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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,303 --> 00:00:04,371 (woman) CRAIG, I'M HERE 2 00:00:04,405 --> 00:00:06,607 AT THE BAYSIDE CORRECTIONAL FACILITY RIGHT NOW 3 00:00:06,639 --> 00:00:09,210 WHERE A STATE-WIDE MANHUNT IS UNDERWAY 4 00:00:09,243 --> 00:00:10,577 FOR THIS MAN, JOE ENDICOTT. 5 00:00:10,611 --> 00:00:12,612 ENDICOTT ESCAPED LAST NIGHT 6 00:00:12,646 --> 00:00:14,314 AFTER TUNNELING UNDER THAT FENCE 7 00:00:14,348 --> 00:00:17,184 AND THEN KILLING A WOMAN HERE IN THE PARKING LOT 8 00:00:17,217 --> 00:00:18,652 BEFORE FLEEING THE SCENE. 9 00:00:18,686 --> 00:00:21,355 AUTHORITIES NOW WARNING THAT ENDICOTT 10 00:00:21,388 --> 00:00:25,425 MIGHT BE ARMED AND MUST BE CONSIDERED EXTREMELY DANGEROUS. 11 00:00:57,490 --> 00:00:59,560 [glass shatters] 12 00:01:07,567 --> 00:01:10,370 [panting] 13 00:01:22,650 --> 00:01:24,751 DON'T MOVE! HEY, MAN, THAT REALLY HURT! 14 00:01:24,784 --> 00:01:26,754 DON'T MAKE A MOVE! THERE'S A GUN IN HERE! 15 00:01:26,787 --> 00:01:28,688 HEY-- I SAID DON'T MOVE! 16 00:01:28,722 --> 00:01:31,359 I DIDN'T MOVE. 17 00:01:31,391 --> 00:01:32,893 THERE'S A GUN IN HERE. 18 00:01:32,926 --> 00:01:35,763 TAKE--TAKE MY WORD FOR IT. 19 00:01:35,795 --> 00:01:38,331 WHERE YA GOING? HEY...ADR-- 20 00:01:39,667 --> 00:01:40,301 WAIT--WHO YOU CALLING? 21 00:01:40,334 --> 00:01:42,569 WHO DO YOU THINK I'M CALLING? 22 00:01:42,603 --> 00:01:44,905 OH, YOU DON'T WANNA CALL THE COPS, MAN. I DON'T, HUH? 23 00:01:44,938 --> 00:01:47,275 NO, COME ON, PUT THE PHONE DOWN! 24 00:01:47,307 --> 00:01:48,609 AND THE GUN. GIVE ME ONE GOOD REASON. 25 00:01:48,641 --> 00:01:51,378 I'M YOUR BROTHER! 26 00:01:53,713 --> 00:01:56,817 [Randy Newman ragtime theme] 27 00:01:56,849 --> 00:01:59,186 * IT'S A JUNGLE OUT THERE 28 00:01:59,219 --> 00:02:03,757 * DISORDER AND CONFUSION EVERYWHERE * 29 00:02:03,790 --> 00:02:05,626 * NO ONE SEEMS TO CARE 30 00:02:05,659 --> 00:02:07,260 * WELL, I DO 31 00:02:07,295 --> 00:02:09,763 * HEY, WHO'S IN CHARGE HERE? 32 00:02:09,796 --> 00:02:13,766 * IT'S A JUNGLE OUT THERE 33 00:02:13,800 --> 00:02:17,204 * POISON IN THE VERY AIR WE BREATHE * 34 00:02:17,237 --> 00:02:19,439 * DO YOU KNOW WHAT'S IN THE WATER THAT YOU DRINK? * 35 00:02:19,473 --> 00:02:23,644 * WELL, I DO, AND IT'S A-MA-ZING * 36 00:02:23,676 --> 00:02:27,181 * PEOPLE THINK I'M CRAZY 'CAUSE I WORRY ALL THE TIME * 37 00:02:27,215 --> 00:02:30,617 * IF YOU PAID ATTENTION, YOU'D BE WORRIED TOO * 38 00:02:30,651 --> 00:02:34,454 * YOU'D BETTER PAY ATTENTION OR THIS WORLD WE LOVE SO MUCH * 39 00:02:34,487 --> 00:02:38,259 * MIGHT JUST KILL YOU 40 00:02:38,292 --> 00:02:40,894 * I COULD BE WRONG NOW 41 00:02:40,927 --> 00:02:42,596 * BUT I DON'T THINK SO 42 00:02:42,629 --> 00:02:44,798 * 'CAUSE IT'S A JUNGLE OUT THERE * 43 00:02:44,831 --> 00:02:47,600 * IT'S A JUNGLE OUT THERE * 44 00:02:53,906 --> 00:02:55,742 YOU'RE MY... 45 00:02:55,776 --> 00:02:59,579 I'M JACK JUNIOR. I'M YOUR BROTHER. 46 00:02:59,612 --> 00:03:01,549 WELL, TECHNICALLY, I'M YOUR HALF BROTHER. 47 00:03:01,581 --> 00:03:04,217 SO YOU COULD SAY I'M ROUNDING UP. 48 00:03:06,419 --> 00:03:08,355 COME ON, DAD MUST HAVE TOLD YOU ABOUT ME. 49 00:03:08,389 --> 00:03:11,592 RIGHT? I MEAN, I CAN'T IMAGINE WHAT HE SAID, 50 00:03:11,625 --> 00:03:15,528 BUT...AS YOU CAN SEE, IT'S PRETTY MUCH TRUE. 51 00:03:15,562 --> 00:03:17,531 (woman) 911. WHAT IS YOUR EMERGENCY? 52 00:03:17,564 --> 00:03:19,633 COME ON, MAN, GIMME A CHANCE, OKAY? 53 00:03:19,667 --> 00:03:21,435 I'M YOUR BROTHER. I'M FAMILY. 54 00:03:21,468 --> 00:03:22,735 FAMILY. 55 00:03:22,770 --> 00:03:24,472 YEAH. CAN'T YOU FEEL IT? 56 00:03:24,504 --> 00:03:26,240 911. SIR? 57 00:03:26,274 --> 00:03:27,474 NO. 58 00:03:28,975 --> 00:03:29,943 ARE--REALLY? 59 00:03:29,977 --> 00:03:32,445 COME ON, WE HAVE THE SAME DNA, 60 00:03:32,479 --> 00:03:35,283 SAME DAD-- SAME ALCOHOLIC SON OF A BITCH. 61 00:03:35,316 --> 00:03:36,650 DO YOU KNOW 62 00:03:36,683 --> 00:03:39,819 HE RAN OUT ON US TEN YEARS AFTER HE BAILED ON YOU? 63 00:03:39,853 --> 00:03:41,254 UH-HUH. 64 00:03:41,288 --> 00:03:43,022 FINE. YOU STILL DON'T BELIEVE ME. 65 00:03:43,055 --> 00:03:44,692 ALL RIGHT, ASK ME SOMETHING. DON'T--WAIT! 66 00:03:44,724 --> 00:03:47,795 ASK... ASK YOU WHAT? 67 00:03:47,828 --> 00:03:48,896 ABOUT... 68 00:03:48,929 --> 00:03:51,965 US, DAD, ANYTHING. GO. SHOOT. 69 00:03:51,998 --> 00:03:54,502 OKAY. WHAT WAS HIS FAVORITE SONG? 70 00:03:54,534 --> 00:03:56,770 AIN'T MISBEHAVIN'. SANG IT IN THE BATHTUB. 71 00:03:56,804 --> 00:03:59,473 HOW DID HE TAKE HIS COFFEE? 72 00:03:59,507 --> 00:04:00,608 WITH WHISKEY. 73 00:04:00,640 --> 00:04:01,908 JAMESON'S, IF HE COULD AFFORD IT, 74 00:04:01,942 --> 00:04:03,544 WHICH HE NEVER COULD. 75 00:04:03,576 --> 00:04:05,945 SIR, ARE YOU STILL THERE? 76 00:04:05,979 --> 00:04:07,781 JACK... 77 00:04:10,751 --> 00:04:11,585 SHOULD WE HUG? 78 00:04:11,618 --> 00:04:13,554 NO. HEY, COME ON. 79 00:04:13,586 --> 00:04:15,021 I REALLY--I REALLY THINK WE SHOULD HUG. 80 00:04:15,055 --> 00:04:16,290 NO. 81 00:04:16,324 --> 00:04:18,692 911. ARE YOU STILL THERE? 82 00:04:19,759 --> 00:04:21,461 I'M SORRY. IT WAS MY MISTAKE. 83 00:04:21,495 --> 00:04:22,730 [beep] 84 00:04:29,870 --> 00:04:32,740 OKAY. WHO'S JOE ENDICOTT? 85 00:04:32,773 --> 00:04:33,807 I AM. UH... 86 00:04:33,841 --> 00:04:35,742 WELL, AT LEAST THAT'S WHO I WAS 87 00:04:35,776 --> 00:04:36,843 WHEN I WAS ARRESTED. 88 00:04:36,877 --> 00:04:38,946 YEAH. ARRESTED FOR WHAT? 89 00:04:38,978 --> 00:04:43,651 SELLIN' CARS... THAT WEREN'T...MINE... 90 00:04:43,683 --> 00:04:45,619 [laughing] EXACTLY... 91 00:04:45,653 --> 00:04:46,887 UH-HUH. 92 00:04:46,920 --> 00:04:48,988 I'M STARVING. DO YOU HAVE ANY FOOD? 93 00:04:49,021 --> 00:04:50,723 NO! NO, NO, NO, NO, NO. 94 00:04:50,757 --> 00:04:52,593 NO, WAIT. WHOA. 95 00:04:52,625 --> 00:04:54,827 NO, Y-Y-Y-YOU'RE NOT EATING HERE. 96 00:04:54,862 --> 00:04:56,697 ALL RIGHT. 97 00:04:56,730 --> 00:04:59,632 YOU WANNA TELL ME WHAT HAPPENED LAST NIGHT? 98 00:04:59,667 --> 00:05:02,536 YEAH. I BUSTED OUT. THAT'S WHAT HAPPENED. 99 00:05:02,569 --> 00:05:04,838 YOU KILLED A WOMAN. 100 00:05:04,872 --> 00:05:06,874 NO WAY. HEY... ADRIAN, LOOK! 101 00:05:06,906 --> 00:05:08,809 HAND TO GOD... 102 00:05:08,841 --> 00:05:10,610 I'VE NEVER HURT ANYBODY! 103 00:05:10,644 --> 00:05:11,911 UH-HUH. EVER! 104 00:05:11,944 --> 00:05:14,447 I'M A CON MAN. I'M A GRIFTER. 105 00:05:14,481 --> 00:05:17,718 I'M A...LOVEABLE ROGUE. 106 00:05:17,750 --> 00:05:19,552 A LOVEABLE ROGUE? 107 00:05:19,586 --> 00:05:22,656 PEOPLE DON'T CALL THEMSELVES LOVEABLE ROGUES. 108 00:05:22,689 --> 00:05:25,459 LOVEABLE ROGUES DO. 109 00:05:25,492 --> 00:05:27,595 OH, THIS IS RIDICULOUS. 110 00:05:27,627 --> 00:05:29,396 WHY? COME ON, WHAT ARE YOU DOING? 111 00:05:29,430 --> 00:05:30,730 ADRIAN, NO, NO, NO, WAIT, WAIT! 112 00:05:30,764 --> 00:05:31,932 THINK ABOUT IT! 113 00:05:31,964 --> 00:05:33,933 I COULD BE HALFWAY TO PARAGUAY RIGHT NOW... 114 00:05:33,966 --> 00:05:35,569 BUT I'M NOT. I'M HERE. 115 00:05:35,603 --> 00:05:38,038 I CAME TO YOU! WHAT DOES THAT TELL YOU? 116 00:05:38,071 --> 00:05:40,040 THAT YOU'RE AN UNSTABLE PERSON 117 00:05:40,072 --> 00:05:41,675 AND THAT YOU BELONG IN PRISON. 118 00:05:41,709 --> 00:05:43,377 NO, THAT I NEED YOUR HELP. 119 00:05:43,411 --> 00:05:46,613 COME ON, I DIDN'T KILL THAT WOMAN! 120 00:05:46,646 --> 00:05:49,417 I CRAWLED THROUGH THE SEWER. 121 00:05:49,449 --> 00:05:51,752 WHEN I GOT TO THE PARKING LOT, SHE WAS ALREADY DEAD. 122 00:05:51,784 --> 00:05:53,086 WAIT, WAIT, WAIT, WAIT. WAIT. 123 00:05:53,120 --> 00:05:54,754 UH...GO BACK. 124 00:05:54,788 --> 00:05:57,790 YOU CRAWLED THROUGH THE WHAT-WHAT? 125 00:05:57,824 --> 00:05:59,659 I CRAWLED THROUGH THE SEWER. THAT'S HOW I ESCAPED. 126 00:05:59,692 --> 00:06:02,663 WAIT, WAIT, WAIT, WAIT. GO BACK... 127 00:06:02,696 --> 00:06:04,665 [softly] YOU CRAWLED... 128 00:06:04,697 --> 00:06:07,634 THROUGH THE...WHAT? 129 00:06:07,668 --> 00:06:08,668 THE SEWER? 130 00:06:08,701 --> 00:06:09,802 WAIT, WAIT, WAIT, WAIT. 131 00:06:09,836 --> 00:06:12,740 GO BACK. 132 00:06:18,512 --> 00:06:21,148 [shower water running] 133 00:06:25,952 --> 00:06:27,588 OH. 134 00:06:27,620 --> 00:06:29,055 [shower water stopping] 135 00:06:29,088 --> 00:06:31,091 WHAT HAPPENED? THE SHOWER STOPPED. 136 00:06:31,124 --> 00:06:33,093 YOU RAN OUT OF HOT WATER. 137 00:06:33,125 --> 00:06:34,627 NO, NO, NO. KEEP WASHING. 138 00:06:34,661 --> 00:06:35,728 I'M FREEZIN'! 139 00:06:35,762 --> 00:06:37,898 KEEP--KEEP WASHING. JUST-- 140 00:06:37,930 --> 00:06:40,433 OH, MY GOD! WHAT--WHAT--WHAT'D YOU DO? 141 00:06:40,468 --> 00:06:43,536 LITTLE CAMOUFLAGE... HUH? 142 00:06:43,571 --> 00:06:46,639 WRONG PEOPLE MIGHT SEE US WORKING ON THE CASE, SO... 143 00:06:46,673 --> 00:06:48,175 WHAT CASE? MY CASE! 144 00:06:48,207 --> 00:06:50,543 I TOLD YOU I DIDN'T KILL THAT WOMAN,. 145 00:06:50,577 --> 00:06:51,444 WE GOTTA PROVE IT. 146 00:06:51,478 --> 00:06:53,646 NO, NO, NO, NO, NO. THERE IS NO CASE. 147 00:06:53,680 --> 00:06:56,182 WE'RE GONNA CALL A LAWYER, THEN YOU'RE GONNA TURN YOURSELF IN. 148 00:06:56,216 --> 00:07:00,620 NO! NO, I CAN'T DO THAT. I CAN'T GO BACK TO JAIL, OKAY? 149 00:07:00,653 --> 00:07:01,420 NOT YET. WHAT-- 150 00:07:01,454 --> 00:07:03,857 HEY, HOW IS AMBROSE? HE'S--HE'S FINE. 151 00:07:05,793 --> 00:07:07,661 YOU KNOW WHAT? WE SHOULD CALL HIM. 152 00:07:07,694 --> 00:07:09,829 I WOULD LOVE TO SAY HI TO HIM. 153 00:07:09,862 --> 00:07:12,165 I'D RATHER NOT INVOLVE HIM. EXCUSE ME-- 154 00:07:12,199 --> 00:07:14,834 WHAT DO YOU MEAN, YOU CAN'T GO BACK YET? 155 00:07:14,867 --> 00:07:17,737 LOOK, THAT WOMAN, THE WOMAN THAT WAS KILLED, 156 00:07:17,771 --> 00:07:18,939 LINDSEY BISHOP WAS HER NAME. 157 00:07:18,971 --> 00:07:20,740 HEY! SHE WAS A SOCIAL WORKER THERE. 158 00:07:20,774 --> 00:07:22,742 EVERYBODY IN THE JOINT LOVED HER. 159 00:07:22,776 --> 00:07:25,879 SHE USED TO WORK ON LETTERS, HELP PEOPLE WITH THEIR APPEALS. 160 00:07:25,913 --> 00:07:28,581 I MEAN, LOOK, IF I GO BACK THERE 161 00:07:28,615 --> 00:07:31,519 AND THEY-- DON'T WORRY, IT'S PERFECT-- 162 00:07:31,552 --> 00:07:33,620 AND THEY THINK THAT I KILLED HER... 163 00:07:33,653 --> 00:07:36,723 I WOULDN'T LAST MORE THAN TEN MINUTES IN THERE. 164 00:07:36,757 --> 00:07:38,925 LOOK, CLEAR MY NAME. 165 00:07:38,959 --> 00:07:41,595 AND THEN I'LL GO BACK, I PROMISE. 166 00:07:44,731 --> 00:07:47,768 HEY, YOU KNOW, THESE ARE ALL THE SAME. 167 00:07:47,800 --> 00:07:51,103 WHAT, YOU--YOU WEAR THE SAME THING EVERY DAY? 168 00:07:51,137 --> 00:07:52,639 WHEW! 169 00:07:52,673 --> 00:07:54,707 I FEEL LIKE I'M BACK IN PRISON. 170 00:07:56,209 --> 00:07:57,845 Y-YOU KNOW, COULD I HAVE 171 00:07:57,877 --> 00:08:00,947 A LITTLE BIT OF PRIVACY, PLEASE? 172 00:08:00,980 --> 00:08:02,482 THANKS. 173 00:08:10,624 --> 00:08:12,660 DO YOU HAVE ANY OTHER KIND OF MAYO? 174 00:08:12,692 --> 00:08:13,761 WHAT ARE YOU DOING? 175 00:08:13,793 --> 00:08:16,596 I'M MAKING A SANDWICH. I'M STARVING. 176 00:08:16,629 --> 00:08:18,899 ARE YOU EVER GONNA TELL ME WHAT HAPPENED? 177 00:08:18,932 --> 00:08:20,768 YEAH. AFTER I EAT, OKAY? 178 00:08:20,800 --> 00:08:22,269 I HAVE BEEN RUNNING ALL NIGHT. 179 00:08:22,302 --> 00:08:23,771 NO, NO, NO, NO. THAT'S MINE. 180 00:08:23,803 --> 00:08:25,271 TALK FIRST. THEN EAT. 181 00:08:25,305 --> 00:08:28,975 [sighs] LOOK, I CAN DO BOTH. ALL RIGHT? 182 00:08:29,009 --> 00:08:32,245 THERE'S NOT MUCH TO TELL. 183 00:08:32,278 --> 00:08:33,581 IT TOOK ME TWO MONTHS AND 87 SPOONS 184 00:08:33,614 --> 00:08:34,881 TO GET OUTTA THERE. 185 00:08:34,914 --> 00:08:36,249 WHAT ABOUT YOUR CELLMATE? 186 00:08:36,283 --> 00:08:38,786 I DIDN'T HAVE ONE. MADE LIFE A LOT EASIER. 187 00:08:38,818 --> 00:08:42,655 SO LAST NIGHT AFTER LIGHTS OUT, I MADE MY MOVE. 188 00:08:42,690 --> 00:08:44,924 THREE MINUTES LATER, I WAS IN THE SEWER PIPE. 189 00:08:44,957 --> 00:08:47,628 YEAH, OKAY. YOU...CAN SKIP THAT PART. 190 00:08:47,661 --> 00:08:48,629 THE STENCH WAS GOD-AWFUL. 191 00:08:48,662 --> 00:08:50,697 IT WAS LIKE CRAWLING THROUGH SOMEONE'S-- 192 00:08:50,730 --> 00:08:52,732 OKAY. YEAH, IT'S OKAY. JUST...SKIP AHEAD. 193 00:08:52,765 --> 00:08:55,735 OKAY, ABOUT 3:00 A.M., I COME OUT THE OTHER SIDE, 194 00:08:55,769 --> 00:08:57,004 AND I SAW A CAR. 195 00:08:57,037 --> 00:08:59,338 LOOKED EMPTY. I FIGURED I GOT LUCKY. 196 00:08:59,371 --> 00:09:01,575 I THOUGHT MAYBE I COULD HOTWIRE IT. 197 00:09:01,609 --> 00:09:04,812 I YANK OPEN THE DOOR, AND THERE SHE WAS. 198 00:09:04,845 --> 00:09:06,746 I TRIED CALLING 911, 199 00:09:06,779 --> 00:09:09,282 BUT THEN SOME GUARD IN THE TOWER SPOTS ME, 200 00:09:09,316 --> 00:09:12,251 OPENED FIRE, AND I JUST-- I JUST TOOK OFF 201 00:09:12,284 --> 00:09:14,888 AND NEVER LOOKED BACK. 202 00:09:14,922 --> 00:09:18,357 SO...LET ME SEE IF I UNDERSTAND THIS. 203 00:09:18,390 --> 00:09:20,092 IF YOU'RE TELLING THE TRUTH-- 204 00:09:20,126 --> 00:09:21,695 IT'S HAND TO GOD. 205 00:09:21,729 --> 00:09:22,696 RIGHT. HAND TO GOD. 206 00:09:22,730 --> 00:09:24,764 THIS IS YOUR STORY: 207 00:09:24,798 --> 00:09:26,734 A HOMICIDAL MANIAC 208 00:09:26,767 --> 00:09:30,604 HAPPENED TO BE STROLLING BY THE FEDERAL PRISON. 209 00:09:30,638 --> 00:09:34,374 HE SAW THE CAR. HE STABS THE DRIVER. 210 00:09:34,407 --> 00:09:37,110 BUT HE DOESN'T STEAL THE CAR. 211 00:09:37,144 --> 00:09:39,379 HE JUST RUNS AWAY. 212 00:09:39,412 --> 00:09:41,682 COUPLE MINUTES LATER, 213 00:09:41,715 --> 00:09:44,951 JACK MONK, JR. CRAWLS OUT OF A MANHOLE 214 00:09:44,985 --> 00:09:46,720 A FEW YARDS AWAY 215 00:09:46,754 --> 00:09:49,923 AND FINDS...THE BODY? 216 00:09:52,392 --> 00:09:53,760 YES. 217 00:09:53,793 --> 00:09:57,096 THANK YOU. YOU MADE THIS VERY EASY FOR ME. 218 00:09:57,129 --> 00:09:58,765 OH. 219 00:09:58,798 --> 00:10:00,366 WAIT. WHAT ARE YOU DOIN'? 220 00:10:00,399 --> 00:10:01,400 ADRIAN, WHAT ARE YOU DOIN'? 221 00:10:01,433 --> 00:10:04,303 NO, NO, NO--WHAT IS IT WITH YOU AND THE PHONE? 222 00:10:04,336 --> 00:10:06,405 COME ON, YOU'RE TREATING ME LIKE ANOTHER SCHLUB. 223 00:10:06,438 --> 00:10:07,774 THIS IS FAMILY! 224 00:10:07,807 --> 00:10:09,677 HEY, THIS IS FAMILY TALKIN' HERE. 225 00:10:09,710 --> 00:10:11,778 THAT'S GOTTA MEAN SOMETHING. NOT TO ME. 226 00:10:13,145 --> 00:10:14,413 NO! OKAY, OKAY, OKAY, OKAY! 227 00:10:14,447 --> 00:10:16,383 YOU WIN. I'LL GO BACK TO JAIL. 228 00:10:16,416 --> 00:10:18,652 [beep] STRAIGHT UP, 229 00:10:18,686 --> 00:10:21,788 I'LL DO MY TIME... OKAY? 230 00:10:21,822 --> 00:10:24,291 JUST...DO ME ONE FAVOR. 231 00:10:24,323 --> 00:10:26,693 LET ME CALL MY MOTHER. 232 00:10:28,028 --> 00:10:30,230 YOUR HAVE A MOTHER. 233 00:10:30,263 --> 00:10:32,264 YES, ADRIAN. I HAVE A MOTHER TOO. 234 00:10:32,298 --> 00:10:33,933 HER NAME IS DARLENE MONK. 235 00:10:33,966 --> 00:10:36,168 SHE LIVES IN AMARILLO, TEXAS. 236 00:10:36,202 --> 00:10:37,971 I'M SURE SHE'S BEEN WATCHING THE NEWS, 237 00:10:38,004 --> 00:10:40,072 AND SHE MUST BE SCARED TO DEATH, OKAY? 238 00:10:40,106 --> 00:10:42,975 COME ON. JUST ONE PHONE CALL. 239 00:10:43,009 --> 00:10:45,077 FOR OLD TIME'S SAKE? 240 00:10:45,111 --> 00:10:47,681 WE DON'T HAVE ANY OLD TIMES. 241 00:10:47,715 --> 00:10:49,448 SURE, WE DO. 242 00:10:49,481 --> 00:10:51,150 COME ON, REMEMBER? 243 00:10:51,183 --> 00:10:53,787 [laughs] REMEMBER IN THE HALLWAY, 244 00:10:53,821 --> 00:10:56,956 WHEN YOU HIT ME OVER THE HEAD WITH THAT METAL BOX? 245 00:10:56,990 --> 00:10:59,826 THAT WAS A HALF HOUR AGO. 246 00:10:59,860 --> 00:11:02,696 YEAH, WELL, IT'S SOMETHING. I MEAN, IT'S A START. 247 00:11:07,934 --> 00:11:11,772 [electronic tones] 248 00:11:13,774 --> 00:11:14,908 [beep] 249 00:11:14,942 --> 00:11:16,809 [line ringing] 250 00:11:16,844 --> 00:11:18,077 (woman) HELLO? 251 00:11:18,110 --> 00:11:20,080 HEY! MOM, IT'S JACK. 252 00:11:20,113 --> 00:11:24,150 JACKIE! MY BABY! ARE YOU OKAY? 253 00:11:24,183 --> 00:11:25,451 YEAH. 254 00:11:25,485 --> 00:11:27,821 ON THE NEWS, THEY SAID YOU KILLED A WOMAN. 255 00:11:27,855 --> 00:11:29,756 NO, MOM, I DIDN'T KILL ANYBODY. 256 00:11:29,789 --> 00:11:31,323 YOU GOTTA BELIEVE ME. 257 00:11:31,357 --> 00:11:32,459 MY BABY! 258 00:11:32,491 --> 00:11:34,494 I KNOW, I WISH I COULD PROVE IT, 259 00:11:34,527 --> 00:11:35,528 BUT I-I CAN'T. 260 00:11:35,562 --> 00:11:40,067 JACKIE, GO TO YOUR BROTHER. GO TO ADRIAN. 261 00:11:40,100 --> 00:11:42,469 HE HAS TO HELP YOU. HE'S FAMILY. 262 00:11:42,501 --> 00:11:45,138 MOM, I'M WITH HIM RIGHT NOW, 263 00:11:45,172 --> 00:11:47,506 AND, UH, HE WANTS TO TURN ME IN. 264 00:11:47,539 --> 00:11:48,508 [loud gasp] 265 00:11:48,540 --> 00:11:50,977 WHY?! 266 00:11:51,010 --> 00:11:52,745 WHY WON'T HE HELP US? 267 00:11:52,779 --> 00:11:54,748 I DON'T KNOW, MOM. I GUESS, UM... 268 00:11:54,782 --> 00:11:56,750 FAMILY DOESN'T MEAN ANYTHING TO HIM. 269 00:11:56,783 --> 00:11:59,052 [gasps] ADRIAN MONK! 270 00:11:59,086 --> 00:12:01,153 ARE YOU THERE? 271 00:12:07,259 --> 00:12:08,528 HELLO? 272 00:12:08,561 --> 00:12:10,529 WE'VE NEVER MET, 273 00:12:10,562 --> 00:12:12,865 BUT I FEEL LIKE I KNOW YOU. 274 00:12:12,899 --> 00:12:16,536 YOUR FATHER BRAGGED ABOUT YOU ALL THE TIME. 275 00:12:16,568 --> 00:12:18,538 HE DID? 276 00:12:18,571 --> 00:12:21,541 UH-HUH. HE SAID YOU WERE THE LIGHT OF HIS LIFE. 277 00:12:21,573 --> 00:12:25,245 HE SAID THERE'S NOTHING YOU COULDN'T DO. 278 00:12:25,278 --> 00:12:29,182 I AM BEGGING YOU, ADRIAN. I'M A MOTHER. 279 00:12:29,216 --> 00:12:33,419 I'M ON MY KNEES. HELP MY LITTLE BOY. 280 00:12:33,452 --> 00:12:35,788 HELP LITTLE JACKIE! [sobbing] 281 00:12:35,822 --> 00:12:40,293 HE'S NO ANGEL, BUT HE WOULDN'T HURT ANYBODY. 282 00:12:40,326 --> 00:12:42,528 [sobbing] 283 00:12:42,562 --> 00:12:43,529 OKAY. 284 00:12:43,562 --> 00:12:45,532 DARLENE... [sobbing] 285 00:12:45,565 --> 00:12:46,933 MA'AM? 286 00:12:46,966 --> 00:12:48,467 IT--IT'S OKAY. 287 00:12:48,500 --> 00:12:52,338 I-I AM GOING TO HELP YOUR SON. 288 00:12:52,371 --> 00:12:53,807 YOU ARE? 289 00:12:53,841 --> 00:12:56,143 HE'S GONNA BE OKAY, I PROMISE. 290 00:12:56,176 --> 00:12:58,812 I'LL, UH, I'LL DO WHAT I CAN. [giddy laughing] 291 00:12:58,846 --> 00:13:00,312 OKAY. 292 00:13:00,346 --> 00:13:02,414 GOD BLESS YOU, ADRIAN! OH! 293 00:13:02,448 --> 00:13:03,817 YAY! LOVE YOU, MOM. 294 00:13:03,850 --> 00:13:05,518 [laughing] 295 00:13:08,288 --> 00:13:09,990 THANKS, BRO. 296 00:13:10,023 --> 00:13:12,359 HALF BRO. 297 00:13:40,287 --> 00:13:42,022 (Stottlemeyer) HEY, MONK. 298 00:13:43,190 --> 00:13:44,991 WHO'S YOUR FRIEND? 299 00:13:45,024 --> 00:13:46,393 OH, THAT'S MY... 300 00:13:46,426 --> 00:13:48,895 PEN PAL. 301 00:13:48,928 --> 00:13:50,029 PEN PAL! 302 00:13:50,062 --> 00:13:52,164 I DIDN'T KNOW PEOPLE STILL DID THAT. 303 00:13:52,198 --> 00:13:53,500 YEP. [chuckles] 304 00:13:53,533 --> 00:13:56,003 HEY, YOU GUYS EVEN DRESS ALIKE. 305 00:13:56,036 --> 00:13:57,636 WHERE'S HE FROM? 306 00:13:57,669 --> 00:13:59,272 CANADA. 307 00:13:59,306 --> 00:14:00,908 EAST CANADA. 308 00:14:00,941 --> 00:14:02,475 WHAT'S HIS NAME? JACK. 309 00:14:02,509 --> 00:14:04,610 UH...GRETZKY. 310 00:14:04,644 --> 00:14:07,279 REALLY? ANY RELATION? 311 00:14:07,313 --> 00:14:08,648 WHY WOULD YOU SAY THAT? 312 00:14:08,681 --> 00:14:10,649 WE DON'T--WE DON'T-- WE DON'T EVEN LOOK ALIKE. 313 00:14:10,682 --> 00:14:12,418 NO, NOT TO YOU, TO WAYNE GRETZKY, 314 00:14:12,451 --> 00:14:14,254 THE HOCKEY PLAYER. 315 00:14:14,287 --> 00:14:16,222 YOU OKAY? 316 00:14:16,255 --> 00:14:18,057 YEAH, I'M... I'M FINE. 317 00:14:18,091 --> 00:14:20,293 LET'S JUST SEE WHAT THERE IS TO SEE, 318 00:14:20,326 --> 00:14:22,261 AND THEN WE CAN ALL GO HOME 319 00:14:22,294 --> 00:14:23,562 IN SEPARATE CARS. 320 00:14:23,596 --> 00:14:25,532 THAT'S IT, HUH? 321 00:14:25,565 --> 00:14:29,201 YEAH. KINDA SCARY HOW EASY IT WAS, HUH? 322 00:14:34,073 --> 00:14:35,241 IT'S FUNNY, YOU KNOW, 323 00:14:35,274 --> 00:14:37,610 I'VE KNOWN MR. MONK FOR FOUR YEARS, 324 00:14:37,644 --> 00:14:39,611 AND HE NEVER MENTIONED HAVING A PEN PAL. 325 00:14:39,645 --> 00:14:41,914 WELL, YOU KNOW, I SHOULDN'T SAY ANYTHING ELSE. 326 00:14:41,948 --> 00:14:43,149 I DON'T WANNA BREAK 327 00:14:43,182 --> 00:14:44,985 THE PEN PAL CODE, SO... 328 00:14:45,018 --> 00:14:47,153 [laughing] OKAY... 329 00:14:47,187 --> 00:14:48,922 HER CELL PHONE? YEP. 330 00:14:51,557 --> 00:14:53,259 IT WASN'T NEAR THE CAR? 331 00:14:53,293 --> 00:14:55,261 NOPE. THAT'S RIGHT WHERE IT WAS. 332 00:14:55,294 --> 00:14:57,197 (Disher) CAPTAIN STOTTLEMEYER, ADRIAN MONK. 333 00:14:57,230 --> 00:14:59,432 THIS IS TOM BENNETT, DAN REESE. 334 00:14:59,466 --> 00:15:01,201 TOM'S THE WARDEN HERE. 335 00:15:01,234 --> 00:15:02,434 (Stottlemeyer) WARDEN. 336 00:15:02,469 --> 00:15:04,437 WHATEVER YOU NEED, CAPTAIN. WHATEVER WE CAN DO. 337 00:15:04,471 --> 00:15:05,938 WE APPRECIATE THAT. 338 00:15:05,972 --> 00:15:07,206 WE'VE ASSEMBLED A TASK FORCE, 339 00:15:07,240 --> 00:15:08,307 WORKING WITH THE SHERIFF'S DEPARTMENT. 340 00:15:08,341 --> 00:15:09,708 HE CAN'T GET FAR. WE'LL FIND HIM. 341 00:15:09,741 --> 00:15:12,278 I CAN'T WAIT TO GET THAT SON OF A BITCH BACK IN HERE. 342 00:15:12,312 --> 00:15:13,245 THIS IS PERSONAL. 343 00:15:13,279 --> 00:15:15,115 EVERYBODY LOVED THAT WOMAN. 344 00:15:15,148 --> 00:15:17,216 NOT JUST THE INMATES. STAFF TOO. 345 00:15:17,250 --> 00:15:18,518 DAN WAS ON DUTY LAST NIGHT. 346 00:15:18,551 --> 00:15:21,321 HE'S THE ONE WHO SOUNDED THE ALARM. 347 00:15:21,354 --> 00:15:23,289 YEAH, WHAT--WHAT WAS SHE DOING HERE 348 00:15:23,322 --> 00:15:24,991 AT 3:00 IN THE MORNING? 349 00:15:25,024 --> 00:15:26,259 LINDSEY WORKED LATE A LOT. 350 00:15:26,293 --> 00:15:28,095 SOMETIMES SHE'D BE HERE ALL NIGHT. 351 00:15:28,128 --> 00:15:29,261 YOU KNOW, DEDICATED. 352 00:15:29,296 --> 00:15:31,264 DID YOU ACTUALLY SEE HIM, THE ESCAPEE, 353 00:15:31,298 --> 00:15:33,332 WHOSE NAME, OF COURSE, IS JOE ENDICOTT, 354 00:15:33,365 --> 00:15:35,034 ATTACK MISS BISHOP? 355 00:15:35,067 --> 00:15:37,336 NO, SIR, I CAN'T SAY I DID. 356 00:15:37,370 --> 00:15:39,538 I THOUGHT I HEARD SOMETHING, 357 00:15:39,572 --> 00:15:41,707 SOMEONE SCREAMING, I HIT THE LIGHTS. 358 00:15:41,740 --> 00:15:43,643 HE WAS RIGHT THERE, RIGHT BY THE CAR. 359 00:15:43,676 --> 00:15:45,211 I GOT OFF ABOUT A DOZEN SHOTS, 360 00:15:45,245 --> 00:15:46,413 BUT HE WAS GONE. 361 00:15:46,446 --> 00:15:48,181 A-AND THAT'S THE WEAPON? 362 00:15:48,215 --> 00:15:50,350 IS IT A FORK OR A SPOON? 363 00:15:50,383 --> 00:15:52,251 OH, THEY CAN MAKE A KNIFE OUT OF ANYTHING-- 364 00:15:52,284 --> 00:15:54,153 UTENSILS, TOOTHBRUSHES. 365 00:15:54,187 --> 00:15:56,588 "GOS" SOMETHING. 366 00:15:56,623 --> 00:15:58,325 THAT'S STERLING SILVER. 367 00:15:58,357 --> 00:16:00,994 REALLY? [laughs] 368 00:16:01,028 --> 00:16:03,296 WHAT ARE YOU GUYS DOIN' UP THERE, HAVING TEA PARTIES? 369 00:16:03,330 --> 00:16:05,331 [chuckles] THAT'S NOT STANDARD ISSUE. 370 00:16:05,365 --> 00:16:07,333 IT MUST HAVE BEEN SMUGGLED IN. 371 00:16:07,366 --> 00:16:10,202 [dogs barking] 372 00:16:10,236 --> 00:16:12,304 DOGS? THOSE DOGS... 373 00:16:12,339 --> 00:16:14,374 (Warden Bennett) SKINNY MUST BE BRINGING THE HOUNDS BACK IN. 374 00:16:14,407 --> 00:16:17,309 THEY MUST HAVE CAUGHT HIS SCENT. 375 00:16:17,344 --> 00:16:20,312 HEY, WE GOTTA GO! WE'RE LATE. 376 00:16:20,346 --> 00:16:21,347 FOR THE...THING. 377 00:16:21,380 --> 00:16:23,082 THAT'S JACK, UH, MY PEN PAL. 378 00:16:23,115 --> 00:16:24,216 HOW YA DOIN'? WE GOTTA GO. 379 00:16:24,250 --> 00:16:25,284 REMEMBER? 380 00:16:25,317 --> 00:16:27,187 YEAH. UH... CAP, WE GOTTA GO. 381 00:16:27,220 --> 00:16:30,222 NATALIE'S GONNA DROP US OFF. 382 00:16:30,256 --> 00:16:32,359 OKAY, I'LL CALL YA LATER. I'LL FILL YA IN. 383 00:16:32,392 --> 00:16:33,793 NICE TO MEET YOU, JACK. 384 00:16:33,826 --> 00:16:35,727 ARE YOU GONNA EAT? 385 00:16:35,761 --> 00:16:38,398 NOT HERE. OR NEAR HERE. 386 00:16:38,431 --> 00:16:40,332 OR FAR FROM HERE. 387 00:16:40,366 --> 00:16:43,436 YEAH, DAD SAID YOU WERE PECULIAR. 388 00:16:46,139 --> 00:16:47,106 MM. MM. 389 00:16:47,139 --> 00:16:51,510 AVY'AITE ROIKUAAHAGUERE. 390 00:16:51,543 --> 00:16:54,313 JAHOECHA PEVE. 391 00:16:54,346 --> 00:16:56,115 AH? [chuckling] 392 00:16:56,149 --> 00:16:58,118 I KNEW IT. 393 00:16:58,150 --> 00:17:00,120 WHAT WAS THAT? IT WASN'T SPANISH. 394 00:17:00,153 --> 00:17:01,354 IT'S GUARANI. 395 00:17:01,388 --> 00:17:03,289 IT'S THE OFFICIAL LANGUAGE OF PARAGUAY. 396 00:17:03,322 --> 00:17:06,259 DO YOU KNOW THAT THE MOST BEAUTIFUL WOMEN IN THE WORLD 397 00:17:06,292 --> 00:17:07,227 COME FROM PARAGUAY? 398 00:17:07,259 --> 00:17:08,560 DO THEY? 399 00:17:08,595 --> 00:17:11,364 EXHIBIT A... YOU DIDN'T EVEN LOOK AT. 400 00:17:11,397 --> 00:17:12,731 WHAT--ARE YOU HUMAN OR WHAT? 401 00:17:12,765 --> 00:17:15,468 I'M HUMAN...ENOUGH. 402 00:17:15,501 --> 00:17:17,604 OKAY, SHERLOCK. 403 00:17:17,636 --> 00:17:20,307 WHERE ARE WE? HOW'S THE CASE COMIN' 404 00:17:20,339 --> 00:17:21,240 THE VICTIM'S CELL PHONE 405 00:17:21,273 --> 00:17:23,576 WAS EXACTLY WHERE YOU SAID IT WOULD BE. 406 00:17:23,609 --> 00:17:26,512 AND THERE WAS BLOOD SPATTER ALL OVER THE CAR, 407 00:17:26,546 --> 00:17:29,148 BUT YOU DIDN'T HAVE ANY ON YOUR PANTS. 408 00:17:29,182 --> 00:17:30,682 SO? 409 00:17:30,717 --> 00:17:32,519 SO...THERE'S A MORE THAN EVEN CHANCE 410 00:17:32,551 --> 00:17:34,354 THAT YOU WERE TELLING THE TRUTH. 411 00:17:34,386 --> 00:17:36,788 WE'RE GONNA HUG SOON. I CAN FEEL IT. 412 00:17:36,823 --> 00:17:38,290 NO, WE'RE NOT GONNA HUG, JACK. 413 00:17:38,325 --> 00:17:39,259 YOU'RE STILL A CRIMINAL. 414 00:17:39,291 --> 00:17:41,327 I CAN BELIEVE YOU AND STILL NOT LIKE YOU. 415 00:17:41,361 --> 00:17:43,395 WELL, WHO DO YOU LIKE? I CAN BE ANYBODY. 416 00:17:43,430 --> 00:17:45,164 LISTEN TO ME. THIS IS SERIOUS. 417 00:17:45,198 --> 00:17:46,665 SOMEBODY KILLED LINDSEY BISHOP 418 00:17:46,699 --> 00:17:48,768 AND TRIED TO FRAME YOU. 419 00:17:48,800 --> 00:17:51,503 SO WHO ELSE KNEW YOU WERE PLANNING TO ESCAPE? 420 00:17:51,538 --> 00:17:53,205 NOBODY. SOMEBODY DID. 421 00:17:53,240 --> 00:17:55,842 SOMEBODY KNEW YOU'D BE IN THAT PARKING LOT. 422 00:17:55,875 --> 00:17:57,376 NOBODY! HAND TO GOD, NOBODY KNEW! 423 00:17:57,410 --> 00:17:58,545 NOBODY! NOBODY! 424 00:17:58,577 --> 00:18:00,547 NOBODY. NOBODY. 425 00:18:02,382 --> 00:18:03,549 OH, EXCEPT SHIV. 426 00:18:06,519 --> 00:18:08,520 I HAVE A FOLLOW-UP QUESTION. 427 00:18:08,555 --> 00:18:10,222 SHOOT. 428 00:18:11,391 --> 00:18:12,192 WHO'S SHIV? 429 00:18:12,224 --> 00:18:13,759 UH, HE'S MY CELLMATE. 430 00:18:13,792 --> 00:18:16,229 YOU SAID YOU DIDN'T HAVE A CELLMATE. 431 00:18:16,262 --> 00:18:17,497 I DON'T THINK SO. 432 00:18:17,529 --> 00:18:20,200 YOU MUST HAVE MISCONSTRUED MY CONNOTATION. 433 00:18:24,203 --> 00:18:25,571 TELL ME ABOUT SHIV. 434 00:18:27,339 --> 00:18:29,276 HIS REAL NAME IS NORMAN LOGAN. 435 00:18:29,308 --> 00:18:31,278 IT WAS HIS CELL. IT WAS HIS PLAN. 436 00:18:31,310 --> 00:18:33,346 SOMEHOW HE GOT A HOLD OF A REAL CHISEL, 437 00:18:33,380 --> 00:18:35,382 AND HE DUG THE TUNNEL HIMSELF. 438 00:18:35,414 --> 00:18:39,451 THEY MOVED ME INTO HIS CELL YESTERDAY, 439 00:18:39,486 --> 00:18:41,554 AND, UM, HE SHOWED ME THE TUNNEL. 440 00:18:41,587 --> 00:18:44,257 AND I FIGURED IF SOMEONE WAS GONNA BUST OUT, 441 00:18:44,290 --> 00:18:45,592 MIGHT AS WELL BE ME. 442 00:18:50,262 --> 00:18:52,265 YOU SAID YOU'D NEVER LIE TO ME. 443 00:18:52,298 --> 00:18:53,400 WE HAD A DEAL. 444 00:18:53,432 --> 00:18:56,368 OKAY, I KNOW. I DID LIE ABOUT SHIV. 445 00:18:56,403 --> 00:18:58,637 BUT THAT WAS BEFORE I PROMISED NEVER TO LIE. 446 00:18:58,671 --> 00:19:00,440 SO I DON'T THINK THAT SHOULD COUNT. 447 00:19:02,241 --> 00:19:03,576 WHAT WAS THAT LOOK? 448 00:19:03,609 --> 00:19:06,212 IT'S CALLED DISAPPOINTMENT, JACK. 449 00:19:06,246 --> 00:19:08,580 I'M SURE IT'S A LOOK YOU'VE SEEN BEFORE. 450 00:19:08,615 --> 00:19:09,615 COME ON, LET'S GO. 451 00:19:09,648 --> 00:19:11,384 WELL, WHERE ARE WE GOING? 452 00:19:11,417 --> 00:19:12,684 I'M GOING BACK TO THE PRISON 453 00:19:12,719 --> 00:19:14,753 AND TALK TO YOUR CELLMATE. 454 00:19:14,787 --> 00:19:17,690 NO, YOU-- NO, YOU CAN'T TALK TO HIM. 455 00:19:17,723 --> 00:19:21,760 HE'LL KNOW THAT WE TALKED. HE'LL KNOW THAT WE'RE TOGETHER! 456 00:19:21,794 --> 00:19:24,230 ALL RIGHT, I'LL HAVE THE CAPTAIN ASK AROUND. 457 00:19:24,263 --> 00:19:25,231 BUT LET'S GO. 458 00:19:25,265 --> 00:19:26,499 WELL, WHERE NOW? 459 00:19:26,532 --> 00:19:28,567 PLAN B-- LINDSEY BISHOP'S HOUSE. 460 00:19:28,601 --> 00:19:30,436 I'M NOT--I CAN'T-- COME ON. 461 00:19:30,470 --> 00:19:31,738 I'M-- 462 00:19:38,345 --> 00:19:40,247 [sobbing] 463 00:19:40,279 --> 00:19:42,249 I CAN'T BELIEVE IT! I'M SO-- 464 00:19:42,281 --> 00:19:44,284 I STILL CAN'T BELIEVE THAT SHE'S GONE! 465 00:19:44,317 --> 00:19:45,585 I'M SORRY. 466 00:19:45,617 --> 00:19:47,586 I DIDN'T EVEN KNOW SHE HAD A BROTHER. 467 00:19:47,619 --> 00:19:49,588 WE WERE CLOSE, AND OF COURSE NOW... 468 00:19:49,622 --> 00:19:51,958 IT'S TOO LATE TO TELL HER 469 00:19:51,990 --> 00:19:54,594 [sobbing escalates] ALL THE THINGS I WANTED TO TELL HER! 470 00:19:54,626 --> 00:19:56,596 YEAH, I KNOW, I-I-- I'M GONNA MISS HER TOO. 471 00:19:56,628 --> 00:19:58,597 SHE WAS PROBABLY MY FAVORITE TENANT. 472 00:19:58,631 --> 00:20:00,767 ARE YOU FAMILY TOO? PEN PAL. 473 00:20:00,799 --> 00:20:02,769 (superintendent) OH...OH, OKAY. WELL, UH... 474 00:20:02,801 --> 00:20:04,737 I'LL LET YOU TWO BOYS GET TO IT. 475 00:20:04,770 --> 00:20:06,873 JUST REMEMBER TO LOCK UP AS YOU LEAVE. 476 00:20:09,276 --> 00:20:11,310 AGAIN, I'M SORRY. 477 00:20:14,814 --> 00:20:16,583 WOW. HE WAS A NICE GUY. 478 00:20:16,615 --> 00:20:18,585 CAN'T HELP BUT NOTICE YOUR FAKE CRYING 479 00:20:18,617 --> 00:20:20,586 LOOKS A LOT LIKE YOUR REAL CRYING. 480 00:20:20,619 --> 00:20:22,454 THANK YOU. 481 00:20:28,560 --> 00:20:30,563 WOW, I LOVE WHAT YOU DO WITH YOUR HANDS. 482 00:20:32,464 --> 00:20:35,501 YOU'RE LIKE ONE OF THOSE PANTOMIME GUYS, HUH? 483 00:20:41,374 --> 00:20:43,442 OKAY, WHAT ARE WE LOOKING FOR? 484 00:20:43,476 --> 00:20:45,545 I'M NOT SURE. 485 00:20:45,577 --> 00:20:48,414 I'LL KNOW IT WHEN I FIND IT. 486 00:20:54,320 --> 00:20:56,288 WHAT--WHAT-- WHAT ARE YOU DOING? 487 00:20:56,323 --> 00:20:58,290 BELIEVE ME, BROTHER, SHE'S NOT GONNA MISS IT. 488 00:20:58,325 --> 00:21:01,361 PUT IT BACK. YOU PUT--PUT IT BACK. 489 00:21:01,394 --> 00:21:02,528 FINE. 490 00:21:02,561 --> 00:21:03,695 [coins clattering] 491 00:21:03,730 --> 00:21:05,298 AND THE REST OF IT. 492 00:21:05,332 --> 00:21:07,299 OKAY, JIMINY CRICKET. 493 00:21:07,334 --> 00:21:09,368 LOOK, YOU WIN! PUTTIN' IT BACK! 494 00:21:09,402 --> 00:21:10,403 [clattering] 495 00:21:14,906 --> 00:21:16,041 THAT'S WEIRD. 496 00:21:16,075 --> 00:21:17,676 WHAT IS IT? 497 00:21:17,710 --> 00:21:20,380 THIS PICTURE'S OUT OF FOCUS. 498 00:21:20,413 --> 00:21:22,048 LOOK. THAT ONE MAKES HER LOOK FAT. 499 00:21:22,080 --> 00:21:24,049 THESE PICTURES DON'T MAKE SENSE. 500 00:21:24,083 --> 00:21:26,051 YOU'RE RIGHT. THEY'RE TERRIBLE. 501 00:21:26,085 --> 00:21:29,020 SHE DIDN'T PUT THESE UP. NO ONE WOULD. 502 00:21:29,055 --> 00:21:31,758 I DON'T UNDERSTAND. 503 00:21:41,733 --> 00:21:44,770 THEY'RE FROM THIS DRAWER. THEY'RE THE DISCARDS. 504 00:21:44,804 --> 00:21:48,074 SOMEONE WAS IN HERE AFTER SHE DIED... 505 00:21:48,106 --> 00:21:51,042 REMOVED THE REAL PICTURES, AND REPLACED 'EM WITH THESE. 506 00:21:51,076 --> 00:21:52,778 WHY? 507 00:21:52,811 --> 00:21:56,782 HMM. MAYBE SHE WAS HAVING AN AFFAIR... 508 00:21:56,816 --> 00:21:59,352 AND HE DIDN'T WANT ANYONE TO KNOW. 509 00:22:00,586 --> 00:22:03,490 WOW. WOW! 510 00:22:03,522 --> 00:22:06,826 DAD WAS RIGHT. YOU'RE LIKE A WIZARD. 511 00:22:06,858 --> 00:22:10,061 HEY, WE MAKE A PRETTY GOOD TEAM, MONK! 512 00:22:10,096 --> 00:22:12,598 COME ON! HEY, WE COULD BE PARTNERS! 513 00:22:12,632 --> 00:22:13,900 THE MONK BROTHERS. 514 00:22:13,932 --> 00:22:15,034 DON'T COUNT ON IT. 515 00:22:15,067 --> 00:22:16,935 YOU'RE GOING BACK TO PRISON, REMEMBER? 516 00:22:16,969 --> 00:22:19,806 OH, RIGHT. YEAH, I FORGOT. 517 00:22:24,611 --> 00:22:27,579 [dramatic music] 518 00:22:27,614 --> 00:22:30,782 * 519 00:22:30,817 --> 00:22:34,453 [volume rising] 520 00:22:34,487 --> 00:22:38,156 (man) MY ENEMY SEEMED IMMORTAL, MORE THAN A SPIDER. 521 00:22:38,190 --> 00:22:40,859 IT WAS EVERY UNKNOWN TERROR IN THE WORLD, 522 00:22:40,893 --> 00:22:45,664 EVERY FEAR FUSED INTO ONE HIDEOUS NIGHT BLACK HORROR. 523 00:22:48,099 --> 00:22:50,670 STILL, WHATEVER ELSE HAD HAPPENED, 524 00:22:50,702 --> 00:22:52,805 MY BRAIN WAS A MAN'S BRAIN, 525 00:22:52,838 --> 00:22:56,808 MY INTELLIGENCE STILL A MAN'S INTELLIGENCE. 526 00:22:56,843 --> 00:22:59,144 AN IDEA CAME TO ME. DID I WAKE YA UP? 527 00:22:59,177 --> 00:23:01,180 NO. IT WASN'T YOU. 528 00:23:01,212 --> 00:23:05,084 IT WAS ALL THE NOISE... YOU WERE MAKING. 529 00:23:05,116 --> 00:23:06,117 AW, SORRY. 530 00:23:06,152 --> 00:23:08,086 THIS IS A REAL TREAT FOR ME. 531 00:23:08,119 --> 00:23:09,955 YOU KNOW, I'VE BEEN IN THE JOINT. 532 00:23:09,989 --> 00:23:11,824 IT'S LIGHTS OUT AT 9:00. 533 00:23:11,857 --> 00:23:14,894 "PARAGUAY"? 534 00:23:14,926 --> 00:23:17,797 YOU ARE OBSESSED, AREN'T YOU? 535 00:23:17,829 --> 00:23:19,632 [TV plays] 536 00:23:21,468 --> 00:23:22,801 (Monk) IS THIS THE INCREDIBLE SHRINKING MAN? 537 00:23:22,835 --> 00:23:24,170 YEAH. [chuckles] 538 00:23:24,202 --> 00:23:26,739 OH...DAD USED TO LOVE THIS ONE. 539 00:23:26,772 --> 00:23:28,674 OH, HE STILL DOES, I IMAGINE. 540 00:23:28,708 --> 00:23:31,678 [Monk chuckles] 541 00:23:31,711 --> 00:23:34,113 HAVE A SEAT. MAKE YOURSELF AT HOME. 542 00:23:34,145 --> 00:23:35,146 NAH. 543 00:23:37,916 --> 00:23:39,719 [dramatic music] 544 00:23:39,751 --> 00:23:40,987 I KNEW SOONER OR LATER 545 00:23:41,019 --> 00:23:43,088 IT WOULD COME CHARGING DOWN THAT WEB, 546 00:23:43,122 --> 00:23:45,191 SKIMMING OUT BLACKLY TOWARD ME. 547 00:23:46,925 --> 00:23:48,193 [motor whining] 548 00:23:51,262 --> 00:23:52,898 YOU HAVE TO DO THAT NOW? 549 00:23:52,932 --> 00:23:54,165 YEAH. 550 00:23:56,603 --> 00:23:57,936 [turns motor off] 551 00:23:59,939 --> 00:24:01,240 [turns motor on] 552 00:24:01,272 --> 00:24:03,209 [turns motor off] 553 00:24:03,241 --> 00:24:06,913 [dramatic music] 554 00:24:06,945 --> 00:24:08,948 NOW WE CAN RELAX. 555 00:24:11,217 --> 00:24:13,553 POPCORN? 556 00:24:14,921 --> 00:24:17,189 YOU PUT CINNAMON ON IT? MM-HMM. 557 00:24:17,222 --> 00:24:19,125 I DO THAT TOO! 558 00:24:20,559 --> 00:24:21,560 HA! 559 00:24:23,762 --> 00:24:24,896 JACK. 560 00:24:24,931 --> 00:24:26,132 YEAH. 561 00:24:26,164 --> 00:24:30,169 WAS HE... A GOOD FATHER? 562 00:24:30,201 --> 00:24:32,238 LOOK AT US. WHAT DO YOU THINK? 563 00:24:34,306 --> 00:24:37,242 WAS HE...TERRIBLE? 564 00:24:37,276 --> 00:24:41,113 LOOK AT US. WHAT DO YOU THINK? 565 00:24:41,146 --> 00:24:44,083 WE GOT ROBBED, BROTHER. 566 00:24:45,151 --> 00:24:47,653 ARE YOU STILL... IN TOUCH WITH HIM? 567 00:24:47,686 --> 00:24:49,989 NO. 568 00:24:50,021 --> 00:24:52,991 NOT SINCE I GOT BUSTED. 569 00:24:53,025 --> 00:24:54,527 I MEAN... 570 00:24:54,560 --> 00:24:56,162 HE DIDN'T EVEN BAIL ME OUT 571 00:24:56,194 --> 00:24:58,597 AND DIDN'T COME TO COURT. 572 00:24:58,631 --> 00:25:01,601 HE REALLY HASN'T BEEN THE SAME SINCE MOM DIED. 573 00:25:01,634 --> 00:25:04,604 [dramatic music continues] 574 00:25:04,636 --> 00:25:06,673 * 575 00:25:06,705 --> 00:25:08,240 SINCE WHO DIED? 576 00:25:08,273 --> 00:25:10,009 SINCE MOM DIED. 577 00:25:12,744 --> 00:25:14,980 HER...HAIR. 578 00:25:15,013 --> 00:25:17,182 [chuckles] SHE DYED HER HAIR. 579 00:25:17,215 --> 00:25:19,184 IT USED TO BE STRAWBERRY BLONDE-- 580 00:25:19,218 --> 00:25:21,887 YOUR MOTHER IS DEAD? 581 00:25:21,921 --> 00:25:23,789 WHO WAS THAT WOMAN ON THE PHONE? 582 00:25:25,257 --> 00:25:26,959 I WANT AN EXPLANATION, JACK, 583 00:25:26,992 --> 00:25:28,661 AND I WANT THE TRUTH. 584 00:25:28,694 --> 00:25:30,663 OKAY, UH...WHICH ONE DO YOU WANT FIRST? 585 00:25:30,696 --> 00:25:32,163 WHO IS SHE? 586 00:25:32,198 --> 00:25:34,701 YOUR GIRLFRIEND. 587 00:25:34,733 --> 00:25:36,201 NO--THERESA? NO. 588 00:25:36,234 --> 00:25:38,770 NO, SHE'S LIKE A FRIEND WITH BENEFITS. 589 00:25:40,271 --> 00:25:41,307 OKAY, BROTHER. 590 00:25:41,339 --> 00:25:43,174 HALF--HALF BRO. HALF BRO. 591 00:25:43,209 --> 00:25:48,279 LELAND. LELAND, IT'S ME, ADRIAN MONK. 592 00:25:48,314 --> 00:25:51,718 LISTEN, CAN--CAN YOU COME OVER RIGHT AWAY? 593 00:25:51,750 --> 00:25:54,854 YES, IT'S EXTREMELY URGENT. 594 00:25:54,886 --> 00:25:57,723 AND, CAP... BRING YOUR HANDCUFFS. 595 00:26:01,359 --> 00:26:03,596 [Jack, Jr., sobbing] ADRIAN, YOU CAN'T DO THAT! 596 00:26:03,630 --> 00:26:05,765 YOU CAN'T SEND ME BACK. I'M YOUR BROTHER! 597 00:26:05,798 --> 00:26:06,833 HALF BROTHER. 598 00:26:06,865 --> 00:26:09,234 ADRIAN, I KNOW... [sobbing] 599 00:26:09,268 --> 00:26:11,804 I'M SORRY, I LIED. I'M SORRY. 600 00:26:11,837 --> 00:26:13,673 IT WON'T-- IT WON'T HAPPEN AGAIN. 601 00:26:13,705 --> 00:26:14,773 HAND TO GOD. 602 00:26:14,807 --> 00:26:16,942 OH, JUST PUT YOUR HAND DOWN, JACK, 603 00:26:16,976 --> 00:26:19,077 AND GET DRESSED-- THE CAPTAIN'S ON HIS WAY. 604 00:26:19,111 --> 00:26:22,848 WAIT--NO! I'M ON MY KNEES! 605 00:26:22,882 --> 00:26:24,851 YOUR BROTHER IS IN YOUR KITCHEN, 606 00:26:24,884 --> 00:26:26,051 AND HE'S ON HIS KNEES. 607 00:26:26,085 --> 00:26:28,153 DON'T SCUFF UP THE FLOOR. 608 00:26:28,186 --> 00:26:30,155 OH! YOU'RE MAKING A BIG MISTAKE! 609 00:26:30,189 --> 00:26:33,159 I ALREADY MADE A MISTAKE WHEN I AGREED TO TAKE YOU IN. 610 00:26:33,192 --> 00:26:36,863 ACTUALLY...IT WAS YOU WHO TOOK ME IN. 611 00:26:36,895 --> 00:26:39,932 I WAS IN TROUBLE. I WAS SCARED. 612 00:26:39,965 --> 00:26:42,268 YOU KNOW WHAT IT'S--HEY, YOU KNOW WHAT IT'S LIKE 613 00:26:42,300 --> 00:26:44,302 BEING SCARED-- YOU OF ALL PEOPLE! 614 00:26:44,336 --> 00:26:46,972 JUST STOP TALKING! CAN YOU STOP TALKING? 615 00:26:47,006 --> 00:26:48,106 OKAY. 616 00:26:48,140 --> 00:26:50,876 WHAT IS YOUR PROBLEM? ARE YOU ALLERGIC TO THE TRUTH? 617 00:26:50,910 --> 00:26:52,679 YES, THAT'S--I AM, I AM! 618 00:26:52,711 --> 00:26:55,914 THAT'S IT! I'M A CHEAT, I'M A LIAR, OKAY? 619 00:26:55,948 --> 00:26:58,416 THAT'S WHO I AM. I AM AS GOD MADE ME. 620 00:26:58,450 --> 00:26:59,951 BUT I AM NOT A KILLER! 621 00:26:59,986 --> 00:27:01,319 [knocking on door] 622 00:27:01,353 --> 00:27:03,255 WAIT, WAIT, WAIT, WAIT! HANG ON! 623 00:27:03,288 --> 00:27:05,892 I DIDN'T KILL LINDSEY BISHOP, AND YOU KNOW THAT. 624 00:27:05,924 --> 00:27:08,326 NOW, IF I GO BACK TO PRISON, 625 00:27:08,359 --> 00:27:11,297 THEY KNOW I DID IT, I AM DEAD, OKAY? 626 00:27:11,329 --> 00:27:12,765 YOU SEND ME BACK THERE, 627 00:27:12,798 --> 00:27:14,266 YOU'D BE KILLING YOUR OWN BROTHER. 628 00:27:14,299 --> 00:27:15,734 HALF BROTHER. 629 00:27:18,203 --> 00:27:21,007 CAN YOU LIVE WITH THAT? 630 00:27:21,039 --> 00:27:23,142 I LIVE WITH WORSE. 631 00:27:23,174 --> 00:27:24,943 [groans] OH... 632 00:27:24,977 --> 00:27:27,313 AND STOP SAYING YOU'RE FAMILY. 633 00:27:27,346 --> 00:27:30,115 IT DOESN'T MEAN ANYTHING, ESPECIALLY FROM YOU. 634 00:27:30,148 --> 00:27:32,884 OH, NO, NOW SHIV IS GONNA BE AFTER ME. 635 00:27:32,919 --> 00:27:34,385 I'M SURE HE IS. 636 00:27:34,420 --> 00:27:36,989 WAIT, ADRIAN, ADRIAN... 637 00:27:37,022 --> 00:27:39,759 HEY, WHATEVER HAPPENS... 638 00:27:39,791 --> 00:27:41,993 YOU'LL ALWAYS BE MY... 639 00:27:42,028 --> 00:27:44,195 MY BIG BROTHER. 640 00:27:52,971 --> 00:27:54,405 WHAT THE HELL IS GOIN' ON? 641 00:27:54,440 --> 00:27:56,107 ARE YOU OKAY? 642 00:27:57,977 --> 00:28:01,713 YEAH. SORRY, IT WAS A FALSE ALARM. 643 00:28:01,748 --> 00:28:03,382 FALSE ALARM. YEAH. 644 00:28:03,414 --> 00:28:06,152 I THOUGHT I HEARD A PROWLER, AND IT WAS JUST JACK. 645 00:28:06,184 --> 00:28:08,354 I-I FORGOT HE WAS STAYING HERE. 646 00:28:08,386 --> 00:28:10,823 WAIT. YOU FORGOT THAT YOU HAD A HOUSEGUEST? 647 00:28:10,856 --> 00:28:12,724 YOU? 648 00:28:19,230 --> 00:28:22,000 ARE YOU CRYING? 649 00:28:23,269 --> 00:28:26,739 YEAH, A LITTLE. I MEAN... 650 00:28:26,772 --> 00:28:27,740 HOW WOULD YOU FEEL 651 00:28:27,773 --> 00:28:31,042 IF YOUR PEN PAL THOUGHT YOU WERE A PROWLER? 652 00:28:34,313 --> 00:28:35,781 OKAY. I'M GOING HOME. 653 00:28:35,815 --> 00:28:37,884 IF I CAN GET BACK IN BED IN 20 MINUTES, 654 00:28:37,916 --> 00:28:40,152 THERE'S A CHANCE I WON'T REMEMBER ANY OF THIS. 655 00:28:40,185 --> 00:28:41,287 [Monk chuckles] 656 00:28:41,319 --> 00:28:42,387 OH, UH, HEY! 657 00:28:42,421 --> 00:28:45,090 THE PRISONER YOU WERE ASKING ABOUT, THE CELLMATE? 658 00:28:45,124 --> 00:28:46,858 SHIV LOGAN? YEAH. 659 00:28:46,893 --> 00:28:48,394 YOU BETTER START KNOCKIN' ON A DIFFERENT DOOR, 660 00:28:48,426 --> 00:28:49,961 BECAUSE THEY JUST NOW FOUND HIM DEAD 661 00:28:49,996 --> 00:28:51,430 IN THE PRISON REC ROOM. 662 00:28:51,462 --> 00:28:54,000 HE WAS STABBED IN THE NECK WITH A SHIV. 663 00:28:54,032 --> 00:28:56,102 GUY SHOULD HAVE PICKED A DIFFERENT NICKNAME. 664 00:28:56,134 --> 00:28:58,904 WELL, YOU KIDS HAVE FUN. NIGHTY NIGHT. 665 00:29:08,180 --> 00:29:11,150 HYPOTHETICALLY... 666 00:29:11,182 --> 00:29:12,550 OKAY. 667 00:29:12,584 --> 00:29:17,022 LET'S SAY SOMEBODY WAS A FUGITIVE FROM THE LAW... 668 00:29:17,056 --> 00:29:19,157 AND THEY NEEDED HELP 669 00:29:19,191 --> 00:29:21,027 AND THEY CAME TO YOU. 670 00:29:21,059 --> 00:29:22,493 A FUGITIVE. 671 00:29:22,528 --> 00:29:25,463 LIKE THE MAN WHO ESCAPED FROM BAYSIDE CORRECTIONAL? 672 00:29:25,497 --> 00:29:27,398 THE ONE WHO MURDERED THAT WOMAN? 673 00:29:27,432 --> 00:29:32,038 OKAY, LET'S SAY, HYPOTHETICALLY... 674 00:29:32,070 --> 00:29:34,073 THAT IT'S NOT HYPOTHETICAL. 675 00:29:36,041 --> 00:29:37,442 HE'S IN MY APARTMENT. 676 00:29:37,476 --> 00:29:39,545 HE'S BEEN THERE FOR TWO DAYS. 677 00:29:39,577 --> 00:29:44,215 IT'S MY HALF BROTHER JACK. HE'S THE FUGITIVE. 678 00:29:44,250 --> 00:29:46,919 HE'S BEEN USING A FAKE NAME. 679 00:29:46,952 --> 00:29:48,887 DID HE KILL THAT WOMAN? 680 00:29:48,921 --> 00:29:51,490 NO! I DON'T THINK HE DID. 681 00:29:51,522 --> 00:29:54,292 BUT HE DID ESCAPE FROM JAIL. HE'S GUILTY OF THAT. 682 00:29:54,326 --> 00:29:56,561 BUT HE'S GOING BACK 683 00:29:56,595 --> 00:29:59,265 AS SOON AS I CLEAR HIS NAME. 684 00:29:59,298 --> 00:30:02,934 ALL I EVER WANTED, SINCE I WAS A BOY, 685 00:30:02,969 --> 00:30:05,003 WAS A REAL FAMILY. 686 00:30:07,105 --> 00:30:09,474 I USED TO PRAY FOR IT. 687 00:30:11,076 --> 00:30:13,112 I HATE TO BREAK THE NEWS TO YOU, ADRIAN, 688 00:30:13,144 --> 00:30:15,047 BUT YOU ALREADY HAVE A REAL FAMILY. 689 00:30:15,080 --> 00:30:17,482 IN A LOT OF WAYS, YOUR SITUATION IS TYPICAL. 690 00:30:17,516 --> 00:30:19,317 I'VE SEEN IT QUITE OFTEN. 691 00:30:20,920 --> 00:30:23,088 THERE'S A FOUR-STATE DRAGNET OUT ON MY BROTHER. 692 00:30:23,122 --> 00:30:24,990 YOU GET THAT A LOT? 693 00:30:25,023 --> 00:30:27,159 NOW, TH-THESE ARE FUNDAMENTAL QUESTIONS. 694 00:30:27,192 --> 00:30:29,127 PEOPLE HAVE BEEN ASKING THEM FOR AGES, 695 00:30:29,161 --> 00:30:31,130 ALL THE WAY BACK TO CAIN AND ABEL-- 696 00:30:31,163 --> 00:30:33,900 "WHAT DO I OWE MY FAMILY? WHAT DO I OWE MY BROTHER? 697 00:30:33,932 --> 00:30:35,867 WHAT IS MY OBLIGATION?" 698 00:30:35,902 --> 00:30:38,904 SEE, SOMETIMES HE'S NOT REALLY SO BAD. 699 00:30:38,938 --> 00:30:41,907 LAST NIGHT, WE WERE WATCHING THIS OLD HORROR MOVIE 700 00:30:41,941 --> 00:30:46,545 AND TALKING ABOUT OUR DAD AND PARAGUAY... 701 00:30:46,577 --> 00:30:49,414 AND I-I WAS FEELING-- PARAGUAY? 702 00:30:49,448 --> 00:30:50,916 YEAH, HE'S OBSESSED WITH PARAGUAY. 703 00:30:50,950 --> 00:30:53,384 HE'S BEEN READING ALL ABOUT IT... 704 00:30:53,419 --> 00:30:55,586 UH-OH... 705 00:30:55,621 --> 00:30:56,888 UH-OH WHAT UH-OH? 706 00:30:56,923 --> 00:30:58,557 MM. ADRIAN... 707 00:30:58,589 --> 00:31:01,894 I'VE BEEN DOING SOME WORKSHOPS IN LOCAL PRISONS, 708 00:31:01,928 --> 00:31:05,396 AND PARAGUAY IS CONSIDERED THE PROMISED LAND. 709 00:31:05,431 --> 00:31:07,032 REALLY? 710 00:31:07,066 --> 00:31:09,567 MM-HMM. BECAUSE OF THEIR NEW EXTRADITION LAWS. 711 00:31:09,601 --> 00:31:12,403 THEY WON'T EXTRADITE ANYONE. 712 00:31:12,438 --> 00:31:15,240 UNLESS HE'S BEEN INDICTED FOR MURDER. 713 00:31:20,246 --> 00:31:23,214 YEAH, YOU REMEMBER. I BOUGHT THAT ALBUM. 714 00:31:23,249 --> 00:31:24,983 YOU KNOW THAT MOST OF THAT MONEY 715 00:31:25,017 --> 00:31:27,486 DIDN'T EVEN GO TO THE CHILDREN OF AFRICA? 716 00:31:27,519 --> 00:31:29,989 BUT MOST OF THIS MONEY GOES DIRECTLY TO THE ORPHANS. 717 00:31:30,021 --> 00:31:32,090 IT'S LIKE ONLY 2% GOES TO MARKETING. 718 00:31:32,124 --> 00:31:34,226 WHICH IS PROBABLY WHY I NEVER HEARD OF IT. 719 00:31:34,259 --> 00:31:37,997 EXACTLY. THAT'S WHY THEY CALL IT A WORD OF MOUTH CHARITY. 720 00:31:38,029 --> 00:31:40,031 WELL, I WISH I COULD GIVE YOU MORE. 721 00:31:40,066 --> 00:31:41,200 OH, BLESS YOUR HEART. 722 00:31:41,232 --> 00:31:43,434 SO I...MAKE IT OUT TO YOU? 723 00:31:43,469 --> 00:31:47,038 YEAH. IT'S LIKE A... WEIRD CANADIAN TAX THING. 724 00:31:47,073 --> 00:31:48,673 I DON'T EVEN UNDERSTAND IT. [door closes] 725 00:31:48,707 --> 00:31:49,942 [Monk, shouting] WHERE IS HE? 726 00:31:49,976 --> 00:31:52,044 LIAR. YOU'RE A LIAR! 727 00:31:52,077 --> 00:31:53,644 YOU WERE NEVER GOING BACK TO PRISON. 728 00:31:53,679 --> 00:31:55,247 MR. MONK! 729 00:31:55,280 --> 00:31:58,250 YOU WERE GOING TO PARAGUAY. THAT'S WHY YOU CAME TO ME! 730 00:31:58,284 --> 00:32:00,352 YOU COULDN'T LEAVE UNTIL I CLEARED YOUR NAME. 731 00:32:00,385 --> 00:32:03,689 OKAY, LOOK, ADRIAN, I SWEAR-- 732 00:32:03,721 --> 00:32:05,023 JUST ADMIT IT, JACK! 733 00:32:05,057 --> 00:32:07,192 JUST--CAN YOU PLEASE-- 734 00:32:07,226 --> 00:32:08,193 JUST ONCE-- 735 00:32:08,227 --> 00:32:10,195 J-J-JUST FOR THE NOVELTY OF IT-- 736 00:32:10,229 --> 00:32:12,730 WAIT, I-I DON'T UNDERSTAND. HE'S YOUR PEN PAL, RIGHT? 737 00:32:12,763 --> 00:32:15,134 HE'S MY HALF BROTHER. 738 00:32:15,166 --> 00:32:17,368 HE'S JACK, JR. 739 00:32:17,403 --> 00:32:20,239 OH, MY GOD! JACK? 740 00:32:20,271 --> 00:32:23,174 AKA...JOE ENDICOTT. 741 00:32:23,209 --> 00:32:24,710 THE FUGITIVE? 742 00:32:24,742 --> 00:32:26,478 OH, MY GOD! 743 00:32:26,511 --> 00:32:29,681 SO--OH, MY GOD! 744 00:32:29,714 --> 00:32:31,549 YOU KILLED THAT WOMAN? 745 00:32:31,583 --> 00:32:32,718 NO. NO! 746 00:32:32,750 --> 00:32:33,986 NO, HE'S NOT A KILLER, 747 00:32:34,019 --> 00:32:36,021 BUT HE'S PRACTICALLY EVERYTHING ELSE. 748 00:32:36,055 --> 00:32:37,722 OH ,MY GOD! 749 00:32:37,756 --> 00:32:39,424 I WANT MY CHECK BACK. 750 00:32:39,458 --> 00:32:40,992 WHAT? WHAT IS THAT? 751 00:32:41,027 --> 00:32:43,061 HE SAID HE'S BUILDING AN ORPHANAGE IN QUEBEC. 752 00:32:43,095 --> 00:32:45,030 [laughing] AH...OKAY! 753 00:32:45,064 --> 00:32:48,099 YOU KNOW WHAT, I AM RELIEVED THAT THIS HAPPENED. 754 00:32:48,134 --> 00:32:50,269 I REALLY AM. LET'S TALK ABOUT THIS. 755 00:32:50,301 --> 00:32:52,738 NO MORE B.S. NO MORE LIES, OKAY? 756 00:32:52,770 --> 00:32:54,105 HAND TO GOD. 757 00:32:54,140 --> 00:32:56,708 GOD DOESN'T WANNA SEE YOUR HAND. 758 00:32:56,741 --> 00:32:58,477 WHAT IS THAT? 759 00:32:59,545 --> 00:33:00,679 WHAT? 760 00:33:00,711 --> 00:33:03,182 THAT WATCH. 761 00:33:03,214 --> 00:33:06,417 I'VE SEEN IT BEFORE. 762 00:33:08,253 --> 00:33:10,689 IN LINDSEY BISHOP'S APARTMENT. 763 00:33:15,060 --> 00:33:17,796 YOU STOLE THAT WATCH! 764 00:33:17,828 --> 00:33:19,664 THEY HAVEN'T EVEN BURIED HER YET, 765 00:33:19,698 --> 00:33:21,400 AND YOU'RE WEARING HER WATCH? 766 00:33:21,432 --> 00:33:22,500 OH, MY GOD! 767 00:33:22,534 --> 00:33:24,736 OKAY, FIRST OFF, WASN'T HER WATCH. 768 00:33:24,769 --> 00:33:26,172 SO IT DOESN'T COUNT. 769 00:33:26,204 --> 00:33:27,573 IT'S A GUY'S WATCH, OKAY? 770 00:33:27,605 --> 00:33:29,508 HERE, LOOK. 771 00:33:29,540 --> 00:33:31,609 TAKE IT BACK. IT'S NOT EVEN MY STYLE. 772 00:33:31,643 --> 00:33:33,612 YOU ARE THE MOST SELFISH HUMAN BEING 773 00:33:33,644 --> 00:33:35,346 ON THE PLANET. 774 00:33:35,381 --> 00:33:38,217 YOU DON'T CARE ABOUT ANYONE OR ANYTHING-- 775 00:33:47,593 --> 00:33:49,161 IS HE OKAY? 776 00:33:49,194 --> 00:33:51,462 HE JUST SOLVED THE CASE. 777 00:34:18,657 --> 00:34:21,626 WHY DON'T YOU HANG BACK HERE? 778 00:34:23,329 --> 00:34:25,264 WHEN WERE YOU GOING TO TELL ME? 779 00:34:25,297 --> 00:34:26,797 WHAT YEAR IS IT? MR. MONK. 780 00:34:26,831 --> 00:34:28,233 NATALIE, I WAS HARBORING A FUGITIVE. 781 00:34:28,266 --> 00:34:30,168 I WAS TRYING TO KEEP YOU OUT OF IT. 782 00:34:30,202 --> 00:34:31,436 YEAH, BUT SEE, WE'RE PARTNERS. 783 00:34:31,469 --> 00:34:33,139 YOU'RE SUPPOSED TO TRUST ME. 784 00:34:33,172 --> 00:34:34,639 I COULDN'T TRUST HIM. THAT WAS THE PROBLEM. 785 00:34:34,672 --> 00:34:36,141 I STILL DON'T. 786 00:34:36,175 --> 00:34:38,177 OH, MR. REESE. 787 00:34:38,210 --> 00:34:40,278 MY NAME IS ADRIAN MONK-- 788 00:34:40,311 --> 00:34:42,181 I REMEMBER YOU. THE CONSULTANT. 789 00:34:42,213 --> 00:34:43,248 THAT'S RIGHT. 790 00:34:43,282 --> 00:34:44,750 YOU REMEMBER MY ASSISTANT NATALIE, 791 00:34:44,782 --> 00:34:47,686 AND, UH, JACK, MY PEN PAL. 792 00:34:47,719 --> 00:34:50,588 YEAH, THE PEN PAL. WHAT CAN I DO FOR YOU? 793 00:34:50,621 --> 00:34:53,259 WELL, WE THINK THAT LINDSEY BISHOP 794 00:34:53,291 --> 00:34:55,193 HAD A FORNICATION PARTNER. 795 00:34:55,226 --> 00:34:58,329 WE FOUND THIS WRISTWATCH IN HER APARTMENT. 796 00:34:58,364 --> 00:35:00,532 A FORNICATION PARTNER? 797 00:35:00,565 --> 00:35:02,300 YEAH, IT'S, UH, IT'S A MAN'S WATCH, 798 00:35:02,333 --> 00:35:04,402 AND IT'S ENGRAVED: 799 00:35:04,436 --> 00:35:07,139 "L.B. TO D.R." IT'S NOT MINE. 800 00:35:07,172 --> 00:35:09,175 MUST BE A DOZEN D.R.s WORKING AT THE PRISON. 801 00:35:11,309 --> 00:35:12,844 ONLY THREE, ACTUALLY. 802 00:35:12,878 --> 00:35:15,246 SO YOU GOT TWO MORE TO GO. 803 00:35:16,782 --> 00:35:19,851 DID YOU EVER SEE MISS BISHOP OUTSIDE OF WORK? NO, MA'AM, I DID NOT. 804 00:35:19,885 --> 00:35:23,155 I HAVE A WIFE AND KID, AND I'M TRYING TO HANG ON TO BOTH. 805 00:35:23,188 --> 00:35:25,190 HOW DO YOU KNOW THIS FORNICATION PARTNER 806 00:35:25,224 --> 00:35:26,458 EVEN WORKS AT THE PRISON? 807 00:35:26,492 --> 00:35:27,693 WE ASSUMED BECAUSE-- 808 00:35:27,726 --> 00:35:29,760 THAT'S-- THAT'S A GOOD POINT. 809 00:35:29,795 --> 00:35:32,664 WE--WE SHOULD KEEP LOOKING. WELL, THAT'S IT, I GUESS. 810 00:35:32,697 --> 00:35:35,333 SORRY TO BOTHER YOU. THANKS AGAIN. 811 00:35:35,367 --> 00:35:36,867 HE'S THE GUY. JUST KEEP WALKING. 812 00:35:36,902 --> 00:35:38,304 DON'T LOOK BACK. 813 00:35:38,336 --> 00:35:40,306 WELL, WERE THERE TWO OTHER NAMES ON THE-- 814 00:35:40,338 --> 00:35:41,840 NO, NO, NO, THE SPOON IN HIS HAND WAS STERLING SILVER. 815 00:35:41,873 --> 00:35:43,342 HAS THE SAME LETTERING 816 00:35:43,375 --> 00:35:44,775 AS THE ONE THAT KILLED LINDSEY BISHOP. 817 00:35:44,809 --> 00:35:45,943 ARE YOU SURE? 818 00:35:45,976 --> 00:35:48,713 I'M 80% SURE HE'S THE GUY. 819 00:35:49,715 --> 00:35:51,949 I'M 95% SURE! 820 00:35:51,983 --> 00:35:54,353 [bullets thudding, ricocheting] 821 00:36:00,626 --> 00:36:01,592 OH, GOD! 822 00:36:01,626 --> 00:36:03,561 ARE YOU OKAY? YEAH. 823 00:36:03,594 --> 00:36:05,197 WHERE'S YOUR CELL PHONE? 824 00:36:05,231 --> 00:36:06,632 IN MY PURSE. THANK GOD! 825 00:36:06,664 --> 00:36:08,166 WHICH IS IN THE CAR. 826 00:36:12,003 --> 00:36:13,871 HEY, THAT'S MY GUN! 827 00:36:13,905 --> 00:36:15,873 WHAT? OH, YEAH. NO, I BORROWED IT. 828 00:36:15,907 --> 00:36:16,907 AND BE GLAD I DID. 829 00:36:18,277 --> 00:36:21,547 [Natalie muttering, squealing] 830 00:36:23,282 --> 00:36:25,684 WILL SOMEBODY PLEASE TELL ME WHAT'S GOING ON? 831 00:36:25,717 --> 00:36:28,619 REESE AND LINDSEY BISHOP WERE HAVING AN AFFAIR. 832 00:36:28,653 --> 00:36:30,255 THEY WERE THE FORNICATORS! 833 00:36:30,289 --> 00:36:31,322 [rifle fire resumes] 834 00:36:31,356 --> 00:36:32,690 THINGS MUST HAVE GONE BAD. 835 00:36:32,724 --> 00:36:35,427 MAYBE SHE THREATENED TO TELL HIS WIFE. 836 00:36:35,460 --> 00:36:36,894 ALL WE KNOW FOR SURE... 837 00:36:36,927 --> 00:36:38,230 OH, GOD! 838 00:36:38,264 --> 00:36:39,597 IS HE WANTED HER GONE. 839 00:36:39,630 --> 00:36:41,833 (Monk) IT WAS A SETUP FROM THE BEGINNING. 840 00:36:41,867 --> 00:36:43,835 HE WAS GOING TO KILL HIS MISTRESS 841 00:36:43,869 --> 00:36:46,304 AND MAKE IT LOOK LIKE AN INMATE DID IT 842 00:36:46,338 --> 00:36:47,239 DURING AN ESCAPE. 843 00:36:47,273 --> 00:36:49,240 HE WENT TO SHIV. IT WAS A PERFECT CHOICE. 844 00:36:49,275 --> 00:36:51,309 THE GUY'S A REAL MORON. 845 00:36:55,681 --> 00:36:57,014 REESE TOLD SHIV 846 00:36:57,047 --> 00:36:58,916 HOW TO GO, WHERE TO GO, 847 00:36:58,949 --> 00:37:01,619 AND MOST IMPORTANTLY, WHEN TO GO. 848 00:37:01,652 --> 00:37:04,989 IT HAD TO BE MONDAY NIGHT, AT 3:00. 849 00:37:10,061 --> 00:37:12,831 THAT NIGHT, HE KILLED LINDSEY BISHOP 850 00:37:12,864 --> 00:37:15,434 IN THE PARKING LOT, 851 00:37:15,467 --> 00:37:17,335 THEN HE REPORTED FOR DUTY. 852 00:37:17,369 --> 00:37:19,704 HE TOOK HIS POSITION IN THE GUARD TOWER 853 00:37:19,737 --> 00:37:21,639 AND WAITED. 854 00:37:26,744 --> 00:37:28,347 HE EXPECTED SHIV 855 00:37:28,380 --> 00:37:30,349 TO BE ESCAPING ANY MINUTE. 856 00:37:30,382 --> 00:37:34,286 HE DIDN'T KNOW JACK MONK, JR. HAD OTHER PLANS. 857 00:37:34,320 --> 00:37:36,987 IT WASN'T EXACTLY HOW REESE PLANNED IT, 858 00:37:37,021 --> 00:37:38,690 BUT HE DIDN'T CARE. 859 00:37:38,724 --> 00:37:40,425 ONE PATSY'S AS GOOD AS ANOTHER. 860 00:37:40,458 --> 00:37:43,461 [shots firing] 861 00:37:55,940 --> 00:37:57,041 I'M OUT! 862 00:37:57,074 --> 00:37:58,510 OH, GOD. 863 00:37:58,543 --> 00:38:00,346 OH, GOD, OH, GOD! 864 00:38:00,378 --> 00:38:02,981 [silence] 865 00:38:03,014 --> 00:38:05,050 HE STOPPED. HE STOPPED. 866 00:38:05,083 --> 00:38:06,385 DID YOU GET HIM? 867 00:38:06,418 --> 00:38:07,818 I DON'T KNOW. 868 00:38:07,853 --> 00:38:09,355 HOLD ON. 869 00:38:09,387 --> 00:38:11,422 NO, MR. MONK, WHAT ARE YOU DOING? 870 00:38:12,458 --> 00:38:14,059 QUICK, GO, GO! 871 00:38:16,961 --> 00:38:19,030 WE HAVE TO GET TO MY PURSE! 872 00:38:20,030 --> 00:38:22,867 DON'T GO. I'LL GO. 873 00:38:22,900 --> 00:38:24,835 NO, I'LL GO! YOU STAY! 874 00:38:24,869 --> 00:38:26,405 I WANNA DO IT! 875 00:38:26,438 --> 00:38:28,306 ARE YOU SURE? [rifle shots] 876 00:38:30,442 --> 00:38:32,411 YOU WERE WRONG ABOUT ME, BROTHER! 877 00:38:32,443 --> 00:38:35,045 THROW ME THE KEYS! 878 00:38:35,079 --> 00:38:36,347 KEYS. 879 00:38:36,382 --> 00:38:37,382 OH, GOD, OH, GOD! 880 00:38:42,588 --> 00:38:44,456 [rifle fire] 881 00:38:49,059 --> 00:38:51,730 [bullets ricocheting] 882 00:38:51,762 --> 00:38:53,764 HE MADE IT! HE MADE IT! OH, GOD! 883 00:38:53,798 --> 00:38:55,032 OH, THANK GOD! 884 00:38:57,635 --> 00:38:58,869 HE'S GOING! 885 00:38:58,903 --> 00:39:01,873 OH, MY GOD, OH, MY GOD, MR. MONK! 886 00:39:01,907 --> 00:39:03,141 WHERE'S HE GOING? WHERE'S HE GOING? 887 00:39:03,173 --> 00:39:04,675 PARAGUAY. 888 00:39:04,710 --> 00:39:06,545 THE MOST BEAUTIFUL WOMEN IN THE WORLD. 889 00:39:06,577 --> 00:39:07,713 OH, GOD, MR. MONK! 890 00:39:09,114 --> 00:39:10,882 OH, MY GOD! 891 00:39:10,916 --> 00:39:12,518 OH, MY GOD, WHAT DO WE DO? 892 00:39:12,550 --> 00:39:14,052 (Monk) OKAY. OKAY. 893 00:39:14,085 --> 00:39:16,121 I'M GONNA COUNT TO THREE. 894 00:39:16,153 --> 00:39:18,056 OKAY. YES, OKAY. 895 00:39:18,088 --> 00:39:20,125 ON THREE... 896 00:39:20,157 --> 00:39:22,092 YOU COME UP WITH A GREAT IDEA. 897 00:39:43,981 --> 00:39:45,717 PARAGUAY... 898 00:39:45,751 --> 00:39:47,686 IS THAT WAY. 899 00:39:56,927 --> 00:39:59,030 (Stottlemeyer) GOOD DEAL, THANK YOU. 900 00:39:59,063 --> 00:40:00,699 THAT WAS THE D.A. 901 00:40:00,731 --> 00:40:03,802 HE SAYS THAT REESE IS AWAKE AND POURIN' HIS HEART OUT. 902 00:40:03,835 --> 00:40:06,137 WE GOT HIM ON LINDSEY BISHOP AND SHIV LOGAN. 903 00:40:06,170 --> 00:40:07,572 WHAT ABOUT JACK? 904 00:40:07,606 --> 00:40:09,206 WELL, HE DID ESCAPE, 905 00:40:09,239 --> 00:40:12,777 SO THEY'RE GONNA ADD A LITTLE TIME TO HIS SENTENCE. 906 00:40:13,744 --> 00:40:14,945 HE WANTED TO SAY GOODBYE. 907 00:40:14,980 --> 00:40:17,081 FIGURED HE WAS FAMILY, RIGHT? 908 00:40:17,114 --> 00:40:19,851 YEAH. HE'S... HE'S FAMILY. 909 00:40:19,885 --> 00:40:22,721 IT WAS ALMOST WORTH IT HEARING YOU SAY THAT. 910 00:40:22,753 --> 00:40:24,922 HEY, UH, BAYSIDE CORRECTIONAL 911 00:40:24,956 --> 00:40:26,625 IS ONLY LIKE AN HOUR AWAY. 912 00:40:26,657 --> 00:40:28,693 MAYBE YOU COULD COME OUT SOMETIME. 913 00:40:28,726 --> 00:40:30,027 YEAH, I COULD DO THAT. 914 00:40:30,061 --> 00:40:31,762 MAYBE MONDAY. 915 00:40:33,831 --> 00:40:36,601 ALL RIGHT, JACK, TIME TO GO. 916 00:40:38,936 --> 00:40:39,704 UH, JACK, 917 00:40:39,737 --> 00:40:42,974 LISTEN, UH, I JUST WANTED TO SAY 918 00:40:43,007 --> 00:40:44,976 I'M PROUD OF WHAT YOU DID. 919 00:40:45,010 --> 00:40:48,480 AND I'M PROUD... YOU'RE MY BROTHER. 920 00:40:48,514 --> 00:40:50,882 YOU MEAN HALF BROTHER. 921 00:40:52,518 --> 00:40:54,119 I'M ROUNDING UP. 922 00:40:59,824 --> 00:41:01,893 I'M JUST GONNA... SNEAK IN HERE A MINUTE. 923 00:41:14,304 --> 00:41:15,773 THANK YOU. 924 00:41:44,670 --> 00:41:47,038 (Natalie) WHAT ARE YOU LOOKING FOR? 925 00:41:49,139 --> 00:41:52,577 THINK I LEFT MY HANDCUFF KEYS IN MY OTHER COAT. 926 00:41:55,947 --> 00:41:58,949 Captioning by CaptionMax www.captionmax.com 62988

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