All language subtitles for Christmas.In.Ireland.With.Imelda.May.And.Friends.2022.1080p.WEBRip.x264.AAC-[YTS.MX]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:10,000 --> 00:00:14,280 (SOFT STRINGS) 4 00:00:44,800 --> 00:00:47,200 "What is love?", you ask. 5 00:00:47,240 --> 00:00:50,800 My head spins, recallin' every song, story, words, 6 00:00:50,840 --> 00:00:53,280 and glorious things I ever heard. 7 00:00:56,640 --> 00:00:59,440 Every cliche rings in my ears like a bell announcin' 8 00:00:59,480 --> 00:01:02,840 the birth of a new day, or the death of yesterday. 9 00:01:02,880 --> 00:01:05,200 Depends on how you hear it. 10 00:01:07,000 --> 00:01:09,240 I haven't a clue. 11 00:01:09,280 --> 00:01:11,440 So I ask love: 12 00:01:11,480 --> 00:01:13,680 "What are you?" 13 00:01:15,320 --> 00:01:18,120 Love replies: 14 00:01:18,160 --> 00:01:21,200 "Can't you feel me? I'm here. 15 00:01:24,560 --> 00:01:28,600 I'm the one holdin' your hand remindin' you not to forget me. 16 00:01:29,680 --> 00:01:32,960 I'm the warm feelin' in your belly when you don't know why. 17 00:01:34,480 --> 00:01:37,440 I'm the ache to the core when one someone sways 18 00:01:37,480 --> 00:01:39,080 to the other side of a vibe 19 00:01:39,120 --> 00:01:41,960 I'm the tingle of your skin when it's touched by the tip of 20 00:01:42,000 --> 00:01:43,600 a thrill you can rely on 21 00:01:45,760 --> 00:01:47,640 The knowing, 22 00:01:47,680 --> 00:01:52,160 when your eyes meet eyes that recognise yours and hold you, 23 00:01:52,200 --> 00:01:54,880 loose enough to move freely but... 24 00:01:54,920 --> 00:01:57,200 tight enough to never let you fall 25 00:01:59,040 --> 00:02:02,400 I'm the breath you take in and let all the way out to the end 26 00:02:02,440 --> 00:02:05,840 when you're held. And your shoulders drop into arms, 27 00:02:05,880 --> 00:02:08,880 you flop that feel like a blanket of truth 28 00:02:08,920 --> 00:02:13,640 And wrap you and sooth you to the moon you thought was in the sky. 29 00:02:15,520 --> 00:02:18,280 I'm the backbone that holds it all together, 30 00:02:18,320 --> 00:02:21,440 The vertebrae stacked on top of each other when it's all gone pear shaped 31 00:02:21,480 --> 00:02:24,440 and wrong. I'm the bitin' on your lip, keepin' it zipped, 32 00:02:24,480 --> 00:02:27,400 swallowin' words that could wound and rip apart. 33 00:02:27,440 --> 00:02:29,960 I'm choosin' kindness over bein' right. 34 00:02:30,000 --> 00:02:33,040 I'm the fight in you when you don't know how. 35 00:02:33,080 --> 00:02:35,800 The light in you when it's gone right out 36 00:02:38,160 --> 00:02:39,880 I'm life when I'm near, 37 00:02:39,920 --> 00:02:42,600 hope without fear. 38 00:02:42,640 --> 00:02:45,880 I'm nothin' fancy in a world drippin' in gold, 39 00:02:45,920 --> 00:02:49,640 but a beautiful jewel never bought, never sold 40 00:02:50,520 --> 00:02:54,240 And when you open your heart and let me in alone 41 00:02:56,120 --> 00:03:00,680 You'll know who I am, (WHISPERS) because I feel like home." 42 00:03:04,800 --> 00:03:08,320 (HARP MUSIC) 43 00:03:16,960 --> 00:03:20,640 # Good people all 44 00:03:20,680 --> 00:03:23,480 # this Christmas-time 45 00:03:23,520 --> 00:03:27,320 # consider well 46 00:03:27,360 --> 00:03:30,280 # and bear in mind 47 00:03:30,320 --> 00:03:33,960 # what our good God 48 00:03:34,000 --> 00:03:36,240 # for us has done 49 00:03:37,400 --> 00:03:40,720 # in sending his 50 00:03:40,760 --> 00:03:44,240 # beloved Son 51 00:03:44,280 --> 00:03:49,600 # With Mary holy we should pray 52 00:03:50,880 --> 00:03:54,080 # to God with love 53 00:03:54,120 --> 00:03:57,720 # this Christmas day 54 00:03:57,760 --> 00:04:03,760 # In Bethlehem upon that morn 55 00:04:03,800 --> 00:04:09,720 # there was a blessed Messiah born 56 00:04:24,240 --> 00:04:29,800 # Near Bethlehem did shepherds keep 57 00:04:31,040 --> 00:04:34,520 # their flocks of lambs 58 00:04:34,560 --> 00:04:37,800 # and feeding sheep 59 00:04:37,840 --> 00:04:43,320 # to whom God's angels did appear 60 00:04:43,360 --> 00:04:48,440 # which put the shepherds 61 00:04:48,480 --> 00:04:51,440 # in great fear 62 00:04:51,480 --> 00:04:54,880 # Prepare and go 63 00:04:54,920 --> 00:04:57,840 # the angles said 64 00:04:57,880 --> 00:05:01,320 # to Bethlehem 65 00:05:01,360 --> 00:05:03,160 # Be not afraid 66 00:05:04,960 --> 00:05:07,960 # For there you'll find 67 00:05:08,000 --> 00:05:11,520 # this happy morn 68 00:05:11,560 --> 00:05:14,840 # a princely babe, 69 00:05:14,880 --> 00:05:18,880 # sweet Jesus born 70 00:05:31,600 --> 00:05:34,680 # With thankful heart 71 00:05:34,720 --> 00:05:37,360 # and joyful mind 72 00:05:38,520 --> 00:05:43,840 # the shepherds went the babe to find 73 00:05:45,760 --> 00:05:51,560 # And as God's angel had foretold 74 00:05:51,600 --> 00:05:55,800 # they did our saviour 75 00:05:55,840 --> 00:05:57,640 # Christ behold 76 00:05:58,800 --> 00:06:02,560 # Within a manger 77 00:06:02,600 --> 00:06:05,080 # he was laid 78 00:06:05,120 --> 00:06:08,800 # and by his side 79 00:06:08,840 --> 00:06:12,000 # the virgin maid 80 00:06:12,040 --> 00:06:15,240 # attending on 81 00:06:15,280 --> 00:06:18,640 # the Lord of life 82 00:06:18,680 --> 00:06:22,840 # who came on earth to 83 00:06:22,880 --> 00:06:26,200 # end all strife yeah 84 00:06:39,080 --> 00:06:42,240 # Good people all 85 00:06:42,280 --> 00:06:45,520 # this Christmas-time 86 00:06:45,560 --> 00:06:48,960 # consider well 87 00:06:49,000 --> 00:06:52,080 # and bear in mind 88 00:06:52,120 --> 00:06:55,280 # what our good God 89 00:06:55,320 --> 00:06:58,560 # for us has done 90 00:06:58,600 --> 00:07:02,280 # in sending his 91 00:07:02,320 --> 00:07:05,800 # beloved Son 92 00:07:05,840 --> 00:07:09,640 # With Mary holy 93 00:07:09,680 --> 00:07:12,520 # we should pray 94 00:07:12,560 --> 00:07:15,520 # to God with love 95 00:07:15,560 --> 00:07:19,000 # this Christmas day 96 00:07:19,040 --> 00:07:22,240 # In Bethlehem 97 00:07:22,280 --> 00:07:25,360 # upon that morn 98 00:07:25,400 --> 00:07:29,000 # there was a blessed 99 00:07:29,040 --> 00:07:33,160 # Messiah born # 100 00:08:04,720 --> 00:08:07,280 (APPLAUSE) 101 00:08:11,760 --> 00:08:14,560 That was The Wexford Carols, 102 00:08:14,600 --> 00:08:17,280 a traditional and old Irish song. 103 00:08:17,320 --> 00:08:21,480 Sang beautifully by the elegant, eloquent Loah. 104 00:08:21,520 --> 00:08:24,600 And I know there'd be nobody more perfect than Loah to open 105 00:08:24,640 --> 00:08:27,040 this gorgeous show tonight. 106 00:08:27,080 --> 00:08:31,400 We are gathered here together in Dublin in Saint Steven's Church, 107 00:08:31,440 --> 00:08:36,000 We called it the Pepper Cannister, to celebrate our love of music, 108 00:08:36,040 --> 00:08:40,360 our poetry, our storytelling, our spoken word. 109 00:08:40,400 --> 00:08:44,240 And celebrate everything, not just a Christian Christmas 110 00:08:44,280 --> 00:08:47,760 but an inclusive Christmas. We have celebrated this time for 111 00:08:47,800 --> 00:08:50,600 thousands of years. 112 00:08:50,640 --> 00:08:54,320 And I want to encapture the true spirit of this time 113 00:08:54,360 --> 00:08:58,200 in all its simplicity, in all its glory. 114 00:08:58,240 --> 00:09:01,400 It's really a time of community, of caring and sharing 115 00:09:01,440 --> 00:09:04,480 and looking after those of the community that need it most. 116 00:09:04,520 --> 00:09:08,360 One thing that Grafton Street in Dublin is synonymous with 117 00:09:08,400 --> 00:09:10,600 is the Christmas Eve busk, 118 00:09:10,640 --> 00:09:14,000 where some of our greatest musicians join together 119 00:09:14,040 --> 00:09:16,880 to raise spirits, raise awareness 120 00:09:16,920 --> 00:09:19,960 and raise much needed funds for the Simon Community. 121 00:09:20,000 --> 00:09:23,840 Now, the main man responsible for the Christmas Eve busk 122 00:09:23,880 --> 00:09:28,600 is my gorgeous friend. He's the most amazing songwriter, 123 00:09:28,640 --> 00:09:32,160 singer, actor, new daddy 124 00:09:32,200 --> 00:09:37,520 and has the most glorious spirit of almost anyone I've ever known. 125 00:09:37,560 --> 00:09:40,040 He's true heart, he's gonna reach into your chest and 126 00:09:40,080 --> 00:09:42,240 pull your heart out any minute. 127 00:09:42,280 --> 00:09:45,120 And he's going to be joined here with- Glen, I'd like you to 128 00:09:45,160 --> 00:09:48,480 introduce the song and who's singing it with you. 129 00:09:48,520 --> 00:09:52,880 Thanks Imelda. Well, I'm gonna sing a song of mine called High Hope. 130 00:09:52,920 --> 00:09:58,200 And I remember seeing Paddy Finnigan here next to me 131 00:09:58,240 --> 00:10:01,600 I remember seeing him busking a song of mine, 132 00:10:01,640 --> 00:10:04,360 Falling Slowly on Grafton Street, about two years ago. 133 00:10:05,840 --> 00:10:08,560 I was going through a really rough part of my life when I was busking 134 00:10:08,600 --> 00:10:11,440 around the side of Steven's grand shopping centre. 135 00:10:12,440 --> 00:10:15,000 I was singing Falling Slowly, and a woman was recordin' me 136 00:10:15,040 --> 00:10:19,440 And during the whole thing she came up and threw money into my case. 137 00:10:19,480 --> 00:10:21,280 I was knocked out by his version 138 00:10:21,320 --> 00:10:23,520 because it was just so much better than my own. 139 00:10:23,560 --> 00:10:26,480 And I was like, wow, you know when you see a busker 140 00:10:26,520 --> 00:10:28,880 and you're just like, that is amazing 141 00:10:28,920 --> 00:10:31,200 and we went up and spoke for a second 142 00:10:31,240 --> 00:10:33,360 and amazing, I hadn't seen him since. I spotted him in 143 00:10:33,400 --> 00:10:36,400 the audience and so, I asked him does he know this song, 144 00:10:36,440 --> 00:10:40,440 and he said he sung it today. The serendipity is here so... 145 00:10:40,480 --> 00:10:42,880 We'll try singing it together. 146 00:10:42,920 --> 00:10:46,120 To be quite frank, drink and drugs kinda took over my life. 147 00:10:46,160 --> 00:10:48,480 I've been playing music in pubs and different settings 148 00:10:48,520 --> 00:10:51,480 on Grafton Street, Hender Street 149 00:10:51,520 --> 00:10:53,920 as long as I can remember since when I was 16, 17. Kind of got lost 150 00:10:53,960 --> 00:10:57,000 in the madness of it a little bit, you know, lost my way. 151 00:10:57,040 --> 00:10:59,680 On the 28th December last year I decided to go get help. 152 00:10:59,720 --> 00:11:03,160 A fellow reached out to me and he got me in with the Simon Community 153 00:11:03,200 --> 00:11:05,440 and they've been a massive help in my life. 154 00:11:05,480 --> 00:11:07,800 It's given me a chance to kind of, express who I really am 155 00:11:07,840 --> 00:11:11,480 without the medium of music. So I'm not hiding behind any ego and stuff 156 00:11:11,520 --> 00:11:13,760 that I would've been doing in the past. 157 00:11:28,400 --> 00:11:32,400 # I'm workin' on the high hope 158 00:11:33,520 --> 00:11:38,440 # and if it all works out # you might just see me 159 00:11:38,480 --> 00:11:41,120 # or hear from me in a while 160 00:11:45,840 --> 00:11:48,280 # I'm gonna make it across # this tight rope 161 00:11:51,080 --> 00:11:53,560 # and I'm comin' for my prize 162 00:11:53,600 --> 00:11:58,520 # No more I'll be waitin' 'round # while life passes me by 163 00:12:01,320 --> 00:12:06,840 # Maybe when we're both old and wise 164 00:12:06,880 --> 00:12:10,840 # maybe when our hearts have had some time 165 00:12:10,880 --> 00:12:14,040 # I'm gonna see you there 166 00:12:15,480 --> 00:12:21,480 # I'm gonna see you there, lay 167 00:12:25,160 --> 00:12:31,000 # Where we can be natural, lay 168 00:12:38,840 --> 00:12:41,400 # 'Cause I've been livin' # in the half life 169 00:12:43,400 --> 00:12:48,760 # Not sure which way to turn # Why must a man lose everything 170 00:12:48,800 --> 00:12:51,480 # to find out what he wants 171 00:12:56,280 --> 00:13:00,320 # I'm gonna wait until it feels right 172 00:13:01,360 --> 00:13:06,120 # and when that time has come # wild horses won't keep me back 173 00:13:06,160 --> 00:13:09,360 # from where you have gone 174 00:13:11,320 --> 00:13:16,080 # Maybe when we're both old and wise 175 00:13:16,120 --> 00:13:20,920 # maybe when we both have had some time 176 00:13:20,960 --> 00:13:25,080 # I'm gonna see you there 177 00:13:25,120 --> 00:13:30,560 BOTH: # I'm gonna see you there, lay 178 00:13:35,440 --> 00:13:40,080 # Where we can be natural, lay 179 00:13:43,320 --> 00:13:48,920 # After all we've seen # we can do anything, lay 180 00:14:06,440 --> 00:14:08,680 # I wanna see you there # 181 00:14:10,560 --> 00:14:13,040 'I've been busking around the street for 12 years so I've played 182 00:14:13,080 --> 00:14:15,880 that song about 100 times, but I've never played it like that 183 00:14:15,920 --> 00:14:18,360 with my hair up, you know?' (APPLAUSE) 184 00:14:23,440 --> 00:14:25,480 Paddy Finnigan everybody. 185 00:14:25,520 --> 00:14:29,040 I'm a believer. Might not have luck, but I'm a believer. 186 00:14:29,080 --> 00:14:32,000 It's very beautiful for me and it's something I needed coming up to 187 00:14:32,040 --> 00:14:34,440 Christmas too cos it's gonna be hard one this year 188 00:14:34,480 --> 00:14:36,640 for a lot of people out there. 189 00:14:45,520 --> 00:14:48,920 Welcome back to the Pepper Cannister here in Dublin 190 00:14:50,320 --> 00:14:54,040 I'm so honoured to have John Shane 191 00:14:54,080 --> 00:14:57,280 with us tonight. And you will know from the Dubliners, 192 00:14:57,320 --> 00:15:01,680 we love the Dubliners, and we know he's an amazing musician, 193 00:15:01,720 --> 00:15:05,360 and amazing composer, and he's a fine Lordsmith. 194 00:15:05,400 --> 00:15:10,240 He's going to perform his poem, Winter. But firstly, 195 00:15:10,280 --> 00:15:13,920 he's going to play the Marina Waltz. 196 00:15:13,960 --> 00:15:17,400 It's a modern day classic here and we all know it well. 197 00:15:17,440 --> 00:15:20,560 And he's joined on fiddle by Ceol, his daughter, 198 00:15:20,600 --> 00:15:23,000 By Queeva and Seamus 199 00:15:23,040 --> 00:15:25,520 And Coleman on the harp. 200 00:15:25,560 --> 00:15:27,720 You're gonna enjoy this. 201 00:18:08,760 --> 00:18:11,000 (APPLAUSE) 202 00:18:28,920 --> 00:18:32,000 Winter coming in across the fields, 203 00:18:33,800 --> 00:18:37,080 long shadows creeping stubbled ground. 204 00:18:38,840 --> 00:18:42,440 Harvest home, barns bulging full, 205 00:18:43,760 --> 00:18:47,760 In dormant mood, the year is turning round. 206 00:18:47,800 --> 00:18:51,520 Livestock from the cold are gathering in; 207 00:18:51,560 --> 00:18:53,960 horse unharnessed; 208 00:18:54,000 --> 00:18:56,680 stable-bound for rest; 209 00:18:58,600 --> 00:19:02,000 Chewing the cud in vacant mood, the cows; 210 00:19:02,040 --> 00:19:06,840 In straw-strewn byre, the warmth of bovine breath. 211 00:19:08,840 --> 00:19:11,840 Winter's landscape artist in the wind; 212 00:19:14,240 --> 00:19:17,280 Busy wrapping white the idle yard. 213 00:19:18,960 --> 00:19:22,680 Perched upon a bough, a twitch of red; 214 00:19:22,720 --> 00:19:25,520 A robin posing for a Christmas card. 215 00:19:28,000 --> 00:19:30,720 Evening closing in, the lamp is lit; 216 00:19:31,600 --> 00:19:35,480 Children to the fire are drawing near; 217 00:19:35,520 --> 00:19:39,640 Leaning to the talk of stock and seed; 218 00:19:40,960 --> 00:19:43,000 Learning how to save another year. 219 00:19:55,560 --> 00:19:57,360 At this time, 220 00:19:58,320 --> 00:20:02,120 we long for those who are no longer with us more than ever. 221 00:20:03,440 --> 00:20:06,280 So I would like to pay tribute to all of those 222 00:20:07,560 --> 00:20:11,320 especially the older generations, who seem to bring 223 00:20:11,360 --> 00:20:14,320 the gorgeous Hollywood glamour to Christmas. 224 00:20:14,360 --> 00:20:19,320 And sing the songs from Nat King Cole and Bing Crosby and... 225 00:20:20,440 --> 00:20:23,880 Frank Sinatra, to all of our Christmases. 226 00:20:23,920 --> 00:20:26,680 Did you have that? We all had that. 227 00:20:26,720 --> 00:20:29,760 My first song's actually a Judy Garlen song, 228 00:20:29,800 --> 00:20:31,880 taught to me by my mother. 229 00:20:31,920 --> 00:20:37,120 By our late mammy. And I want to sing this for her, 230 00:20:37,160 --> 00:20:40,880 and for all of those that we miss tonight. 231 00:20:56,120 --> 00:20:59,440 # Have yourself 232 00:20:59,480 --> 00:21:03,560 # a merry little Christmas 233 00:21:06,120 --> 00:21:10,840 # Let your heart be light 234 00:21:13,560 --> 00:21:17,400 # Next year all our troubles 235 00:21:17,440 --> 00:21:21,360 # will be out of sight 236 00:21:28,200 --> 00:21:31,000 # Have yourself 237 00:21:31,040 --> 00:21:34,480 # a merry little Christmas 238 00:21:36,560 --> 00:21:40,520 # Make the Yule-tide gay 239 00:21:43,680 --> 00:21:47,480 # Next year all our troubles 240 00:21:47,520 --> 00:21:51,880 # will be miles away 241 00:21:58,400 --> 00:22:03,560 # Once again as in olden days 242 00:22:04,840 --> 00:22:10,200 # Happy golden days of yore 243 00:22:13,320 --> 00:22:18,760 # Faithful friends # who were near to us 244 00:22:20,400 --> 00:22:26,200 # will be dear to us once more 245 00:22:29,920 --> 00:22:34,960 # Some day soon # we all will be together 246 00:22:37,400 --> 00:22:41,680 # If the fates allow 247 00:22:43,920 --> 00:22:49,640 # Until then # we'll have to muddle through 248 00:22:51,480 --> 00:22:54,360 # somehow 249 00:22:57,120 --> 00:23:01,400 # So have yourselves 250 00:23:01,440 --> 00:23:06,200 # a merry little Christmas 251 00:23:06,240 --> 00:23:09,200 # now 252 00:23:44,840 --> 00:23:49,680 # Ooh once again 253 00:23:49,720 --> 00:23:53,560 # as in olden days 254 00:23:53,600 --> 00:23:59,000 # Happy golden days of yore 255 00:24:03,040 --> 00:24:08,640 # Faithfull friends # who were near to us 256 00:24:08,680 --> 00:24:12,920 # Oh they'll be dear to us 257 00:24:12,960 --> 00:24:16,440 # once more 258 00:24:18,760 --> 00:24:22,240 # Someday soon 259 00:24:22,280 --> 00:24:27,040 # we all will be together 260 00:24:29,040 --> 00:24:32,160 # If the fates allow 261 00:24:36,920 --> 00:24:42,760 # Until then # we'll have to muddle through 262 00:24:42,800 --> 00:24:47,760 # Somehow 263 00:24:51,440 --> 00:24:55,520 # So have yourselves 264 00:24:55,560 --> 00:25:00,640 # a merry little Christmas 265 00:25:02,000 --> 00:25:07,960 now # 266 00:25:11,880 --> 00:25:14,040 (APPLAUSE) 267 00:25:27,080 --> 00:25:30,000 I have another very special friend. 268 00:25:30,040 --> 00:25:34,360 Up on stage, raring to go. Ready to sing a song. 269 00:25:34,400 --> 00:25:38,520 I called him to join us for this show and I said, "Jack, please! 270 00:25:38,560 --> 00:25:41,960 And would you have a special song". Lo and behold, 271 00:25:42,000 --> 00:25:44,120 he has a single and a new album out. 272 00:25:44,160 --> 00:25:48,800 Nice timing Jack! Single is called winterling 273 00:25:48,840 --> 00:25:53,120 and with the depth of his soul and the depth of his voice, 274 00:25:53,160 --> 00:25:55,840 let's hear it for Jack Lukeman. (APPLAUSE) 275 00:26:15,840 --> 00:26:19,120 # Cold old summer 276 00:26:24,000 --> 00:26:28,320 # swallowed spring 277 00:26:32,520 --> 00:26:37,200 # we wrap up in autumn 278 00:26:40,960 --> 00:26:44,440 # till you're my winterling 279 00:26:49,360 --> 00:26:52,840 # Winter bells they 280 00:26:52,880 --> 00:26:56,280 # ring 281 00:27:04,400 --> 00:27:08,960 # and all the snow fell 282 00:27:13,080 --> 00:27:16,760 # We walk from the cave 283 00:27:21,240 --> 00:27:25,080 # and follow the white prints 284 00:27:29,800 --> 00:27:33,920 # Red robin on your grave 285 00:27:38,360 --> 00:27:42,240 # Winter bells they 286 00:27:42,280 --> 00:27:45,560 # ring 287 00:27:49,240 --> 00:27:53,640 # You're my winterling # you're my winterling 288 00:27:53,680 --> 00:27:57,040 # you're my winterling 289 00:28:19,320 --> 00:28:22,400 # A call from the neighbours 290 00:28:27,000 --> 00:28:30,440 # fresh ivy on the door 291 00:28:35,200 --> 00:28:39,040 # sparkles on the table 292 00:28:44,240 --> 00:28:48,040 # your ghost follows where we go 293 00:28:51,960 --> 00:28:56,080 # Winter bells they 294 00:28:56,120 --> 00:28:59,600 # ring 295 00:29:03,080 --> 00:29:07,520 # You're my winterling # you're my winterling 296 00:29:07,560 --> 00:29:11,480 # you're my winterling 297 00:29:11,520 --> 00:29:15,760 # you're my winterling # you're my winterling 298 00:29:15,800 --> 00:29:20,040 # you're my winterling 299 00:29:20,080 --> 00:29:24,200 # you're my winterling # you're my winterling 300 00:29:24,240 --> 00:29:28,120 # you're my winterling 301 00:29:40,800 --> 00:29:45,680 # you're my winterling # 302 00:29:51,600 --> 00:29:54,160 (APPLAUSE) 303 00:30:10,720 --> 00:30:15,120 One side of the potato-pits was white with frost. 304 00:30:16,800 --> 00:30:21,120 How wonderful that was, how wonderful! 305 00:30:21,160 --> 00:30:24,560 And when we put our ears to the paling-post, 306 00:30:24,600 --> 00:30:28,120 The music that came out was magical. 307 00:30:28,160 --> 00:30:31,840 The light between the ricks of hay and straw 308 00:30:31,880 --> 00:30:34,840 was a hole in Heaven's 309 00:30:34,880 --> 00:30:40,440 An apple tree with its December-glinting fruit we saw. 310 00:30:40,480 --> 00:30:43,120 O you, Eve, 311 00:30:43,160 --> 00:30:46,320 were the world that tempted me 312 00:30:46,360 --> 00:30:49,120 to eat the knowledge that grew in clay 313 00:30:49,160 --> 00:30:52,760 and death the germ within it! 314 00:30:54,120 --> 00:30:57,520 Now and then I can remember something 315 00:30:57,560 --> 00:31:00,520 of the gay Garden that was childhood’s. 316 00:31:00,560 --> 00:31:04,640 Again. The tracks of cattle to a drinking-place, 317 00:31:04,680 --> 00:31:10,240 a green stone lying sideways in a ditch, 318 00:31:10,280 --> 00:31:14,120 or any common sight, the transfigured face 319 00:31:14,160 --> 00:31:17,480 of a beauty that the world did not touch. 320 00:31:22,440 --> 00:31:25,080 My father played the melodion 321 00:31:25,120 --> 00:31:27,640 outside at our gate; 322 00:31:27,680 --> 00:31:30,520 there were stars in the morning east 323 00:31:30,560 --> 00:31:32,800 and they danced to his music. 324 00:31:34,120 --> 00:31:38,000 Across the wild bogs his melodion called 325 00:31:38,040 --> 00:31:39,880 to Lennons and Callans. 326 00:31:39,920 --> 00:31:42,960 As I pulled on my trousers in a hurry 327 00:31:43,000 --> 00:31:47,000 I knew some strange thing had happened. 328 00:31:47,040 --> 00:31:52,200 Outside in the cow-house my mother made the music of milking; 329 00:31:52,240 --> 00:31:55,840 the light of her stable-lamp was a star 330 00:31:55,880 --> 00:31:59,680 and the frost of Bethlehem made it twinkle. 331 00:32:06,360 --> 00:32:09,000 Where stones throw from Grafton Street 332 00:32:09,040 --> 00:32:11,640 Reglam road, The Canal Bank Walk 333 00:32:11,680 --> 00:32:14,040 that Patrick Kavanagh wrote so beautifully about. 334 00:32:15,680 --> 00:32:19,240 But his childhood hometown was never far from his heart. 335 00:32:19,280 --> 00:32:23,360 Thank you very much to Sharon Core, for beautifully reciting 336 00:32:23,400 --> 00:32:26,000 his Christmas poem, A Childhood Christmas. 337 00:32:27,000 --> 00:32:32,000 I'd like to sing this song to you about digging deep. 338 00:32:32,040 --> 00:32:35,880 During hard times sometimes you reach to the skies 339 00:32:35,920 --> 00:32:38,640 but everything is at our feet. 340 00:32:51,440 --> 00:32:56,120 # I'll listen to what you say 341 00:32:56,160 --> 00:33:01,040 # I won't just throw love away 342 00:33:01,080 --> 00:33:05,600 # If you talk from the truth 343 00:33:05,640 --> 00:33:10,840 # I'll hear the gold in you 344 00:33:13,280 --> 00:33:17,920 # Walking on sand's for fools 345 00:33:17,960 --> 00:33:23,320 # cos when the wind blows it moves 346 00:33:23,360 --> 00:33:27,880 # So darling let's dig deep 347 00:33:27,920 --> 00:33:32,600 # there's diamonds beneath our feet 348 00:33:35,080 --> 00:33:39,920 # Don't catch the moon for me 349 00:33:39,960 --> 00:33:44,440 # Don't tame the raging sea 350 00:33:44,480 --> 00:33:48,600 # Don't need to wish on stars 351 00:33:49,600 --> 00:33:54,840 # We don't have to reach that far 352 00:33:54,880 --> 00:33:59,400 # Everything's right where we are 353 00:33:59,440 --> 00:34:01,240 # but sometimes it hurts 354 00:34:02,080 --> 00:34:04,200 # to know what it's worth 355 00:34:04,240 --> 00:34:07,800 # So we gotta dig deep 356 00:34:07,840 --> 00:34:13,000 # to the diamonds beneath our feet 357 00:34:16,760 --> 00:34:21,800 # The world is for us to take 358 00:34:21,840 --> 00:34:26,520 # If every mistake we make 359 00:34:26,560 --> 00:34:31,560 # binds us together strong 360 00:34:31,600 --> 00:34:37,560 # turns into right our wrongs 361 00:34:40,840 --> 00:34:44,480 # So say what you wanna say 362 00:34:46,200 --> 00:34:49,920 # say it out loud 363 00:34:50,840 --> 00:34:54,000 # Quietly we both know 364 00:34:54,040 --> 00:34:59,440 # that a rose is a rose, is a rose 365 00:35:01,520 --> 00:35:06,640 # Don't catch the moon for me 366 00:35:06,680 --> 00:35:10,600 # Don't tame the raging sea 367 00:35:10,640 --> 00:35:14,920 # Don't need to wish on stars 368 00:35:15,960 --> 00:35:19,520 # We don't have to reach that far 369 00:35:21,160 --> 00:35:25,560 # Everything's right where we are 370 00:35:25,600 --> 00:35:28,280 # But sometimes it hurts 371 00:35:28,320 --> 00:35:30,760 # to know what it's worth 372 00:35:30,800 --> 00:35:34,000 # So we gotta dig deep 373 00:35:34,040 --> 00:35:39,160 # to the diamonds beneath our feet 374 00:35:45,080 --> 00:35:48,440 # Ooh 375 00:35:51,080 --> 00:35:53,040 # Oh oh 376 00:35:56,160 --> 00:35:59,320 # Oh 377 00:35:59,360 --> 00:36:03,560 # Don't catch the moon for me 378 00:36:04,600 --> 00:36:09,160 # Don't tame the raging sea 379 00:36:09,200 --> 00:36:14,480 # Don't need to wish on stars 380 00:36:14,520 --> 00:36:19,240 # We don't have to reach that far 381 00:36:19,280 --> 00:36:23,400 # Everything's right where we are 382 00:36:24,440 --> 00:36:26,240 # But sometimes it hurts 383 00:36:27,040 --> 00:36:29,360 # to know what it's worth 384 00:36:29,400 --> 00:36:33,600 # So we gotta dig deep 385 00:36:33,640 --> 00:36:38,560 # to the diamonds beneath our feet # 386 00:36:53,840 --> 00:36:56,640 (APPLAUSE) 387 00:37:09,120 --> 00:37:13,240 Ladies and gentlemen, I would like to introduce you all to my dad, 388 00:37:13,280 --> 00:37:15,280 Tony Clabby. 389 00:37:22,640 --> 00:37:27,440 And he's going to recite for us his gorgeous poem, 390 00:37:27,480 --> 00:37:32,720 Awakening. Instead of bedtime stories, dad read us 391 00:37:32,760 --> 00:37:37,160 beautiful literature and poetry. He's a great poet so this is 392 00:37:37,200 --> 00:37:39,840 one of his own. (APPLAUSE) 393 00:37:41,840 --> 00:37:44,920 The Awakening 394 00:37:44,960 --> 00:37:47,000 Racing, rushing, 395 00:37:47,040 --> 00:37:48,840 running, pushing. 396 00:37:48,880 --> 00:37:50,880 Hurrying, scurrying, 397 00:37:50,920 --> 00:37:54,120 can’t stop worrying. My eyes are fixed, 398 00:37:54,160 --> 00:37:58,680 my mind is set Things out there I must get 399 00:37:58,720 --> 00:38:02,400 Pressures on, the sweat is dripping 400 00:38:02,440 --> 00:38:06,080 Oh my God, where is the time slipping? 401 00:38:06,120 --> 00:38:09,000 Bumped old lady pushing trolley 402 00:38:09,040 --> 00:38:12,360 Excuse me, very very sorry 403 00:38:12,400 --> 00:38:14,840 Must keep going, cant hang about 404 00:38:14,880 --> 00:38:17,880 The things I want will be sold out 405 00:38:17,920 --> 00:38:21,200 Crowds converging, is there room? 406 00:38:21,240 --> 00:38:25,160 My head is spinning, my heart goes boom 407 00:38:25,200 --> 00:38:28,720 Have not enough, I want lots more 408 00:38:28,760 --> 00:38:32,320 Cant have less than those next door 409 00:38:32,360 --> 00:38:35,520 Stepping swiftly past a gate 410 00:38:35,560 --> 00:38:39,240 Saw bulging bundle just too late 411 00:38:39,280 --> 00:38:42,920 Tripped and staggered then I fell 412 00:38:42,960 --> 00:38:45,640 From the bundle came a yell 413 00:38:45,680 --> 00:38:49,400 Up popped a scrawny face 414 00:38:49,440 --> 00:38:53,360 Disturbed and sad, so out of place 415 00:38:53,400 --> 00:38:57,240 So close to much So far from friend 416 00:38:57,280 --> 00:38:59,760 and no warm touch. 417 00:38:59,800 --> 00:39:02,360 There down beside him on the ground 418 00:39:02,400 --> 00:39:04,960 I felt ashamed at what I found 419 00:39:05,000 --> 00:39:08,280 For I had thought so much of me 420 00:39:08,320 --> 00:39:11,320 The likes of him I did not see 421 00:39:11,360 --> 00:39:14,720 I have so much I do not need 422 00:39:14,760 --> 00:39:18,680 It must be shared, forgive my greed. 423 00:39:19,920 --> 00:39:22,640 (APPLAUSE) 424 00:39:36,080 --> 00:39:39,240 That was amazing, dad. He's brilliant, isn't he? 425 00:39:39,280 --> 00:39:41,920 I didn't lick it off the stones now, did I? 426 00:39:41,960 --> 00:39:45,760 Um, this next band, they're from 427 00:39:45,800 --> 00:39:47,600 my hometown, my heart town. 428 00:39:48,520 --> 00:39:50,360 The Liberties, inner city Dublin. 429 00:39:51,560 --> 00:39:53,760 I discovered them only recently 430 00:39:53,800 --> 00:39:57,400 and I was adamant and joyful that they said yes 431 00:39:57,440 --> 00:39:59,560 to being on this show tonight. Remember, 432 00:39:59,600 --> 00:40:02,480 you've heard them here first. Hawke The Band 433 00:40:02,520 --> 00:40:04,480 with their song called Miracles. 434 00:40:14,240 --> 00:40:17,840 # Does the future mean no happiness 435 00:40:17,880 --> 00:40:21,720 # When the uphill road to him 436 00:40:21,760 --> 00:40:24,960 # has come and gone 437 00:40:25,000 --> 00:40:28,440 # Does he know if it will happen yet 438 00:40:30,880 --> 00:40:36,480 # Is the work cut out for him # still to come 439 00:40:36,520 --> 00:40:39,960 # Sometimes oh 440 00:40:40,000 --> 00:40:42,720 # sometimes its getting hard to know 441 00:40:48,280 --> 00:40:53,520 # I believe in miracles # They're just so plain to see 442 00:40:53,560 --> 00:40:56,640 # and if you want forever too 443 00:40:56,680 --> 00:40:59,480 # just think of you and me oh 444 00:40:59,520 --> 00:41:02,240 # we're dancing in the streets # so young 445 00:41:02,280 --> 00:41:05,960 # I've got no stress # we're oh so free oh 446 00:41:11,320 --> 00:41:13,840 # Do just want the others # want them to 447 00:41:13,880 --> 00:41:15,840 # walk that walk for me 448 00:41:15,880 --> 00:41:19,000 # You can hold the light there # on your head 449 00:41:19,040 --> 00:41:21,520 # and at the light house # you will see 450 00:41:21,560 --> 00:41:24,280 # that you can build a house # from nothin 451 00:41:24,320 --> 00:41:29,560 # from nothin # oh you see 452 00:41:29,600 --> 00:41:33,000 # Yeah you see # You see 453 00:41:33,040 --> 00:41:35,360 # that sometimes 454 00:41:35,400 --> 00:41:39,320 # oh sometimes # it's getting hard to know 455 00:41:44,760 --> 00:41:50,240 # I believe in miracles # They're just so plain to see 456 00:41:50,280 --> 00:41:54,880 # and if you want forever too # you should speak of you and me 457 00:41:54,920 --> 00:41:58,520 # oh dancin' in the streets so young 458 00:41:58,560 --> 00:42:02,680 # I've got no stress # we're oh so free oh 459 00:42:06,440 --> 00:42:08,240 # hey hey 460 00:42:30,080 --> 00:42:35,240 # I believe in miracles # They're just so plain to see 461 00:42:35,280 --> 00:42:40,280 # and if you want forever too # you should speak of you and me 462 00:42:40,320 --> 00:42:43,640 # oh dancin' in the streets so young 463 00:42:43,680 --> 00:42:47,760 # I've got no stress # we're oh so free oh 464 00:42:51,240 --> 00:42:54,960 # oh dancin' in the streets so young 465 00:42:56,800 --> 00:43:02,480 # we're so young # 466 00:43:08,040 --> 00:43:10,920 (APPLAUSE) 467 00:43:12,200 --> 00:43:14,280 You are in for some treat now. 468 00:43:15,320 --> 00:43:17,880 You've heard them play earlier on and now, 469 00:43:17,920 --> 00:43:19,840 Queeva and Seamus 470 00:43:19,880 --> 00:43:24,400 are gonna sing for us This Light In Bethlehem. 471 00:43:25,400 --> 00:43:28,560 In the traditional style of the west of Ireland 472 00:43:28,600 --> 00:43:30,560 so just brace yourself. 473 00:43:30,600 --> 00:43:33,280 This is going to be gorgeous. 474 00:43:40,720 --> 00:43:45,960 (THEY SING IN TRADITIONAL IRISH LANGUAGE) 475 00:46:53,080 --> 00:46:55,680 (APPLAUSE) 476 00:47:10,160 --> 00:47:13,520 Glen the spirit tonight, 477 00:47:13,560 --> 00:47:16,920 the busking, Christmas spirit, 478 00:47:16,960 --> 00:47:20,280 the spirit has risen. It's rising. 479 00:47:20,320 --> 00:47:24,840 But you and your support of this busk and the Simon Community, 480 00:47:24,880 --> 00:47:30,480 I know you've spoken about it before but just give us a sprinkling more. 481 00:47:32,080 --> 00:47:34,880 Well I used to volunteer at Simon when I was 16. 482 00:47:34,920 --> 00:47:37,880 Uh, 15 actually. I lied about my age. 483 00:47:37,920 --> 00:47:41,840 And I'd go into North Buckingham street and work the late shift 484 00:47:41,880 --> 00:47:43,720 with my friend Jimmy. 485 00:47:43,760 --> 00:47:46,560 And I was always drawn. 486 00:47:48,200 --> 00:47:51,960 Again, it's probably because I'd experienced a little bit 487 00:47:52,000 --> 00:47:56,920 in my own life. But I was always drawn to the ones at the edge... 488 00:47:58,040 --> 00:48:02,440 of life. The ones who were kind of... kind of free of the... 489 00:48:03,320 --> 00:48:05,280 you know, almost kind of free of everything. 490 00:48:05,320 --> 00:48:08,040 And the downside of that is that you have nowhere to go. 491 00:48:08,080 --> 00:48:10,600 If you stand still long enough on any street in the world, 492 00:48:10,640 --> 00:48:15,920 in any major city, on any major shopping street in any major city, 493 00:48:15,960 --> 00:48:19,040 everyone in that country will pass you by at one point. 494 00:48:19,080 --> 00:48:22,640 And Grafton street kind of had that thing, you stood there long enough 495 00:48:22,680 --> 00:48:25,400 and everyone went by. People who were visiting Ireland, 496 00:48:25,440 --> 00:48:28,440 people who were living in Ireland. The whole country came by. 497 00:48:28,480 --> 00:48:31,640 And at Christmas it's almost like that's on steroids because 498 00:48:31,680 --> 00:48:33,800 everyone's rushing to get their last bit of shopping in. 499 00:48:33,840 --> 00:48:37,080 And everyone's up on the big city to buy their shopping. 500 00:48:37,120 --> 00:48:40,840 So you get to meet a lot of people. I got to know the shop lifters, 501 00:48:40,880 --> 00:48:43,440 I got to know the pick pockets, I got to know the ladies 502 00:48:43,480 --> 00:48:46,920 who worked the hotels, I got to know the drug squad. 503 00:48:46,960 --> 00:48:51,560 And it was just because I was always watching people passing. 504 00:48:51,600 --> 00:48:55,720 Your sense, your radar goes up. You tune into things that 505 00:48:55,760 --> 00:48:58,120 you never thought you would. So, uh. 506 00:48:58,160 --> 00:49:00,760 # Hanging out with the street people 507 00:49:00,800 --> 00:49:02,960 they've got it down # 508 00:49:03,000 --> 00:49:08,280 It was that kind of thing, you were part of the street-Community. 509 00:49:08,320 --> 00:49:11,360 And the flower sellers, they'd look out for you and 510 00:49:11,400 --> 00:49:14,200 the Hari Krishnas and watch me sweets there at the Hari Krishna 511 00:49:14,240 --> 00:49:17,400 and we'd mind their books. People would bring their prams 512 00:49:17,440 --> 00:49:20,000 and we'd mind their kids while they went into the shops. 513 00:49:20,040 --> 00:49:22,680 So we're standing there with our guitars and some woman has left 514 00:49:22,720 --> 00:49:25,680 her two kids in a pram and we were just minding them. 515 00:49:25,720 --> 00:49:28,640 (LAUGHS) It was wonderful. 516 00:49:28,680 --> 00:49:31,040 Cos you're the solid. You're the thing that's actually 517 00:49:31,080 --> 00:49:34,120 stuck on the street. You're the thing that people can depend on 518 00:49:34,160 --> 00:49:39,200 for a moment.Magic. Magical times, yeah. 519 00:49:39,240 --> 00:49:43,560 One of my favourite songs of yours is Bird of Sorrow. 520 00:49:43,600 --> 00:49:46,440 Which I believe we're going to... Yeah. 521 00:49:46,480 --> 00:49:48,680 Sing together, which I'm so thrilled about.Ah, thank you. 522 00:49:48,720 --> 00:49:51,880 I hope I'll do it justice, it's one of my favourite songs of all time. 523 00:49:51,920 --> 00:49:55,440 Thanks, Imelda.It seems fitting to like-Let's give it a go. 524 00:49:55,480 --> 00:49:59,040 Brings a new meaning every time I hear it.Yeah, yeah. 525 00:49:59,080 --> 00:50:01,760 Thanks for having us, what a magic you make. 526 00:50:01,800 --> 00:50:05,240 Ah God, it's a magical night. We're really lucky. 527 00:50:05,280 --> 00:50:08,120 (APPLAUSE) 528 00:50:11,960 --> 00:50:16,240 # Even if a day feels too long 529 00:50:19,120 --> 00:50:23,240 # if you feel like you can't wait # another one 530 00:50:25,520 --> 00:50:28,320 # And you're slowly giving up 531 00:50:28,360 --> 00:50:31,200 # on everything 532 00:50:34,800 --> 00:50:38,160 # love is gonna find you again 533 00:50:42,280 --> 00:50:44,560 # Love is gonna find you 534 00:50:44,600 --> 00:50:46,160 # just be ready then 535 00:50:54,600 --> 00:50:56,960 # You've been kneeling in the dark 536 00:50:58,080 --> 00:51:00,920 # for far too long 537 00:51:03,160 --> 00:51:06,280 # You've been waiting # for that spark 538 00:51:06,320 --> 00:51:09,440 # but it hasn't come. 539 00:51:09,480 --> 00:51:12,360 # Well I'm calling to you please, 540 00:51:12,400 --> 00:51:15,360 # get off the floor 541 00:51:19,480 --> 00:51:22,920 # Love is gonna find you 542 00:51:25,960 --> 00:51:27,760 # Love is gonna find you 543 00:51:29,000 --> 00:51:31,880 # just be ready then 544 00:51:33,600 --> 00:51:37,040 BOTH: # Tethered to a bird of sorrow 545 00:51:37,080 --> 00:51:40,560 # a voice that's buried # in the hollow 546 00:51:40,600 --> 00:51:44,080 # You've given over to self-deceiving 547 00:51:44,120 --> 00:51:47,720 # you're prostrate bowed # but not believing 548 00:51:47,760 --> 00:51:51,400 # You've squandered more # than you can borrow 549 00:51:51,440 --> 00:51:54,440 # You've bet your joys # on all tomorrows 550 00:51:54,480 --> 00:51:58,120 # for the hope of some returning 551 00:51:58,160 --> 00:52:01,680 # While everything around you # is burnin' 552 00:52:07,400 --> 00:52:09,080 # Come on, we gotta get out 553 00:52:09,080 --> 00:52:11,760 # get out of this mess we made 554 00:52:14,320 --> 00:52:17,000 # And still for all the talking 555 00:52:17,040 --> 00:52:18,840 # did we ever say it straght 556 00:52:21,840 --> 00:52:26,560 # Will we leave this up to chance # like we do everything 557 00:52:31,440 --> 00:52:34,880 # Love is gonna find us again 558 00:52:39,320 --> 00:52:41,120 # Love is gonna find us 559 00:52:41,800 --> 00:52:45,000 # we better be ready then 560 00:52:46,240 --> 00:52:49,280 # Tethered to a bird of sorrow 561 00:52:49,320 --> 00:52:52,560 # a voice that's buried # in the hollow 562 00:52:52,600 --> 00:52:56,200 # You've given over # to self-deceiving 563 00:52:56,240 --> 00:53:00,360 # you're prostrate bowed # but not believing 564 00:53:00,400 --> 00:53:03,680 # You've squandered more # than you could borrow 565 00:53:03,720 --> 00:53:07,080 # And you bet your joys # on all tomorrows 566 00:53:07,120 --> 00:53:10,560 # for the hope of some returning 567 00:53:10,600 --> 00:53:14,120 # While everything around you's # burning 568 00:53:19,160 --> 00:53:22,640 # Well I'm not leaving you here 569 00:53:22,680 --> 00:53:26,400 # I'm not leaving you here # I'm not leaving 570 00:53:26,440 --> 00:53:30,640 # I'm not leaving you here 571 00:53:32,880 --> 00:53:38,440 # I'm not leaving 572 00:53:39,880 --> 00:53:43,200 # I'm not leaving 573 00:53:45,440 --> 00:53:48,600 # Oh I'm not leaving 574 00:53:50,560 --> 00:53:54,080 # I'm not leaving you 575 00:53:54,120 --> 00:53:56,640 # I'm not leaving you 576 00:53:56,680 --> 00:53:59,320 # Hang on # hang on 577 00:54:11,720 --> 00:54:14,960 # hang on, hang on # hang on 578 00:54:16,920 --> 00:54:20,600 # hang on # hang on, hang on 579 00:54:22,000 --> 00:54:25,000 # hang on # hang on, hang on 580 00:54:25,040 --> 00:54:29,440 # hang on # hang on, hang on 581 00:54:29,480 --> 00:54:32,680 # hang on # hang on, hang on. 582 00:54:35,000 --> 00:54:37,560 # To what's gonna come 583 00:54:41,840 --> 00:54:44,480 # what's gonna come 584 00:54:44,520 --> 00:54:46,320 # Hang on 585 00:54:50,680 --> 00:54:56,600 # We know, love is gonna # find us again 586 00:54:56,640 --> 00:55:00,440 # Hanging on, with the faithful 587 00:55:03,920 --> 00:55:06,400 # with the faithful 588 00:55:08,080 --> 00:55:13,280 # I'm not leaving you # With the faithful 589 00:55:18,560 --> 00:55:21,400 # With the faithful 590 00:55:27,800 --> 00:55:30,720 (APPLAUSE) 591 00:55:37,880 --> 00:55:39,680 Thank you. 592 00:55:53,360 --> 00:55:55,440 I would like to say 593 00:55:56,600 --> 00:56:00,320 a huge thank you. I want to thank 594 00:56:00,360 --> 00:56:03,760 the people that are home that are watching. And I hope 595 00:56:03,800 --> 00:56:06,360 that you get to feel the spirit 596 00:56:06,400 --> 00:56:08,560 that rose up on us tonight. 597 00:56:08,600 --> 00:56:11,880 And I hope that it brings you 598 00:56:13,200 --> 00:56:16,800 more, you know, I hope it nourishes you. 599 00:56:16,840 --> 00:56:20,160 And I hope you enter into this Christmas 600 00:56:20,200 --> 00:56:25,000 with a warmer and bigger heart than you did before you watched this. 601 00:56:25,040 --> 00:56:28,600 And that's all we can hope for. So here's to love and thank you. 602 00:56:43,720 --> 00:56:47,080 # I heard there was a secret chord 603 00:56:47,120 --> 00:56:50,680 # that David played to the Lord 604 00:56:50,720 --> 00:56:54,280 # but you don't really care # for music 605 00:56:54,320 --> 00:56:56,120 # do ya 606 00:56:57,600 --> 00:57:00,840 # Well it goes like this, # the fourth, the fifth 607 00:57:00,880 --> 00:57:04,280 # the minor fall and the major lift 608 00:57:06,080 --> 00:57:09,600 # from the baffled king came # hallelujah 609 00:57:11,240 --> 00:57:13,800 ALL: # Hallelujah 610 00:57:14,800 --> 00:57:18,280 # Hallelujah 611 00:57:18,320 --> 00:57:21,880 # Hallelujah 612 00:57:21,920 --> 00:57:27,280 # Hallelujah 613 00:57:32,880 --> 00:57:37,120 # Your faith was strong # but you needed proof 614 00:57:37,160 --> 00:57:40,400 # You saw her bathing on the roof 615 00:57:40,440 --> 00:57:43,600 # her beauty and the moonlight 616 00:57:43,640 --> 00:57:45,800 # overthrew you 617 00:57:47,280 --> 00:57:51,040 # She tied you to her kitchen chair 618 00:57:51,080 --> 00:57:54,480 # She broke your throne # and she cut your hair 619 00:57:54,520 --> 00:57:59,840 # And from your lips she drew the # hallelujah 620 00:58:01,440 --> 00:58:04,600 # Hallelujah 621 00:58:04,640 --> 00:58:07,520 # Hallelujah 622 00:58:08,440 --> 00:58:11,640 # Hallelujah 623 00:58:11,680 --> 00:58:17,080 # Hallelujah. 624 00:58:23,280 --> 00:58:27,640 # There was a time # when you'd let me know 625 00:58:27,680 --> 00:58:31,000 # what's really going on below 626 00:58:31,040 --> 00:58:34,680 # but now you never show it to me 627 00:58:34,720 --> 00:58:36,520 # do ya 628 00:58:37,400 --> 00:58:41,960 # but I remember when I moved in you 629 00:58:42,000 --> 00:58:45,640 # And the holy dove # she was moving too 630 00:58:45,680 --> 00:58:50,320 # and every breath we drew a # Hallelujah 631 00:58:51,840 --> 00:58:55,240 # Hallelujah 632 00:58:55,280 --> 00:58:58,040 # Hallelujah 633 00:58:59,160 --> 00:59:01,960 # Hallelujah 634 00:59:02,000 --> 00:59:05,960 # Hallelujah 635 00:59:14,920 --> 00:59:17,720 # I did my best, it wasn't much 636 00:59:18,600 --> 00:59:21,760 # I couldn't feel # so I tried to touch 637 00:59:21,800 --> 00:59:26,800 # I've told the truth, # I didn't come here to fool you 638 00:59:28,360 --> 00:59:32,160 # And even though it all went wrong 639 00:59:32,200 --> 00:59:36,120 # I'll stand right here before # the Lord of Song 640 00:59:36,160 --> 00:59:42,160 # With nothing on my tongue but # Hallelujah 641 00:59:42,200 --> 00:59:45,760 # Hallelujah 642 00:59:45,800 --> 00:59:48,960 # Hallelujah 643 00:59:49,000 --> 00:59:53,040 # Hallelujah 644 00:59:53,080 --> 00:59:58,800 # Hallelujah 645 01:00:05,240 --> 01:00:08,320 # Maybe there's a God above 646 01:00:09,200 --> 01:00:12,520 # all I've ever learned from love 647 01:00:12,560 --> 01:00:17,000 # Is how to shoot somebody # who outdrew you 648 01:00:19,320 --> 01:00:23,080 # And it's not a cry # that you hear at night 649 01:00:23,120 --> 01:00:26,800 # It's not someone # who's seen the light 650 01:00:26,840 --> 01:00:31,760 # It's a cold and it's a broken # hallelujah 651 01:00:32,960 --> 01:00:36,520 # Hallelujah 652 01:00:36,560 --> 01:00:40,360 # Hallelujah 653 01:00:40,400 --> 01:00:44,000 # Hallelujah 654 01:00:44,040 --> 01:00:47,960 # Hallelujah 655 01:00:48,000 --> 01:00:51,280 # Hallelujah 656 01:00:51,320 --> 01:00:53,760 # Hallelujah 657 01:00:55,000 --> 01:00:58,520 # Hallelujah 658 01:00:58,560 --> 01:01:03,240 # Hallelujah 659 01:01:12,640 --> 01:01:16,480 # Hallelujah # 660 01:01:25,920 --> 01:01:28,320 (APPLAUSE) 661 01:02:09,080 --> 01:02:12,400 AccessibleCustomerService@sky.uk 46238

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