All language subtitles for Monk S02E06 Mr. Monk Goes to the Theater (1080p x265 10bit Joy)

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,137 --> 00:00:05,339 HENRY, YOU JUST SIT THERE, 2 00:00:05,373 --> 00:00:07,408 READ THOSE BASEBALL SCORES. 3 00:00:07,440 --> 00:00:09,410 DON'T LET ME BOTHER YOU, HUH? 4 00:00:09,442 --> 00:00:11,544 I WONDER WHERE THAT GIRL IS. 5 00:00:11,579 --> 00:00:14,182 SHE WAS SUPPOSED TO BE BACK HERE AN HOUR AGO 6 00:00:14,214 --> 00:00:15,516 WITH THE GROCERIES. 7 00:00:15,548 --> 00:00:17,184 DINNER'S GOING TO BE LATE. 8 00:00:17,217 --> 00:00:19,152 I GUESS THE WORLD REVOLVES AROUND HER. 9 00:00:19,187 --> 00:00:21,489 YOU WERE TALKING IN YOUR SLEEP AGAIN, HENRY. 10 00:00:21,521 --> 00:00:23,490 WHAT DO YOU THINK SO FAR? 11 00:00:23,524 --> 00:00:26,327 THERE'S NO LEG ROOM. IT'S SO CROWDED. 12 00:00:26,359 --> 00:00:28,428 IT'S SUPPOSED TO BE CROWDED. 13 00:00:28,461 --> 00:00:29,797 IT'S SOLD OUT. 14 00:00:29,829 --> 00:00:32,633 YOU KNOW, THIS PLAY IS GOING TO NEW YORK. 15 00:00:32,665 --> 00:00:35,835 CAN YOU BELIEVE IT -- MY SISTER IN AN OFF-BROADWAY SHOW? 16 00:00:35,868 --> 00:00:37,670 SO, WHERE IS SHE? 17 00:00:37,704 --> 00:00:42,143 SHE'S IN THE NEXT SCENE. SHE KILLS A GUY. 18 00:00:42,176 --> 00:00:44,512 I HOPE IT'S THE GUY WHO DESIGNED THESE SEATS. 19 00:00:50,350 --> 00:00:52,353 THERE SHE IS. 20 00:00:56,524 --> 00:00:59,792 HEY, CUZ, YOU MISS ME? 21 00:00:59,826 --> 00:01:02,530 HOPE YOU DON'T MIND... 22 00:01:02,563 --> 00:01:04,465 I LET MYSELF IN. 23 00:01:04,498 --> 00:01:07,567 BUT YOU'RE SUPPOSED TO BE IN JAIL. 24 00:01:07,600 --> 00:01:09,436 IT'S FUNNY, THAT PHRASE -- 25 00:01:09,469 --> 00:01:11,272 "SUPPOSED TO BE." 26 00:01:11,305 --> 00:01:13,706 I'M SUPPOSED TO BE IN JAIL. 27 00:01:13,740 --> 00:01:16,676 YOU'RE SUPPOSED TO BE WAITING FOR ME. 28 00:01:16,710 --> 00:01:19,579 A MAN CAN'T COUNT ON "SUPPOSED TO BE" 29 00:01:19,612 --> 00:01:21,281 THE WAY HE USED TO. 30 00:01:21,314 --> 00:01:23,516 YOU KNOW, MY HUSBAND'S UPSTAIRS. 31 00:01:23,551 --> 00:01:25,186 IF HE HEARS YOU -- 32 00:01:25,218 --> 00:01:26,853 YOUR HUSBAND'S DOWNTOWN 33 00:01:26,887 --> 00:01:29,189 DROWNING HIMSELF IN SCOTCH AND SODA. 34 00:01:29,222 --> 00:01:31,325 I SAW HIM LEAVE ABOUT AN HOUR AGO. 35 00:01:31,359 --> 00:01:33,326 BURT, I'VE GOT SOME MONEY IN MY PURSE. 36 00:01:33,360 --> 00:01:35,329 WILL YOU JUST TAKE IT AND GO? 37 00:01:35,362 --> 00:01:37,265 YOU THINK I WANT YOUR POCKET CHANGE? 38 00:01:37,298 --> 00:01:41,234 YOU THINK THAT'S WHY I CAME BACK?! 39 00:01:41,269 --> 00:01:42,569 WHO ORDERED THE TOSSED SALAD? 40 00:01:42,603 --> 00:01:46,473 [ LAUGHS ] 41 00:01:46,507 --> 00:01:51,145 I CAME BACK FOR WHAT'S MINE. 42 00:01:51,179 --> 00:01:53,480 YOU KNOW, IF YOU DON'T LEAVE, I'LL -- 43 00:01:53,514 --> 00:01:57,251 YOU'LL WHAT, HUH? YOU'LL DO NOTHING. 44 00:01:59,453 --> 00:02:00,921 LIKE I SAID, 45 00:02:00,953 --> 00:02:04,224 I'M HERE FOR WHAT'S MINE. 46 00:02:04,257 --> 00:02:06,894 AAH! 47 00:02:09,197 --> 00:02:11,399 HAL, ARE YOU OKAY? 48 00:02:12,599 --> 00:02:14,534 HAL, HAL. 49 00:02:14,568 --> 00:02:15,936 SHE'S SUPPOSED TO SAY "HAL"? 50 00:02:15,968 --> 00:02:18,338 HAL, YOU ALL RIGHT? HAL. 51 00:02:18,372 --> 00:02:20,408 OH, MY GOD. 52 00:02:23,377 --> 00:02:25,478 IS THERE A DOCTOR IN THE HOUSE? ANYONE? 53 00:02:25,513 --> 00:02:28,248 I'M A DOCTOR. 54 00:02:38,391 --> 00:02:40,394 THE PROP KNIFE -- WHICH ONE? 55 00:02:40,427 --> 00:02:43,296 THE ONE THAT WAS SUPPOSED TO BE THE PROP KNIFE. 56 00:02:43,331 --> 00:02:44,764 HE'S DEAD. 57 00:02:46,900 --> 00:02:48,901 HE'S BEEN STABBED. 58 00:03:00,848 --> 00:03:03,484 * IT'S A JUNGLE OUT THERE 59 00:03:03,516 --> 00:03:07,254 * DISORDER AND CONFUSION EVERYWHERE * 60 00:03:07,288 --> 00:03:09,923 * NO ONE SEEMS TO CARE 61 00:03:09,956 --> 00:03:11,658 * WELL, I DO 62 00:03:11,692 --> 00:03:14,828 * HEY, WHO'S IN CHARGE HERE? 63 00:03:14,861 --> 00:03:17,664 * IT'S A JUNGLE OUT THERE 64 00:03:17,698 --> 00:03:21,568 * POISON IN THE VERY AIR WE BREATHE * 65 00:03:21,602 --> 00:03:23,537 * DO YOU KNOW WHAT'S IN THE WATER THAT YOU DRINK? * 66 00:03:23,570 --> 00:03:28,442 * WELL, I DO, AND IT'S AMAZING * 67 00:03:28,475 --> 00:03:31,645 * PEOPLE THINK I'M CRAZY 'CAUSE I WORRY ALL THE TIME * 68 00:03:31,679 --> 00:03:34,682 * IF YOU PAID ATTENTION, YOU'D BE WORRIED, TOO * 69 00:03:34,715 --> 00:03:39,420 * YOU BETTER PAY ATTENTION, ALL THIS WORLD WE LOVE SO MUCH * 70 00:03:39,453 --> 00:03:43,290 * MIGHT JUST KILL YOU 71 00:03:43,324 --> 00:03:44,891 * I COULD BE WRONG NOW 72 00:03:44,925 --> 00:03:47,295 * BUT I DON'T THINK SO 73 00:03:47,328 --> 00:03:49,930 * 'CAUSE IT'S A JUNGLE OUT THERE * 74 00:03:49,962 --> 00:03:52,699 * IT'S A JUNGLE OUT THERE 75 00:03:56,736 --> 00:03:58,506 DO NOT INSULT US. 76 00:03:58,538 --> 00:04:00,774 THERE WERE 300 PEOPLE IN THAT THEATER. 77 00:04:00,807 --> 00:04:02,776 THEY ALL SAW IT, GAIL. 78 00:04:02,810 --> 00:04:05,545 I CAN'T TELL YOU WHAT THEY SAW. I CAN ONLY TELL YOU WHAT I DID. 79 00:04:05,579 --> 00:04:07,348 I CAN TELL YOU WHAT THEY SAW. 80 00:04:07,381 --> 00:04:09,015 THEY SAW YOU PICK UP A 5-INCH KITCHEN KNIFE 81 00:04:09,049 --> 00:04:10,984 AND PLUNGE IT INTO HAL DUNCAN'S CHEST. 82 00:04:11,018 --> 00:04:13,387 THEN THEY SAW HIM FALL DEAD. 83 00:04:13,420 --> 00:04:15,955 I DIDN'T DO IT. COME ON, RANDY, YOU KNOW ME. 84 00:04:15,989 --> 00:04:17,591 YOU TWO ARE PALS? 85 00:04:17,625 --> 00:04:19,427 WE ARE. WELL, NO, NOT EXACTLY. 86 00:04:19,459 --> 00:04:20,728 WE MET LAST YEAR. 87 00:04:20,761 --> 00:04:22,963 GAIL, I CAN'T HELP YOU HERE. 88 00:04:22,995 --> 00:04:25,064 SHE'S SCARED TO DEATH. I GOTTA GO IN THERE. 89 00:04:25,098 --> 00:04:28,968 SHARONA, YOU CAN'T. 90 00:04:29,002 --> 00:04:31,372 OKAY. THERE ARE TWO KNIVES ON STAGE. 91 00:04:31,404 --> 00:04:33,473 ONE OF THEM IS REAL. I USE IT 92 00:04:33,507 --> 00:04:35,475 TO CUT A TOMATO IN THE SECOND ACT. 93 00:04:35,509 --> 00:04:36,776 THE OTHER ONE IS RETRACTABLE, 94 00:04:36,810 --> 00:04:38,612 SO IT LOOKS LIKE HE'S BEING STABBED. 95 00:04:38,646 --> 00:04:40,781 RIGHT. THERE ARE TWO KNIVES ON STAGE. 96 00:04:40,814 --> 00:04:42,649 KNIFE NUMBER ONE IS ON THE COUNTER. 97 00:04:42,682 --> 00:04:45,853 KNIFE NUMBER TWO IS STICKING IN THE GUY'S CHEST. 98 00:04:45,886 --> 00:04:47,987 LOOK, HERE'S THE PROBLEM, GAIL. 99 00:04:48,021 --> 00:04:49,622 BOTH KNIVES WERE REAL. 100 00:04:49,656 --> 00:04:51,492 THERE'S NO WAY, I'M TELLING YOU. 101 00:04:51,524 --> 00:04:53,627 IT WAS A PROP KNIFE. I CAN TELL THE DIFFERENCE. 102 00:04:53,661 --> 00:04:55,329 LOOK, GAIL, I LIKE YOU. 103 00:04:55,362 --> 00:04:56,829 WE BOTH LIKE YOU. 104 00:04:56,863 --> 00:04:58,531 SO, PLEASE, STOP INSULTING US. 105 00:04:58,566 --> 00:05:00,000 WHY WOULD I KILL HIM IN FRONT OF EVERYBODY? 106 00:05:00,033 --> 00:05:01,701 PEOPLE DO IT EVERYDAY. 107 00:05:01,735 --> 00:05:03,603 YOU WERE HAVING A RELATIONSHIP WITH THE VICTIM. 108 00:05:03,637 --> 00:05:06,607 YOU'D BEEN SEEING HIM FOR NEARLY A YEAR. 109 00:05:06,639 --> 00:05:09,610 IT WAS JUST SEVEN MONTHS. 110 00:05:09,643 --> 00:05:11,545 HE BROKE IT OFF. YOU WERE UPSET. 111 00:05:11,579 --> 00:05:13,613 YOU SENT HIM SOME E-MAILS. THEY WERE PRETTY EMOTIONAL. 112 00:05:13,646 --> 00:05:15,014 THAT'S WHAT I HEARD. 113 00:05:15,048 --> 00:05:16,783 WHO HAVE YOU BEEN TALKING TO, RANDY -- THE CREW? 114 00:05:16,817 --> 00:05:18,786 YOU WANTED TO TEACH YOUR BOYFRIEND A LESSON. 115 00:05:18,819 --> 00:05:20,853 YOU WERE PISSED OFF. YOU DID IT IN PUBLIC. 116 00:05:20,887 --> 00:05:23,423 YOU DIDN'T CARE, SO YOU TOOK A KNIFE FROM HOME, 117 00:05:23,456 --> 00:05:25,559 YOU SWITCHED IT WITH THE KNIFE ON THE STAGE, 118 00:05:25,593 --> 00:05:28,829 AND THEN YOU STUCK HIM IN THE CHEST. EVERYBODY SAW YOU. 119 00:05:28,862 --> 00:05:30,630 HE'S NOT MY BOYFRIEND. 120 00:05:30,663 --> 00:05:33,100 NO, NOT ANYMORE. 121 00:05:33,132 --> 00:05:35,935 I FEEL SO HELPLESS. 122 00:05:35,968 --> 00:05:38,672 CAN'T YOU DO ANYTHING? 123 00:05:42,643 --> 00:05:43,644 GOD... 124 00:05:43,677 --> 00:05:47,980 OKAY, I GOT TOOTHPASTE, TOOTHBRUSH, MAGAZINES. 125 00:05:48,014 --> 00:05:51,552 I'M ALLOWED TO BRING HER A TOWEL, RIGHT? 126 00:05:51,584 --> 00:05:54,120 I-I DON'T KNOW. 127 00:05:54,153 --> 00:05:56,389 HOW LONG CAN THEY HOLD HER? 128 00:05:56,423 --> 00:05:57,990 SECOND DEGREE MURDER? 129 00:05:58,024 --> 00:05:59,927 THE D.A.'s GOING TO TRY TO DENY HER BAIL 130 00:05:59,959 --> 00:06:02,062 UNTIL SHE CONFESSES. 131 00:06:02,095 --> 00:06:04,096 WHY WOULD SHE CONFESS? 132 00:06:06,132 --> 00:06:07,668 WHAT, YOU THINK SHE DID IT? 133 00:06:07,701 --> 00:06:10,437 SHARONA, I-I DON'T KNOW WHAT TO TELL YOU. 134 00:06:10,471 --> 00:06:12,105 I WAS THERE. SO WERE YOU. 135 00:06:12,139 --> 00:06:13,673 YOU KNOW, I DON'T ACCEPT THAT. 136 00:06:13,706 --> 00:06:15,475 SHE SAID SHE WAS INNOCENT. 137 00:06:15,509 --> 00:06:16,976 THINGS AREN'T ALWAYS WHAT THEY SEEM. 138 00:06:17,009 --> 00:06:19,045 ISN'T THAT WHAT YOU TAUGHT ME? 139 00:06:19,079 --> 00:06:23,516 SHARONA, SHE STABBED A GUY IN FRONT OF 300 PEOPLE. 140 00:06:23,550 --> 00:06:25,718 LOOK, I'M NOT A MAGICIAN. 141 00:06:25,752 --> 00:06:28,456 YES, YOU ARE. YOU TURN THINGS AROUND ALL THE TIME. 142 00:06:28,488 --> 00:06:30,490 YOU DO IT FOR STRANGERS EVERY DAY. 143 00:06:30,524 --> 00:06:34,694 SO HOW COME YOU CAN'T DO IT FOR MY SISTER? 144 00:06:34,728 --> 00:06:37,531 [ DOORBELL RINGS ] 145 00:06:37,564 --> 00:06:39,500 OH, MY GOD. WHAT? 146 00:06:39,533 --> 00:06:40,901 OH, NO. "OH, NO," WHAT? 147 00:06:40,933 --> 00:06:42,502 SHARONA, WHO IS OUT THERE? 148 00:06:42,536 --> 00:06:44,471 MY MOM! I TOTALLY FORGOT SHE WAS COMING. 149 00:06:44,504 --> 00:06:45,805 SHE FLEW IN FROM FLORIDA TO SEE THE PLAY. 150 00:06:45,838 --> 00:06:49,009 THIS IS GOING TO KILL HER. 151 00:06:49,042 --> 00:06:50,444 OH, NO. 152 00:06:50,478 --> 00:06:51,579 LOOK... 153 00:06:51,612 --> 00:06:52,846 LOOK, I MIGHT'VE TOLD HER 154 00:06:52,879 --> 00:06:54,615 SOME THINGS THAT WEREN'T EXACTLY TRUE. 155 00:06:54,648 --> 00:06:56,750 LIKE WHAT? LIKE BENJY'S ON THE HONOR ROLL. 156 00:06:56,783 --> 00:06:59,151 OKAY, NO PROBLEM. OKAY, THANKS. 157 00:06:59,185 --> 00:07:01,588 OH! OH, OH. AND I ALSO TOLD HER 158 00:07:01,622 --> 00:07:03,490 THAT MY RENT IS ONLY $900 A MONTH. 159 00:07:03,524 --> 00:07:05,692 AND -- AND I BROKE UP WITH STEVE, 160 00:07:05,725 --> 00:07:07,093 THE FLORIST I WAS DATING. 161 00:07:07,127 --> 00:07:09,161 HE DIDN'T BREAK UP WITH ME. 162 00:07:09,196 --> 00:07:11,598 OH, OH! OH, OH! AND, ALSO, THAT I AM SEEING 163 00:07:11,632 --> 00:07:13,666 A REALLY NICE GUY RONNIE, WHO'S A STOCKBROKER, 164 00:07:13,701 --> 00:07:16,036 BUT HE'S OUT OF TOWN THIS WEEKEND. 165 00:07:16,069 --> 00:07:19,172 OH, OH! AND YOU -- YOU HAVE A FULL MEDICAL PLAN, 166 00:07:19,206 --> 00:07:21,774 INCLUDING DENTAL. 167 00:07:21,809 --> 00:07:25,211 AND, UH, I'M NOT YOUR ASSISTANT. 168 00:07:25,245 --> 00:07:28,115 I'M YOUR PARTNER. 169 00:07:28,148 --> 00:07:29,649 IS THAT OKAY? 170 00:07:29,682 --> 00:07:32,252 YEAH. WOW. 171 00:07:32,284 --> 00:07:33,853 CONGRATULATIONS. 172 00:07:33,887 --> 00:07:35,723 THANK YOU. 173 00:07:38,257 --> 00:07:39,225 HEY. 174 00:07:39,259 --> 00:07:40,226 HI, MOM. 175 00:07:40,259 --> 00:07:41,995 HELLO. HA HA HA. 176 00:07:42,028 --> 00:07:44,264 I THOUGHT THE BELL WAS BROKEN. 177 00:07:44,297 --> 00:07:46,834 OH, I'M SORRY. WE WERE -- WE WERE IN THE KITCHEN. 178 00:07:46,867 --> 00:07:49,002 HOW COME -- HOW COME YOU DIDN'T CALL ME? 179 00:07:49,036 --> 00:07:50,838 I WOULD'VE PICKED YOU UP. 180 00:07:50,870 --> 00:07:52,939 I'M NOT AN INVALID. I GRABBED A TAXI. 181 00:07:52,973 --> 00:07:57,009 YOU LOOK WONDERFUL. COME HERE. 182 00:07:57,043 --> 00:07:59,747 I WAS SO SORRY TO HEAR ABOUT STEVE, 183 00:07:59,779 --> 00:08:02,281 BUT I SAY, GOOD RIDDANCE. 184 00:08:02,314 --> 00:08:04,517 YOU'RE TOO GOOD FOR THE SHLUB. 185 00:08:04,552 --> 00:08:06,954 OH, IS THIS OUR STOCKBROKER? 186 00:08:06,987 --> 00:08:09,557 NO, I'M NOT YOUR STOCKBROKER. 187 00:08:09,589 --> 00:08:12,259 HE'S OUT OF TOWN. HIS NAME IS RONNIE. 188 00:08:12,291 --> 00:08:13,726 THAT'S ALL. 189 00:08:13,761 --> 00:08:15,762 UM, THIS IS ADRIAN, REMEMBER? 190 00:08:15,795 --> 00:08:18,298 OH, OH, THE PARTNER. THE PARTNER IN CRIME. 191 00:08:18,331 --> 00:08:20,233 MRS. FLEMING. OH, NO, CALL ME CHERYL. 192 00:08:20,266 --> 00:08:22,069 WIPE. 193 00:08:22,101 --> 00:08:23,603 NOT NOW. WHERE'S BENJY? 194 00:08:23,637 --> 00:08:25,271 I-I BROUGHT HIM A NEW BASEBALL GLOVE. 195 00:08:25,305 --> 00:08:27,675 OH, HE'S NOT HERE. HE'S SLEEPING OVER AT A FRIEND'S HOUSE. 196 00:08:27,707 --> 00:08:29,175 YOU FORGOT I WAS COMING, DIDN'T YOU? 197 00:08:29,209 --> 00:08:30,143 NO, THAT'S ALL RIGHT. I UNDERSTAND. 198 00:08:30,177 --> 00:08:32,245 YOU'RE PROBABLY SO EXCITED ABOUT THE SHOW. 199 00:08:32,278 --> 00:08:34,615 SO, HOW WAS IT LAST NIGHT? TELL ME EVERYTHING. 200 00:08:34,648 --> 00:08:36,283 HOW WAS GAIL? WERE THERE ANY REVIEWS? 201 00:08:36,316 --> 00:08:38,951 THERE'S SOMETHING I GOTTA TELL YOU. 202 00:08:38,985 --> 00:08:40,287 WHAT, A BAD REVIEW? 203 00:08:40,320 --> 00:08:42,088 YOU MIGHT WANT TO SIT DOWN, CHERYL. 204 00:08:42,121 --> 00:08:44,825 OH, NO, I'M FINE. I'VE BEEN SITTING ALL DAY. 205 00:08:44,857 --> 00:08:48,028 MA, YOU KNOW WHAT? I THINK IT'S BEST THAT WE SIT DOWN. 206 00:08:48,061 --> 00:08:50,096 SOMETHING HAPPENED LAST NIGHT AT THE SHOW. 207 00:08:50,129 --> 00:08:51,298 OKAY. 208 00:08:51,331 --> 00:08:53,332 THERE WAS A STABBING. 209 00:08:53,365 --> 00:08:55,235 OH, YOU MEAN IN THE AUDIENCE? 210 00:08:55,268 --> 00:08:59,338 NO. UH, NO. ON THE STAGE. 211 00:08:59,371 --> 00:09:01,575 UH, DURING THE SHOW. 212 00:09:01,609 --> 00:09:05,879 THE ACTOR WHO WAS PLAYING BURT WAS KILLED. 213 00:09:05,913 --> 00:09:09,115 GAIL...STABBED HIM. 214 00:09:09,149 --> 00:09:11,118 OH, I KNOW. I READ THE SCRIPT. 215 00:09:11,150 --> 00:09:13,854 NO, NO. CHERYL, HE DIED. 216 00:09:13,886 --> 00:09:16,355 OH, I DON'T UNDERSTAND. 217 00:09:16,389 --> 00:09:19,960 NEITHER DO WE. UH, THE POLICE THINK THAT 218 00:09:19,993 --> 00:09:22,229 SHE MIGHT'VE DONE IT ON PURPOSE. 219 00:09:22,261 --> 00:09:25,365 SHE'S BEEN ARRESTED FOR MURDER IN THE SECOND DEGREE. 220 00:09:25,398 --> 00:09:28,168 THERE'S A BAIL HEARING TOMORROW. 221 00:09:28,201 --> 00:09:30,269 GAIL? NO. 222 00:09:30,302 --> 00:09:32,272 HA. I DON'T BELIEVE IT. 223 00:09:32,304 --> 00:09:33,807 IT'S A MISTAKE, RIGHT? 224 00:09:33,841 --> 00:09:35,207 THE POLICE DON'T THINK SO. 225 00:09:35,241 --> 00:09:37,144 WELL, THEY'RE WRONG. 226 00:09:37,177 --> 00:09:39,178 WELL, YOU'RE GOING TO HELP HER, RIGHT? 227 00:09:39,211 --> 00:09:40,847 I MEAN, THAT'S WHAT YOU DO. 228 00:09:40,880 --> 00:09:43,182 YOU'RE A COUPLE OF DETECTIVES, RIGHT? 229 00:09:43,216 --> 00:09:46,052 OF COURSE WE'RE GOING TO HELP HER. 230 00:09:46,086 --> 00:09:50,123 AFTER ALL, WE'RE -- WE'RE A COUPLE OF DETECTIVES. 231 00:09:50,157 --> 00:09:52,359 RIGHT? RIGHT. 232 00:09:52,392 --> 00:09:53,994 RIGHT. 233 00:09:56,363 --> 00:09:59,399 EXCUSE ME, WE'RE LOOKING FOR GAIL FLEMING'S DRESSING ROOM. 234 00:09:59,432 --> 00:10:01,201 AND YOU ARE... 235 00:10:01,234 --> 00:10:02,735 WE'RE HER MOTHER. 236 00:10:02,769 --> 00:10:05,404 BACKSTAGE, THEN DOWN THE STAIRS. 237 00:10:05,437 --> 00:10:06,907 WE'LL BE RIGHT BACK. 238 00:10:06,940 --> 00:10:09,743 WE'RE JUST GOING TO PICK UP HER STUFF. 239 00:10:09,777 --> 00:10:11,344 MMM. 240 00:10:13,080 --> 00:10:15,783 HEY, HEY, HEY, DON'T EAT THOSE. 241 00:10:15,816 --> 00:10:17,083 THEY'RE PROPS. 242 00:10:17,116 --> 00:10:18,951 AND YOU ARE... 243 00:10:18,985 --> 00:10:21,187 I'M O'DELL. I'M THE PROP MASTER. 244 00:10:21,221 --> 00:10:23,190 WELL, THEY TASTE TERRIBLE. 245 00:10:23,222 --> 00:10:26,192 BUT THEY LOOK DELICIOUS, AND THAT'S THE POINT. 246 00:10:29,196 --> 00:10:31,331 Cheryl: IT'S JUST AN APPLE. 247 00:10:31,364 --> 00:10:33,432 IT HURTS, MAMA. 248 00:10:33,466 --> 00:10:37,037 IT HURTS WORSE THAN ANYTHING ELSE I'VE EVER FELT. 249 00:10:37,070 --> 00:10:39,873 CAN I HELP YOU? 250 00:10:39,907 --> 00:10:43,043 UM, YEAH, I'M -- I'M SHARONA, 251 00:10:43,076 --> 00:10:44,311 GAIL'S SISTER. 252 00:10:44,344 --> 00:10:46,947 AND I'M HER MOTHER. WHO ARE YOU, DEAR? 253 00:10:46,980 --> 00:10:49,048 JENNA RYAN. AH, HOW LOVELY. 254 00:10:49,081 --> 00:10:51,084 I-I THOUGHT THIS WAS HER DRESSING ROOM. 255 00:10:51,118 --> 00:10:54,754 IT IS. IT WAS. I'M HER UNDERSTUDY. 256 00:10:54,788 --> 00:10:55,755 CAN I HELP YOU? 257 00:10:55,788 --> 00:10:57,825 YEAH, WE'RE JUST HERE TO PICK UP HER STUFF. 258 00:10:57,857 --> 00:11:00,326 OH, SURE. OH, I PUT THEM RIGHT HERE. 259 00:11:00,360 --> 00:11:03,163 HERE YOU GO. 260 00:11:03,196 --> 00:11:05,765 YOU COULDN'T FOLD THEM? 261 00:11:05,798 --> 00:11:08,434 LOOK, I KNOW YOU'RE GAIL'S FAMILY, 262 00:11:08,467 --> 00:11:11,004 BUT IT'S VERY HARD FOR ME TO BE SYMPATHETIC. 263 00:11:11,038 --> 00:11:12,840 I JUST CAME FROM HAL DUNCAN'S WAKE. 264 00:11:12,873 --> 00:11:14,240 GAIL DIDN'T DO IT. 265 00:11:14,274 --> 00:11:16,009 I'M SORRY. 266 00:11:16,043 --> 00:11:17,778 YOU'RE RIGHT. 267 00:11:17,811 --> 00:11:19,913 SHE'S INNOCENT UNTIL PROVEN GUILTY. 268 00:11:19,947 --> 00:11:21,914 I GUESS I'M A LITTLE NERVOUS. 269 00:11:21,948 --> 00:11:24,350 I HAVE A SHOW ON FRIDAY. IT'S MY OPENING NIGHT. 270 00:11:24,384 --> 00:11:27,019 I WANT YOU TO KNOW -- I WANTED THIS PART, 271 00:11:27,053 --> 00:11:30,023 BUT I NEVER WANTED TO GET IT LIKE THIS. 272 00:11:30,057 --> 00:11:31,423 YEAH. 273 00:11:31,457 --> 00:11:34,995 LOOK, MY BOSS -- 274 00:11:35,028 --> 00:11:37,463 UM, MY ASSOCIATE AND I ARE WORKING WITH THE POLICE. 275 00:11:37,496 --> 00:11:40,267 WE'D LIKE TO ASK YOU A COUPLE QUESTIONS. 276 00:11:40,299 --> 00:11:42,302 I'M KIND OF BUSY. UM, HOW ABOUT... 277 00:11:42,335 --> 00:11:44,772 TOMORROW? 2:00. 278 00:11:44,804 --> 00:11:46,505 COME BY THE APARTMENT. 279 00:11:46,538 --> 00:11:48,841 3198 GREEN VILLAGE ROAD. 280 00:11:48,875 --> 00:11:50,811 YEAH, FINE, WE'LL BE THERE. 281 00:11:54,514 --> 00:11:56,048 UM... 282 00:11:56,082 --> 00:11:57,484 UH, JENNA. 283 00:11:57,517 --> 00:11:58,851 YES. 284 00:11:58,885 --> 00:12:02,721 BREAK A LEG. 285 00:12:06,525 --> 00:12:08,828 EXCUSE ME, WHAT ARE YOU DOING? 286 00:12:08,861 --> 00:12:09,863 UH, I WAS JUST -- NOTHING. 287 00:12:09,897 --> 00:12:11,331 HEY, DON'T FIDDLE WITH THE PROPS. 288 00:12:11,364 --> 00:12:13,833 I'VE GOT TO KNOW WHERE THESE ARE IN THE DARK 289 00:12:13,866 --> 00:12:16,369 BY TOUCH AT A MOMENT'S NOTICE. 290 00:12:16,403 --> 00:12:18,471 I'VE BEEN JUGGLING PROPS FOR 44 YEARS. 291 00:12:18,504 --> 00:12:21,508 ASK ME ABOUT THE FIRST PROP I EVER BOUGHT. 292 00:12:21,541 --> 00:12:22,975 WHAT WAS IT? 293 00:12:23,009 --> 00:12:24,912 THE SWORD RICHARD BURTON USED IN "CAMELOT." 294 00:12:24,945 --> 00:12:26,879 I HAD TO GO TO SCOTLAND TO GET IT. 295 00:12:26,913 --> 00:12:28,347 REALLY. WOW. 296 00:12:28,380 --> 00:12:30,783 I'M, UH, I'M ADRIAN MONK, 297 00:12:30,817 --> 00:12:34,221 AND THIS IS SH-- SHE'S USUALLY RIGHT HERE. 298 00:12:34,254 --> 00:12:37,090 THIS IS A TERRIBLE WEEK, I'LL BET. 299 00:12:37,124 --> 00:12:39,192 HEY, THAT WASN'T MY FAULT. THE COPS HAD ME 300 00:12:39,225 --> 00:12:41,260 UNDER THE LIGHTS ALL NIGHT LONG. 301 00:12:41,293 --> 00:12:43,429 I TOLD 'EM, I PUT THE PROP KNIFE ON THE SET. 302 00:12:43,462 --> 00:12:44,965 WE USE TWO KNIVES IN THE SHOW. 303 00:12:44,998 --> 00:12:46,966 A REAL ONE AND ONE LIKE THIS. 304 00:12:47,000 --> 00:12:48,400 HEY -- 305 00:12:48,434 --> 00:12:50,169 HA HA. DON'T WET YOURSELF. 306 00:12:50,202 --> 00:12:52,172 THE BLADE RETRACTS INTO THE HANDLE. 307 00:12:52,205 --> 00:12:54,474 GAIL MUST'VE SWITCHED THE GAG KNIFE WITH THE REAL ONE 308 00:12:54,506 --> 00:12:55,442 BEFORE THE SHOW. 309 00:12:55,475 --> 00:12:57,177 MAY I? 310 00:12:57,210 --> 00:13:00,346 SEE? IT DOESN'T FEEL LIKE A REAL KNIFE AT ALL, DOES IT? 311 00:13:00,379 --> 00:13:01,849 NO. 312 00:13:01,881 --> 00:13:03,350 SHE HAD TO KNOW SHE WAS HOLDING A REAL KNIFE. 313 00:13:03,383 --> 00:13:06,219 WHAT HAPPENED ON STAGE SUNDAY NIGHT -- THAT WAS NO ACCIDENT. 314 00:13:06,253 --> 00:13:08,855 THAT WAS A WOMAN SCORNED. 315 00:13:08,889 --> 00:13:11,524 HELL HATH NO FURY, RIGHT? 316 00:13:11,557 --> 00:13:14,360 AND YOU'RE SURE YOU PUT A FAKE KNIFE ON THE STAGE. 317 00:13:14,394 --> 00:13:16,395 I SWEAR, I PUT IT THERE MYSELF 318 00:13:16,428 --> 00:13:18,398 HALF AN HOUR BEFORE CURTAIN. 319 00:13:18,431 --> 00:13:19,966 AND THERE WAS NOBODY ELSE HERE? 320 00:13:20,000 --> 00:13:21,333 NOPE. EXCEPT JENNA. 321 00:13:21,368 --> 00:13:23,436 JENNA RYAN, GAIL'S UNDERSTUDY. 322 00:13:23,470 --> 00:13:26,206 SHE WAS CHECKING IN. THEY CHECK IN BEFORE THE SHOW, 323 00:13:26,239 --> 00:13:27,374 SEE IF ANYBODY'S SICK. 324 00:13:27,407 --> 00:13:28,841 Cheryl: WE'RE ALL SET. 325 00:13:28,875 --> 00:13:30,309 IT'S KILLING ME THAT WE CAN'T SEE HER. 326 00:13:30,342 --> 00:13:33,379 SHE'S NOT ALLOWED ANY VISITORS UNTIL AFTER THE BAIL HEARING. 327 00:13:33,413 --> 00:13:35,381 I CAN'T BELIEVE THIS IS HAPPENING. 328 00:13:35,414 --> 00:13:38,184 THERE'S NOTHING WE CAN DO TODAY. 329 00:13:38,217 --> 00:13:39,552 LET'S GET A MANICURE. 330 00:13:39,586 --> 00:13:41,989 A MANICURE? COME ON, IT'LL BE FUN. 331 00:13:42,022 --> 00:13:44,157 IF WE JUST GO HOME, WE'RE GOING TO GO CRAZY. 332 00:13:44,191 --> 00:13:46,158 THERE'S A SALON AROUND THE CORNER -- ALBERTA'S. 333 00:13:46,192 --> 00:13:48,195 ALL THE LADIES IN THE SHOW GO THERE. 334 00:13:48,227 --> 00:13:51,230 WHAT DO YOU SAY? 335 00:13:51,264 --> 00:13:53,332 Man: NOTHING, NOTHING, NOTHING -- 336 00:13:53,365 --> 00:13:54,934 HOLD ON, HOLD ON. 337 00:13:54,967 --> 00:13:56,602 NO. NOTHING SATURDAY. NOTHING. 338 00:13:56,635 --> 00:13:58,538 OUCH. I DON'T HAVE AN OPENING FOR ANOTHER TWO WEEKS. 339 00:13:58,571 --> 00:13:59,438 I'M SORRY. 340 00:13:59,471 --> 00:14:01,908 NOT EVEN FOR A MANICURE? 341 00:14:01,942 --> 00:14:03,643 DON'T YOU HAVE ANY CANCELLATIONS? 342 00:14:03,676 --> 00:14:05,611 WELL, LOONA CAN PUT YOU ON THE WAITING LIST, 343 00:14:05,644 --> 00:14:07,480 BUT, UH, WHY DON'T YOU TRY SCISSOR WIZ? 344 00:14:07,514 --> 00:14:09,448 THEY'LL TAKE ANYONE. 345 00:14:09,481 --> 00:14:11,918 EXCUSE ME. UH, JENNA RYAN -- IS SHE A CUSTOMER? 346 00:14:11,951 --> 00:14:13,086 YES. 347 00:14:13,120 --> 00:14:14,888 GAIL'S UNDERSTUDY. 348 00:14:14,922 --> 00:14:17,323 RIGHT. SHE HAS AN APPOINTMENT FOR TOMORROW. 349 00:14:17,356 --> 00:14:19,525 SO? SHE WANTS TO LOOK GOOD FOR HER DEBUT. 350 00:14:19,558 --> 00:14:22,895 YEAH, BUT LOOK -- ACCORDING TO THIS, 351 00:14:22,929 --> 00:14:25,065 SHE MADE THIS APPOINTMENT TWO WEEKS AGO. 352 00:14:25,097 --> 00:14:27,167 HOW DID SHE KNOW SHE'D BE ON STAGE? 353 00:14:27,200 --> 00:14:29,336 I DON'T KNOW. COINCIDENCE? 354 00:14:29,369 --> 00:14:30,236 MAYBE. 355 00:14:30,269 --> 00:14:32,239 SO WHAT ARE YOU SAYING? 356 00:14:32,272 --> 00:14:34,274 I'M SAYING YOU MIGHT BE RIGHT. 357 00:14:34,307 --> 00:14:36,342 YOUR SISTER MAY HAVE BEEN FRAMED. 358 00:14:36,375 --> 00:14:38,477 AND I THINK THE UNDERSTUDY 359 00:14:38,510 --> 00:14:42,182 COULD'VE HAD SOMETHING TO DO WITH IT. 360 00:14:42,215 --> 00:14:43,482 WHO DID YOUR PERM? 361 00:14:49,255 --> 00:14:50,256 CAPTAIN STOTTLEMEYER, YOU HAVE BEEN INVESTIGATING 362 00:14:51,457 --> 00:14:52,692 THE VIOLENT MURDER OF HAL DUNCAN. 363 00:14:52,725 --> 00:14:53,927 THAT'S CORRECT. 364 00:14:53,961 --> 00:14:56,663 LOOK AT HER. SHE'S LOST WEIGHT. 365 00:14:56,696 --> 00:14:58,697 HOW CAN YOU TELL FROM HERE? I CAN TELL. 366 00:14:58,730 --> 00:14:59,566 AND WHO IS THAT SUSPECT? 367 00:14:59,599 --> 00:15:01,701 MISS GAIL FLEMING. 368 00:15:01,734 --> 00:15:03,702 UM... 369 00:15:03,735 --> 00:15:05,437 UH, MAY I SAY SOMETHING? 370 00:15:05,471 --> 00:15:07,440 YOUR HONOR, IN MY OPINION, 371 00:15:07,474 --> 00:15:08,707 MISS FLEMING IS NOT A FLIGHT RISK. 372 00:15:08,740 --> 00:15:10,476 YOU SEE, I KNOW HER FAMILY. 373 00:15:10,509 --> 00:15:11,677 I WORK WITH HER SISTER. 374 00:15:11,711 --> 00:15:13,679 YOUR HONOR, THERE IS AN AVALANCHE OF EVIDENCE 375 00:15:13,712 --> 00:15:15,414 AGAINST MISS FLEMING. 376 00:15:15,447 --> 00:15:16,950 I HARDLY KNOW WHERE TO BEGIN. 377 00:15:16,984 --> 00:15:18,284 SHE HAD MOTIVE. 378 00:15:18,317 --> 00:15:19,986 SHE WAS OBSESSED WITH THE VICTIM. 379 00:15:20,019 --> 00:15:23,190 THE ATTACK WAS WITNESSED BY 300 PEOPLE. 380 00:15:23,222 --> 00:15:25,725 EXCUSE ME, YOUR HONOR, I WOULD ALSO LIKE TO MENTION 381 00:15:25,758 --> 00:15:28,061 THAT I HAVE A CONSULTANT WORKING ON THE CASE. 382 00:15:28,095 --> 00:15:30,197 HE'S A FORMER HOMICIDE DETECTIVE. 383 00:15:30,230 --> 00:15:32,731 HE'S SOMEBODY I RESPECT A GREAT DEAL, 384 00:15:32,764 --> 00:15:34,634 AND, UM, 385 00:15:34,667 --> 00:15:36,970 HE HAS SERIOUS DOUBTS ABOUT WHAT HAPPENED. 386 00:15:37,004 --> 00:15:38,270 WHAT IS HIS NAME? 387 00:15:40,773 --> 00:15:42,408 ADRIAN MONK, YOUR HONOR. 388 00:15:42,442 --> 00:15:44,510 HE'S IN THE COURTROOM, 389 00:15:44,543 --> 00:15:47,514 UH, AND, UH, HE'S READY AND WILLING TO TESTIFY. 390 00:15:47,547 --> 00:15:49,182 OH, YES. 391 00:15:49,216 --> 00:15:50,716 I KNOW MR. MONK. 392 00:15:50,750 --> 00:15:53,286 HELLO, ADRIAN. 393 00:15:53,320 --> 00:15:54,687 YOUR HONOR. 394 00:15:56,155 --> 00:16:00,092 I, UH, PRESIDED OVER HIS LAST COMPETENCY HEARING. 395 00:16:00,126 --> 00:16:03,029 HE COULDN'T TESTIFY UNTIL I ADJUSTED MY ROBE. 396 00:16:03,062 --> 00:16:05,032 I REMEMBER. YOU SEE, IT HAD TO BE EVEN. 397 00:16:05,065 --> 00:16:07,767 PERFECTLY EVEN. 398 00:16:07,799 --> 00:16:10,403 LOOK, YOUR HONOR, I KNOW HE'S A LITTLE UNORTHODOX, 399 00:16:10,437 --> 00:16:12,371 BUT HE'S A GREAT COP. 400 00:16:12,404 --> 00:16:13,740 I'M REFUSING THIS PETITION. 401 00:16:13,773 --> 00:16:16,475 BAIL IS DENIED. 402 00:16:16,509 --> 00:16:17,610 THANK YOU, YOUR HONOR. 403 00:16:17,644 --> 00:16:19,178 THE COURT IS IN RECESS. 404 00:16:19,211 --> 00:16:21,713 GAIL, BABY. 405 00:16:21,748 --> 00:16:24,451 NO, I'M HER MOTHER. CAN I JUST TALK TO HER? 406 00:16:24,484 --> 00:16:25,751 I'LL GIVE YOU A MINUTE. 407 00:16:25,784 --> 00:16:28,020 OH, MA, I DIDN'T DO ANYTHING WRONG. 408 00:16:28,054 --> 00:16:29,456 I KNOW YOU DIDN'T, HONEY. 409 00:16:29,489 --> 00:16:30,523 GAIL, DO YOU REMEMBER 410 00:16:30,557 --> 00:16:32,325 WHEN YOU WERE IN THE SECOND GRADE 411 00:16:32,359 --> 00:16:34,226 AND POGO GOT SICK? DO YOU REMEMBER WHAT I SAID? 412 00:16:34,260 --> 00:16:36,129 YOU SAID YOU'D MAKE IT BETTER. 413 00:16:36,163 --> 00:16:37,463 I GAVE YOU A PROMISE. 414 00:16:37,496 --> 00:16:39,265 I SAID HE'D GET BETTER, AND WHAT HAPPENED? 415 00:16:39,298 --> 00:16:40,799 HE GOT BETTER. THAT'S RIGHT. 416 00:16:40,832 --> 00:16:42,335 UNTIL THE BUS HIT HIM THREE WEEKS LATER. 417 00:16:42,369 --> 00:16:43,635 NO, NO, FORGET ABOUT THE BUS. 418 00:16:43,669 --> 00:16:45,437 THE POINT IS HE WASN'T SICK. 419 00:16:45,471 --> 00:16:47,173 NOW, LISTEN TO ME, PUMPKIN -- 420 00:16:47,206 --> 00:16:49,341 I'M MAKING YOU ANOTHER PROMISE, 421 00:16:49,375 --> 00:16:51,510 AND I'M GOING TO TAKE CARE OF THIS. 422 00:16:51,543 --> 00:16:54,181 WE GOT TO GO. 423 00:16:54,213 --> 00:16:56,182 IT'S GOING TO BE OKAY. 424 00:16:56,216 --> 00:16:58,184 [ SIGHS ] 425 00:17:02,288 --> 00:17:04,590 I'M DEPENDING ON YOU. 426 00:17:04,624 --> 00:17:06,826 I'LL DO WHATEVER IT TAKES. 427 00:17:06,858 --> 00:17:10,163 I'M DEPENDING ON YOU, TOO. 428 00:17:21,441 --> 00:17:22,709 CAN I HELP YOU? 429 00:17:22,741 --> 00:17:23,843 UH, YEAH, WE'RE HERE FOR JENNA RYAN. 430 00:17:23,875 --> 00:17:25,244 SHE'S EXPECTING US. 431 00:17:25,278 --> 00:17:27,446 MISS RYAN JUST LEFT 10 MINUTES AGO. 432 00:17:27,480 --> 00:17:29,382 ARE YOU SURE? 433 00:17:29,415 --> 00:17:30,817 I PUT HER IN THE CAB MYSELF. 434 00:17:30,849 --> 00:17:33,153 SHE DIDN'T FORGET. 435 00:17:33,185 --> 00:17:35,422 I SAW HER WRITE IT DOWN. SHE'S AVOIDING US. 436 00:17:35,454 --> 00:17:37,324 DID YOU HAPPEN TO HEAR WHERE SHE WENT? 437 00:17:37,356 --> 00:17:40,160 IT'S POSSIBLE. 438 00:17:40,192 --> 00:17:41,861 OKAY, WELL, WHERE DID SHE GO? IT'S VERY IMPORTANT. 439 00:17:41,894 --> 00:17:46,133 ISN'T IT FUNNY? I-I CAN'T QUITE REMEMBER. 440 00:17:46,165 --> 00:17:48,667 I GET IT. 441 00:17:48,701 --> 00:17:51,438 MEMORIES ARE FUNNY THINGS. 442 00:17:51,471 --> 00:17:53,440 YEAH. 443 00:17:53,472 --> 00:17:55,174 MAYBE THIS WILL HELP. 444 00:17:55,208 --> 00:17:56,808 $3.00? 445 00:17:56,843 --> 00:17:58,677 HEY, BUDDY, 446 00:17:58,711 --> 00:18:00,547 I GET 3 BUCKS FOR HOLDING A DOOR OPEN. 447 00:18:00,579 --> 00:18:02,615 HE WANTS MORE. 448 00:18:02,648 --> 00:18:04,183 GIVE HIM MORE. 449 00:18:04,217 --> 00:18:05,317 HE DIDN'T DO ANYTHING. 450 00:18:05,352 --> 00:18:07,886 I THINK $3.00 IS MORE THAN APPROPRIATE. 451 00:18:07,920 --> 00:18:10,757 GIVE HIM MORE. 452 00:18:12,659 --> 00:18:13,826 OH, SO WE'RE UP TO $4.00 NOW. 453 00:18:13,859 --> 00:18:15,194 FOR 20 SECONDS OF YOUR TIME, 454 00:18:15,228 --> 00:18:17,663 I THINK THAT'S NOT TOO SHABBY. 455 00:18:17,696 --> 00:18:20,366 YOU'RE THE CHEAPEST MAN I KNOW. 456 00:18:20,400 --> 00:18:22,434 HERE. WHERE'D SHE GO? 457 00:18:22,469 --> 00:18:23,536 WHAT ARE YOU DOING? $40? 458 00:18:23,569 --> 00:18:26,573 MY SISTER'S ON DEATH ROW. I THINK SHE'S WORTH $40. 459 00:18:26,605 --> 00:18:28,407 WHERE'D SHE GO? 460 00:18:28,441 --> 00:18:30,143 THE BELTRUM HOTEL ON RIDGEDALE. 461 00:18:30,176 --> 00:18:32,111 HEY, THANK YOU VERY MUCH. 462 00:18:34,513 --> 00:18:37,150 EXCUSE ME. COULD I HAVE MY $4.00 BACK? 463 00:18:37,183 --> 00:18:38,351 WHAT? 464 00:18:38,384 --> 00:18:40,186 WE GAVE YOU $44. 465 00:18:40,220 --> 00:18:41,052 YEAH? 466 00:18:41,086 --> 00:18:43,190 THE BRIBE WAS ONLY $40, SO, YOU KNOW... 467 00:18:43,222 --> 00:18:44,423 ARE YOU FOR REAL? 468 00:18:44,457 --> 00:18:46,192 OKAY, WILL YOU COME ON? 469 00:18:46,226 --> 00:18:49,362 OKAY, OKAY, BUT WE HAVE A $4.00 CREDIT ON ANY FUTURE BRIBES. 470 00:18:49,395 --> 00:18:52,832 I WON'T FORGET. I'M WRITING IT DOWN. 471 00:18:57,636 --> 00:18:58,738 THERE SHE IS. 472 00:19:03,675 --> 00:19:05,678 OOH, EXCUSE ME. HAVE WE REGISTERED? 473 00:19:05,711 --> 00:19:06,645 UH, FOR WHAT? 474 00:19:06,679 --> 00:19:08,515 SPEEDY DATES. WE DO IT HERE ONCE A MONTH. 475 00:19:08,548 --> 00:19:10,849 OH, YEAH, YEAH, YEAH, I READ AN ARTICLE ABOUT THIS. 476 00:19:10,883 --> 00:19:12,551 IT'S FOR SINGLES. INSTEAD OF SPENDING ALL NIGHT 477 00:19:12,585 --> 00:19:14,554 WITH ONE JERK, YOU GET TO MEET 15 JERKS AT ONCE. 478 00:19:14,586 --> 00:19:16,355 YEAH, THAT'S NOT EXACTLY HOW WE WOULD DESCRIBE IT. 479 00:19:16,388 --> 00:19:18,258 YOU SPEND FOUR MINUTES WITH EACH PERSON, 480 00:19:18,290 --> 00:19:20,359 THEN WHEN THE LOVE BELL RINGS... 481 00:19:20,393 --> 00:19:21,594 YOU MOVE ON TO THE NEXT PERSON. 482 00:19:21,627 --> 00:19:22,662 IT'S LIKE SQUARE DANCING. 483 00:19:22,694 --> 00:19:24,230 HE'LL DO IT. SIGN IN. 484 00:19:24,263 --> 00:19:25,332 WHAT? 485 00:19:25,365 --> 00:19:27,433 SIGN IN. IT'S PERFECT. 486 00:19:27,467 --> 00:19:29,669 THIS WAY, JENNA HAS TO TALK TO YOU. 487 00:19:29,701 --> 00:19:30,936 SPEEDY DATES? 488 00:19:30,970 --> 00:19:32,404 NO. NO, NO, NO. 489 00:19:32,439 --> 00:19:34,707 IT'S LIKE DANTE'S SEVENTH CIRCLE OF HELL. 490 00:19:34,740 --> 00:19:37,710 ADRIAN, WHATEVER IT TAKES. 491 00:19:37,743 --> 00:19:39,746 ISN'T THAT WHAT YOU SAID? 492 00:19:46,419 --> 00:19:47,987 I LIKE YOUR EYES. 493 00:19:48,019 --> 00:19:49,388 WELL, THANK YOU. 494 00:19:49,422 --> 00:19:51,290 THEY CAME WITH THE FACE. 495 00:19:51,324 --> 00:19:53,292 AND YOU'RE A COP. 496 00:19:53,326 --> 00:19:54,926 UH, USED TO BE. 497 00:19:54,961 --> 00:19:56,929 DO YOU STILL HAVE YOUR HANDCUFFS? 498 00:19:56,962 --> 00:19:59,332 YES. THEY'RE IN MY BUREAU. 499 00:19:59,365 --> 00:20:02,902 MAYBE YOU'D LIKE TO SHOW THEM TO ME SOMETIME. 500 00:20:02,934 --> 00:20:03,736 WHY? 501 00:20:03,769 --> 00:20:06,605 THEY'RE -- THEY'RE JUST HANDCUFFS. 502 00:20:06,638 --> 00:20:07,906 [ BELL RINGS ] 503 00:20:09,308 --> 00:20:11,943 AND TRUDY AND I WERE -- WERE MARRIED FOR... 504 00:20:11,978 --> 00:20:14,314 SEVEN YEARS. 505 00:20:14,346 --> 00:20:15,847 I AM SO SORRY. 506 00:20:15,882 --> 00:20:17,317 IT WAS A CAR BOMB. 507 00:20:17,349 --> 00:20:18,951 3 POUNDS OF PLASTIC EXPLOSIVES 508 00:20:18,984 --> 00:20:21,253 UNDER THE DRIVER'S SEAT. 509 00:20:21,288 --> 00:20:23,556 I-I FELT RESPONSIBLE. 510 00:20:23,589 --> 00:20:25,291 I THINK IT WAS MEANT FOR ME. 511 00:20:25,325 --> 00:20:29,461 HOW ABOUT YOU? HAVE YOU EVER BEEN MARRIED? 512 00:20:30,896 --> 00:20:35,335 IT'S SO HARD FOR WOMEN MY AGE TO MEET MEN. I'M 38. 513 00:20:35,367 --> 00:20:37,369 OH, NO, YOU'RE NOT. 514 00:20:37,403 --> 00:20:38,837 EXCUSE ME? 515 00:20:38,871 --> 00:20:40,307 I WAS STANDING BEHIND YOU 516 00:20:40,339 --> 00:20:41,641 WHEN YOU WERE REGISTERING OUT FRONT. 517 00:20:41,673 --> 00:20:43,276 I-I-I NOTICED THAT YOUR CREDIT CARD 518 00:20:43,309 --> 00:20:45,545 SAID "MEMBER SINCE 1979." 519 00:20:45,577 --> 00:20:48,914 YOU HAVE TO BE 18 TO GET THAT CARD, 520 00:20:48,948 --> 00:20:51,817 WHICH MEANS THAT, UH, YOU'RE AT LEAST 42. 521 00:20:51,851 --> 00:20:54,820 ALL RIGHT, I'M 43. ARE YOU HAPPY NOW? 522 00:20:54,854 --> 00:20:57,523 YOU DON'T LOOK IT. 523 00:20:57,557 --> 00:21:00,026 [ BELL RINGS ] 524 00:21:00,058 --> 00:21:03,796 I HATE DATING. DON'T YOU? HA HA. 525 00:21:03,829 --> 00:21:06,065 I DON'T KNOW. I NEVER DATE. 526 00:21:06,097 --> 00:21:08,535 THEN WHAT ARE YOU DOING HERE? 527 00:21:08,567 --> 00:21:11,304 I'M -- I'M JUST HERE TO MEET HER. 528 00:21:11,337 --> 00:21:12,704 OH. 529 00:21:12,739 --> 00:21:13,905 I SEE. 530 00:21:13,940 --> 00:21:15,474 SORRY I WASTED YOUR TIME. 531 00:21:15,508 --> 00:21:16,643 [ BELL RINGS ] THAT'S OKAY. 532 00:21:17,876 --> 00:21:21,580 HELLO, ADRIAN. I'M JENNA. 533 00:21:21,614 --> 00:21:22,714 JENNA, HELLO. 534 00:21:22,749 --> 00:21:24,016 IS THIS YOUR FIRST TIME? 535 00:21:24,049 --> 00:21:25,518 YES, IT IS. YES, IT IS. 536 00:21:25,551 --> 00:21:26,653 HOW ABOUT YOU? 537 00:21:26,685 --> 00:21:28,488 THIRD. INSANE, ISN'T IT? 538 00:21:28,520 --> 00:21:30,690 BUT I DON'T KNOW HOW ELSE TO MEET ANYBODY. 539 00:21:30,722 --> 00:21:32,892 THE ONLY GUYS I MEET AT WORK ARE ACTORS. 540 00:21:32,924 --> 00:21:34,894 OH. YOU'RE AN ACTRESS? 541 00:21:34,926 --> 00:21:35,894 GUILTY. 542 00:21:35,927 --> 00:21:36,929 ARE YOU FAMOUS? 543 00:21:36,962 --> 00:21:39,598 NO. NOT YET. HA HA. 544 00:21:39,632 --> 00:21:40,866 ARE YOU INTO THE THEATER? 545 00:21:40,900 --> 00:21:42,669 I REALLY DON'T GET OUT MUCH. 546 00:21:42,701 --> 00:21:44,971 I'M IN A PLAY AT THE EL PORTAL, IF YOU'RE INTERESTED. 547 00:21:45,003 --> 00:21:46,638 IT'S CALLED "BLOOD ON THE MOON." 548 00:21:46,673 --> 00:21:48,807 OH, I HEARD ABOUT THAT. 549 00:21:48,840 --> 00:21:51,544 DIDN'T A GUY GET KILLED DURING THE SHOW? 550 00:21:51,577 --> 00:21:54,580 IT'S NOT EXACTLY THE KIND OF PUBLICITY WE WANTED. 551 00:21:54,614 --> 00:21:56,348 ACTUALLY, I'M THE UNDERSTUDY 552 00:21:56,383 --> 00:21:58,384 FOR THE GIRL WHO, YOU KNOW, DID IT. 553 00:21:58,417 --> 00:21:59,385 REALLY? 554 00:21:59,419 --> 00:22:01,086 MY DADDY ALWAYS SAID 555 00:22:01,119 --> 00:22:04,557 WHEN OPPORTUNITY KNOCKS, JUST KICK DOWN THE DAMN DOOR, 556 00:22:04,590 --> 00:22:06,459 DON'T ASK ANY QUESTIONS. 557 00:22:06,492 --> 00:22:08,126 IS -- IS YOUR FATHER AN ACTOR, TOO? 558 00:22:08,160 --> 00:22:09,828 HE WANTED TO BE. 559 00:22:09,862 --> 00:22:13,566 RAISED BY A FRUSTRATED ACTOR -- THAT EXPLAINS EVERYTHING, RIGHT? 560 00:22:13,599 --> 00:22:15,968 BUT HE'S GREAT. HE'S REALLY GREAT. 561 00:22:16,001 --> 00:22:17,903 MY FATHER WOULD DO ANYTHING FOR ME. 562 00:22:17,936 --> 00:22:21,407 WERE YOU THERE WHEN -- WHEN MR. DUNCAN WAS STABBED? 563 00:22:21,441 --> 00:22:23,442 NO, I, UM... 564 00:22:23,476 --> 00:22:26,613 I HAD CHECKED IN EARLIER. I WAS AT A PARTY ACROSS TOWN. 565 00:22:27,713 --> 00:22:29,516 HOW DID YOU KNOW HIS NAME? 566 00:22:29,548 --> 00:22:31,917 IT WAS ON THE NEWS. 567 00:22:31,951 --> 00:22:33,853 UH-HUH. 568 00:22:33,885 --> 00:22:36,423 SO YOU DIDN'T ACTUALLY SEE THE ATTACK. 569 00:22:36,455 --> 00:22:39,826 NO, I WAS AT A PARTY ACROSS TOWN. I TOLD YOU. 570 00:22:41,027 --> 00:22:44,063 YOU ASK A LOT OF QUESTIONS. 571 00:22:44,096 --> 00:22:46,065 YOU NEVER TOLD ME WHAT YOU DO FOR A LIVING. 572 00:22:46,097 --> 00:22:47,165 [ BELL RINGS ] 573 00:22:47,199 --> 00:22:49,902 OH, THAT WAS QUICK. CAN I SEE YOU AGAIN? 574 00:22:49,935 --> 00:22:51,570 I DON'T THINK SO. 575 00:22:56,742 --> 00:22:59,445 SO HOW'D IT GO, STUD? 576 00:22:59,479 --> 00:23:00,813 SHE DID IT. 577 00:23:00,846 --> 00:23:02,548 I DON'T KNOW HOW SHE DID IT, BUT SHE DID IT. 578 00:23:02,582 --> 00:23:05,183 LET'S GO BACK TO THE THEATER AND LOOK AROUND. 579 00:23:05,217 --> 00:23:07,787 OKAY. 580 00:23:07,819 --> 00:23:08,755 SO HOW'D THE DATING GO? 581 00:23:08,788 --> 00:23:11,590 OH, IT WAS TERRIBLE. THANK GOD I'M NOT SINGLE. 582 00:23:11,624 --> 00:23:14,026 YOU ARE SINGLE. 583 00:23:14,059 --> 00:23:15,961 OH, YEAH. 584 00:23:20,833 --> 00:23:23,502 OKAY, I THINK I REMEMBER EXACTLY WHAT I SAW. 585 00:23:23,536 --> 00:23:24,671 IT'S THE SECOND SCENE. 586 00:23:24,703 --> 00:23:27,138 YOU'RE GAIL, I'M THE GUY. 587 00:23:27,173 --> 00:23:28,607 THE TWO KNIVES ARE ON THE COUNTER. 588 00:23:28,641 --> 00:23:30,809 THIS IS VERY IMPORTANT. 589 00:23:30,843 --> 00:23:33,480 THIS IS THE REAL KNIFE, THIS IS THE PROP KNIFE, 590 00:23:33,512 --> 00:23:37,016 SO WHEN YOU STAB ME, PLEASE USE THE PROP KNIFE. 591 00:23:37,048 --> 00:23:38,451 I'LL TRY TO REMEMBER. 592 00:23:38,484 --> 00:23:39,486 OKAY, OKAY. 593 00:23:39,519 --> 00:23:40,686 NOW, SO... 594 00:23:40,720 --> 00:23:42,654 YOU -- YOU ENTER FROM THE RIGHT. 595 00:23:42,689 --> 00:23:45,090 YOU MEAN THE LEFT. THAT'S STAGE LEFT. 596 00:23:45,124 --> 00:23:46,659 BUT IT'S ON THE RIGHT. 597 00:23:46,692 --> 00:23:48,461 BUT IT'S STAGE LEFT. THAT'S WHAT THEY CALL IT. 598 00:23:48,494 --> 00:23:49,761 MY SISTER'S AN ACTRESS. 599 00:23:49,796 --> 00:23:52,632 BUT -- BUT FOR THE PURPOSES OF THIS RE-CREATION, 600 00:23:52,664 --> 00:23:53,766 LET'S JUST CALL IT 601 00:23:53,799 --> 00:23:55,701 WHAT THEY CALL IT ON PLANET EARTH. 602 00:23:55,734 --> 00:23:57,202 LIKE YOU WOULD KNOW. 603 00:23:57,236 --> 00:23:58,971 ALL RIGHT, JUST ENTER FROM OVER THERE, ALL RIGHT? 604 00:23:59,005 --> 00:24:00,472 OVER THERE. 605 00:24:00,507 --> 00:24:02,541 AND THEN COME AND WALK TO THE TABLE WHEN I SAY GO. 606 00:24:02,575 --> 00:24:04,844 AND...GO. 607 00:24:12,919 --> 00:24:14,653 HEY, CUZ. 608 00:24:14,686 --> 00:24:16,623 DID YOU MISS ME? 609 00:24:16,655 --> 00:24:18,857 I HOPE YOU DON'T MIND. 610 00:24:18,891 --> 00:24:20,960 I LET MYSELF IN. 611 00:24:23,229 --> 00:24:24,931 YOU'RE PRETTY GOOD. 612 00:24:24,963 --> 00:24:26,031 I HAVE MY MOMENTS. 613 00:24:26,065 --> 00:24:29,201 SO NOW YOU SAY, "BURT, YOU'RE SUPPOSED TO BE IN JAIL." 614 00:24:29,234 --> 00:24:30,001 COME ON, SAY IT. 615 00:24:30,036 --> 00:24:31,503 BURT, YOU'RE SUPPOSED TO BE IN JAIL. 616 00:24:31,538 --> 00:24:34,240 YEAH, IT'S FUNNY ABOUT THAT PHRASE -- 617 00:24:34,272 --> 00:24:35,974 "SUPPOSED TO BE." 618 00:24:36,008 --> 00:24:38,076 I'M SUPPOSED TO BE IN JAIL. 619 00:24:38,109 --> 00:24:40,078 YOU'RE SUPPOSED TO BE WAITING FOR ME. 620 00:24:40,112 --> 00:24:42,815 A MAN CAN'T COUNT ON "SUPPOSED TO BE" 621 00:24:42,848 --> 00:24:44,683 THE WAY HE USED TO. 622 00:24:46,152 --> 00:24:48,086 YOUR HUSBAND'S DOWNTOWN 623 00:24:48,119 --> 00:24:52,258 DROWNING HIMSELF IN SCOTCH AND SODA. 624 00:24:52,290 --> 00:24:54,727 I SAW HIM LEAVE HERE ABOUT AN HOUR AGO. 625 00:24:56,095 --> 00:24:58,230 WHAT ARE YOU DOING? 626 00:24:58,263 --> 00:24:59,965 [ CLAPPING ] 627 00:24:59,999 --> 00:25:02,701 WELL DONE! VERY NICE. 628 00:25:02,734 --> 00:25:04,170 SORRY. WE THOUGHT WE WERE ALONE. 629 00:25:04,202 --> 00:25:07,673 I WAS IN THE SHADOWS, WHERE THE DIRECTOR BELONGS. 630 00:25:07,707 --> 00:25:09,942 I'M KARL SEBASTIAN. 631 00:25:09,976 --> 00:25:13,112 I'M SHARONA FLEMING, AND THIS IS ADRIAN MONK. 632 00:25:13,144 --> 00:25:14,846 YOU'RE GAIL'S SISTER, AREN'T YOU? 633 00:25:14,881 --> 00:25:16,583 YEAH. 634 00:25:16,615 --> 00:25:18,284 WILL YOU TELL HER WE'RE ALL PRAYING FOR HER? 635 00:25:18,317 --> 00:25:19,951 I'VE KNOWN GAIL MANY YEARS, 636 00:25:19,986 --> 00:25:22,253 AND I STILL CAN'T BELIEVE WHAT'S HAPPENED. 637 00:25:22,288 --> 00:25:23,556 IT'S LIKE A BAD DREAM. 638 00:25:23,589 --> 00:25:24,891 IT SURE IS. 639 00:25:24,923 --> 00:25:25,857 HOW DO YOU KNOW THE PLAY, MR. MONK? 640 00:25:25,892 --> 00:25:27,859 IT'S BRAND-NEW. IT'S NEVER BEEN PUBLISHED. 641 00:25:27,894 --> 00:25:29,295 I SAW IT LAST WEEK, AND, UH, 642 00:25:29,327 --> 00:25:32,298 MUST HAVE MEMORIZED IT BY ACCIDENT. SORRY. 643 00:25:32,330 --> 00:25:35,734 YOU MEMORIZED IT AFTER SEEING IT ONE TIME? 644 00:25:35,768 --> 00:25:38,203 I'M SO SORRY. 645 00:25:38,237 --> 00:25:39,672 I KNOW THIS IS ALL LAST-MINUTE, 646 00:25:39,705 --> 00:25:41,173 AND I-I DON'T KNOW WHAT YOUR SCHEDULE IS, 647 00:25:41,207 --> 00:25:42,674 BUT WE'VE JUST HIRED 648 00:25:42,709 --> 00:25:44,576 AN ACTOR FROM NEW YORK TO PLAY THE PART OF BURT, 649 00:25:44,611 --> 00:25:46,311 BUT HE CAN'T BE HERE TILL MONDAY. 650 00:25:46,345 --> 00:25:48,346 WOULD YOU CONSIDER FILLING IN? 651 00:25:48,380 --> 00:25:50,115 IT'S ONLY TWO SHOWS. 652 00:25:50,148 --> 00:25:52,317 ME? NO, NO. UH, NO. I'M SORRY. I CAN'T. 653 00:25:52,351 --> 00:25:54,621 HE'LL DO IT. HE'LL BE GREAT. 654 00:25:54,653 --> 00:25:58,625 I JUST NEED TO TALK TO MY AGENT FOR ONE MINUTE. 655 00:25:58,657 --> 00:25:59,759 WHAT? 656 00:25:59,791 --> 00:26:01,794 ARE YOU INSANE? I CAN'T ACT. 657 00:26:01,827 --> 00:26:04,763 LOOK, MY SISTER'S IN TROUBLE. YOU SAID THE UNDERSTUDY DID IT. 658 00:26:04,797 --> 00:26:07,599 SHE'S IN THE SHOW. THAT'S WHERE YOU SHOULD BE. 659 00:26:07,634 --> 00:26:09,234 IT'S TWO SHOWS. 660 00:26:09,268 --> 00:26:11,738 COME ON. 661 00:26:11,770 --> 00:26:13,271 HE'LL DO IT. 662 00:26:13,305 --> 00:26:15,240 OH, EXCELLENT. I'M THRILLED. 663 00:26:15,273 --> 00:26:18,778 WELCOME ABOARD. WE'LL, UH, SEE YOU TOMORROW, 664 00:26:18,810 --> 00:26:21,313 10:00 A.M., REHEARSAL. YOU'RE IN THE SHOW FRIDAY NIGHT. 665 00:26:21,346 --> 00:26:22,248 IN THE SHOW. 666 00:26:22,280 --> 00:26:24,115 I'M IN THE SHOW. 667 00:26:29,855 --> 00:26:30,556 OKAY, FROM THE TOP OF SCENE TWO. 668 00:26:32,324 --> 00:26:35,662 ADRIAN, YOU'VE JUST ESCAPED FROM PRISON. 669 00:26:35,694 --> 00:26:39,330 YOU'RE HIDING BEHIND THE DOOR. 670 00:26:39,365 --> 00:26:42,201 YOU STEP OUT, AND, UH... 671 00:26:42,233 --> 00:26:44,336 ANYTIME, MR. MONK. 672 00:26:54,113 --> 00:26:57,316 HEY, CUZ. DID YOU MISS ME? 673 00:26:57,348 --> 00:27:00,286 I HOPE YOU DON'T MIND. I LET MYSELF IN. 674 00:27:00,318 --> 00:27:01,753 OKAY, OKAY. 675 00:27:01,788 --> 00:27:04,990 UM, ADRIAN, YOU STARTED TO HAVE IT YESTERDAY. 676 00:27:05,023 --> 00:27:06,858 REMEMBER, YOU ESCAPED FROM PRISON. 677 00:27:06,893 --> 00:27:08,059 RIGHT. I SEE. YEAH. 678 00:27:08,094 --> 00:27:09,862 YOU'RE FULL OF RAGE. 679 00:27:09,895 --> 00:27:11,230 YOU SWAGGER. 680 00:27:11,262 --> 00:27:13,766 I DON'T THINK SO. 681 00:27:13,799 --> 00:27:16,402 HI, I'M SORRY. I'M SORRY I'M LATE. 682 00:27:16,434 --> 00:27:18,770 I COULDN'T GET A CAB. 683 00:27:18,805 --> 00:27:20,839 YOU. 684 00:27:20,873 --> 00:27:23,009 JENNA RYAN, THIS IS ADRIAN MONK. 685 00:27:23,041 --> 00:27:24,711 HE'S FILLING IN FOR A COUPLE OF SHOWS. 686 00:27:24,743 --> 00:27:26,178 YOU'RE AN ACTOR? 687 00:27:26,211 --> 00:27:29,715 YES, HE'S AN ACTOR, AND HE'S DOING A SPLENDID JOB, 688 00:27:29,749 --> 00:27:32,084 BUT WE HAVEN'T GOT ALL DAY, 689 00:27:32,117 --> 00:27:33,819 SO, UM, WE'LL GO FROM YOUR LINE 690 00:27:33,853 --> 00:27:35,153 "THERE'S MONEY IN MY PURSE." 691 00:27:35,186 --> 00:27:37,088 JENNA, YOU'RE AT THE TABLE. 692 00:27:37,123 --> 00:27:38,758 ADRIAN, YOU'RE SWAGGERING. 693 00:27:42,161 --> 00:27:47,098 HERE, I HAVE SOME MONEY IN MY PURSE. 694 00:27:47,133 --> 00:27:48,400 TAKE IT. 695 00:27:48,433 --> 00:27:50,802 YOU THINK I WANT YOUR POCKET CHANGE? 696 00:27:50,836 --> 00:27:53,204 YOU THINK THAT'S WHY I CAME BACK? 697 00:27:53,239 --> 00:27:55,875 OKAY, YOU PUSH THE TABLE OVER. 698 00:27:59,778 --> 00:28:02,147 YOU'RE AN ANIMAL. JUST -- JUST PUSH IT OVER. 699 00:28:05,116 --> 00:28:06,451 MAYBE MY CHARACTER 700 00:28:06,484 --> 00:28:08,487 WOULDN'T WANT TO MAKE TOO BIG A MESS RIGHT HERE. 701 00:28:08,519 --> 00:28:11,857 SHE SENT YOU TO PRISON. YOU'RE -- YOU'RE FULL OF RAGE. 702 00:28:11,891 --> 00:28:14,760 I HAVE A THOUGHT. WHAT IF MY CHARACTER 703 00:28:14,794 --> 00:28:16,962 EXPRESSES HIS RAGE 704 00:28:16,996 --> 00:28:20,499 BY PUTTING AWAY THE GROCERIES... 705 00:28:20,531 --> 00:28:22,934 ROUGHLY? 706 00:28:23,970 --> 00:28:25,805 UH, OKAY. 707 00:28:25,837 --> 00:28:27,973 UM, OKAY. LET'S -- LET'S MOVE ON 708 00:28:28,007 --> 00:28:31,943 TO YOUR NEXT LINE. "WHO ORDERED THE TOSSED SALAD?" 709 00:28:34,947 --> 00:28:36,949 WHO ORDERED THE TOSSED SALAD? 710 00:28:36,982 --> 00:28:39,285 [ SNORTS ] 711 00:28:39,317 --> 00:28:40,952 I'M SORRY. IS THAT HOW YOU LAUGH? 712 00:28:43,422 --> 00:28:45,857 I'M NOT -- I'M NOT A BIG LAUGHER. 713 00:28:45,892 --> 00:28:47,192 WELL, TRY A REAL LAUGH. 714 00:28:47,226 --> 00:28:49,996 HAVE A GO. 715 00:28:50,028 --> 00:28:53,932 WHO ORDERED THE TOSSED SALAD? 716 00:28:53,965 --> 00:28:55,467 [ Weakly ] HA HA HA HA. 717 00:28:55,500 --> 00:28:56,935 HA HA HA HA. 718 00:28:56,969 --> 00:28:58,971 NO, NO, OKAY, WAIT. 719 00:28:59,005 --> 00:29:01,339 LET ME TRY THAT AGAIN. 720 00:29:01,373 --> 00:29:04,143 WHO ORDERED THE TOSSED SALAD? 721 00:29:04,175 --> 00:29:06,979 HA HA HA HA HA HA HA HA HA HA HA. 722 00:29:07,012 --> 00:29:09,015 SEBASTIAN. 723 00:29:09,048 --> 00:29:10,883 WHO ORDERED THE TOSSED SALAD? 724 00:29:10,916 --> 00:29:12,483 HE'S IMPOSSIBLE. 725 00:29:12,518 --> 00:29:14,353 JUST CUT HIM LOOSE, AND WE'LL FIND SOMEBODY ELSE. 726 00:29:14,385 --> 00:29:15,487 IT WAS YOUR IDEA TO HIRE HAL, 727 00:29:15,520 --> 00:29:19,557 AND HE WAS TERRIBLE, GOD REST HIS SOUL. 728 00:29:19,590 --> 00:29:21,961 HA HA HA HA HA HA. 729 00:29:21,993 --> 00:29:24,830 WHO ORDERED THE TOSSED SALAD? 730 00:29:24,864 --> 00:29:27,933 OKAY, WE'LL, UH, WE'LL WORK ON THE LAUGH. 731 00:29:27,967 --> 00:29:29,969 TAKE 10, EVERYBODY. 732 00:29:30,001 --> 00:29:31,369 AHEM. 733 00:29:31,403 --> 00:29:34,240 WELL, NOT QUITE. 734 00:29:34,272 --> 00:29:36,407 HOLD ON. 735 00:29:36,442 --> 00:29:38,810 KATHLEEN, WHAT DID THE DIRECTOR MEAN 736 00:29:38,845 --> 00:29:42,848 WHEN HE SAID THAT JENNA MADE THEM HIRE HAL DUNCAN? 737 00:29:42,882 --> 00:29:45,416 WELL, IT WAS NO SECRET. JENNA WANTED THEM TO HIRE HAL. 738 00:29:45,451 --> 00:29:47,019 I'LL TELL YOU WHAT I HEARD -- 739 00:29:47,052 --> 00:29:48,386 SHE SLEPT WITH THE PRODUCER, 740 00:29:48,420 --> 00:29:50,021 THEN THREATENED TO TELL HIS WIFE UNLESS THEY DID. 741 00:29:50,056 --> 00:29:51,958 WHY? WERE THEY DATING? 742 00:29:51,990 --> 00:29:53,325 NO. NOBODY COULD FIGURE IT OUT. 743 00:29:53,358 --> 00:29:54,526 JENNA DIDN'T EVEN LIKE THE GUY. 744 00:29:54,559 --> 00:29:58,830 HE WASN'T A GREAT ACTOR, OR EVEN A GOOD ACTOR. 745 00:29:58,865 --> 00:30:01,067 HE WAS A CHARACTER. 746 00:30:01,099 --> 00:30:03,469 ALWAYS WORE SUNGLASSES, EVEN INSIDE. 747 00:30:03,501 --> 00:30:05,872 OH, AND HE WAS ALLERGIC TO EVERYTHING. 748 00:30:05,904 --> 00:30:07,506 EGGS, PEANUTS, AND SHELLFISH. 749 00:30:07,538 --> 00:30:09,842 HE WOULDN'T EAT ANYTHING UNLESS HE MADE IT HIMSELF. 750 00:30:11,576 --> 00:30:14,546 THIS MIGHT WORK, HUH? WHAT DO YOU THINK? 751 00:30:14,579 --> 00:30:16,515 CAN'T I JUST WEAR MY OWN CLOTHES? 752 00:30:16,548 --> 00:30:19,151 I'D RATHER WEAR MY OWN CLOTHES. 753 00:30:19,184 --> 00:30:22,421 WHAT -- WHAT DO YOU HAVE AT HOME? 754 00:30:22,453 --> 00:30:26,258 UH, WELL, HE JUST HAS MORE OF THIS. 755 00:30:26,291 --> 00:30:30,296 BASICALLY, THIS. 756 00:30:30,328 --> 00:30:33,365 SO WHEN DO I GET TO MEET THE ELUSIVE RONNIE? 757 00:30:33,398 --> 00:30:34,633 Benjy: WHO? 758 00:30:34,665 --> 00:30:37,368 THE STOCKBROKER. I TOLD YOU ABOUT HIM. 759 00:30:37,403 --> 00:30:40,271 HE'S AT A CONVENTION... IN BELGIUM. 760 00:30:40,306 --> 00:30:42,374 WHAT STOCKBROKER? 761 00:30:42,407 --> 00:30:44,876 I DON'T LIKE BENJY MEETING ANY OF THE GUYS I DATE 762 00:30:44,911 --> 00:30:46,244 UNTIL I'M SURE, YOU KNOW? 763 00:30:46,278 --> 00:30:48,948 BUT YOU SAID HE TOOK BENJY TO THE BASKETBALL GAME. 764 00:30:48,980 --> 00:30:50,516 NO, I DIDN'T. YES, YOU DID. 765 00:30:50,548 --> 00:30:52,919 WELL, THEN YOU MISUNDERSTOOD, OR YOU JUST GOT MIXED UP. 766 00:30:52,951 --> 00:30:54,452 LOOK, MA, CAN WE JUST CHANGE THE SUBJECT, HUH? 767 00:30:54,486 --> 00:30:55,221 YOU DON'T HAVE TO SNAP, HONEY. 768 00:30:55,253 --> 00:30:58,257 THIS IS A HARD TIME FOR ALL OF US. 769 00:30:58,289 --> 00:31:01,093 YOU KNOW, I ALWAYS THOUGHT IF ANYONE IN THIS FAMILY 770 00:31:01,126 --> 00:31:03,095 EVER WOULD END UP IN JAIL, IT WOULD BE YOU. 771 00:31:03,128 --> 00:31:05,230 [ CHUCKLES ] 772 00:31:05,263 --> 00:31:06,365 YOU KNOW WHAT? THAT'S GREAT. 773 00:31:06,397 --> 00:31:07,967 THAT'S GREAT. RIGHT IN FRONT OF BENJY? 774 00:31:08,000 --> 00:31:09,201 I DON'T MIND. 775 00:31:09,234 --> 00:31:11,170 NO, YOU KNOW WHAT I'M TALKING ABOUT. 776 00:31:11,202 --> 00:31:12,538 REMEMBER, WHEN YOU S-T-O-L-E THE CAR? 777 00:31:12,570 --> 00:31:15,173 MA, HE'S 11 YEARS OLD. HE CAN SPELL. 778 00:31:15,207 --> 00:31:17,242 S-T-O -- 779 00:31:17,276 --> 00:31:19,010 OKAY, YOU KNOW WHAT? YOU KNOW WHAT? 780 00:31:19,045 --> 00:31:22,147 GO TO YOUR ROOM AND DO YOUR HOMEWORK. 781 00:31:22,181 --> 00:31:24,115 WHATEVER. 782 00:31:24,150 --> 00:31:26,352 TOLD YOU. 783 00:31:26,384 --> 00:31:29,255 OY. 784 00:31:29,288 --> 00:31:33,358 I'M SORRY, SHARONA. I-I'M JUST SO SCARED. 785 00:31:33,392 --> 00:31:36,162 [ SIGHS ] 786 00:31:36,194 --> 00:31:37,997 I'M SCARED, TOO. 787 00:31:46,238 --> 00:31:48,207 HOW ARE YOU DOING? 788 00:31:48,240 --> 00:31:50,076 OH, I'M MAKING LOTS OF NEW FRIENDS. 789 00:31:50,108 --> 00:31:51,477 I NEED YOU TO GET ME OUT BEFORE I MAKE ANY MORE. 790 00:31:51,509 --> 00:31:54,413 LISTEN, YOUR MOM AND SHARONA WANTED TO COME, 791 00:31:54,445 --> 00:31:55,447 BUT YOU'RE ONLY ALLOWED ONE VISITOR A DAY. 792 00:31:55,480 --> 00:31:57,048 THEY WANTED ME TO ASK YOU IF YOU NEEDED ANYTHING. 793 00:31:57,083 --> 00:31:58,951 YEAH, AN EXPLANATION FOR WHAT HAPPENED. 794 00:31:58,984 --> 00:32:00,551 ADRIAN, I DIDN'T STAB ANYBODY. 795 00:32:00,586 --> 00:32:02,188 I GRABBED THE PROP KNIFE. I'M SURE OF IT. 796 00:32:02,221 --> 00:32:03,654 THE KNIFE THEY FOUND -- 797 00:32:03,689 --> 00:32:05,490 MY PRINTS WEREN'T ON IT, WERE THEY? 798 00:32:05,523 --> 00:32:07,526 NO, NO, NO, THERE WERE NO -- 799 00:32:07,558 --> 00:32:10,729 THERE WERE NO USABLE PRINTS. 800 00:32:10,761 --> 00:32:15,101 THE, UH, THE POLICE FIGURED THAT YOU, UH, 801 00:32:15,134 --> 00:32:17,469 THAT YOU WIPED THEM OFF IN ALL THE CONFUSION. 802 00:32:17,502 --> 00:32:21,039 NOBODY BELIEVES ME. MY LAWYER THINKS I'M CRAZY. 803 00:32:21,073 --> 00:32:22,008 WELL, MAYBE I AM. 804 00:32:22,040 --> 00:32:24,042 NO. 805 00:32:24,076 --> 00:32:25,544 NO, YOU'RE NOT CRAZY. 806 00:32:25,576 --> 00:32:27,679 DO YOU WANT TO TRY A DIFFERENT PHONE? 807 00:32:27,712 --> 00:32:30,516 NO, NO, NO, I'M GOOD. I'M GOOD. 808 00:32:30,548 --> 00:32:31,549 LISTEN, GAIL, 809 00:32:31,583 --> 00:32:34,653 WHAT DO YOU KNOW ABOUT YOUR UNDERSTUDY JENNA RYAN? 810 00:32:34,685 --> 00:32:37,323 I CAN'T BELIEVE YOU SAID THAT. I'VE BEEN THINKING ABOUT HER. 811 00:32:37,355 --> 00:32:39,490 WHY IS THAT? 812 00:32:39,525 --> 00:32:40,592 BECAUSE JENNA WOULD DO ANYTHING FOR THAT PART. 813 00:32:40,625 --> 00:32:42,994 FOUR YEARS AGO, SHE TRIED THIS TONYA HARDING THING 814 00:32:43,028 --> 00:32:44,363 ON ANOTHER ACTRESS. 815 00:32:44,395 --> 00:32:45,663 I THINK IT WAS IN CHICAGO. 816 00:32:45,697 --> 00:32:47,398 THEY WERE BOTH UP FOR THE SAME PART. 817 00:32:47,432 --> 00:32:49,667 THE ACTRESS WAS ATTACKED WITH A GOLF CLUB. 818 00:32:49,701 --> 00:32:51,136 BROKE HER KNEECAP. 819 00:32:51,170 --> 00:32:52,171 REALLY? 820 00:32:52,203 --> 00:32:53,372 YEAH, JENNA GOT THE PART. 821 00:32:53,404 --> 00:32:54,506 YOU KNOW, EVERYONE SUSPECTED HER, 822 00:32:54,539 --> 00:32:56,041 BUT THEY COULDN'T PROVE ANYTHING. 823 00:32:56,075 --> 00:32:57,276 BUT, YOU KNOW, SHE COULDN'T HAVE DONE IT. 824 00:32:57,308 --> 00:32:58,576 SHE WASN'T EVEN NEAR THE THEATER, 825 00:32:58,609 --> 00:33:01,047 AND SHE WAS AT SOME PARTY ACROSS TOWN, SO... 826 00:33:01,079 --> 00:33:02,614 MAYBE. 827 00:33:02,647 --> 00:33:03,749 THERE. 828 00:33:03,781 --> 00:33:05,351 THERE. 829 00:33:05,384 --> 00:33:06,684 OH, GOD, THE TIME. 830 00:33:06,718 --> 00:33:09,020 I'VE -- I'VE GOT TO GO. I'VE GOT A SHOW. 831 00:33:09,055 --> 00:33:11,190 ARE YOU REALLY IN THE CAST? 832 00:33:11,222 --> 00:33:13,358 A STAR IS BORN. 833 00:33:13,392 --> 00:33:15,060 GOD, I WOULD HAVE THOUGHT YOU'D GET STAGE FRIGHT. 834 00:33:15,094 --> 00:33:16,728 NAH, I WAS FINE IN THE REHEARSALS. 835 00:33:16,761 --> 00:33:19,565 EVERYONE'S FINE IN REHEARSALS. THERE'S NO AUDIENCE THERE. 836 00:33:19,597 --> 00:33:21,067 THAT'S... 837 00:33:21,099 --> 00:33:23,501 THAT'S TRUE. 838 00:33:23,535 --> 00:33:25,503 THAT'S TRUE. 839 00:33:34,380 --> 00:33:36,515 MY MOM'S IN THE FRONT ROW. 840 00:33:36,548 --> 00:33:38,150 BUT THERE'S NOT TOO MANY OTHER PEOPLE OUT THERE, RIGHT? 841 00:33:38,183 --> 00:33:39,451 WELL, THERE'S LOTS OF PEOPLE OUT THERE. 842 00:33:39,484 --> 00:33:40,486 [ GROANING ] 843 00:33:40,519 --> 00:33:41,686 WHAT? IT'S SOLD OUT. 844 00:33:41,720 --> 00:33:44,390 WELL, DON'T WORRY ABOUT IT. YOU WERE FINE IN REHEARSAL. 845 00:33:44,423 --> 00:33:45,523 THIS IS IT. 846 00:33:45,557 --> 00:33:49,627 PLACES, EVERYONE. ENERGY. ENERGY. 847 00:33:49,661 --> 00:33:51,396 HEARD YOU'VE BEEN ASKING AROUND ABOUT ME. 848 00:33:51,430 --> 00:33:52,397 WHAT? 849 00:33:52,431 --> 00:33:54,365 WHO ARE YOU? 850 00:33:54,400 --> 00:33:56,301 YOU'RE NOT AN ACTOR -- THAT MUCH I KNOW. 851 00:33:56,335 --> 00:33:58,804 OKAY, JENNA, YOUR ENTRANCE IS AROUND THE OTHER SIDE. 852 00:33:58,836 --> 00:34:00,239 Sharona: WE KNOW A FEW THINGS, TOO. 853 00:34:00,271 --> 00:34:02,340 WHAT'S THAT SUPPOSED TO MEAN? 854 00:34:02,374 --> 00:34:04,175 FIGURE IT OUT. 855 00:34:04,210 --> 00:34:07,246 OH, HENRY, YOU JUST SIT THERE. 856 00:34:07,278 --> 00:34:09,481 YOU READ THOSE BASEBALL SCORES. 857 00:34:09,514 --> 00:34:11,682 DON'T LET ME BOTHER YOU, HUH? 858 00:34:11,717 --> 00:34:13,585 WHERE'S THAT GIRL? 859 00:34:13,619 --> 00:34:15,786 SHE WAS SUPPOSED TO BE BACK HERE AN HOUR AGO 860 00:34:15,820 --> 00:34:18,157 WITH THE GROCERIES. DINNER'S GOING TO BE LATE TONIGHT. 861 00:34:18,190 --> 00:34:20,126 LOOK, OKAY, I-I CAN'T DO THIS. 862 00:34:20,159 --> 00:34:21,527 TELL THEM I'M OUT OF TOWN. 863 00:34:21,559 --> 00:34:23,362 THAT WON'T WORK. THEY'VE ALL SEEN YOU. 864 00:34:23,394 --> 00:34:24,663 [ GASPING ] 865 00:34:24,695 --> 00:34:27,532 WHAT WAS I THINKING? I'M NOT AN ACTOR. 866 00:34:27,565 --> 00:34:29,235 ARE YOU ALL RIGHT? 867 00:34:29,268 --> 00:34:31,302 [ GASPING ] 868 00:34:31,336 --> 00:34:32,871 WHAT ARE YOU DOING? WHAT -- WHAT ARE YOU DOING? 869 00:34:32,903 --> 00:34:35,106 TAKING YOUR PULSE. I'M A NURSE, REMEMBER? 870 00:34:38,510 --> 00:34:40,112 OH, MY GOD. 871 00:34:40,146 --> 00:34:41,780 SHARONA. 872 00:34:41,813 --> 00:34:43,148 I'VE GOT IT. 873 00:34:43,181 --> 00:34:44,449 I KNOW HOW SHE DID IT. 874 00:34:44,483 --> 00:34:45,717 YOU DO? 875 00:34:45,751 --> 00:34:48,119 IF THAT'S HOW YOU TAKE SOMEONE'S PULSE... 876 00:34:48,153 --> 00:34:49,855 I KNOW HOW SHE DID IT. 877 00:34:49,887 --> 00:34:52,657 ADRIAN, LET'S GO. YOU'RE ON. 878 00:35:09,208 --> 00:35:10,509 Sharona: HOW DID SHE DO IT? 879 00:35:10,541 --> 00:35:13,311 ALLERGIES. HAL DUNCAN HAD LOTS OF ALLERGIES. 880 00:35:13,344 --> 00:35:14,780 THE WARDROBE LADY SAID HE WAS AFRAID 881 00:35:14,813 --> 00:35:15,681 TO EAT ANYTHING HE DIDN'T MAKE HIMSELF. 882 00:35:15,713 --> 00:35:17,815 THAT'S WHY JENNA WANTED HIM IN THAT PART. 883 00:35:17,849 --> 00:35:19,818 HE WAS THE PERFECT PATSY. 884 00:35:19,851 --> 00:35:21,686 THE PROP MASTER TOLD ME 885 00:35:21,719 --> 00:35:23,922 THAT JENNA WAS HANGING OUT ON STAGE BEFORE THE SHOW, 886 00:35:23,954 --> 00:35:25,590 BUT SHE WASN'T SWITCHING KNIVES. 887 00:35:25,623 --> 00:35:27,525 SHE WAS TAMPERING WITH THE APPLES. 888 00:35:27,559 --> 00:35:28,626 THE APPLES? 889 00:35:28,659 --> 00:35:29,827 SHE MUST HAVE BEEN PUTTING SOMETHING 890 00:35:29,860 --> 00:35:31,697 ON THEM OR IN THEM -- 891 00:35:31,730 --> 00:35:34,300 SOMETHING THAT HAL DUNCAN WAS ALLERGIC TO. 892 00:35:34,333 --> 00:35:35,400 THAT'S RIGHT. 893 00:35:35,434 --> 00:35:36,835 MY MOM SAID THEY TASTED FUNNY. 894 00:35:36,867 --> 00:35:39,737 LIKE I SAID... 895 00:35:39,771 --> 00:35:42,208 I'M HERE FOR WHAT'S MINE! 896 00:35:42,240 --> 00:35:43,242 AAH! 897 00:35:43,275 --> 00:35:45,543 HAL DUNCAN WASN'T STABBED. 898 00:35:45,577 --> 00:35:47,679 HE WAS HAVING AN ALLERGIC REACTION. 899 00:35:51,916 --> 00:35:53,284 BUT HE WAS STABBED. 900 00:35:53,318 --> 00:35:54,719 THERE WAS A REAL KNIFE IN HIS CHEST. 901 00:35:54,753 --> 00:35:57,822 I KNOW. I-I KNOW. I KNOW. IT WAS A BRILLIANT PLAN. 902 00:35:57,856 --> 00:35:59,525 YOU'RE STILL HERE? YOU'RE ON! 903 00:35:59,557 --> 00:36:00,759 NO. NO, NO, NO, NO. 904 00:36:00,791 --> 00:36:02,527 ADRIAN, ADRIAN, IF YOU DON'T GO ON STAGE, 905 00:36:02,561 --> 00:36:04,730 SHE'S GOING TO KNOW SOMETHING'S UP. 906 00:36:04,762 --> 00:36:06,831 SHARONA, GO DOWNSTAIRS. CHECK HER DRESSING ROOM. 907 00:36:06,864 --> 00:36:07,932 WHAT AM I LOOKING FOR? 908 00:36:07,965 --> 00:36:09,501 EVIDENCE! SOMETHING HAL DUNCAN 909 00:36:09,534 --> 00:36:11,603 WAS ALLERGIC TO -- SHELLFISH, EGGS, PEANUTS. 910 00:36:27,818 --> 00:36:30,389 HEY, CUZ. 911 00:36:30,422 --> 00:36:32,657 DID YOU MISS ME? 912 00:36:56,981 --> 00:36:59,751 I HOPE YOU DON'T MIND. 913 00:36:59,784 --> 00:37:02,521 I LET MYSELF IN. 914 00:37:02,554 --> 00:37:04,889 BURT, YOU'RE SUPPOSED TO BE IN JAIL. 915 00:37:04,922 --> 00:37:07,693 IT'S FUNNY, THAT PHRASE -- 916 00:37:07,726 --> 00:37:10,295 "SUPPOSED TO BE." 917 00:37:16,501 --> 00:37:18,869 YOU'RE SUPPOSED TO BE IN JAIL. 918 00:37:18,903 --> 00:37:23,608 I'M SUPPOSED TO BE IN JAIL. 919 00:37:23,641 --> 00:37:26,945 YOU'RE SUPPOSED TO BE WAITING FOR ME. 920 00:37:29,347 --> 00:37:33,851 A MAN CAN'T COUNT ON "USED TO BE" 921 00:37:33,885 --> 00:37:35,786 THE WAY HE'S SUPPOSED TO. 922 00:37:35,820 --> 00:37:38,289 YES, YES, WE CAN PROVE IT. LOOK, ARE YOU ALMOST HERE? 923 00:37:38,324 --> 00:37:39,690 GREAT, I'LL SEE YOU SOON. 924 00:37:39,724 --> 00:37:40,958 YOU'D BETTER GO. 925 00:37:40,992 --> 00:37:42,860 MY HUSBAND'S UPSTAIRS. IF HE HEARS YOU -- 926 00:37:42,893 --> 00:37:44,630 YOUR HUSBAND'S DOWNTOWN 927 00:37:44,663 --> 00:37:48,666 DROWNING HIMSELF IN SCOTCH AND SODA. 928 00:37:48,699 --> 00:37:52,471 I SAW HIM LEAVE HERE ABOUT AN HOUR AGO. 929 00:37:52,503 --> 00:37:54,005 [ GASPS ] 930 00:37:56,807 --> 00:37:59,878 UH, I HAVE MONEY IN MY PURSE. 931 00:37:59,911 --> 00:38:01,380 HERE. TAKE IT. 932 00:38:01,413 --> 00:38:03,349 YOU THINK I WANT YOUR POCKET CHANGE? 933 00:38:03,382 --> 00:38:04,449 [ Whispers ] ADRIAN! 934 00:38:04,483 --> 00:38:06,784 YOU THINK THAT'S WHY I CAME BACK? 935 00:38:10,489 --> 00:38:11,956 [ Whispers ] ADRIAN! 936 00:38:11,989 --> 00:38:13,891 ADRIAN! 937 00:38:15,893 --> 00:38:17,996 LOOK! ADRIAN! 938 00:38:18,028 --> 00:38:19,465 ADRIAN! 939 00:38:30,541 --> 00:38:33,711 WHO ORDERED THE TOSSED SALAD? 940 00:38:33,744 --> 00:38:35,847 HA HA HA HA HA HA HA. 941 00:38:35,880 --> 00:38:38,083 HA HA HA HA HA HA HA. 942 00:38:38,115 --> 00:38:39,385 [ Whispers ] OH, MY GOD. 943 00:38:39,418 --> 00:38:42,820 I'M HERE FOR WHAT'S MINE. 944 00:38:42,853 --> 00:38:45,990 BURT, IF YOU DON'T LEAVE, I'LL -- 945 00:38:46,023 --> 00:38:47,858 YOU'LL WHAT, HUH? 946 00:38:47,893 --> 00:38:49,760 YOU'LL DO NOTHING. 947 00:38:49,795 --> 00:38:52,130 [ CRUNCHES APPLE ] 948 00:38:52,163 --> 00:38:53,831 ADRIAN, BE CAREFUL! SHE KNOWS! 949 00:38:53,864 --> 00:38:56,601 [ Mouth full ] LIKE I SAID... 950 00:38:56,635 --> 00:38:58,003 I CAME FOR WHAT'S MINE. WATCH OUT! 951 00:39:14,786 --> 00:39:16,822 [ MURMURING ] 952 00:39:18,724 --> 00:39:20,090 IS SHE ALL RIGHT? 953 00:39:20,125 --> 00:39:21,726 IS THERE A DOCTOR IN THE HOUSE? 954 00:39:21,760 --> 00:39:24,530 EVERYBODY STAY IN YOUR SEATS. 955 00:39:24,563 --> 00:39:27,032 LADIES AND GENTLEMEN, I'M A POLICE OFFICER. 956 00:39:27,065 --> 00:39:28,967 EVERYTHING IS UNDER CONTROL. EVERYBODY JUST SIT DOWN. 957 00:39:29,000 --> 00:39:30,568 COULD WE HAVE THE HOUSE LIGHTS ON, PLEASE? 958 00:39:30,601 --> 00:39:32,603 SHE'S OKAY. 959 00:39:32,637 --> 00:39:34,405 I'LL CALL AN AMBULANCE. 960 00:39:34,440 --> 00:39:36,708 EXCUSE ME. 961 00:39:36,742 --> 00:39:38,643 DID YOU -- DID YOU JUST ASK 962 00:39:38,677 --> 00:39:40,579 IF THERE WAS A DOCTOR IN THE HOUSE? 963 00:39:40,612 --> 00:39:42,481 YES, THAT'S RIGHT. 964 00:39:42,514 --> 00:39:43,715 THAT'S FUNNY, BECAUSE LAST WEEK, 965 00:39:43,748 --> 00:39:45,483 YOU WERE THE DOCTOR IN THE HOUSE. 966 00:39:45,516 --> 00:39:48,519 WHAT ARE YOU TALKING ABOUT? 967 00:39:48,554 --> 00:39:49,855 I WAS HERE. 968 00:39:49,887 --> 00:39:51,657 I SAW YOU. 969 00:39:51,690 --> 00:39:54,025 IS THERE A DOCTOR IN THE HOUSE? ANYONE. I'M A DOCTOR. 970 00:39:54,059 --> 00:39:55,827 Monk: BUT YOU'RE NOT A DOCTOR, ARE YOU? 971 00:39:55,860 --> 00:39:58,463 I REMEMBERED HOW YOU TOOK HAL'S PULSE 972 00:39:58,496 --> 00:39:59,597 AFTER HE COLLAPSED. 973 00:39:59,630 --> 00:40:00,766 YOU USED YOUR THUMB, 974 00:40:00,798 --> 00:40:03,635 SOMETHING NO REAL DOCTOR WOULD EVER DO. 975 00:40:03,668 --> 00:40:06,472 Sharona: HAL DUNCAN WAS HAVING AN ALLERGIC REACTION 976 00:40:06,505 --> 00:40:07,905 TO PEANUT OIL. 977 00:40:07,938 --> 00:40:10,041 Monk: HE WASN'T STABBED 978 00:40:10,074 --> 00:40:12,478 UNTIL YOU STABBED HIM. 979 00:40:12,510 --> 00:40:14,780 WHEN YOU LEANED OVER, YOU POCKETED THE FAKE KNIFE, 980 00:40:14,813 --> 00:40:16,481 AND THEN YOU KILLED HIM. 981 00:40:16,514 --> 00:40:18,884 HE'S DEAD. HE'S BEEN STABBED. 982 00:40:20,652 --> 00:40:22,954 THAT'S CRAZY. WHY WOULD I -- 983 00:40:22,987 --> 00:40:25,824 YOU WOULD DO ANYTHING TO HELP JENNA GET INTO THE PLAY. 984 00:40:25,856 --> 00:40:30,128 IT'S A BIG HIT, HEADING TO NEW YORK, 985 00:40:30,161 --> 00:40:32,831 AND A CAREER-MAKING ROLE FOR YOUR DAUGHTER. 986 00:40:32,864 --> 00:40:35,099 MY DAUGHTER? 987 00:40:35,132 --> 00:40:36,635 THAT'S RIGHT, MR. RYAN. 988 00:40:36,668 --> 00:40:37,835 THAT IS YOUR NAME, ISN'T IT? 989 00:40:37,869 --> 00:40:39,938 YOU'VE BEEN OBSESSED WITH HER CAREER. 990 00:40:39,971 --> 00:40:43,108 JENNA TOLD ME ALL ABOUT IT. 991 00:40:43,141 --> 00:40:45,076 WE -- WE DATED BRIEFLY. 992 00:40:45,110 --> 00:40:48,646 YOU -- YOU DON'T UNDERSTAND. 993 00:40:48,679 --> 00:40:51,483 JENNA'S ALL I HAVE. 994 00:40:51,516 --> 00:40:52,818 WELL, IF THEY WANTED GAIL OUT OF THE WAY, 995 00:40:52,851 --> 00:40:54,619 WHY DIDN'T THEY JUST GO AFTER HER? 996 00:40:54,652 --> 00:40:56,221 THEY COULDN'T DO THAT, CAPTAIN. 997 00:40:56,253 --> 00:40:57,222 JENNA WAS SUSPECTED 998 00:40:57,255 --> 00:41:00,025 OF ATTACKING ANOTHER ACTRESS FOUR YEARS AGO. 999 00:41:00,057 --> 00:41:02,193 THEY COULDN'T PULL THAT TRICK AGAIN. 1000 00:41:02,226 --> 00:41:04,563 THEY HAD TO FIND ANOTHER WAY TO GET RID OF GAIL. 1001 00:41:04,596 --> 00:41:05,831 SO THEY FRAMED HER. 1002 00:41:05,864 --> 00:41:08,266 OR THEY TRIED TO. THANK YOU, ADRIAN. 1003 00:41:08,298 --> 00:41:10,668 NOW, CAN YOU PROVE ANY OF THIS? 1004 00:41:10,702 --> 00:41:14,005 THE MEDICAL EXAMINER CAN. 1005 00:41:14,039 --> 00:41:15,641 THIS WAS IN HER DRESSING ROOM. 1006 00:41:15,673 --> 00:41:18,543 I'M SURE YOU CAN STILL FIND TRACES OF IT IN HIS BODY. 1007 00:41:18,577 --> 00:41:19,811 PEANUT OIL. 1008 00:41:19,844 --> 00:41:22,079 DADDY, DADDY, WHAT DID YOU DO? 1009 00:41:22,112 --> 00:41:23,614 [ SOBS ] 1010 00:41:23,648 --> 00:41:27,152 I HAD NOTHING TO DO WITH THIS, I SWEAR! I SWEAR. 1011 00:41:27,184 --> 00:41:29,253 SHUT UP, BITCH! SHOW'S OVER. 1012 00:41:29,286 --> 00:41:32,023 THAT'S MY DAUGHTER THE DETECTIVE! 1013 00:42:01,186 --> 00:42:01,920 LISTEN TO THIS. THE DIRECTOR SAID, 1014 00:42:03,153 --> 00:42:05,090 "WE'RE ALL EXCITED 1015 00:42:05,123 --> 00:42:06,891 ABOUT GAIL FLEMING REJOINING THE SHOW." 1016 00:42:06,925 --> 00:42:07,925 YAY. 1017 00:42:07,958 --> 00:42:11,128 "WE'RE ALSO HOPING TO BRING OUR NEWEST CAST MEMBER 1018 00:42:11,161 --> 00:42:12,797 "ADRIAN MONK TO NEW YORK WITH US. 1019 00:42:12,831 --> 00:42:13,998 "IN ALL MY YEARS IN THE THEATER, 1020 00:42:14,032 --> 00:42:17,635 I HAVE NEVER SEEN FEAR AND PANIC PORTRAYED SO CONVINCINGLY." 1021 00:42:17,668 --> 00:42:18,804 THAT IS A MONEY REVIEW. 1022 00:42:18,836 --> 00:42:20,105 FIRST TIME OUT. CONGRATULATIONS. 1023 00:42:20,137 --> 00:42:21,806 THANKS. 1024 00:42:21,840 --> 00:42:23,775 ARE YOU GOING TO BE DOING ANY MORE ACTING, MR. MONK? 1025 00:42:23,809 --> 00:42:26,677 ANYTHING'S POSSIBLE, BENJY, EXCEPT FOR THAT. 1026 00:42:26,711 --> 00:42:29,246 OH, I'M GOING TO MISS MY PLANE. WE BETTER CALL A TAXI. 1027 00:42:29,280 --> 00:42:30,715 OH, NO, I'LL TAKE YOU. 1028 00:42:30,748 --> 00:42:32,083 YOU KNOW, I'VE BEEN COOPED UP ALL WEEK. 1029 00:42:32,117 --> 00:42:34,719 BEFORE I LEAVE, I WANT A PICTURE WITH ME AND MY GIRLS. 1030 00:42:34,753 --> 00:42:36,722 I'LL TAKE IT FOR YOU. DON'T GIVE IT TO HIM. 1031 00:42:36,755 --> 00:42:38,123 HE'LL SPEND A HALF AN HOUR CLEANING THE LENS. 1032 00:42:38,155 --> 00:42:39,690 OH, WELL, WE CAN ALL BE IN IT 1033 00:42:39,724 --> 00:42:41,059 BECAUSE THERE'S A BUILT-IN TIMER. 1034 00:42:41,092 --> 00:42:42,728 OH, GREAT. 1035 00:42:42,760 --> 00:42:44,730 BUT WE HAVE TO BE CAREFUL. THERE'S JUST ONE PICTURE LEFT. 1036 00:42:44,762 --> 00:42:46,731 READY? GO. 1037 00:42:46,764 --> 00:42:47,932 SMILE! 1038 00:42:53,403 --> 00:42:54,304 HEY, CHERYL, CAN YOU SWITCH WITH ME? 1039 00:42:54,338 --> 00:42:56,373 ADRIAN, NO. THERE'S NO TIME. 1040 00:42:56,407 --> 00:42:57,608 BECAUSE MOM SHOULD BE IN THE MIDDLE 1041 00:42:57,643 --> 00:42:58,643 FOR THE SYMMETRY OF IT. 1042 00:42:58,677 --> 00:43:00,646 OKAY, EVERYBODY -- OKAY, SMILE. 1043 00:43:00,679 --> 00:43:01,880 GAIL, YOU SWITCH WITH BENJY. 1044 00:43:01,913 --> 00:43:03,248 OH, COME ON, WE DON'T HAVE TIME FOR THIS. 1045 00:43:03,280 --> 00:43:04,849 QUICK, QUICK, QUICK. YEAH, NOW IT'S BETTER. 1046 00:43:04,882 --> 00:43:07,085 NO, IT SHOULD BE TALL, SHORT, TALL, SHORT -- 1047 00:43:07,117 --> 00:43:08,786 [ ALL YELLING ] 72784

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