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1
00:00:03,670 --> 00:00:05,673
[emergency sirens]
2
00:00:08,742 --> 00:00:10,343
(announcer)
IN FOCUS,
AN UNFILTERED LOOK
3
00:00:10,378 --> 00:00:12,445
AT THE NEWS,
THE PEOPLE BEHIND THE NEWS,
4
00:00:12,480 --> 00:00:15,448
AND THE STORIES
BEHIND THE HEADLINES.
5
00:00:15,483 --> 00:00:19,353
REPORTING FROM SAN FRANCISCO,
JAMES NOVAK.
6
00:00:19,387 --> 00:00:23,291
GOOD EVENING,
AND WELCOME TO IN FOCUS.
7
00:00:23,324 --> 00:00:27,128
HE IS A MASS
OF CONTRADICTIONS.
8
00:00:27,161 --> 00:00:30,698
A MAN AFFLICTED
WITH A DISORDER SO PARALYZING
9
00:00:30,731 --> 00:00:33,500
THAT TEN YEARS AGO
HE WAS FORCED TO RESIGN
10
00:00:33,533 --> 00:00:35,569
FROM THE SAN FRANCISCO
POLICE DEPARTMENT.
11
00:00:35,603 --> 00:00:38,139
SINCE THEN,
AS A PRIVATE CONSULTANT,
12
00:00:38,171 --> 00:00:42,210
HE HAS SOLVED
AN ASTONISHING 99 CASES.
13
00:00:42,243 --> 00:00:47,414
CASES THAT WERE
CONSIDERED UNSOLVABLE.
14
00:00:47,448 --> 00:00:50,551
TONIGHT ON IN FOCUS,
WE FOLLOW ADRIAN MONK,
15
00:00:50,584 --> 00:00:52,719
THIS MODERN-DAY
SHERLOCK HOLMES,
16
00:00:52,753 --> 00:00:55,588
AS HE ATTEMPTS
A CAREER MILESTONE--
17
00:00:55,622 --> 00:00:59,460
SOLVING HIS 100th CASE
FOR THE SAN FRANCISCO P.D.
18
00:00:59,493 --> 00:01:01,528
AND WHAT A CASE IT IS.
19
00:01:01,561 --> 00:01:04,364
PERHAPS THE MOST CHALLENGING
OF HIS CAREER.
20
00:01:04,397 --> 00:01:06,500
A VICIOUS SERIAL KILLER
IS ON THE LOOSE.
21
00:01:06,534 --> 00:01:08,168
YOUNG WOMEN
ARE BEING SLAUGHTERED.
22
00:01:08,201 --> 00:01:10,471
THE TOWN IS TERRORIZED.
23
00:01:10,504 --> 00:01:13,507
CAN ADRIAN MONK
FIND HIM AND STOP HIM
24
00:01:13,540 --> 00:01:15,843
BEFORE HE KILLS AGAIN?
25
00:01:15,876 --> 00:01:20,513
FIND OUT TONIGHT
ON IN FOCUS.
26
00:01:20,548 --> 00:01:23,783
[Randy Newman ragtime theme]
27
00:01:23,817 --> 00:01:26,254
* IT'S A JUNGLE OUT THERE
28
00:01:26,287 --> 00:01:30,591
* DISORDER AND CONFUSION
EVERYWHERE *
29
00:01:30,623 --> 00:01:33,227
* NO ONE SEEMS TO CARE
30
00:01:33,260 --> 00:01:34,295
* WELL, I DO
31
00:01:34,328 --> 00:01:37,397
* HEY, WHO'S IN CHARGE HERE?
32
00:01:37,430 --> 00:01:40,768
* IT'S A JUNGLE OUT THERE
33
00:01:40,801 --> 00:01:43,871
* POISON IN THE VERY AIR
WE BREATHE *
34
00:01:43,903 --> 00:01:46,473
* DO YOU KNOW WHAT'S IN
THE WATER THAT YOU DRINK? *
35
00:01:46,507 --> 00:01:50,510
* WELL, I DO,
AND IT'S A-MA-ZING *
36
00:01:50,543 --> 00:01:53,546
* PEOPLE THINK I'M CRAZY
'CAUSE I WORRY ALL THE TIME *
37
00:01:53,581 --> 00:01:56,917
* IF YOU PAID ATTENTION,
YOU'D BE WORRIED TOO *
38
00:01:56,950 --> 00:02:01,421
* YOU'D BETTER PAY ATTENTION
OR THIS WORLD WE LOVE SO MUCH *
39
00:02:01,454 --> 00:02:05,225
* MIGHT JUST KILL YOU
40
00:02:05,259 --> 00:02:06,926
* I COULD BE WRONG NOW
41
00:02:06,959 --> 00:02:09,430
* BUT I DON'T THINK SO
42
00:02:09,462 --> 00:02:11,799
* 'CAUSE IT'S
A JUNGLE OUT THERE *
43
00:02:11,831 --> 00:02:15,436
* IT'S A JUNGLE
OUT THERE *
44
00:02:20,674 --> 00:02:22,409
(Novak)
FIND OUT TONIGHT
45
00:02:22,443 --> 00:02:25,413
ON IN FOCUS.
46
00:02:25,445 --> 00:02:29,317
[applause]
47
00:02:29,349 --> 00:02:30,918
(announcer)
SHOT OFF THE GLASS.
KICKS IT OUT.
48
00:02:30,950 --> 00:02:33,954
(Stottlemeyer)
OKAY, TAKE THE SHOT.
49
00:02:33,986 --> 00:02:36,356
TAKE THE SHOT.
TAKE THE SHOT!
50
00:02:36,389 --> 00:02:37,724
TAKE THE--
51
00:02:37,758 --> 00:02:39,460
FOUL! FOUL!
DID YOU SEE THAT?
52
00:02:39,492 --> 00:02:40,561
HE FOULED HIM.
53
00:02:40,593 --> 00:02:43,531
HEY, CAPTAIN,
HAVE YOU SEEN MR. MONK?
54
00:02:43,563 --> 00:02:47,468
I FIGURED HE WAS WITH YOU.
HE USUALLY IS.
55
00:02:47,501 --> 00:02:48,536
DID YOU CHANGE THE CHANNEL?
56
00:02:48,569 --> 00:02:50,638
IT'S A COMMERCIAL BREAK.
I'LL CHANGE IT RIGHT BACK.
57
00:02:50,670 --> 00:02:52,973
[chuckling]
NO, NO.
58
00:02:53,006 --> 00:02:54,508
(Stottlemeyer)
NO, NO, IT'S A PLAYOFF GAME.
59
00:02:54,542 --> 00:02:56,776
IT'S A FIVE-POINT GAME.
60
00:02:56,810 --> 00:02:57,911
WHERE WERE YOU?
61
00:02:57,944 --> 00:02:59,379
THE NATIVES
ARE GETTING RESTLESS.
62
00:02:59,413 --> 00:03:00,647
YEAH, AND THEY'RE
DRINKING ALL THE WINE.
63
00:03:00,681 --> 00:03:02,515
I THOUGHT YOU WERE GETTING
THE CHATEAU ANGELUS.
64
00:03:02,550 --> 00:03:04,551
WELL, WE DO HAVE PRINCE CHARLES
COMING NEXT WEEK.
65
00:03:04,585 --> 00:03:06,787
SO I THOUGHT I'D SAVE
THE GOOD STUFF FOR HIM.
66
00:03:06,819 --> 00:03:08,788
COME ON,
IT'S A BUNCH OF COPS.
67
00:03:08,822 --> 00:03:10,524
THEY'RE NOT GONNA
NOTICE THE DIFFERENCE,
68
00:03:10,557 --> 00:03:11,692
BELIEVE ME.
69
00:03:11,724 --> 00:03:13,693
OH, JIM.
70
00:03:13,727 --> 00:03:15,896
IT'S A GREAT PARTY.
THANKS AGAIN.
71
00:03:15,929 --> 00:03:17,497
THE WINE'S AMAZING TOO.
72
00:03:17,531 --> 00:03:19,432
IT'S THE LEAST
I COULD DO.
73
00:03:19,466 --> 00:03:20,967
AFTER ALL, YOU GUYS
LET US TAG ALONG
74
00:03:21,001 --> 00:03:22,370
WITH YOU ALL WEEK LONG.
75
00:03:22,402 --> 00:03:24,572
I HOPE WE DIDN'T
CRAMP YOUR STYLE.
76
00:03:24,604 --> 00:03:26,306
NO, NOT AT ALL.
77
00:03:26,340 --> 00:03:27,574
IT WAS FUN.
78
00:03:27,608 --> 00:03:29,276
JIM THIS IS
MY GIRLFRIEND JILLIAN.
79
00:03:29,310 --> 00:03:31,344
I LOVE YOUR HOUSE.
THANK YOU.
80
00:03:31,378 --> 00:03:33,447
YOU LOOK FAMILIAR.
ARE YOU AN ACTRESS?
81
00:03:33,480 --> 00:03:35,515
NO, SHE'S IN THE SHOW,
IN THIS EPISODE.
82
00:03:35,549 --> 00:03:37,251
THE REENACTMENT SCENE
NEAR THE END,
83
00:03:37,284 --> 00:03:38,586
I'M VICTIM NUMBER FOUR.
84
00:03:38,618 --> 00:03:40,288
OH, RIGHT, OF COURSE.
85
00:03:40,320 --> 00:03:41,588
WHAT ELSE HAVE YOU DONE?
86
00:03:41,622 --> 00:03:44,525
MOSTLY CRIME SHOWS.
JUNK LIKE THIS.
87
00:03:44,557 --> 00:03:47,427
OH, NO, I DON'T--
NOT JUNK, I MEAN--
88
00:03:47,461 --> 00:03:49,362
JILLIAN'S THE QUEEN
OF REENACTMENTS.
89
00:03:49,396 --> 00:03:51,498
SHE'S ALWAYS GETTING KILLED
OR TAKEN HOSTAGE.
90
00:03:51,531 --> 00:03:54,468
SHE WAS BLUDGEONED TO DEATH
ON DATELINE TWO WEEKS AGO.
91
00:03:54,502 --> 00:03:57,405
REALLY?
I'M SORRY I MISSED THAT.
92
00:03:57,437 --> 00:03:58,605
SHE CAN DO ANYTHING, YEAH.
93
00:03:58,639 --> 00:04:01,574
SHE CAN BE STABBED,
OR SHOT, OR STRANGLED.
94
00:04:01,609 --> 00:04:03,009
OH, BABY, DO A STAB.
95
00:04:03,043 --> 00:04:04,978
DO A STAB.
YOU GOTTA SEE THIS.
96
00:04:05,012 --> 00:04:06,447
NO, MR. NOVAK
DOESN'T WANT TO SEE--
97
00:04:06,479 --> 00:04:07,715
WELL, I'VE GOT
TO SEE IT NOW.
98
00:04:07,747 --> 00:04:08,782
I'M CURIOUS.
99
00:04:16,757 --> 00:04:18,459
WHAT ARE YOU DOING?
100
00:04:18,492 --> 00:04:20,293
HOW DID YOU GET IN HERE?!
101
00:04:20,327 --> 00:04:21,595
[whimpering]
102
00:04:21,629 --> 00:04:23,331
[groaning]
103
00:04:26,600 --> 00:04:27,600
HMM?
104
00:04:27,634 --> 00:04:28,968
VERY NICE.
105
00:04:29,002 --> 00:04:30,538
VERY CONVINCING.
106
00:04:30,571 --> 00:04:31,939
GOOD LUCK TO YOU.
107
00:04:34,442 --> 00:04:35,608
HERE YOU ARE.
108
00:04:35,643 --> 00:04:36,677
WHAT ARE YOU DOING BACK HERE?
109
00:04:36,709 --> 00:04:37,877
YOU CAN'T EVEN SEE THE TV.
110
00:04:37,911 --> 00:04:39,713
WHICH MAKES IT
THE BEST SEAT IN THE HOUSE.
111
00:04:39,747 --> 00:04:41,348
MR. MONK,
YOU CAN'T SIT BACK HERE.
112
00:04:41,382 --> 00:04:42,516
YOU'RE THE GUEST OF HONOR.
113
00:04:42,550 --> 00:04:44,552
COME ON, AT LEAST
MOVE UP A LITTLE.
114
00:04:46,553 --> 00:04:47,555
YOU SAID "A LITTLE."
115
00:04:47,588 --> 00:04:51,959
A LITTLE MORE.
COME ON.
116
00:04:51,992 --> 00:04:53,560
(announcer)
IN FOCUS RETURNS.
117
00:04:53,593 --> 00:04:54,961
JAMES NOVAK REPORTING.
118
00:04:54,995 --> 00:04:56,896
OH, HEY, HEY, HEY,
EVERYBODY, IT'S ON.
119
00:04:56,930 --> 00:04:58,932
[scattered applause]
120
00:05:02,502 --> 00:05:04,437
JULY 18th.
121
00:05:04,471 --> 00:05:07,341
FOR ADRIAN MONK,
THE DAY BEGAN LIKE ANY OTHER.
122
00:05:07,375 --> 00:05:09,543
HE WOULD VACUUM
HIS ENTIRE APARTMENT.
123
00:05:09,576 --> 00:05:11,345
THEN CLEAN THE VACUUM.
124
00:05:11,379 --> 00:05:12,812
THEN VACUUM AGAIN.
125
00:05:12,846 --> 00:05:14,882
HE HAD NO WAY OF KNOWING
THAT JUST FOUR BLOCKS AWAY
126
00:05:14,915 --> 00:05:17,750
THE BODY OF A YOUNG GIRL
WAS BEING DISCOVERED
127
00:05:17,785 --> 00:05:19,552
AND THAT
THE SAN FRANCISCO POLICE
128
00:05:19,586 --> 00:05:21,922
WOULD SOON BE REQUESTING
HIS SERVICES
129
00:05:21,954 --> 00:05:23,891
FOR THE 100th TIME.
130
00:05:23,923 --> 00:05:25,125
(Stottlemeyer)
100 CASES.
131
00:05:25,158 --> 00:05:27,528
WELL, THAT'S
A REAL MILESTONE.
132
00:05:27,560 --> 00:05:29,797
THE FACT IS
HE ALMOST DIDN'T MAKE IT.
133
00:05:29,829 --> 00:05:33,100
TWO YEARS AGO, THEY TRIED
TO CUT MONK FROM THE BUDGET
134
00:05:33,132 --> 00:05:35,802
TO SAVE A FEW BUCKS.
135
00:05:35,836 --> 00:05:37,571
I WENT BALLISTIC.
136
00:05:37,605 --> 00:05:39,473
IF YOU GO
IN THE COMMISSIONER'S OFFICE,
137
00:05:39,507 --> 00:05:40,774
YOU'LL SEE THERE'S
A LITTLE DENT IN THE WALL
138
00:05:40,807 --> 00:05:43,476
ABOUT THE SIZE OF MY FIST.
139
00:05:43,511 --> 00:05:46,779
I GOT SUSPENDED, AND MONK
GOT BACK ON THE PAYROLL.
140
00:05:46,814 --> 00:05:49,483
CASE NUMBER 100
WOULD BE THE ULTIMATE TEST
141
00:05:49,516 --> 00:05:51,619
OF ADRIAN MONK'S
DEDUCTIVE POWERS.
142
00:05:51,651 --> 00:05:54,555
IT BEGAN WITH A CALL
TO 911.
143
00:06:10,137 --> 00:06:11,805
(Novak)
HER NAME WAS CASSANDRE RANK.
144
00:06:11,838 --> 00:06:13,406
27 YEARS OLD.
145
00:06:13,440 --> 00:06:15,709
SHE WORKED AS A WAITRESS
AND OCCASIONALLY AN ACTRESS.
146
00:06:15,742 --> 00:06:17,644
SHE HAD BEEN
BRUTALLY STRANGLED.
147
00:06:17,677 --> 00:06:19,178
APPARENTLY,
SHE COMES IN,
148
00:06:19,211 --> 00:06:21,014
CHECKS HER MAIL.
149
00:06:21,048 --> 00:06:22,483
CREEP'S OUTSIDE.
150
00:06:22,516 --> 00:06:24,084
HE BREAKS THE GLASS.
HE OPENS THE DOOR.
151
00:06:24,117 --> 00:06:25,485
HE COMES IN.
152
00:06:25,519 --> 00:06:28,721
STRANGLES HER WITH THIS.
153
00:06:28,755 --> 00:06:31,559
WHEN YOU'RE DONE WITH THAT,
MAY I SEE IT, PLEASE?
154
00:06:39,667 --> 00:06:42,670
(Novak)
HOW DID THAT START,
WITH YOUR HANDS?
155
00:06:42,702 --> 00:06:44,170
YOU MEAN THIS?
156
00:06:44,204 --> 00:06:45,639
UH-HUH.
157
00:06:45,673 --> 00:06:47,941
WELL, I DON'T REMEMBER.
158
00:06:47,975 --> 00:06:50,644
MOST OF THE TIME, I DON'T
EVEN KNOW I'M DOING IT.
159
00:06:50,677 --> 00:06:54,481
IT HAS
A ZEN QUALITY TO IT.
160
00:06:54,514 --> 00:06:58,485
IT SEEMS TO HELP ME
FOCUS ON THE PROBLEM.
161
00:06:58,519 --> 00:07:02,456
I HAVE TO BLOCK OUT
THE REST OF THE WORLD.
162
00:07:02,490 --> 00:07:05,892
I HAVE TO BLOCK OUT
ANY DISTRACTIONS,
163
00:07:05,925 --> 00:07:10,230
ANYTHING THAT
MIGHT UPSET ME.
164
00:07:10,262 --> 00:07:12,500
SO YOU'RE BLOCKING
ME OUT RIGHT NOW?
165
00:07:12,533 --> 00:07:13,733
THAT'S RIGHT.
166
00:07:13,766 --> 00:07:15,836
(Stottlemeyer)
I DON'T KNOW
HOW HE DOES IT.
167
00:07:15,869 --> 00:07:17,637
SOMETIMES WHEN MONK'S
NOT AROUND,
168
00:07:17,670 --> 00:07:18,971
I'LL CATCH THE OTHER COPS
DOING IT, RIGHT,
169
00:07:19,005 --> 00:07:20,040
WITH THE HANDS.
170
00:07:20,072 --> 00:07:23,543
THEN LIKE, OH, TOUCH THAT.
171
00:07:23,576 --> 00:07:24,978
IT DOESN'T WORK.
172
00:07:25,012 --> 00:07:27,014
DOESN'T WORK
FOR ANYBODY ELSE BUT HIM.
173
00:07:27,047 --> 00:07:29,182
(Novak)
WITH ADRIAN MONK
ON THE SCENE,
174
00:07:29,216 --> 00:07:32,119
THE INVESTIGATION
WAS OFFICIALLY UNDERWAY.
175
00:07:41,093 --> 00:07:43,630
[whispered]
THERE'S ONE LIGHTBULB UP THERE
THAT'S BURNT OUT.
176
00:07:43,663 --> 00:07:45,098
MR. MONK,
JUST LET IT GO.
177
00:07:45,132 --> 00:07:48,601
JUST FOCUS ON SOMETHING.
178
00:07:48,636 --> 00:07:50,504
UM, EXCUSE ME, OFFICER,
179
00:07:50,538 --> 00:07:52,673
CAN SOMEBODY PLEASE
FIX THAT LIGHTBULB?
180
00:07:55,942 --> 00:07:57,545
(Natalie)
SOMETIMES HE SEES TOO MUCH.
181
00:07:57,577 --> 00:07:59,713
HE GETS DISTRACTED.
182
00:07:59,747 --> 00:08:01,649
(Novak)
AND THAT'S
WHERE YOU COME IN?
183
00:08:01,682 --> 00:08:03,182
RIGHT, KEEPING HIM FOCUSED.
184
00:08:03,216 --> 00:08:04,584
THAT'S ONE OF MY JOBS.
185
00:08:04,617 --> 00:08:06,620
WHAT ELSE
DO YOU DO FOR HIM?
186
00:08:06,653 --> 00:08:08,120
WHAT ELSE DO I DO?
187
00:08:08,154 --> 00:08:09,790
UM, HOW LONG IS YOUR SHOW?
188
00:08:16,997 --> 00:08:18,531
THERE YOU GO.
189
00:08:18,565 --> 00:08:21,000
THAT'S A 40 WATT.
THE OTHERS ARE 60.
190
00:08:21,033 --> 00:08:22,769
[everyone groaning]
191
00:08:22,802 --> 00:08:25,605
IT'S 40.
192
00:08:28,240 --> 00:08:29,276
OKAY?
193
00:08:29,309 --> 00:08:30,978
YEAH, WHATEVER.
194
00:08:31,011 --> 00:08:32,846
(Stottlemeyer)
OH, HE HAS
SOME IDIOSYNCRASIES.
195
00:08:32,879 --> 00:08:34,114
(Novak)
LIKE WHAT?
196
00:08:34,147 --> 00:08:35,649
FEAR OF HEIGHTS.
197
00:08:35,682 --> 00:08:37,084
FEAR OF GERMS.
198
00:08:37,116 --> 00:08:39,552
SPIDERS. MILK.
199
00:08:39,586 --> 00:08:41,621
CROWDS, ELEVATORS, FIRE.
200
00:08:41,654 --> 00:08:43,255
RABBITS, TUNNELS, BRIDGES.
201
00:08:43,289 --> 00:08:45,225
BOATS.
DECAFFEINATED COFFEE.
202
00:08:45,258 --> 00:08:46,293
LIGHTNING.
203
00:08:46,326 --> 00:08:47,695
THE WIND.
HE'S AFRAID OF THE WIND.
204
00:08:47,727 --> 00:08:49,162
EGG WHITES.
BAD.
205
00:08:49,196 --> 00:08:51,197
NAKED PEOPLE.
THAT ONE IS WAY UP THERE.
206
00:08:51,230 --> 00:08:53,299
I THINK IT GOES "NAKED PEOPLE"
AND THEN "DEATH."
207
00:08:53,332 --> 00:08:55,302
(Novak)
WHO IS DETECTIVE ADRIAN MONK?
208
00:08:55,335 --> 00:08:57,904
HE WAS BORN IN THIS
MODEST BAY AREA HOME
209
00:08:57,937 --> 00:09:00,340
49 YEARS AGO,
THE YOUNGER OF TWO BROTHERS.
210
00:09:00,373 --> 00:09:03,610
BY ALL ACCOUNTS,
HE WAS AN EXCEPTIONAL CHILD.
211
00:09:03,644 --> 00:09:06,614
I USED TO BABYSIT FOR THE BOYS
ALMOST EVERY WEEKEND.
212
00:09:06,647 --> 00:09:08,347
WHAT WAS HE LIKE?
213
00:09:08,380 --> 00:09:09,316
ADRIAN?
214
00:09:09,349 --> 00:09:12,586
OH, REMARKABLE CHILD.
215
00:09:12,620 --> 00:09:16,123
I TELL PEOPLE THIS,
BUT THEY DON'T BELIEVE ME.
216
00:09:16,155 --> 00:09:20,092
HE USED TO CHANGE
HIS OWN DIAPER.
217
00:09:20,126 --> 00:09:22,028
AND THEN HE WOULD
CRAWL ACROSS THE FLOOR
218
00:09:22,062 --> 00:09:23,730
AND THROW IT OUT.
219
00:09:23,764 --> 00:09:25,231
REMARKABLE.
220
00:09:25,264 --> 00:09:28,368
ADRIAN WAS IN
MY FOURTH GRADE CLASS.
221
00:09:28,400 --> 00:09:30,302
HE WAS A BRILLIANT BOY.
222
00:09:30,336 --> 00:09:32,038
AT FIRST,
HE WAS PROBABLY
223
00:09:32,072 --> 00:09:33,841
THE MOST PROMISING STUDENT
I EVER HAD.
224
00:09:33,874 --> 00:09:35,142
WHAT HAPPENED?
225
00:09:35,174 --> 00:09:37,277
WELL, HIS FATHER LEFT.
226
00:09:37,309 --> 00:09:39,679
JUST TOOK OFF.
227
00:09:39,712 --> 00:09:41,948
AFTER THAT,
EVERYTHING CHANGED.
228
00:09:41,981 --> 00:09:43,283
(Novak)
WHEN ADRIAN WAS EIGHT,
229
00:09:43,316 --> 00:09:45,818
HIS FATHER JACK,
A FRUSTRATED LINEN SALESMAN,
230
00:09:45,852 --> 00:09:47,386
TOLD THE BOYS
HE WAS HEADING OUT
231
00:09:47,419 --> 00:09:49,322
TO PICK UP
SOME CHINESE FOOD.
232
00:09:49,355 --> 00:09:51,692
ADRIAN WOULD NOT
SEE OR SPEAK TO HIM AGAIN
233
00:09:51,725 --> 00:09:54,794
FOR 39 YEARS.
234
00:09:57,063 --> 00:10:00,900
MOM DIDN'T LEAVE
HER ROOM FOR TWO YEARS,
235
00:10:00,933 --> 00:10:02,870
AND I DIDN'T LEAVE MY ROOM.
236
00:10:02,903 --> 00:10:05,938
SO IT WAS ALL UP TO ADRIAN.
237
00:10:05,972 --> 00:10:08,676
HE KEPT IT ALL TOGETHER--
238
00:10:08,708 --> 00:10:10,277
THE HOUSE, THE FAMILY.
239
00:10:10,309 --> 00:10:14,380
I DON'T KNOW HOW HE DID IT.
240
00:10:14,413 --> 00:10:16,716
HE'S MY HERO.
241
00:10:16,750 --> 00:10:18,751
YOU KNOW, "FAN" CAN MEAN
ONE THING TO YOU,
242
00:10:18,786 --> 00:10:21,020
AND THEN, YOU KNOW,
SOMETHING COMPLETELY DIFFERENT
243
00:10:21,053 --> 00:10:24,224
TO, LIKE, SAY,
JUDGE HARRIET WAXMAN
244
00:10:24,256 --> 00:10:26,826
OF THE THIRD DISTRICT COURT,
YOU KNOW?
245
00:10:26,860 --> 00:10:28,360
AND I'LL TELL YOU SOMETHING
246
00:10:28,394 --> 00:10:30,397
ABOUT JUDGE WAXMAN.
247
00:10:30,429 --> 00:10:33,299
SHE'S NEVER BEEN IN LOVE.
248
00:10:33,332 --> 00:10:35,836
SO SHE'S SHOOTING
FROM THAT PERSPECTIVE,
249
00:10:35,869 --> 00:10:37,303
YOU KNOW WHAT I MEAN?
250
00:10:37,336 --> 00:10:39,038
WHERE DID YOU GET
ALL THESE PICTURES?
251
00:10:39,072 --> 00:10:41,341
OH, DO YOU LIKE THEM?
252
00:10:41,374 --> 00:10:42,775
YEAH, YEAH, THEY'RE, UM--
253
00:10:42,809 --> 00:10:45,812
WELL, THIS ONE IS PROBABLY
MY FAVORITE,
254
00:10:45,846 --> 00:10:47,447
IF I HAD TO PICK A FAVORITE.
255
00:10:47,480 --> 00:10:50,951
THIS IS ACTUALLY REAL.
256
00:10:50,984 --> 00:10:52,284
IT'S NOT PHOTOSHOPPED AT ALL.
257
00:10:52,318 --> 00:10:54,687
AND IT'S FROM A CASE
WE WORKED ON TOGETHER,
258
00:10:54,721 --> 00:10:56,756
A HOMICIDE.
259
00:10:56,789 --> 00:10:58,692
IT TOOK A LOT OF CLUE HUGS,
260
00:10:58,725 --> 00:11:00,460
BUT WE CRACKED IT.
261
00:11:00,493 --> 00:11:02,062
HOW 'BOUT THAT ONE?
262
00:11:02,095 --> 00:11:04,898
THIS ONE?
OKAY.
263
00:11:04,932 --> 00:11:10,037
UM, THIS ONE
IS ANOTHER CASE,
264
00:11:10,070 --> 00:11:11,471
BUT THIS ONE WASN'T,
265
00:11:11,504 --> 00:11:14,407
UM...
266
00:11:14,441 --> 00:11:16,475
THIS ONE WASN'T AS REAL.
267
00:11:16,509 --> 00:11:18,211
(Stottlemeyer)
HIS BRAIN'S DIFFERENT.
268
00:11:18,245 --> 00:11:20,413
I MEAN, I'M NOT SAYING
THAT HE'S A FREAK OR ANYTHING.
269
00:11:20,447 --> 00:11:23,416
BUT IT--
270
00:11:23,450 --> 00:11:26,452
NO, I JUST--YOU KNOW,
HIS BRAIN'S DIFFERENT.
271
00:11:26,485 --> 00:11:28,355
LET'S JUST LEAVE IT AT THAT.
272
00:11:28,388 --> 00:11:32,192
HE HASN'T SOLVED
100 CASES YET.
273
00:11:32,225 --> 00:11:33,927
FOR THE RECORD,
HE'S STILL AT 99.
274
00:11:33,961 --> 00:11:35,394
SO LET'S NOT GET
AHEAD OF OURSELVES.
275
00:11:35,427 --> 00:11:37,463
YOU SOUND
A LITTLE COMPETITIVE.
276
00:11:37,496 --> 00:11:40,100
SOMETIMES I AM A LITTLE
TOO COMPETITIVE.
277
00:11:40,133 --> 00:11:43,503
YES, I OWN THAT.
278
00:11:43,536 --> 00:11:47,240
I WAS JUST TALKING ABOUT THAT
WITH MY NEW THERAPIST.
279
00:11:47,274 --> 00:11:51,244
MONK AND I BOTH HAVE
NEW THERAPISTS.
280
00:11:51,278 --> 00:11:54,881
MINE'S WAY BETTER.
281
00:11:54,914 --> 00:11:58,150
(Harrison)
I HAD ADRIAN MONK
AS A PASSENGER
282
00:11:58,184 --> 00:11:59,886
FROM SAN FRANCISCO
TO NEWARK.
283
00:11:59,919 --> 00:12:01,520
HE'D NEVER FLOWN BEFORE.
284
00:12:01,553 --> 00:12:03,890
I DON'T THINK HE'D EVER
BEEN OUT OF HIS HOUSE BEFORE.
285
00:12:03,923 --> 00:12:06,493
HE ASKED A MILLION QUESTIONS.
286
00:12:06,525 --> 00:12:09,830
HE CRIED FOR 2 1/2 HOURS.
287
00:12:09,863 --> 00:12:12,365
HE GAVE HALF THE CABIN
A NERVOUS BREAKDOWN,
288
00:12:12,399 --> 00:12:14,301
INCLUDING ME, THE CO-PILOT,
289
00:12:14,333 --> 00:12:15,802
AND ABOUT
A DOZEN PASSENGERS.
290
00:12:15,836 --> 00:12:18,270
WE HAVE A SUPPORT GROUP NOW.
291
00:12:18,304 --> 00:12:19,405
WE MEET EVERY MONTH.
292
00:12:19,438 --> 00:12:21,408
REALLY?
293
00:12:21,441 --> 00:12:24,177
THE LAST ONE
WAS IN MINNEAPOLIS.
294
00:12:24,211 --> 00:12:25,445
I COULDN'T MAKE IT.
295
00:12:25,477 --> 00:12:26,413
WHY NOT?
296
00:12:26,446 --> 00:12:28,115
I'M AFRAID TO FLY.
297
00:12:28,148 --> 00:12:29,481
(Novak)
BACK AT THE SCENE,
298
00:12:29,515 --> 00:12:32,519
DETECTIVE MONK
MAKES A STARTLING DISCOVERY.
299
00:13:00,179 --> 00:13:01,514
HER LIPSTICK.
300
00:13:01,548 --> 00:13:02,883
YEAH, WHAT ABOUT IT?
301
00:13:02,916 --> 00:13:04,317
IT'S ON THE CUP.
302
00:13:04,350 --> 00:13:06,452
THERE'S SOME ON HER LIPS.
303
00:13:06,485 --> 00:13:08,321
BUT IT'S NOT HERE,
304
00:13:08,355 --> 00:13:11,158
AND IT'S NOT IN HER PURSE.
305
00:13:11,191 --> 00:13:13,826
WHAT HAPPENED
TO THE LIPSTICK?
306
00:13:13,860 --> 00:13:15,828
HE TOOK HER LIPSTICK?
307
00:13:15,863 --> 00:13:18,398
(Stottlemeyer)
I DIDN'T TELL THE PRESS
ABOUT THE MISSING LIPSTICK.
308
00:13:18,431 --> 00:13:21,201
I ALWAYS HOLD BACK
ON A COUPLE OF KEY DETAILS
309
00:13:21,234 --> 00:13:23,503
SO DOWN THE ROAD
IF WE DO GET A CONFESSION,
310
00:13:23,536 --> 00:13:25,238
WE KNOW IF IT'S GENUINE.
311
00:13:25,272 --> 00:13:26,306
HE DOES IT A LOT.
312
00:13:26,338 --> 00:13:28,508
YOU DO IT A LOT, BUT YOU DON'T
ALWAYS DO IT, THOUGH.
313
00:13:28,541 --> 00:13:30,243
YES, I DO.
I ALWAYS DO IT.
314
00:13:30,277 --> 00:13:31,543
I JUST DON'T
ALWAYS TELL HIM.
315
00:13:31,577 --> 00:13:33,413
(Monk)
THIS WAS NO RANDOM ATTACK.
316
00:13:33,446 --> 00:13:34,447
HE KNEW HER.
317
00:13:34,480 --> 00:13:36,415
SHE KNEW HIM.
318
00:13:36,448 --> 00:13:38,051
LOOK, SHE COMES HOME.
319
00:13:38,085 --> 00:13:39,251
SHE'S CHECKING HER MAIL.
320
00:13:39,286 --> 00:13:40,253
RIGHT.
321
00:13:40,287 --> 00:13:41,421
SHE SEES HIM
THROUGH THE DOOR.
322
00:13:41,453 --> 00:13:43,322
SHE RECOGNIZES HIM.
323
00:13:43,355 --> 00:13:44,624
SHE'S NOT AFRAID.
324
00:13:44,657 --> 00:13:47,259
SHE SETS THE CUP DOWN
AND LETS HIM IN.
325
00:13:47,293 --> 00:13:48,528
HE GRABS HER.
326
00:13:48,561 --> 00:13:51,630
KILLS HER.
327
00:13:51,663 --> 00:13:54,301
THEN HE PUNCHES
THROUGH THE DOOR
328
00:13:54,334 --> 00:13:57,303
TO MAKE IT LOOK LIKE
HE HAD TO BREAK IN.
329
00:13:57,336 --> 00:13:59,572
THE SHARDS OF GLASS
FROM THE DOOR,
330
00:13:59,605 --> 00:14:01,140
THEY'RE ON TOP
OF HER BODY.
331
00:14:01,173 --> 00:14:03,876
THEY'RE ALL AROUND HER BODY.
332
00:14:03,910 --> 00:14:06,178
BUT...
333
00:14:06,212 --> 00:14:09,381
THERE'S NOTHING
UNDERNEATH IT.
334
00:14:09,416 --> 00:14:11,384
PRETTY GOOD, HUH?
335
00:14:11,418 --> 00:14:13,921
ADRIAN MONK HAD
NO WAY OF KNOWING
336
00:14:13,953 --> 00:14:16,588
THAT CASSANDRE RANK'S MURDER
WAS JUST THE BEGINNING,
337
00:14:16,623 --> 00:14:18,424
AND THAT BEFORE
THE WEEK WAS OUT,
338
00:14:18,457 --> 00:14:21,360
THE KILLER
WOULD BE STRIKING AGAIN.
339
00:14:21,394 --> 00:14:25,398
WHEN IN FOCUS CONTINUES.
340
00:14:25,432 --> 00:14:27,900
[applause]
341
00:14:33,105 --> 00:14:34,606
(announcer)
MISSED THE FIRST FREE THROW.
342
00:14:34,640 --> 00:14:36,375
SECOND ONE ON ITS WAY.
343
00:14:36,408 --> 00:14:38,077
REBOUND!
REBOUND!
344
00:14:38,110 --> 00:14:39,479
GET THE DAMN BALL!
345
00:14:39,511 --> 00:14:40,980
AND HERE COMES BOZEMAN
WITH THE OUTLET
346
00:14:41,014 --> 00:14:42,349
UP THE CENTER
OF THE FLOOR.
347
00:14:42,381 --> 00:14:44,451
WHAT?
348
00:14:44,484 --> 00:14:46,286
JUST FOR A SECOND.
JUST TO CHECK THE SCORE.
349
00:14:46,318 --> 00:14:49,255
WE'LL TURN IT BACK.
350
00:14:49,288 --> 00:14:51,158
WHAT ARE YOU,
MY MOTHER?
351
00:14:51,191 --> 00:14:53,559
WHAT DID YOU SAY?
352
00:14:53,592 --> 00:14:55,361
NOTHING.
353
00:14:55,394 --> 00:14:56,596
(Disher)
OH, HEY, EXCUSE ME, JIM.
354
00:14:56,629 --> 00:14:58,365
UH, SORRY TO BOTHER YOU.
355
00:14:58,398 --> 00:15:00,067
IT'S NO BIG DEAL.
356
00:15:00,100 --> 00:15:02,501
BUT WHEN THEY SHOWED MY NAME
ON THE SCREEN EARLIER ON,
357
00:15:02,534 --> 00:15:03,669
IT SAID "SERGEANT."
358
00:15:03,702 --> 00:15:06,505
ACTUALLY,
I'M A FULL LIEUTENANT.
359
00:15:06,538 --> 00:15:08,942
OH, I'M SORRY.
360
00:15:08,975 --> 00:15:11,110
WELL, THESE THINGS HAPPEN.
361
00:15:11,144 --> 00:15:12,544
YEAH, IT'S NO BIG DEAL.
362
00:15:12,578 --> 00:15:15,215
DO YOU THINK WE COULD
CORRECT IT FOR THE DVD?
363
00:15:15,248 --> 00:15:17,350
THE DVD?
364
00:15:17,384 --> 00:15:18,650
ABSOLUTELY.
365
00:15:18,684 --> 00:15:20,019
I'LL TAKE CARE OF THAT.
366
00:15:20,052 --> 00:15:21,553
THAT'S GREAT.
I APPRECIATE THAT.
367
00:15:21,587 --> 00:15:24,224
ENJOY THE PARTY, SERGEANT.
368
00:15:24,256 --> 00:15:27,460
OH, PRETTY EXCITING, HUH?
369
00:15:27,494 --> 00:15:29,495
WHAT HAPPENED?
DID SOMEBODY HUG YOU?
370
00:15:29,528 --> 00:15:31,498
NO, NO.
371
00:15:31,530 --> 00:15:33,432
THERE'S SOMETHING WRONG.
372
00:15:33,466 --> 00:15:36,403
I FEEL LIKE
I MISSED SOMETHING.
373
00:15:36,436 --> 00:15:37,971
SOMETHING ABOUT THAT CASE.
374
00:15:38,004 --> 00:15:40,006
WHAT CASE?
375
00:15:40,039 --> 00:15:41,474
WHAT, THE TV SHOW?
376
00:15:41,508 --> 00:15:42,741
MR. MONK, YOU ALREADY
SOLVED THAT CASE.
377
00:15:42,774 --> 00:15:44,144
IT'S ALL OVER.
378
00:15:44,177 --> 00:15:46,578
THERE'S SOMETHING WRONG.
379
00:15:52,485 --> 00:15:53,686
IT'S STARTING AGAIN,
EVERYBODY!
380
00:15:53,720 --> 00:15:55,087
(announcer)
IN FOCUS RETURNS.
381
00:15:55,121 --> 00:15:56,489
HERE WE GO.
JAMES NOVAK REPORTING.
382
00:15:56,523 --> 00:15:58,325
(Novak)
DETECTIVE ADRIAN MONK--
383
00:15:58,357 --> 00:16:00,159
OBSESSIVE, PECULIAR,
384
00:16:00,192 --> 00:16:01,494
BRILLIANT.
385
00:16:01,528 --> 00:16:03,730
NOW IN PURSUIT
OF HIS 100th CASE.
386
00:16:03,763 --> 00:16:06,365
A YOUNG WOMAN
HAS BEEN BRUTALLY STRANGLED.
387
00:16:06,399 --> 00:16:08,301
THE SAN FRANCISCO POLICE
HAD NO LEADS
388
00:16:08,335 --> 00:16:09,735
AND NO SUSPECTS.
389
00:16:09,769 --> 00:16:11,770
EVEN ADRIAN MONK,
THE LEGENDARY DETECTIVE,
390
00:16:11,803 --> 00:16:13,773
WAS AT A LOSS.
391
00:16:13,806 --> 00:16:15,142
THEN TWO DAYS LATER,
392
00:16:15,174 --> 00:16:17,277
THE CASE TOOK
A DISTURBING TWIST.
393
00:16:17,309 --> 00:16:18,644
[phone rings]
394
00:16:20,679 --> 00:16:22,548
DISHER.
395
00:16:24,817 --> 00:16:26,753
CAPTAIN,
WE GOT ANOTHER GIRL.
396
00:16:26,786 --> 00:16:28,455
(Novak)
A PATTERN WAS EMERGING.
397
00:16:28,488 --> 00:16:30,657
THE SECOND VICTIM,
BARBARA MCFARLAND,
398
00:16:30,690 --> 00:16:32,658
WAS ALSO A PART-TIME ACTRESS
399
00:16:32,692 --> 00:16:34,760
AND HAD BEEN FOUND
BRUTALLY STRANGLED.
400
00:16:34,793 --> 00:16:38,230
NO, NO.
401
00:16:38,264 --> 00:16:40,100
SAME M.O.
402
00:16:40,133 --> 00:16:41,500
STRANGLED FROM THE FRONT.
403
00:16:41,533 --> 00:16:42,568
WHAT ABOUT THE DOOR?
404
00:16:42,601 --> 00:16:44,303
NO FORCED ENTRY.
405
00:16:44,336 --> 00:16:46,706
HE EITHER TALKED
HIS WAY IN
406
00:16:46,739 --> 00:16:48,674
OR SHE KNEW HIM.
407
00:16:48,707 --> 00:16:50,143
WELL, ANOTHER ACTRESS.
408
00:16:50,177 --> 00:16:52,312
SOME LOCAL THEATER
AND SOME COMMERCIALS.
409
00:16:52,345 --> 00:16:53,580
WHAT ABOUT HER LIPSTICK?
410
00:16:53,613 --> 00:16:56,283
LIPSTICK?
LOOKS LIKE HE TOOK IT.
411
00:16:56,316 --> 00:16:58,618
LIPSTICK KILLER.
412
00:16:58,650 --> 00:17:00,352
LIPSTICK ASSASSIN.
413
00:17:00,386 --> 00:17:02,054
MR. LIPSTICK.
414
00:17:02,089 --> 00:17:03,755
I'VE ALWAYS WANTED
TO NAME ONE OF THESE GUYS.
415
00:17:03,789 --> 00:17:05,724
WHY?
416
00:17:05,758 --> 00:17:08,127
IF YOU CAN NAME THEM,
YOU CAN CATCH THEM.
417
00:17:08,161 --> 00:17:09,828
WHY?
418
00:17:09,862 --> 00:17:12,464
NATALIE, DO YOU HAVE
THAT PICTURE, PHOTOS?
419
00:17:12,499 --> 00:17:14,101
WHAT DO YOU GOT?
420
00:17:14,134 --> 00:17:16,536
DON'T STEP
ON THE GIRL.
421
00:17:16,568 --> 00:17:18,570
WATER SPOTS.
422
00:17:20,873 --> 00:17:22,674
MONK.
423
00:17:22,709 --> 00:17:24,576
YOU CAN'T DO
THE VICTIM'S DISHES.
424
00:17:24,611 --> 00:17:26,445
WHAT, YOU DIDN'T SEE IT.
IT WAS FILTHY.
425
00:17:26,479 --> 00:17:28,347
MONK, FOR GOD'S SAKE.
JUST ONE CYCLE.
426
00:17:28,381 --> 00:17:29,682
NO, NO.
ONE CYCLE.
427
00:17:29,715 --> 00:17:31,250
I'LL PUSH RINSE HOLD.
428
00:17:31,284 --> 00:17:34,686
YOU'LL PUSH NOTHING.
429
00:17:34,721 --> 00:17:36,123
THERE'S BEEN A BREAKTHROUGH
IN THE CASE.
430
00:17:36,155 --> 00:17:37,356
IT'S PRETTY EXCITING.
431
00:17:37,390 --> 00:17:38,825
DON'T LOOK BACK.
WHY ARE YOU LOOKING BACK?
432
00:17:38,857 --> 00:17:40,259
SO IT TURNS OUT,
433
00:17:40,292 --> 00:17:41,627
BOTH VICTIMS WORKED
AT THE SAME RESTAURANT.
434
00:17:41,661 --> 00:17:43,462
IT'S ONE OF THOSE
THEME RESTAURANTS.
435
00:17:43,496 --> 00:17:44,763
IT'S CALLED
THE MORBID CAFE.
436
00:17:44,797 --> 00:17:45,832
AND THE CAPTAIN
WANTS MR. MONK
437
00:17:45,865 --> 00:17:47,334
TO GO TALK
TO THE MANAGER.
438
00:17:47,366 --> 00:17:48,734
CAN YOU JUST PULL OVER?
WILL YOU, PLEASE?
439
00:17:48,768 --> 00:17:49,635
I'M FEELING NAUSEOUS.
440
00:17:49,669 --> 00:17:51,371
THOSE BUS FUMES
HAVE MADE ME NAUSEOUS.
441
00:17:51,403 --> 00:17:54,574
ALL RIGHT, DID I MENTION
HE DOESN'T LIKE DRIVING?
442
00:17:54,606 --> 00:17:57,576
OH, MY GOD.
443
00:17:57,609 --> 00:18:00,113
PEOPLE ACTUALLY EAT HERE?
444
00:18:00,146 --> 00:18:01,681
YEAH, JULIE COMES HERE
ALL THE TIME.
445
00:18:01,713 --> 00:18:03,250
SHE LOVES IT.
446
00:18:03,282 --> 00:18:05,352
SEE ALL THESE PROPS?
THEY'RE FROM OLD HORROR MOVIES.
447
00:18:05,384 --> 00:18:06,818
WE SHOULD CALL
THE BOARD OF HEALTH.
448
00:18:06,853 --> 00:18:08,355
[imitating Dracula]
WELCOME.
449
00:18:08,387 --> 00:18:10,623
I HAVE BEEN EXPECTING YOU.
450
00:18:10,656 --> 00:18:12,358
YOU ARE FROM
THE POLICE DEPARTMENT,
451
00:18:12,392 --> 00:18:14,326
IS THAT CORRECT?
452
00:18:14,361 --> 00:18:15,662
THAT'S--THAT'S RIGHT.
453
00:18:15,694 --> 00:18:17,829
OKAY, I'M ADRIAN MONK.
454
00:18:17,864 --> 00:18:19,266
AND THIS IS
NATALIE TEEGER.
455
00:18:19,298 --> 00:18:20,599
OH, NATALIE, HMM?
456
00:18:20,633 --> 00:18:21,701
WHAT A...
[slurps]
457
00:18:21,733 --> 00:18:24,304
DELICIOUS NAME.
458
00:18:24,336 --> 00:18:25,637
WHY ARE YOU TALKING
LIKE THAT?
459
00:18:25,672 --> 00:18:27,673
I DON'T KNOW WHAT YOU MEAN.
460
00:18:27,707 --> 00:18:29,709
BUT I SEE WE GO
TO THE SAME TAILOR.
461
00:18:29,741 --> 00:18:30,876
OHH.
462
00:18:30,910 --> 00:18:32,311
MR. GLECKSON,
WE'D LIKE TO TALK TO YOU
463
00:18:32,345 --> 00:18:33,746
ABOUT A WOMAN NAMED
CASSANDRE RANK.
464
00:18:33,779 --> 00:18:35,382
I BELIEVE SHE USED
TO WORK HERE.
465
00:18:35,414 --> 00:18:37,450
YES, CASSANDRE RANK.
466
00:18:37,483 --> 00:18:39,751
A MOST DELECTABLE YOUNG GIRL.
467
00:18:39,786 --> 00:18:42,422
I REMEMBER
DRINKING HER BLOOD.
468
00:18:42,454 --> 00:18:45,325
IT WAS A MOST EXQUISITE
APERITIF.
469
00:18:45,357 --> 00:18:48,894
SHE WAS KILLED TWO DAYS AGO.
SOMEONE STRANGLED HER.
470
00:18:48,927 --> 00:18:50,329
[normal voice]
WHAT?
471
00:18:50,363 --> 00:18:51,631
ARE YOU SERIOUS?
472
00:18:51,663 --> 00:18:53,599
OH, MY GOD,
YOU MUST HAVE THOUGHT THAT--
473
00:18:53,633 --> 00:18:55,367
LOOK, YOU KNOW THAT THIS
IS JUST A JOB, RIGHT?
474
00:18:55,402 --> 00:18:56,635
I MEAN,
THIS IS NOT REAL BLOOD.
475
00:18:56,669 --> 00:18:58,270
IT'S ALL MAKEUP.
476
00:18:58,305 --> 00:19:00,339
OH, HELL, THAT STUFF
ABOUT DRINKING HER BLOOD.
477
00:19:00,373 --> 00:19:01,540
OH, CRAP.
478
00:19:01,574 --> 00:19:02,674
WHEN DID SHE WORK HERE?
479
00:19:02,709 --> 00:19:04,411
UH, ABOUT A YEAR AGO.
480
00:19:04,443 --> 00:19:05,944
BUT SHE WAS ONLY HERE
FOR ABOUT A MONTH,
481
00:19:05,978 --> 00:19:07,814
AND THEN SHE GOT A PART
IN A PLAY OR SOMETHING
482
00:19:07,846 --> 00:19:09,316
AND SHE SPLIT.
483
00:19:09,348 --> 00:19:10,583
NOBODY STAYS HERE
THAT LONG.
484
00:19:10,616 --> 00:19:12,285
THERE WAS ANOTHER WOMAN
NAMED BARBARA MCFARLAND.
485
00:19:12,318 --> 00:19:13,786
SHE WORKED HERE TOO,
DIDN'T SHE?
486
00:19:13,819 --> 00:19:16,855
[imitating Dracula]
YES!
487
00:19:16,888 --> 00:19:19,358
BARBARA MCFARLAND.
488
00:19:19,392 --> 00:19:21,361
SHE HAD
A VERY DELECTABLE NECK.
489
00:19:21,394 --> 00:19:22,528
I'M SURE OF THAT.
490
00:19:22,561 --> 00:19:23,730
IN FACT, I AM O-POSITIVE.
491
00:19:23,762 --> 00:19:24,896
SHE WAS KILLED TOO.
492
00:19:24,931 --> 00:19:26,732
[regular voice]
OH, COME ON!
493
00:19:26,766 --> 00:19:28,567
WHY DIDN'T
YOU JUST SAY THAT?
494
00:19:28,601 --> 00:19:30,569
NOW I LOOK LIKE A MONSTER,
LIKE A REAL MONSTER,
495
00:19:30,603 --> 00:19:31,703
AND I'M NOT.
496
00:19:31,738 --> 00:19:32,605
OH, HELL.
497
00:19:32,638 --> 00:19:34,540
YEAH, NO, I, UH--
498
00:19:34,574 --> 00:19:35,674
I KNEW HER A LITTLE BIT.
499
00:19:35,708 --> 00:19:36,808
SHE WAS HERE
FOR THREE MONTHS.
500
00:19:36,843 --> 00:19:38,744
BUT DID THEY KNOW EACH OTHER,
BARBARA AND CASSANDRE?
501
00:19:38,778 --> 00:19:40,512
I DON'T THINK SO.
I DON'T THINK THEY EVER MET.
502
00:19:40,547 --> 00:19:43,215
NO, CASSANDRE LEFT, LIKE,
A YEAR BEFORE BARBARA SHOWED UP.
503
00:19:43,250 --> 00:19:45,617
OKAY, WE'RE GONNA NEED A LIST
OF ALL OF YOUR EMPLOYEES,
504
00:19:45,652 --> 00:19:47,354
EVERYONE WHO WORKED HERE
WHEN THEY DID.
505
00:19:47,386 --> 00:19:49,422
YEAH, SURE,
THAT'S NO PROBLEM.
506
00:19:49,455 --> 00:19:51,557
(Novak)
AND AS NIGHT FALLS
ON SAN FRANCISCO,
507
00:19:51,590 --> 00:19:54,794
ADRIAN MONK IS LEFT ALONE
WITH THE CASE.
508
00:19:54,826 --> 00:19:57,997
(Natalie)
MR. MONK TAKES ALL
OF HIS CASES VERY SERIOUSLY.
509
00:19:58,029 --> 00:20:00,666
BUT WHEN A WOMAN IS KILLED,
510
00:20:00,700 --> 00:20:02,568
IT'S DIFFERENT.
511
00:20:02,602 --> 00:20:04,270
IT HITS HIM PRETTY HARD.
512
00:20:04,304 --> 00:20:05,605
(Novak)
BECAUSE OF TRUDY?
513
00:20:05,637 --> 00:20:08,474
YEAH, BECAUSE OF TRUDY.
514
00:20:08,508 --> 00:20:09,675
(Novak)
TRUDY MONK,
515
00:20:09,709 --> 00:20:11,009
THE LOVE
OF ADRIAN MONK'S LIFE
516
00:20:11,042 --> 00:20:15,248
AND THE ONLY CASE
HE HASN'T BEEN ABLE TO SOLVE.
517
00:20:15,281 --> 00:20:17,683
THEY MET 28 YEARS AGO
WHILE THEY WERE BOTH ATTENDING
518
00:20:17,717 --> 00:20:19,652
THE UNIVERSITY OF CALIFORNIA.
519
00:20:19,685 --> 00:20:21,554
THEY WERE MARRIED
A SHORT TIME LATER.
520
00:20:21,587 --> 00:20:23,655
TRUDY'S LOVE
WAS SO STRONG
521
00:20:23,690 --> 00:20:25,625
THAT MOST OF HIS PHOBIAS
AND PERSONAL DEMONS
522
00:20:25,657 --> 00:20:26,959
WERE KEPT AT BAY.
523
00:20:26,992 --> 00:20:30,663
IT WOULD BE THE HAPPIEST TIME
OF HIS LIFE.
524
00:20:30,696 --> 00:20:32,030
OH, YOU WOULDN'T
RECOGNIZE HIM.
525
00:20:32,064 --> 00:20:33,900
BACK IN THE DAY,
HE LOVED HIS WORK.
526
00:20:33,932 --> 00:20:35,902
HE LOVED HIS LIFE.
527
00:20:35,934 --> 00:20:38,505
HE USED TO WALK IN HERE
WHISTLING.
528
00:20:40,707 --> 00:20:43,710
HE HASN'T WHISTLED
FOR A LONG TIME.
529
00:20:43,742 --> 00:20:45,811
(Novak)
THEN, IN A FLASH,
530
00:20:45,845 --> 00:20:47,814
SHE WAS GONE.
531
00:20:47,846 --> 00:20:49,981
TWO WEEKS BEFORE CHRISTMAS,
1997,
532
00:20:50,016 --> 00:20:52,484
TRUDY MONK WAS DOWNTOWN
RUNNING SOME ERRANDS.
533
00:20:52,519 --> 00:20:54,621
SHE RETURNED TO HER CAR
IN A PARKING GARAGE
534
00:20:54,653 --> 00:20:56,888
ON SUMMERSET AVENUE.
535
00:20:56,923 --> 00:20:58,758
(news anchor)
OUR TOP STORY TONIGHT,
536
00:20:58,790 --> 00:21:01,693
THE WIFE OF A HIGHLY DECORATED
SAN FRANCISCO DETECTIVE
537
00:21:01,728 --> 00:21:03,496
WAS KILLED THIS MORNING,
538
00:21:03,529 --> 00:21:05,832
THE VICTIM
OF AN APPARENT CAR BOMBING.
539
00:21:05,865 --> 00:21:08,634
TRUDY MONK, A 35-YEAR-OLD
FREELANCE JOURNALIST
540
00:21:08,667 --> 00:21:11,637
DIED A SHORT TIME LATER
AT SAINT JUDE'S HOSPITAL.
541
00:21:11,671 --> 00:21:13,605
HER HUSBAND,
ADRIAN MONK,
542
00:21:13,640 --> 00:21:15,407
WAS BY HER SIDE.
543
00:21:15,442 --> 00:21:17,076
THE POLICE ARE PURSUING
SEVERAL LEADS
544
00:21:17,108 --> 00:21:18,678
BUT HAVE MADE NO ARRESTS.
545
00:21:18,711 --> 00:21:20,480
[camera shutter snapping]
546
00:21:23,048 --> 00:21:25,317
(Novak)
THE CASE IS STILL OPEN.
547
00:21:25,352 --> 00:21:27,386
IT HAS BEEN ADRIAN MONK'S
OBSESSION
548
00:21:27,420 --> 00:21:28,788
FOR 11 YEARS.
549
00:21:31,691 --> 00:21:33,726
(Ambrose)
AFTER THE HOSPITAL,
550
00:21:33,759 --> 00:21:37,797
HE CAME BACK,
BACK HOME.
551
00:21:37,829 --> 00:21:41,701
HE JUST SAT IN THAT CHAIR
ALL NIGHT.
552
00:21:41,733 --> 00:21:45,438
I COULD SEE HIS SOUL
553
00:21:45,471 --> 00:21:47,807
LEAVING HIS BODY.
554
00:21:50,742 --> 00:21:53,779
ADRIAN DIED TOO.
555
00:21:53,813 --> 00:21:56,782
THE BOMB WAS ACROSS TOWN,
556
00:21:56,816 --> 00:21:59,551
BUT IT KILLED
MY BROTHER TOO.
557
00:21:59,586 --> 00:22:01,019
(Stottlemeyer)
I SAW HIM COMING APART
558
00:22:01,053 --> 00:22:03,522
LIKE THOSE ROCKETS
THAT HIT THE ATMOSPHERE
559
00:22:03,556 --> 00:22:06,358
AT THE WRONG ANGLE.
560
00:22:06,393 --> 00:22:08,694
NOTHING I COULD DO.
561
00:22:08,728 --> 00:22:12,699
CAN WE TALK ABOUT TRUDY?
562
00:22:12,731 --> 00:22:14,567
YOU DIDN'T LEAVE YOUR HOUSE
563
00:22:14,601 --> 00:22:16,502
FOR, WHAT, THREE YEARS?
564
00:22:16,536 --> 00:22:18,738
THE PSYCHIATRISTS SAID
YOU'D NEVER WORK AGAIN.
565
00:22:18,770 --> 00:22:20,640
BUT HERE YOU ARE
100 CASES LATER.
566
00:22:20,673 --> 00:22:23,576
WHAT KEEPS YOU GOING?
567
00:22:28,714 --> 00:22:31,884
I CAN'T DIE UNTIL I KNOW.
568
00:22:37,856 --> 00:22:40,593
(Novak)
BUT SOLVING TRUDY'S MURDER
WOULD HAVE TO WAIT.
569
00:22:40,626 --> 00:22:41,661
THREE NIGHTS LATER,
570
00:22:41,693 --> 00:22:43,496
IN A PARKING LOT
IN DALY CITY,
571
00:22:43,529 --> 00:22:45,765
ANOTHER GIRL WAS STRANGLED.
572
00:22:45,798 --> 00:22:46,932
BRING OVER THAT SHEET.
573
00:22:46,965 --> 00:22:48,768
(Novak)
HER NAME WAS MIRANDA TERHUNE.
574
00:22:48,800 --> 00:22:51,503
LIKE THE OTHERS, SHE HAD
WORKED AS AN ACTRESS
575
00:22:51,538 --> 00:22:54,740
AND WAS STRANGLED
WITH A SMALL PIECE OF CORD.
576
00:22:54,773 --> 00:22:56,709
(Stottlemeyer)
HER LIPSTICK WAS MISSING,
577
00:22:56,742 --> 00:22:58,176
SO WE WERE PRETTY SURE
IT WAS THE SAME GUY.
578
00:22:58,210 --> 00:22:59,645
THE LIPSTICK ASSASSIN.
579
00:22:59,679 --> 00:23:01,748
NOBODY'S CALLING HIM THAT,
RANDY.
580
00:23:01,780 --> 00:23:02,914
I AM.
581
00:23:02,949 --> 00:23:04,717
NO, YOU'RE NOT.
582
00:23:04,750 --> 00:23:07,554
NOW, THE THIRD GIRL
NEVER WORKED AT THE RESTAURANT.
583
00:23:07,586 --> 00:23:10,457
SO THE THREE GIRLS HAD
VIRTUALLY NOTHING IN COMMON.
584
00:23:10,490 --> 00:23:11,958
THE CASE WAS MOVING
SIDEWAYS ON US.
585
00:23:11,990 --> 00:23:13,425
WE DIDN'T HAVE ANY LEADS.
586
00:23:13,460 --> 00:23:16,762
I MEAN, WHO OR WHERE
WAS MR. LIPSTICK?
587
00:23:18,765 --> 00:23:20,532
COULD YOU TURN THAT OFF
FOR A MINUTE?
588
00:23:20,567 --> 00:23:21,601
(Novak)
THE DEATH TOLL WAS RISING.
589
00:23:21,634 --> 00:23:25,605
A SENSE OF URGENCY
SWEPT THROUGH THE DEPARTMENT.
590
00:23:25,637 --> 00:23:26,905
CAPTAIN STOTTLEMEYER
AND HIS TASK FORCE
591
00:23:26,939 --> 00:23:29,976
WERE WORKING AROUND THE CLOCK.
592
00:23:30,009 --> 00:23:32,010
(Disher)
COFFEE.
593
00:23:32,044 --> 00:23:33,011
HMM?
594
00:23:33,045 --> 00:23:34,646
OH, THANK YOU.
595
00:23:53,833 --> 00:23:55,701
HE HAS AN IDEA.
I CAN TELL.
596
00:23:55,734 --> 00:23:57,036
YOU DON'T WANT TO MISS THIS.
ZOOM IN.
597
00:23:57,068 --> 00:23:58,704
GO AHEAD.
598
00:23:58,738 --> 00:24:00,205
I LOVE THIS PART.
599
00:24:00,239 --> 00:24:01,773
(Monk)
I NOTICED THAT
ALL THREE PICTURES
600
00:24:01,807 --> 00:24:05,711
WERE TAKEN
BY THE SAME PHOTOGRAPHER.
601
00:24:09,048 --> 00:24:10,849
(Novak)
THERE WERE
TEN OTHER DETECTIVES
602
00:24:10,883 --> 00:24:12,151
IN THAT ROOM.
603
00:24:12,183 --> 00:24:14,520
YOU WERE THE ONLY ONE
WHO NOTICED IT.
604
00:24:14,554 --> 00:24:17,523
WELL, I WAS STANDING
CLOSER TO THE BOARD.
605
00:24:17,557 --> 00:24:18,525
OH, HE'S JUST
BEING MODEST.
606
00:24:18,557 --> 00:24:20,692
50 COPS COULD HAVE BEEN
LOCKED IN THAT ROOM
607
00:24:20,727 --> 00:24:21,493
FOR A WHOLE YEAR,
608
00:24:21,528 --> 00:24:24,797
AND NOBODY
WOULD HAVE NOTICED IT.
609
00:24:24,830 --> 00:24:27,967
MAYBE NOT A YEAR.
610
00:24:28,000 --> 00:24:29,701
(Novak)
THANKS TO ADRIAN MONK,
611
00:24:29,736 --> 00:24:31,804
THE POLICE FINALLY
HAD A SUSPECT,
612
00:24:31,837 --> 00:24:34,874
A LOCAL PHOTOGRAPHER
NAMED DOUGLAS THURMAN.
613
00:24:34,906 --> 00:24:36,675
WAS HE RESPONSIBLE
614
00:24:36,709 --> 00:24:38,810
FOR THREE BRUTAL MURDERS?
615
00:24:38,845 --> 00:24:41,713
AND COULD HE BE STOPPED
BEFORE HE KILLED AGAIN?
616
00:24:41,748 --> 00:24:44,750
FIND OUT
AFTER THESE MESSAGES.
617
00:24:44,784 --> 00:24:46,685
[rock music]
618
00:24:46,719 --> 00:24:48,721
[applause]
619
00:24:51,891 --> 00:24:54,693
DOWN BY NINE.
HOW DID THAT HAPPEN?
620
00:24:54,727 --> 00:24:56,028
DAMN.
621
00:24:56,061 --> 00:24:58,297
BUT WHO PLAYED THE GIRL
WHO DIED IN THE CAR?
622
00:24:58,329 --> 00:25:00,666
MIRANDA TERHUNE.
623
00:25:00,700 --> 00:25:02,268
I THOUGHT SHE WAS TERRIBLE.
624
00:25:02,300 --> 00:25:04,770
THE WAY SHE WAS
ALL SPRAWLED OUT,
625
00:25:04,804 --> 00:25:06,806
NOBODY DIES LIKE THAT.
626
00:25:06,838 --> 00:25:09,307
ACTUALLY, SHE WAS
THE REAL VICTIM.
627
00:25:09,340 --> 00:25:11,109
SHE WAS REALLY DEAD.
628
00:25:11,143 --> 00:25:13,613
OH, MY GOSH.
629
00:25:13,645 --> 00:25:15,181
I CAN'T BELIEVE
I SAID THAT.
630
00:25:15,213 --> 00:25:17,750
EVERYBODY MAKES MISTAKES.
631
00:25:17,784 --> 00:25:19,685
I EVEN MADE ONE
MYSELF ONCE.
632
00:25:19,719 --> 00:25:20,819
WHAT WAS IT?
633
00:25:20,853 --> 00:25:22,520
MY WIFE.
634
00:25:24,656 --> 00:25:27,125
[overlapping chatter]
635
00:25:32,364 --> 00:25:35,000
WHAT'S WRONG WITH HIM?
636
00:25:35,034 --> 00:25:38,637
HE THINKS HE MIGHT
HAVE MADE A MISTAKE.
637
00:25:38,671 --> 00:25:39,771
WHAT, ABOUT COMING HERE?
638
00:25:39,806 --> 00:25:40,807
NO, ABOUT THE CASE.
639
00:25:40,839 --> 00:25:42,008
THE ONE ON TV.
640
00:25:42,040 --> 00:25:44,611
HE THINKS HE MIGHT
HAVE MISSED SOMETHING.
641
00:25:46,846 --> 00:25:47,814
REALLY?
642
00:25:47,846 --> 00:25:50,849
WELL, THIS COULD
GET INTERESTING.
643
00:25:59,959 --> 00:26:01,794
HEY, HEY, HEY,
IT'S ON, EVERYBODY.
644
00:26:01,827 --> 00:26:02,929
(announcer)
IN FOCUS.
645
00:26:02,961 --> 00:26:05,131
(Novak)
THREE WOMEN HAVE BEEN
BRUTALLY STRANGLED.
646
00:26:05,163 --> 00:26:06,965
THANKS TO ADRIAN MONK,
647
00:26:06,999 --> 00:26:09,902
SAN FRANCISCO'S LEGENDARY
DEFECTIVE DETECTIVE,
648
00:26:09,935 --> 00:26:11,971
THE POLICE
NOW HAVE A SUSPECT.
649
00:26:12,003 --> 00:26:13,673
HIS NAME IS DOUGLAS THURMAN,
650
00:26:13,705 --> 00:26:16,208
MANAGER OF
A LOCAL PHOTOGRAPHY STUDIO.
651
00:26:16,241 --> 00:26:19,045
CAPTAIN LELAND STOTTLEMEYER
AND LIEUTENANT RANDY DISHER
652
00:26:19,077 --> 00:26:20,946
QUESTION THEIR SUSPECT.
653
00:26:43,903 --> 00:26:45,336
(Novak)
THURMAN DENIED EVERYTHING.
654
00:26:45,371 --> 00:26:46,806
HE WOULDN'T CRACK.
655
00:26:46,838 --> 00:26:48,074
WITH NO HARD EVIDENCE,
656
00:26:48,106 --> 00:26:51,009
THE POLICE WERE FORCED
TO RELEASE HIM.
657
00:26:56,248 --> 00:26:58,284
DOUGLAS THURMAN
WAS A TOUGH ADVERSARY.
658
00:26:58,317 --> 00:27:01,820
BUT ADRIAN MONK HAS FACED
TOUGH ADVERSARIES BEFORE.
659
00:27:01,854 --> 00:27:03,422
IN FACT,
HE'S FACED 99 OF THEM.
660
00:27:03,454 --> 00:27:07,058
ALMOST ALL OF THEM
CAN BE FOUND HERE
661
00:27:07,093 --> 00:27:10,663
IN A CALIFORNIA
STATE PENITENTIARY.
662
00:27:10,696 --> 00:27:11,998
DO I REMEMBER ADRIAN MONK?
663
00:27:12,030 --> 00:27:15,000
THAT'S LIKE ASKING THE TITANIC
IF IT REMEMBERS THE ICEBERG.
664
00:27:15,034 --> 00:27:17,068
HE JOINED THE SIBLINGS
OF THE SUN.
665
00:27:17,103 --> 00:27:18,304
YOUR CULT?
666
00:27:18,336 --> 00:27:20,807
IT'S NOT A CULT.
IT'S AN ORGANIZATION.
667
00:27:20,839 --> 00:27:23,442
LIKE A SELF-HELP GROUP.
668
00:27:23,474 --> 00:27:25,711
AND TWO MONTHS LATER,
I'M SITTING HERE WEARING BLUES,
669
00:27:25,744 --> 00:27:28,314
EATING OFF TIN PLATES.
670
00:27:28,346 --> 00:27:30,817
ADRIAN MONK,
IF YOU'RE WATCHING THIS,
671
00:27:30,849 --> 00:27:32,351
I WANT TO THANK YOU.
672
00:27:32,384 --> 00:27:33,885
THANK YOU, BROTHER.
673
00:27:33,920 --> 00:27:35,954
BECAUSE BEHIND THESE GRAY
WALLS OF PRISON,
674
00:27:35,988 --> 00:27:37,890
I HAVE FOUND COMPLETE PEACE
675
00:27:37,923 --> 00:27:39,892
AND TOTAL SERENITY.
676
00:27:39,925 --> 00:27:42,294
ROBERTS, TIME'S UP!
GET BACK TO YOUR CELL!
677
00:27:42,327 --> 00:27:43,996
[bleep] [bleep]
678
00:27:44,029 --> 00:27:44,997
ADRIAN MONK?
679
00:27:45,030 --> 00:27:47,700
I HAVE TO ADMIT,
I HAVE MIXED FEELINGS ABOUT HIM.
680
00:27:47,733 --> 00:27:49,969
I MEAN, ON THE ONE HAND,
HE SENT ME TO PRISON.
681
00:27:50,001 --> 00:27:51,871
25 YEARS TO LIFE.
682
00:27:51,903 --> 00:27:53,839
ON THE OTHER HAND,
WHEN THEY ARRESTED ME
683
00:27:53,873 --> 00:27:56,742
HE STAYED AFTER EVERYBODY
AND CLEANED MY APARTMENT.
684
00:27:56,776 --> 00:28:00,145
I GOT
MY SECURITY DEPOSIT BACK,
685
00:28:00,179 --> 00:28:01,346
WHICH WAS NICE.
686
00:28:01,380 --> 00:28:03,883
(Tucker)
WELL, KILLING MY GIRLFRIEND
WAS THE EASY PART.
687
00:28:03,915 --> 00:28:06,218
THE HARD PART WAS PRETENDING
TO BE MONK'S FRIEND
688
00:28:06,251 --> 00:28:07,452
FOR A WEEK.
689
00:28:07,486 --> 00:28:09,288
YOU EVER HEAR THE MAN
TRY AND TELL A JOKE?
690
00:28:09,320 --> 00:28:11,022
IT'S LIKE
VERBAL ROOT CANAL.
691
00:28:11,057 --> 00:28:12,124
EXCRUCIATING.
692
00:28:12,157 --> 00:28:15,027
HOW DID YOU FEEL
WHEN HE ARRESTED YOU?
693
00:28:15,060 --> 00:28:17,496
I ACTUALLY--I WAS
FEELING SORRY FOR HIM.
694
00:28:17,528 --> 00:28:20,767
I FELT LIKE HE WAS
THE VILLAGE IDIOT OR SOMETHING.
695
00:28:20,799 --> 00:28:22,268
IT WAS HUMILIATING.
696
00:28:22,300 --> 00:28:25,037
UNTIL THAT
THERE SUMMATION THING.
697
00:28:25,070 --> 00:28:26,172
OH, MY GOD.
698
00:28:26,204 --> 00:28:27,740
SUMMATION.
699
00:28:27,773 --> 00:28:30,175
I LOVE WHEN PEOPLE TELL ME
WHAT I'VE ALREADY DONE.
700
00:28:30,209 --> 00:28:32,478
DRONED! JUST LONGEST
FOUR MINUTES OF MY LIFE.
701
00:28:32,510 --> 00:28:33,980
I MEAN,
I KNEW WHAT I DID.
702
00:28:34,012 --> 00:28:36,115
I KILLED HER.
I DIDN'T NEED HIM TO TELL ME.
703
00:28:36,147 --> 00:28:38,116
I WORKED ON MY PLAN
FOR A MONTH.
704
00:28:38,150 --> 00:28:40,086
MY PLAN WAS PERFECT.
705
00:28:40,118 --> 00:28:41,086
I HAD A GOOD PLAN TOO.
706
00:28:41,119 --> 00:28:43,154
I WAS VERY PROUD OF MY PLAN.
707
00:28:43,189 --> 00:28:44,190
CHECK THIS OUT.
708
00:28:44,222 --> 00:28:46,858
I FIND A DEAD DAREDEVIL
ON THE SIDE OF THE ROAD.
709
00:28:46,893 --> 00:28:48,094
I KNOCKED MY COUSIN OUT,
710
00:28:48,126 --> 00:28:49,796
PUT HIM
IN THE DAREDEVIL COSTUME,
711
00:28:49,828 --> 00:28:50,797
AND THREW HIM OFF A ROOF.
712
00:28:50,829 --> 00:28:52,230
THAT WAS YOU?
YEAH.
713
00:28:52,263 --> 00:28:53,365
OH, THAT WAS GOOD.
714
00:28:53,398 --> 00:28:55,034
WELL, THANK YOU.
YEAH, YEAH.
715
00:28:55,067 --> 00:28:56,969
ANY OTHER COP NEVER
WOULD HAVE FIGURED IT OUT.
716
00:28:57,002 --> 00:28:58,770
THAT WAS BRILLIANT, MAN.
717
00:28:58,805 --> 00:29:00,205
THANKS.
718
00:29:00,239 --> 00:29:02,040
REMIND ME, DIDN'T YOU,
LIKE, KILL A PIG
719
00:29:02,074 --> 00:29:05,111
AND THEN PROP A JEEP UP
ON A SALT LICK OR SOMETHING?
720
00:29:05,144 --> 00:29:07,378
IT WASN'T A JEEP.
IT WAS A PICKUP TRUCK.
721
00:29:07,413 --> 00:29:09,882
STILL,
IT'S PRETTY FANTASTIC.
722
00:29:09,915 --> 00:29:12,084
YOU ALL HAD FANTASTIC PLANS.
723
00:29:12,117 --> 00:29:13,451
SO WHAT HAPPENED?
724
00:29:13,484 --> 00:29:15,121
ADRIAN MONK.
725
00:29:15,153 --> 00:29:16,454
YEAH, MONK.
MONK HAPPENED.
726
00:29:16,488 --> 00:29:17,789
THE GUY IS RELENTLESS.
727
00:29:17,824 --> 00:29:19,791
PICK, PICK,
PICK, PICK, PICK.
728
00:29:19,826 --> 00:29:21,492
(Novak)
MEANWHILE, THE CASE
AGAINST DOUGLAS THURMAN
729
00:29:21,527 --> 00:29:23,162
TOOK A SURPRISING TWIST.
730
00:29:23,194 --> 00:29:25,865
DOUGLAS THURMAN
DISAPPEARED.
731
00:29:25,897 --> 00:29:28,299
HE HAD AGREED TO TAKE
A POLYGRAPH TEST THAT AFTERNOON,
732
00:29:28,334 --> 00:29:30,036
BUT NEVER SHOWED UP.
733
00:29:30,068 --> 00:29:32,104
THE NEXT MORNING,
A JUDGE ISSUED A SEARCH WARRANT
734
00:29:32,137 --> 00:29:35,240
FOR THURMAN'S APARTMENT
AND PHOTO STUDIO.
735
00:29:35,273 --> 00:29:38,076
DO YOU HAVE THE WARRANT?
736
00:29:38,109 --> 00:29:39,310
WHAT?
737
00:29:39,345 --> 00:29:40,947
YOU GOTTA BE KIDDING.
YOU JUST HAD IT.
738
00:29:40,980 --> 00:29:42,981
YOU HAD IT
IN YOUR HAND.
739
00:29:46,885 --> 00:29:47,920
WHERE IS IT?
740
00:29:47,953 --> 00:29:49,888
OH!
741
00:29:49,922 --> 00:29:52,124
HERE IT IS.
742
00:29:52,157 --> 00:29:54,226
IT WAS RIGHT BEHIND
THIS CD.
743
00:29:54,259 --> 00:29:56,095
I'M IN A BAND.
744
00:29:56,127 --> 00:29:57,864
IT'S THE RANDY DISHER PROJECT.
745
00:29:57,896 --> 00:30:01,200
DO A SORT OF JAZZ FUSION,
PUNK, RAP, KIND OF FOLKY--
746
00:30:01,232 --> 00:30:04,069
RANDY, JUST GIVE HIM
THE DAMN CD.
747
00:30:04,103 --> 00:30:06,172
YOU GUYS LIKE MUSIC?
748
00:30:06,204 --> 00:30:09,141
YOU ARE GONNA LOVE THIS.
749
00:30:09,174 --> 00:30:11,410
OH, WAS THAT A--
750
00:30:11,442 --> 00:30:13,378
IS THAT A SCRATCH?
751
00:30:13,412 --> 00:30:15,047
YOU KNOW WHAT,
I SHOULD PROBABLY
752
00:30:15,080 --> 00:30:19,018
PUT IT IN
TO MAKE SURE IT WORKS.
753
00:30:19,050 --> 00:30:22,054
[punk music plays]
754
00:30:22,087 --> 00:30:25,490
*
755
00:30:25,523 --> 00:30:27,492
(Stottlemeyer)
DOUG THURMAN, S.F.P.D.
756
00:30:34,066 --> 00:30:35,534
CLEAR!
757
00:30:35,567 --> 00:30:38,304
CLEAR!
758
00:30:38,336 --> 00:30:40,338
CLEAR!
759
00:30:44,675 --> 00:30:46,345
CAPTAIN.
760
00:30:54,086 --> 00:30:56,087
IS THAT LIPSTICK?
761
00:31:01,326 --> 00:31:03,362
SICK ENOUGH FOR YOU?
762
00:31:03,394 --> 00:31:05,096
I GUESS THAT CLINCHES IT.
763
00:31:05,131 --> 00:31:07,066
THIS GUY'S DEFINITELY
THE COSMETIC ASSASSIN.
764
00:31:07,098 --> 00:31:08,500
THE WHAT?
765
00:31:08,534 --> 00:31:10,602
COSMETIC ASSASSIN.
THAT'S WHAT WE'RE CALLING HIM.
766
00:31:10,635 --> 00:31:13,605
MAYBE YOU'D LIKE TO HEAR
WHAT WE'RE CALLING YOU.
767
00:31:13,638 --> 00:31:15,641
(Disher)
THAT WAS PROBABLY
THE LOW POINT.
768
00:31:15,673 --> 00:31:17,476
'CAUSE WE HAD THAT CREEP
IN HANDCUFFS THE DAY BEFORE.
769
00:31:17,509 --> 00:31:19,345
WE NEVER SHOULD HAVE
LET HIM GO.
770
00:31:19,377 --> 00:31:21,180
BUT THE LAW IS THE LAW.
771
00:31:21,212 --> 00:31:22,513
INSUFFICIENT EVIDENCE.
772
00:31:22,548 --> 00:31:24,182
WE PUT A STATEWIDE
APB OUT ON HIM.
773
00:31:24,215 --> 00:31:26,051
BUT WE WERE TOO LATE.
774
00:31:26,085 --> 00:31:27,452
(Novak)
DOUGLAS THURMAN'S
REIGN OF TERROR
775
00:31:27,486 --> 00:31:29,020
WAS NOT OVER YET.
776
00:31:29,055 --> 00:31:30,388
THREE HOURS
AFTER THE RAID,
777
00:31:30,422 --> 00:31:32,657
KATE KINDEL, A 24-YEAR-OLD
PART-TIME MODEL,
778
00:31:32,691 --> 00:31:34,226
WAS FOUND DEAD
IN HER APARTMENT.
779
00:31:34,259 --> 00:31:36,627
SHE HAD BEEN STRANGLED
LIKE THE OTHERS.
780
00:31:36,662 --> 00:31:39,198
AND LIKE THE OTHERS,
SHE HAD RECENTLY POSED
781
00:31:39,230 --> 00:31:41,099
FOR DOUGLAS THURMAN.
782
00:31:43,269 --> 00:31:44,336
EVEN THOUGH
HE WAS ON THE RUN
783
00:31:44,369 --> 00:31:46,305
AND THE POLICE
WERE CLOSING IN,
784
00:31:46,337 --> 00:31:49,307
THURMAN COULD NOT CONTROL
HIS HOMICIDAL INSTINCTS.
785
00:31:49,340 --> 00:31:50,541
[screams]
786
00:31:50,576 --> 00:31:51,576
BEHIND YOU!
787
00:32:01,186 --> 00:32:05,223
(Novak)
EARLY THAT MORNING, HE BROKE
INTO KINDEL'S APARTMENT.
788
00:32:05,257 --> 00:32:07,192
HER LANDLADY FOUND HER
ON THE LIVING ROOM FLOOR
789
00:32:07,226 --> 00:32:10,128
THREE HOURS LATER.
790
00:32:10,162 --> 00:32:11,730
TAKE A BOW, JILLIAN.
791
00:32:11,762 --> 00:32:13,731
KATE KINDEL WAS A GIRL--
792
00:32:13,765 --> 00:32:15,166
WELL DONE, JILLIAN.
793
00:32:15,201 --> 00:32:16,268
WELL DONE.
794
00:32:20,239 --> 00:32:22,141
WHAT?
795
00:32:22,173 --> 00:32:24,109
LOOK, I JUST SAID
TWO WORDS TO HER.
796
00:32:24,143 --> 00:32:25,310
I JUST SAID "WELL DONE."
797
00:32:25,344 --> 00:32:28,079
YOU KNOW, I WAS JUST
CONGRATULATING HER.
798
00:32:28,114 --> 00:32:29,315
(Novak on television)
IN 12th GRADE,
799
00:32:29,347 --> 00:32:31,250
SHE ATTENDED A SPECIAL SCHOOL
FOR THE PERFORMING ARTS.
800
00:32:31,282 --> 00:32:33,152
LIKE THOUSANDS
OF OTHER YOUNG GIRLS,
801
00:32:33,184 --> 00:32:35,020
SHE MOVED TO CALIFORNIA
FIVE YEARS EARLIER
802
00:32:35,054 --> 00:32:36,688
TO FOLLOW HER DREAM.
803
00:32:36,721 --> 00:32:38,190
SHE WAS 27 YEARS OLD.
804
00:32:38,223 --> 00:32:39,191
SHE HAD WORKED
AS A CABARET SINGER
805
00:32:39,224 --> 00:32:41,292
AND HAD APPEARED
IN A NUMBER OF STUDENT FILMS.
806
00:32:41,326 --> 00:32:43,394
SHE HAD ALSO BEEN FOUND
807
00:32:43,429 --> 00:32:45,530
BRUTALLY STRANGLED.
808
00:32:52,604 --> 00:32:56,607
TOOK HER LIPSTICK,
OF COURSE.
809
00:32:56,642 --> 00:32:58,277
IT'S A LITTLE DARK.
810
00:32:58,309 --> 00:33:00,612
I COULD USE SOME LIGHT.
811
00:33:00,645 --> 00:33:03,115
THANK YOU.
812
00:33:03,148 --> 00:33:05,151
[cell phone rings]
813
00:33:07,153 --> 00:33:08,354
THIS IS STOTTLEMEYER.
814
00:33:08,386 --> 00:33:10,288
IT WAS THE NEWS THEY HAD
ALL BEEN WAITING FOR.
815
00:33:10,321 --> 00:33:13,092
DOUGLAS THURMAN HAD BEEN
SPOTTED IN SAN RACINE
816
00:33:13,125 --> 00:33:14,559
300 MILES AWAY
817
00:33:14,593 --> 00:33:16,194
IN A CHEAP MOTEL.
818
00:33:18,696 --> 00:33:20,632
ONE HOUR LATER,
AS A S.W.A.T. TEAM MOVED IN,
819
00:33:20,665 --> 00:33:24,170
DOUGLAS THURMAN CHOSE
TO END THE DRAMA HIMSELF.
820
00:33:27,605 --> 00:33:29,641
WITH A SINGLE BULLET
TO THE HEAD,
821
00:33:29,674 --> 00:33:34,246
THURMAN HAD CLAIMED
HIS FINAL VICTIM.
822
00:33:34,279 --> 00:33:36,815
HE HAS SOLVED
HIS 100th CASE.
823
00:33:36,847 --> 00:33:38,317
THANKS TO HIM,
THE PEOPLE OF SAN FRANCISCO
824
00:33:38,349 --> 00:33:42,221
WILL WAKE UP TOMORROW
IN A SAFER, BRIGHTER CITY.
825
00:33:42,253 --> 00:33:45,124
BUT FOR ADRIAN MONK,
PERHAPS THE MOST SUCCESSFUL
826
00:33:45,156 --> 00:33:48,160
HOMICIDE DETECTIVE
IN THE WORLD TODAY,
827
00:33:48,193 --> 00:33:51,063
THE NIGHT IS NEVER-ENDING.
828
00:33:55,433 --> 00:33:57,135
[applause]
829
00:34:01,740 --> 00:34:04,076
TO MR. MONK,
THE MAN OF THE HOUR.
830
00:34:04,109 --> 00:34:06,144
DON'T BE SURPRISED
IF HOLLYWOOD PRODUCERS
831
00:34:06,178 --> 00:34:08,380
COME KNOCKING DOWN YOUR DOOR
BECAUSE YOU'RE GOOD, MY FRIEND.
832
00:34:08,414 --> 00:34:09,780
YOU'RE A STAR.
833
00:34:09,815 --> 00:34:11,317
CHEERS.
HEAR, HEAR.
834
00:34:11,349 --> 00:34:13,585
SAN RACINE IS SOUTH.
835
00:34:13,619 --> 00:34:15,086
EXCUSE ME?
836
00:34:15,121 --> 00:34:17,222
THURMAN HAD MEXICAN CURRENCY
IN HIS WALLET
837
00:34:17,255 --> 00:34:18,389
WHEN HE KILLED HIMSELF.
838
00:34:18,423 --> 00:34:20,692
HE WAS HEADING
FOR MEXICO.
839
00:34:20,726 --> 00:34:22,561
SO WHAT?
840
00:34:22,594 --> 00:34:24,429
SO KATE KINDEL,
THE FOURTH VICTIM,
841
00:34:24,463 --> 00:34:26,532
LIVED 50 MILES NORTH.
842
00:34:26,565 --> 00:34:29,400
WHY WOULD HE GO
OUT OF HIS WAY LIKE THAT?
843
00:34:29,434 --> 00:34:31,202
AND WASN'T SHE STRANGLED
FROM BEHIND?
844
00:34:31,237 --> 00:34:32,704
ALL THE OTHER VICTIMS
845
00:34:32,737 --> 00:34:33,804
WERE STRANGLED
FROM THE FRONT.
846
00:34:33,838 --> 00:34:36,108
YEAH, YOU'RE RIGHT, SHE WAS
STRANGLED FROM BEHIND.
847
00:34:36,141 --> 00:34:37,576
RIGHT.
848
00:34:37,608 --> 00:34:41,213
DOUGLAS THURMAN DID KILL
VICTIMS ONE, TWO, AND THREE.
849
00:34:41,246 --> 00:34:43,449
WE WERE RIGHT ABOUT THAT.
850
00:34:43,481 --> 00:34:47,219
BUT SOMEBODY ELSE
KILLED KATE KINDEL.
851
00:34:47,253 --> 00:34:49,487
WELL, THE CASE IS OVER,
MR. MONK.
852
00:34:49,521 --> 00:34:51,623
I DON'T THINK SO.
853
00:34:51,657 --> 00:34:54,260
YES!
SWISH!
854
00:34:54,293 --> 00:34:56,827
HA, NOTHING BUT NET.
855
00:34:56,862 --> 00:34:58,864
WHAT?
856
00:35:07,405 --> 00:35:08,806
MR. NOVAK DO YOU HAVE
A COPY OF THE EPISODE
857
00:35:08,840 --> 00:35:10,141
WE JUST SAW,
858
00:35:10,175 --> 00:35:12,744
MAYBE ON A VHS TAPE?
859
00:35:12,777 --> 00:35:14,313
WELL, THIS IS DVR.
860
00:35:14,346 --> 00:35:15,681
THAT'S TOO BAD.
861
00:35:15,713 --> 00:35:17,849
IF IT WAS ON VHS,
WE COULD WATCH IT AGAIN.
862
00:35:17,882 --> 00:35:21,552
DVR IS DIGITAL.
IT'S BETTER THAN VHS.
863
00:35:21,586 --> 00:35:22,820
OH.
864
00:35:22,853 --> 00:35:24,422
WELL, THEN LET'S DO THAT.
865
00:35:24,456 --> 00:35:27,393
IF WE COULD REWIND THE TAPE
OR WHATEVER IT IS
866
00:35:27,425 --> 00:35:29,360
BACK TO THE PHOTO STUDIO.
867
00:35:29,394 --> 00:35:30,362
NATALIE.
868
00:35:30,396 --> 00:35:32,831
SORRY.
869
00:35:32,864 --> 00:35:34,465
IT'S OKAY.
870
00:35:34,500 --> 00:35:35,867
IT'S ONLY TRIPLE OVERTIME.
871
00:35:35,900 --> 00:35:39,838
ONLY THE GREATEST GAME
IN THE HISTORY OF BASKETBALL.
872
00:35:39,871 --> 00:35:42,340
(Monk)
OKAY.
873
00:35:42,373 --> 00:35:44,309
OKAY, STOP RIGHT THERE.
874
00:35:44,342 --> 00:35:45,777
NOW HIT
THE PICTURE PLAY BUTTON.
875
00:35:45,811 --> 00:35:47,278
IT SHOULD SAY "PLAY"
EITHER ON THE BUTTON
876
00:35:47,313 --> 00:35:48,447
OR DIRECTLY UNDER THE--
877
00:35:48,480 --> 00:35:49,614
YEAH, I GOT THAT.
878
00:35:56,987 --> 00:35:58,657
CLEAR!
879
00:35:58,690 --> 00:36:00,958
CLEAR!
880
00:36:00,992 --> 00:36:03,362
CLEAR!
881
00:36:03,394 --> 00:36:04,795
PICTURE FREEZER!
WHAT?
882
00:36:04,829 --> 00:36:05,931
HIT THE PICTURE
FREEZER BUTTON.
883
00:36:05,963 --> 00:36:07,932
YOU MEAN "PAUSE"?
884
00:36:07,965 --> 00:36:09,867
FINE, PAUSE, WHATEVER.
885
00:36:09,900 --> 00:36:11,869
NOW GO BACK.
PICTURE GO BACK.
886
00:36:11,902 --> 00:36:13,271
"PICTURE GO BACK."
887
00:36:13,304 --> 00:36:17,242
PICTURE GO BACK.
888
00:36:17,275 --> 00:36:18,710
PICTURE FREEZER!
889
00:36:18,744 --> 00:36:20,878
OKAY.
LOOK AT THE TABLE.
890
00:36:20,911 --> 00:36:25,650
SEE, ALL THE FILM CANISTERS
ARE ON THEIR SIDE.
891
00:36:25,684 --> 00:36:28,420
OKAY, NATALIE,
PICTURE GO FAST.
892
00:36:28,454 --> 00:36:30,755
PICTURE GO FAST.
893
00:36:30,789 --> 00:36:32,824
(Monk)
RIGHT THERE,
894
00:36:32,858 --> 00:36:34,793
PICTURE FREEZER.
895
00:36:34,826 --> 00:36:37,896
SEE, THERE'S AN ADDITIONAL
FILM CANISTER STANDING UP.
896
00:36:37,929 --> 00:36:39,697
WELL, WHERE THE HELL
DID THAT COME FROM?
897
00:36:39,731 --> 00:36:40,965
(Disher)
THAT HAD PICTURES OF
KATE KINDEL ON IT, THAT FILM.
898
00:36:40,998 --> 00:36:43,001
I BAGGED THAT MYSELF.
899
00:36:43,034 --> 00:36:44,936
ARE YOU SAYING SOMEBODY
PLANTED THE FILM?
900
00:36:44,969 --> 00:36:46,538
WAS IT A COP?
901
00:36:46,572 --> 00:36:48,873
NO, NO, I KNOW
EVERY GUY ON THAT SQUAD.
902
00:36:48,907 --> 00:36:51,543
AND EVERY ONE OF THEM
IS A RIGHTEOUS GUY.
903
00:36:51,577 --> 00:36:53,244
WELL, THERE WERE
OTHER PEOPLE IN THAT ROOM.
904
00:36:53,278 --> 00:36:57,583
OKAY, NATALIE,
PUSH PICTURE GO FAST.
905
00:36:57,615 --> 00:36:59,016
PICTURE GO FAST.
906
00:36:59,050 --> 00:37:00,351
(Monk)
OKAY.
907
00:37:00,385 --> 00:37:02,019
OKAY, THIS IS IT.
908
00:37:02,052 --> 00:37:04,255
PICTURE GO REGULAR.
909
00:37:13,298 --> 00:37:15,601
THAT IS SO TRIPPY.
910
00:37:15,634 --> 00:37:18,936
(Disher)
TOOK HER LIPSTICK,
OF COURSE.
911
00:37:20,905 --> 00:37:22,474
IT'S A LITTLE DARK.
912
00:37:22,507 --> 00:37:24,742
I COULD USE SOME LIGHT.
913
00:37:24,775 --> 00:37:26,612
PICTURE FREEZER!
914
00:37:26,644 --> 00:37:28,914
MR. NOVAK,
915
00:37:28,947 --> 00:37:30,882
I ASKED YOU
TO TURN ON THE LIGHT.
916
00:37:30,916 --> 00:37:32,418
THAT'S RIGHT.
917
00:37:32,451 --> 00:37:34,519
THERE ARE FIVE LIGHT SWITCHES
ON THAT PANEL.
918
00:37:34,552 --> 00:37:36,288
YOU CLICKED NUMBER FOUR.
919
00:37:36,322 --> 00:37:39,023
IT WAS A LAMP
RIGHT NEXT TO ME.
920
00:37:39,056 --> 00:37:40,925
HOW DID YOU KNOW
921
00:37:40,958 --> 00:37:42,860
WHICH ONE OF THOSE SWITCHES
TO HIT?
922
00:37:42,893 --> 00:37:45,331
HOW DID I KNOW WHAT?
923
00:37:45,364 --> 00:37:46,831
YOU KNEW THAT APARTMENT.
924
00:37:46,864 --> 00:37:48,766
YOU'D BEEN
IN THAT ROOM BEFORE.
925
00:37:48,800 --> 00:37:51,536
I-I-I'M A LITTLE CONFUSED.
926
00:37:51,570 --> 00:37:53,739
ARE YOU ACCUSING ME
OF SOMETHING?
927
00:37:53,771 --> 00:37:55,574
YES, SIR, I AM.
928
00:37:55,606 --> 00:37:57,876
IT ALL MAKES SENSE.
929
00:37:57,909 --> 00:38:00,478
KATE KINDEL WAS
YOUR SEX MISTRESS.
930
00:38:00,512 --> 00:38:01,947
I KNEW IT.
931
00:38:01,980 --> 00:38:02,981
SWEETHEART, HE--
932
00:38:03,014 --> 00:38:04,048
WHAT HAPPENED?
933
00:38:04,081 --> 00:38:05,684
WAS SHE THREATENING
TO TELL YOUR WIFE?
934
00:38:05,717 --> 00:38:07,385
DID SHE WANT MONEY?
935
00:38:07,418 --> 00:38:09,987
ALL WE KNOW FOR SURE
IS THAT YOU WANTED HER GONE.
936
00:38:10,021 --> 00:38:11,722
WORKING ON THIS SHOW,
937
00:38:11,757 --> 00:38:13,358
ON THIS SERIAL KILLER STORY,
938
00:38:13,391 --> 00:38:14,860
GIVE YOU THE PERFECT
OPPORTUNITY.
939
00:38:14,893 --> 00:38:15,994
IT'S TRUE.
940
00:38:16,027 --> 00:38:18,530
YOU HAD ACCESS
TO EVERYTHING,
941
00:38:18,563 --> 00:38:19,898
ALL THE STUFF
WE KEPT FROM THE PUBLIC.
942
00:38:19,931 --> 00:38:21,900
THE KILLER'S M.O.,
THE LIPSTICK.
943
00:38:21,932 --> 00:38:23,668
(Monk)
HERE'S WHAT HAPPENED.
944
00:38:23,702 --> 00:38:24,969
YOU KNEW
THE POLICE WERE PLANNING
945
00:38:25,003 --> 00:38:27,005
TO RAID THURMAN'S STUDIO
IN THE MORNING.
946
00:38:27,038 --> 00:38:27,873
THAT NIGHT,
947
00:38:27,905 --> 00:38:30,041
YOU WENT TO KATE KINDEL'S
APARTMENT.
948
00:38:30,074 --> 00:38:32,943
YOU TOLD HER YOU WANTED
TO TAKE SOME PICTURES.
949
00:38:32,978 --> 00:38:34,413
AFTER THE PHOTO SESSION,
950
00:38:34,445 --> 00:38:35,880
YOU GOT DOWN TO BUSINESS.
951
00:38:35,914 --> 00:38:37,949
[groaning]
952
00:38:42,753 --> 00:38:43,822
YOU TOOK HER LIPSTICK,
953
00:38:43,855 --> 00:38:46,056
BECAUSE THAT'S WHAT
DOUGLAS THURMAN WOULD HAVE DONE.
954
00:38:46,090 --> 00:38:47,759
(Disher)
THE LIPSTICK ASSASSIN.
955
00:38:47,793 --> 00:38:49,927
(Monk)
THE NEXT MORNING
DURING THE RAID,
956
00:38:49,960 --> 00:38:53,965
YOU PLANTED
THE ROLL OF FILM.
957
00:38:53,998 --> 00:38:56,967
IT WOULD LOOK LIKE KATE
WAS JUST ANOTHER CLIENT.
958
00:38:57,001 --> 00:39:00,405
JUST ANOTHER VICTIM.
959
00:39:00,438 --> 00:39:02,773
IT WAS A PERFECT PLAN,
960
00:39:02,807 --> 00:39:04,543
FRAMING A SERIAL KILLER.
961
00:39:04,576 --> 00:39:05,976
YOU SHOULD HAVE WATCHED
YOUR OWN SHOW, MR. NOVAK.
962
00:39:06,010 --> 00:39:06,945
YOU CAN'T BEAT THE MAN.
963
00:39:06,978 --> 00:39:09,815
PROBABLY DIDN'T EVEN
LISTEN TO MY CD, DID YOU?
964
00:39:09,847 --> 00:39:11,882
OKAY, FIRST OF ALL,
YOU'RE A TERRIBLE SINGER.
965
00:39:11,916 --> 00:39:13,851
AND SECONDLY, YOU CAN'T
GO AROUND ACCUSING PEOPLE.
966
00:39:13,885 --> 00:39:15,920
WHERE'S YOUR PROOF?
967
00:39:17,956 --> 00:39:21,893
I THINK I HAVE PROOF.
968
00:39:21,927 --> 00:39:22,927
WHAT NIGHT WAS IT?
969
00:39:22,960 --> 00:39:24,730
JULY 25th.
970
00:39:24,762 --> 00:39:26,030
I THOUGHT SO.
971
00:39:26,063 --> 00:39:27,898
IT WAS
MY BROTHER'S BIRTHDAY.
972
00:39:27,932 --> 00:39:30,768
THERE WAS A PARTY
THAT YOU MISSED, OF COURSE.
973
00:39:30,802 --> 00:39:33,639
HE CAME HOME AT 5:00 A.M.
AND TOOK A SHOWER.
974
00:39:33,672 --> 00:39:35,706
I WAS SUSPICIOUS.
975
00:39:35,740 --> 00:39:37,976
NO, I WASN'T SUSPICIOUS.
976
00:39:38,009 --> 00:39:39,911
I KNEW.
977
00:39:39,945 --> 00:39:41,045
I WENT THROUGH
HIS POCKETS.
978
00:39:41,079 --> 00:39:42,681
IS THIS WHAT YOU NEED?
YEAH.
979
00:39:42,713 --> 00:39:44,516
YOU CAN CHECK IT
FOR DNA, RIGHT?
980
00:39:44,550 --> 00:39:46,851
I'LL TAKE THAT, SERGEANT.
981
00:39:55,893 --> 00:39:57,896
GET DOWN!
982
00:39:57,929 --> 00:40:00,030
JILLIAN.
SOMEBODY CALL AN AMBULANCE.
983
00:40:03,869 --> 00:40:06,170
JILLIAN?
984
00:40:06,204 --> 00:40:08,673
OH, SORRY.
FORCE OF HABIT.
985
00:40:08,706 --> 00:40:11,476
FORCE OF HABIT.
986
00:40:11,510 --> 00:40:12,610
I'M SORRY.
987
00:40:12,643 --> 00:40:14,012
OH, YOU HAD ME.
988
00:40:14,045 --> 00:40:16,447
I DID?
989
00:40:16,481 --> 00:40:17,548
[giggling]
990
00:40:17,583 --> 00:40:18,983
(Disher)
THAT WAS GREAT.
991
00:40:19,016 --> 00:40:22,119
YOU TOTALLY GOT ME
ON THAT.
992
00:40:22,152 --> 00:40:24,155
IS EVERYBODY ALL RIGHT?
993
00:40:30,762 --> 00:40:32,898
(Natalie)
"THE CASE WAS BROKEN
994
00:40:32,931 --> 00:40:34,199
"BY FORMER DETECTIVE
ADRIAN MONK,
995
00:40:34,231 --> 00:40:35,967
"WHO IRONICALLY
HAD RECENTLY BEEN FEATURED
996
00:40:36,001 --> 00:40:38,603
"ON MR. NOVAK'S
NEWSMAGAZINE PROGRAM
997
00:40:38,637 --> 00:40:39,704
IN FOCUS."
998
00:40:39,737 --> 00:40:40,838
LOOK, PICTURE.
999
00:40:40,871 --> 00:40:42,206
VERY NICE.
1000
00:40:42,239 --> 00:40:44,041
NICE TO GO OUT
ON A HIGH NOTE.
1001
00:40:44,074 --> 00:40:45,943
WHAT DO YOU MEAN
"GO OUT"?
1002
00:40:45,976 --> 00:40:50,148
WELL, I THINK IT MIGHT
BE TIME TO QUIT.
1003
00:40:50,181 --> 00:40:51,916
100 CASES.
100 EVEN.
1004
00:40:51,949 --> 00:40:53,552
IT'S A NICE ROUND NUMBER.
1005
00:40:53,585 --> 00:40:55,152
WAIT, WAIT.
1006
00:40:55,186 --> 00:40:56,788
YOU WANNA QUIT
1007
00:40:56,822 --> 00:40:57,922
BECAUSE IT'S
AN EVEN NUMBER?
1008
00:40:57,956 --> 00:40:59,257
MAKES SENSE TO ME.
1009
00:40:59,289 --> 00:41:00,257
THAT IS SO STUPID.
1010
00:41:00,291 --> 00:41:01,592
I'M SORRY, MR. MONK,
1011
00:41:01,626 --> 00:41:02,960
BUT THAT IS JUST STUPID.
1012
00:41:02,994 --> 00:41:04,094
WHAT ARE YOU DOING?
1013
00:41:04,128 --> 00:41:05,096
ROLLING UP THIS NEWSPAPER.
1014
00:41:05,130 --> 00:41:06,130
I WONDER WHY.
1015
00:41:06,164 --> 00:41:07,231
TO HIT YOU OVER
THE HEAD WITH IT
1016
00:41:07,264 --> 00:41:08,900
BECAUSE YOU'RE
SO STUPID!
1017
00:41:08,934 --> 00:41:10,735
COME ON, COME ON.
WAIT.
1018
00:41:10,768 --> 00:41:11,802
WAIT A MINUTE.
1019
00:41:11,836 --> 00:41:13,905
WHEN YOU CAUGHT
THAT SERIAL KILLER,
1020
00:41:13,938 --> 00:41:15,606
THAT WAS NUMBER 100.
1021
00:41:15,641 --> 00:41:17,208
RIGHT.
RIGHT, RIGHT.
1022
00:41:17,242 --> 00:41:19,811
SO THIS CASE
WITH THIS TV HOST,
1023
00:41:19,844 --> 00:41:21,847
THIS WAS
A COMPLETELY DIFFERENT CASE.
1024
00:41:21,880 --> 00:41:24,615
DIFFERENT KILLER,
DIFFERENT CASE.
1025
00:41:24,650 --> 00:41:26,885
OH, MY GOD.
1026
00:41:26,918 --> 00:41:28,820
HA HA!
SO YOU'RE AT 101.
1027
00:41:28,853 --> 00:41:31,121
OH, MY GOD.
HOW DID THIS HAPPEN?
1028
00:41:31,155 --> 00:41:33,057
YOU WANNA STOP
AT A NICE ROUND NUMBER,
1029
00:41:33,090 --> 00:41:34,760
YOU HAVE TO GET TO 200.
1030
00:41:34,793 --> 00:41:36,927
200.
1031
00:41:36,961 --> 00:41:38,128
ALL RIGHT,
SO YOU BETTER GET STARTED.
1032
00:41:38,163 --> 00:41:39,831
LET'S SEE IF ANYBODY'S
KILLED ANYBODY TODAY.
1033
00:41:39,864 --> 00:41:41,967
OH, THIS LOOKS GOOD,
"SUSPICIOUS DROWNING."
1034
00:41:42,000 --> 00:41:44,536
101, OH, MY GOD.
1035
00:41:44,570 --> 00:41:45,704
WHY DIDN'T YOU STOP ME?
1036
00:41:45,737 --> 00:41:47,773
OH, "RUNAWAY TRUCK
KILLS TWO."
1037
00:41:47,806 --> 00:41:49,940
"SOCIALITE KILLED
BY GIANT PENDULUM."
1038
00:41:49,974 --> 00:41:51,175
THAT'S JUICY.
1039
00:41:51,208 --> 00:41:53,277
"BILLIONAIRE'S MISTRESS
DISAPPEARS."
1040
00:41:53,311 --> 00:41:54,945
"WOMAN RUN OVER
BY GOLF CART."
1041
00:41:54,980 --> 00:41:56,748
THAT'S WEIRD.
YEAH.
1042
00:41:56,782 --> 00:42:00,786
"TV WRITER FOUND DEAD
AFTER CONTRACT DISPUTE."
1043
00:42:00,818 --> 00:42:03,954
CREEPY.
THAT'S GOOD.
1044
00:42:03,989 --> 00:42:06,992
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