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(SOFT STRINGS)
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"What is love?", you ask.
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My head spins, recallin' every song,
story, words,
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00:00:50,840 --> 00:00:53,280
and glorious things I ever heard.
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Every cliche rings in my ears
like a bell announcin'
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the birth of a new day,
or the death of yesterday.
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Depends on how you hear it.
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I haven't a clue.
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So I ask love:
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"What are you?"
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Love replies:
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"Can't you feel me? I'm here.
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I'm the one holdin' your hand
remindin' you not to forget me.
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I'm the warm feelin' in
your belly when you don't know why.
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00:01:34,480 --> 00:01:37,440
I'm the ache to the core when one
someone sways
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00:01:37,480 --> 00:01:39,080
to the other side of a vibe
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00:01:39,120 --> 00:01:41,960
I'm the tingle of your skin
when it's touched by the tip of
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a thrill you can rely on
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The knowing,
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when your eyes meet eyes that
recognise yours and hold you,
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loose enough to move freely but...
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tight enough to never let you fall
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I'm the breath you take in and let
all the way out to the end
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00:02:02,440 --> 00:02:05,840
when you're held.
And your shoulders drop into arms,
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00:02:05,880 --> 00:02:08,880
you flop that feel
like a blanket of truth
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And wrap you and sooth you to
the moon you thought was in the sky.
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I'm the backbone that holds it
all together,
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The vertebrae stacked on top of each
other when it's all gone pear shaped
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00:02:21,480 --> 00:02:24,440
and wrong. I'm the bitin' on your
lip, keepin' it zipped,
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00:02:24,480 --> 00:02:27,400
swallowin' words that could
wound and rip apart.
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00:02:27,440 --> 00:02:29,960
I'm choosin' kindness
over bein' right.
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00:02:30,000 --> 00:02:33,040
I'm the fight in you
when you don't know how.
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The light in you when it's
gone right out
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I'm life when I'm near,
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hope without fear.
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00:02:42,640 --> 00:02:45,880
I'm nothin' fancy in a world
drippin' in gold,
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00:02:45,920 --> 00:02:49,640
but a beautiful jewel never bought,
never sold
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And when you open your heart and let
me in alone
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You'll know who I am, (WHISPERS)
because I feel like home."
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(HARP MUSIC)
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# Good people all
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# this Christmas-time
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00:03:23,520 --> 00:03:27,320
# consider well
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00:03:27,360 --> 00:03:30,280
# and bear in mind
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00:03:30,320 --> 00:03:33,960
# what our good God
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# for us has done
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00:03:37,400 --> 00:03:40,720
# in sending his
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00:03:40,760 --> 00:03:44,240
# beloved Son
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00:03:44,280 --> 00:03:49,600
# With Mary holy we should pray
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# to God with love
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# this Christmas day
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00:03:57,760 --> 00:04:03,760
# In Bethlehem upon that morn
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00:04:03,800 --> 00:04:09,720
# there was a blessed Messiah born
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00:04:24,240 --> 00:04:29,800
# Near Bethlehem did shepherds keep
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# their flocks of lambs
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# and feeding sheep
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# to whom God's angels did appear
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# which put the shepherds
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# in great fear
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# Prepare and go
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# the angles said
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# to Bethlehem
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# Be not afraid
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# For there you'll find
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# this happy morn
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# a princely babe,
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# sweet Jesus born
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# With thankful heart
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# and joyful mind
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# the shepherds went the babe
to find
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# And as God's angel had foretold
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# they did our saviour
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# Christ behold
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# Within a manger
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# he was laid
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# and by his side
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# the virgin maid
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# attending on
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# the Lord of life
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# who came on earth to
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# end all strife yeah
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# Good people all
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# this Christmas-time
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# consider well
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00:06:49,000 --> 00:06:52,080
# and bear in mind
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# what our good God
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# for us has done
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00:06:58,600 --> 00:07:02,280
# in sending his
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00:07:02,320 --> 00:07:05,800
# beloved Son
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00:07:05,840 --> 00:07:09,640
# With Mary holy
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00:07:09,680 --> 00:07:12,520
# we should pray
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00:07:12,560 --> 00:07:15,520
# to God with love
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# this Christmas day
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00:07:19,040 --> 00:07:22,240
# In Bethlehem
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# upon that morn
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# there was a blessed
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# Messiah born #
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(APPLAUSE)
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That was The Wexford Carols,
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a traditional and old Irish song.
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Sang beautifully by the elegant,
eloquent Loah.
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And I know there'd be nobody more
perfect than Loah to open
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this gorgeous show tonight.
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00:08:27,080 --> 00:08:31,400
We are gathered here together in
Dublin in Saint Steven's Church,
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We called it the Pepper Cannister,
to celebrate our love of music,
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00:08:36,040 --> 00:08:40,360
our poetry, our storytelling,
our spoken word.
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And celebrate everything,
not just a Christian Christmas
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but an inclusive Christmas.
We have celebrated this time for
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00:08:47,800 --> 00:08:50,600
thousands of years.
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00:08:50,640 --> 00:08:54,320
And I want to encapture the true
spirit of this time
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in all its simplicity,
in all its glory.
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It's really a time of community,
of caring and sharing
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00:09:01,440 --> 00:09:04,480
and looking after those of
the community that need it most.
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00:09:04,520 --> 00:09:08,360
One thing that Grafton Street in
Dublin is synonymous with
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is the Christmas Eve busk,
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where some of our greatest musicians
join together
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to raise spirits, raise awareness
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00:09:16,920 --> 00:09:19,960
and raise much needed funds for
the Simon Community.
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00:09:20,000 --> 00:09:23,840
Now, the main man responsible for
the Christmas Eve busk
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is my gorgeous friend. He's the most
amazing songwriter,
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singer, actor, new daddy
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and has the most glorious spirit of
almost anyone I've ever known.
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He's true heart, he's gonna reach
into your chest and
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00:09:40,080 --> 00:09:42,240
pull your heart out any minute.
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And he's going to be joined here
with- Glen, I'd like you to
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00:09:45,160 --> 00:09:48,480
introduce the song and who's singing
it with you.
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Thanks Imelda. Well, I'm gonna sing
a song of mine called High Hope.
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00:09:52,920 --> 00:09:58,200
And I remember seeing Paddy Finnigan
here next to me
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00:09:58,240 --> 00:10:01,600
I remember seeing him busking
a song of mine,
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00:10:01,640 --> 00:10:04,360
Falling Slowly on Grafton Street,
about two years ago.
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00:10:05,840 --> 00:10:08,560
I was going through a really rough
part of my life when I was busking
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00:10:08,600 --> 00:10:11,440
around the side of
Steven's grand shopping centre.
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00:10:12,440 --> 00:10:15,000
I was singing Falling Slowly,
and a woman was recordin' me
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00:10:15,040 --> 00:10:19,440
And during the whole thing she came
up and threw money into my case.
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00:10:19,480 --> 00:10:21,280
I was knocked out by his version
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00:10:21,320 --> 00:10:23,520
because it was just so much better
than my own.
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00:10:23,560 --> 00:10:26,480
And I was like, wow, you know when
you see a busker
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00:10:26,520 --> 00:10:28,880
and you're just like,
that is amazing
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00:10:28,920 --> 00:10:31,200
and we went up and spoke for
a second
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00:10:31,240 --> 00:10:33,360
and amazing, I hadn't seen him
since. I spotted him in
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00:10:33,400 --> 00:10:36,400
the audience and so, I asked him
does he know this song,
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00:10:36,440 --> 00:10:40,440
and he said he sung it today.
The serendipity is here so...
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00:10:40,480 --> 00:10:42,880
We'll try singing it together.
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00:10:42,920 --> 00:10:46,120
To be quite frank, drink and drugs
kinda took over my life.
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00:10:46,160 --> 00:10:48,480
I've been playing music in pubs
and different settings
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00:10:48,520 --> 00:10:51,480
on Grafton Street, Hender Street
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00:10:51,520 --> 00:10:53,920
as long as I can remember since when
I was 16, 17. Kind of got lost
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00:10:53,960 --> 00:10:57,000
in the madness of it a little bit,
you know, lost my way.
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00:10:57,040 --> 00:10:59,680
On the 28th December last year
I decided to go get help.
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00:10:59,720 --> 00:11:03,160
A fellow reached out to me and he
got me in with the Simon Community
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00:11:03,200 --> 00:11:05,440
and they've been a massive help
in my life.
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00:11:05,480 --> 00:11:07,800
It's given me a chance to kind of,
express who I really am
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00:11:07,840 --> 00:11:11,480
without the medium of music. So I'm
not hiding behind any ego and stuff
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00:11:11,520 --> 00:11:13,760
that I would've been doing
in the past.
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00:11:28,400 --> 00:11:32,400
# I'm workin' on the high hope
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00:11:33,520 --> 00:11:38,440
# and if it all works out
# you might just see me
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00:11:38,480 --> 00:11:41,120
# or hear from me in a while
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00:11:45,840 --> 00:11:48,280
# I'm gonna make it across
# this tight rope
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00:11:51,080 --> 00:11:53,560
# and I'm comin' for my prize
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00:11:53,600 --> 00:11:58,520
# No more I'll be waitin' 'round
# while life passes me by
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00:12:01,320 --> 00:12:06,840
# Maybe when we're both old and wise
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00:12:06,880 --> 00:12:10,840
# maybe when our hearts have had
some time
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00:12:10,880 --> 00:12:14,040
# I'm gonna see you there
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00:12:15,480 --> 00:12:21,480
# I'm gonna see you there, lay
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00:12:25,160 --> 00:12:31,000
# Where we can be natural, lay
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00:12:38,840 --> 00:12:41,400
# 'Cause I've been livin'
# in the half life
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00:12:43,400 --> 00:12:48,760
# Not sure which way to turn
# Why must a man lose everything
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00:12:48,800 --> 00:12:51,480
# to find out what he wants
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00:12:56,280 --> 00:13:00,320
# I'm gonna wait until
it feels right
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00:13:01,360 --> 00:13:06,120
# and when that time has come
# wild horses won't keep me back
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00:13:06,160 --> 00:13:09,360
# from where you have gone
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00:13:11,320 --> 00:13:16,080
# Maybe when we're both old and wise
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00:13:16,120 --> 00:13:20,920
# maybe when we both have
had some time
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00:13:20,960 --> 00:13:25,080
# I'm gonna see you there
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00:13:25,120 --> 00:13:30,560
BOTH: # I'm gonna see you there, lay
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00:13:35,440 --> 00:13:40,080
# Where we can be natural, lay
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00:13:43,320 --> 00:13:48,920
# After all we've seen
# we can do anything, lay
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00:14:06,440 --> 00:14:08,680
# I wanna see you there #
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00:14:10,560 --> 00:14:13,040
'I've been busking around the street
for 12 years so I've played
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00:14:13,080 --> 00:14:15,880
that song about 100 times,
but I've never played it like that
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00:14:15,920 --> 00:14:18,360
with my hair up, you know?'
(APPLAUSE)
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00:14:23,440 --> 00:14:25,480
Paddy Finnigan everybody.
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00:14:25,520 --> 00:14:29,040
I'm a believer. Might not have luck,
but I'm a believer.
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00:14:29,080 --> 00:14:32,000
It's very beautiful for me and it's
something I needed coming up to
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00:14:32,040 --> 00:14:34,440
Christmas too cos it's gonna be hard
one this year
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00:14:34,480 --> 00:14:36,640
for a lot of people
out there.
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00:14:45,520 --> 00:14:48,920
Welcome back to the Pepper Cannister
here in Dublin
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00:14:50,320 --> 00:14:54,040
I'm so honoured to have John Shane
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00:14:54,080 --> 00:14:57,280
with us tonight. And you will know
from the Dubliners,
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00:14:57,320 --> 00:15:01,680
we love the Dubliners, and we know
he's an amazing musician,
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00:15:01,720 --> 00:15:05,360
and amazing composer, and he's
a fine Lordsmith.
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00:15:05,400 --> 00:15:10,240
He's going to perform his poem,
Winter. But firstly,
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00:15:10,280 --> 00:15:13,920
he's going to play the Marina Waltz.
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00:15:13,960 --> 00:15:17,400
It's a modern day classic here
and we all know it well.
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00:15:17,440 --> 00:15:20,560
And he's joined on fiddle by Ceol,
his daughter,
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00:15:20,600 --> 00:15:23,000
By Queeva and Seamus
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00:15:23,040 --> 00:15:25,520
And Coleman on the harp.
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00:15:25,560 --> 00:15:27,720
You're gonna enjoy this.
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00:18:08,760 --> 00:18:11,000
(APPLAUSE)
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00:18:28,920 --> 00:18:32,000
Winter coming in across
the fields,
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00:18:33,800 --> 00:18:37,080
long shadows creeping
stubbled ground.
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00:18:38,840 --> 00:18:42,440
Harvest home, barns bulging full,
205
00:18:43,760 --> 00:18:47,760
In dormant mood,
the year is turning round.
206
00:18:47,800 --> 00:18:51,520
Livestock from the cold
are gathering in;
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00:18:51,560 --> 00:18:53,960
horse unharnessed;
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00:18:54,000 --> 00:18:56,680
stable-bound for rest;
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00:18:58,600 --> 00:19:02,000
Chewing the cud in vacant mood,
the cows;
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00:19:02,040 --> 00:19:06,840
In straw-strewn byre,
the warmth of bovine breath.
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00:19:08,840 --> 00:19:11,840
Winter's landscape artist
in the wind;
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00:19:14,240 --> 00:19:17,280
Busy wrapping white the idle yard.
213
00:19:18,960 --> 00:19:22,680
Perched upon a bough,
a twitch of red;
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00:19:22,720 --> 00:19:25,520
A robin posing for a Christmas card.
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00:19:28,000 --> 00:19:30,720
Evening closing in,
the lamp is lit;
216
00:19:31,600 --> 00:19:35,480
Children to the fire
are drawing near;
217
00:19:35,520 --> 00:19:39,640
Leaning to the talk of
stock and seed;
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00:19:40,960 --> 00:19:43,000
Learning how to save another year.
219
00:19:55,560 --> 00:19:57,360
At this time,
220
00:19:58,320 --> 00:20:02,120
we long for those who are no longer
with us more than ever.
221
00:20:03,440 --> 00:20:06,280
So I would like to pay tribute
to all of those
222
00:20:07,560 --> 00:20:11,320
especially the older generations,
who seem to bring
223
00:20:11,360 --> 00:20:14,320
the gorgeous Hollywood glamour
to Christmas.
224
00:20:14,360 --> 00:20:19,320
And sing the songs from Nat King
Cole and Bing Crosby and...
225
00:20:20,440 --> 00:20:23,880
Frank Sinatra,
to all of our Christmases.
226
00:20:23,920 --> 00:20:26,680
Did you have that? We all had that.
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00:20:26,720 --> 00:20:29,760
My first song's actually a Judy
Garlen song,
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00:20:29,800 --> 00:20:31,880
taught to me by my mother.
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00:20:31,920 --> 00:20:37,120
By our late mammy. And I want to
sing this for her,
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00:20:37,160 --> 00:20:40,880
and for all of those
that we miss tonight.
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00:20:56,120 --> 00:20:59,440
# Have yourself
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00:20:59,480 --> 00:21:03,560
# a merry little Christmas
233
00:21:06,120 --> 00:21:10,840
# Let your heart be light
234
00:21:13,560 --> 00:21:17,400
# Next year all our troubles
235
00:21:17,440 --> 00:21:21,360
# will be out of sight
236
00:21:28,200 --> 00:21:31,000
# Have yourself
237
00:21:31,040 --> 00:21:34,480
# a merry little Christmas
238
00:21:36,560 --> 00:21:40,520
# Make the Yule-tide gay
239
00:21:43,680 --> 00:21:47,480
# Next year all our troubles
240
00:21:47,520 --> 00:21:51,880
# will be miles away
241
00:21:58,400 --> 00:22:03,560
# Once again as in olden days
242
00:22:04,840 --> 00:22:10,200
# Happy golden days of yore
243
00:22:13,320 --> 00:22:18,760
# Faithful friends
# who were near to us
244
00:22:20,400 --> 00:22:26,200
# will be dear to us once more
245
00:22:29,920 --> 00:22:34,960
# Some day soon
# we all will be together
246
00:22:37,400 --> 00:22:41,680
# If the fates allow
247
00:22:43,920 --> 00:22:49,640
# Until then
# we'll have to muddle through
248
00:22:51,480 --> 00:22:54,360
# somehow
249
00:22:57,120 --> 00:23:01,400
# So have yourselves
250
00:23:01,440 --> 00:23:06,200
# a merry little Christmas
251
00:23:06,240 --> 00:23:09,200
# now
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00:23:44,840 --> 00:23:49,680
# Ooh once again
253
00:23:49,720 --> 00:23:53,560
# as in olden days
254
00:23:53,600 --> 00:23:59,000
# Happy golden days of yore
255
00:24:03,040 --> 00:24:08,640
# Faithfull friends
# who were near to us
256
00:24:08,680 --> 00:24:12,920
# Oh they'll be dear to us
257
00:24:12,960 --> 00:24:16,440
# once more
258
00:24:18,760 --> 00:24:22,240
# Someday soon
259
00:24:22,280 --> 00:24:27,040
# we all will be together
260
00:24:29,040 --> 00:24:32,160
# If the fates allow
261
00:24:36,920 --> 00:24:42,760
# Until then
# we'll have to muddle through
262
00:24:42,800 --> 00:24:47,760
# Somehow
263
00:24:51,440 --> 00:24:55,520
# So have yourselves
264
00:24:55,560 --> 00:25:00,640
# a merry little Christmas
265
00:25:02,000 --> 00:25:07,960
now #
266
00:25:11,880 --> 00:25:14,040
(APPLAUSE)
267
00:25:27,080 --> 00:25:30,000
I have another very special friend.
268
00:25:30,040 --> 00:25:34,360
Up on stage, raring to go.
Ready to sing a song.
269
00:25:34,400 --> 00:25:38,520
I called him to join us for this
show and I said, "Jack, please!
270
00:25:38,560 --> 00:25:41,960
And would you have a special song".
Lo and behold,
271
00:25:42,000 --> 00:25:44,120
he has a single and a new album out.
272
00:25:44,160 --> 00:25:48,800
Nice timing Jack! Single is called
winterling
273
00:25:48,840 --> 00:25:53,120
and with the depth of his soul
and the depth of his voice,
274
00:25:53,160 --> 00:25:55,840
let's hear it for Jack Lukeman.
(APPLAUSE)
275
00:26:15,840 --> 00:26:19,120
# Cold old summer
276
00:26:24,000 --> 00:26:28,320
# swallowed spring
277
00:26:32,520 --> 00:26:37,200
# we wrap up in autumn
278
00:26:40,960 --> 00:26:44,440
# till you're my winterling
279
00:26:49,360 --> 00:26:52,840
# Winter bells they
280
00:26:52,880 --> 00:26:56,280
# ring
281
00:27:04,400 --> 00:27:08,960
# and all the snow fell
282
00:27:13,080 --> 00:27:16,760
# We walk from the cave
283
00:27:21,240 --> 00:27:25,080
# and follow the white prints
284
00:27:29,800 --> 00:27:33,920
# Red robin on your grave
285
00:27:38,360 --> 00:27:42,240
# Winter bells they
286
00:27:42,280 --> 00:27:45,560
# ring
287
00:27:49,240 --> 00:27:53,640
# You're my winterling
# you're my winterling
288
00:27:53,680 --> 00:27:57,040
# you're my winterling
289
00:28:19,320 --> 00:28:22,400
# A call from the neighbours
290
00:28:27,000 --> 00:28:30,440
# fresh ivy on the door
291
00:28:35,200 --> 00:28:39,040
# sparkles on the table
292
00:28:44,240 --> 00:28:48,040
# your ghost follows where we go
293
00:28:51,960 --> 00:28:56,080
# Winter bells they
294
00:28:56,120 --> 00:28:59,600
# ring
295
00:29:03,080 --> 00:29:07,520
# You're my winterling
# you're my winterling
296
00:29:07,560 --> 00:29:11,480
# you're my winterling
297
00:29:11,520 --> 00:29:15,760
# you're my winterling
# you're my winterling
298
00:29:15,800 --> 00:29:20,040
# you're my winterling
299
00:29:20,080 --> 00:29:24,200
# you're my winterling
# you're my winterling
300
00:29:24,240 --> 00:29:28,120
# you're my winterling
301
00:29:40,800 --> 00:29:45,680
# you're my winterling #
302
00:29:51,600 --> 00:29:54,160
(APPLAUSE)
303
00:30:10,720 --> 00:30:15,120
One side of the potato-pits
was white with frost.
304
00:30:16,800 --> 00:30:21,120
How wonderful that was,
how wonderful!
305
00:30:21,160 --> 00:30:24,560
And when we put our ears to
the paling-post,
306
00:30:24,600 --> 00:30:28,120
The music that came out was magical.
307
00:30:28,160 --> 00:30:31,840
The light between the ricks of hay
and straw
308
00:30:31,880 --> 00:30:34,840
was a hole in Heaven's
309
00:30:34,880 --> 00:30:40,440
An apple tree with its
December-glinting fruit we saw.
310
00:30:40,480 --> 00:30:43,120
O you, Eve,
311
00:30:43,160 --> 00:30:46,320
were the world that tempted me
312
00:30:46,360 --> 00:30:49,120
to eat the knowledge
that grew in clay
313
00:30:49,160 --> 00:30:52,760
and death the germ within it!
314
00:30:54,120 --> 00:30:57,520
Now and then I can remember
something
315
00:30:57,560 --> 00:31:00,520
of the gay Garden
that was childhood’s.
316
00:31:00,560 --> 00:31:04,640
Again. The tracks of cattle to
a drinking-place,
317
00:31:04,680 --> 00:31:10,240
a green stone lying
sideways in a ditch,
318
00:31:10,280 --> 00:31:14,120
or any common sight,
the transfigured face
319
00:31:14,160 --> 00:31:17,480
of a beauty that the world
did not touch.
320
00:31:22,440 --> 00:31:25,080
My father played the melodion
321
00:31:25,120 --> 00:31:27,640
outside at our gate;
322
00:31:27,680 --> 00:31:30,520
there were stars in the morning east
323
00:31:30,560 --> 00:31:32,800
and they danced to his music.
324
00:31:34,120 --> 00:31:38,000
Across the wild bogs
his melodion called
325
00:31:38,040 --> 00:31:39,880
to Lennons and Callans.
326
00:31:39,920 --> 00:31:42,960
As I pulled on my trousers
in a hurry
327
00:31:43,000 --> 00:31:47,000
I knew some
strange thing had happened.
328
00:31:47,040 --> 00:31:52,200
Outside in the cow-house my mother
made the music of milking;
329
00:31:52,240 --> 00:31:55,840
the light of her stable-lamp
was a star
330
00:31:55,880 --> 00:31:59,680
and the frost of Bethlehem made it
twinkle.
331
00:32:06,360 --> 00:32:09,000
Where stones throw from
Grafton Street
332
00:32:09,040 --> 00:32:11,640
Reglam road, The Canal Bank Walk
333
00:32:11,680 --> 00:32:14,040
that Patrick Kavanagh wrote
so beautifully about.
334
00:32:15,680 --> 00:32:19,240
But his childhood hometown was never
far from his heart.
335
00:32:19,280 --> 00:32:23,360
Thank you very much to Sharon Core,
for beautifully reciting
336
00:32:23,400 --> 00:32:26,000
his Christmas poem,
A Childhood Christmas.
337
00:32:27,000 --> 00:32:32,000
I'd like to sing this song to you
about digging deep.
338
00:32:32,040 --> 00:32:35,880
During hard times sometimes you
reach to the skies
339
00:32:35,920 --> 00:32:38,640
but everything is at our feet.
340
00:32:51,440 --> 00:32:56,120
# I'll listen to what you say
341
00:32:56,160 --> 00:33:01,040
# I won't just throw love away
342
00:33:01,080 --> 00:33:05,600
# If you talk from the truth
343
00:33:05,640 --> 00:33:10,840
# I'll hear the gold in you
344
00:33:13,280 --> 00:33:17,920
# Walking on sand's for fools
345
00:33:17,960 --> 00:33:23,320
# cos when the wind blows it moves
346
00:33:23,360 --> 00:33:27,880
# So darling let's dig deep
347
00:33:27,920 --> 00:33:32,600
# there's diamonds beneath our feet
348
00:33:35,080 --> 00:33:39,920
# Don't catch the moon for me
349
00:33:39,960 --> 00:33:44,440
# Don't tame the raging sea
350
00:33:44,480 --> 00:33:48,600
# Don't need to wish on stars
351
00:33:49,600 --> 00:33:54,840
# We don't have to reach that far
352
00:33:54,880 --> 00:33:59,400
# Everything's right where we are
353
00:33:59,440 --> 00:34:01,240
# but sometimes it hurts
354
00:34:02,080 --> 00:34:04,200
# to know what it's worth
355
00:34:04,240 --> 00:34:07,800
# So we gotta dig deep
356
00:34:07,840 --> 00:34:13,000
# to the diamonds beneath our feet
357
00:34:16,760 --> 00:34:21,800
# The world is for us to take
358
00:34:21,840 --> 00:34:26,520
# If every mistake we make
359
00:34:26,560 --> 00:34:31,560
# binds us together strong
360
00:34:31,600 --> 00:34:37,560
# turns into right our wrongs
361
00:34:40,840 --> 00:34:44,480
# So say what you wanna say
362
00:34:46,200 --> 00:34:49,920
# say it out loud
363
00:34:50,840 --> 00:34:54,000
# Quietly we both know
364
00:34:54,040 --> 00:34:59,440
# that a rose is a rose, is a rose
365
00:35:01,520 --> 00:35:06,640
# Don't catch the moon for me
366
00:35:06,680 --> 00:35:10,600
# Don't tame the raging sea
367
00:35:10,640 --> 00:35:14,920
# Don't need to wish on stars
368
00:35:15,960 --> 00:35:19,520
# We don't have to reach that far
369
00:35:21,160 --> 00:35:25,560
# Everything's right where we are
370
00:35:25,600 --> 00:35:28,280
# But sometimes it hurts
371
00:35:28,320 --> 00:35:30,760
# to know what it's worth
372
00:35:30,800 --> 00:35:34,000
# So we gotta dig deep
373
00:35:34,040 --> 00:35:39,160
# to the diamonds beneath our feet
374
00:35:45,080 --> 00:35:48,440
# Ooh
375
00:35:51,080 --> 00:35:53,040
# Oh oh
376
00:35:56,160 --> 00:35:59,320
# Oh
377
00:35:59,360 --> 00:36:03,560
# Don't catch the moon for me
378
00:36:04,600 --> 00:36:09,160
# Don't tame the raging sea
379
00:36:09,200 --> 00:36:14,480
# Don't need to wish on stars
380
00:36:14,520 --> 00:36:19,240
# We don't have to reach that far
381
00:36:19,280 --> 00:36:23,400
# Everything's right where we are
382
00:36:24,440 --> 00:36:26,240
# But sometimes it hurts
383
00:36:27,040 --> 00:36:29,360
# to know what it's worth
384
00:36:29,400 --> 00:36:33,600
# So we gotta dig deep
385
00:36:33,640 --> 00:36:38,560
# to the diamonds beneath our feet #
386
00:36:53,840 --> 00:36:56,640
(APPLAUSE)
387
00:37:09,120 --> 00:37:13,240
Ladies and gentlemen, I would like
to introduce you all to my dad,
388
00:37:13,280 --> 00:37:15,280
Tony Clabby.
389
00:37:22,640 --> 00:37:27,440
And he's going to recite for us his
gorgeous poem,
390
00:37:27,480 --> 00:37:32,720
Awakening. Instead of bedtime
stories, dad read us
391
00:37:32,760 --> 00:37:37,160
beautiful literature and poetry.
He's a great poet so this is
392
00:37:37,200 --> 00:37:39,840
one of his own. (APPLAUSE)
393
00:37:41,840 --> 00:37:44,920
The Awakening
394
00:37:44,960 --> 00:37:47,000
Racing, rushing,
395
00:37:47,040 --> 00:37:48,840
running, pushing.
396
00:37:48,880 --> 00:37:50,880
Hurrying, scurrying,
397
00:37:50,920 --> 00:37:54,120
can’t stop worrying.
My eyes are fixed,
398
00:37:54,160 --> 00:37:58,680
my mind is set
Things out there I must get
399
00:37:58,720 --> 00:38:02,400
Pressures on,
the sweat is dripping
400
00:38:02,440 --> 00:38:06,080
Oh my God, where is the time
slipping?
401
00:38:06,120 --> 00:38:09,000
Bumped old lady pushing trolley
402
00:38:09,040 --> 00:38:12,360
Excuse me, very very sorry
403
00:38:12,400 --> 00:38:14,840
Must keep going, cant hang
about
404
00:38:14,880 --> 00:38:17,880
The things I want will be sold out
405
00:38:17,920 --> 00:38:21,200
Crowds converging, is there
room?
406
00:38:21,240 --> 00:38:25,160
My head is spinning,
my heart goes boom
407
00:38:25,200 --> 00:38:28,720
Have not enough, I want lots more
408
00:38:28,760 --> 00:38:32,320
Cant have less than those next door
409
00:38:32,360 --> 00:38:35,520
Stepping swiftly past a gate
410
00:38:35,560 --> 00:38:39,240
Saw bulging bundle just too late
411
00:38:39,280 --> 00:38:42,920
Tripped and staggered then I fell
412
00:38:42,960 --> 00:38:45,640
From the bundle came a yell
413
00:38:45,680 --> 00:38:49,400
Up popped a scrawny face
414
00:38:49,440 --> 00:38:53,360
Disturbed and sad, so out of place
415
00:38:53,400 --> 00:38:57,240
So close to much So far from friend
416
00:38:57,280 --> 00:38:59,760
and no warm
touch.
417
00:38:59,800 --> 00:39:02,360
There down beside him on the ground
418
00:39:02,400 --> 00:39:04,960
I felt ashamed at what I
found
419
00:39:05,000 --> 00:39:08,280
For I had thought so much of me
420
00:39:08,320 --> 00:39:11,320
The likes of him I did not see
421
00:39:11,360 --> 00:39:14,720
I have so much I do not need
422
00:39:14,760 --> 00:39:18,680
It must be shared, forgive my greed.
423
00:39:19,920 --> 00:39:22,640
(APPLAUSE)
424
00:39:36,080 --> 00:39:39,240
That was amazing, dad.
He's brilliant, isn't he?
425
00:39:39,280 --> 00:39:41,920
I didn't lick it off the stones now,
did I?
426
00:39:41,960 --> 00:39:45,760
Um, this next band, they're from
427
00:39:45,800 --> 00:39:47,600
my hometown, my heart town.
428
00:39:48,520 --> 00:39:50,360
The Liberties, inner city Dublin.
429
00:39:51,560 --> 00:39:53,760
I discovered them only recently
430
00:39:53,800 --> 00:39:57,400
and I was adamant and joyful
that they said yes
431
00:39:57,440 --> 00:39:59,560
to being on this show tonight.
Remember,
432
00:39:59,600 --> 00:40:02,480
you've heard them here first.
Hawke The Band
433
00:40:02,520 --> 00:40:04,480
with their song called Miracles.
434
00:40:14,240 --> 00:40:17,840
# Does the future mean no happiness
435
00:40:17,880 --> 00:40:21,720
# When the uphill road to him
436
00:40:21,760 --> 00:40:24,960
# has come and gone
437
00:40:25,000 --> 00:40:28,440
# Does he know if it will happen yet
438
00:40:30,880 --> 00:40:36,480
# Is the work cut out for him
# still to come
439
00:40:36,520 --> 00:40:39,960
# Sometimes oh
440
00:40:40,000 --> 00:40:42,720
# sometimes its getting hard to know
441
00:40:48,280 --> 00:40:53,520
# I believe in miracles
# They're just so plain to see
442
00:40:53,560 --> 00:40:56,640
# and if you want forever too
443
00:40:56,680 --> 00:40:59,480
# just think of you and me oh
444
00:40:59,520 --> 00:41:02,240
# we're dancing in the streets
# so young
445
00:41:02,280 --> 00:41:05,960
# I've got no stress
# we're oh so free oh
446
00:41:11,320 --> 00:41:13,840
# Do just want the others
# want them to
447
00:41:13,880 --> 00:41:15,840
# walk that walk for me
448
00:41:15,880 --> 00:41:19,000
# You can hold the light there
# on your head
449
00:41:19,040 --> 00:41:21,520
# and at the light house
# you will see
450
00:41:21,560 --> 00:41:24,280
# that you can build a house
# from nothin
451
00:41:24,320 --> 00:41:29,560
# from nothin
# oh you see
452
00:41:29,600 --> 00:41:33,000
# Yeah you see
# You see
453
00:41:33,040 --> 00:41:35,360
# that sometimes
454
00:41:35,400 --> 00:41:39,320
# oh sometimes
# it's getting hard to know
455
00:41:44,760 --> 00:41:50,240
# I believe in miracles
# They're just so plain to see
456
00:41:50,280 --> 00:41:54,880
# and if you want forever too
# you should speak of you and me
457
00:41:54,920 --> 00:41:58,520
# oh dancin' in the streets so young
458
00:41:58,560 --> 00:42:02,680
# I've got no stress
# we're oh so free oh
459
00:42:06,440 --> 00:42:08,240
# hey hey
460
00:42:30,080 --> 00:42:35,240
# I believe in miracles
# They're just so plain to see
461
00:42:35,280 --> 00:42:40,280
# and if you want forever too
# you should speak of you and me
462
00:42:40,320 --> 00:42:43,640
# oh dancin' in the streets so young
463
00:42:43,680 --> 00:42:47,760
# I've got no stress
# we're oh so free oh
464
00:42:51,240 --> 00:42:54,960
# oh dancin' in the streets so young
465
00:42:56,800 --> 00:43:02,480
# we're so young #
466
00:43:08,040 --> 00:43:10,920
(APPLAUSE)
467
00:43:12,200 --> 00:43:14,280
You are in for some treat now.
468
00:43:15,320 --> 00:43:17,880
You've heard them play earlier on
and now,
469
00:43:17,920 --> 00:43:19,840
Queeva and Seamus
470
00:43:19,880 --> 00:43:24,400
are gonna sing for us
This Light In Bethlehem.
471
00:43:25,400 --> 00:43:28,560
In the traditional style of
the west of Ireland
472
00:43:28,600 --> 00:43:30,560
so just brace yourself.
473
00:43:30,600 --> 00:43:33,280
This is going to be gorgeous.
474
00:43:40,720 --> 00:43:45,960
(THEY SING IN TRADITIONAL IRISH
LANGUAGE)
475
00:46:53,080 --> 00:46:55,680
(APPLAUSE)
476
00:47:10,160 --> 00:47:13,520
Glen the spirit tonight,
477
00:47:13,560 --> 00:47:16,920
the busking, Christmas spirit,
478
00:47:16,960 --> 00:47:20,280
the spirit has risen. It's rising.
479
00:47:20,320 --> 00:47:24,840
But you and your support of this
busk and the Simon Community,
480
00:47:24,880 --> 00:47:30,480
I know you've spoken about it before
but just give us a sprinkling more.
481
00:47:32,080 --> 00:47:34,880
Well I used to volunteer at Simon
when I was 16.
482
00:47:34,920 --> 00:47:37,880
Uh, 15 actually. I lied about
my age.
483
00:47:37,920 --> 00:47:41,840
And I'd go into North Buckingham
street and work the late shift
484
00:47:41,880 --> 00:47:43,720
with my friend Jimmy.
485
00:47:43,760 --> 00:47:46,560
And I was always drawn.
486
00:47:48,200 --> 00:47:51,960
Again, it's probably because I'd
experienced a little bit
487
00:47:52,000 --> 00:47:56,920
in my own life. But I was always
drawn to the ones at the edge...
488
00:47:58,040 --> 00:48:02,440
of life. The ones who were kind
of... kind of free of the...
489
00:48:03,320 --> 00:48:05,280
you know, almost kind of free of
everything.
490
00:48:05,320 --> 00:48:08,040
And the downside of that is that you
have nowhere to go.
491
00:48:08,080 --> 00:48:10,600
If you stand still long enough on
any street in the world,
492
00:48:10,640 --> 00:48:15,920
in any major city, on any major
shopping street in any major city,
493
00:48:15,960 --> 00:48:19,040
everyone in that country will pass
you by at one point.
494
00:48:19,080 --> 00:48:22,640
And Grafton street kind of had that
thing, you stood there long enough
495
00:48:22,680 --> 00:48:25,400
and everyone went by. People who
were visiting Ireland,
496
00:48:25,440 --> 00:48:28,440
people who were living in Ireland.
The whole country came by.
497
00:48:28,480 --> 00:48:31,640
And at Christmas it's almost like
that's on steroids because
498
00:48:31,680 --> 00:48:33,800
everyone's rushing to get their last
bit of shopping in.
499
00:48:33,840 --> 00:48:37,080
And everyone's up on the big city
to buy their shopping.
500
00:48:37,120 --> 00:48:40,840
So you get to meet a lot of people.
I got to know the shop lifters,
501
00:48:40,880 --> 00:48:43,440
I got to know the pick pockets,
I got to know the ladies
502
00:48:43,480 --> 00:48:46,920
who worked the hotels, I got to know
the drug squad.
503
00:48:46,960 --> 00:48:51,560
And it was just because I was always
watching people passing.
504
00:48:51,600 --> 00:48:55,720
Your sense, your radar goes up. You
tune into things that
505
00:48:55,760 --> 00:48:58,120
you never thought you would. So, uh.
506
00:48:58,160 --> 00:49:00,760
# Hanging out with the street people
507
00:49:00,800 --> 00:49:02,960
they've got it down #
508
00:49:03,000 --> 00:49:08,280
It was that kind of thing, you were
part of the street-Community.
509
00:49:08,320 --> 00:49:11,360
And the flower sellers, they'd look
out for you and
510
00:49:11,400 --> 00:49:14,200
the Hari Krishnas and watch me
sweets there at the Hari Krishna
511
00:49:14,240 --> 00:49:17,400
and we'd mind their books. People
would bring their prams
512
00:49:17,440 --> 00:49:20,000
and we'd mind their kids while they
went into the shops.
513
00:49:20,040 --> 00:49:22,680
So we're standing there with our
guitars and some woman has left
514
00:49:22,720 --> 00:49:25,680
her two kids in a pram and we were
just minding them.
515
00:49:25,720 --> 00:49:28,640
(LAUGHS)
It was wonderful.
516
00:49:28,680 --> 00:49:31,040
Cos you're the solid. You're the
thing that's actually
517
00:49:31,080 --> 00:49:34,120
stuck on the street. You're the
thing that people can depend on
518
00:49:34,160 --> 00:49:39,200
for a moment.Magic.
Magical times, yeah.
519
00:49:39,240 --> 00:49:43,560
One of my favourite songs of yours
is Bird of Sorrow.
520
00:49:43,600 --> 00:49:46,440
Which I believe we're going to...
Yeah.
521
00:49:46,480 --> 00:49:48,680
Sing together, which I'm so thrilled
about.Ah, thank you.
522
00:49:48,720 --> 00:49:51,880
I hope I'll do it justice, it's one
of my favourite songs of all time.
523
00:49:51,920 --> 00:49:55,440
Thanks, Imelda.It seems fitting to
like-Let's give it a go.
524
00:49:55,480 --> 00:49:59,040
Brings a new meaning every time
I hear it.Yeah, yeah.
525
00:49:59,080 --> 00:50:01,760
Thanks for having us,
what a magic you make.
526
00:50:01,800 --> 00:50:05,240
Ah God, it's a magical night.
We're really lucky.
527
00:50:05,280 --> 00:50:08,120
(APPLAUSE)
528
00:50:11,960 --> 00:50:16,240
# Even if a day feels too long
529
00:50:19,120 --> 00:50:23,240
# if you feel like you can't wait
# another one
530
00:50:25,520 --> 00:50:28,320
# And you're slowly giving up
531
00:50:28,360 --> 00:50:31,200
# on everything
532
00:50:34,800 --> 00:50:38,160
# love is gonna find you again
533
00:50:42,280 --> 00:50:44,560
# Love is gonna find you
534
00:50:44,600 --> 00:50:46,160
# just be ready then
535
00:50:54,600 --> 00:50:56,960
# You've been kneeling in the dark
536
00:50:58,080 --> 00:51:00,920
# for far too long
537
00:51:03,160 --> 00:51:06,280
# You've been waiting
# for that spark
538
00:51:06,320 --> 00:51:09,440
# but it hasn't come.
539
00:51:09,480 --> 00:51:12,360
# Well I'm calling to you please,
540
00:51:12,400 --> 00:51:15,360
# get off the floor
541
00:51:19,480 --> 00:51:22,920
# Love is gonna find you
542
00:51:25,960 --> 00:51:27,760
# Love is gonna find you
543
00:51:29,000 --> 00:51:31,880
# just be ready then
544
00:51:33,600 --> 00:51:37,040
BOTH: # Tethered to a bird of sorrow
545
00:51:37,080 --> 00:51:40,560
# a voice that's buried
# in the hollow
546
00:51:40,600 --> 00:51:44,080
# You've given over
to self-deceiving
547
00:51:44,120 --> 00:51:47,720
# you're prostrate bowed
# but not believing
548
00:51:47,760 --> 00:51:51,400
# You've squandered more
# than you can borrow
549
00:51:51,440 --> 00:51:54,440
# You've bet your joys
# on all tomorrows
550
00:51:54,480 --> 00:51:58,120
# for the hope of some returning
551
00:51:58,160 --> 00:52:01,680
# While everything around you
# is burnin'
552
00:52:07,400 --> 00:52:09,080
# Come on, we gotta get out
553
00:52:09,080 --> 00:52:11,760
# get out of this mess we made
554
00:52:14,320 --> 00:52:17,000
# And still for all the talking
555
00:52:17,040 --> 00:52:18,840
# did we ever say it straght
556
00:52:21,840 --> 00:52:26,560
# Will we leave this up to chance
# like we do everything
557
00:52:31,440 --> 00:52:34,880
# Love is gonna find us again
558
00:52:39,320 --> 00:52:41,120
# Love is gonna find us
559
00:52:41,800 --> 00:52:45,000
# we better be ready then
560
00:52:46,240 --> 00:52:49,280
# Tethered to a bird of sorrow
561
00:52:49,320 --> 00:52:52,560
# a voice that's buried
# in the hollow
562
00:52:52,600 --> 00:52:56,200
# You've given over
# to self-deceiving
563
00:52:56,240 --> 00:53:00,360
# you're prostrate bowed
# but not believing
564
00:53:00,400 --> 00:53:03,680
# You've squandered more
# than you could borrow
565
00:53:03,720 --> 00:53:07,080
# And you bet your joys
# on all tomorrows
566
00:53:07,120 --> 00:53:10,560
# for the hope of some returning
567
00:53:10,600 --> 00:53:14,120
# While everything around you's
# burning
568
00:53:19,160 --> 00:53:22,640
# Well I'm not leaving you here
569
00:53:22,680 --> 00:53:26,400
# I'm not leaving you here
# I'm not leaving
570
00:53:26,440 --> 00:53:30,640
# I'm not leaving you here
571
00:53:32,880 --> 00:53:38,440
# I'm not leaving
572
00:53:39,880 --> 00:53:43,200
# I'm not leaving
573
00:53:45,440 --> 00:53:48,600
# Oh I'm not leaving
574
00:53:50,560 --> 00:53:54,080
# I'm not leaving you
575
00:53:54,120 --> 00:53:56,640
# I'm not leaving you
576
00:53:56,680 --> 00:53:59,320
# Hang on
# hang on
577
00:54:11,720 --> 00:54:14,960
# hang on, hang on
# hang on
578
00:54:16,920 --> 00:54:20,600
# hang on
# hang on, hang on
579
00:54:22,000 --> 00:54:25,000
# hang on
# hang on, hang on
580
00:54:25,040 --> 00:54:29,440
# hang on
# hang on, hang on
581
00:54:29,480 --> 00:54:32,680
# hang on
# hang on, hang on.
582
00:54:35,000 --> 00:54:37,560
# To what's gonna come
583
00:54:41,840 --> 00:54:44,480
# what's gonna come
584
00:54:44,520 --> 00:54:46,320
# Hang on
585
00:54:50,680 --> 00:54:56,600
# We know, love is gonna
# find us again
586
00:54:56,640 --> 00:55:00,440
# Hanging on, with the faithful
587
00:55:03,920 --> 00:55:06,400
# with the faithful
588
00:55:08,080 --> 00:55:13,280
# I'm not leaving you
# With the faithful
589
00:55:18,560 --> 00:55:21,400
# With the faithful
590
00:55:27,800 --> 00:55:30,720
(APPLAUSE)
591
00:55:37,880 --> 00:55:39,680
Thank you.
592
00:55:53,360 --> 00:55:55,440
I would like to say
593
00:55:56,600 --> 00:56:00,320
a huge thank you. I want to thank
594
00:56:00,360 --> 00:56:03,760
the people that are home that are
watching. And I hope
595
00:56:03,800 --> 00:56:06,360
that you get to feel the spirit
596
00:56:06,400 --> 00:56:08,560
that rose up on us tonight.
597
00:56:08,600 --> 00:56:11,880
And I hope that it brings you
598
00:56:13,200 --> 00:56:16,800
more, you know,
I hope it nourishes you.
599
00:56:16,840 --> 00:56:20,160
And I hope you enter into
this Christmas
600
00:56:20,200 --> 00:56:25,000
with a warmer and bigger heart than
you did before you watched this.
601
00:56:25,040 --> 00:56:28,600
And that's all we can hope for.
So here's to love and thank you.
602
00:56:43,720 --> 00:56:47,080
# I heard there was a secret chord
603
00:56:47,120 --> 00:56:50,680
# that David played to the Lord
604
00:56:50,720 --> 00:56:54,280
# but you don't really care
# for music
605
00:56:54,320 --> 00:56:56,120
# do ya
606
00:56:57,600 --> 00:57:00,840
# Well it goes like this,
# the fourth, the fifth
607
00:57:00,880 --> 00:57:04,280
# the minor fall and the major lift
608
00:57:06,080 --> 00:57:09,600
# from the baffled king came
# hallelujah
609
00:57:11,240 --> 00:57:13,800
ALL: # Hallelujah
610
00:57:14,800 --> 00:57:18,280
# Hallelujah
611
00:57:18,320 --> 00:57:21,880
# Hallelujah
612
00:57:21,920 --> 00:57:27,280
# Hallelujah
613
00:57:32,880 --> 00:57:37,120
# Your faith was strong
# but you needed proof
614
00:57:37,160 --> 00:57:40,400
# You saw her bathing on the roof
615
00:57:40,440 --> 00:57:43,600
# her beauty and the moonlight
616
00:57:43,640 --> 00:57:45,800
# overthrew you
617
00:57:47,280 --> 00:57:51,040
# She tied you to her kitchen chair
618
00:57:51,080 --> 00:57:54,480
# She broke your throne
# and she cut your hair
619
00:57:54,520 --> 00:57:59,840
# And from your lips she drew the
# hallelujah
620
00:58:01,440 --> 00:58:04,600
# Hallelujah
621
00:58:04,640 --> 00:58:07,520
# Hallelujah
622
00:58:08,440 --> 00:58:11,640
# Hallelujah
623
00:58:11,680 --> 00:58:17,080
# Hallelujah.
624
00:58:23,280 --> 00:58:27,640
# There was a time
# when you'd let me know
625
00:58:27,680 --> 00:58:31,000
# what's really going on below
626
00:58:31,040 --> 00:58:34,680
# but now you never show it to me
627
00:58:34,720 --> 00:58:36,520
# do ya
628
00:58:37,400 --> 00:58:41,960
# but I remember when I moved in you
629
00:58:42,000 --> 00:58:45,640
# And the holy dove
# she was moving too
630
00:58:45,680 --> 00:58:50,320
# and every breath we drew a
# Hallelujah
631
00:58:51,840 --> 00:58:55,240
# Hallelujah
632
00:58:55,280 --> 00:58:58,040
# Hallelujah
633
00:58:59,160 --> 00:59:01,960
# Hallelujah
634
00:59:02,000 --> 00:59:05,960
# Hallelujah
635
00:59:14,920 --> 00:59:17,720
# I did my best, it wasn't much
636
00:59:18,600 --> 00:59:21,760
# I couldn't feel
# so I tried to touch
637
00:59:21,800 --> 00:59:26,800
# I've told the truth,
# I didn't come here to fool you
638
00:59:28,360 --> 00:59:32,160
# And even though it all went wrong
639
00:59:32,200 --> 00:59:36,120
# I'll stand right here before
# the Lord of Song
640
00:59:36,160 --> 00:59:42,160
# With nothing on my tongue but
# Hallelujah
641
00:59:42,200 --> 00:59:45,760
# Hallelujah
642
00:59:45,800 --> 00:59:48,960
# Hallelujah
643
00:59:49,000 --> 00:59:53,040
# Hallelujah
644
00:59:53,080 --> 00:59:58,800
# Hallelujah
645
01:00:05,240 --> 01:00:08,320
# Maybe there's a God above
646
01:00:09,200 --> 01:00:12,520
# all I've ever learned from love
647
01:00:12,560 --> 01:00:17,000
# Is how to shoot somebody
# who outdrew you
648
01:00:19,320 --> 01:00:23,080
# And it's not a cry
# that you hear at night
649
01:00:23,120 --> 01:00:26,800
# It's not someone
# who's seen the light
650
01:00:26,840 --> 01:00:31,760
# It's a cold and it's a broken
# hallelujah
651
01:00:32,960 --> 01:00:36,520
# Hallelujah
652
01:00:36,560 --> 01:00:40,360
# Hallelujah
653
01:00:40,400 --> 01:00:44,000
# Hallelujah
654
01:00:44,040 --> 01:00:47,960
# Hallelujah
655
01:00:48,000 --> 01:00:51,280
# Hallelujah
656
01:00:51,320 --> 01:00:53,760
# Hallelujah
657
01:00:55,000 --> 01:00:58,520
# Hallelujah
658
01:00:58,560 --> 01:01:03,240
# Hallelujah
659
01:01:12,640 --> 01:01:16,480
# Hallelujah #
660
01:01:25,920 --> 01:01:28,320
(APPLAUSE)
661
01:02:09,080 --> 01:02:12,400
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