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(bright ethereal chiming)
Downloaded from YTS.MX
Official YIFY movies site: YTS.MX
(eerie instrumental music)
- I got the idea for this experiment.
What if you took four non-actors,
trained them to hunt ghosts,
and then locked them into a haunted house for 24 hours?
- I'm qualified for this experiment because I'm a filmmaker,
and they need somebody who's quick on their feet,
has got a good sensibility of where the camera should go
and what kind of feelings
you should give the audience by what kind of camera angles
I'm gonna throw at you guys.
So that's why I'm qualified.
- I know I'm qualified for this experiment
because I've had a long history
of interests in the paranormal and the metaphysical world.
- I think I'm qualified for this experiment
because I've had my own ghost experiences.
I've never actually chased them, but,
if I'd known there were ways to do it like I do now,
I definitely would've, so.
- Well, I think I'm qualified for this experiment
because I was a history major in college.
- Well, I thought maybe
what we'd start out with the basic stuff.
Motion detectors for you guys to use,
we'll have them ready for you before you go into the house.
The idea behind 'em is back when all this was started,
back in the '20s and '30s and people really started
to do investigations and stuff,
they used to keep jars of flour with them all the time,
and the flour would be sprinkled on the floor,
and then if anybody passed through the area,
whether it be ghost or otherwise,
would leave footprints behind.
This is probably the simplest meter to use.
It's a digital meter, all you have to do is turn it on,
you get a read out on it so that it tells you
exactly what it is you're looking for.
The only problem with a meter like this,
is that it does not tune out natural
or artificial sources of electro-magnetic energy.
This is a standard TriField meter,
with this one it does not do a combination
of electrical and magnetic, it only does magnetic.
Now these Phaser light devices actually.
(group chuckling)
This is a infrared, non-contact thermometer.
Actually, we call them thermal scanners,
just because it's an easy thing to remember.
What this does is you push this button,
you fire it just like you would a gun,
and it takes instantaneous temperature readings
from the air.
The theory is that the ghosts,
when they're disrupting electro-magnetic field as they do,
because that's what they're comprised of,
to be able to manifest they need energy.
To be able to get energy,
they've gotta pull it from the atmosphere around them.
When they do, it makes the temperature drop.
That's why when you hear,
when you read anything about ghosts,
you always hear about cold spots.
That's the scientific explanation of a cold spot.
- To get proof would be awesome.
We kinda proof my own ghost stories, in a way.
Whether or not we can get the ghost
to move on or whatever it is to leave the house alone,
I guess that's great for people who leave there.
Personally, if I lived in that haunted house,
I wouldn't want the ghost to leave me.
It would be kinda nice to have them.
- How do I feel about going to the house?
Well I feel, like really nervous.
I mean I feel really anxious.
My stomach been kind on edge this morning,
but I feel like excited.
I'm exited because it's holy new
and it's going to be like this good challenge for me,
because I get really scared (chuckling).
- I'm not exactly too sure, whether ghost exist or not.
Like, anything gets a little more deeper than that,
because if there are ghost
then that means that there gotta be something else
outside this life.
That's something I'd like to believe in,
so I hope that going in there,
I'll see something that will confirm any beliefs
that I've had as a child
or right now about what happens after death.
- I think that my curiosity will probably outweigh the fear.
At least am hoping (chuckling).
I think that one of my main goals
that I personally set for myself
was that I want to face my fears now.
(cutlery clattering)
- If you know very much
about St. Francisville at all,
it is kind of a cluster of...
It's a historic cluster
of haunted houses, I'll be honest with you.
Almost every plantation around here
has a ghost story of one sort or another.
A lot of them.
But you've got a lot of violence, you've got history,
you've got the Civil War, slavery, all combined,
and something about this area
seems to attract that kind of thing.
The house was chosen, mostly for the reason that,
it may be connected to these murders in some way.
That's about all the background I wanna give you.
I don't wanna give you particulars.
I don't want to tell you
about any kind of ghost sightings that have taken place,
we'd rather that you guys go in cold, with this thing.
And investigate on your own.
(creepy somber music)
- [Host] Sarah, tell me about Madame LaLaurie.
- Well Madame was the Creme de la Creme
of New Orleans aristocracy.
She lived on Royal Street,
the most modern house in all of New Orleans,
first home with gas lighting,
with her third husband Doctor LaLaurie,
and her two daughters from previous marriages.
Well, one night Madame was having a Mardi Gras ball,
and she once again excused herself from the room,
left, people heard muffled sounds and things like that.
Madame came back and was very excited.
Shortly thereafter, a fire broke out in the kitchen.
Well as it turns out, when the fire department arrived,
there was an aged slave in the kitchen,
and she had deliberately set fire to the house,
rather than continuing to live in the conditions
that she was living in.
She was chained to the wall.
No more than two foot of chain,
for over a year she had been chained there.
She couldn't leave the kitchen.
All she did was cook, cook, cook,
and sleep on the kitchen floor.
So she deliberately set fire
to the kitchen hoping to escape.
When the fire department saw this,
it piqued their interest about Madame.
They'd always heard the rumors,
but they never really knew if it was true.
So with the excuse of looking for burning embers
they searched the house room by room.
This was a 40-room mansion, it was tremendous.
Three floors, it was half of a square block.
It's a beautiful house.
They searched room by room, painstakingly looking
under every piece of furniture, and every closet,
looking for anything that would validate
the rumors about Madame.
They finally got into the attic,
and there was a room that they couldn't seem to open.
It seemed to be locked from the inside.
So they called more people in and they forced the door open.
When the door opened they were immediately sent back
by what they thought was the stench of death.
But on further examination,
it seemed that everyone was alive in the room.
The first person they saw was a small 12-year-old boy,
who half of his face had been peeled away,
his skin removed and his muscle tissue,
and his veins and his bones were exposed.
And the wound had since been infested
with disease and insects.
And he was kept alive.
He was force fed.
And he was taken care of well enough,
so that he stayed alive.
Another woman, they believe his mother,
was forced into a cage no bigger than that
of the size of a medium dog,
so that all of her joints
were broken when she was forced into the cage.
When they took her out, her joints had re-set
at obscene angles so she looked more like
a crab than a human.
There was a gentleman tied down to a table.
It appeared that Madame attempted to perform
a castration on him.
Not a simple castration though,
it looked more like an early
attempt at a sex change operation.
All about the room there were blood encrusted knives
and devices that looked like medical equipment.
There were red-stained drinking cups and saucers.
There were bottles filled with red substances
and later on people examined
and they did believe that it was blood.
Well, at the time that the firemen
were searching the house,
Madame knew I'm busted, they're gonna find me out,
so she was collecting some of her things
into a coach below.
She had her coachman, Arstessis assisting her.
There was an angry mob gathering on the street below.
Arstessis drove the coach through the gate doors,
through the angry crowd of people, and fled away,
and since then, nobody has had any actual proof
of where Madame is.
Many people have their theories though.
Some people believe that Madame may have fled
to St Francisville.
- So Priestess Jones, we're here in St Francisville
at a plantation, that we feel the LaLauries
might have come to when they fled the French Quarter.
We're sending in four young people into this house
to investigate the possibility
that the LaLauries did come here.
What kind of thing do you think they should expect
or what kind of activity do you think they might find?
- Just maybe a heaviness that people may sense
that there is something in the room,
but they just don't know what.
- How dangerous could this be?
I mean, how much is there to fear from spirits?
- The thing that one must be cautious of,
is that these energies will attach themselves
to the people who may be leaving,
but it's a simple thing of just doing a cleansing,
a prayer of protection.
- So wait a minute, you're saying
they might bring out spirits with them,
and take them with them?
You have a friend who actually lived in there,
tell me about that.
- Oh, yes back in the 1960s,
a family bought the home,
it just so happens that there's some friend of ours,
and they grew up for a number of years in that mansion.
And they told some fascinating stories
on dark stormy nights, they could hear young girls
screaming out in the court yard.
Often, times as children
they would see a dark figure
of a man walking up and down the balconies
and he looked like he was covered in blood and chains.
They also saw a figure of a woman who was carrying a bowed,
for screaming in french.
Who else could it be but,
possibly Delphine LaLaurie herself.
Throughout the years there's been newspaper documentation
of occupants of the home experiencing
the same type of things.
- What type of activities might they expect
if the LaLauries had been there continuing their practices.
- If they were conducting the same sort of experimentation
you gonna have a high concentration of negative energy.
You gonna have a lot of pain that has been left there,
a lot of sadness, a lot of fear,
but more importantly than that, a lot of anger.
Particularly if as in the case with the New Orleans location
they were bodies that were not found
until many, many years later.
There is possibly even bodies that haven't been found yet.
- So you saying this could be dangerous?
- Well, I'll certainly think,
if there some bodies that were never ever recovered
that those spirits are probably very very angry
and also probably actually very anxious
for people to know their story.
And it's really no telling what could happen.
- I can't wait, I've been waiting to get in there.
I just cannot wait to get in there and check this place out.
I mean just the house alone,
whether or not it was haunted,
I'd love to go in and check it all out.
Explore all those rooms and stuff,
but it's almost a dream come true
to get to be, on the Scoobie Doo team.
(laughing)
Check out a house for an entire night.
Three of the people I don't really know,
but they're all cool.
And I hope they can hold up (laughing).
- You know I don't know
if it's gonna be a negative spirit or not.
I mean maybe we can help them.
I mean they're in this place, they can't get
to this next level, they're stuck,
they're kind of stuck,
and I hope that we can help them.
Maybe they have unfinished business
and maybe we can help them finish that business.
- I just wanna feel something
or know that they're there, just know inside
of me that these things exist.
And I wanna communicate with them
and I wanna help them to get wherever they need to go.
- I've spent a lot of time meditating in the last week.
I've meditated more than I ever have.
I'm coming at this thing,
hopefully with a real grounded, solid approach
of being here in this dimension,
which is basically what we're going to be meeting with.
We're meeting with another dimension.
Whenever you meet with the unknown, it's scary.
(car engine roaring)
- Come on everybody.
- [Tim] Thank you.
- [Ryan] Bye.
- [Paul J] Look at that.
Oh my God.
- [Tim] In fact you're going to make things worse.
- I think I need to tell everybody something.
When we get in there,
we need to talk to that house.
I don't know if anything's in that house,
but we need to tell it why we're here,
what we're planning on doing,
and asking for its permission.
It's for protection.
- Guys, hold up I've got to get my stuff.
- [Tim] Madison's creeping me out dude.
She's not gonna hold up.
That's the thing, just hold up.
I'm gonna smack her.
(laughing)
No serious.
It's called, spooking herself out.
- A couple of things before we go in here.
You guys are in here for the night.
You guys can come out when
the dawn breaks on the horizon.
- I guess we shouldn't even go out on the balcony?
- No you can't go out on the balcony.
That is off limits.
- All right.
- Are we going to have to separate?
- No, at this point we don't plan on you guys separating.
- Can you open windows in this house if it gets hot?
- [Paul] Yeah, you can't open windows, no.
- Good the windows are all shut, right?
- [Paul] Yeah, the windows are all,
the place is all barricaded up there.
You can get out through the front door, all right.
You are free to explore the entire place, okay?
- [Ryan] Okay.
- So let me hand this to somebody.
- Ghost Hunting, I hardly have hands.
- All right?
- How stuffy is that place.
Is there a lot of ventilation?
- [Paul] I guess you'll find out, okay.
(laughing)
- I've got a tank top if I get hot.
- [Paul] Are you guys all set?
All right, there you go.
- [Paul J] So where's the other camera?
- [Madison] I have one.
- [Paul] I'm gonna give it to you right now.
- [Madison] Bye guys.
- [Pul J] We cannot believe we're doing this!
(laughing)
All right, check this place out, come on.
(footsteps stomping)
- [Tim] Did anybody ever hear about how old the place is?
Well okay, not forget the food.
- [Paul J] Oh, is this our food?
So nice of them.
Well you know what, why don't one of us walk in,
I'll hand it in.
- [Madison] All right.
- [Ryan J] Are those roast nut cookies?
- No.
- Well I can't come out.
- [Ryan] You have to bring it in now.
- You need to go in and we need to talk first.
- [Ryan J] We need to bring this food in, we can't come out.
It's okay.
- [Paul J] So we have to drop off our stuff,
I'll go in you can hand me your stuff.
- No it's not that.
We just need to make peace with the house.
- [Paul J] I can't, we need to get all our stuff in to.
- [Tim] Guys, this is so awesome.
Somebody help me with the food.
- [Paul J] Here.
- [Tim] So awesome.
- [Paul J] Tim, it's all right.
Hey hang on a while,
see if the lights work.
Is that light ice chest ours?
- [Tim] Crap, where would you put this stuff?
- [Paul J] You know what, I'm not a psychic
but I'm feeling kind of scared suddenly.
I got the creepiest feeling, so-
- We need to sit down.
We need to talk.
I would like to say that myself, Madison, Ryan,
Paul, and Tim were all in this house
and we would like to surround this house with white light.
We would like to surround ourselves
with white light for protection.
White light, the protection of the universe and God.
And we would like it to envelope all of this house,
every room, and the roof of the house as well.
We ask permission to be in this house,
and if there is something in this house,
with us, we come in peace and we come to help.
We may not be able to understand everything,
but we want to try and we hope that you'll accept us,
because we would like to meet with you and dialogue.
- [Paul J] Okay? - [Tim] Amen.
- [Paul] Okay communication, hugely important.
Got it?
Whatever you're feeling, thinking, keep it all four of us.
So there shouldn't be things between two or three people.
Nobody should be left out.
That's for, just for safety reasons.
I mean just for, it'll keep people from breaking toes,
and falling down staircases and as long as we all know
where each other's at, and communicating.
I mean, to an extent.
- I promise to communicate everything.
- [Paul J] Yeah, I do too.
- [Tim] Yeah me too.
- [Paul J] Furthermore-
- Do you promise to communicate everything?
- [Tim] I promise to communicate
every single thought that I have and then-
- Say it.
- No, I was just thinking I feel like
I need to say a prayer.
- [Paul J] We just had one.
- I want to say my own.
- [Tim] Say-
- [Paul J] Okay, go ahead for yourself.
But I don't wanna turn this
into a big prayer meeting all night.
- [Madison] Maybe you should say it out loud.
- No, I'd rather-
- [Paul J] No, she needs her own.
- Okay.
- [Paul J] How do you guys feel?
- I feel more afraid of my own fears than anything else.
- Really, I was fine until we walked in,
I stood right over there and I started rumbling.
And I'm not like, into being all scared or anything.
I want evidence, but how weird is it?
When you walk into a place and suddenly get terrified.
I'm not scared of the house, it's just I got
this scary feeling, like I'm not sure even of what.
- Well maybe it's-
- [Tim] So hot in here.
- [Paul J] Yeah, I'm boiling.
- There's dust everywhere (indistinct).
- [Paul J] I guess we should-
- Oh I know what it was that I wanted
to say that was so important.
- [Tim] Whoa, clear this up,
then we've got stuff to do.
- The thing we need to do is make a home base.
We need to decide where that is.
So I imagine we should probably
at least look at the first floor.
The kitchen obviously is not the place to have it.
- I think this is a really good home base.
- [Paul J] This middle section?
- [Tim] Nah, just keep home base in here.
I need to find an outlet.
- Well that's the thing too,
we have to test the outlets.
There's an outlet on the floor over there.
- I feel really good about this space,
because when I fist walked in,
I looked around everywhere,
and I felt like this is the spot
that I really wanted to say everything to the house.
- [Paul J] Okay.
- And this is the area that has-
- [Paul J] So set up our home base
and find out what our missions are,
because it's the most important-
- First things first,
I'm going to see if this light even works.
There, beautiful.
- [Ryan] (laughing) There is light.
(laughing)
- Don't get too excited,
it's not going to to stay this way.
- You know what, before we go further in the house,
get our shit together then we'll start turning out
the light, you know what I mean?
Like our missions.
- Stay in front of that camera
so it's not just recording her.
- Okay, hi, I'm here.
The light just worked but I know it's not going to stay on.
We don't know what to expect.
I just gave a blessing for the house.
Actually it was for me.
You see, I don't like being closed in.
- [Paul J] All Right.
- But I really didn't want to talk about that.
- Madison, I don't think you should even say
what you don't like.
Don't even say what your fears are.
Don't even put up right there.
- [Tim] Hey, hey.
- [Paul J] An enormous area.
Instructions getting settled.
Locate the living room and set up base camp.
Well we chose the entrance hall.
- [Tim] Fuck it.
Forget about it.
Designate a team leader.
- [Madison] Okay.
- Which one's the living room, that one?
- Yeah but we decided this.
- [Tim] Roshambo-
- Yeah that's fine, but we need
to know which room it is in case there are other things-
- We'll make a floor plan and decide what rooms are what.
- All right-
- [Paul J] Designate a leader.
- A leader.
Him.
- I agree.
- [Paul J] Tim?
- [Tim] I ain't arguing.
Well you're behind camera?
You seem to have control.
- Assigning positions and equipment
to others we'll get that done, just remember
once you tell us something, we get it.
And as emotional as you may feel, or wanna get,
for our sake just kinda...
Let us know what's going on.
- I don't think we should tell each other what to do,
or what to feel.
We're gonna feel-
- I'm not telling her, she can feel whatever she wants.
- Express whatever we feel.
- [Paul J] Well the only problem
is that we first walked in here,
all four of us did that, and it was chaos, so-
- Okay, I've got it.
If I have the claustrophobia thing,
I won't spread it around.
- [Paul J] No, no, no, that's not what I'm saying.
- Yeah-
- No express what you feel.
- [Paul J] No, tell us what you feel.
- But if it's a phobia, it's a phobia.
If it's real, if it's has-
- [Paul J] I'd already forgotten about that.
That's why we're talking-
- I will be a lot more scientific.
That's what you guys need.
- [Paul J] Well that's not what I was saying.
I wasn't even totally fussed when we had forgotten about it.
It's just that we should be clear
when somebody else is speaking,
give them the respect and let them listen.
- I've got, it was just,
kind of sprung on me, and I-
- Okay, but there's going to be times when we're all like
a little bit freaked out.
- [Paul J] Righty.
- And I mean it's not like we're going to say,
stop talking I need to speak.
I mean just whatever. - No 'cause of self-respect.
- So you weren't kidding when you said that I was
being so quiet that you were getting freaked out?
- Exactly.
- Oh okay.
- That wasn't because you weren't communicating,
which is fine, you're feeling something,
but I was like God, what do you know that I don't know,
because your position here,
as you know, you have a gift we don't have.
You're feeling things we don't know.
So, it's up to you to tell us, if a room feels
a certain way to you.
I mean we may feel something too.
- We're gonna have our own intuition-
- [Paul J] Exactly.
But her, she's here for that.
So that's why you won't necessarily carry,
not that you can't carry a camera, but-
- Right, no I got you.
- [Paul J] It's 12 hours.
- I definitely got a little freaked out walking in here.
I wasn't aware I wasn't able to open a window.
- [Paul J] Yeah, assigning positions and equipment.
I guess we could just volunteer what we wanna do.
- Sure.
- [Paul J] What do you want to do Kel?
I do know there's some things
that we need to do scientifically.
Do you want to hear what they are?
- Yeah.
- We need to take the temperature
of every room and write it down.
That one monitor's kind of whacked, we have two of them.
So we need to use both in every room
and point it in each direction, and write down
the basic temperature.
I wanna find true north in every room.
It sounds kind of silly, but compasses can spin.
- [Kel] Okay.
- We need to find, what else was there?
I wanna make a floor plan of this house,
and I mean it's kind of obvious how the house is,
but we need to decide what the rooms are.
We may not know exactly what this room's called,
so we'll come up with a general name for it.
- Okay.
- [Paul J] That we all agree on,
and we'll have that written down.
(eerie music)
(door creaks)
All right, I guess, guys,
this room is strange,
because it's right off the living room,
but it has twin beds in it.
It's like a guest room I guess, or-
- We can call this one the right room,
and that one the left room (indistinct).
(indistinct)
- This could be the maid's quarters.
- [Tim] Call it the Woodpecker.
- Men's parlor and the ladies' parlor.
- [Paul J] The Woodpecker room, there it is.
- [Tim] The Woodpecker.
- All right, that's cool.
Woodpecker Room.
- [Paul J] Got that?
- [Madison] The Woodpecker Room?
- [Paul J] Do you see why?
Turn around.
- Okay.
(laughing)
- [Paul J] Did you guys notice that clock is not working?
- [Madison] Right now it's not, no.
It says three minutes to seven.
- [Paul J] It has a fire place.
How's the temperature in here?
- It's 73 on this wall.
Are you writing this down.
73 degrees
- Yeah.
And then do like slash, and do all four corners for all.
- This one is 72.
And the last one, what was the first one?
73, and this one's also 72.5.
- So 73, so it's an average of 73 degrees.
- If you guys were interested to know,
the front of the house is north.
This house faces directly north.
- Does somebody want this tool right here?
It's the gamma.
- The gamma.
We'll do it later.
Magnetic field we have 10 everywhere.
- Yeah.
Ten all the way around.
Which is as the ghost hunting guide says, is ghostly.
- [Tim] Here, in here.
(eerie music)
- It's awfully dark.
- Okay, oh my god, what is this?
- [Tim] This is the Dove. (door creaking)
- Yeah but look at this.
- [Madison] Do you want to call this the dove room?
- [Tim] Yeah.
- Just close that, I don't have.
(loud slam)
Dove room, yeah.
Kind of a, oh look, there's an exterior door.
This might be another place for a motion detector.
- [Tim] Do you want me to go get one?
- Scope the house.
- Scope the house first.
It's a smoking room.
- [Tim] Yeah.
- [Paul J] So you want to go signature reads?
- Yep, I'll do it.
Okay, all right, this wall reads 74 solid.
This wall, okay this is average 73.
- You know what's weird,
I feel like I'm chasing whatever it is.
- [Madison] You might be.
We might be.
I don't feel it's the right time yet.
- Is up to 100 though.
- It's not cold here.
- [Tim] I felt a cold spot.
- [Madison] You do? - [Tim] Yep.
- There is a cold spot in my back.
- I don't feel anything.
- 74.
- It's not cold over there.
- I didn't feel it.
- Okay, whenever someone feels the temperature thing,
whoever's holding the temperature one,
stand away from it, across the room.
- Okay, it was hard to do too-
- I know.
Yeah I'm still, it's all about 10.
Actually this one it's over 10.
- This room's a little weird.
- It is a little weird, and I don't like that closet.
- [Tim] So the Dove room is definitely not the peace room.
- Okay this must be the stairwell.
- Downstairs, downstairs.
What's the room called?
- Windmill. - [Tim] Windmill.
- Okay this one's a little lower at 71.
- Okay, it's a door though.
- Yeah.
- [Paul J] It's definitely a 10 in here.
Write 10.
It was creepy in there, that puts why
- [Tim] Yeah I felt that cold spot.
- Scary, my adrenaline's been going.
And I've never felt a (indistinct)
I wish the girls had felt it.
- [Tim] Electric-
- [Ryan] Oh there you go.
- Weird.
See how there's no bulb up there?
- [Ryan] Yeah.
- Dining room huh, how about it?
- Yep.
- We all agree this is the dining room?
- [Tim] I felt another cold spot
when I first walked in here.
I was gonna say something.
- Yeah say something Tim.
That's the lighting from-
- Yeah right here.
Whoa, way up over 100.
- 100?
- Yeah.
- [Tim] I'm feeling something right here.
- Right well-
- [Tim] Turn around, point it at me.
- It's dropping below 10.
Right here, right here, see?
Okay, see right now it's at a 10.
Uh God it's just spiking.
Come here, come here.
Don't turn the light on it too much.
- [Madison] I'm going to fall on my ass up here
in this windmill.
- Jees, can you turn a light on or I'm not coming up.
- [Paul J] No, get up here, come on.
(footsteps stomping)
(squeaking timber)
- [Madison] Shouldn't you do the schedule on those?
Where we are?
- Yeah. - [Tim] Yeah.
- [Ryan] There's three floors.
Well no, the next one's the attic right?
- [Paul J] No it was three floors and an attic.
- [Tim] Someone's an avid reader over here.
- [Paul J] Yeah.
- I'm getting 73.
- [Tim] Hey yo?
- [All] What?
- Get down here.
- [All] What?
- Did somebody call my name?
- No.
- I heard somebody call my name.
- [Tim] Get down here.
- [Madison] I swear I have goose bumps.
I really heard somebody was screaming my name.
- [Ryan] A man or a woman?
- A man, in my right ear.
It said Madison.
(squeaking timber)
- [Paul J] Okay.
- Oh, the door just opened.
- I saw it open.
What happened?
- I was in there, putting a battery in this thing.
I started walking in through that doorway right there.
- [Paul J] This doorway right here?
(laughing)
- [Tim] Right through there.
- [Paul J] What? - [Madison] Yeah,
I'm listening, she tried...
- She's getting nervous, that's all.
- [Paul J] Zip it, shh, shh, shh.
Let Tim talk.
- I heard that.
- [Paul J] Okay, now, as far as scientific.
Go ahead, and then we talk.
- So I heard it in that door.
- [Paul J] Scientifically we do have proof of witness
that's pretty damn good.
However we'd like to get some readings on it.
- We need to write this down.
What time this happened and everything.
- Okay.
- It's nine, that happened at 9.30.
- Here you're scientific
- Grrrrr!
Camera wasn't on.
- [All] What? - What!
- [Ryan] The camera wasn't on?
- I was putting the battery in.
- [Madison] That's why it happened.
You know why people get so frustrated
- [Paul J] Yeah, because people just scream
and say whatever they want.
- Most people get...
- [Paul J] I'm gonna read my meter.
- Listen, most people get really frustrated
because they go into a house and nothing ever happens.
- [Paul J] It doesn't matter if this fucking house
gets up and flies if we don't get recordings,
it doesn't matter, it didn't happen.
- All right, I know.
- Dudes this is an old house, I mean old houses
creak, old houses do a lot of weird things
and all I'm saying is that every tiny little thing,
we can not jump and like freak out and think
that there's a ghost here.
Nobody's even listening to me.
- Guys, it's another room, it's the kitchen.
- It just opened on it's own.
- [Tim] Yes. - He just watched it.
- Good.
- Good?
- That means they're here.
- All the hair is standing on my body.
- Well it means that they're here.
- [Ryan] They're here, who?
- I'm going to get my meter, I left it upstairs.
- I feel something by my right arm.
I feel something by my fingers.
I don't think it's a bad thing.
- [Paul J] Okay, but the neat part is that we're here
to do scientific research.
go upstairs and get the damn meter so we can just
find out what it is touching your hand.
- [Ryan] I'm not going to go.
- [Tim] Why don't you go
- I'm not going alone, come on.
- All right, I'm coming.
- [Ryan] I'll go with you, and I'm not going alone.
- Can you just appreciate for one second
that it's here to communicate with us.
- [Paul J] I appreciate you.
- [Tim] Absolutely. - Good.
You guys all I'm saying is that every little tiny thing
in the house, you cannot jump to the conclusion,
oh my God, there's a fucking ghost here.
- (laughs hysterically) That is so funny.
There is no open window in this whole place.
I'm sorry I didn't mean to yell.
But it's true.
There's no open window.
- [Tim] Have you got a (indistinct)
because I really need one.
- It's cold right here.
(pants hysterically)
- What?
- [Ryan] What?
- Whatever you're feeling, say it.
- Did, it's like, that was my boots.
(panicked laughter)
- [Ryan] Okay I'm going to squeak it out
on every little thing and I told you guys that.
- [Tim] I love you ghosts.
- [Madison] I know it's in there.
- [Tim] I fucking do.
- It smells like oldness.
- Really?
Let me smell it.
Let me smell you guys.
- It does you guys.
It totally does.
- Don't shake, you're okay.
- It's an old man.
- I know, isn't it?
- [Tim] It's the same one that said Madison's name.
- No, it wasn't an old man that said my name.
- [Paul J] No, but it's the smell of an old guy isn't it?
- [Tim] Yep.
- No, but the guy who said my name sounded very young.
- [Ryan] You guys are those curtains open?
- [Madison] Yes.
They were.
I'm sorry-
- [Ryan] I swear to God they weren't.
- [Tim] Look on that rug.
- [Paul J] What about the rug?
What, I don't know, maybe-
- No, that wasn't like that.
- [Tim] I need to pay more attention to detail.
- [Paul J] Like?
- Like rugs so I know-
- [Paul J] Yeah we all do.
- It's all right - It's okay.
I mean we're in a haunted house, it's bound to happen.
I mean to me it's like the chandelier should swing right?
- [Madison] No, it shouldn't.
- It's a haunted house.
I'm kind of expecting the carpets to move
and the doors to open.
- Okay, let's go.
- [Tim] I love all the ghosts.
- That's the right attitude to have.
He's got it.
- [Paul J} And I don't?
I don't love the ghosts?
- No you don't, you're like this is a haunted house.
- Turn a light on.
- How would you like it if somebody told-
- It smells weird in here.
Turn a light on. - I love it.
- I said that earlier, you weren't there.
- [Tim] I felt another breeze go by me.
- [Ryan] You guys- - Yeah I feel it.
I did too, it went by me.
- [Paul J] Yeah I was looking at that.
- Oh my gosh.
- [Paul J] Well I'm sure it was a light at some point.
- [Tim] I got a bad feeling
something's gonna come out of that.
A good feeling.
- No, I don't have a feeling
that something's gonna come out of that.
- Guys get out of here.
- [Tim] I love ghosts.
- Only if they do it.
(indistinct)
- That's a bathroom I bet.
(indistinct)
- It's a bathroom I bet.
- Here do you want me to open it.
- Don't you think something is gonna jump out and grab you?
(indistinct)
- Well, wait a minute bolt lock this thing.
(lock clicking)
- Do you want to go up to third and conquer that first?
- I feel like vulnerable...
(indistinct)
My stomach exposed it feels really vulnerable.
- Everybody's watching your stomach.
- [Tim] Ghosts are all, (drools)
I haven't touched skin in years.
(laughing)
- Is this haunted realm actually stretching
or is it your imagination.
- [Madison] We still have to find a bathroom.
- I still need your meter reading from upstairs.
- Lets go.
- That's first call.
- [Tim] Wait, don't leave me alone back here.
- [Madison] You don't have to be afraid.
- Oh, like you're not?
- I was.
I flushed-
- Okay, now how do I write diagram door opened.
I'm writing this down.
- [Tim] My heart's pumping.
We've still got to go into the attic.
- [Ryan] Guys we need to finish this room first.
- All right, here's a sneak upstairs drawing room.
We got the temperatures already.
- We got everything but that.
- Yeah.
It's staying around 10.
It's strange it was-
- Alright, that's what it must have been averaging.
- [Paul J] Yeah.
- [Ryan] Second bedroom.
- [Madison] I can't even write.
God it's been a long time since I handled one of these.
- That's it, that's the light?
- [Paul J] Yeah I'm noticing that the upstairs
is darker than the downstairs.
Have you been noticing that?
- So what are you calling this room Paul?
- It seems like a girl's room, doesn't it?
- [Tim] Girl room, she's on the wall.
(door creaks)
(bloodcurdling scream)
- It's almost 40
(terrified panting)
- Stop please, I'm sorry,
I didn't mean to scream.
I didn't mean to scream.
- You guys I'm scared.
- That's what we often go through.
- That just went like this.
I saw it.
Do you see, do you understand how
when the camera is not in motion, do you understand
it happens when the camera is not on it.
It's not gonna happen when the camera is on it.
- [Ryan] Can somebody turn the lights on please?
- It's not damn playing.
- [Tim] I love all the ghosts, I love.
- [Ryan] Will you shut up with.
- I love all the ghosts. - What?
- Now listen I'm gonna show you what happened.
I'm gonna demonstrate it so that you know.
It went like this, and it made a noise.
It scuffed and you know what, there isn't any-
- [Ryan] There's a mark on the floor
from where it scuffed.
- [Madison] No, there's not.
But it scuffed.
It made a scuff, it went like
(simulates a scratch sound)
like a scuff noise, and it got my attention.
It did it because it wanted to get my attention.
I know it.
(shuffling on floor)
(indistinct)
- [Tim] Look at that door's open.
- [Paul J] God, it's a closet.
Has to be a closet.
- [Tim] I aint going in here.
- Does this open?
- [Tim] I'm a-
- I know, and-
- [Tim] You know what, we're holding hands on bathroom dude.
- Okay, we're going to the bathroom together,
and you guys can go.
- Well I'm-
- [Tim] Can you hold my hand Paul?
(laughing)
- [Ryan] I think I want to go now.
- [Paul J] Okay, go ahead.
We'll be here, we won't look.
- [Madison] Okay, I'll go in there with you.
You guys stay out here.
- [Paul J] You need a camera.
- No.
- [Tim] What are you going to talk about?
- [Ryan] I will not take a camera.
- I'm not being, no.
I'm not taking a camera in there.
- We're not worried about the camera in the bathroom,
no.
Fuck no.
- [Tim] It's for science.
- We are not taking that in there.
- [Paul J] It's for biology.
- [Tim] Come on.
- No.
- [Madison] Is there a light?
hurry, okay.
So this is-
- Master bedroom.
- [Madison] All right.
Is this the long start again Ryan,
I don't remember?
- [Tim] No, no. - [Ryan] No.
- Okay.
- [Ryan] What did they say about the master bedroom.
- It was just as active, it was the kitchen,
the attic, and the master bedroom.
- Guys, I think we're headed to the attic.
- We have to do it now.
- Shit!
- [Ryan] You know what, I'm not coming last.
- [Madison] Do you want to re-group before we go?
- [Paul J] No.
- I love all the ghost.
- Oh my God (panting heavily)
- [Ryan] I've only just got it.
Welcome.
- [Madison] Ryan, it's nothing bad.
- [Paul J] Strange it doesn't happen with a chill.
(low mumbling)
Did you see Blair Witch?
- [Madison] I'm not sure crying is brave.
(cries loudly)
- [Paul J] Body count up.
- [Madison] We have a lot of stuff up here.
- [Paul J] Oh my God.
- [Madison] It's really an attic.
- [Paul J] Come on, cameras.
You've got to see this stuff.
- [Madison] Turn the light on.
- [Tim] Everything is okay.
- [Paul J] Will somebody come with me?
- [Tim] Are you listening to me?
- [Paul J] Guys?
- We're all right.
- Yes, just turn the light on.
- [Tim] We're okay.
We come in peace.
- [Madison] It's okay, I know that we're fine.
- [Tim] I know we're fine.
- Okay.
- [Tim] These things are all right.
- [Paul J] Big scary room.
- [Tim] 80.
- [Ryan] I'm calling this one small attic.
- There's not much of a reading here.
- [Tim] 80.
- [Paul J] There's roach traps.
- [Madison] That's good.
- [Ryan] Okay do the meter readings and go-
- [Paul J] I'm doing them, and they're fairly low.
This room's another story.
- [Ryan] (pants) I don't want to be last.
I don't want to be last you guys.
- Okay listen, wait let me just say something-
- [Tim] Good vibe.
- Can I say something.
We're all protected by white light, okay.
- [Paul J] Take a deep breath.
- [Madison] Listen, if there's anything here, it needs us.
- [Paul J] Is that?
- [Madison] Do you know that?
- Yeah.
- [Paul J] Is that, what is that noise, like a generator?
- [Madison] If there's anything here it needs us.
So we're here for it.
(gasps) Okay?
- [Ryan] Right.
- Is there lights?
What's this, can I flip it, can I flip it?
(indistinct)
- [Madison] You watch that way.
(whoosh of breath)
(timber smashes)
(scream)
(cries)
- It's okay.
- Come here, get in here.
- [Tim] What?
- Get in here and shoot this come on.
- [Madison] I understand, listen-
(cries)
- [Madison] Okay Ryan, calm down.
- [Paul J] Get in here Tim, come on.
- [Madison] Okay, we know you're here,
and you know that we're here.
But we're here in peace, and we're here to help.
We need your co-operation
- [Tim] I love ghosts.
- [Madison] We need your co-operation.
We ask that you don't harm us,
and we're covered by white light,
we're protected and you can't harm us.
We will wish to communicate with you.
- [Tim] What are you saying?
- [Madison] We will wish to-
- [Paul J] Listen.
- [Tim] Okay, why don't we go downstairs
and get some sage, and do all that kind of stuff?
- Later. - Come on.
go.
There's no need to be up here right now.
- All right.
- [Tim] Let's go, let's go.
- It's okay.
We'll see you later.
We really wanna help, please let us.
- [Paul J] Am with her.
- [Tim] Come on. - All right.
- Look we're going downstairs.
- All right.
- Ryan, wait up.
(indistinct)
- We'll go and sit down,
but we've got to talk.
- [Paul J] I think I got that on film.
- Did you guys have to start laughing
because I was scared and freaked out I start
laughing like this.
(laughing)
- [Madison] Ryan I wish you'd listen.
- [Paul J] Come on.
Guys, do me a favor when you walk down,
hey, hey,
(laughing)
When you walk down the staircase use the wall.
- Wait, I don't want to go last.
- [Paul J] Come on, use the wall, there you go.
(whimpers)
- [Ryan] It's okay, I feel good right now,
so I (indistinct) here right now.
Hold hands, hold hands, hold hands.
- [Madison] Okay, sit down, lets regroup.
- Oh my God, Tim.
- [Tim] She jumped like a bitch.
(laughing)
- Dude, dude, dude, dude, dude.
You missed it.
- You guys, whenever the cameras aren't on,
that's what happens.
It happened when the camera wasn't working.
- [Paul J] No, the camera caught it.
I had it. You (indistinct) the film.
- What fell? - You didn't-
- [Madison] Listen, do you understand,
I think it's me. I think it's me.
I think when I go into a room something happens.
I don't know that-
- [Paul J] No, you weren't in the kitchen,
it opened the door.
- You weren't there for that.
- [Paul J] The chair, wait, they don't know about the chair.
A chair like that, flew across the room.
- What?
- [Madison] It didn't fly across the room.
- [Paul J] It fucking did too.
- It lifted up and it tossed itself over.
- No it didn't.
It moved six feet, I saw it.
- [Madison] No it didn't.
- [Paul J] Yeah it's on film, we'll see it.
- (sighs) I think it's gonna be a long night.
It's going to take a lot of us, like really harmonizing
our intention, to really get.
We have to really work as one mind almost.
I know it sounds crazy, but we have to work like that.
And we're gonna have to get together,
we're gonna have to really trust this process,
and we're gonna have to.
Because four of us will be okay together.
But I'm not equipped to deal with that kind of anger.
But we'll have to work on it.
- [Tim] I am.
- Okay.
- [Tim] Alright, and I know that.
- I trust you.
- [Tim] You should.
So do I have to deal with this infra red thing?
- [Madison] Can I say this right now?
- Yeah it's pretty easy, you just point and click.
- Can I please say this now?
- [Paul J] God do you have to now.
- Yes, it's important.
It's gonna help us.
- But, we just need to get this done.
We're gonna go downstairs
and do all the deep spiritual ones we can.
- No, I wanna do this now.
It's from a sister.
I ask for and I place the complete protection
of the fiery white light over myself, Madison, Ryan,
Paul and Tim.
All around me, this house, this attic, this staircase.
The fiery red light, the fiery white light with the indingo,
I can't even talk I'm so-
- [Paul J] Egos?
- Everyone I come in contact with at this hour
to expel, repel, reject everything harmful,
negative or evil.
I should have had this memorized.
- [Paul J] Yeah.
- And I give thanks to this complete protection lets go.
I'll do it better later.
Let's go.
(exhaling loudly)
All right don't be scared you guys.
- [Tim] I am fine.
I love all the energy that's in this room.
It is all positive.
We are here to help.
- [Madison] White light is always burning.
White light-
- [Paul J] Remember to use the wall
on the way down the stairs.
- White light.
- [Tim] Everything's okay.
- [Ryan] You watch that way.
- [Paul J] Yeah I am.
- [Tim] Everything's perfectly okay.
- Okay.
- [Tim] We're here to help. (sinister music)
Everything's all right.
Are you okay. - [Madison] Do we have to-
- [Paul J] Oh, here's the tape recorder.
I'll leave it right here.
- [Tim] We're okay-
- [Paul J] See that chair?
See that chair, it was by the post.
- [Madison] Okay, all right.
Okay, put down the chair.
All right, okay, go-
- [Paul J] Oh my God, do you see that?
- [Madison] Yeah, it's up, it's in here.
- [Ryan] What did you see?
- [Paul J] It just jumped up a whole thing.
- [Ryan] What jumped?
- Just the reading. - The reader.
- [Ryan] Reader.
- [Madison] The reading. - [Tim] The meeting?
- [Paul J] You guys are welcome-
- [Tim] Can I get in here?
Because I've got a camera. - Can I not be last?
- [Madison] I don't want this door closing.
- [Paul J] Can you guys please come in with me?
- [Tim] You run and stay there so the door don't close.
- Ryan - I'd love it
if you came in with me.
- [Tim] I'm right behind you brother.
- [Ryan] I can't.
- [Tim] Everything is okay, Madison you stay there,
we're all right.
- [Paul J] Every five feet you're telling fucking.
This is huge up here.
- [Ryan] I know.
- I need you,
- But 70-
- What if this door closes?
- It's dangerous we could fall through.
The floor could fall through.
- [Paul J] It's not gonna fall through.
- [Madison] There's nothing to block it with, I-
- [Ryan] Block it with this thing right here.
Move this over.
- [Paul J] I'm running out of chain.
- [Ryan] You guys-
- [Madison] Well just stand here Ryan.
- [Ryan] No! - [Paul J] Just leave
the fucking door alone.
It's not gonna close. - [Ryan] It might close.
- [Paul J] I'll open it,
it has a door handle and four hinges.
- [Ryan] I don't wanna be last.
Can I not be last?
I have to be like (screams)
- Ryan! - Come on!
- [Madison] Ryan please. - [Ryan] Okay
(groan)
- [Madison] Pull yourself together.
- [Ryan] Okay, okay.
All right, okay.
- [Madison] Please.
- [Tim] Right you know what, positive energy's ever good.
- Nothing can hurt us, okay.
You know they're co-operating with us.
- [Ryan] Don't yell at me. (eerie instrumental music)
- There's actually a low reading.
- [Madison] What is it?
- Right now it's at a six.
- Okay, fine. - It's the lowest.
- No, No, no, no, no.
It's huge over here.
Come on.
Madison I need you.
- [Tim] 70-
- No the door won't close. Lock it.
- 70. - No that door could close.
- 73. - Okay 73.
- I've already,
- No, not you.
I'm talking to
- Oh.
- I'm talking to the people that are here.
- [Tim] Don't be afraid brother.
- [Paul J] The thing is, if it was a string
it had to be so fucking strong to pull it that hard.
- [Tim] Well you know, leverage, distance.
- [Paul J] It can't be that.
If you want to go ahead, go on.
- [Tim] Dead bird.
- [Ryan] There's a dead bird.
- [Madison] How badly is it dead?
- [Ryan] It's dead.
- [Tim] It's a skeleton man.
- [Ryan] Can we please hurry?
- [Paul J] Come on.
We're here to find a ghost.
- [Ryan] Okay, just walk all the way there.
Just walk there.
go, just do it.
- [Paul J] I'm going, but I'm not going alone, come on.
- [Ryan] Okay go, go just do it.
White light.
(indistinct)
- [Ryan] White light.
- [Paul J] It's high, it's really high.
What is that?
- [Ryan] Why is that shoe sitting there?
- [Madison] Listen Paul.
- [Paul J] What is it?
- [Madison] Paul I don't know.
- [Ryan] Please Paul can we please hurry?
- [Distorted Voice] Positive.
- [Paul J] Come on.
- [Ryan] Can we please just walk fast and just do it?
Just walk fast over there and just do it.
- [Tim] No, calm, relax.
There's nothing wrong.
- [Paul J] I can't believe how huge this attic is.
- [Ryan] What if these floors slip?
What if it falls through?
- [Paul J] Come on
(meter clicking)
- [Paul J] I found a couch over here.
- [Tim] How do you fix the printer?
(meter clicking)
- [Madison] Paul, we're going back and we're getting candles
and we're coming up.
- [Ryan] No!
- [Paul J] Come on, knock that off.
- [Ryan] Stop it.
- [Madison] Okay.
(breathes sharply)
- [Tim] Everything-
- [Ryan] Are we getting meter readings,
what are we doing right now?
- [Tim] Well the meter don't work no more.
- [Ryan] Okay, I think we're done in here.
- [Tim] It's cooling off over here.
- [Ryan] We're done in here.
- [Paul J] Guys, come here it's not 80 degrees, come here.
- [Madison] I feel a breeze.
I feel a breeze.
- [Paul J] Okay so it's just a breeze.
Because it's not as positive as it is over there.
- [Madison] It's just a breeze.
- Dude, go over there and grab that chair
and you check it out.
No strings?
- [Tim] No.
(light fizzes)
- [Madison] Fuck.
- [Ryan] I told you.
- [Paul J] Hold on, hold on, don't-
- [Tim] Positive energy.
- [Ryan] White light, white light.
- [Paul J] Hold the wall.
- [Ryan] Hold the wall, everyone.
- [Tim] You guys go.
- [Paul J] Come on. - [Madison] No!
You have to stay with us.
- [Tim] I thought you were so logical.
- [Paul J] It is, but come on, lets go.
- [Ryan] They just tried to scare us.
- [Ryan] (whimpers) I need to sit down.
- [Madison] The thing that scares me,
I'm being really honest right now,
is the fact that I think that ghost
is really disturbed and angry.
And just like an angry disturbed person,
you have to be very, very cautious with anybody
that's a little mentally off.
I wasn't prepared for a poltergeist angry activity.
I wasn't prepared for something
that could hurtle something at us.
But we have to believe that we're protected.
And we have to believe that we have guides,
and that we're alive, and that nothing's really
going to happen to us.
- God I'm hungry.
- Well lunch is here, for everyone.
- What's going on.
- I think we should eat.
- What you doing, I thought we gonna do a ritual now.
- Let's eat.
- Give me that.
- Everything gonna be all right with you.
- Oh, Paul come on we going about this all day.
I thought that this is really important.
- (indistinct) sandwich - Yeah.
- Listen I really think we should get down to this you guys.
- Like what, what do you mean.
- I don't think we should be eating right now.
You know I really think there's something intense
really going on right here.
And I think really what we should be doing
instead of eating right now you guys
I think we should be getting together,
forming a circle and trying to communicate
with this thing.
- We got everything that we were supposed to get.
- What do you mean? - I mean, we have proof
that there's ghost, we can leave.
I'm saying we did what we were supposed to do.
I think that we should leave.
- Tim we are not leaving.
- [Tim] We should more on camera.
- Tim's right we came here to do a job,
I've been waiting. - We did it.
- This is great, you know how many people would love
to be in this position that we're in right now.
We have proof.
- [Paul] Madison, I agree with you.
- Well, you promised that we go down do the spiritual stuff.
(indistinct)
- Hey, I'm hungry, let's eat.
We'll do what you wanna do after we eat Madison.
- You should just chill out and take a breather.
- Paul come on, give her a break.
- Oh my gosh. - That is really not fair.
- It's true, isn't it? (laughing loudly)
You didn't deny it.
It's obvious.
- Paul what you suggesting
- Come guys, stop fighting.
- There's something out there
that's trying to communicate with us.
I mean if you remember I started talking to you before,
the four of us should be sitting together.
We should be joining hands (screaming)
- That was in my mouth, oh my God.
Oh, oh I gonna be sick.
Oh, can you kill it Paul.
- You bit it - No it's not
(wailing)
- There's stuff coming out of it, you bit it.
(crying)
- I'm sorry Ryan.
(indistinct)
- Give me a flash light, let me see.
(coughing) You got it all.
That's so close.
- We're joined together as one,
one intention and one focus
and we ask that only the good be brought in today.
Only the good, and only that which is of the light
be brought forth so that we can help and heal
and unite with justice and truth.
Is there somebody here that wishes
to speak with us, and are you of the white light?
If you are, you may go to the yes.
- [Paul J] It's getting cold on my hands.
It's getting very cold on my hands.
Is it cold on your hands?
- [Madison] Yes.
But I'm not worried about it.
- Is there someone here who really needs help?
Is there someone here who wants us to help them?
- [Paul J] Oh my God.
I wonder what it wants over there?
- [Madison] Can you tell us what you want?
- [Paul J] Oh wait, is this a number?
- [Madison] It might just be getting started.
It gets started-
- [Paul J] (indistinct)
as I tried to go back.
- [Madison] It takes time.
Please be of the light.
- [Paul J] It is, you asked it to be.
Oh yes.
- [Madison] Did you live in this house a very long time ago?
- Yes, okay.
- All right.
- That is so fucking cool.
Oh my God, that is so cool.
- Okay this is Tim.
- [Madison] Would you agree to talk to Tim?
- [Ryan] Yeah.
- [Madison] Okay, we'll give you a new question.
- What's the first letter of your name?
- [Madison] He doesn't spell.
- Then that's the first letter of his name is?
Yes.
- C.
- He's gone to that before when we've asked him his name.
- Is your name Christian?
- [Paul J] He goes into consonants after that.
- No, maybe is your name Charles?
- [Paul J] What is it?
- I just thought of the name Charles.
- [Tim] Charles.
- He went to yes? - What?
- He went to yes? - Yeah.
- Are you still there?
Okay, you're still there.
- [Tim] It's cool (indistinct) he's fine.
- [Madison] Ryan's really, really great.
She's here on a project with us.
- [Paul J] This has been amazing.
- Are you the only one here?
Is there anybody else with you?
Is there anybody else with you?
- [Madison] Do I know you?
Do I know you?
Do we know each other?
They don't understand past lives.
- [Ryan] He said he knows you.
- [Madison] They don't know they're dead.
He said he knows you.
- Well he doesn't understand that concept.
- Do you know that-
- [Ryan] He keeps going back.
He knows you.
- How well did we know each other?
Can you tell me?
Can you show me a picture?
- [Paul J] What?
- I don't know.
- [Paul J] I don't want him coming in the room,
showing us things.
- I just meant like on the board.
- God I knew this person.
I knew this person.
He's happy?
- He's happy that I made the connection.
- Oh my God.
- I heard this was gonna happen.
Maybe it did.
I didn't understand it.
Is it possible for us to clear this space?
Is it possible for us to help
move the spirits out of here?
But do you think that they will go?
Do you believe the spirits will go if we send them away?
(squeals)
(cries) Oh my God.
- [Paul J] What was that?
- Oh my God.
- [Tim] Where did that come from?
- What was that, you guys?
What is that?
What is that? - I don't know.
- Oh my God.
You guys, Oh God,
she had somebody shackled up here.
- How did that get in the chimney?
- Oh my God!
- She had somebody chained up here.
Oh my God, oh my God. - How did that get
in the chimney?
How did that get in the chimney?
- Oh God!
- [Paul] Ryan what you doing?
- Be careful. - Just a second.
- [Paul] Ryan, don't stick your head in there.
- Ryan, get back. - Tim, got this?
- Yeah, am getting it.
(breathing heavily)
- Oh my God! - What is it, Ryan.
- Think I see something you guys, I don't know what is.
- [Paul] Ryan, get out of there,
I don't think you should put your head in there.
- Paul what is that?
(metal squatching)
(screaming) (metal thunders on the floor)
What was that Paul?
Oh my God!
(somber music)
- It's just a light knock.
- [Madison] Okay I think Paul's right.
I think it would really work well,
if we can somehow synchronize when we all say this.
- Yeah I think that's the whole point.
I mean if we were to go all together at the same time,
to each room, it's not as powerful as stretching out
taking the whole house at the same time.
(indistinct)
- Fuck man, I don't want to go in the fucking attic.
Why did you fucking invite Charles?
Now what are we taking with us?
Incense perhaps?
- Yes, and sage.
We need to get both of the incense,
- [Ryan] It's upstairs.
- I'll get it, we'll get it.
- [Tim] Not in a good position.
- I need a whistle.
Okay, do you mind?
- No.
No, I let her borrow it.
I just got it back.
- [Ryan] Where's yours?
- [Madison] Okay, this is Paul's.
(whistle blows)
(indistinct)
Mine's still not.
- Oh shit.
- Does anybody want protection oil?
- I got some.
- Where's my prayer?
(indistinct)
- That fucking chair was flying around up there.
- [Tim] You need to go sit in that chair.
- Oh yeah.
- [Tim] Harness it.
Let it know who's the dominant being up there.
- [Paul J] Oh no, we're not going to play dominant-
- [Tim] I've got your back.
- [Paul J] Thank you, you're a whole floor below me.
- Can we just sit down in our spot right here,
just for a minute, please?
- The calisthenics of this whole thing.
- Don't touch me.
- All right, we ask for divine guidance
as we venture through this
house we ask for co-operation and help.
So now I want you to cover yourself with white light.
I want you to see it starting out from your crown
of your head, and I want to see it showering over all of us.
We're all covered with white light, and we're all protected.
(groans)
- [Paul J] No fucking way.
- [Tim] All right bro,
it's judgment day.
- Hey, I thought about that.
- [Tim] Let's go.
- [Madison] Paul do you wanna yell from the (indistinct)
- [Paul J] No I don't want to yell,
I don't want to yell.
I think that just weaken our spots at the start.
I mean it's pretty much-
- [Madison] I'm here, so-
- Yeah, but you couldn't even feel the one
in the attic.
- [Madison] You guys when you guys hear me go up
in the attic, then we'll start, okay?
- [Paul J] You can tell up in the attic.
- Because we'll be able to hear them walking, okay.
- [Tim] You told me it's up in the attic.
And the staircase.
(indistinct)
- Are you all right?
- Shit.
- Are you going to be okay?
- [Paul J] Guys, does anybody want to cover my back
while I go up for a minute?
- [Tim] Wait, wait.
Come right back here real quick.
- What's up?
What's up?
What's up?
- [Tim] Closed the door.
- [Tim] The door slams.
- Oh that rope wasn't on the ground like that.
Don't get tied up, that'd be really gross.
- [Ryan] That rope wasn't on the ground.
- I don't think so.
I didn't put it there.
Have you started all ready?
- No.
- Good.
- You can like probably watch the staircase
and like watch my back.
- [Tim] You got Charles in there, don't even worry about it.
- Up there with old Charles.
Fuck, I don't wanna go up there.
Fuck, look at it.
God damn it.
Fuck!
Yeah oh yeah, wait until you look at it.
Just look at it already.
Why does this have to be so fucking scary?
(stairs creak)
Oh God, I think I got it from here.
I feel bad you guys have to leave your spots.
- [Tim] No bro, I'll walk you in.
- No, because if you leave me I'll feel weird.
Just let me go, see I'll feel abandoned if you leave me.
- [Tim] Are you sure?
- Yeah, it's something weird.
Just fuck!
I don't wanna go in there, fuck.
It's like walking straight to hell.
Okay, you guys go to your spots,
and I'm gonna be right here.
And I'm gonna go to my spot last.
- [Ryan] Shit, I don't know how to do-
- Just in case you guys start and finish early,
you can come save me.
You know I just want you to understand why I'm doing this.
- Why?
- Because I chose to be the leader
and I go I'll just check the attic for you.
- Yep. - You might think I'm a dick,
but at least I'm doing this for you.
I didn't chicken out and say you have to do it.
- [Madison] Paul you have to remember without fear
we'd have no heroes.
God fucking damn it!
(groans)
- [Madison] Paul say your prayer now.
Do you have your incense lit?
- Yes, hold on.
- [Madison] And remember, you're gonna help.
- Yeah.
- [Madison] You're meant to help.
Remember the word was now.
- [Tim] What is all this shit about, huh?
- [Paul J] Oh my God I don't have a fucking clue.
Hey, don't leave me.
Wait, wait, wait, wait.
- [Tim] No, no, no.
I'm just talking to myself bro-
- [Paul J] Jesus Christ, don't run off like that yet.
Mother.
Oh Jesus.
- [Tim] Hey Madison, what are you doing right about now?
- [Madison] What am I doing?
- Yeah.
- I'm watching Paul. - But where are you Tim?
- What, I'm just checking on my room.
Get fucked, get fucked.
- [Madison] Paul what do you think?
- I want you to help me out
checking behind the doorways and shit.
- Yeah but we have to go in separately.
I mean no-ones going into the attic
to check my doorways pal.
- [Tim] I offered to, you said you wanted to go by yourself.
- [Paul J] Yeah, but then you would leave me
and that would be really scary.
- Well I don't mind anybody leaving me.
- Fuck no, I don't want you two
to go in the same room, with, no.
Don't do that to me.
Oh God!
- All right it's time to do this.
- [Paul J] All right.
- [Madison] Paul I know you can do it.
- [Tim] Fear's what makes heroes, right boss?
Down here is Louisiana.
- Fear is testing her.
- [Madison] Just tell them that they can go,
and they don't have to stay and be very nice.
What if they get mad?
Then just surround yourself in white light
and nothing can happen.
- I wish it were sunlight.
Sunlight would make a big difference.
- [Madison] I know we could do everything then,
but they're not active then.
- [Paul J] Oh, do we have to do this this way?
- I don't know how else to do it.
- Oh God.
Be a good leader, be a good leader.
- [Madison] All you have to do is say it.
Words are very powerful.
- Tim! - What?
- I need you to just be around.
Do you know what I just realized?
You know, we have to hold these things up to our face.
Guess what, you can't see a god damn thing.
- [Tim] All right let's go.
- [Paul J] No, no, no, hold on.
- [Tim] 30 minutes to count down.
- [Madison] Paul, I'm going to stay here for a little while.
- No you guys.
You cannot believe how dark and scary it is in there.
- [Tim] Go ahead and shine the shit in first.
- [Madison] Shine your light.
And talk to them outside of there.
- [Paul J] Oh man!
I've never been anywhere this scary ever.
Ever, ever have I ever been so scared.
This is ridiculous.
- [Madison] I know.
- Have you ever gone into something like this before?
- [Madison] No.
- [Paul J] I'm not writing shit.
Fuck the book, he can read stuff.
I'm not writing.
- [Madison] Why are you writing it out?
This isn't just writing a note.
- I'm dropping the book.
Look out.
Get out of the way,
I'm dropping the book I don't want it.
Goodbye book.
- [Madison] Yes, we'd all be this scared.
- [Tim] I'd be freaking out if I were you.
- You would not believe how scary the eye ports
with no light in it.
- [Tim] Shine the light in.
- Ghost, turn on the light, just turn on the light.
Just light turn it on.
- [Tim] Come on Charles.
- Charles, turn on the light.
- [Tim] Charles?
- [Madison] Make an agreement that you'll go in,
and you can-
- [Tim] Charles if you turn on the light,
Paul's gonna go in.
- He's not real, if Charles was real-
- [Madison] No, Charles can't just turn on the light.
- He turned it off.
- [Madison] He didn't turn it off, that wasn't him.
- Who turned it off? - What?
- [Ryan] Who turned the light off
if he didn't turn it off.
- [Tim] We need to go into our room, come on.
- Ghosts, ghosts-
- [Madison] Say your prayer now.
- [Tim] Just get to the first camera that you can see
and sit down.
- No, no.
I am not sitting down.
- [Madison] Paul-
- I ask for, fuck.
- [Madison] Go ahead Paul, say it.
- Okay I'm going, got it.
It's cold up here.
It's cold.
Okay, I ask for,
and I place complete guys come on,
you're yelling I can't think.
- [Madison] I ask for...
- And I place the complete protection
- [Madison] Of the fiery white light
- Of the fiery white light of love.
Fuck.
- [Madison] Do it Paul.
- It's just, just hold on.
Guys come on.
Guys, oh man, it's not very nice in there.
It's not nice.
- [Madison] Is it ice cold?
- Yes, I'm fucking freezing.
- [Madison] They're listening to you.
- [Paul J] But it's not nice.
- [Madison] Paul they're listening.
Please just say it.
- Oh man, all the hair
is upstanding on me.
- [Madison] Good, they're listening.
- We've separated.
Each going into our haunted room alone
to recite the prayer of cleansing.
I feel more scared than I felt all night.
Can you hear this?
(jagged breathing)
- I'm going into the front room.
Feeling that cold spot earlier.
Seems colder in here now.
Come on Charles.
You never believed in me buddy.
I love ghosts.
(meter clicking)
Did you hear that?
I think there's something in this closet.
(breathing heavily)
(door creaks)
- Huh!
- Tim, are you okay?
- Yeah.
I just scared myself.
- (breathing heavily) Okay, here we go.
(footsteps stomping)
(breathing heavily)
Is everybody okay out there?
- [Tim] Yeah, come on.
get this over with.
- [Paul J] Hurry up you two, it's dark up here.
- Okay, let's start.
I call upon the power
of the fiery white light.
- To cleanse, protect,
and purify this house of evil.
- To heal the wounds of the past,
and free these earth-bound souls
to find peace in the white light of Heaven (gasps).
- Are there any ghosts in here?
(gasps)
- I call upon the power of the fiery white light
to cleanse, protect, and purify this house of evil.
To heal the wounds of the past
and free these earth-bound souls to find peace
in the white light of Heaven.
(wood rustling)
(exclaiming)
- You guy, stop snooping down here.
(screaming) My God!
Oh, no (screaming)
(wood shattering)
You guys help.
- I ask for and I place the complete protection
of the fiery white light of love round this attic
and I do not want this door to shut.
No, don't shut the door.
Fuck, see, okay this stuff!
The fiery white light of
(sonoluminescence)
Okay, okay.
I call upon the the fiery white light
to cleanse, purify, and protect this house
and to free all the house of evil.
And all the spirits that come.
What's that?
(breathing heavily)
Who's up here?
Somebody up here?
If you wanna communicate, talk to Madison.
Oh, shit! (thud)
Fuck!
What the hell, what the hell!
Oh, my God.
What the hell is this?
Something down there!
(wood quaking)
(gasping) Shit.
Fuck.
Oh, fuck!
Goddamn it.
(breathing heavily) Shit!
Come on, shit.
Come on there.
(screaming)
- There is something in this room with me.
I can feel it in the air.
(panicked breathing)
If there's someone or something here,
please communicate with me.
Let me hear you.
And know that we are here to help you.
(door creaks)
- Charles, are you still here, buddy?
You never were here, were you?
You're just a figment of my imagination.
(echoing flutter)
Hey you guys!
Fuck.
Hey you guys, I'm getting some action in here.
(squeaking)
Fucking rats.
Charles!
This isn't funny.
That weird sound's coming from the closet.
Come on Charles, don't fuck with me now.
(breathing heavily)
Oh it's a cold spot here.
It's really fucking cold.
(ghostly voice)
- Okay, you heard it that time.
It's like this here but it's not here.
Oh, oh.
(door creaking)
(panicked breathing)
What the fuck?
(panicked breathing)
What the fuck!
(door creaking)
Oh Jesus.
What the fuck?
There's some kind of,
secret passageway down here.
It's cold.
It's really cold.
That one's fucking up.
Come on (indistinct).
Hey, fuck this, fuck yes.
(creaking)
What the fuck?
Hey, somebody help me!
Please you can't leave me down here.
There's spiders down here.
(screaming)
Somebody help me!
- There is definitely
something in this room with me.
The air has gotten colder.
Charles?
Charles is that you?
(panicked breathing)
(panicked panting)
Oh, my God
You're not Charles.
You're the one who threw the chair.
Oh God!
I know you are a victim,
of Madame LaLaurie.
But that was a long time ago, you are free to go now.
You need to leave.
And find peace on the other side.
(high-pitched scream)
(thud) - What's going on?
Madison! (Madison screaming)
Madison! (Madison screaming)
Madison!
(screams)
Madison!
(Madison screaming) Madison, come on.
Hurry open the door.
Madison!
Madison!
Madison!
(high-pitched scream) Oh my God.
Oh my God. (screaming)
(chiming instrumental music)
(bright ethereal chiming)
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