All language subtitles for Monk S07E01 Mr. Monk Buys a House [1080p x265 10bit Joy]

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These are the user uploaded subtitles that are being translated: 1 00:00:03,003 --> 00:00:05,639 (Nurse Drake) OH, HE STARTED HIS NEW MEDICATION THIS MORNING 2 00:00:05,673 --> 00:00:07,775 AND IT'S ALREADY MADE A BIG DIFFERENCE. 3 00:00:07,807 --> 00:00:09,109 [laughs] 4 00:00:09,143 --> 00:00:10,743 OH, HE CAN'T WAIT TO SEE YOU TOO. 5 00:00:10,778 --> 00:00:13,246 YEAH, HE'S HAVING A VERY GOOD DAY. 6 00:00:13,281 --> 00:00:15,182 [muttering] 7 00:00:15,215 --> 00:00:17,251 OH...OH, YOU MEAN TODAY? 8 00:00:18,318 --> 00:00:19,387 OH, NO, NO, THAT'S FINE. 9 00:00:19,420 --> 00:00:20,620 THAT'D BE GREAT. 10 00:00:20,653 --> 00:00:22,056 OH--WELL, YEAH, I ALWAYS SAY 11 00:00:22,089 --> 00:00:24,091 FAMILY'S THE BEST MEDICINE. 12 00:00:24,125 --> 00:00:25,693 40 MINUTES? 13 00:00:27,260 --> 00:00:29,028 OKAY, WE'LL SEE YOU THEN. 14 00:00:30,431 --> 00:00:32,265 JOSEPH, THAT WAS YOUR NIECE. 15 00:00:32,299 --> 00:00:33,500 THEY'RE GONNA BE HERE ANY MINUTE. 16 00:00:33,533 --> 00:00:34,701 YOU KNOW, I HAD A NEIGHBOR ONCE, 17 00:00:34,734 --> 00:00:37,070 AND HIS LAST NAME WAS NEIGHBORS. 18 00:00:37,104 --> 00:00:38,539 HE HAD A CRABAPPLE TREE OUT IN THE BACK. 19 00:00:38,572 --> 00:00:40,107 JOSEPH, THEY'RE GONNA BE HERE SOON. 20 00:00:40,140 --> 00:00:41,174 WE DON'T HAVE MUCH TIME. 21 00:00:41,209 --> 00:00:42,542 I NEED YOU TO REMEMBER 22 00:00:42,576 --> 00:00:45,478 WHAT HAPPENED IN 1968. 23 00:00:45,512 --> 00:00:47,081 YOU WERE TALKING ABOUT IT THIS MORNING. 24 00:00:47,115 --> 00:00:48,682 THE HAMPTON STREET DEPOSITORY. 25 00:00:48,716 --> 00:00:50,518 CRABAPPLE, BUT YOU COULDN'T EAT THE FRUIT. 26 00:00:50,551 --> 00:00:51,551 IT WAS NO GOOD. JOSEPH. 27 00:00:51,585 --> 00:00:52,420 I NEED YOU TO FOCUS. 28 00:00:52,453 --> 00:00:54,521 YOU SAID IT WAS A BIG, BIG, BIG SECRET. 29 00:00:54,554 --> 00:00:56,590 REMEMBER, I SHOULDN'T-- 30 00:00:56,624 --> 00:00:58,326 YOU KNOW, MY FIRST CAR WAS A DESOTO. 31 00:00:58,359 --> 00:00:59,659 BEAUTIFUL MACHINE. 32 00:00:59,692 --> 00:01:01,295 IT WAS AS BIG AS A BOAT. 33 00:01:01,329 --> 00:01:04,531 WELL, JOSEPH, YOU HAD YOUR CHANCE. 34 00:01:04,564 --> 00:01:06,834 I CAN'T FIND MY HAT. 35 00:01:06,867 --> 00:01:08,135 I DON'T KNOW WHERE IT IS. 36 00:01:08,168 --> 00:01:10,570 GREGORY PECK ALWAYS WORE A HAT. 37 00:01:10,603 --> 00:01:11,739 WHAT WAS THAT MOVIE 38 00:01:11,772 --> 00:01:13,474 GREGORY PECK WAS IN? 39 00:01:13,507 --> 00:01:16,144 IT WAS GREGORY PECK, AND THEN THERE WAS A HAT. 40 00:01:16,176 --> 00:01:18,478 IT WAS A GIFT FROM MY NEIGHBOR, MY OTHER NEIGHBOR. 41 00:01:18,512 --> 00:01:20,581 UH-HUH. THAT'S FASCINATING. 42 00:01:20,614 --> 00:01:21,748 WELL, GUESS HOW TALL SHE WAS. 43 00:01:21,781 --> 00:01:24,152 FIVE FOOT TALL IN HER BARE FEET. 44 00:01:24,185 --> 00:01:25,319 AND GUESS IF SHE KNEW KARATE. 45 00:01:25,353 --> 00:01:27,454 YES, SHE DID. 46 00:01:27,487 --> 00:01:28,656 NOBODY CARES, JOSEPH. 47 00:01:28,688 --> 00:01:30,457 HEY, WH--WHY ARE WE GOING UPSTAIRS? 48 00:01:30,490 --> 00:01:32,492 I-I NEVER GO UPSTAIRS. 49 00:01:32,526 --> 00:01:33,760 IT'S WAY TOO DANGEROUS. 50 00:01:33,793 --> 00:01:35,596 JUST CAN'T TAKE THAT RISK, YOU UNDERSTAND? 51 00:01:35,628 --> 00:01:36,563 I WANT MY HAT. 52 00:01:36,597 --> 00:01:37,798 YOU PROBABLY DON'T. 53 00:01:37,831 --> 00:01:40,668 YOU DON'T UNDERSTAND ANYTHING, DO YOU, JOSEPH? 54 00:01:40,700 --> 00:01:42,635 WHAT ARE YOU DOING? GET MY HAT, GET MY HAT. 55 00:01:42,670 --> 00:01:44,438 WE'RE GOING TO GET YOUR HAT. 56 00:01:44,472 --> 00:01:46,140 WAIT A MINUTE. ARE YOU CRAZY? 57 00:01:46,174 --> 00:01:47,707 WHOA, WHOA. WHAT ARE YOU DOING? 58 00:01:47,740 --> 00:01:50,277 WAIT A MINUTE! WHERE THE HELL IS MY HAT? 59 00:01:50,311 --> 00:01:51,545 [both grunting] 60 00:01:51,579 --> 00:01:52,579 AAH! 61 00:01:59,686 --> 00:02:02,923 [Randy Newman ragtime theme] 62 00:02:02,956 --> 00:02:05,393 * IT'S A JUNGLE OUT THERE 63 00:02:05,426 --> 00:02:09,530 * DISORDER AND CONFUSION EVERYWHERE * 64 00:02:09,562 --> 00:02:12,365 * NO ONE SEEMS TO CARE 65 00:02:12,400 --> 00:02:13,433 * WELL, I DO 66 00:02:13,467 --> 00:02:16,503 * HEY, WHO'S IN CHARGE HERE? 67 00:02:16,537 --> 00:02:19,907 * IT'S A JUNGLE OUT THERE 68 00:02:19,939 --> 00:02:23,176 * POISON IN THE VERY AIR WE BREATHE * 69 00:02:23,211 --> 00:02:25,579 * DO YOU KNOW WHAT'S IN THE WATER THAT YOU DRINK? * 70 00:02:25,612 --> 00:02:29,650 * WELL, I DO, AND IT'S A-MA-ZING * 71 00:02:29,682 --> 00:02:32,652 * PEOPLE THINK I'M CRAZY 'CAUSE I WORRY ALL THE TIME * 72 00:02:32,686 --> 00:02:36,223 * IF YOU PAID ATTENTION, YOU'D BE WORRIED TOO * 73 00:02:36,257 --> 00:02:40,493 * YOU'D BETTER PAY ATTENTION OR THIS WORLD WE LOVE SO MUCH * 74 00:02:40,527 --> 00:02:44,298 * MIGHT JUST KILL YOU 75 00:02:44,331 --> 00:02:46,199 * I COULD BE WRONG NOW 76 00:02:46,234 --> 00:02:48,502 * BUT I DON'T THINK SO 77 00:02:48,536 --> 00:02:50,871 * 'CAUSE IT'S A JUNGLE OUT THERE * 78 00:02:50,903 --> 00:02:54,508 * IT'S A JUNGLE OUT THERE * 79 00:02:59,247 --> 00:03:02,216 [playing Chopin quietly] 80 00:03:02,250 --> 00:03:06,620 * 81 00:03:06,653 --> 00:03:08,421 [doorbell rings] 82 00:03:08,455 --> 00:03:10,723 DON'T STOP, HONEY. YOU SOUND GREAT. 83 00:03:10,758 --> 00:03:12,893 NO SLOUCHING. 84 00:03:17,830 --> 00:03:18,931 I DON'T BELIEVE IT. 85 00:03:18,966 --> 00:03:20,300 SORRY TO BOTHER YOU, MA'AM. 86 00:03:20,334 --> 00:03:21,901 WE HAD ANOTHER NOISE COMPLAINT. 87 00:03:21,935 --> 00:03:23,603 YOU'VE GOT TO BE KIDDING. 88 00:03:23,637 --> 00:03:24,972 FROM WHO? 89 00:03:25,004 --> 00:03:26,274 HE WOULDN'T GIVE HIS NAME. 90 00:03:26,306 --> 00:03:27,675 WE THINK IT'S THE SAME GUY. 91 00:03:27,707 --> 00:03:29,342 OH, THEY'RE LEAVING. 92 00:03:29,377 --> 00:03:30,610 OH, FINALLY. 93 00:03:30,644 --> 00:03:32,445 IS SHE IN HANDCUFFS? 94 00:03:32,479 --> 00:03:34,014 I DON'T SEE HER. WHAT? 95 00:03:34,046 --> 00:03:36,516 WHY AREN'T THEY ARRESTING HER? 96 00:03:36,550 --> 00:03:40,487 OH, THE JUSTICE SYSTEM IN THIS COUNTRY IS A JOKE. 97 00:03:40,521 --> 00:03:42,855 GOD... THERE SHE GOES AGAIN. 98 00:03:42,889 --> 00:03:44,991 NATALIE, YOU GOTTA MAKE HER STOP. 99 00:03:45,025 --> 00:03:47,328 I-I CAN'T STAND IT. I CAN'T. 100 00:03:47,360 --> 00:03:48,762 I STILL DON'T HEAR IT. 101 00:03:48,795 --> 00:03:50,864 YOU DON'T HEAR THAT?! 102 00:03:50,897 --> 00:03:53,433 ARE YOU KIDDING ME? 103 00:03:53,466 --> 00:03:54,867 SHE WAS PRACTICING ALL NIGHT. 104 00:03:54,901 --> 00:03:56,503 I COULDN'T SLEEP. 105 00:03:56,537 --> 00:04:00,907 I KEPT REACHING FOR THE PHONE TO CALL... 106 00:04:01,942 --> 00:04:02,975 DR. KROGER? 107 00:04:03,009 --> 00:04:04,877 I KNOW. 108 00:04:04,912 --> 00:04:06,747 I MISS HIM TOO. 109 00:04:06,780 --> 00:04:08,782 I ACTUALLY... 110 00:04:08,816 --> 00:04:10,984 LEFT HIM TWO MESSAGES. 111 00:04:11,018 --> 00:04:12,919 I JUST... 112 00:04:12,953 --> 00:04:15,855 I JUST STILL CAN'T BELIEVE IT. 113 00:04:15,889 --> 00:04:17,290 A HEART ATTACK. 114 00:04:17,324 --> 00:04:20,593 I-I SAW HIM THE DAY BEFORE. 115 00:04:20,627 --> 00:04:22,795 HE LOOKED FINE. 116 00:04:22,829 --> 00:04:23,896 HE LOOKED... 117 00:04:23,930 --> 00:04:25,632 WE'LL FIND A NEW THERAPIST. 118 00:04:25,665 --> 00:04:27,033 THERE HAS TO BE SOMEBODY OUT THERE. 119 00:04:27,067 --> 00:04:28,369 NO... 120 00:04:28,401 --> 00:04:31,038 NEVER BE ANYBODY ELSE. 121 00:04:31,071 --> 00:04:33,641 THE MAN SAVED MY LIFE. 122 00:04:33,673 --> 00:04:35,675 YOU DIDN'T KNOW ME BEFORE DR. KROGER. 123 00:04:35,709 --> 00:04:37,877 I MEAN, I-I-I WAS A LITTLE MESSED UP. 124 00:04:37,911 --> 00:04:39,812 YOU KNOW? 125 00:04:39,846 --> 00:04:41,981 HE WASN'T JUST A THERAPIST. 126 00:04:42,014 --> 00:04:43,917 HE WAS... 127 00:04:45,819 --> 00:04:48,389 HE WAS DR. KROGER. 128 00:04:48,422 --> 00:04:49,590 WE'LL KEEP LOOKING. 129 00:04:49,622 --> 00:04:51,692 WHAT ABOUT THE ONE THAT MY BROTHER RECOMMENDED? 130 00:04:51,725 --> 00:04:52,759 DR. BEECHUM? 131 00:04:52,793 --> 00:04:55,629 NO...THE CHAIRS IN HIS WAITING ROOM WERE TOO LOW. 132 00:04:55,663 --> 00:04:56,930 HOW ABOUT THE MAN YOU MET YESTERDAY? 133 00:04:56,963 --> 00:04:57,997 HE SEEMED NICE. 134 00:04:58,031 --> 00:04:59,766 NATALIE, EYE PATCH! 135 00:04:59,800 --> 00:05:02,636 LISTEN. OH, COME ON, LISTEN. 136 00:05:02,670 --> 00:05:05,038 NOW--YOU CAN HEAR THAT. IT'S EVEN LOUDER NOW! 137 00:05:07,641 --> 00:05:10,911 BY ALL THAT'S HOLY, GIVE US A BREAK! 138 00:05:24,891 --> 00:05:25,793 OH, HERE'S ONE. 139 00:05:25,826 --> 00:05:27,995 BEFORE ADDING FUEL TO THE PRIMARY TANK-- 140 00:05:28,028 --> 00:05:30,764 YOU TURN THE FUEL SELECTOR SWITCH TO RESERVE. 141 00:05:30,798 --> 00:05:32,132 CORRECT. 142 00:05:32,165 --> 00:05:34,768 HEY! OKAY, WHAT ABOUT THIS ONE? 143 00:05:34,802 --> 00:05:35,968 HERE? YEAH? 144 00:05:36,002 --> 00:05:37,637 MONK, THOSE ARE ALL CLOSED. 145 00:05:37,670 --> 00:05:39,840 WHAT DO YOU WANT TO DO? DO YOU WANT TO SOLVE 'EM AGAIN? 146 00:05:42,475 --> 00:05:44,011 YOU OKAY? 147 00:05:44,043 --> 00:05:46,447 JUST...I'M JUST TIRED. I'M TIRED. 148 00:05:46,480 --> 00:05:47,548 WHY DON'T YOU GO HOME? 149 00:05:47,581 --> 00:05:49,783 CAN'T. 150 00:05:49,817 --> 00:05:51,552 BEETHOVEN JUNIOR IS STILL AT IT. 151 00:05:51,584 --> 00:05:53,586 COME ON. GIVE ME ANOTHER ONE. 152 00:05:53,620 --> 00:05:54,822 UH...OH. 153 00:05:54,855 --> 00:05:56,524 SAFE WATER MARKERS ARE TRADITIONALLY-- 154 00:05:56,557 --> 00:05:57,858 GREEN AND RED HORIZONTAL STRIPES. 155 00:05:57,891 --> 00:05:58,858 NICE. 156 00:05:58,891 --> 00:05:59,992 WHAT ARE YOU DOING? 157 00:06:00,026 --> 00:06:01,127 OH, I'M BUYING A BOAT NEXT WEEK 158 00:06:01,161 --> 00:06:02,562 IF MY LOAN COMES THROUGH. 159 00:06:02,596 --> 00:06:04,398 RANDY'S HELPING ME STUDY FOR THE MARITIME EXAM. 160 00:06:04,432 --> 00:06:05,665 HERE'S ONE. 161 00:06:05,699 --> 00:06:07,468 WHAT DOES THIS MEAN? 162 00:06:07,500 --> 00:06:08,468 DOT-DOT-DASH-- 163 00:06:08,502 --> 00:06:09,903 MORSE CODE. YOU CAN SKIP THAT. 164 00:06:09,937 --> 00:06:11,538 YOU KNOW MORSE CODE? 165 00:06:11,572 --> 00:06:13,406 MY BOYS WERE BOTH CUB SCOUTS. 166 00:06:13,440 --> 00:06:15,509 YEAH? I WAS AN EAGLE SCOUT. 167 00:06:15,543 --> 00:06:16,944 HEY, WHAT AM I SAYING? 168 00:06:16,976 --> 00:06:18,711 [rapping pencil on table] WHAT ABOUT THIS ONE? 169 00:06:18,745 --> 00:06:19,879 HERE, LOOK. 170 00:06:19,913 --> 00:06:21,781 JOSEPH MOODY. THIS ONE'S STILL OPEN. 171 00:06:21,814 --> 00:06:23,750 UH, NO. NOT ANYMORE, ACTUALLY. 172 00:06:23,783 --> 00:06:25,519 THE M.E. JUST CALLED ON THIS. 173 00:06:25,552 --> 00:06:27,086 UH, IT'S OFFICIALLY AN ACCIDENT. 174 00:06:27,120 --> 00:06:29,523 HIS PRIVATE NURSE FOUND HIM YESTERDAY. 175 00:06:29,557 --> 00:06:31,824 HE WAS 89 YEARS OLD, FELL DOWN A FLIGHT OF STAIRS. 176 00:06:31,858 --> 00:06:34,762 STAIRS. SOUNDS SUSPICIOUS. 177 00:06:34,795 --> 00:06:37,029 WHAT'S SUSPICIOUS ABOUT IT? 178 00:06:37,064 --> 00:06:39,932 ARE YOU KIDDING? NINE DECADES, PERFECT HEALTH? 179 00:06:39,966 --> 00:06:42,101 GUY JUST UP AND DIES? 180 00:06:42,134 --> 00:06:43,737 I THINK WE SHOULD CHECK IT OUT. 181 00:06:43,771 --> 00:06:45,204 ARE YOU REALLY THAT BORED? 182 00:06:45,237 --> 00:06:46,840 YES, I AM. 183 00:06:49,643 --> 00:06:51,711 I'M SORRY. I'M A LITTLE CONFUSED. 184 00:06:51,745 --> 00:06:52,913 YOU'RE FROM HOMICIDE? 185 00:06:52,946 --> 00:06:53,947 (Disher) UH, YES, MA'AM. 186 00:06:53,980 --> 00:06:56,483 OUR OFFICE HAS TO SIGN OFF ON THE CORONER'S REPORT. 187 00:06:56,516 --> 00:06:57,784 IT'S JUST A FORMALITY. 188 00:06:57,817 --> 00:06:59,552 I KNOW THIS IS A DIFFICULT TIME, MS. MOODY. 189 00:06:59,586 --> 00:07:00,754 IT'LL JUST TAKE A COUPLE OF MINUTES. 190 00:07:00,788 --> 00:07:02,490 REAL ESTATE AGENTS? 191 00:07:02,523 --> 00:07:03,557 ARE YOU SELLING THE HOUSE? 192 00:07:03,591 --> 00:07:04,858 WE DON'T HAVE A CHOICE. 193 00:07:04,891 --> 00:07:05,925 THERE'S NO OTHER FAMILY. 194 00:07:05,959 --> 00:07:07,995 DO YOU KNOW ANYONE WHO'S INTERESTED? 195 00:07:08,028 --> 00:07:09,829 IT'S A WONDERFUL HOUSE, 196 00:07:09,862 --> 00:07:11,464 AND WE'RE FLEXIBLE ON THE PRICE. 197 00:07:11,499 --> 00:07:13,666 WE JUST WANT TO SELL IT. 198 00:07:13,701 --> 00:07:16,870 YOUR UNCLE HAD A PRIVATE NURSE NAMED MISS DRAKE? 199 00:07:16,903 --> 00:07:18,105 THAT'S RIGHT. 200 00:07:18,137 --> 00:07:20,173 WE WERE LUCKY TO FIND HER. SHE WAS WONDERFUL. 201 00:07:20,206 --> 00:07:22,776 EXCUSE ME. ARE THESE FLOORS DOUGLAS FIR? 202 00:07:22,810 --> 00:07:24,011 I THINK SO. 203 00:07:24,043 --> 00:07:26,814 I HAVE HER, UH, STATEMENT RIGHT HERE. 204 00:07:26,846 --> 00:07:29,516 UH, SHE SAID THE ACCIDENT OCCURRED AT AROUND 10:30? 205 00:07:29,550 --> 00:07:31,084 THAT'S RIGHT, WE WERE DRIVING UP 206 00:07:31,117 --> 00:07:32,985 TO VISIT, AND IT MUST'VE HAPPENED 207 00:07:33,019 --> 00:07:34,521 JUST BEFORE WE ARRIVED. 208 00:07:34,555 --> 00:07:36,889 EXCUSE ME, SORRY. DOES THE FIREPLACE WORK? 209 00:07:36,923 --> 00:07:38,191 AS FAR AS I KNOW. 210 00:07:38,225 --> 00:07:39,492 DO YOU WORK? 211 00:07:39,526 --> 00:07:40,827 IT'S SO CLEAN. 212 00:07:40,860 --> 00:07:41,894 I KNOW. 213 00:07:41,928 --> 00:07:43,896 MY UNCLE WAS COMPULSIVE 214 00:07:43,930 --> 00:07:45,632 ABOUT ALL THAT STUFF. 215 00:07:45,665 --> 00:07:47,800 BEFORE HIS STROKE, HE WAS ALWAYS DUSTING 216 00:07:47,834 --> 00:07:49,069 AND CLEANING. 217 00:07:49,101 --> 00:07:50,170 POLISHING EVERYTHING. 218 00:07:50,202 --> 00:07:52,004 HEH. POLISHING EVERYTHING. 219 00:07:52,038 --> 00:07:54,875 ACCORDING TO MISS DRAKE, 220 00:07:54,908 --> 00:07:57,711 YOUR UNCLE WAS TAKING A NEW MEDICATION, TRIBITERAL. 221 00:07:57,745 --> 00:07:59,680 SHE SAID IT MADE HIM DISORIENTED. 222 00:07:59,713 --> 00:08:01,180 SHE SAID SHE WENT TO THE KITCHEN. 223 00:08:01,213 --> 00:08:02,750 WHEN SHE CAME BACK, YOUR UNCLE WAS UPSTAIRS 224 00:08:02,783 --> 00:08:04,050 ON THE LANDING? 225 00:08:04,084 --> 00:08:05,285 I-I THOUGHT HE COULDN'T WALK. 226 00:08:05,317 --> 00:08:06,720 WELL, HE COULD WALK SOME. 227 00:08:06,754 --> 00:08:08,721 SHORT DISTANCES. 228 00:08:08,755 --> 00:08:10,891 BEFORE SHE COULD REACH HIM, 229 00:08:10,923 --> 00:08:12,925 HE--HE MUST'VE-- 230 00:08:12,959 --> 00:08:14,293 LOST HIS BALANCE. 231 00:08:14,326 --> 00:08:15,862 [sniffling] 232 00:08:15,896 --> 00:08:17,598 THEY FOUND HIM RIGHT THERE. 233 00:08:17,630 --> 00:08:19,298 HIS NECK WAS BROKEN. 234 00:08:19,331 --> 00:08:21,134 [sobbing] 235 00:08:21,168 --> 00:08:23,036 OH... 236 00:08:23,069 --> 00:08:25,038 HERE, HAVE A SEAT. SIT DOWN. 237 00:08:25,072 --> 00:08:26,740 YOU'RE OKAY. 238 00:08:26,774 --> 00:08:27,841 [sobbing] OH, I'M SORRY... 239 00:08:27,875 --> 00:08:30,843 OKAY. OKAY. OKAY. 240 00:08:30,877 --> 00:08:33,581 [crying loudly] 241 00:08:35,783 --> 00:08:38,118 OKAY. 242 00:08:38,150 --> 00:08:40,953 OKAY. DO YOU KNOW IF THE ROOF IS NEW? 243 00:08:40,988 --> 00:08:42,923 MA'AM? 244 00:08:42,956 --> 00:08:45,225 MA'AM, JUST NOD YOUR HEAD. 245 00:08:46,994 --> 00:08:49,196 ROOF? ROOF NEW? 246 00:08:49,229 --> 00:08:50,963 WHY? 247 00:08:50,998 --> 00:08:52,198 WHAT ABOUT THE ROOF? 248 00:08:52,231 --> 00:08:53,866 I MIGHT BE INTERESTED. 249 00:08:53,900 --> 00:08:55,869 IN--IN THE HOUSE. 250 00:08:55,903 --> 00:08:57,037 I-I MIGHT WANT TO BUY IT. 251 00:08:57,070 --> 00:08:58,572 YOU WHAT? 252 00:08:58,605 --> 00:08:59,840 JUST HAVE-- I JUST HAVE ONE QUESTION. 253 00:08:59,873 --> 00:09:02,009 DO ANY OF THE NEIGHBORS PLAY PIANO? 254 00:09:02,042 --> 00:09:03,777 I WOULDN'T KNOW. 255 00:09:03,811 --> 00:09:06,879 THE WALLS ARE SO THICK YOU CAN'T REALLY HEAR ANYTHING. 256 00:09:06,913 --> 00:09:07,847 REALLY. 257 00:09:07,880 --> 00:09:10,017 MONK, COME HERE. 258 00:09:12,384 --> 00:09:14,888 YOU ARE TIRED. 259 00:09:14,922 --> 00:09:16,155 YOU'RE NOT THINKING STRAIGHT. 260 00:09:16,188 --> 00:09:17,658 YOU'RE BETWEEN SHRINKS. 261 00:09:17,691 --> 00:09:20,059 YOU CAN'T BE MAKING ANY BIG DECISIONS RIGHT NOW. 262 00:09:20,092 --> 00:09:22,995 YOU CAN'T HEAR ANYTHING. 263 00:09:23,029 --> 00:09:25,899 MONK, LOOK. 264 00:09:25,932 --> 00:09:27,934 WE ALL MISS DR. KROGER. 265 00:09:29,636 --> 00:09:30,770 GO HOME. 266 00:09:30,803 --> 00:09:32,806 GET SOME SLEEP. 267 00:09:32,840 --> 00:09:35,274 [chuckling] YOU--YOU CAN'T JUST BUY A HOUSE 268 00:09:35,307 --> 00:09:37,210 ON SOME CRAZY IMPULSE. 269 00:09:37,244 --> 00:09:39,245 I'LL TAKE IT. 270 00:09:47,386 --> 00:09:49,756 I CAN'T BELIEVE YOU BOUGHT A HOUSE WITHOUT TELLING ME. 271 00:09:49,789 --> 00:09:51,124 YOU WOULD'VE SAID NO. 272 00:09:51,158 --> 00:09:54,126 WELL, LET'S SEE WHAT DR. BELL HAS TO SAY ABOUT IT. 273 00:09:54,161 --> 00:09:55,962 WHY SHOULD I CARE WHAT THIS CLOWN THINKS? 274 00:09:55,995 --> 00:09:57,798 HE'S A THERAPIST. 275 00:09:57,831 --> 00:09:58,932 HE'S SUPPOSED TO BE BRILLIANT. 276 00:09:58,966 --> 00:10:02,802 HE'S WRITTEN FIVE BOOKS AND HE TEACHES AT STANFORD. 277 00:10:02,836 --> 00:10:04,804 ONE MINUTE TO GO. IF HE'S LATE, WE'RE LEAVING. 278 00:10:04,837 --> 00:10:07,073 OH, LOOK. HIS FIRST NAME IS NEVEN. 279 00:10:07,106 --> 00:10:08,207 N-E-V-E-N. 280 00:10:08,240 --> 00:10:09,942 IT'S A PALINDROME. THAT'S A GOOD SIGN. 281 00:10:09,976 --> 00:10:11,678 IT'S NOT A PERFECT PALINDROME. 282 00:10:11,711 --> 00:10:13,947 THE FIRST "N" IS CAPITALIZED. 283 00:10:13,980 --> 00:10:16,082 DR. KROGER'S NAME WAS CHARLES. 284 00:10:16,115 --> 00:10:17,049 THAT WASN'T A PALINDROME. 285 00:10:17,083 --> 00:10:18,985 WAS TO ME. 286 00:10:20,086 --> 00:10:22,621 [ticking] 287 00:10:24,991 --> 00:10:26,092 MR. MONK. 288 00:10:27,961 --> 00:10:30,062 NEVEN BELL. 289 00:10:30,096 --> 00:10:31,798 I'VE BEEN LOOKING FORWARD TO THIS. 290 00:10:34,167 --> 00:10:36,068 WIPE? 291 00:10:41,307 --> 00:10:43,375 SUMMIT CREEK. 292 00:10:43,409 --> 00:10:44,945 THAT'S YOUR BRAND, ISN'T IT? 293 00:10:44,977 --> 00:10:47,246 UH...YEAH. 294 00:10:47,279 --> 00:10:50,683 GLASS EXACTLY... 295 00:10:50,717 --> 00:10:51,951 THERE YOU GO. 296 00:10:51,985 --> 00:10:53,452 HALF FILLED. 297 00:10:53,485 --> 00:10:55,855 OR WOULD YOU CALL IT HALF EMPTY? 298 00:10:55,889 --> 00:10:58,125 [chuckles] 299 00:11:01,327 --> 00:11:03,062 WHERE DID YOU GET THAT PAINTING? 300 00:11:03,096 --> 00:11:05,131 I LOVE THAT PIECE. 301 00:11:05,164 --> 00:11:07,801 IT'S FROM CHARLES KROGER'S OFFICE. 302 00:11:07,835 --> 00:11:10,003 I ASKED MADELINE IF I COULD HAVE IT. 303 00:11:10,037 --> 00:11:11,904 HUH. 304 00:11:11,938 --> 00:11:13,340 IT DOESN'T LOOK RIGHT IN HERE. 305 00:11:15,075 --> 00:11:16,408 I MISS HIM TOO. 306 00:11:19,078 --> 00:11:20,447 ARE YOU OKAY? 307 00:11:20,480 --> 00:11:23,049 JUST TIRED. 308 00:11:23,082 --> 00:11:24,250 I HAVEN'T BEEN SLEEPING. 309 00:11:24,283 --> 00:11:25,786 HMM. 310 00:11:25,818 --> 00:11:27,053 ALL RIGHT, THEN. WHY, UH... 311 00:11:27,086 --> 00:11:30,090 WHY DON'T WE START RIGHT THERE, THEN? 312 00:11:30,123 --> 00:11:32,058 [groans] WHY HAVEN'T YOU BEEN SLEEPING? 313 00:11:32,091 --> 00:11:33,826 OH, NO BIG MYSTERY. 314 00:11:33,860 --> 00:11:35,863 THIS GIRL WHO LIVES ACROSS THE STREET 315 00:11:35,895 --> 00:11:36,963 PLAYS PIANO. 316 00:11:36,996 --> 00:11:39,066 SAME SONG. 317 00:11:39,099 --> 00:11:41,934 [humming Chopin piece] 318 00:11:41,969 --> 00:11:43,937 DOESN'T MATTER, REALLY. 319 00:11:43,971 --> 00:11:46,072 DOESN'T--DOESN'T MATTER. I'M OUTTA THERE. 320 00:11:46,105 --> 00:11:47,407 I'M MOVING. 321 00:11:47,440 --> 00:11:49,942 I JUST-- I JUST BOUGHT A HOUSE. 322 00:11:49,976 --> 00:11:51,812 WELL, CONGRATULATIONS. 323 00:11:51,845 --> 00:11:53,346 YEAH. 324 00:11:53,379 --> 00:11:54,380 SO WHEN DID IT START? 325 00:11:54,413 --> 00:11:55,982 THE PIANO PLAYING? 326 00:11:56,015 --> 00:11:58,885 I DON'T KNOW. ABOUT A YEAR AGO. 327 00:11:58,918 --> 00:12:00,120 HMM. 328 00:12:00,153 --> 00:12:01,989 BUT IT'S ONLY BEEN BOTHERING YOU FOR WHAT? 329 00:12:02,022 --> 00:12:03,722 FIVE WEEKS? 330 00:12:05,424 --> 00:12:06,393 HOW DID YOU KNOW THAT? 331 00:12:06,426 --> 00:12:07,827 OH, WELL, THE GIRL'S BEEN 332 00:12:07,860 --> 00:12:09,028 PLAYING PIANO FOR A YEAR. 333 00:12:09,062 --> 00:12:13,365 AND IT'S ONLY BEEN BOTHERING YOU SINCE CHARLES KROGER PASSED. 334 00:12:13,399 --> 00:12:15,534 WHAT? NO. NO. 335 00:12:15,567 --> 00:12:17,004 OH, NO. 336 00:12:17,037 --> 00:12:18,370 THE MUSIC SHE'S PLAYING IS CHOPIN. 337 00:12:18,404 --> 00:12:19,338 CHARLES LOVED CHOPIN. 338 00:12:19,371 --> 00:12:21,107 HE PLAYED IT IN HIS WAITING ROOM ALL THE TIME. 339 00:12:21,140 --> 00:12:21,841 NO... 340 00:12:21,875 --> 00:12:24,010 MAYBE THE MUSIC IS REMINDING YOU 341 00:12:24,043 --> 00:12:25,011 OF--OF YOUR FRIEND, AND IT'S-- 342 00:12:25,044 --> 00:12:27,080 IT'S BEEN AFFECTING YOU. 343 00:12:27,114 --> 00:12:28,081 NO. 344 00:12:28,115 --> 00:12:29,282 NAH, NAH, NAH. 345 00:12:29,316 --> 00:12:31,083 NO. THAT'S... 346 00:12:31,118 --> 00:12:32,552 MAYBE. THAT'S NOT-- THAT'S JUST-- 347 00:12:32,585 --> 00:12:34,120 CRAZY. IT'S CRAZY TALK. 348 00:12:34,153 --> 00:12:35,254 I MEAN... 349 00:12:35,288 --> 00:12:37,825 ADRIAN, I KNOW WE'VE JUST MET. 350 00:12:37,857 --> 00:12:39,525 BUT FOR WHAT IT'S WORTH, 351 00:12:39,558 --> 00:12:41,894 I DON'T THINK YOU SHOULD BE BUYING A HOUSE RIGHT NOW. 352 00:12:41,928 --> 00:12:43,129 I CAN'T BELIEVE THIS. 353 00:12:43,163 --> 00:12:44,798 I THINK MAYBE YOU'RE BUYING THIS PROPERTY 354 00:12:44,831 --> 00:12:46,933 TO AVOID DEALING WITH THE LOSS OF YOUR FRIEND. 355 00:12:46,966 --> 00:12:48,100 OKAY. 356 00:12:48,134 --> 00:12:49,469 WHAT'S THE RUSH? WAIT A FEW WEEKS. 357 00:12:49,501 --> 00:12:51,138 MAYBE A YEAR. YEAH. 358 00:12:51,171 --> 00:12:53,807 MY--MY SECOND WIFE, SHE WAS IN REAL ESTATE. 359 00:12:53,841 --> 00:12:56,076 YOU KNOW, LOTS OF HER CLIENTS-- 360 00:12:56,109 --> 00:12:57,144 CAN I TELL YOU WHAT I THINK? 361 00:12:57,177 --> 00:12:58,245 PLEASE. 362 00:12:58,278 --> 00:13:00,847 I DON'T THINK THIS IS WORKING OUT. 363 00:13:00,880 --> 00:13:01,914 I'M SORRY. 364 00:13:01,948 --> 00:13:04,116 I JUST DON'T FEEL COMFORTABLE. 365 00:13:04,150 --> 00:13:05,985 AND, UM... 366 00:13:06,019 --> 00:13:07,553 I'M GONNA BE LOOKING FOR A DIFFERENT THERAPIST. 367 00:13:07,586 --> 00:13:08,989 SO... 368 00:13:09,022 --> 00:13:12,192 WELL. 369 00:13:12,225 --> 00:13:14,094 I'M REALLY SORRY TO HEAR THAT, ADRIAN. 370 00:13:14,126 --> 00:13:15,128 I REALLY AM. 371 00:13:15,162 --> 00:13:17,096 YEAH. 372 00:13:24,104 --> 00:13:25,304 I THOUGHT YOU WERE LEAVING. 373 00:13:25,337 --> 00:13:27,941 I-I CAN'T LEAVE EARLY. 374 00:13:27,975 --> 00:13:30,143 NATALIE WOULD KILL ME. 375 00:13:31,477 --> 00:13:32,611 HMM. ALL RIGHT. 376 00:13:32,644 --> 00:13:36,316 WELL THEN, I GUESS THEN WE'LL JUST SIT, HMM? 377 00:13:37,484 --> 00:13:39,019 [clears throat] 378 00:13:39,052 --> 00:13:40,452 ALL RIGHT. 379 00:14:02,109 --> 00:14:03,210 93, 94, 380 00:14:03,243 --> 00:14:06,145 95, 96, 97, 98. 381 00:14:06,178 --> 00:14:09,917 DO YOU--YOU HAVE ANY WITH 100? 382 00:14:09,950 --> 00:14:12,085 I DON'T KNOW. WHATEVER'S THERE. HERE'S THE THING. 383 00:14:12,119 --> 00:14:13,586 I'M BUYING A NEW HOUSE. 384 00:14:13,620 --> 00:14:15,121 AND I JUST CAME FROM A THERAPIST 385 00:14:15,154 --> 00:14:16,923 WHO DIDN'T THINK I COULD HANDLE IT. 386 00:14:16,956 --> 00:14:19,058 NO KIDDING. GET THIS. 387 00:14:19,091 --> 00:14:20,427 HE SAID I WAS MOVING BECAUSE THE GIRL 388 00:14:20,460 --> 00:14:22,095 ACROSS THE STREET REMINDED ME 389 00:14:22,129 --> 00:14:23,263 OF MY OLD THERAPIST, 390 00:14:23,296 --> 00:14:25,298 BECAUSE THEY BOTH LIKED CHOPIN. 391 00:14:25,331 --> 00:14:26,298 UH-HUH. 392 00:14:26,332 --> 00:14:28,000 I KNOW, CRAZY, RIGHT? 393 00:14:28,034 --> 00:14:30,336 HIS NAME WAS DR. KROGER. CHARLES KROGER. 394 00:14:30,370 --> 00:14:32,072 CHUCK, SOME PEOPLE CALLED HIM CHUCK. 395 00:14:32,105 --> 00:14:34,006 I DIDN'T. I HAD A LOT OF RESPECT-- 396 00:14:34,040 --> 00:14:35,207 TOO MUCH RESPECT FOR HIM. 397 00:14:35,241 --> 00:14:37,443 WELL, HE PASSED ABOUT FIVE-- I'M SORRY. 398 00:14:37,476 --> 00:14:40,513 I'VE GOTTA GO... BE...SOMEWHERE ELSE. 399 00:14:40,547 --> 00:14:42,115 GOOD LUCK. 400 00:14:45,018 --> 00:14:47,153 HEY, CONGRATULATIONS. 401 00:14:47,187 --> 00:14:48,254 YEAH, I COULDN'T HELP OVERHEARING. 402 00:14:48,288 --> 00:14:49,923 YOU GOT YOURSELF A HOUSE, HUH? 403 00:14:49,956 --> 00:14:51,290 YEAH. IT'S A GREAT FEELING. 404 00:14:51,323 --> 00:14:52,625 PRIDE OF OWNERSHIP. 405 00:14:52,658 --> 00:14:53,426 RIGHT. 406 00:14:53,460 --> 00:14:54,927 YOU KNOW, IF YOU WANT, I COULD DRILL 407 00:14:54,961 --> 00:14:56,163 A COUPLE MORE HOLES INTO THAT FOR YOU. 408 00:14:56,196 --> 00:14:57,230 REALLY? 409 00:14:57,264 --> 00:14:58,597 OH, IT'D JUST TAKE A COUPLE SECONDS. 410 00:14:58,630 --> 00:15:00,000 I'M THE SAME WAY ABOUT MY SHOWER. 411 00:15:00,033 --> 00:15:00,899 VERY PARTICULAR. 412 00:15:00,933 --> 00:15:03,403 MY GIRLFRIEND SAYS I'M OBSESSIVE ABOUT IT. 413 00:15:03,436 --> 00:15:04,504 I GET THAT ALL THE TIME. 414 00:15:04,537 --> 00:15:05,538 DO YOU? 415 00:15:05,572 --> 00:15:07,106 HERE, LET ME GIVE YOU THIS. 416 00:15:07,139 --> 00:15:09,542 JAKE PHILLIPS, HANDYMAN. 417 00:15:09,576 --> 00:15:11,244 ANSWER TO A HOMEOWNER'S PRAYERS, 418 00:15:11,278 --> 00:15:12,345 RIGHT THERE. 419 00:15:12,379 --> 00:15:13,980 "'HONEST' JAKE, NO JOB TOO SMALL 420 00:15:14,014 --> 00:15:15,282 OR TOO DIRTY." 421 00:15:15,315 --> 00:15:16,615 THAT'S RIGHT. NOW HANG ON TO THAT. 422 00:15:16,649 --> 00:15:18,051 BECAUSE YOU'RE MOVING IN TO A NEW PLACE. 423 00:15:18,085 --> 00:15:19,619 AND IF SOMETHING'S CREAKIN' OR BULGIN' 424 00:15:19,652 --> 00:15:23,289 OR LEAKIN' OR CRACKIN', WHO YOU GONNA CALL? 425 00:15:23,322 --> 00:15:24,291 WHO YA GONNA CALL? 426 00:15:24,323 --> 00:15:26,625 HONEST JAKE. 427 00:15:26,658 --> 00:15:28,128 [laughs] THAT'S ME! 428 00:15:28,161 --> 00:15:29,562 OKAY. 429 00:15:33,566 --> 00:15:35,001 (Monk) UH, BE CAREFUL WITH THAT. 430 00:15:35,034 --> 00:15:37,169 SIR--SIR! SIR, USE BOTH HANDS. 431 00:15:37,203 --> 00:15:39,972 DON'T MAKE ME PULL OUT THE CONTRACT--TWO HANDS. 432 00:15:40,006 --> 00:15:42,209 AND USE CARE. CARE. 433 00:15:42,241 --> 00:15:43,976 OKAY. CARE--CAREFULLY! 434 00:15:44,010 --> 00:15:45,511 WATCH YOUR STEP. WATCH YOUR STEP. 435 00:15:45,544 --> 00:15:47,447 AND THE NEXT STEP. CAREFULLY, CAREFULLY, CAREFULLY. 436 00:15:47,480 --> 00:15:49,282 THAT ONE HAS TO-- THAT ONE HAS TO STAY LEVEL. 437 00:15:49,316 --> 00:15:51,018 YOU CAN USE THE HORIZON. 438 00:15:51,051 --> 00:15:53,385 BUT LEVEL. GET--PUT-- 439 00:15:53,419 --> 00:15:54,687 THAT ONE SAYS "FRAGILE." 440 00:15:54,721 --> 00:15:56,123 THEY ALL SAY "FRAGILE." 441 00:15:56,155 --> 00:15:56,990 YEAH, BUT THAT'S UNDERLINED. 442 00:15:57,024 --> 00:15:58,158 THAT MEANS REALLY FRAGILE. 443 00:15:58,191 --> 00:15:59,326 AND IF IT'S UNDERLINED TWICE, 444 00:15:59,359 --> 00:16:01,995 IT MEANS VERY, VERY, EXTREMELY... 445 00:16:02,028 --> 00:16:04,464 HELLO? EXTREMELY FRAGILE. 446 00:16:04,496 --> 00:16:06,133 OH, OKAY--OH! 447 00:16:06,166 --> 00:16:08,067 YEAH, THAT ONE YOU WANT TO BE CAREFUL WITH. 448 00:16:08,100 --> 00:16:10,003 EASY. 449 00:16:10,037 --> 00:16:11,171 EASY. WHERE'S THE FIRE? 450 00:16:11,203 --> 00:16:12,471 WHERE'S THE FIRE? 451 00:16:12,504 --> 00:16:15,341 OKAY. YOU WANNA... 452 00:16:15,375 --> 00:16:17,144 WANNA TAKE A BREAK? SHOULD WE TAKE A BREAK? 453 00:16:17,177 --> 00:16:19,211 LET'S TAKE FIVE. 454 00:16:19,245 --> 00:16:22,014 AND HERE... 455 00:16:22,048 --> 00:16:24,283 IS ANOTHER BATHROOM. 456 00:16:24,317 --> 00:16:28,321 FOR A TOTAL OF TWO BATHROOMS. 457 00:16:28,355 --> 00:16:29,456 THAT IS 458 00:16:29,489 --> 00:16:31,024 A CLAW FOOT BATHTUB, WHICH IS SOMETHING 459 00:16:31,057 --> 00:16:32,158 I'VE ALWAYS WANTED. 460 00:16:32,192 --> 00:16:33,326 IT IS? YEAH. 461 00:16:33,360 --> 00:16:34,360 I JUST DIDN'T KNOW IT. 462 00:16:34,394 --> 00:16:35,361 OH, I LOVE ALL THE WOODWORK. 463 00:16:35,394 --> 00:16:36,663 HEY, DON'T TOUCH THAT. 464 00:16:36,696 --> 00:16:37,764 WHAT, WET PAINT? 465 00:16:37,797 --> 00:16:39,131 NO. JUST DON'T TOUCH IT. 466 00:16:39,165 --> 00:16:40,600 ANOTHER WALL. 467 00:16:40,633 --> 00:16:42,034 HALLWAY. 468 00:16:42,068 --> 00:16:43,735 MORE WALLS. 469 00:16:43,769 --> 00:16:45,105 ANOTHER WALL. 470 00:16:45,138 --> 00:16:47,706 AND WE'RE BACK IN THE LIVING ROOM. 471 00:16:47,740 --> 00:16:49,808 I CAN'T BELIEVE IT. 472 00:16:49,841 --> 00:16:51,144 YOU ACTUALLY DID IT! 473 00:16:51,177 --> 00:16:52,379 UH, THAT'S A NEW RUG. 474 00:16:52,412 --> 00:16:53,812 DON'T JUST STAND ON IT. 475 00:16:53,846 --> 00:16:55,481 YOU HAVE TO KEEP MOVING. 476 00:16:55,514 --> 00:16:56,548 MOVING? 477 00:16:56,582 --> 00:16:59,451 SO IT DOESN'T WEAR OUT IN ONE PLACE. 478 00:16:59,485 --> 00:17:01,488 OH, YOU MEAN LIKE THIS? 479 00:17:03,090 --> 00:17:04,523 MAYBE WIDER CIRCLES. 480 00:17:04,557 --> 00:17:06,792 OKAY, I'M JUST GONNA STAND OVER HERE. 481 00:17:06,826 --> 00:17:08,161 SO? 482 00:17:08,194 --> 00:17:09,195 WHAT DO YOU THINK? 483 00:17:09,229 --> 00:17:11,364 I LIKE IT. I DO. 484 00:17:11,397 --> 00:17:12,664 I THINK YOU'RE GONNA BE REALLY HAP-- 485 00:17:13,865 --> 00:17:15,301 YOU'RE GONNA BE-- 486 00:17:16,803 --> 00:17:18,404 HAPPY! HAPPY. 487 00:17:18,438 --> 00:17:20,106 I ALREADY AM. I SHOULDA DONE THIS YEARS AGO. 488 00:17:20,140 --> 00:17:21,540 AND YOU DON'T MISS YOUR OLD APARTMENT? 489 00:17:21,574 --> 00:17:22,608 WHY SHOULD I? 490 00:17:22,642 --> 00:17:24,176 BECAUSE TRUDY WAS THERE. 491 00:17:24,211 --> 00:17:25,778 AND THIS HOUSE IS NOT THE SAME. 492 00:17:25,811 --> 00:17:29,148 AND YOU'RE NOT A BIG FAN OF NOT THE SAME. 493 00:17:29,182 --> 00:17:32,751 WELL, MAYBE I'VE MATURED. 494 00:17:35,654 --> 00:17:37,624 I SAID, MAYBE I'VE MATURED. 495 00:17:37,656 --> 00:17:39,192 MR. MONK, I WAS RAISED 496 00:17:39,226 --> 00:17:40,326 IN AN OLDER HOUSE. 497 00:17:40,359 --> 00:17:42,162 THERE ARE GOING TO BE PROBLEMS. 498 00:17:42,194 --> 00:17:43,296 THERE ALWAYS ARE. 499 00:17:43,329 --> 00:17:44,763 AND YOU JUST CAN'T CALL THE SUPER. 500 00:17:44,797 --> 00:17:46,833 YOU KNOW? YOU'RE IT. 501 00:17:46,865 --> 00:17:48,335 YOU'RE--YOU'RE RESPONSIBLE. 502 00:17:48,367 --> 00:17:49,602 THAT'S WHAT I LOVE ABOUT IT. 503 00:17:49,635 --> 00:17:51,837 I HAVE NEVER BEEN RESPONSIBLE FOR ANYTHING. 504 00:17:51,871 --> 00:17:53,806 I WANT TO BE RESPONSIBLE. 505 00:17:53,839 --> 00:17:55,342 YOU DO? 506 00:17:55,375 --> 00:17:57,176 I WANT TO BE PART OF SOMETHING. 507 00:17:57,210 --> 00:17:58,244 SOMETHING REAL. 508 00:17:58,278 --> 00:18:00,579 SOMETHING PERMANENT. 509 00:18:00,613 --> 00:18:02,182 NATALIE... 510 00:18:03,516 --> 00:18:06,486 I'M...I'M HOME. 511 00:18:06,519 --> 00:18:08,855 [laughter] 512 00:18:08,887 --> 00:18:10,656 YOU'RE RIGHT. IT'S WONDERFUL! 513 00:18:10,690 --> 00:18:12,325 OKAY, LET'S CELEBRATE. 514 00:18:12,358 --> 00:18:14,461 I'M GONNA OPEN UP SOME OF THAT SPARKLING CIDER. 515 00:18:14,493 --> 00:18:17,763 UH, SO I WOULD LIKE TO MAKE A TOAST. 516 00:18:17,797 --> 00:18:19,132 HERE YOU GO. 517 00:18:19,165 --> 00:18:21,334 TO YOUR HOUSE. 518 00:18:21,367 --> 00:18:23,369 NO--TO YOUR HOME. 519 00:18:23,403 --> 00:18:24,671 MAY IT FINALLY BRING YOU THE PEACE-- 520 00:18:24,703 --> 00:18:27,140 SHUT UP, SHUT UP, SHUT--SHUT IT. 521 00:18:27,173 --> 00:18:29,209 WHAT? SHUT. 522 00:18:29,241 --> 00:18:31,310 THAT LIGHT FIXTURE. 523 00:18:31,344 --> 00:18:32,612 IT'S OFF-CENTER. 524 00:18:32,644 --> 00:18:34,213 WHAT? OH, NO, NO, NO, NO, NO. 525 00:18:34,247 --> 00:18:36,282 COME ON, MR. MONK, COME ON. 526 00:18:36,316 --> 00:18:37,817 3 INCHES, MAYBE 3 1/2. 527 00:18:37,849 --> 00:18:39,486 IT'S NO BIG DEAL. I DIDN'T EVEN NOTICE IT. 528 00:18:39,519 --> 00:18:41,653 CLOSER TO 4. 529 00:18:41,688 --> 00:18:42,721 OKAY, HERE. HOLD THIS. 530 00:18:42,755 --> 00:18:43,890 WHY DON'T WE JUST--LOOK. 531 00:18:43,923 --> 00:18:45,458 JUST GONNA MOVE THE TABLE. 532 00:18:46,893 --> 00:18:48,760 HOW'S THAT? 533 00:18:48,795 --> 00:18:51,263 YOU'RE RIGHT. THAT'S IT. 534 00:18:51,298 --> 00:18:52,565 THAT'S MUCH BETTER. THANK YOU. 535 00:18:52,598 --> 00:18:53,633 OKAY. ALL RIGHT. 536 00:18:53,665 --> 00:18:54,866 SO, TO YOU-- 537 00:18:54,901 --> 00:18:57,604 NOW THE TABLE'S NOT CENTERED ON THE RUG. 538 00:18:57,636 --> 00:19:00,207 OKAY, THAT'S IT. UM, I'M OUTTA HERE. 539 00:19:00,240 --> 00:19:01,874 I'LL SEE YOU TOMORROW. 540 00:19:07,980 --> 00:19:09,449 I REALLY APPRECIATE THIS. 541 00:19:09,481 --> 00:19:11,250 I MEAN, ON SUCH SHORT NOTICE. 542 00:19:11,284 --> 00:19:13,152 OH, I APPRECIATE THE BUSINESS. 543 00:19:14,487 --> 00:19:16,588 WELL, YOU SEE, 544 00:19:16,623 --> 00:19:18,891 IT'S NOT QUITE CENTERED. 545 00:19:18,924 --> 00:19:20,259 ABSOLUTELY, YEAH. 546 00:19:20,292 --> 00:19:21,861 THAT WOULD DRIVE ANYBODY CRAZY. 547 00:19:21,894 --> 00:19:24,463 ALL RIGHT, LET'S TAKE A LOOK AT THIS PUPPY, SHALL WE? 548 00:19:25,932 --> 00:19:26,766 ALL RIGHT. 549 00:19:26,798 --> 00:19:28,934 THIS IS GONNA BE EASY. PIECE OF CAKE. 550 00:19:28,968 --> 00:19:30,869 A LITTLE WALK IN THE PARK HERE. 551 00:19:30,903 --> 00:19:31,971 YOU KNOW WHAT WE'RE GONNA DO, 552 00:19:32,003 --> 00:19:33,506 WE'RE GONNA REATTACH THIS FIXTURE 553 00:19:33,539 --> 00:19:35,708 TO A PARALLEL SUPPORT BEAM. 554 00:19:35,741 --> 00:19:37,376 IT'S GONNA BE GOOD AS NEW. 555 00:19:37,410 --> 00:19:38,944 OH, I HOPE SO. BE CAREFUL. 556 00:19:38,978 --> 00:19:40,046 YEAH, ALL RIGHT. 557 00:19:40,078 --> 00:19:41,448 YOU'RE A LITTLE BIT OF A NERVOUS NELLIE, ARE YOU? 558 00:19:41,480 --> 00:19:43,849 I GOT A COUSIN LIKE YOU. 559 00:19:43,883 --> 00:19:44,983 HE MAKES COFFEE NERVOUS. 560 00:19:45,017 --> 00:19:46,952 [laughs] 561 00:19:46,986 --> 00:19:47,854 ALL RIGHT. HOLD THIS. YOU GOT IT? 562 00:19:47,886 --> 00:19:50,423 OKAY. 563 00:19:50,457 --> 00:19:51,958 ALL RIGHTY. 564 00:19:52,991 --> 00:19:55,261 YOU GOT ANOTHER ONE COMING HERE. 565 00:19:55,295 --> 00:19:56,962 OKAY, THERE WE GO. 566 00:19:56,996 --> 00:19:58,865 HEADS UP. GOT IT. 567 00:19:58,897 --> 00:20:01,334 UH-OH. 568 00:20:01,367 --> 00:20:03,435 UH-OH? WHAT--WHAT--WHAT UH-OH? 569 00:20:03,470 --> 00:20:05,605 YOUR WIRES ARE ALL FRAYED. THE CONNECTION IS RUSTED. 570 00:20:05,637 --> 00:20:07,874 OH, WHAT--WHAT-- WHAT DOES IT MEAN? 571 00:20:07,906 --> 00:20:09,509 WELL, IT MEANS YOU'RE NOT UP TO CODE, MY FRIEND. 572 00:20:09,541 --> 00:20:10,876 THIS IS A FIRE TRAP. 573 00:20:10,910 --> 00:20:12,845 OKAY, WE'RE GONNA HAVE TO RUN A NEW LINE TO HERE. 574 00:20:12,878 --> 00:20:14,513 WE'RE GONNA HAVE TO GO THROUGH THAT WALL. 575 00:20:14,547 --> 00:20:15,582 FEED IT UP OVER HERE-- 576 00:20:15,615 --> 00:20:16,583 OH, WAIT, WAIT. WHOA, WHOA, WAIT. 577 00:20:16,615 --> 00:20:17,784 I LOVE THAT WALL. 578 00:20:17,817 --> 00:20:20,319 THAT'S... 579 00:20:20,353 --> 00:20:21,921 THAT'S MY THIRD FAVORITE WALL. 580 00:20:21,953 --> 00:20:24,656 ADRIAN, I'M A SURGEON. 581 00:20:24,691 --> 00:20:26,492 JUST GONNA BE LIKE TAKING OUT AN APPENDIX. 582 00:20:26,526 --> 00:20:28,361 LITTLE INCISION. SNIP, SNIP, SNIP. 583 00:20:28,394 --> 00:20:31,597 POP OVER WITH THE WIRE AND THE FIXTURE. 584 00:20:31,631 --> 00:20:33,700 LITTLE SPACKLE. LITTLE PAINT. 585 00:20:34,933 --> 00:20:37,903 IS IT--IS IT GOING TO BE, YOU KNOW, LIKE-- 586 00:20:37,936 --> 00:20:39,672 [makes exploding noise] MESSY? 587 00:20:39,705 --> 00:20:41,340 NAH, NO WAY. 588 00:20:41,374 --> 00:20:42,875 WON'T EVEN KNOW I WAS HERE. 589 00:20:50,682 --> 00:20:51,851 UH-OH. 590 00:20:51,884 --> 00:20:53,885 UH-OH? AGAIN UH-OH? 591 00:20:53,920 --> 00:20:56,055 I DO NOT LIKE THE LOOK OF THIS. 592 00:20:56,087 --> 00:20:58,023 ALL RIGHT, WE GOT A LITTLE PROB-LA-REENO. 593 00:20:58,057 --> 00:20:59,326 IT'S WHAT WE CALL A GLITCH. 594 00:20:59,358 --> 00:21:01,760 OH...OKAY. 595 00:21:02,994 --> 00:21:03,962 SEE THIS PIPE? 596 00:21:03,996 --> 00:21:05,865 [banging] RIGHT THERE? 597 00:21:05,897 --> 00:21:07,933 IT'S A PRIMARY WATER LINE. IT'S CORRODED. 598 00:21:07,967 --> 00:21:09,402 OF COURSE IT IS. 599 00:21:09,435 --> 00:21:10,803 ALMOST ALL THE WAY THROUGH. 600 00:21:10,836 --> 00:21:11,738 COULD BURST ANY TIME. I THOUGHT-- 601 00:21:11,770 --> 00:21:12,872 I THOUGHT YOU GOT THIS PLACE INSPECTED. 602 00:21:12,904 --> 00:21:14,039 I DID, I DID. 603 00:21:14,073 --> 00:21:15,407 WAS THE GUY BLIND IN BOTH EYES? 604 00:21:15,442 --> 00:21:17,676 ALL RIGHT, LISTEN TO ME, ADRIAN. 605 00:21:17,710 --> 00:21:18,911 I GOTTA BE HONEST WITH YOU. 606 00:21:18,944 --> 00:21:20,646 BECAUSE I RESPECT YOU VERY MUCH. 607 00:21:20,680 --> 00:21:22,981 THIS WHOLE SECTION HAS TO GO. 608 00:21:23,015 --> 00:21:25,484 RIGHT HERE, WHICH MEANS THIS WALL, 609 00:21:25,518 --> 00:21:27,354 THAT WALL, 610 00:21:27,386 --> 00:21:28,855 AND THIS HALF OF THE FLOOR. 611 00:21:28,887 --> 00:21:30,856 WHAT ABOUT THAT HALF? 612 00:21:30,890 --> 00:21:31,857 THAT'S GONNA HAVE TO COME UP TOO. 613 00:21:31,891 --> 00:21:34,961 BUT I KNOW A GREAT PLUMBER. 614 00:21:34,993 --> 00:21:36,628 HIS NAME IS RAMONE. THEY CALL HIM HONEST RAMONE. 615 00:21:36,663 --> 00:21:37,630 OF COURSE THEY DO. 616 00:21:37,663 --> 00:21:39,632 [loud bangs] 617 00:21:39,665 --> 00:21:42,335 [both grunting] 618 00:21:42,368 --> 00:21:43,603 CAREFUL. 619 00:21:47,940 --> 00:21:49,608 UGH. YOU OKAY? 620 00:21:49,642 --> 00:21:51,611 YOU DIDN'T REALLY HAVE A CHOICE. 621 00:21:51,644 --> 00:21:53,413 I MEAN, THE PIPES WERE CORRODED. 622 00:21:53,445 --> 00:21:54,780 OH, GOSH. 623 00:21:54,814 --> 00:21:56,015 YOU KNOW, I'VE BEEN THROUGH LOTS OF RENOVATIONS. 624 00:21:56,048 --> 00:21:58,017 IT'S ALWAYS LIKE THIS. 625 00:21:58,049 --> 00:21:59,818 I COULD TELL YOU SOME REAL STORIES. 626 00:21:59,852 --> 00:22:00,952 PLEASE--PLEASE DON'T. 627 00:22:00,987 --> 00:22:03,122 DO YOU WANT TO STAY AT MY PLACE? 628 00:22:03,154 --> 00:22:04,990 NO. 629 00:22:05,023 --> 00:22:06,558 THEY'RE ALMOST DONE. 630 00:22:09,060 --> 00:22:10,028 (Honest Jake) UH-OH. 631 00:22:10,061 --> 00:22:11,029 (Ramone) NO GOOD. 632 00:22:11,063 --> 00:22:12,964 NOPE. 633 00:22:12,999 --> 00:22:14,967 WHAT? 634 00:22:15,000 --> 00:22:16,403 GOTTA FIND OUT WHAT THESE ARE TO. 635 00:22:16,435 --> 00:22:17,869 THEY... 636 00:22:17,903 --> 00:22:18,871 PROBABLY GO UP OVER THERE. 637 00:22:18,904 --> 00:22:20,640 (Ramone) ON THE OTHER SIDE? 638 00:22:20,673 --> 00:22:22,409 (Honest Jake) YEAH, THE OTHER SIDE. GO AHEAD. 639 00:22:22,442 --> 00:22:24,042 YEAH. 640 00:22:24,076 --> 00:22:25,845 A LITTLE DRILL, NO? 641 00:22:25,877 --> 00:22:27,413 YEAH, GO AHEAD. 642 00:22:27,446 --> 00:22:28,914 EXCUSE US. RIGHT THROUGH HERE, NO? 643 00:22:28,948 --> 00:22:30,717 JUST--JUST WATCH THE MOLDING. 644 00:22:30,750 --> 00:22:33,519 [drill whirring] 645 00:22:38,089 --> 00:22:39,925 ATTABOY. 646 00:22:52,038 --> 00:22:54,906 SEE ME? [laughs] 647 00:22:54,941 --> 00:22:56,976 STAND UP. 648 00:23:17,930 --> 00:23:20,098 SO YOU ARE LIKE A DETECTIVE? 649 00:23:20,132 --> 00:23:21,933 OH, HE'S THE BEST DETECTIVE IN THE WORLD. 650 00:23:21,968 --> 00:23:24,069 MAYBE NOT THE WORLD. WELL, WHO'S TO SAY? 651 00:23:24,103 --> 00:23:25,771 [Honest Jake groans] 652 00:23:25,805 --> 00:23:27,707 SO WHAT'S GOING ON, COLUMBO? 653 00:23:27,740 --> 00:23:29,808 OKAY, THIS IS JOSEPH MOODY'S WHEELCHAIR. 654 00:23:29,842 --> 00:23:31,042 IT WAS STILL IN THE GARAGE. 655 00:23:31,076 --> 00:23:33,078 WHO? THE OLD MAN WHO USED TO LIVE HERE. 656 00:23:33,112 --> 00:23:34,947 HE FELL DOWN THESE STAIRS. 657 00:23:34,980 --> 00:23:36,982 HE HAD A PRIVATE NURSE WHO SAID 658 00:23:37,016 --> 00:23:38,718 HE WALKED UP TO THAT LANDING. 659 00:23:38,750 --> 00:23:39,919 BUT LOOK. 660 00:23:42,588 --> 00:23:44,957 HERE, HERE, HERE. 661 00:23:44,990 --> 00:23:46,459 TIRE TRACKS. 662 00:23:46,492 --> 00:23:48,627 THEY'RE A PERFECT MATCH. 663 00:23:48,661 --> 00:23:50,061 AND THIS. 664 00:23:53,865 --> 00:23:55,501 WALLPAPER. 665 00:23:55,535 --> 00:23:57,002 LOOK. 666 00:23:59,270 --> 00:24:00,940 YOU CAN SEE WHERE IT WAS RIPPED AWAY. 667 00:24:00,972 --> 00:24:04,076 NO, NO, I THINK... 668 00:24:04,109 --> 00:24:06,913 I THINK SHE WHEELED HIM UP THESE STAIRS. 669 00:24:06,945 --> 00:24:07,946 SO YOU JUST PUT THAT TOGETHER? 670 00:24:07,980 --> 00:24:09,080 JUST LIKE THAT? 671 00:24:09,115 --> 00:24:10,883 HEH. FANTASTIC. 672 00:24:10,916 --> 00:24:12,818 AND THIS. 673 00:24:14,953 --> 00:24:16,489 TRIBITERAL. 674 00:24:16,522 --> 00:24:18,057 IT'S A NEW PRESCRIPTION. 675 00:24:18,089 --> 00:24:20,492 THIS IS THE STUFF SHE SAID MADE HIM DISORIENTED. 676 00:24:20,527 --> 00:24:21,993 IT'S NEVER BEEN OPENED. 677 00:24:22,028 --> 00:24:23,028 YOU THINK SHE KILLED HIM? 678 00:24:23,061 --> 00:24:24,696 SHE LIED ABOUT IT. 679 00:24:24,730 --> 00:24:25,998 THERE MUST BE A REASON. 680 00:24:36,142 --> 00:24:37,209 HEY, CASSIE. 681 00:24:39,211 --> 00:24:40,712 [exhales] JAKE. 682 00:24:40,747 --> 00:24:42,949 YOU SCARED ME TO DEATH. 683 00:24:42,981 --> 00:24:45,551 GOT YOU WORKING THE NIGHT SHIFT AGAIN, HUH? 684 00:24:45,585 --> 00:24:46,853 YEAH. THAT SUCKS. 685 00:24:46,885 --> 00:24:48,119 THROWS OFF THE WHOLE 686 00:24:48,153 --> 00:24:49,689 INTERNAL CLOCK. 687 00:24:49,721 --> 00:24:50,990 GETS IT ALL OUT OF WHACK. 688 00:24:53,593 --> 00:24:54,894 HOW--HOW DID YOU GET IN? 689 00:24:54,926 --> 00:24:56,596 SLIDING DOOR. 690 00:24:56,628 --> 00:24:57,930 IT'S BROKEN. 691 00:24:57,963 --> 00:24:59,265 NO, IT'S NOT. 692 00:24:59,298 --> 00:25:00,266 NO. 693 00:25:00,298 --> 00:25:02,101 IT IS. 694 00:25:02,134 --> 00:25:05,971 SO, HOW'S IT GOING? 695 00:25:06,005 --> 00:25:06,806 WHEN AM I GONNA SEE MY SHARE? 696 00:25:06,838 --> 00:25:10,910 SEE, BUTTERCUP, THAT'S WHY I'M HERE. 697 00:25:10,942 --> 00:25:13,813 WE RAN INTO A LITTLE BUMP IN THE ROAD TODAY. 698 00:25:13,846 --> 00:25:16,982 GUESS WHO BOUGHT THE HOUSE? 699 00:25:17,016 --> 00:25:18,984 ADRIAN MONK. 700 00:25:19,018 --> 00:25:21,587 I DON'T KNOW HIM. 701 00:25:21,621 --> 00:25:24,056 HE'S ONTO YOU, CASSIE. 702 00:25:24,089 --> 00:25:26,057 JAKE, IT WASN'T MY FAULT. 703 00:25:26,092 --> 00:25:28,294 I DIDN'T WANT TO KILL HIM. 704 00:25:28,326 --> 00:25:30,061 HE WOULD'VE TOLD EVERYONE. 705 00:25:30,096 --> 00:25:31,998 I REALLY DIDN'T HAVE A CHOICE. 706 00:25:32,030 --> 00:25:33,065 I KNOW. 707 00:25:33,098 --> 00:25:35,101 [Cassie screams] 708 00:25:47,346 --> 00:25:48,881 (Disher) SO HOW'S THE NEW HOUSE? 709 00:25:48,914 --> 00:25:50,316 (Monk) I DON'T WANT TO TALK ABOUT IT. 710 00:25:50,348 --> 00:25:51,750 DON'T WANT TO THINK ABOUT IT. 711 00:25:51,784 --> 00:25:53,920 EVERY 20 MINUTES IT'S SOMETHING ELSE. 712 00:25:53,952 --> 00:25:55,688 SOMETHING IS RUSTED OR CORRODED 713 00:25:55,721 --> 00:25:57,957 OR FALLING APART OR ABOUT TO FALL APART. 714 00:25:57,990 --> 00:25:59,659 I CAN'T WAIT TO SEE IT. 715 00:25:59,692 --> 00:26:00,727 IT'S LIKE NIGHTMARE EXCEPT FOR THE PART 716 00:26:00,759 --> 00:26:02,294 WHERE YOU WAKE UP AND IT'S ALL OVER. 717 00:26:02,327 --> 00:26:03,796 WHY DIDN'T YOU WARN ME? 718 00:26:03,829 --> 00:26:05,230 I DID. I TRIED TO. 719 00:26:05,263 --> 00:26:06,365 I THINK WE ALL DID. 720 00:26:06,397 --> 00:26:07,365 WELL, WHY DIDN'T YOU TIE ME DOWN 721 00:26:07,398 --> 00:26:08,768 AND SHOOT ME IN THE LEG? 722 00:26:08,800 --> 00:26:10,236 WHAT'S THE GOOD OF HAVING A GUN 723 00:26:10,269 --> 00:26:12,304 IF YOU DON'T SHOOT YOUR FRIEND IN THE LEG 724 00:26:12,337 --> 00:26:14,039 WHEN HE'S ABOUT TO BUY AN OLD HOUSE? 725 00:26:14,073 --> 00:26:15,775 NEXT TIME I WILL, I PROMISE. 726 00:26:22,213 --> 00:26:23,915 HELLO? 727 00:26:25,984 --> 00:26:28,721 [knocking in Morse code] 728 00:26:28,755 --> 00:26:31,222 [Stottlemeyer laughs] 729 00:26:31,257 --> 00:26:33,058 HEY, DID YOU HEAR THE ONE ABOUT THE, UH... 730 00:26:34,326 --> 00:26:35,894 [giggling] 731 00:26:35,927 --> 00:26:37,063 THAT'S NOT THE WAY I HEARD IT. 732 00:26:37,096 --> 00:26:39,365 MY HUSBAND WAS IN THE NAVY, 733 00:26:39,397 --> 00:26:40,365 REMEMBER? 734 00:26:40,398 --> 00:26:42,934 [whispers inaudibly] 735 00:26:42,969 --> 00:26:44,804 MISS DRAKE. 736 00:26:50,676 --> 00:26:51,376 OH, MY GOD! 737 00:26:51,410 --> 00:26:52,679 STAY THERE. CALL THE MEDICS! 738 00:26:52,711 --> 00:26:54,980 (Disher) STAY THERE. 739 00:26:55,013 --> 00:26:57,383 [police radio chatter] 740 00:27:02,821 --> 00:27:04,089 [exhales] 741 00:27:04,123 --> 00:27:05,356 STILL NO MURDER WEAPON. 742 00:27:05,391 --> 00:27:06,659 DOC SAYS KNITTING NEEDLE. 743 00:27:08,394 --> 00:27:09,828 WHAT DO YOU THINK? 744 00:27:09,862 --> 00:27:11,830 HE WAS TOSSING THE PLACE, SHE WALKED IN? 745 00:27:11,864 --> 00:27:14,666 I DON'T THINK SO. 746 00:27:14,701 --> 00:27:16,268 LOOK AT THE DRAWERS. 747 00:27:16,301 --> 00:27:18,671 THEY WERE PULLED OUT AND FLIPPED OVER, 748 00:27:18,704 --> 00:27:21,440 BUT EVERYTHING'S JUST PILED UP. 749 00:27:21,472 --> 00:27:23,976 HE DIDN'T REALLY RIFLE THROUGH IT. 750 00:27:24,009 --> 00:27:25,443 HE WAS HERE FOR HER. 751 00:27:25,477 --> 00:27:27,713 CAPTAIN. CHECK THIS OUT. 752 00:27:27,747 --> 00:27:29,248 FOUND IT IN HER CLOSET. 753 00:27:29,280 --> 00:27:30,950 FOUR GRAND, MAYBE MORE. 754 00:27:30,982 --> 00:27:32,451 IN 20S AND 50S. 755 00:27:32,483 --> 00:27:34,185 JEEZ, I SHOULD'VE GONE TO NURSING SCHOOL. 756 00:27:34,220 --> 00:27:36,154 1967, 1966. 757 00:27:38,958 --> 00:27:40,358 THESE ARE 40 YEARS OLD. 758 00:27:40,392 --> 00:27:43,095 SOME OF THE SERIAL NUMBERS ARE SEQUENTIAL. 759 00:27:43,128 --> 00:27:45,263 I'LL CALL TREASURY. MAYBE THEY CAN TRACE 'EM. 760 00:27:45,297 --> 00:27:47,432 WANNA COME? I CAN'T. 761 00:27:47,465 --> 00:27:48,734 I SHOULD GO HOME. 762 00:27:48,768 --> 00:27:50,702 SEE IF IT'S STILL THERE. 763 00:27:55,473 --> 00:27:59,010 [drill whirring] 764 00:27:59,045 --> 00:28:00,378 HI. MR. M. 765 00:28:00,412 --> 00:28:03,082 ARE YOU READY FOR SOME GOOD NEWS? 766 00:28:03,115 --> 00:28:04,450 YES, PLEASE. THANK YOU. 767 00:28:04,482 --> 00:28:06,384 RAMONE IS GETTING MARRIED. 768 00:28:06,417 --> 00:28:08,019 HIS OLD LADY SAID YES. 769 00:28:08,054 --> 00:28:09,888 RAMONE. HUH? 770 00:28:09,922 --> 00:28:12,057 NO--WHAT ABOUT THE HOUSE? 771 00:28:12,090 --> 00:28:14,425 YEAH, YOU KNOW, I'M GLAD YOU MENTIONED IT. 772 00:28:14,460 --> 00:28:16,261 RAMONE. RAMONE. RAMONE! 773 00:28:16,295 --> 00:28:17,363 SIESTA. 774 00:28:17,395 --> 00:28:19,397 [speaking Spanish] 775 00:28:19,431 --> 00:28:20,465 WE FOUND SOME MOLD. 776 00:28:20,499 --> 00:28:22,334 MOLD? YEAH. 777 00:28:22,367 --> 00:28:23,402 IT PROBABLY STARTED IN THE BATHROOM 778 00:28:23,434 --> 00:28:24,903 AND SPREAD FROM THERE. 779 00:28:24,936 --> 00:28:26,772 SO WHAT WE GOTTA DO IS WE GOTTA GO IN 780 00:28:26,806 --> 00:28:28,207 AND WE GOTTA GET THE MOLD OUT. 781 00:28:28,240 --> 00:28:30,742 NO, NO, NO. PLEASE, HONEST JAKE. 782 00:28:30,777 --> 00:28:31,877 I AM BEGGING YOU-- 783 00:28:31,911 --> 00:28:34,180 OKAY, OKAY. DON'T--IT'S FINE. 784 00:28:34,212 --> 00:28:37,182 IF YOU WANNA LIVE, YOU KNOW, WITH THE SPORES. 785 00:28:37,215 --> 00:28:38,384 THE FUNGUS. 786 00:28:38,416 --> 00:28:42,153 THE BACTERIA LIVING. SPREADING. 787 00:28:42,188 --> 00:28:44,155 EATING YOUR HOUSE FROM THE INSIDE OUT. 788 00:28:44,190 --> 00:28:45,991 UH...IT'S YOUR DECISION. 789 00:28:47,826 --> 00:28:48,927 IT'S YOUR HOUSE. 790 00:28:48,961 --> 00:28:51,163 GO PUT THIS BACK. 791 00:28:51,197 --> 00:28:55,433 [drill starts up] 792 00:28:55,467 --> 00:28:58,037 [jackhammer pounding] 793 00:29:00,506 --> 00:29:02,240 JUST REMIND ME. 794 00:29:02,273 --> 00:29:04,375 WHY DID YOU MOVE AGAIN? 795 00:29:04,410 --> 00:29:06,511 OH YEAH, THAT'S RIGHT. 796 00:29:06,545 --> 00:29:09,048 YOUR LAST PLACE WAS TOO NOISY. 797 00:29:11,217 --> 00:29:13,952 HEY, I FOUND THIS IN THE ATTIC. 798 00:29:13,986 --> 00:29:14,987 WHERE YOU WANT IT? 799 00:29:15,020 --> 00:29:16,355 YOU CAN JUST LEAVE IT HERE. 800 00:29:32,304 --> 00:29:34,539 "FIRE HYDRANTS TO BE PAINTED." 801 00:29:34,573 --> 00:29:36,442 LOOK AT THIS. 802 00:29:36,474 --> 00:29:38,978 "MORE RAIN EXPECTED THURSDAY." 803 00:29:39,010 --> 00:29:40,211 "GARDEN CLUB TO MEET." 804 00:29:40,246 --> 00:29:41,380 IT'S SO BORING. 805 00:29:41,413 --> 00:29:43,414 WHY WOULD YOU SAVE ALL THIS? 806 00:29:45,183 --> 00:29:47,486 WELL, MAYBE-- 807 00:29:47,519 --> 00:29:50,521 [jackhammering continues] 808 00:29:50,556 --> 00:29:52,458 I HAVE NO IDEA. 809 00:29:52,490 --> 00:29:54,526 IT WAS BEFORE MY TIME, 810 00:29:54,559 --> 00:29:55,961 BUT MY FATHER TOLD ME ALL ABOUT IT. 811 00:29:55,994 --> 00:29:57,296 HE WAS IN HIS OFFICE RIGHT UP THERE 812 00:29:57,328 --> 00:29:58,329 WHEN IT HAPPENED. 813 00:29:58,364 --> 00:30:00,398 1968, THE DAY BEFORE CHRISTMAS. 814 00:30:00,432 --> 00:30:02,067 YEAH, I WAS JUST A KID, 815 00:30:02,101 --> 00:30:04,036 BUT I REMEMBER EVERYBODY TALKING ABOUT THAT. 816 00:30:04,069 --> 00:30:05,904 IS THAT THE GATE? YES, SIR. 817 00:30:05,938 --> 00:30:08,039 THREE GUNMEN. STOLEN MILK TRUCK. 818 00:30:08,074 --> 00:30:09,375 RAMMED IT THROUGH THAT GATE. 819 00:30:09,407 --> 00:30:12,010 THEY SHOT TWO GUARDS AND WALKED AWAY WITH $4 MILLION. 820 00:30:12,044 --> 00:30:13,945 THIS WAS BACK WHEN $4 MILLION 821 00:30:13,980 --> 00:30:16,347 WAS CONSIDERED A LOT OF MONEY. 822 00:30:16,382 --> 00:30:18,217 JUST GO ON. 823 00:30:18,250 --> 00:30:20,019 ALL I KNOW IS, WE NEVER RECOVERED A NICKEL. 824 00:30:20,051 --> 00:30:21,287 UNTIL TODAY. 825 00:30:21,319 --> 00:30:23,422 FROM THE ROBBERY? 826 00:30:23,454 --> 00:30:24,490 YEP. SERIAL NUMBERS MATCH. 827 00:30:24,522 --> 00:30:25,590 WE GOT $4,200. 828 00:30:25,624 --> 00:30:27,425 A WOMAN NAMED CASSIE DRAKE 829 00:30:27,459 --> 00:30:28,594 WAS MURDERED LAST NIGHT. 830 00:30:28,626 --> 00:30:29,862 WE FOUND THIS IN HER CLOSET. 831 00:30:29,895 --> 00:30:30,997 WHERE'S THE REST OF IT? 832 00:30:31,029 --> 00:30:32,030 WE'RE WORKING ON THAT. 833 00:30:32,064 --> 00:30:33,531 I WAS REREADING THE FILE. 834 00:30:33,565 --> 00:30:35,366 THEY CAUGHT TWO OF THE THREE. 835 00:30:35,401 --> 00:30:36,468 CAREER BAD GUYS. 836 00:30:36,501 --> 00:30:39,105 THEY DIED IN PRISON WITHOUT RATTING OUT THEIR PARTNER. 837 00:30:39,137 --> 00:30:40,906 I GUESS HE WASN'T A BIG SPENDER. 838 00:30:40,940 --> 00:30:42,441 OR HE WAS SCARED OR DEAD. 839 00:30:42,473 --> 00:30:43,976 WELL, THE WOMAN WHO DIED, 840 00:30:44,009 --> 00:30:45,411 SHE WAS A PRIVATE NURSE. 841 00:30:45,443 --> 00:30:47,413 HER LAST PATIENT WAS A MAN NAMED JOSEPH MOODY. 842 00:30:47,445 --> 00:30:48,614 RING A BELL? 843 00:30:48,646 --> 00:30:49,548 I CAN CHECK HIM OUT. 844 00:30:49,580 --> 00:30:51,282 THE EMPLOYMENT RECORDS ARE IN THE BASEMENT. 845 00:30:51,317 --> 00:30:52,417 TAKE ME TEN MINUTES. 846 00:30:52,451 --> 00:30:53,551 GOOD DEAL. 847 00:30:55,121 --> 00:30:56,587 [loud bangs] 848 00:32:31,482 --> 00:32:33,751 MR. MONK. 849 00:32:33,785 --> 00:32:36,555 I GOT A CONFESSION TO MAKE. 850 00:32:38,156 --> 00:32:41,160 THEY REALLY DON'T CALL ME HONEST JAKE. 851 00:33:07,519 --> 00:33:09,488 THEY'RE LOOKING FOR THE MONEY, AREN'T THEY? 852 00:33:09,520 --> 00:33:12,090 YEAH, THE OLD MAN ROBBED THOSE ARMORED CARS. 853 00:33:12,124 --> 00:33:14,492 HE HID THE MONEY SOMEWHERE IN THIS HOUSE. 854 00:33:14,526 --> 00:33:16,461 [grunts] 855 00:33:16,494 --> 00:33:19,230 40 YEARS LATER, HE'S OLDER. DEMENTIA SETS IN. 856 00:33:19,265 --> 00:33:21,432 HE STARTS BABBLING ABOUT IT TO HIS PRIVATE NURSE. 857 00:33:21,467 --> 00:33:24,303 SHE KILLED HIM BEFORE HE COULD START 858 00:33:24,336 --> 00:33:26,404 BLABBING ABOUT IT TO SOMEBODY ELSE. 859 00:33:26,438 --> 00:33:29,474 AND SHE TELLS HER FRIEND, NOT-SO-HONEST JAKE. 860 00:33:29,508 --> 00:33:31,210 YEAH, THEY WERE PROBABLY MORE THAN FRIENDS. 861 00:33:31,242 --> 00:33:33,211 THEY WERE PROBABLY SEX LOVERS. 862 00:33:34,579 --> 00:33:36,615 THAT'S WHAT HE'S BEEN DOING HERE THE WHOLE TIME, 863 00:33:36,647 --> 00:33:38,183 LOOKING FOR THE MONEY. 864 00:33:38,217 --> 00:33:39,550 YOU'RE NOT GONNA BELIEVE THIS. 865 00:33:39,585 --> 00:33:41,720 HE'S STILL NOT THE WORST CONTRACTOR I'VE EVER SEEN. 866 00:33:41,752 --> 00:33:44,089 NATALIE. 867 00:33:44,123 --> 00:33:46,625 CAN YOU-- CAN YOU REACH THAT HAMMER? 868 00:33:46,657 --> 00:33:48,193 (Natalie) I'LL TRY. 869 00:34:03,474 --> 00:34:05,676 ALL RIGHT, NOW PULL. 870 00:34:05,711 --> 00:34:07,813 COME ON! PULL! 871 00:34:11,682 --> 00:34:13,318 [bathtub creaking] 872 00:34:13,351 --> 00:34:14,686 THERE. OKAY. 873 00:34:29,434 --> 00:34:30,501 OKAY. 874 00:34:30,536 --> 00:34:31,570 NOW WHAT? 875 00:34:31,603 --> 00:34:32,771 NOTHING. 876 00:34:32,804 --> 00:34:34,472 THAT NAIL WAS DRIVING ME CRAZY. 877 00:34:34,505 --> 00:34:36,074 [groans] 878 00:34:39,244 --> 00:34:40,246 GOD. 879 00:34:40,278 --> 00:34:41,280 WHAT? 880 00:34:41,313 --> 00:34:42,748 HE STILL HASN'T FIXED THAT LIGHT. 881 00:34:42,780 --> 00:34:44,215 OH... 882 00:35:00,431 --> 00:35:01,567 OH, MY GOD. 883 00:35:01,599 --> 00:35:03,568 [whispering] WHAT? 884 00:35:03,601 --> 00:35:05,836 OH, MY GOD. 885 00:35:09,440 --> 00:35:10,476 "OH, MY GOD," WHAT? 886 00:35:10,509 --> 00:35:11,409 [gasps] 887 00:35:11,443 --> 00:35:12,744 WHAT DO YOU SEE, HMM? 888 00:35:14,445 --> 00:35:15,614 WHAT DO YOU SEE? 889 00:35:19,751 --> 00:35:21,387 WHAT DO YOU SEE?! 890 00:35:21,420 --> 00:35:22,688 HUH? 891 00:35:22,721 --> 00:35:25,356 SOMETHING IN HERE? 892 00:35:30,896 --> 00:35:33,599 THIS IS A FALSE WALL. 893 00:35:33,632 --> 00:35:35,567 THERE'S A REASON THAT LIGHT WASN'T CENTERED. 894 00:35:35,601 --> 00:35:38,170 BECAUSE THIS IS A FALSE WALL! 895 00:35:39,505 --> 00:35:40,706 COME ON. MOVE THE FURNITURE. 896 00:35:40,739 --> 00:35:42,307 MOVE THIS FURNITURE. MOVE IT. 897 00:35:42,340 --> 00:35:44,175 IT'S IN HERE. 898 00:35:46,945 --> 00:35:49,315 [Honest Jake grunting] 899 00:35:49,347 --> 00:35:50,449 HERE? 900 00:35:50,481 --> 00:35:51,617 YUP. TAKE IT DOWN. 901 00:35:51,650 --> 00:35:52,851 JAKE, JAKE. 902 00:35:52,884 --> 00:35:55,253 [both laughing] 903 00:35:55,286 --> 00:35:57,688 WHAT ARE YOU GONNA DO WITH YOUR SHARE OF THE MONEY? 904 00:35:57,722 --> 00:36:00,192 SAME THING I'M GONNA DO WITH YOUR SHARE. 905 00:36:00,226 --> 00:36:01,260 SPEND IT. 906 00:36:01,293 --> 00:36:02,393 [gunshots] 907 00:36:02,427 --> 00:36:04,563 [crash] 908 00:36:09,835 --> 00:36:11,536 [whispering] WHAT? WHAT? 909 00:36:13,338 --> 00:36:14,472 THIS WAY. 910 00:36:17,576 --> 00:36:21,246 [bathtub scraping across floor] 911 00:36:23,514 --> 00:36:24,882 THIS WAY. 912 00:36:33,958 --> 00:36:35,793 ALMOST. EASY. 913 00:36:40,498 --> 00:36:42,601 IS HE DEAD? 914 00:36:42,634 --> 00:36:43,702 ARE YOU DEAD? 915 00:36:43,735 --> 00:36:44,969 HE'S NOT DEAD. 916 00:36:45,003 --> 00:36:47,572 HE'S NOT DEAD. HE'S STILL BREATHING. 917 00:36:47,606 --> 00:36:48,907 OH, GOD. HE'S GONNA WAKE UP ANY MINUTE. 918 00:36:48,940 --> 00:36:50,376 HELP! 919 00:36:50,409 --> 00:36:51,543 SOMEBODY HELP US! 920 00:36:51,577 --> 00:36:53,278 FORGET IT, FORGET IT. IT'S NO USE. 921 00:36:53,311 --> 00:36:54,846 NOBODY'S GONNA HEAR YOU. 922 00:36:54,880 --> 00:36:56,547 THE DOOR. THE FRONT DOOR. 923 00:36:56,581 --> 00:36:57,815 GO. GO, GO! 924 00:36:57,849 --> 00:36:59,351 [groaning] 925 00:36:59,385 --> 00:37:00,619 GO. PULL. 926 00:37:00,652 --> 00:37:01,887 JUST PULL. 927 00:37:01,920 --> 00:37:03,554 OKAY. 928 00:37:05,523 --> 00:37:07,425 YEAH. PULL, PULL. 929 00:37:07,458 --> 00:37:10,262 GOOD. WE GOT IT. WE GOT IT. 930 00:37:10,295 --> 00:37:11,762 PULL! 931 00:37:11,797 --> 00:37:12,864 [straining] 932 00:37:12,898 --> 00:37:15,501 YES. ONCE MORE. 933 00:37:15,534 --> 00:37:17,034 AH! NICE. 934 00:37:17,068 --> 00:37:18,436 OH, GOD, THIS RUG. 935 00:37:18,469 --> 00:37:19,838 WE'RE NEVER GONNA MAKE IT UP THOSE STAIRS. 936 00:37:19,871 --> 00:37:21,507 (Monk) OH, YOU'RE RIGHT. 937 00:37:22,708 --> 00:37:23,675 FOLLOW ME. 938 00:37:23,708 --> 00:37:25,744 FOLLOW YOU? OKAY, PULL. 939 00:37:25,777 --> 00:37:28,579 [groaning] 940 00:37:28,614 --> 00:37:29,947 GOOD, WE GOT IT. 941 00:37:29,981 --> 00:37:31,750 WE GOT IT. 942 00:37:31,782 --> 00:37:34,018 AGAIN. 943 00:37:34,052 --> 00:37:36,521 KEEP IT COMING. 944 00:37:36,554 --> 00:37:38,023 OKAY, GOT IT. I GOT IT. 945 00:37:39,925 --> 00:37:41,492 HAND ME THOSE RAGS. RIGHT THERE. 946 00:37:42,527 --> 00:37:43,795 WHAT--WHAT FOR? 947 00:37:43,829 --> 00:37:44,862 CALLING FOR HELP. 948 00:37:44,896 --> 00:37:46,764 PULL. PULL THE TUB CLOSER. 949 00:37:46,797 --> 00:37:48,434 PULL IT. 950 00:37:48,467 --> 00:37:50,936 PULL. 951 00:37:53,103 --> 00:37:54,539 WHAT--WHAT ARE YOU-- 952 00:37:54,572 --> 00:37:55,974 COME ON, COME ON, COME ON, COME ON, COME ON. 953 00:37:59,610 --> 00:38:00,978 YOU WERE RIGHT. 954 00:38:01,012 --> 00:38:02,681 JOSEPH MOODY. 955 00:38:02,713 --> 00:38:04,483 WORKED HERE NINE YEARS. 956 00:38:04,516 --> 00:38:06,617 RETIRED SIX WEEKS AFTER THE ROBBERY. 957 00:38:06,652 --> 00:38:07,853 (Stottlemeyer) WHAT A SURPRISE. 958 00:38:07,885 --> 00:38:10,356 ACTUALLY, HE LIVED RIGHT AROUND THE CORNER 959 00:38:10,389 --> 00:38:11,523 ON BEECH STREET. 960 00:38:11,556 --> 00:38:12,423 YEAH, WE KNOW. 961 00:38:12,458 --> 00:38:14,059 A FRIEND OF OURS JUST BOUGHT THAT HOUSE. 962 00:38:14,092 --> 00:38:15,693 WHAT THE HELL? 963 00:38:18,563 --> 00:38:19,731 LOOKS LIKE A SIGNAL. 964 00:38:19,764 --> 00:38:21,567 DOT, DOT, 965 00:38:21,599 --> 00:38:24,068 DOT... 966 00:38:24,101 --> 00:38:25,637 DOT. "S." 967 00:38:25,670 --> 00:38:26,838 (Disher) UH... 968 00:38:26,871 --> 00:38:28,840 (Stottlemeyer) IS THAT A DASH? 969 00:38:28,873 --> 00:38:30,576 "O." S-O. 970 00:38:30,608 --> 00:38:31,309 S-O. 971 00:38:31,342 --> 00:38:33,579 SODA! SOMEBODY'S SELLING SODA. 972 00:38:33,612 --> 00:38:35,447 IT'S NATALIE. SHE'S IN TROUBLE. 973 00:38:41,119 --> 00:38:42,387 COME ON. 974 00:38:56,467 --> 00:38:58,369 IF YOU LIKE MY WORK, 975 00:38:58,403 --> 00:38:59,871 TELL YOUR FRIENDS. 976 00:39:02,440 --> 00:39:04,876 ALL ABOUT WORD OF MOUTH, MY BUSINESS. 977 00:39:06,577 --> 00:39:07,713 ON SECOND THOUGHT... 978 00:39:09,047 --> 00:39:10,615 [cocks gun] 979 00:39:10,648 --> 00:39:12,483 GONNA RETIRE. 980 00:39:14,786 --> 00:39:16,387 (Stottlemeyer) DROP, DROP THE GUN! 981 00:39:16,422 --> 00:39:17,688 ON THE GROUND. ON THE GROUND. 982 00:39:17,722 --> 00:39:18,757 [grunts] 983 00:39:18,789 --> 00:39:19,958 HANDS. LET ME SEE YOUR HANDS. 984 00:39:19,990 --> 00:39:21,427 TAKE IT EASY. 985 00:39:23,762 --> 00:39:24,829 YOU OKAY? 986 00:39:24,862 --> 00:39:26,664 GET UP. GET UP. 987 00:39:27,965 --> 00:39:29,534 GOOD LUCK, OKAY? 988 00:39:29,568 --> 00:39:31,503 GOT IT? 989 00:39:51,623 --> 00:39:53,559 HOLY MOLY, WHAT HAPPENED HERE? 990 00:39:53,592 --> 00:39:57,027 I SHOULD NEVER HAVE BOUGHT THIS HOUSE. 991 00:39:57,061 --> 00:39:58,764 I SHOULD'VE WAITED FOR SOMETHING BETTER 992 00:39:58,797 --> 00:40:00,998 TO COME ALONG. 993 00:40:01,032 --> 00:40:02,800 LIKE DEATH. 994 00:40:04,835 --> 00:40:06,704 WHAT ABOUT YOUR FATHER? 995 00:40:06,737 --> 00:40:08,773 WHAT'S--WHAT'S YOUR HAPPIEST MEMORY OF HIM? 996 00:40:08,806 --> 00:40:10,541 MY FATHER, UM... 997 00:40:10,576 --> 00:40:12,110 WELL, HE TOOK ME TO A FOOTBALL GAME ONCE. 998 00:40:12,143 --> 00:40:13,844 SOUNDS LIKE FUN. 999 00:40:13,878 --> 00:40:15,780 WELL, EVERY TIME THE TEAM WENT INTO A HUDDLE, 1000 00:40:15,813 --> 00:40:17,483 HE TURNED TO ME AND SAID, 1001 00:40:17,516 --> 00:40:18,617 "THEY'RE TALKING ABOUT YOU." 1002 00:40:18,650 --> 00:40:19,851 TALKING ABOUT YOU? 1003 00:40:19,885 --> 00:40:21,987 THEY WEREN'T. WERE THEY? 1004 00:40:22,019 --> 00:40:24,155 NO, THAT SEEMS PRETTY UNLIKELY. 1005 00:40:24,188 --> 00:40:27,726 I DON'T KNOW WHY HE WOULD SAY THAT. 1006 00:40:27,759 --> 00:40:29,527 BECAUSE ONE PLAYER KEPT LOOKING UP AT ME 1007 00:40:29,561 --> 00:40:31,096 AND I THOUGHT I SAW HIM LAUGHING. 1008 00:40:31,128 --> 00:40:33,465 WELL, I'M PRETTY SURE THEY WERE TALKING 1009 00:40:33,498 --> 00:40:35,233 ABOUT THE GAME AND WHAT PLAY TO RUN NEXT. 1010 00:40:35,266 --> 00:40:36,635 HE WAS LOOKING RIGHT AT ME. 1011 00:40:36,668 --> 00:40:38,168 MM. 1012 00:40:38,202 --> 00:40:40,572 WELL-- I MEAN RIGHT AT ME. 1013 00:40:40,606 --> 00:40:42,507 UH, OUR TIME IS UP. 1014 00:40:42,541 --> 00:40:44,842 NEXT SESSION, LET'S PICK IT UP RIGHT HERE, ALL RIGHT? 1015 00:40:44,876 --> 00:40:47,512 WHAT'S, UH-- WHAT'S, UH-- 1016 00:40:47,545 --> 00:40:49,014 WHAT'S GOOD FOR YOU? 1017 00:40:49,047 --> 00:40:50,581 UH, HOW'S 3:00? 1018 00:40:50,615 --> 00:40:52,650 ALL RIGHT, 3:00. WHAT DAY? 1019 00:40:52,684 --> 00:40:53,952 YOU KNOW, TODAY. 1020 00:40:55,554 --> 00:40:57,155 TODAY? THAT'S... 1021 00:40:57,188 --> 00:40:58,222 THAT'S IN TWO HOURS. 1022 00:40:58,255 --> 00:40:59,557 YOU MEAN YOU WANT TO COME BACK? 1023 00:40:59,590 --> 00:41:00,659 UNLESS YOU HAVE SOMETHING SOONER. 1024 00:41:00,692 --> 00:41:03,829 NO, IT'S COMPLETELY BOOKED UP. 1025 00:41:03,862 --> 00:41:06,864 WHAT'S TOMORROW LOOK LIKE? 1026 00:41:17,275 --> 00:41:20,244 [Chopin piano piece] 1027 00:41:20,277 --> 00:41:28,586 * 1028 00:41:31,623 --> 00:41:35,059 [music gets louder] 1029 00:41:47,838 --> 00:41:47,905 Captioning by Courtney at CaptionMax www.captionmax.com 66683

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