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[dramatic music]
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- Tonight, mysterious codes
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hiding in plain sight.
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- At least as far back
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as the first century BC,
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people have been searching
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for coded messages.
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- From works of art-
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- People start
trying to find codes
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in "The Last Supper" itself.
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- Who knows how many
more could be out there
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waiting to be found?
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- to sacred texts-
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- The more the
manuscript is studied,
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the more mysteries
it seems to raise.
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- Dozens try to crack it,
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even Alan Turing,
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who famously helped break
the Nazi Enigma code.
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- to the desert sands.
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- This has to have deep
spiritual importance
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to justify all the
manpower that it took.
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- What messages are
they trying to convey?
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- If we look closely, we
begin to see a pattern.
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- They suspect
that these carvings
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are perhaps symbols of warning.
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- Now, the remarkable stories
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behind history's most
confounding hidden codes.
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[dramatic music]
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One of the world's
greatest artists,
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Leonardo da Vinci,
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left behind more than
just masterpieces,
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secrets are embedded
in all of his works.
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Symbols and codes
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whose meaning remains
debated today.
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[pensive music]
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- Leonardo da Vinci
is the painter
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behind one of the most famous
religious artworks ever made,
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"The Last Supper."
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Not to mention, he also painted
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the most famous work in history,
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"The Mona Lisa."
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- A significant portion
of da Vinci's work
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is religious in nature,
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"Saint Jerome,"
"Virgin and Child,"
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"The Adoration of the Magi."
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This is because he
worked on commission,
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and he was painting
for the church
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and for wealthy patrons
in Italy and France.
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- da Vinci's genius is
not just in the art world.
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As he's developing his
reputation as a great painter,
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he's also filled 13,000
pages of journal entries
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with scientific ideas
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that are way ahead
of their times.
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He comes up with designs
for flying machines
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and military equipment
and scuba gear,
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even robots.
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- [Dennis] Within these pages,
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da Vinci shows off
another surprising skill.
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- da Vinci invents
a kind of code.
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He writes backwards in
a mirror-image script
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combined with his own made-up
shorthand and symbols.
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We still don't know what
inspired da Vinci to do this,
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but it seems like he just
came up with it on his own.
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- Whatever the reason,
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Leonardo da Vinci has become
almost as famous for his codes
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as he has for anything
else he's done.
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Pop culture has totally run wild
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with this idea of da Vinci
as a master cryptologist.
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[inquisitive music]
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- [Dennis] Perhaps none have
received as much attention
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as one of his most
famous paintings,
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"The Last Supper."
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- Starting at about 1494, 1495,
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da Vinci begins painting
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his fresco depicting
"The Last Supper,"
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Jesus dining with
his 12 apostles.
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The painting is commissioned
by Ludovico Sforza,
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and it's to hang in the Convent
of Santa Maria delle Grazie
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in Milan.
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- [Dennis] But over
the next two decades,
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the masterpiece begins to fade.
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- We have to remember
that this is a fresco.
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This is on the wall of a
convent exposed to everybody,
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and within 20 years,
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the paint begins to flake off.
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By 1652, the painting is
all but unrecognizable,
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so much so that
workmen think nothing
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of cutting a doorway
right in the center of it.
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- It's not until 1726
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that da Vinci's "Last
Supper" is first restored,
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and it's been touched
up periodically
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over the years since.
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The most major restoration
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takes place in the late
1970s and early 1980s,
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and the area around the painting
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is finally sealed and
climate controlled.
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- [Dennis] The restoration
allows the public
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to view this masterpiece
in a whole new light.
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- Given da Vinci's propensity
for mathematics and numbers
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and his love of codes,
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starting in the 1980s,
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people start studying
and researching
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and publishing papers
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trying to find codes embedded
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in the fresco "The
Last Supper" itself.
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[pensive music]
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- One of the more famous
alleged coded messages
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is revealed by British computer
scientist and archivist,
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Peter J. Vis
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on a personal blog in the 1990s.
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- Vis's observation has
to do with the arrangement
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of the figures in the scene.
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Yes, they are all sitting
on one side of the table,
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which they need to be in
order for us to see them,
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but Vis says there's
more to it than that.
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If we look closely, we
begin to see a pattern.
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- The composition of "The Last
Supper" is very intentional.
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It's groupings of three,
three, one, Jesus,
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three and three.
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- Vis believes that
this specific code
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comes from the Book of
Lamentations 331:33,
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which states that,
"For no one is cast off
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from the Lord forever."
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Multiple writers believe
that this could refer
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to Judas's betrayal
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and that even he
could be forgiven.
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- After Vis writes about the
connection to Lamentations,
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other authors expand on his work
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and suggest the Bible verse
may hold an even deeper meaning
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about da Vinci himself.
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He'd been accused
of homosexuality
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as a young man in Florence.
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In fact, one of the definitive
biographies of da Vinci
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by Walter Isaacson
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strongly suggests da Vinci
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was a homosexual
his entire life.
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- This Bible verse
from Lamentations
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could refer to da Vinci himself
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seeking redemption for
what was at the time
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considered a sin and a scandal,
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so that he himself won't
be cast off forever.
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- [Dennis] This may
not be the only message
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hidden in da Vinci's
great painting.
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- This same biblical
event, "The Last Supper,"
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had been depicted countless
times before by other artists,
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but they always showed
halos above everyone's head.
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da Vinci paints
them without halos,
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not even Jesus has one.
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da Vinci may be
relaying his belief
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that Jesus and his disciples
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are all ordinary
men and not divine.
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- In his day,
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a suggestion like that
is quite shocking.
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It's a bold statement
when you consider
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that he's painting
it larger than life
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on the wall of a convent.
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- [Dennis] There's
another famous object
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conspicuously missing
in "The Last Supper."
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- In the gospel of Matthew,
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Jesus shares bread
with his followers,
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and he says, "Take,
eat, this is my body."
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He then holds up a cup of wine,
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and says, "Drink all of
it, for this is my blood.
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Do this in remembrance of me."
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Now, this cup,
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which we all know is the
famous Holy Grail,
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isn't there among the
glasses on the table.
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- [Dennis] But
according to Dan Brown,
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author of the 2003
bestselling book,
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"The Da Vinci Code,"
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it is.
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- According to "The
Da Vinci Code,"
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the missing cup from the
table was done on purpose,
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and it's part of the
complicated coded message
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that puts Leonardo da
Vinci at the center
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of one of the most incredible
conspiracies in history.
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- Brown writes that the Holy
Grail is there after all,
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and according to
da Vinci's code,
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it's not a cup, it's a person.
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- While most scholars believe
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that the person seated
to the right of Jesus
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in "The Last Supper"
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is John the Apostle.
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Dan Brown suggests something
radically different,
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that it is a woman
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and is in fact Mary Magdalene
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and that she represents
the Holy Grail.
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[dramatic music]
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- The position of Jesus
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and the figure in question
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form an M shape.
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Brown goes on to suggest that M
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Implies that Jesus and
Mary Magdalene are married.
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- Between the two,
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the empty space forms a V shape.
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Brown's novel interprets that
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as a symbol suggesting
that Mary's womb
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is the true Holy Grail
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and she had a child with Jesus.
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[pensive music]
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- The plot of the novel
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follows a secret society
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entrusted with protecting the
secret of Jesus's lineage.
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This conspiracy involves
the Knights Templar
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and Leonardo da Vinci himself.
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- It's an exciting story,
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but unfortunately that's
all it is for now,
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a story.
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There's no historical evidence
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that Jesus had a child
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or that Leonardo da Vinci
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was one of a string of
protectors of that bloodline,
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and it's unlikely
da Vinci would risk
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anything as blasphemous
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as putting Mary
Magdalene next to Jesus
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if he wanted to keep
his career going.
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- One thing Dan Brown's
book accomplished
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is that it got a whole
new army of researchers
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interested in digging
into "The Last Supper"
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and da Vinci's other work.
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And from here, the theories
really start to take off.
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- In the aftermath of Dan
Brown's 2003 bestseller,
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many more researchers
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start looking for
hidden messages
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in da Vinci's work.
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His paintings, engineering
drafts and drawings
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are all carefully scrutinized
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for what could be secret clues.
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[inquisitive music]
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- All kinds of fringe
theories eventually come out.
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Things like da
Vinci's coded messages
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reveal secret knowledge
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that he learned from
aliens or time travel.
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They're a ton of fun to read,
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but they don't carry a
lot of scientific weight.
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- [Dennis] Then, in 2010,
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one new announcement
gets a lot of attention
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because it comes from an
actual Vatican researcher.
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- Sabrina Sforza Galizia
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says that she's taken
an all-new approach
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to decoding "The Last Supper,"
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and has discovered
a hidden message
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that's not about Jesus
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or secret biblical history,
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it's about the future.
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[pensive music]
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- While most researchers
focus on the people
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and the objects in the painting,
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Galizia actually takes a look
250
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at a part of the painting
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that most of us would ignore,
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which is the background.
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[inquisitive music]
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She believes that the
windows and the doorways
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actually depict mathematical
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and astrological codes.
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- These codes are based on
the 12 signs of the Zodiac,
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the 24 letters in
the Latin alphabet
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and the 24 hours in the day.
260
00:10:50,208 --> 00:10:52,833
And when deciphered,
according to Galizia,
261
00:10:52,833 --> 00:10:55,583
they reveal that
da Vinci foresaw
262
00:10:55,583 --> 00:10:58,375
a universal flood that
would destroy the world.
263
00:10:58,375 --> 00:11:02,750
And this is supposed to
happen on March 21st, 4006.
264
00:11:04,042 --> 00:11:07,292
- Of course, it's impossible
to verify her claims,
265
00:11:07,292 --> 00:11:08,875
but in his notebooks,
266
00:11:08,875 --> 00:11:10,375
da Vinci is known to write
267
00:11:10,375 --> 00:11:12,625
what are called prophecies.
268
00:11:12,625 --> 00:11:14,042
These are mostly just riddles,
269
00:11:14,042 --> 00:11:16,708
but some speculate that
he really did dabble
270
00:11:16,708 --> 00:11:19,875
in predictions of the
future in his artwork.
271
00:11:19,875 --> 00:11:22,167
- By the time Galizia
makes our announcement,
272
00:11:22,167 --> 00:11:25,250
da Vinci code mania
is in full effect.
273
00:11:25,250 --> 00:11:28,375
And so rabid is the
fascination with da Vinci
274
00:11:28,375 --> 00:11:31,417
that some legitimate
researchers and scientists
275
00:11:31,417 --> 00:11:32,792
decide to get in on the fun.
276
00:11:34,542 --> 00:11:36,208
- [Dennis] Experts next hone in
277
00:11:36,208 --> 00:11:39,042
on da Vinci's most
famous artwork,
278
00:11:39,042 --> 00:11:40,208
"The Mona Lisa."
279
00:11:40,208 --> 00:11:41,917
[suspenseful music]
280
00:11:41,917 --> 00:11:44,125
- "The Mona Lisa" is
generally believed
281
00:11:44,125 --> 00:11:46,708
to be a painting
of Lisa Gherardini,
282
00:11:46,708 --> 00:11:48,958
also known as La Gioconda.
283
00:11:48,958 --> 00:11:51,458
the wife of Florentine
silk merchant,
284
00:11:51,458 --> 00:11:53,583
Francesco del Giocondo.
285
00:11:53,583 --> 00:11:55,042
After Leonardo's death,
286
00:11:55,042 --> 00:11:57,542
"The Mona Lisa" is
bought right away
287
00:11:57,542 --> 00:12:00,125
by King Francis I of France,
288
00:12:00,125 --> 00:12:03,875
and it even ends up in
Napoleon's bedroom for a while.
289
00:12:03,875 --> 00:12:06,292
Nowadays, it's
housed at the Louvre.
290
00:12:06,292 --> 00:12:08,708
- [Dennis] People travel
from all over the world
291
00:12:08,708 --> 00:12:11,000
to admire "The Mona Lisa."
292
00:12:11,000 --> 00:12:15,417
But in 2010, Italian
researchers take a closer look
293
00:12:15,417 --> 00:12:18,333
and find something unexpected.
294
00:12:18,333 --> 00:12:19,708
- Researchers at Italy's
295
00:12:19,708 --> 00:12:21,583
National Committee
for Cultural Heritage
296
00:12:21,583 --> 00:12:24,750
see two tiny letters
297
00:12:24,750 --> 00:12:27,792
hidden in one of the
eyes of the painting,
298
00:12:27,792 --> 00:12:30,708
the letters LV.
299
00:12:30,708 --> 00:12:32,292
At the time, they speculate
300
00:12:32,292 --> 00:12:35,833
that this is a relatively
straightforward hidden message.
301
00:12:35,833 --> 00:12:38,875
LV is Leonardo da
Vinci's initials.
302
00:12:38,875 --> 00:12:40,375
[inquisitive music]
303
00:12:40,375 --> 00:12:41,667
- But there's more to this code
304
00:12:41,667 --> 00:12:43,917
that we still don't understand.
305
00:12:43,917 --> 00:12:45,208
In the background
of the painting,
306
00:12:45,208 --> 00:12:46,375
there is a bridge,
307
00:12:46,375 --> 00:12:48,000
and in the arch of the bridge,
308
00:12:48,000 --> 00:12:51,292
there is what appears
to be the number 72.
309
00:12:51,292 --> 00:12:52,708
[pensive music]
310
00:12:52,708 --> 00:12:55,375
- [Dennis] A year
later, in 2011,
311
00:12:55,375 --> 00:12:57,500
Italian author Carla Glori
312
00:12:57,500 --> 00:13:01,542
is able to make more
sense out of these clues.
313
00:13:01,542 --> 00:13:03,958
- Glori believes that this
solves a longstanding mystery
314
00:13:03,958 --> 00:13:05,167
about the painting.
315
00:13:05,167 --> 00:13:07,042
The location of the countryside
316
00:13:07,042 --> 00:13:08,375
we see in the background,
317
00:13:08,375 --> 00:13:09,708
it's been speculated
318
00:13:09,708 --> 00:13:13,125
to be everywhere from
Lake Como to China.
319
00:13:13,875 --> 00:13:15,250
- [Dennis] According to Glori,
320
00:13:15,250 --> 00:13:17,792
da Vinci's hidden 72
321
00:13:17,792 --> 00:13:19,292
reveals the answer.
322
00:13:19,292 --> 00:13:20,542
[dynamic music]
323
00:13:20,542 --> 00:13:22,750
- In 1472, a bridge in Italy
324
00:13:22,750 --> 00:13:25,375
is famously damaged
by severe flooding
325
00:13:25,375 --> 00:13:26,708
and then rebuilt.
326
00:13:26,708 --> 00:13:28,792
This bridge is in
the town of Bobbio
327
00:13:28,792 --> 00:13:30,708
in the Trebbia river valley.
328
00:13:30,708 --> 00:13:32,875
It's a place Ernest
Hemingway once described
329
00:13:32,875 --> 00:13:35,542
as the most beautiful
in the world.
330
00:13:35,542 --> 00:13:37,375
Glori finds all the features
331
00:13:37,375 --> 00:13:40,333
of the painting's
background match Bobbio
332
00:13:40,333 --> 00:13:41,375
in da Vinci's time.
333
00:13:43,458 --> 00:13:46,583
- Bobbio is the territory
of Ludovico Sforza,
334
00:13:46,583 --> 00:13:48,250
who is the duke of Milan.
335
00:13:48,250 --> 00:13:50,042
And Glori believes
that this painting
336
00:13:50,042 --> 00:13:52,833
depicts his daughter, Bianca.
337
00:13:52,833 --> 00:13:55,875
So it might not be
"The Mona Lisa" at all,
338
00:13:55,875 --> 00:13:58,208
it might be "The Mona Bianca."
339
00:13:58,208 --> 00:14:00,333
And a hidden code
helped figure that out.
340
00:14:01,500 --> 00:14:02,792
[serene music]
341
00:14:02,792 --> 00:14:04,750
- Leonardo da Vinci
isn't the only one
342
00:14:04,750 --> 00:14:07,583
using artwork to hide messages,
343
00:14:07,583 --> 00:14:10,542
a mysterious culture in Peru
344
00:14:10,542 --> 00:14:13,667
draws their own strange codes
345
00:14:13,667 --> 00:14:16,417
into the earth itself.
346
00:14:17,625 --> 00:14:20,875
- In 1927, a
Peruvian archeologist
347
00:14:20,875 --> 00:14:24,875
named Manuel
Toribio Mejia Xesspe
348
00:14:24,875 --> 00:14:27,208
goes for a hike in
the Nazca Desert.
349
00:14:28,167 --> 00:14:30,667
And he climbs a large foothill
350
00:14:30,667 --> 00:14:32,875
to get a better
view of the plateau,
351
00:14:32,875 --> 00:14:35,417
and he sees something
astonishing below,
352
00:14:36,542 --> 00:14:38,333
a massive geometric shape
353
00:14:38,333 --> 00:14:41,500
that is somehow drawn
into the landscape.
354
00:14:43,000 --> 00:14:44,708
- Soon more are found.
355
00:14:44,708 --> 00:14:46,792
There are dozens of these lines
356
00:14:46,792 --> 00:14:49,125
crisscrossing the desert floor.
357
00:14:49,125 --> 00:14:50,792
But it's not just patterns,
358
00:14:50,792 --> 00:14:52,875
there's also figures.
359
00:14:52,875 --> 00:14:55,792
We see animals, monkeys,
360
00:14:55,792 --> 00:14:58,208
spiders, among others.
361
00:14:58,208 --> 00:15:00,917
Mejia Xesspe soon
shares his findings
362
00:15:00,917 --> 00:15:02,333
with the scientific community,
363
00:15:02,333 --> 00:15:05,625
who begin mapping these
lines on the earth,
364
00:15:05,625 --> 00:15:07,375
which are called geoglyphs.
365
00:15:07,375 --> 00:15:09,708
They become known
as the Nazca Lines.
366
00:15:09,708 --> 00:15:10,875
[pensive music]
367
00:15:10,875 --> 00:15:12,125
- It's not until a few years
368
00:15:12,125 --> 00:15:14,958
after Mejia Xesspe's
find in the 1930s,
369
00:15:14,958 --> 00:15:18,458
as airplanes first take
to the skies over Peru,
370
00:15:18,458 --> 00:15:22,625
that the true scale of
these geoglyphs is realized.
371
00:15:22,625 --> 00:15:25,083
There are over 3,000 carvings
372
00:15:25,083 --> 00:15:27,958
spanning over 200 square miles.
373
00:15:29,375 --> 00:15:31,042
- They're massive.
374
00:15:31,042 --> 00:15:34,083
The hummingbird
is 295 feet long.
375
00:15:34,083 --> 00:15:36,917
And there is the
outline of a condor
376
00:15:36,917 --> 00:15:39,917
with a wingspan of 450 feet.
377
00:15:41,083 --> 00:15:45,333
- One trapezoid covers
62 square miles,
378
00:15:45,333 --> 00:15:47,208
and some of the straight lines
379
00:15:47,208 --> 00:15:49,667
run up to 30 miles long.
380
00:15:50,542 --> 00:15:53,042
- [Dennis] But what could
these ancient lines mean?
381
00:15:53,042 --> 00:15:54,583
[dynamic music]
382
00:15:54,583 --> 00:15:56,208
- There are no written records
383
00:15:56,208 --> 00:15:58,375
of what civilization did this,
384
00:15:58,375 --> 00:16:00,542
or how, or why,
385
00:16:00,542 --> 00:16:02,083
but whoever made these lines
386
00:16:02,083 --> 00:16:05,375
did it with a lot of
planning and intention.
387
00:16:05,375 --> 00:16:08,375
Creating these on
such a large scale,
388
00:16:08,375 --> 00:16:11,708
it would be dusty,
backbreaking work
389
00:16:11,708 --> 00:16:14,000
in the heat of a dry desert.
390
00:16:14,000 --> 00:16:16,542
- So this has to mean
something, right?
391
00:16:16,542 --> 00:16:20,125
This has to have deep
spiritual importance
392
00:16:20,125 --> 00:16:23,000
to justify all the
manpower that it took.
393
00:16:23,958 --> 00:16:25,167
- So the Nazca Desert
394
00:16:25,167 --> 00:16:26,875
is kind of a layer cake.
395
00:16:26,875 --> 00:16:28,917
It's got a dark
red volcanic soil
396
00:16:28,917 --> 00:16:30,750
on top of a lighter soil.
397
00:16:30,750 --> 00:16:32,542
So the way they create the lines
398
00:16:32,542 --> 00:16:35,708
is by actually removing
that dark soil from on top,
399
00:16:35,708 --> 00:16:36,917
about 12 inches of it,
400
00:16:36,917 --> 00:16:38,125
exposing that light line.
401
00:16:38,125 --> 00:16:40,250
And they did this for miles.
402
00:16:40,250 --> 00:16:41,750
- Even by today's standards,
403
00:16:41,750 --> 00:16:45,708
the sheer scale of the
Nazca Lines is incredible.
404
00:16:45,708 --> 00:16:48,542
So it's not surprising
that these have become
405
00:16:48,542 --> 00:16:52,292
a source of fascination,
a fixation for many,
406
00:16:52,292 --> 00:16:54,458
trying to uncover just
what these lines mean.
407
00:16:54,458 --> 00:16:54,958
[dynamic music]
408
00:16:58,708 --> 00:17:00,875
- Since their discovery in 1927,
409
00:17:00,875 --> 00:17:02,750
a series of ancient lines
410
00:17:02,750 --> 00:17:04,083
carved into the earth
411
00:17:04,083 --> 00:17:07,875
has fascinated scientists
and archeologists.
412
00:17:07,875 --> 00:17:09,583
The lines are so large
413
00:17:09,583 --> 00:17:13,167
that they can only fully
be seen from above.
414
00:17:13,167 --> 00:17:15,250
The question is, who made them?
415
00:17:16,417 --> 00:17:17,250
And why?
416
00:17:18,458 --> 00:17:22,000
- In 1929, archeologist
Julio Cesar Tello
417
00:17:22,000 --> 00:17:23,667
discovers an necropolis.
418
00:17:23,667 --> 00:17:25,417
[ominous music]
419
00:17:25,417 --> 00:17:27,833
A burial site of
an ancient culture
420
00:17:27,833 --> 00:17:29,583
that lived near the lines.
421
00:17:29,583 --> 00:17:31,250
They're dubbed the Paracas
422
00:17:31,250 --> 00:17:33,917
after a nearby peninsula.
423
00:17:33,917 --> 00:17:36,417
- They've got textiles,
pottery, skeletons,
424
00:17:36,417 --> 00:17:39,042
and it's determined that
they lived in this area
425
00:17:39,042 --> 00:17:42,750
from 800 BC to about 200 AD.
426
00:17:42,750 --> 00:17:45,083
Researchers find
other nearby sites
427
00:17:45,083 --> 00:17:46,583
filled with artifacts as well.
428
00:17:46,583 --> 00:17:48,833
And these come from
slightly later,
429
00:17:48,833 --> 00:17:52,667
more like 100 BC
to about 700 AD.
430
00:17:52,667 --> 00:17:55,750
This culture, which slightly
overlapped the Paracas,
431
00:17:55,750 --> 00:17:57,000
is called the Nazca.
432
00:17:57,000 --> 00:17:59,625
[pensive music]
433
00:18:00,708 --> 00:18:02,208
- Starting in the 1920s,
434
00:18:02,208 --> 00:18:05,042
archeologists begin
to uncover the remains
435
00:18:05,042 --> 00:18:07,625
of a 370-acre city
436
00:18:07,625 --> 00:18:10,208
on the southern end
of the Nazca Lines.
437
00:18:10,208 --> 00:18:11,542
It's called Cahuachi,
438
00:18:11,542 --> 00:18:14,708
and it's full of small
ceremonial buildings
439
00:18:14,708 --> 00:18:16,042
and other sites.
440
00:18:16,958 --> 00:18:18,542
- It's a huge place,
441
00:18:18,542 --> 00:18:21,958
but it has a very small
permanent population.
442
00:18:21,958 --> 00:18:24,208
This means it's a
site of pilgrimage.
443
00:18:24,208 --> 00:18:26,875
People come to the
city in large numbers
444
00:18:26,875 --> 00:18:28,375
who don't live there.
445
00:18:28,375 --> 00:18:29,250
But why?
446
00:18:29,250 --> 00:18:31,250
And could this finally explain
447
00:18:31,250 --> 00:18:33,583
what these massive
drawings are for?
448
00:18:35,625 --> 00:18:36,625
[suspenseful music]
449
00:18:36,625 --> 00:18:39,750
- [Dennis] In 2020,
one high-tech team
450
00:18:39,750 --> 00:18:42,375
claims they've found the answer.
451
00:18:42,375 --> 00:18:45,292
- Archeologists from
the Institute of Nazca
452
00:18:45,292 --> 00:18:47,667
at Yamagata University in Japan
453
00:18:47,667 --> 00:18:52,167
use high-resolution aerial
photography and drones
454
00:18:52,167 --> 00:18:54,000
to map some of the Nazca Lines
455
00:18:54,000 --> 00:18:55,375
in the northern desert.
456
00:18:56,292 --> 00:18:59,000
- They find fainter
and older lines,
457
00:18:59,000 --> 00:19:01,375
likely made by the
Paracas culture,
458
00:19:01,375 --> 00:19:05,208
who often put their
drawings on hillsides.
459
00:19:05,208 --> 00:19:07,500
The Japanese team
finds that the lines
460
00:19:07,500 --> 00:19:10,833
actually seem to run from
one valley to another,
461
00:19:10,833 --> 00:19:14,875
connecting cities to
significant religious sites,
462
00:19:14,875 --> 00:19:15,750
like Cahuachi.
463
00:19:16,750 --> 00:19:18,083
- In their opinion,
464
00:19:18,083 --> 00:19:20,792
this is basically
a map for pilgrims.
465
00:19:20,792 --> 00:19:22,417
The glyphs upon the hillside,
466
00:19:22,417 --> 00:19:23,583
you can see them from
467
00:19:23,583 --> 00:19:24,542
the ground level,
468
00:19:24,542 --> 00:19:26,208
and they would be unmistakable
469
00:19:26,208 --> 00:19:27,792
landmarks for travelers.
470
00:19:27,792 --> 00:19:29,708
[pensive music]
471
00:19:29,708 --> 00:19:32,917
- The map idea is
pretty ingenious,
472
00:19:32,917 --> 00:19:34,250
but there are a lot of drawings
473
00:19:34,250 --> 00:19:36,000
that don't figure into it.
474
00:19:36,000 --> 00:19:37,333
In other parts of the desert,
475
00:19:37,333 --> 00:19:40,250
the Nazca also
create long lines,
476
00:19:40,250 --> 00:19:42,583
shapes and animals,
477
00:19:42,583 --> 00:19:46,375
but their geoglyphs are made
mostly on the flat plateaus.
478
00:19:46,375 --> 00:19:49,083
That means people
walking at ground level
479
00:19:49,083 --> 00:19:51,833
can't possibly see the designs.
480
00:19:51,833 --> 00:19:53,292
- The coded message here
481
00:19:53,292 --> 00:19:54,875
can't be a map for pilgrims
482
00:19:54,875 --> 00:19:58,542
because it could only be seen
from way, way up in the sky.
483
00:19:59,750 --> 00:20:02,375
- [Dennis] Anthropologist
Johan Reinhard
484
00:20:02,375 --> 00:20:05,292
believes there's a
divine reason why.
485
00:20:06,583 --> 00:20:08,375
- The Nazca live in a desert,
486
00:20:08,375 --> 00:20:10,542
one of the driest
places on Earth.
487
00:20:10,542 --> 00:20:12,375
Reinhard says that
their religion
488
00:20:12,375 --> 00:20:15,208
is based on rainfall
and agriculture.
489
00:20:15,208 --> 00:20:17,042
For the Nazca, some
of these creatures,
490
00:20:17,042 --> 00:20:19,292
like the monkey and the spider,
491
00:20:19,292 --> 00:20:22,167
are Gods of fertility and water.
492
00:20:22,167 --> 00:20:25,250
So these giant figures
could be prayers,
493
00:20:25,250 --> 00:20:27,083
prayers to the
gods who live above
494
00:20:27,083 --> 00:20:29,167
and can bring the rain.
495
00:20:30,208 --> 00:20:32,208
- These geoglyphs
aren't just symbolic,
496
00:20:32,208 --> 00:20:34,000
they're interactive.
497
00:20:34,000 --> 00:20:37,250
A worshiper would walk or dance
498
00:20:37,250 --> 00:20:40,625
inside the figures
in ritual prayer.
499
00:20:40,625 --> 00:20:42,125
[pensive music]
500
00:20:42,125 --> 00:20:44,792
- In 1997, Dr. Markus Reindel
501
00:20:44,792 --> 00:20:47,042
of the German
Archeological Institute
502
00:20:47,042 --> 00:20:51,375
takes some soil samples of
the earth between the lines.
503
00:20:51,375 --> 00:20:55,042
What he finds is the soil
has been heavily compacted,
504
00:20:55,042 --> 00:20:57,167
as if thousands of people
505
00:20:57,167 --> 00:20:59,417
had been dancing their
way along the lines.
506
00:21:00,750 --> 00:21:04,208
- [Dennis] If these newer
lines are a prayer for rain,
507
00:21:04,208 --> 00:21:06,083
it seems to work.
508
00:21:06,083 --> 00:21:08,458
- Between about 200 and 500 AD,
509
00:21:08,458 --> 00:21:12,167
the Nazca civilization
flourishes and booms.
510
00:21:12,167 --> 00:21:15,375
And the human remains that
we find from that time period
511
00:21:15,375 --> 00:21:18,083
indicate that they were
generally well-nourished
512
00:21:18,083 --> 00:21:19,250
and healthy.
513
00:21:19,250 --> 00:21:21,583
- Soil analysis has revealed
514
00:21:21,583 --> 00:21:23,792
that this was not
always a desert.
515
00:21:23,792 --> 00:21:26,375
You know, back then,
you had arable soil,
516
00:21:26,375 --> 00:21:29,542
lush green valleys,
horongo trees everywhere.
517
00:21:29,542 --> 00:21:33,875
- [Dennis] That all starts
changing around 400 AD.
518
00:21:33,875 --> 00:21:36,583
- The Nazca begin
cutting those trees down,
519
00:21:36,583 --> 00:21:39,333
clearing room for
crops and cotton
520
00:21:39,333 --> 00:21:42,042
to feed and clothe their
growing population.
521
00:21:43,333 --> 00:21:45,250
- Then, around 500 AD,
522
00:21:45,250 --> 00:21:47,875
a cataclysmic El
Nino cycle hits.
523
00:21:47,875 --> 00:21:49,417
[storm bellowing]
524
00:21:49,417 --> 00:21:51,958
Bringing a
once-in-a-thousand-year
525
00:21:51,958 --> 00:21:54,000
level of rainfall.
526
00:21:55,833 --> 00:21:59,500
Without tree roots to hold
in the soil and the moisture,
527
00:21:59,500 --> 00:22:01,333
there are flash floods.
528
00:22:01,333 --> 00:22:04,917
Mudslides devour
entire villages.
529
00:22:04,917 --> 00:22:08,833
- [Dennis] But eventually
the rainstorms subside.
530
00:22:10,542 --> 00:22:13,583
- What follows are
decades of extreme drought
531
00:22:13,583 --> 00:22:15,917
and probably starvation.
532
00:22:15,917 --> 00:22:18,542
To make matters worse,
around that time,
533
00:22:18,542 --> 00:22:22,250
there's evidence of catastrophic
earthquakes as well.
534
00:22:22,250 --> 00:22:23,667
- What can the Nazca do?
535
00:22:23,667 --> 00:22:27,375
They send more desperate
messages to their gods.
536
00:22:27,375 --> 00:22:29,667
They make more of
these geoglyphs
537
00:22:29,667 --> 00:22:32,417
and they start filling
them with valuable objects,
538
00:22:32,417 --> 00:22:36,000
like pottery, perhaps as
offerings to the gods.
539
00:22:36,000 --> 00:22:39,958
- [Dennis] It's not enough to
save the Nazca civilization
540
00:22:39,958 --> 00:22:41,833
from total collapse.
541
00:22:42,917 --> 00:22:45,500
- Starting around 600 AD,
542
00:22:45,500 --> 00:22:49,208
the Nazca move over 100
miles away, to the Andes,
543
00:22:49,208 --> 00:22:51,625
abandoning their geoglyphs.
544
00:22:51,625 --> 00:22:54,542
And it's not for 1,300 years
545
00:22:54,542 --> 00:22:56,833
until they're rediscovered.
546
00:22:56,833 --> 00:22:59,542
- [Dennis] Despite our
greater understanding today,
547
00:22:59,542 --> 00:23:01,833
researchers are
quick to point out
548
00:23:01,833 --> 00:23:06,750
that the Nazca code still
isn't fully deciphered.
549
00:23:06,750 --> 00:23:09,958
- We have good evidence that
part of it was for mapping
550
00:23:09,958 --> 00:23:13,333
and that part of it was for
communicating with the Gods,
551
00:23:13,333 --> 00:23:15,083
but there remain
dozens of drawings
552
00:23:15,083 --> 00:23:17,792
that don't fit
either hypothesis.
553
00:23:17,792 --> 00:23:20,833
- Even though these Nazca
Lines are over 2,000 years old,
554
00:23:20,833 --> 00:23:22,875
they're discovering
new ones all the time.
555
00:23:22,875 --> 00:23:26,000
Over 100 have been found in
the last five years alone.
556
00:23:26,000 --> 00:23:27,917
- And with new technology,
557
00:23:27,917 --> 00:23:30,708
drone, lidar, AI,
558
00:23:30,708 --> 00:23:32,250
who knows how many
more could be out there
559
00:23:32,250 --> 00:23:33,750
waiting to be found?
560
00:23:33,750 --> 00:23:37,708
You might say that we have
barely scratched the surface
561
00:23:37,708 --> 00:23:39,542
of this ancient
geological marvel.
562
00:23:39,542 --> 00:23:39,917
[dramatic music]
563
00:23:43,792 --> 00:23:45,708
[pensive music]
564
00:23:45,917 --> 00:23:49,417
- Deep beneath the quiet
English town of Royston
565
00:23:49,417 --> 00:23:51,375
lies a secret chamber
566
00:23:51,375 --> 00:23:54,167
that's puzzled historians
since its discovery
567
00:23:54,167 --> 00:23:56,417
four centuries ago.
568
00:23:56,417 --> 00:23:59,125
Why it was built and by whom
569
00:23:59,125 --> 00:24:00,458
remains a mystery.
570
00:24:02,542 --> 00:24:07,292
- In 1742, workmen in the
town of Royston, England,
571
00:24:07,500 --> 00:24:10,583
are building a new bench
572
00:24:10,583 --> 00:24:12,458
in the town's butter market.
573
00:24:12,458 --> 00:24:14,208
The workmen are
digging in the ground
574
00:24:14,208 --> 00:24:15,833
and they hit something hard,
575
00:24:15,833 --> 00:24:19,958
and they eventually uncover
a large circular stone.
576
00:24:19,958 --> 00:24:21,042
- They lift it up,
577
00:24:21,042 --> 00:24:24,708
and underneath, there's
a deep, manmade shaft
578
00:24:24,708 --> 00:24:27,250
carved into the chalk bedrock.
579
00:24:27,250 --> 00:24:29,250
But it's too dark to see
580
00:24:29,250 --> 00:24:31,083
how far down it goes.
581
00:24:31,083 --> 00:24:33,375
- They recruit this small boy,
582
00:24:33,375 --> 00:24:35,875
and they lash a rope around him
583
00:24:35,875 --> 00:24:39,667
and lower him down into
the depths of this tunnel.
584
00:24:39,917 --> 00:24:41,833
[eerie music]
585
00:24:43,542 --> 00:24:46,125
- A local minister
named Reverend G. North
586
00:24:46,125 --> 00:24:48,375
documents what the boy finds,
587
00:24:48,375 --> 00:24:50,792
a round bottle-shaped chamber,
588
00:24:50,792 --> 00:24:53,708
16 feet wide and 16 feet deep.
589
00:24:53,708 --> 00:24:56,708
From top to bottom
are dozens of carvings
590
00:24:56,708 --> 00:25:01,833
of strange, expressionless,
mostly human figures.
591
00:25:01,833 --> 00:25:06,542
A few carvings depict forms
of torture or execution.
592
00:25:06,542 --> 00:25:07,667
- One of these
carvings is a figure
593
00:25:07,667 --> 00:25:09,250
that's holding a
candle in one hand
594
00:25:09,250 --> 00:25:10,708
and a skull in the other.
595
00:25:10,708 --> 00:25:12,375
And they suspect
that these carvings
596
00:25:12,375 --> 00:25:14,375
are perhaps symbols of warning
597
00:25:14,375 --> 00:25:17,375
or of defending something
precious within,
598
00:25:17,375 --> 00:25:19,542
a treasure of some sort.
599
00:25:19,542 --> 00:25:21,375
- Eventually, they
hit rock bottom
600
00:25:21,375 --> 00:25:24,292
about 26 feet from the top.
601
00:25:24,292 --> 00:25:28,708
And all they find is an
old brown earthenware cup
602
00:25:28,708 --> 00:25:31,583
with a few yellow dots,
603
00:25:31,583 --> 00:25:34,083
a few scattered bones
604
00:25:34,083 --> 00:25:35,583
and a human skull.
605
00:25:35,583 --> 00:25:36,583
No treasure.
606
00:25:37,292 --> 00:25:38,458
[dramatic music]
607
00:25:38,458 --> 00:25:40,125
- [Dennis] News
about the discovery
608
00:25:40,125 --> 00:25:42,042
called the Royston Cave
609
00:25:42,042 --> 00:25:44,458
soon starts to spread.
610
00:25:44,458 --> 00:25:46,875
And right away,
researchers are eager
611
00:25:46,875 --> 00:25:49,417
to figure out what it's for.
612
00:25:49,417 --> 00:25:51,917
- Later that same year, 1742,
613
00:25:51,917 --> 00:25:54,417
an historian named
William Stukeley
614
00:25:54,417 --> 00:25:56,750
investigates the Royston Cave.
615
00:25:56,750 --> 00:25:58,458
He's already famous
for pioneering
616
00:25:58,458 --> 00:26:00,167
the study of Stonehenge.
617
00:26:01,125 --> 00:26:03,125
- Stukeley identifies
some of the carvings
618
00:26:03,125 --> 00:26:04,458
as religious figures.
619
00:26:04,458 --> 00:26:06,125
There's the virgin Mary,
620
00:26:06,125 --> 00:26:08,542
St. Catherine with the
wheel she was tortured
621
00:26:08,542 --> 00:26:09,958
and executed on,
622
00:26:09,958 --> 00:26:11,708
and St. Lawrence
with the griddle
623
00:26:11,708 --> 00:26:13,667
on which he was roasted alive.
624
00:26:14,875 --> 00:26:17,583
- There are depictions of
the crucifixion of Jesus,
625
00:26:17,583 --> 00:26:20,583
and a sword pointing
to 13 figures,
626
00:26:20,583 --> 00:26:23,583
possibly Jesus with
the 12 disciples,
627
00:26:23,583 --> 00:26:25,708
and an image that might be Jesus
628
00:26:25,708 --> 00:26:28,042
lying in his shroud
in the Holy Sepulchre.
629
00:26:28,042 --> 00:26:29,542
[pensive music]
630
00:26:29,542 --> 00:26:32,208
- There are secular
political figures too,
631
00:26:32,208 --> 00:26:34,667
King Richard I, Henry II,
632
00:26:34,667 --> 00:26:38,167
all rulers in the 12th century.
633
00:26:38,167 --> 00:26:39,375
- [Dennis] A century later
634
00:26:39,375 --> 00:26:41,375
and no closer to answers,
635
00:26:41,375 --> 00:26:44,042
local historian Joseph Beldam
636
00:26:44,042 --> 00:26:47,708
takes a more thorough look
at the strange symbols.
637
00:26:47,708 --> 00:26:50,125
- Beldam notes there are
military themes in the carvings.
638
00:26:50,125 --> 00:26:51,208
[dramatic music]
639
00:26:51,208 --> 00:26:53,333
Soldiers in armor with
swords and shields
640
00:26:53,333 --> 00:26:55,333
adorned with crosses.
641
00:26:55,333 --> 00:26:56,625
- He guesses that the cave
642
00:26:56,625 --> 00:26:58,750
was actually used
as a meeting place
643
00:26:58,750 --> 00:27:00,417
for soldiers who were returning
644
00:27:00,417 --> 00:27:02,333
from the crusades
in the holy land.
645
00:27:03,542 --> 00:27:06,708
- In 1992, archeologist
Sylvia Beamon
646
00:27:06,708 --> 00:27:08,875
takes Beldam's theory
one step further.
647
00:27:08,875 --> 00:27:11,542
She argues that
there's symbolism
648
00:27:11,542 --> 00:27:12,708
in the cave that points
649
00:27:12,708 --> 00:27:15,333
to the most famous
group of crusaders,
650
00:27:17,208 --> 00:27:18,208
the Knights Templar.
651
00:27:19,083 --> 00:27:20,750
- Among the coded
Templar symbols
652
00:27:20,750 --> 00:27:23,375
on the walls of the
cavern are hearts,
653
00:27:23,375 --> 00:27:24,708
and what might be the image
654
00:27:24,708 --> 00:27:27,542
of two soldiers
on a single horse.
655
00:27:27,542 --> 00:27:30,292
These were well-known
Templar signs.
656
00:27:30,292 --> 00:27:33,250
- One carving might
represent Jacques de Molay,
657
00:27:33,250 --> 00:27:35,917
the last leader of
the Knights Templar,
658
00:27:35,917 --> 00:27:38,292
who was burned at
the stake in 1314.
659
00:27:38,292 --> 00:27:39,750
[pensive music]
660
00:27:39,750 --> 00:27:41,250
- Historical records note
661
00:27:41,250 --> 00:27:43,083
that starting in the 1140s,
662
00:27:43,083 --> 00:27:45,792
a group of Templars live
in the town of Baldock,
663
00:27:45,792 --> 00:27:47,583
just eight miles away.
664
00:27:47,583 --> 00:27:49,542
They trade in the
Royston market,
665
00:27:49,542 --> 00:27:51,417
but have violent disputes
666
00:27:51,417 --> 00:27:54,125
with local monks
over market fees.
667
00:27:54,125 --> 00:27:57,417
So Beamon believes that
they needed a place in town
668
00:27:57,417 --> 00:27:59,042
where they could secretly meet
669
00:27:59,042 --> 00:28:01,542
and conduct their
required daily prayers
670
00:28:01,542 --> 00:28:03,500
completely under the radar.
671
00:28:04,417 --> 00:28:07,083
- Others disagree with
Beamon's interpretation.
672
00:28:07,083 --> 00:28:09,458
Some see that some
of the drawings
673
00:28:09,458 --> 00:28:11,708
represent knights
in full-plate armor,
674
00:28:11,708 --> 00:28:14,250
which didn't exist
until the 1400s,
675
00:28:14,250 --> 00:28:17,250
almost 100 years after
the Knights Templar
676
00:28:17,250 --> 00:28:20,375
were officially disbanded
by the church in 1307.
677
00:28:20,375 --> 00:28:24,875
- So even if these are images
of the Knights Templar,
678
00:28:24,875 --> 00:28:27,917
it's unlikely that the Templars
themselves carved them.
679
00:28:28,875 --> 00:28:33,333
- [Dennis] In 2020, archeologist
Keith Fitzpatrick-Matthews
680
00:28:33,333 --> 00:28:36,583
uncovers evidence
that might shed light
681
00:28:36,583 --> 00:28:38,292
on the mysterious cave.
682
00:28:39,542 --> 00:28:42,042
- Fitzpatrick-Matthews
cites town records
683
00:28:42,042 --> 00:28:44,958
of a hermit living near
this crossroads in Royston
684
00:28:44,958 --> 00:28:47,500
around the year 1500.
685
00:28:47,500 --> 00:28:49,875
And after the hermit
of Royston dies
686
00:28:49,875 --> 00:28:52,792
sometime around
the year of 1550,
687
00:28:52,792 --> 00:28:55,500
his hermitage is
converted into a prison.
688
00:28:55,500 --> 00:28:57,542
[pensive music]
689
00:28:57,542 --> 00:29:01,292
- There are small holes in
the walls of the Royston Cave
690
00:29:01,292 --> 00:29:04,042
that could indicate
where bars or posts
691
00:29:04,042 --> 00:29:06,708
had been added to
create jail cells.
692
00:29:07,750 --> 00:29:09,542
- If Fitzpatrick-Matthews
is right,
693
00:29:09,542 --> 00:29:11,542
what's carved in that cave
694
00:29:11,542 --> 00:29:13,958
might not be a
secret code at all.
695
00:29:13,958 --> 00:29:15,958
- It could be that
these mysterious symbols
696
00:29:15,958 --> 00:29:18,875
are the work of a
religious-minded hermit,
697
00:29:18,875 --> 00:29:20,917
later embellished further
698
00:29:20,917 --> 00:29:23,583
by the doodles of
bored prisoners.
699
00:29:23,583 --> 00:29:25,208
But the idea of Royston Cave
700
00:29:25,208 --> 00:29:28,458
as some kind of coded
message has persisted.
701
00:29:29,875 --> 00:29:32,042
- Many still believe
in Beamon's analysis
702
00:29:32,042 --> 00:29:33,833
that a Knights Templar code
703
00:29:33,833 --> 00:29:35,958
is hidden in the drawings.
704
00:29:35,958 --> 00:29:38,042
According to Royston
Cave's website,
705
00:29:38,042 --> 00:29:41,375
it remains the most
popular answer.
706
00:29:41,375 --> 00:29:42,625
- Whatever the meaning,
707
00:29:42,625 --> 00:29:44,833
whoever created Royston Cave
708
00:29:44,833 --> 00:29:47,167
wanted it to be
shrouded in mystery,
709
00:29:47,167 --> 00:29:49,708
and they did a really
good job making it happen.
710
00:29:49,708 --> 00:29:49,958
[dramatic music]
711
00:29:53,708 --> 00:29:54,917
- Many believe
the Bible contains the
712
00:29:54,917 --> 00:29:57,417
literal word of God,
713
00:29:57,417 --> 00:29:59,333
but could this sacred text
714
00:29:59,333 --> 00:30:02,083
reveal a different
kind of divine wisdom,
715
00:30:02,083 --> 00:30:04,792
a hidden code
predicting the future?
716
00:30:04,792 --> 00:30:06,208
[pensive music]
717
00:30:06,208 --> 00:30:08,917
- The first five books
of the Old Testament
718
00:30:08,917 --> 00:30:10,417
make up the Pentateuch.
719
00:30:10,417 --> 00:30:12,000
Penta meaning five.
720
00:30:12,000 --> 00:30:16,208
Those books also make up
the Hebrew Bible, the Torah.
721
00:30:16,208 --> 00:30:18,042
- And according to the
Jewish interpretive tradition
722
00:30:18,042 --> 00:30:19,542
known as the Mishna,
723
00:30:19,542 --> 00:30:22,042
it's during the 40 years of
wandering in the wilderness
724
00:30:22,042 --> 00:30:24,333
that God sets these words down
725
00:30:24,333 --> 00:30:26,292
and gives them to Moses.
726
00:30:26,375 --> 00:30:27,792
So in a very real sense,
727
00:30:27,792 --> 00:30:29,042
God is the author
728
00:30:29,042 --> 00:30:31,167
and Moses is merely the scribe.
729
00:30:32,708 --> 00:30:34,708
- This leads some to speculate
730
00:30:34,708 --> 00:30:37,500
that the text could hold secrets
731
00:30:37,500 --> 00:30:39,875
beyond our understanding.
732
00:30:39,875 --> 00:30:42,708
- At least as far back
as the first century BC,
733
00:30:42,708 --> 00:30:44,250
people have been searching
734
00:30:44,250 --> 00:30:46,458
through the Pentateuch
for coded messages.
735
00:30:47,542 --> 00:30:49,375
This so-called Bible code
736
00:30:49,375 --> 00:30:52,167
has fascinated
researchers for millennia.
737
00:30:53,292 --> 00:30:54,708
[inquisitive music]
738
00:30:54,708 --> 00:30:55,875
- The most popular technique
739
00:30:55,875 --> 00:30:57,375
for finding codes in the Bible
740
00:30:57,375 --> 00:31:01,458
is called equidistant
letter sequences, or ELS.
741
00:31:01,458 --> 00:31:05,042
It was pioneered at least as
far back as the 13th century
742
00:31:05,042 --> 00:31:08,000
when a Spanish rabbi
named Bachya ben Asher
743
00:31:08,000 --> 00:31:09,375
starts writing about it.
744
00:31:10,708 --> 00:31:12,042
- Here's how ELS works.
745
00:31:12,042 --> 00:31:13,250
You can use any number,
746
00:31:13,250 --> 00:31:15,750
but let's say,
for example, five.
747
00:31:15,750 --> 00:31:18,708
So you start by counting
five letters ahead,
748
00:31:18,708 --> 00:31:20,875
you land on first character.
749
00:31:20,875 --> 00:31:22,792
Then you count another
five letters ahead,
750
00:31:22,792 --> 00:31:24,625
that's your second.
751
00:31:24,625 --> 00:31:26,292
And you do this
so on and so forth
752
00:31:26,292 --> 00:31:28,375
until it reveals
a hidden message.
753
00:31:30,042 --> 00:31:33,042
- The idea is, if you do this
with the original Hebrew text,
754
00:31:33,042 --> 00:31:35,750
you can find God's
secret messages.
755
00:31:35,750 --> 00:31:37,167
[inquisitive music]
756
00:31:37,167 --> 00:31:39,042
- It becomes a popular pursuit
757
00:31:39,042 --> 00:31:41,208
into the Renaissance and beyond.
758
00:31:41,208 --> 00:31:43,875
Even Isaac Newton plays
around with Bible codes
759
00:31:43,875 --> 00:31:45,792
and believes that he locates
760
00:31:45,792 --> 00:31:47,875
the date of the end
of the universe,
761
00:31:47,875 --> 00:31:49,625
which is in the year 2060.
762
00:31:50,667 --> 00:31:52,333
- [Dennis] In the 20th century,
763
00:31:52,333 --> 00:31:55,958
new technology kicks
Bible code breaking
764
00:31:55,958 --> 00:31:58,000
into high gear.
765
00:31:58,000 --> 00:32:00,042
- Computers can find these codes
766
00:32:00,042 --> 00:32:02,542
much faster than people can.
767
00:32:02,542 --> 00:32:07,375
In the 1980s, mathematician and
computer expert Eliyahu Rips
768
00:32:07,375 --> 00:32:11,042
begins ELS research on
the book of Genesis.
769
00:32:11,042 --> 00:32:12,833
- He's at home in Israel
770
00:32:12,833 --> 00:32:16,208
studying one day
in January of 1991
771
00:32:16,208 --> 00:32:18,208
when he finds a
code that suggests
772
00:32:18,208 --> 00:32:21,125
an attack is going to
happen on a particular date
773
00:32:21,125 --> 00:32:22,917
in the Hebrew calendar.
774
00:32:22,917 --> 00:32:26,625
It says, "Missile,
war, Saddam Hussein,
775
00:32:26,625 --> 00:32:28,667
fire on third Shevat."
776
00:32:29,583 --> 00:32:33,792
This date translates to
January 18th of the same year.
777
00:32:33,792 --> 00:32:35,917
- And sure enough, on this day,
778
00:32:35,917 --> 00:32:38,417
Iraq fires missiles into Israel.
779
00:32:39,833 --> 00:32:42,708
Rips describes a feeling of
being horrified, of course,
780
00:32:42,708 --> 00:32:45,583
but also a feeling
of scientific joy
781
00:32:45,583 --> 00:32:49,375
because he's convinced that
the codes have actually worked.
782
00:32:49,375 --> 00:32:51,167
- [Dennis] Three years later,
783
00:32:51,167 --> 00:32:55,708
author Michael Drosnin takes
Rips' work a step further
784
00:32:55,708 --> 00:32:56,792
when he publishes
785
00:32:56,792 --> 00:32:58,542
"The Bible Code."
786
00:32:58,542 --> 00:33:01,375
- This bestselling book
and two subsequent sequels
787
00:33:01,375 --> 00:33:03,875
reveal even more
shocking predictions
788
00:33:03,875 --> 00:33:05,458
decoded from the Pentateuch.
789
00:33:06,875 --> 00:33:09,208
- Drosnin claims to
have found Bible codes
790
00:33:09,208 --> 00:33:12,167
regarding the 1969 Moon Landing,
791
00:33:12,167 --> 00:33:13,875
the Watergate scandal,
792
00:33:13,875 --> 00:33:15,833
Bill Clinton's election,
793
00:33:15,833 --> 00:33:17,875
the Oklahoma City bombing.
794
00:33:17,875 --> 00:33:19,708
In another section, he finds,
795
00:33:19,708 --> 00:33:24,750
quote, "Twin Towers, knocked
down, twice, airplane,"
796
00:33:25,417 --> 00:33:28,042
what seems to him to
be a clear prediction
797
00:33:28,042 --> 00:33:30,875
of the September 11th
terrorist attacks.
798
00:33:30,875 --> 00:33:34,250
- Now, if true, this
would be incredible.
799
00:33:34,250 --> 00:33:36,708
These are events
thousands of years
800
00:33:36,708 --> 00:33:38,542
after Genesis was written,
801
00:33:38,542 --> 00:33:40,042
foretold by God,
802
00:33:40,042 --> 00:33:42,542
hidden in the Torah's words.
803
00:33:42,542 --> 00:33:45,708
- [Dennis] Drosnin also
reveal a few things
804
00:33:45,708 --> 00:33:48,167
that haven't yet happened.
805
00:33:48,167 --> 00:33:50,458
- In 2003, Drosnin
publishes a work
806
00:33:50,458 --> 00:33:52,542
in which he claims to
have found the phrases,
807
00:33:52,542 --> 00:33:55,167
"Atomic Holocaust,"
and, "End of days,"
808
00:33:55,167 --> 00:33:58,042
along with the date 2006,
809
00:33:58,042 --> 00:33:59,667
just three years later.
810
00:34:01,167 --> 00:34:04,500
- When 2006 doesn't turn out
to be the end of the world,
811
00:34:04,500 --> 00:34:07,667
Drosnin goes back to
the original Hebrew text
812
00:34:07,667 --> 00:34:09,208
to look for a new date,
813
00:34:09,208 --> 00:34:11,458
thinking he miscalculated.
814
00:34:11,458 --> 00:34:13,417
Drosnin was still
working on the code
815
00:34:13,417 --> 00:34:15,917
at the time of
his death in 2020,
816
00:34:15,917 --> 00:34:18,458
trying to figure
out a new timeline.
817
00:34:18,458 --> 00:34:20,917
- If there is
anything to this idea
818
00:34:20,917 --> 00:34:22,458
that there is future knowledge
819
00:34:22,458 --> 00:34:25,125
hidden in the original
text of the Bible,
820
00:34:25,125 --> 00:34:26,208
the race is on.
821
00:34:26,417 --> 00:34:28,042
Biblical scholars are gonna try
822
00:34:28,042 --> 00:34:29,792
everything at their disposal,
823
00:34:29,792 --> 00:34:31,583
any technology they can use
824
00:34:31,583 --> 00:34:32,875
to try to figure out
825
00:34:32,875 --> 00:34:34,958
what those hidden
messages might be,
826
00:34:34,958 --> 00:34:36,792
before it's too late.
827
00:34:36,792 --> 00:34:38,125
[explosion booming]
828
00:34:38,125 --> 00:34:38,708
[dramatic music]
829
00:34:42,542 --> 00:34:44,542
- The shelves of Yale
University's rare book
830
00:34:44,542 --> 00:34:49,208
collection hold a manuscript
known as MS 408.
831
00:34:49,208 --> 00:34:53,333
It's a small, unassuming
journal bound in goatskin,
832
00:34:53,333 --> 00:34:56,542
but its pages hold
a remarkable secret.
833
00:34:56,542 --> 00:34:58,417
[pensive music]
834
00:34:58,417 --> 00:35:01,792
- In 1912, a Polish
rare books dealer
835
00:35:01,792 --> 00:35:03,375
named Wilfrid Voynich
836
00:35:03,375 --> 00:35:05,917
visits a Jesuit
college in Italy.
837
00:35:05,917 --> 00:35:07,417
He buys a number of texts,
838
00:35:07,417 --> 00:35:10,250
including, almost
as an afterthought,
839
00:35:10,250 --> 00:35:14,375
a small nine-by-six-inch
handwritten manuscript
840
00:35:14,375 --> 00:35:17,375
about 240 pages in length.
841
00:35:17,375 --> 00:35:20,375
- This book is in a language
no one has ever seen.
842
00:35:20,375 --> 00:35:24,208
Now, Voynich himself is familiar
with dozens of languages,
843
00:35:24,208 --> 00:35:27,917
but he can't make heads or
tails of this manuscript.
844
00:35:27,917 --> 00:35:29,625
- [Dennis] Adding
to the confusion,
845
00:35:29,625 --> 00:35:32,875
there are hundreds
of strange drawings.
846
00:35:32,875 --> 00:35:34,458
[dynamic music]
847
00:35:34,458 --> 00:35:38,042
- Some pages show what seem
to be astrological symbols
848
00:35:38,042 --> 00:35:39,875
and mythological creatures.
849
00:35:39,875 --> 00:35:43,292
Other pages depict
plants and herbs.
850
00:35:43,292 --> 00:35:45,917
Others show nude,
possibly pregnant women
851
00:35:45,917 --> 00:35:47,208
bathing in pools,
852
00:35:47,208 --> 00:35:50,500
and buckets interconnected
by strange tubes.
853
00:35:51,583 --> 00:35:53,708
- If the pictures
match the words,
854
00:35:53,708 --> 00:35:56,125
then the books must be
about some combination
855
00:35:56,125 --> 00:35:57,917
of religion and myth
856
00:35:57,917 --> 00:36:00,375
combined with science.
857
00:36:00,375 --> 00:36:04,708
- Included in the book is a
letter dated August 19th, 1665.
858
00:36:04,708 --> 00:36:07,042
It's addressed to a
Jesuit scholar named
859
00:36:07,042 --> 00:36:08,625
Athanasius Kircher.
860
00:36:08,625 --> 00:36:11,375
The letter begins, "Reverend
and distinguished sir,
861
00:36:11,375 --> 00:36:13,042
Father in Christ."
862
00:36:13,042 --> 00:36:14,542
- The author of the letter
863
00:36:14,542 --> 00:36:16,958
is the court physician
of the Holy Roman Empire,
864
00:36:16,958 --> 00:36:18,500
Johannes Marcus Marci.
865
00:36:18,500 --> 00:36:21,333
He says Emperor
Rudolph owned the book,
866
00:36:21,333 --> 00:36:22,875
and believes it to be the work
867
00:36:22,875 --> 00:36:25,375
of a famous monk
named Roger Bacon.
868
00:36:25,375 --> 00:36:28,083
- [Dennis] Bacon is
a Franciscan friar
869
00:36:28,083 --> 00:36:30,292
who lived in the 13th century.
870
00:36:30,292 --> 00:36:32,333
He's known as one of
the first scholars
871
00:36:32,333 --> 00:36:34,750
to combine the Catholic faith
872
00:36:34,750 --> 00:36:36,750
with scientific thinking.
873
00:36:36,750 --> 00:36:39,167
- If this is an unknown
work by Roger Bacon,
874
00:36:39,167 --> 00:36:41,750
it would have incredible
religious significance.
875
00:36:43,375 --> 00:36:47,250
- In the text, there seem to
be about 20 distinct characters
876
00:36:47,250 --> 00:36:51,542
that vary and repeat in
patterns consistent with words.
877
00:36:51,542 --> 00:36:55,333
It looks very much like
letters and sentences.
878
00:36:55,333 --> 00:36:56,583
But the letters themselves
879
00:36:56,583 --> 00:36:58,333
are not from any
language on Earth.
880
00:36:58,333 --> 00:36:59,625
[pensive music]
881
00:36:59,625 --> 00:37:01,375
- Whoever wrote the manuscript
882
00:37:01,375 --> 00:37:04,708
appears to be using some kind
of substitution code or cipher
883
00:37:04,708 --> 00:37:08,000
that no historian,
linguist or cryptographer
884
00:37:08,000 --> 00:37:09,875
has ever seen before.
885
00:37:09,875 --> 00:37:11,792
- Dozens try to crack it,
886
00:37:11,792 --> 00:37:13,250
even Alan Turing,
887
00:37:13,250 --> 00:37:16,292
who famously helped break
the Nazi Enigma code.
888
00:37:16,292 --> 00:37:18,583
No one can figure out
what these words say.
889
00:37:18,583 --> 00:37:22,167
No one can confirm if
it's Bacon's work either.
890
00:37:22,167 --> 00:37:24,792
- [Dennis] Eventually,
the mysterious book
891
00:37:24,792 --> 00:37:28,875
becomes known as the
Voynich Manuscript.
892
00:37:28,875 --> 00:37:30,125
- Some consider whether Voynich
893
00:37:30,125 --> 00:37:32,708
created a volume
of pure gibberish
894
00:37:32,708 --> 00:37:36,625
as a hoax or as a fake
to score a big payday.
895
00:37:37,667 --> 00:37:40,625
- He's even looked into by the
US Bureau of Investigation,
896
00:37:40,625 --> 00:37:43,875
which is the precursor
to today's FBI.
897
00:37:43,875 --> 00:37:45,542
They're worried that
if he has this book
898
00:37:45,542 --> 00:37:48,125
that is full of these
weird secret codes,
899
00:37:48,125 --> 00:37:50,208
that he might be a spy.
900
00:37:50,208 --> 00:37:52,375
- Ultimately, the FBI
determines Voynich
901
00:37:52,375 --> 00:37:54,333
isn't involved in espionage,
902
00:37:54,333 --> 00:37:57,292
but he never manages
to sell the book.
903
00:37:57,292 --> 00:37:58,958
After his death,
904
00:37:58,958 --> 00:38:02,542
it winds up in the collections
of Yale University in 1969.
905
00:38:02,542 --> 00:38:05,875
- [Dennis] Once the Voynich
Manuscript lands at Yale,
906
00:38:05,875 --> 00:38:08,208
it becomes a sensation.
907
00:38:08,208 --> 00:38:11,333
The biggest breakthrough
in understanding it
908
00:38:11,333 --> 00:38:14,208
occurs in 2009.
909
00:38:14,208 --> 00:38:16,292
- Yale lets the
University of Arizona
910
00:38:16,292 --> 00:38:18,375
perform radiocarbon dating.
911
00:38:18,375 --> 00:38:23,792
They find the book dates
to between 1404 and 1438.
912
00:38:24,542 --> 00:38:27,458
- This finally rules
out a hoax by Voynich.
913
00:38:27,458 --> 00:38:30,750
This is a genuine
600-year-old book.
914
00:38:30,750 --> 00:38:34,833
But this also means it's
not Bacon's work either.
915
00:38:34,833 --> 00:38:38,542
He died 100 years before
the book was made.
916
00:38:38,542 --> 00:38:42,500
- [Dennis] Yale has recently
scanned the entire manuscript
917
00:38:42,500 --> 00:38:44,458
and posted it online.
918
00:38:44,458 --> 00:38:46,625
- In March of 2024,
919
00:38:46,625 --> 00:38:48,333
Macquarie University researchers
920
00:38:48,333 --> 00:38:50,667
Keagan Brewer and Michelle Lewis
921
00:38:50,667 --> 00:38:53,250
announce they found a new clue
922
00:38:53,250 --> 00:38:54,708
by reviewing the scans.
923
00:38:54,708 --> 00:38:55,917
- They may have figured out
924
00:38:55,917 --> 00:38:57,833
where the book was written.
925
00:38:57,833 --> 00:39:00,375
In the book, there
is an actual drawing
926
00:39:00,375 --> 00:39:02,625
of a castle silhouette
927
00:39:02,625 --> 00:39:04,542
that has within it an
architectural feature
928
00:39:04,542 --> 00:39:06,875
they see called the
Swallowtail Merlon,
929
00:39:06,875 --> 00:39:09,500
and that detail is
found throughout castles
930
00:39:09,500 --> 00:39:11,500
in Southern Germany
and Northern Italy.
931
00:39:11,500 --> 00:39:13,708
[pensive music]
932
00:39:13,708 --> 00:39:17,125
- They note the Voynich
Manuscript's sketches
933
00:39:17,125 --> 00:39:18,458
of human anatomy,
934
00:39:18,458 --> 00:39:20,208
especially women,
935
00:39:20,208 --> 00:39:21,833
and they compare those
936
00:39:21,833 --> 00:39:24,625
with other books from Southern
Germany and Northern Italy
937
00:39:24,625 --> 00:39:25,917
around the same time,
938
00:39:25,917 --> 00:39:28,083
and there are quite a
lot of similarities.
939
00:39:29,667 --> 00:39:32,542
- One author who was writing
around the same place and time
940
00:39:32,542 --> 00:39:35,625
is the 15th-century
physician, Johannes Hartlieb.
941
00:39:35,625 --> 00:39:37,958
He was concerned
what women might do
942
00:39:37,958 --> 00:39:40,833
if they were to get
control over their bodies.
943
00:39:40,833 --> 00:39:42,292
And so he advocated
944
00:39:42,292 --> 00:39:45,500
that any medical text about
the bodily functions of women
945
00:39:45,500 --> 00:39:47,625
should be written in code.
946
00:39:48,458 --> 00:39:50,042
- Because of all this evidence,
947
00:39:50,042 --> 00:39:51,750
Brewer and Lewis conclude
948
00:39:51,750 --> 00:39:54,417
the manuscript is a
15th-century medical guide
949
00:39:54,417 --> 00:39:56,667
to the female
reproductive system.
950
00:39:56,667 --> 00:39:58,250
It's part of a tradition among
951
00:39:58,250 --> 00:40:00,083
Christian male doctors
of the era
952
00:40:00,083 --> 00:40:03,292
who believed women's
secrets should be encoded,
953
00:40:03,292 --> 00:40:05,542
alongside other taboo subjects,
954
00:40:05,542 --> 00:40:08,417
such as alchemy, or
magic, or demons.
955
00:40:08,417 --> 00:40:10,375
- [Dennis] It's a
compelling idea,
956
00:40:10,375 --> 00:40:13,458
but there won't be
any conclusive answers
957
00:40:13,458 --> 00:40:16,708
until we can finally
decipher the text.
958
00:40:16,708 --> 00:40:19,042
- Maybe, as Emperor
Rudolph hoped,
959
00:40:19,042 --> 00:40:22,417
the manuscript does
contain holy secrets.
960
00:40:22,417 --> 00:40:23,833
What we can say for certain
961
00:40:23,833 --> 00:40:26,292
is that the more the Voynich
Manuscript is studied,
962
00:40:26,292 --> 00:40:29,333
the more mysteries
it seems to raise.
963
00:40:29,333 --> 00:40:33,125
[dramatic music]
964
00:40:33,125 --> 00:40:35,417
- Some were created to warn us,
965
00:40:35,417 --> 00:40:38,042
others to guide us,
966
00:40:38,042 --> 00:40:39,708
but whatever their purpose,
967
00:40:39,708 --> 00:40:42,958
the hidden messages
embedded in everything
968
00:40:42,958 --> 00:40:45,708
from sacred books
to great paintings
969
00:40:45,708 --> 00:40:50,417
will, with luck,
be decoded one day.
970
00:40:50,417 --> 00:40:52,417
I'm Dennis Quaid,
971
00:40:52,417 --> 00:40:55,000
and thank you for
watching "Holy Marvels."
72135
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