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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:02:18,050 --> 00:02:21,576 Man: IT IS SO DIFFICULT TO KNOW WHERE I SHOULD BEGIN. 4 00:02:21,619 --> 00:02:26,798 ESPECIALLY WHEN, UNLIKE YOU, I ALREADY KNOW THE ENDING. 5 00:02:26,842 --> 00:02:30,889 BUT LET US SAY THAT THIS STORY BEGAN WITH THE END OF ANOTHER... 6 00:02:30,933 --> 00:02:35,459 FAR, FAR FROM THE SURF OF LONG ISLAND. 7 00:02:37,200 --> 00:02:41,073 FOR MANY YEARS I HAD ABSOLUTELY NO PUBLIC LIFE. 8 00:02:41,117 --> 00:02:43,554 I HAD SAID NO TO INTERVIEWS SO OFTEN, 9 00:02:43,598 --> 00:02:47,167 IT WAS WIDELY REGARDED AS MY FORTE. 10 00:02:48,037 --> 00:02:50,082 THEN, JUST ONCE... 11 00:02:50,126 --> 00:02:51,910 ON IMPULSE... 12 00:02:51,954 --> 00:02:55,044 I SAID YES. 13 00:02:56,132 --> 00:02:59,483 DOES THE 2Oth CENTURY PLAY ANY PART IN YOUR LIFE? 14 00:02:59,527 --> 00:03:00,963 I'M SORRY? 15 00:03:01,006 --> 00:03:03,835 DO YOU, FOR INSTANCE, USE A WORD PROCESSOR? 16 00:03:03,879 --> 00:03:06,186 I'M A WRITER. 17 00:03:06,229 --> 00:03:07,665 I WRITE. 18 00:03:07,709 --> 00:03:09,798 I DON'T PROCESS WORDS. 19 00:03:09,841 --> 00:03:12,366 SO WHO DO YOU WRITE FOR? 20 00:03:12,409 --> 00:03:13,323 MYSELF. 21 00:03:13,367 --> 00:03:14,977 MAY I ASK WHY YOU'RE HERE TODAY? 22 00:03:15,020 --> 00:03:16,718 I WAS WONDERING THAT MYSELF. 23 00:03:16,761 --> 00:03:22,941 BUT YOUR...UH, COLLEAGUE WAS A FRIEND OF MY LATE WIFE, 24 00:03:22,985 --> 00:03:25,074 WHO TRANSLATED FOR THE WORLD SERVICE. 25 00:03:25,117 --> 00:03:26,815 AND OF COURSE, I DO HAVE A FAINT INTEREST 26 00:03:26,858 --> 00:03:29,296 AS TO HOW THESE THINGS ARE DONE, YOU KNOW. 27 00:03:29,339 --> 00:03:32,603 YOU'VE NEVER BEEN TEMPTED TO WRITE FOR RADIO? 28 00:03:32,647 --> 00:03:33,822 OR TELEVISION? 29 00:03:33,865 --> 00:03:35,258 I'M AFRAID NOT. 30 00:03:35,302 --> 00:03:37,304 WOULD YOU PERMIT YOUR WORK TO BE ADAPTED TO THE SCREEN, 31 00:03:37,347 --> 00:03:40,394 NOW THAT EVEN E.M. FORSTER'S BEEN DONE? 32 00:03:40,437 --> 00:03:42,134 I'D PREFER NOT TO BE DONE. 33 00:03:42,178 --> 00:03:45,312 BUT HE'S BEEN DONE RATHER WELL, DON'T YOU THINK? 34 00:03:45,355 --> 00:03:48,053 WHY, I HAVE NO IDEA. 35 00:03:48,097 --> 00:03:52,232 I HAVEN'T BEEN TO THE PICTURES FOR QUITE SOME TIME. 36 00:04:30,226 --> 00:04:31,793 ONE OR 2? 37 00:04:33,664 --> 00:04:35,187 ONE. 38 00:04:38,234 --> 00:04:41,063 Man: HEY, ARE YOU SURE THIS IS THE RIGHT WINDOW, MAN? 39 00:04:41,106 --> 00:04:42,543 I--I DON'T KNOW ABOUT THIS, COREY. 40 00:04:42,586 --> 00:04:43,674 WHAT IF WE GET CAUGHT? 41 00:04:43,718 --> 00:04:45,372 WE'RE NOT GOING TO GET CAUGHT, JERK-OFF. 42 00:04:45,415 --> 00:04:47,243 AT ANY MINUTE NOW THAT ROOM IS GONNA BE 43 00:04:47,287 --> 00:04:49,941 FILLED WITH BUTT-NAKED BABES. 44 00:04:49,985 --> 00:04:50,942 RIGHT. 45 00:04:50,986 --> 00:04:54,076 HEY, BIG GUY, GIVE ME THE CAMERA. 46 00:04:54,119 --> 00:04:56,296 OH, MAN. 47 00:04:56,339 --> 00:04:59,386 TAKE IT OFF, BABY. 48 00:05:00,952 --> 00:05:04,086 SHE IS SO TOTALLY HOT! 49 00:05:04,129 --> 00:05:05,392 SOMEONE'S COMING. WHAT? 50 00:05:05,435 --> 00:05:08,046 CHRIST, IT'S THE STALKER. I'M OUT OF HERE! 51 00:05:08,090 --> 00:05:10,310 WHAT ARE YOU BOYS DOING HERE? 52 00:05:10,353 --> 00:05:12,660 YOU SHOULDN'T BE HERE. 53 00:05:12,703 --> 00:05:16,446 THIS ISN'T E.M. FORSTER! 54 00:05:27,762 --> 00:05:29,459 HEY, MAN, YOU GOT A RIVAL. 55 00:05:29,503 --> 00:05:31,287 MOLLY'S IN THERE WITH A GUY. 56 00:05:31,331 --> 00:05:33,333 WHAT? I'LL KILL HER! 57 00:05:33,376 --> 00:05:35,204 COME ON, LET'S GO! 58 00:05:38,076 --> 00:05:39,251 MIKEY? 59 00:05:39,295 --> 00:05:40,514 YOU'VE BEEN BEATEN TO IT BY YOUR KID BROTHER. 60 00:05:40,557 --> 00:05:43,995 I THINK IT'S TIME FOR A PIZZA DELIVERY, BOYS. 61 00:05:44,039 --> 00:05:46,084 GO GET HIM, MAN. 62 00:05:46,128 --> 00:05:47,869 HEY, WHAT ARE YOU DOING? 63 00:05:47,912 --> 00:05:49,566 OH, YES. 64 00:05:52,090 --> 00:05:53,091 HEY, CUT IT OUT! 65 00:05:53,135 --> 00:05:56,747 GO DO IT, DUDE. KICK HIS ASS. 66 00:05:56,791 --> 00:05:58,706 COREY... 67 00:05:58,749 --> 00:06:00,795 WHAT'S UP? 68 00:06:02,579 --> 00:06:04,059 HEY, COME ON, MAN, 69 00:06:04,102 --> 00:06:05,190 WE CAN TALK ABOUT THIS. 70 00:06:05,234 --> 00:06:06,801 YEAH? 71 00:06:08,237 --> 00:06:10,587 Corey: HEY, MOLLY, WHAT'S HAPPENING, BABY? 72 00:06:10,631 --> 00:06:11,893 Molly: HI, COREY. 73 00:06:11,936 --> 00:06:14,330 Ronnie: COME ON, MAN, PUT ME DOWN. 74 00:06:14,374 --> 00:06:15,287 PUT ME DOWN. 75 00:06:15,331 --> 00:06:17,072 COREY, COREY, SHE MADE ME DO IT. 76 00:06:17,115 --> 00:06:19,988 SHUT UP, YOU LITTLE JERK-OFF. 77 00:06:22,033 --> 00:06:24,732 YOU WERE JUST TRYING TO MAKE ME JEALOUS, HUH? 78 00:06:40,225 --> 00:06:41,749 AH. 79 00:06:45,666 --> 00:06:47,972 WHAT A RELIEF. 80 00:06:48,016 --> 00:06:51,019 MY WIFE MUST HAVE KNOWN THIS WOULD HAPPEN. 81 00:06:54,936 --> 00:06:56,938 TELL ME, MRS. REED... 82 00:06:56,981 --> 00:06:58,679 YOU LIVE HERE ALONE NOW, DON'T YOU? 83 00:06:58,722 --> 00:06:59,549 YES. 84 00:06:59,593 --> 00:07:01,072 ME ALONE. 85 00:07:01,116 --> 00:07:03,335 BUT THE--THE TELEVISION? 86 00:07:04,511 --> 00:07:06,948 THE TELEVISION IS MINE. 87 00:07:06,991 --> 00:07:07,818 I LIKE IT. 88 00:07:07,862 --> 00:07:12,214 YOU, UH, WATCH THE PICTURES. 89 00:07:15,435 --> 00:07:18,481 YOUR SPECIALIZED SUBJECT IS CHRISTOPHER COLUMBUS. 90 00:07:18,525 --> 00:07:19,743 WITH SUBTITLES. 91 00:07:19,787 --> 00:07:22,006 NOW BY WHAT NAME WAS COLUMBUS KNOWN IN SPAIN? 92 00:07:22,050 --> 00:07:22,572 CRISTOBAL COLON. 93 00:07:23,834 --> 00:07:25,009 CORRECT. OF WHAT DID COLUMBUS REPUTEDLY BECOME 94 00:07:25,053 --> 00:07:26,837 THE FIRST EUROPEAN CONNOISSEUR? 95 00:07:26,881 --> 00:07:28,535 TOBACCO? CORRECT. 96 00:07:28,578 --> 00:07:30,537 HOW EXTRAORDINARY. 97 00:07:30,580 --> 00:07:32,756 HAVE YOU BEEN LOCKED OUT ALL DAY? 98 00:07:32,800 --> 00:07:36,847 NO, NO, NO. I... JUST FOR A SHORT WHILE, UH, 99 00:07:36,891 --> 00:07:38,893 I WENT TO THE PICTURES. 100 00:07:40,808 --> 00:07:42,462 CINEMA. 101 00:07:44,202 --> 00:07:46,117 CINEMA. 102 00:07:52,428 --> 00:07:56,258 I'M EVER SO SORRY ABOUT YESTERDAY. 103 00:07:57,477 --> 00:07:58,913 AND WHY IS THAT? 104 00:07:58,956 --> 00:08:00,480 ABOUT NOT BEING HOME 105 00:08:00,523 --> 00:08:02,220 WHEN YOU NEEDED THE KEYS. 106 00:08:02,264 --> 00:08:06,050 WELL, I CAN HARDLY DICTATE WHAT YOU DO ON YOUR SUNDAYS, MRS. BARKER. 107 00:08:06,094 --> 00:08:09,924 MY SISTER IN WHITSTABLE'S BEEN POORLY. 108 00:08:09,967 --> 00:08:13,580 NEEDS A BIT OF HELPING OUT. 109 00:08:22,197 --> 00:08:25,243 IS THERE ANYTHING ELSE, MRS. BARKER? 110 00:08:25,287 --> 00:08:29,117 I WAS JUST GOING TO MENTION... 111 00:08:29,160 --> 00:08:34,339 MY SISTER AND I HEARD YOU ON THE WIRELESS YESTERDAY. 112 00:08:39,780 --> 00:08:41,303 TELL ME... 113 00:08:41,346 --> 00:08:43,087 YOU WEREN'T TAUGHT TAUGHT BY FORSTER 114 00:08:43,131 --> 00:08:44,915 WHEN YOU WERE UP IN CAMBRIDGE? 115 00:08:44,959 --> 00:08:45,525 ALAS, NO. 116 00:08:47,178 --> 00:08:49,572 YOU KNOW THEY'RE EVEN ADAPTING HIS WORK FOR THE PICTURES NOW? 117 00:08:50,530 --> 00:08:53,184 CAN'T SAY THAT I APPROVE. 118 00:08:53,663 --> 00:08:56,144 IT COULD HAVE BEEN A LOT WORSE. 119 00:08:57,754 --> 00:08:59,060 THE ADAPTATION? 120 00:08:59,103 --> 00:09:00,540 THE INTERVIEW. 121 00:09:00,583 --> 00:09:02,411 OH, IN WHAT WAY? 122 00:09:02,454 --> 00:09:03,673 IT COULD HAVE BEEN ON TELEVISION. 123 00:09:03,717 --> 00:09:06,676 THAT'S A MUCH GREATER INTRUSION, I CAN TELL YOU. 124 00:09:06,720 --> 00:09:08,417 DO YOU KNOW YOU CAN GET TELEVISIONS 125 00:09:08,460 --> 00:09:12,160 THAT TRANSCRIBE WHAT PEOPLE SAY? 126 00:09:41,102 --> 00:09:46,281 MAY I ASK, WOULD THAT BE ANOTHER BOOK? 127 00:09:46,324 --> 00:09:49,153 YES, I'M AFRAID IT IS. 128 00:09:49,197 --> 00:09:51,199 I DON'T KNOW HOW YOU DO IT. 129 00:09:51,242 --> 00:09:54,637 TAKES ME ALL MY TIME TO READ ONE. 130 00:09:54,681 --> 00:09:57,074 WELL, AS GWEN ALWAYS USED TO SAY, 131 00:09:57,118 --> 00:09:58,293 IT'S EASIER TO WRITE ONE 132 00:09:58,336 --> 00:10:01,296 THAN IT IS TO READ ONE PROPERLY, MRS. BARKER. 133 00:10:01,339 --> 00:10:03,690 YES, I'M SURE SHE DID. 134 00:10:03,733 --> 00:10:07,824 I CAN ALMOST HEAR HER SAYING IT. 135 00:10:09,086 --> 00:10:13,874 I'VE NEVER REALLY APPROVED OF THE PRE-RAPHAELITES. 136 00:10:15,484 --> 00:10:17,007 HMM? 137 00:10:18,269 --> 00:10:20,663 WELL, JUST LOOK AT HIM. 138 00:10:21,185 --> 00:10:23,492 HE'S ONE OF YOUR SISTER'S FAVORITES. 139 00:10:23,535 --> 00:10:26,016 WHAT'S MEANT TO BE GOING ON? 140 00:10:26,060 --> 00:10:30,630 LOVE LETTERS, SUICIDE, THAT SORT OF THING? 141 00:10:32,153 --> 00:10:35,243 MORE LIKELY TO BE REJECTIONS FROM PUBLISHERS. 142 00:10:35,286 --> 00:10:38,681 CHATTERTON WAS A WRITER. 143 00:10:38,725 --> 00:10:39,551 OH. 144 00:10:39,595 --> 00:10:40,988 I MUST GET AROUND TO READING 145 00:10:41,031 --> 00:10:42,163 ONE OF YOUR BOOKS, GILES. 146 00:10:42,206 --> 00:10:45,775 NEVER SEEM TO BE ENOUGH HOURS IN THE DAY. 147 00:10:51,694 --> 00:10:53,827 GILES? 148 00:10:53,870 --> 00:11:00,094 Giles: WINSOME, YOUNG, NEO-CLASSICAL. 149 00:11:00,137 --> 00:11:06,187 ISOLATED BY BEAUTY, DEATH. 150 00:11:11,801 --> 00:11:14,108 NO SMOKING, GOV, THANKS VERY MUCH. 151 00:11:14,151 --> 00:11:15,065 I BEG YOUR PARDON? 152 00:11:15,109 --> 00:11:17,807 IT SAYS, "NO SMOKING." 153 00:11:17,851 --> 00:11:21,158 NO, IT SAYS, "THANK YOU FOR NOT SMOKING." 154 00:11:21,202 --> 00:11:24,901 AS I AM SMOKING, I DON'T EXPECT TO BE THANKED. 155 00:11:52,059 --> 00:11:53,538 CAN I HELP YOU? 156 00:11:53,582 --> 00:11:57,151 UH, YEAH, ONE FOR NUMBER 3, PLEASE. 157 00:11:57,194 --> 00:11:58,630 COME AGAIN? 158 00:11:58,674 --> 00:12:01,242 UH, ONE ADULT FOR NUMBER 3. 159 00:12:01,285 --> 00:12:03,853 WHAT DO YOU WANT TO SEE, SIR? 160 00:12:03,897 --> 00:12:06,595 THE FILM IN NUMBER 3. 161 00:12:06,638 --> 00:12:08,597 WHICH? 162 00:12:10,120 --> 00:12:14,124 UM, HOTPANTS COLLEGE II. 163 00:12:14,559 --> 00:12:17,127 THANK YOU. 164 00:13:11,660 --> 00:13:14,271 COME ON! COME ON! 165 00:13:15,533 --> 00:13:16,665 HANG ON, ALL RIGHT? 166 00:13:16,708 --> 00:13:18,972 COME ON, MOM. I GOTTA GO. 167 00:13:19,015 --> 00:13:20,060 TODAY'S A BIG DAY. 168 00:13:20,103 --> 00:13:22,889 OH, YEAH, WHAT'S SO SPECIAL ABOUT IT? 169 00:13:22,932 --> 00:13:25,065 COLLEGE GIRLS ARE BACK IN TOWN, THAT'S WHAT. 170 00:13:25,108 --> 00:13:28,329 OH, I WISH YOU'D KEEP YOUR MIND ON SCHOOL, COREY, 171 00:13:28,372 --> 00:13:29,460 LIKE YOUR BROTHER. 172 00:13:29,504 --> 00:13:30,940 YEAH, YEAH. 173 00:13:30,984 --> 00:13:33,769 HE FINDS TIME TO WORK AT CHICKEN BURGER, WHY CAN'T YOU? 174 00:13:33,813 --> 00:13:35,292 [COUGHING] 175 00:13:35,336 --> 00:13:37,425 MOM, I THOUGHT YOU WERE GOING TO SEE A DOCTOR ABOUT THAT? 176 00:13:37,468 --> 00:13:40,950 [COUGHING] 177 00:14:12,590 --> 00:14:14,854 WHAT A FUCKING PRAT. 178 00:14:15,680 --> 00:14:17,204 SHH! 179 00:14:31,522 --> 00:14:33,611 Giles: RONNIE BOSTOCK. 180 00:14:33,960 --> 00:14:37,006 R. BOSTOCK, ESQUIRE. 181 00:14:39,182 --> 00:14:43,230 BOSTOCK, BRACKETS, RONALD. 182 00:15:03,511 --> 00:15:08,951 UH, YOU WOULDN'T HAVE ANY MILK LEFT, I SUPPOSE. 183 00:15:11,127 --> 00:15:12,955 MUM, MILK. 184 00:15:12,999 --> 00:15:15,044 Mum: U-H-T? 185 00:15:15,088 --> 00:15:18,091 U-H-T? 186 00:15:30,277 --> 00:15:31,974 ONLY THIS LEFT. 187 00:15:32,018 --> 00:15:32,975 IS OK? 188 00:15:33,019 --> 00:15:34,585 ER, IT IS MILK, ISN'T IT? 189 00:15:34,629 --> 00:15:38,198 ABIGAIL, WE CLOSE NOW. 190 00:15:39,025 --> 00:15:42,158 WE'RE CLOSING NOW. 191 00:16:11,187 --> 00:16:13,102 "OUT SOON ON VIDEO, 192 00:16:13,146 --> 00:16:14,538 "HOTPANTS COLLEGE II, 193 00:16:14,582 --> 00:16:18,760 "HAS EVEN MORE YUMMY GUYS THAN HC I... 194 00:16:18,803 --> 00:16:22,068 "INCLUDING MEGA DREAMBOAT RONNIE BOSTOCK. 195 00:16:22,111 --> 00:16:25,332 "NEXT MONTH, FIND OUT HOW BOSTIE FARES 196 00:16:25,375 --> 00:16:28,944 IN OUR FEATURE ON HOLLYWOOD'S MOST SNOGGABLE FELLAS." 197 00:16:28,988 --> 00:16:34,254 EXCLAMATION MARK, EXCLAMATION MARK, EXCLAMATION MARK. 198 00:16:34,297 --> 00:16:37,344 [CASH REGISTER RINGS] 199 00:16:48,094 --> 00:16:50,096 [DOOR OPENS] 200 00:16:55,144 --> 00:16:57,016 I'M SORRY TO DISTURB YOU, 201 00:16:57,059 --> 00:16:59,061 BUT I CAN'T FIND THEM ANYWHERE. 202 00:16:59,105 --> 00:17:01,977 ER, MRS. BARKER, I'VE BEEN THINKING THAT, UH... 203 00:17:02,021 --> 00:17:05,111 IT WOULD BE BEST IF I WAS LEFT UNDISTURBED IN THE AFTERNOON. 204 00:17:05,154 --> 00:17:07,113 MY WORK IS VERY TAXING AT THE MOMENT. 205 00:17:07,156 --> 00:17:08,244 WHAT ABOUT YOUR TEA? 206 00:17:08,288 --> 00:17:10,551 OH, I'LL CALL YOU WHEN I'M READY FOR IT, 207 00:17:10,594 --> 00:17:14,729 BUT, UM, I MUST ADMIT, IT'S BEEN... 208 00:17:14,772 --> 00:17:16,861 ODD THIS LAST WEEK. 209 00:17:16,905 --> 00:17:19,995 IT'S THAT FUNNY MILK. 210 00:17:22,867 --> 00:17:25,087 WHAT IS IT YOU WERE LOOKING FOR? 211 00:17:25,131 --> 00:17:27,394 THE KITCHEN SCISSORS. 212 00:17:32,181 --> 00:17:34,749 [ARF ARF] 213 00:18:15,703 --> 00:18:19,402 SKID MARKS,1994. 214 00:18:21,187 --> 00:18:25,104 TEX MEX,1995. 215 00:18:25,147 --> 00:18:29,934 HOTPANTS COLLEGE II,1996. 216 00:18:40,467 --> 00:18:44,253 MRS. BARKER, I'LL TAKE TEA NOW! 217 00:19:07,320 --> 00:19:10,323 IS IT ON THE LEFT... 218 00:19:12,194 --> 00:19:14,153 OR RIGHT? 219 00:19:20,246 --> 00:19:22,813 Man: AND WHAT IS YOUR CHOSEN SPECIALIZED SUBJECT? 220 00:19:22,857 --> 00:19:25,599 Giles: THE LIFE AND WORK OF RONNIE BOSTOCK. 221 00:19:25,642 --> 00:19:29,385 YOU HAVE 2 MINUTES ON THE LIFE AND WORK OF RONNIE BOSTOCK, 222 00:19:29,429 --> 00:19:30,691 STARTING NOW. 223 00:19:30,734 --> 00:19:32,171 RONNIE BOSTOCK WAS BORN IN SOUTHERN CALIFORNIA, 224 00:19:32,214 --> 00:19:33,650 BUT WHERE DOES HE LIVE NOW? 225 00:19:33,694 --> 00:19:34,956 CHESTERTON, LONG ISLAND. 226 00:19:34,999 --> 00:19:35,783 CORRECT. 227 00:19:35,826 --> 00:19:37,132 WHAT IS THE NAME OF THE DOG 228 00:19:37,176 --> 00:19:39,787 WHICH FEATURES PROMINENTLY IN HIS PUBLICITY STILLS? 229 00:19:39,830 --> 00:19:40,353 STRIDER. 230 00:19:41,963 --> 00:19:43,007 CORRECT. WHAT IS RONNIE BOSTOCK'S FAVORITE READING MATERIAL? 231 00:19:43,051 --> 00:19:45,532 STEPHEN KING AND SCIENCE FICTION. 232 00:19:45,575 --> 00:19:49,971 CORRECT. FOR WHAT DOES RONNIE HAVE A SELF-CONFESSED WEAKNESS? 233 00:19:50,014 --> 00:19:51,102 PIZZA? 234 00:19:51,146 --> 00:19:52,278 YES, I'LL ACCEPT THAT. 235 00:19:52,321 --> 00:19:53,714 IT'S ACTUALLY PIZZA WITH EXTRA ANCHOVIES. 236 00:19:53,757 --> 00:19:57,152 UNDER WHAT CIRCUMSTANCES WOULD RONNIE DO A NUDE SCENE? 237 00:19:57,196 --> 00:20:00,808 IF IT WERE TASTEFUL. 238 00:20:00,851 --> 00:20:01,678 AND... 239 00:20:01,722 --> 00:20:02,940 ESSENTIAL TO THE PLOT. 240 00:20:02,984 --> 00:20:04,464 CORRECT. 241 00:20:04,507 --> 00:20:06,596 WHY WAS HE NOT CAST IN THE ORIGINAL HOTPANTS COLLEGE? 242 00:20:06,640 --> 00:20:08,163 ER... 243 00:20:08,207 --> 00:20:09,295 TOO YOUNG? 244 00:20:09,338 --> 00:20:11,035 NO. HE WAS UNABLE TO BREAK HIS CONTRACT 245 00:20:11,079 --> 00:20:12,689 WITH THE SITCOM HOME IS WHERE THE HEART IS. 246 00:20:12,733 --> 00:20:15,039 WHAT IS RONNIE'S FAVORITE KIND OF TRAINING SHOE AND WHY? 247 00:20:15,083 --> 00:20:19,043 REEBOKS BECAUSE, UH, BRITISH STUFF IS COOL. 248 00:20:19,087 --> 00:20:20,610 CORRECT. 249 00:20:20,654 --> 00:20:22,743 WITH WHICH OF HIS ROCK IDOLS WAS HE RECENTLY PHOTOGRAPHED? 250 00:20:22,786 --> 00:20:23,961 AXL ROSE. 251 00:20:24,005 --> 00:20:25,876 CORRECT. RONNIE CLAIMS TO LIKE NOTHING BETTER 252 00:20:25,920 --> 00:20:27,095 THAN HANGING OUT WITH THE GUYS. 253 00:20:27,138 --> 00:20:31,012 WHAT EXACTLY DO THESE GUYS MEAN TO HIM? 254 00:20:33,144 --> 00:20:35,146 I WONDER. 255 00:20:36,017 --> 00:20:38,367 IS THAT CHESTERTON THERE? 256 00:20:38,411 --> 00:20:40,630 CHESTERTON. YOU WANT? 257 00:20:40,674 --> 00:20:43,372 WHY NOT? YES. 258 00:20:44,025 --> 00:20:44,939 AHEM. 259 00:20:44,982 --> 00:20:46,593 FOR A CHANGE, YES? 260 00:20:46,636 --> 00:20:47,724 HA HA. 261 00:20:47,768 --> 00:20:48,899 THANK YOU. 262 00:20:48,943 --> 00:20:51,119 I HAVE, AS USUAL, SAID YOU'RE FAR TOO BUSY, 263 00:20:51,162 --> 00:20:55,297 BUT IT IS A VERY PRESTIGIOUS LECTURE, GILES. 264 00:20:55,341 --> 00:20:57,081 WOULD YOU ADVISE ME AGAINST IT? 265 00:20:57,125 --> 00:21:00,171 AS YOUR AGENT, I WOULD STRONGLY URGE YOU TO DO IT, 266 00:21:00,215 --> 00:21:04,001 BUT AS A FRIEND, I WOULDN'T WANT TO DISTURB YOUR WORK, 267 00:21:04,045 --> 00:21:08,310 WHICH SEEMS TO BE SO INVIGORATING, GILES. 268 00:21:08,354 --> 00:21:11,052 I'LL THINK ABOUT IT. 269 00:21:11,357 --> 00:21:12,314 REALLY? 270 00:21:12,358 --> 00:21:14,098 YOU KNOW, I'M GETTING RATHER TIRED 271 00:21:14,142 --> 00:21:15,883 OF HEARING MYSELF SAY NO. 272 00:21:15,926 --> 00:21:18,320 NOW, YOU CAN HELP ME, HENRY. 273 00:21:18,364 --> 00:21:22,106 WHAT EXACTLY IS A SITCOM? 274 00:21:23,020 --> 00:21:24,544 CHIP... 275 00:21:34,989 --> 00:21:36,338 [DOOR OPENS] 276 00:21:36,382 --> 00:21:38,297 Chip: HI, DAD. 277 00:21:47,349 --> 00:21:50,570 NO GOOD, THIS PROGRAM. 278 00:21:50,613 --> 00:21:51,832 REALLY? 279 00:21:51,875 --> 00:21:53,094 HERE, THIS IS BETTER. 280 00:21:53,137 --> 00:21:54,530 DOGS. 281 00:21:54,574 --> 00:21:56,619 YOU LIKE DOGS, 282 00:21:56,663 --> 00:21:57,620 MR. DE'ATH? 283 00:21:57,664 --> 00:22:00,101 Man: I THINK ON FORM, THE 2 BEST. 284 00:22:00,144 --> 00:22:02,451 IT'S GOING TO BE A REALLY GOOD FINAL. 285 00:22:02,495 --> 00:22:03,365 [BAA] 286 00:22:03,409 --> 00:22:04,366 [WHISTLES] 287 00:22:04,410 --> 00:22:06,107 [ARF ARF] 288 00:22:10,764 --> 00:22:12,026 NEED ANY HELP, SIR? 289 00:22:12,069 --> 00:22:18,206 YES, I'M INTERESTED IN ACQUIRING A VIDEOPLAYER. 290 00:22:18,249 --> 00:22:21,035 THESE ARE MICROWAVES, SIR. 291 00:22:21,905 --> 00:22:22,689 OH. 292 00:22:22,732 --> 00:22:24,865 VIDEOPLAYERS ARE OVER HERE. 293 00:22:25,474 --> 00:22:27,215 LET'S START WITH THIS LITTLE HUMDINGER. 294 00:22:27,258 --> 00:22:29,043 IT'S GOT IT ALL, THIS ONE. 295 00:22:29,086 --> 00:22:31,088 NICAM DIGITAL STEREO, LONG PLAY FACILITY, 296 00:22:31,132 --> 00:22:34,483 14-DAY, 8-EVENT TIMER, 2-SPEED SLOW MOTION-- 297 00:22:34,527 --> 00:22:36,964 MY NEEDS ARE RATHER LIMITED. 298 00:22:37,007 --> 00:22:39,619 IT'S TOP OF THE RANGE, THIS ONE. 299 00:22:39,662 --> 00:22:41,011 OH, IS IT? 300 00:22:41,055 --> 00:22:42,839 YEAH, AND IT'S IN YOUR INTEREST 301 00:22:42,883 --> 00:22:45,451 TO KEEP UP WITH THE TECHNOLOGY. 302 00:22:46,234 --> 00:22:48,976 I'LL GET IT, MRS. BARKER! 303 00:22:51,892 --> 00:22:53,241 DELIVERY FOR DR. DEATH? 304 00:22:53,284 --> 00:22:54,111 YES. 305 00:22:54,155 --> 00:22:55,983 IS THAT YOUR REAL NAME THEN? 306 00:22:56,026 --> 00:22:56,853 PRONOUNCED DAY-AATH. 307 00:22:56,897 --> 00:22:59,160 BET YOU GET A LOT OF JOKES. 308 00:22:59,203 --> 00:23:01,205 NOT SINCE SCHOOL. 309 00:23:03,947 --> 00:23:05,035 NICE PLACE. 310 00:23:05,079 --> 00:23:06,080 ALL THESE BOOKS, 311 00:23:06,123 --> 00:23:08,082 THEY'RE NOT ALL DIFFERENT, ARE THEY? 312 00:23:08,125 --> 00:23:09,431 YOU READ 'EM ALL? 313 00:23:09,475 --> 00:23:10,954 COULD--COULD WE, UH.. 314 00:23:10,998 --> 00:23:11,955 RIGHT. 315 00:23:11,999 --> 00:23:13,566 WHERE'S YOUR TELLY? 316 00:23:13,609 --> 00:23:15,916 I'M SORRY? 317 00:23:15,959 --> 00:23:17,613 GOGGLEBOX? TV? 318 00:23:17,657 --> 00:23:20,790 NO, I DON'T HAVE ONE. 319 00:23:20,834 --> 00:23:21,878 BLIMEY! 320 00:23:21,922 --> 00:23:24,011 WELL, WHAT THE HELL IS THIS FOR THEN? 321 00:23:24,054 --> 00:23:28,319 WELL, IT'S TO WATCH FILMS ON ACTUALLY. 322 00:23:28,624 --> 00:23:32,933 YEAH, BUT--BUT WHAT ARE YOU GONNA WATCH THEM ON? 323 00:23:33,368 --> 00:23:37,024 WELL, ON THE VIDEO? 324 00:23:37,067 --> 00:23:40,854 Giles: 2 PIECES OF IDENTIFICATION, 325 00:23:40,897 --> 00:23:42,072 ONE PROOF OF ADDRESS. 326 00:23:42,116 --> 00:23:44,684 I BELIEVE THAT QUALIFIES ME FOR MEMBERSHIP. 327 00:23:44,727 --> 00:23:47,208 THERE'S A £10 DEPOSIT SO YOU DON'T NICK NOTHING, 328 00:23:47,251 --> 00:23:50,516 BUT YOU GET A £2 VOUCHER FOR BERNIE'S PIZZA DELIVERY. 329 00:23:50,559 --> 00:23:53,083 YOU CAN TAKE OUT 2 TAPES NOW IF YOU WANT. 330 00:23:53,127 --> 00:24:00,700 UM, COULD I FORFEIT MY BERNIE'S PIZZA VOUCHER FOR A THIRD ONE? 331 00:24:19,153 --> 00:24:20,633 THAT'S OUT. 332 00:24:21,547 --> 00:24:23,070 I-I'M SORRY? 333 00:24:23,113 --> 00:24:23,897 TEX MEX. 334 00:24:23,940 --> 00:24:25,812 WENT OUT AN HOUR AGO. 335 00:24:25,855 --> 00:24:26,726 REALLY? 336 00:24:26,769 --> 00:24:27,857 WE ONLY KEEP ONE OF EVERYTHING, 337 00:24:27,901 --> 00:24:30,817 UNLESS IT'S A BIG FUCK-OFF BLOCKBUSTER. 338 00:24:31,252 --> 00:24:32,340 I SEE. 339 00:24:32,383 --> 00:24:34,124 THAT'S IN. 340 00:24:34,168 --> 00:24:35,082 HARRY! 341 00:24:35,125 --> 00:24:37,127 SKID MARKS! 342 00:24:37,519 --> 00:24:40,043 NO. TAPE'S BUGGERED. 343 00:24:41,088 --> 00:24:42,611 WANT TO HAVE ANOTHER BASH? 344 00:24:42,655 --> 00:24:45,527 WELL, PERHAPS YOU WOULD HAVE, ER... 345 00:24:45,571 --> 00:24:48,095 HOTPANTS COLLEGE II? 346 00:24:48,138 --> 00:24:50,097 HARRY! 347 00:24:50,140 --> 00:24:51,141 HOTPANTS! 348 00:24:51,185 --> 00:24:51,968 Harry: I? 349 00:24:52,012 --> 00:24:52,926 II! 350 00:24:52,969 --> 00:24:55,015 IT'S NOT OUT YET, IS IT? 351 00:24:55,058 --> 00:24:57,452 NO. GOT HOTPANTS IIN. 352 00:24:57,713 --> 00:25:01,674 UH, MAY I PLACE A RESERVATION FOR TEX MEX? 353 00:25:01,717 --> 00:25:03,589 OH, THERE'S NO RESERVATIONS. 354 00:25:03,632 --> 00:25:07,462 YOU MEAN I HAVE TO WAIT 2 WEEKS? 355 00:25:07,506 --> 00:25:08,507 I HOPE NOT. 356 00:25:08,550 --> 00:25:10,552 YOU CAN ONLY KEEP 'EM OUT OVERNIGHT. 357 00:25:10,596 --> 00:25:13,250 ISN'T ONE ALLOWED 2 WEEKS AT A LIBRARY? 358 00:25:13,294 --> 00:25:15,601 IT TAKES 2 WEEKS TO READ A BOOK. 359 00:25:15,644 --> 00:25:17,559 DOESN'T IT? 360 00:25:20,170 --> 00:25:23,434 THOSE THINGS ARE MORE TROUBLE THAN THEY'RE WORTH, 361 00:25:23,478 --> 00:25:24,958 IF YOU ASK ME. 362 00:25:25,001 --> 00:25:27,003 MRS. BARKER. 363 00:25:28,875 --> 00:25:32,313 I'VE BEEN THINKING I SHOULD BE 364 00:25:32,356 --> 00:25:36,186 STARTING TO COPE A LITTLE BETTER ON MY OWN. 365 00:25:36,230 --> 00:25:41,148 SO I WON'T BE NEEDING YOU AFTER 2:00 IN THE AFTERNOONS. 366 00:25:41,191 --> 00:25:43,019 BUT WHAT ABOUT YOUR DINNER? 367 00:25:43,063 --> 00:25:45,587 OH, I'M QUITE SURE THAT I CAN MANAGE. 368 00:25:45,631 --> 00:25:50,244 OH, AND I WOULD PREFER IT IF YOU DIDN'T CLEAN 369 00:25:50,287 --> 00:25:54,988 IN THIS ROOM... AT ALL. 370 00:25:55,989 --> 00:25:58,905 WHAT ABOUT THE DUST? 371 00:26:00,994 --> 00:26:02,343 THE MORE ONE DUSTS, 372 00:26:02,386 --> 00:26:03,779 THE MORE DUST ONE MAKES. 373 00:26:03,823 --> 00:26:07,957 THAT'S WHAT GWEN ALWAYS USED TO SAY, MRS. BARKER. 374 00:26:22,145 --> 00:26:24,408 Man: HERE HE COMES. 375 00:26:24,452 --> 00:26:25,758 THIS HAD BETTER WORK. 376 00:26:25,801 --> 00:26:26,715 COOL IT, PETE. 377 00:26:26,759 --> 00:26:27,847 HAVE I EVER LET YOU DOWN BEFORE? 378 00:26:27,890 --> 00:26:29,109 JUST MAKE SURE YOU LAND HIM IN THE SHIT. 379 00:26:29,152 --> 00:26:30,937 'CAUSE THAT'S WHAT HE'S GONE AND DONE TO US. 380 00:26:30,980 --> 00:26:35,158 HEY, HEY, HERE HE COMES! HERE HE COMES. GET DOWN! GET DOWN. 381 00:26:37,683 --> 00:26:39,206 NOW. 382 00:26:40,903 --> 00:26:44,167 AAH! 383 00:26:44,211 --> 00:26:46,126 [HORSES WHINNY] 384 00:26:46,169 --> 00:26:48,781 [DUCKS QUACKING] 385 00:26:49,695 --> 00:26:50,739 WOW. 386 00:26:50,783 --> 00:26:52,175 AWESOME! 387 00:26:52,219 --> 00:26:55,091 OH, SHIT! 388 00:26:55,135 --> 00:26:56,005 TOO DAMN RIGHT, BOZO! 389 00:26:56,049 --> 00:26:57,659 YOU'RE IN DEEP SHIT, ALL RIGHT! 390 00:26:57,703 --> 00:27:00,140 YEAH! YEAH, MAN! YOU KNOW WHAT YOU ARE? 391 00:27:00,183 --> 00:27:03,186 YOU'RE NOTHING BUT A-- BUT A SKID MARK 392 00:27:03,230 --> 00:27:05,188 ON THE UNDERPANTS OF LIFE! 393 00:27:05,232 --> 00:27:06,799 HA HA HA! 394 00:27:06,842 --> 00:27:08,061 HA HA HA! 395 00:27:08,104 --> 00:27:10,193 [BOTH LAUGHING] 396 00:27:13,066 --> 00:27:15,634 YEAH! 397 00:27:19,812 --> 00:27:22,728 ♪ SKID MARKS 398 00:27:27,820 --> 00:27:29,952 ♪ SKID MARKS 399 00:27:30,257 --> 00:27:33,521 HE'S COMING. HE'S COMING. 400 00:27:35,175 --> 00:27:36,350 SO IF YOU TAKE THE INVERSE 401 00:27:36,393 --> 00:27:37,394 AND APPLY IT TO-- 402 00:27:37,438 --> 00:27:39,048 THERE IS THIS... 403 00:27:45,185 --> 00:27:47,970 [BOYS LAUGHING] 404 00:27:54,194 --> 00:27:56,631 [LAUGHTER] 405 00:28:20,568 --> 00:28:24,528 Giles: IF ONE HAS TO HAVE A THEME, HENRY... 406 00:28:25,355 --> 00:28:27,227 IT WOULD BE... 407 00:28:29,708 --> 00:28:30,926 THE DISCOVERY OF BEAUTY 408 00:28:30,970 --> 00:28:34,713 WHERE NO ONE EVER THOUGHT OF LOOKING FOR IT. 409 00:28:35,191 --> 00:28:39,021 OH, YES. FAMILIAR TERRITORY FOR YOU. 410 00:28:41,197 --> 00:28:42,198 HARDLY. 411 00:28:42,242 --> 00:28:43,199 I HAVE BEGUN TO ENGAGE 412 00:28:43,243 --> 00:28:47,160 IN COMPLETELY NEW SUBJECT MATTER. 413 00:28:47,203 --> 00:28:48,074 NEW TO ME, AT LEAST. 414 00:28:48,117 --> 00:28:50,903 SPLENDID! AT OUR TIME OF LIFE, 415 00:28:50,946 --> 00:28:53,340 IT'S GOOD TO TACKLE SOMETHING NEW. 416 00:28:53,383 --> 00:28:57,039 I WAS CONSIDERING GOLF, ACTUALLY. 417 00:28:58,301 --> 00:29:00,129 I COULD ALMOST SAY... 418 00:29:00,173 --> 00:29:01,391 THAT IT HAS BROUGHT ME INTO CONTACT 419 00:29:01,435 --> 00:29:05,308 WITH EVERYTHING THAT I MYSELF HAVE NEVER BEEN. 420 00:29:07,397 --> 00:29:11,053 BUT THAT MUST BE ALL FOR THE TIME BEING, HENRY. 421 00:29:11,097 --> 00:29:12,968 GILES... 422 00:29:13,969 --> 00:29:16,798 I'M VERY INTRIGUED. 423 00:29:16,842 --> 00:29:18,974 YOU MAY FIND IT RATHER DIFFICULT 424 00:29:19,018 --> 00:29:21,020 TO GET IN TOUCH WITH ME IN THE NEAR FUTURE. 425 00:29:21,063 --> 00:29:25,285 I'M FINDING IT RATHER DIFFICULT NOW, OLD CHAP. 426 00:29:26,634 --> 00:29:27,940 HEY, JAKE. 427 00:29:27,983 --> 00:29:29,245 HEY, HEY, WHAT'S GOING ON? 428 00:29:29,289 --> 00:29:30,203 ARE YOU CRAZY? 429 00:29:30,246 --> 00:29:30,986 HEY, GET OUT OF THE WAY, JOHNNY. 430 00:29:31,030 --> 00:29:32,031 THIS AIN'T THE WAY, JAKE. 431 00:29:32,074 --> 00:29:33,249 YOU HEARD WHAT FATHER BRYSON SAID. 432 00:29:33,293 --> 00:29:34,990 HE SAID WE ALL GOTTA LEARN HOW TO GET ALONG. 433 00:29:35,034 --> 00:29:38,602 YEAH, WELL, I'M TIRED OF THESE MEXICANS TAKING JOBS FROM MY FOLKS. 434 00:29:38,646 --> 00:29:40,256 THEY NEVER TOOK ANY JOB YOU WANTED AND YOU KNOW IT. 435 00:29:40,300 --> 00:29:42,215 FOR THE LAST TIME, JUST GET OUT OF THE WAY, JOHNNY. 436 00:29:42,258 --> 00:29:43,216 I AIN'T GOING ANYWHERE. 437 00:29:43,259 --> 00:29:44,304 YOU WANT TO GET TO THESE BOYS, 438 00:29:44,347 --> 00:29:45,609 YOU'RE GONNA HAVE TO GO THROUGH ME. 439 00:29:45,653 --> 00:29:49,048 IS THAT RIGHT?YEAH, THAT'S RIGHT. 440 00:29:50,049 --> 00:29:52,616 CORRER, AMIGOS, CORRER. 441 00:30:00,755 --> 00:30:03,018 OH, YOU DID IT NOW, JAKE. 442 00:30:03,062 --> 00:30:04,498 UHH. 443 00:30:04,541 --> 00:30:07,849 SAVE YOUR BREATH, MY CHILD. 444 00:30:07,893 --> 00:30:10,286 OH, I TRIED TO TELL HIM, FATHER. 445 00:30:10,330 --> 00:30:12,680 I TRIED. I TRIED. 446 00:30:12,723 --> 00:30:17,119 HUSH NOW. GOD KNOWS WHAT YOU SAY IS TRUE, TO BE SURE. 447 00:30:17,163 --> 00:30:19,252 YOU WERE RIGHT, FATHER. 448 00:30:20,340 --> 00:30:23,125 WE ALL GOT TO TRY TO LIVE TOGETHER. 449 00:30:24,039 --> 00:30:26,433 I'LL NEVER FORGET WHAT YOU SAID. 450 00:30:26,476 --> 00:30:29,001 UHH. 451 00:30:35,616 --> 00:30:37,618 JOHNNY? 452 00:30:40,534 --> 00:30:42,057 NO! 453 00:30:42,492 --> 00:30:46,235 I PROMISE YOU WON'T DIE IN VAIN, MY CHILD. 454 00:30:46,279 --> 00:30:50,457 MAY THE LORD HAVE MERCY ON YOUR SOUL. 455 00:32:10,015 --> 00:32:13,192 FORGIVE ME, RONNIE. 456 00:32:16,021 --> 00:32:19,546 Giles: OR IS IT NOT THE CASE THAT WHEN WE ARE IN THE HABIT 457 00:32:19,589 --> 00:32:21,852 OF VIEWING A FILM MORE THAT ONCE, 458 00:32:21,896 --> 00:32:23,985 ASSISTED BY THAT TECHNOLOGICAL 459 00:32:24,029 --> 00:32:25,987 AIDE-MEMOIRE THE VIDEO PLAYER, 460 00:32:26,031 --> 00:32:31,558 THEN A REMARKABLE PHENOMENON PRESENTS ITSELF. 461 00:32:31,601 --> 00:32:35,257 WE SEE THAT WHAT AT FIRST APPEAR 462 00:32:35,301 --> 00:32:38,826 TO BE MERELY ACCIDENTAL OR UNREHEARSED 463 00:32:38,869 --> 00:32:41,046 BECOMES, ON SUBSEQUENT VIEWINGS, 464 00:32:41,089 --> 00:32:45,659 AN INDELIBLE PART OF THE FILM'S TEXTURE: 465 00:32:46,312 --> 00:32:48,575 A DISTANT LANDSCAPE... 466 00:32:48,618 --> 00:32:51,752 A BLURRED FACE IN THE CROWD... 467 00:32:51,795 --> 00:32:55,538 EVEN A BANAL MESSAGE ON A T-SHIRT. 468 00:32:55,582 --> 00:33:00,979 SO THE LARGELY UNRECOGNIZED ART OF FILM ACTING 469 00:33:01,022 --> 00:33:06,332 DEPENDS ENTIRELY ON THE ABILITY OF THE ACTOR 470 00:33:06,375 --> 00:33:12,903 OR INDEED ACTRESS TO MAKE EVERYTHING ABOUT HIMSELF... 471 00:33:12,947 --> 00:33:20,389 OR HERSELF... SEEM EQUALLY PERMANENT. 472 00:33:23,436 --> 00:33:29,703 WHEN THUS AN ACTOR IS CALLED UPON TO SMILE, 473 00:33:29,746 --> 00:33:34,273 HE MUST TRY TO SELECT A SMILE FROM A COLLECTION, 474 00:33:34,316 --> 00:33:42,107 A REPERTOIRE, A WHOLE FILE OF SMILES, AS IT WERE. 475 00:33:42,150 --> 00:33:45,284 NAIVE... 476 00:33:45,327 --> 00:33:48,026 RUEFUL... 477 00:33:48,069 --> 00:33:51,681 SLY, SARCASTIC... 478 00:33:55,555 --> 00:33:57,992 AND SO ON. 479 00:34:01,909 --> 00:34:06,783 ANYWAY, TO RETURN TO MY THEME OF THE DEATH OF THE FUTURE. 480 00:34:07,654 --> 00:34:11,310 DON'T YOU THINK YOU'VE BEEN OVERDOING IT, OLD CHAP? 481 00:34:11,353 --> 00:34:15,444 WE'RE NOT AS YOUNG AS WE USED TO BE, AFTER ALL. 482 00:34:15,488 --> 00:34:19,057 MAYBE YOU SHOULD TAKE A BREAK. 483 00:34:19,100 --> 00:34:20,101 GO ON A TRIP. 484 00:34:20,145 --> 00:34:22,669 DO YOU THE WORLD OF GOOD. 485 00:34:23,974 --> 00:34:25,019 A TRIP. 486 00:34:25,063 --> 00:34:27,369 YES, I--I KNOW YOU THINK THAT TRAVELING 487 00:34:27,413 --> 00:34:28,805 FOR IT'S OWN SAKE IS FRIVOLOUS, 488 00:34:28,849 --> 00:34:34,333 BUT I MUST INSIST THAT YOU SERIOUSLY CONSIDER IT. 489 00:34:35,769 --> 00:34:38,032 [TELEPHONE RINGS] 490 00:34:38,076 --> 00:34:40,817 [ANSWERING MACHINE] THIS IS GILES DE'ATH SPEAKING. 491 00:34:40,861 --> 00:34:42,558 IF YOUR CALL IS EXTREMELY URGENT, 492 00:34:42,602 --> 00:34:46,606 YOU MAY LEAVE A BRIEF MESSAGE AFTER I FINISH SPEAKING. 493 00:34:46,649 --> 00:34:47,998 [BEEP] 494 00:34:48,042 --> 00:34:50,131 Henry: GOOD LORD, GILES? 495 00:34:50,175 --> 00:34:53,613 IT'S HENRY. YOU HAVE AN ANSWERPHONE. 496 00:34:53,656 --> 00:34:55,963 WHATEVER NEXT? 497 00:35:18,072 --> 00:35:20,596 [TRAIN WHISTLES] 498 00:35:52,889 --> 00:35:55,109 LOOK, UM, ISN'T THERE A GUEST HOUSE 499 00:35:55,153 --> 00:35:56,110 OR SOMETHING OF THAT NATURE? 500 00:35:56,154 --> 00:35:58,852 WELL, NOW, THERE'S A MOTEL. 501 00:35:58,895 --> 00:35:59,679 A MOTEL? 502 00:35:59,722 --> 00:36:00,854 YEAH, ON THE EXPRESSWAY. 503 00:36:00,897 --> 00:36:03,770 OH, NO, THAT WOULD BE OUT OF THE QUESTION. 504 00:36:08,557 --> 00:36:10,124 THE ROOM IS QUIET? 505 00:36:10,168 --> 00:36:14,084 WE TAKE A PRIDE IN THE SECLUDED NATURE OF OUR ACCOMMODATION. 506 00:36:14,128 --> 00:36:16,522 HOW LONG WILL YOU BE WITH US? 507 00:36:16,565 --> 00:36:18,828 UH, OH, AT LEAST A WEEK OR TWO. 508 00:36:18,872 --> 00:36:22,267 ARE YOU TOURING LONG ISLAND? 509 00:36:24,007 --> 00:36:26,488 NO. NO, NOT REALLY. 510 00:36:29,665 --> 00:36:31,798 OH, A WRITER. 511 00:36:31,841 --> 00:36:35,410 FROM LONDON, TOO. OH, MY. 512 00:36:35,454 --> 00:36:40,415 WELL, WE'RE CHARMED TO HAVE YOU, UH, 513 00:36:40,459 --> 00:36:42,852 MISTER... 514 00:36:44,202 --> 00:36:45,594 DE'ATH. WELL... 515 00:36:45,638 --> 00:36:50,730 MISTER, ANYTHING YOU WANT TO KNOW ABOUT CHESTERTON, 516 00:36:50,773 --> 00:36:54,908 YOU JUST ASK ME. 517 00:37:02,611 --> 00:37:05,179 HMM. 518 00:37:08,791 --> 00:37:11,054 [SIGHS] 519 00:37:12,186 --> 00:37:14,232 GOOD LORD. 520 00:38:16,642 --> 00:38:19,209 YOU'RE LOOKING VERY SPIFFY TODAY. 521 00:38:19,906 --> 00:38:20,863 SIR? 522 00:38:20,907 --> 00:38:22,996 YOU'RE LOOKING VERY SPIFFY TODAY, 523 00:38:23,039 --> 00:38:24,127 VERY ATTRACTIVE. 524 00:38:24,171 --> 00:38:27,130 OH, THANK YOU. 525 00:38:27,174 --> 00:38:28,958 HAS LOU TAKEN YOUR ORDER YET? 526 00:38:29,002 --> 00:38:34,050 I--I MUST ADMIT, I'M HAVING A LITTLE DIFFICULTY UNDERSTANDING THE MENU. 527 00:38:34,094 --> 00:38:36,792 GET HIM A CUP OF COFFEE. 528 00:38:40,187 --> 00:38:41,362 WHAT WOULD YOU RECOMMEND? 529 00:38:41,406 --> 00:38:43,277 UH, WE DO A GREAT CHEESEBURGER. 530 00:38:43,321 --> 00:38:45,323 OH, I THINK NOT. 531 00:38:45,366 --> 00:38:48,238 THE BEST HASH BROWNS YOU EVER TASTED. 532 00:38:49,849 --> 00:38:52,068 THAT RATHER GOES WITHOUT SAYING. 533 00:38:52,112 --> 00:38:53,156 THERE YOU ARE. 534 00:38:53,200 --> 00:38:55,594 THANK YOU. 535 00:38:55,637 --> 00:38:57,596 SO... 536 00:38:57,639 --> 00:38:59,685 YOU'RE FROM ENGLAND, HUH? 537 00:38:59,728 --> 00:39:01,251 YES. 538 00:39:01,295 --> 00:39:06,387 YOU EVER BUMP INTO A FELLOW BY THE NAME OF STAN BRIGHOUSE? 539 00:39:06,431 --> 00:39:09,477 I BELIEVE NOT. 540 00:39:09,521 --> 00:39:14,134 AN ATTRACTIVE MAN. AVERAGE SIZED HANDS. 541 00:39:14,177 --> 00:39:15,483 BUT HE HAD BREASTS. 542 00:39:15,527 --> 00:39:19,139 LIKE A WOMAN. 543 00:39:19,182 --> 00:39:20,488 VERY ODD. 544 00:39:20,532 --> 00:39:22,621 HE WAS A NICE PERSON, THOUGH. 545 00:39:22,664 --> 00:39:24,666 YOU SHOULD LOOK HIM UP. 546 00:39:24,710 --> 00:39:26,799 ANYWAY, I'M IRV, BY THE WAY. 547 00:39:26,842 --> 00:39:30,672 HENCE CHEZ d'IRV? 548 00:39:30,716 --> 00:39:31,673 YOU GOT IT. 549 00:39:31,717 --> 00:39:35,721 IRVING BUCKMULLER AT YOUR SERVICE. 550 00:39:55,436 --> 00:39:59,962 THIS AREA HERE IS VERY ATTRACTIVE. 551 00:40:00,006 --> 00:40:04,053 THIS IS WHERE A PERSON LIKE YOU SHOULD BE STAYING. 552 00:40:04,097 --> 00:40:06,142 IT'S SECLUDED? 553 00:40:06,186 --> 00:40:09,450 OH, YOU'LL LOVE IT. 554 00:40:09,494 --> 00:40:10,843 YES. 555 00:40:10,886 --> 00:40:13,541 WHERE THE ODD CELEBRITY MIGHT HIDE OUT, NO DOUBT. 556 00:40:13,585 --> 00:40:15,413 EXACTLY. 557 00:40:15,456 --> 00:40:18,328 EXACTLY. AND YOU KNOW WHAT? 558 00:40:18,372 --> 00:40:21,244 THEY ALL KNOW IRV'S. 559 00:40:21,288 --> 00:40:24,465 EVERY ONE OF THEM KNOWS IRV'S. 560 00:40:24,509 --> 00:40:26,815 RIGHT, LOU? 561 00:41:01,110 --> 00:41:03,025 HOW YOU DOING? 562 00:41:03,069 --> 00:41:04,070 GOOD MORNING. 563 00:41:04,113 --> 00:41:05,985 HEY, THAT'S A GREAT TIE. 564 00:41:06,028 --> 00:41:08,596 THANK YOU. 565 00:41:17,997 --> 00:41:21,609 HIRE A DETECTIVE. 566 00:41:21,653 --> 00:41:23,785 BRIBE POSTMAN. 567 00:41:30,531 --> 00:41:32,968 [MOANING FROM THE NEXT ROOM] 568 00:41:33,012 --> 00:41:35,580 THIS IS TOO MUCH. 569 00:41:41,629 --> 00:41:43,631 YES, MRS. ABBOTT, IS THERE ANY POSSIBILITY 570 00:41:43,675 --> 00:41:46,242 OF YOUR MORE, UH, SHORT TERM GUESTS 571 00:41:46,286 --> 00:41:47,940 NOT HAVING ROOMS NEXT TO MINE? 572 00:41:47,983 --> 00:41:50,029 WELL, YES, I DO APPRECIATE THAT. 573 00:41:50,072 --> 00:41:54,294 BUT I ALSO VALUE MY OWN PRIVACY. 574 00:41:54,337 --> 00:41:56,165 YES, INDEED. 575 00:41:56,209 --> 00:41:59,038 IT IS INTERRUPTING MY WORK. 576 00:42:01,344 --> 00:42:04,522 OVER HERE, YOU ASK FOR THE CHECK AND PAY WITH A BILL. 577 00:42:04,565 --> 00:42:08,917 IN ENGLAND, YOU ASK FOR A BILL AND PAY WITH A CHECK. 578 00:42:08,961 --> 00:42:10,440 IS THAT THE TRUTH? 579 00:42:10,484 --> 00:42:11,572 YES. 580 00:42:11,616 --> 00:42:15,837 NO SHIT! HA HA HA. 581 00:42:15,881 --> 00:42:17,186 A WRITER HERE. 582 00:42:17,230 --> 00:42:19,058 FROM LONDON, ENGLAND. 583 00:42:19,101 --> 00:42:20,973 LIKES WORDS. 584 00:42:21,016 --> 00:42:23,671 [CUSTOMERS MURMUR] 585 00:42:48,261 --> 00:42:49,001 HA! 586 00:42:49,044 --> 00:42:52,091 HOW ARE YOU DOING TODAY? 587 00:42:52,134 --> 00:42:55,050 OH, UH, VERY WELL, THANK YOU. 588 00:42:55,094 --> 00:42:56,791 YOU LIVE AROUND HERE? 589 00:42:56,835 --> 00:42:58,576 NO, NO. WELL, NOT YET AT LEAST. 590 00:42:58,619 --> 00:43:02,492 I'M--I'M, UH, LOOKING AT PROPERTY FOR SALE. 591 00:43:02,536 --> 00:43:04,407 YOU'RE MOVING TO CHESTERTON? 592 00:43:04,451 --> 00:43:05,539 WELL, IT'S A POSS... 593 00:43:05,583 --> 00:43:07,410 [CAR ENGINE REVVING] 594 00:43:09,021 --> 00:43:10,979 GREAT WHEELS, HUH?YES. 595 00:43:11,023 --> 00:43:13,982 YOU KNOW, YOU'D COVER A LOT MORE GROUND IN A CAR. 596 00:43:14,026 --> 00:43:15,027 YES, I SUPPOSE I WOULD. 597 00:43:15,070 --> 00:43:16,681 MAY I GO ON MY WAY? 598 00:43:16,724 --> 00:43:20,989 SURE. WE JUST LIKE TO KNOW WHAT STRANGERS ARE UP TO, THAT'S ALL. 599 00:43:21,033 --> 00:43:24,602 YOU TAKE CARE NOW.YES. 600 00:43:41,183 --> 00:43:42,445 [CAR ALARM CHIRPS] 601 00:43:42,489 --> 00:43:46,058 Car: YOU ARE STANDING TOO CLOSE TO THIS VEHICLE. 602 00:43:52,542 --> 00:43:56,808 PLEASE MOVE AWAY IMMEDIATELY. 603 00:43:57,417 --> 00:43:59,593 THANK YOU. HAVE A NICE DAY. 604 00:43:59,637 --> 00:44:01,682 [CAR ALARM BEEPS] 605 00:44:01,726 --> 00:44:04,772 [WATER RUNNING] 606 00:44:04,816 --> 00:44:08,036 [TELEPHONE RINGS] 607 00:44:10,952 --> 00:44:14,129 [RING] 608 00:44:16,305 --> 00:44:18,786 [RING] 609 00:44:18,830 --> 00:44:20,788 HELLO. 610 00:44:20,832 --> 00:44:23,095 AH! MRS. ABBOTT. 611 00:44:23,138 --> 00:44:26,664 YES, A TYPEWRITER SEEMS TO HAVE APPEARED IN MY ROOM. 612 00:44:27,665 --> 00:44:31,016 OH, HOW VERY THOUGHTFUL OF YOU. 613 00:44:32,191 --> 00:44:33,714 COCKTAILS? 614 00:44:33,758 --> 00:44:34,802 NO, I'M AFRAID NOT. 615 00:44:34,846 --> 00:44:37,152 I HAVE TO BE UP AT THE CRACK OF DAWN. 616 00:44:48,598 --> 00:44:49,295 MORNING. 617 00:44:49,338 --> 00:44:50,165 HEY, HOW ARE YOU DOING? 618 00:44:50,209 --> 00:44:51,340 WHAT HAPPENED TO YOUR FOOT? 619 00:44:51,384 --> 00:44:53,038 OH, BLISTER OR 2. 620 00:44:53,081 --> 00:44:54,909 YOU TAKE IT EASY NOW. 621 00:44:54,953 --> 00:44:58,347 HEY, STRIDER, YOU, YOU GO HOME NOW. 622 00:45:03,178 --> 00:45:05,006 STRIDER? 623 00:45:19,629 --> 00:45:22,763 [STRIDER WHIMPERS] 624 00:45:22,807 --> 00:45:24,243 STRIDER? 625 00:45:25,810 --> 00:45:26,941 [WOOF] 626 00:45:26,985 --> 00:45:29,770 [BARKING AND GROWLING] 627 00:45:29,814 --> 00:45:31,163 I HAD ONE ONCE CALLED TIFFY. 628 00:45:31,206 --> 00:45:33,295 TIFFY? WHAT KIND OF A-- WHAT IS THAT, A, UH, 629 00:45:33,339 --> 00:45:34,427 WHAT'S THAT, A PANSY NAME? 630 00:45:34,470 --> 00:45:35,863 COME ON, TIFFY LIVED TO BE 15. 631 00:45:35,907 --> 00:45:38,083 WE'RE NOT TALKING ABOUT HOW LONG THE DOG LIVED, 632 00:45:38,126 --> 00:45:39,040 WE'RE TALKING ABOUT NAMES. 633 00:45:39,084 --> 00:45:40,781 THERE'S A LOT OF CAESARS AROUND. 634 00:45:40,825 --> 00:45:41,913 WHAT ABOUT SPOT? 635 00:45:41,956 --> 00:45:43,088 SPOT! THAT'S, THAT'S THE NAME 636 00:45:43,131 --> 00:45:44,829 THAT EVERYBODY CALLS THEIR DOG, SPOT. 637 00:45:44,872 --> 00:45:47,309 WHAT IF THE DOG HAS NO SPOTS? 638 00:45:47,353 --> 00:45:48,267 THEY ALL GOT SPOTS. 639 00:45:48,310 --> 00:45:49,964 NO, SOMETIMES THEY GOT PATCHES. 640 00:45:50,008 --> 00:45:52,575 AND THERE'S A DIFFERENCE BETWEEN A PATCH AND A SPOT. 641 00:45:52,619 --> 00:45:55,013 THEN THEY CALL IT PATCH OR PATCHY 642 00:45:55,056 --> 00:45:56,144 OR PATCH--PATCHES. 643 00:45:56,188 --> 00:45:58,451 IF IT'S GOT STRIPES, THEY CALL IT STRIPY. 644 00:45:58,494 --> 00:45:59,234 THAT'S STUPID. 645 00:45:59,278 --> 00:46:01,019 OR STRIPES.COME ON. 646 00:46:01,062 --> 00:46:02,411 WHY, DO YOU WANT A DOG, GILES? 647 00:46:02,455 --> 00:46:03,935 I CAN GET YOU PUPPIES FOR FREE. 648 00:46:03,978 --> 00:46:05,110 NO, NO, NO, NO, NO. I JUST HEARD 649 00:46:05,153 --> 00:46:07,721 SOME RATHER STRANGE NAMES, THAT'S ALL. 650 00:46:07,765 --> 00:46:08,766 UM... 651 00:46:08,809 --> 00:46:10,724 IS STRIDER COMMON? 652 00:46:10,768 --> 00:46:12,291 RIDER? STRIPER? STRIDER? 653 00:46:12,334 --> 00:46:13,118 STRIDER. STRIPER? 654 00:46:13,161 --> 00:46:15,511 STRIDER? STRIDER? 655 00:46:15,555 --> 00:46:16,382 I NEVER HEARD OF IT. 656 00:46:16,425 --> 00:46:17,513 I NEVER HEARD OF THAT. 657 00:46:17,557 --> 00:46:18,079 STRIDER? STRIDER? 658 00:46:18,950 --> 00:46:20,865 OH, SURE, STRIDER, CAESAR, 659 00:46:20,908 --> 00:46:23,258 THEY'RE ALL A DAMN NUISANCE. 660 00:46:23,302 --> 00:46:25,695 YOU NEVER KNEW TIFFY. 661 00:47:12,046 --> 00:47:13,961 Woman: STRIDER? 662 00:47:15,397 --> 00:47:17,791 STRIDER? 663 00:47:18,444 --> 00:47:19,619 WHAT IS IT, BOY? 664 00:47:19,662 --> 00:47:21,882 IT'S JUST A SQUIRREL, YOU IDIOT. 665 00:47:21,926 --> 00:47:23,971 COME ON. IN. 666 00:47:24,972 --> 00:47:28,019 I CAN'T TAKE YOU TO THE SUPERMARKET. 667 00:47:28,062 --> 00:47:29,629 JESUS. 668 00:47:31,022 --> 00:47:33,198 [CAR DOOR CLOSES] 669 00:47:54,175 --> 00:47:55,089 IT'S AN EMERGENCY. 670 00:47:55,133 --> 00:47:56,090 YOU NEED A HOSPITAL? 671 00:47:56,134 --> 00:47:57,265 NEAREST SUPERMARKET. 672 00:47:57,309 --> 00:48:00,790 MOVE OVER, PLEASE. IT, IT IS AN EMERGENCY! 673 00:48:00,834 --> 00:48:03,402 [TIRES SCREECHING] 674 00:48:32,300 --> 00:48:33,127 HEY! 675 00:48:33,171 --> 00:48:36,087 I AM MOST DREADFULLY SORRY. 676 00:48:36,130 --> 00:48:39,264 I DO HOPE NOTHING'S BROKEN. 677 00:48:39,307 --> 00:48:40,569 I GUESS NOT. 678 00:48:40,613 --> 00:48:43,137 WE JUST DON'T HAVE THINGS THIS SIZE IN ENGLAND. 679 00:48:43,181 --> 00:48:44,399 RATHER TRICKY TO CONTROL. 680 00:48:44,443 --> 00:48:45,705 IT'S OK. TAKE IT EASY. 681 00:48:45,748 --> 00:48:50,362 OH, HAVEN'T, HAVEN'T WE MET? 682 00:48:50,405 --> 00:48:51,580 I DON'T THINK SO. 683 00:48:51,624 --> 00:48:55,062 AH, NO. I'VE SEEN YOUR PHOTOGRAPH. 684 00:48:55,106 --> 00:48:56,107 ARE YOU A FILM STAR? 685 00:48:56,150 --> 00:48:59,110 WOULD YOU MIND JUST LEAVING ME ALONE? 686 00:48:59,153 --> 00:49:00,111 OH, NO, OF COURSE! 687 00:49:00,154 --> 00:49:02,852 YOU'RE ENGAGED TO ABIGAIL'S IDOL. 688 00:49:02,896 --> 00:49:04,767 I COULD REALLY DO WITHOUT THIS! 689 00:49:04,811 --> 00:49:05,812 OH, NO, NO, NO, ER, UM, 690 00:49:05,855 --> 00:49:07,466 MY GODCHILD ABIGAIL HAS A HUGE CRUSH 691 00:49:07,509 --> 00:49:10,948 ON THIS VERY YOUNG, UM, PROMISING AMERICAN ACTOR 692 00:49:10,991 --> 00:49:12,471 AND HIS NAME IS RONNIE... 693 00:49:12,514 --> 00:49:16,823 IS IT, NO, RONNIE, RONNIE BOSTOCK, ISN'T IT? 694 00:49:18,433 --> 00:49:20,174 YOU MADE A VERY HANDSOME COUPLE. 695 00:49:20,218 --> 00:49:22,829 Audrey: WHAT KIND OF BOOKS DO YOU WRITE? 696 00:49:22,872 --> 00:49:26,702 OH, I'M HARDLY A HOUSEHOLD NAME OVER HERE. 697 00:49:26,746 --> 00:49:28,966 ARE YOU WORKING ON ONE NOW? 698 00:49:29,009 --> 00:49:32,447 WELL, IF I'M INSPIRED BY THE SOOTHING RUSTLE 699 00:49:32,491 --> 00:49:33,318 OF THE LONG ISLAND SURF, 700 00:49:33,361 --> 00:49:35,668 AS YOUR WALT WHITMAN PUT IT. 701 00:49:35,711 --> 00:49:37,887 I HOPE YOU HAVE A GREAT TIME. 702 00:49:37,931 --> 00:49:39,019 ARE YOU OVER FOR LONG? 703 00:49:39,063 --> 00:49:39,933 EXCUSE ME? 704 00:49:39,977 --> 00:49:41,108 FROM HOLLYWOOD? 705 00:49:41,152 --> 00:49:42,675 OH, WE LIVE HERE. 706 00:49:42,718 --> 00:49:44,764 OH, REALLY? 707 00:49:44,807 --> 00:49:45,983 RON'S IN L.A. RIGHT NOW. 708 00:49:46,026 --> 00:49:48,942 I JUST CAN'T BELIEVE HE'S SO BIG IN ENGLAND. 709 00:49:48,986 --> 00:49:50,988 I NEVER KNEW THAT. 710 00:49:54,556 --> 00:49:56,384 IT'S EXTREMELY KIND OF YOU. 711 00:49:56,428 --> 00:49:57,646 THIS ISN'T MANHATTAN, YOU KNOW, 712 00:49:57,690 --> 00:49:59,779 YOU CAN'T JUST HAIL A CAB. 713 00:49:59,822 --> 00:50:01,607 INDEED. 714 00:50:02,738 --> 00:50:03,652 YOU'VE GOT A LOT OF GROCERIES 715 00:50:03,696 --> 00:50:06,873 FOR SOMEONE STAYING IN A MOTEL. 716 00:50:06,916 --> 00:50:09,267 YES, I'VE--I'VE ALWAYS BEEN RATHER VAGUE 717 00:50:09,310 --> 00:50:10,572 ABOUT DOMESTIC ARRANGEMENTS, 718 00:50:10,616 --> 00:50:12,966 BUT I WANTED TO FIND OUT HOW AMERICANS SHOP, 719 00:50:13,010 --> 00:50:15,186 WHAT YOU EAT, AND SO ON. 720 00:50:15,229 --> 00:50:17,840 ACTUALLY, I CAN HIGHLY RECOMMEND 721 00:50:17,884 --> 00:50:19,538 THE CHEESEBURGERS AT CHEZ d'IRV. 722 00:50:19,581 --> 00:50:22,497 OH, GOD, YOU'VE BEEN TO THAT DIVE? 723 00:50:22,541 --> 00:50:25,239 WELL, PERHAPS YOU CAN RECOMMEND SOMEWHERE SUPERIOR. 724 00:50:25,283 --> 00:50:28,721 WELL, THERE ARE SOME GREAT SEAFOOD PLACES UP THE COAST, 725 00:50:28,764 --> 00:50:30,549 BUT YOU GOTTA DRIVE THERE. 726 00:50:30,592 --> 00:50:34,944 WELL, ALLOW ME TO TAKE YOU OUT FOR A SPOT OF LUNCH. 727 00:50:34,988 --> 00:50:35,858 I COULDN'T, REALLY. 728 00:50:35,902 --> 00:50:37,991 TO THANK YOU FOR YOUR KINDNESS. 729 00:50:39,079 --> 00:50:41,821 I DON'T THINK SO. 730 00:50:59,230 --> 00:51:00,709 VERY IMPRESSIVE. 731 00:51:00,753 --> 00:51:02,929 YOU'RE BOTH VERY TALENTED, MY DEAR. 732 00:51:02,972 --> 00:51:04,061 THANKS. 733 00:51:04,104 --> 00:51:07,977 OH, YOU MUST GIVE RONNIE TIPS, NO DOUBT. 734 00:51:08,021 --> 00:51:10,415 TIPS? 735 00:51:10,458 --> 00:51:12,678 WELL, DOESN'T HE HAVE TO DO PHOTOGRAPHS 736 00:51:12,721 --> 00:51:13,635 FOR THE FAN MAGAZINES? 737 00:51:13,679 --> 00:51:15,855 PHOTO SHOOTS, TELL ME ABOUT IT. 738 00:51:15,898 --> 00:51:17,552 HE HATES THEM. 739 00:51:17,596 --> 00:51:19,163 OH, HE SEEMS RATHER GOOD AT IT. 740 00:51:19,206 --> 00:51:22,949 OH, SURE. IT'S JUST HE THINKS YOU CAN'T BE A TEEN IDOL 741 00:51:22,992 --> 00:51:25,908 IF YOU'RE GOING TO BE A SERIOUS ACTOR. 742 00:51:25,952 --> 00:51:27,606 OH, DOES HE? 743 00:51:27,649 --> 00:51:32,872 IT'S CRAZY. I MEAN, MOST OF THE ACTORS I KNOW WAIT TABLES. 744 00:51:32,915 --> 00:51:35,092 WHY WOULD THEY DO THAT? 745 00:51:37,181 --> 00:51:38,617 I CAN'T WAIT TO TELL HIM 746 00:51:38,660 --> 00:51:40,097 I'VE MET A FAMOUS BRITISH WRITER 747 00:51:40,140 --> 00:51:44,101 WHO THINKS HE'S GOT THE LOOK OF A YOUNG OLIVIER, WAS IT? 748 00:51:44,144 --> 00:51:45,406 UH, A LITTLE. 749 00:51:45,450 --> 00:51:48,017 I SHOULD BE WRITING THIS DOWN. 750 00:51:48,061 --> 00:51:53,153 HEY, MAYBE YOU COULD DO A SCRIPT FOR HIM OR SOMETHING. 751 00:51:53,197 --> 00:51:56,025 WELL, I DON'T EXACTLY WRITE 752 00:51:56,069 --> 00:51:57,418 FOR THE YOUTH MARKET, AUDREY. 753 00:51:57,462 --> 00:51:58,463 OH, WELL, THAT'S GREAT. 754 00:51:58,506 --> 00:52:01,030 HE'S SO SICK OF PLAYING DUMB KIDS. 755 00:52:01,074 --> 00:52:03,076 [TELEPHONE RINGS] 756 00:52:03,120 --> 00:52:07,602 OH, IT'S OK. THE MACHINE'S ON. 757 00:52:07,646 --> 00:52:10,692 Ronnie: HEY, BABE. HONEY? 758 00:52:10,736 --> 00:52:14,174 OH, I GUESS YOU'RE OUT. AGAIN. HA HA! 759 00:52:14,218 --> 00:52:15,610 IT'S RON. 760 00:52:15,654 --> 00:52:17,656 AH, YOU BETTER NOT BE HAVING A GOOD TIME WITHOUT ME. 761 00:52:17,699 --> 00:52:21,747 THINGS ARE PRETTY COOL HERE. I'LL, UH, TALK TO YOU LATER. 762 00:52:21,790 --> 00:52:24,097 LOVE YOU. 763 00:52:24,141 --> 00:52:25,185 I'LL CALL HIM LATER. 764 00:52:25,229 --> 00:52:27,056 OH, GILES, I FORGOT. YOU CAN SMOKE HERE 765 00:52:27,100 --> 00:52:29,668 IF YOU WANT. WE DON'T, BUT... 766 00:52:29,711 --> 00:52:32,149 GILES... 767 00:52:33,715 --> 00:52:35,717 ARE YOU OK? 768 00:52:44,073 --> 00:52:47,599 DEAR GOD, THIS IS RIDICULOUS. 769 00:53:08,620 --> 00:53:11,623 Audrey: IT'S INCREDIBLE. HE'S SEEN ALL YOUR WORK, 770 00:53:11,666 --> 00:53:15,366 AND HE SAYS THAT YOU'RE REALLY BIG IN ENGLAND. 771 00:53:17,194 --> 00:53:18,282 YOU'D JUST LOVE HIM. 772 00:53:18,325 --> 00:53:20,980 HE'S SO BRITISH, YOU WOULDN'T BELIEVE IT. 773 00:53:25,202 --> 00:53:29,380 SCREW YOU! HE'S OLD ENOUGH TO BE MY FATHER. 774 00:53:31,077 --> 00:53:34,994 SO, RONNIE WILL BE BACK SOON? 775 00:53:35,037 --> 00:53:36,430 UH-HUH. 776 00:53:36,474 --> 00:53:38,215 WELL, DO GIVE HIM MY REGARDS. 777 00:53:38,258 --> 00:53:39,912 SURE. 778 00:53:39,955 --> 00:53:44,177 TELL HIM THAT I WILL BE FOLLOWING HIS CAREER WITH GREAT INTEREST. 779 00:53:44,221 --> 00:53:45,178 MAYBE YOU SHOULD TELL HIM. 780 00:53:45,222 --> 00:53:47,224 I'D LIKE HIM TO MEET YOU. 781 00:53:47,267 --> 00:53:51,010 I GUESS YOU'RE BUSY, THOUGH, WITH YOUR WRITING? 782 00:53:51,053 --> 00:53:53,186 WELL, YES, I AM, BUT... 783 00:53:53,230 --> 00:53:55,493 OH, I DON'T KNOW. WE'RE REALLY BUSY, TOO. 784 00:53:55,536 --> 00:53:56,711 AND HE CAN GET KIND OF SHY. 785 00:53:56,755 --> 00:53:59,018 I DON'T KNOW, MAYBE HE'LL CALL YOU. 786 00:55:22,188 --> 00:55:25,147 [TELEPHONE RINGS] 787 00:55:26,801 --> 00:55:29,891 [RING] 788 00:55:31,502 --> 00:55:34,418 [RING] 789 00:56:53,975 --> 00:56:54,933 SO, GILES, 790 00:56:54,976 --> 00:56:58,197 HE MAY NOT SHOW IT, RIGHT, BUT... 791 00:56:58,240 --> 00:57:01,722 HE REALLY WANTS TO HEAR WHAT YOU TOLD ME. 792 00:57:01,766 --> 00:57:04,116 ABOUT HIS POTENTIAL. 793 00:57:04,159 --> 00:57:06,161 OH, REALLY? 794 00:57:06,205 --> 00:57:07,467 REALLY. 795 00:57:07,511 --> 00:57:11,819 HE'S BEEN KIND OF LOW SINCE HE GOT BACK. 796 00:57:11,863 --> 00:57:14,126 IF YOU COULD FIND SOME WAY OF TELLING HIM 797 00:57:14,169 --> 00:57:16,607 WHAT YOU THINK OF HIM, 798 00:57:16,650 --> 00:57:19,174 WELL, I'D REALLY APPRECIATE IT. 799 00:57:20,088 --> 00:57:22,395 WELL, WHAT DO YOU KNOW? 800 00:57:22,439 --> 00:57:23,701 IT WAS THE COPS. 801 00:57:23,744 --> 00:57:25,093 THEY'RE KEEPING AN EYE ON THE PLACE. 802 00:57:25,137 --> 00:57:27,618 ONE OF THE NEIGHBORS SAW SOME WEIRDO HANGING AROUND. 803 00:57:27,661 --> 00:57:29,576 OH, YEAH. I FORGOT TO TELL YOU. 804 00:57:29,620 --> 00:57:33,101 ARE YOU GUYS COMING IN OR WHAT? 805 00:57:33,145 --> 00:57:36,017 IT'S NOTHING, REALLY, GILES. 806 00:57:40,718 --> 00:57:41,936 SHAKESPEARE? 807 00:57:41,980 --> 00:57:46,463 OH, YES. HIS PLAYS ARE FULL OF IT. 808 00:57:46,506 --> 00:57:47,855 WAIT A MINUTE. 809 00:57:47,899 --> 00:57:50,075 ARE YOU SAYING THAT IF SHAKESPEARE WAS ALIVE TODAY, 810 00:57:50,118 --> 00:57:52,338 HE'D BE DOING THINGS LIKE HOTPANTS COLLEGE? 811 00:57:52,381 --> 00:57:57,822 ALL I'M SAYING, RONNIE, IS THAT SHAKESPEARE USED BAWDY HUMOR 812 00:57:57,865 --> 00:58:00,259 TO PLEASE THE MOB IN THE PIT. 813 00:58:02,000 --> 00:58:03,480 I NEVER KNEW THAT. 814 00:58:03,523 --> 00:58:06,483 YES, AND OF COURSE, HE WAS ABLE TO ELEVATE HIS MATERIAL 815 00:58:06,526 --> 00:58:09,660 BEYOND SUCH LIMITATIONS... 816 00:58:09,703 --> 00:58:11,270 AS HAVE YOU. 817 00:58:12,140 --> 00:58:14,491 AND I'M NOT TALKING ABOUT GOOD ACTING 818 00:58:14,534 --> 00:58:17,276 AS IF IT WERE, SAY, MERELY GOOD COOKING. 819 00:58:17,319 --> 00:58:21,802 OH, UH, BY THE WAY, THE TERIYAKI WAS DELICIOUS. 820 00:58:21,846 --> 00:58:23,456 THANKS. 821 00:58:23,500 --> 00:58:28,940 I'M TALKING ABOUT A TYPE OF ACTING THAT IS PURELY INSTINCTIVE. 822 00:58:28,983 --> 00:58:30,637 YOU SEE, RONNIE, YOU HAVE SOMETHING 823 00:58:30,681 --> 00:58:37,426 THAT GIVES EVEN THE MOST CASUAL LOOK OR GESTURE A REAL INTENSITY. 824 00:58:38,993 --> 00:58:39,907 YEAH? 825 00:58:39,951 --> 00:58:40,865 OH, YES! 826 00:58:40,908 --> 00:58:42,301 AND IT CAME AS NO SURPRISE TO ME 827 00:58:42,344 --> 00:58:43,563 WHEN I HEARD THAT YOU'D BEEN RESCUED 828 00:58:43,607 --> 00:58:46,174 AT AN EARLY AGE FROM THE HELL OF ADVERTISING. 829 00:58:46,218 --> 00:58:50,396 IT WAS OBVIOUS TO ME THAT SOME PRODUCERS, 830 00:58:50,439 --> 00:58:52,441 SOME ASTUTE PRODUCER, HAD SEEN WHAT I SAW 831 00:58:52,485 --> 00:58:55,880 WHEN ABIGAIL PERSUADED ME TO SEE HOTPANTS COLLEGE II. 832 00:58:55,923 --> 00:58:58,099 YEAH, BUT THE ONLY REASON I GOT THAT ROLE IS BECAUSE 833 00:58:58,143 --> 00:59:01,102 I LOOKED LIKE THE GUY WHO PLAYED MIKEY IN THE ORIGINAL. 834 00:59:01,146 --> 00:59:04,671 YES, BUT DIDN'T YOU COMPLETELY RE-INVENT THE CHARACTER 835 00:59:04,715 --> 00:59:06,107 WITH A MERE STRING OF LINES? 836 00:59:06,151 --> 00:59:09,763 DIDN'T YOU MAKE MIKEY THE FOCUS OF THE ENTIRE STORY? 837 00:59:11,983 --> 00:59:15,552 WELL, I WOULDN'T EXACTLY SAY THAT. 838 00:59:15,595 --> 00:59:18,163 AS FOR YOUR FATE IN THE PIZZA PARLOR, 839 00:59:18,206 --> 00:59:20,774 THE PLASTIC TOMATO AND ALL THAT, WELL... 840 00:59:23,168 --> 00:59:26,867 WELL, OH, I DON'T KNOW. THIS MAY SOUND ABSURD, BUT... 841 00:59:29,087 --> 00:59:30,349 NO. 842 00:59:30,392 --> 00:59:33,004 MY POINT OF REFERENCE WOULD BE WALLIS' PAINTING 843 00:59:33,047 --> 00:59:36,224 OF THE TRAGIC YOUNG WRITER CHATTERTON... 844 00:59:38,183 --> 00:59:40,794 THAT HANGS IN THE TATE GALLERY. 845 00:59:42,622 --> 00:59:44,493 I'D REALLY LIKE TO SEE THAT. 846 00:59:44,537 --> 00:59:48,976 BUT, GILES, WE'VE SEEN HOTPANTSIN THEATERS WITH KIDS 847 00:59:49,020 --> 00:59:51,675 AND THEY DON'T GET ANY OF THAT. 848 00:59:51,718 --> 00:59:53,154 OF COURSE NOT. 849 00:59:53,198 --> 00:59:55,026 BUT IT'S MADE FOR THEM. 850 00:59:55,069 --> 00:59:56,810 BUT THEY'RE THE RABBLE IN THE PIT. 851 00:59:56,854 --> 01:00:01,423 Audrey: WE SAW HOTPANTS AT THIS DRIVE-IN USED TO BE HERE. 852 01:00:01,467 --> 01:00:05,166 RON KEPT HIS SUNGLASSES ON THE WHOLE TIME. 853 01:00:06,690 --> 01:00:09,127 GILES, DID YOU EVER SEE TEX MEX? 854 01:00:09,170 --> 01:00:11,129 OH, I DID, INDEED. 855 01:00:11,172 --> 01:00:12,217 MORE THAN ONCE. 856 01:00:12,260 --> 01:00:14,393 REALLY KILLED ME WHEN THAT ONE BOMBED. 857 01:00:14,436 --> 01:00:19,137 OH, YES, I'M AFRAID IT SUFFERED THE SAME FATE IN EUROPE. 858 01:00:19,180 --> 01:00:21,226 I REALLY BELIEVED IN THAT PROJECT. 859 01:00:21,269 --> 01:00:24,185 YOU KNOW, IT HAD-- IT HAD A REAL MESSAGE. 860 01:00:24,229 --> 01:00:26,361 YES, IT WAS A GREAT SHAME, REALLY. 861 01:00:26,405 --> 01:00:31,149 YOU SEE, IN EUROPE, WE HAVE A MUCH STRONGER TRADITION OF WORK 862 01:00:31,192 --> 01:00:32,498 WITH WHAT YOU CALL A MESSAGE. 863 01:00:32,541 --> 01:00:35,849 WELL, THAT IS, AFTER ALL, WHY I'VE BEEN PERSUADED 864 01:00:35,893 --> 01:00:38,635 TO WRITE MY FIRST SCREENPLAY. 865 01:00:40,375 --> 01:00:46,120 YES, IF TEX MEXHAD BEEN, SAY, GERMAN, ABOUT THE PLIGHT 866 01:00:46,164 --> 01:00:47,905 OF THE EXPLOITED GASTARBEITERS, 867 01:00:47,948 --> 01:00:50,690 IT WOULD'VE MET WITH A FAR GREATER SUCCESS. 868 01:00:50,734 --> 01:00:53,998 THEY HAVE MEXICANS IN GERMANY? 869 01:00:54,041 --> 01:00:57,131 IT PROBABLY WOULD'VE MADE LESS MONEY THAN HOTPANTS, 870 01:00:57,175 --> 01:00:59,133 BUT THEN, YOU SEE, IN EUROPE, WE'RE NOT NECESSARILY INTERESTED 871 01:00:59,177 --> 01:01:00,613 IN THAT KIND OF A SUCCESS. 872 01:01:00,657 --> 01:01:06,967 NOT WHEN A FILM CAN CHANGE THE WAY PEOPLE THINK. 873 01:01:16,107 --> 01:01:18,936 AND THAT, RONNIE, 874 01:01:18,979 --> 01:01:20,894 IS WHY I WRITE. 875 01:01:20,938 --> 01:01:23,854 IT'S ALSO WHY YOU ACT. 876 01:01:23,897 --> 01:01:27,858 ALTHOUGH YOU MAY NOT YET KNOW IT. 877 01:01:31,470 --> 01:01:32,471 [WHIRRING] 878 01:01:32,514 --> 01:01:33,733 Ronnie: ARE YOU, UH... 879 01:01:33,777 --> 01:01:35,822 YOU MARRIED OR SOMETHING? 880 01:01:35,866 --> 01:01:36,954 I WAS. 881 01:01:36,997 --> 01:01:39,739 MY WIFE DIED UNEXPECTEDLY SOME TIME AGO. 882 01:01:39,783 --> 01:01:42,220 SORRY TO HEAR THAT. 883 01:01:43,047 --> 01:01:45,092 GOT ANY KIDS? 884 01:01:45,136 --> 01:01:48,617 NO. NO. MY WIFE WAS RATHER OLDER THAN MYSELF. 885 01:01:48,661 --> 01:01:50,228 OH, LIKE ME AND AUD. 886 01:01:50,271 --> 01:01:52,230 [CHUCKLING] 887 01:01:52,273 --> 01:01:53,971 YES, INDEED. 888 01:01:57,191 --> 01:01:59,585 SO WHAT'S THIS SCRIPT ABOUT? 889 01:01:59,628 --> 01:02:00,891 SCRIPT? 890 01:02:00,934 --> 01:02:04,068 YEAH. YOU SAID YOU WERE WORKING ON A SCREENPLAY. 891 01:02:04,111 --> 01:02:06,548 OH, YES, THAT. 892 01:02:06,592 --> 01:02:10,814 OH, I COULDN'T SUBJECT YOU TO WORK IN PROGRESS. 893 01:02:10,857 --> 01:02:12,511 WHY NOT? 894 01:02:12,554 --> 01:02:16,297 AND THEN, OF COURSE, THERE IS THE RISK OF COPYRIGHT INFRINGEMENT. 895 01:02:16,341 --> 01:02:18,430 WHAT? HA HA HA. 896 01:02:18,473 --> 01:02:21,650 GILES, WE'RE OLD FRIENDS, HUH? 897 01:02:21,694 --> 01:02:23,087 HMM. 898 01:02:26,307 --> 01:02:27,308 WELL... 899 01:02:27,352 --> 01:02:29,267 OH, COFFEE ALWAYS TAKES HER FOREVER. 900 01:02:29,310 --> 01:02:30,224 INDEED. 901 01:02:30,268 --> 01:02:32,183 HEY, STRIDER. 902 01:02:32,705 --> 01:02:34,968 SO WHAT'S IT ABOUT? 903 01:02:36,622 --> 01:02:38,363 WELL... 904 01:02:39,668 --> 01:02:43,107 IT CONCERNS A YOUNG MAN, RONNIE, 905 01:02:43,150 --> 01:02:44,499 ABOUT YOUR AGE, I SUPPOSE. 906 01:02:44,543 --> 01:02:49,809 HE'S A DEAF MUTE BROUGHT UP IN COMPLETE ISOLATION. 907 01:02:49,853 --> 01:02:53,682 HIS ONLY HUMAN CONTACT IS THROUGH THE TELEVISION, 908 01:02:53,726 --> 01:02:58,078 SO HE HAS BEEN SUBJECTED TO RATHER EXCESSIVE 909 01:02:58,122 --> 01:03:02,039 AND UNREALISTIC TYPES OF BEHAVIOR. 910 01:03:03,040 --> 01:03:04,432 HE NEVER SPEAKS? 911 01:03:04,476 --> 01:03:06,434 OH, HE CANNOT SPEAK. 912 01:03:06,478 --> 01:03:07,218 WOW. 913 01:03:07,261 --> 01:03:08,654 OH, YES. I'M DETERMINED 914 01:03:08,697 --> 01:03:11,004 THAT THE AUDIENCE SHARE HIS SUBJECTIVE STATE 915 01:03:11,048 --> 01:03:12,223 RATHER THAN MERELY PITY HIM, 916 01:03:12,266 --> 01:03:15,487 BECAUSE, WELL, THAT WOULD BE AWFUL. 917 01:03:15,530 --> 01:03:17,794 YEAH, YEAH. 918 01:03:19,056 --> 01:03:20,535 SO WHAT HAPPENS? 919 01:03:20,579 --> 01:03:25,714 UNDERSTANDABLY ENOUGH, HE YEARNS TO ENTER THE REAL WORLD, 920 01:03:25,758 --> 01:03:31,764 SO HE SURRENDERS HIMSELF TO THE MOST IRRATIONAL DESIRE 921 01:03:31,808 --> 01:03:33,940 KNOWN TO MANKIND. 922 01:03:34,593 --> 01:03:37,683 MAYBE YOU CAN GUESS WHAT THAT IS. 923 01:03:40,904 --> 01:03:45,952 IT IS THE DESIRE TO FALL IN LOVE, RONNIE. 924 01:03:48,389 --> 01:03:50,000 AND SINCE HE'S BEEN EXPOSED TO SUCH A THING 925 01:03:50,043 --> 01:03:53,438 ON THE TELEVISION EVERY DAY, IT BECOMES HIS QUEST, 926 01:03:53,481 --> 01:03:54,787 SO TO SPEAK. 927 01:03:54,831 --> 01:03:56,484 AND EVERY TALE, 928 01:03:56,528 --> 01:04:01,838 WHETHER IT BE RICHARD IIIOR HOTPANTS COLLEGE III, 929 01:04:01,881 --> 01:04:04,536 CENTERS UPON A QUEST. 930 01:04:05,493 --> 01:04:11,195 AND, AS IN MY OTHER WORK, IT WILL INEVITABLY END WITH A SACRIFICE. 931 01:04:11,412 --> 01:04:15,025 THE FRENCH, IN PARTICULAR, SEEM TO LIKE SUCH A THING. 932 01:04:15,068 --> 01:04:21,205 HOWEVER, I SUSPECT IT IS NOT ONE FOR THE DRIVE-INS. 933 01:04:22,075 --> 01:04:23,642 OH, THANK YOU, MY DEAR! 934 01:04:23,685 --> 01:04:26,558 DECAF AU LAIT, NO DOUBT? 935 01:04:26,601 --> 01:04:27,646 UH-HUH. 936 01:04:27,689 --> 01:04:29,387 THANKS, BABE. 937 01:04:30,170 --> 01:04:31,258 IT'S BRILLIANT, MAN. 938 01:04:31,302 --> 01:04:35,480 OH, I DON'T THINK SO, NOT YET AT LEAST. 939 01:04:35,523 --> 01:04:37,003 OH, IT IS. 940 01:04:37,047 --> 01:04:39,179 I'VE NEVER HEARD A STORYLINE LIKE THAT. 941 01:04:39,223 --> 01:04:40,702 I'M TOTALLY BLOWN AWAY. 942 01:04:40,746 --> 01:04:42,661 THAT'S VERY KIND OF YOU. 943 01:04:42,704 --> 01:04:44,358 IT'S KIND OF ARTSY, I GUESS. 944 01:04:44,402 --> 01:04:46,926 OH, DEAR. IS THAT BAD? 945 01:04:46,970 --> 01:04:49,973 NO! NO! THAT'S GOOD. 946 01:04:51,626 --> 01:04:53,150 HAVE YOU SEEN BIRDY? 947 01:04:53,193 --> 01:04:54,412 BIRDY? 948 01:04:54,455 --> 01:04:57,589 BIRDY,YEAH. IT'S AN ALAN PARKER FILM. 949 01:04:57,632 --> 01:04:59,243 I MET HIM ONCE. 950 01:04:59,286 --> 01:05:00,940 HE'S FROM ENGLAND, TOO. 951 01:05:00,984 --> 01:05:04,161 [TELEPHONE RINGS] 952 01:05:07,991 --> 01:05:08,992 OH, IT'S JUST A FAX. 953 01:05:09,035 --> 01:05:10,907 PROBABLY MORE REWRITES. 954 01:05:10,950 --> 01:05:12,778 OH, REALLY? 955 01:05:12,821 --> 01:05:14,388 MM-HMM. 956 01:05:15,085 --> 01:05:16,608 YOU CAN SMOKE, GILES. 957 01:05:16,651 --> 01:05:18,131 WELL. 958 01:05:18,175 --> 01:05:19,132 YOU SMOKE? 959 01:05:19,176 --> 01:05:20,177 [GROANS] 960 01:05:20,220 --> 01:05:21,830 BAD HABIT, MAN. 961 01:05:21,874 --> 01:05:24,007 OH, YES, I KNOW. 962 01:05:24,964 --> 01:05:27,358 WE'D NEVER HAVE MET IF HE DIDN'T. 963 01:05:27,401 --> 01:05:29,316 REALLY? WHY IS THAT? 964 01:05:29,360 --> 01:05:31,231 GILES CHOSE TO STAY IN CHESTERTON 965 01:05:31,275 --> 01:05:34,626 BECAUSE HE SMOKES CHESTERTONS. 966 01:05:35,061 --> 01:05:36,280 Ronnie: COOL. 967 01:05:36,323 --> 01:05:38,195 GILES, YOU KNOW WHAT YOU WERE SAYING 968 01:05:38,238 --> 01:05:44,331 ABOUT BEING A WRITER AND WANTING NEW EXPERIENCES AND ALL? 969 01:05:45,028 --> 01:05:48,379 I DON'T KNOW. MAYBE IT'S NOT SUCH A GOOD IDEA. 970 01:05:48,422 --> 01:05:51,164 COME ON. TELL US, BABE. 971 01:05:51,773 --> 01:05:53,166 WELL, I WAS JUST THINKING, 972 01:05:53,210 --> 01:05:56,735 I HAVE A SHOOT IN THE CITY TOMORROW AND I JUST THOUGHT 973 01:05:56,778 --> 01:05:58,258 MAYBE YOU'D LIKE TO COME? 974 01:05:58,302 --> 01:05:59,564 THEY'RE SO BORING. 975 01:05:59,607 --> 01:06:01,696 NOT NECESSARILY. NOT IF YOU HAVEN'T BEEN ON ONE. 976 01:06:01,740 --> 01:06:03,002 WELL, I'M NOT COMIN'. 977 01:06:03,046 --> 01:06:04,264 I'M NOT INVITING YOU. 978 01:06:04,308 --> 01:06:07,398 THEY'RE TOTALLY BORING, GILES. 979 01:06:07,441 --> 01:06:09,748 OH, WOULDN'T I BE IN THE WAY? 980 01:06:09,791 --> 01:06:11,010 I'D LOVE YOU TO COME. 981 01:06:11,054 --> 01:06:13,143 I'M SURE YOU'D GET SOME GREAT IDEAS. 982 01:06:13,186 --> 01:06:14,144 I GOT A BETTER IDEA. 983 01:06:14,187 --> 01:06:15,275 WHY DON'T I SHOW YOU THE HAMPTONS? 984 01:06:15,319 --> 01:06:18,017 Audrey: YOU DON'T LIKE THE HAMPTONS. 985 01:06:18,061 --> 01:06:19,845 I DO OFF SEASON. 986 01:06:19,888 --> 01:06:21,499 WHAT DO YOU SAY? 987 01:06:21,542 --> 01:06:25,111 WELL, IT'S SUCH A CHOICE. 988 01:06:25,851 --> 01:06:26,547 ONE... 989 01:06:26,591 --> 01:06:29,115 COULDN'T DO BOTH? 990 01:06:29,159 --> 01:06:30,987 NO WAY. 991 01:06:31,378 --> 01:06:34,294 OK, I'LL TELL YOU WHAT. 992 01:06:34,338 --> 01:06:35,948 IF THE WEATHER'S OK, WE'LL GO TO THE COAST. 993 01:06:35,992 --> 01:06:38,037 IF IT'S RAINING, YOU GO INTO THE CITY WITH THE SUPERMODEL HERE. 994 01:06:38,081 --> 01:06:41,649 HMM. WELL, THAT DOES SOUND FAIR. 995 01:06:41,693 --> 01:06:44,000 OK, BABE? 996 01:07:04,020 --> 01:07:05,978 Announcer: LARUE DIGS IT OUT OF THE CORNER. 997 01:07:06,022 --> 01:07:07,545 [CHANGES CHANNEL] 998 01:07:07,588 --> 01:07:09,982 SO THINGS LOOK GOOD FOR WASHINGTON AND BALTIMORE TOMORROW. 999 01:07:10,026 --> 01:07:11,723 IT'S A DIFFERENT STORY IN NEW YORK. 1000 01:07:11,766 --> 01:07:14,030 JUST LOOK AT THOSE CLOUDS GOBBLING UP MANHATTAN. 1001 01:07:14,073 --> 01:07:17,076 THEY'RE SURE TO BRING RAIN TOMORROW AND PLENTY OF IT. 1002 01:07:17,120 --> 01:07:19,296 OVER ON LONG ISLAND, IT'S GOING TO BE EVEN WORSE 1003 01:07:19,339 --> 01:07:23,126 WITH BOTH COASTS PULLING IN THAT LOW PRESSURE. 1004 01:08:23,708 --> 01:08:25,101 HERE HE IS. 1005 01:08:25,144 --> 01:08:27,320 CAN WE HAVE YOUR AUTOGRAPH? 1006 01:08:29,627 --> 01:08:31,455 OH, THANK YOU. 1007 01:08:49,125 --> 01:08:53,999 OH, NO, NO, GO AHEAD. PUT THEM ON. IT'S BRIGHT OUT THERE. 1008 01:08:58,177 --> 01:09:01,180 VERY NICE. VERY NICE, INDEED. 1009 01:09:58,324 --> 01:10:02,110 Giles: "HEY, DUDE, HOW'S IT HANGING?" 1010 01:10:02,589 --> 01:10:03,764 Ronnie: IT'S COOL. 1011 01:10:03,808 --> 01:10:06,245 "HEY, MAN, I'M REAL SORRY ABOUT YOUR MOTHER. 1012 01:10:06,289 --> 01:10:08,856 LIFE'S A BITCH, HUH?" 1013 01:10:08,900 --> 01:10:11,119 YEAH, I GUESS. 1014 01:10:11,163 --> 01:10:13,296 YOU KNOW SOMETHING, BRAD? 1015 01:10:13,339 --> 01:10:17,822 I JUST WISH I COULD'VE MADE THINGS EASIER FOR HER. 1016 01:10:17,865 --> 01:10:19,824 "YEAH?" 1017 01:10:19,867 --> 01:10:21,042 YEAH. 1018 01:10:21,086 --> 01:10:25,003 SEEMS LIKE SHE WAS ALWAYS WORKING AND STUFF. 1019 01:10:26,091 --> 01:10:30,095 I NEVER REALLY GOT A CHANCE TO KNOW HER. 1020 01:10:30,138 --> 01:10:33,272 UH, "HEY, MAN, DON'T GRIEF OUT ON ME." 1021 01:10:33,316 --> 01:10:36,057 SORRY, MAN. 1022 01:10:36,101 --> 01:10:38,625 JUST FEELING A BIT LONESOME, YOU KNOW? 1023 01:10:38,669 --> 01:10:40,279 "HEY, YOU'RE A COLLEGE BOY NOW. 1024 01:10:40,323 --> 01:10:43,674 ALL THOSE BABES DON'T WANT TO SEE YOU LONESOME." 1025 01:10:43,717 --> 01:10:47,025 SURE. LIKE I'M MR. POPULAR. 1026 01:10:47,068 --> 01:10:50,115 "WELL, I'M GOING TO MAKE YOU MR. POPULAR. 1027 01:10:50,158 --> 01:10:53,379 AND THAT'S A PROMISE." 1028 01:10:54,685 --> 01:10:56,252 MMM! 1029 01:10:57,209 --> 01:10:58,732 A POIGNANT LITTLE SCENE. 1030 01:10:58,776 --> 01:11:00,386 YEAH, IT SETS UP THE WHOLE STORYLINE. 1031 01:11:00,430 --> 01:11:03,346 SEE, I GO TO COLLEGE, ALL THE COLLEGE GIRLS TRY TO MOTHER ME, 1032 01:11:03,389 --> 01:11:04,869 BUT I FALL IN LOVE WITH A TEACHER 1033 01:11:04,912 --> 01:11:08,307 WHOSE HUSBAND TURNS OUT TO BE A GRAND WIZARD IN THE KKK. 1034 01:11:08,351 --> 01:11:12,224 UH, SOMETHING OF A MESSAGE THERE? 1035 01:11:12,268 --> 01:11:15,053 AH, IT'S THE USUAL STUFF. 1036 01:11:15,096 --> 01:11:16,576 TELL ME... 1037 01:11:16,620 --> 01:11:20,319 DO YOU GET A CHANCE TO DELIVER A EULOGY TO YOUR MOTHER? 1038 01:11:20,363 --> 01:11:21,189 NO. NO. NO WAY. 1039 01:11:21,233 --> 01:11:22,974 IT WOULD HOLD UP THE ACTION. 1040 01:11:23,017 --> 01:11:24,367 ARE YOU ALLOWED TO IMPROVISE? 1041 01:11:24,410 --> 01:11:25,411 THANKS, BABE. 1042 01:11:25,455 --> 01:11:28,501 THEY GET PRETTY NERVOUS ABOUT THAT. 1043 01:11:28,545 --> 01:11:30,895 HMM. 1044 01:11:31,374 --> 01:11:33,158 WHAT'S THE POINT? 1045 01:11:33,201 --> 01:11:34,942 WHERE HAVE YOU BEEN HIDING YOURSELF? 1046 01:11:34,986 --> 01:11:39,730 I WAS TALKING TO OUR NEIGHBOR. IS THAT OK? 1047 01:11:40,731 --> 01:11:45,301 IS THIS ONE OF THOSE TELEPHONES THAT DOESN'T HAVE TO BE PLUGGED IN? 1048 01:11:45,344 --> 01:11:48,391 QUITE REMARKABLE, ISN'T IT? 1049 01:11:48,434 --> 01:11:50,523 HEY, I HAVE A GREAT IDEA! 1050 01:11:50,567 --> 01:11:54,353 GILES, WHY DON'T YOU CALL YOUR GODCHILD IN ENGLAND? 1051 01:11:54,397 --> 01:11:55,354 I'M SORRY? 1052 01:11:55,398 --> 01:11:57,182 ABIGAIL, ISN'T IT? 1053 01:11:57,225 --> 01:11:59,619 YOU CAN CALL HER AND TELL HER YOU'RE SITTING HERE WITH RONNIE BOSTOCK, 1054 01:11:59,663 --> 01:12:02,013 AND RON COULD SAY HI TO HER. 1055 01:12:02,056 --> 01:12:04,058 I KNOW SHE'D JUST DIE. 1056 01:12:06,017 --> 01:12:08,236 WELL, I'M AFRAID-- 1057 01:12:08,280 --> 01:12:11,936 I'M AFRAID IT'S THE MIDDLE OF THE NIGHT IN ENGLAND. 1058 01:12:11,979 --> 01:12:15,026 Audrey: THEY'RE ONLY 5 HOURS AHEAD. 1059 01:12:16,027 --> 01:12:17,245 YOU KNOW WHAT, AUD... 1060 01:12:17,289 --> 01:12:19,683 THAT'S ABOUT THE STUPIDEST IDEA I EVER HEARD. 1061 01:12:19,726 --> 01:12:23,339 WHAT AM I SUPPOSED TO SAY TO THE KID, HUH?! 1062 01:12:23,774 --> 01:12:25,993 I'M SORRY, GILES. 1063 01:12:26,037 --> 01:12:28,039 JESUS! 1064 01:12:37,353 --> 01:12:42,923 Giles: RONNIE, BRACKETS, AT HIS MOTHER'S GRAVE, END OF BRACKETS. 1065 01:12:42,967 --> 01:12:46,449 I'D LIKE TO SAY A FEW WORDS BY WALT WHITMAN, 1066 01:12:46,492 --> 01:12:48,799 IF THAT'S OK WITH EVERYONE. 1067 01:12:48,842 --> 01:12:51,758 Ronnie: I'D LIKE TO SAY A FEW WORDS BY WALT WHITMAN, 1068 01:12:51,802 --> 01:12:53,673 IF THAT'S OK WITH EVERYONE. 1069 01:12:53,717 --> 01:12:59,984 "THE UNTOLD WANT BY LIFE AND LAND NEVER GRANTED." 1070 01:13:00,463 --> 01:13:03,204 "NOW VOYAGER, 1071 01:13:03,248 --> 01:13:06,251 SAIL THOU FORTH TO SEEK AND FIND." 1072 01:13:07,339 --> 01:13:11,169 HA HA HA HA HA HA. 1073 01:13:11,952 --> 01:13:14,433 Man: LET'S GO. BRING HIM HOME! BRING HIM IN, MAN! 1074 01:13:14,477 --> 01:13:18,568 Giles: I SUSPECT YOU'RE GOING TO HAVE TO EXPLAIN THE RULES TO ME. 1075 01:13:18,611 --> 01:13:25,270 OK. YOU GOT TO HIT THE BALL AND RUN ROUND THE BASES TO HOME. 1076 01:13:26,576 --> 01:13:28,795 HENCE BASEBALL. 1077 01:13:28,839 --> 01:13:34,192 HMM. RATHER LIKE CIRCULAR CRICKET. 1078 01:13:34,235 --> 01:13:35,498 I GUESS. 1079 01:13:35,541 --> 01:13:39,980 [CHEERING AND BANTER] 1080 01:13:40,981 --> 01:13:44,245 IS THERE SOMETHING WRONG, AUDREY? 1081 01:13:45,377 --> 01:13:49,076 WE'RE GOING TO SEE MY FOLKS TOMORROW. 1082 01:13:49,120 --> 01:13:51,557 UP IN VERMONT. 1083 01:13:51,601 --> 01:13:53,124 VERMONT. 1084 01:13:53,167 --> 01:13:55,126 FOR A WEEK. 1085 01:13:55,692 --> 01:13:56,475 FOR A WEEK. 1086 01:13:56,519 --> 01:13:58,564 BEFORE RON HAS TO GO BACK. 1087 01:13:58,608 --> 01:14:01,001 THAT'S A STRIKE, GILES. 1088 01:14:01,045 --> 01:14:03,917 TO, UH, LOS ANGELES? 1089 01:14:03,961 --> 01:14:05,745 RIGHT. 1090 01:14:08,182 --> 01:14:11,011 RONNIE NEVER MENTIONED THIS. 1091 01:14:11,055 --> 01:14:12,752 HE DOESN'T KNOW YET. 1092 01:14:12,796 --> 01:14:16,887 YOU UNDERSTAND THAT WE STILL HAVE A LOT OF WORK TO DO ON THE SCRIPT? 1093 01:14:16,930 --> 01:14:18,149 THAT'S TOO BAD. 1094 01:14:18,192 --> 01:14:20,194 I GUESS HE'LL GET BY. 1095 01:14:20,238 --> 01:14:22,632 THAT'S A STRIKE,TOO, GILES. 1096 01:14:22,675 --> 01:14:26,462 AUDREY, SURELY IT IS AS CLEAR TO YOU AS IT IS TO ME 1097 01:14:26,505 --> 01:14:29,813 THAT HE DESERVES A GREAT DEAL MORE THAN GETTING BY. 1098 01:14:29,856 --> 01:14:32,163 HE'LL DO IT THIS TIME. HE NEVER GETS STRUCK OUT. 1099 01:14:32,206 --> 01:14:34,992 WATCH THIS, GILES. IT'S GOING TO BE A GOOD ONE. 1100 01:14:35,035 --> 01:14:36,472 THE BASES ARE LOADED. 1101 01:14:36,515 --> 01:14:41,389 YOU REALIZE THIS IS A VERY CRUCIAL MOMENT IN HIS LIFE. 1102 01:14:45,568 --> 01:14:48,092 GOD, YOU'RE GOOD. 1103 01:14:50,877 --> 01:14:51,574 [WHAP] 1104 01:14:51,617 --> 01:14:54,011 [CHEERING AND APPLAUSE] 1105 01:14:56,013 --> 01:14:58,972 Audrey: THAT'S A HOME RUN, GILES. 1106 01:15:49,196 --> 01:15:50,981 [DIALING] 1107 01:16:06,997 --> 01:16:08,781 RONNIE. 1108 01:16:10,522 --> 01:16:12,480 Giles: SO... 1109 01:16:12,524 --> 01:16:14,570 THIS IS YOUR LAST DAY IN LONG ISLAND. 1110 01:16:14,613 --> 01:16:17,050 OR SHOULD ONE SAY ONLONG ISLAND? 1111 01:16:17,094 --> 01:16:19,792 YEAH, WELL, IT'S GETTIN' KINDA ITCHY, SO... 1112 01:16:19,836 --> 01:16:22,926 I'M ALSO LEAVING LONG ISLAND SOON. 1113 01:16:22,969 --> 01:16:24,144 REALLY? 1114 01:16:24,188 --> 01:16:26,973 WELL, WE SHOULD HOOK UP IN EUROPE SOMETIME. 1115 01:16:28,496 --> 01:16:29,410 I'D LIKE THAT. 1116 01:16:29,454 --> 01:16:33,371 RONNIE, I'D LIKE THAT VERY MUCH. 1117 01:16:33,414 --> 01:16:36,287 OF COURSE, YOU MUST HONOR YOUR OBLIGATIONS TO AUDREY, 1118 01:16:36,330 --> 01:16:40,030 THOUGH IT STRIKES ME THAT YOU'RE VERY YOUNG TO BE MAKING SUCH A COMMITMENT, 1119 01:16:40,073 --> 01:16:43,990 ESPECIALLY WITH YOUR CAREER AT THIS CRUCIALSTAGE. 1120 01:16:44,034 --> 01:16:49,430 YEAH, WELL, A GUY'S GOTTA KNOW WHEN HE'S ON TO A GOOD THING, RIGHT? 1121 01:16:49,474 --> 01:16:51,955 IT WAS LIKE THAT FOR YOU, WASN'T IT? 1122 01:16:51,998 --> 01:16:53,783 UH... 1123 01:16:54,261 --> 01:16:56,960 WELL, I SUPPOSE SO, YES. 1124 01:17:04,184 --> 01:17:05,664 IT'S A...BIRTHMARK. 1125 01:17:05,708 --> 01:17:08,188 THEY COVER IT UP FOR SHOOTING, 1126 01:17:08,232 --> 01:17:09,712 BUT... 1127 01:17:09,755 --> 01:17:11,191 I LIKE IT. 1128 01:17:11,235 --> 01:17:12,671 YOU KNOW... 1129 01:17:12,715 --> 01:17:15,718 I ALWAYS THOUGHT IT WAS ON THE RIGHT. 1130 01:17:15,761 --> 01:17:19,199 HOW DO YOU MEAN? 1131 01:17:20,070 --> 01:17:25,423 RONNIE, I HAVE A CONFESSION TO MAKE TO YOU. 1132 01:17:25,945 --> 01:17:28,426 I'VE BEEN WAITING FOR YOU FOR QUITE SOME TIME. 1133 01:17:28,469 --> 01:17:30,776 OH, SHIT, GILES, I'M SORRY. I HAD TO DROP AUD-- 1134 01:17:30,820 --> 01:17:32,822 SEVERAL YEARS, IN FACT. 1135 01:17:34,214 --> 01:17:35,999 WHAT? 1136 01:17:38,523 --> 01:17:41,874 RONNIE, THERE IS NOTHING MORE SOLITARY 1137 01:17:41,918 --> 01:17:43,963 THAN AN ARTIST'S LIFE. 1138 01:17:44,398 --> 01:17:48,054 NO DOUBT YOU'LL FIND THAT OUT FOR YOURSELF. 1139 01:17:48,098 --> 01:17:50,666 PAINFULLY, PERHAPS. 1140 01:17:50,709 --> 01:17:57,411 ONE YEARNS FOR SOLACE WITHOUT QUITE KNOWING WHERE TO LOOK FOR IT. 1141 01:17:58,935 --> 01:18:01,981 BUT I FOUND IT IN YOU. 1142 01:18:03,679 --> 01:18:05,202 OH. 1143 01:18:07,030 --> 01:18:08,988 THAT'S GREAT. 1144 01:18:09,032 --> 01:18:10,729 RONNIE, I HAVE ANOTHER CONFESSION TO MAKE. 1145 01:18:10,773 --> 01:18:15,255 I BROUGHT YOU HERE NOT TO SAY GOOD-BYE... 1146 01:18:16,430 --> 01:18:19,303 BUT TO MAKE YOU AN OFFER. 1147 01:18:20,565 --> 01:18:21,609 AN OFFER? 1148 01:18:21,653 --> 01:18:24,743 I AM PREPARED... 1149 01:18:24,787 --> 01:18:29,095 TO DEVOTE MYSELF TO YOUR CAREER. 1150 01:18:33,056 --> 01:18:33,970 WOW. 1151 01:18:34,013 --> 01:18:36,189 GILES, I, UH... 1152 01:18:36,233 --> 01:18:37,974 AHEM. 1153 01:18:38,539 --> 01:18:40,759 I'M HONORED. I DON'T KNOW WHAT TO SAY. 1154 01:18:40,803 --> 01:18:42,195 I-- 1155 01:18:42,630 --> 01:18:43,980 YOU GOT TO COME OUT WEST. 1156 01:18:44,023 --> 01:18:45,459 WE CAN START TO WORK ON SOMETHING. 1157 01:18:45,503 --> 01:18:46,460 NO, RONNIE, 1158 01:18:46,504 --> 01:18:47,766 FORGET LOS ANGELES. 1159 01:18:47,810 --> 01:18:48,941 PUT IT BEHIND YOU. 1160 01:18:48,985 --> 01:18:51,639 YOUR FUTURE LIES IN EUROPE. 1161 01:18:51,683 --> 01:18:53,511 GILES, I GOTTA TAKE THINGS ONE STEP AT A TIME. 1162 01:18:53,554 --> 01:18:56,775 I MEAN, SURE, AUD WOULD LOVE TO GO BACK TO EUROPE AND DO SOME MORE WORK, 1163 01:18:56,819 --> 01:18:59,604 AND IT WOULD BE COOL TO SPEND SOME TIME THERE. 1164 01:18:59,647 --> 01:19:00,953 COOL? 1165 01:19:00,997 --> 01:19:04,000 I'M TALKING ABOUT A TURNING POINT IN YOUR LIFE. 1166 01:19:04,043 --> 01:19:05,741 BUT I'VE GOT NO CONTACTS THERE. 1167 01:19:05,784 --> 01:19:09,832 PEOPLE KNOW ME HERE. 1168 01:19:12,617 --> 01:19:13,923 AS WHAT? 1169 01:19:13,966 --> 01:19:16,142 RONNIE... 1170 01:19:17,187 --> 01:19:19,537 AS WHAT? 1171 01:19:28,502 --> 01:19:30,504 LOOK, UM... 1172 01:19:32,158 --> 01:19:35,596 WE'LL KEEP IN TOUCH, HUH? 1173 01:19:36,902 --> 01:19:38,643 LISTEN TO ME, RONNIE. 1174 01:19:38,686 --> 01:19:40,601 IN EUROPE, IT IS OFTEN THE CASE 1175 01:19:40,645 --> 01:19:45,258 THAT A YOUNG MAN BENEFITS FROM THE WISDOM AND THE EXPERIENCE 1176 01:19:45,302 --> 01:19:46,694 OF AN ELDER. 1177 01:19:46,738 --> 01:19:50,046 WHY, THERE'S ALMOST A TRADITION OF SUCH FRIENDSHIPS. 1178 01:19:50,089 --> 01:19:52,613 COCTEAU AND RADIGUET. 1179 01:19:52,918 --> 01:19:55,442 UH, VERLAINE, RIMBAUD. 1180 01:19:55,486 --> 01:19:57,793 RAMBO? 1181 01:19:59,446 --> 01:20:01,100 ARTHUR RIMBAUD. 1182 01:20:01,144 --> 01:20:02,972 FRENCH POET. 1183 01:20:03,015 --> 01:20:05,017 HE... 1184 01:20:06,192 --> 01:20:09,979 HE WAS PAUL VERLAINE'S LOVER. 1185 01:20:14,810 --> 01:20:15,854 LOOK, GILES, UH... 1186 01:20:15,898 --> 01:20:17,334 I REALLY GOTTA GO. I GOTTA PICK UP AUD 1187 01:20:17,377 --> 01:20:19,031 AND I DON'T WANT HER TO BE ALONE-- 1188 01:20:19,075 --> 01:20:19,902 NO, LISTEN, 1189 01:20:19,945 --> 01:20:21,947 I UNDERSTAND YOUR MISGIVINGS 1190 01:20:21,991 --> 01:20:24,863 AND I RESPECT THE FACT THAT YOU'RE, UH... 1191 01:20:24,907 --> 01:20:28,258 IMMEDIATE PLANS ARE FOUNDED ON THESE 1192 01:20:28,301 --> 01:20:30,956 TEMPORARY ATTACHMENTS. 1193 01:20:31,914 --> 01:20:33,393 TEMPORARY ATTACHMENTS? 1194 01:20:33,437 --> 01:20:35,047 WELL, RONNIE... 1195 01:20:35,091 --> 01:20:40,226 YOUR RELATIONSHIP WITH AUDREY IS HARDLY LIKELY TO LAST FOREVER. 1196 01:20:41,010 --> 01:20:43,621 AND WHY IS THAT? 1197 01:20:44,622 --> 01:20:45,884 WELL... 1198 01:20:45,928 --> 01:20:46,885 IT-- 1199 01:20:46,929 --> 01:20:50,846 I--I'M AFRAID IT'S OBVIOUS TO ME. 1200 01:20:52,021 --> 01:20:54,110 WHAT EXACTLY ARE YOU TRYING TO SAY, GILES?! 1201 01:20:54,153 --> 01:20:55,894 [WHISPERING] Ronnie, please... 1202 01:20:55,938 --> 01:20:56,677 LOOK, GILES, 1203 01:20:56,721 --> 01:20:58,027 I WOULD LIKE TO BELIEVE 1204 01:20:58,070 --> 01:21:00,856 ALL OF THE THINGS THAT YOU SAID ABOUT MY CAREER, 1205 01:21:00,899 --> 01:21:01,639 BUT... 1206 01:21:01,682 --> 01:21:03,554 YOU GOT THINGS ALL WRONG. 1207 01:21:03,597 --> 01:21:04,250 Ronnie, 1208 01:21:04,294 --> 01:21:06,252 RONNIE, LISTEN TO ME. 1209 01:21:06,296 --> 01:21:08,820 YOU DON'T UNDERSTAND. 1210 01:21:09,690 --> 01:21:11,954 GILES, I THINK I DO UNDERSTAND, 1211 01:21:11,997 --> 01:21:12,955 AND... 1212 01:21:12,998 --> 01:21:14,043 I HAVE TO GO NOW. 1213 01:21:14,086 --> 01:21:16,001 OH, HOW CAN YOU ACT LIKE THIS? 1214 01:21:16,045 --> 01:21:17,394 WHEN YOU KNOW... 1215 01:21:17,437 --> 01:21:19,962 YOU MUST KNOW... 1216 01:21:20,005 --> 01:21:22,921 HOW COMPLETELY... 1217 01:21:22,965 --> 01:21:25,315 HOW DESPERATELY... 1218 01:21:27,143 --> 01:21:29,667 I LOVE YOU. 1219 01:22:18,150 --> 01:22:19,978 DEAR GOD. 1220 01:22:22,372 --> 01:22:25,679 WHAT HAVE I DONE? 1221 01:22:26,245 --> 01:22:29,596 [RADIO PLAYING HORSE RACES] 1222 01:24:06,476 --> 01:24:07,607 HOW YOU DOING? 1223 01:24:07,651 --> 01:24:11,959 I WONDER IF YOU COULD DO ME A GREAT FAVOR 1224 01:24:12,003 --> 01:24:14,136 AND ADD THIS TO YOUR DELIVERIES. 1225 01:24:14,179 --> 01:24:16,181 I DON'T KNOW IF I CAN DO THAT, SIR. 1226 01:24:16,225 --> 01:24:18,096 IT'S A FEDERAL OFFENSE. 1227 01:24:18,140 --> 01:24:18,966 SURELY-- 1228 01:24:19,010 --> 01:24:21,143 I'M SORRY, SIR. 1229 01:24:47,604 --> 01:24:49,301 [TELEPHONE RINGS] 1230 01:24:49,345 --> 01:24:51,608 [FAX MACHINE BEEPS] 1231 01:25:00,660 --> 01:25:02,097 Giles: MY DEAR RONNIE, 1232 01:25:02,140 --> 01:25:05,448 IT IS SO DIFFICULT TO KNOW WHERE I SHOULD BEGIN, 1233 01:25:05,491 --> 01:25:08,146 ESPECIALLY WHEN, UNLIKE YOU, 1234 01:25:08,190 --> 01:25:10,975 I ALREADY KNOW THE ENDING. 1235 01:25:14,196 --> 01:25:18,243 BUT LET US SAY THAT THIS STORY BEGAN WITH THE END OF ANOTHER 1236 01:25:18,287 --> 01:25:22,204 FAR, FAR FROM THE SURF OF LONG ISLAND. 1237 01:25:22,247 --> 01:25:25,207 TELL ME, WHEN ONE SENDS A FAX, 1238 01:25:25,250 --> 01:25:30,255 UH, IS IT POSSIBLE FOR IT TO BE REVERSED? 1239 01:25:30,299 --> 01:25:32,562 HOW DO YOU MEAN, SIR? 1240 01:25:32,605 --> 01:25:36,218 WELL, CAN IT BE GOT BACK? 1241 01:25:37,132 --> 01:25:39,569 I DON'T KNOW ABOUT THAT. 1242 01:25:41,875 --> 01:25:43,877 I IMAGINE NOT. 1243 01:25:46,271 --> 01:25:47,664 YOU WANT TO TURN BACK? 1244 01:25:47,707 --> 01:25:52,147 OH, I THINK IT'S RATHER LATE FOR THAT. 1245 01:25:52,190 --> 01:25:53,104 YOU SURE? 1246 01:25:53,148 --> 01:25:55,802 QUITE SURE, THANK YOU. 1247 01:26:14,212 --> 01:26:16,040 HEY! 1248 01:26:59,431 --> 01:27:02,913 Giles: WELL, RONNIE, THERE IT IS, 1249 01:27:02,956 --> 01:27:05,959 THE END OF OUR STORY. 1250 01:27:08,005 --> 01:27:12,052 AND ALSO THE BEGINNING OF A NEW STORY FOR ME, 1251 01:27:12,096 --> 01:27:16,143 BUT PERHAPS YOU'VE WORKED THAT OUT FOR YOURSELF. 1252 01:27:16,187 --> 01:27:19,843 BUT WHAT OF YOU, MY DARLING? 1253 01:27:20,931 --> 01:27:24,326 FOR NO ONE ON EARTH KNOWS YOU BETTER THAN I DO, 1254 01:27:24,369 --> 01:27:25,979 AND IF YOU'VE READ THUS FAR, 1255 01:27:26,023 --> 01:27:29,983 I KNOW YOU'LL NEVER BRING YOURSELF TO DESTROY THIS LETTER, 1256 01:27:30,027 --> 01:27:33,552 NOR WILL YOU EVER SHOW IT TO ANYONE ELSE. 1257 01:27:33,596 --> 01:27:36,294 AND IT WILL GRADUALLY DAWN ON YOU 1258 01:27:36,338 --> 01:27:39,689 THAT YOUR LIFE MIGHT HAVE TAKEN A VERY DIFFERENT COURSE 1259 01:27:39,732 --> 01:27:43,475 HAD YOU SIMPLY BEEN ABLE TO OPEN YOUR HEART TO ANOTHER. 1260 01:27:43,519 --> 01:27:47,000 AND YOU'LL OFTEN RETURN TO THIS LETTER. 1261 01:27:47,044 --> 01:27:49,307 YOU'LL READ IT AGAIN AND AGAIN 1262 01:27:49,351 --> 01:27:50,917 IN THE YEARS TO COME... 1263 01:27:50,961 --> 01:27:56,445 UNTIL YOU NO LONGER HAVE TO READ WHAT YOU'LL KNOW BY HEART. 1264 01:27:56,488 --> 01:27:59,056 AND YOU'LL CHERISH IT 1265 01:27:59,099 --> 01:28:00,275 AS A SOURCE OF PRIDE 1266 01:28:00,318 --> 01:28:04,975 IN THE FACE OF AN UNCARING WORLD. 1267 01:29:11,824 --> 01:29:14,740 Ronnie: I'D LIKE TO SAY A FEW WORDS BY WALT WHITMAN, 1268 01:29:14,784 --> 01:29:17,439 IF THAT'S OK WITH EVERYONE. 1269 01:29:21,268 --> 01:29:24,837 NOW FINALE TO THE SHORE. 1270 01:29:25,490 --> 01:29:29,929 NOW LAND AND LIFE, FINALE AND FAREWELL. 1271 01:29:29,973 --> 01:29:36,022 THE UNTOLD WANT BY LIFE AND LAND NEVER GRANTED. 1272 01:29:37,110 --> 01:29:40,157 NOW VOYAGER, SAIL THOU FORTH 1273 01:29:40,200 --> 01:29:43,160 TO SEEK AND FIND. 1274 01:30:47,180 --> 01:30:52,403 ♪ LYING AWAKE FOR YOU 1275 01:30:53,143 --> 01:30:59,802 ♪ IN MY HEART, I'LL FIND A PLACE FOR YOU ♪ 1276 01:31:03,066 --> 01:31:07,984 ♪ LOCKED INTO YOU 1277 01:31:09,072 --> 01:31:17,602 ♪ I HAVE NO CHOICE IN THESE MOODS ♪ 1278 01:31:34,967 --> 01:31:39,798 ♪ LYING AWAKE FOR YOU 1279 01:31:41,191 --> 01:31:47,023 ♪ I'M WILLING ALL MYSELF TO YOU ♪ 1280 01:31:47,066 --> 01:31:52,594 ♪ I HAVE NO CHOICE 1281 01:32:06,956 --> 01:32:11,482 ♪ LYING AWAKE FOR YOU 1282 01:32:12,788 --> 01:32:18,968 ♪ IN MY HEART, I'LL FIND A PLACE FOR YOU ♪ 1283 01:32:23,059 --> 01:32:27,454 ♪ LOCKED INTO YOU 1284 01:32:29,282 --> 01:32:37,029 ♪ I HAVE NO CHOICE IN THESE MOODS ♪ 1285 01:32:38,988 --> 01:32:42,295 ♪ LYING AWAKE FOR YOU 81934