOUR LIFE * 548 00:35:16,783 --> 00:35:18,351 * LISTEN TO ME I TOOK YOUR 549 00:35:18,351 --> 00:35:19,586 NICE WORDS OF ADVICE * * ABOUT HOW YOU THINK 550 00:35:19,586 --> 00:35:20,620 I'M GONNA DIE LUCKY IF I TURN 33 * 551 00:35:20,620 --> 00:35:23,089 * OK SO YEAH I SMOKE LIKE A CHIMNEY 552 00:35:23,089 --> 00:35:26,259 I'M NOT SKINNY * * AND I PULL A BRITNEY 553 00:35:26,259 --> 00:35:30,964 EVERY OTHER WEEK BUT CUT ME SOME SLACK 554 00:35:30,964 --> 00:35:33,066 WHO DO YOU WANT ME TO BE * * 'CAUSE I'M TOO MESSY 555 00:35:33,066 --> 00:35:35,735 AND THEN I'M JUST TOO DAMN CLEAN * 556 00:35:35,735 --> 00:35:38,304 * YOU TOLD ME GET A JOB THEN YOU ASK WHERE 557 00:35:38,304 --> 00:35:43,576 THE HELL I'VE BEEN * * AND I'M TOO PERFECT 558 00:35:43,576 --> 00:35:46,713 TILL I OPEN MY BIG MOUTH I WANT TO BE ME 559 00:35:46,713 --> 00:35:50,417 IS THAT NOT ALLOWED * * AND I'M TOO CLEVER 560 00:35:50,417 --> 00:35:53,086 AND THEN I'M TOO STUPID DUMB * 561 00:35:53,086 --> 00:35:57,223 * YOU HATE IT WHEN I CRY UNLESS IT'S THAT 562 00:35:57,223 --> 00:36:01,428 TIME OF THE MONTH * * AND I'M TOO PERFECT 563 00:36:01,428 --> 00:36:04,097 TILL I SHOW YOU THAT I'M NOT * 564 00:36:04,097 --> 00:36:05,165 * A THOUSAND PEOPLE I COULD BE FOR YOU 565 00:36:05,165 --> 00:36:11,438 AND YOU HATE THE WHOLE DAMN LOT * 566 00:36:11,438 --> 00:36:15,675 * HATE THE WHOLE DAMN LOT * * AND OH 567 00:36:15,675 --> 00:36:20,413 AND I'M TOO MESSY AND THEN I'M JUST 568 00:36:20,413 --> 00:36:22,082 TOO DAMN CLEAN * * YOU TOLD ME GET A JOB 569 00:36:22,082 --> 00:36:25,652 THEN YOU ASK WHERE THE HELL I'VE BEEN * 570 00:36:25,652 --> 00:36:28,288 * AND I'M TOO PERFECT TILL I OPEN MY BIG MOUTH 571 00:36:28,288 --> 00:36:36,196 I WANT TO BE ME * IS THAT NOT ALLOWED * 572 00:36:36,196 --> 00:36:41,401 * YOU HATE THE WHOLE DAMN LOT * 573 00:36:44,204 --> 00:36:45,372 [ APPLAUSE ] 574 00:36:45,372 --> 00:36:54,247 >> Carson: THAT IS IRIS HERRERA, LADIES AND GENTLEMEN. 575 00:36:54,247 --> 00:36:56,783 TRYING TO NEIGHBORING ITMAKE IT TO THE FFIVE. 576 00:36:56,783 --> 00:36:57,617 NICE WORK. VERY, VERY GOOD. 577 00:36:57,617 --> 00:36:58,818 WE'RE GOING TO RIGHT TO YOUR COACH, KELSEA. 578 00:36:58,818 --> 00:37:00,787 >> I MEAN, I LOVE YOU. IT'S SO GOOD TO SEE YOU. 579 00:37:00,787 --> 00:37:02,589 YOU KILLED IT. >> THANK YOU. 580 00:37:02,589 --> 00:37:08,328 >> I'M SO PROUD OF YOUR COMMITMENT TO YOUR ARTISTRY. 581 00:37:08,328 --> 00:37:10,163 YOUR FULL PACKAGE, FULL CIRCLE ARTISTRY. 582 00:37:10,163 --> 00:37:11,598 IST SO IMPORTANT TO YOU AND IT JUST SHOWED. 583 00:37:11,598 --> 00:37:13,533 >> THANK YOU. >> RIGHT? 584 00:37:13,533 --> 00:37:16,770 RIGHT. >> IF YOU WANT IRIS IN THE 585 00:37:16,770 --> 00:37:22,042 FINALE, YOU CAN VOTE ON NBC.COM AND "THE VOICE" OFFICIAL APP. 586 00:37:22,042 --> 00:37:23,043 GIVE IT UP AGAIN FOR IRIS HERRERA. 587 00:37:23,043 --> 00:37:26,046 >> THANK YOU. 588 00:37:26,046 --> 00:37:26,579 >> Carson: STRAIGHT AHEAD, 589 00:37:27,714 --> 00:37:28,048 >> THANK YOU. 590 00:37:28,048 --> 00:37:37,757 >> Carson: STRAIGHT AHEAD, >> Carson: WELCOME BACK. 591 00:37:37,757 --> 00:37:39,359 WE'RE LIVE WITH THE TOP 12. BACK-TO-BACK PERFORMANCES RIGHT 592 00:37:39,359 --> 00:37:41,961 NOW. LET'S START WITH TEAM ADAM'S 593 00:37:41,961 --> 00:37:43,697 DISTINCTIVE VOCALIST FROM WASHINGTON WHO HAS SO MUCH TO 594 00:37:43,697 --> 00:37:46,132 CELEBRATE THIS WEEK. HERE'S MORE FROM 595 00:37:46,132 --> 00:37:48,535 LUCIA FLORES-WISEMAN. 596 00:37:54,174 --> 00:37:56,576 * HAPPY BIRTHDAY * 597 00:37:56,576 --> 00:38:01,247 * DEAR LUCIA * >> MY 23rd BIRTHDAY, AND IF I 598 00:38:01,247 --> 00:38:03,016 WISH FOR ONE THING, MAYBE TO SPEND THE DAY WITH ADAM. 599 00:38:03,016 --> 00:38:06,820 * TO YOU * >> OH! 600 00:38:06,820 --> 00:38:09,656 THANK YOU SO MUCH. >> THE BEST BIRTHDAY GIFT, 601 00:38:09,656 --> 00:38:14,094 THOUGH, WOULD BE TO MAKE A TRIP TO THE FINALE, SO LET'S CROSS 602 00:38:14,094 --> 00:38:18,598 OUR FINGERS. >> WHAT'S GOING ON? 603 00:38:18,598 --> 00:38:22,268 >> I'VE BEEN DOING PILATES. ALL THE OLD LADIES, LUCIA, 604 00:38:22,268 --> 00:38:24,537 LUCIA. >> LUCIA! 605 00:38:24,537 --> 00:38:27,207 >> MY MOM IS A SECOND GRADE TEACHER AND HER WHOLE CLASS IS 606 00:38:27,207 --> 00:38:30,343 WATCHING ME. >> LUCIA! 607 00:38:30,343 --> 00:38:33,213 >> SEATTLE'S JUST BEEN SUPPORTING A LOT. 608 00:38:33,213 --> 00:38:36,383 THAT'S WHY I'M SO EXCITED TO DO A SOUND GARDEN SONG. 609 00:38:36,383 --> 00:38:41,321 SOUND GARDEN IS FROM SEATTLE. I GREW UP WITH MY DAD FROM NEW 610 00:38:41,321 --> 00:38:45,492 MEXICO LISTENING TO PUNK AND ROCK AND GRUNGE, AND MY MOM 611 00:38:45,492 --> 00:38:49,229 FOLK, HIPPY, '70s. I DO NOT LIKE BEING IN A BOX. 612 00:38:49,229 --> 00:38:52,065 >> EVEN WHEN MAROON 5 STARTED, NOT FITTING IN IS HOW WE FIGURED 613 00:38:52,065 --> 00:38:53,967 OUT HOW TO FIT IN. I LOVE THAT FOR YOU AND I LOVE 614 00:38:53,967 --> 00:38:59,072 THIS SONG FOR YOU BECAUSE IT'S THE MOST UNEXPECTED. 615 00:38:59,072 --> 00:39:03,710 * IN MY EYES INDISPOSED * 616 00:39:03,710 --> 00:39:05,345 >> LUCIA HAS A TONE THAT YOU CAN INSTANTLY IDENTIFY. 617 00:39:05,345 --> 00:39:08,548 LUCIA IS ONE OF ONE. THERE CAN ONLY BE ONE LUCIA. 618 00:39:08,548 --> 00:39:14,621 >> I HAVE AN IDEA ABOUT THIS BECAUSE IT'S KIND OF DARK AND 619 00:39:14,621 --> 00:39:17,323 BROODING. IF YOU DON'T HAVE A GUITAR, IT 620 00:39:17,323 --> 00:39:20,794 MIGHT BE AMAZING * IN MY EYES 621 00:39:20,794 --> 00:39:25,799 INDISPOSED? >> I FEEL GOOD ABOUT ADAM'S 622 00:39:25,799 --> 00:39:26,800 ADVICE OF STARTING OFF A CAPPELLA. 623 00:39:26,800 --> 00:39:29,903 THAT'S WHAT THE WHOLE SEATTLE MUSIC SCENE IS ALL ABOUT, JUST 624 00:39:29,903 --> 00:39:33,139 RAW EMOTION. >> COULD WE ARRANGE IT LIKE 625 00:39:33,139 --> 00:39:35,642 JAMES BOND. PUT SOME STRINGS IN THERE. 626 00:39:35,642 --> 00:39:42,182 THAT WILL HELP YOU DELIVER THIS SONG LIKE ONE OF THOSE SUPER BAD 627 00:39:42,182 --> 00:39:52,058 ASS BOND VILLAIN VOCALS. * BLACK HOLE SUN 9/*1 628 00:39:52,058 --> 00:39:55,061 * WON'T YOU COME * >> I'M A GENIUS! 629 00:39:55,061 --> 00:39:58,865 >> THIS IS THE FIRST TIME AMERICA GETS TO VOTE. 630 00:39:58,865 --> 00:40:01,368 I HOPE TO SHOW THEM WHO I AM AS AN ARTIST. 631 00:40:01,368 --> 00:40:04,371 >> I'M SO GLAD I'M HERE! THANK YOU. 632 00:40:04,371 --> 00:40:06,206 >> I'M ONE STEP AWAY FROM THE FINALE. 633 00:40:06,206 --> 00:40:07,173 I WANT TO WIN THIS FOR TEAM ADAM. 634 00:40:07,173 --> 00:40:15,148 >> THIS IS A PRETTY GOOD BIRTHDAY. 635 00:40:15,148 --> 00:40:19,352 * IN MY EYES INDISPOSED 636 00:40:19,352 --> 00:40:25,692 IN DISGUISE AS NO ONE KNOWS * 637 00:40:25,692 --> 00:40:35,702 * HIDES THE FACE LIES THE SNAKE 638 00:40:35,702 --> 00:40:40,407 AND THE SUN IN MY DISGRACE * * BOILING HEAT 639 00:40:40,407 --> 00:40:45,679 SUMMER STENCH 'NEATH THE BLACK 640 00:40:45,679 --> 00:40:52,018 THE SKY LOOKS DEAD * * CALL MY NAME 641 00:40:52,018 --> 00:40:57,824 THROUGH THE CREAM AND I'LL HEAR YOU 642 00:40:57,824 --> 00:41:03,596 SCREAM AGAIN * * BLACK HOLE SUN 643 00:41:03,596 --> 00:41:10,437 WON'T YOU COME AND WASH AWAY THE RAIN * 644 00:41:10,437 --> 00:41:16,209 * BLACK HOLE SUN WON'T YOU COME 645 00:41:16,209 --> 00:41:23,083 WON'T YOU COME WON'T YOU COME * 646 00:41:23,083 --> 00:41:26,686 * STUTTERING COLD AND DAMP 647 00:41:26,686 --> 00:41:32,992 STEAL THE WARM WIND TIRED FRIEND * 648 00:41:32,992 --> 00:41:38,832 * HEAVEN SEND HELL AWAY NO ONE SINGS 649 00:41:38,832 --> 00:41:45,105 LIKE YOU ANYMORE * * BLACK HOLE SUN 650 00:41:45,105 --> 00:41:51,411 WON'T YOU COME AND WASH AWAY THE RAIN * 651 00:41:51,411 --> 00:41:56,683 * BLACK HOLE SUN WON'T YOU COME 652 00:41:56,683 --> 00:42:05,125 WON'T YOU COME * * BLACK HOLE SUN 653 00:42:05,125 --> 00:42:16,302 WON'T YOU COME AND WASH AWAY THE RAIN * 654 00:42:16,302 --> 00:42:21,775 * BLACK HOLE SUN WON'T YOU COME 655 00:42:21,775 --> 00:42:24,077 WON'T YOU COME * * BLACK HOLE SUN 656 00:42:24,077 --> 00:42:27,747 WON'T YOU COME BLACK HOLE SUN 657 00:42:27,747 --> 00:42:33,953 BLACK HOLE SUN * * WON'T YOU COME * 658 00:42:33,953 --> 00:42:34,354 ** 659 00:42:43,329 --> 00:42:43,963 >> Carson: THAT IS LUCIA 660 00:42:43,963 --> 00:42:46,733 FLORIES-WISEMAN. ALL FOUR COACHES ON THEIR FEET 661 00:42:46,733 --> 00:42:49,903 HERE IN THE SEMIFINAL. >> FANTASTIC! 662 00:42:49,903 --> 00:42:51,004 YES, LUCIA! >> Carson: THAT WAS AWESOME. 663 00:42:51,004 --> 00:42:55,775 THANK YOU, LUCIA. >> YES! 664 00:42:55,775 --> 00:42:58,445 >> Carson: THAT WAS THE MOST ADAM LEVINE PERFORMANCE EVER. 665 00:42:58,445 --> 00:43:00,914 IF YOU KNOW ADAM -- >> SO GOOD! 666 00:43:00,914 --> 00:43:04,317 >> Carson: HARD TO BELIEVE. EIGHT YEARS WE LOST CHRIS, ONE 667 00:43:04,317 --> 00:43:07,554 OF OUR FAVORITES IN THE BUSINESS. 668 00:43:07,554 --> 00:43:08,521 NICE TO HEAR THAT IN A WEIRD WAY. 669 00:43:08,521 --> 00:43:11,291 IT WAS A TRIBUTE. KELSEA, SOME THOUGHTS, PLEASE. 670 00:43:11,291 --> 00:43:15,328 >> I MEAN, I THINK WHATEVER YOU WANT TO DO WITH YOUR VOICE, THE 671 00:43:15,328 --> 00:43:18,498 OPPORTUNITIES ARE ENDLESS. I MEAN THAT VOCALLY. 672 00:43:18,498 --> 00:43:21,334 TRULY YOU CAN DO WHATEVER WITH YOUR VOICE. 673 00:43:21,334 --> 00:43:23,970 I ALSO MEAN THAT IN YOUR DREAMSCAPE OF WHERE YOU SEE YOUR 674 00:43:23,970 --> 00:43:25,205 CAREER. THAT'S ALSO ENDLESS. 675 00:43:25,205 --> 00:43:27,374 I'M A FAN. YOU'RE A STAR. 676 00:43:27,374 --> 00:43:28,375 YOU DON'T NEED ME TO TELL YOU THAT. 677 00:43:28,375 --> 00:43:32,979 I THINK IT'S JUST -- I'M EXCITED TO SEE WHAT'S NEXT. 678 00:43:32,979 --> 00:43:37,517 >> Carson: THANK YOU, KELSEA. COACH ADAM? 679 00:43:37,517 --> 00:43:40,086 >> LUCIA, MAN, WOO, I GOT TO TELL YOU SOMETHING. 680 00:43:40,086 --> 00:43:43,089 LET ME JUST SAY THIS, YOU GUYS. THERE ARE PEOPLE OUT THERE THAT 681 00:43:43,089 --> 00:43:45,692 TRY TO BE DIFFERENT AND THERE ARE PEOPLE OUT THERE WHO JUST 682 00:43:45,692 --> 00:43:49,929 SIMPLY ARE DIFFERENT. AND CELEBRATING THAT WITH YOU 683 00:43:49,929 --> 00:43:51,331 HAS BEEN SUCH AN HONOR AND A PLEASURE. 684 00:43:51,331 --> 00:43:54,701 IF YOU GUYS WANT TO KNOW WHAT THE REAL DEAL IS, YOU'RE LOOKING 685 00:43:54,701 --> 00:43:55,935 AT IT RIGHT THERE. >> Carson: IF YOU WANT LUCIA IN 686 00:43:55,935 --> 00:43:59,439 THE FINALE, YOU CAN VOTE ON NBC.COM AND "THE VOICE" OFFICIAL 687 00:43:59,439 --> 00:44:07,213 APP. GIVE IT UP AGAIN FOR TEAM ADAM'S 688 00:44:07,213 --> 00:44:09,516 LUCIA FLORES-WISEMAN. >> HEY, GOOD WORK. 689 00:44:09,516 --> 00:44:12,585 THAT WAS BEAUTIFUL. >> THANK YOU SO MUCH. 690 00:44:12,585 --> 00:44:16,890 >> Carson: A HUG FROM COACH AND WE WILL CONTINUE RIGHT AWAY TO 691 00:44:16,890 --> 00:44:21,127 ANOTHER PERFORMANCE WITH TEAM LEGEND'S SOULFUL VOCALIST FROM 692 00:44:21,127 --> 00:44:23,063 NORTH CAROLINA WHO WENT FROM BEING AN ORDINARY MUSIC STUDENT 693 00:44:23,063 --> 00:44:25,298 TO SINGING LIVE IN FRONT OF MILLIONS OF PEOPLE. 694 00:44:25,298 --> 00:44:40,380 HERE'S MORE FROM BRYSON BATTLE. SIX MONTHS AGO I WAS A COLLEGE 695 00:44:40,380 --> 00:44:42,415 STUDENT AND NOW I'M HEADING OFF TO THE SEMIFINALS OF "THE 696 00:44:42,415 --> 00:44:45,085 VOICE." >> ARE WE READY? 697 00:44:45,085 --> 00:44:47,087 >> HERE WE GO. >> BRYSON! 698 00:44:47,087 --> 00:44:49,756 >> HI, JOHN. >> I'M JUST SO GRATEFUL. 699 00:44:49,756 --> 00:44:53,126 >> I'M PROUD OF YOU. >> THANK YOU, JOHN. 700 00:44:53,126 --> 00:44:57,831 >> AS YOU'VE GONE ALONG THIS JOURNEY, I'VE SEEN YOU CONTINUE 701 00:44:57,831 --> 00:45:02,035 TO GROW, YOUR CONFIDENCE. YOU WERE ALWAYS SUPER NATURALLY 702 00:45:02,035 --> 00:45:03,403 GIFTED BUT YOU'RE OWNING IT MORE. 703 00:45:03,403 --> 00:45:09,075 >> I ACTUALLY WANTED TO THANK YOU FOR THE SONG. 704 00:45:09,075 --> 00:45:11,544 I FEEL LIKE MARIAH IS DIVA DOWN AND -- 705 00:45:11,544 --> 00:45:14,247 >> IF ANYONE YOU CAN DO IT. >> KNOWING YOU TRUST ME WITH 706 00:45:14,247 --> 00:45:18,284 THIS SONG MEANS A LOT. >> I'M GETTING GOOSEBUMPS 707 00:45:18,284 --> 00:45:22,288 ALREADY. * NO I CAN'T FORGET THE SEASON * 708 00:45:22,288 --> 00:45:24,724 >> THIS SONG IS REALLY TIMELY BEING THAT I'VE JUST LEFT 709 00:45:24,724 --> 00:45:27,260 SCHOOL. * I CAN'T LIVE * 710 00:45:27,260 --> 00:45:31,331 >> IT'S THIS FEELING, AT LEAST FOR ME, OF BEING IN THIS 711 00:45:31,331 --> 00:45:33,933 SITUATION FOR SO LONG THAT YOU DON'T KNOW WHAT LIFE IS GOING TO 712 00:45:33,933 --> 00:45:36,803 BE LIKE WITHOUT IT. IT'S BEEN KIND OF BITTER SWEET 713 00:45:36,803 --> 00:45:41,474 BECAUSE I'M MISSING MY GRADUATION TO BE HERE. 714 00:45:41,474 --> 00:45:45,311 IT'S -- IT'S EMOTIONAL BECAUSE I KNOW HOW HARD I'VE WORKED. 715 00:45:45,311 --> 00:45:50,850 YOU ONLY GET ONE GRADUATION AND TO NOT BE ABLE TO THROW MY CAP 716 00:45:50,850 --> 00:45:57,090 IN THE AIR IS HEARTBREAKING. BUT THIS JOURNEY, IT FEELS LIKE 717 00:45:57,090 --> 00:45:59,225 WHERE I BELONG. >> IT'S BEAUTIFUL. 718 00:45:59,225 --> 00:46:01,327 >> THANK YOU. >> MY ONLY QUESTION -- 719 00:46:01,327 --> 00:46:05,031 >> YEAH. >> -- IF WE WANTED TO HAVE MORE 720 00:46:05,031 --> 00:46:08,034 FIREWORKS T MIGHT HAVE MORE NATURAL CRACKLE TO IT IF YOU 721 00:46:08,034 --> 00:46:11,538 RAISE THE KEY A LITTLE. I KNOW YOU CAN HIT THOSE HIGHER 722 00:46:11,538 --> 00:46:14,341 NOTES IN YOUR CHEST. >> YEAH. 723 00:46:14,341 --> 00:46:17,444 * CAN'T LIVE * >> IF I COULD SING AS HIGH AS 724 00:46:17,444 --> 00:46:20,380 YOU, I WOULD GO A LITTLE HIGHER. >> YEAH, LET'S TRY IT. 725 00:46:20,380 --> 00:46:24,551 >> I THINK AMERICA IS GOING TO LOVE BRYSON'S PERFORMANCE. 726 00:46:24,551 --> 00:46:27,787 HE'S TRULY WHAT "THE VOICE" IS ALL ABOUT. 727 00:46:27,787 --> 00:46:30,123 HE'S UNDENIABLE AND SUCH A SOARING VOCALIST. 728 00:46:30,123 --> 00:46:32,592 I SEE HIM REALLY COMING INTO HIS OWN AND IT'S THE PERFECT TIME 729 00:46:32,592 --> 00:46:36,162 FOR THAT TO HAPPEN BECAUSE AMERICA IS VOTING AND THE STAKES 730 00:46:36,162 --> 00:46:39,733 ARE SO HIGH RIGHT NOW. GIVE US, I NEED TO BE IN THE 731 00:46:39,733 --> 00:46:41,267 FINALE BECAUSE WE CANNOT LET BRYSON GO HOME. 732 00:46:41,267 --> 00:46:45,205 >> ALL RIGHT. >> IT WOULD BE A TRAVESTY! 733 00:46:51,344 --> 00:46:54,080 ** 734 00:46:54,080 --> 00:46:56,149 * NO I CAN'T FORGET THIS EVENING 735 00:46:56,149 --> 00:47:00,353 OR YOUR FACE AS YOU WERE LEAVING * 736 00:47:00,353 --> 00:47:06,126 * BUT I GUESS THAT'S JUST THE WAY 737 00:47:06,126 --> 00:47:08,261 THE STORY GOES * * YOU ALWAYS SMILE 738 00:47:08,261 --> 00:47:19,305 BUT IN YOUR EYES YOUR SORROW SHOWS 739 00:47:19,305 --> 00:47:26,146 YES IT SHOWS MM * * I CAN'T LIVE 740 00:47:26,146 --> 00:47:33,520 IF LIVING IS WITHOUT YOU I CAN'T LIVE 741 00:47:33,520 --> 00:47:41,394 I CAN'T GIVE ANY MORE * * I CAN'T LIVE 742 00:47:41,394 --> 00:47:51,971 IF LIVING IS WITHOUT YOU I CAN'T GIVE 743 00:47:51,971 --> 00:47:54,607 I CAN'T GIVE ANY MORE * * WELL I CAN'T FORGET 744 00:47:54,607 --> 00:47:57,744 THIS EVENING OR YOUR FACE 745 00:47:57,744 --> 00:48:00,380 AS YOU WERE LEAVING * * BUT I GUESS 746 00:48:00,380 --> 00:48:06,186 THAT'S JUST THE WAY THE STORY GOES * 747 00:48:06,186 --> 00:48:15,128 * YOU ALWAYS SMILE BUT IN YOUR EYES 748 00:48:15,128 --> 00:48:24,070 YOUR SORROW SHOWS YES IT SHOWS OH * 749 00:48:24,070 --> 00:48:30,910 * I CAN'T LIVE IF LIVING IS WITHOUT YOU 750 00:48:30,910 --> 00:48:38,284 I CAN'T LIVE I CAN'T GIVE ANYMORE * 751 00:48:38,284 --> 00:48:45,125 * I CAN'T LIVE IF LIVING IS WITHOUT YOU 752 00:48:45,125 --> 00:48:53,566 I CAN'T LIVE I CAN'T GIVE ANYMORE * 753 00:48:53,566 --> 00:49:05,679 * I CAN'T LIVE I CAN'T GIVE ANYMORE 754 00:49:05,679 --> 00:49:12,052 AHH AHH * 755 00:49:16,790 --> 00:49:17,157 [ APPLAUSE ] 756 00:49:20,860 --> 00:49:21,861 >> Carson: WELL, THAT'S GOT THE 757 00:49:21,861 --> 00:49:25,065 ROOM EXCITED. THAT'S BRYSON BATTLE, LADIES AND 758 00:49:25,065 --> 00:49:27,901 GENTLEMEN. >> BRING IT DOWN! 759 00:49:27,901 --> 00:49:34,040 >> I'M SWEATING. >> LET'S GO! 760 00:49:34,040 --> 00:49:40,046 >> Carson: WELL, NOT EASY TO GO FROM 12 TO 5, BUT WITH 761 00:49:40,046 --> 00:49:41,681 PERFORMANCES LIKE THAT -- >> WHOA! 762 00:49:41,681 --> 00:49:43,817 >> Carson: WE'LL SEE WHAT THE ODDS ARE. 763 00:49:43,817 --> 00:49:46,353 GREAT WORK. I THINK THAT WAS ALMOST VOCALLY 764 00:49:46,353 --> 00:49:47,587 FLAWLESS. ALMOST PERFECT. 765 00:49:47,587 --> 00:49:49,689 LITERALLY DOWN THE LINE. WHAT DID YOU THINK, JOHN? 766 00:49:49,689 --> 00:49:53,159 >> OH, MY GOD. YOU KNOW, I SAID WE NEEDED A 767 00:49:53,159 --> 00:49:54,861 LITTLE CRACKLE AND SOME FIREWORKS. 768 00:49:54,861 --> 00:49:58,932 YOU WENT BEYOND -- YOU WENT BEYOND THE LITTLE CRACKLE THAT 769 00:49:58,932 --> 00:50:00,900 WE NEEDED AND WE HAD LITERAL FIREWORKS BEHIND YOU AS YOU WERE 770 00:50:00,900 --> 00:50:03,803 DOING IT. AND THAT WAS STUNNING. 771 00:50:03,803 --> 00:50:04,771 IT WAS SO BEAUTIFUL AND STUNNING. 772 00:50:04,771 --> 00:50:09,409 >> THANK YOU. THANK YOU. 773 00:50:09,409 --> 00:50:11,811 >> YOU LOOK GOOD. YOU SOUND LIKE GALACTICALLY 774 00:50:11,811 --> 00:50:13,179 GOOD. IT WAS AMAZING. 775 00:50:13,179 --> 00:50:17,317 >> Carson: IF YOU WANT BRYSON IN THE FINALE, YOU CAN VOTE ON 776 00:50:17,317 --> 00:50:18,318 NBC.COM AND "THE VOICE" OFFICIAL APP. 777 00:50:18,318 --> 00:50:23,289 GIVE IT UP AGAIN FOR BRYSON BATTLE. 778 00:50:23,289 --> 00:50:25,892 WHEN WE COME BACK, JAELEN SINGS A LEE BRICE HIT IN HONOR OF 779 00:50:25,892 --> 00:50:28,528 SOMEONE VERY SPECIAL. AND LATER, ADAM AND KAIYA FIGHT 780 00:50:28,528 --> 00:50:31,464 FOR YOUR VOTES AND A CHANCE TO 781 00:50:31,531 --> 00:50:32,032 MAKE IT TO THE FINAL FIVE. 782 00:50:32,899 --> 00:50:33,533 FOR YOUR VOTES AND A CHANCE TO 783 00:50:33,533 --> 00:50:43,943 MAKE IT TO THE FINAL FIVE. >> Carson: WE'RE BACK. 784 00:50:43,943 --> 00:50:45,178 THE TOP 12 GOING LIVE TONIGHT FOR THE FIRST TIME. 785 00:50:45,178 --> 00:50:47,113 TOMORROW NIGHT ONLY 5 WILL MOVE ON TO THE FINALE. 786 00:50:47,113 --> 00:50:50,283 VOTING IS OPEN NOW. LET'S CONTINUE OUR SEMIFINALS 787 00:50:50,283 --> 00:50:52,352 WITH THE KANSAS COUNTRY SINGER KELSEA KNEW SHE NEEDED TO BRING 788 00:50:52,352 --> 00:50:53,386 TO THE LIVE SHOWS. HERE'S MORE FROM 789 00:50:53,386 --> 00:51:02,696 JAELEN JOHNSTON. >> IN THE PLAYOFFS AFTER NOT 790 00:51:02,696 --> 00:51:04,230 BEING CALLED I THOUGHT I WAS GOING HOME. 791 00:51:04,230 --> 00:51:06,633 NEXT THING I KNOW I GOT A FACETIME CALL FROM KELSEA. 792 00:51:06,633 --> 00:51:09,069 >> HEY, BUDDY. >> HOW ARE YOU? 793 00:51:09,069 --> 00:51:11,705 >> I'M GOOD. THE PLAYOFFS ARE ROUGH SO 794 00:51:11,705 --> 00:51:13,673 THEY'RE GIVING US A SUPER SAVE. >> NO. 795 00:51:13,673 --> 00:51:16,076 >> AND, JAELEN, I WOULD REALLY, REALLY LOVE IF YOU WOULD COME TO 796 00:51:16,076 --> 00:51:18,445 THE LIVES WITH ME. >> MY FACIAL REACTION WHEN SHE 797 00:51:18,445 --> 00:51:20,814 CALLED. THAT'S AWESOME. 798 00:51:20,814 --> 00:51:22,682 >> I CAN'T EVEN RECREATE. MY FACE CONTORTED. 799 00:51:22,682 --> 00:51:25,385 THAT'S CRAZY. >> I'M SO GLAD NOW WE CAN LET 800 00:51:25,385 --> 00:51:28,588 AMERICA KNOW. I WAS GETTING DEMOLISHED ON THE 801 00:51:28,588 --> 00:51:31,758 INTERNET. THEY'RE LIKE, KELSEA, YOU FOOL. 802 00:51:31,758 --> 00:51:34,794 I'M LIKE, GUYS, I KNOW. I'M EXCITED FOR AMERICA TO VOTE. 803 00:51:34,794 --> 00:51:37,897 PEOPLE ARE REALLY INVESTED IN THEIR FAVORITE ARTIST AND 804 00:51:37,897 --> 00:51:42,669 CLEARLY JAELEN IS A FAVORITE. WHAT ARE YOU SINGING? 805 00:51:42,669 --> 00:51:45,171 >> I'M SINGING "I DRIVE YOUR TRUCK" BY LEE BRICE. 806 00:51:45,171 --> 00:51:51,678 >> I LOVE THAT. WHY DID YOU CHOOSE IT? 807 00:51:51,678 --> 00:51:54,214 >> MY COUSIN WAS IN A REALLY BAD ACCIDENT. 808 00:51:54,214 --> 00:51:55,849 HE WAS ONE OF THE BEST DUCK CALLERS. 809 00:51:55,849 --> 00:51:57,417 >> IT'S A BEAUTIFUL WAY TO HONOR HIM. 810 00:51:57,417 --> 00:52:00,820 >> I THINK IT'S THE PERFECT SONG CHOICE AT THE MOMENT BECAUSE IT 811 00:52:00,820 --> 00:52:03,790 ENCOMPASSES EVERYTHING COUNTRY IS ABOUT. 812 00:52:03,790 --> 00:52:07,827 TELLING A STORY, SHOWING THAT VULNERABLE SIDE OF YOU. 813 00:52:07,827 --> 00:52:12,766 EVERYBODY HAS HAD A LOSS AT SOME POINT IN THEIR LIVES AND 814 00:52:12,766 --> 00:52:15,068 EVERYBODY CAN RELATE TO IT IN SOME WAY. 815 00:52:15,068 --> 00:52:17,103 * DRIVE YOUR TRUCK * >> JAELEN IS COUNTRY TO THE 816 00:52:17,103 --> 00:52:19,406 CORE. THE LADIES LOVE HIM. 817 00:52:19,406 --> 00:52:23,877 I KNOW WHAT'S GOING ON. WE'RE GOING TO CALL HIM THE RED 818 00:52:23,877 --> 00:52:30,784 DIRT ROMANTIC. I THINK HE ROMANTICIZES THE 819 00:52:30,784 --> 00:52:39,759 SONGSS HE PICKS. PUT YOURSELF IN A SHOW TO BE ON 820 00:52:39,759 --> 00:52:46,499 LIKE "THE VOICE," YOU ROMANTICIZING. 821 00:52:46,499 --> 00:52:50,136 DON'T BE SCARED TO REIN IT BACK IN AND THEN LET IT ALL OUT. 822 00:52:50,136 --> 00:52:54,174 * DRIVE YOUR TRUCK * >> YEAH, THERE WE GO. 823 00:52:54,174 --> 00:52:58,511 * I ROLL EVERY WINDOW DOWN * >> THE FACT I'M THE LAST COUNTRY 824 00:52:58,511 --> 00:53:02,582 ARTIST, IT'S A HUGE, HUGE HONOR. * EVERY BACK ROAD * 825 00:53:02,582 --> 00:53:05,151 >> "THE VOICE" HAS DEFINITELY BEEN A LIFETIME OPPORTUNITY. 826 00:53:05,151 --> 00:53:09,055 I WAS NERVOUS. I WAS CHICKENING OUT OF IT. 827 00:53:09,055 --> 00:53:13,460 SHE WASN'T HAVING ANY OF IT. TO REPRESENT KELSEA IN HER FIRST 828 00:53:13,460 --> 00:53:16,096 FINALE, I'M GLAD I'M BACK. >> I'M NOT A BAD GUY ANYMORE, 829 00:53:16,096 --> 00:53:18,298 OKAY? [ APPLAUSE ] 830 00:53:26,406 --> 00:53:26,973 * EIGHTY-NINE CENTS 831 00:53:26,973 --> 00:53:29,609 IN THE ASHTRAY * * HALF EMPTY BOTTLE 832 00:53:29,609 --> 00:53:33,847 OF GATORADE ROLLIN' ON THE FLOORBOARD * 833 00:53:33,847 --> 00:53:39,152 * THAT DIRTY BRAVES CAP ON THE DASH 834 00:53:39,152 --> 00:53:44,424 DOGTAGS HANGIN' FROM THE REAR VIEW * 835 00:53:44,424 --> 00:53:50,797 * SKOAL CAN AND COWBOY BOOTS AND A "GO ARMY" SHIRT 836 00:53:50,797 --> 00:53:56,603 FOLDED IN THE BACK * * THIS THING BURNS 837 00:53:56,603 --> 00:53:58,705 GAS LIKE CRAZY BUT THAT'S ALL RIGHT * 838 00:53:58,705 --> 00:54:03,043 * PEOPLE GOT THEIR WAYS OF COPIN' 839 00:54:03,043 --> 00:54:09,315 OH AND I GOT MINE * * I DRIVE YOUR TRUCK 840 00:54:09,315 --> 00:54:17,791 I ROLL EVERY WINDOW DOWN * * AND I BURN UP 841 00:54:17,791 --> 00:54:19,392 EVERY BACK ROAD IN THIS TOWN * 842 00:54:19,392 --> 00:54:21,061 * FIND A FIELD I TEAR IT UP 843 00:54:21,061 --> 00:54:26,800 TILL ALL THE PAIN'S A CLOUD OF DUST * 844 00:54:26,800 --> 00:54:35,275 * YES SOMETIMES I DRIVE YOUR TRUCK * 845 00:54:35,275 --> 00:54:39,746 * I'VE CUSSED I'VE PRAYED I'VE SAID GOODBYE 846 00:54:39,746 --> 00:54:43,383 I'VE SHOOK MY FIST AND ASKED GOD WHY * 847 00:54:43,383 --> 00:54:49,522 * THESE DAYS WHEN I'M MISSIN' 848 00:54:49,522 --> 00:54:54,294 YOU THIS MUCH I DRIVE YOUR TRUCK * 849 00:54:54,294 --> 00:54:59,566 * I ROLL EVERY WINDOW DOWN AND I BURN UP 850 00:54:59,566 --> 00:55:03,303 EVERY BACK ROAD IN THIS TOWN * 851 00:55:03,303 --> 00:55:06,506 * I FIND A FIELD I TEAR IT UP 852 00:55:06,506 --> 00:55:12,846 TILL ALL THE PAIN'S A CLOUD OF DUST * 853 00:55:12,846 --> 00:55:28,261 * YES SOMETIMES I DRIVE YOUR TRUCK 854 00:55:28,261 --> 00:55:39,072 I DRIVE YOUR TRUCK I DRIVE YOUR TRUCK * 855 00:55:44,411 --> 00:55:44,778 [ APPLAUSE ] 856 00:55:46,079 --> 00:55:53,987 >> Carson: JAELEN JOHNSTON, 857 00:55:53,987 --> 00:55:57,090 EVERYBODY. ALL RIGHT, COACH, YOU ARE UP. 858 00:55:57,090 --> 00:56:00,827 WHAT DID YOU THINK? >> WELL, THERE YOU ARE. 859 00:56:00,827 --> 00:56:06,066 YOU JUST MADE -- I KNOW YOUR MOMMA IS HERE SOMEWHERE. 860 00:56:06,066 --> 00:56:09,736 YOUR MOMMA'S SO PROUD. YOU MADE YOUR COUSIN, WHO IS 861 00:56:09,736 --> 00:56:12,405 LOOKING DOWN FROM HEAVEN RIGHT NOW, SO PROUD. 862 00:56:12,405 --> 00:56:15,875 YOU'RE MAKING COUNTRY MUSIC PROUD ALREADY. 863 00:56:15,875 --> 00:56:18,211 I'M SO HONORED TO BE YOUR COACH. YOU JUST -- HERE YOU ARE. 864 00:56:18,211 --> 00:56:21,781 >> THANK YOU SO MUCH. >> Carson: IF YOU WANT JAELEN IN 865 00:56:21,781 --> 00:56:24,050 THE FINALE, YOU CAN VOTE ON NBC.COM AND "THE VOICE" OFFICIAL 866 00:56:24,050 --> 00:56:27,220 APP. GIVE IT UP AGAIN FOR JAELEN 867 00:56:27,220 --> 00:56:29,356 JOHNSTON. COMING UP, ADAM DAVID TAKES ON A 868 00:56:29,356 --> 00:56:34,761 BLUESY SAM COOKE CLASSIC. THEN, KAIYA AND CONOR COMPETE 869 00:56:34,828 --> 00:56:35,428 FOR A COVETED SPOT IN THE FINAL 870 00:56:36,196 --> 00:56:36,796 THEN, KAIYA AND CONOR COMPETE 871 00:56:36,796 --> 00:56:47,073 FOR A COVETED SPOT IN THE FINAL >> Carson: WELCOME BACK TO THE 872 00:56:47,073 --> 00:56:48,942 TOP 12. WE ARE LIVE FOR THE FIRST TIME 873 00:56:48,942 --> 00:56:51,611 THIS SEASON, AND NOW IT'S YOUR TURN TO VOTE FOR YOUR FINALISTS. 874 00:56:51,611 --> 00:56:54,781 VOTING IS OPEN NOW FOR ALL ARTISTS ON ALL METHODS. 875 00:56:54,781 --> 00:56:57,417 PERFORMING NEXT IS THE ROCKER FROM FORT LAUDERDALE WHO'S GOING 876 00:56:57,417 --> 00:56:59,285 BACK TO HIS ROOTS TONIGHT. HERE'S MORE FROM TEAM BUBLร‰'S 877 00:56:59,285 --> 00:57:03,189 ADAM DAVID. 878 00:57:06,926 --> 00:57:09,562 >> THIS IS THE NIGHT THAT MY 879 00:57:09,562 --> 00:57:13,466 BLIND AUDITION AIRS. WE GOT A ROOM FULL OF PEOPLE 880 00:57:13,466 --> 00:57:17,437 HERE JUST TO SUPPORT ME. TRUE STORY, I'M PRETTY 881 00:57:17,437 --> 00:57:23,843 OVERWHELMED. I STARTED CRYING WHEN IT WAS ON. 882 00:57:23,843 --> 00:57:27,047 THAT'S A SPECIAL MOMENT, MAN. >> ADAM! 883 00:57:27,047 --> 00:57:30,450 >> WELL, DUDE, WE FIND OURSELVES IN A DRAMATIC MOMENT. 884 00:57:30,450 --> 00:57:33,053 TOP 12. AMERICA WILL VOTE. 885 00:57:33,053 --> 00:57:37,090 THEN WE'LL BE LEFT WITH FIVE. WHAT I LOVE IS YOU ARE ONE CHAIR 886 00:57:37,090 --> 00:57:43,396 TURN AND YOU JUST CONTINUE TO BEAT THE ODDS. 887 00:57:43,396 --> 00:57:48,101 * BABY BRING THAT SWEET LOVING * * ONTO ME * 888 00:57:48,101 --> 00:57:51,538 >> YEAH, MAN. THIS SONG IS A BLUES SONG. 889 00:57:51,538 --> 00:57:55,642 THE BLUES IS REALLY WHERE MY ROOTS ARE. 890 00:57:55,642 --> 00:57:58,144 I RESONATE WITH THE MESSAGE OF THE SONG BECAUSE I'VE 891 00:57:58,144 --> 00:58:01,715 EXPERIENCED HEARTBREAK. I WAS NOT A GOOD PARTNER AND SHE 892 00:58:01,715 --> 00:58:03,883 LEFT. SHE'S THE REASON THAT WHOEVER I 893 00:58:03,883 --> 00:58:08,355 END UP WITH, I WON'T MAKE THOSE SAME MISTAKES AGAIN. 894 00:58:08,355 --> 00:58:13,026 * OH BABY PLEASE * >> WITH SONGS WE WANT TO TAP 895 00:58:13,026 --> 00:58:15,628 INTO REAL EMOTIONS. WHEN I'M SINGING THIS SONG, I'LL 896 00:58:15,628 --> 00:58:20,700 BE SINGING ABOUT HER. >> ADAM DAVID IS ONE OF MY 897 00:58:20,700 --> 00:58:24,637 FAVORITE ARTISTS I'VE EVER BEEN WITH ON THIS SHOW BECAUSE HE'S 898 00:58:24,637 --> 00:58:27,841 REAL. BECAUSE HE'S BEEN THROUGH AND 899 00:58:27,841 --> 00:58:29,442 CAN DIG DOWN DEEP AND TELL STORIES BECAUSE OF LIFE 900 00:58:29,442 --> 00:58:33,046 EXPERIENCES. HE REALLY BRINGS THEM TO LIFE. 901 00:58:33,046 --> 00:58:36,149 ADAM DAVID IS MY SECRET WEAPON. YOU'RE A REAL LIFE BLUES 902 00:58:36,149 --> 00:58:40,720 MUSICIAN WHO HAS LIVED A LOT. THIS IS WHO I THINK TEDDY SWIMS, 903 00:58:40,720 --> 00:58:44,791 YOU SEE THIS KIND OF STUFF BECAUSE PEOPLE WANT REAL 904 00:58:44,791 --> 00:58:47,927 MUSICIANSHIP AND STORY TELLING. AND YOU BRING THAT. 905 00:58:47,927 --> 00:58:49,195 >> I DON'T EVEN KNOW WHAT TO SAY TO THAT. 906 00:58:49,195 --> 00:58:56,770 THANK YOU. >> HAND UP, BE THE POWER. 907 00:58:56,770 --> 00:58:59,472 YOU CUT IT OFF. >> I'M GRATEFUL TO MICHAEL, IT'S 908 00:58:59,472 --> 00:59:01,541 AN UNDERSTATEMENT. TODAY IN REHEARSAL, WE SANG 909 00:59:01,541 --> 00:59:02,642 TOGETHER. THAT WILL BE A MEMORY I HAVE FOR 910 00:59:02,642 --> 00:59:09,149 THE REST OF MY LIFE. ** 911 00:59:09,149 --> 00:59:11,017 >> WOW! >> I GET YOU. 912 00:59:11,017 --> 00:59:15,889 YOU YOU GOT IT. >> I WANT TO GIVE MICHAEL HIS 913 00:59:15,889 --> 00:59:18,024 FIRST BACK-TO-BACK WIN. I'M GOING TO BE PRACTICING THIS 914 00:59:18,024 --> 00:59:20,727 IN MY SLEEP. I'M DOING IT WRONG STILL. 915 00:59:29,302 --> 00:59:33,640 ** 916 00:59:33,640 --> 00:59:44,250 * IF YOU EVER CHANGE YOUR MIND ABOUT LEAVING 917 00:59:44,250 --> 00:59:52,759 ME BEHIND * * WELL BABY 918 00:59:52,759 --> 01:00:08,308 BRING THAT LOVING MMMM 919 01:00:08,308 --> 01:00:19,452 BRING IT ON HOME TO ME * * YOU KNOW I'LL ALWAYS BE 920 01:00:19,452 --> 01:00:22,122 AFRAID * * OH BABY 921 01:00:22,122 --> 01:00:46,446 BRING THAT SWEET LOVING BRING IT ON HOME TO ME 922 01:00:46,446 --> 01:00:49,616 * I'LL BE YOUR FRIEND * WOAH BABY 923 01:00:49,616 --> 01:00:56,456 BRING THAT LOVING MMM 924 01:00:56,456 --> 01:00:58,925 BRING THAT SWEET LOVING HOME TO ME * 925 01:00:58,925 --> 01:00:59,359 OH YEAH COME ON! 926 01:01:18,144 --> 01:01:27,087 ** 927 01:01:27,087 --> 01:01:30,724 OH OH OH . 928 01:01:30,724 --> 01:01:40,300 BEFORE BRING IT ON HOME * * OOOOOH 929 01:01:40,300 --> 01:01:49,609 JUST BRING IT ON HOME * ** 930 01:01:49,609 --> 01:01:53,113 >> YA! >> Carson: WOW. 931 01:01:53,113 --> 01:01:56,116 THAT IS ADAM DAVID, EVERYBODY, WITH THE ROOM ELECTRIFIED BY 932 01:01:56,116 --> 01:01:58,885 THAT. SEMIFINALS PERFORMANCE. 933 01:01:58,885 --> 01:02:06,593 >> THAT WAS -- >> Carson: TEAM BUBLE! 934 01:02:06,593 --> 01:02:10,296 >> ADAM, ADAM, ADAM. >> Carson: WHAT'S GOING ON 935 01:02:10,296 --> 01:02:13,166 TONIGHT? THE FINALS ARE KIND OF JUMPING 936 01:02:13,166 --> 01:02:15,769 INTO THE SEMIFINALS AND THINGS ARE HAPPENING AROUND HERE. 937 01:02:15,769 --> 01:02:20,840 ADAM, I KNOW YOU LOVED EVERY SECOND OF THAT. 938 01:02:20,840 --> 01:02:24,344 >> ADAM DAVID, WOW, HOLY SMOKES, DUDE! 939 01:02:24,344 --> 01:02:27,180 I MEAN, FIRST, YOU'RE MY BIGGEST REGRET, HONEST TO GOD -- I WANT 940 01:02:27,180 --> 01:02:29,082 YOU TO KNOW SOMETHING. THAT WAS UNBELIEVABLE, EVERY 941 01:02:29,082 --> 01:02:31,851 SECOND. AND THEN HE CASUALLY RIPS AN 942 01:02:31,851 --> 01:02:34,087 UNBELIEVABLE GUITAR SOLO. >> YEAH! 943 01:02:34,087 --> 01:02:38,391 >> AND IT MAKES ME MAD. I WISH YOU WERE ON MY TEAM. 944 01:02:38,391 --> 01:02:41,728 >> HEY, HEY, FOR REAL, WANT JUST MOST IMPROVED PLAYER IN THIS 945 01:02:41,728 --> 01:02:43,129 GAME BUT ONE OF MY FAVORITES IN THIS WHOLE COMPETITION, MAN. 946 01:02:43,129 --> 01:02:47,000 AMAZING JOB. AMAZING. 947 01:02:47,000 --> 01:02:47,967 >> Carson: HIGH PRAISE FROM ADAM. 948 01:02:47,967 --> 01:02:53,973 WE'LL GO OVER TO MICHAEL. >> I'M JUST -- I'M SWEATING. 949 01:02:53,973 --> 01:02:56,109 THAT MEANT MORE TO ME THAN ANY PERFORMANCE HAS MEANT ON THE 950 01:02:56,109 --> 01:03:03,083 TIME I'VE SPENT HERE. YOU AND I HAVE FORMED A REALLY 951 01:03:03,083 --> 01:03:04,851 DEREK I THINK A REALLY GOOD FRIENDSHIP AND WE GOT REALLY 952 01:03:04,851 --> 01:03:08,421 CLOSE AND WE TALKED A LOT. I WANTEDED THIS SO MUCH FOR YOU. 953 01:03:08,421 --> 01:03:11,224 YOU'RE A BRAVE DUDE. YOU'VE COME FROM A LOT. 954 01:03:11,224 --> 01:03:14,327 THE FACT YOU SHOW UP AND DELIVER, LIKE I SAID YOU WOULD, 955 01:03:14,327 --> 01:03:16,730 LIKE I KNEW YOU COULD, I'M SO HAPPY FOR YOU, ADAM. 956 01:03:16,730 --> 01:03:20,767 I'M SO HAPPY FOR YOU, MAN. >> Carson: IF YOU WANT ADAM IN 957 01:03:20,767 --> 01:03:22,869 THE FINALE, YOU CAN VOTE ON NBC.COM AND "THE VOICE" OFFICIAL 958 01:03:22,869 --> 01:03:30,610 APP. GIVE IT UP AGAIN FOR ADAM DAVID. 959 01:03:30,610 --> 01:03:36,249 WHEN WE COME BACK, KAIYA TAKES ON A CHAKA KHAN CLASSIC SHE'S 960 01:03:36,316 --> 01:03:36,750 ALWAYS WANTED TO SING. 961 01:03:37,684 --> 01:03:38,284 ON A CHAKA KHAN CLASSIC SHE'S 962 01:03:38,284 --> 01:03:48,328 ALWAYS WANTED TO SING. >> Carson: WELCOME BACK TO OUR 963 01:03:48,328 --> 01:03:49,562 LIVE SEMIFINALS. WE ARE ONLY ONE WEEK AWAY FROM 964 01:03:49,562 --> 01:03:53,633 FINDING OUT YOUR SEASON 27 WINNER. 965 01:03:53,633 --> 01:03:56,836 YOUR VOTES ARE CRUCIAL TONIGHT. NOW, WHEN THE OPPORTUNITY CAME 966 01:03:56,836 --> 01:03:59,472 UP, MICHAEL JUMPED AT THE CHANCE TO SUPER-SAVE THE SOULFUL 967 01:03:59,472 --> 01:04:07,247 POWERHOUSE FROM ATLANTA, KAIYA HAMILTON. 968 01:04:07,247 --> 01:04:10,250 >> YOU WERE MY SUPER SAVE. >> I AM. 969 01:04:10,250 --> 01:04:15,355 >> AND THAT CHOICE, IT WAS IMPOSSIBLE. 970 01:04:15,355 --> 01:04:19,225 * IF YOU LOVE * >> I DON'T KNOW HOW HE SENT YOU 971 01:04:19,225 --> 01:04:21,428 HOME AFTER THAT. I REALLY CAN'T EXPRESS HOW HAPPY 972 01:04:21,428 --> 01:04:24,364 I WAS. I COULDN'T WAIT TO RUN BACK TO 973 01:04:24,364 --> 01:04:26,900 GET YOU. THERE'S NO ONE LIKE YOU HERE. 974 01:04:26,900 --> 01:04:28,468 >> WOW. >> OKAY. 975 01:04:28,468 --> 01:04:30,203 WE'RE GOING TO GO FAR. >> YES. 976 01:04:30,203 --> 01:04:33,306 >> YOU EARNED YOUR TICKET. THERE'S A REASON WHY YOU'RE 977 01:04:33,306 --> 01:04:35,942 HERE. THIS SONG WAS SOMETHING THAT YOU 978 01:04:35,942 --> 01:04:39,979 REALLY FELT YOU WANTED TO DO. >> THE SONG TO ME JUST 979 01:04:39,979 --> 01:04:43,516 REPRESENTS LIKE SUCH AN ALL BASIC TIME IN MUSIC. 980 01:04:43,516 --> 01:04:48,154 I FEEL IT REPRESENTS EXACTLY WHO I AM AS AN ARTIST. 981 01:04:48,154 --> 01:04:49,356 >> I THINK YOU REPRESENT AUTHENTICITY AS WELL. 982 01:04:49,356 --> 01:04:53,426 >> THANK YOU. >> YOU ARE THE REAL DEAL. 983 01:04:53,426 --> 01:04:56,363 ** >> WHEN I FOUND OUT THAT I GOT A 984 01:04:56,363 --> 01:05:01,201 CHANCE TO HAVE SOMEONE COME BACK, INSTANTLY IT WAS HER 985 01:05:01,201 --> 01:05:04,037 BECAUSE I KNEW THAT I HAD LOST SOMEONE WHO VERY WELL COULD WIN 986 01:05:04,037 --> 01:05:06,139 THIS WHOLE SHOW. * AIN'T NOBODY * 987 01:05:06,139 --> 01:05:09,142 >> THIS IS NOT A BEGINNER. THIS IS SOMEONE WHO HAS REALLY 988 01:05:09,142 --> 01:05:17,050 CRAFTED AND HONED HER ABILITIES AND SHE'S A WORKING ARTIST. 989 01:05:17,050 --> 01:05:18,518 I THINK KAIYA IS AN UNDENIABLE SOULSTA. 990 01:05:18,518 --> 01:05:21,888 >> IT MEANS A LOT TO ME TO BE ABLE TO PERFORM THIS SONG WITH 991 01:05:21,888 --> 01:05:25,458 MY KID AS MY BROTHERS, I REMEMBER DANCING TO '70s AND 992 01:05:25,458 --> 01:05:27,827 '80s MUSIC AND THIS IS A FULL CIRCLE MOMENT FOR US. 993 01:05:27,827 --> 01:05:30,096 I FEEL LIKE WE'RE ALL GOING TO ENJOY THIS TOGETHER. 994 01:05:30,096 --> 01:05:34,634 IT'S GOING TO BE A LITTLE CONNECTION BETWEEN US. 995 01:05:34,634 --> 01:05:37,070 >> HEY, KAIYA, KIDDO, WE JUST WANT TO SAY WE ARE VERY PROUD OF 996 01:05:37,070 --> 01:05:38,571 YOU. >> YOU ARE THE BIGGEST THING IN 997 01:05:38,571 --> 01:05:44,878 THE WORLD TO ME. I'M JUST SUPER PROUD OF YOU. 998 01:05:44,878 --> 01:05:46,846 >> MY BROTHERS ARE LIKE HOME FOR ME. 999 01:05:46,846 --> 01:05:50,116 FROM THE START OF MY CAREER, THEY HAVE BEEN IN MY CORNER. 1000 01:05:50,116 --> 01:05:52,218 WHILE I'M HERE, THEY'RE HELPING MY PARENTS WITH MY TWINS. 1001 01:05:52,218 --> 01:05:56,556 I COULD NOT GO FORTH WITHOUT THEM. 1002 01:05:56,556 --> 01:05:57,590 THIS PERFORMANCE IS FOR MY BROTHERS. 1003 01:05:57,590 --> 01:06:00,827 THAT'S WHY I KNOW I HAVE TO DO MY BEST. 1004 01:06:00,827 --> 01:06:04,898 * NOBODY MAKES ME FEEL BETTER THAN YOU * 1005 01:06:04,898 --> 01:06:08,068 >> YOU SOUND REALLY GOOD. YOU KNOW WHAT, I LOVE THE SONG. 1006 01:06:08,068 --> 01:06:13,206 HERE'S THE THING, I KNOW YOU'RE PAYING TRIBUTE TO WONDERFUL 1007 01:06:13,206 --> 01:06:14,274 SINCERS BUT YOU'RE A WONDERFUL SINGER. 1008 01:06:14,274 --> 01:06:16,443 >> THANK YOU. >> AND THIS SONG SHOULD BOW DOWN 1009 01:06:16,443 --> 01:06:18,578 TO YOU. MAKE IT YOURS. 1010 01:06:18,578 --> 01:06:22,048 WE ARE IN THE FINAL 12 AND YOU ARE GOING TO BE VOTED THROUGH TO 1011 01:06:22,048 --> 01:06:23,717 BE IN THE TOP FIVE. >> I HOPE SO. 1012 01:06:23,717 --> 01:06:27,220 >> THIS IS WHAT'S GETTING YOU THERE. 1013 01:06:27,220 --> 01:06:27,787 >> THAT'S WHY I'M HERE. 1014 01:06:34,127 --> 01:06:38,365 * AIN'T NOBODY 1015 01:06:38,365 --> 01:06:48,441 LOVES ME BETTER MAKES ME HAPPY 1016 01:06:48,441 --> 01:07:01,187 MAKES ME FEEL THIS WAY * * AIN'T NOBODY 1017 01:07:01,187 --> 01:07:11,264 LOVES ME BETTER THAN YOU 1018 01:07:11,264 --> 01:07:16,036 YOU * * CAPTURED EFFORTLESSLY 1019 01:07:16,036 --> 01:07:20,907 THAT'S THE WAY IT WAS IT HAPPENED SO NATURALLY 1020 01:07:20,907 --> 01:07:22,409 DIDN'T I KNOW IT WAS LOVE * * THE NEXT THING 1021 01:07:22,409 --> 01:07:38,858 I FELT WAS YOU HOLDIN' ME CLOSE 1022 01:07:38,858 --> 01:07:40,960 WHAT WAS I GONNA DO * * I LET MYSELF GO 1023 01:07:40,960 --> 01:07:42,595 AND NOW WE FLY THROUGH THE STARS* 1024 01:07:42,595 --> 01:07:43,663 * I HOPE THIS NIGHT WILL LAST FOREVER 1025 01:07:43,663 --> 01:07:45,765 OH OH OH OH * * AIN'T NOBODY 1026 01:07:45,765 --> 01:07:48,401 YEAH BODY LOVES ME BETTER 1027 01:07:48,401 --> 01:07:51,071 OOH MAKE ME * * MAKES ME HAPPY 1028 01:07:51,071 --> 01:07:53,707 FEEL THIS WAY MAKES ME FEEL THIS WAY * 1029 01:07:53,707 --> 01:08:00,080 * AIN'T NOBODY NOBODY 1030 01:08:00,080 --> 01:08:01,681 LOVES ME BETTER * * AND FIRST YOU PUT 1031 01:08:01,681 --> 01:08:07,020 YOUR ARMS AROUND ME THEN YOU PUT 1032 01:08:07,020 --> 01:08:11,725 YOUR CHARMS AROUND ME * * GOT A FEELIN' 1033 01:08:11,725 --> 01:08:14,394 MOST WITH TREASURE AND A LOVE SO DEEP 1034 01:08:14,394 --> 01:08:18,665 WE CANNOT MEASURE * * AIN'T NOBODY 1035 01:08:18,665 --> 01:08:20,800 LOVES ME BETTER * * GONNA MAKE ME 1036 01:08:20,800 --> 01:08:25,038 MAKES ME HAPPY FEEL THIS WAY 1037 01:08:25,038 --> 01:08:29,309 MAKES ME FEEL THIS WAY * * NOBODY 1038 01:08:29,309 --> 01:08:34,414 LOVES ME BETTER AIN'T NOBODY 1039 01:08:34,414 --> 01:08:37,550 LOVES ME BETTER * * THAN YOU 1040 01:08:37,550 --> 01:08:41,788 YOU YOU YOU YOU * 1041 01:08:41,788 --> 01:08:47,127 * NOBODY YOU NOBODY 1042 01:08:47,127 --> 01:08:49,229 NOBODY YOU * * NOBODY NOBODY BABY 1043 01:08:49,229 --> 01:08:54,100 NOBODY MAKES ME FEEL BETTER THAN YOU * 1044 01:09:02,008 --> 01:09:03,243 >> Carson: KAIYA HAMILTON, 1045 01:09:03,243 --> 01:09:09,215 MICHAEL BUBLE'S SUPER-SAVED ART IT'S HERE IN THE SEMIFINAL. 1046 01:09:09,215 --> 01:09:10,316 TRYING TO MAKE IT FROM 12 TO 5 TOMORROW. 1047 01:09:10,316 --> 01:09:18,291 >> YES! YES! 1048 01:09:18,291 --> 01:09:21,528 YES! >> Carson: THAT SOUNDED GREAT. 1049 01:09:21,528 --> 01:09:22,662 LET'S GET SOME THOUGHTS FROM YOUR COACH. 1050 01:09:22,662 --> 01:09:24,931 MICHAEL? >> YOU ALREADY KNOW -- YOU 1051 01:09:24,931 --> 01:09:28,034 ALREADY KNOW YOU'RE FLAWLESS. I DON'T WANT TO TALK TOO MUCH 1052 01:09:28,034 --> 01:09:31,037 BECAUSE I DON'T WANT TO DISTRACT THE PEOPLE RIGHT NOW AT HOME. 1053 01:09:31,037 --> 01:09:33,306 THEY SHOULD BE VOTING FOR YOU. SO, I'M JUST GOING TO SAY, I 1054 01:09:33,306 --> 01:09:34,908 LOVE YOU. WAY TO GO. 1055 01:09:34,908 --> 01:09:37,043 WAY TO GO. [ APPLAUSE ] 1056 01:09:37,043 --> 01:09:41,247 >> Carson: IF YOU WANT KAIYA IN THE FINALE, YOU CAN VOTE ON 1057 01:09:41,247 --> 01:09:42,248 NBC.COM AND "THE VOICE" OFFICIAL APP. 1058 01:09:42,248 --> 01:09:45,919 GIVE IT UP AGAIN FOR KAIYA HAMILTON. 1059 01:09:45,919 --> 01:09:48,054 WHEN WE RETURN, CONOR TAKES ON ONE OF THE BEST SINGERS OF ALL 1060 01:09:48,054 --> 01:09:49,689 TIME. THEN, RENZO CLOSES OUT THE 1061 01:09:49,689 --> 01:09:52,292 NIGHT. THIS IS THE TOP 12 LIVE 1062 01:09:52,292 --> 01:09:52,859 SEMIFINALS SHOW ON NBC. 1063 01:10:05,338 --> 01:10:06,740 >> Carson: WELCOME BACK. 1064 01:10:06,740 --> 01:10:10,176 LET'S KEEP THE MUSIC GOING WITH THE POP ARTIST FROM 1065 01:10:10,176 --> 01:10:16,116 MASSACHUSETTS WHOM ADAM SUPER-SAVED FOR THE SEMIFINALS. 1066 01:10:16,116 --> 01:10:19,152 HERE'S MORE FROM CONOR JAMES. >> I'M SO GRATEFUL ADAM BROUGHT 1067 01:10:19,152 --> 01:10:20,653 ME BACK FOR ANOTHER CHANCE OF THIS. 1068 01:10:20,653 --> 01:10:22,956 >> YOU'RE ONE OF MY TOP THREE. >> OH, DUDE. 1069 01:10:22,956 --> 01:10:25,525 >> I REALLY THOUGHT I WAS DONE. ALL OF A SUDDEN WE'RE HERE AND 1070 01:10:25,525 --> 01:10:28,561 GOING LIVE. >> THANK YOU. 1071 01:10:28,561 --> 01:10:30,663 >> AWESOME, DUDE. >> CONOR IS STILL A UNICORN TO 1072 01:10:30,663 --> 01:10:33,099 ME. I COULDN'T SEE HIM GO. 1073 01:10:33,099 --> 01:10:35,468 WHEN I TURNED MY CHAIR AROUND FOR HIM, I DIDN'T KNOW WHAT TO 1074 01:10:35,468 --> 01:10:39,205 EXPECT. HE'S A COMPLETELY UNIQUE SOUL. 1075 01:10:39,205 --> 01:10:42,342 I YOU CAN WIN THIS SHOW AND I WANT YOU BAD ON MY TEAM. 1076 01:10:42,342 --> 01:10:45,378 >> I COULDN'T IMAGINE HIM NOT BEING IN THE TOP. 1077 01:10:45,378 --> 01:10:46,479 >> THE NEW SONG WITH LISA IS FIRE, MAN. 1078 01:10:46,479 --> 01:10:50,350 >> THANKS. >> I SAW HER AT COACHELLA. 1079 01:10:50,350 --> 01:10:51,651 SHE'S PRECISE. >> SHE'S SO COOL. 1080 01:10:51,651 --> 01:10:53,920 >> SHE'S LIKE THE NICEST, SWEETEST HUMAN BEING. 1081 01:10:53,920 --> 01:11:00,326 >> THAT'S GOOD TO HEAR. * I MADE UP MY MIND 1082 01:11:00,326 --> 01:11:08,835 DON'T NEED TO THINK IT OVER * >> I LOVE THIS RECORD. 1083 01:11:08,835 --> 01:11:11,504 IN THIS DISCOGRAPHY, THIS ONE ISN'T OVERDONE. 1084 01:11:11,504 --> 01:11:14,741 >> IT'S NOT ADELE, SHE'S NOT ONE OF THE BEST SINGERS OF ALL TIME. 1085 01:11:14,741 --> 01:11:18,411 >> NO, NOT AT ALL. * SHOULD I GIVE UP 1086 01:11:18,411 --> 01:11:20,480 OR SHOULD I JUST KEEP CHASING PAVEMENTS * 1087 01:11:20,480 --> 01:11:23,416 >> IN THE SONG SHE ASKS THE QUESTION, SHOULD I GIVE UP OR 1088 01:11:23,416 --> 01:11:26,386 JUST KEEP CHASING PAVEMENTS? MAKING A CAREER OUT OF MUSIC, 1089 01:11:26,386 --> 01:11:30,123 THERE ARE A LOT OF TIMES IN MY LIFE WHEN I HAVE NO MONEY IN MY 1090 01:11:30,123 --> 01:11:33,693 BANK ACCOUNT, I HAVE NO GIGS LINED UP AND I'M SENDING COLD 1091 01:11:33,693 --> 01:11:36,296 EMAILS LEFT AND RIGHT TRYING TO GET SOME WORK SOMEHOW. 1092 01:11:36,296 --> 01:11:38,998 THAT MAKES YOU WANT TO GIVE UP. MY PARENTS, MY WHOLE LIFE 1093 01:11:38,998 --> 01:11:40,900 THEY'VE BEEN THERE FOR ME AND THEY'VE SUPPORTED EVERYTHING 1094 01:11:40,900 --> 01:11:45,105 I'VE DONE. THEY'VE SENT ME VIDEOS FROM 1095 01:11:45,105 --> 01:11:47,574 THEIR WATCH PARTIES AND IT'S MORE PEOPLE THAN I HAVE AT MY 1096 01:11:47,574 --> 01:11:51,644 OWN WATCH PARTIES, TO BE HONEST. I CAN TELL THEY'RE JUST ELATED 1097 01:11:51,644 --> 01:11:53,880 TO TELL PEOPLE ABOUT THIS EXPERIENCE. 1098 01:11:53,880 --> 01:11:56,316 SO PROUD THAT IT'S -- IT JUST MAKES ME EMOTIONAL. 1099 01:11:56,316 --> 01:11:58,551 THEY'RE THE REASON I'M STILL DOING THIS. 1100 01:11:58,551 --> 01:12:01,888 >> WHAT'S SO GREAT ABOUT YOU IS YOU'VE GOT THIS GREAT TONE. 1101 01:12:01,888 --> 01:12:05,859 I DON'T WANT THAT TO BE SECOND FIDDLE TO YOUR ABILITY. 1102 01:12:05,859 --> 01:12:08,528 I'M NOT SAYING DON'T EMBELLISH BECAUSE YOU ABSOLUTELY SHOULD, 1103 01:12:08,528 --> 01:12:10,363 YOU DO IT SO GREAT, BUT I THINK LESS IS MORE WITH THIS ONE. 1104 01:12:10,363 --> 01:12:13,099 >> SURE. >> ADELE IS A GREAT EXAMPLE. 1105 01:12:13,099 --> 01:12:18,772 SHE'S ROOTED IN HER TONE. >> YEAH. 1106 01:12:18,772 --> 01:12:20,073 I WANT TO GO TO THE TOP FIVE REALLY, REALLY BAD. 1107 01:12:20,073 --> 01:12:21,875 * SHOULD I * >> IT WOULD BE THE ULTIMATE MARK 1108 01:12:21,875 --> 01:12:24,644 OF SUCCESS FOR ME. I HOPE AMERICA SEES JUST THE RAW 1109 01:12:24,644 --> 01:12:27,313 JOY THAT MUSIC GIVES ME AND MY COMMITMENT TO MAKING MUSIC MY 1110 01:12:27,313 --> 01:12:29,416 LIFE. >> SOUNDS AWESOME, DUDE. 1111 01:12:29,416 --> 01:12:32,385 >> THANK YOU. >> I'M HAPPY, MAN. 1112 01:12:32,385 --> 01:12:33,420 >> I FEEL GOOD. >> I'M REALLY HAPPY. 1113 01:12:33,420 --> 01:12:34,521 >> THANK YOU FOR BRINGING ME BACK, MAN. 1114 01:12:34,521 --> 01:12:36,856 >> YOU DESERVE IT. >> THANK YOU. 1115 01:12:39,092 --> 01:12:40,660 * I'VE MADE UP MY MIND 1116 01:12:40,660 --> 01:12:44,964 DON'T NEED TO THINK IT OVER * 1117 01:12:44,964 --> 01:12:50,770 * IF I'M WRONG I AM RIGHT DON'T NEED 1118 01:12:50,770 --> 01:12:53,940 TO LOOK NO FURTHER * * THIS AIN'T LUST 1119 01:12:53,940 --> 01:13:05,085 I KNOW THIS IS LOVE * 1120 01:13:05,085 --> 01:13:10,390 * IF I TELL THE WORLD I'LL NEVER SAY ENOUGH 'CAUSE 1121 01:13:10,390 --> 01:13:16,262 IT WAS NOT SAID TO YOU * * THAT'S EXACTLY 1122 01:13:16,262 --> 01:13:23,169 WHAT I NEED TO DO IF I END UP WITH YOU * 1123 01:13:23,169 --> 01:13:27,941 * SHOULD I GIVE UP OR SHOULD I JUST KEEP 1124 01:13:27,941 --> 01:13:33,780 CHASING PAVEMENTS EVEN IF IT LEADS NOWHERE * 1125 01:13:33,780 --> 01:13:39,085 * OR WOULD IT BE A WASTE EVEN IF I KNEW MY PLACE 1126 01:13:39,085 --> 01:13:42,255 SHOULD I LEAVE IT THERE * * SHOULD I GIVE UP 1127 01:13:42,255 --> 01:13:50,196 OR SHOULD I JUST KEEP CHASING PAVEMENTS * 1128 01:13:50,196 --> 01:13:54,434 * EVEN IF IT LEADS NOWHERE YEAH * 1129 01:13:54,434 --> 01:14:04,044 * OR WOULD IT BE A WASTE EVEN IF I KNEW MY PLACE 1130 01:14:04,044 --> 01:14:09,816 SHOULD I LEAVE IT THERE * * SHOULD I GIVE UP 1131 01:14:09,816 --> 01:14:14,621 OR SHOULD I JUST KEEP ON CHASING PAVEMENTS * 1132 01:14:14,621 --> 01:14:18,858 * SHOULD I JUST KEEP ON OOH 1133 01:14:18,858 --> 01:14:24,698 CHASING PAVEMENTS OHH * 1134 01:14:24,698 --> 01:14:28,968 * SHOULD I GIVE UP OR SHOULD I JUST KEEP 1135 01:14:28,968 --> 01:14:34,274 CHASING PAVEMENTS EVEN IF IT LEADS NOWHERE * 1136 01:14:34,274 --> 01:14:39,579 * OR WOULD IT BE A WASTE OR WOULD IT BE A WASTE 1137 01:14:39,579 --> 01:14:54,494 EVEN IF I KNEW MY PLACE SHOULD I LEAVE IT THERE * 1138 01:14:54,494 --> 01:14:55,628 * SHOULD I GIVE UP OR SHOULD I JUST KEEP 1139 01:14:55,628 --> 01:15:02,302 CHASING PAVEMENTS * * EVEN IF IT LEADS NOWHERE 1140 01:15:02,302 --> 01:15:02,635 YEAH * 1141 01:15:07,674 --> 01:15:12,612 >> Carson: CONOR JAMES, 1142 01:15:12,612 --> 01:15:14,848 TEAM ADAM SKRM ADAM, SUPER-SAVED ART IT'S HERE IN THE SEMIFINALS 1143 01:15:14,848 --> 01:15:15,749 TONIGHT. LOOKING TO MOVE ON. 1144 01:15:15,749 --> 01:15:24,958 THANK YOU FOR THAT ACCOMPANIMENT. 1145 01:15:24,958 --> 01:15:27,060 COACH ADAM, WE'RE GOING RIDE-E RIGHT TO YOU, BUDDY. 1146 01:15:27,060 --> 01:15:30,697 >> WHAT'S UP, MAEN? OH, THANK YOU. 1147 01:15:30,697 --> 01:15:33,266 MY HAWAIIAN LOOK. MAN, LIKE, YOU KNOW, GREAT 1148 01:15:33,266 --> 01:15:35,902 SINGERS SING. AND THE SIMPLICITY AND THE 1149 01:15:35,902 --> 01:15:39,072 BEAUTY OF THAT IS SO NICE. AND SOMETIMES THERE CAN BE A LOT 1150 01:15:39,072 --> 01:15:40,740 OF OTHER THINGS THAT HAPPEN, ESPECIALLY THIS LATE IN THE 1151 01:15:40,740 --> 01:15:42,876 GAME. LOTS OF BELLS AND WHISTLES, LOTS 1152 01:15:42,876 --> 01:15:46,413 OF FIREWORKS. THAT'S GREAT, TOO. 1153 01:15:46,413 --> 01:15:49,482 I LIKE THE FACT WE KEPT IT PURE AND SIMPLE HERE BECAUSE THAT WAS 1154 01:15:49,482 --> 01:15:51,351 A NICE THING FOR YOU TO DO AT THIS POINT. 1155 01:15:51,351 --> 01:15:54,287 I BROUGHT YOU BACK INTO THIS THING, WHERE YOU BELONG AND YOU 1156 01:15:54,287 --> 01:15:55,321 ABSOLUTELY DELIVERED TONIGHT, MAN. 1157 01:15:55,321 --> 01:15:56,589 I'M SUPER PROUD. >> Carson: IF YOU WANT CONOR IN 1158 01:15:56,589 --> 01:15:58,491 THE FINALE, YOU CAN VOTE ON NBC.COM AND "THE VOICE" OFFICIAL 1159 01:15:58,491 --> 01:16:05,932 APP. LET'S HEAR IT FOR CONOR JAMES. 1160 01:16:05,932 --> 01:16:08,068 WHEN WE COME BACK, RENZO CLOSES OUT THE NIGHT WITH A LEGENDARY 1161 01:16:08,068 --> 01:16:10,704 AEROSMITH SONG. IT'S TIME TO VOTE FOR YOUR 1162 01:16:10,704 --> 01:16:13,740 FINALISTS. THIS IS "THE VOICE" ON NBC. 1163 01:16:15,241 --> 01:16:15,809 THIS IS "THE VOICE" ON NBC. 1164 01:16:15,809 --> 01:16:25,585 STAY W >> Carson: WELCOME BACK. 1165 01:16:25,585 --> 01:16:27,687 ONE MORE PERFORMANCE TO GO. LET'S CLOSE OUT THE NIGHT WITH 1166 01:16:27,687 --> 01:16:29,823 TEAM LEGEND'S PHILLY ROCKER WHO'S TAKING SOME OF ADAM'S 1167 01:16:29,823 --> 01:16:31,358 ADVICE THIS WEEK. HERE'S MORE FROM RENZO. 1168 01:16:38,064 --> 01:16:43,169 >> I MADE IT TO LIVES! 1169 01:16:43,169 --> 01:16:45,605 >> I MADE IT! >> RENZO! 1170 01:16:45,605 --> 01:16:49,342 I'M SO EXCITED FOR YOU TO BE HERE IN THE LIVES. 1171 01:16:49,342 --> 01:16:53,747 ALL THE OTHER COACHES ARE VERY JEALOUS YOU'RE ON MY TEAM. 1172 01:16:53,747 --> 01:16:56,783 ESPECIALLY ONE ADAM LEVINE, WHICH MEANS WE'RE DOING OUR JOB 1173 01:16:56,783 --> 01:16:57,684 CORRECTLY. >> LOCKING IT IN. 1174 01:16:57,684 --> 01:17:00,520 >> YEAH. BUT ADAM DID SAY -- 1175 01:17:00,520 --> 01:17:04,024 >> I WANT MORE SCREAMRY. YOU HAVE MORE SCREAMING VOICE IN 1176 01:17:04,024 --> 01:17:06,926 THIS COMPETITION. WE HAVEN'T HEARD ENOUGH OF THAT. 1177 01:17:06,926 --> 01:17:09,662 >> WE PICKED THE BEST SCREAMRY SONG. 1178 01:17:09,662 --> 01:17:14,534 I HAVE A FEELING YOU'RE GOING TO KILL THIS. 1179 01:17:14,534 --> 01:17:18,038 * FROM FOOLS * >> RENZO IS OUR ROCK STAR, BABY. 1180 01:17:18,038 --> 01:17:21,074 HE IS OUR ROCK STAR. HE'S WHAT THE SHOW NEEDS BECAUSE 1181 01:17:21,074 --> 01:17:23,309 WE DON'T GET A LOT OF GREAT ROCK STARS ON THE SHOW. 1182 01:17:23,309 --> 01:17:28,415 RENZO'S GIVING IT TO US. * COME BACK TO YOU * 1183 01:17:28,415 --> 01:17:32,619 * SING FOR THE YEARS * >> HE COMBINES ROCK STAR 1184 01:17:32,619 --> 01:17:35,722 SENSIBILITY AND ROCK STAR ABILITY WITH REAL HUMILITY AND 1185 01:17:35,722 --> 01:17:39,092 LIKABILITY. IT'S A REALLY GREAT COMBINATION. 1186 01:17:39,092 --> 01:17:44,164 I THINK AMERICA IS DEFINITELY FALLING IN LOVE WITH RENZO. 1187 01:17:44,164 --> 01:17:45,965 >> "DREAM ON" IS SUCH A STAPLE IN THE ROCK COMMUNITY. 1188 01:17:45,965 --> 01:17:51,237 IT IS A BIG SONG. THE CHALLENGE IS MAKING SURE I 1189 01:17:51,237 --> 01:17:54,407 PAY HOMAGE TO THESE LEGENDS BUT ALSO MAKING SURE I ADD A MODERN 1190 01:17:54,407 --> 01:17:59,245 TWIST TO IT WITH WHAT RENZO CAN BRING. 1191 01:17:59,245 --> 01:18:02,148 >> THE CROWD'S GOING TO GO WILD! I LOVE THE JOURNEY OF THAT SONG. 1192 01:18:02,148 --> 01:18:04,117 I THINK IT'S A REALLY GREAT CHOICE FOR THIS. 1193 01:18:04,117 --> 01:18:06,252 YOU GET TO BE PRETTY AND A LITTLE MORE SUBTLE AT THE 1194 01:18:06,252 --> 01:18:08,688 BEGINNING AND THEN -- >> I GET TO SCREAM. 1195 01:18:08,688 --> 01:18:10,423 >> THAT'S THE MAP OF A GREAT PERFORMANCE. 1196 01:18:10,423 --> 01:18:12,659 >> THIS JOURNEY IS DEFINITELY FOR MY MOM. 1197 01:18:12,659 --> 01:18:14,728 GROWING UP SHE WANTED TO BE A SINGER. 1198 01:18:14,728 --> 01:18:17,664 SHE WAS GIGGING A LOT AND SHE WAS IN YOU CAN THATS TO GETTING 1199 01:18:17,664 --> 01:18:21,634 SIGNED TO SEVERAL LABELS. WHEN MY MOM PASSED AWAY, MY MOM 1200 01:18:21,634 --> 01:18:24,838 GAVE IT ALL UP TO TAKE CARE OF MY SISTER AND I. 1201 01:18:24,838 --> 01:18:27,040 MA, YOU'RE THE BIGGEST INSPIRATION TO ME IN MY LIFE. 1202 01:18:27,040 --> 01:18:30,210 NOT JUST IN MUSIC. >> I'M SO PROUD. 1203 01:18:30,210 --> 01:18:33,046 LIKE, EVERY TIME I SEE YOU UP THERE SINGING, I JUST GET THE 1204 01:18:33,046 --> 01:18:35,148 GOOSE BUMPS. I KNOW YOU'RE GOING TO DO 1205 01:18:35,148 --> 01:18:37,117 AWESOME. YOU'RE GOING TO DO AWESOME. 1206 01:18:37,117 --> 01:18:39,919 >> IT'S GO TIME. LET'S GET IT. 1207 01:18:39,919 --> 01:18:41,788 >> IT'S GO TIME. >> LOVE YOU. 1208 01:18:41,788 --> 01:18:43,056 BYE. >> LOVE YOU. 1209 01:18:43,056 --> 01:18:47,794 >> APPRECIATE YOU, BROTHER. YOU'RE GOING TO BE AMAZING. 1210 01:18:47,794 --> 01:18:48,828 >> ADAM, YOU WANTED MORE SCREAMING. 1211 01:18:48,828 --> 01:18:49,662 HERE WE GO. SORRY, ADAM. 1212 01:18:49,662 --> 01:18:53,633 >> I'M NOT SORRY. I'M NOT SORRY. 1213 01:18:58,805 --> 01:19:01,541 ** 1214 01:19:01,541 --> 01:19:08,415 * EVERY TIME I LOOK IN THE MIRROR 1215 01:19:08,415 --> 01:19:20,093 ALL THESE LINES ON MY FACE GETTING CLEARER * 1216 01:19:20,093 --> 01:19:23,263 * THE PAST IS GONE IT WENT BY 1217 01:19:23,263 --> 01:19:27,033 LIKE DUSK TO DAWN ISN'T THAT THE WAY * 1218 01:19:27,033 --> 01:19:35,408 * EVERYBODY'S GOT THEIR DUES IN LIFE 1219 01:19:35,408 --> 01:19:37,544 TO PAY * TO PAY * 1220 01:19:37,544 --> 01:19:40,714 * I KNOW NOBODY KNOWS WHERE IT COMES 1221 01:19:40,714 --> 01:19:43,883 AND WHERE IT GOES * * I KNOW 1222 01:19:43,883 --> 01:19:50,256 IT'S EVERYBODY'S SIN YOU GOT TO LOSE TO KNOW 1223 01:19:50,256 --> 01:19:57,130 HOW TO WIN * * HALF MY LIFE'S 1224 01:19:57,130 --> 01:20:04,537 IN BOOKS' WRITTEN PAGES LIVED AND LEARNED 1225 01:20:04,537 --> 01:20:10,377 FROM FOOLS AND FROM SAGES * * YOU KNOW IT'S TRUE 1226 01:20:10,377 --> 01:20:14,080 ALL THE THINGS COME BACK TO YOU 1227 01:20:14,080 --> 01:20:16,750 YEAH * * SING WITH ME 1228 01:20:16,750 --> 01:20:19,386 SING FOR THE YEAR SING FOR THE LAUGHTER 1229 01:20:19,386 --> 01:20:22,022 SING FOR THE TEAR * * SING WITH ME 1230 01:20:22,022 --> 01:20:25,191 JUST FOR TODAY MAYBE TOMORROW * 1231 01:20:25,191 --> 01:20:34,200 * THE GOOD LORD WILL TAKE YOU AWAY 1232 01:20:34,200 --> 01:20:38,438 DREAM ON DREAM ON DREAM ON * 1233 01:20:38,438 --> 01:20:44,277 * DREAM UNTIL YOUR DREAM COMES TRUE 1234 01:20:44,277 --> 01:20:48,481 DREAM ON DREAM ON DREAM ON * 1235 01:20:48,481 --> 01:20:59,092 * DREAM UNTIL YOUR DREAM COMES THROUGH 1236 01:20:59,092 --> 01:21:07,067 DREAM ON DREAM ON DREAM ON DREAM ON * 1237 01:21:07,067 --> 01:21:19,145 * DREAM ON OHH 1238 01:21:19,145 --> 01:21:19,546 ** 1239 01:21:29,789 --> 01:21:32,492 >> YA! >> Carson: THAT IS RENZO CLOSING 1240 01:21:32,492 --> 01:21:42,202 OUT THE NIGHT, EVERYBODY. AND THE ROOM IS ELECTRIC! >> OH! 1241 01:21:42,202 --> 01:21:45,739 >> Carson: OKAY. WE'VE ONLY GOT ABOUT A MINUTE LEFT. 1242 01:21:45,739 --> 01:21:47,941 JOHN, WHERE DO YOU WANT TO START? >> MAN! 1243 01:21:47,941 --> 01:21:57,317 RENZO! I'M OVER HERE GOING CRAZY. YO, THAT WAS LIKE YOU REHEARSED 1244 01:21:57,317 --> 01:22:06,292 IT BEAUTIFULLY, BUT THAT WAS, LIKE, AT LEAST THREE TIMES AS GOOD AS REHEARSAL. 1245 01:22:06,292 --> 01:22:11,431 IT WAS SO INCREDIBLE. YOU JUST LOOK LIKE YOU ARE SUPPOSED TO BE HERE ON THIS 1246 01:22:11,431 --> 01:22:14,701 STAGE, ON THE GRAMMY STAGE, ALL THE STAGES. YOU LOOK LIKE A SUPERSTAR UP 1247 01:22:14,701 --> 01:22:18,705 THERE. AND YOU SOUNDED LIKE ONE. IT WAS PERFECT. 1248 01:22:18,705 --> 01:22:24,277 >> THANK YOU SO MUCH. >> Carson: IF YOU WANT RENZO IN THE FINALE, YOU CAN VOTE ON 1249 01:22:24,277 --> 01:22:28,715 NBC.COM AND "THE VOICE" OFFICIAL APP. GIVE IT UP AGAIN CLOSING OUT THE 1250 01:22:28,715 --> 01:22:32,152 NIGHT FOR RENZO. WOW. THERE YOU HAVE IT. 1251 01:22:32,152 --> 01:22:36,956 WHAT A NIGHT. VOTING IT OPEN. BE SURE TO GET THOSE VOTES IN. 1252 01:22:36,956 --> 01:22:42,395 TOMORROW NIGHT YOUR FINAL FIVE WILL BE REVEALED. PLUS, BIG PERFORMANCES BY 1253 01:22:42,395 --> 01:22:46,866 COACHES JOHN LEGEND AND KELSEA BALLERINI. THANK YOU, EVERYBODY. 1254 01:22:46,866 --> 01:22:49,002 WE'LL SEE YOU TONIGHT ON "THE 99019

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