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These are the user uploaded subtitles that are being translated: 1 00:00:01,917 --> 00:00:03,083 [dramatic music] 2 00:00:05,125 --> 00:00:08,167 - Tonight, mysterious codes 3 00:00:08,167 --> 00:00:10,625 hiding in plain sight. 4 00:00:10,625 --> 00:00:11,792 - At least as far back 5 00:00:11,792 --> 00:00:13,083 as the first century BC, 6 00:00:13,083 --> 00:00:14,750 people have been searching 7 00:00:14,750 --> 00:00:16,750 for coded messages. 8 00:00:16,750 --> 00:00:18,750 - From works of art- 9 00:00:18,750 --> 00:00:20,583 - People start trying to find codes 10 00:00:20,583 --> 00:00:22,417 in "The Last Supper" itself. 11 00:00:22,417 --> 00:00:23,875 - Who knows how many more could be out there 12 00:00:23,875 --> 00:00:25,000 waiting to be found? 13 00:00:25,875 --> 00:00:27,875 - to sacred texts- 14 00:00:27,875 --> 00:00:29,875 - The more the manuscript is studied, 15 00:00:29,875 --> 00:00:32,250 the more mysteries it seems to raise. 16 00:00:32,250 --> 00:00:34,042 - Dozens try to crack it, 17 00:00:34,042 --> 00:00:35,500 even Alan Turing, 18 00:00:35,500 --> 00:00:38,792 who famously helped break the Nazi Enigma code. 19 00:00:38,792 --> 00:00:40,500 - to the desert sands. 20 00:00:40,500 --> 00:00:43,500 - This has to have deep spiritual importance 21 00:00:43,500 --> 00:00:46,583 to justify all the manpower that it took. 22 00:00:46,583 --> 00:00:50,125 - What messages are they trying to convey? 23 00:00:50,125 --> 00:00:53,375 - If we look closely, we begin to see a pattern. 24 00:00:53,375 --> 00:00:54,958 - They suspect that these carvings 25 00:00:54,958 --> 00:00:56,500 are perhaps symbols of warning. 26 00:00:58,667 --> 00:01:01,042 - Now, the remarkable stories 27 00:01:01,042 --> 00:01:05,250 behind history's most confounding hidden codes. 28 00:01:05,583 --> 00:01:08,542 [dramatic music] 29 00:01:16,375 --> 00:01:18,875 One of the world's greatest artists, 30 00:01:18,875 --> 00:01:20,458 Leonardo da Vinci, 31 00:01:20,458 --> 00:01:24,042 left behind more than just masterpieces, 32 00:01:24,042 --> 00:01:27,917 secrets are embedded in all of his works. 33 00:01:27,917 --> 00:01:29,958 Symbols and codes 34 00:01:29,958 --> 00:01:32,833 whose meaning remains debated today. 35 00:01:32,833 --> 00:01:33,958 [pensive music] 36 00:01:33,958 --> 00:01:35,542 - Leonardo da Vinci is the painter 37 00:01:35,542 --> 00:01:38,917 behind one of the most famous religious artworks ever made, 38 00:01:38,917 --> 00:01:40,333 "The Last Supper." 39 00:01:40,333 --> 00:01:42,333 Not to mention, he also painted 40 00:01:42,333 --> 00:01:44,542 the most famous work in history, 41 00:01:44,542 --> 00:01:46,208 "The Mona Lisa." 42 00:01:46,208 --> 00:01:48,625 - A significant portion of da Vinci's work 43 00:01:48,625 --> 00:01:50,250 is religious in nature, 44 00:01:50,250 --> 00:01:52,708 "Saint Jerome," "Virgin and Child," 45 00:01:52,708 --> 00:01:54,375 "The Adoration of the Magi." 46 00:01:54,375 --> 00:01:57,042 This is because he worked on commission, 47 00:01:57,042 --> 00:01:58,542 and he was painting for the church 48 00:01:58,542 --> 00:02:00,750 and for wealthy patrons in Italy and France. 49 00:02:02,208 --> 00:02:04,875 - da Vinci's genius is not just in the art world. 50 00:02:04,875 --> 00:02:08,417 As he's developing his reputation as a great painter, 51 00:02:08,417 --> 00:02:12,167 he's also filled 13,000 pages of journal entries 52 00:02:12,167 --> 00:02:13,542 with scientific ideas 53 00:02:13,542 --> 00:02:16,167 that are way ahead of their times. 54 00:02:16,167 --> 00:02:18,625 He comes up with designs for flying machines 55 00:02:18,625 --> 00:02:21,458 and military equipment and scuba gear, 56 00:02:21,458 --> 00:02:23,083 even robots. 57 00:02:23,083 --> 00:02:24,583 - [Dennis] Within these pages, 58 00:02:24,583 --> 00:02:27,833 da Vinci shows off another surprising skill. 59 00:02:29,042 --> 00:02:31,458 - da Vinci invents a kind of code. 60 00:02:31,458 --> 00:02:34,792 He writes backwards in a mirror-image script 61 00:02:34,792 --> 00:02:38,667 combined with his own made-up shorthand and symbols. 62 00:02:39,875 --> 00:02:42,250 We still don't know what inspired da Vinci to do this, 63 00:02:42,250 --> 00:02:45,125 but it seems like he just came up with it on his own. 64 00:02:46,000 --> 00:02:47,583 - Whatever the reason, 65 00:02:47,583 --> 00:02:50,250 Leonardo da Vinci has become almost as famous for his codes 66 00:02:50,250 --> 00:02:52,458 as he has for anything else he's done. 67 00:02:52,458 --> 00:02:54,667 Pop culture has totally run wild 68 00:02:54,667 --> 00:02:58,375 with this idea of da Vinci as a master cryptologist. 69 00:02:58,375 --> 00:02:59,917 [inquisitive music] 70 00:02:59,917 --> 00:03:03,083 - [Dennis] Perhaps none have received as much attention 71 00:03:03,083 --> 00:03:05,875 as one of his most famous paintings, 72 00:03:05,875 --> 00:03:07,792 "The Last Supper." 73 00:03:07,792 --> 00:03:11,042 - Starting at about 1494, 1495, 74 00:03:11,042 --> 00:03:12,500 da Vinci begins painting 75 00:03:12,500 --> 00:03:15,458 his fresco depicting "The Last Supper," 76 00:03:15,458 --> 00:03:18,417 Jesus dining with his 12 apostles. 77 00:03:18,417 --> 00:03:20,625 The painting is commissioned by Ludovico Sforza, 78 00:03:20,625 --> 00:03:24,500 and it's to hang in the Convent of Santa Maria delle Grazie 79 00:03:24,500 --> 00:03:25,667 in Milan. 80 00:03:25,667 --> 00:03:28,208 - [Dennis] But over the next two decades, 81 00:03:28,208 --> 00:03:31,375 the masterpiece begins to fade. 82 00:03:31,375 --> 00:03:33,875 - We have to remember that this is a fresco. 83 00:03:33,875 --> 00:03:36,667 This is on the wall of a convent exposed to everybody, 84 00:03:36,667 --> 00:03:38,375 and within 20 years, 85 00:03:38,375 --> 00:03:40,458 the paint begins to flake off. 86 00:03:40,458 --> 00:03:45,208 By 1652, the painting is all but unrecognizable, 87 00:03:45,208 --> 00:03:47,708 so much so that workmen think nothing 88 00:03:47,708 --> 00:03:51,417 of cutting a doorway right in the center of it. 89 00:03:51,417 --> 00:03:53,583 - It's not until 1726 90 00:03:53,583 --> 00:03:56,542 that da Vinci's "Last Supper" is first restored, 91 00:03:56,542 --> 00:03:58,292 and it's been touched up periodically 92 00:03:58,292 --> 00:04:00,042 over the years since. 93 00:04:00,042 --> 00:04:01,500 The most major restoration 94 00:04:01,500 --> 00:04:05,417 takes place in the late 1970s and early 1980s, 95 00:04:05,417 --> 00:04:06,708 and the area around the painting 96 00:04:06,708 --> 00:04:09,958 is finally sealed and climate controlled. 97 00:04:11,250 --> 00:04:13,292 - [Dennis] The restoration allows the public 98 00:04:13,292 --> 00:04:17,542 to view this masterpiece in a whole new light. 99 00:04:17,542 --> 00:04:20,375 - Given da Vinci's propensity for mathematics and numbers 100 00:04:20,375 --> 00:04:22,042 and his love of codes, 101 00:04:22,042 --> 00:04:23,167 starting in the 1980s, 102 00:04:23,167 --> 00:04:25,417 people start studying and researching 103 00:04:25,417 --> 00:04:26,542 and publishing papers 104 00:04:26,542 --> 00:04:28,375 trying to find codes embedded 105 00:04:28,375 --> 00:04:30,708 in the fresco "The Last Supper" itself. 106 00:04:30,708 --> 00:04:31,875 [pensive music] 107 00:04:31,875 --> 00:04:34,542 - One of the more famous alleged coded messages 108 00:04:34,542 --> 00:04:38,000 is revealed by British computer scientist and archivist, 109 00:04:38,000 --> 00:04:39,250 Peter J. Vis 110 00:04:39,250 --> 00:04:42,333 on a personal blog in the 1990s. 111 00:04:42,333 --> 00:04:45,417 - Vis's observation has to do with the arrangement 112 00:04:45,417 --> 00:04:46,875 of the figures in the scene. 113 00:04:46,875 --> 00:04:49,042 Yes, they are all sitting on one side of the table, 114 00:04:49,042 --> 00:04:51,708 which they need to be in order for us to see them, 115 00:04:51,708 --> 00:04:55,375 but Vis says there's more to it than that. 116 00:04:55,375 --> 00:04:59,083 If we look closely, we begin to see a pattern. 117 00:04:59,083 --> 00:05:01,708 - The composition of "The Last Supper" is very intentional. 118 00:05:01,708 --> 00:05:05,042 It's groupings of three, three, one, Jesus, 119 00:05:05,042 --> 00:05:06,667 three and three. 120 00:05:08,375 --> 00:05:10,375 - Vis believes that this specific code 121 00:05:10,375 --> 00:05:14,542 comes from the Book of Lamentations 331:33, 122 00:05:14,542 --> 00:05:16,917 which states that, "For no one is cast off 123 00:05:16,917 --> 00:05:18,542 from the Lord forever." 124 00:05:18,542 --> 00:05:20,792 Multiple writers believe that this could refer 125 00:05:20,792 --> 00:05:22,417 to Judas's betrayal 126 00:05:22,417 --> 00:05:24,667 and that even he could be forgiven. 127 00:05:26,542 --> 00:05:29,958 - After Vis writes about the connection to Lamentations, 128 00:05:29,958 --> 00:05:32,500 other authors expand on his work 129 00:05:32,500 --> 00:05:35,833 and suggest the Bible verse may hold an even deeper meaning 130 00:05:35,833 --> 00:05:37,500 about da Vinci himself. 131 00:05:38,458 --> 00:05:40,583 He'd been accused of homosexuality 132 00:05:40,583 --> 00:05:42,875 as a young man in Florence. 133 00:05:42,875 --> 00:05:45,542 In fact, one of the definitive biographies of da Vinci 134 00:05:45,542 --> 00:05:47,208 by Walter Isaacson 135 00:05:47,208 --> 00:05:49,000 strongly suggests da Vinci 136 00:05:49,000 --> 00:05:52,250 was a homosexual his entire life. 137 00:05:52,250 --> 00:05:54,042 - This Bible verse from Lamentations 138 00:05:54,042 --> 00:05:56,583 could refer to da Vinci himself 139 00:05:56,583 --> 00:05:59,125 seeking redemption for what was at the time 140 00:05:59,125 --> 00:06:01,583 considered a sin and a scandal, 141 00:06:01,583 --> 00:06:04,667 so that he himself won't be cast off forever. 142 00:06:06,250 --> 00:06:08,542 - [Dennis] This may not be the only message 143 00:06:08,542 --> 00:06:12,000 hidden in da Vinci's great painting. 144 00:06:12,000 --> 00:06:14,917 - This same biblical event, "The Last Supper," 145 00:06:14,917 --> 00:06:19,042 had been depicted countless times before by other artists, 146 00:06:19,042 --> 00:06:22,833 but they always showed halos above everyone's head. 147 00:06:22,833 --> 00:06:25,292 da Vinci paints them without halos, 148 00:06:25,292 --> 00:06:27,458 not even Jesus has one. 149 00:06:27,458 --> 00:06:29,542 da Vinci may be relaying his belief 150 00:06:29,542 --> 00:06:31,708 that Jesus and his disciples 151 00:06:31,708 --> 00:06:35,000 are all ordinary men and not divine. 152 00:06:35,000 --> 00:06:36,333 - In his day, 153 00:06:36,333 --> 00:06:39,375 a suggestion like that is quite shocking. 154 00:06:39,375 --> 00:06:41,000 It's a bold statement when you consider 155 00:06:41,000 --> 00:06:43,333 that he's painting it larger than life 156 00:06:43,333 --> 00:06:45,375 on the wall of a convent. 157 00:06:45,375 --> 00:06:47,375 - [Dennis] There's another famous object 158 00:06:47,375 --> 00:06:51,250 conspicuously missing in "The Last Supper." 159 00:06:51,250 --> 00:06:52,500 - In the gospel of Matthew, 160 00:06:52,500 --> 00:06:54,333 Jesus shares bread with his followers, 161 00:06:54,333 --> 00:06:58,125 and he says, "Take, eat, this is my body." 162 00:06:58,125 --> 00:06:59,667 He then holds up a cup of wine, 163 00:06:59,667 --> 00:07:03,042 and says, "Drink all of it, for this is my blood. 164 00:07:03,042 --> 00:07:05,208 Do this in remembrance of me." 165 00:07:05,208 --> 00:07:06,625 Now, this cup, 166 00:07:06,625 --> 00:07:09,458 which we all know is the famous Holy Grail, 167 00:07:09,458 --> 00:07:12,375 isn't there among the glasses on the table. 168 00:07:13,583 --> 00:07:15,708 - [Dennis] But according to Dan Brown, 169 00:07:15,708 --> 00:07:18,500 author of the 2003 bestselling book, 170 00:07:18,500 --> 00:07:20,042 "The Da Vinci Code," 171 00:07:20,042 --> 00:07:21,833 it is. 172 00:07:21,833 --> 00:07:23,458 - According to "The Da Vinci Code," 173 00:07:23,458 --> 00:07:26,083 the missing cup from the table was done on purpose, 174 00:07:26,083 --> 00:07:28,708 and it's part of the complicated coded message 175 00:07:28,708 --> 00:07:30,750 that puts Leonardo da Vinci at the center 176 00:07:30,750 --> 00:07:34,458 of one of the most incredible conspiracies in history. 177 00:07:35,542 --> 00:07:38,500 - Brown writes that the Holy Grail is there after all, 178 00:07:38,500 --> 00:07:41,542 and according to da Vinci's code, 179 00:07:41,542 --> 00:07:44,042 it's not a cup, it's a person. 180 00:07:45,750 --> 00:07:47,792 - While most scholars believe 181 00:07:47,792 --> 00:07:50,375 that the person seated to the right of Jesus 182 00:07:50,375 --> 00:07:51,333 in "The Last Supper" 183 00:07:51,333 --> 00:07:52,958 is John the Apostle. 184 00:07:52,958 --> 00:07:56,125 Dan Brown suggests something radically different, 185 00:07:56,125 --> 00:07:57,375 that it is a woman 186 00:07:57,375 --> 00:07:59,750 and is in fact Mary Magdalene 187 00:07:59,750 --> 00:08:01,625 and that she represents the Holy Grail. 188 00:08:01,625 --> 00:08:03,208 [dramatic music] 189 00:08:03,208 --> 00:08:04,667 - The position of Jesus 190 00:08:04,667 --> 00:08:06,125 and the figure in question 191 00:08:06,125 --> 00:08:08,333 form an M shape. 192 00:08:08,333 --> 00:08:10,708 Brown goes on to suggest that M 193 00:08:10,708 --> 00:08:14,542 Implies that Jesus and Mary Magdalene are married. 194 00:08:15,458 --> 00:08:16,708 - Between the two, 195 00:08:16,708 --> 00:08:19,667 the empty space forms a V shape. 196 00:08:19,667 --> 00:08:21,500 Brown's novel interprets that 197 00:08:21,500 --> 00:08:24,250 as a symbol suggesting that Mary's womb 198 00:08:24,250 --> 00:08:25,583 is the true Holy Grail 199 00:08:25,583 --> 00:08:27,625 and she had a child with Jesus. 200 00:08:27,625 --> 00:08:29,750 [pensive music] 201 00:08:29,750 --> 00:08:31,417 - The plot of the novel 202 00:08:31,417 --> 00:08:33,875 follows a secret society 203 00:08:33,875 --> 00:08:37,708 entrusted with protecting the secret of Jesus's lineage. 204 00:08:37,708 --> 00:08:39,792 This conspiracy involves the Knights Templar 205 00:08:39,792 --> 00:08:42,625 and Leonardo da Vinci himself. 206 00:08:43,417 --> 00:08:45,000 - It's an exciting story, 207 00:08:45,000 --> 00:08:47,208 but unfortunately that's all it is for now, 208 00:08:47,208 --> 00:08:48,000 a story. 209 00:08:48,833 --> 00:08:50,667 There's no historical evidence 210 00:08:50,667 --> 00:08:52,500 that Jesus had a child 211 00:08:52,500 --> 00:08:53,875 or that Leonardo da Vinci 212 00:08:53,875 --> 00:08:57,708 was one of a string of protectors of that bloodline, 213 00:08:57,708 --> 00:08:59,375 and it's unlikely da Vinci would risk 214 00:08:59,375 --> 00:09:01,083 anything as blasphemous 215 00:09:01,083 --> 00:09:03,958 as putting Mary Magdalene next to Jesus 216 00:09:03,958 --> 00:09:06,375 if he wanted to keep his career going. 217 00:09:06,375 --> 00:09:08,542 - One thing Dan Brown's book accomplished 218 00:09:08,542 --> 00:09:11,875 is that it got a whole new army of researchers 219 00:09:11,875 --> 00:09:14,375 interested in digging into "The Last Supper" 220 00:09:14,375 --> 00:09:16,042 and da Vinci's other work. 221 00:09:16,042 --> 00:09:18,875 And from here, the theories really start to take off. 222 00:09:22,875 --> 00:09:25,583 - In the aftermath of Dan Brown's 2003 bestseller, 223 00:09:25,583 --> 00:09:26,750 many more researchers 224 00:09:26,750 --> 00:09:29,042 start looking for hidden messages 225 00:09:29,042 --> 00:09:30,750 in da Vinci's work. 226 00:09:30,750 --> 00:09:33,917 His paintings, engineering drafts and drawings 227 00:09:33,917 --> 00:09:36,417 are all carefully scrutinized 228 00:09:36,417 --> 00:09:39,042 for what could be secret clues. 229 00:09:39,042 --> 00:09:40,667 [inquisitive music] 230 00:09:40,667 --> 00:09:43,625 - All kinds of fringe theories eventually come out. 231 00:09:43,625 --> 00:09:46,500 Things like da Vinci's coded messages 232 00:09:46,500 --> 00:09:48,500 reveal secret knowledge 233 00:09:48,500 --> 00:09:52,333 that he learned from aliens or time travel. 234 00:09:52,333 --> 00:09:53,833 They're a ton of fun to read, 235 00:09:53,833 --> 00:09:56,708 but they don't carry a lot of scientific weight. 236 00:09:57,542 --> 00:09:59,667 - [Dennis] Then, in 2010, 237 00:09:59,667 --> 00:10:03,083 one new announcement gets a lot of attention 238 00:10:03,083 --> 00:10:07,333 because it comes from an actual Vatican researcher. 239 00:10:07,333 --> 00:10:09,542 - Sabrina Sforza Galizia 240 00:10:09,542 --> 00:10:12,250 says that she's taken an all-new approach 241 00:10:12,250 --> 00:10:14,375 to decoding "The Last Supper," 242 00:10:14,375 --> 00:10:17,125 and has discovered a hidden message 243 00:10:17,125 --> 00:10:18,458 that's not about Jesus 244 00:10:18,458 --> 00:10:20,792 or secret biblical history, 245 00:10:20,792 --> 00:10:22,208 it's about the future. 246 00:10:22,208 --> 00:10:23,917 [pensive music] 247 00:10:23,917 --> 00:10:26,583 - While most researchers focus on the people 248 00:10:26,583 --> 00:10:28,250 and the objects in the painting, 249 00:10:28,375 --> 00:10:30,208 Galizia actually takes a look 250 00:10:30,208 --> 00:10:31,042 at a part of the painting 251 00:10:31,042 --> 00:10:32,542 that most of us would ignore, 252 00:10:32,542 --> 00:10:33,750 which is the background. 253 00:10:33,750 --> 00:10:35,083 [inquisitive music] 254 00:10:35,083 --> 00:10:37,875 She believes that the windows and the doorways 255 00:10:37,875 --> 00:10:39,875 actually depict mathematical 256 00:10:39,875 --> 00:10:42,375 and astrological codes. 257 00:10:42,375 --> 00:10:45,542 - These codes are based on the 12 signs of the Zodiac, 258 00:10:45,542 --> 00:10:48,042 the 24 letters in the Latin alphabet 259 00:10:48,042 --> 00:10:50,208 and the 24 hours in the day. 260 00:10:50,208 --> 00:10:52,833 And when deciphered, according to Galizia, 261 00:10:52,833 --> 00:10:55,583 they reveal that da Vinci foresaw 262 00:10:55,583 --> 00:10:58,375 a universal flood that would destroy the world. 263 00:10:58,375 --> 00:11:02,750 And this is supposed to happen on March 21st, 4006. 264 00:11:04,042 --> 00:11:07,292 - Of course, it's impossible to verify her claims, 265 00:11:07,292 --> 00:11:08,875 but in his notebooks, 266 00:11:08,875 --> 00:11:10,375 da Vinci is known to write 267 00:11:10,375 --> 00:11:12,625 what are called prophecies. 268 00:11:12,625 --> 00:11:14,042 These are mostly just riddles, 269 00:11:14,042 --> 00:11:16,708 but some speculate that he really did dabble 270 00:11:16,708 --> 00:11:19,875 in predictions of the future in his artwork. 271 00:11:19,875 --> 00:11:22,167 - By the time Galizia makes our announcement, 272 00:11:22,167 --> 00:11:25,250 da Vinci code mania is in full effect. 273 00:11:25,250 --> 00:11:28,375 And so rabid is the fascination with da Vinci 274 00:11:28,375 --> 00:11:31,417 that some legitimate researchers and scientists 275 00:11:31,417 --> 00:11:32,792 decide to get in on the fun. 276 00:11:34,542 --> 00:11:36,208 - [Dennis] Experts next hone in 277 00:11:36,208 --> 00:11:39,042 on da Vinci's most famous artwork, 278 00:11:39,042 --> 00:11:40,208 "The Mona Lisa." 279 00:11:40,208 --> 00:11:41,917 [suspenseful music] 280 00:11:41,917 --> 00:11:44,125 - "The Mona Lisa" is generally believed 281 00:11:44,125 --> 00:11:46,708 to be a painting of Lisa Gherardini, 282 00:11:46,708 --> 00:11:48,958 also known as La Gioconda. 283 00:11:48,958 --> 00:11:51,458 the wife of Florentine silk merchant, 284 00:11:51,458 --> 00:11:53,583 Francesco del Giocondo. 285 00:11:53,583 --> 00:11:55,042 After Leonardo's death, 286 00:11:55,042 --> 00:11:57,542 "The Mona Lisa" is bought right away 287 00:11:57,542 --> 00:12:00,125 by King Francis I of France, 288 00:12:00,125 --> 00:12:03,875 and it even ends up in Napoleon's bedroom for a while. 289 00:12:03,875 --> 00:12:06,292 Nowadays, it's housed at the Louvre. 290 00:12:06,292 --> 00:12:08,708 - [Dennis] People travel from all over the world 291 00:12:08,708 --> 00:12:11,000 to admire "The Mona Lisa." 292 00:12:11,000 --> 00:12:15,417 But in 2010, Italian researchers take a closer look 293 00:12:15,417 --> 00:12:18,333 and find something unexpected. 294 00:12:18,333 --> 00:12:19,708 - Researchers at Italy's 295 00:12:19,708 --> 00:12:21,583 National Committee for Cultural Heritage 296 00:12:21,583 --> 00:12:24,750 see two tiny letters 297 00:12:24,750 --> 00:12:27,792 hidden in one of the eyes of the painting, 298 00:12:27,792 --> 00:12:30,708 the letters LV. 299 00:12:30,708 --> 00:12:32,292 At the time, they speculate 300 00:12:32,292 --> 00:12:35,833 that this is a relatively straightforward hidden message. 301 00:12:35,833 --> 00:12:38,875 LV is Leonardo da Vinci's initials. 302 00:12:38,875 --> 00:12:40,375 [inquisitive music] 303 00:12:40,375 --> 00:12:41,667 - But there's more to this code 304 00:12:41,667 --> 00:12:43,917 that we still don't understand. 305 00:12:43,917 --> 00:12:45,208 In the background of the painting, 306 00:12:45,208 --> 00:12:46,375 there is a bridge, 307 00:12:46,375 --> 00:12:48,000 and in the arch of the bridge, 308 00:12:48,000 --> 00:12:51,292 there is what appears to be the number 72. 309 00:12:51,292 --> 00:12:52,708 [pensive music] 310 00:12:52,708 --> 00:12:55,375 - [Dennis] A year later, in 2011, 311 00:12:55,375 --> 00:12:57,500 Italian author Carla Glori 312 00:12:57,500 --> 00:13:01,542 is able to make more sense out of these clues. 313 00:13:01,542 --> 00:13:03,958 - Glori believes that this solves a longstanding mystery 314 00:13:03,958 --> 00:13:05,167 about the painting. 315 00:13:05,167 --> 00:13:07,042 The location of the countryside 316 00:13:07,042 --> 00:13:08,375 we see in the background, 317 00:13:08,375 --> 00:13:09,708 it's been speculated 318 00:13:09,708 --> 00:13:13,125 to be everywhere from Lake Como to China. 319 00:13:13,875 --> 00:13:15,250 - [Dennis] According to Glori, 320 00:13:15,250 --> 00:13:17,792 da Vinci's hidden 72 321 00:13:17,792 --> 00:13:19,292 reveals the answer. 322 00:13:19,292 --> 00:13:20,542 [dynamic music] 323 00:13:20,542 --> 00:13:22,750 - In 1472, a bridge in Italy 324 00:13:22,750 --> 00:13:25,375 is famously damaged by severe flooding 325 00:13:25,375 --> 00:13:26,708 and then rebuilt. 326 00:13:26,708 --> 00:13:28,792 This bridge is in the town of Bobbio 327 00:13:28,792 --> 00:13:30,708 in the Trebbia river valley. 328 00:13:30,708 --> 00:13:32,875 It's a place Ernest Hemingway once described 329 00:13:32,875 --> 00:13:35,542 as the most beautiful in the world. 330 00:13:35,542 --> 00:13:37,375 Glori finds all the features 331 00:13:37,375 --> 00:13:40,333 of the painting's background match Bobbio 332 00:13:40,333 --> 00:13:41,375 in da Vinci's time. 333 00:13:43,458 --> 00:13:46,583 - Bobbio is the territory of Ludovico Sforza, 334 00:13:46,583 --> 00:13:48,250 who is the duke of Milan. 335 00:13:48,250 --> 00:13:50,042 And Glori believes that this painting 336 00:13:50,042 --> 00:13:52,833 depicts his daughter, Bianca. 337 00:13:52,833 --> 00:13:55,875 So it might not be "The Mona Lisa" at all, 338 00:13:55,875 --> 00:13:58,208 it might be "The Mona Bianca." 339 00:13:58,208 --> 00:14:00,333 And a hidden code helped figure that out. 340 00:14:01,500 --> 00:14:02,792 [serene music] 341 00:14:02,792 --> 00:14:04,750 - Leonardo da Vinci isn't the only one 342 00:14:04,750 --> 00:14:07,583 using artwork to hide messages, 343 00:14:07,583 --> 00:14:10,542 a mysterious culture in Peru 344 00:14:10,542 --> 00:14:13,667 draws their own strange codes 345 00:14:13,667 --> 00:14:16,417 into the earth itself. 346 00:14:17,625 --> 00:14:20,875 - In 1927, a Peruvian archeologist 347 00:14:20,875 --> 00:14:24,875 named Manuel Toribio Mejia Xesspe 348 00:14:24,875 --> 00:14:27,208 goes for a hike in the Nazca Desert. 349 00:14:28,167 --> 00:14:30,667 And he climbs a large foothill 350 00:14:30,667 --> 00:14:32,875 to get a better view of the plateau, 351 00:14:32,875 --> 00:14:35,417 and he sees something astonishing below, 352 00:14:36,542 --> 00:14:38,333 a massive geometric shape 353 00:14:38,333 --> 00:14:41,500 that is somehow drawn into the landscape. 354 00:14:43,000 --> 00:14:44,708 - Soon more are found. 355 00:14:44,708 --> 00:14:46,792 There are dozens of these lines 356 00:14:46,792 --> 00:14:49,125 crisscrossing the desert floor. 357 00:14:49,125 --> 00:14:50,792 But it's not just patterns, 358 00:14:50,792 --> 00:14:52,875 there's also figures. 359 00:14:52,875 --> 00:14:55,792 We see animals, monkeys, 360 00:14:55,792 --> 00:14:58,208 spiders, among others. 361 00:14:58,208 --> 00:15:00,917 Mejia Xesspe soon shares his findings 362 00:15:00,917 --> 00:15:02,333 with the scientific community, 363 00:15:02,333 --> 00:15:05,625 who begin mapping these lines on the earth, 364 00:15:05,625 --> 00:15:07,375 which are called geoglyphs. 365 00:15:07,375 --> 00:15:09,708 They become known as the Nazca Lines. 366 00:15:09,708 --> 00:15:10,875 [pensive music] 367 00:15:10,875 --> 00:15:12,125 - It's not until a few years 368 00:15:12,125 --> 00:15:14,958 after Mejia Xesspe's find in the 1930s, 369 00:15:14,958 --> 00:15:18,458 as airplanes first take to the skies over Peru, 370 00:15:18,458 --> 00:15:22,625 that the true scale of these geoglyphs is realized. 371 00:15:22,625 --> 00:15:25,083 There are over 3,000 carvings 372 00:15:25,083 --> 00:15:27,958 spanning over 200 square miles. 373 00:15:29,375 --> 00:15:31,042 - They're massive. 374 00:15:31,042 --> 00:15:34,083 The hummingbird is 295 feet long. 375 00:15:34,083 --> 00:15:36,917 And there is the outline of a condor 376 00:15:36,917 --> 00:15:39,917 with a wingspan of 450 feet. 377 00:15:41,083 --> 00:15:45,333 - One trapezoid covers 62 square miles, 378 00:15:45,333 --> 00:15:47,208 and some of the straight lines 379 00:15:47,208 --> 00:15:49,667 run up to 30 miles long. 380 00:15:50,542 --> 00:15:53,042 - [Dennis] But what could these ancient lines mean? 381 00:15:53,042 --> 00:15:54,583 [dynamic music] 382 00:15:54,583 --> 00:15:56,208 - There are no written records 383 00:15:56,208 --> 00:15:58,375 of what civilization did this, 384 00:15:58,375 --> 00:16:00,542 or how, or why, 385 00:16:00,542 --> 00:16:02,083 but whoever made these lines 386 00:16:02,083 --> 00:16:05,375 did it with a lot of planning and intention. 387 00:16:05,375 --> 00:16:08,375 Creating these on such a large scale, 388 00:16:08,375 --> 00:16:11,708 it would be dusty, backbreaking work 389 00:16:11,708 --> 00:16:14,000 in the heat of a dry desert. 390 00:16:14,000 --> 00:16:16,542 - So this has to mean something, right? 391 00:16:16,542 --> 00:16:20,125 This has to have deep spiritual importance 392 00:16:20,125 --> 00:16:23,000 to justify all the manpower that it took. 393 00:16:23,958 --> 00:16:25,167 - So the Nazca Desert 394 00:16:25,167 --> 00:16:26,875 is kind of a layer cake. 395 00:16:26,875 --> 00:16:28,917 It's got a dark red volcanic soil 396 00:16:28,917 --> 00:16:30,750 on top of a lighter soil. 397 00:16:30,750 --> 00:16:32,542 So the way they create the lines 398 00:16:32,542 --> 00:16:35,708 is by actually removing that dark soil from on top, 399 00:16:35,708 --> 00:16:36,917 about 12 inches of it, 400 00:16:36,917 --> 00:16:38,125 exposing that light line. 401 00:16:38,125 --> 00:16:40,250 And they did this for miles. 402 00:16:40,250 --> 00:16:41,750 - Even by today's standards, 403 00:16:41,750 --> 00:16:45,708 the sheer scale of the Nazca Lines is incredible. 404 00:16:45,708 --> 00:16:48,542 So it's not surprising that these have become 405 00:16:48,542 --> 00:16:52,292 a source of fascination, a fixation for many, 406 00:16:52,292 --> 00:16:54,458 trying to uncover just what these lines mean. 407 00:16:54,458 --> 00:16:54,958 [dynamic music] 408 00:16:58,708 --> 00:17:00,875 - Since their discovery in 1927, 409 00:17:00,875 --> 00:17:02,750 a series of ancient lines 410 00:17:02,750 --> 00:17:04,083 carved into the earth 411 00:17:04,083 --> 00:17:07,875 has fascinated scientists and archeologists. 412 00:17:07,875 --> 00:17:09,583 The lines are so large 413 00:17:09,583 --> 00:17:13,167 that they can only fully be seen from above. 414 00:17:13,167 --> 00:17:15,250 The question is, who made them? 415 00:17:16,417 --> 00:17:17,250 And why? 416 00:17:18,458 --> 00:17:22,000 - In 1929, archeologist Julio Cesar Tello 417 00:17:22,000 --> 00:17:23,667 discovers an necropolis. 418 00:17:23,667 --> 00:17:25,417 [ominous music] 419 00:17:25,417 --> 00:17:27,833 A burial site of an ancient culture 420 00:17:27,833 --> 00:17:29,583 that lived near the lines. 421 00:17:29,583 --> 00:17:31,250 They're dubbed the Paracas 422 00:17:31,250 --> 00:17:33,917 after a nearby peninsula. 423 00:17:33,917 --> 00:17:36,417 - They've got textiles, pottery, skeletons, 424 00:17:36,417 --> 00:17:39,042 and it's determined that they lived in this area 425 00:17:39,042 --> 00:17:42,750 from 800 BC to about 200 AD. 426 00:17:42,750 --> 00:17:45,083 Researchers find other nearby sites 427 00:17:45,083 --> 00:17:46,583 filled with artifacts as well. 428 00:17:46,583 --> 00:17:48,833 And these come from slightly later, 429 00:17:48,833 --> 00:17:52,667 more like 100 BC to about 700 AD. 430 00:17:52,667 --> 00:17:55,750 This culture, which slightly overlapped the Paracas, 431 00:17:55,750 --> 00:17:57,000 is called the Nazca. 432 00:17:57,000 --> 00:17:59,625 [pensive music] 433 00:18:00,708 --> 00:18:02,208 - Starting in the 1920s, 434 00:18:02,208 --> 00:18:05,042 archeologists begin to uncover the remains 435 00:18:05,042 --> 00:18:07,625 of a 370-acre city 436 00:18:07,625 --> 00:18:10,208 on the southern end of the Nazca Lines. 437 00:18:10,208 --> 00:18:11,542 It's called Cahuachi, 438 00:18:11,542 --> 00:18:14,708 and it's full of small ceremonial buildings 439 00:18:14,708 --> 00:18:16,042 and other sites. 440 00:18:16,958 --> 00:18:18,542 - It's a huge place, 441 00:18:18,542 --> 00:18:21,958 but it has a very small permanent population. 442 00:18:21,958 --> 00:18:24,208 This means it's a site of pilgrimage. 443 00:18:24,208 --> 00:18:26,875 People come to the city in large numbers 444 00:18:26,875 --> 00:18:28,375 who don't live there. 445 00:18:28,375 --> 00:18:29,250 But why? 446 00:18:29,250 --> 00:18:31,250 And could this finally explain 447 00:18:31,250 --> 00:18:33,583 what these massive drawings are for? 448 00:18:35,625 --> 00:18:36,625 [suspenseful music] 449 00:18:36,625 --> 00:18:39,750 - [Dennis] In 2020, one high-tech team 450 00:18:39,750 --> 00:18:42,375 claims they've found the answer. 451 00:18:42,375 --> 00:18:45,292 - Archeologists from the Institute of Nazca 452 00:18:45,292 --> 00:18:47,667 at Yamagata University in Japan 453 00:18:47,667 --> 00:18:52,167 use high-resolution aerial photography and drones 454 00:18:52,167 --> 00:18:54,000 to map some of the Nazca Lines 455 00:18:54,000 --> 00:18:55,375 in the northern desert. 456 00:18:56,292 --> 00:18:59,000 - They find fainter and older lines, 457 00:18:59,000 --> 00:19:01,375 likely made by the Paracas culture, 458 00:19:01,375 --> 00:19:05,208 who often put their drawings on hillsides. 459 00:19:05,208 --> 00:19:07,500 The Japanese team finds that the lines 460 00:19:07,500 --> 00:19:10,833 actually seem to run from one valley to another, 461 00:19:10,833 --> 00:19:14,875 connecting cities to significant religious sites, 462 00:19:14,875 --> 00:19:15,750 like Cahuachi. 463 00:19:16,750 --> 00:19:18,083 - In their opinion, 464 00:19:18,083 --> 00:19:20,792 this is basically a map for pilgrims. 465 00:19:20,792 --> 00:19:22,417 The glyphs upon the hillside, 466 00:19:22,417 --> 00:19:23,583 you can see them from 467 00:19:23,583 --> 00:19:24,542 the ground level, 468 00:19:24,542 --> 00:19:26,208 and they would be unmistakable 469 00:19:26,208 --> 00:19:27,792 landmarks for travelers. 470 00:19:27,792 --> 00:19:29,708 [pensive music] 471 00:19:29,708 --> 00:19:32,917 - The map idea is pretty ingenious, 472 00:19:32,917 --> 00:19:34,250 but there are a lot of drawings 473 00:19:34,250 --> 00:19:36,000 that don't figure into it. 474 00:19:36,000 --> 00:19:37,333 In other parts of the desert, 475 00:19:37,333 --> 00:19:40,250 the Nazca also create long lines, 476 00:19:40,250 --> 00:19:42,583 shapes and animals, 477 00:19:42,583 --> 00:19:46,375 but their geoglyphs are made mostly on the flat plateaus. 478 00:19:46,375 --> 00:19:49,083 That means people walking at ground level 479 00:19:49,083 --> 00:19:51,833 can't possibly see the designs. 480 00:19:51,833 --> 00:19:53,292 - The coded message here 481 00:19:53,292 --> 00:19:54,875 can't be a map for pilgrims 482 00:19:54,875 --> 00:19:58,542 because it could only be seen from way, way up in the sky. 483 00:19:59,750 --> 00:20:02,375 - [Dennis] Anthropologist Johan Reinhard 484 00:20:02,375 --> 00:20:05,292 believes there's a divine reason why. 485 00:20:06,583 --> 00:20:08,375 - The Nazca live in a desert, 486 00:20:08,375 --> 00:20:10,542 one of the driest places on Earth. 487 00:20:10,542 --> 00:20:12,375 Reinhard says that their religion 488 00:20:12,375 --> 00:20:15,208 is based on rainfall and agriculture. 489 00:20:15,208 --> 00:20:17,042 For the Nazca, some of these creatures, 490 00:20:17,042 --> 00:20:19,292 like the monkey and the spider, 491 00:20:19,292 --> 00:20:22,167 are Gods of fertility and water. 492 00:20:22,167 --> 00:20:25,250 So these giant figures could be prayers, 493 00:20:25,250 --> 00:20:27,083 prayers to the gods who live above 494 00:20:27,083 --> 00:20:29,167 and can bring the rain. 495 00:20:30,208 --> 00:20:32,208 - These geoglyphs aren't just symbolic, 496 00:20:32,208 --> 00:20:34,000 they're interactive. 497 00:20:34,000 --> 00:20:37,250 A worshiper would walk or dance 498 00:20:37,250 --> 00:20:40,625 inside the figures in ritual prayer. 499 00:20:40,625 --> 00:20:42,125 [pensive music] 500 00:20:42,125 --> 00:20:44,792 - In 1997, Dr. Markus Reindel 501 00:20:44,792 --> 00:20:47,042 of the German Archeological Institute 502 00:20:47,042 --> 00:20:51,375 takes some soil samples of the earth between the lines. 503 00:20:51,375 --> 00:20:55,042 What he finds is the soil has been heavily compacted, 504 00:20:55,042 --> 00:20:57,167 as if thousands of people 505 00:20:57,167 --> 00:20:59,417 had been dancing their way along the lines. 506 00:21:00,750 --> 00:21:04,208 - [Dennis] If these newer lines are a prayer for rain, 507 00:21:04,208 --> 00:21:06,083 it seems to work. 508 00:21:06,083 --> 00:21:08,458 - Between about 200 and 500 AD, 509 00:21:08,458 --> 00:21:12,167 the Nazca civilization flourishes and booms. 510 00:21:12,167 --> 00:21:15,375 And the human remains that we find from that time period 511 00:21:15,375 --> 00:21:18,083 indicate that they were generally well-nourished 512 00:21:18,083 --> 00:21:19,250 and healthy. 513 00:21:19,250 --> 00:21:21,583 - Soil analysis has revealed 514 00:21:21,583 --> 00:21:23,792 that this was not always a desert. 515 00:21:23,792 --> 00:21:26,375 You know, back then, you had arable soil, 516 00:21:26,375 --> 00:21:29,542 lush green valleys, horongo trees everywhere. 517 00:21:29,542 --> 00:21:33,875 - [Dennis] That all starts changing around 400 AD. 518 00:21:33,875 --> 00:21:36,583 - The Nazca begin cutting those trees down, 519 00:21:36,583 --> 00:21:39,333 clearing room for crops and cotton 520 00:21:39,333 --> 00:21:42,042 to feed and clothe their growing population. 521 00:21:43,333 --> 00:21:45,250 - Then, around 500 AD, 522 00:21:45,250 --> 00:21:47,875 a cataclysmic El Nino cycle hits. 523 00:21:47,875 --> 00:21:49,417 [storm bellowing] 524 00:21:49,417 --> 00:21:51,958 Bringing a once-in-a-thousand-year 525 00:21:51,958 --> 00:21:54,000 level of rainfall. 526 00:21:55,833 --> 00:21:59,500 Without tree roots to hold in the soil and the moisture, 527 00:21:59,500 --> 00:22:01,333 there are flash floods. 528 00:22:01,333 --> 00:22:04,917 Mudslides devour entire villages. 529 00:22:04,917 --> 00:22:08,833 - [Dennis] But eventually the rainstorms subside. 530 00:22:10,542 --> 00:22:13,583 - What follows are decades of extreme drought 531 00:22:13,583 --> 00:22:15,917 and probably starvation. 532 00:22:15,917 --> 00:22:18,542 To make matters worse, around that time, 533 00:22:18,542 --> 00:22:22,250 there's evidence of catastrophic earthquakes as well. 534 00:22:22,250 --> 00:22:23,667 - What can the Nazca do? 535 00:22:23,667 --> 00:22:27,375 They send more desperate messages to their gods. 536 00:22:27,375 --> 00:22:29,667 They make more of these geoglyphs 537 00:22:29,667 --> 00:22:32,417 and they start filling them with valuable objects, 538 00:22:32,417 --> 00:22:36,000 like pottery, perhaps as offerings to the gods. 539 00:22:36,000 --> 00:22:39,958 - [Dennis] It's not enough to save the Nazca civilization 540 00:22:39,958 --> 00:22:41,833 from total collapse. 541 00:22:42,917 --> 00:22:45,500 - Starting around 600 AD, 542 00:22:45,500 --> 00:22:49,208 the Nazca move over 100 miles away, to the Andes, 543 00:22:49,208 --> 00:22:51,625 abandoning their geoglyphs. 544 00:22:51,625 --> 00:22:54,542 And it's not for 1,300 years 545 00:22:54,542 --> 00:22:56,833 until they're rediscovered. 546 00:22:56,833 --> 00:22:59,542 - [Dennis] Despite our greater understanding today, 547 00:22:59,542 --> 00:23:01,833 researchers are quick to point out 548 00:23:01,833 --> 00:23:06,750 that the Nazca code still isn't fully deciphered. 549 00:23:06,750 --> 00:23:09,958 - We have good evidence that part of it was for mapping 550 00:23:09,958 --> 00:23:13,333 and that part of it was for communicating with the Gods, 551 00:23:13,333 --> 00:23:15,083 but there remain dozens of drawings 552 00:23:15,083 --> 00:23:17,792 that don't fit either hypothesis. 553 00:23:17,792 --> 00:23:20,833 - Even though these Nazca Lines are over 2,000 years old, 554 00:23:20,833 --> 00:23:22,875 they're discovering new ones all the time. 555 00:23:22,875 --> 00:23:26,000 Over 100 have been found in the last five years alone. 556 00:23:26,000 --> 00:23:27,917 - And with new technology, 557 00:23:27,917 --> 00:23:30,708 drone, lidar, AI, 558 00:23:30,708 --> 00:23:32,250 who knows how many more could be out there 559 00:23:32,250 --> 00:23:33,750 waiting to be found? 560 00:23:33,750 --> 00:23:37,708 You might say that we have barely scratched the surface 561 00:23:37,708 --> 00:23:39,542 of this ancient geological marvel. 562 00:23:39,542 --> 00:23:39,917 [dramatic music] 563 00:23:43,792 --> 00:23:45,708 [pensive music] 564 00:23:45,917 --> 00:23:49,417 - Deep beneath the quiet English town of Royston 565 00:23:49,417 --> 00:23:51,375 lies a secret chamber 566 00:23:51,375 --> 00:23:54,167 that's puzzled historians since its discovery 567 00:23:54,167 --> 00:23:56,417 four centuries ago. 568 00:23:56,417 --> 00:23:59,125 Why it was built and by whom 569 00:23:59,125 --> 00:24:00,458 remains a mystery. 570 00:24:02,542 --> 00:24:07,292 - In 1742, workmen in the town of Royston, England, 571 00:24:07,500 --> 00:24:10,583 are building a new bench 572 00:24:10,583 --> 00:24:12,458 in the town's butter market. 573 00:24:12,458 --> 00:24:14,208 The workmen are digging in the ground 574 00:24:14,208 --> 00:24:15,833 and they hit something hard, 575 00:24:15,833 --> 00:24:19,958 and they eventually uncover a large circular stone. 576 00:24:19,958 --> 00:24:21,042 - They lift it up, 577 00:24:21,042 --> 00:24:24,708 and underneath, there's a deep, manmade shaft 578 00:24:24,708 --> 00:24:27,250 carved into the chalk bedrock. 579 00:24:27,250 --> 00:24:29,250 But it's too dark to see 580 00:24:29,250 --> 00:24:31,083 how far down it goes. 581 00:24:31,083 --> 00:24:33,375 - They recruit this small boy, 582 00:24:33,375 --> 00:24:35,875 and they lash a rope around him 583 00:24:35,875 --> 00:24:39,667 and lower him down into the depths of this tunnel. 584 00:24:39,917 --> 00:24:41,833 [eerie music] 585 00:24:43,542 --> 00:24:46,125 - A local minister named Reverend G. North 586 00:24:46,125 --> 00:24:48,375 documents what the boy finds, 587 00:24:48,375 --> 00:24:50,792 a round bottle-shaped chamber, 588 00:24:50,792 --> 00:24:53,708 16 feet wide and 16 feet deep. 589 00:24:53,708 --> 00:24:56,708 From top to bottom are dozens of carvings 590 00:24:56,708 --> 00:25:01,833 of strange, expressionless, mostly human figures. 591 00:25:01,833 --> 00:25:06,542 A few carvings depict forms of torture or execution. 592 00:25:06,542 --> 00:25:07,667 - One of these carvings is a figure 593 00:25:07,667 --> 00:25:09,250 that's holding a candle in one hand 594 00:25:09,250 --> 00:25:10,708 and a skull in the other. 595 00:25:10,708 --> 00:25:12,375 And they suspect that these carvings 596 00:25:12,375 --> 00:25:14,375 are perhaps symbols of warning 597 00:25:14,375 --> 00:25:17,375 or of defending something precious within, 598 00:25:17,375 --> 00:25:19,542 a treasure of some sort. 599 00:25:19,542 --> 00:25:21,375 - Eventually, they hit rock bottom 600 00:25:21,375 --> 00:25:24,292 about 26 feet from the top. 601 00:25:24,292 --> 00:25:28,708 And all they find is an old brown earthenware cup 602 00:25:28,708 --> 00:25:31,583 with a few yellow dots, 603 00:25:31,583 --> 00:25:34,083 a few scattered bones 604 00:25:34,083 --> 00:25:35,583 and a human skull. 605 00:25:35,583 --> 00:25:36,583 No treasure. 606 00:25:37,292 --> 00:25:38,458 [dramatic music] 607 00:25:38,458 --> 00:25:40,125 - [Dennis] News about the discovery 608 00:25:40,125 --> 00:25:42,042 called the Royston Cave 609 00:25:42,042 --> 00:25:44,458 soon starts to spread. 610 00:25:44,458 --> 00:25:46,875 And right away, researchers are eager 611 00:25:46,875 --> 00:25:49,417 to figure out what it's for. 612 00:25:49,417 --> 00:25:51,917 - Later that same year, 1742, 613 00:25:51,917 --> 00:25:54,417 an historian named William Stukeley 614 00:25:54,417 --> 00:25:56,750 investigates the Royston Cave. 615 00:25:56,750 --> 00:25:58,458 He's already famous for pioneering 616 00:25:58,458 --> 00:26:00,167 the study of Stonehenge. 617 00:26:01,125 --> 00:26:03,125 - Stukeley identifies some of the carvings 618 00:26:03,125 --> 00:26:04,458 as religious figures. 619 00:26:04,458 --> 00:26:06,125 There's the virgin Mary, 620 00:26:06,125 --> 00:26:08,542 St. Catherine with the wheel she was tortured 621 00:26:08,542 --> 00:26:09,958 and executed on, 622 00:26:09,958 --> 00:26:11,708 and St. Lawrence with the griddle 623 00:26:11,708 --> 00:26:13,667 on which he was roasted alive. 624 00:26:14,875 --> 00:26:17,583 - There are depictions of the crucifixion of Jesus, 625 00:26:17,583 --> 00:26:20,583 and a sword pointing to 13 figures, 626 00:26:20,583 --> 00:26:23,583 possibly Jesus with the 12 disciples, 627 00:26:23,583 --> 00:26:25,708 and an image that might be Jesus 628 00:26:25,708 --> 00:26:28,042 lying in his shroud in the Holy Sepulchre. 629 00:26:28,042 --> 00:26:29,542 [pensive music] 630 00:26:29,542 --> 00:26:32,208 - There are secular political figures too, 631 00:26:32,208 --> 00:26:34,667 King Richard I, Henry II, 632 00:26:34,667 --> 00:26:38,167 all rulers in the 12th century. 633 00:26:38,167 --> 00:26:39,375 - [Dennis] A century later 634 00:26:39,375 --> 00:26:41,375 and no closer to answers, 635 00:26:41,375 --> 00:26:44,042 local historian Joseph Beldam 636 00:26:44,042 --> 00:26:47,708 takes a more thorough look at the strange symbols. 637 00:26:47,708 --> 00:26:50,125 - Beldam notes there are military themes in the carvings. 638 00:26:50,125 --> 00:26:51,208 [dramatic music] 639 00:26:51,208 --> 00:26:53,333 Soldiers in armor with swords and shields 640 00:26:53,333 --> 00:26:55,333 adorned with crosses. 641 00:26:55,333 --> 00:26:56,625 - He guesses that the cave 642 00:26:56,625 --> 00:26:58,750 was actually used as a meeting place 643 00:26:58,750 --> 00:27:00,417 for soldiers who were returning 644 00:27:00,417 --> 00:27:02,333 from the crusades in the holy land. 645 00:27:03,542 --> 00:27:06,708 - In 1992, archeologist Sylvia Beamon 646 00:27:06,708 --> 00:27:08,875 takes Beldam's theory one step further. 647 00:27:08,875 --> 00:27:11,542 She argues that there's symbolism 648 00:27:11,542 --> 00:27:12,708 in the cave that points 649 00:27:12,708 --> 00:27:15,333 to the most famous group of crusaders, 650 00:27:17,208 --> 00:27:18,208 the Knights Templar. 651 00:27:19,083 --> 00:27:20,750 - Among the coded Templar symbols 652 00:27:20,750 --> 00:27:23,375 on the walls of the cavern are hearts, 653 00:27:23,375 --> 00:27:24,708 and what might be the image 654 00:27:24,708 --> 00:27:27,542 of two soldiers on a single horse. 655 00:27:27,542 --> 00:27:30,292 These were well-known Templar signs. 656 00:27:30,292 --> 00:27:33,250 - One carving might represent Jacques de Molay, 657 00:27:33,250 --> 00:27:35,917 the last leader of the Knights Templar, 658 00:27:35,917 --> 00:27:38,292 who was burned at the stake in 1314. 659 00:27:38,292 --> 00:27:39,750 [pensive music] 660 00:27:39,750 --> 00:27:41,250 - Historical records note 661 00:27:41,250 --> 00:27:43,083 that starting in the 1140s, 662 00:27:43,083 --> 00:27:45,792 a group of Templars live in the town of Baldock, 663 00:27:45,792 --> 00:27:47,583 just eight miles away. 664 00:27:47,583 --> 00:27:49,542 They trade in the Royston market, 665 00:27:49,542 --> 00:27:51,417 but have violent disputes 666 00:27:51,417 --> 00:27:54,125 with local monks over market fees. 667 00:27:54,125 --> 00:27:57,417 So Beamon believes that they needed a place in town 668 00:27:57,417 --> 00:27:59,042 where they could secretly meet 669 00:27:59,042 --> 00:28:01,542 and conduct their required daily prayers 670 00:28:01,542 --> 00:28:03,500 completely under the radar. 671 00:28:04,417 --> 00:28:07,083 - Others disagree with Beamon's interpretation. 672 00:28:07,083 --> 00:28:09,458 Some see that some of the drawings 673 00:28:09,458 --> 00:28:11,708 represent knights in full-plate armor, 674 00:28:11,708 --> 00:28:14,250 which didn't exist until the 1400s, 675 00:28:14,250 --> 00:28:17,250 almost 100 years after the Knights Templar 676 00:28:17,250 --> 00:28:20,375 were officially disbanded by the church in 1307. 677 00:28:20,375 --> 00:28:24,875 - So even if these are images of the Knights Templar, 678 00:28:24,875 --> 00:28:27,917 it's unlikely that the Templars themselves carved them. 679 00:28:28,875 --> 00:28:33,333 - [Dennis] In 2020, archeologist Keith Fitzpatrick-Matthews 680 00:28:33,333 --> 00:28:36,583 uncovers evidence that might shed light 681 00:28:36,583 --> 00:28:38,292 on the mysterious cave. 682 00:28:39,542 --> 00:28:42,042 - Fitzpatrick-Matthews cites town records 683 00:28:42,042 --> 00:28:44,958 of a hermit living near this crossroads in Royston 684 00:28:44,958 --> 00:28:47,500 around the year 1500. 685 00:28:47,500 --> 00:28:49,875 And after the hermit of Royston dies 686 00:28:49,875 --> 00:28:52,792 sometime around the year of 1550, 687 00:28:52,792 --> 00:28:55,500 his hermitage is converted into a prison. 688 00:28:55,500 --> 00:28:57,542 [pensive music] 689 00:28:57,542 --> 00:29:01,292 - There are small holes in the walls of the Royston Cave 690 00:29:01,292 --> 00:29:04,042 that could indicate where bars or posts 691 00:29:04,042 --> 00:29:06,708 had been added to create jail cells. 692 00:29:07,750 --> 00:29:09,542 - If Fitzpatrick-Matthews is right, 693 00:29:09,542 --> 00:29:11,542 what's carved in that cave 694 00:29:11,542 --> 00:29:13,958 might not be a secret code at all. 695 00:29:13,958 --> 00:29:15,958 - It could be that these mysterious symbols 696 00:29:15,958 --> 00:29:18,875 are the work of a religious-minded hermit, 697 00:29:18,875 --> 00:29:20,917 later embellished further 698 00:29:20,917 --> 00:29:23,583 by the doodles of bored prisoners. 699 00:29:23,583 --> 00:29:25,208 But the idea of Royston Cave 700 00:29:25,208 --> 00:29:28,458 as some kind of coded message has persisted. 701 00:29:29,875 --> 00:29:32,042 - Many still believe in Beamon's analysis 702 00:29:32,042 --> 00:29:33,833 that a Knights Templar code 703 00:29:33,833 --> 00:29:35,958 is hidden in the drawings. 704 00:29:35,958 --> 00:29:38,042 According to Royston Cave's website, 705 00:29:38,042 --> 00:29:41,375 it remains the most popular answer. 706 00:29:41,375 --> 00:29:42,625 - Whatever the meaning, 707 00:29:42,625 --> 00:29:44,833 whoever created Royston Cave 708 00:29:44,833 --> 00:29:47,167 wanted it to be shrouded in mystery, 709 00:29:47,167 --> 00:29:49,708 and they did a really good job making it happen. 710 00:29:49,708 --> 00:29:49,958 [dramatic music] 711 00:29:53,708 --> 00:29:54,917 - Many believe the Bible contains the 712 00:29:54,917 --> 00:29:57,417 literal word of God, 713 00:29:57,417 --> 00:29:59,333 but could this sacred text 714 00:29:59,333 --> 00:30:02,083 reveal a different kind of divine wisdom, 715 00:30:02,083 --> 00:30:04,792 a hidden code predicting the future? 716 00:30:04,792 --> 00:30:06,208 [pensive music] 717 00:30:06,208 --> 00:30:08,917 - The first five books of the Old Testament 718 00:30:08,917 --> 00:30:10,417 make up the Pentateuch. 719 00:30:10,417 --> 00:30:12,000 Penta meaning five. 720 00:30:12,000 --> 00:30:16,208 Those books also make up the Hebrew Bible, the Torah. 721 00:30:16,208 --> 00:30:18,042 - And according to the Jewish interpretive tradition 722 00:30:18,042 --> 00:30:19,542 known as the Mishna, 723 00:30:19,542 --> 00:30:22,042 it's during the 40 years of wandering in the wilderness 724 00:30:22,042 --> 00:30:24,333 that God sets these words down 725 00:30:24,333 --> 00:30:26,292 and gives them to Moses. 726 00:30:26,375 --> 00:30:27,792 So in a very real sense, 727 00:30:27,792 --> 00:30:29,042 God is the author 728 00:30:29,042 --> 00:30:31,167 and Moses is merely the scribe. 729 00:30:32,708 --> 00:30:34,708 - This leads some to speculate 730 00:30:34,708 --> 00:30:37,500 that the text could hold secrets 731 00:30:37,500 --> 00:30:39,875 beyond our understanding. 732 00:30:39,875 --> 00:30:42,708 - At least as far back as the first century BC, 733 00:30:42,708 --> 00:30:44,250 people have been searching 734 00:30:44,250 --> 00:30:46,458 through the Pentateuch for coded messages. 735 00:30:47,542 --> 00:30:49,375 This so-called Bible code 736 00:30:49,375 --> 00:30:52,167 has fascinated researchers for millennia. 737 00:30:53,292 --> 00:30:54,708 [inquisitive music] 738 00:30:54,708 --> 00:30:55,875 - The most popular technique 739 00:30:55,875 --> 00:30:57,375 for finding codes in the Bible 740 00:30:57,375 --> 00:31:01,458 is called equidistant letter sequences, or ELS. 741 00:31:01,458 --> 00:31:05,042 It was pioneered at least as far back as the 13th century 742 00:31:05,042 --> 00:31:08,000 when a Spanish rabbi named Bachya ben Asher 743 00:31:08,000 --> 00:31:09,375 starts writing about it. 744 00:31:10,708 --> 00:31:12,042 - Here's how ELS works. 745 00:31:12,042 --> 00:31:13,250 You can use any number, 746 00:31:13,250 --> 00:31:15,750 but let's say, for example, five. 747 00:31:15,750 --> 00:31:18,708 So you start by counting five letters ahead, 748 00:31:18,708 --> 00:31:20,875 you land on first character. 749 00:31:20,875 --> 00:31:22,792 Then you count another five letters ahead, 750 00:31:22,792 --> 00:31:24,625 that's your second. 751 00:31:24,625 --> 00:31:26,292 And you do this so on and so forth 752 00:31:26,292 --> 00:31:28,375 until it reveals a hidden message. 753 00:31:30,042 --> 00:31:33,042 - The idea is, if you do this with the original Hebrew text, 754 00:31:33,042 --> 00:31:35,750 you can find God's secret messages. 755 00:31:35,750 --> 00:31:37,167 [inquisitive music] 756 00:31:37,167 --> 00:31:39,042 - It becomes a popular pursuit 757 00:31:39,042 --> 00:31:41,208 into the Renaissance and beyond. 758 00:31:41,208 --> 00:31:43,875 Even Isaac Newton plays around with Bible codes 759 00:31:43,875 --> 00:31:45,792 and believes that he locates 760 00:31:45,792 --> 00:31:47,875 the date of the end of the universe, 761 00:31:47,875 --> 00:31:49,625 which is in the year 2060. 762 00:31:50,667 --> 00:31:52,333 - [Dennis] In the 20th century, 763 00:31:52,333 --> 00:31:55,958 new technology kicks Bible code breaking 764 00:31:55,958 --> 00:31:58,000 into high gear. 765 00:31:58,000 --> 00:32:00,042 - Computers can find these codes 766 00:32:00,042 --> 00:32:02,542 much faster than people can. 767 00:32:02,542 --> 00:32:07,375 In the 1980s, mathematician and computer expert Eliyahu Rips 768 00:32:07,375 --> 00:32:11,042 begins ELS research on the book of Genesis. 769 00:32:11,042 --> 00:32:12,833 - He's at home in Israel 770 00:32:12,833 --> 00:32:16,208 studying one day in January of 1991 771 00:32:16,208 --> 00:32:18,208 when he finds a code that suggests 772 00:32:18,208 --> 00:32:21,125 an attack is going to happen on a particular date 773 00:32:21,125 --> 00:32:22,917 in the Hebrew calendar. 774 00:32:22,917 --> 00:32:26,625 It says, "Missile, war, Saddam Hussein, 775 00:32:26,625 --> 00:32:28,667 fire on third Shevat." 776 00:32:29,583 --> 00:32:33,792 This date translates to January 18th of the same year. 777 00:32:33,792 --> 00:32:35,917 - And sure enough, on this day, 778 00:32:35,917 --> 00:32:38,417 Iraq fires missiles into Israel. 779 00:32:39,833 --> 00:32:42,708 Rips describes a feeling of being horrified, of course, 780 00:32:42,708 --> 00:32:45,583 but also a feeling of scientific joy 781 00:32:45,583 --> 00:32:49,375 because he's convinced that the codes have actually worked. 782 00:32:49,375 --> 00:32:51,167 - [Dennis] Three years later, 783 00:32:51,167 --> 00:32:55,708 author Michael Drosnin takes Rips' work a step further 784 00:32:55,708 --> 00:32:56,792 when he publishes 785 00:32:56,792 --> 00:32:58,542 "The Bible Code." 786 00:32:58,542 --> 00:33:01,375 - This bestselling book and two subsequent sequels 787 00:33:01,375 --> 00:33:03,875 reveal even more shocking predictions 788 00:33:03,875 --> 00:33:05,458 decoded from the Pentateuch. 789 00:33:06,875 --> 00:33:09,208 - Drosnin claims to have found Bible codes 790 00:33:09,208 --> 00:33:12,167 regarding the 1969 Moon Landing, 791 00:33:12,167 --> 00:33:13,875 the Watergate scandal, 792 00:33:13,875 --> 00:33:15,833 Bill Clinton's election, 793 00:33:15,833 --> 00:33:17,875 the Oklahoma City bombing. 794 00:33:17,875 --> 00:33:19,708 In another section, he finds, 795 00:33:19,708 --> 00:33:24,750 quote, "Twin Towers, knocked down, twice, airplane," 796 00:33:25,417 --> 00:33:28,042 what seems to him to be a clear prediction 797 00:33:28,042 --> 00:33:30,875 of the September 11th terrorist attacks. 798 00:33:30,875 --> 00:33:34,250 - Now, if true, this would be incredible. 799 00:33:34,250 --> 00:33:36,708 These are events thousands of years 800 00:33:36,708 --> 00:33:38,542 after Genesis was written, 801 00:33:38,542 --> 00:33:40,042 foretold by God, 802 00:33:40,042 --> 00:33:42,542 hidden in the Torah's words. 803 00:33:42,542 --> 00:33:45,708 - [Dennis] Drosnin also reveal a few things 804 00:33:45,708 --> 00:33:48,167 that haven't yet happened. 805 00:33:48,167 --> 00:33:50,458 - In 2003, Drosnin publishes a work 806 00:33:50,458 --> 00:33:52,542 in which he claims to have found the phrases, 807 00:33:52,542 --> 00:33:55,167 "Atomic Holocaust," and, "End of days," 808 00:33:55,167 --> 00:33:58,042 along with the date 2006, 809 00:33:58,042 --> 00:33:59,667 just three years later. 810 00:34:01,167 --> 00:34:04,500 - When 2006 doesn't turn out to be the end of the world, 811 00:34:04,500 --> 00:34:07,667 Drosnin goes back to the original Hebrew text 812 00:34:07,667 --> 00:34:09,208 to look for a new date, 813 00:34:09,208 --> 00:34:11,458 thinking he miscalculated. 814 00:34:11,458 --> 00:34:13,417 Drosnin was still working on the code 815 00:34:13,417 --> 00:34:15,917 at the time of his death in 2020, 816 00:34:15,917 --> 00:34:18,458 trying to figure out a new timeline. 817 00:34:18,458 --> 00:34:20,917 - If there is anything to this idea 818 00:34:20,917 --> 00:34:22,458 that there is future knowledge 819 00:34:22,458 --> 00:34:25,125 hidden in the original text of the Bible, 820 00:34:25,125 --> 00:34:26,208 the race is on. 821 00:34:26,417 --> 00:34:28,042 Biblical scholars are gonna try 822 00:34:28,042 --> 00:34:29,792 everything at their disposal, 823 00:34:29,792 --> 00:34:31,583 any technology they can use 824 00:34:31,583 --> 00:34:32,875 to try to figure out 825 00:34:32,875 --> 00:34:34,958 what those hidden messages might be, 826 00:34:34,958 --> 00:34:36,792 before it's too late. 827 00:34:36,792 --> 00:34:38,125 [explosion booming] 828 00:34:38,125 --> 00:34:38,708 [dramatic music] 829 00:34:42,542 --> 00:34:44,542 - The shelves of Yale University's rare book 830 00:34:44,542 --> 00:34:49,208 collection hold a manuscript known as MS 408. 831 00:34:49,208 --> 00:34:53,333 It's a small, unassuming journal bound in goatskin, 832 00:34:53,333 --> 00:34:56,542 but its pages hold a remarkable secret. 833 00:34:56,542 --> 00:34:58,417 [pensive music] 834 00:34:58,417 --> 00:35:01,792 - In 1912, a Polish rare books dealer 835 00:35:01,792 --> 00:35:03,375 named Wilfrid Voynich 836 00:35:03,375 --> 00:35:05,917 visits a Jesuit college in Italy. 837 00:35:05,917 --> 00:35:07,417 He buys a number of texts, 838 00:35:07,417 --> 00:35:10,250 including, almost as an afterthought, 839 00:35:10,250 --> 00:35:14,375 a small nine-by-six-inch handwritten manuscript 840 00:35:14,375 --> 00:35:17,375 about 240 pages in length. 841 00:35:17,375 --> 00:35:20,375 - This book is in a language no one has ever seen. 842 00:35:20,375 --> 00:35:24,208 Now, Voynich himself is familiar with dozens of languages, 843 00:35:24,208 --> 00:35:27,917 but he can't make heads or tails of this manuscript. 844 00:35:27,917 --> 00:35:29,625 - [Dennis] Adding to the confusion, 845 00:35:29,625 --> 00:35:32,875 there are hundreds of strange drawings. 846 00:35:32,875 --> 00:35:34,458 [dynamic music] 847 00:35:34,458 --> 00:35:38,042 - Some pages show what seem to be astrological symbols 848 00:35:38,042 --> 00:35:39,875 and mythological creatures. 849 00:35:39,875 --> 00:35:43,292 Other pages depict plants and herbs. 850 00:35:43,292 --> 00:35:45,917 Others show nude, possibly pregnant women 851 00:35:45,917 --> 00:35:47,208 bathing in pools, 852 00:35:47,208 --> 00:35:50,500 and buckets interconnected by strange tubes. 853 00:35:51,583 --> 00:35:53,708 - If the pictures match the words, 854 00:35:53,708 --> 00:35:56,125 then the books must be about some combination 855 00:35:56,125 --> 00:35:57,917 of religion and myth 856 00:35:57,917 --> 00:36:00,375 combined with science. 857 00:36:00,375 --> 00:36:04,708 - Included in the book is a letter dated August 19th, 1665. 858 00:36:04,708 --> 00:36:07,042 It's addressed to a Jesuit scholar named 859 00:36:07,042 --> 00:36:08,625 Athanasius Kircher. 860 00:36:08,625 --> 00:36:11,375 The letter begins, "Reverend and distinguished sir, 861 00:36:11,375 --> 00:36:13,042 Father in Christ." 862 00:36:13,042 --> 00:36:14,542 - The author of the letter 863 00:36:14,542 --> 00:36:16,958 is the court physician of the Holy Roman Empire, 864 00:36:16,958 --> 00:36:18,500 Johannes Marcus Marci. 865 00:36:18,500 --> 00:36:21,333 He says Emperor Rudolph owned the book, 866 00:36:21,333 --> 00:36:22,875 and believes it to be the work 867 00:36:22,875 --> 00:36:25,375 of a famous monk named Roger Bacon. 868 00:36:25,375 --> 00:36:28,083 - [Dennis] Bacon is a Franciscan friar 869 00:36:28,083 --> 00:36:30,292 who lived in the 13th century. 870 00:36:30,292 --> 00:36:32,333 He's known as one of the first scholars 871 00:36:32,333 --> 00:36:34,750 to combine the Catholic faith 872 00:36:34,750 --> 00:36:36,750 with scientific thinking. 873 00:36:36,750 --> 00:36:39,167 - If this is an unknown work by Roger Bacon, 874 00:36:39,167 --> 00:36:41,750 it would have incredible religious significance. 875 00:36:43,375 --> 00:36:47,250 - In the text, there seem to be about 20 distinct characters 876 00:36:47,250 --> 00:36:51,542 that vary and repeat in patterns consistent with words. 877 00:36:51,542 --> 00:36:55,333 It looks very much like letters and sentences. 878 00:36:55,333 --> 00:36:56,583 But the letters themselves 879 00:36:56,583 --> 00:36:58,333 are not from any language on Earth. 880 00:36:58,333 --> 00:36:59,625 [pensive music] 881 00:36:59,625 --> 00:37:01,375 - Whoever wrote the manuscript 882 00:37:01,375 --> 00:37:04,708 appears to be using some kind of substitution code or cipher 883 00:37:04,708 --> 00:37:08,000 that no historian, linguist or cryptographer 884 00:37:08,000 --> 00:37:09,875 has ever seen before. 885 00:37:09,875 --> 00:37:11,792 - Dozens try to crack it, 886 00:37:11,792 --> 00:37:13,250 even Alan Turing, 887 00:37:13,250 --> 00:37:16,292 who famously helped break the Nazi Enigma code. 888 00:37:16,292 --> 00:37:18,583 No one can figure out what these words say. 889 00:37:18,583 --> 00:37:22,167 No one can confirm if it's Bacon's work either. 890 00:37:22,167 --> 00:37:24,792 - [Dennis] Eventually, the mysterious book 891 00:37:24,792 --> 00:37:28,875 becomes known as the Voynich Manuscript. 892 00:37:28,875 --> 00:37:30,125 - Some consider whether Voynich 893 00:37:30,125 --> 00:37:32,708 created a volume of pure gibberish 894 00:37:32,708 --> 00:37:36,625 as a hoax or as a fake to score a big payday. 895 00:37:37,667 --> 00:37:40,625 - He's even looked into by the US Bureau of Investigation, 896 00:37:40,625 --> 00:37:43,875 which is the precursor to today's FBI. 897 00:37:43,875 --> 00:37:45,542 They're worried that if he has this book 898 00:37:45,542 --> 00:37:48,125 that is full of these weird secret codes, 899 00:37:48,125 --> 00:37:50,208 that he might be a spy. 900 00:37:50,208 --> 00:37:52,375 - Ultimately, the FBI determines Voynich 901 00:37:52,375 --> 00:37:54,333 isn't involved in espionage, 902 00:37:54,333 --> 00:37:57,292 but he never manages to sell the book. 903 00:37:57,292 --> 00:37:58,958 After his death, 904 00:37:58,958 --> 00:38:02,542 it winds up in the collections of Yale University in 1969. 905 00:38:02,542 --> 00:38:05,875 - [Dennis] Once the Voynich Manuscript lands at Yale, 906 00:38:05,875 --> 00:38:08,208 it becomes a sensation. 907 00:38:08,208 --> 00:38:11,333 The biggest breakthrough in understanding it 908 00:38:11,333 --> 00:38:14,208 occurs in 2009. 909 00:38:14,208 --> 00:38:16,292 - Yale lets the University of Arizona 910 00:38:16,292 --> 00:38:18,375 perform radiocarbon dating. 911 00:38:18,375 --> 00:38:23,792 They find the book dates to between 1404 and 1438. 912 00:38:24,542 --> 00:38:27,458 - This finally rules out a hoax by Voynich. 913 00:38:27,458 --> 00:38:30,750 This is a genuine 600-year-old book. 914 00:38:30,750 --> 00:38:34,833 But this also means it's not Bacon's work either. 915 00:38:34,833 --> 00:38:38,542 He died 100 years before the book was made. 916 00:38:38,542 --> 00:38:42,500 - [Dennis] Yale has recently scanned the entire manuscript 917 00:38:42,500 --> 00:38:44,458 and posted it online. 918 00:38:44,458 --> 00:38:46,625 - In March of 2024, 919 00:38:46,625 --> 00:38:48,333 Macquarie University researchers 920 00:38:48,333 --> 00:38:50,667 Keagan Brewer and Michelle Lewis 921 00:38:50,667 --> 00:38:53,250 announce they found a new clue 922 00:38:53,250 --> 00:38:54,708 by reviewing the scans. 923 00:38:54,708 --> 00:38:55,917 - They may have figured out 924 00:38:55,917 --> 00:38:57,833 where the book was written. 925 00:38:57,833 --> 00:39:00,375 In the book, there is an actual drawing 926 00:39:00,375 --> 00:39:02,625 of a castle silhouette 927 00:39:02,625 --> 00:39:04,542 that has within it an architectural feature 928 00:39:04,542 --> 00:39:06,875 they see called the Swallowtail Merlon, 929 00:39:06,875 --> 00:39:09,500 and that detail is found throughout castles 930 00:39:09,500 --> 00:39:11,500 in Southern Germany and Northern Italy. 931 00:39:11,500 --> 00:39:13,708 [pensive music] 932 00:39:13,708 --> 00:39:17,125 - They note the Voynich Manuscript's sketches 933 00:39:17,125 --> 00:39:18,458 of human anatomy, 934 00:39:18,458 --> 00:39:20,208 especially women, 935 00:39:20,208 --> 00:39:21,833 and they compare those 936 00:39:21,833 --> 00:39:24,625 with other books from Southern Germany and Northern Italy 937 00:39:24,625 --> 00:39:25,917 around the same time, 938 00:39:25,917 --> 00:39:28,083 and there are quite a lot of similarities. 939 00:39:29,667 --> 00:39:32,542 - One author who was writing around the same place and time 940 00:39:32,542 --> 00:39:35,625 is the 15th-century physician, Johannes Hartlieb. 941 00:39:35,625 --> 00:39:37,958 He was concerned what women might do 942 00:39:37,958 --> 00:39:40,833 if they were to get control over their bodies. 943 00:39:40,833 --> 00:39:42,292 And so he advocated 944 00:39:42,292 --> 00:39:45,500 that any medical text about the bodily functions of women 945 00:39:45,500 --> 00:39:47,625 should be written in code. 946 00:39:48,458 --> 00:39:50,042 - Because of all this evidence, 947 00:39:50,042 --> 00:39:51,750 Brewer and Lewis conclude 948 00:39:51,750 --> 00:39:54,417 the manuscript is a 15th-century medical guide 949 00:39:54,417 --> 00:39:56,667 to the female reproductive system. 950 00:39:56,667 --> 00:39:58,250 It's part of a tradition among 951 00:39:58,250 --> 00:40:00,083 Christian male doctors of the era 952 00:40:00,083 --> 00:40:03,292 who believed women's secrets should be encoded, 953 00:40:03,292 --> 00:40:05,542 alongside other taboo subjects, 954 00:40:05,542 --> 00:40:08,417 such as alchemy, or magic, or demons. 955 00:40:08,417 --> 00:40:10,375 - [Dennis] It's a compelling idea, 956 00:40:10,375 --> 00:40:13,458 but there won't be any conclusive answers 957 00:40:13,458 --> 00:40:16,708 until we can finally decipher the text. 958 00:40:16,708 --> 00:40:19,042 - Maybe, as Emperor Rudolph hoped, 959 00:40:19,042 --> 00:40:22,417 the manuscript does contain holy secrets. 960 00:40:22,417 --> 00:40:23,833 What we can say for certain 961 00:40:23,833 --> 00:40:26,292 is that the more the Voynich Manuscript is studied, 962 00:40:26,292 --> 00:40:29,333 the more mysteries it seems to raise. 963 00:40:29,333 --> 00:40:33,125 [dramatic music] 964 00:40:33,125 --> 00:40:35,417 - Some were created to warn us, 965 00:40:35,417 --> 00:40:38,042 others to guide us, 966 00:40:38,042 --> 00:40:39,708 but whatever their purpose, 967 00:40:39,708 --> 00:40:42,958 the hidden messages embedded in everything 968 00:40:42,958 --> 00:40:45,708 from sacred books to great paintings 969 00:40:45,708 --> 00:40:50,417 will, with luck, be decoded one day. 970 00:40:50,417 --> 00:40:52,417 I'm Dennis Quaid, 971 00:40:52,417 --> 00:40:55,000 and thank you for watching "Holy Marvels." 72135

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