All language subtitles for Monk S07E03 Mr. Monk Gets Lotto Fever [1080p x265 10bit Joy]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,103 --> 00:00:05,738 AND THE FINAL NUMBER IS...44. 2 00:00:05,772 --> 00:00:08,641 MAKING TONIGHT'S GOLD RUSH NUMBERS 3 00:00:08,676 --> 00:00:11,744 35, 4, 7, 4 00:00:11,778 --> 00:00:15,816 53, 23 AND 44. 5 00:00:15,849 --> 00:00:18,152 THIS IS YOUR GOLD RUSH GIRL MARISSA KESSLER 6 00:00:18,185 --> 00:00:21,554 WISHING EVERYONE A LUCKY LOTTO DAY. 7 00:00:21,588 --> 00:00:24,692 SOMEBODY HELP ME! 8 00:00:30,597 --> 00:00:33,201 HELP! 9 00:00:37,737 --> 00:00:39,539 AAH! 10 00:00:39,573 --> 00:00:41,808 [breathing heavily] 11 00:00:54,121 --> 00:00:56,156 [car alarm beeps] 12 00:00:58,125 --> 00:01:01,429 AAH! 13 00:01:01,462 --> 00:01:03,831 HELP ME! 14 00:01:11,171 --> 00:01:14,442 NO! 15 00:01:14,474 --> 00:01:18,346 NO! UNH! 16 00:01:18,379 --> 00:01:20,147 NO, NO, PLEASE, DON'T! 17 00:01:20,180 --> 00:01:22,349 [screaming] 18 00:01:22,382 --> 00:01:25,218 NO-- 19 00:01:25,253 --> 00:01:28,289 [Randy Newman ragtime theme] 20 00:01:28,322 --> 00:01:30,623 * IT'S A JUNGLE OUT THERE 21 00:01:30,658 --> 00:01:35,228 * DISORDER AND CONFUSION EVERYWHERE * 22 00:01:35,263 --> 00:01:37,531 * NO ONE SEEMS TO CARE 23 00:01:37,564 --> 00:01:38,598 * WELL, I DO 24 00:01:38,632 --> 00:01:41,668 * HEY, WHO'S IN CHARGE HERE? 25 00:01:41,701 --> 00:01:45,239 * IT'S A JUNGLE OUT THERE 26 00:01:45,272 --> 00:01:48,341 * POISON IN THE VERY AIR WE BREATHE * 27 00:01:48,376 --> 00:01:51,179 * YOU KNOW WHAT'S IN THE WATER THAT YOU DRINK? * 28 00:01:51,212 --> 00:01:55,216 * WELL, I DO, AND IT'S A-MA-ZING * 29 00:01:55,248 --> 00:01:57,884 * PEOPLE THINK I'M CRAZY 'CAUSE I WORRY ALL THE TIME * 30 00:01:57,918 --> 00:02:01,754 * IF YOU PAID ATTENTION, YOU'D BE WORRIED TOO * 31 00:02:01,789 --> 00:02:05,926 * YOU'D BETTER PAY ATTENTION OR THIS WORLD WE LOVE SO MUCH * 32 00:02:05,959 --> 00:02:09,562 * MIGHT JUST KILL YOU 33 00:02:09,597 --> 00:02:12,432 * I COULD BE WRONG NOW 34 00:02:12,466 --> 00:02:14,435 * BUT I DON'T THINK SO 35 00:02:14,467 --> 00:02:16,770 * 'CAUSE IT'S A JUNGLE OUT THERE * 36 00:02:16,804 --> 00:02:26,847 * IT'S A JUNGLE OUT THERE * 37 00:02:26,847 --> 00:02:33,653 * IT'S A JUNGLE OUT THERE * 38 00:02:33,687 --> 00:02:35,923 THERE'S SOMETHING WRONG HERE. 39 00:02:41,961 --> 00:02:44,163 THIS IS WRONG. 40 00:02:49,236 --> 00:02:52,439 THIS IS VERY WRONG. 41 00:02:52,473 --> 00:02:54,574 THIS IS VERY, VERY-- 42 00:02:54,608 --> 00:02:57,211 WRONG? 43 00:02:57,245 --> 00:02:58,412 THIS WAS NO RANDOM MUGGING. 44 00:02:58,445 --> 00:03:00,813 THIS WAS ALL ABOUT HER. 45 00:03:00,848 --> 00:03:02,750 HE WAS AFTER HER. 46 00:03:02,782 --> 00:03:04,284 TOOK HER PURSE AND SOME JEWELRY. 47 00:03:04,318 --> 00:03:06,719 HE WANTED US TO THINK ROBBERY. 48 00:03:06,753 --> 00:03:07,987 SHE WAS STABBED SIX TIMES. 49 00:03:08,021 --> 00:03:09,289 THAT'S RIGHT. 50 00:03:09,323 --> 00:03:10,591 TWO IN THE NECK, FOUR IN THE BACK. 51 00:03:10,623 --> 00:03:13,326 OR WAS STABBED THREE TIMES. 52 00:03:13,360 --> 00:03:14,895 LOOK AT THE PATTERN. 53 00:03:14,927 --> 00:03:18,899 TWO, TWO, AND TWO. 54 00:03:18,931 --> 00:03:20,433 THREE TIMES... 55 00:03:20,467 --> 00:03:23,002 WITH A PAIR OF SCISSORS. 56 00:03:23,036 --> 00:03:25,573 YES, THAT'S POSSIBLE. WHO BRINGS SCISSORS TO A MUGGING? 57 00:03:25,605 --> 00:03:28,509 SCISSORS SAY WHAT? SPUR OF THE MOMENT, NOT PLANNED. 58 00:03:28,542 --> 00:03:31,444 PLUS... THE MUD ON HER SHOES. 59 00:03:31,478 --> 00:03:33,347 THERE'S A MUD PUDDLE NEAR THE EXIT. 60 00:03:33,381 --> 00:03:36,283 BUT THERE'S A LIGHT RIGHT THERE. 61 00:03:36,317 --> 00:03:37,884 IF SHE WAS WALKING, SHE WOULD'VE SEEN THAT. 62 00:03:37,918 --> 00:03:40,521 SO SHE WAS RUNNING WHEN SHE LEFT THE BUILDING. 63 00:03:40,554 --> 00:03:42,889 WHATEVER HAPPENED STARTED INSIDE. 64 00:03:42,923 --> 00:03:43,890 THERE WAS SOME KIND OF FIGHT. 65 00:03:43,924 --> 00:03:47,728 HE GRABBED SOME SCISSORS AND CHASED HER OUT HERE. 66 00:03:47,760 --> 00:03:49,530 FIND ME THE STATION MANAGER. 67 00:03:49,562 --> 00:03:50,663 I WANT A LIST OF EVERY EMPLOYEE 68 00:03:50,698 --> 00:03:52,400 THAT WAS HERE LAST NIGHT. 69 00:03:52,432 --> 00:03:54,401 MAKE THAT EVERY EMPLOYEE, PERIOD. YES, SIR. 70 00:03:54,435 --> 00:03:57,271 ANY IDEA ON MOTIVE? 71 00:03:57,305 --> 00:04:00,274 I GUESS YOU CAN SAY THAT THERE WERE 12 MILLION PEOPLE 72 00:04:00,307 --> 00:04:01,542 WITH A MOTIVE, MYSELF INCLUDED. 73 00:04:01,574 --> 00:04:03,644 THIS WAS THE LOTTO GIRL. 74 00:04:03,676 --> 00:04:06,514 SHE BROKE MY HEART THREE TIMES A WEEK. 75 00:04:06,546 --> 00:04:07,647 WHAT IS THAT? 76 00:04:07,681 --> 00:04:10,384 (Stottlemeyer) WHAT'S WHAT? 77 00:04:10,418 --> 00:04:11,884 ON HER FINGERTIPS. IS THAT PAINT? 78 00:04:11,919 --> 00:04:14,421 YEAH, LOOKS LIKE IT. 79 00:04:14,455 --> 00:04:16,490 HEY, GABBY! 80 00:04:16,524 --> 00:04:18,559 TAKE A SAMPLE FROM HER LEFT FINGERS, LEFT HAND. 81 00:04:18,591 --> 00:04:20,461 (officer) EXCUSE ME, MR. MONK? 82 00:04:20,494 --> 00:04:23,029 I HAVE A NEPHEW. HE'S TEN YEARS OLD. 83 00:04:23,062 --> 00:04:24,464 HE'S YOUR BIGGEST FAN. 84 00:04:24,497 --> 00:04:26,500 OH. HE CLIPS ARTICLES. 85 00:04:26,533 --> 00:04:28,369 HE THINKS YOU'RE COOLER THAN SPIDER-MAN. 86 00:04:28,401 --> 00:04:30,571 REALLY? KIDS! 87 00:04:30,603 --> 00:04:31,572 IF I COULD GET YOUR AUTOGRAPH, 88 00:04:31,605 --> 00:04:32,805 HE'D THINK I'M SOME KIND OF HERO. 89 00:04:32,840 --> 00:04:35,408 UH, SORRY, MR. MONK IS WORKING. 90 00:04:35,442 --> 00:04:36,543 MAYBE WHEN HE'S FINISHED. 91 00:04:36,576 --> 00:04:37,644 OH, SORRY. 92 00:04:37,677 --> 00:04:39,045 ANYTHING ELSE? 93 00:04:39,079 --> 00:04:41,548 CLUES, CLUES, SCANNING, SCANNING. 94 00:04:41,581 --> 00:04:42,882 NO, THAT'S IT, ALL DONE. 95 00:04:42,915 --> 00:04:44,617 YOU SAID SOMETHING ABOUT AN AUTOGRAPH? 96 00:04:44,651 --> 00:04:46,454 THAT WOULD BE GREAT. THANK YOU SO MUCH. 97 00:04:46,487 --> 00:04:49,590 I GOT--I GOT-- 98 00:04:52,360 --> 00:04:53,961 UH, WOULD YOU MIND? UH... 99 00:04:55,562 --> 00:04:58,466 WOULD YOU MIND? PERPENDICULAR. 100 00:04:58,499 --> 00:05:01,535 PUT YOUR HEAD DOWN. YOUR HAIR'S IN THE WAY. 101 00:05:01,569 --> 00:05:04,103 HEAD DOWN, HEAD DOWN. 102 00:05:04,137 --> 00:05:06,574 ARE YOU OKAY? OH, SHE'S FINE. 103 00:05:06,607 --> 00:05:07,908 SHE LOOKS MAD. 104 00:05:07,940 --> 00:05:09,942 NO, THAT'S JUST HER LOOK. 105 00:05:09,976 --> 00:05:12,612 WHAT'S THAT? 106 00:05:15,415 --> 00:05:17,117 "IT LOOKS LIKE HER NUMBER CAME UP." 107 00:05:17,149 --> 00:05:18,619 IT'S A ZINGER. 108 00:05:18,651 --> 00:05:19,487 [chuckling] 109 00:05:19,519 --> 00:05:21,120 SHE'S A LOTTO GIRL. HER NUMBER CAME UP. 110 00:05:21,153 --> 00:05:22,622 GET IT? YEP. 111 00:05:22,656 --> 00:05:24,591 YOU REMEMBER LAST YEAR SERGEANT BEECHAM 112 00:05:24,625 --> 00:05:26,125 SHOVED THAT JUNKIE INTO A LAMP POST, 113 00:05:26,158 --> 00:05:27,560 AND HE SAID, "I'LL KEEP YOU POSTED." 114 00:05:27,595 --> 00:05:28,562 OH, YEAH, I HEARD ABOUT THAT. 115 00:05:28,596 --> 00:05:29,663 EVERYBODY HEARD ABOUT IT. 116 00:05:29,697 --> 00:05:30,898 I MEAN, PEOPLE WERE REPEATING IT. 117 00:05:30,930 --> 00:05:32,098 IT WAS FAMOUS. 118 00:05:32,132 --> 00:05:34,601 THIS IS EVEN BETTER. 119 00:05:34,634 --> 00:05:35,869 THIS IS A CLASSIC. 120 00:05:35,903 --> 00:05:37,538 IF YOU SAY SO. 121 00:05:37,571 --> 00:05:40,540 YEAH, I JUST NEED TO FIND THE RIGHT MOMENT. 122 00:05:42,141 --> 00:05:44,478 CAPTAIN, IF YOU'RE READY TO RELEASE THE BODY, 123 00:05:44,512 --> 00:05:47,514 I CAN TAKE HER DOWNTOWN. 124 00:05:50,518 --> 00:05:52,386 I STILL DON'T GET IT. 125 00:05:52,420 --> 00:05:54,654 WHO'D WANT TO KILL THE LOTTO GIRL? 126 00:05:54,687 --> 00:05:55,923 I GUESS HER NUMBER CAME UP. 127 00:05:55,956 --> 00:06:00,661 [snickering] 128 00:06:00,694 --> 00:06:01,629 HEY, WHAT ARE YOU DOING? 129 00:06:01,661 --> 00:06:04,031 HEY, WHAT ARE YOU DOING? THAT WAS MY LINE, MAN. 130 00:06:04,064 --> 00:06:05,665 WHAT ARE YOU TALKING ABOUT? 131 00:06:05,699 --> 00:06:07,634 I JUST SAID THE EXACT SAME THING TWO SECONDS-- 132 00:06:07,668 --> 00:06:08,668 ASK THE CAPTAIN. 133 00:06:08,701 --> 00:06:10,403 RANDY, THIS IS A CRIME SCENE, FOR GOD SAKES-- 134 00:06:10,437 --> 00:06:11,404 NO, YOU HEARD ME. 135 00:06:11,439 --> 00:06:13,473 YOU KNOW WHAT? HE MUST'VE HEARD ME. 136 00:06:13,507 --> 00:06:15,074 OH, IT'S OKAY, LOOK. 137 00:06:15,108 --> 00:06:17,144 IT'S WRITTEN IN MY NOTEBOOK RIGHT HERE. 138 00:06:17,177 --> 00:06:18,545 SEE THAT? 139 00:06:18,579 --> 00:06:20,947 "IT LOOKS LIKE HER NUMBER CAME UP." 140 00:06:20,980 --> 00:06:22,850 LET'S SEE YOUR NOTEBOOK. 141 00:06:22,882 --> 00:06:24,584 I-I DIDN'T WRITE IT DOWN. I JUST THOUGHT OF IT. 142 00:06:24,617 --> 00:06:26,720 OH, PLEASE, COME ON! CAN YOU BELIEVE THIS GUY? 143 00:06:26,754 --> 00:06:28,055 YOU KNOW WHAT? 144 00:06:28,088 --> 00:06:29,856 I'M GONNA HAVE YOUR BADGE, OFFICER KIL-- 145 00:06:29,889 --> 00:06:34,461 COME ON, SHECKY, LET'S WALK IT OFF. 146 00:06:34,495 --> 00:06:35,394 EXCUSE ME. 147 00:06:35,428 --> 00:06:37,630 I'M STAN LAWRENCE. I'M THE STATION MANAGER. 148 00:06:37,665 --> 00:06:39,466 HERE'S THAT LIST YOU WANTED. 149 00:06:39,500 --> 00:06:41,534 OH, GREAT, GREAT, GREAT. I'LL MAKE SURE THEY GET IT. 150 00:06:41,569 --> 00:06:42,636 HOW LONG DID SHE WORK HERE? 151 00:06:42,670 --> 00:06:44,637 NOT LONG. JUST A FEW WEEKS. 152 00:06:44,672 --> 00:06:46,473 I STILL CAN'T BELIEVE IT. 153 00:06:46,507 --> 00:06:48,808 I-I SHOULD'VE PUT MORE LIGHTS BACK HERE. 154 00:06:48,841 --> 00:06:50,543 OH, NO, NO, NO, YOU CAN'T BLAME YOURSELF. 155 00:06:50,577 --> 00:06:53,146 IT WAS AFTER MIDNIGHT. THE PARKING LOT WAS EMPTY. 156 00:06:53,180 --> 00:06:54,514 MORE LIGHTS WOULDN'T HAVE MADE A DIFFERENCE. 157 00:06:54,548 --> 00:06:55,615 THANK YOU, OFFICER. 158 00:06:55,649 --> 00:06:57,084 THAT'S VERY NICE OF YOU TO SAY. 159 00:06:57,117 --> 00:06:58,619 I'M NOT AN OFFICER. I WORK WITH MR. MONK. 160 00:06:58,651 --> 00:07:00,754 IS THAT ADRIAN MONK? 161 00:07:00,788 --> 00:07:03,490 I'VE HEARD OF HIM. HE'S A GENIUS, RIGHT? 162 00:07:03,524 --> 00:07:04,692 AND YOU'RE HIS PARTNER. 163 00:07:04,725 --> 00:07:09,562 PARTNER/BABYSITTER/ ASSISTANT/BABYSITTER. 164 00:07:09,596 --> 00:07:10,697 [laughter] 165 00:07:10,730 --> 00:07:12,031 WHAT'S YOUR NAME? 166 00:07:12,064 --> 00:07:13,634 NATALIE TEEGER. 167 00:07:13,666 --> 00:07:15,968 MS. TEEGER, I KNOW THIS PROBABLY SOUNDS CALLOUS, 168 00:07:16,002 --> 00:07:17,103 BUT HAVE YOU EVER DONE ANY ACTING? 169 00:07:17,137 --> 00:07:19,740 ME? NO! 170 00:07:19,773 --> 00:07:21,040 WELL, HERE'S MY PROBLEM. 171 00:07:21,074 --> 00:07:23,043 WE'VE GOT ANOTHER SHOW TOMORROW NIGHT, 172 00:07:23,076 --> 00:07:24,644 AND I KNOW IT'S TERRIBLE TIMING, 173 00:07:24,677 --> 00:07:26,480 BUT WE NEED SOMEONE TO PICK THE NUMBERS. 174 00:07:26,514 --> 00:07:28,516 YOU MEAN ON TV? 175 00:07:28,548 --> 00:07:29,850 I THINK YOU'RE A NATURAL. 176 00:07:29,882 --> 00:07:31,584 NO, I DON'T THINK SO. 177 00:07:31,619 --> 00:07:33,220 HERE YOU GO. 178 00:07:33,252 --> 00:07:35,689 I WAS JUST TALKING TO HIS NEPHEW ON THE PHONE. 179 00:07:35,723 --> 00:07:38,191 HE COULDN'T EVEN BELIEVE IT WAS REALLY ME. 180 00:07:38,225 --> 00:07:40,259 FELT LIKE--FELT LIKE FATS DOMINO. 181 00:07:40,293 --> 00:07:41,762 MR. MONK, THIS IS MR. LAWRENCE. 182 00:07:41,795 --> 00:07:43,564 HE'S THE STATION MANAGER. HI. 183 00:07:43,596 --> 00:07:45,566 HE JUST ASKED ME TO BE THE NEW LOTTO GIRL. 184 00:07:45,598 --> 00:07:46,933 ONLY FOR ONE NIGHT. 185 00:07:46,966 --> 00:07:48,836 WE CAN HOLD A REGULAR AUDITION OVER THE WEEKEND. 186 00:07:48,869 --> 00:07:51,004 WHAT DO YOU THINK? 187 00:07:51,038 --> 00:07:52,906 I DON'T KNOW. 188 00:07:52,939 --> 00:07:54,641 WHAT DO YOU THINK? 189 00:07:54,675 --> 00:07:55,843 OH, I THINK IT SOUNDS LIKE FUN. 190 00:07:55,875 --> 00:07:58,245 I KNOW, BUT HERE'S THE THING. 191 00:07:58,278 --> 00:08:01,148 TOMORROW IS...WEDNESDAY. 192 00:08:01,180 --> 00:08:03,584 OH, WE ALREADY MADE PLANS. 193 00:08:03,617 --> 00:08:04,951 WHAT PLANS? 194 00:08:04,985 --> 00:08:08,021 ME MAKING DINNER WHILE YOU VACUUM THE RUG? 195 00:08:08,055 --> 00:08:10,156 EXACTLY. AND HERE'S THE OTHER THING. 196 00:08:10,189 --> 00:08:11,658 IF I LET YOU TAKE A NIGHT OFF, 197 00:08:11,692 --> 00:08:13,125 I HAVE TO LET EVERYBODY TAKE A NIGHT OFF. 198 00:08:13,160 --> 00:08:14,694 WHO'S EVERYBODY? 199 00:08:14,728 --> 00:08:16,196 WHAT ARE YOU TALKING ABOUT? IT'S JUST ME. 200 00:08:16,228 --> 00:08:19,632 MR. MONK, COME ON. IT'S ONE NIGHT. 201 00:08:19,667 --> 00:08:24,170 WELL, THEN I'LL GUESS I'LL JUST HAVE TO SAY NO... 202 00:08:24,204 --> 00:08:25,673 KAY. 203 00:08:25,706 --> 00:08:28,675 NOKAY. 204 00:08:28,709 --> 00:08:31,644 NOKAY. 205 00:08:31,678 --> 00:08:33,846 WHICH IS IT? "NO" OR "OKAY?" 206 00:08:33,880 --> 00:08:37,650 NOKAY. NOOOKAY. 207 00:08:37,684 --> 00:08:39,019 HE'S TRYING TO SAY OKAY. 208 00:08:39,052 --> 00:08:40,653 THAT'S AS CLOSE AS HE'S EVER GONNA GET. 209 00:08:40,687 --> 00:08:42,556 NOKAY. 210 00:08:42,590 --> 00:08:43,923 NOKAY. I'LL DO IT. 211 00:08:43,956 --> 00:08:45,091 NOKAY. 212 00:08:45,125 --> 00:08:46,793 [whispering] SHE LOOKS NERVOUS. 213 00:08:46,826 --> 00:08:49,830 I DON'T CARE, AS LONG AS SHE'S LUCKY. 214 00:08:49,863 --> 00:08:50,798 IS IT TOO MUCH? 215 00:08:50,831 --> 00:08:52,298 YOU LOOK GREAT. 216 00:08:52,331 --> 00:08:53,801 EXCUSE ME, NEW GIRL. 217 00:08:53,834 --> 00:08:55,702 NEW GIRL, YOU'RE OFF YOUR MARK. 218 00:08:55,735 --> 00:08:56,703 MY MARK? 219 00:08:56,736 --> 00:08:57,738 YEAH, THE BIG "X" ON THE FLOOR. 220 00:08:57,770 --> 00:08:59,639 LOOK WHERE I'M POINTING. 221 00:08:59,673 --> 00:09:00,841 90 SECONDS! 90 SECONDS? 222 00:09:00,874 --> 00:09:02,009 WAIT, NO, NO, NO! I DON'T HAVE A SCRIPT. 223 00:09:02,042 --> 00:09:04,211 EXCUSE ME, I NEVER GOT A SCRIPT. 224 00:09:04,244 --> 00:09:06,714 THERE IS NO SCRIPT. THIS IS THE LOTTERY. 225 00:09:06,746 --> 00:09:07,715 FOR THE LOVE OF GOD, IF THERE WAS A SCRIPT, 226 00:09:07,748 --> 00:09:08,749 WE'D ALL BE RICH. 227 00:09:08,782 --> 00:09:10,283 OH, GOD. AMATEURS. 228 00:09:12,119 --> 00:09:15,655 CAPTAIN, LIEUTENANT. 229 00:09:15,688 --> 00:09:16,889 HOW'S THE INVESTIGATION GOING? 230 00:09:16,923 --> 00:09:18,991 WELL, WE'RE JUST GETTING STARTED. 231 00:09:19,025 --> 00:09:20,860 SPOKE TO THE STAFF, THE CAMERA CREW. 232 00:09:20,894 --> 00:09:22,730 EVERYBODY SAID THEY LEFT THE BUILDING AFTER THE SHOW. 233 00:09:22,763 --> 00:09:24,798 THEY USUALLY DO. 234 00:09:24,831 --> 00:09:25,932 WELL, SOMEBODY WAS HERE. 235 00:09:25,966 --> 00:09:27,267 THE GIRL DIDN'T STAB HERSELF. 236 00:09:27,299 --> 00:09:31,238 YOU WANTED TO KNOW IF MARISSA RECEIVED ANY FAN MAIL. 237 00:09:31,270 --> 00:09:33,105 SOME OF THEM ARE PRETTY DICEY. 238 00:09:33,139 --> 00:09:36,744 YOU KNOW, PERSONAL. I PUT THEM ON TOP. 239 00:09:36,777 --> 00:09:38,077 I NEED QUIET, EVERYONE! NEW GIRL. 240 00:09:38,110 --> 00:09:41,682 NEW GIRL, YOU'RE ON IN FIVE, 241 00:09:41,715 --> 00:09:44,150 FOUR, THREE, TWO, 242 00:09:44,183 --> 00:09:46,019 AND YOU'RE ON. 243 00:09:46,052 --> 00:09:49,889 GOOD EVENING...PEOPLE. 244 00:09:49,923 --> 00:09:53,092 WELCOME TO THE BIG GOLD RUSH PICK 6. 245 00:09:53,125 --> 00:09:57,197 I'M NATALIE TEEGER. ARE YOU READY TO PLAY? 246 00:09:58,431 --> 00:10:02,903 THEN LET'S PLAY... THE LOTTERY. 247 00:10:02,936 --> 00:10:05,773 AND THE FIRST NUMBER IS... 248 00:10:05,806 --> 00:10:06,940 [whispering] TURN IT ON! 249 00:10:08,107 --> 00:10:10,076 TURN IT ON! 250 00:10:10,110 --> 00:10:12,712 OH! 251 00:10:12,745 --> 00:10:15,883 OH, MY GOD! 252 00:10:15,916 --> 00:10:19,186 AND THE FIRST NUMBER IS...25. 253 00:10:19,219 --> 00:10:21,721 [giggling] MY MOTHER'S BIRTHDAY. 254 00:10:21,754 --> 00:10:25,658 THE NEXT NUMBER... 255 00:10:25,692 --> 00:10:27,927 52! 256 00:10:27,961 --> 00:10:30,831 52...CARDS IN A DECK. 257 00:10:32,264 --> 00:10:36,903 THE NEXT NUMBER IS... 258 00:10:36,937 --> 00:10:38,871 7. 259 00:10:38,905 --> 00:10:40,373 THE SEVEN DWARVES. 260 00:10:40,407 --> 00:10:43,876 SEVEN DWARVES. 261 00:10:43,911 --> 00:10:46,779 32. 262 00:10:46,813 --> 00:10:47,914 32 TEETH. 263 00:10:47,947 --> 00:10:50,417 [clicks tongue] 264 00:10:50,450 --> 00:10:53,320 AND...WHOO! 265 00:10:53,352 --> 00:10:57,057 10, MY BOSS' ABSOLUTE FAVORITE NUMBER. 266 00:10:57,090 --> 00:10:58,390 OH, CRAP. 267 00:10:58,424 --> 00:11:01,094 APPARENTLY NOT EVERYBODY'S FAVORITE. 268 00:11:01,128 --> 00:11:03,263 AND THE FINAL NUMBER IS 17. 269 00:11:03,296 --> 00:11:06,734 MY DAUGHTER'S AGE. HI, JULIE! 270 00:11:06,767 --> 00:11:09,135 ONCE AGAIN, THE GOLD RUSH NUMBERS ARE 271 00:11:09,168 --> 00:11:11,238 25, 52, 7, 272 00:11:11,270 --> 00:11:15,207 32, 10, AND 17, 273 00:11:15,241 --> 00:11:16,876 SO THAT'S IT FOR NOW. 274 00:11:16,909 --> 00:11:19,980 KEEP PLAYING LOTTO. 275 00:11:20,013 --> 00:11:21,815 YOU'LL THANK ME LATER. 276 00:11:21,849 --> 00:11:22,850 HEH! 277 00:11:22,883 --> 00:11:24,283 (director) WE'RE CLEAR! 278 00:11:24,317 --> 00:11:26,418 YOU'LL THANK ME LATER. 279 00:11:26,452 --> 00:11:29,822 THAT'S MY LINE. I SAY THAT. 280 00:11:29,856 --> 00:11:30,690 HURTS, DOESN'T IT? 281 00:11:30,724 --> 00:11:33,293 YOU KNOW, I MIGHT AS WELL FLUSH 20 BUCKS 282 00:11:33,326 --> 00:11:34,827 DOWN THE TOILET ONCE A WEEK. 283 00:11:34,861 --> 00:11:36,996 GOD, I WAS TERRIBLE. 284 00:11:37,029 --> 00:11:38,331 WASN'T I TERRIBLE? 285 00:11:38,365 --> 00:11:39,866 YES. YOU WERE GREAT. 286 00:11:39,899 --> 00:11:41,000 GOD, I DON'T KNOW WHAT HAPPENED. 287 00:11:41,033 --> 00:11:41,835 I JUST GOT SO NERVOUS. 288 00:11:41,869 --> 00:11:43,302 YOU WERE GREAT. 289 00:11:43,336 --> 00:11:45,172 IT'S LIKE A TAX ON THE STUPID. 290 00:11:45,205 --> 00:11:47,006 COME ON, RANDY. WE'RE PARKED OUT FRONT. 291 00:11:47,039 --> 00:11:49,408 GOOD JOB. 292 00:11:49,442 --> 00:11:52,011 [chuckling] WELL, THANK YOU, MR. MONK. 293 00:11:52,044 --> 00:11:53,346 OH, IT WAS FUN. YEAH. 294 00:11:53,379 --> 00:11:55,014 I'M GLAD YOU DID IT. 295 00:11:55,048 --> 00:11:58,085 WHAT A FUN THING TO DO ONLY ONE TIME 296 00:11:58,118 --> 00:12:00,754 AND NEVER TRY IT AGAIN OR MENTION IT AGAIN. 297 00:12:00,788 --> 00:12:02,389 NATALIE, WHERE YOU GOING? 298 00:12:02,422 --> 00:12:04,124 MR. LAWRENCE, I TOLD YOU I WASN'T AN ACTOR. 299 00:12:04,157 --> 00:12:05,192 I'M SO SORRY. 300 00:12:05,225 --> 00:12:06,525 SORRY ABOUT WHAT? 301 00:12:06,558 --> 00:12:08,394 THAT YOU DID SUCH A TERRIFIC JOB? 302 00:12:08,427 --> 00:12:10,764 THE PHONES ARE LIGHTING UP LIKE CRAZY. 303 00:12:10,798 --> 00:12:11,865 THEY LOVE YOU. 304 00:12:11,899 --> 00:12:12,832 AND THOSE LITTLE AD LIB THINGS YOU DID. 305 00:12:12,865 --> 00:12:15,335 YOU WERE WONDERFUL. WASN'T SHE WONDERFUL? 306 00:12:15,368 --> 00:12:17,070 [fake laughter] 307 00:12:17,104 --> 00:12:18,938 SO...WHAT DO YOU SAY? 308 00:12:18,971 --> 00:12:20,006 ABOUT WHAT? 309 00:12:20,039 --> 00:12:21,207 ABOUT DOING IT FULL-TIME. 310 00:12:21,240 --> 00:12:22,542 IT'S JUST THREE NIGHTS A WEEK. 311 00:12:22,575 --> 00:12:24,211 I PROMISE IT WON'T INTERFERE WITH YOUR DAY JOB. 312 00:12:24,244 --> 00:12:26,413 I MEAN, I DON'T KNOW. 313 00:12:26,446 --> 00:12:27,980 YOU REALLY THOUGHT I WAS GOOD? 314 00:12:28,014 --> 00:12:30,049 I TOLD YOU WHEN I MET YOU YOU'RE A NATURAL. 315 00:12:30,082 --> 00:12:34,020 OH! MR. MONK? 316 00:12:34,053 --> 00:12:35,288 WELL, WHY-- 317 00:12:35,322 --> 00:12:36,389 WHY DON'T WE THINK ABOUT IT? 318 00:12:36,423 --> 00:12:38,524 OKAY, I WILL. 319 00:12:41,028 --> 00:12:41,995 I JUST DID. I WANT TO DO IT! 320 00:12:42,028 --> 00:12:43,296 OH, MR. MONK, I'M SO SORRY, 321 00:12:43,330 --> 00:12:44,463 BUT I COULD REALLY USE THE MONEY, 322 00:12:44,496 --> 00:12:45,899 AND I THINK IT COULD BE FUN. 323 00:12:45,932 --> 00:12:47,868 THERE YOU GO. A STAR IS BORN! 324 00:12:47,900 --> 00:12:49,201 [stammering] 325 00:12:49,235 --> 00:12:51,871 D-D-DON'T WORRY. IT'S NOT GONNA CHANGE A THING. 326 00:12:51,904 --> 00:12:54,975 MY JOB WITH YOU ALWAYS COMES FIRST, I PROMISE. 327 00:12:55,008 --> 00:12:55,875 COME ON, WE'VE GOT A MILLION THINGS TO DO. 328 00:12:55,908 --> 00:12:57,509 WE GOTTA TALK TO THE PUBLICITY PEOPLE 329 00:12:57,543 --> 00:12:58,879 AND SET UP A PHOTO SHOOT. 330 00:12:58,912 --> 00:13:00,013 I HOPE YOUR AFTERNOON IS FREE... 331 00:13:00,047 --> 00:13:02,048 [muttering] 332 00:13:14,894 --> 00:13:24,937 [whispering] NATALIE. 333 00:13:24,937 --> 00:13:32,578 [whispering] NATALIE. 334 00:13:32,611 --> 00:13:35,048 OH, I HATE THAT PICTURE! 335 00:13:35,081 --> 00:13:37,850 I LIKE THE OTHER ONE BETTER. THE ONE ON THE TROLLEY CARS. 336 00:13:37,884 --> 00:13:38,885 WHAT DO YOU THINK? 337 00:13:38,918 --> 00:13:40,486 I DON'T KNOW. 338 00:13:40,519 --> 00:13:42,121 [laughing] OH, MY GOD, IT'S SO WEIRD 339 00:13:42,154 --> 00:13:44,290 SEEING MYSELF ON A BUS LIKE THAT. 340 00:13:44,323 --> 00:13:47,094 I MEAN, I CAN'T BELIEVE IT'S REALLY ME UP THERE. 341 00:13:47,126 --> 00:13:49,629 I CAN'T BELIEVE THIS IS REALLY HAPPENING. 342 00:13:49,662 --> 00:13:51,463 I CAN'T BELIEVE IT EITHER. 343 00:13:55,601 --> 00:13:58,638 I HATE TO BRING THIS UP, BUT WE HAVE WORK TO DO. 344 00:13:58,671 --> 00:14:01,441 REMEMBER, YOUR PREDECESSOR, MARISSA KESSLER. 345 00:14:01,474 --> 00:14:03,210 MURDER VICTIM. 346 00:14:03,243 --> 00:14:04,977 MULTIPLE STAB WOUNDS. DOES THAT RING A BELL? 347 00:14:05,011 --> 00:14:07,313 SORRY, SORRY. 348 00:14:07,346 --> 00:14:08,514 ALL RIGHT, RANDY AND THE CAPTAIN 349 00:14:08,548 --> 00:14:11,583 ARE PROBABLY ALREADY THERE. 350 00:14:11,618 --> 00:14:13,452 SHOULD BE JUST AROUND THE CORNER. 351 00:14:13,485 --> 00:14:15,587 IT'S NUMBER 24. 352 00:14:15,621 --> 00:14:17,024 24. 353 00:14:17,057 --> 00:14:18,557 24! 354 00:14:18,591 --> 00:14:19,392 24. 355 00:14:19,426 --> 00:14:22,361 ARE YOU DONE? SORRY, LET'S DO THIS. 356 00:14:22,394 --> 00:14:24,364 WHAT'S THE GUY NAME? 357 00:14:24,397 --> 00:14:26,298 HER--WHO WAS IT? HER EX-BOYFRIEND? 358 00:14:26,332 --> 00:14:27,333 NO! 359 00:14:27,366 --> 00:14:29,302 NO, THE EX-BOYFRIEND HAD AN ALIBI 360 00:14:29,336 --> 00:14:31,104 AND HE CHECKED--OH, GOD. 361 00:14:31,138 --> 00:14:33,306 THAT'S RIGHT, YOU WEREN'T AT THE MEETING THIS MORNING. 362 00:14:33,340 --> 00:14:35,174 BUT I HAD TO SHOP FOR A DRESS. 363 00:14:35,207 --> 00:14:37,443 I CAN'T WEAR THE SAME THING EVERY SHOW. 364 00:14:37,476 --> 00:14:39,511 I HAD TO WEAR THE SAME BLOUSE THREE TIMES LAST WEEK. 365 00:14:39,546 --> 00:14:40,513 THREE! 366 00:14:40,547 --> 00:14:42,115 THREE. 367 00:14:42,149 --> 00:14:44,551 THREE, TRES, THREE. 368 00:14:44,584 --> 00:14:46,253 HELLO. SORRY. 369 00:14:46,286 --> 00:14:47,687 JUST REMIND ME. 370 00:14:47,720 --> 00:14:49,621 ALL RIGHT, HIS NAME IS MALCOLM O'DWYER. 371 00:14:49,655 --> 00:14:52,359 HE'S SOME KIND OF LOTTERY FANATIC. 372 00:14:52,392 --> 00:14:54,094 WROTE A BUNCH OF FAN LETTERS 373 00:14:54,126 --> 00:14:56,263 TO MARISSA BEFORE SHE WAS KILLED. 374 00:14:56,296 --> 00:14:58,065 HEY! I'M A BIG FAN! 375 00:14:58,097 --> 00:14:59,532 THANK YOU VERY MUCH. 376 00:14:59,566 --> 00:15:01,100 NOT YOU. THE LOTTO GIRL. 377 00:15:01,134 --> 00:15:02,501 YOU'LL THANK ME LATER! 378 00:15:02,534 --> 00:15:05,205 [chuckles] 379 00:15:05,238 --> 00:15:06,639 THAT'S NOT ACTUALLY MY LINE. 380 00:15:06,673 --> 00:15:09,542 MR. MONK SAID IT FIRST! 381 00:15:09,576 --> 00:15:11,543 I THOUGHT THAT WAS YOU. IT'S YOU, RIGHT? 382 00:15:11,577 --> 00:15:14,246 YEAH, YES, IT IS. YEAH. 383 00:15:14,280 --> 00:15:16,349 NATALIE TEEGER. OH, MY GOD. 384 00:15:16,383 --> 00:15:18,551 I HATE TO BOTHER YOU. WOULD YOU MIND? 385 00:15:18,585 --> 00:15:20,419 REALLY DO HAVE TO-- OH, SURE. 386 00:15:20,452 --> 00:15:22,154 WE SHOULD-- WE SHOULD HEAD UP. 387 00:15:22,188 --> 00:15:23,389 MR. MONK, DO YOU MIND? 388 00:15:23,423 --> 00:15:24,423 CAPTAIN'S PROBABLY-- 389 00:15:24,456 --> 00:15:26,025 MR. MONK. 390 00:15:26,058 --> 00:15:28,461 BEND. BEND A LITTLE. 391 00:15:28,495 --> 00:15:30,096 BEND, PLEASE. 392 00:15:30,129 --> 00:15:31,398 [giggling] BEND. 393 00:15:32,599 --> 00:15:34,600 I NEVER KNOW WHAT TO SAY. 394 00:15:34,634 --> 00:15:36,568 I KNOW WHAT TO SAY. 395 00:15:36,602 --> 00:15:38,337 (Malcolm) DID I WRITE THOSE LETTERS? 396 00:15:38,370 --> 00:15:39,572 OF COURSE I WROTE THE LETTERS. 397 00:15:39,605 --> 00:15:41,474 MY NAME'S ON THEM. I'M NOT GONNA DENY THAT. 398 00:15:41,508 --> 00:15:42,709 DID YOU BOTHER READING THEM? 399 00:15:42,741 --> 00:15:43,743 YES, SIR, I HAVE. 400 00:15:43,775 --> 00:15:45,644 WELL, THEN YOU KNOW I DIDN'T THREATEN ANYBODY. 401 00:15:45,677 --> 00:15:47,713 I OFFERED THE PRODUCERS AND THE LOTTERY COMMISSIONER 402 00:15:47,746 --> 00:15:49,716 SOME CONSTRUCTIVE CRITICISM. 403 00:15:49,749 --> 00:15:51,118 I DON'T KNOW WHY THEY DON'T LISTEN TO ME. 404 00:15:51,150 --> 00:15:52,284 I KNOW MORE ABOUT THIS LOTTERY SYSTEM 405 00:15:52,318 --> 00:15:53,552 THAN ANY LIVING AMERICAN. 406 00:15:53,586 --> 00:15:55,288 I'M SURE YOU DO, MR. O'DWYER. 407 00:15:55,322 --> 00:15:58,057 IT'S NOT JUST A GAME. NOT TO ME. 408 00:15:58,091 --> 00:15:59,725 I CAN SEE THAT. 409 00:15:59,759 --> 00:16:02,162 WHERE WERE YOU A WEEK AGO MONDAY, SIR? 410 00:16:02,195 --> 00:16:03,529 A WEEK AGO MONDAY. 411 00:16:03,562 --> 00:16:08,134 THAT WOULD BE 4, 7, 23, 35, 44, 53. 412 00:16:08,168 --> 00:16:09,302 EXCUSE ME? 413 00:16:09,336 --> 00:16:11,138 I WAS HERE. 414 00:16:11,171 --> 00:16:12,672 LIKE ALWAYS... 415 00:16:12,705 --> 00:16:15,774 WATCHING A DRAWING. 416 00:16:15,807 --> 00:16:18,345 THREE PRIME NUMBERS! 417 00:16:18,378 --> 00:16:21,581 I DID NOT SEE THAT ONE COMING. 418 00:16:21,614 --> 00:16:23,716 DO OWN A PAIR OF SCISSORS, MR. O'DWYER? 419 00:16:23,750 --> 00:16:25,152 OF COURSE I DO. WHO DOESN'T? 420 00:16:25,184 --> 00:16:27,653 MAY I SEE THEM, PLEASE. 421 00:16:39,231 --> 00:16:41,201 HOW ABOUT SOME METALLIC PAINT? 422 00:16:41,234 --> 00:16:42,369 PAINT? 423 00:16:42,402 --> 00:16:45,038 YEAH, A SHADE CALLED TITANIUM BLACK. 424 00:16:46,505 --> 00:16:48,307 DO YOU THINK I KILLED MELISSA KESSLER? 425 00:16:48,341 --> 00:16:50,743 WELL, YOU DO HAVE HER PICTURE UP ALL OVER THE WALL? 426 00:16:50,777 --> 00:16:53,513 I'VE GOT EVERYBODY'S PICTURE UP ON THE WALL. 427 00:16:53,546 --> 00:16:56,515 I MEAN, THESE ARE THE PAST LOTTERY GIRLS. 428 00:16:56,548 --> 00:16:57,750 THE JACKPOT WINNERS. PEOPLE WHO WORK THERE. 429 00:16:57,783 --> 00:17:00,486 SECRETARIES, GAFFERS. THEY ALL KNOW ME. 430 00:17:00,519 --> 00:17:02,654 I'M A FREELANCE JOURNALIST. 431 00:17:02,688 --> 00:17:06,459 I, UH, PUBLISH A NEWSLETTER. LOTTO BULLETIN. 432 00:17:06,492 --> 00:17:09,628 YEAH, I'VE SEEN THAT. WHAT'S THIS? 433 00:17:09,662 --> 00:17:12,098 OH, THESE ARE SOME NUMBERS I'M THINKING OF PLAYING. 434 00:17:12,132 --> 00:17:13,566 OH, NO, MALCOLM, DON'T WORRY. 435 00:17:13,599 --> 00:17:14,634 NOBODY'S GONNA STEAL YOUR NUMBERS. 436 00:17:14,666 --> 00:17:16,269 WELL, YOU'D BE A FOOL NOT TO. 437 00:17:16,303 --> 00:17:18,605 THESE SIX NUMBERS AREN'T JUST CHOSEN AT RANDOM. 438 00:17:18,637 --> 00:17:20,140 THEY'RE MY OWN ALGORITHM 439 00:17:20,173 --> 00:17:22,108 BASED ON PROBABILITY, EMERGING NUMBER PATTERNS 440 00:17:22,142 --> 00:17:23,675 THE THEORIES OF SIR ISAAC NEWTON. 441 00:17:23,710 --> 00:17:26,078 ISAAC NEWTON. 442 00:17:26,113 --> 00:17:27,614 REALLY? 443 00:17:27,646 --> 00:17:29,848 THERE'S JUST SIX NUMBERS. YOU ONLY BUY ONE TICKET A WEEK? 444 00:17:29,882 --> 00:17:31,483 THAT'S ALL I NEED. 445 00:17:31,518 --> 00:17:33,619 HOW MANY DO YOU BUY? 446 00:17:33,653 --> 00:17:36,756 UM...WELL, IT DEPENDS. 447 00:17:36,788 --> 00:17:37,723 UM...20. 448 00:17:37,757 --> 00:17:40,192 [laughter] 449 00:17:40,227 --> 00:17:41,693 YOU'RE JUST SHOTGUNNING IT, HUH? 450 00:17:41,728 --> 00:17:43,395 ROOKIE MOVE. 451 00:17:43,430 --> 00:17:44,864 WELL, HOW MUCH HAVE YOU WON? 452 00:17:44,896 --> 00:17:47,233 HOW MUCH EVER OR HOW MUCH THIS YEAR? 453 00:17:47,267 --> 00:17:49,635 LET'S SAY EVER. 454 00:17:49,669 --> 00:17:50,702 ZERO. 455 00:17:50,737 --> 00:17:51,770 IT'S NOT JUST ABOUT WINNING OR LOSING. 456 00:17:51,804 --> 00:17:54,307 IT'S THE LOTTERY! 457 00:17:54,340 --> 00:17:55,875 IT'S ALL ABOUT WINNING. WHAT ELSE IS THERE? 458 00:17:55,907 --> 00:17:58,845 THE JOURNEY, CAPTAIN! 459 00:17:58,877 --> 00:18:01,480 IT'S HOW YOU GET THERE. 460 00:18:01,513 --> 00:18:04,151 I'D RATHER LOSE MY WAY 461 00:18:04,183 --> 00:18:06,752 THEN WIN A $20 MILLION JACKPOT YOUR WAY. 462 00:18:09,521 --> 00:18:11,624 OKAY. 463 00:18:11,657 --> 00:18:13,460 I THINK WE'RE THROUGH HERE. 464 00:18:16,195 --> 00:18:17,829 YOU THINK YOU'RE PRETTY CLEVER, 465 00:18:17,864 --> 00:18:18,865 DON'T YOU, MR. LOTTERY EXPERT? 466 00:18:18,897 --> 00:18:21,401 WELL, I'VE GOT NEWS FOR YOU. 467 00:18:21,433 --> 00:18:24,371 WE'VE GOT YOUR NUMBER. 468 00:18:28,875 --> 00:18:30,876 [exhales] 469 00:18:33,445 --> 00:18:35,914 MR. MONK. 470 00:18:35,948 --> 00:18:38,917 HEY. MOTHER OF MERCY. 471 00:18:38,951 --> 00:18:39,719 YEAH, WE WERE JUST LEAVING. 472 00:18:39,751 --> 00:18:42,588 I DON'T BLAME YOU. WHO IS THIS GUY? 473 00:18:42,622 --> 00:18:44,757 A VERY COLORFUL DEAD END. 474 00:18:44,790 --> 00:18:46,226 WHERE'S NATALIE? 475 00:18:46,259 --> 00:18:48,194 UH, SHE'S DOWNSTAIRS. 476 00:18:48,228 --> 00:18:50,329 OH, SHE'S SIGNING AUTOGRAPHS. 477 00:18:50,363 --> 00:18:51,798 YOU HATE THIS, DON'T YOU? 478 00:18:51,830 --> 00:18:53,665 WHAT? NATALIE GETTING ALL THE ATTENTION. 479 00:18:53,700 --> 00:18:55,402 NO, I'M HAPPY FOR HER. 480 00:18:55,434 --> 00:18:56,502 SURE YOU ARE. 481 00:18:56,536 --> 00:18:57,936 IT'S GOOD FOR HER. SHE DESERVES IT. 482 00:18:57,970 --> 00:18:58,738 IT'S LONG OVERDUE. 483 00:18:58,770 --> 00:19:01,941 IT'S DRIVING YOU CRAZY. I CAN TELL. 484 00:19:01,973 --> 00:19:04,176 YOU USED TO BE THE SUPERSTAR. NOW YOU'RE GARFUNKEL. 485 00:19:04,211 --> 00:19:07,279 I'M NOT...GARFUNKEL. 486 00:19:07,314 --> 00:19:09,582 YOU'RE GARFUNKEL, AND YOU CAN'T STAND IT. 487 00:19:09,615 --> 00:19:11,718 I'M NOT GARFUNKEL. 488 00:19:16,388 --> 00:19:18,857 I'M NOT GARFUNKEL. 489 00:19:18,891 --> 00:19:21,193 HMPH! 490 00:19:21,228 --> 00:19:23,496 CONGRATULATIONS TO ALL YOUR WINNERS. 491 00:19:23,529 --> 00:19:24,797 WE'LL SEE YOU MONDAY NIGHT 492 00:19:24,830 --> 00:19:26,965 FOR THE BIGGEST SUPER JACKPOT IN LOTTO HISTORY. 493 00:19:26,999 --> 00:19:30,369 $212 MILLION. 494 00:19:30,403 --> 00:19:31,938 I'M NATALIE TEEGER 495 00:19:31,971 --> 00:19:33,705 REMINDING EVERYBODY TO TRY YOUR LUCK. 496 00:19:33,740 --> 00:19:35,807 YOU'LL THANK ME LATER. [lottery theme playing] 497 00:19:35,842 --> 00:19:37,809 BYE-BYE. 498 00:19:37,844 --> 00:19:38,978 (director) AND WE'RE OUT. 499 00:19:39,010 --> 00:19:40,846 EDDIE, YOU DID IT AGAIN. 500 00:19:40,880 --> 00:19:42,382 PLEASE DON'T CUE THE MUSIC UNTIL I'M WAVING GOOD-BYE. 501 00:19:42,414 --> 00:19:45,451 SORRY. IT'S NOT ROCKET SCIENCE. 502 00:19:45,484 --> 00:19:46,952 STAN, THERE YOU ARE. DID YOU GET MY EMAIL? 503 00:19:46,986 --> 00:19:48,387 ABOUT? MY NEW IDEA. 504 00:19:48,421 --> 00:19:50,356 ABOUT ALL THE FAN LETTERS I'VE BEEN GETTING. 505 00:19:50,390 --> 00:19:51,990 I THOUGHT I COULD READ A FEW OF THEM ON THE AIR. 506 00:19:52,023 --> 00:19:53,625 WELL, I DON'T REALLY THINK WE HAVE TIME. 507 00:19:53,660 --> 00:19:54,861 OH, SURE WE HAVE TIME. 508 00:19:54,894 --> 00:19:55,862 I'LL JUST PICK THE LOTTO NUMBERS FASTER. 509 00:19:55,894 --> 00:19:57,497 WELL, YOU SEE, NATALIE, 510 00:19:57,529 --> 00:19:58,865 THE SHOW'S ABOUT THE NUMBERS. 511 00:19:58,897 --> 00:19:59,699 THAT'S WHY PEOPLE ARE WATCHING. 512 00:19:59,731 --> 00:20:01,768 IT'S NOT REALLY ABOUT YOU REALLY. 513 00:20:01,800 --> 00:20:03,702 REALLY? IS THAT WHAT YOU'RE HEARING? 514 00:20:03,736 --> 00:20:04,971 BECAUSE THAT'S NOT WHAT I'M HEARING. 515 00:20:05,003 --> 00:20:07,440 WHY DON'T WE DISCUSS THIS LATER? 516 00:20:07,473 --> 00:20:08,974 I'LL SEE YOU MONDAY. 517 00:20:12,578 --> 00:20:14,547 JEEZ! EXCUSE ME. 518 00:20:14,580 --> 00:20:16,282 DO THESE CABLES HAVE TO BE RIGHT HERE? 519 00:20:16,316 --> 00:20:17,549 YES, THEY DO. 520 00:20:17,584 --> 00:20:18,684 BECAUSE THEY CARRY YOUR VOICE 521 00:20:18,718 --> 00:20:20,386 FROM THIS MICROPHONE TO THAT SOUNDBOARD. 522 00:20:20,420 --> 00:20:21,421 WELL, CAN'T YOU PUT THEM SOMEPLACE ELSE? 523 00:20:21,453 --> 00:20:22,755 I ALMOST BROKE MY NECK. 524 00:20:22,788 --> 00:20:23,855 ALMOST DOESN'T COUNT. 525 00:20:23,890 --> 00:20:26,726 FINE, I'LL DO IT. 526 00:20:26,759 --> 00:20:27,859 OKAY, WHAT ARE YOU DOING? 527 00:20:27,894 --> 00:20:29,395 ARE YOU MENTAL? 528 00:20:29,429 --> 00:20:31,298 PUT IT DOWN, PUT IT DOWN. 529 00:20:31,330 --> 00:20:32,932 LET IT GO. I'M TAKING CARE OF IT. 530 00:20:32,964 --> 00:20:34,933 I GOT IT. PUT IT DOWN! 531 00:20:34,967 --> 00:20:35,968 BILLY, WHAT THE HELL ARE YOU DOING? 532 00:20:36,001 --> 00:20:37,569 STAN, I CAN'T WORK WITH THIS GUY. 533 00:20:37,604 --> 00:20:38,904 YOU CAN'T WORK WITH ME? 534 00:20:38,938 --> 00:20:39,971 WHO DO YOU THINK YOU ARE, LADY? 535 00:20:40,006 --> 00:20:41,973 I'VE BEEN HERE FOR EIGHT YEARS, 536 00:20:42,008 --> 00:20:43,809 AND YOU'RE JUST ANOTHER UNTALENTED PRETTY FACE. 537 00:20:43,843 --> 00:20:44,943 BILLY, CALM DOWN. 538 00:20:44,977 --> 00:20:45,845 UNTALENTED, HUH? 539 00:20:45,877 --> 00:20:46,945 THE RATINGS KEEP GOING UP EVERY NIGHT. 540 00:20:46,979 --> 00:20:48,381 HOW DO YOU EXPLAIN THAT? 541 00:20:48,414 --> 00:20:50,717 THE RATINGS GO UP WHEN THE JACKPOT GOES UP! 542 00:20:50,750 --> 00:20:52,018 IT HAS NOTHING TO DO WITH YOU, YOU MORON! 543 00:20:52,050 --> 00:20:54,052 BILLY, I'VE WARNED YOU BEFORE ABOUT YOUR ATTITUDE. 544 00:20:54,086 --> 00:20:55,887 THAT'S IT. YOU'RE OUT OF HERE. 545 00:20:55,922 --> 00:20:58,057 YOU'RE FIRED. SOMEBODY CALL SECURITY! 546 00:20:58,089 --> 00:20:59,057 WHAT? NO, NO, NO, FIRED? 547 00:20:59,090 --> 00:21:00,859 WAIT, NO, DON'T FIRE HIM. 548 00:21:00,893 --> 00:21:03,395 LOOK, SEE, I'M MOVING IT. I'M MOVING THE CABLE. 549 00:21:03,430 --> 00:21:04,596 YOU'RE TOO LATE, BILLY. GET HIM OUT OF HERE. 550 00:21:04,631 --> 00:21:05,865 STAN, STAN, DON'T DO THIS. 551 00:21:05,897 --> 00:21:07,733 PLEASE, NOT NOW, OKAY? COME ON, I'M SORRY. 552 00:21:07,767 --> 00:21:09,902 IT'S TOO LATE, BILLY. I'M APOLOGIZING! 553 00:21:09,935 --> 00:21:11,037 MR. LOGAN HAS BEEN TERMINATED. 554 00:21:11,069 --> 00:21:12,137 I DON'T WANT HIM BACK IN THE BUILDING. 555 00:21:12,171 --> 00:21:13,673 YOU MAKE SURE YOU GET HIS SECURITY PASS AND KEYS. 556 00:21:13,705 --> 00:21:14,540 GET HIM OUT OF HERE! 557 00:21:14,574 --> 00:21:16,675 STAN, LISTEN TO ME. IT WAS MY FAULT TOO. 558 00:21:16,709 --> 00:21:18,009 I TRIPPED OVER THE CABLE, I-- 559 00:21:18,044 --> 00:21:19,346 NATALIE, THIS IS NOT ABOUT YOU. 560 00:21:19,378 --> 00:21:21,012 I'VE BEEN WARNING THIS GUY ALL SUMMER. 561 00:21:21,047 --> 00:21:22,682 COME ON, PEOPLE. 562 00:21:22,714 --> 00:21:23,950 LET'S GET THAT STAGE RESET AND MAKE IT LOOK GOOD. 563 00:21:23,982 --> 00:21:26,353 BIG, BIG JACKPOT ON MONDAY. 564 00:21:32,090 --> 00:21:33,692 GARFUNKEL? 565 00:21:33,726 --> 00:21:35,060 YEAH, I'M PROBABLY THE BIGGEST GARFUNKEL 566 00:21:35,094 --> 00:21:35,927 WHO EVER LIVED. 567 00:21:35,961 --> 00:21:38,064 I MEAN, AFTER ALL I'VE DONE FOR HER. 568 00:21:38,096 --> 00:21:41,334 YOU KNOW, I GIVE HER MONEY ALMOST EVERY WEEK. 569 00:21:41,367 --> 00:21:43,603 BUT DOESN'T SHE WORK FOR YOU? 570 00:21:43,635 --> 00:21:47,539 THAT'S NOT THE...POINT EXACTLY. 571 00:21:47,574 --> 00:21:51,711 ADRIAN, NATALIE'S A HUMAN BEING. 572 00:21:51,743 --> 00:21:54,713 NOW ALL THIS ATTENTION CAN THROW A PERSON OFF-BALANCE, 573 00:21:54,747 --> 00:21:57,884 ESPECIALLY IF IT COMES SUDDENLY AND UNEXPECTEDLY. 574 00:21:57,916 --> 00:21:59,885 I ONCE WROTE A BOOK ON BODY LANGUAGE, 575 00:21:59,919 --> 00:22:00,987 AND IT--[chuckles] 576 00:22:01,019 --> 00:22:03,556 IT SPENT ALL OF THREE MINUTES ON THE BEST SELLER LIST. 577 00:22:03,589 --> 00:22:05,491 NOW I WAS VERY YOUNG, AND I'M SORRY TO SAY 578 00:22:05,525 --> 00:22:07,093 I BECAME A BIT OF A DIVA. 579 00:22:07,125 --> 00:22:08,861 I DIDN'T LIKE MYSELF VERY MUCH. 580 00:22:08,894 --> 00:22:11,130 OH, SO NOW YOU'RE ON HER SIDE. 581 00:22:11,163 --> 00:22:13,098 THE QUESTION IS WHY AREN'T YOU ON HER SIDE? 582 00:22:13,132 --> 00:22:15,101 WHY AREN'T YOU HAPPY FOR HER? 583 00:22:15,134 --> 00:22:16,769 NATALIE'S YOUR FRIEND. 584 00:22:16,803 --> 00:22:18,871 MAYBE YOU'RE AFRAID... 585 00:22:18,904 --> 00:22:20,138 SHE DOESN'T NEED YOU ANYMORE. 586 00:22:20,172 --> 00:22:21,140 MAYBE YOU'RE AFRAID OF LOSING HER. 587 00:22:21,173 --> 00:22:23,809 MAYBE I JUST FEEL INSULTED. 588 00:22:23,843 --> 00:22:25,144 INSULTED? 589 00:22:25,176 --> 00:22:26,445 WHAT I DO IS HARD. 590 00:22:26,479 --> 00:22:27,614 I AM OUT THERE. 591 00:22:27,646 --> 00:22:30,048 I AM SWEATING OUT EVERY CLUE. 592 00:22:30,082 --> 00:22:31,884 I'M PUTTING KILLERS BEHIND BARS. 593 00:22:31,917 --> 00:22:33,051 WHAT DOES SHE DO? 594 00:22:33,085 --> 00:22:36,122 WHAT DOES SHE DO?! 595 00:22:36,154 --> 00:22:38,525 91. 596 00:22:38,557 --> 00:22:40,926 NUMBER 91! 597 00:22:40,960 --> 00:22:41,961 91. 598 00:22:41,993 --> 00:22:43,496 NUMBER 91. 599 00:22:43,529 --> 00:22:44,931 91, NUMBER 9-- 600 00:22:44,963 --> 00:22:47,500 I MEAN, HOW HARD IS THAT? 601 00:22:47,534 --> 00:22:49,536 A TALKING MONKEY COULD DO HER JOB. 602 00:22:49,568 --> 00:22:50,769 IT'S EMBARRASSING. 603 00:22:50,802 --> 00:22:52,070 ACTUALLY, THAT'S 16. 604 00:22:52,104 --> 00:22:55,942 YOU'RE HOLDING IT UPSIDE DOWN. 605 00:22:55,974 --> 00:22:58,510 OH, IT'S CONFUSING. 606 00:22:58,545 --> 00:23:00,446 THERE'S USUALLY A LITTLE LINE UNDER THE NINE. 607 00:23:00,480 --> 00:23:02,582 IT GOES UNDER THE SIX. THE LINE GOES UNDER THE SIX. 608 00:23:02,615 --> 00:23:03,682 I'M PRETTY SURE IT'S THE NINE. 609 00:23:03,715 --> 00:23:04,817 IT'S NO BIG DEAL. 610 00:23:04,851 --> 00:23:06,152 I'VE SEEN IT MY WHOLE LIFE. 611 00:23:06,184 --> 00:23:08,186 I'VE NEVER SEEN IT UNDER THE SIX. 612 00:23:08,220 --> 00:23:09,055 WHY DON'T WE ASK NATALIE THEN? 613 00:23:09,087 --> 00:23:10,923 SHE'S THE EXPERT. 614 00:23:10,957 --> 00:23:11,990 OKAY, OKAY. 615 00:23:12,023 --> 00:23:14,926 BUT I SEE YOUR POINT. 616 00:23:14,961 --> 00:23:15,928 ABOUT THE MONKEY. 617 00:23:15,961 --> 00:23:17,829 LOOK, ALL I'M TRYING TO SAY IS 618 00:23:17,864 --> 00:23:19,699 IT'S NOT THE SAME NATALIE. 619 00:23:19,731 --> 00:23:22,134 IF YOU KNEW HER, YOU WOULDN'T KNOW HER. 620 00:23:22,167 --> 00:23:24,671 LAST NIGHT AFTER THE SHOW, SHE GOT SOMEBODY FIRED. 621 00:23:24,703 --> 00:23:27,473 REALLY? ONE OF THE CREW, THE SOUND GUY. 622 00:23:27,507 --> 00:23:28,941 THERE WERE SOME WIRES ON THE FLOOR. 623 00:23:28,974 --> 00:23:32,211 SHE WAS LIKE... [roaring and hissing] 624 00:23:32,243 --> 00:23:34,947 COMPLAINING AND-- 625 00:23:34,980 --> 00:23:36,182 I MEAN, I MET THE GUY WHEN I WAS-- 626 00:23:36,214 --> 00:23:38,183 HE WAS A NICE KID. 627 00:23:38,217 --> 00:23:40,019 NOW WHAT'S HE GONNA DO? 628 00:23:40,051 --> 00:23:42,188 WHAT'S HE GONNA DO? 629 00:23:42,221 --> 00:23:44,056 [muttering] 630 00:23:53,031 --> 00:23:55,501 WAIT. DON'T TELL ME. 631 00:23:55,535 --> 00:23:57,503 SOUND ENGINEER BILLY LOGAN, RIGHT? 632 00:23:57,537 --> 00:23:58,471 OH, MY--WHAT ARE YOU DOING HERE? 633 00:23:58,505 --> 00:24:01,007 OH, MY GOD, COME IN, COME IN, COME IN, COME IN! 634 00:24:01,039 --> 00:24:03,041 OH, I CAN'T BELIEVE THIS. 635 00:24:14,886 --> 00:24:16,855 YOU'VE BEEN TAKING PICTURES OF ME. 636 00:24:16,888 --> 00:24:18,790 YEAH, I THOUGHT I SAW YOU. 637 00:24:18,825 --> 00:24:20,527 I HOPE YOU DON'T MIND. 638 00:24:20,559 --> 00:24:22,094 THERE WAS NOTHING ON THE WEB SITE, 639 00:24:22,127 --> 00:24:24,130 SO I TOOK A FEW CANDIDS. 640 00:24:24,163 --> 00:24:27,967 UH, THEY'RE FOR THE NEXT ISSUE. 641 00:24:28,000 --> 00:24:30,702 CAST AND CREW AFTER-HOURS, BEHIND THE SCENES. 642 00:24:30,737 --> 00:24:33,172 WHILE I HAVE YOU HERE, 643 00:24:33,204 --> 00:24:37,476 I HAVE, UH, WELL, A COUPLE OF QUESTIONS. 644 00:24:40,712 --> 00:24:42,080 [sniffs] 645 00:24:42,114 --> 00:24:51,257 IT'S NOT YOUR LUCKY DAY. 646 00:24:51,289 --> 00:24:55,294 WHAT A SHAME. JUST A KID. 647 00:24:55,326 --> 00:24:57,564 AT LEAST HE DIDN'T HIT ANYBODY WHEN HE JUMPED. 648 00:24:57,596 --> 00:25:00,767 ARE WE SURE HE JUMPED? 649 00:25:03,335 --> 00:25:05,605 "TIRED OF LOSING." 650 00:25:05,637 --> 00:25:07,173 NOT MUCH OF A NOTE. 651 00:25:07,205 --> 00:25:09,141 BREVITY, THE SOUL OF WIT. 652 00:25:09,174 --> 00:25:10,308 BUT HE WAS A WRITER. 653 00:25:10,342 --> 00:25:13,880 LOOK AT ALL THESE LETTERS. 654 00:25:13,913 --> 00:25:17,616 NO, THERE'S SOMETHING WEIRD ABOUT THIS. 655 00:25:17,650 --> 00:25:18,817 [chuckles] MONK, LOOK AROUND YOU. 656 00:25:18,851 --> 00:25:20,787 THAT NOTE'S PROBABLY THE LEAST WEIRD THING 657 00:25:20,819 --> 00:25:22,221 IN THE WHOLE APARTMENT. 658 00:25:22,253 --> 00:25:24,222 THIS IS THE BIRTHPLACE OF WEIRD. 659 00:25:24,256 --> 00:25:25,557 BUT WHY TODAY? 660 00:25:25,592 --> 00:25:26,925 THIS GUY WAS A LOTTERY NUT. 661 00:25:26,959 --> 00:25:29,961 ISN'T TOMORROW NIGHT THE BIG JACKPOT? 662 00:25:29,996 --> 00:25:31,763 YEAH. 663 00:25:31,798 --> 00:25:33,799 YEAH, HE PROBABLY KNEW HE'D NEVER WIN, 664 00:25:33,833 --> 00:25:36,769 WHICH MAKES HIM A WHOLE LOT SMARTER THAN ME. 665 00:25:41,272 --> 00:25:42,741 WHAT DO YOU GOT? 666 00:25:42,775 --> 00:25:44,143 CONTACT LENS CASE. 667 00:25:46,979 --> 00:25:48,615 WITH ONLY ONE LENS. 668 00:25:48,647 --> 00:25:49,582 AHH! 669 00:25:51,282 --> 00:25:53,685 FLUID! IT'S FLUID! 670 00:25:53,720 --> 00:25:56,255 I NEED A WIPE. 671 00:25:56,288 --> 00:25:57,957 I DON'T HAVE A WIPE. 672 00:25:57,990 --> 00:26:02,327 G-GIVE ME A WIPE. JUST--I NEED A WIPE. 673 00:26:02,361 --> 00:26:04,296 WHERE'S NATALIE? 674 00:26:04,329 --> 00:26:05,632 (woman) I'M YOUR BIGGEST FAN. 675 00:26:05,664 --> 00:26:07,266 I NEVER MISS A SHOW. 676 00:26:07,298 --> 00:26:09,669 OH, THANK YOU. THAT MEANS A LOT. 677 00:26:09,701 --> 00:26:11,002 NATALIE, WHAT'S YOUR FAVORITE NUMBER? 678 00:26:11,037 --> 00:26:12,605 OH, MY GOSH, THERE'S SO MANY. 679 00:26:12,638 --> 00:26:14,673 MINE'S 19. THAT'S A GOOD ONE. 680 00:26:14,707 --> 00:26:15,942 DO YOU THINK IT'S GONNA COME UP ON THE SHOW TOMORROW? 681 00:26:15,974 --> 00:26:19,244 EXCUSE ME. OH, I'M SORRY, MR. MONK. I GOT A LITTLE DISTRACTED. 682 00:26:19,278 --> 00:26:23,015 IS THE CADAVER IN YOUR WAY? WE COULD-- 683 00:26:23,048 --> 00:26:24,616 WE COULD MOVE IT ACROSS THE STREET IF YOU LIKE. 684 00:26:24,651 --> 00:26:26,752 I'M SORRY. IT WON'T HAPPEN AGAIN. 685 00:26:26,786 --> 00:26:27,854 SO HOW DID IT GO UPSTAIRS? 686 00:26:27,886 --> 00:26:29,320 FINE. 687 00:26:29,355 --> 00:26:31,323 THAT YOUR BOYFRIEND? 688 00:26:31,356 --> 00:26:33,925 OH, NO, THIS IS MY BOSS. 689 00:26:33,960 --> 00:26:35,361 THIS IS ADRIAN MONK, 690 00:26:35,394 --> 00:26:37,262 WHO'S A HUGELY FAMOUS DETECTIVE. 691 00:26:37,296 --> 00:26:39,365 HE SOLVES HUGE-- NATALIE, WHO DOES YOUR HAIR? 692 00:26:39,397 --> 00:26:41,000 OH, GOD. 693 00:26:41,032 --> 00:26:43,702 WELL, UM, YOU TAKE YOUR TIME, OKAY. 694 00:26:43,736 --> 00:26:46,337 I'LL JUST BE OVER HERE AT THE CRIME SCENE 695 00:26:46,372 --> 00:26:48,307 IF ANYBODY'S INTERESTED. 696 00:26:48,339 --> 00:26:50,308 (woman) NATALIE, MY MOM'S IN THE HOSPITAL, 697 00:26:50,342 --> 00:26:51,877 AND IT WOULD MEAN SO MUCH TO HER 698 00:26:51,911 --> 00:26:53,244 IF YOU WOULD TAKE A PICTURE WITH ME. 699 00:26:53,278 --> 00:26:54,313 PLEASE? 700 00:26:54,346 --> 00:26:55,748 OKAY. THANKS. 701 00:26:58,884 --> 00:27:00,952 MURDER! 702 00:27:00,987 --> 00:27:03,955 OR SUICIDE. 703 00:27:03,990 --> 00:27:05,991 OR MURDER. 704 00:27:06,025 --> 00:27:08,861 IT'S A TOUGH CALL. 705 00:27:08,894 --> 00:27:10,797 YEAH, THIS IS A TOUGH ONE. 706 00:27:12,865 --> 00:27:15,166 IN MANY WAYS THIS REMINDS ME OF THE... 707 00:27:15,201 --> 00:27:16,836 KILLER ASTRONAUT CASE 708 00:27:16,868 --> 00:27:19,806 I SOLVED LAST YEAR. 709 00:27:19,838 --> 00:27:22,074 YOU PROBABLY READ ABOUT IT. 710 00:27:22,107 --> 00:27:25,344 HEY, MONK, LOOK AT THIS. 711 00:27:27,212 --> 00:27:29,248 HELLO! 712 00:27:29,280 --> 00:27:33,219 IT'S THE OTHER LENS. 713 00:27:33,251 --> 00:27:35,253 LOOKS LIKE YOU WERE RIGHT. 714 00:27:35,287 --> 00:27:38,758 NOBODY JUMPS AFTER PUTTING IN ONE CONTACT LENS. 715 00:27:38,790 --> 00:27:43,128 WANT ME TO PUT IT IN THIS EVIDENCE BAG? 716 00:27:43,162 --> 00:27:46,464 BAG NUMBER 32! 717 00:27:46,498 --> 00:27:48,734 HEY, 32! 718 00:27:48,768 --> 00:27:51,202 32! 719 00:27:51,237 --> 00:27:53,239 3-2! 720 00:27:53,271 --> 00:27:55,473 THIRRRTYYY-TWO! 721 00:27:55,507 --> 00:27:57,710 MR. MONK, ARE YOU MOCKING ME IN PUBLIC? 722 00:27:57,743 --> 00:27:59,345 I DON'T MAKE FUN OF YOUR JOB. 723 00:27:59,377 --> 00:28:01,313 THAT'S BECAUSE I HAVE A REAL JOB. 724 00:28:01,346 --> 00:28:02,848 I'M SOLVING A HOMICIDE HERE. 725 00:28:02,882 --> 00:28:04,450 WELL, I HAVE A REAL JOB TOO. 726 00:28:04,482 --> 00:28:06,786 I'M CHANGING PEOPLE'S LIVES. I'M MAKING THEM RICH. 727 00:28:06,818 --> 00:28:10,789 YOU ARE NOT MAKING THEM RICH. 728 00:28:10,823 --> 00:28:13,826 YOU'RE NOT GIVING THEM FINANCIAL ADVICE. 729 00:28:13,859 --> 00:28:15,027 YOU'RE JUST READING LITTLE NUMBERS 730 00:28:15,060 --> 00:28:17,229 OFF LITTLE WHITE PING PONG BALLS. 731 00:28:17,262 --> 00:28:18,765 AND IF IT WASN'T YOU, 732 00:28:18,798 --> 00:28:20,732 THEY'D JUST HIRE SOME OTHER BIM-- 733 00:28:20,767 --> 00:28:23,169 SOME OTHER WHAT? "BIM" WHAT? 734 00:28:26,538 --> 00:28:27,874 BIMPORTANT PERSON. 735 00:28:27,906 --> 00:28:30,241 MR. MONK, DO YOU THINK I'M A BIMBO? 736 00:28:30,276 --> 00:28:31,277 HEY, LOOK, I KNOW WHAT I DO 737 00:28:31,309 --> 00:28:33,511 ISN'T THE MOST BIMPORTANT JOB ON THE EARTH, 738 00:28:33,545 --> 00:28:34,814 BUT WHAT DO I DO FOR YOU? 739 00:28:34,846 --> 00:28:36,281 HAND YOU WIPES ALL DAY LONG. 740 00:28:36,315 --> 00:28:37,884 PICK UP YOUR LAUNDRY. 741 00:28:37,916 --> 00:28:39,852 YOU KNOW, PEOPLE ADMIRE ME NOW, 742 00:28:39,885 --> 00:28:41,353 AND I ADMIT IT, I AM ENJOYING THE ATTENTION. 743 00:28:41,386 --> 00:28:42,922 I GUESS I NEEDED IT. 744 00:28:42,954 --> 00:28:44,222 YEAH, WELL, I'M SORRY, 745 00:28:44,256 --> 00:28:48,827 BUT I CAN'T WORK LIKE THIS. 746 00:28:48,861 --> 00:28:50,863 SO YOU'RE GONNA HAVE TO CHOOSE. 747 00:29:00,906 --> 00:29:02,307 ALL RIGHT, THEN I GUESS I QUIT. 748 00:29:02,340 --> 00:29:05,111 THANK GOD! 749 00:29:05,144 --> 00:29:06,913 WELL, CALL THE STATION MANAGER. 750 00:29:06,945 --> 00:29:08,547 TELL HIM TO FIND SOMEBODY ELSE. 751 00:29:08,579 --> 00:29:11,217 NO, I QUIT YOU. 752 00:29:11,250 --> 00:29:13,251 I QUIT US. 753 00:29:28,000 --> 00:29:29,035 MONK, STOP CRYING. 754 00:29:29,067 --> 00:29:30,568 I DON'T KNOW WHERE SHE IS. 755 00:29:30,602 --> 00:29:33,572 IT'S GONNA BE OKAY. 756 00:29:33,605 --> 00:29:37,977 NO, NO, I CAN'T, MONK. I'M AT THE GYM. 757 00:29:38,009 --> 00:29:40,578 NO, YOU DON'T WANT TO COME DOWN HERE, BELIEVE ME. 758 00:29:40,612 --> 00:29:44,316 THERE ARE NAKED PEOPLE HERE. 759 00:29:44,349 --> 00:29:45,517 LOOK, I TELL YOU WHAT. 760 00:29:45,550 --> 00:29:46,885 I GOTTA WORK LATE TONIGHT. 761 00:29:46,919 --> 00:29:48,988 WHY DON'T YOU COME BY THE OFFICE. 762 00:29:49,020 --> 00:29:51,824 GOOD, OKAY. SEE YOU THEN. 763 00:30:21,420 --> 00:30:24,190 HELLO, EVERYBODY. I'M NATALIE TEEGER. 764 00:30:24,222 --> 00:30:25,991 WHO'S READY TO MAKE LOTTO HISTORY? 765 00:30:26,025 --> 00:30:30,930 OUR SUPER JACKPOT IS WORTH $212 MILLION. 766 00:30:30,962 --> 00:30:33,632 WHY DID I MAKE HER CHOOSE? 767 00:30:33,664 --> 00:30:35,034 OF COURSE SHE'D CHOOSE TO LEAVE. 768 00:30:35,067 --> 00:30:37,635 EVERYBODY LEAVES. FIRST MY FATHER. 769 00:30:37,669 --> 00:30:38,904 MONK, DON'T DO THIS NOW. 770 00:30:38,938 --> 00:30:40,572 THEN TRUDY. TRUDY DIDN'T LEAVE YOU. 771 00:30:40,605 --> 00:30:43,342 SHARONA AND DR. KROGER. 772 00:30:43,375 --> 00:30:44,977 I CAN'T BLAME NATALIE FOR LEAVING. 773 00:30:45,010 --> 00:30:46,913 I'D LEAVE ME TOO IF I HAD THE CHANCE. 774 00:30:46,945 --> 00:30:50,215 OH, I AM THE KING OF GARFUNKEL. 775 00:30:50,249 --> 00:30:51,951 I AM OOZING GARFUNKEL. 776 00:30:51,983 --> 00:30:53,618 (Randy) SHE'LL BE BACK MONK. 777 00:30:53,652 --> 00:30:55,221 SHE JUST NEEDS TIME TO COOL OFF. 778 00:30:55,253 --> 00:30:56,622 THAT'S RIGHT. 779 00:30:56,654 --> 00:30:57,890 SHE PROBABLY FEELS WORSE THAN YOU DO. 780 00:30:57,923 --> 00:31:01,292 OH, SHE LOOKS PRETTY HAPPY TO ME. 781 00:31:01,326 --> 00:31:02,461 OH, WOULD YOU JUST TURN IT OFF? 782 00:31:02,493 --> 00:31:04,063 PLEASE, THIS IS TOO PAINFUL. 783 00:31:04,096 --> 00:31:08,334 NO, NO, WAIT, DID SHE JUST SAY 15? 784 00:31:08,366 --> 00:31:10,602 I GOT FOUR NUMBERS HERE. 785 00:31:10,635 --> 00:31:12,971 (Natalie) OOH, OUR NEXT NUMBER IS 33. 786 00:31:13,005 --> 00:31:15,307 3-3, SO NICE THEY NAMED IT TWICE. 787 00:31:15,340 --> 00:31:16,976 OH, MY GOD. 788 00:31:17,009 --> 00:31:19,144 OKAY, ALL RIGHT, I CAN'T STAND IT ANYMORE, ALL RIGHT? 789 00:31:19,178 --> 00:31:25,550 AND OUR FINAL NUMBER FOR $212 MILLION IS... 790 00:31:25,584 --> 00:31:28,253 54. 791 00:31:28,287 --> 00:31:29,922 54. 792 00:31:29,955 --> 00:31:32,290 54. 793 00:31:32,324 --> 00:31:37,363 54! 794 00:31:37,395 --> 00:31:40,332 MAKING TONIGHT'S FINAL GOLD RUSH NUMBERS... 795 00:31:40,365 --> 00:31:43,602 25, 62, 12, 15, 33, AND 54, 796 00:31:43,634 --> 00:31:47,673 15, 33 AND 54. 797 00:31:47,705 --> 00:31:51,242 [laughter] 798 00:31:51,277 --> 00:31:53,945 OH, MY DEAR LORD! 799 00:31:53,980 --> 00:31:56,214 ALL DAY I HAD THIS FEELING. 800 00:31:56,248 --> 00:31:58,084 CONGRATULATIONS. 801 00:31:58,116 --> 00:31:59,951 ARE YOU GONNA QUIT? 802 00:31:59,986 --> 00:32:01,353 WHAT? YOU KIDDING? 803 00:32:01,386 --> 00:32:02,688 I QUIT 30 SECONDS AGO 804 00:32:02,721 --> 00:32:05,023 WHEN THE 54 BALL POPPED OUT OF THE DRUM. 805 00:32:05,057 --> 00:32:08,660 [laughing louder] 806 00:32:08,693 --> 00:32:11,063 COME HERE, YOU BIG BEAUTIFUL 807 00:32:11,096 --> 00:32:13,065 NO LONGER HYPOTHETICAL BOAT! 808 00:32:13,098 --> 00:32:14,099 MWAH! 809 00:32:14,133 --> 00:32:15,067 [chuckling] 810 00:32:15,101 --> 00:32:19,570 RANDY, DO YOU STILL HAVE THOSE STUDENT LOANS? 811 00:32:19,605 --> 00:32:21,173 YEAH, I GOT EIGHT MORE YEARS. 812 00:32:21,207 --> 00:32:22,673 NOT ANYMORE! 813 00:32:22,708 --> 00:32:25,144 NO WAY. NO WAY, I LOVE YOU! 814 00:32:25,176 --> 00:32:28,079 YES, OH, THANK YOU! OH, THANK YOU. 815 00:32:28,114 --> 00:32:31,250 I DON'T BELIEVE IT. WAIT, WAIT, 200 WHAT? 816 00:32:31,282 --> 00:32:34,619 $212 MILLION! 817 00:32:34,653 --> 00:32:36,721 I GOTTA CALL MY KIDS. 818 00:32:36,755 --> 00:32:37,990 I GOTTA FIND A GOOD ACCOUNTANT. 819 00:32:38,023 --> 00:32:40,291 HEY, I CAN BUY A GOOD ACCOUNTANT. 820 00:32:40,326 --> 00:32:42,094 I CAN BUY 20 GOOD ACCOUNTANTS! 821 00:32:42,127 --> 00:32:43,628 I HIT THE JACKPOT! CAPTAIN JUST WON THE LOTTERY! 822 00:32:54,039 --> 00:32:56,375 EVERYBODY LEAVES. 823 00:33:24,269 --> 00:33:25,570 MR. MONK, I'M SORRY. 824 00:33:25,604 --> 00:33:27,306 I DIDN'T KNOW WHERE ELSE TO GO. 825 00:33:27,338 --> 00:33:30,342 WHAT HAPPENED? ARE YOU OKAY? 826 00:33:30,375 --> 00:33:32,677 YOU HAVEN'T HEARD? WHAT? 827 00:33:32,711 --> 00:33:35,080 WHAT TIME IS IT? 828 00:33:35,114 --> 00:33:36,548 5:00, ONE MINUTE AFTER. 829 00:33:36,582 --> 00:33:38,049 TURN ON THE NEWS. 830 00:33:38,084 --> 00:33:40,719 WH-WHAT CHANNEL? ANY CHANNEL. 831 00:33:40,751 --> 00:33:44,256 (female reporter) A MAJOR SCANDAL INVOLVING THE GOLD RUSH LOTTERY. 832 00:33:44,289 --> 00:33:45,391 AS WE TOLD YOU THIS MORNING, 833 00:33:45,423 --> 00:33:46,657 THERE WERE TWO WINNERS 834 00:33:46,692 --> 00:33:47,792 IN LAST NIGHT'S JACKPOT GIVEAWAY. 835 00:33:47,826 --> 00:33:52,064 EUGENE MADDOX, A TRUCK DRIVER FROM ROCKAWAY TOWNSHIP, 836 00:33:52,097 --> 00:33:54,599 AND LELAND STOTTLEMEYER, A HIGHLY DECORATED OFFICER 837 00:33:54,633 --> 00:33:56,268 WITH THE SAN FRANCISCO POLICE. 838 00:33:56,301 --> 00:33:59,070 NOW ACCORDING TO THE RULES, THESE TWO MEN WOULD SPLIT 839 00:33:59,105 --> 00:34:01,573 THE $212 MILLION GRAND PRIZE. 840 00:34:01,606 --> 00:34:02,773 MR. MADDOX, WHAT DO YOU DO FOR A LIVING? 841 00:34:02,807 --> 00:34:05,176 YESTERDAY I WAS UNEMPLOYED. 842 00:34:05,211 --> 00:34:06,412 TODAY, I GUESS I'M RETIRED. 843 00:34:06,444 --> 00:34:08,679 [laughing] THAT MAKES TWO OF US, BROTHER. 844 00:34:08,713 --> 00:34:10,282 (reporter) BUT IN A STUNNING DEVELOPMENT THIS MORNING, 845 00:34:10,315 --> 00:34:14,085 THE LOTTERY COMMISSIONER SUSPENDED ALL PAYMENT 846 00:34:14,119 --> 00:34:16,255 TO CAPTAIN STOTTLEMEYER AFTER IT WAS REVEALED 847 00:34:16,288 --> 00:34:17,389 THAT STOTTLEMEYER HAS KNOWN 848 00:34:17,422 --> 00:34:20,092 AND WORKED WITH NATALIE TEEGER, 849 00:34:20,126 --> 00:34:21,492 THE NEWLY-HIRED LOTTO BALL GIRL. 850 00:34:21,527 --> 00:34:24,295 THERE IS A NEWS CONFERENCE 851 00:34:24,329 --> 00:34:25,764 THEY SAID WE CHEATED. 852 00:34:25,797 --> 00:34:28,266 WHY? JUST BECAUSE YOU KNOW THE CAPTAIN? 853 00:34:28,300 --> 00:34:31,802 I MEAN, IT LOOKS BAD, BUT IT'S NOT IMPOSSIBLE-- 854 00:34:31,836 --> 00:34:33,672 NO, IT'S NOT JUST THAT. THEY SAID THEY HAVE PROOF. 855 00:34:33,704 --> 00:34:35,141 THEY CHECKED THE EQUIPMENT. 856 00:34:35,173 --> 00:34:37,608 THERE WAS SOMETHING WRONG WITH THE MACHINE. 857 00:34:37,643 --> 00:34:40,112 IT WAS RIGGED. RIGGED. 858 00:34:40,146 --> 00:34:43,414 THEY SAID I'M GOING TO JAIL. 859 00:34:43,449 --> 00:34:46,251 MR. MONK, I SORRY I SAID I QUIT, I'M SORRY. 860 00:34:46,284 --> 00:34:48,887 OKAY, OKAY. 861 00:34:48,920 --> 00:34:51,123 YOU HAVE TO HELP ME. 862 00:35:03,302 --> 00:35:07,338 GOOD MORNING, MS. TEEGER, CAPTAIN. 863 00:35:07,373 --> 00:35:09,208 YOU AND YOUR FRIEND MR. MONK WANTED TO SEE 864 00:35:09,240 --> 00:35:10,742 WHAT EVIDENCE WE HAD. YEAH. 865 00:35:10,775 --> 00:35:12,210 WELL, HERE IT IS. 866 00:35:12,244 --> 00:35:13,579 BEFORE WE BEGIN, IS THERE ANYTHING 867 00:35:13,612 --> 00:35:15,547 YOU WANT TO SAY TO THE LOTTERY COMMISSIONER? 868 00:35:15,581 --> 00:35:17,382 YEP. 869 00:35:17,416 --> 00:35:19,751 I'M NOT A CHEATER. NEITHER IS NATALIE. 870 00:35:19,784 --> 00:35:20,885 THAT'S ALL I HAVE TO SAY. 871 00:35:20,918 --> 00:35:22,788 WELL, I'M AFRAID WE CAN PROVE OTHERWISE, 872 00:35:22,820 --> 00:35:24,456 CAPTAIN STOTTLEMEYER. 873 00:35:24,489 --> 00:35:26,757 AFTER THE DRAWING, WE RECEIVED A PHONE CALL. 874 00:35:26,791 --> 00:35:27,826 AN ANONYMOUS TIP. 875 00:35:27,858 --> 00:35:29,628 I ASKED MR. LAWRENCE TO CHECK IT OUT. 876 00:35:29,661 --> 00:35:32,197 I REVIEWED THE TAPE FROM MONDAY NIGHT'S SHOW. 877 00:35:32,231 --> 00:35:33,398 I DIDN'T SEE ANYTHING SUSPICIOUS, 878 00:35:33,431 --> 00:35:35,534 SO WE EXAMINED THE MACHINE ITSELF. 879 00:35:35,567 --> 00:35:37,168 WE EXAMINED THE BALLS. 880 00:35:37,202 --> 00:35:39,371 WE MEASURED THEM. WE WEIGHED THEM. 881 00:35:39,405 --> 00:35:40,606 WE WERE BOUNCING THEM, 882 00:35:40,639 --> 00:35:41,940 AND EVERYTHING SEEMED PERFECTLY NORMAL. 883 00:35:41,972 --> 00:35:44,309 SO WHAT'S THE PROBLEM? 884 00:35:44,342 --> 00:35:46,878 THIS IS THE PROBLEM. 885 00:36:17,275 --> 00:36:18,244 THE SAME NUMBERS? 886 00:36:18,277 --> 00:36:19,277 THE SAME NUMBERS. 887 00:36:19,311 --> 00:36:21,413 BUT THAT'S NOT POSSIBLE. 888 00:36:21,447 --> 00:36:23,614 THAT'S WHAT WE THOUGHT. SO WE TRIED AGAIN. 889 00:36:23,648 --> 00:36:25,916 AND AGAIN. AND AGAIN. 890 00:36:25,951 --> 00:36:28,219 AND THE SAME SIX NUMBERS KEPT POPPING UP. 891 00:36:28,253 --> 00:36:29,288 NOT ALWAYS IN THE SAME ORDER, 892 00:36:29,320 --> 00:36:31,356 BUT THEY VERY SAME NUMBERS. 893 00:36:31,389 --> 00:36:35,760 HOW DID THAT HAPPEN? 894 00:36:35,793 --> 00:36:37,596 THEY'RE VERY LUCKY NUMBERS. 895 00:36:37,628 --> 00:36:40,398 METALLIC PAINT. 896 00:36:40,431 --> 00:36:43,434 VERY GOOD, MR. MONK. 897 00:36:43,469 --> 00:36:44,769 WE TOOK A CLOSER LOOK. 898 00:36:44,802 --> 00:36:47,505 THE NUMBERS ON THESE SIX BALLS, 899 00:36:47,539 --> 00:36:49,375 AND ONLY THESE SIX BALLS, 900 00:36:49,407 --> 00:36:52,277 WERE PAINTED WITH METAL-BASED PAINT. 901 00:36:52,311 --> 00:36:53,878 ALL THE OTHERS ARE ACRYLIC-BASED. 902 00:36:53,911 --> 00:36:56,315 THERE'S A MAGNET IN THE MICROPHONE. 903 00:36:56,347 --> 00:36:58,516 RIGHT AGAIN, MR. MONK. 904 00:36:58,550 --> 00:37:00,918 (Lawrence) AN ELECTROMAGNET, BATTERY-OPERATED. 905 00:37:00,952 --> 00:37:02,688 STRONG ENOUGH TO PULL THESE SIX BALLS 906 00:37:02,721 --> 00:37:05,456 AND ONLY THESE BALLS UP THE CHUTE. 907 00:37:05,490 --> 00:37:06,757 WELL, WE DIDN'T PUT THAT THERE. 908 00:37:06,791 --> 00:37:10,429 OH, MS. TEEGER, PLEASE. DON'T INSULT US. 909 00:37:10,461 --> 00:37:12,431 YOU STARTED WORKING HERE TWO WEEKS AGO. 910 00:37:12,463 --> 00:37:14,400 YOU HAD ACCESS TO THE EQUIPMENT. 911 00:37:14,432 --> 00:37:16,402 SUDDENLY YOUR FRIEND WINS WHAT? 912 00:37:16,434 --> 00:37:18,036 $106 MILLION. 913 00:37:18,068 --> 00:37:21,873 I SUGGEST YOU BOTH GET GOOD LAWYERS. 914 00:37:23,509 --> 00:37:25,277 MONK? 915 00:37:25,311 --> 00:37:30,849 HEY, MONK YOU GOT ANYTHING? 916 00:37:30,882 --> 00:37:31,949 THERE WERE TWO WINNERS. 917 00:37:31,983 --> 00:37:33,018 WHAT HAPPENED TO THE OTHER MAN? 918 00:37:33,050 --> 00:37:34,052 THE TRUCK DRIVER. 919 00:37:34,085 --> 00:37:35,454 (Commissioner) EUGENE MADDOX. 920 00:37:35,487 --> 00:37:37,456 WE'VE ALREADY TALKED TO HIS LAWYERS. 921 00:37:37,489 --> 00:37:38,423 HE'S AGREED NOT TO SUE US 922 00:37:38,456 --> 00:37:40,525 IN EXCHANGE FOR A RATHER GENEROUS SETTLEMENT. 923 00:37:43,994 --> 00:37:46,632 I'M SURE HE DID. 924 00:37:46,664 --> 00:37:48,967 WAITER, YO! 925 00:37:49,000 --> 00:37:51,570 THERE'S SOMETHING WRONG WITH MY GLASS. 926 00:37:51,603 --> 00:37:52,637 IT'S EMPTY! 927 00:37:52,670 --> 00:37:54,072 YOU KNOW WHAT? [laughter] 928 00:37:54,105 --> 00:37:55,306 HELL, JUST BRING THE WHOLE BOTTLE 929 00:37:55,340 --> 00:37:56,474 AND CHARGE IT TO THE ROOM. 930 00:37:56,507 --> 00:37:59,311 I'M AFRAID YOU CAN'T AFFORD IT, BILLY. 931 00:37:59,344 --> 00:38:00,612 THINK YOU GUYS WON THE JACKPOT? 932 00:38:00,646 --> 00:38:02,380 WE GOT NEWS FOR YOU, BILLY. 933 00:38:02,414 --> 00:38:04,315 WE GOT YOUR NUMBERS. 934 00:38:04,349 --> 00:38:06,016 NUMBER--NUMBERS-- WE GOT YOUR NUMBER. 935 00:38:06,050 --> 00:38:07,518 NUMBERS? 936 00:38:07,552 --> 00:38:09,454 WILL YOU GIRLS EXCUSE US FOR A MINUTE? 937 00:38:14,393 --> 00:38:16,027 SO YOU GUYS ARE OLD FRIENDS? 938 00:38:16,061 --> 00:38:18,463 NO, NO. WE JUST MET AT THE BAR. 939 00:38:18,496 --> 00:38:20,565 YEAH, I RECOGNIZED HIM FROM TV. 940 00:38:20,599 --> 00:38:21,900 I WENT OVER AND SAID HELLO. WHAT WAS YOUR NAME AGAIN? 941 00:38:21,932 --> 00:38:24,068 BILLY, DON'T BOTHER. WE'VE ALREADY CHECKED. 942 00:38:24,101 --> 00:38:25,503 YOU'VE GUYS HAVE KNOWN EACH OTHER FOR YEARS. 943 00:38:25,536 --> 00:38:27,373 YOU'VE WORKED ON FIVE MOVIES TOGETHER. 944 00:38:27,405 --> 00:38:31,443 I KNEW I'D SEEN THIS LOGO SOMEWHERE BEFORE. 945 00:38:31,476 --> 00:38:34,880 AT THE PRESS CONFERENCE. IT WAS ON YOUR FRIEND'S JACKET. 946 00:38:34,913 --> 00:38:37,382 THAT'S THE CLUE THAT CAPPED THE CASE. 947 00:38:37,416 --> 00:38:39,083 THAT'S NOT EVEN A REAL PHRASE. 948 00:38:39,117 --> 00:38:40,518 IT'S ALL OVER, BILLY. 949 00:38:40,552 --> 00:38:42,387 WE KNOW WHY YOU KILLED MARISSA KESSLER. 950 00:38:42,420 --> 00:38:47,025 THE PAINT WE FOUND ON HER FINGERTIPS TOLD THE WHOLE STORY. 951 00:38:47,057 --> 00:38:49,360 THAT NIGHT AFTER THE SHOW, 952 00:38:49,394 --> 00:38:52,398 SHE MUST'VE CAUGHT YOU RIGGING THE EQUIPMENT. 953 00:38:52,431 --> 00:38:55,601 (Randy) LOOKS LIKE YOU PAINTED YOURSELF INTO A CORNER. 954 00:38:55,634 --> 00:38:56,768 (Stottlemeyer) RANDY. 955 00:38:56,802 --> 00:38:59,704 YOU THINK I RIGGED THE SUPER JACKPOT? 956 00:38:59,737 --> 00:39:01,706 THAT'S RIGHT. 957 00:39:01,739 --> 00:39:04,610 IT'S--OKAY, IF I RIGGED THE LOTTERY, 958 00:39:04,643 --> 00:39:06,711 IF--IF I'M SO SMART, WHY WOULD I LET 959 00:39:06,744 --> 00:39:08,414 THIS HAMMERHEAD WIN HALF THE MONEY? 960 00:39:08,447 --> 00:39:11,016 YOU DIDN'T WANT TO, YOU DIDN'T PLAN ON IT, 961 00:39:11,048 --> 00:39:12,451 BUT YOU GOT FIRED. 962 00:39:12,483 --> 00:39:13,719 WELL, BECAUSE OF HER. 963 00:39:13,751 --> 00:39:14,885 HEY, THERE WERE CABLES ON THE FLOOR. 964 00:39:14,920 --> 00:39:16,021 SOMEBODY COULD'VE GOTTEN KILLED. 965 00:39:16,054 --> 00:39:18,423 THEY WERE DUCT TAPED DOWN. NOBODY WAS TRIPPING ON IT. 966 00:39:18,456 --> 00:39:19,858 OKAY, OKAY. 967 00:39:19,891 --> 00:39:21,059 I TOLD YOU ABOUT HER. 968 00:39:21,092 --> 00:39:22,927 CAN WE FOCUS HERE? 969 00:39:22,960 --> 00:39:24,596 YOUR PLAN WAS ALREADY IN MOTION. 970 00:39:24,630 --> 00:39:26,597 YOU PUT THE GIZMO IN THE MICROPHONE, 971 00:39:26,632 --> 00:39:28,967 BUT GETTING FIRED RUINED EVERYTHING. 972 00:39:29,000 --> 00:39:30,902 THEY ESCORTED YOU OUT OF THE STUDIO. 973 00:39:30,936 --> 00:39:32,903 THEY TOOK YOUR SECURITY PASS, 974 00:39:32,938 --> 00:39:34,105 AND YOU COULDN'T GET BACK IN. 975 00:39:34,139 --> 00:39:36,807 YOU HAD A PROBLEM, BILLY. A REAL DILEMMA. 976 00:39:36,842 --> 00:39:38,443 IS THAT RIGHT? 977 00:39:38,476 --> 00:39:40,512 YEAH, YOU KNEW THE SIX NUMBERS THAT WERE GOING TO HIT. 978 00:39:40,545 --> 00:39:41,346 BUT THEN WHAT? 979 00:39:41,378 --> 00:39:42,914 YOU WERE LOCKED OUT OF THE BUILDING. 980 00:39:42,947 --> 00:39:44,983 YOU COULDN'T JUST TURN THE MAGNET OFF. 981 00:39:45,016 --> 00:39:47,485 YOU KNEW THE SAME NUMBERS WERE GONNA KEEP 982 00:39:47,518 --> 00:39:48,853 COMING UP NIGHT AFTER NIGHT. 983 00:39:48,887 --> 00:39:51,489 AFTER FOUR OR FIVE TIMES, SOMEBODY WOULD'VE NOTICED. 984 00:39:51,523 --> 00:39:53,458 YEAH, THEY'D FIND THE MAGNET. 985 00:39:53,492 --> 00:39:54,826 YOU'D BE THE FIRST AND ONLY SUSPECT, 986 00:39:54,860 --> 00:39:57,896 SO YOU FRAMED US. 987 00:39:57,929 --> 00:39:59,565 DO YOU HAVE ANY IDEA WHAT YOU DID TO THIS MAN? 988 00:39:59,597 --> 00:40:02,501 THIS MAN HAS NOTHING. 989 00:40:02,534 --> 00:40:05,436 HIS--HIS WIFE LEFT HIM. HIS GIRLFRIEND IS IN JAIL, 990 00:40:05,471 --> 00:40:07,438 AND HE'S BEEN LIVING IN A RATTY LITTLE CONDO. 991 00:40:07,472 --> 00:40:08,639 THANK YOU, RANDY. 992 00:40:08,673 --> 00:40:09,775 HE'S BEEN LOOKING AT A SAD LITTLE PICTURE 993 00:40:09,807 --> 00:40:11,577 OR A BOAT ON A WALL FOR 11 YEARS, 994 00:40:11,610 --> 00:40:12,911 AND YOU GAVE HIM HOPE, 995 00:40:12,943 --> 00:40:14,179 AND THEN YOU RIPPED HIS HEART OUT. 996 00:40:14,211 --> 00:40:15,514 RANDY. 997 00:40:15,547 --> 00:40:17,215 FOR THAT, YOU'RE GONNA BURN IN HELL. 998 00:40:17,248 --> 00:40:18,650 THAT AND A HOMICIDE. 999 00:40:18,684 --> 00:40:20,518 ACTUALLY, TWO HOMICIDES. 1000 00:40:20,552 --> 00:40:21,519 DON'T FORGET THE LOTTERY FANATIC 1001 00:40:21,552 --> 00:40:24,021 WHO HAD A PICTURE OF THEM BOTH TOGETHER. 1002 00:40:24,054 --> 00:40:26,625 I THINK WE'RE DONE HERE. 1003 00:40:26,657 --> 00:40:28,092 YOU TWO ARE UNDER ARREST. STAND UP. 1004 00:40:32,831 --> 00:40:34,632 GLAD YOU LIKE NUMBERS, BILLY, 1005 00:40:34,666 --> 00:40:35,967 'CAUSE YOU'RE GONNA BE WEARING SOME NUMBERS ON YOUR SHIRT. 1006 00:40:36,001 --> 00:40:37,202 IS THAT RIGHT? 1007 00:40:37,235 --> 00:40:38,503 THEY'RE NOT GONNA BE LOTTO NUMBERS. 1008 00:40:38,536 --> 00:40:39,505 I GET IT. 1009 00:40:39,538 --> 00:40:40,639 BECAUSE YOU'RE GOING TO PRISON. 1010 00:40:40,672 --> 00:40:41,739 I GET IT. 1011 00:40:41,773 --> 00:40:42,773 YOU HAVE THE RIGHT TO REMAIN SILENT. 1012 00:40:42,807 --> 00:40:44,809 I WILL IF YOU WILL. 1013 00:41:02,594 --> 00:41:03,961 (Monk) OH, YOU MISS IT, DON'T YOU? 1014 00:41:03,994 --> 00:41:05,996 (Natalie) MORE THAN YOU KNOW. 1015 00:41:06,030 --> 00:41:08,266 NO, I HAVE THE BEST JOB IN THE WORLD RIGHT HERE. 1016 00:41:08,298 --> 00:41:10,835 I'M PROUD TO BE YOUR GARFUNKEL, MR. MONK. 1017 00:41:10,869 --> 00:41:12,170 YOU KNOW, WE CAN BE GARFUNKELS. 1018 00:41:12,202 --> 00:41:13,704 A COUPLE OF GARFUNKELS. 1019 00:41:13,739 --> 00:41:15,706 YEAH, MAYBE. THERE'S NO LAW AGAINST IT. 1020 00:41:15,740 --> 00:41:17,643 YEAH. 1021 00:41:17,675 --> 00:41:19,210 DO YOU KNOW WHO GARFUNKEL IS? 1022 00:41:19,244 --> 00:41:22,047 SURE, HE'S A CARTOON CAT. HE HATES MONDAYS. 1023 00:41:22,079 --> 00:41:24,516 NO, THAT'S GARFIELD. THIS IS GARFUNKEL. 1024 00:41:24,550 --> 00:41:25,884 OH, GARFUNKEL RIGHT. 1025 00:41:25,916 --> 00:41:27,818 THAT THE THING MY GRANDMOTHER HAD ON HER NECK. 1026 00:41:27,853 --> 00:41:29,219 [laughing] NO, HE'S A SINGER. 1027 00:41:29,253 --> 00:41:30,755 SIMON AND GARFUNKEL. 1028 00:41:30,789 --> 00:41:32,724 OH, RIGHT! THE CHIPMUNKS. 1029 00:41:32,757 --> 00:41:33,958 NO, NOT THE CHIPMUNKS. 1030 00:41:33,992 --> 00:41:36,862 BRIDGE OVER TROUBLED WATER. MRS. ROBINSON. 1031 00:41:36,894 --> 00:41:38,228 WHAT ARE YOU TALKING ABOUT? 1032 00:41:38,262 --> 00:41:39,831 THEIR SONGS. FEELIN' GROOVY. 1033 00:41:39,864 --> 00:41:41,766 [snapping fingers] OH, SO THEY'RE HIPPIES. 1034 00:41:41,800 --> 00:41:44,001 YEAH, I GUESS SO. CARTOON HIPPIES. 1035 00:41:44,034 --> 00:41:46,003 NO, NOT CARTOON HIPPIES. MR. MONK! 1036 00:41:46,036 --> 00:41:46,103 Captioning by CaptionMax www.captionmax.com 71069

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