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Downloaded from YTS.MX
Official YIFY movies site: YTS.MX
*[Mucho Money by Gloria Estefan playing]
WHOO-HOO!
* DON'T YOU BRING ME ANY FLOWERS *
* FLOWERS WITHER BY THE DAY
[Laughing]
* NO MORE PROMISE OF TOMORROWS *
* NO TODAYS OR YESTERDAYS
[Speaking Spanish]
[Grunting]
[All] * MUCHO MONEY
* MUCHO MONEY
* MUCHO MONEY
*[All singing]
HEY!
HOO!
* AIN'T NO NEED FOR EXPLANATION *
[Laughing]
* OF A 100 THROW AWAY
WHOO.
COME ON. WHAT YOU GOT? COME ON.
THAT AIN'T NOTHING. WHAT? COME ON.
* AND YOU SEND SOME CASH MY WAY *
EH, NO MONEY, NO FUNNY!
WHOO.
* MUCHO MONEY
WHOO.
* MUCHO MONEY
WHOO.
[Cheering]
* MUCHO MONEY
*[Singing in Spanish]
* WITH THE CASH THERE IN YOUR POCKET *
[Laughing]
* YOU'RE THE KING
* YOU'RE WHERE IT'S AT
HEY!
WHOO!
WHOO!
* HEY, HEY
* HEY, HEY
* HEY, HEY
* HEY, HEY
* HEY, HEY
WHOO!
* HEY, HEY
* HEY, HEY
[Men] HEY, HEY!
ENOUGH! YOU GET BACK TO WORK,
AND YOU GET BACK TO WORK.
BOSS, I JUST NEED, YOU KNOW, SOME HOURS OF PRACTICE.
THE FESTIVAL OF SAN JUAN IS IN 3 WEEKS,
AND I GOT TO REHEARSE.
I GOT TO RUN A BUSINESS.
HEY, BOSS, YOU SHOULD SEE HIM DANCE. HE'S GREAT.
HE'S GOING TO DO IT. HE WILL CLEAR THE FLOOR.
HE'S GOING TO BE SWEEPING FLOORS
IF HE DOESN'T GET BACK TO WORK.
ALL OF YOU ARE!
BOSS, IT'S THE EVENT OF THE YEAR, AND I'M GOING TO BE CROWNED.
YOU KNOW, "KING OF SALSA"?
KING OF BULLSHIT.
GET YOUR MIND ON YOUR WORK, RICO,
OR YOU'RE GOING TO DANCE YOUR WAY RIGHT OUT OF HERE.
"GOOD EVENING, LADIES AND GENTLEMEN.
"AND NOW, FOR THE FIRST TIME IN PUERTO RICO,
"ONE NIGHT ONLY, LIVE, ON STAGE,
"MR. DYNAMITE, MR. OUT-OF-SIGHT,
"THE HARDEST WORKING MAN IN SHOWBIZ.
"THEY CALL HIM THE KING OF SALSA, THEY CALL HIM A LOT OF THINGS.
"PUT YOUR HANDS TOGETHER, PEOPLE,
"AND GIVE HIM A WARM, SAN JUAN WELCOME...
"MR. PUERTO RICO, RICO!"
[Laughing]
* KNOCK ME DOWN, STEP ON MY FACE *
* SLANDER MY NAME ALL OVER THE PLACE *
* I'LL DO ANYTHING THAT YOU WANT ME TO *
* BUT, UH-UH, HONEY, LAY OFF OF MY SHOES *
* NOW DON'T YOU STEP ON MY BLUE SUEDE SHOES *
HMM. OOH!
* DO ANYTHING BUT LAY OFF OF MY BLUE SUEDE SHOES *
*[Scatting]
* 1 FOR THE MONEY, 2 FOR THE SHOW *
* 3 TO GET READY, NOW GO, CAT, GO *
* NOW DON'T YOU STEP ON MY BLUE SUEDE SHOES *
* OOH, OOH, OOH, OOH
* YOU CAN DO ANYTHING BUT LAY OFF OF MY BLUE SUEDE SHOES *
WHOO!
* SAID, 1 FOR THE MONEY, 2 FOR THE SHOW *
* 3 TO GET READY, NOW GO, CAT, GO *
* NOW DON'T YOU STEP ON MY BLUE SUEDE SHOES *
* WELL YOU CAN DO ANYTHING *
* BUT LAY OFF OF MY BLUE SUEDE SHOES *
*[Sings guitar solo]
* NOW, 1 FOR THE MONEY, 2 FOR THE SHOW *
* 3 TO GET READY, NOW GO, CAT, GO NOW *
* NOW, BLUE, BLUE, BLUE SUEDE SHOES, OH BABY *
* BLUE, BLUE, THE BLUE SUEDE SHOES, GOTTA *
* BLUE, BLUE, THE BLUE SUEDE SHOES, OH BABY *
* BLUE, BLUE, THE BLUE SUEDE SHOES *
* BLUE, BLUE, BLUE SUEDE SHOES, BABY *
* BLUE, BLUE, BLUE SUEDE SHOES, BABY *
* BLUE, BLUE, BLUE SUEDE SHOES *
MY PEOPLE, I LOVE YOU, I'LL BE BACK.
MY BAND.
*[Latin music playing]
*[Singing in Spanish]
HI, KEN, CHULO LINDO.
HAVE YOU SEEN RICO?
SURE, I SEEN RICO. AND HE'S HERE WITH VICKI.
THAT'S GREAT!
[Speaking Spanish]
EVITA!
[Yelling in Spanish]
WHOO!
HOW YOU DOING?
I'M HAPPY TO SEE YOU GUYS TOGETHER.
YEAH? GOOD. LET'S CELEBRATE.
OK. I'LL GET THE DRINKS.
[Speaking Spanish]
MONEY, YOU KNOW.
SO YOU GUYS ARE ON AGAIN?
YEAH, WE'RE ON, WE'RE OFF. WE'RE ON AGAIN.
YOU GUYS ARE CRAZY, MAN.
HEY, GUYS, WHAT ARE YOU GUYS DOING OVER HERE, MAN?
ALL THE HOT STUFF IS OVER THERE!
[Woman shouting]
[People chattering]
COME ON, GIRL.
I DON'T KNOW IF WE SHOULD BE HERE.
BESIDES, DON'T YOU HAVE TO BE 18 TO GET IN?
LEAVE THAT TO ME. YOU LOOK 18.
I DON'T KNOW.
GROW UP! I DON'T BELIEVE YOU. DON'T YOU KNOW HOW TO HAVE FUN?
OK, BUT JUST FOR A LITTLE WHILE.
MY MOM THINKS WE'RE AT YOUR HOUSE DOING HOMEWORK.
PLEASE!
[Inaudible]
[Inaudible]
WHAT IS THIS? A FAMILY CONVENTION?
YOU BROUGHT YOUR LITTLE SISTER, HUH?
RITA, WHAT THE HELL ARE YOU DOING HERE?
COME ON! I JUST CAME TO LOOK.
YOU KNOW, I'VE TOLD YOU A MILLION TIMES, I DON'T WANT YOU HERE.
YOU KNOW IT'S NOT RIGHT! YOU LISTENING TO ME?
RITA, WHAT DO YOU WANT TO DRINK?
THIS IS MY BROTHER, RICO.
RICO, THIS IS LOLA, MY NEW FRIEND FROM SCHOOL. SHE DRIVES.
IT'S A PLEASURE.
YOU DRIVE? YEAH.
WILL YOU DRIVE MY SISTER HOME THEN?
YOU GUYS HAVE SCHOOL TOMORROW.
OOH, I ALWAYS WANTED A BIG BROTHER.
HI. HI.
MARGARITA, I HARDLY RECOGNIZED YOU, ALL DRESSED UP.
THANKS, NOW TRY TO CONVINCE MY BROTHER
TO LET ME STAY FOR ONE DANCE.
NOBODY'S GOING TO CONVINCE ME TO DO ANYTHING. JUST GO HOME.
BYE, KEN.
GOOD NIGHT, MARGARITA.
GOOD NIGHT.
[Crowd cheering]
SENORAS Y SENORES, PRESENTING THE QUEEN OF SALSA...
LA LUNA!
[Crowd cheering]
AND NOW, LADIES AND GENTLEMAN...
A VERY SPECIAL GUEST, AND MY FRIEND...
THE FIRST LADY OF SONG,
LA REINA DE LA SALSA, CELIA CRUZ...
AND THE GREAT WILLIE COLON!
[Crowd cheering]
*[Singing in Spanish]
WHOO! [Laughing]
WHOO!
THERE'S THAT BOY RICO I WAS TELLING YOU ABOUT.
TALK ABOUT CHARISMA.
YEAH, CELIA LIKES HIM.
WHO DOESN'T?
WHOO-HOO!
[Crowd cheering]
LEAVE HIM ALONE.
I DON'T WANT ANYONE JUMPING ON STAGE.
HE'S NOT JUST ANYONE. SIT DOWN!
YEAH, RICO, GO!
[Speaking Spanish]
[Crowd cheering]
[Crickets chirping]
HEY, MOM. I'M SORRY. I DIDN'T MEAN TO WAKE YOU.
IT'S OK.
YOU WANT ME TO MAKE YOU SOMETHING TO EAT?
NO, NO, THANKS. IS RITA HOME?
YES.
TRY NOT TO BE SO HARD ON HER.
SHE NEEDS YOUR LOVE. SINCE YOUR FATHER DIED, IT'S BEEN--
MOM, I LOVE HER. I JUST WORRY.
I DON'T WANT HER HANGING OUT AT THE CLUB.
SO, DID YOU AND VICKI CLEAR THE FLOOR?
WE DANCED.
I'M TIRED. GOOD NIGHT.
GOOD NIGHT, MI HIJO.
[People chattering]
[Whistle blowing]
MAN, I'M DRENCHED.
YEAH, MY DAD ALWAYS SAID,
"DON'T SWEAT, UNLESS YOU'RE GETTING PAID FOR IT."
ARE YOU THINKING ABOUT HIM?
WHO?
KEN.
WHAT DO YOU MEAN?
I SAW HOW YOU WERE LOOKING AT HIM.
NO, KEN IS JUST LIKE A BROTHER TO ME.
WELL, HE'S NOT YOUR BROTHER,
AND HE DOESN'T LOOK AT YOU LIKE A BROTHER, THAT'S FOR SURE.
HE DOESN'T?
DOES RICO HAVE A GIRLFRIEND?
YEAH, SORT OF. VICKI.
WAIT A MINUTE. I HOPE YOU DON'T HAVE ANY PLANS.
RICO'S TOO OLD FOR YOU.
ARE YOU KIDDING? I'VE HAD OLDER THAN HIM BEFORE.
[Laughing] YOU'RE SO CRAZY.
I THOUGHT YOU KNEW ME BETTER THAN THAT.
WELL, YEAH, I KNOW MY BROTHER.
RICO ONLY LIKES 2 THINGS, RICO AND SALSA.
WE'LL SEE.
*[Stereo playing Maybe Baby by Buddy Holly]
* OOH OOH OOH OOH
[Door opening]
YO!
KENNETH. JUST ON TIME.
WHY, WHAT'S UP?
WELL, I NEED A LITTLE FAVOR.
ANOTHER FAVOR, MAN?
YEAH. UH...
I WANT YOU TO KEEP RITA BUSY
WHILE I MAKE A MOVE ON HER FRIEND.
WHO?
LOLA.
* LA, LA, LA, LA
SHE'S JUST A BABY, MAN.
AND I'M A BABY SITTER.
I DON'T LIKE IT.
OH, COME ON. POQUITO, MAN, IT'S EASY.
YOU KNOW THAT ROCK SINGER I TOLD YOU ABOUT?
HE'S GOING TO BE REALLY FAMOUS SOMEDAY.
HI, YOU REMEMBER LOLA?
RITA, I THOUGHT I TOLD YOU
NOT TO MESS WITH MY STEREO.
[Sighing]
THIS IS KEN.
HI.
SO, GETTING SOME COLOR?
TRYING TO.
YEAH?
RITA, WHY DON'T YOU MAKE US ALL SOME DRINKS?
ALL OF US.
I'LL GET SOME ICED TEA.
KEN,
[Laughing] WHY DON'T YOU GIVE RITA A HAND?
YEAH, SURE.
[Sighing]
* YOU ARE THE ONE THAT MAKES ME GLAD *
* AND YOU ARE THE ONE THAT MAKES ME SAD *
* WHEN SOMEDAY YOU WANT ME
* WELL, I'LL BE THERE
* WAIT AND SEE
* MAYBE, BABY, I'LL HAVE YOU *
* MAYBE, BABY, YOU'LL BE TRUE *
* MAYBE, BABY, I'LL HAVE YOU FOR ME *
HI, LOLA.
HI.
* I'LL HAVE YOU FOR ME
SO, I BOUGHT SOMETHING FOR RICO.
WHAT IS IT? IT'S A BELT.
I GOT IT FOR HIS BIRTHDAY.
OH, IT'S GREAT.
IT'S REAL LEATHER. YOU THINK HE'LL LIKE IT?
YEAH, HE'LL LOVE IT.
MAYBE I SHOULD GET HIM A RECORD OR SOMETHING.
NO, THIS BELT'S GREAT. I'D EVEN BORROW IT.
YEAH? YEAH.
I DON'T KNOW.
SHOULD I GIVE IT TO HIM NOW, OR WAIT UNTIL THE PARTY?
NO, I THINK YOU SHOULD WAIT TILL THE PARTY.
DON'T TELL HIM THERE'LL BE MORE THAN JUST A FEW FRIENDS THERE.
REALLY?
WHAT'S WRONG WITH THIS BUCKLE?
OH, HERE. THERE'S NOTHING WRONG WITH IT.
SEE?
DO YOU WANT ME TO WRAP IT FOR YOU?
YEAH, NOTHING TOO FANCY.
DO YOU WANT IT IN A BOX?
HUH?
A RIBBON?
WHAT?
THE BELT.
OH, YEAH, YEAH, YEAH, YEAH.
GREAT APARTMENT.
WHERE'S YOUR BED?
COOL SYSTEM!
* HOT WITH DESIRE POSSESSED BY YOUR LOVE *
* IS WHERE I BELONG
GREAT VIEW.
* WHEN YOU MOVE TO THE BEAT THERE'S A SEXUAL HEAT *
* I CAN FEEL IT, GIRL, FROM ACROSS THE ROOM *
* GIVING IN TO LOVE
* TURNING IN THE KEYS
ALL RIGHT!
* GOT IT SO BAD
* DOWN ON MY KNEES
* I GOT YOU UNDER MY SKIN
* I WANT YOU CLOSER THAN SIN
* YOU GOT MY BODY AND SOUL
* YOU HAVE ME OUT OF CONTROL
* I GOT YOU UNDER MY SKIN
* DEEP IN MY HEART'S WHERE YOU LIVE *
* YOU HAVE ME FLESH TO THE BONE *
* THERE'S NOTHING YOU DO NOT OWN *
* I NEED TO SPEND EVERY HOUR WITH A TROPICAL FLOWER *
* WITHOUT YOU, GIRL, I JUST CANNOT SURVIVE *
* AND WHILE THE CITY IS SLEEPING *
* THE JUNGLE IS BEATING WITH SOUNDS OF LOVE *
* FROM INSIDE MY HEART
* I'M GIVING IN TO LOVE
* I'M TURNING IN THE KEYS
* GOT IT SO BAD
* DOWN ON MY KNEES
* I GOT YOU UNDER MY SKIN
* I WANT YOU CLOSER THAN SIN
* YOU GOT MY BODY AND SOUL
* YOU HAVE ME OUT OF CONTROL
* I GOT YOU UNDER MY SKIN
* DEEP IN MY HEART'S WHERE YOU LIVE *
* YOU HAVE ME FLESH TO THE BONE *
* THERE'S NOTHING YOU DO NOT OWN *
* SALSA
* I GOT YOU UNDER MY SKIN
* I WANT YOU CLOSER THAN SIN
* YOU GOT MY BODY AND SOUL
* YOU HAVE ME OUT OF CONTROL
* I GOT YOU UNDER MY SKIN
* DEEP IN MY HEART'S WHERE YOU LIVE *
* YOU HAVE ME FLESH TO THE BONE *
* THERE'S NOTHING YOU DO NOT OWN *
* I GOT YOU UNDER MY SKIN
* I WANT YOU CLOSER THAN SIN
* YOU GOT MY BODY AND SOUL
* YOU HAVE ME OUT OF CONTROL
* EYO-OH, EYO-OH
* AI-AI-AI-AI-AI, EYO-OH, EYO-OH *
THE ICED TEA IS READY. RICO.
YEAH, I'LL BE RIGHT OUT. ONE SECOND.
*[Music continues]
[People chattering]
I'LL SEE YOU AT DINNER, OK?
RICO, I WANT TO GO TO THE CLUB TONIGHT AND WATCH.
LISTEN, I DON'T WANT YOU THERE.
YOU'RE JUST A KID.
COME ON, TONIGHT'S SPECIAL.
I WANT TO GO. PLEASE?
NO, JUST GO HOME.
YOU DO YOUR HOMEWORK. STUDY.
THAT'S TOO BAD.
I'M GOING TO BE THERE.
PLEASE?
OK.
ALL RIGHT.
[Engine revving]
*[Good Lovin' by Kenny Ortega playing]
* SO
[Laughing]
* I WAS FEELING
* SO BAD
* I ASKED MY FAMILY DOCTOR JUST WHAT I HAD *
* I SAID, "DOCTOR" * "DOCTOR"
* "MR. M.D."
* "DOCTOR"
* "PLEASE TELL ME"
* "DOCTOR"
* "WHAT'S AILING ME"
* "DOCTOR"
* YEAH, YEAH, YEAH, YEAH, YEAH *
* YEAH, YEAH, YEAH, YEAH, YEAH *
* OH, PLEASE
* ALL I REALLY NEED
* IS GOOD LOVING
* IS GOOD, GOOD, GOOD LOVING *
* I WANT YOU TO GIVE ME GOOD LOVING *
* GOOD LOVING, GOOD LOVING, GOOD LOVING *
* GOOD LOVING
* GOOD LOVING
* ALL I NEED FROM YOU
* GOOD LOVING
* ALL I WANT FROM YOU
* GOOD LOVING
* IS YOUR LOVING, BABY
* GOOD LOVING, MAMA
*[Singing in Spanish]
HI. I HAVE SOMETHING FOR YOU.
WHAT? I HAVE SOMETHING FOR YOU.
WHAT?
A BIRTHDAY PRESENT.
MY BIRTHDAY'S NOT TILL TOMORROW.
I KNOW. BUT I WANT YOU TO HAVE IT FOR TOMORROW.
[Laughing]
[Both laughing]
VICKI, WOW.
YOU DON'T LIKE IT?
I LOVE IT.
IT'S JUST... YOU KNOW, IT LOOKS EXPENSIVE.
PUT IT ON.
WAIT, I HAVE SOMETHING FOR YOU, TOO.
[Laughing]
OH, YOU'RE CRAZY!
WHY?
BECAUSE I LOVE YOU.
COME ON, PUT IT ON.
IT DOESN'T FIT.
IT FITS. IT FITS. LOOK, RIGHT HERE.
RIGHT THERE. TRY IT.
THERE. THERE YOU GO.
COOL! THERE IT IS.
COME ON, LET'S GO AND DANCE.
* GOOD LOVING
* GOOD LOVING
* GOOD LOVING
* GOOD LOVING, GOOD LOVING
* I WANT TO GIVE YOU GOOD LOVING *
* GOT TO, GOT TO
* GOOD LOVING
* GIVE IT TO ME
* YEAH, YEAH, YEAH, YEAH, YEAH *
* YEAH, YEAH, YEAH, YEAH, YEAH *
* OH, PLEASE
* GIVE IT TO ME
* PLEASE
* GOOD, GOOD, GOOD LOVING
* I WANT YOU TO GIVE ME GOOD LOVING *
* GOOD LOVING, GOOD LOVING, GOOD LOVING *
* GOOD LOVING
*[Singing in Spanish]
* GOOD, GOOD, GOOD, GOOD LOVING *
* OH, WON'T YOU GIVE ME GOOD LOVING? *
* GOOD, GOOD, GOOD LOVING
* GOOD, GOOD, GOOD, GOOD, GOOD LOVING *
* HAH
[Crowd cheering]
*[Cymbals chime]
[Emcee] LADIES AND GENTLEMEN, CLUB LUNA IS PROUD TO PRESENT,
FROM PUERTO RICO, THE GREAT TITO PUENTE!
[Crowd cheering]
[Woman] SALUDAS AMIGOS!
JUST A REMINDER THAT NEXT WEEK, RIGHT HERE,
WE SALUTE EL FESTIVAL DE SAN JUAN.
AND JUST TO MAKE THE EVENING EVEN MORE EXCITING,
CLUB LA LUNA WILL SEND ANYONE
WHO CAN CLEAR THE FLOOR TO THE GRAND SALSA COMPETITION
IN SAN JUAN, PUERTO RICO.
QUE VIVA LA SALSA!
*[Salsa music playing]
*[Singing in Spanish]
[Music stops]
[Crowd cheering]
WHOO.
[Whistling]
*[Salsa music playing]
OH, THAT KID'S FANTASTIC.
I LOVE THE WAY HE HANDLES HER ON THE FLOOR.
HE MAKES HER LOOK GOOD.
SHE DOESN'T HAVE ANY TALENT,
SHE REMINDS ME OF A HORSE.
WHAT ARE YOU SAYING?
THAT HE WOULD MAKE A HELL OF A PARTNER
FOR A WOMAN WHO REALLY KNOWS WHAT SHE'S DOING.
MEANING YOU?
I HAVE BEEN KNOWN TO CLEAR A DANCE FLOOR OR 2 IN MY DAY.
THAT'S RIGHT. YOU CLEARED THE DANCE FLOOR.
NO ONE EVEN LOOKED AT YOUR PARTNER.
WELL, YOU STILL NEED ONE, DARLING.
SO, WHAT ARE YOU TELLING ME?
ARE YOU SAYING YOU WANT TO DANCE AGAIN?
OR THAT YOU WANT TO GO TO PUERTO RICO?
OR THAT YOU WANT TO SLEEP WITH THIS KID?
THAT'S WHAT I LOVE ABOUT YOU, DARLING.
YOU FILL MY HEAD WITH SO MANY WONDERFUL IDEAS.
[Laughs]
BRING HIM TO MY TABLE.
ANYTHING FOR YOU.
[Inaudible]
YOU BRING WONDERFUL ENERGY TO MY CLUB.
THANKS. COMING FROM YOU, IT'S QUITE A COMPLIMENT.
I THINK YOU'RE TERRIFIC.
BUT YOUR PARTNER, SHE'S NOT A DANCER,
SHE'S GOING TO NEED SOME WORK.
WE'RE GOING TO WORK HARD.
YOU'RE WELCOME TO USE MY CLUB
DURING THE DAY TO REHEARSE, IF YOU LIKE.
THANKS, WE'RE GONNA NEED IT.
WE'RE GOING TO PUERTO RICO.
YEAH.
THE FLIGHT DOESN'T LEAVE FOR A FEW DAYS.
STAY AND HAVE SOME CHAMPAGNE WITH US.
I THINK I MIGHT HAVE TO TAKE A RAIN CHECK.
THANKS.
CHAMPAGNE?
HI, RICO. HEY, LOLA.
I'M ALONE, AND YOU'RE ALONE.
SO WHAT DO YOU SAY WE GET TOGETHER
AND FINISH WHERE WE LEFT OFF?
WHAT WE STARTED WAS A MISTAKE.
IT WAS MY MISTAKE.
BESIDES, I'M NOT ALONE.
YOU'RE NOT SERIOUS ABOUT THAT GIRL YOU WERE DANCING WITH, ARE YOU?
YEAH, I'M VERY SERIOUS,
AND I DON'T WANT ANY PROBLEMS. COMPRENDE?
ARE WE GOING?
YEAH. UM, VICKI, THIS IS LOLA.
THIS IS RITA'S NEW FRIEND.
SHE'S JUST ABOUT TO TAKE RITA HOME.
HI.
HI.
LISTEN, BY THE WAY, TELL RITA TO TELL MOM
I'M OVER AT VICKI'S TONIGHT, OK?
BYE.
HI. HI.
DO YOU HAVE A RIDE HOME?
UM, I DON'T THINK SO.
I'LL TAKE YOU HOME.
YEAH, OK.
OK.
HOW'RE YOU DOING BACK THERE? WHAT?
HOW'RE YOU DOING? I'M FINE.
DO YOU NEED ANYTHING?
HOW ABOUT SOME ICE CREAM?
WHAT? ICE CREAM!
OK. OK.
ANYTHING ON IT? NO.
SURE? YEAH, I'M SURE.
* THE WAVES ON THE OCEAN
HI, CAN I HAVE A VANILLA AND A CHOCOLATE?
* THE WAY THAT YOU FEEL WHEN YOU'RE IN THE GROOVE *
* THE WAY THAT THE WIND BLOWS *
* IT CARRIES THE RHYTHM
* INVINCIBLE FIRE, THE LANGUAGE OF LOVE *
* SALSA HEAT
* THERE IS SOMETHING THAT'S BURNING INSIDE *
* SALSA HEAT
* SALSA
* LISTEN TO THE RHYTHM, OH, OH, OH *
* SALSA HEAT
THANKS FOR THE RIDE.
I HAD A GREAT TIME.
REALLY.
YEAH, I LIKED IT MUCHO.
WHAT?
I LIKED IT MUCHO.
IT'S "MUCHO GUSTO."
WELL...
GOOD NIGHT, MARGARITA.
GOOD NIGHT.
* THIS FLAME OF DESIRE
* IT'S LIGHTNING AND THUNDER INSIDE OF US ALL *
* THE SOUNDS OF THE CITY
* KNOWING YOU'RE WITH ME
* I CARRY THEM WITH ME
* WHEREVER I GO
[Vicki laughing]
[Laughing]
[Moans]
COME ON.
I'LL MAKE YOU SOMETHING TO EAT.
YOU'RE SO BEAUTIFUL.
I'M REALLY HAPPY WE'RE BACK TOGETHER.
I MISSED YOU SO MUCH.
I'VE MISSED THIS PLACE...
AND THE MUTT.
WHAT'S WRONG? YOU'RE SHIVERING.
[Sighing]
AFTER TONIGHT...
I'M AFRAID.
THE STAKES ARE TOO HIGH, AND...
YOU COULD GO TO PUERTO RICO.
I DON'T--I DON'T WANT TO GET IN THE WAY OF YOUR DREAMS.
VICKI, YOU ARE MY DREAM.
CAN'T YOU...
HAVEN'T YOU NOTICED HOW PEOPLE LOOK AT US
WHEN WE DANCE TOGETHER?
THEY'RE LOOKING AT YOU.
NO, VICKI, THEY'RE LOOKING AT YOU.
I MEAN...
RELAX, YOU KNOW, WE'LL GO TO PUERTO RICO.
POSITIVE.
HOW COULD YOU BE SO SURE?
WELL, YOU KNOW, IF I TOLD YOU, YOU'D PROBABLY LAUGH.
NO, I WON'T.
YES, YOU WOULD.
NO, I WON'T.
IT'S IMPORTANT.
WELL, WHEN I WAS A--A LITTLE KID,
MY DAD WOULD ALWAYS SAY,
"RICO, I'M GOING TO TAKE YOU TO PUERTO RICO."
AND HE, YOU KNOW, SHOWED ME PICTURES...
HE'D TALK ABOUT IT...
AND THEN HE DIED.
BUT RIGHT NOW, I FEEL LIKE HE'S SO CLOSE,
HE'S WITH US.
HE'S HUGGING US.
HE'S HAPPY WE'RE TOGETHER AGAIN,
HE'S HAPPY FOR THE FAMILY.
YOU KNOW, HE SAYS WE'RE GOING TO CLEAR THAT FLOOR
AND, YOU KNOW, WE'RE GOING TO PUERTO RICO.
WHAT ELSE DOES HE SAY?
WHAT?
WELL, ABOUT US.
THE FUTURE, KIDS.
GEE, LET ME GIVE HIM A CALL. I DON'T KNOW.
[Laughs]
WELL, HE SAYS, WE'LL HAVE 2, UH, MAYBE, NO.
NO, MAYBE WE'LL HAVE 5.
5 KIDS. THEY'RE ALL-- THEY'RE ALL GOING TO DANCE.
[Laughs]
THEY'RE ALL GOING TO DANCE.
THEY'RE GONNA GO ON TOUR, MAKE LOTS OF MONEY,
MAKE A LOT OF PEOPLE HAPPY.
AND THEN WE'LL RETIRE IN PUERTO RICO.
[Laughing] YOU HAVE A ONE-TRACK MIND.
NO.
OH! IT'S ALMOST TIME.
I'LL GO INSIDE,
AND I'LL GET SOMETHING TO CELEBRATE WITH.
OK. OK.
*[Salsa music playing]
* OH
* LA, LA, LA, LA
* EACH NIGHT, I PRAY, THERE WOULD SOON COME A DAY *
* THAT I'D FIND MY WAY BACK TO YOUR SHORE *
* SOMEHOW I KNEW, IF I REACH YOU *
* IT'S THERE THAT MY HEART WILL STAY *
* FOREVER MORE
* HIGH ON THE DREAM
* I'M STILL BELIEVING
* SAY YOU'LL BE MINE
* MY PUERTO RICO, LA, LA, LA, LA *
* OH
* LA, LA, LA, LA
* HOW CAN IT BE THAT YOUR HEART BEATS IN ME? *
* I KEEP HEARING YOUR SONG IN MY MIND *
* HOW DID I KNOW
* IT WAS PUERTO RICO THAT'S BEEN CALLING ME *
* ALL OF THE TIME?
* I CLOSE MY EYES, I AM IN PARADISE *
* SAY YOU'LL BE THERE
* MY PUERTO RICO
* HOLD ME TONIGHT, UNDER THE STARS *
* PUERTO RICO
* WHERE I BELONG, THERE IN YOUR ARMS *
* PUERTO RICO
* LA, LA, LA, LA
* PUERTO RICO
* EVERY BEAT, I FEEL THE HEAT *
* PUERTO RICO
* LA, LA, LA, LA
* PUERTO RICO
* EVERY STEP, CLOSER I GET
* PUERTO RICO
* LA, LA, LA, LA
* I'M COMING HOME TO YOU
* OH
* LA, LA, LA, LA
RICO?
RICO?
VICKI! WELCOME TO PUERTO RICO!
SILENCIO, EVERYBODY! RICO'S HERE!
SHH, PLEASE, EVERYBODY.
GO ON, GIRLS.
TOLD YOU.
WELL, LET'S GO BACK TO YOUR PLACE.
NO.
COME ON, THEN TELL ME WHAT WE'RE DOING.
CHUEY'S AROUND HERE.
NO, HE'S NOT. YES, HE IS.
AUNT ROSIE'S HERE, SHE'S COOKING.
NO. WHERE ARE WE? AT HOME?
TELL ME WHERE WE'RE AT.
COME ON. PLEASE?
COME ON.
HAPPY BIRTHDAY, MI HIJO.
[All] SURPRISE!
*[Latin music playing]
YEAH, CHUEY!
[Shouting]
WHOO!
WHOO!
YO, RICO!
HAPPY BIRTHDAY, MAN.
* I KNOW
* YOU DON'T LOVE ME NO MORE, NO MORE *
* NO MORE
* NO, NO MORE
* I DON'T WANNA BE HURTIN'
* ANYMORE
* ANYMORE
* YEAH, YEAH, I TRIED SO HARD *
* EVERYTHING I DID WAS NO JOY *
* IF I CAN'T LOVE YOU RIGHT, BABY *
* I DON'T WANNA LOVE YOU AT ALL *
COME ON.
CAN YOU MOVE IN A LITTLE BIT? HERE WE GO.
* YOU DON'T WANT ME NO MORE, NO MORE *
* NO MORE
* NO, NO MORE
* AND I HAVE TO BE SOMEONE ELSE *
* BY LOVIN' YOU MORE
* NO MORE
* LOVIN' YOU MORE
* THERE'S NO USE
* IN ME CRYING, I'LL WAIT FOR YOU *
* I WON'T BE YOUNG
* SINCE YOU DON'T WANT ME NO MORE, BABY *
* THERE'S NO USE IN YOU HANGING 'ROUND *
* I KNOW
* I KNOW
* YOU DON'T LOVE ME NO MORE, NO MORE *
* NO MORE
* NO, NO MORE
* NO MORE
* I DON'T WANNA BE HURTING ANYMORE *
* NO MORE
* ANYMORE
* NO MORE
* YEAH, YEAH, I TRIED SO HARD *
* EVERYTHING I DID WAS NO JOY *
* IF I CAN'T LOVE YOU RIGHT, BABY *
* I DON'T WANT TO LOVE YOU AT ALL *
* I KNOW * I KNOW
* YOU DON'T WANT ME NO MORE, NO MORE *
* NO MORE
* NO MORE
* AND I HAVE TO BE SOMEONE ELSE *
* BY LOVING YOU MORE
* LOVING YOU MORE
* THERE'S NO USE
* IN ME CRYING, I'LL WAIT FOR YOU *
* I WON'T BE YOUNG
PUERTO RICO.
* SINCE YOU DON'T WANT ME NO MORE, BABY *
* THERE'S NO USE IN YOU HANGING 'ROUND *
[Laughing]
HEY. I LOVE YOU, MA.
* I KNOW, I KNOW
* I KNOW, I KNOW
* YOU DON'T WANT ME
* I KNOW
* YOU DON'T NEED ME
* I KNOW
* THERE'S NO USE IN ME HANGIN' ROUND *
[All cheering]
* YOU DON'T NEED ME
* I KNOW
* THERE'S NO USE IN ME HANGIN' ROUND *
* I KNOW
* 'CAUSE YOU DON'T LOVE ME
* I KNOW
* YOU DON'T WANT ME
* I KNOW, I KNOW
* YOU DON'T WANT
* I KNOW
* 'CAUSE YOU DON'T LOVE ME
YEAH.
* NO MORE
* YOU DON'T NEED ME
* I KNOW
* I KNOW
* 'CAUSE YOU DON'T LOVE ME
[Both] * I KNOW
* I KNOW
* DON'T NEED ME * I KNOW
* I KNOW
* 'CAUSE YOU DON'T LOVE ME
* I KNOW
* 'CAUSE YOU DON'T WANT ME
* I KNOW
[Rico] WHOO-HOO-HOO.
*[Spanish Harlem by Ben E. King playing]
* THERE IS A ROSE IN SPANISH HARLEM *
* A RED ROSE UP IN SPANISH HARLEM *
* IT IS THE SPECIAL ONE, IT'S NEVER SEEN THE SUN *
* IT ONLY COMES OUT WHEN THE MOON IS ON THE RUN *
* AND ALL THE STARS ARE GLEAMING *
* IT'S GROWING IN THE STREET *
* RIGHT UP THROUGH THE CONCRETE *
* BUT SOFT AND SWEET AND DREAMIN' *
LISTEN TO ME! I TOLD YOU NO. YOU'RE DRUNK!
I'M NOT DRUNK. I'M HAPPY.
VICKI, I DIDN'T DO ANYTHING.
* WITH EYES AS BLACK AS COAL *
* THAT LOOKS DOWN IN MY SOUL *
* AND STARTS A FIRE THERE AND THEN I LOSE CONTROL *
* I HAVE TO BEG YOUR PARDON *
[Cheering continues]
* I'M GOING TO PICK THAT ROSE *
* AND WATCH HER AS SHE GROWS *
* IN MY GARDEN
WHEREVER RICO IS, YOU ARE NEVER FAR OFF,
LIKE A FAITHFUL DOG.
LAY OFF, LOLA. YOU'RE DRUNK.
BUT EVERYBODY KNOWS HE DOESN'T CARE ABOUT YOU ANYMORE.
LOLA, DON'T CAUSE A SCENE.
THIS IS RICO'S PARTY.
HE DESERVES A GOOD TIME.
I ALREADY SHOWED HIM THE GOOD TIME. DIDN'T HE TELL YOU?
THIS IS BETTER THAN MIAMI VICE!
VICKI, WHAT'S WRONG?
IT'S TIME YOU OPENED YOUR BIRTHDAY PRESENTS.
LOLA. COME ON, HONEY. COME ON.
IS SHE OK?
YEAH, MOM, SHE'LL BE OK.
SHE JUST HAD A LITTLE TOO MUCH TO DRINK.
TAKE HER TO THE HOUSE, RICO.
GIVE HER SOME AIR! GIVE HER SOME AIR!
THERE'S NOTHING WRONG! THERE'S PLENTY OF FOOD! LET'S GO!
WHO TURNED OFF THE MUSIC?
BANG THOSE DRUMS!
COME ON, COME ON, LET'S PARTY!
[All cheering]
*[Music playing]
WHERE ARE WE GOING?
AH, JUST CALM DOWN. YOU'LL BE OK.
OH!
COME ON. OH, YEAH.
[Laughing]
COME ON, STOP IT.
STOP IT, OK? THERE'S A HOUSE FULL OF PEOPLE.
I CAN'T HELP IT. YOU EXCITE ME.
COME ON, LOLA! I JUST CAME IN HERE TO HELP YOU.
HERE, I'LL SHOW YOU HOW YOU CAN HELP ME.
GET OFF ME, LOLA.
* SLOW DOWN
* TAKE IT EASY
* WHAT'S YOUR HURRY, SLOW DOWN *
[Rico] I SAID STOP, LOLA.
COME ON, RICO, LET'S DO IT.
IS SHE IN THERE? WHO?
LOLA. NO.
NO? NO. GUESS WHAT?
YOUR MOM ASKED ME TO GO GET SOME BEER.
UH, DO YOU WANT TO COME WITH ME?
NOW? YEAH, NOW.
OK. OK.
* SOMEONE LIKE TO HURRY ALL OF THE TIME *
* COME AROUND TOO LATE, IT'S BEST TO WAIT *
[Engine revving]
* IS TAKING TIME
* TAKE IT EASY, SLOW DOWN
* TAKE IT EASY
* WHAT'S YOUR HURRY, SLOW DOWN *
*[Whistling]
[Speaking Spanish]
COME ON.
*[Playing guitar]
[Speaking Spanish]
PLEASE?
[Speaking Spanish]
COME ON, KENNY, LET'S JUST GIVE THEM ONE BEER.
[Men speaking Spanish]
HAPPY NEW YEAR! HAPPY BIRTHDAY.
HEY, FELLAS, TAKE YOUR HANDS OFF THE GIRL RIGHT NOW.
[Speaking Spanish]
ALL RIGHT, TAKE IT EASY, FELLAS.
[Speaking Spanish]
MARGARITA.
OH! MARGARITA!
*[Whistling]
[Laughing]
[Engine revving]
* MARGARITA
[Man laughing]
*[Singing in Spanish]
* LA, LA, LA, LA
* MARGARITA
COME ON, PLEASE? PLEASE?
NO.
COME ON.
COME ON.
*[Singing in Spanish]
* MARGARITA
HEY, WHERE ARE YOU GOING?
* AND OUR LOVE GOES ON FOREVER *
* WHEN I'M WITH YOU, I'M NOT WELL *
* MARGARITA
* I WILL SEARCH UNTIL I FIND YOU *
* AND THE ROSES WILL REMIND YOU *
* AND I WILL WAKE INSIDE THE DREAM *
* THE SUN IN HER HAIR
* THE TROPICAL AIR
* THE SMELL OF THE SEA
* THE GIRL NEXT TO ME
* SHE'S GOT THE TOUCH
* THAT I NEED OH SO MUCH
* MY MUCHACHITA
* IT'S MORE THAN HER EYES
* MORE THAN HER VOICE
* MORE THAN HER SMILE
* THAT LEAVES YOU NO CHOICE
* STRAIGHT FROM THE PAGES OF LOVE SHE WAS BORN *
* MARGARITA
* AND IF I COULD GET BACK TO THAT DREAM *
* I KNOW SHE'LL BE THERE
* WAITING FOR ME
* MARGARITA
* I WILL SEARCH UNTIL I FIND YOU *
* AND THE ROSES WILL REMIND YOU *
* I WILL WAKE INSIDE THE DREAM *
[Man speaking Spanish]
WHAT?
[Speaking Spanish]
COME ON, FELLAS, WE HAVE TO GO, YOU KNOW. I GAVE YOU ALL MY BEER.
THIS IS HOW YOU'RE GOING TO TREAT ME? SHE'S A YOUNG GIRL. WE HAVE...
[Men laughing]
* MARGARITA
[Laughs] AH, BEAUTIFUL!
*[Salsa music playing]
*[Singing in Spanish]
MIND IF I INTERRUPT WITH A LITTLE CONSTRUCTIVE CRITICISM?
OF COURSE NOT.
IT'S THE CROSSOVER STEP. MMM-HMM.
I'VE SEEN THAT DANCED A THOUSAND TIMES LIKE THAT.
I CAN SHOW YOU A MUCH BETTER WAY.
SURE.
CROSS OVER.
AND AGAIN. AND AGAIN.
2ND POSITION.
I DON'T UNDERSTAND.
OPEN YOUR LEGS.
DEEPER.
UH-HUH. NOW HOLD ME STRONG.
AND STAND TALL.
ALL RIGHT.
OPEN BREAK!
NOW THAT'S THE WAY THAT STEP SHOULD BE DANCED!
WANT TO SEE SOME MORE?
SURE.
I UNDERSTAND YOU LIKE TO TRAVEL.
I SURE DO.
THEN LET'S GO.
IMAGINE HOW HE FEELS.
HE'S DANCING WITH THE BEST.
YOU CARE A LOT ABOUT HIM, DON'T YOU?
YEAH.
WELL, I LOVE HER.
I WOULD DO ANYTHING FOR HER.
SO, WHAT ARE YOU TRYING TO SAY?
WHY DON'T YOU GET TO THE POINT?
WHAT I'M TRYING TO SAY
IS THAT IF YOU LOVE SOMEONE,
YOU DON'T STAND IN THEIR WAY.
LUNA WANTS TO DANCE AGAIN.
AND RICO'S HER PERFECT PARTNER.
LET HIM GO.
WHATEVER IT TAKES, JUST LET HIM GO.
VICKI, WHERE ARE YOU GOING?
I'M GOING HOME.
WHAT DO YOU MEAN? COME ON, WE HAVE TO REHEARSE.
NO, YOU HAVE TO REHEARSE, NOT ME.
VICKI, WHAT'S WRONG?
DANCING WITH YOU IS WRONG. BEING WITH YOU IS WRONG.
NOW YOU HAVE A NEW PARTNER, THE QUEEN OF SALSA.
SHE WAS JUST SHOWING US A FEW STEPS.
A FEW STEPS? YOU WERE SWEPT AWAY.
I SAW YOU. I WAS LEFT THERE, STANDING LIKE A JERK.
COME ON, VICKI.
NO, BUT IT'S OK.
SHE'S A FUCKING BETTER DANCER THAN ME ANYWAY.
YEAH, BUT I LOVE YOU.
NO, YOU DON'T. YOU LOVE YOUR DREAMS.
AND SHE IS YOUR TICKET TO PUERTO RICO, NOT ME.
* SOMETIMES, WHEN I'M STANDING ALL ALONE *
* I THINK OF THINGS THAT I HAVE DONE *
* AND START TO WONDER
* IF THERE'S ONE THING
* THAT MEANS MORE THAN OTHERS I HAVE KNOWN *
* AND SUDDENLY IT SEEMS TO ME *
* WITHOUT YOUR LOVE WHERE WOULD I BE? *
* YOUR LOVE
* HAS KEPT ME GOING
* THROUGH GOOD AND BAD TIMES *
YOU KNOW, YOU'RE NEVER HOME ANYMORE.
JEALOUS?
HEY, LISTEN, I WANT YOU HOME, IN BED, BY 10:00 ON SCHOOL NIGHTS.
WHO DIED AND MADE YOU KING? WHAT?
DON'T TELL ME WHAT TO DO.
DON'T TALK BACK, AND DON'T TEST ME.
JUST DO WHAT I SAID.
[Speaking Spanish]
YES, YOUR MAJESTY.
WHAT'S GOING ON HERE?
NOTHING.
IS THIS GOING TO BECOME A REGULAR ROUTINE?
YES.
* YOUR LOVE
* HAS KEPT ME GOING
* THROUGH GOOD AND BAD TIMES *
* IT'S KEPT ME GOING
* YOUR LOVE
* IT KEEPS ON BURNING
* THROUGH SWEET AND SAD TIMES *
* I'LL KEEP RETURNING
* TO THE MAGIC OF
* YOUR LOVE
* IT KEEPS ON BURNING
* THROUGH SWEET AND SAD TIMES *
* YOUR LOVE HAS KEPT ME
I'M BUYING IT.
* THROUGH GOOD AND BAD
DON'T PUT ANY BUTTER, UNLESS IT'S FREE.
* I'LL KEEP RETURNING
* TO THE MAGIC OF YOUR LOVE
* OH, I'LL KEEP RETURNING
* TO
* YOUR LOVE
HEY, RITA.
GOD, YOU SCARED ME.
KNOW WHAT TIME IT IS? [Speaking Spanish]
I WAS OUT WITH A FRIEND, HER CAR BROKE DOWN.
I DON'T BELIEVE THAT.
RICO, WHY DON'T YOU GET OFF MY BACK?
DID YOUR SLUT FRIEND INTRODUCE YOU TO SOMEONE, HUH?
YOU SHOULD KNOW ABOUT MY SLUT FRIEND.
EVER SINCE YOU BEEN HANGING AROUND LOLA,
YOU BEEN TURNING INTO SOME KIND OF PUTA!
DON'T CALL ME PUTA, CABRON.
HEY, STOP IT! BOTH OF YOU.
GOD, I HATE YOU.
YEAH? YOU'RE GROUNDED.
[Sighs]
RICO!
I DON'T KNOW YOU ANYMORE.
MY SON WOULD NEVER HIT HIS SISTER.
MY BOY WOULD NEVER STRIKE A WOMAN.
IF YOU SNEER, YOU'RE NOT ACTING LIKE MY SON ANYMORE.
YOU'RE ACTING LIKE SOME BIG, PUNK, MACHO SHIT.
I'M NOT GOING TO ASK YOU WHERE YOU'VE BEEN, BECAUSE I TRUST YOU.
BUT YOU SHOULD HAVE CALLED.
YEAH, MOM.
[Sniffing]
BABY, REMEMBER,
WITH MY JOB, WE EAT AND PAY THE RENT.
IT WAS YOUR BROTHER WHO, ON HIS OWN,
TOOK THAT JOB AT THE GARAGE, FIXING CARS
SO THAT WE COULD ALL LIVE BETTER.
SO, WHEN HE GETS UPSET WITH YOU,
YOU MUST BE MORE PATIENT.
HE LOVES YOU.
HE'S GROWING UP SO FAST, BUT
IN SO MANY WAYS, HE'S JUST A LITTLE BOY.
TRY TO UNDERSTAND, MARGARITA,
THE WAY I UNDERSTAND ABOUT YOU AND KEN...
IT'S OK.
IT'S OKAY.
IT'S OK.
I WANT TO TALK TO YOU ABOUT SOMETHING.
I WANT TO TALK TO YOU, TOO.
YOU FIRST.
IT'S RITA, MAN.
WHAT ABOUT HER?
I'M WORRIED, YOU KNOW?
IS SHE OK?
SHE'S BEEN COMING HOME LATE, YOU KNOW,
SHE'S NOT DOING WELL IN SCHOOL.
SHE DOESN'T EAT RIGHT.
IT'S JUST A LOT OF SHIT, YOU KNOW?
MAYBE SHE'S JUST GROWING UP.
NO, I THINK IT'S LOLA.
YOU KNOW, I'LL BET YOU ANYTHING
SHE SET HER UP WITH SOMEONE.
MAYBE HE'S A NICE GUY.
WELL, MAYBE WE SHOULD GO,
LIKE, AND FIND OUT WHO THIS NICE GUY IS.
WHY?
WELL, SO WE CAN KICK HIS ASS.
I MEAN, YOU KNOW, WE'VE GOT TO TAKE CARE OF OUR KID SISTER.
YOU'RE GONNA HELP OUT, RIGHT?
I MEAN, WE ARE FAMILIA, BRO.
YEAH!
SO, WHAT WERE YOU GONNA SAY?
OH, NOTHING. NOTHING.
*[Salsa music playing]
[Music stops]
WHAT ARE YOU DOING?
I'M DOING MY BEST, LUNA--
I DON'T LIKE IT WHEN YOU DO THAT.
MY BEST?
NO, THE KNEE DROP. IT'S AMATEURISH.
I FIGURED, IF YOU WERE SPINNING, I'D, YOU KNOW, SOLO.
SOLO? TO ME, THAT'S NOT THE SALSA.
TO ME, WHAT YOU DO ISN'T SALSA, EITHER.
WELL, I DON'T HAVE TIME FOR THIS.
JUST FOLLOW MY SKIRT, LITTLE BOY.
WE NEED A LITTLE REALITY CHECK HERE.
THIS IS NOT THE RICO SHOW.
YOU ARE THE FRAME, AND I AM THE PICTURE, GOT IT?
NOW, LET'S DANCE.
YOU'RE TAKING THINGS TOO PERSONALLY, RICO.
SORRY.
*[Salsa music playing]
YOU THINK YOU'RE GOING TO GET TO PUERTO RICO DANCING LIKE THAT?
IF I DO THIS ONCE, ON MY OWN, IT'LL BE OK.
YOU JUST MAKE ME FEEL INSECURE.
I JUST HAVE TO WORK ON IT.
SAN JUAN IS 4,000 MILES AWAY.
YOU'VE GOT 3,800 MORE TO GO.
ORLANDO.
DON'T WORRY ABOUT IT. SHE LIKES YOU.
[Speaking Spanish]
[Shouting]
[Grunts]
RITA.
RITA.
HI.
I DON'T WANT TO KEEP THIS A SECRET ANYMORE.
I TRIED TO TELL RICO...
BUT IT'LL KILL HIM.
I LOVE THE BOTH OF YOU.
I LOVE MY BROTHER, BUT HE CAN'T COME BETWEEN US.
IT'LL BE FINE, MARGARITA.
DON'T WORRY.
RICO, WE WEREN'T DOING ANYTHING.
JUST SHUT UP, AND GET IN THE HOUSE.
IT'S NOT HER FAULT, RICO.
GO AHEAD, RITA, GO IN.
DON'T TOUCH MY SISTER.
I LOVE HER, MAN. YOU LOVE HER ASS!
THAT'S NOT IT, BRO.
DON'T CALL ME "BRO," MAN.
IT'S BEEN YOU ALL THIS TIME, HUH?
YOU DUMB PUERTO RICAN. YOU JUST DON'T GET IT.
[Margarita] DON'T! YOU'RE GONNA KILL HIM! STOP!
[Grunting]
RICO, PLEASE, STOP, DON'T.
HE DIDN'T DO ANYTHING! PLEASE! STOP!
RICO DON'T, PLEASE DON'T.
PLEASE DON'T,
YOU'RE GONNA KILL HIM! WE DIDN'T DO ANYTHING.
[Grunting]
STOP, PLEASE! WHY DON'T YOU LET HIM GO?
YOU KNOW, I WORKED MY ASS OFF TO MAKE A BETTER FUTURE FOR RITA,
AND SHE'S THROWING IT ALL AWAY BECAUSE OF YOU, YOU PIECE OF SHIT!
WHAT IS SHE THROWING AWAY, MAN?
MAN, YOU BETRAYED US. LA FAMILIA, MAN.
WE TOOK YOU IN WHEN YOU HAD NO ONE.
WHAT ARE YOU SAYING?
YOU KNOW WHAT I'M SAYING, MAN?
IF I EVER CATCH YOU HERE AROUND MY SISTER, I'M GONNA KILL YOU, MAN.
COME ON.
NO, LET ME GO!
COME ON.
* I THINK OF YOU AND ALL THE DAYS GONE BY *
* WE'D SIT AND GAZE INTO
* A STARRY SKY
* THEN WITH PASSION
* WE WOULD SWEAR TO LASTING LOVE *
* THAT WOULD STAND THE TEST OF TIME *
* I'VE JUST REMEMBERED
* WHAT YOU'VE SAID AND DONE
* TO MAKE YOU LAUGH
[Margarita] SEE YOU TOMORROW.
BYE.
SEE YOU TOMORROW.
* HOLDING HANDS WE MELT INTO EACH OTHER EYES *
* MOMENTS LIKE THESE
RITA.
* ARE FILLING MY MIND
HI. GOD, YOU LOOK SO AWFUL.
UH, WE HAVE TO TALK.
ABOUT WHAT?
IT'S GOT TO END.
WHAT DO YOU MEAN?
I MEAN, THE BOTH OF US.
IT'S NOT RIGHT BETWEEN US.
LOOK, RITA, YOU HAVE TO GO TO SCHOOL AND BE SOMEONE.
I AM SOMEONE, SOMEONE I THOUGHT YOU CARED ABOUT.
IF I DIDN'T CARE, I WOULDN'T BE HERE SAYING THIS.
RITA, I WISH THINGS COULD BE THE WAY THEY WERE.
RITA!
RITA!
I LOVE YOU.
*[Jazz trumpet playing]
[People chattering]
*[Piano playing]
[Man] UN, DOS, TRES, CUATRO.
*[Salsa music playing]
*[Singing in Spanish]
WHAT THE HELL'S GOING ON WITH YOU?
LISTEN, I'D NEVER DROP YOU.
I WISH YOU WOULD DROP ME
IF IT MEANT THAT YOU'D GET YOUR MOVE RIGHT FOR ONCE.
MAYBE WE'D GET SOMETHING
A LITTLE BIT MORE EXCITING GOING ON HERE,
SOMETHING MORE DYNAMIC.
DAMN IT. LISTEN, I'M SORRY. I CAN'T CONCENTRATE.
YOU KNOW, I'VE GOT A LOT OF THINGS ON MY MIND.
I DON'T CARE ABOUT YOUR PERSONAL PROBLEMS.
YOUR PERSONAL PROBLEMS DON'T BELONG ON MY DANCE FLOOR.
THIS IS MY LAST NIGHT TO REHEARSE.
THE FESTIVAL IS TOMORROW,
AND IT'S YOUR ASS ON THE LINE, BABY.
NO, IT'S YOUR ASS ON THE LINE, OK?
BECAUSE THIS IS YOUR LAST CHANCE TO BE THE QUEEN OF SALSA.
JUST WHO THE HELL DO YOU THINK YOU'RE TALKING TO?
I EARNED EVERY BIT OF THAT TITLE,
AND I EARNED EVERY SQUARE INCH OF THIS CLUB,
AND NOBODY GAVE IT TO ME.
I HAD TO WORK FOR IT.
I DON'T UNDERSTAND YOU.
I'M GIVING YOU THE WORLD ON A PLATTER, YOU LITTLE SHIT.
I THOUGHT IT WAS YOUR LITTLE GIRLFRIEND WHO DIDN'T KNOW HOW TO DANCE,
BUT I WAS WRONG.
IT'S YOU.
NO TIMING, NO CONCENTRATION...
WHAT IS IT WITH YOU? YOU JUST DON'T CARE?
IF I HAVE TO BACK-LEAD YOU ALL OVER THIS DANCE FLOOR,
I PROMISE YOU, I AM GONNA MAKE AN IMPRESSION.
I AM GONNA CLEAR THAT DANCE FLOOR,
EVEN IF IT'S WITH YOUR ASS.
NOW, YOU GOT THAT?
[Knock at door]
YEAH?
[Speaking Spanish]
IT'S NOTHING, MA.
WELL, SOMETHING'S WRONG. I WANT TO KNOW.
MA, THERE'S NOTHING WRONG.
I JUST WANT TO BE ALONE. PLEASE.
ARE YOU SURE?
YEAH, MOM, I'M SURE.
ARE YOU NERVOUS ABOUT THE DANCE TOMORROW NIGHT?
[Speaking Spanish]
GOOD NIGHT.
*[Dance music playing]
[All shouting]
OH, RITA, YOU BETTER BE CAREFUL. YOUR BROTHER IS ALREADY HERE.
WHAT BROTHER?
VERY FUNNY. I'M SERIOUS.
HE SEES YOU DRESSED LIKE THAT,
HE'S GONNA GO CRAZY.
CRAZY? GOOD. THIS IS A NIGHT HE'S NEVER GONNA FORGET.
COME ON. LET'S DANCE.
OOH, I AM SCARED OF YOU.
* GIRLS
* SAY WHAT THEY WANNA SAY
* BOYS
* WE'LL GET THEM ANYWAY, HA, HA *
* GIRLS
* THEY'RE ALWAYS ACTING SHY
* BOYS
* YOU KNOW THE REASON WHY
* GIRLS
* THEY LIKE TO PLAY WITH YOU *
* BOYS
* OH, THEY LIKE TO PARTY, TOO *
* SOME GIRLS DO, SOME GIRLS DON'T *
* SOME GIRLS WILL
* GO ALL THE WAY
* YEAH, YEAH, YEAH
* SOME GIRLS WILL, SOME GIRLS WON'T *
* SOME GIRLS DON'T
* CHICOS Y CHICAS
*[Singing in Spanish]
* DANCE THE NIGHT AWAY
* CHICOS Y CHICAS
* PARTY EVERY DAY
WHY IS HE DANCING LIKE THAT? HE'S GONNA WEAR HIMSELF OUT.
RELAX.
I CAN'T RELAX. HE'S SUPPOSED TO BE SAVING THAT STUFF FOR ME.
DON'T WORRY ABOUT IT.
HE'S JUST WARMING HIMSELF UP FOR YOU.
* BOYS
* THEY THINK THEY ARE MACHO MAN *
* GIRLS
* OH, WELL, THEY DON'T GIVE A DAMN FOR *
* BOYS
* OOH, THEY SEEM TO CARE
* FOR GIRLS
* OOH, IN SEXY UNDERWEAR
* BOYS
* ARE ALWAYS IN DEMAND
* GIRLS
* WILL NEVER UNDERSTAND WHY
* BOYS
* WON'T WANT TO TAKE A CHANCE WITH *
* GIRLS
* WHO ONLY WANNA DANCE
* SOME GIRLS DO, SOME GIRLS DON'T *
* SOME GIRLS WILL
* GO ALL THE WAY
* OOH, YEAH, YEAH
* SOME GIRLS WILL AND SOME GIRLS WON'T *
* SOME GIRLS DON'T
* CHICOS Y CHICAS
*[Singing in Spanish]
* DANCE THE NIGHT AWAY
* CHICOS Y CHICAS
* PARTY EVERY DAY
*[Singing in Spanish]
[Singer speaking Spanish]
* SOME GIRLS DO, SOME GIRLS DON'T *
* SOME GIRLS WILL
* GO ALL THE WAY
* YEAH, YEAH, YEAH
* SOME GIRLS WILL AND SOME GIRLS WON'T *
* SOME GIRLS DON'T
RITA!
*[Singing in Spanish]
* CHICOS Y CHICAS
* CHICOS Y CHICAS
RITA, WHAT ARE YOU DOING HERE, HUH?
WHAT, ARE YOU JEALOUS THEY MIGHT BE LOOKING AT ME INSTEAD OF YOU?
BESIDES, I CAME TO WATCH YOU LOSE.
LISTEN, QUIT ACTING LIKE A CHEAP WHORE, OK?
IS THAT WHAT YOU WANT?
I'LL ACT LIKE A WHORE.
RITA, YOU'RE EMBARRASSING ME
IN FRONT OF MY FRIENDS.
FRIENDS? WHERE'S VICKI? WHERE'S KENNY, HUH?
IT'S ALWAYS RICO, RICO, RICO.
THIS IS THE LAST TIME I'M GONNA TELL YOU.
ARE YOU GOING TO HIT ME, LIKE YOU HIT KEN?
YOU KNOW, HE NEVER LOVED YOU.
I TOLD HIM TO BABY-SIT YOU.
[Crowd gasping]
WHERE THE HELL IS HE GOING? STOP HIM.
LET HIM COOL OFF. HE'LL BE BACK.
[Engine starting]
[Tires screeching]
RITA!
[Heart monitor beeping]
HOW IS SHE, RICO?
JUST GET OUT OF HERE.
I SAID, HOW IS SHE, MAN?
KEN, MIND YOUR OWN BUSINESS, MAN.
YOU KNOW THIS IS ALL YOUR FAULT, RIGHT?
YOU KNOW, JUST GET OUT OF HERE.
LEAVE MY FAMILY ALONE, MAN!
SHE'S GOING TO BE ALL RIGHT.
SHE'S A LITTLE SHAKEN. MAYBE SOME LIGHT CONTUSIONS,
BUT SHE'S ONE LUCKY GIRL.
NOW, ARE YOU KEN? SHE KEEPS ASKING FOR KEN.
THAT'S ME.
RICO, WAIT A SECOND.
JUST GO TO HELL, OK?
[Tires screeching]
HI.
HI.
HOW DO YOU FEEL?
OK. I'M SO HAPPY TO SEE YOU.
I MISSED YOU SO MUCH.
I MISSED YOU, TOO.
WHERE'S RICO?
RICO? HE'S GONE.
GONE WHERE?
I DON'T KNOW.
HE TOOK OFF. I TRIED TO STOP HIM.
THIS IS ALL MY FAULT. THIS IS BECAUSE OF ME.
NO, IT'S NOT. RICO HAS A LOT OF PROBLEMS.
I HOPE HE WENT TO THE CLUB.
I DON'T THINK SO.
HE WAS PRETTY CRAZY.
RICO HAS TO GO TO THE CLUB. HE HAS TO DANCE TONIGHT.
I KNOW MY BROTHER. HE'S GOING TO DO SOMETHING CRAZY.
YOU HAVE TO FIND HIM.
PLEASE?
PLEASE?
I THINK I MIGHT KNOW WHERE HE IS.
LET'S GET OUT OF HERE.
VICKI!
VICKI!
* OH
* WHOA-OH
* OH
* WHOA-OH
* OH
* WHOA-OH
* OH
* WHOA-OH
REMEMBER WHEN WE GOT THESE?
WE WERE JUST KIDS.
SUMMER VACATION.
YOU WANTED TO BE BLOOD BROTHERS,
BUT I WAS AFRAID OF BLOOD.
SO I BOUGHT US THESE ST. CHRISTOPHER MEDALS INSTEAD.
WHO'D EVER THINK, AFTER ALL THESE YEARS,
WE'D STILL BE WEARING THEM?
YOU KNOW, EVEN WHEN YOU RIPPED THIS OFF MY NECK...
YOU DIDN'T RIP IT OUT OF ME, BRO.
I KNOW YOU DON'T THINK OF ME LIKE THAT ANYMORE.
BUT YOU'RE MY BRO.
YOU'RE THE ONLY FAMILY I EVER HAD.
I KNOW I HURT YOU, MAN...
AND I'M SORRY.
JUST KNOW, I'D DO ANYTHING FOR THE FAMILIA.
JUST KNOW, I LOVE YOU, MAN.
I'LL GET YOU ANOTHER ONE.
WHAT?
I'LL GET YOU ANOTHER CHAIN, MAN. A STRONGER ONE.
*[Upbeat music playing]
I'LL BE OVER THERE.
GREAT TIMING, YOU ASSHOLE.
TIME THIS.
SHALL WE SALSA?
[All] RICO! RICO! RICO! RICO!
RICO! RICO! RICO! RICO!
RICO! RICO! RICO! RICO!
[All] RICO! RICO! RICO!
* LA, LA, LA, LA
* EACH NIGHT I PRAY THERE WOULD SOON COME A DAY *
* THAT I'D FIND MY WAY BACK TO YOUR SHORE *
* SOMEHOW I KNEW IF I REACHED YOU *
* IT'S THERE THAT MY HEART WILL STAY *
* FOREVER MORE
* HIGH ON THE DREAM I'M STILL BELIEVING *
* YOU SAY YOU'LL BE MINE *
* MY PUERTO RICO
* HOLD ME TONIGHT UNDER THE STARS *
* PUERTO RICO
* WHERE I BELONG, THERE IN YOUR ARMS *
* PUERTO RICO
* LA, LA, LA, LA
I MISSED YOU.
* OH
* LA, LA, LA, LA
*[Singing in Spanish]
* NOW I KNOW PUERTO RICO HAS BEEN CALLING ME *
* I CLOSE MY EYES, I AM IN PARADISE *
* SAY YOU'LL BE THERE
* MY PUERTO RICO
* HOLD ME TONIGHT UNDER THE STARS *
* PUERTO RICO
* WHERE I BELONG, THERE IN YOUR ARMS *
* PUERTO RICO
* LA, LA, LA, LA, LA, LA, LA, LA *
* PUERTO RICO
* EVERY STEP, CLOSER I GET *
* PUERTO RICO
* LA, LA, LA, LA
* I'M COMING HOME TO YOU
* OH
* LA, LA, LA, LA
* LA, LA, LA, LA, LA, LA
* LA, LA, LA, LA
* LA, LA, LA, LA, LA, LA
* LA, LA, LA, LA, LA, LA
* LA, LA, LA, LA
* LA, LA, LA, LA, LA, LA
* LA, LA, LA, LA, LA, LA
* PUERTO RICO
* LA, LA, LA, LA, LA, LA
* LA, LA, LA, LA
* LA, LA, LA, LA, LA, LA
* PUERTO RICO
* LA, LA, LA, LA, LA, LA
* PUERTO RICO
* LA, LA, LA, LA, LA, LA
* PUERTO RICO
* LA, LA, LA, LA, LA, LA
* PUERTO RICO
* LA, LA, LA, LA, LA, LA
* PUERTO RICO
* LA, LA, LA, LA, LA, LA
* PUERTO RICO
* LA, LA, LA, LA, LA, LA
* PUERTO RICO
* LA, LA, LA, LA, LA, LA
* PUERTO RICO
* LA, LA, LA, LA, LA, LA
* PUERTO RICO
* LA, LA, LA, LA, LA, LA
* PUERTO RICO
* LA, LA, LA, LA, LA, LA
* PUERTO RICO
* LA, LA, LA, LA, LA, LA
* PUERTO RICO
* PUERTO RICO
* PUERTO RICO
* MARGARITA
* I WILL SEARCH UNTIL I FIND YOU *
* AND THE ROSES WILL REMIND YOU *
* AND I WILL WAKE INSIDE THE DREAM *
*[Singing in Spanish]
* OUR LOVE WILL LIVE ON
* MY MARGARITA
* AND IF I CAN GET BACK TO THAT DREAM *
* I KNOW THIS TIME FOR SURE
* I'LL NEVER LEAVE
*[Singing in Spanish]
* IN MY DREAMS WE ARE TOGETHER *
* AND OUR LOVE GOES ON FOREVER *
* AND I AWAKE YOU ON THE DAY
* MARGARITA
* I WILL SEARCH UNTIL I FIND YOU *
* AND THE ROSES WILL REMIND YOU *
* AND I WILL WAKE INSIDE THE DREAM *
* MARGARITA
* IN MY DREAMS WE ARE TOGETHER *
* AND OUR LOVE GOES ON FOREVER *
* AND I AWAKE YOU ON THE DAY
* MARGARITA
* I WILL SEARCH UNTIL I FIND YOU *
* AND THE ROSES WILL REMIND YOU *
* AND I WILL WAKE INSIDE THE DREAM *
* MARGARITA
* IN MY DREAMS WE ARE TOGETHER *
* AND OUR LOVE GOES ON FOREVER *
* AND I AWAKE YOU ON THE DAY
* MARGARITA
* MARGARITA
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