Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,934 --> 00:00:06,040
[foreboding music]
2
00:00:06,073 --> 00:00:09,143
MR. BENNIE.
3
00:00:09,176 --> 00:00:10,378
HOY ES MIERCOLES.
4
00:00:10,410 --> 00:00:13,080
USTED DIJO QUE ME PODIA
IR TEMPRANO.
5
00:00:13,114 --> 00:00:14,814
ENGLISH.
ENGLISH!
6
00:00:14,848 --> 00:00:15,948
LEARN ENGLISH!
7
00:00:15,983 --> 00:00:19,286
MY THREE-YEAR-OLD NEPHEW
CAN SPEAK IT AND HE'S AN IDIOT.
8
00:00:19,320 --> 00:00:20,653
HOW HARD CAN IT BE?
9
00:00:20,687 --> 00:00:22,623
SET TRAPS ON YOUR WAY OUT.
10
00:00:22,655 --> 00:00:23,824
SET TRAPS.
11
00:00:23,856 --> 00:00:25,693
SENOR BENNIE, NO ME GUSTAN
LA TRAMPAS.
12
00:00:25,725 --> 00:00:26,760
YOU DON'T LIKE TRAPS.
13
00:00:26,794 --> 00:00:27,827
PODRIAN MATAR A ALGUIEN.
14
00:00:27,861 --> 00:00:29,362
WELL, OF COURSE
IT CAN KILL SOMEONE.
15
00:00:29,396 --> 00:00:30,530
THAT'S THE WHOLE POINT.
16
00:00:30,564 --> 00:00:32,799
IF SOMEBODY BREAKS IN HERE,
SOMEBODY TRIES TO ROB FROM ME,
17
00:00:32,832 --> 00:00:34,701
THEY GET WHAT'S COMIN' TO 'EM!
18
00:00:34,734 --> 00:00:35,668
THAT'S HOW WE DO THINGS.
19
00:00:35,703 --> 00:00:38,506
LISTEN,
WHEN YOU'RE AN AMERICAN,
20
00:00:38,539 --> 00:00:40,408
YOU'LL UNDERSTAND.
21
00:00:45,213 --> 00:00:49,149
[crickets chirping,
owl hooting]
22
00:00:49,182 --> 00:00:52,152
[suspenseful music]
23
00:00:52,185 --> 00:01:00,194
*
24
00:01:18,212 --> 00:01:19,180
(Bennie)
OKAY.
25
00:01:19,212 --> 00:01:23,716
OKAY, DON'T DO ANYTHING STUPID.
26
00:01:25,218 --> 00:01:26,554
NOT MUCH OF A TALKER, HUH?
27
00:01:26,587 --> 00:01:28,421
DON'T TAKE ANOTHER STEP,
I'M WARNING YOU,
28
00:01:28,456 --> 00:01:31,891
NOT ONE MORE STEP.
29
00:01:31,924 --> 00:01:33,760
[gunshot]
30
00:01:36,796 --> 00:01:38,865
(Bennie)
I TRIED TO TELL YOU.
31
00:01:38,899 --> 00:01:42,102
NOBODY LISTENS TO ME.
32
00:01:47,875 --> 00:01:51,212
[Randy Newman ragtime theme]
33
00:01:51,245 --> 00:01:53,480
* IT'S A JUNGLE OUT THERE
34
00:01:53,514 --> 00:01:57,817
* DISORDER AND CONFUSION
EVERYWHERE *
35
00:01:57,850 --> 00:02:00,453
* NO ONE SEEMS TO CARE
36
00:02:00,487 --> 00:02:01,588
* WELL, I DO
37
00:02:01,621 --> 00:02:04,692
* HEY, WHO'S IN CHARGE HERE?
38
00:02:04,724 --> 00:02:08,262
* IT'S A JUNGLE OUT THERE
39
00:02:08,295 --> 00:02:11,365
* POISON IN THE VERY AIR
WE BREATHE *
40
00:02:11,399 --> 00:02:13,766
* DO YOU KNOW WHAT'S IN
THE WATER THAT YOU DRINK? *
41
00:02:13,800 --> 00:02:17,837
* WELL, I DO,
AND IT'S A-MA-ZING *
42
00:02:17,871 --> 00:02:20,873
* PEOPLE THINK I'M CRAZY
'CAUSE I WORRY ALL THE TIME *
43
00:02:20,908 --> 00:02:24,444
* IF YOU PAID ATTENTION,
YOU'D BE WORRIED TOO *
44
00:02:24,478 --> 00:02:28,649
* YOU'D BETTER PAY ATTENTION
OR THIS WORLD WE LOVE SO MUCH *
45
00:02:28,681 --> 00:02:32,453
* MIGHT JUST KILL YOU
46
00:02:32,485 --> 00:02:34,354
* I COULD BE WRONG NOW
47
00:02:34,388 --> 00:02:36,656
* BUT I DON'T THINK SO
48
00:02:36,689 --> 00:02:39,227
* 'CAUSE IT'S
A JUNGLE OUT THERE *
49
00:02:39,259 --> 00:02:42,829
* IT'S A JUNGLE
OUT THERE *
50
00:02:49,703 --> 00:02:51,704
DO YOU LOVE YOUR JOB?
51
00:02:51,739 --> 00:02:54,608
DO I LOVE MY JOB?
52
00:02:54,641 --> 00:02:56,576
YEAH--NO, NOT ALL THE TIME.
53
00:02:56,610 --> 00:02:58,346
BUT MOST OF THE TIME, YEAH,
I LOVE MY JOB.
54
00:02:58,378 --> 00:02:59,513
WHY, WHAT'S GOING ON?
55
00:02:59,546 --> 00:03:01,215
I JUST CAME FROM COURT.
56
00:03:01,248 --> 00:03:03,516
THEY CONVICTED THAT
DAVID GRISHAM.
57
00:03:03,550 --> 00:03:05,718
OH. YEAH, RIGHT.
I REMEMBER HIM.
58
00:03:05,752 --> 00:03:07,721
HE STRANGLED HIS WIFE.
59
00:03:07,754 --> 00:03:10,557
WELL...CONGRATULATIONS.
60
00:03:10,591 --> 00:03:11,692
[sighs]
61
00:03:11,724 --> 00:03:13,993
IT USED TO MAKE ME FEEL GREAT.
62
00:03:14,026 --> 00:03:16,530
BUT TODAY,
ALL I COULD THINK WAS,
63
00:03:16,563 --> 00:03:18,498
SO WHAT?
64
00:03:18,532 --> 00:03:19,832
THIS CREEP'S GOING AWAY.
65
00:03:19,866 --> 00:03:21,568
THERE'S TEN OTHER CREEPS
OUT THERE
66
00:03:21,602 --> 00:03:22,670
READY TO TAKE HIS PLACE.
67
00:03:22,703 --> 00:03:24,638
WHAT GOOD AM I DOING?
68
00:03:24,671 --> 00:03:27,574
OH, I'M SURE THE FAMILIES OF
THE VICTIM APPRECIATE YOUR WORK,
69
00:03:27,608 --> 00:03:29,477
AND THE PEOPLE
OF SAN FRANCISCO--
70
00:03:29,509 --> 00:03:31,745
OH, BLAH BLAH,
BLAH BLAH BLAH--
71
00:03:31,778 --> 00:03:33,381
ALL RIGHT, ALL RIGHT,
ADRIAN. ADRIAN.
72
00:03:33,413 --> 00:03:34,715
I UNDERSTAND.
73
00:03:34,747 --> 00:03:35,649
NOW, YOU'RE FEELING
UNFULFILLED.
74
00:03:35,682 --> 00:03:36,750
IT'S ALL THE SAME.
75
00:03:36,783 --> 00:03:38,951
CRIME SCENE, WITNESS,
SUSPECT, QUESTION, ANSWER--
76
00:03:38,985 --> 00:03:41,588
OKAY, THIS--THIS IS PERFECTLY
NORMAL, ADRIAN.
77
00:03:41,622 --> 00:03:44,792
NO JOB CAN COMPLETELY
SATISFY ANYONE.
78
00:03:44,824 --> 00:03:46,659
THERE IS MORE TO LIFE
THAN JUST WORKING--
79
00:03:46,694 --> 00:03:48,361
I KNOW THAT.
LET ME FINISH.
80
00:03:48,396 --> 00:03:51,564
OR CLEANING.
81
00:03:51,598 --> 00:03:53,033
OH.
82
00:03:53,066 --> 00:03:54,534
MAYBE YOU SHOULD
TAKE UP A HOBBY.
83
00:03:54,567 --> 00:03:55,902
HOBBY?
84
00:03:55,936 --> 00:03:57,737
YEAH.
OUTSIDE OF WORK.
85
00:03:57,771 --> 00:04:01,474
A CREATIVE OUTLET
TO EXPRESS YOURSELF.
86
00:04:01,508 --> 00:04:02,643
HOBBY?
YES, A HOBBY.
87
00:04:02,675 --> 00:04:03,911
IT'S GREAT THERAPY.
88
00:04:03,943 --> 00:04:08,581
YOU KNOW, I RECENTLY
TOOK UP BALLROOM DANCING.
89
00:04:08,615 --> 00:04:09,750
GOOD FOR YOU.
90
00:04:09,782 --> 00:04:10,751
YEAH, WELL.
[chuckles]
91
00:04:10,783 --> 00:04:12,620
UNFORTUNATELY, MADELINE--
92
00:04:12,652 --> 00:04:13,753
SHE DOESN'T LOVE IT
AS MUCH AS I DO,
93
00:04:13,787 --> 00:04:15,455
SO A LOT OF THE TIME
WHEN I GO TO CLASS,
94
00:04:15,489 --> 00:04:17,457
I DON'T HAVE A PARTNER.
95
00:04:17,490 --> 00:04:18,959
[sighs]
96
00:04:23,062 --> 00:04:25,499
I'M NOT GONNA DANCE WITH YOU,
DR. KROGER.
97
00:04:25,533 --> 00:04:26,733
DON'T--
98
00:04:26,766 --> 00:04:28,636
DON'T MAKE ME DANCE WITH YOU,
DR. KROGER.
99
00:04:28,668 --> 00:04:29,502
NO. NO, ADRIAN,
I AM NOT SUGGESTING--
100
00:04:29,536 --> 00:04:31,672
I CAN'T DANCE WITH YOU,
DR. KROGER.
101
00:04:31,704 --> 00:04:33,574
I DIDN'T ASK YOU
TO DANCE WITH ME, ADRIAN.
102
00:04:33,606 --> 00:04:34,742
I WAS TALKING ABOUT
A DIFFERENT HOBBY.
103
00:04:34,774 --> 00:04:36,944
NOT DANCING.
NOT DANCING!
104
00:04:38,545 --> 00:04:42,915
NOT DANCING.
105
00:04:42,949 --> 00:04:44,651
[sighs]
106
00:04:44,685 --> 00:04:46,819
NOTHING PERSONAL.
107
00:04:46,853 --> 00:04:48,822
(Natalie)
HOBBY?
108
00:04:48,855 --> 00:04:50,423
I THINK THAT'S A GREAT IDEA.
109
00:04:50,457 --> 00:04:51,391
(Monk)
I'M SURE YOU DO.
110
00:04:51,425 --> 00:04:53,627
WHAT ABOUT COLLECTING ROCKS?
YOU LOVE ROCKS.
111
00:04:53,661 --> 00:04:55,596
(Monk)
DR. KROGER SAYS ROCKS
DON'T COUNT.
112
00:04:55,629 --> 00:04:56,764
IT HAS TO BE CREATIVE.
113
00:04:56,797 --> 00:04:58,665
I'M SUPPOSED TO BE
EXPRESSING MYSELF.
114
00:04:58,699 --> 00:05:00,968
ALL RIGHT, WHY DON'T YOU
WRITE A BOOK, LIKE A NOVEL?
115
00:05:01,000 --> 00:05:02,636
ABOUT WHAT?
116
00:05:02,670 --> 00:05:03,737
I DON'T KNOW.
117
00:05:03,771 --> 00:05:04,704
WELL, WHAT WOULD IT BE CALLED?
118
00:05:04,737 --> 00:05:05,773
I MEAN,
WHO WOULD BE IN IT?
119
00:05:05,805 --> 00:05:07,807
WHAT WOULD THEY SAY?
WHAT WOULD THE OTHER PEOPLE SAY?
120
00:05:07,841 --> 00:05:08,942
OKAY, FORGET ABOUT THE NOVEL.
121
00:05:08,975 --> 00:05:10,577
OKAY.
122
00:05:10,610 --> 00:05:11,579
OH, GOD.
123
00:05:11,612 --> 00:05:12,680
YOU ALL RIGHT?
124
00:05:12,713 --> 00:05:14,747
WHY ARE PEOPLE
ALWAYS KILLING PEOPLE
125
00:05:14,781 --> 00:05:15,882
IN PLACES LIKE THIS?
126
00:05:15,915 --> 00:05:18,084
I DON'T KNOW, MR. MONK.
BUT I'LL SEE WHAT I CAN DO.
127
00:05:18,117 --> 00:05:19,452
(Stottlemeyer)
MONK. MS. TEEGER.
128
00:05:19,487 --> 00:05:20,754
THANK YOU FOR COMING.
129
00:05:20,788 --> 00:05:23,690
I KNOW THIS ISN'T EXACTLY
YOUR, UH, VENUE OF CHOICE.
130
00:05:23,723 --> 00:05:24,858
YEAH, WHAT'S GOING ON?
131
00:05:24,891 --> 00:05:26,059
AH, IT COULD BE NOTHING.
132
00:05:26,093 --> 00:05:27,728
IT'S PROBABLY NOTHING.
133
00:05:27,761 --> 00:05:29,829
THAT'S THE OWNER.
HIS NAME'S BENNIE WENTWORTH.
134
00:05:29,862 --> 00:05:32,766
HE'S OWNED THIS PLACE
FOR 20 YEARS.
135
00:05:32,800 --> 00:05:33,466
HE IS A PIECE OF WORK.
136
00:05:33,500 --> 00:05:35,636
TWO TOURS OF DUTY
IN VIETNAM,
137
00:05:35,668 --> 00:05:38,572
SPECIAL FORCES,
COUNTER-INSURGENCY.
138
00:05:38,605 --> 00:05:39,773
HE'S AN EXPERT IN BOOBY TRAPS.
139
00:05:39,807 --> 00:05:40,740
BOOBY TRAPS.
140
00:05:40,774 --> 00:05:43,377
YEAH, HE'S GOT AN ASSISTANT
NAMED, UH, HECTOR,
141
00:05:43,411 --> 00:05:44,677
UH, SOMETHING.
142
00:05:44,711 --> 00:05:47,146
HE SET THESE TRAPS EVERY NIGHT,
SO THEY'RE ALL OVER THE YARD.
143
00:05:47,180 --> 00:05:48,415
DON'T TOUCH ANYTHING.
144
00:05:48,449 --> 00:05:50,718
YEAH, DON'T WORRY,
I WON'T.
145
00:05:50,750 --> 00:05:53,420
SO WHO IS HE?
146
00:05:53,454 --> 00:05:55,523
SO FAR, HE'S A NOBODY.
NO I.D., NO WALLET.
147
00:05:55,555 --> 00:05:57,425
HE CUT THROUGH THE FENCE
AROUND 5:00 A.M.
148
00:05:57,457 --> 00:06:00,494
WELL...WHICH CAR WAS HIS?
149
00:06:00,528 --> 00:06:04,031
NO CAR.
WELL, NOT THAT WE FOUND.
150
00:06:04,064 --> 00:06:07,800
SO HE BREAKS IN,
HE STEPS ON THIS TRIPWIRE--
151
00:06:07,834 --> 00:06:10,504
RIGHT, WHICH WAS TIED
TO THE SHOTGUN,
152
00:06:10,538 --> 00:06:11,538
TOOK BOTH BARRELS.
153
00:06:11,572 --> 00:06:12,706
WAIT, IS THAT LEGAL?
154
00:06:12,740 --> 00:06:14,975
THAT'S NOT FOR ME TO DECIDE.
THE D.A.'S WORKING ON IT.
155
00:06:15,007 --> 00:06:17,711
OH, OH, BOOBY TRAP!
156
00:06:17,745 --> 00:06:19,178
RANDY! RANDY!
157
00:06:19,211 --> 00:06:20,713
RANDY!
OOH!
158
00:06:20,747 --> 00:06:23,951
IT'S NOT A BOOBY TRAP.
IT'S A SPIDER'S WEB.
159
00:06:23,983 --> 00:06:26,185
WHAT'S GOING ON?
DID YOU BREAK THIS?
160
00:06:26,218 --> 00:06:27,620
UH...SORRY.
161
00:06:27,654 --> 00:06:29,589
YOU BREAK IT, YOU BOUGHT IT.
THAT'S THE RULES.
162
00:06:29,622 --> 00:06:30,790
IT'S A JUNKYARD.
163
00:06:30,824 --> 00:06:31,824
HOW DO YOU KNOW
IF SOMETHING'S BROKEN?
164
00:06:31,858 --> 00:06:33,826
I KNOW.
I CAN TELL, LOOK.
165
00:06:33,860 --> 00:06:36,663
THIS WHEEL IS ALL BENT.
40 BUCKS.
166
00:06:36,697 --> 00:06:38,098
40 BUCKS, NO WAY.
167
00:06:38,130 --> 00:06:39,199
(Stottlemeyer)
MR. WENTWORTH.
168
00:06:39,231 --> 00:06:40,533
THIS IS ADRIAN MONK
169
00:06:40,567 --> 00:06:41,534
AND NATALIE TEEGER.
170
00:06:41,569 --> 00:06:42,870
THEY'RE HELPING US OUT.
171
00:06:42,903 --> 00:06:44,204
I WAS WONDERING,
172
00:06:44,237 --> 00:06:45,673
COULD YOU GO OVER
THE WHOLE THING AGAIN, PLEASE?
173
00:06:45,706 --> 00:06:46,740
GO OVER WHAT?
174
00:06:46,774 --> 00:06:48,442
THE GUY WAS ON MY PROPERTY,
HE TRIED TO RIP ME OFF,
175
00:06:48,475 --> 00:06:50,744
HE GOT WHAT WAS COMIN' TO HIM,
END OF STORY!
176
00:06:50,778 --> 00:06:51,745
I'LL TELL YOU WHAT,
177
00:06:51,778 --> 00:06:53,112
GIVE ME 20 BUCKS,
WE'LL FORGET THE WHOLE THING.
178
00:06:53,146 --> 00:06:54,615
I'M NOT PAYING FOR IT.
179
00:06:54,648 --> 00:06:55,783
WHAT WAS HE DOING HERE,
MR. WENTWORTH?
180
00:06:55,816 --> 00:06:56,783
WHAT DO YOU THINK
HE WAS AFTER?
181
00:06:56,817 --> 00:06:58,185
I DON'T KNOW.
182
00:06:58,218 --> 00:06:59,752
OH, MAYBE HE NEEDED
A CARBURETOR.
183
00:06:59,786 --> 00:07:01,754
PEOPLE NEED CARBURETORS.
184
00:07:01,788 --> 00:07:03,723
HE WAS WEARING
A $2,000 SUIT.
185
00:07:03,757 --> 00:07:04,791
AND THOSE ARE ITALIAN SHOES.
186
00:07:04,824 --> 00:07:06,026
I THINK HE COULD AFFORD
A CARBURETOR.
187
00:07:06,059 --> 00:07:07,694
MAYBE HE STOLE THE SUIT.
188
00:07:07,728 --> 00:07:08,728
THAT'S POSSIBLE, ISN'T IT?
189
00:07:08,762 --> 00:07:11,798
MAYBE HE STOLE THE SHOES!
MAYBE HE WAS ON A SPREE!
190
00:07:11,831 --> 00:07:14,100
SUIT, SHOES,
AND A CARBURETOR.
191
00:07:14,134 --> 00:07:15,603
WHAT KIND OF SPREE IS THAT?
192
00:07:15,636 --> 00:07:18,771
I DON'T KNOW.
UH, AN ECLECTIC SPREE.
193
00:07:18,805 --> 00:07:20,139
DO YOU HAVE ANY ENEMIES?
194
00:07:20,173 --> 00:07:21,742
NONE THAT I CAN THINK OF.
195
00:07:21,774 --> 00:07:23,677
EXCEPT FOR THIS GUY,
THE BICYCLE THIEF.
196
00:07:23,711 --> 00:07:24,677
TEN BUCKS.
NO.
197
00:07:24,711 --> 00:07:26,814
OKAY, FIVE BUCKS.
FINAL OFFER.
198
00:07:26,846 --> 00:07:28,481
RANDY, GIVE HIM FIVE BUCKS.
199
00:07:28,516 --> 00:07:30,518
FINE.
200
00:07:30,550 --> 00:07:32,620
I WONDER WHAT HAPPENED TO
HIS PARTNER.
201
00:07:32,653 --> 00:07:33,754
WHAT PARTNER?
202
00:07:33,786 --> 00:07:35,855
IT'S A DIRT ROAD OUT THERE.
203
00:07:35,889 --> 00:07:38,826
VERY LITTLE DUST
ON HIS SHOES.
204
00:07:38,858 --> 00:07:41,495
SOMEBODY MUST HAVE
DROPPED HIM OFF.
205
00:07:41,528 --> 00:07:43,831
MAYBE THEY TOOK OFF
WHEN THEY HEARD THE GUNSHOTS.
206
00:07:43,863 --> 00:07:45,865
SECURE THE ROAD.
207
00:07:45,899 --> 00:07:47,901
TELL THE CRIME SCENE TECHS
TO CHECK FOR TIRE TRACKS.
208
00:07:47,935 --> 00:07:50,170
YES, SIR.
209
00:07:50,202 --> 00:07:51,672
RANDY.
210
00:07:51,704 --> 00:07:53,206
YOUR BIKE.
211
00:08:02,983 --> 00:08:03,750
(Natalie)
HEY, MR. MONK.
212
00:08:03,783 --> 00:08:06,153
HOW ABOUT PAINTING?
PAINTING...
213
00:08:06,185 --> 00:08:08,021
THAT'S A HOBBY.
I BET YOU'D LOVE IT.
214
00:08:08,055 --> 00:08:10,290
YOU'RE A VERY VISUAL PERSON.
215
00:08:10,322 --> 00:08:11,692
I AM?
216
00:08:11,725 --> 00:08:12,860
(Wentworth)
YOU'RE A PAINTER?
217
00:08:12,893 --> 00:08:14,661
I GOT EVERYTHING YOU NEED
RIGHT HERE.
218
00:08:14,694 --> 00:08:16,129
I JUST PICKED THESE UP.
219
00:08:16,163 --> 00:08:17,930
I GOT A WHOLE STARTING KIT,
GOOD AS NEW.
220
00:08:17,964 --> 00:08:20,634
I'LL THROW IN THESE CANVASES!
221
00:08:20,668 --> 00:08:21,834
THE WHOLE SHEBANG.
222
00:08:21,869 --> 00:08:24,637
$50.00.
223
00:08:24,672 --> 00:08:25,504
I DON'T KNOW.
224
00:08:25,538 --> 00:08:27,975
PAINTING.
I DON'T THINK IT'S FOR ME.
225
00:08:28,007 --> 00:08:29,910
I'LL PAY FOR IT.
OKAY.
226
00:09:34,642 --> 00:09:37,144
[clearing throat]
227
00:09:51,924 --> 00:09:55,995
MR. MONK, I HAVE TO PICK UP
JULIE SOON.
228
00:10:03,803 --> 00:10:04,937
YOU'RE SUPPOSED TO MIX
THE COLORS.
229
00:10:04,971 --> 00:10:06,405
I CAN'T.
OKAY.
230
00:10:06,438 --> 00:10:08,841
DON'T MIX THE COLORS.
231
00:10:09,842 --> 00:10:10,744
WHAT ARE YOU DOING?
232
00:10:10,778 --> 00:10:12,078
I'M WASHING THE BRUSH.
I GOT PAINT ON IT.
233
00:10:12,111 --> 00:10:14,413
NO, THERE'S SUPPOSED
TO BE PAINT--
234
00:10:14,447 --> 00:10:16,182
MR. MONK, WHAT--
WHY DON'T YOU--
235
00:10:16,216 --> 00:10:18,184
WHY DON'T YOU...
TAKE AN ART CLASS?
236
00:10:18,217 --> 00:10:20,821
YOU KNOW, JUST TO LEARN THE--
THE BASIC TECHNIQUES.
237
00:10:20,854 --> 00:10:22,389
THERE'S A COMMUNITY COLLEGE
FIVE BLOCKS AWAY.
238
00:10:22,422 --> 00:10:23,389
I'LL--I'LL SIGN YOU UP.
239
00:10:23,423 --> 00:10:26,125
NO.
NO, I DON'T NEED A CLASS.
240
00:10:26,158 --> 00:10:29,062
I'M FINE.
I'M GOOD, JUST--
241
00:10:29,096 --> 00:10:32,131
HERE'S WE GO.
LET'S GO.
242
00:10:38,772 --> 00:10:39,807
I'M THINKING YELLOW--
243
00:10:39,840 --> 00:10:42,842
YELLOW WOULD BE GOOD.
244
00:10:42,875 --> 00:10:44,344
OH! EH!
245
00:10:44,376 --> 00:10:45,812
IT DRIPPED.
[groans]
246
00:10:45,846 --> 00:10:48,248
HERE, HOLD THAT.
JUST GRAB THE OTHER SIDE--
247
00:10:48,280 --> 00:10:49,682
NO NO NO NO, MR. MONK,
IT'S FINE, IT'S FINE.
248
00:10:49,716 --> 00:10:51,018
YOU'VE ALREADY THROWN AWAY
THREE DROPCLOTHS.
249
00:10:51,051 --> 00:10:52,686
IT'S SUPPOSED TO BE MESSY.
250
00:10:52,720 --> 00:10:53,787
YOU KNOW, IT'S PART OF THE FUN.
251
00:10:53,821 --> 00:10:54,653
THIS WAS A BAD IDEA.
NO, IT'S NOT.
252
00:10:54,687 --> 00:10:56,188
YOU'RE DOING GOOD,
YOU'RE DOING GOOD.
253
00:10:56,222 --> 00:10:58,024
JUST--DON'T THINK SO MUCH.
254
00:10:58,057 --> 00:10:59,826
DON'T THINK.
SO MUCH.
255
00:10:59,860 --> 00:11:01,427
DON'T THINK.
256
00:11:01,461 --> 00:11:03,196
DON'T THINK.
257
00:11:04,764 --> 00:11:07,067
DON'T THINK.
258
00:11:07,100 --> 00:11:09,702
DON'T THINK.
259
00:11:09,736 --> 00:11:13,774
SO MUCH.
260
00:11:19,078 --> 00:11:22,783
DON'T THINK.
261
00:11:26,485 --> 00:11:28,020
OH, LOOK WHAT I DID.
262
00:11:28,054 --> 00:11:29,756
IT'S TERRIBLE.
263
00:11:29,789 --> 00:11:31,357
WHAT?
IT'S JUST--
264
00:11:31,390 --> 00:11:32,491
NO NO NO NO NO,
DON'T START OVER.
265
00:11:32,524 --> 00:11:33,493
NO NO NO.
I LIKE IT, IT'S GOOD.
266
00:11:33,525 --> 00:11:34,394
I LIKE IT.
NO, IT'S BAD.
267
00:11:34,427 --> 00:11:35,995
I MESSED IT UP.
YOU TOLD ME NOT TO THINK!
268
00:11:36,028 --> 00:11:37,029
NO, IT'S GOOD.
269
00:11:37,063 --> 00:11:39,399
IT'S--IT'S FLAT.
IT'S FLAT!
270
00:11:44,904 --> 00:11:46,206
THANK YOU.
271
00:11:46,239 --> 00:11:48,775
I'M CALLING THE SCHOOL.
YOU'RE TAKING THE CLASS.
272
00:11:51,845 --> 00:11:53,880
MR. BENNIE.
273
00:11:53,913 --> 00:11:57,149
BUENOS DíAS.
274
00:11:58,317 --> 00:12:00,888
SIENTO LLEGAR TARDE.
275
00:12:00,921 --> 00:12:04,456
MR. BENNIE,
¿QUé HACE,
ESTá DURMIENDO?
276
00:12:04,490 --> 00:12:07,159
MR. BENNIE.
277
00:12:07,193 --> 00:12:09,897
MR. BENNIE--
¿QUé HACE?
278
00:12:09,929 --> 00:12:11,298
MR. BENNIE.
279
00:12:16,536 --> 00:12:21,173
AY, DIOS MíO.
280
00:12:21,207 --> 00:12:24,311
AY DIOS MíO.
281
00:12:33,286 --> 00:12:36,155
(Ms. Benson)
PEOPLE, DON'T LOOK AT
THE LANDSCAPE,
282
00:12:36,188 --> 00:12:37,825
FEEL THE LANDSCAPE.
283
00:12:37,857 --> 00:12:38,959
LET THE LANDSCAPE
284
00:12:38,991 --> 00:12:42,062
SPEAK TO YOU.
285
00:12:43,996 --> 00:12:45,097
YES!
286
00:12:45,131 --> 00:12:47,033
ANGIE.
I LOVE IT.
287
00:12:47,067 --> 00:12:50,370
THERE'S A WONDERFUL
NEGATIVE ENERGY.
288
00:12:50,403 --> 00:12:53,206
PEOPLE, DON'T BE AFRAID.
BE FEARLESS.
289
00:12:53,240 --> 00:12:55,075
YOU ARE AN ARTIST.
290
00:12:55,107 --> 00:12:58,110
YOU ARE FEARLESS.
291
00:12:58,144 --> 00:13:00,212
THERE IS NO RIGHT
OR WRONG HERE.
292
00:13:06,854 --> 00:13:07,586
I'M SORRY,
I'VE FORGOTTEN YOUR NAME.
293
00:13:07,620 --> 00:13:09,288
ADRIAN.
ADRIAN.
294
00:13:09,322 --> 00:13:11,357
WHO TOLD YOU YOU COULD DRAW?
295
00:13:11,390 --> 00:13:12,491
NATALIE.
296
00:13:12,524 --> 00:13:14,427
WHAT ARE THOSE?
297
00:13:14,461 --> 00:13:18,264
AH, CLOUDS.
298
00:13:18,298 --> 00:13:19,599
THAT'S HOW I SEE IT.
299
00:13:19,631 --> 00:13:21,000
WELL, YOU'RE SEEING IT WRONG.
300
00:13:21,033 --> 00:13:23,870
YOU SAID THERE WAS
NO RIGHT OR WRONG.
301
00:13:23,903 --> 00:13:26,538
WELL...
302
00:13:26,572 --> 00:13:29,976
NEVER SAY THAT AGAIN.
303
00:13:33,947 --> 00:13:35,915
[man over dispatch]
482.
304
00:13:35,948 --> 00:13:38,150
(Natalie)
OH, THIS FEELS FAMILIAR.
305
00:13:38,184 --> 00:13:39,952
(Stottlemeyer)
MONK!
306
00:13:39,986 --> 00:13:42,121
MISS TEEGER.
WELCOME BACK.
307
00:13:42,154 --> 00:13:43,923
BET YOU NEVER THOUGHT YOU'D SEE
THIS PLACE AGAIN.
308
00:13:43,956 --> 00:13:44,924
IT'S LIKE A BAD DREAM.
309
00:13:44,957 --> 00:13:46,459
IT IS, ISN'T IT?
310
00:13:46,493 --> 00:13:48,461
THE BODY'S OVER THERE.
311
00:13:48,495 --> 00:13:50,931
I TOLD THEM NOT TO MOVE THE BODY
UNTIL YOU GOT HERE.
312
00:13:50,963 --> 00:13:51,899
WHERE HAVE YOU BEEN?
313
00:13:51,932 --> 00:13:53,100
ART CLASS.
314
00:13:53,133 --> 00:13:54,600
OH RIGHT, YOUR HOBBY.
HOW'S THAT GOING?
315
00:13:54,634 --> 00:13:56,903
MR. MONK DREW
A BEAUTIFUL LANDSCAPE TODAY.
316
00:13:56,937 --> 00:13:57,836
DID HE NOW?
317
00:13:57,870 --> 00:13:59,940
DID YOU PUT IT UP ON
THE REFRIGERATOR, MOMMY?
318
00:13:59,972 --> 00:14:02,042
WELL, THE TEACHER SAID
IT WAS ODIOUS.
319
00:14:02,075 --> 00:14:03,976
ODIOUS.
THAT DOESN'T SOUND GOOD.
320
00:14:04,010 --> 00:14:05,913
WELL, I LOVE IT.
I THINK HE HAS REAL TALENT.
321
00:14:05,946 --> 00:14:07,580
I BELIEVE IN HIM.
322
00:14:07,614 --> 00:14:08,948
OH, MY GOD.
323
00:14:08,981 --> 00:14:11,051
NATALIE, YOU REMEMBER
BENNIE WENTWORTH.
324
00:14:11,083 --> 00:14:12,418
YEAH, YOU CAN STILL SMELL
THE WHISKEY.
325
00:14:12,451 --> 00:14:13,886
LOOKS LIKE HE GOT PLASTERED
326
00:14:13,921 --> 00:14:16,222
AND WALKED INTO
HIS OWN BOOBY TRAP.
327
00:14:16,255 --> 00:14:17,423
SURPRISED IT DIDN'T HAPPEN
YEARS AGO.
328
00:14:17,456 --> 00:14:19,125
YEAH, I KNOW.
WHAT ARE THE ODDS, RIGHT?
329
00:14:19,158 --> 00:14:21,461
SAME JUNKYARD, TWO VICTIMS,
TWO NIGHTS RUNNING?
330
00:14:21,494 --> 00:14:25,432
THIS IS WRONG.
331
00:14:25,465 --> 00:14:27,000
I DON'T THINK HE DIED HERE.
332
00:14:37,945 --> 00:14:38,979
IT'S 12 INCHES, RIGHT?
333
00:14:39,011 --> 00:14:40,047
YEAH.
334
00:14:50,190 --> 00:14:51,524
THE KNIFE'S 48 INCHES
OFF THE GROUND.
335
00:14:51,557 --> 00:14:52,558
(Stottlemeyer)
RIGHT.
336
00:15:02,970 --> 00:15:03,669
THAT'S 54 INCHES.
337
00:15:03,702 --> 00:15:07,374
IT DOESN'T MATCH.
338
00:15:07,407 --> 00:15:10,243
HE WAS STABBED
SOMEWHERE ELSE.
339
00:15:27,659 --> 00:15:30,029
HE WAS KILLED HERE.
340
00:15:30,062 --> 00:15:31,597
THEN MOVED OVER THERE
TO THE BOOBY TRAP
341
00:15:31,630 --> 00:15:33,533
TO MAKE IT LOOK LIKE
AN ACCIDENT.
342
00:15:33,566 --> 00:15:37,004
MAYBE THE GUY WHO DROVE OFF
LAST NIGHT CAME BACK.
343
00:15:37,037 --> 00:15:38,571
FOR WHAT?
WHAT THE HELL ARE THEY AFTER?
344
00:15:38,605 --> 00:15:41,573
I DON'T KNOW.
THERE'S SOMETHING HERE.
345
00:15:41,607 --> 00:15:44,443
SOMETHING WORTH DYING FOR,
OR KILLING FOR.
346
00:15:44,476 --> 00:15:45,644
HERE?
347
00:15:48,248 --> 00:15:49,415
HEY, WHAT DO YOU GOT?
348
00:15:50,750 --> 00:15:52,085
THE LOG BOOK.
349
00:15:53,720 --> 00:15:56,623
LOOKS LIKE EVERYTHING...
HE PICKED UP
350
00:15:56,655 --> 00:15:59,591
AND EVERYTHING HE SOLD.
351
00:15:59,625 --> 00:16:01,660
OOH...
352
00:16:01,693 --> 00:16:03,096
LOOK.
353
00:16:03,129 --> 00:16:04,264
THE LAST PAGE
IS MISSING.
354
00:16:04,297 --> 00:16:05,697
WHO FOUND THE BODY?
355
00:16:05,731 --> 00:16:07,600
WE GOT AN ANONYMOUS CALL.
356
00:16:07,634 --> 00:16:09,601
FIGURED IT WAS, UH, HECTOR,
HIS ASSISTANT.
357
00:16:09,635 --> 00:16:11,370
IS HE HERE?
NO, TOOK OFF.
358
00:16:11,403 --> 00:16:14,541
PROBABLY GOT SCARED.
NO GREEN CARD.
359
00:16:14,573 --> 00:16:17,677
MAYBE HE KNOWS
WHAT'S ON THAT MISSING PAGE.
360
00:16:17,710 --> 00:16:18,778
FIND HIM AND BRING
AN INTERPRETER.
361
00:16:18,811 --> 00:16:21,447
OH, WE DON'T NEED ONE.
I CAN DO IT.
362
00:16:21,480 --> 00:16:22,749
YOU SPEAK SPANISH?
363
00:16:22,782 --> 00:16:24,583
YEAH. I'M BRUSHING UP.
TRYING TO MAKE CAPTAIN.
364
00:16:24,616 --> 00:16:26,586
YOU ANY GOOD?
YEAH.
365
00:16:26,619 --> 00:16:28,288
I'M BUENO.
366
00:16:28,321 --> 00:16:30,657
I'M MUCHO BUENO.
367
00:16:30,690 --> 00:16:31,624
(Stottlemeyer)
I GOT A FEELING ABOUT THIS
368
00:16:31,658 --> 00:16:35,562
AND IT AIN'T BUENO.
369
00:16:38,398 --> 00:16:39,765
[knocking on door]
370
00:16:42,101 --> 00:16:43,436
MR. MONK.
371
00:16:43,470 --> 00:16:44,604
YES?
372
00:16:44,636 --> 00:16:46,538
ADRIAN MONK, THE PAINTER.
373
00:16:46,572 --> 00:16:49,709
[sighs]
374
00:16:49,741 --> 00:16:51,077
YEAH.
375
00:16:51,110 --> 00:16:52,778
OH, IT IS YOU.
376
00:16:52,812 --> 00:16:55,748
WHAT A GREAT HONOR, SIR.
377
00:16:55,782 --> 00:16:56,615
PLEASE, CAN I COME IN?
378
00:16:56,649 --> 00:17:00,153
YES.
PLEASE.
379
00:17:06,093 --> 00:17:08,795
AH, THE SMELL OF A GENIUS.
380
00:17:08,827 --> 00:17:11,463
THIS MUST BE YOUR STUDIO,
HUH?
381
00:17:11,498 --> 00:17:13,232
OH, NOT REALLY A STUDIO--
382
00:17:13,266 --> 00:17:16,736
I'M SORRY, I HAVEN'T
INTRODUCED MYSELF.
383
00:17:16,769 --> 00:17:21,240
PETYA LOVAK FROM ROSTOV,
NEAR MOSCOW.
384
00:17:21,273 --> 00:17:22,674
YOU'VE BEEN TO RUSSIA.
385
00:17:22,709 --> 00:17:24,176
NO, I DON'T TRAVEL MUCH.
386
00:17:24,211 --> 00:17:27,480
AH, EXCEPT FOR UP THERE,
I PRESUME.
387
00:17:27,513 --> 00:17:28,681
YOU'RE AN ART DEALER.
388
00:17:28,714 --> 00:17:30,282
I'M NOT MERELY AN ART DEALER.
389
00:17:30,317 --> 00:17:33,653
I'M A CONNOISSEUR.
I AM AN ENTHUSIAST.
390
00:17:33,685 --> 00:17:37,624
AND EACH AND EVERY DAY,
I LOOK FOR NEW TALENT.
391
00:17:37,656 --> 00:17:41,760
TODAY, I WAS AT THE COLLEGE,
AND WHAT DID I SEE?
392
00:17:41,794 --> 00:17:45,231
I SAW THIS FANTASTIC LANDSCAPE
YOU HAVE DONE.
393
00:17:45,265 --> 00:17:46,232
OH...
394
00:17:46,266 --> 00:17:47,767
MAGNIFICENT!
395
00:17:47,799 --> 00:17:51,703
IT'S A WONDERFUL EXAMPLE
OF OUTSIDER ART.
396
00:17:51,738 --> 00:17:53,140
OUTSIDER ART?
397
00:17:53,173 --> 00:17:56,442
YOU SEE, EVERY GREAT MOMENT
IN HISTORY
398
00:17:56,476 --> 00:17:59,645
LIKE CUBISM, SURREALISM,
399
00:17:59,679 --> 00:18:04,717
THEY ALL BEGAN
AS OUTSIDER ART.
400
00:18:04,750 --> 00:18:07,253
UH, IS THIS SOME OF YOUR WORK?
401
00:18:07,287 --> 00:18:08,255
YEAH.
402
00:18:08,288 --> 00:18:13,092
DO YOU MIND IF I, UH--
PLEASE?
403
00:18:14,826 --> 00:18:16,695
AH...
404
00:18:19,731 --> 00:18:21,134
I LOVE THIS.
405
00:18:21,167 --> 00:18:24,671
WELL...
406
00:18:24,703 --> 00:18:26,138
YEAH.
407
00:18:26,173 --> 00:18:31,510
ACTUALLY, UH...
408
00:18:31,544 --> 00:18:33,813
IT'S A BANANA.
409
00:18:33,846 --> 00:18:36,848
IT'S A FLAT--
IT'S A FLAT BANANA.
410
00:18:36,883 --> 00:18:37,849
YES.
411
00:18:37,884 --> 00:18:42,521
I HAD MY ASSISTANT
FLATTEN IT, STRAIGHTEN IT.
412
00:18:47,259 --> 00:18:48,894
A FLAT BANANA.
413
00:18:48,927 --> 00:18:50,396
I GET IT.
414
00:18:50,430 --> 00:18:53,500
I LOVE IT.
I WANT IT.
415
00:18:53,532 --> 00:18:55,201
YOU WANT TO BUY IT?
416
00:18:55,234 --> 00:18:57,237
YES, I GIVE YOU $300 CASH.
417
00:18:57,269 --> 00:18:58,704
AND I'LL TAKE IT RIGHT AWAY.
418
00:18:58,738 --> 00:19:00,207
300?
419
00:19:00,240 --> 00:19:01,673
OH, LET'S MAKE IT 500.
420
00:19:01,708 --> 00:19:04,376
AND THIS ONE TOO.
I MUST HAVE THIS.
421
00:19:04,411 --> 00:19:05,845
AH, NO NO NO,
THAT ONE DOESN'T COUNT.
422
00:19:05,877 --> 00:19:07,747
HUH?
I MESSED IT UP.
423
00:19:07,779 --> 00:19:08,748
UH, THAT--
424
00:19:08,780 --> 00:19:10,517
IT'S JUST A SWOOSH.
425
00:19:10,549 --> 00:19:11,651
OH, NO.
426
00:19:11,683 --> 00:19:13,853
MR. MONK.
LET ME TELL YOU.
427
00:19:13,885 --> 00:19:15,721
YOU SAY MORE WITH ONE SWOOSH
428
00:19:15,755 --> 00:19:20,692
THAN MOST ARTISTS SAY
WITH A MILLION SWOOSH.
429
00:19:20,727 --> 00:19:22,828
JUST LOOK AT THIS.
430
00:19:22,862 --> 00:19:25,632
FROM A DISTANCE.
431
00:19:25,664 --> 00:19:27,967
ETERNITY DIVES.
432
00:19:28,000 --> 00:19:30,670
OH!
BRILLIANT!
433
00:19:30,702 --> 00:19:31,703
THERE!
434
00:19:31,738 --> 00:19:36,308
SO...
CAN I PROPOSE TO YOU...
435
00:19:36,343 --> 00:19:41,748
THOUSAND DOLLARS...
FOR BOTH THOSE PIECES?
436
00:19:41,780 --> 00:19:47,554
DO WE HAVE A DEAL?
437
00:19:47,586 --> 00:19:51,523
I DON'T USUALLY SHAKE HANDS,
BUT...
438
00:19:51,557 --> 00:19:52,759
I THANK YOU.
439
00:19:52,791 --> 00:19:53,992
MR. MONK.
440
00:19:54,026 --> 00:19:56,663
YOU ARE A TRUE REVELATION.
441
00:19:56,695 --> 00:20:00,633
AND I WOULD LIKE THE WORLD
TO KNOW IT.
442
00:20:00,666 --> 00:20:02,434
EH, I DON'T KNOW WHAT TO SAY.
443
00:20:02,469 --> 00:20:04,671
DON'T SAY ANYTHING.
444
00:20:04,703 --> 00:20:07,374
JUST PAINT, PAINT, PAINT!
445
00:20:07,406 --> 00:20:09,808
AND WHEN YOU CAN'T
PAINT ANYMORE,
446
00:20:09,842 --> 00:20:11,644
JUST CONTINUE PAINTING.
447
00:20:11,678 --> 00:20:13,712
[laughs nervously]
448
00:20:13,746 --> 00:20:15,682
OH, YEAH!
449
00:20:15,714 --> 00:20:20,487
ES QUE USTED TIENE QUE CREERME.
YO NO Sé DóNDE ESTá.
450
00:20:20,519 --> 00:20:22,954
--YA VAN COMO TRES SAMANAS
QUE NO LO HE VISTO.
451
00:20:22,989 --> 00:20:25,758
TAL VEZ SE REGRESó A MéXICO,
NO Sé.
452
00:20:25,791 --> 00:20:29,796
UH, SHE SAID,
UH, USTED TIENE--
453
00:20:29,828 --> 00:20:32,865
BUT SHE NEVER--
CREERME, UH--
454
00:20:32,898 --> 00:20:36,935
IT'S, UH...
455
00:20:36,969 --> 00:20:38,270
SHE SAID
SHE HASN'T SEEN HIM.
456
00:20:38,305 --> 00:20:40,339
YEAH, JUST TELL HER
HE'S NOT IN TROUBLE,
457
00:20:40,373 --> 00:20:42,674
WE'RE NOT FROM THE I.N.S.,
WE JUST WANT TO TALK TO HIM.
458
00:20:42,709 --> 00:20:43,843
OH, OKAY.
459
00:20:43,875 --> 00:20:44,844
UH--
460
00:20:44,876 --> 00:20:47,579
USTED ES UN MARINERO TRISTE.
461
00:20:51,750 --> 00:20:54,653
SHE'S PRETENDING
SHE DOESN'T UNDERSTAND.
462
00:20:54,686 --> 00:20:57,490
HEY, HECTOR.
463
00:20:57,523 --> 00:20:59,826
HECTOR,
IT'S LELAND STOTTLEMEYER.
464
00:20:59,858 --> 00:21:02,060
COME ON OUT, SON.
WE'RE NOT FROM THE I.N.S.
465
00:21:02,094 --> 00:21:03,730
HECTOR,
WE JUST WANT TO FIND OUT
466
00:21:03,762 --> 00:21:05,865
WHAT HAPPENED TO BENNIE.
467
00:21:05,897 --> 00:21:08,367
NO I.N.S.
468
00:21:08,401 --> 00:21:11,971
NO I.N.S.
469
00:21:12,003 --> 00:21:14,840
AYUDENOS.
470
00:21:14,874 --> 00:21:16,742
UH, AYUDENOS,
UH, AYUDENOS.
471
00:21:16,776 --> 00:21:19,445
HOLA.
472
00:21:19,479 --> 00:21:21,814
HEY.
UM...
473
00:21:21,847 --> 00:21:24,851
CAN YOU HELP US?
LOOK.
474
00:21:28,855 --> 00:21:30,789
[imitates paper being torn out]
475
00:21:30,823 --> 00:21:32,090
THE PAGE IS MISSING.
476
00:21:32,124 --> 00:21:34,760
CAN YOU HELP US FIND OUT
WHAT WAS ON THAT PAGE?
477
00:21:34,794 --> 00:21:35,862
CAN YOU SHOW US?
478
00:21:35,894 --> 00:21:37,396
SI. SI.
479
00:21:37,430 --> 00:21:38,397
YES.
480
00:21:38,431 --> 00:21:39,898
YES.
481
00:21:39,932 --> 00:21:43,702
THANK YOU, RANDY.
482
00:21:43,736 --> 00:21:46,705
[music sung in French]
483
00:21:46,739 --> 00:21:54,713
*
484
00:22:03,855 --> 00:22:05,491
[door opening]
485
00:22:05,525 --> 00:22:07,727
HELLO.
486
00:22:07,759 --> 00:22:08,827
[sighs]
487
00:22:08,861 --> 00:22:09,828
SO HOW'S IT GOING?
488
00:22:09,862 --> 00:22:11,763
HUSH--
489
00:22:11,798 --> 00:22:14,666
MR. MONK.
490
00:22:14,701 --> 00:22:15,468
WHERE'S ALL MY STUFF?
491
00:22:15,501 --> 00:22:18,136
OUT BACK.
IT WAS DISTRACTING ME.
492
00:22:18,170 --> 00:22:19,771
WELL, WHAT IF IT RAINS?
493
00:22:19,806 --> 00:22:21,673
THEN YOUR STUFF WILL GET WET.
494
00:22:21,708 --> 00:22:25,744
ART REQUIRES A LITTLE SACRIFICE,
NATALIE.
495
00:22:25,778 --> 00:22:26,979
WAIT--MY CURTAINS?
496
00:22:27,012 --> 00:22:28,815
I TOOK THEM DOWN
BECAUSE I NEEDED THE LIGHT.
497
00:22:28,847 --> 00:22:31,483
EASTERN LIGHT.
498
00:22:31,518 --> 00:22:32,618
C'EST FINIS.
499
00:22:32,652 --> 00:22:33,853
TAKE A LOOK.
500
00:22:33,885 --> 00:22:38,458
*
501
00:22:38,490 --> 00:22:41,827
WHAT DO YOU THINK?
502
00:22:41,861 --> 00:22:42,994
WELL, THE CAPTAIN'S
GONNA LOVE IT.
503
00:22:43,028 --> 00:22:44,797
WHY?
504
00:22:44,830 --> 00:22:46,833
WELL, IT--
IT'S HIM, RIGHT?
505
00:22:46,865 --> 00:22:49,134
NO. IT'S YOU!
506
00:22:49,167 --> 00:22:51,671
ME?!
507
00:22:51,703 --> 00:22:55,040
BUT, SHE--
508
00:22:55,074 --> 00:22:56,409
I HAVE A MOUSTACHE.
509
00:22:56,442 --> 00:22:59,679
IT'S A SHADOW.
NATALIE.
510
00:22:59,711 --> 00:23:04,049
THIS IS MY MASTERPIECE.
511
00:23:04,083 --> 00:23:05,718
TAKE IT.
512
00:23:05,751 --> 00:23:07,519
I WANT YOU TO HAVE IT.
513
00:23:07,554 --> 00:23:09,489
WAIT.
WAIT WAIT WAIT WAIT WAIT.
514
00:23:13,125 --> 00:23:14,727
THERE.
515
00:23:14,760 --> 00:23:16,962
NOW JULIE CAN GO TO COLLEGE.
516
00:23:16,996 --> 00:23:18,730
MR. MONK, IS--
517
00:23:18,765 --> 00:23:22,868
IS THAT REALLY HOW YOU SEE ME?
518
00:23:22,902 --> 00:23:24,069
YOU'RE A BEAUTIFUL WOMAN.
519
00:23:24,103 --> 00:23:25,904
[knocking at door]
520
00:23:25,938 --> 00:23:27,205
HEY HEY, PICASSO!
521
00:23:27,239 --> 00:23:28,875
HI.
522
00:23:28,907 --> 00:23:30,809
LOOK AT YOU.
523
00:23:30,843 --> 00:23:33,746
YOU'RE REALLY INTO IT.
524
00:23:33,779 --> 00:23:34,846
I MEAN, YOU'RE REALLY INTO IT.
525
00:23:34,881 --> 00:23:36,516
WHO IS THAT,
JIMMY BUFFET?
526
00:23:36,548 --> 00:23:37,750
NO, THAT'S MISS PIGGY, RIGHT?
527
00:23:37,784 --> 00:23:40,452
LOOKS LIKE
HE'S EATING SOMETHING.
528
00:23:40,487 --> 00:23:41,621
WHAT'S THE--
WHAT'S THAT?
529
00:23:41,653 --> 00:23:45,491
IT'S ME!
530
00:23:47,125 --> 00:23:49,095
[record scratching]
531
00:23:50,829 --> 00:23:51,763
AND I LOVE IT.
532
00:23:51,798 --> 00:23:55,768
OKAY, YOU HAVE TO LOOK AT IT
WITH FRESH EYES.
533
00:23:55,801 --> 00:23:57,636
HUH?
FRESH EYES?
534
00:23:57,670 --> 00:23:59,105
LIKE THIS?
535
00:23:59,137 --> 00:24:00,807
AH.
536
00:24:00,839 --> 00:24:02,741
SO YOU TAKE IT ALL IN,
ALL AT ONCE.
537
00:24:02,775 --> 00:24:03,942
TRY IT.
538
00:24:03,976 --> 00:24:08,748
TRY IT!
539
00:24:08,780 --> 00:24:10,482
[exhales forcefully]
540
00:24:10,517 --> 00:24:12,818
NOW YOU OPEN YOUR HANDS.
YOU HAVE TO OPEN YOUR HANDS.
541
00:24:12,852 --> 00:24:16,655
GIMME A MINUTE.
542
00:24:19,090 --> 00:24:20,559
OKAY, YEAH,
I SEE IT NOW.
543
00:24:20,593 --> 00:24:22,028
[laughs]
IT'S GOOD.
544
00:24:22,060 --> 00:24:23,229
YEAH, UH, MONK, LISTEN,
545
00:24:23,261 --> 00:24:24,797
WE'VE GOT HECTOR MORALES
IN THE CAR.
546
00:24:24,830 --> 00:24:26,198
WE WANNA DRIVE HIM AROUND.
547
00:24:26,231 --> 00:24:27,733
YEAH, WE'RE GONNA RETRACE
THE ROUTE
548
00:24:27,767 --> 00:24:29,736
THAT HECTOR AND BENNIE
TOOK LAST WEEK.
549
00:24:29,769 --> 00:24:31,637
UH, YEAH, IT SHOULD ONLY TAKE
A COUPLE OF DAYS.
550
00:24:31,671 --> 00:24:32,771
(Monk)
YEAH.
551
00:24:32,805 --> 00:24:33,740
WE FIGURED YOU'D WANNA
COME ALONG.
552
00:24:33,772 --> 00:24:36,008
I'LL PASS.
553
00:24:36,041 --> 00:24:37,509
YOU'LL PASS?
554
00:24:37,544 --> 00:24:38,510
YEAH, I'M TOO BUSY.
555
00:24:38,545 --> 00:24:40,112
I HAVE A BIG ART SHOW TOMORROW
AT THE COLLEGE.
556
00:24:40,145 --> 00:24:41,614
MONK!
557
00:24:41,647 --> 00:24:42,981
WE'VE GOT TWO VICTIMS HERE,
THE CASE IS FRESH.
558
00:24:43,015 --> 00:24:44,784
I THINK IT'S KIND OF
A PRIORITY TO--
559
00:24:44,817 --> 00:24:46,285
THIS IS KIND OF
A PRIORITY TO ME.
560
00:24:46,317 --> 00:24:48,820
NO, IT'S NOT.
THIS IS A HOBBY.
561
00:24:48,855 --> 00:24:49,822
NOT ANYMORE.
562
00:24:49,855 --> 00:24:52,157
IT WAS A HOBBY
WHEN I STARTED.
563
00:24:52,191 --> 00:24:53,192
YOU MEAN THURSDAY.
564
00:24:53,224 --> 00:24:55,827
HE SOLD TWO PAINTINGS.
565
00:24:55,862 --> 00:24:57,229
DEUX.
566
00:24:57,262 --> 00:24:58,230
TO WHO?
567
00:24:58,263 --> 00:24:59,632
[knocking on door]
HELLO?
568
00:24:59,665 --> 00:25:02,067
I'M SORRY,
AM I DISTURBING YOU?
569
00:25:02,101 --> 00:25:03,536
MR. LOVAK, COME IN.
570
00:25:03,569 --> 00:25:05,771
YOU SHOULD PUT SIGN UP,
"GENIUS AT WORK."
571
00:25:05,805 --> 00:25:07,773
THESE ARE MY FRIENDS.
572
00:25:07,807 --> 00:25:08,941
PETYA LOVAK, NATALIE TEEGER.
573
00:25:08,974 --> 00:25:11,109
OH, MISS TEEGER.
574
00:25:11,143 --> 00:25:14,313
YOU MUST BE HIS MUSE.
575
00:25:14,346 --> 00:25:16,816
IT WOULD EXPLAIN EVERYTHING.
576
00:25:16,848 --> 00:25:18,684
LELAND STOTTLEMEYER
AND RANDY DISHER.
577
00:25:18,718 --> 00:25:19,852
PETYA LOVAK.
578
00:25:19,885 --> 00:25:21,988
AH, GENTLEMEN.
579
00:25:22,020 --> 00:25:25,791
I HOPE YOU'RE NOT HERE
TO OUTBID ME.
580
00:25:25,825 --> 00:25:28,259
OH, LOOK AT THAT.
581
00:25:28,294 --> 00:25:29,260
ARE THESE NEW?
582
00:25:29,295 --> 00:25:30,962
MM-HMM.
583
00:25:32,798 --> 00:25:34,032
OH...
584
00:25:34,066 --> 00:25:35,734
MR. MONK.
585
00:25:35,768 --> 00:25:38,069
IT IS AS IF ART
NEVER EXISTED BEFORE
586
00:25:38,104 --> 00:25:40,271
AND YOU REINVENTED IT.
587
00:25:40,306 --> 00:25:41,708
RIGHT.
588
00:25:41,740 --> 00:25:46,813
I'LL...TAKE BOTH OF THEM
FOR...$1,200.
589
00:25:46,846 --> 00:25:50,782
AND I WILL HANG THEM
IN MY VILLA IN MONTE CARLO.
590
00:25:50,817 --> 00:25:53,118
OH, YOU'RE--YOU'RE GONNA
PUT THEM UP WHERE YOU LIVE?
591
00:25:56,355 --> 00:25:58,156
OH...
592
00:25:58,190 --> 00:26:01,693
OH, I'VE NEVER SEEN THIS.
593
00:26:01,728 --> 00:26:03,762
HOW MUCH IS BIG WOMAN?
594
00:26:03,796 --> 00:26:05,698
OH, SORRY,
THAT'S NOT FOR SALE.
595
00:26:05,731 --> 00:26:08,366
UH, I JUST GAVE IT TO NATALIE
AS A GIFT.
596
00:26:08,400 --> 00:26:09,801
OH, NO NO NO.
597
00:26:09,836 --> 00:26:12,238
A...THOUSAND DOLLARS.
598
00:26:12,270 --> 00:26:14,073
PARDON ME?
599
00:26:14,105 --> 00:26:17,375
I'M SORRY, $2,000!
I MUST HAVE THIS PAINTING.
600
00:26:17,409 --> 00:26:19,811
[chuckles]
601
00:26:21,881 --> 00:26:26,251
I CAN'T.
I'M SORRY.
602
00:26:26,285 --> 00:26:30,256
IT WAS A GIFT,
I'M SORRY.
603
00:26:30,288 --> 00:26:33,726
YOU HAVE NO IDEA
HOW SORRY...I REALLY AM.
604
00:26:33,759 --> 00:26:36,828
YOU SURE?
605
00:26:36,863 --> 00:26:38,163
ARE YOU SURE?
606
00:26:38,197 --> 00:26:40,799
YEAH, I'M SURE.
607
00:26:40,833 --> 00:26:42,201
OKAY.
608
00:26:42,233 --> 00:26:44,002
I'LL GIVE YOU MY CARD
609
00:26:44,036 --> 00:26:47,373
JUST IN CASE YOU CHANGE
YOUR MIND.
610
00:26:47,405 --> 00:26:49,709
MR. MONK, WOULD YOU PLEASE
HELP ME WITH
611
00:26:49,741 --> 00:26:51,376
THE PAINTINGS TO MY VAN?
612
00:26:51,410 --> 00:26:53,813
OH, OF COURSE.
WOULD YOU HOLD THAT, PLEASE?
613
00:26:53,846 --> 00:26:56,648
MISS TEEGER.
614
00:26:56,682 --> 00:26:57,784
UNTIL WE MEET AGAIN.
615
00:26:57,817 --> 00:27:00,653
GENTLEMEN.
IT WAS A PLEASURE.
616
00:27:00,686 --> 00:27:01,753
YEAH.
617
00:27:01,788 --> 00:27:05,758
TRULY.
618
00:27:05,791 --> 00:27:08,326
[scoffs]
619
00:27:08,359 --> 00:27:09,394
IS THIS REAL?
620
00:27:09,428 --> 00:27:12,030
WHAT DO YOU THINK?
621
00:27:23,976 --> 00:27:25,778
ADRIAN,
WE ONLY HAVE AN HOUR.
622
00:27:25,811 --> 00:27:27,980
SHH, SHH.
DON'T MOVE.
623
00:27:28,013 --> 00:27:32,317
IT'S ALMOST DONE.
624
00:27:32,351 --> 00:27:34,286
YOU KNOW,
WHILE WE HAVE A MOMENT,
625
00:27:34,319 --> 00:27:39,157
MY ASSISTANT SAID THAT
YOU DID NOT BRING A CHECK TODAY.
626
00:27:39,191 --> 00:27:41,393
THIS SHOULD TAKE CARE OF IT.
627
00:27:41,426 --> 00:27:44,296
THAT OUGHTA COVER US TILL JUNE.
628
00:27:44,329 --> 00:27:48,166
YES, WELL,
THANK YOU FOR THIS.
629
00:27:48,200 --> 00:27:49,000
I--I HOPE YOU'RE NOT INSULTED,
630
00:27:49,035 --> 00:27:51,703
BUT I THINK I'D RATHER HAVE
THE CHECK.
631
00:27:51,738 --> 00:27:54,773
REALLY?
632
00:27:54,807 --> 00:27:59,211
YOU KNOW, I COULD SELL THAT
PIECE TONIGHT FOR $3,000.
633
00:27:59,244 --> 00:28:01,948
AND I--AND I THINK THAT'S GREAT,
I'M REALLY PROUD OF YOU, ADRIAN.
634
00:28:01,980 --> 00:28:06,051
BUT, YOU KNOW, WHEN I SUGGESTED
THAT YOU TAKE UP A HOBBY,
635
00:28:06,085 --> 00:28:07,219
I NEVER EXPECTED--
636
00:28:07,252 --> 00:28:09,087
ME TO SUCCEED.
637
00:28:09,121 --> 00:28:11,257
NO, NO, NO.
THAT IS NOT WHAT I MEANT.
638
00:28:11,289 --> 00:28:14,425
TRUDY ALWAYS SAID
I HAD THE SOUL OF AN ARTIST.
639
00:28:14,460 --> 00:28:16,796
AND I AGREE WITH TRUDY.
640
00:28:16,828 --> 00:28:17,829
SEE, I ALWAYS FELT THAT
641
00:28:17,864 --> 00:28:19,198
YOUR DETECTIVE WORK
WAS YOUR ART,
642
00:28:19,230 --> 00:28:22,067
THE WAY YOU ANALYZE
A CRIME SCENE.
643
00:28:22,101 --> 00:28:23,301
I DID TOO, I DID TOO.
644
00:28:23,335 --> 00:28:26,471
BUT NOW, I'VE SOLD
THESE PAINTINGS.
645
00:28:26,505 --> 00:28:31,176
SOMETHING THAT I CREATED
IS OUT THERE ON SOMEBODY'S WALL
646
00:28:31,210 --> 00:28:32,344
BEING ADMIRED.
647
00:28:32,377 --> 00:28:35,047
I'M INVIGOR--
I FEEL INVIGORATED.
648
00:28:35,080 --> 00:28:38,517
I'M INVIGORATED.
649
00:28:38,549 --> 00:28:41,319
WHO KNOWS WHAT ELSE I CAN DO?
650
00:28:41,353 --> 00:28:44,323
YOU SOLD FIVE PAINTINGS?
651
00:28:44,355 --> 00:28:46,392
THAT'S RIGHT.
THAT'S RIGHT.
652
00:28:46,424 --> 00:28:49,394
BUT ALL--ALL TO THE SAME MAN,
THIS MR. LOVAK.
653
00:28:49,427 --> 00:28:51,197
WHAT--WHAT DO YOU KNOW
ABOUT HIM?
654
00:28:51,230 --> 00:28:56,102
HE'S FROM A LITTLE TOWN CALLED
ROSTOV, WHICH IS NEAR MOSCOW.
655
00:28:56,134 --> 00:28:57,202
HIS FAMILY OWNS
AN OIL REFINERY.
656
00:28:57,236 --> 00:29:02,273
BUT PETYA IS MORE INTERESTED
IN COLLECTING FINE ART.
657
00:29:02,307 --> 00:29:05,544
IF YOU'D LIKE TO MEET HIM...
658
00:29:05,576 --> 00:29:08,314
THERE'S AN EXHIBIT AT MY ART
SCHOOL THIS VERY AFTERNOON.
659
00:29:08,346 --> 00:29:09,480
[chuckles]
660
00:29:09,515 --> 00:29:11,482
SORRY, I--
MAYBE ANOTHER TIME.
661
00:29:11,517 --> 00:29:13,318
BUT YOU KNOW WHAT?
662
00:29:13,352 --> 00:29:15,386
OUR TIME IS UP.
663
00:29:15,421 --> 00:29:18,257
AND I AM AFRAID
I'M GOING TO HAVE TO ASK YOU
664
00:29:18,289 --> 00:29:21,192
FOR THAT CHECK.
665
00:29:21,227 --> 00:29:23,461
ARE YOU SURE?
666
00:29:23,494 --> 00:29:26,265
EL MARTES EN LA MANANA,
PARAMOS AQUI.
667
00:29:26,298 --> 00:29:28,800
ENCONTRAMOS UNA MESA
Y TRES SILLAS.
668
00:29:28,835 --> 00:29:31,237
LAS PUSIMOS EN EL CARRO.
669
00:29:31,269 --> 00:29:34,140
TUESDAY MORNING, UH,
HE SAID HE WAS HERE WITH BENNIE,
670
00:29:34,173 --> 00:29:38,309
UH, THEY FOUND A TABLE
AND A DELICIOUS BAMBOO SALAD.
671
00:29:38,344 --> 00:29:41,346
A BAMBOO SALAD.
672
00:29:41,380 --> 00:29:42,513
I THINK HE'S HIDING SOMETHING
TOO.
673
00:29:42,548 --> 00:29:45,183
I THINK YOU'RE HIDING
SOMETHING.
674
00:29:45,217 --> 00:29:48,019
AND WHERE DID YOU GO--
WHERE DID HE GO NEXT?
675
00:29:48,054 --> 00:29:49,288
ADONDE.
676
00:29:49,320 --> 00:29:54,160
ADONDE, ADONDE USTED--
ADONDE USTED--
677
00:29:54,192 --> 00:29:55,493
WHERE DO WE GO NEXT?
678
00:29:55,527 --> 00:29:57,462
UM, ADONDE.
CAN YOU SHOW ME?
679
00:29:57,496 --> 00:29:59,265
SI, VAMOS.
OKAY.
680
00:30:18,384 --> 00:30:20,318
OH, GOD.
681
00:30:26,357 --> 00:30:29,461
IT'S A VERY COMMON NAME.
682
00:30:33,265 --> 00:30:36,167
[chuckles]
683
00:30:36,201 --> 00:30:38,403
HOW ARE WE DOING?
684
00:30:38,436 --> 00:30:40,940
LOOK AT THEM.
SAD, REALLY.
685
00:30:40,972 --> 00:30:42,508
DON'T KNOW WHO THEY'RE ALL
TRYING TO IMPRESS.
686
00:30:42,540 --> 00:30:46,112
[chuckles]
687
00:30:46,144 --> 00:30:47,278
IT'S PATHETIC.
THEY'RE PATHETIC.
688
00:30:47,313 --> 00:30:48,413
BUT WE SHOULDN'T LAUGH.
689
00:30:48,447 --> 00:30:50,516
NO, MR. MONK,
IT'S YOU, LOOK AT YOU.
690
00:30:50,548 --> 00:30:53,219
WHERE DID YOU GET THIS?
OH, MY GOSH.
691
00:30:53,251 --> 00:30:55,121
AND A BERET?
692
00:30:55,153 --> 00:30:57,355
NOW--NOW IT'S CROOKED,
I CAN FEEL IT.
693
00:30:57,388 --> 00:30:59,157
NO, MR. MONK,
IT'S SUPPOSED TO BE CROOKED.
694
00:30:59,191 --> 00:31:01,326
HERE.
STOP IT.
THAT GOES THIS WAY.
695
00:31:01,359 --> 00:31:02,327
JUST A LITTLE--
696
00:31:02,361 --> 00:31:04,096
STOP IT, YOU'RE EMBARRASSING ME.
697
00:31:04,130 --> 00:31:05,297
JUST A LITTLE.
698
00:31:05,330 --> 00:31:06,898
PETYA MUST BE RUNNING LATE.
699
00:31:06,932 --> 00:31:08,000
YEAH, MR. MONK,
700
00:31:08,034 --> 00:31:09,367
I'VE BEEN DOING A LITTLE
RESEARCH ON YOUR FRIEND PETYA.
701
00:31:09,401 --> 00:31:10,368
I GOOGLED HIM.
702
00:31:10,402 --> 00:31:11,202
AT LEAST I TRIED TO,
703
00:31:11,237 --> 00:31:12,438
AND THERE'S NO RECORD
OF HIM ANYWHERE.
704
00:31:12,471 --> 00:31:14,306
NATALIE, PEOPLE LIKE PETYA--
705
00:31:14,339 --> 00:31:17,343
IMPORTANT PEOPLE,
WEALTHY PEOPLE--
706
00:31:17,375 --> 00:31:19,345
THEY ARE UN-GOOGLE-ABLE.
707
00:31:19,377 --> 00:31:21,212
NO, MR. MONK,
IT DOESN'T WORK LIKE THAT.
708
00:31:21,247 --> 00:31:23,214
IT'S NOT LIKE
AN UNLISTED PHONE NUMBER--
709
00:31:23,249 --> 00:31:24,650
UN-GOOGLE-ABLE!
710
00:31:24,682 --> 00:31:25,984
END OF DISCUSSION.
711
00:31:26,018 --> 00:31:26,986
(Ms. Benson)
ADRIAN MONK.
712
00:31:27,019 --> 00:31:28,653
MY STAR STUDENT.
713
00:31:28,686 --> 00:31:30,221
MS. BENSON.
714
00:31:30,256 --> 00:31:32,357
THIS IS MY FRIEND,
NATALIE TEEGER.
715
00:31:32,391 --> 00:31:33,925
NATALIE WAS
VERY SUPPORTIVE OF ME
716
00:31:33,960 --> 00:31:36,627
WHEN I WAS...STILL STRUGGLING.
717
00:31:36,662 --> 00:31:39,030
BEFORE...I SOLD ANYTHING.
718
00:31:39,065 --> 00:31:40,165
YES, YES.
719
00:31:40,199 --> 00:31:42,134
WELL, WE'VE ALL HEARD ABOUT
YOUR SUCCESS.
720
00:31:42,167 --> 00:31:44,103
IT'S THE TALK OF THE SCHOOL.
IT'S, UH--
721
00:31:44,135 --> 00:31:46,204
QUITE EXTRAORDINARY,
YES, I KNOW.
722
00:31:46,238 --> 00:31:47,573
AH, EXCUSE ME, HERE HE IS.
723
00:31:47,605 --> 00:31:49,942
PETYA! PETYA.
724
00:31:49,976 --> 00:31:51,376
I'M SO GLAD YOU COULD MAKE IT.
725
00:31:51,410 --> 00:31:53,711
MR. MONK, I WOULDN'T HAVE
MISSED IT FOR ALL THE WORLD.
726
00:31:53,744 --> 00:31:55,381
OH, I'M SURE
YOU DON'T REMEMBER--
727
00:31:55,413 --> 00:31:56,647
(Petya)
THE ALLURING MISS TEEGER.
728
00:31:56,682 --> 00:31:58,951
HAVE YOU RECONSIDERED
YOUR DECISION,
729
00:31:58,984 --> 00:32:00,219
UH, ABOUT SELLING
YOUR PORTRAIT?
730
00:32:00,251 --> 00:32:01,487
I'M AFRAID NOT.
731
00:32:01,519 --> 00:32:03,221
OH, WHAT A PITY!
732
00:32:03,255 --> 00:32:06,025
MY COLLECTION OF MONK
WILL ALWAYS BE INCOMPLETE.
733
00:32:06,057 --> 00:32:07,192
[chuckles]
734
00:32:07,226 --> 00:32:09,161
AND THIS IS MY INSTRUCTOR,
MS. BENSON.
735
00:32:09,194 --> 00:32:12,097
AH, YOU MUST BE SO PROUD
OF YOUR DISCIPLE HERE.
736
00:32:12,131 --> 00:32:15,101
I THINK ASTONISHED WOULD BE
A MORE ACCURATE WORD.
737
00:32:15,134 --> 00:32:16,234
EH, THANK YOU.
738
00:32:16,268 --> 00:32:17,536
I KNOW YOU CAME HERE
TO SEE ADRIAN,
739
00:32:17,568 --> 00:32:20,038
BUT THERE'S SO MUCH
INTERESTING WORK
740
00:32:20,071 --> 00:32:21,640
BEING DONE AT THE SCHOOL.
741
00:32:21,673 --> 00:32:23,608
FOR EXAMPLE, OVER THERE.
742
00:32:23,642 --> 00:32:26,211
AND--OH, WELL, LOOK.
743
00:32:26,244 --> 00:32:29,315
UM, HERE'S ONE EXAMPLE.
THIS IS MINE.
744
00:32:29,347 --> 00:32:32,417
I CALL IT MARRIAGE.
745
00:32:32,451 --> 00:32:34,220
(Petya)
NO, NO, I'M SORRY,
NOT EVEN CLOSE.
746
00:32:34,252 --> 00:32:36,255
THE LINES ARE ALL SQUIGGLY.
747
00:32:36,288 --> 00:32:38,124
YOU HAVE TO MAKE THEM
STRAIGHTER.
748
00:32:38,156 --> 00:32:39,625
TRY USING A RULER.
749
00:32:39,657 --> 00:32:40,459
A RULER?
750
00:32:40,491 --> 00:32:42,560
YOU TOLD ME YOU HAD
TWO NEW PAINTINGS.
751
00:32:42,594 --> 00:32:44,363
WELL, ON THIS SIDE,
RIGHT OVER HERE.
752
00:32:44,395 --> 00:32:46,365
OH...
753
00:32:46,397 --> 00:32:47,665
OH!
SNOWMAN.
754
00:32:47,699 --> 00:32:51,269
AH.
755
00:32:51,302 --> 00:32:53,739
OH...
756
00:32:53,771 --> 00:32:55,606
OH...
757
00:32:55,641 --> 00:32:57,375
WHAT IS THIS?
758
00:32:57,409 --> 00:33:00,479
THERE'S, LIKE, TINY PUNCTURES
HERE IN THE MIDDLE.
759
00:33:00,511 --> 00:33:03,315
YEAH, I--I USED A COMPASS.
760
00:33:03,348 --> 00:33:04,782
OH. OH, YES.
761
00:33:04,816 --> 00:33:07,252
OF COURSE.
AND I LOVE IT.
762
00:33:07,286 --> 00:33:09,188
I MUST HAVE IT.
763
00:33:09,221 --> 00:33:12,223
AND I WILL TAKE THIS TOO.
764
00:33:12,258 --> 00:33:14,259
(Monk)
IT'S AN EGG IN A NEST.
765
00:33:14,292 --> 00:33:16,228
(Petya)
OF COURSE, IT IS AN EGG
IN A NEST.
766
00:33:16,261 --> 00:33:21,799
SO, TOGETHER...
767
00:33:21,833 --> 00:33:23,269
$4,000.
768
00:33:23,301 --> 00:33:24,803
OKAY.
ANYTHING ELSE?
769
00:33:24,836 --> 00:33:26,404
UH, YES, I HAVE SOME SKETCHES.
770
00:33:26,438 --> 00:33:27,573
AH, NO NO.
771
00:33:27,605 --> 00:33:29,775
I'M MORE INTERESTED IN
YOUR PAINTINGS.
772
00:33:29,807 --> 00:33:32,111
THAT'S WHERE YOUR GENIUS LIES.
773
00:33:32,144 --> 00:33:33,244
I AGREE.
774
00:33:33,278 --> 00:33:35,413
UH, MY VAN IS OUTSIDE;
DO YOU THINK
775
00:33:35,447 --> 00:33:37,182
SOMEONE CAN HELP ME
WITH THE PAINTINGS?
776
00:33:37,215 --> 00:33:40,352
I'LL DO IT.
777
00:33:40,385 --> 00:33:41,386
CAREFUL.
CAREFUL.
778
00:33:43,355 --> 00:33:47,159
I HAVEN'T GIVEN UP ON
YOUR PORTRAIT.
779
00:33:51,230 --> 00:33:52,131
ART SUPPLIES.
780
00:33:52,163 --> 00:33:54,400
MY UNCLE DIED SUDDENLY
ABOUT THREE WEEKS AGO.
781
00:33:54,432 --> 00:33:55,634
HEART ATTACK.
782
00:33:55,666 --> 00:33:56,835
I'VE BEEN CLEANING OUT
HIS HOUSE
783
00:33:56,867 --> 00:33:59,305
AND I PUT A BUNCH OF HIS STUFF
BY THE CURB MONDAY NIGHT.
784
00:33:59,337 --> 00:34:01,307
WHAT KIND OF ART SUPPLIES?
785
00:34:01,339 --> 00:34:03,409
SOME PAINTS,
A FEW BLANK CANVASES,
786
00:34:03,442 --> 00:34:05,310
AND ONE OF MY UNCLE'S PAINTINGS
THAT HE NEVER FINISHED.
787
00:34:05,344 --> 00:34:07,212
BLANK CANVASES.
788
00:34:07,246 --> 00:34:10,282
MISS LARSON,
CAN WE TAKE A LOOK INSIDE?
789
00:34:12,384 --> 00:34:13,652
THANK YOU.
790
00:34:13,684 --> 00:34:15,353
OVER HERE.
791
00:34:15,387 --> 00:34:18,257
CAREFUL.
I'LL TAKE IT FROM HERE.
792
00:34:18,289 --> 00:34:19,257
OH.
793
00:34:19,291 --> 00:34:22,193
THANK YOU.
794
00:34:22,228 --> 00:34:24,195
ARE--ARE THOSE ALL
MY...PAINTINGS?
795
00:34:24,230 --> 00:34:25,364
I'M SORRY, I'M IN A HURRY.
796
00:34:25,396 --> 00:34:28,166
I HAVE ONE MORE STOP, AND THEN
I'M HEADING FOR THE AIRPORT.
797
00:34:28,199 --> 00:34:29,635
YOU'RE LEAVING, REALLY?
OH--
798
00:34:29,668 --> 00:34:30,568
PLEASE--
MAYBE, UH--
799
00:34:30,601 --> 00:34:33,338
MAYBE WE SHOULD WRAP THEM UP.
YOU KNOW.
800
00:34:33,371 --> 00:34:34,472
I--I COULD FIND A SHEET--
801
00:34:34,505 --> 00:34:36,108
THEY'LL BE FINE.
DON'T WORRY ABOUT IT.
802
00:34:36,141 --> 00:34:38,110
OH, GOOD-BYE.
GOOD-BYE, GOOD-BYE.
803
00:34:38,143 --> 00:34:39,411
I'M SAYING GOOD-BYE
TO MY PAINTINGS.
804
00:34:39,445 --> 00:34:41,213
SERIOUSLY, MR. MONK, HURRY.
805
00:34:41,246 --> 00:34:43,414
WHEN YOU HANG THEM,
MAKE SURE THEY'RE STRAIGHT.
806
00:34:43,449 --> 00:34:44,349
USE A LEVEL.
807
00:34:44,382 --> 00:34:46,552
YES, YES.
808
00:34:46,585 --> 00:34:48,454
OH, SORRY.
809
00:34:49,755 --> 00:34:51,657
DAS VIDHANYA.
810
00:34:56,927 --> 00:34:59,864
[engine starts]
811
00:35:10,442 --> 00:35:12,210
WAS YOUR UNCLE
A PROFESSIONAL PAINTER?
812
00:35:12,244 --> 00:35:13,545
NO, IT WAS JUST A HOBBY.
813
00:35:13,579 --> 00:35:15,447
HE TOOK IT UP LATE IN LIFE
JUST A FEW YEARS AGO.
814
00:35:15,481 --> 00:35:17,148
WAS HE ANY GOOD?
815
00:35:17,182 --> 00:35:19,184
(Wendy Larson)
I--I DIDN'T THINK SO,
TO BE HONEST.
816
00:35:19,217 --> 00:35:21,353
BUT HE DID SELL
A LOT OF HIS PAINTINGS.
817
00:35:21,387 --> 00:35:23,855
TO A COLLECTOR FROM RUSSIA.
818
00:35:23,889 --> 00:35:25,891
FROM RUSSIA?
819
00:35:25,923 --> 00:35:27,525
DO YOU REMEMBER HIS NAME?
820
00:35:27,559 --> 00:35:29,260
I NEVER MET HIM.
821
00:35:29,295 --> 00:35:30,661
BUT I THINK HE BOUGHT
ALL OF THEM.
822
00:35:30,695 --> 00:35:31,697
EXCEPT FOR THE LAST ONE.
823
00:35:31,730 --> 00:35:33,331
THE ONE UNCLE SCOTT
WAS WORKING ON WHEN HE DIED.
824
00:35:33,364 --> 00:35:35,233
THAT'S THE ONE YOU PUT OUT
BY THE CURB.
825
00:35:35,266 --> 00:35:37,436
MM-HMM.
826
00:35:39,737 --> 00:35:40,672
IS THIS YOUR UNCLE?
827
00:35:40,706 --> 00:35:42,373
YEAH.
828
00:35:42,407 --> 00:35:43,608
WHAT DOES HE HAVE TO DO WITH
CARSON PAPER?
829
00:35:43,641 --> 00:35:45,376
HE WORKED THERE FOR 30 YEARS.
830
00:35:45,411 --> 00:35:47,545
WHAT'S CARSON PAPER?
831
00:35:47,579 --> 00:35:50,548
CARSON PAPER HAS A CONTRACT WITH
THE U.S. TREASURY.
832
00:35:50,581 --> 00:35:52,583
THEY MAKE MONEY.
833
00:35:52,617 --> 00:35:54,853
OR AT LEAST THE PAPER
IT'S PRINTED ON.
834
00:35:54,885 --> 00:35:57,856
[whimsical music]
835
00:35:57,889 --> 00:36:01,427
*
836
00:36:01,460 --> 00:36:02,527
(Ms. Benson)
ADRIAN!
837
00:36:02,561 --> 00:36:05,630
CONGRATULATIONS.
838
00:36:05,664 --> 00:36:07,199
I MUST BE HONEST.
839
00:36:07,233 --> 00:36:09,967
AT FIRST, I--
I DIDN'T APPRECIATE YOUR STYLE,
840
00:36:10,001 --> 00:36:11,503
BUT I SEE IT NOW.
841
00:36:11,536 --> 00:36:13,271
YOU ARE DECONSTRUCTING
842
00:36:13,304 --> 00:36:15,206
THE AESTHETIC ORTHODOXY
THAT MOST ARTISTS,
843
00:36:15,240 --> 00:36:16,208
MYSELF INCLUDED--
844
00:36:16,242 --> 00:36:17,208
WHERE'S NATALIE?
845
00:36:17,242 --> 00:36:18,443
UH, SHE WENT HOME.
846
00:36:18,476 --> 00:36:21,380
SHE TOOK HER PORTRAIT WITH HER,
WHICH I LOVE, BY THE WAY.
847
00:36:21,413 --> 00:36:24,550
JUST TOOK ME
A WHILE TO GET IT.
848
00:36:27,518 --> 00:36:31,523
ARE YOU ALL RIGHT?
849
00:36:31,556 --> 00:36:35,427
THERE WAS ANOTHER PAINTING
IN THAT VAN.
850
00:36:35,460 --> 00:36:40,498
I'VE SEEN IT SOMEWHERE BEFORE.
851
00:36:40,532 --> 00:36:42,568
IN THE JUNKYARD.
852
00:36:42,601 --> 00:36:45,271
IT WAS THERE...
ON THURSDAY,
853
00:36:45,304 --> 00:36:48,974
AND THE NEXT DAY,
IT WAS GONE.
854
00:36:59,451 --> 00:37:04,422
OH, GOD.
855
00:37:04,456 --> 00:37:06,425
THESE ARE AWFUL.
856
00:37:06,458 --> 00:37:08,460
(Stottlemeyer)
MONK.
857
00:37:08,494 --> 00:37:09,460
I'M TERRIBLE.
858
00:37:09,494 --> 00:37:10,996
ADRIAN MONK.
859
00:37:11,028 --> 00:37:12,498
MONK.
860
00:37:12,530 --> 00:37:13,931
WHERE'S YOUR FRIEND,
THE RUSSIAN?
861
00:37:13,965 --> 00:37:14,932
WHAT, WHAT--
HE JUST LEFT.
862
00:37:14,965 --> 00:37:15,833
WHAT'S GOING ON?
863
00:37:15,867 --> 00:37:18,869
I JUST SPOKE WITH
THE SECRET SERVICE.
864
00:37:18,903 --> 00:37:20,405
LOVAK IS WITH THE RUSSIAN MOB.
865
00:37:20,438 --> 00:37:22,340
THEY'VE BEEN COUNTERFEITING
U.S. CURRENCY
866
00:37:22,373 --> 00:37:23,675
USING REAL PAPER.
867
00:37:23,708 --> 00:37:25,277
YEAH, A GUY NAMED
SCOTT LARSON.
868
00:37:25,311 --> 00:37:26,478
HE USED TO WORK
AT THE U.S. MINT.
869
00:37:26,512 --> 00:37:28,679
HE'S BEEN SMUGGLING PAPER
OUT OF THE FACTORY FOR YEARS.
870
00:37:28,713 --> 00:37:30,248
GUESS HOW THEY'RE GETTING IT
PAST CUSTOMS.
871
00:37:32,050 --> 00:37:33,518
CANVASES?
872
00:37:33,552 --> 00:37:35,454
AND THEY'RE NOT REAL CANVASES.
873
00:37:35,487 --> 00:37:36,521
IT'S EIGHT OR NINE LAYERS
OF CURRENCY PAPER.
874
00:37:36,554 --> 00:37:39,525
LARSON USED ACRYLIC PAINT,
WHICH PEELS RIGHT OFF.
875
00:37:39,557 --> 00:37:41,327
THEY WERE WORTH A FORTUNE.
876
00:37:41,360 --> 00:37:45,996
SO, IT WAS ALL ABOUT
THE CANVASES?
877
00:37:46,030 --> 00:37:48,367
HE DIDN'T CARE
WHAT WAS ON THEM.
878
00:37:48,400 --> 00:37:50,568
I KNEW IT HAD TO BE SOMETHING.
879
00:37:50,601 --> 00:37:52,503
HE REALLY DOES SUCK!
880
00:37:52,538 --> 00:37:54,639
MONK, DID HE TAKE
ALL THE CANVASES?
881
00:37:54,672 --> 00:37:58,543
EXCEPT FOR ONE.
882
00:37:58,577 --> 00:37:59,911
NATALIE.
883
00:38:02,914 --> 00:38:05,983
OH, MISS TEEGER.
884
00:38:06,016 --> 00:38:08,554
MR. LOVAK, I ALREADY TOLD YOU.
I'M NOT INTERESTED.
885
00:38:08,586 --> 00:38:10,621
YOU KNOW WHAT
I LIKE ABOUT YOU?
886
00:38:10,655 --> 00:38:13,324
YOU ARE A TOUGH COOKIE.
887
00:38:13,358 --> 00:38:15,594
MY FINAL OFFER.
888
00:38:15,626 --> 00:38:18,364
AN ADDITIONAL THOUSAND DOLLARS.
889
00:38:18,396 --> 00:38:23,001
ALL TOGETHER, 3,500.
890
00:38:23,034 --> 00:38:27,038
WHAT DO YOU SAY?
891
00:38:27,072 --> 00:38:28,606
LOOK, I CAN'T.
IT WAS A GIFT FROM MY BOSS.
892
00:38:28,639 --> 00:38:30,442
I CAN'T.
893
00:38:30,476 --> 00:38:33,043
WELL, OBVIOUSLY,
YOU DON'T CARE ABOUT IT.
894
00:38:33,077 --> 00:38:35,112
YOU HAVE IT HIDING
IN THE CORNER BEHIND
895
00:38:35,146 --> 00:38:37,715
A BIG BUSH.
896
00:38:37,748 --> 00:38:40,686
I UNDERSTAND,
YOU'RE EMBARRASSED ABOUT IT.
897
00:38:40,719 --> 00:38:42,554
RIGHT?
898
00:38:42,588 --> 00:38:47,626
SO LET ME HELP YOU
TAKE IT OFF OF YOUR SHOULDERS.
899
00:38:47,659 --> 00:38:49,628
LOOK, I CAN'T.
IT WOULD HURT HIS FEELINGS.
900
00:38:49,661 --> 00:38:51,663
LOOK HERE, MISS TEEGER--
[gasps]
901
00:38:51,697 --> 00:38:54,532
I'M GOING TO TAKE
THAT PAINTING...
902
00:38:54,565 --> 00:38:56,534
WHETHER YOU SELL IT TO ME
OR NOT.
903
00:38:56,568 --> 00:39:00,005
YOU REALLY LIKE IT.
904
00:39:00,038 --> 00:39:02,072
I HATE IT.
905
00:39:02,106 --> 00:39:03,708
IT IS AN ABOMINATION.
906
00:39:03,742 --> 00:39:07,646
IT'S HORRIBLE.
907
00:39:07,679 --> 00:39:12,650
NONETHELESS, I'M GONNA LEAVE
WITH THAT PAINTING.
908
00:39:12,684 --> 00:39:16,788
AND YOU'RE GONNA STAND THERE
VERY STILL.
909
00:39:20,425 --> 00:39:21,927
(Monk)
PETYA LOVAK!
910
00:39:21,960 --> 00:39:24,596
I KNOW YOU'RE IN THERE!
911
00:39:24,630 --> 00:39:25,597
[Natalie yelps]
912
00:39:25,630 --> 00:39:27,432
MONK!
913
00:39:27,465 --> 00:39:29,534
YOU CAN'T COME IN HERE.
914
00:39:29,568 --> 00:39:32,503
I'VE GOT YOUR LITTLE FRIEND.
915
00:39:32,538 --> 00:39:35,541
I'VE GOT SOMETHING
OF YOURS TOO.
916
00:39:38,809 --> 00:39:40,177
HEY!
917
00:39:40,210 --> 00:39:41,413
WHAT ARE YOU DOING?
918
00:39:41,447 --> 00:39:42,947
IT'S ALL OVER, PETYA!
919
00:39:42,981 --> 00:39:45,150
LET HER GO!
920
00:39:45,182 --> 00:39:46,717
NO NO!
921
00:39:46,751 --> 00:39:48,119
THOSE ARE--
922
00:39:48,152 --> 00:39:50,856
THOSE ARE YOUR OWN PAINTINGS.
YOU WOULDN'T DO THAT.
923
00:39:50,889 --> 00:39:52,056
YOU'RE AN ARTIST.
924
00:39:52,090 --> 00:39:53,692
TOO LATE.
925
00:39:53,724 --> 00:39:54,559
I STINK AND I KNOW IT.
926
00:39:54,592 --> 00:39:56,795
NO NO NO NO!
NO!
927
00:39:56,827 --> 00:39:58,829
WHAT ARE YOU DOING?
928
00:39:58,864 --> 00:40:01,567
NO!
YOU'RE CRAZY!
929
00:40:01,599 --> 00:40:03,768
THEY ARE WORTH A FORTUNE!
930
00:40:03,802 --> 00:40:05,536
NO!
931
00:40:05,570 --> 00:40:07,137
[grunts]
932
00:40:09,708 --> 00:40:12,811
GET HIM, CAPTAIN.
GET HIM DOWN!
933
00:40:12,844 --> 00:40:14,012
(Disher)
GIVE ME YOUR HANDS!
934
00:40:14,045 --> 00:40:16,481
GIMME THE HANDS!
COME ON.
935
00:40:18,583 --> 00:40:19,650
PETYA LOVAK,
YOU ARE UNDER ARREST
936
00:40:19,684 --> 00:40:22,820
FOR CAPITAL MURDER,
CONSPIRACY TO COUNTERFEIT.
937
00:40:22,853 --> 00:40:25,990
HOPE YOU GOT A GOOD LAWYER.
938
00:40:26,023 --> 00:40:27,858
LET'S GO.
939
00:40:39,170 --> 00:40:41,106
ALL RIGHT, SEE YOU SHORTLY.
940
00:40:41,139 --> 00:40:42,773
NATALIE, WHAT ARE YOU DOING--
941
00:40:42,807 --> 00:40:43,942
HEY! HEY!
NATALIE.
942
00:40:43,974 --> 00:40:45,610
WHAT ARE YOU DOING?
943
00:40:45,643 --> 00:40:46,945
NO, WAIT!
LET IT GO! LET IT GO!
944
00:40:46,978 --> 00:40:49,780
COME ON--
IT'S EVIDENCE!
945
00:40:49,815 --> 00:40:50,581
SECRET SERVICE
ARE ON THEIR WAY.
946
00:40:50,615 --> 00:40:53,784
IT'S THE ONLY PAINTING
WE HAVE LEFT.
947
00:40:53,818 --> 00:40:54,920
IT'S GONNA BE EXHIBIT A.
948
00:40:54,952 --> 00:40:56,121
EXHIBIT A?
YEAH.
949
00:40:56,153 --> 00:40:59,123
IT'S BIG NEWS, NATALIE.
950
00:40:59,157 --> 00:41:01,793
IT'S GONNA BE ONE OF THE MOST
FAMOUS PAINTINGS IN THE WORLD.
951
00:41:01,827 --> 00:41:02,960
YOU'RE RIGHT.
952
00:41:02,994 --> 00:41:04,795
YOU'RE RIGHT,
I'M SORRY.
YEAH.
953
00:41:07,998 --> 00:41:10,168
WHOA, HEY!
954
00:41:10,201 --> 00:41:11,268
OW!
NO!
955
00:41:11,302 --> 00:41:12,938
BURN IT!
GIMME THAT!
956
00:41:12,971 --> 00:41:14,039
GRAB THAT PAINTING!
957
00:41:14,072 --> 00:41:15,039
[Natalie screaming]
958
00:41:15,072 --> 00:41:16,074
BURN IT!
959
00:41:16,106 --> 00:41:18,175
WHO WAS THE FIRST VICTIM,
THE GUY AT THE JUNKYARD?
960
00:41:18,208 --> 00:41:20,277
RUSSIAN GOON NAMED
ARKENY STASYA.
961
00:41:20,311 --> 00:41:22,514
HE WAS ONE OF PETYA'S
LAP DOGS.
962
00:41:22,547 --> 00:41:24,282
HE WAS TRYING TO STEAL
THE CANVASES?
963
00:41:24,315 --> 00:41:25,884
YOUR FRIEND PETYA CAME BACK
THE FOLLOWING NIGHT,
964
00:41:25,916 --> 00:41:27,152
BUT IT WAS TOO LATE.
965
00:41:27,184 --> 00:41:30,722
YOU ALREADY HAD THE CANVASES,
AND YOU WERE ALREADY PAINTING.
966
00:41:30,755 --> 00:41:31,590
AND ALL THAT MONEY
HE GAVE ME--
967
00:41:31,623 --> 00:41:33,791
COUNTERFEIT.
WE'RE GONNA NEED IT BACK.
968
00:41:33,824 --> 00:41:35,293
UGH.
WHAT WAS I THINKING?
969
00:41:35,326 --> 00:41:36,695
I'M NO ARTIST.
970
00:41:36,728 --> 00:41:38,630
[chuckles]
YOU'RE NO ARTIST?
971
00:41:38,664 --> 00:41:41,298
ADRIAN MONK,
YOU'RE A GRAND MASTER.
972
00:41:41,331 --> 00:41:44,268
YOU'RE LEONARDO DA VINCI,
YOU'RE PABLO PICASSO.
973
00:41:44,302 --> 00:41:46,003
JUST NOT WITH A PAINTBRUSH.
[chuckles]
974
00:41:46,036 --> 00:41:47,005
JUST NOT WITH A PAINTBRUSH.
975
00:41:47,038 --> 00:41:48,639
THAT'S FOR DAMN SURE.
976
00:41:48,673 --> 00:41:51,175
HEY, HOW ABOUT STAMP COLLECTING?
THAT'S A NICE HOBBY.
977
00:41:51,208 --> 00:41:52,643
YOU GET A LITTLE BOOK,
978
00:41:52,677 --> 00:41:53,878
YOU PUT ALL THE STAMPS
IN THERE,
979
00:41:53,911 --> 00:41:55,146
YOU LINE 'EM ALL UP.
980
00:41:55,179 --> 00:41:56,782
COULD ARRANGE THEM BY COLOR,
I SUPPOSE.
981
00:41:56,815 --> 00:41:58,248
YES, YOU COULD.
982
00:41:58,282 --> 00:41:59,751
YOU COULD ARRANGE THEM
ANY WAY YOU'D LIKE.
I GUESS SO.
983
00:41:59,784 --> 00:42:01,251
IT'S A HOBBY, AFTER ALL.
984
00:42:01,286 --> 00:42:02,688
ARE THEY ALL THE SAME SIZE?
985
00:42:02,721 --> 00:42:05,724
IF THAT'S IMPORTANT TO YOU...
65199
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof