All language subtitles for Monk S07E15 Mr. Monk and the Magician [1080p x265 10bit Joy]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:07,641 --> 00:00:10,178 (man) KEEP AN EYE ON IT. 2 00:00:10,211 --> 00:00:13,513 WATCH CAREFULLY. IF YOU BLINK, YOU'LL MISS IT. 3 00:00:13,547 --> 00:00:16,817 SO, UNO, DOS... OVER HERE. 4 00:00:16,850 --> 00:00:19,553 NOW IT'S OVER HERE. NOW IT'S OVER HERE. 5 00:00:19,586 --> 00:00:21,289 THEN THE COIN'S OVER HERE. THEN IT'S OVER HERE. 6 00:00:21,321 --> 00:00:23,457 I CAN MAKE IT JUMP ALL THE WAY OVER HERE AND OVER HERE, 7 00:00:23,490 --> 00:00:25,326 AND NOW ALL FOUR ARE OVER HERE IN THIS CORNER. 8 00:00:26,727 --> 00:00:28,228 HOW DOES HE DO IT? 9 00:00:28,262 --> 00:00:29,829 WHY DOES HE BOTHER? 10 00:00:29,862 --> 00:00:31,464 HERE. 11 00:00:31,498 --> 00:00:32,299 NOT REALLY. 12 00:00:34,534 --> 00:00:37,704 THAT'S A LOVELY WATCH. CAN I BORROW THAT? 13 00:00:37,737 --> 00:00:39,740 THANK YOU. 14 00:00:41,475 --> 00:00:42,676 I'LL TRADE YOU. 15 00:00:42,710 --> 00:00:45,246 YOUR WATCH FOR... 16 00:00:45,279 --> 00:00:46,646 [cheeping] 17 00:00:46,679 --> 00:00:47,648 THIS CHICK. 18 00:00:47,680 --> 00:00:49,649 [speaking Thai] 19 00:00:49,682 --> 00:00:51,752 HE SAYS BRING IT BACK. 20 00:00:51,784 --> 00:00:53,320 OH... 21 00:00:53,353 --> 00:00:56,124 DON'T YOU LIKE CHICKS? 22 00:00:56,156 --> 00:00:57,290 [blows] 23 00:00:57,325 --> 00:00:58,491 LOOK! 24 00:01:01,161 --> 00:01:03,631 [cocks trigger, speaks Thai] 25 00:01:05,766 --> 00:01:08,736 HE SAYS HE WILL MAKE THIS BULLET DISAPPEAR IN YOUR SKULL. 26 00:01:08,769 --> 00:01:09,870 WHERE IS THE WATCH? 27 00:01:09,903 --> 00:01:12,105 THAT'S A VERY GOOD QUESTION. 28 00:01:12,140 --> 00:01:14,108 [clears throat] 29 00:01:14,141 --> 00:01:15,442 WHY DON'T YOU ASK HIM? 30 00:01:34,762 --> 00:01:35,795 HOW MUCH? 31 00:01:35,829 --> 00:01:37,131 70 KILOS. 32 00:01:37,164 --> 00:01:38,765 IT IS THE BIGGEST SHIPMENT YET. 33 00:01:38,799 --> 00:01:40,433 CAN YOU HANDLE IT? 34 00:01:40,468 --> 00:01:43,403 YES. ABSOLUTELY. NO PROB--NO PROBLEM! 35 00:01:43,436 --> 00:01:45,438 NO PROBLEM. 36 00:01:45,472 --> 00:01:46,674 [speaking Thai] 37 00:01:46,706 --> 00:01:49,710 HE SAYS THERE IS ONLY ONE MAGIC TRICK 38 00:01:49,742 --> 00:01:51,745 HE WISHES TO SEE. 39 00:01:51,778 --> 00:01:55,182 HE WANTS TO SEE THIS HEROIN DISAPPEAR FROM THAILAND 40 00:01:55,216 --> 00:01:58,618 AND MAGICALLY REAPPEAR ON THE STREETS OF SAN FRANCISCO. 41 00:01:58,652 --> 00:02:00,820 [speaking Thai] 42 00:02:00,853 --> 00:02:02,489 IS THAT A TRICK YOU CAN DO? 43 00:02:02,522 --> 00:02:04,825 ABSOLUTELY. 44 00:02:06,527 --> 00:02:09,163 ABRACADABRA. 45 00:02:09,197 --> 00:02:12,265 [Randy Newman ragtime theme] 46 00:02:12,300 --> 00:02:14,534 * IT'S A JUNGLE OUT THERE 47 00:02:14,568 --> 00:02:18,671 * DISORDER AND CONFUSION EVERYWHERE * 48 00:02:18,705 --> 00:02:21,509 * NO ONE SEEMS TO CARE 49 00:02:21,542 --> 00:02:22,575 * WELL, I DO 50 00:02:22,610 --> 00:02:25,679 * HEY, WHO'S IN CHARGE HERE? 51 00:02:25,712 --> 00:02:29,250 * IT'S A JUNGLE OUT THERE 52 00:02:29,283 --> 00:02:32,353 * POISON IN THE VERY AIR WE BREATHE * 53 00:02:32,385 --> 00:02:34,722 * DO YOU KNOW WHAT'S IN THE WATER THAT YOU DRINK? * 54 00:02:34,754 --> 00:02:38,792 * WELL, I DO, AND IT'S A-MA-ZING * 55 00:02:38,825 --> 00:02:41,829 * PEOPLE THINK I'M CRAZY 'CAUSE I WORRY ALL THE TIME * 56 00:02:41,861 --> 00:02:45,399 * IF YOU PAID ATTENTION, YOU'D BE WORRIED TOO * 57 00:02:45,432 --> 00:02:49,637 * YOU'D BETTER PAY ATTENTION OR THIS WORLD WE LOVE SO MUCH * 58 00:02:49,670 --> 00:02:53,441 * MIGHT JUST KILL YOU 59 00:02:53,473 --> 00:02:55,343 * I COULD BE WRONG NOW 60 00:02:55,376 --> 00:02:57,645 * BUT I DON'T THINK SO 61 00:02:57,677 --> 00:03:00,213 * 'CAUSE IT'S A JUNGLE OUT THERE * 62 00:03:00,247 --> 00:03:03,883 * IT'S A JUNGLE OUT THERE * 63 00:03:12,992 --> 00:03:15,795 (man) THIS GOES HERE... 64 00:03:15,829 --> 00:03:18,966 ADD THIS...TO THIS. 65 00:03:18,998 --> 00:03:21,801 YOU...GO HERE. THERE YOU ARE. 66 00:03:21,835 --> 00:03:23,804 I'VE BEEN LOOKING FOR YOU. 67 00:03:23,836 --> 00:03:27,341 SUBTRACTING THAT. SUBTRACTING THAT. 68 00:03:29,009 --> 00:03:31,312 SUBTRACTING THAT, AND... 69 00:03:31,344 --> 00:03:33,781 NO. THAT IS... 70 00:03:33,813 --> 00:03:36,015 ABSOLUTELY NOT RIGHT AT ALL. 71 00:03:36,049 --> 00:03:37,850 APPLAUSE, APPLAUSE, APPLAUSE. 72 00:03:37,884 --> 00:03:41,322 DIFFERENT MUSIC CUE. SHOW THE CAGE. 73 00:03:41,354 --> 00:03:42,055 IT'S GONE. 74 00:03:42,088 --> 00:03:44,258 OOHS AND AHS FROM THE AUDIENCE. 75 00:03:44,292 --> 00:03:45,992 THAT'S WHEN YOU BRING ON THE CABINET. 76 00:03:46,026 --> 00:03:47,694 YOU WHEEL IT ON. THERE YOU GO, BIG SMILE. 77 00:03:47,728 --> 00:03:49,930 GIVE IT A SPIN. RIGHT THERE. 78 00:03:49,962 --> 00:03:53,567 NOT TOO FAST. LET ME SEE IT. 79 00:03:53,600 --> 00:03:55,034 THAT'S LOVELY. OKAY. 80 00:03:55,067 --> 00:03:57,037 THEN WE OPEN-- ROUND ABOUT THERE'S GOOD. 81 00:03:57,069 --> 00:03:58,972 WE OPEN THE CABINET. NOTHING INSIDE. 82 00:03:59,006 --> 00:04:01,775 EVERYONE CAN SEE IT'S EMPTY. NOTHING UP MY SLEEVES. 83 00:04:01,808 --> 00:04:04,010 YOU GO INSIDE. 84 00:04:04,044 --> 00:04:05,513 LIKE THIS? 85 00:04:05,545 --> 00:04:08,449 PERFECTION. AND-- WHO'S THAT? 86 00:04:08,481 --> 00:04:10,016 DORFMAN, WHAT ARE YOU DOING HERE? 87 00:04:10,050 --> 00:04:12,520 THIS IS A CLOSED REHEARSAL. 88 00:04:12,552 --> 00:04:13,920 RIGHT. S-SORRY. I'M NOT LOOKING. 89 00:04:13,954 --> 00:04:15,756 I CAN'T SEE ANYTHING. 90 00:04:15,788 --> 00:04:17,057 WELL, I CAN SEE MY FEET, ACTUALLY. 91 00:04:17,089 --> 00:04:19,026 I...HOPE THAT'S ALL RIGHT. I AM LOOKING AT THEM. 92 00:04:19,059 --> 00:04:20,560 THIS BETTER BE IMPORTANT. OKAY. YES. 93 00:04:20,593 --> 00:04:21,762 IT IS. 94 00:04:21,795 --> 00:04:23,297 IT'S ABOUT YOUR... [whispering] 95 00:04:23,331 --> 00:04:24,464 MY WHAT? 96 00:04:24,497 --> 00:04:25,966 WHY ARE YOU WHISPERING? 97 00:04:25,999 --> 00:04:28,468 WELL, 'CAUSE IT'S PRIVATE. TANYA...HI, TANYA. 98 00:04:34,875 --> 00:04:36,543 OH...MY! 99 00:04:36,576 --> 00:04:37,978 THAT IS FANTASTIC. 100 00:04:38,011 --> 00:04:40,747 YOU ARE REALLY THE GREAT TORINI. 101 00:04:40,781 --> 00:04:43,082 AND I HAVEN'T EVEN MET THE OTHER TORINIS. 102 00:04:43,115 --> 00:04:45,552 I DON'T EVEN KNOW IF THEY'RE HALFWAY DECENT TORINIS. 103 00:04:45,586 --> 00:04:46,920 YOU KNOW, IT'S FUNNY. 104 00:04:46,954 --> 00:04:49,322 I'M THINKING ABOUT DOING SOMETHING SIMILAR IN MY OWN ACT. 105 00:04:49,356 --> 00:04:51,324 AS YOU KNOW, I'M A MAGICIAN AS WELL. 106 00:04:51,358 --> 00:04:53,860 YES, KEVIN, I'VE SEEN YOUR ACT...ON AMATEUR NIGHT. 107 00:04:53,894 --> 00:04:56,430 WELL, I'M NOT... IN YOUR LEAGUE, OF COURSE. 108 00:04:56,463 --> 00:04:57,965 NOT YET, ANYWAY. 109 00:04:57,997 --> 00:04:59,500 HERE'S THE TRICK. 110 00:04:59,533 --> 00:05:00,834 I USE A CAT. MM-HMM. 111 00:05:00,867 --> 00:05:02,636 LITTLE PERSIAN KITTEN. HOLD IT OUT LIKE THIS. 112 00:05:02,670 --> 00:05:03,870 COVER IT WITH A HANDKERCHIEF. 113 00:05:03,903 --> 00:05:05,038 ABRACA-DORFMAN-- IT'S A BUTTERFLY. 114 00:05:05,072 --> 00:05:06,807 KEVIN, I'M VERY BUSY HERE. 115 00:05:06,839 --> 00:05:08,108 I REALIZE THAT. LITTLE PROBLEM. 116 00:05:08,141 --> 00:05:09,776 I'VE BEEN LOOKING AT YOUR RECEIPTS 117 00:05:09,810 --> 00:05:10,944 FROM YOUR LAST WORLD TOUR. 118 00:05:10,978 --> 00:05:12,913 LET ME SHOW YA THIS. 119 00:05:12,946 --> 00:05:14,981 THESE ARE YOUR AIRLINE RECEIPTS. 120 00:05:15,014 --> 00:05:16,449 YOUR EQUIPMENT, ACCORDING TO THESE, 121 00:05:16,483 --> 00:05:18,351 WEIGHED MORE ON THE WAY BACK 122 00:05:18,386 --> 00:05:20,521 THAN ON THE WAY THERE. 123 00:05:20,553 --> 00:05:23,055 REALLY? YEAH. I CHECKED THE RECORDS. 124 00:05:23,089 --> 00:05:25,793 SAME THING HAPPENED LAST YEAR AND THE YEAR BEFORE THAT. 125 00:05:25,826 --> 00:05:27,860 THE AIRLINES ARE RIPPING YOU OFF. 126 00:05:27,894 --> 00:05:30,029 I SAY WE GET A LAWYER, AND I SAY WE USE THE SOBs. 127 00:05:30,062 --> 00:05:33,867 [whispers] YOU AND ME. LET'S GET 'EM. 128 00:05:33,901 --> 00:05:35,369 YES! WELL... 129 00:05:35,403 --> 00:05:37,670 GOOD WORK, KEVIN, AS ALWAYS. 130 00:05:37,704 --> 00:05:38,906 THANK YOU. 131 00:05:38,939 --> 00:05:40,740 HERE'S WHAT WE'RE GONNA DO. OKAY. 132 00:05:40,774 --> 00:05:42,375 CLOSE THE BOOK. OKAY. 133 00:05:42,409 --> 00:05:44,745 GO AHEAD, CLOSE IT. ALL RIGHT. 134 00:05:44,778 --> 00:05:46,146 I WANT YOU TO FORGET ABOUT IT. 135 00:05:46,178 --> 00:05:47,980 OKAY. PUT IT OUT OF YOUR MIND. 136 00:05:48,014 --> 00:05:49,949 WE'LL TAKE CARE OF THIS NEXT WEEK. 137 00:05:49,983 --> 00:05:51,718 RIGHT NOW I HAVE A BIGGER PROBLEM. 138 00:05:51,752 --> 00:05:53,853 I NEED YOUR HELP. OKAY. 139 00:05:53,887 --> 00:05:55,689 I'M SUPPOSED TO HEADLINE HERE SATURDAY NIGHT. 140 00:05:55,723 --> 00:05:58,526 SOMETHING'S JUST COME UP. OH, MY GOODNESS. 141 00:05:58,558 --> 00:06:01,461 I'M TAKING TANYA TO RENO. 142 00:06:01,495 --> 00:06:03,863 TRUTH IS, I'M GONNA ASK HER TO MARRY ME. 143 00:06:03,896 --> 00:06:05,632 [whispers] GET OUT. YEAH. 144 00:06:05,665 --> 00:06:07,033 THAT IS WONDERFUL. 145 00:06:07,067 --> 00:06:09,437 YEAH, ANYWAY, POINT IS I NEED SOMEONE TO FILL IN, 146 00:06:09,470 --> 00:06:11,137 AND I WONDERED IF... YOU'D BE INTERESTED. 147 00:06:11,170 --> 00:06:12,673 OH, MY GOODNESS. 148 00:06:12,706 --> 00:06:16,009 [inhales] AM I READY? 149 00:06:16,043 --> 00:06:17,877 KEVIN, I'VE BEEN WATCHING YOU. 150 00:06:17,911 --> 00:06:19,146 YOU'RE A NATURAL. THAT'S TRUE. 151 00:06:19,178 --> 00:06:21,014 SEE, MAGIC IS ALL ABOUT SELF-CONFIDENCE. 152 00:06:21,048 --> 00:06:23,082 IF YOU BELIEVE YOU CAN DO SOMETHING, 153 00:06:23,115 --> 00:06:24,785 YOU CAN DO IT! 154 00:06:24,817 --> 00:06:26,086 THEN I CAN DO IT. 155 00:06:26,119 --> 00:06:27,920 I CAN DO IT, AND I'M GONNA DO IT. OKAY. 156 00:06:27,954 --> 00:06:30,156 THANK YOU... MR. TORINI. 157 00:06:30,189 --> 00:06:31,925 YOU WILL NOT REGRET THIS. OKAY. 158 00:06:31,959 --> 00:06:33,593 WELL, YOU MIGHT REGRET IT A LITTLE BIT. 159 00:06:33,627 --> 00:06:35,629 BUT YOU WON'T REGRET IT THAT MUCH. OKAY. 160 00:06:40,167 --> 00:06:42,069 AND... 161 00:06:42,101 --> 00:06:45,505 [rings falling, clattering] 162 00:06:48,040 --> 00:06:49,976 THANK YOU. OKAY. 163 00:06:50,009 --> 00:06:52,545 HAS ANYONE SEEN MY CANE? 164 00:06:52,579 --> 00:06:54,981 I'M KIND OF IN THE MOOD TO TAKE A LITTLE STROLL. 165 00:06:55,014 --> 00:06:56,182 OH, THERE IT IS. 166 00:07:00,521 --> 00:07:03,990 I'M GOING TO NEED... EVERYBODY IN THE CROWD... 167 00:07:04,024 --> 00:07:07,127 TO SAY...ABRACA-DORFMAN. 168 00:07:08,596 --> 00:07:09,362 ABRA... 169 00:07:09,396 --> 00:07:11,699 ABRA...CA-DORFMAN. ABRACA-DORFMAN. 170 00:07:11,731 --> 00:07:14,033 [gasps] 171 00:07:14,067 --> 00:07:15,536 (Natalie) WOW! 172 00:07:15,569 --> 00:07:17,504 [whispering] OH...HOW IS THAT HAPPENING? 173 00:07:17,538 --> 00:07:19,906 WOW! THAT'S A GOOD ONE. HOW'D YOU DO THAT? 174 00:07:19,939 --> 00:07:22,009 [whispering] IT'S NOT OVER YET. 175 00:07:22,042 --> 00:07:24,076 NOW IT'S OVER. 176 00:07:24,110 --> 00:07:27,548 I'M SORRY, BUT, UH, A MAGICIAN NEVER REVEALS HIS TRICKS. 177 00:07:27,581 --> 00:07:28,981 OKAY, I'LL TELL YA. 178 00:07:29,016 --> 00:07:30,817 IT'S A SPECIAL WIRE. 179 00:07:30,850 --> 00:07:33,620 YOU SEE, IT'S PAINTED BLACK, SO IT'S INVISIBLE. 180 00:07:33,653 --> 00:07:37,124 YOU SEE, YOU CAN'T SEE IT IN THE LIGHT, AND IT'S ATTACHED... 181 00:07:37,156 --> 00:07:39,158 TO THIS COAT RACK. 182 00:07:39,192 --> 00:07:42,028 YOU DIDN'T EVEN SEE THE COAT... RACK. OKAY, WAIT. 183 00:07:42,062 --> 00:07:44,031 TIME OUT. 184 00:07:44,064 --> 00:07:45,064 OH, THAT'S REALLY-- 185 00:07:45,098 --> 00:07:46,933 (Monk) KEVIN? YEAH. 186 00:07:46,966 --> 00:07:48,802 UM, I'M JUST CURIOUS. 187 00:07:48,836 --> 00:07:52,139 H-HOW DID YOU... HOW DID YOU GET THE JOB? 188 00:07:53,874 --> 00:07:55,141 IT'S AN INTERESTING STORY, ACTUALLY. 189 00:07:55,175 --> 00:07:58,545 UM...I HAVE A-- I HAVE A FRIEND 190 00:07:58,579 --> 00:08:01,514 AT THE, UH, AT THE CASTLE, AND, UH...KARL TORINI. 191 00:08:01,548 --> 00:08:03,250 HE'S MORE OF A-- HE'S MORE OF A MENTOR, REALLY. 192 00:08:03,283 --> 00:08:04,918 BUT A FRIEND. 193 00:08:04,951 --> 00:08:07,588 WE WERE CHATTIN' IT UP YESTERDAY, AS FRIENDS DO, 194 00:08:07,620 --> 00:08:09,122 ABOUT A LOT OF THINGS, BUT MOSTLY TRAVEL. 195 00:08:09,156 --> 00:08:13,293 AND I WAS POINTING OUT TO HIM THAT HE IS GETTING OVERCHARGED. 196 00:08:13,326 --> 00:08:14,795 OH, YEAH. 197 00:08:14,827 --> 00:08:16,997 THE AIRLINES HAVE BEEN OVERCHARGING HIM FOR YEARS! 198 00:08:17,029 --> 00:08:20,834 HOW CAN HIS EQUIPMENT WEIGH MORE ON HIS RETURN TRIPS 199 00:08:20,867 --> 00:08:23,036 THAN WHEN HE LEFT? 200 00:08:24,271 --> 00:08:26,774 ANYWAY, TO MAKE A LONG-- 201 00:08:29,910 --> 00:08:32,144 OKAY...ONE SECOND. 202 00:08:37,918 --> 00:08:39,286 TO MAKE A LONG STORY SHORT-- 203 00:08:39,318 --> 00:08:40,854 IT'S A LITTLE LATE FOR THAT. 204 00:08:40,888 --> 00:08:43,056 HE HAD TO GO TO RENO AND, UH... 205 00:08:43,090 --> 00:08:44,591 KINDA ASKED ME TO FILL IN FOR HIM. 206 00:08:44,625 --> 00:08:45,592 YEAH... 207 00:08:45,625 --> 00:08:48,095 OKAY, AND NOW IT'S TIME.. 208 00:08:48,128 --> 00:08:51,664 FOR MY PIECE DE RESISTANCE. 209 00:08:51,698 --> 00:08:55,969 THAT MEANS PIECE OF RESISTANCE. 210 00:08:56,003 --> 00:08:58,205 I CALL IT... 211 00:09:00,707 --> 00:09:02,109 THE VANISHING MAN. 212 00:09:03,844 --> 00:09:05,946 OR LADY. 213 00:09:05,979 --> 00:09:08,981 THE VANISHING MAN OR LADY. IT'S A TEMPORARY TITLE. 214 00:09:09,015 --> 00:09:11,851 I'M GONNA NEED A VOLUNTEER FROM THE AUDIENCE. 215 00:09:11,884 --> 00:09:13,986 ANYONE WANT TO, UH, WANNA VOLUNTEER, 216 00:09:14,020 --> 00:09:16,255 JUST RAISE YOUR HAND... RAISE YOUR HAND UP HIGH 217 00:09:16,288 --> 00:09:19,091 TO...TO GET UP ON STAGE WITH THE, UH, MAGICIAN. COME ON! 218 00:09:19,125 --> 00:09:21,662 OH, YOU, SIR! 219 00:09:21,695 --> 00:09:23,129 SO GRACIOUS OF YOU! I LIKE THAT JACKET. 220 00:09:23,163 --> 00:09:25,899 DID SOMEBODY, UH, HAVE A GARAGE SALE? 221 00:09:25,932 --> 00:09:28,601 I'M JOKING, FOLKS. BUT SERIOUSLY. 222 00:09:28,635 --> 00:09:30,671 HAVE WE EVER MET BEFORE? 223 00:09:30,703 --> 00:09:32,673 KEVIN, I-I'M NOT GONNA GET IN THAT BOX. 224 00:09:32,706 --> 00:09:34,374 [whispers] JUST GET IN THE BOX REAL QUICK FOR A SECOND. 225 00:09:34,407 --> 00:09:36,677 NO. I WA--I WAS BURIED-- JUST REAL QUICK. JUST ONE SECOND. 226 00:09:36,710 --> 00:09:38,044 NO. JUST REAL QUICK IN THE BOX? 227 00:09:38,077 --> 00:09:40,013 I WAS BURIED ALIVE ONCE, AND, UH... 228 00:09:40,047 --> 00:09:41,048 I UNDERSTAND. 229 00:09:41,081 --> 00:09:43,683 YOU KNOW, THERE'S JUST NO WAY ON GOD'S GREEN EARTH 230 00:09:43,716 --> 00:09:45,686 THAT I-I'M GONNA GET IN THAT BOX. 231 00:09:45,719 --> 00:09:47,721 (Kevin) YOU'RE DISAPPOINTING A LOT OF MY FANS OUT THERE. 232 00:09:47,754 --> 00:09:49,056 (Monk) JUST TELLING YOU. 233 00:09:49,088 --> 00:09:51,091 (Kevin) GET IN THE BOX FOR A SECOND, REAL QUICK. 234 00:09:51,124 --> 00:09:53,125 JUST REAL QUICK, GET IN THE BOX. NO. 235 00:09:53,159 --> 00:09:56,096 A LOTTA PEOPLE ARE GONNA GO HOME DISAPPOINTED TONIGHT. 236 00:10:01,701 --> 00:10:02,669 [ring clatters] 237 00:10:02,702 --> 00:10:04,403 DORFMAN, TEN MINUTES! 238 00:10:04,437 --> 00:10:06,639 YOU OKAY? YEAH. YEAH. 239 00:10:06,673 --> 00:10:09,009 I'M GOOD. [telephone rings] 240 00:10:09,042 --> 00:10:11,144 I'M GOOD. AWESOME. 241 00:10:11,177 --> 00:10:13,080 MAGIC CASTLE. 242 00:10:13,113 --> 00:10:15,115 YEAH--SURE. 243 00:10:15,148 --> 00:10:17,149 YEAH. YEAH, HOLD ON. 244 00:10:17,183 --> 00:10:18,150 HOLD ON. 245 00:10:18,184 --> 00:10:19,919 EVERYBODY, IT'S TORINI. 246 00:10:19,952 --> 00:10:23,090 HE'S CALLING FROM NEVADA, SAYS HE HAS SOME BIG NEWS. 247 00:10:25,125 --> 00:10:27,695 (The Great Torini) AM I ON SPEAKERPHONE? YES, SIR. 248 00:10:27,727 --> 00:10:29,162 GO AHEAD. WE'RE ALL HERE. 249 00:10:29,196 --> 00:10:30,429 TANYA AND I HAVE SOME GREAT NEWS. 250 00:10:30,462 --> 00:10:31,899 WE WANTED EVERYONE TO KNOW. 251 00:10:31,932 --> 00:10:33,066 TANYA, DO YOU WANT TO TELL THEM? 252 00:10:33,100 --> 00:10:35,735 [Tanya, giggling] NO, YOU GO AHEAD. OKAY. 253 00:10:35,769 --> 00:10:37,437 (The Great Torini) I JUST ASKED TANYA TO MARRY ME, 254 00:10:37,470 --> 00:10:39,306 AND SHE SAID YES! 255 00:10:39,338 --> 00:10:41,040 [chuckling] I KNOW. 256 00:10:41,073 --> 00:10:43,009 IT'S THE BEST TRICK I EVER PULLED OFF. 257 00:10:43,043 --> 00:10:44,711 MR. TORINI! YES. 258 00:10:44,745 --> 00:10:45,879 IT'S KEVIN DORFMAN. 259 00:10:45,913 --> 00:10:47,715 FROM BACK-- FROM BACK STAGE HERE. 260 00:10:47,748 --> 00:10:49,149 I JUST WANTED TO LET YOU KNOW 261 00:10:49,182 --> 00:10:51,784 I AM DEDICATING MY SHOW TO YOU AND TANYA. 262 00:10:51,818 --> 00:10:55,121 OH, KEVIN...THAT'S THE ICING ON THE CAKE. 263 00:10:55,154 --> 00:10:56,288 THIS IS FOR YOU, GUYS. 264 00:11:02,129 --> 00:11:04,965 (Kevin) AND...PLEASE LET THAT BE YOUR CARD. 265 00:11:04,998 --> 00:11:06,066 NO. 266 00:11:06,099 --> 00:11:10,770 IS...THIS YOUR CARD 267 00:11:10,803 --> 00:11:12,272 THAT I MAGICALLY PULLED OUT OF YOUR EAR? 268 00:11:12,304 --> 00:11:14,474 NO. 269 00:11:14,506 --> 00:11:18,144 IS IT A HEART OR A SPADE? 270 00:11:18,177 --> 00:11:20,913 RED OR BLACK? 271 00:11:20,947 --> 00:11:22,182 IS IT A JACK OF CLUBS? 272 00:11:22,215 --> 00:11:23,783 (man) SAY YES! 273 00:11:23,817 --> 00:11:24,817 UH, YES. 274 00:11:24,851 --> 00:11:26,086 EXCELLENT! THANK YOU SO MUCH! 275 00:11:26,119 --> 00:11:27,386 JACK OF CLUBS IT WAS. 276 00:11:27,419 --> 00:11:28,855 YEAH. 277 00:11:28,889 --> 00:11:31,024 GIVE HER A ROUND OF APPLAUSE. SHE WAS EXCELLENT. 278 00:11:31,057 --> 00:11:33,092 [scattered applause] UM...THANK YOU. 279 00:11:33,125 --> 00:11:36,096 AND NOW, WHO WANTS TO GET SAWED IN HALF? 280 00:11:36,129 --> 00:11:38,197 [silence] 281 00:11:38,230 --> 00:11:40,200 NO? NO ONE? ALL RIGHT. 282 00:11:40,232 --> 00:11:41,802 YOU'RE LEAVING? OKAY, EXCELLENT. 283 00:11:41,835 --> 00:11:43,370 THANKS SO MUCH. THANKS SO MUCH FOR COMING. 284 00:11:43,403 --> 00:11:46,505 UM...NOBODY WANTS TO BE SAWED IN HALF. 285 00:11:46,538 --> 00:11:48,808 NO ONE? FANTASTIC. 286 00:11:48,841 --> 00:11:51,043 MOVING ON--FOR MY FINAL TRICK, I'D LIKE FOR EVERYBODY-- 287 00:11:51,077 --> 00:11:52,245 [clapping] SHH! 288 00:11:52,278 --> 00:11:53,480 THANK YOU, SIR. 289 00:11:53,513 --> 00:11:56,115 I'D LIKE FOR EVERYBODY TO SAY HELLO TO FLUFFY. 290 00:11:56,149 --> 00:11:57,350 (Natalie) HI, FLUFFY! HELLO, FLUFFY. 291 00:11:57,384 --> 00:11:59,886 HERE HE IS. 292 00:11:59,919 --> 00:12:01,321 FLUFFY, SAY HELLO TO EVERYBODY. 293 00:12:01,354 --> 00:12:03,990 IN THE BOX. WHOA, EASY. 294 00:12:04,024 --> 00:12:07,326 [chuckling] FLUFFY...COME ON. 295 00:12:07,360 --> 00:12:10,462 HERE WE GO. OKAY! 296 00:12:10,496 --> 00:12:12,765 OKAY. 297 00:12:12,799 --> 00:12:15,434 [whispering] PLEASE, FOR THE LOVE OF GOD. 298 00:12:15,467 --> 00:12:17,804 ABRACA-DORFMAN. 299 00:12:17,837 --> 00:12:19,172 OH! [laughing] 300 00:12:19,206 --> 00:12:20,440 (Natalie) OH--YEAH! [clapping] 301 00:12:20,472 --> 00:12:22,509 OKAY! YEAH! 302 00:12:22,542 --> 00:12:23,976 THANK YOU SO MUCH. YEAH! 303 00:12:24,010 --> 00:12:25,946 THANK YOU. OKAY, EXCELLENT. 304 00:12:25,979 --> 00:12:28,248 UM...MY NAME IS KEVIN DORFMAN. 305 00:12:28,280 --> 00:12:32,184 UH, IF YOU LIKED THE SHOW, PLEASE TELL MANAGEMENT, 306 00:12:32,219 --> 00:12:34,955 AND, UH--OH, MY GOODNESS. DON'T LOOK AT MY PANTS. 307 00:12:34,988 --> 00:12:37,024 [rabbit squeaking] UH...PLEASE. EVERYTHING'S FINE. 308 00:12:37,057 --> 00:12:38,892 IT'S ALL PART OF THE ACT. 309 00:12:38,926 --> 00:12:40,427 THIS IS PART OF IT. AH! 310 00:12:40,460 --> 00:12:42,895 [rabbit squeaking] THAT...REALLY...HURT ME. 311 00:12:42,929 --> 00:12:45,065 NIBBLING. AH...KAY. 312 00:12:45,097 --> 00:12:45,999 HURT A LITTLE BIT. 313 00:12:46,033 --> 00:12:49,036 I'M GOING TO LEAVE NOW. THANK YOU SO MUCH. 314 00:12:49,068 --> 00:12:51,238 THANK YOU. I THOUGHT THEY ONLY ATE LETTUCE! 315 00:12:53,605 --> 00:12:55,241 WHAT DID YOU THINK? 316 00:12:57,076 --> 00:12:58,245 GIMME A MINUTE. [exhales] 317 00:12:58,278 --> 00:13:00,547 I'M STILL ABSORBING IT. 318 00:13:00,580 --> 00:13:03,884 YOU KNOW, I DIDN'T THINK IT WAS THAT BAD. 319 00:13:03,917 --> 00:13:08,520 NATALIE...THERE ARE THREE DEAD DOVES ON THAT STAGE. 320 00:13:08,554 --> 00:13:11,958 PRESENTATION...B-MINUS. 321 00:13:11,991 --> 00:13:15,595 ENERGY...A-MINUS. 322 00:13:15,628 --> 00:13:18,966 EXECUTION--LET'S BE HONEST-- D-PLUS. 323 00:13:18,999 --> 00:13:20,967 D-MINUS. 324 00:13:21,000 --> 00:13:22,970 BUT...DON'T LET IT GET YOU DOWN. 325 00:13:23,003 --> 00:13:24,437 YOU GOTTA JUST FOCUS-- 326 00:13:24,471 --> 00:13:25,873 [door squeaks] 327 00:13:25,905 --> 00:13:27,506 WHAT ARE YOU DOIN' HERE? 328 00:13:27,539 --> 00:13:30,277 WHAT DO YOU THINK'S KEEPING HIM? 329 00:13:30,309 --> 00:13:33,013 SHAME. JUST A GUESS. 330 00:13:33,046 --> 00:13:35,381 MR. MONK, WHY DON'T YOU GO LOOK FOR HIM, 331 00:13:35,414 --> 00:13:37,116 AND I'LL WAIT HERE. 332 00:13:47,626 --> 00:13:51,030 OH, EXCUSE ME, I-I'M LOOKING FOR THE DRESSING ROOMS. 333 00:13:51,063 --> 00:13:52,465 THANK YOU. 334 00:13:59,505 --> 00:14:01,073 [knocking] 335 00:14:01,441 --> 00:14:03,910 KEVIN? UH, IT'S ADRIAN. 336 00:14:03,943 --> 00:14:05,345 [opens door] 337 00:14:05,378 --> 00:14:06,413 HEY, CONGRATULATIONS-- 338 00:14:08,014 --> 00:14:09,349 KEVIN? 339 00:14:11,618 --> 00:14:13,921 ARE YOU TRYING TO LEVITATE? 340 00:14:19,259 --> 00:14:21,461 [whispers] OH, NO. 341 00:14:26,265 --> 00:14:28,368 HE WAS JUST... JUST A KID. 342 00:14:28,400 --> 00:14:30,437 DID HE SAY ANYTHING? 343 00:14:30,470 --> 00:14:33,105 WAS HE IN TROUBLE? 344 00:14:37,144 --> 00:14:38,211 LOOK... 345 00:14:38,245 --> 00:14:41,548 I KNOW THIS IS TOUGH. 346 00:14:43,450 --> 00:14:47,053 IF YOU WANNA TAKE A STEP BACK, GO HOME, 347 00:14:47,086 --> 00:14:48,654 EVERYBODY HERE WOULD UNDERSTAND. 348 00:14:48,687 --> 00:14:51,091 I'M HERE. 349 00:14:51,124 --> 00:14:52,591 LET'S DO IT. 350 00:14:54,561 --> 00:14:57,330 OKAY. [clears throat] 351 00:14:57,364 --> 00:15:00,232 HE WAS, UH, ASPHYXIATED. STRANGLED. 352 00:15:00,267 --> 00:15:01,301 OH, NO. 353 00:15:01,333 --> 00:15:02,601 PROBABLY FROM BEHIND. 354 00:15:02,634 --> 00:15:04,437 THE KILLER USED A LIGATURE, 355 00:15:04,471 --> 00:15:06,139 SOMETHING THING AND STRONG. 356 00:15:06,173 --> 00:15:08,441 PROBABLY PIANO WIRE. 357 00:15:08,475 --> 00:15:10,110 CAN I SEE IT? 358 00:15:10,143 --> 00:15:11,979 WE HAVEN'T FOUND IT YET. 359 00:15:12,011 --> 00:15:14,246 OR HE TOOK IT WITH HIM. WE DON'T KNOW. 360 00:15:32,298 --> 00:15:34,267 THE KILLER... 361 00:15:34,301 --> 00:15:36,235 IT'S A MAGICIAN. 362 00:15:38,770 --> 00:15:41,240 WHAT IS THAT? BLACK PAINT. 363 00:15:42,741 --> 00:15:45,278 THEY PAINT THEIR WIRES SO THEY CAN'T BE SEEN. 364 00:15:45,312 --> 00:15:46,712 MAGICIAN. THAT'S GOOD. 365 00:15:46,745 --> 00:15:48,215 YOU WERE THE FIRST ONE BACK HERE. 366 00:15:48,248 --> 00:15:49,749 DID YOU SEE ANYBODY? 367 00:15:49,782 --> 00:15:52,119 MM-MM. NO. 368 00:15:52,152 --> 00:15:54,254 WELL, THERE WAS A MAINTENANCE MAN. 369 00:15:54,287 --> 00:15:55,288 MAYBE HE SAW SOMETHING. 370 00:15:55,322 --> 00:15:58,758 THE MAINTENANCE CREW DOESN'T WORK ON SATURDAYS. 371 00:15:58,790 --> 00:16:01,227 OH, MY GOD. 372 00:16:03,230 --> 00:16:04,297 I SAW HIM. 373 00:16:04,331 --> 00:16:06,265 YOU SAW HIM. 374 00:16:06,298 --> 00:16:09,469 I SAW THE GUY. 375 00:16:09,501 --> 00:16:12,572 (man) HE WAS THE NICEST KID I EVER KNEW. 376 00:16:12,605 --> 00:16:15,008 I MEAN, LAST SUMMER AFTER THE HURRICANE, 377 00:16:15,042 --> 00:16:18,110 HE CAME OVER AND CLEANED OUT ALL MY GUTTERS. 378 00:16:18,144 --> 00:16:20,279 EXCEPT FOR THE GARAGE. 379 00:16:20,312 --> 00:16:22,782 BUT WE DIDN'T HAVE GUTTERS IN THE GARAGE. 380 00:16:22,815 --> 00:16:25,284 WE HAVE THEM NOW. [laughs] 381 00:16:25,317 --> 00:16:27,586 WE DIDN'T HAVE THEM... THEN. 382 00:16:27,620 --> 00:16:29,788 I PUT THEM IN THREE WEEKS AGO. 383 00:16:29,822 --> 00:16:35,261 [sighs] YEAH, ACTUALLY, I HAD TO REDO THE WHOLE ROOF. 384 00:16:35,294 --> 00:16:37,129 THAT'S A NICE PICTURE. 385 00:16:37,163 --> 00:16:39,165 I TOOK THAT PICTURE. OH. 386 00:16:39,198 --> 00:16:40,500 TOOK ME TWO HOURS. 387 00:16:40,533 --> 00:16:42,668 I WANTED TO GET ONE WHERE HE WASN'T TALKING. 388 00:16:42,701 --> 00:16:44,037 HA. 389 00:16:44,071 --> 00:16:45,272 WELL, YOU DID IT. 390 00:16:45,304 --> 00:16:47,206 ACTUALLY, I HAD TO PHOTOSHOP IT. 391 00:16:47,240 --> 00:16:48,341 RIGHT. 392 00:16:48,375 --> 00:16:50,243 YOU MUST BE ADRIAN MONK. THAT'S RIGHT. 393 00:16:50,277 --> 00:16:52,644 AND NATALIE. I'M KEVIN'S AUNT SHEILA. 394 00:16:52,678 --> 00:16:53,712 OH, HELLO. 395 00:16:53,745 --> 00:16:56,216 WE'RE SO SORRY FOR YOUR LOSS. 396 00:16:56,249 --> 00:16:57,417 OH, THANK YOU, DEAR. 397 00:16:57,450 --> 00:16:58,650 OH! 398 00:16:58,684 --> 00:17:02,822 OH, I JUST FEEL LIKE I KNOW YOU FOLKS! 399 00:17:02,855 --> 00:17:05,258 HE TALKED ABOUT YOU ALL THE TIME. 400 00:17:05,291 --> 00:17:06,326 OH, GOD BLESS HIM. 401 00:17:06,358 --> 00:17:07,693 WE HAD A LITTLE TRADITION. 402 00:17:07,727 --> 00:17:09,296 HE WOULD CALL ME EVERY SUNDAY 403 00:17:09,328 --> 00:17:10,596 AND TELL ME ALL ABOUT HIS WEEK. 404 00:17:10,630 --> 00:17:12,199 WE NEVER MISSED A SUNDAY. 405 00:17:12,231 --> 00:17:13,333 YEAH. 406 00:17:13,365 --> 00:17:14,767 I THINK THAT'S... 407 00:17:14,800 --> 00:17:17,136 WHAT I'M GONNA MISS MOST OF ALL... 408 00:17:17,170 --> 00:17:19,239 OUR SUNDAY NIGHT CHATS. 409 00:17:19,271 --> 00:17:21,141 YES, MA'AM. HE WAS VERY SPECIAL. 410 00:17:21,173 --> 00:17:23,109 YEAH... WAIT! 411 00:17:23,143 --> 00:17:24,009 I TELL A LIE. 412 00:17:24,042 --> 00:17:27,114 WE DID MISS ONE SUNDAY, 12 1/2 YEARS AGO. 413 00:17:27,146 --> 00:17:28,515 THAT WAS THE SUMMER 414 00:17:28,548 --> 00:17:30,549 I TRAVELED TO ITALY WITH MY MAH-JONGG GROUP. 415 00:17:30,583 --> 00:17:31,384 OH... OH... 416 00:17:31,417 --> 00:17:33,752 BUT WE MADE UP FOR IT WHEN I GOT BACK. 417 00:17:33,786 --> 00:17:34,854 WE SPOKE TWICE THAT WEEK-- (Monk) OH! 418 00:17:34,886 --> 00:17:36,189 FRIDAY AND SUNDAY. 419 00:17:36,222 --> 00:17:37,490 IMAGINE THAT. THAT'S GREAT. 420 00:17:37,523 --> 00:17:38,290 THEN THERE WAS THE TIME 421 00:17:38,325 --> 00:17:40,426 MY TELEPHONE SERVICE WAS INTERRUPTED. 422 00:17:40,460 --> 00:17:42,194 NO, WAIT. THAT WAS A TUESDAY. 423 00:17:42,229 --> 00:17:44,431 SO THAT REALLY WOULD NOT HAVE AFFECTED OUR-- 424 00:17:44,463 --> 00:17:46,199 I'M SORRY. I JUST REMEMBERED. 425 00:17:46,232 --> 00:17:48,401 I'M...THIRSTY. 426 00:17:48,434 --> 00:17:50,202 YOU...FORGOT YOU WERE THIRSTY? 427 00:17:50,237 --> 00:17:52,404 OH, I'VE JUST BEEN... SO BUSY. 428 00:17:52,439 --> 00:17:55,107 SO NICE TO MEET YOU. 429 00:17:55,142 --> 00:17:56,143 HELLO. 430 00:17:56,175 --> 00:17:57,443 SO IT'S HEREDITARY? 431 00:17:57,477 --> 00:17:59,346 APPARENTLY, IT'S A DOMINANT TRAIT. 432 00:17:59,378 --> 00:18:01,647 YOU KNOW WHAT, I REALLY AM THIRSTY. 433 00:18:01,681 --> 00:18:03,282 OH, EXCUSE ME. WHERE DID YOU GET THAT? 434 00:18:03,316 --> 00:18:05,152 OH, IT'S IN THE LOBBY JUST DOWN THE HALL. 435 00:18:09,788 --> 00:18:12,325 'SCUSE ME, I'M--I'M LOOKING FOR THE DRESSING ROOMS. 436 00:18:15,261 --> 00:18:16,729 WHO WAS THAT MAN? 437 00:18:16,762 --> 00:18:18,631 THAT'S TORINI. THAT'S KEVIN'S FRIEND. 438 00:18:18,664 --> 00:18:20,333 HE'S THE MAGICIAN. 439 00:18:20,366 --> 00:18:22,701 THE BEST IN THE WORLD. THAT'S WHAT THEY SAY. 440 00:18:25,538 --> 00:18:26,806 (Monk) UH... 441 00:18:26,838 --> 00:18:28,174 I'M SORRY. 442 00:18:28,208 --> 00:18:29,808 I JUST WANTED TO INTRODUCE MYSELF. 443 00:18:29,842 --> 00:18:31,411 I'M ADRIAN MONK. 444 00:18:31,443 --> 00:18:32,612 THIS IS NATALIE TEEGER. 445 00:18:32,644 --> 00:18:34,814 YES, OF COURSE. THE FAMOUS DETECTIVE. 446 00:18:34,846 --> 00:18:36,182 KARL TORINI. YES. 447 00:18:36,215 --> 00:18:37,683 MY ASSISTANT, TANYA ADAMS. 448 00:18:37,717 --> 00:18:39,318 HELLO. [snaps] 449 00:18:39,352 --> 00:18:40,287 WERE YOU A FRIEND OF KEVIN'S, 450 00:18:40,319 --> 00:18:42,588 OR ARE YOU WORKING ON THE CASE? 451 00:18:42,622 --> 00:18:44,590 BOTH. BOTH. HOW'S IT GOING? 452 00:18:44,624 --> 00:18:47,227 UH...THERE'S NOTHING TO REPORT. 453 00:18:47,259 --> 00:18:48,661 AT LEAST NOT YET. 454 00:18:48,694 --> 00:18:51,530 YOU WORKED WITH KEVIN, DIDN'T YOU? 455 00:18:51,564 --> 00:18:52,932 WELL, I DIDN'T REALLY KNOW HIM. 456 00:18:52,964 --> 00:18:54,433 I'M A FEATURED PERFORMER. 457 00:18:54,467 --> 00:18:57,703 HE WAS USUALLY IN THE BACK ROOM, CRUNCHING NUMBERS. 458 00:18:57,737 --> 00:19:00,240 HE WAS FILLING IN FOR YOU ON SATURDAY NIGHT, WASN'T HE? 459 00:19:00,272 --> 00:19:01,273 OH, YES, THAT'S RIGHT. 460 00:19:01,307 --> 00:19:04,243 IT WAS A LAST-MINUTE THING. I TOOK TANYA TO RENO. 461 00:19:04,277 --> 00:19:05,311 WE GOT ENGAGED. 462 00:19:05,345 --> 00:19:06,846 OH. CONGRATULATIONS. 463 00:19:06,878 --> 00:19:08,181 YOU'RE NOT WEARING A RING. 464 00:19:08,214 --> 00:19:09,882 OH, I-I KNOW, UM... 465 00:19:09,915 --> 00:19:11,817 YOU KNOW, IT JUST HAPPENED SO FAST... 466 00:19:11,851 --> 00:19:14,253 AS YOU CAN IMAGINE, AFTER WHAT HAPPENED... 467 00:19:14,287 --> 00:19:16,323 WE WERE SO DISTRAUGHT 468 00:19:16,355 --> 00:19:18,958 THAT SUDDENLY A RING JUST DIDN'T SEEM SO IMPORTANT. 469 00:19:18,990 --> 00:19:20,359 OF COURSE. 470 00:19:20,393 --> 00:19:21,728 WELL, IF YOU'LL EXCUSE US, 471 00:19:21,760 --> 00:19:24,330 WE'D LIKE TO PAY OUR RESPECTS. 472 00:19:24,364 --> 00:19:26,333 GOOD LUCK, MR. MONK. 473 00:19:31,270 --> 00:19:32,838 HE'S THE GUY. 474 00:19:32,872 --> 00:19:34,574 BECAUSE OF THE RING? 475 00:19:34,606 --> 00:19:35,875 BECAUSE HE'S THE GUY. 476 00:19:35,907 --> 00:19:39,346 I SAW HIM. I RECOGNIZE HIM. 477 00:19:39,378 --> 00:19:41,881 HE WAS THERE. 478 00:19:45,285 --> 00:19:46,552 (Stottlemeyer) KARL TORINI? 479 00:19:46,586 --> 00:19:48,488 HE'S THE GUY. 480 00:19:48,520 --> 00:19:49,989 MONK, KARL TORINI WAS IN RENO, 481 00:19:50,021 --> 00:19:51,990 AS IN RENO, NEVADA, AND HE CAN PROVE IT. 482 00:19:52,023 --> 00:19:54,294 NO, NO, NO. HE'S THE GUY. 483 00:19:54,326 --> 00:19:56,229 (Disher) MAYBE HE HIRED SOMEONE. 484 00:19:56,262 --> 00:19:57,529 NO! I SAW HIM. 485 00:19:57,564 --> 00:19:59,531 HE WAS THERE DRESSED AS A MAINTENANCE MAN. 486 00:19:59,566 --> 00:20:02,434 CAPTAIN, HE KILLED KEVIN. 487 00:20:02,469 --> 00:20:04,403 MONK, HE CALLED THE THEATER FROM NEVADA 488 00:20:04,436 --> 00:20:05,938 JUST BEFORE THE SHOW. 489 00:20:05,971 --> 00:20:08,441 WELL, MAYBE HE CALLED FROM SOMEPLACE ELSE. 490 00:20:08,474 --> 00:20:10,242 NOPE. WE ALREADY CHECKED. 491 00:20:10,277 --> 00:20:11,810 GOT THE PHONE RECORDS RIGHT HERE. 492 00:20:11,844 --> 00:20:15,748 "CALL WAS PLACED FROM THE SANDS REGENCY HOTEL IN RENO 493 00:20:15,781 --> 00:20:17,849 "AT 9:55 P.M. 494 00:20:17,884 --> 00:20:19,385 "IT WAS MADE FROM HIS HOTEL ROOM. 495 00:20:19,419 --> 00:20:20,886 IT WAS A DIRECT CALL. IT WAS NOT REROUTED." 496 00:20:20,920 --> 00:20:24,891 (Stottlemeyer) BESIDES, HE PUT THE DAMN PHONE CALL ON THE SPEAKERPHONE. 497 00:20:24,923 --> 00:20:26,358 THERE WERE TEN PEOPLE THAT HEARD IT. 498 00:20:26,393 --> 00:20:28,260 WE GOT STATEMENTS FROM EVERY ONE OF THEM. 499 00:20:28,295 --> 00:20:31,298 MONK, IF YOU WERE THE D.A., WHAT WOULD YOU SAY? 500 00:20:31,330 --> 00:20:34,334 LOOK, YOU WANT ME TO DIG, 501 00:20:34,366 --> 00:20:35,567 I'LL GRAB A SHOVEL. 502 00:20:35,602 --> 00:20:37,336 I'LL DIG FOR YA. 503 00:20:37,369 --> 00:20:40,038 BUT YOU GOTTA TELL ME WHAT TO LOOK FOR. 504 00:20:40,072 --> 00:20:42,308 I DON'T KNOW. 505 00:20:45,444 --> 00:20:47,480 I DON'T KNOW. 506 00:20:49,382 --> 00:20:51,518 (Monk) HOW LONG HAVE YOU TWO BEEN TOGETHER? 507 00:20:51,550 --> 00:20:53,319 UH, SIX YEARS. 508 00:20:53,353 --> 00:20:55,020 SEE, KARL WAS IN TORONTO. 509 00:20:55,054 --> 00:20:57,656 I WAS IN THE AUDIENCE, BELIEVE IT OR NOT. 510 00:20:57,690 --> 00:20:59,491 HE NEEDED SOMEONE TO LEVITATE. 511 00:20:59,526 --> 00:21:01,327 I RAISED MY HAND. 512 00:21:01,361 --> 00:21:02,662 AND NOW YOU'RE FAMILY. 513 00:21:02,694 --> 00:21:05,030 THAT'S RIGHT! 514 00:21:05,064 --> 00:21:06,365 [laughs] 515 00:21:06,398 --> 00:21:08,335 WE BOUGHT IT LAST NIGHT. 516 00:21:08,367 --> 00:21:09,469 IT'S OFFICIAL. 517 00:21:09,501 --> 00:21:11,069 CONGRATULATIONS AGAIN. 518 00:21:11,103 --> 00:21:13,472 OH, LOOK! BUNNIES. 519 00:21:13,506 --> 00:21:15,474 HELLO! 520 00:21:15,508 --> 00:21:17,042 HI, SWEETIES. 521 00:21:17,076 --> 00:21:19,311 NATALIE! DON'T TOUCH! 522 00:21:19,346 --> 00:21:21,347 NO, IT'S OKAY. SHE CAN PET THEM. 523 00:21:21,381 --> 00:21:22,348 NO, SHE CAN'T. 524 00:21:22,382 --> 00:21:23,849 THERE ARE KARL'S OTHER ASSISTANTS. 525 00:21:23,883 --> 00:21:24,983 YOU KNOW, WE BREED THEM HERE. 526 00:21:25,017 --> 00:21:26,685 IT'S CHEAPER THAN BUYING THEM. 527 00:21:26,719 --> 00:21:28,621 THEY'RE--THEY'RE-- THEY'RE BREEDING IN THE-- 528 00:21:28,654 --> 00:21:29,888 IN THE HOUSE? 529 00:21:29,922 --> 00:21:31,590 WE'LL BE OUTSIDE. 530 00:21:31,624 --> 00:21:32,892 NO, WE WON'T BE OUTSIDE. 531 00:21:32,924 --> 00:21:34,993 WE'RE STAYING. WE'RE NOT LEAVING. 532 00:21:35,027 --> 00:21:37,596 [groans, coughs] 533 00:21:37,630 --> 00:21:38,998 SO DID YOU KNOW HIM VERY WELL? 534 00:21:39,030 --> 00:21:40,666 KEVIN, I MEAN. 535 00:21:40,700 --> 00:21:42,634 UM...HE LIVED IN MR. MONK'S BUILDING. 536 00:21:42,669 --> 00:21:44,403 HE WAS A NEIGHBOR. 537 00:21:44,436 --> 00:21:46,838 DID HE HAVE ANY CHILDREN? 538 00:21:46,873 --> 00:21:47,973 NO. 539 00:21:48,007 --> 00:21:49,509 THANK GOD FOR THAT. 540 00:21:49,541 --> 00:21:50,643 YEAH. 541 00:21:50,676 --> 00:21:52,979 DON'T EVER COVER THEM UP? 542 00:21:53,011 --> 00:21:54,747 LEAVE 'EM OUT IN THE OPEN, 543 00:21:54,780 --> 00:21:56,082 SO CLOSE TO THE KITCHEN? 544 00:21:56,115 --> 00:21:56,949 TANYA, YOU KNOW, 545 00:21:56,982 --> 00:21:58,917 IF YOU KNOW ANYTHING ABOUT WHAT HAPPENED, 546 00:21:58,951 --> 00:22:00,353 YOU CAN TALK TO US. 547 00:22:00,386 --> 00:22:02,087 YOU COULD CALL US ANYTIME. 548 00:22:02,121 --> 00:22:04,123 OH, I DON'T KNOW ANYTHING. 549 00:22:04,155 --> 00:22:06,358 I WAS JUST, YOU KNOW, ASKING. 550 00:22:06,393 --> 00:22:08,827 I'LL GO SEE IF KARL'S READY. 551 00:22:10,128 --> 00:22:11,864 MR. MONK. [thud] 552 00:22:11,897 --> 00:22:13,432 MR. MONK, DID YOU HEAR THAT? 553 00:22:13,465 --> 00:22:15,067 I THINK SHE KNOWS SOMETHING. 554 00:22:15,101 --> 00:22:16,435 MM-HMM. 555 00:22:16,469 --> 00:22:18,069 WHAT ARE YOU DOING? 556 00:22:18,104 --> 00:22:21,073 JUST TRYING TO FIGURE OUT HOW IT WORKS. 557 00:22:21,106 --> 00:22:24,544 NO! I DON'T WANNA KNOW. IT RUINS THE EFFECT! 558 00:22:27,046 --> 00:22:28,146 OW! OH-- 559 00:22:28,180 --> 00:22:30,849 OKAY. THIS ONE MIGHT BE REAL. 560 00:22:30,883 --> 00:22:32,117 DON'T PLAY WITH THIS ONE. 561 00:22:32,151 --> 00:22:34,753 OKAY. I WON'T. 562 00:22:34,787 --> 00:22:36,455 WHAT'S THAT? 563 00:22:38,525 --> 00:22:40,426 (The Great Torini) IT'S CALLED A ZIG-ZAG CABINET. 564 00:22:40,460 --> 00:22:43,630 I DESIGNED IT MYSELF. 565 00:22:49,635 --> 00:22:52,104 PLEASE STEP AWAY FROM THE CABINET, MR. MONK. 566 00:22:52,137 --> 00:22:54,540 SECRETS OF THE TRADE, YOU UNDERSTAND. 567 00:22:56,142 --> 00:22:59,045 [mysterious music] 568 00:22:59,077 --> 00:23:00,046 [clears throat] 569 00:23:00,078 --> 00:23:01,113 [gasps] GOD! OH! 570 00:23:01,146 --> 00:23:03,015 HOW'D YOU DO THAT? 571 00:23:03,048 --> 00:23:04,150 MISDIRECTION, MISS TEEGER. 572 00:23:04,182 --> 00:23:06,184 THE SECRET TO EVERY ILLUSION-- 573 00:23:06,218 --> 00:23:09,521 MAKING THE AUDIENCE LOOK WHERE THEY SHOULDN'T BE LOOKING. 574 00:23:09,556 --> 00:23:11,057 FOR EXAMPLE... 575 00:23:15,060 --> 00:23:18,730 DID YOU SEE THAT? WATCH CLOSELY. 576 00:23:18,765 --> 00:23:21,032 IF IT GOES HERE, THEN IT CAN'T BE OVER HERE. 577 00:23:21,067 --> 00:23:23,134 IF I TAKE IT IN THE LEFT HAND AND PUT IT OVER THERE, 578 00:23:23,169 --> 00:23:24,871 THEN IT CAN'T BE BACK OVER HERE, CAN IT? 579 00:23:24,903 --> 00:23:26,105 IT'S HARD TO FOLLOW. 580 00:23:26,137 --> 00:23:28,173 SOMETIMES PEOPLE THINK THE COIN IS TOO SMALL. 581 00:23:28,207 --> 00:23:31,109 I CAN MAKE IT BIGGER. 582 00:23:31,143 --> 00:23:32,111 HMM... 583 00:23:32,144 --> 00:23:32,944 TOUGH ROOM. 584 00:23:32,979 --> 00:23:35,413 I'M...SENSING A LITTLE HOSTILITY. 585 00:23:37,148 --> 00:23:38,851 (Monk) THE NIGHT KEVIN WAS KILLED, 586 00:23:38,884 --> 00:23:41,988 YOU WERE IN THE THEATER. 587 00:23:42,020 --> 00:23:44,123 I...I SAW YOU BACKSTAGE. 588 00:23:44,155 --> 00:23:45,991 WHAT? REALLY? 589 00:23:46,025 --> 00:23:48,160 YOU WERE DRESSED AS A MAINTENANCE MAN... 590 00:23:48,193 --> 00:23:51,130 WEREN'T YOU? 591 00:23:51,163 --> 00:23:53,098 EITHER YOU'RE...MISTAKEN... 592 00:23:55,634 --> 00:23:58,605 OR YOU'RE BLUFFING. 593 00:23:58,637 --> 00:24:00,640 I WAS 300 MILES AWAY. [blows] 594 00:24:04,042 --> 00:24:05,545 AND I CAN PROVE IT. 595 00:24:05,577 --> 00:24:08,180 WHY DID YOU HAVE KEVIN WORK FOR YOU THAT NIGHT? 596 00:24:08,213 --> 00:24:10,016 WELL, AS I EXPLAINED TO THE POLICE, 597 00:24:10,048 --> 00:24:12,018 I WAS LEAVING TOWN, I NEEDED SOMEONE TO FILL IN, 598 00:24:12,050 --> 00:24:14,185 I'D SEEN KEVIN BEFORE AND I THOUGHT HE WAS... 599 00:24:14,220 --> 00:24:15,521 QUITE WONDERFUL. 600 00:24:15,555 --> 00:24:18,023 HA. OKAY, YOU KNOW... 601 00:24:18,057 --> 00:24:20,026 WE SAW KEVIN'S ACT. 602 00:24:20,058 --> 00:24:22,528 HE WAS DREADFUL. GOD REST HIS SOUL. 603 00:24:22,561 --> 00:24:24,195 YOU'RE WASTING YOUR TIME, MR. MONK! 604 00:24:26,198 --> 00:24:28,166 YOU KNOW, I CALLED THE CLUB 605 00:24:28,200 --> 00:24:31,237 JUST FIVE MINUTES BEFORE KEVIN WENT ONSTAGE. 606 00:24:31,269 --> 00:24:34,073 IT WAS A DIRECT CALL... 607 00:24:34,105 --> 00:24:37,076 FROM RENO, NEVADA. 608 00:24:37,108 --> 00:24:40,680 I'M SURE YOU CHECKED WITH THE PHONE COMPANY. 609 00:24:40,712 --> 00:24:42,781 OOH, LOOKS LIKE IT'S GONNA RAIN. 610 00:24:42,815 --> 00:24:45,084 YOU KILLED HIM. 611 00:24:45,116 --> 00:24:47,052 I KNOW YOU DID. 612 00:24:47,086 --> 00:24:49,756 WHY WOULD I HARM THE BOY? 613 00:24:49,788 --> 00:24:52,124 YOU DON'T HAVE THE WHY, 614 00:24:52,157 --> 00:24:53,992 AND YOU DON'T HAVE THE HOW. 615 00:24:55,126 --> 00:24:56,863 [chuckles] 616 00:24:56,895 --> 00:24:59,932 I LOVE THIS PART. 617 00:24:59,965 --> 00:25:01,968 THE LOOK ON THEIR FACE... 618 00:25:02,000 --> 00:25:03,869 WHEN THEY CAN'T FIGURE IT OUT. 619 00:25:03,903 --> 00:25:05,171 THIS ISN'T SOME TRICK, MR. TORINI. 620 00:25:05,203 --> 00:25:07,807 THIS ISN'T A SHOW. KEVIN WAS OUR FRIEND. 621 00:25:07,839 --> 00:25:08,907 HE WAS A GOOD MAN WHO NEVER HURT ANYBODY. 622 00:25:08,941 --> 00:25:11,042 HE WAS THE SWEETEST, SHYEST PERSON I EVER MET, 623 00:25:11,076 --> 00:25:13,712 AND HE WAS 34, AND HIS LIFE WAS JUST GETTING STARTED. 624 00:25:13,746 --> 00:25:15,815 THIS IS THE MOST BRILLIANT DETECTIVE IN THE WORLD. 625 00:25:15,847 --> 00:25:17,249 HE'S GONNA FIGURE OUT HOW YOU DID IT, 626 00:25:17,282 --> 00:25:19,218 AND HE'S GONNA PROVE IT-- AREN'T YOU? 627 00:25:19,250 --> 00:25:21,252 UH...YEAH. AREN'T YOU? 628 00:25:21,287 --> 00:25:24,056 WELL, IF YOU'RE GONNA CATCH ME ANYWAY, 629 00:25:24,089 --> 00:25:26,125 I SUPPOSE I... MAY AS WELL JUST CONFESS. 630 00:25:26,157 --> 00:25:27,693 WH-WHAT? 631 00:25:27,727 --> 00:25:29,161 WHAT DO YOU MEAN? 632 00:25:29,194 --> 00:25:32,097 IN FACT, I'LL EVEN PUT IT IN WRITING. 633 00:25:39,038 --> 00:25:42,808 I HEREBY CONFESS... 634 00:25:42,842 --> 00:25:47,046 TO THE MURDER OF KEVIN... 635 00:25:47,078 --> 00:25:48,681 DORFMAN. 636 00:25:48,714 --> 00:25:50,115 DORFMAN. THANK YOU. 637 00:25:50,148 --> 00:25:55,153 SIGNED... KARL... 638 00:25:55,186 --> 00:25:57,288 TORINI. 639 00:26:01,192 --> 00:26:03,663 HERE YOU GO. 640 00:26:03,695 --> 00:26:05,731 CONGRATULATIONS. 641 00:26:05,765 --> 00:26:06,766 AAH! 642 00:26:09,167 --> 00:26:11,136 ABRACADABRA, MR. MONK. 643 00:26:20,980 --> 00:26:23,915 MR. MONK, WHERE ARE YOU PUTTING THE TRASH? 644 00:26:23,950 --> 00:26:25,116 I'M NOT! 645 00:26:25,151 --> 00:26:28,621 I...I CAN'T SEEM TO THROW ANYTHING OUT. 646 00:26:28,654 --> 00:26:29,788 ME NEITHER. 647 00:26:34,861 --> 00:26:36,695 NATALIE, I-I HAVE TO TELL YOU SOMETHING. 648 00:26:36,729 --> 00:26:39,030 I MEAN, I HAVE TO TELL SOMEONE. 649 00:26:42,067 --> 00:26:43,134 I FEEL TERRIBLE. 650 00:26:43,169 --> 00:26:45,136 WHAT IS IT? 651 00:26:45,171 --> 00:26:46,772 IT'S KEVIN. 652 00:26:46,806 --> 00:26:49,174 [sighs] 653 00:26:49,208 --> 00:26:51,009 HE DROVE ME INSANE. 654 00:26:51,042 --> 00:26:52,711 OH, MR. MONK. 655 00:26:52,744 --> 00:26:55,146 NO...HE WOULDN'T SHUT UP! 656 00:26:55,181 --> 00:26:58,084 THE MAN WOULD NOT SHUT UP! 657 00:26:58,116 --> 00:27:00,787 ONE TIME... 658 00:27:00,819 --> 00:27:02,689 HE HAD A SORE THROAT. 659 00:27:02,721 --> 00:27:04,155 HE TALKED FOR 2 1/2 HOURS 660 00:27:04,190 --> 00:27:06,157 ABOUT HOW MUCH IT HURT HIM TO TALK. 661 00:27:06,192 --> 00:27:07,693 [laughs] 662 00:27:07,727 --> 00:27:09,295 HONEST, GOD FORGIVE ME, 663 00:27:09,327 --> 00:27:11,931 SOMETIMES I'D HEAR HIM COMING DOWN THE STAIRS. 664 00:27:11,963 --> 00:27:14,099 I'D TURN OFF ALL THE LIGHTS, 665 00:27:14,133 --> 00:27:16,134 PRETEND I WASN'T HOME. 666 00:27:16,167 --> 00:27:18,104 I... 667 00:27:18,136 --> 00:27:19,939 MR. MONK. 668 00:27:19,971 --> 00:27:21,339 IT'S OKAY. DON'T FEEL BAD. 669 00:27:21,373 --> 00:27:22,842 EVERYBODY DOES THAT! 670 00:27:22,875 --> 00:27:25,344 SOMETIMES LATE AT NIGHT WHEN YOU CALL ME 671 00:27:25,376 --> 00:27:28,013 AND I SEE YOUR NAME ON THE CALLER I.D., 672 00:27:28,047 --> 00:27:29,781 I JUST... 673 00:27:29,816 --> 00:27:32,018 JUST DON'T FEEL BAD. 674 00:27:32,050 --> 00:27:36,355 [cell phone rings] 675 00:27:36,387 --> 00:27:37,455 WHERE'S MY PHONE? 676 00:27:37,489 --> 00:27:39,391 ARE YOU GONNA ANSWER THAT? 677 00:27:39,424 --> 00:27:40,425 YEAH. WHERE'S-- 678 00:27:40,459 --> 00:27:42,094 I HEAR IT. [ringing] 679 00:27:42,127 --> 00:27:43,429 WHERE'D YOU PUT IT? 680 00:27:43,461 --> 00:27:45,064 MUST HAVE PUT IT RIGHT HERE. 681 00:27:45,096 --> 00:27:47,098 [ringing] 682 00:27:47,133 --> 00:27:49,035 OOP! WHAT DID YOU-- 683 00:27:49,067 --> 00:27:50,169 [laughs] 684 00:27:50,201 --> 00:27:52,203 OH. IT'S RANDY. 685 00:27:52,238 --> 00:27:53,940 HELLO? 686 00:27:53,972 --> 00:27:55,040 YEAH. 687 00:27:55,074 --> 00:27:56,041 TELL HIM TO HOLD ON. 688 00:27:56,075 --> 00:27:57,375 RANDY, HOLD ON. 689 00:27:59,878 --> 00:28:01,780 SET THE PHONE DOWN. 690 00:28:07,753 --> 00:28:09,454 HELLO? HEL-LO. 691 00:28:11,057 --> 00:28:12,357 WHAT? 692 00:28:12,391 --> 00:28:13,424 SECRET COMPARTMENT. 693 00:28:13,459 --> 00:28:15,461 HELLO? HEY, MONK. 694 00:28:15,493 --> 00:28:16,729 TORINI THE MAGICIAN. HEL-LO! 695 00:28:16,762 --> 00:28:18,029 ALL THAT EQUIPMENT-- 696 00:28:18,064 --> 00:28:20,499 THERE MUST BE SECRET COMPARTMENTS IN EVERYTHING. 697 00:28:20,531 --> 00:28:22,300 HOW CAN HIS EQUIPMENT 698 00:28:22,334 --> 00:28:24,502 WEIGH MORE ON HIS RETURN TRIPS 699 00:28:24,536 --> 00:28:25,904 THAN WHEN HE LEFT? 700 00:28:25,938 --> 00:28:27,272 RANDY? 701 00:28:27,306 --> 00:28:28,507 MONK. 702 00:28:28,539 --> 00:28:31,143 RANDY, IT'S ADRIAN. ARE YOU THERE? 703 00:28:31,176 --> 00:28:32,510 I THINK SO. 704 00:28:32,544 --> 00:28:33,779 YEAH. I THINK YOU JUST SOLVED THE CASE. 705 00:28:33,813 --> 00:28:36,015 GLAD I COULD HELP. 706 00:28:39,786 --> 00:28:41,019 [audience oohing] 707 00:28:41,052 --> 00:28:43,756 [applause] 708 00:28:43,789 --> 00:28:45,924 LADIES AND GENTLEMEN, DON'T PANIC. 709 00:28:45,958 --> 00:28:47,526 I'M A PROFESSIONAL. 710 00:28:47,558 --> 00:28:49,295 [laughter] 711 00:28:49,327 --> 00:28:51,096 THERE YOU GO. ALL RIGHT, HERE WE GO. 712 00:28:51,130 --> 00:28:52,330 YOU KNOW WHAT, I NEVER KNOW WHAT TO DO 713 00:28:52,364 --> 00:28:53,499 WITH THE WALKING CANE AFTER THAT TRICK. 714 00:28:53,531 --> 00:28:55,902 I SAY WE JUST GET RID OF IT. 715 00:28:59,971 --> 00:29:01,973 YOU GUYS HAVE MET THE BEAUTIFUL TANYA. 716 00:29:02,008 --> 00:29:03,174 YES? 717 00:29:03,209 --> 00:29:04,410 [applause] 718 00:29:04,442 --> 00:29:05,778 SHE LOOKS FABULOUS 719 00:29:05,811 --> 00:29:07,313 IN BLACK, DOESN'T SHE? 720 00:29:07,346 --> 00:29:09,816 I THINK SHE'D LOOK EVEN BETTER IN BLUE. 721 00:29:09,848 --> 00:29:12,951 [oohing, applause] 722 00:29:18,057 --> 00:29:20,358 AND NOW, LADIES AND GENTLEMEN, 723 00:29:20,392 --> 00:29:22,228 THE ZIG-ZAG CABINET. 724 00:29:22,260 --> 00:29:25,096 [applause] 725 00:29:25,131 --> 00:29:27,066 NOW, YOU MAY HAVE SEEN OTHER MAGICIANS 726 00:29:27,098 --> 00:29:28,500 PERFORM THIS ILLUSION. 727 00:29:28,534 --> 00:29:32,304 THEY USUALLY HAVE THEIR ASSISTANT GET INTO THE CABINET, 728 00:29:32,337 --> 00:29:35,307 BUT I JUST DON'T WANT TO LOSE THIS ONE, SO... 729 00:29:35,340 --> 00:29:36,474 [laughter] 730 00:29:36,508 --> 00:29:38,544 I'M GOING TO DO THE VERY SAME TRICK 731 00:29:38,576 --> 00:29:40,913 WITH A COMPLETE STRANGER. 732 00:29:40,947 --> 00:29:42,949 I NEED A VOLUNTEER. 733 00:29:42,981 --> 00:29:44,916 CAN WE HAVE THE HOUSE LIGHTS UP, PLEASE? 734 00:29:44,951 --> 00:29:47,452 [chuckling] THANK YOU. OKAY. 735 00:29:47,486 --> 00:29:50,088 SOMEONE'S--AMAZING HOW EVERYONE JUST LOOKS THE OTHER WAY. 736 00:29:50,122 --> 00:29:51,857 VOLUNTEER, VOLUNTEER, VOLUNTEER. 737 00:29:51,891 --> 00:29:55,193 OH, THE EAGER MISS TEEGER. 738 00:29:55,227 --> 00:29:57,096 YOU'RE VOLUNTEERING? 739 00:29:57,128 --> 00:29:58,297 YEAH. 740 00:29:58,329 --> 00:29:59,230 REALLY? MM-HMM. 741 00:29:59,265 --> 00:30:01,500 ACTUALLY, I'D RATHER HAVE YOUR BOSS UP HERE. 742 00:30:01,532 --> 00:30:02,902 NO. NO, THANK YOU. 743 00:30:02,934 --> 00:30:04,336 LADIES AND GENTLEMEN, 744 00:30:04,369 --> 00:30:06,137 WE HAVE A CELEBRITY IN THE AUDIENCE TONIGHT-- 745 00:30:06,172 --> 00:30:08,539 ADRIAN MONK, THE WORLD-FAMOUS DETECTIVE. 746 00:30:11,477 --> 00:30:15,047 NOW, I'VE BEEN READING A LOT ABOUT MR. MONK. 747 00:30:15,080 --> 00:30:18,317 NO ONE HAS EVER OUTWITTED HIM. 748 00:30:18,349 --> 00:30:20,385 TONIGHT...I'D LIKE TO GIVE THAT A TRY. 749 00:30:20,419 --> 00:30:21,519 WHAT DO YOU THINK? 750 00:30:23,588 --> 00:30:25,523 I CAN'T DO IT. YOU HAVE TO DO IT. 751 00:30:25,557 --> 00:30:27,894 YOU HAVE TO DO IT. FOR KEVIN. 752 00:30:27,926 --> 00:30:30,528 COME ON! ADRIAN MONK. 753 00:30:33,598 --> 00:30:35,433 IT'S KIND OF PERFECT, REALLY. 754 00:30:35,467 --> 00:30:37,236 I-I WANTED A STRANGER, 755 00:30:37,269 --> 00:30:39,905 AND THERE'S REALLY NO ONE STRANGER THAN ADRIAN MONK. 756 00:30:39,939 --> 00:30:42,141 [laughter] 757 00:30:43,409 --> 00:30:45,176 I HAD MORE. 758 00:30:45,211 --> 00:30:46,913 NOT WORKING WITH A FULL DECK, MR. MONK? 759 00:30:46,945 --> 00:30:48,579 [chuckling] 760 00:30:48,614 --> 00:30:50,449 THANK YOU. OKAY. 761 00:30:50,481 --> 00:30:51,416 MR. MONK. LET'S BRING HIM UP. 762 00:30:51,450 --> 00:30:53,920 [applause] 763 00:30:53,952 --> 00:30:55,253 COME UP. 764 00:30:57,957 --> 00:31:00,192 ARE YOU NERVOUS? 765 00:31:00,226 --> 00:31:02,327 ARE YOU? 766 00:31:04,063 --> 00:31:05,897 LET'S REALLY SCRAMBLE HIS BRAINS. 767 00:31:07,499 --> 00:31:08,901 STAND HERE, PLEASE. 768 00:31:08,934 --> 00:31:12,538 ZIG-ZAG CABINET. 769 00:31:12,570 --> 00:31:14,306 IN YOU GO. 770 00:31:16,575 --> 00:31:18,376 OH, I FORGOT. 771 00:31:18,410 --> 00:31:21,313 YOU'RE JUST A LITTLE BIT CLAUSTROPHOBIC, AREN'T YOU? 772 00:31:21,346 --> 00:31:23,115 WELL, IF YOU'D RATHER NOT GIVE IT A TRY... 773 00:31:23,148 --> 00:31:24,549 [audience chuckling] 774 00:31:24,583 --> 00:31:27,419 TANYA WOULD LIKE TO HELP MR. MONK WITH HIS JACKET. 775 00:31:27,452 --> 00:31:28,988 UH, NO-- 776 00:31:29,020 --> 00:31:30,422 SHE'S VERY GOOD. 777 00:31:30,455 --> 00:31:33,159 UH-- THAT'S WHY I'M MARRYING HER. 778 00:31:33,192 --> 00:31:35,094 [laughter] 779 00:31:35,126 --> 00:31:37,262 PERFECT. 780 00:31:37,296 --> 00:31:39,431 IN YOU GO, MR. MONK. 781 00:31:42,567 --> 00:31:46,805 [mouthing words] 782 00:31:50,675 --> 00:31:54,313 [laughter] 783 00:31:54,346 --> 00:31:56,448 IN YOU GO. 784 00:31:58,549 --> 00:32:00,152 [tittering] 785 00:32:09,560 --> 00:32:11,262 HOW YOU DOING IN THERE, DETECTIVE? 786 00:32:11,297 --> 00:32:13,499 NOT--NOT--NOT-- NOT SO WELL. 787 00:32:13,531 --> 00:32:15,666 YES, FABULOUS. LOVELY. 788 00:32:15,701 --> 00:32:17,568 LADIES AND GENTLEMEN, 789 00:32:17,603 --> 00:32:19,505 TANYA AND I HAVE PERFORMED THIS ILLUSION 790 00:32:19,538 --> 00:32:21,073 ALL OVER THE WORLD. 791 00:32:21,106 --> 00:32:22,508 DO IT FOR KEVIN. 792 00:32:22,540 --> 00:32:24,042 IN FACT, LAST YEAR, DO IT FOR KEVIN. 793 00:32:24,076 --> 00:32:25,544 I ACCIDENTALLY CUT A WOMAN IN HALF. 794 00:32:25,576 --> 00:32:27,445 IT'S OKAY--SHE'S NOT LIVING HAPPILY IN MINNEAPOLIS 795 00:32:27,479 --> 00:32:29,147 AND ST. PAUL. 796 00:32:29,181 --> 00:32:31,182 [laughter] 797 00:32:34,185 --> 00:32:35,554 COMFY? 798 00:32:38,757 --> 00:32:41,227 SOLID STEEL BLADES! [metal clanging] 799 00:32:44,596 --> 00:32:47,066 HERE WE GO. 800 00:32:48,567 --> 00:32:50,236 ARE YOU READY FOR THIS? 801 00:32:50,269 --> 00:32:52,203 [metal clanging] SOLID STEEL! 802 00:32:52,238 --> 00:32:55,740 CHECK THAT OUT, MR. MONK. 803 00:32:56,741 --> 00:32:58,477 [applause] 804 00:32:58,509 --> 00:33:00,112 ONE MORE! [metal clangs] 805 00:33:04,049 --> 00:33:05,717 [gasping, applause] 806 00:33:09,587 --> 00:33:11,589 WATCH. 807 00:33:17,195 --> 00:33:20,398 [audience responding] 808 00:33:20,432 --> 00:33:24,135 [applause] 809 00:33:24,170 --> 00:33:27,205 THANK YOU. AND...THAT'S IT! 810 00:33:32,243 --> 00:33:34,380 HOW ARE YOU DOING IN THERE, DETECTIVE? 811 00:33:34,413 --> 00:33:36,315 I GOT YOU. 812 00:33:36,347 --> 00:33:37,415 [chuckles] I BEG YOUR PARDON? 813 00:33:37,449 --> 00:33:39,451 THE REAL MONEY IS ON THE ROAD. 814 00:33:39,484 --> 00:33:41,086 ISN'T THAT WHAT YOU SAID? 815 00:33:44,556 --> 00:33:46,458 AND WHAT IS THAT? [tittering] 816 00:33:46,491 --> 00:33:49,461 THAT IS A CHEMICAL TEST STRIP. 817 00:33:49,494 --> 00:33:54,299 YOUR ZIG-ZAG CABINET JUST TESTED POSITIVE FOR HEROIN. 818 00:33:54,333 --> 00:33:55,567 [gasping] 819 00:33:55,601 --> 00:33:57,336 YOU'VE BEEN USING YOUR PROPS 820 00:33:57,368 --> 00:33:59,505 TO SMUGGLE DRUGS INTO THE COUNTRY. 821 00:33:59,538 --> 00:34:01,207 HERE'S WHAT HAPPENED. 822 00:34:01,240 --> 00:34:02,307 YES, WELL, THANK YOU. 823 00:34:02,340 --> 00:34:03,442 I ALMOST FORGOT TO MENTION, 824 00:34:03,474 --> 00:34:06,211 SOMETIMES THE CABINET DRIVES PEOPLE COMPLETELY BATTY. 825 00:34:06,244 --> 00:34:07,479 [tittering] 826 00:34:07,512 --> 00:34:10,548 I THINK WE NEED TO DE-SCRAMBLE HIM. 827 00:34:10,581 --> 00:34:11,717 LET'S GO. 828 00:34:38,577 --> 00:34:39,577 [clang] 829 00:34:39,610 --> 00:34:41,280 [clattering] 830 00:34:41,313 --> 00:34:42,748 ADRIAN MONK, LADIES AND GENTLEMEN. 831 00:34:42,780 --> 00:34:44,449 [applause] 832 00:34:49,288 --> 00:34:50,489 MR. MONK? 833 00:34:53,559 --> 00:34:56,527 [applause dies down] 834 00:34:56,561 --> 00:34:59,431 MR. MONK? 835 00:34:59,465 --> 00:35:01,333 HE'S GONE. 836 00:35:06,304 --> 00:35:07,873 WHAT DO YOU MEAN, YOU DON'T KNOW! 837 00:35:07,905 --> 00:35:09,675 YOU'RE THE DAMN MAGICIAN! WHAT HAPPENED TO HIM? 838 00:35:09,708 --> 00:35:11,242 I DON'T KNOW WHAT MORE TO TELL YOU. 839 00:35:11,277 --> 00:35:12,244 IT'S NOT SUPPOSED TO BE A VANISHING ACT. 840 00:35:12,277 --> 00:35:14,746 IT'S A SIMPLE PROP GAG. 841 00:35:14,780 --> 00:35:16,282 LOOK, THE SECTIONS MOVE BACK AND FORTH LIKE THIS, 842 00:35:16,315 --> 00:35:17,449 AND THAT'S IT, THAT'S THE WHOLE GAG! 843 00:35:17,483 --> 00:35:18,784 I'M AS MYSTIFIED AS YOU ARE. 844 00:35:18,817 --> 00:35:20,751 YEAH, WELL, YOU'D BETTER GET UN-MYSTIFIED, AND FAST. 845 00:35:20,786 --> 00:35:21,920 WHERE'S YOUR ASSISTANT? 846 00:35:21,952 --> 00:35:23,454 PROBABLY BACKSTAGE. 847 00:35:23,489 --> 00:35:25,224 YOU CAN SCREAM ALL YOU WANT. 848 00:35:25,257 --> 00:35:26,858 NO ONE EVER COMES DOWN HERE. 849 00:35:26,891 --> 00:35:30,228 I'M GONNA DIE... IN THIS ROOM. 850 00:35:30,262 --> 00:35:31,262 YOU'RE RIGHT. 851 00:35:31,297 --> 00:35:32,697 HE'S GONNA KILL YOU, 852 00:35:32,731 --> 00:35:34,900 AND THEN HE'S GONNA BURN YOUR BODY IN THAT FURNACE. 853 00:35:34,932 --> 00:35:38,804 OH. I WAS TALKING ABOUT THE SOOT. 854 00:35:38,836 --> 00:35:42,208 BUT WHAT YOU SAY... IS WORSE. 855 00:35:42,240 --> 00:35:45,344 IT'S MUCH, MUCH WORSE. 856 00:35:46,744 --> 00:35:47,878 HEY, ANY LUCK? 857 00:35:47,913 --> 00:35:48,713 HE COULD BE ANYWHERE. 858 00:35:48,746 --> 00:35:50,949 THERE MUST BE 300 ROOMS IN THIS PLACE. 859 00:35:50,981 --> 00:35:52,884 GENTLEMEN... 860 00:35:52,918 --> 00:35:55,221 AS MUCH AS I WOULD LOVE TO STAY, 861 00:35:55,253 --> 00:35:57,322 I HAVE TWO SHOWS TOMORROW. 862 00:35:58,923 --> 00:35:59,891 SO... 863 00:35:59,925 --> 00:36:01,927 IF YOU WANT TO TALK TO ME AGAIN... 864 00:36:03,329 --> 00:36:06,231 CALL MY LAWYER. 865 00:36:06,264 --> 00:36:08,900 HE'S A BETTER MAGICIAN THAN I AM. 866 00:36:11,670 --> 00:36:13,239 AH... 867 00:36:13,271 --> 00:36:14,806 [groaning] 868 00:36:14,840 --> 00:36:16,208 ARE YOU OKAY? 869 00:36:17,909 --> 00:36:19,411 I FALL THROUGH TRAP DOORS ALL THE TIME. 870 00:36:19,445 --> 00:36:21,746 I KNOW IT HURTS. 871 00:36:21,780 --> 00:36:24,583 AND LOOK, I JUST WANT YOU TO KNOW THIS WASN'T MY IDEA, 872 00:36:24,615 --> 00:36:26,552 AND I-I'M REALLY SORRY. 873 00:36:26,585 --> 00:36:28,653 SORRY ENOUGH TO... 874 00:36:28,686 --> 00:36:30,389 TO LET ME GO? 875 00:36:30,422 --> 00:36:33,324 NO. 876 00:36:33,358 --> 00:36:36,362 [telephone rings] 877 00:36:39,431 --> 00:36:42,300 [ring] 878 00:36:42,333 --> 00:36:44,969 YOU'RE NOT GONNA ANSWER THAT? 879 00:36:45,003 --> 00:36:46,938 NO. IT'S JUST AN EXTENSION. 880 00:36:46,972 --> 00:36:48,507 [ringing stops] 881 00:37:07,057 --> 00:37:09,795 PIPE TOBACCO. 882 00:37:09,827 --> 00:37:11,463 CLEVER. 883 00:37:11,496 --> 00:37:12,697 WHAT IS? 884 00:37:12,731 --> 00:37:14,266 HOW YOU KILLED MY FRIEND. 885 00:37:14,300 --> 00:37:16,867 MISDIRECTION, RIGHT? 886 00:37:16,902 --> 00:37:19,804 THE SECRET TO EVERY ILLUSION. 887 00:37:19,838 --> 00:37:23,474 YOU AND TORINI WENT TO RENO THAT WEEKEND. 888 00:37:23,509 --> 00:37:25,677 YOU CHECKED IN. 889 00:37:25,710 --> 00:37:28,380 HE MADE SURE HE WAS SEEN. 890 00:37:28,414 --> 00:37:31,583 THAT AFTERNOON, HE SNUCK OUT OF THE HOTEL 891 00:37:31,617 --> 00:37:33,652 AND DROVE BACK HERE. 892 00:37:33,684 --> 00:37:36,688 HE WAS DOWN HERE IN THE BASEMENT. 893 00:37:36,722 --> 00:37:40,458 HE WAS HIDING AND WAITING. 894 00:37:41,893 --> 00:37:46,398 AT 9:55 EXACTLY, YOU CALLED THE THEATER. 895 00:37:46,431 --> 00:37:48,065 THE PHONE RECORDS WERE RIGHT. 896 00:37:48,099 --> 00:37:50,536 THE CALL DID ORIGINATE FROM RENO. 897 00:37:50,568 --> 00:37:51,869 [ring] 898 00:37:52,903 --> 00:37:54,472 MAGIC CASTLE. 899 00:37:54,505 --> 00:37:57,742 TORINI WAS ON THE EXTENSION PHONE. 900 00:37:57,775 --> 00:38:01,980 EVERYONE ASSUMED HE WAS CALLING FROM NEVADA. 901 00:38:02,012 --> 00:38:03,981 (The Great Torini) AM I ON SPEAKERPHONE? 902 00:38:04,014 --> 00:38:05,617 YES, SIR. GO AHEAD, WE'RE ALL HERE. 903 00:38:05,650 --> 00:38:08,085 TANYA AND I HAVE SOME GREAT NEWS. 904 00:38:08,119 --> 00:38:09,554 WE WANTED EVERYONE TO KNOW. 905 00:38:09,588 --> 00:38:10,722 TANYA, DO YOU WANNA TELL THEM? 906 00:38:10,755 --> 00:38:12,490 NO, YOU GO AHEAD. 907 00:38:12,523 --> 00:38:14,726 NOBODY KNEW. NOBODY COULD TELL. 908 00:38:14,760 --> 00:38:17,528 THE KILLER WAS ALREADY IN THE BUILDING. 909 00:38:18,963 --> 00:38:20,097 KARL, HE KNOWS! 910 00:38:20,130 --> 00:38:21,666 HE KNOWS, AND I DIDN'T TELL HIM. 911 00:38:21,699 --> 00:38:23,568 I SWEAR I DIDN'T TELL HIM. HE JUST FIGURED IT OUT! 912 00:38:23,601 --> 00:38:25,471 HE DID? 913 00:38:25,503 --> 00:38:27,905 SO WHAT DO YOU THINK, MR. MONK? 914 00:38:27,938 --> 00:38:30,007 YOU HAVE TO ADMIT, 915 00:38:30,041 --> 00:38:31,876 THE BEST TRICKS ARE THE SIMPLEST, HUH? 916 00:38:31,909 --> 00:38:33,945 WHAT ARE WE GONNA DO? 917 00:38:33,978 --> 00:38:36,715 LIKE I TOLD YOU ONSTAGE. 918 00:38:36,748 --> 00:38:38,550 [clang] 919 00:38:38,583 --> 00:38:42,052 [flames roaring] 920 00:38:42,086 --> 00:38:43,454 MAKE HIM DISAPPEAR. 921 00:38:45,490 --> 00:38:47,425 [metal drops, clangs] 922 00:39:02,974 --> 00:39:04,409 MONK! 923 00:39:04,443 --> 00:39:05,543 HEY, MONK! 924 00:39:07,945 --> 00:39:08,947 HOLD STILL! 925 00:39:11,617 --> 00:39:14,652 TANYA, GET DOWN HERE AND HOLD HIS LEGS! 926 00:39:14,686 --> 00:39:16,655 I-I DON'T THINK I CAN GO THROUGH WITH THIS. 927 00:39:16,688 --> 00:39:17,856 TANYA! 928 00:39:18,923 --> 00:39:21,626 ALL RIGHT. ALL RIGHT. 929 00:39:30,101 --> 00:39:31,402 YOU'RE RIGHT. 930 00:39:31,436 --> 00:39:33,371 I'M SORRY. 931 00:39:35,005 --> 00:39:37,509 YOU KNOW WHAT? LET ME DO IT. 932 00:39:37,543 --> 00:39:39,077 YOU HOLD HIS LEGS. 933 00:39:39,110 --> 00:39:40,646 ALL RIGHT. 934 00:39:44,483 --> 00:39:45,951 GOOD-BYE, MR. MONK. 935 00:39:45,983 --> 00:39:49,987 I'M SORRY IT HAD TO END LIKE THIS. 936 00:40:00,831 --> 00:40:04,135 [Monk grunting] 937 00:40:08,039 --> 00:40:09,875 [spitting] 938 00:40:20,686 --> 00:40:23,153 LOOKS LIKE I'M GONNA NEED A NEW ASSISTANT... 939 00:40:23,188 --> 00:40:24,655 STARTING NOW! 940 00:40:24,690 --> 00:40:26,090 (Tanya) PLEASE, DON'T! WAIT! 941 00:40:26,123 --> 00:40:27,092 (Stottlemeyer) LET HER GO! 942 00:40:27,125 --> 00:40:28,193 LET HER GO! 943 00:40:30,061 --> 00:40:32,097 PUT YOUR HANDS UP. HANDS UP! 944 00:40:32,130 --> 00:40:33,498 TURN AROUND! 945 00:40:33,532 --> 00:40:36,134 (Disher) YOU TOO. YOU TOO! 946 00:40:36,166 --> 00:40:37,135 (Natalie) MR. MONK! 947 00:40:37,168 --> 00:40:38,804 MR. MONK, ARE YOU OKAY? 948 00:40:38,836 --> 00:40:40,771 [muttering] LET ME HELP YOU... 949 00:40:48,079 --> 00:40:50,081 ABRACA-DORFMAN, YOU SON OF A BITCH. 950 00:40:51,617 --> 00:40:53,150 ARE YOU OKAY? 951 00:41:00,992 --> 00:41:02,628 HELLO, MY NAME IS KEVIN DORFMAN, 952 00:41:02,661 --> 00:41:04,896 AND THIS IS WHAT THEY CALL A VIDEO WILL. 953 00:41:04,929 --> 00:41:09,034 UM...WHICH MEANS, SADLY, IF YOU'RE WATCHING THIS, 954 00:41:09,067 --> 00:41:12,070 I AM DECEASED. 955 00:41:12,103 --> 00:41:14,572 UNLESS YOU'RE ME, 956 00:41:14,606 --> 00:41:17,909 AND I AM WATCHING IT TO SEE HOW I LOOK. 957 00:41:17,943 --> 00:41:19,577 [chuckling] 958 00:41:19,610 --> 00:41:23,581 OR...I MIGHT HAVE PUT IT IN THE WRONG CASE 959 00:41:23,614 --> 00:41:25,784 AND LENT IT TO YOU BY ACCIDENT. 960 00:41:25,817 --> 00:41:27,786 THAT'S ALSO A POSSIBILITY. 961 00:41:27,818 --> 00:41:30,789 OR MAYBE YOU'RE PHIL, 962 00:41:30,822 --> 00:41:33,190 THE TECHNICIAN AT THE PRODUCTION COMPANY 963 00:41:33,224 --> 00:41:35,025 WHO'S EDITING THIS VIDEO. 964 00:41:35,059 --> 00:41:38,764 OR PHIL IS SICK, POSSIBLY, AND YOU'RE HIS ASSISTANT CRAIG-- 965 00:41:38,797 --> 00:41:40,599 NO. [Natalie giggling] 966 00:41:40,632 --> 00:41:42,000 NOT CRAIG. GREG. 967 00:41:42,032 --> 00:41:44,869 I REMEMBER NOW. CRAIG LEFT TWO YEARS AGO. SHOULD I FAST-FORWARD? 968 00:41:44,902 --> 00:41:48,106 GREG, I'M SORRY FOR SCREWING UP YOUR NAME LIKE THAT. 969 00:41:48,139 --> 00:41:50,608 NO. LET IT PLAY. CRAIG WENT BACK TO SCHOOL... 970 00:41:50,641 --> 00:41:52,010 TO GET HIS REAL ESTATE LICENSE. 971 00:41:52,043 --> 00:41:53,844 NO. [sucks tongue] 972 00:41:53,878 --> 00:41:55,981 IT WASN'T REAL ESTATE. 973 00:41:56,014 --> 00:41:58,248 BUT IT WAS A LICENSE. 974 00:41:58,282 --> 00:42:01,286 WHAT OTHER LICENSES... ARE THERE? 975 00:42:01,318 --> 00:42:04,121 IS IT LICENSES OR LICENSEES? 976 00:42:05,757 --> 00:42:08,760 Captioning by CaptionMax www.captionmax.com 65282

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