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[Too Close For Comfort theme]
- Duck joke!
Where is the duck joke?
[audience laughs]
- Oh, are you still arranging notes for your speech?
I thought you'd be dressed by now.
- I want to be a hit tonight, Muriel.
Unless these are in proper order,
I won't get any laughs.
- You realize you've used every one of my recipe cards.
Lincoln wrote the whole Gettysburg Address
on the back of an envelope.
- And he didn't get one single laugh.
[audience laughs]
- Well, he was at a disadvantage.
He was talking about a war.
[audience laughs]
You're gonna be talking about an oversexed quarterback
who scores more off the field than on.
[audience laughs]
- But people love Buck Krulik
and they enjoy his escapades.
- I heard the only time he dated the same woman twice
was when he had amnesia.
[audience laughs]
- Muriel, what he does personally is his own business.
He happens to be a great football player
and a fine humanitarian.
I can't think of anyone who deserves
the Big Brother's Club Award more than he does.
Ah, here's the duck joke.
[audience laughs]
- And I don't know anyone who deserves
to present it to him more than you.
You have worked very hard on this speech.
- And I'm gonna knock 'em dead too, Muriel.
Sit down, I want you to listen to this opening joke.
- Oh.
[Henry clears his throat]
Use three cups of flour, one egg, and...
[audience laughs]
I'm sorry.
We are here tonight to honor Buck Krulik,
a man whose forward passes are a threat to any line,
especially the chorus line at the Tropicana.
[audience laughs]
- Telling jokes makes you thirsty?
- No, you do that to give the audience time
to laugh between the jokes.
[audience laughs]
- Well, enjoy it.
I think that's gonna be your last glass of water
for the night.
[audience laughs]
- You don't think that'll get a laugh.
- Henry, take my advice,
read the recipe, it's funnier.
[audience laughs]
- [Sara] Mom, Dad, where are you?
- We're in here, girls.
- Hi dad, we came up to wish you good luck tonight.
- Oh, that's very nice of you.
Thank you.
- Well, I sure envy you,
sitting on the dais right next to Buck Krulik.
[Henry laughs]
- I didn't even know he was back in town.
I thought he was still in Barbados.
He went there with Denise Carter,
Denise Carter, the actress.
They're an item.
- Sara, I'm not interested.
- Well, why'd you keep looking at me?
- 'Cause I thought there was a joke in there someplace.
[audience laughs]
- Come on, girls, let's go.
Your father has to get dressed.
- Okay.
- Before you go girls, sit down,
I want you to hear my opening joke.
[Henry clears his throat]
[Henry chuckles]
We are here tonight to honor a Buck Krulik,
a man whose forward passes are a threat to any line,
especially the chorus line at the Tropicana.
[audience laughs]
The younger generation, what do they know?
They think Steve Martin's funny.
[audience laughs]
Muriel, are you decent?
- Depends on what you have in mind.
[audience laughs]
- Muriel, I want you to meet Buck Krulik.
- Hi Muriel.
- Oh hi.
[audience laughs]
Well...
What a wonderful surprise.
It's delightful to have you in our home.
I'm a big fan of yours,
really I can't tell you what a pleasure it is
and how welcome you are.
Why didn't you phone first?
[audience laughs]
- Now, don't get on Henry.
Actually, he tried to phone,
but some clown was monopolizing the phone
making call after call trying to set himself up a date.
Finally, I ran out of dimes.
[audience laughs] [Muriel laughs]
- He just--
Please, sit down.
Come on.
- You're never gonna believe this, Muriel.
It turns out that Buck is a fan of mine.
He's trading an autographed football
for one of my original Cosmic Cow drawings.
- Oh, how wonderful.
Oh look, would you mind if I called our daughters
and ask them to come up and meet you?
You're their idol and they'd be so disappointed if I didn't.
- Well sure, I'd love to meet them.
- Oh, thank you.
- Muriel, would you bring in some ice, honey?
Yes.
- Henry, you didn't tell me you have daughters.
- Oh, it's nothing to talk about,
just two nice, plain, unattractive girls.
[audience laughs]
- How old?
- Young, very young.
[audience laughs]
18, 21.
- Just right.
[audience laughs]
[Buck laughs]
Relax, Henry.
[Henry chuckles]
- I'll make us a drink.
- Yeah.
Well, now these photographs of San Francisco are incredible.
What detail!
Where'd you get these?
- Muriel took them.
- Our Muriel.
- My Muriel.
[audience laughs]
- Yeah, she's a freelance photographer
and a darn good one as you can see.
- Here you go. - Ah, thanks honey.
Buck was just admiring your work.
- Oh, how nice.
Thank you.
- You only shoot exterior?
- Oh no, I do portraits, action shots, landscapes,
anything in commercial photography?
- Say, have you ever done any work
for a magazine called "Liberated Woman"?
- No, I haven't.
- "Liberated Woman"?
Isn't that the magazine that features male nude centerfolds?
- Uh-huh.
You're looking at the next Mr. July.
[audience laughs]
- You're going to pose for that magazine?
- Next week.
- In the, in the, in the--
- News.
[audience laughs]
Yes.
- It'll be a sellout. [laughs]
Oh, don't be so surprised, Henry.
Lots of sports figures and movie stars have posed nude
for "Liberated Woman Magazine".
- Oh, well, then you read it.
- Uh-huh.
In my gynecologist waiting room.
[audience laughs]
Henry won't allow it in the house.
- Why would a man of your stature want to expose himself?
Let me rephrase that.
[audience laughs]
Want bear himself for some woman's publication?
- Ah Henry, it's good publicity.
And I'm gonna donate the money to the Older Brother's Club.
And besides, the centerfold's only part of the layout.
They're gonna show me doing a whole day's activities,
you know getting up in the morning
and driving to practice and working out
an evening on the town,
you know, "A day in the life of."
- Well, I could never bring myself
to doing anything like that.
You're a better man than I am.
- That's why they want him for the centerfold.
[audience laughs]
[doorbell rings]
Oh!
- Hi! - Hi!
[audience laughs]
- Oh, you have company.
[audience laughs]
- I wish we'd known.
We would've dressed.
[audience laughs]
- If you were any more dressed,
you'd be going to a coronation.
[audience laughs]
- Buck, I'd like you to meet our daughters.
This is Sara.
- Hello Sara. - Hi.
- And this is Jackie.
- Jackie.
- This is really a thrill meeting you.
[Buck chuckles]
- You're just saying that to make me feel good.
Now, you are succeeding.
[everyone laughs]
- Swell, if you'll excuse me, Buck,
I'll go get the Cosmic Cow drawing.
- I hope you and Denise had a nice time in Barbados.
- Barbados?
- I read in a fan magazine that you and Denise Carter
spent a fabulous two weeks in sun-drenched Barbados.
- Sara, you cannot believe everything you read
in those trash sheets.
Now, they exploit people,
they make things up,
anything to sell a magazine.
- Oh, then you mean it's not true
about Orson Wells and Brooke Shields.
[audience laughs]
- I don't know what you read, but I hope not.
[audience laughs]
- Here you are, Buck.
And I really am flattered that you want this.
- Henry, thanks.
This is terrific.
And here's your football.
- Hey. - Hey.
[audience laughs]
- Good hands.
Well, listen everybody,
it's been great, but I've really got to run.
- Oh well, thanks for coming by
and congratulations on your award.
- Well, thank you.
And thank you Henry for that speech tonight.
You were hilarious.
- [Henry] Thanks.
- That opening joke really broke them up, didn't it?
- It sure did.
- Goodnight.
- Bye. - Bye.
- [Henry] Great guy, great guy.
- What a terrific guy!
- Oh, he makes you feel so at ease.
- You gotta laugh with that terrible joke
about the chorus line at the Tropicana.
- Well, I didn't use that joke.
I used another one.
- Oh, which one?
- Oh, I don't remember.
- You got that big a laugh and you don't remember.
- Well, it was mostly ad lib,
something about his not dating the same girl twice
unless he had amnesia or something.
[girls laughing] [audience laughs]
- [Jackie] That's good.
- [Sara] That's funny.
- That's my joke!
[audience laughs]
You used my joke and didn't tell me.
- What's the big deal.
Your joke, my joke!
What's the difference?
- The difference is my joke got a laugh
[audience laughs]
- Muriel!
Muriel!
[audience laughs]
[audience laughs]
Oh, was that you?
I've been looking for you.
Don't you ever get out of the kitchen?
- I tried.
[audience laughs]
- Where were you all morning?
I called you several times.
- I was out.
I was shooting an assignment.
- You didn't tell me you had an assignment
when I left this morning.
- Oh, I didn't have it this morning.
I got an emergency call at noon
from "Liberated Woman's Magazine".
- Why would that magazine call you?
[audience laughs]
- It seems Buck Krulik had a disagreement
with the staff photographer and the photographer quit.
So he recommended me and they called and offered me the job.
Wasn't that nice of him?
[audience laughs]
- Where was he?
Go on.
- Oh Henry, it was so exciting.
We shot all over San Francisco.
You know the layout for, "A day in the life of Buck Krulik."
- Oh, I see.
You mean Buck recommended you to shoot the exteriors.
- Uh-huh.
- Well, that was very nice of him.
Who are they going to get to shoot the centerfold?
- What would you like for dinner?
[audience laughs]
- Muriel, I asked you a question.
- [Muriel] I asked you a question too.
- I asked first.
[audience laughs]
- Henry, let's not be childish.
What would you like for dinner?
- Forget about dinner, we'll eat out.
- We can't eat out,
- Why not?
- I don't want to have a fight in a restaurant.
Oh Henry, what's the big deal.
I'm a professional photographer
and Buck Krulik is my subject.
I've done it hundreds of times,
only this time the subject happens to be nude.
- Muriel, how could you without even discussing it with me?
- Henry, you weren't here when they called,
and the photographer has to do the entire job,
the exterior and the centerfold.
You understand.
- I understand.
When are you doing it?
- Tomorrow? - You're not doing it.
[audience laughs]
- Henry, Henry!
I am a professional.
All I'll be doing is looking through the camera.
- It's not what you'll be looking through,
it's what you'll be looking at.
[audience laughs]
A naked man!
- All right, I'll close my eyes.
[Muriel chuckles]
Do you see how ridiculous this is?
- I don't care how ridiculous it is.
You're not doing it.
- Yes, I am.
- Muriel, I forbid it.
- Forbid!
Forbid!
That's it!
That's it, Henry, you just blew it.
Up until you used that word we had a discussion going here.
You could have said, "Muriel, I don't want you to,
or you could have said,
"Muriel, I'd rather, you didn't."
You could even have gone as far as, "Muriel, I insist."
But forbid!
[audience laughs]
Good night, Henry, I'm going to bed.
I have to be at the studio early in the morning.
- All right, Muriel, I insist.
- [Muriel] Bully!
[audience laughs] [upbeat music]
[soft music]
- Ah!
[kettle clanking]
[hands slapping]
- Hi Dad.
- Hi Dad. - Hi, hi honey.
- [Jackie] Where's Mom?
- Oh, she has a photo assignment.
Want some breakfast?
- No thanks,
we just ate. - We're eating out.
[audience laughs]
What kind of photo assignment?
- Portrait.
- Oh, what kind of portrait, sitting?
- I hope so.
[audience laughs]
- Who is she photographing?
- Buck Krulik.
- Buck Krulik!
[laughs] She's doing that.
- I can't wait to tell the kids at school.
- You tell the kids at school
and you'll never step foot in this house again.
[audience laughs]
- What's wrong with you?
- Sit down girls, I have something to tell you.
Uh!
Uh!
Uh!
[audience laughs]
Your mother, my wife,
the woman who wouldn't let me kissing her
until our second date
is going to photograph Buck Krulik
for a centerfold for "Liberated Woman's Magazine".
- Mom!
Buck in the buff, far out!
[girls laughing] [audience laughs]
It's one terrific assignment.
I bet every woman photographer in the country [mumbles].
- What kind of an attitude is that?
At this very moment, your mother's in a studio
about to photograph a nude man,
and you're happy about it.
- Dad, she isn't doing anything wrong.
She's just photographing him.
- That is her profession you know.
I don't wanna hear about it.
[audience laughs]
- I had enough of that last night.
Like I don't understand your attitudes.
- And we don't understand yours.
You think it's wrong for women to photograph a nude man.
Yet, it's perfectly respectable
for men to take pictures of nude women.
- It's the old double standard again.
- Well, I happen to like the old double standard.
[audience laughs]
It's the way I was brought up,
and the world was a lot better place to live in then.
A man I could take his whole family to the movies.
He could bring a magazine home
and not be ashamed of it's being in the house.
Didn't have to go to a gynecologist to read a magazine.
[audience laughs]
- You go to a gynecologist?
[audience laughs]
- Oh!
- Its time to go, Sara.
- Oh, I just can't picture Mom in the same room
with Buck Krulik in the nude.
- I know.
- You're lucky.
I can't picture anything else.
[audience laughs]
- Okay, Buck should be out of makeup in a few minutes.
That's a lot of body.
It takes time to cover it.
How are you doing?
- Fine, I'm almost ready.
- You gotta be pretty thrilled, huh?
- I gotta.
- Are you kidding?
To be photographing the Buck for a nude centerfold!
- Mr. Harris, I'm a professional photographer
and this is a job.
The fact that the subject is nude
is of no particular interest.
- You're trying to tell me you're not impressed.
- The least.
- Wait 'til you see him.
[audience laughs]
- Good morning, Muriel.
- Oh, good morning.
Are you all made up?
I'll take your word for it.
[audience laughs]
- Oh, set looks nice.
- Thanks, Buck.
I thought it'd be a great idea
to let the women of America know
that you're not just a jock,
that you've got charm, class, dignity,
that you've got intelligence,
and you know how to read.
[audience laughs]
- Thanks.
Well, I guess you want me to sit in this chair here.
- Yeah, you'll be sitting here reading a book.
Oh Muriel. - Yes.
- It's important that we read the title of the book.
Okay?
- That means I'll have to get in kind of close.
[audience laughs]
- So get in close.
What's the big deal?
I just want to make sure that we see the title.
You see I specifically picked this book
to sell the intellectual image.
- What's the name of the book?
- "Raise the Titanic".
[audience laughs]
Okay, you're all set here.
I've got things to do.
Muriel, he's all yours.
- No don't.
Well, I mean, don't you think you should stay here
and make sure everything goes just the way you want it.
- [chuckles] You're the pro.
If Buck asked for you, you must know your business.
Ciao, baby.
- You know.
- Well, let's get this over with.
- [Muriel] Hold it!
- What's wrong?
- What's wrong?
Oh, several things.
- What things?
- Like oh gosh, the chair, the rug, the books,
they're all off.
- Well, they look okay to me.
- Ah, ha-ha-ha. Well they would tell you,
but you see to the trained eye of a photographer
take my word for it,
they're all just a little off.
[audience laughs]
- Okay, fix them.
- Okay, this won't take long.
[audience laughs]
Oh, did you see that? [laughs]
[audience laughs]
Iran was showing.
[audience laughs]
There that's much better, don't you think?
- Lot.
Okay, now.
- Wait!
- [Buck] Well, now what?
- I am just really not happy
with the way the light is hitting that chair.
I'll just go right ahead and adjust it.
- Muriel, Muriel, wouldn't it make more sense
for me to disrobe and sit in the chair
while you adjust the light?
- No, no, no, no.
You wouldn't want to do that.
I mean, you might catch a cold.
I don't how long this is gonna take me.
- Well, how long could it take
to adjust a simple little light?
- Well, you see, we have to be absolutely precise,
otherwise, we might end up with a shadow on your nose.
- Believe me, Muriel, nobody's gonna be looking at my nose.
[audience laughs]
- I will.
[audience laughs]
[Buck laughs]
- Would you believe this will be the first time
I'll be undressing in front of a woman
without taking her to dinner first.
- Dinner!
I would love to go to dinner.
Thank you.
[audience laughs]
- Muriel!
- Huh!
- It's 10 o'clock in the morning.
- Is that all?
It's interesting, isn't it, how some days just crawl.
[audience laughs]
- Muriel. - Yeah.
- Sit down.
- What are you gonna do?
[audience laughs]
- Talk.
Now look.
I'm just as embarrassed about taking my robe off
in front of you as you are.
- Really?
- Yes.
I'm very uneasy about this,
but I made a commitment and I have to go through with it.
You don't.
- But I also made a commitment to you.
- I know.
And I'm letting you out of it.
Don't worry, I'll get another photographer.
- You're really willing to do that.
- Well, I can see how difficult this is for you,
and well, I respect your feelings.
You're off the hook.
- Oh.
[audience laughs]
Buck, you are a fine gentleman.
- And you know, you're right.
- Huh?
- There is a little shadow on your nose.
[audience laughs]
[upbeat music]
[upbeat music]
- Oh Muriel, you're home.
Here, let me help you with that.
- Thank you.
Are you all right?
- Yes, a lot better than I was last night
and this morning,
- I'm glad.
- Muriel, I owe you an apology.
I've been doing a lot of thinking
and I came to the conclusion that you're a photographer
and you were just doing your job,
and I was wrong to try to stop you.
- Oh honey.
That is so sweet.
- I also realize that I am what I am
and I'll probably never change,
so I want you to promise me
that you'll never accept this type of assignment again.
- You got it with pleasure.
- Well, wait a minute.
What happened?
- Oh Henry, I was a nervous wreck
at the thought of him taking off his robe.
I kept stalling and stalling until finally he realized it.
- And?
- Well, he was very understanding.
He told me I didn't have to go through with it.
He let me off the hook.
- Really?
Oh, that Buck Krulik he's okay.
- No, he's more than okay.
He's terrific.
- So what did you do all day?
Did you go shopping?
- No, I was shooting the centerfold.
[audience laughs]
- But you just said he let you off the hook.
- He did,
but once he said I didn't have to go through with it,
I was so relieved and so relaxed,
I was able to go ahead shoot the picture.
[audience laughs]
It was a piece of cake.
[audience laughs]
[upbeat music]
[Too Close For Comfort theme]
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