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captions by bog bodybuilder for ZONE
extra notes at end of file (open in text editor)
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What a dirty-dealing world we live in.
3
00:01:00,952 --> 00:01:05,939
That rat—trying to double-cross us
before we double-cross him.
4
00:01:05,939 --> 00:01:09,625
Forget it. We'll hole up here
for a couple weeks until the heat cools.
5
00:01:09,625 --> 00:01:13,449
– Enough food and water in this joint
to last a million years.
– Yeah.
6
00:01:21,616 --> 00:01:29,092
[air-raid sirens]
7
00:02:09,044 --> 00:02:15,118
♪ We had warnings of
dark clouds forming ♪
8
00:02:15,304 --> 00:02:21,323
♪ Fear has brought me
to my knees ♪
9
00:02:22,963 --> 00:02:28,633
♪ Memories haunt me
Darkness wants me ♪
10
00:02:28,887 --> 00:02:35,064
♪ Someone wake me please
It's a dream ♪
11
00:02:35,140 --> 00:02:38,249
♪ Nightmare
Like a child screaming ♪
12
00:02:38,249 --> 00:02:41,516
♪ Nightmare
They say he's only dreaming ♪
13
00:02:42,745 --> 00:02:45,888
♪ Is under the bed?
It is all in his head? ♪
14
00:02:47,810 --> 00:02:51,002
♪ Nightmare ♪
15
00:02:53,891 --> 00:02:54,687
Phil!
16
00:02:55,847 --> 00:02:58,421
– What?
– I broke through.
17
00:03:00,686 --> 00:03:02,567
I broke through!
18
00:03:03,521 --> 00:03:10,440
[giggling and scurrying]
19
00:03:06,678 --> 00:03:07,550
What?
20
00:03:17,454 --> 00:03:18,367
Ah!
21
00:03:24,236 --> 00:03:28,477
[gasps and yelps of delight]
22
00:03:29,184 --> 00:03:32,698
[jovial whistling]
23
00:03:32,698 --> 00:03:33,961
Okay Phil!
24
00:03:34,407 --> 00:03:39,040
PHIL: Better be some hot water left, Marlowe.
MARLOWE: I did, I did. [jovial whistling]
25
00:03:43,399 --> 00:03:45,129
PHIL: Argh! Marlowe!
[clanging]
26
00:03:46,886 --> 00:03:49,837
PHIL: Oh—how does it look, huh?
MARLOWE: It looks great!
27
00:03:51,237 --> 00:03:54,285
PHIL: You sure you know what you're doing?
MARLOWE: Look, I read the barber book, okay?
28
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[big snip]
PHIL: Hey, Marlowe!
29
00:03:58,444 --> 00:04:03,173
♪ Swing on the rhythm, give into the jive
We're gonna boogie tonight ♪
30
00:04:03,935 --> 00:04:08,829
♪ Smooth operator in the fast lane
He likes to boogie, give him champagne ♪
31
00:04:09,385 --> 00:04:15,185
♪ Moonlight and bubbles and a fast dame ♪
[swing music echoes through tunnels]
32
00:04:21,520 --> 00:04:26,317
PHIL: My name's Phillip, and this is gonna be
a yarn about me and my pal, Marlowe.
33
00:04:27,182 --> 00:04:30,889
About the day we got out of this shelter
and went off into the post-nuclear world.
34
00:04:31,424 --> 00:04:36,229
Now, as excited as we were about leaving the shelter,
it was still a joint that held fond memories.
35
00:04:36,936 --> 00:04:39,173
I mean, it was the only world we'd ever known.
36
00:04:39,743 --> 00:04:43,840
Where I'd practise my magic,
Marlowe was dancing,
37
00:04:44,520 --> 00:04:46,709
and we both dreamed
of becoming private eyes,
38
00:04:47,458 --> 00:04:49,558
just like the ones we'd read about.
39
00:05:04,692 --> 00:05:09,085
So, how do I look, pops?
"Ah, you look swell, son."
40
00:05:09,771 --> 00:05:13,409
"Yeah you're one tough dick.
Ah, you're one slick dick."
41
00:05:14,089 --> 00:05:15,839
Well, gee, thanks pop!
42
00:05:28,338 --> 00:05:31,461
Hey Phil! New dance step!
43
00:05:31,461 --> 00:05:34,714
The Post-Nuke Shuff—whoa!
[clatter of scattering tins and bottles]
44
00:05:42,161 --> 00:05:43,671
– Hey, Marlowe.
– What?
45
00:05:44,158 --> 00:05:47,865
Here you go, dick.
It's empty, just like your head.
46
00:05:48,647 --> 00:05:51,805
Thanks pal! Anyways, I'm serious
about bein' the Dancin' Dick.
47
00:05:51,805 --> 00:05:53,816
It's what I always wanted to be,
just like our pops.
48
00:05:54,303 --> 00:05:56,540
Pops? We don't know
who our fathers were.
49
00:05:56,540 --> 00:05:58,908
Sure we do,
they was private eyes, Phil.
50
00:05:59,156 --> 00:06:03,006
Marlowe, how many times do I have to tell you,
the creeps that locked us in here were not our fathers.
51
00:06:03,006 --> 00:06:05,099
– You're wrong!
– Oh, you're cracked, Marlowe.
52
00:06:05,099 --> 00:06:05,985
– Oh yeah?
– Yeah!
53
00:06:05,985 --> 00:06:06,905
– Yeah?
– Yeah!
54
00:06:06,905 --> 00:06:09,678
– Well why do you think
they never came back to get us, huh?
– Because!
55
00:06:10,398 --> 00:06:11,229
Because what?
56
00:06:12,574 --> 00:06:13,377
Huh?
57
00:06:14,571 --> 00:06:16,980
Because—like we always say it,
they're dead.
58
00:06:26,672 --> 00:06:38,676
You just never wanted to face the truth, did you?
59
00:06:29,864 --> 00:06:31,147
What truth is that, Phil?
60
00:06:31,779 --> 00:06:33,845
Something queer happened
to one of us in this hole.
61
00:06:37,551 --> 00:06:44,161
RADIO: Lucky you, you're listening to
the Nicky Nuker show on K-NUKE! [radio beeps]
62
00:06:45,410 --> 00:06:46,275
Hey Phil?
63
00:06:48,100 --> 00:06:49,048
What?
64
00:06:51,409 --> 00:06:54,937
I don't want us to ever change,
no matter what happens to us out there.
65
00:06:57,263 --> 00:06:58,382
What are you talkin' about?
66
00:07:01,395 --> 00:07:05,946
Well, no matter how famous
and rich I get,
67
00:07:07,875 --> 00:07:11,499
no matter how smart you get,
I just, uh,
68
00:07:13,386 --> 00:07:15,370
just want us to always be us.
69
00:07:17,552 --> 00:07:18,465
Okay?
70
00:07:22,336 --> 00:07:23,517
Yeah, sure Marlowe.
71
00:07:23,963 --> 00:07:48,508
[mechanical groaning;
wailing guitars]
72
00:07:50,278 --> 00:07:51,322
Now!
73
00:07:53,745 --> 00:07:58,556
– I bet there's nothin' but
love-sick dolls out there, Phil!
– Love-sick dolls, yeah!
74
00:07:59,071 --> 00:08:01,384
Hey, think the world's changed much?
75
00:08:02,331 --> 00:08:03,367
Changed?
76
00:08:06,669 --> 00:08:08,035
Nah!
77
00:08:12,359 --> 00:08:17,371
♪ We run against a sky of black and red ♪
78
00:08:19,165 --> 00:08:25,215
♪ Premonitions of tomorrow
Is there a future there for me ♪
79
00:08:26,706 --> 00:08:29,595
♪ It's been a long, lonely wait ♪
80
00:08:31,282 --> 00:08:40,723
♪ Now I can see your face
in everything I say and do today,
in my life (radioactive) ♪
81
00:08:40,723 --> 00:08:47,067
♪ I need a place
to lie my head (radioactive) ♪
82
00:08:47,067 --> 00:08:53,556
♪ I close my eyes,
but there's no rest (radioactive dreams) ♪
83
00:08:53,997 --> 00:09:02,651
♪ Get me out of this wasteland
of radioactive dreams ♪
84
00:09:06,746 --> 00:09:09,406
[music shifts to tension and fear]
85
00:09:14,144 --> 00:09:16,891
Gadzooks! Ha-ha! Real-life babe!
86
00:09:19,324 --> 00:09:22,534
Whoa! Mutants! Real-life mutants!
87
00:09:24,876 --> 00:09:26,311
No, Marlowe, wait—
88
00:09:27,809 --> 00:09:29,987
The keys—where are they—
89
00:09:29,987 --> 00:09:31,720
– I'm lookin' dude!
– My keys!
90
00:09:32,413 --> 00:09:33,860
Come on Marlowe,
get away from them—come on—
91
00:09:35,122 --> 00:09:36,532
Stop! Stop!
92
00:09:40,415 --> 00:09:42,773
PHIL: That was our introduction
to the post-nuke world:
93
00:09:43,500 --> 00:09:47,443
mutant rutabagas and a dame
with a wicked left cross.
94
00:09:49,103 --> 00:09:54,589
By the time I came to, Marlowe'd already agreed
to help the peach get to the nearest payphone.
95
00:09:54,745 --> 00:09:55,637
Let's go!
96
00:09:55,882 --> 00:09:58,737
Why sure! This kinda thing's
right up my alley, ma'am.
97
00:09:58,893 --> 00:10:01,011
You know what I mean?
I'm a dick!
98
00:10:01,591 --> 00:10:04,178
WOMAN: Huh. So you're a porno stud, huh?
99
00:10:04,445 --> 00:10:08,013
Uh, well, not exactly.
100
00:10:08,058 --> 00:10:10,243
– I'm a private eye, ma'am.
– Yeah, sure.
101
00:10:10,756 --> 00:10:13,655
Uh uh uh, whoa-oh-oh,
let me, let me, let me—
102
00:10:14,302 --> 00:10:16,711
Hop on in. Hop in!
103
00:10:18,517 --> 00:10:19,699
Watch your toes!
104
00:10:22,464 --> 00:10:24,605
– Hey—gimme the keys.
– What?
– Gimme the keys!
105
00:10:24,694 --> 00:10:26,545
– No way Marlowe, whatdya—
– Gimme the keys!
– Why?
106
00:10:26,909 --> 00:10:29,871
– You've been drivin' all morning!
– So what, it's my pop's car—
– Oh so now he's your pops—
107
00:10:29,871 --> 00:10:32,079
Hey—hey, listen, listen,
can we go now please?
108
00:10:32,079 --> 00:10:34,302
Yeah can we go now please, Marlowe?
Just get in the back seat.
109
00:10:34,860 --> 00:10:36,625
– Just get in!
– Okay…
110
00:10:37,407 --> 00:10:41,509
So, ma'am, you need a couple a' dicks, huh?
Well how much cash you carrying, huh?
111
00:10:55,218 --> 00:10:58,636
My name is Miles. Miles Archer.
112
00:10:58,636 --> 00:11:01,618
– Yeah. I'm Phillip.
– Marlowe!
113
00:11:03,139 --> 00:11:06,438
I think we lost 'em, Miss Archer.
Who were those guys?
114
00:11:06,438 --> 00:11:08,482
RADIO: …through the old annexed missile bays!
115
00:11:08,700 --> 00:11:11,919
RADIO: Criminals are combing the area now
for Miles Archer—[radio snaps off]
116
00:11:15,247 --> 00:11:17,025
So, um, Miss Archer…
117
00:11:18,675 --> 00:11:21,144
What's a nice girl like you
doin' in a place like this?
118
00:11:22,556 --> 00:11:26,842
I mean, do you have a job
round here or something?
[MILES' harsh, derisive laughter]
119
00:11:27,050 --> 00:11:31,474
– What?
– You've gotta be kidding…
120
00:11:31,514 --> 00:11:33,707
– What?
– Where do you think you are?
121
00:11:34,102 --> 00:11:37,460
Yeah, will you stop asking dumb questions, Phil?
Where do you think we are?
122
00:11:39,988 --> 00:11:41,825
Ma'am? Ma'am?
123
00:11:41,825 --> 00:11:44,995
Don't touch me. Understand?
124
00:11:46,477 --> 00:11:46,961
Sure.
125
00:11:58,674 --> 00:11:59,899
– Uh, Miles—
– What?
126
00:12:00,511 --> 00:12:04,234
– Ah, just remember, no matter
what kinda trouble you're in—
– Yeah?
127
00:12:04,234 --> 00:12:06,911
—well, I'd be glad
to help you any way I can.
128
00:12:09,489 --> 00:12:11,039
Why, thank you, Marlowe.
129
00:12:14,891 --> 00:12:30,575
[MARLOWE's muffled, delighted yelps
as the car shakes and squeaks]
130
00:12:32,372 --> 00:12:34,525
[MARLOWE gulps]
131
00:12:35,463 --> 00:12:36,125
Marlowe.
132
00:12:37,844 --> 00:12:40,708
You really are a mondo nerd.
133
00:12:53,024 --> 00:12:57,675
Zim bim zowie!
What a smackeroo! Whoo-hoo!
134
00:12:58,051 --> 00:12:59,266
Big deal. Wasn't much.
135
00:12:59,498 --> 00:13:01,292
Yeah, I got the keys,
and then everything went to shit.
136
00:13:01,839 --> 00:13:03,720
Peach kept tryin' to
ride her tongue into my mouth.
137
00:13:03,981 --> 00:13:05,852
Oh yeah, sure, Marlowe.
138
00:13:06,558 --> 00:13:07,447
PHONE: The car is on the way.
139
00:13:08,112 --> 00:13:11,092
Oh shit. Ah, okay.
140
00:13:11,471 --> 00:13:14,630
Hey. Hey—think she'll marry me, Phil?
141
00:13:16,246 --> 00:13:19,175
Marlowe, am I gonna hafta
listen to this all day, huh?
142
00:13:19,574 --> 00:13:23,301
So, right? I mean, we can't afford
to be no-one's dick for free—
143
00:13:23,301 --> 00:13:25,299
PHIL: Miles Archer had seen somethin' comin'.
144
00:13:26,117 --> 00:13:27,456
Somethin' that'd been chasin' her.
145
00:13:28,239 --> 00:13:31,383
She took a powder, leavin' us sittin'
like a couple knuckle-brained ducks.
146
00:13:32,176 --> 00:13:34,389
We was the decoys coverin' her escape.
147
00:13:35,826 --> 00:13:39,798
Now, Miles Archer's plan would've been perfect
if she hadn't dropped her keys in Marlowe's lap.
148
00:13:40,989 --> 00:13:44,777
By the time she realised
her mistake, it would be too late.
149
00:13:46,112 --> 00:13:49,726
It was a slip-up Miles Archer
would regret for the rest of her life.
150
00:13:53,734 --> 00:13:55,692
She called me a mondo nerd.
[PHIL scoffs]
151
00:13:55,943 --> 00:13:57,139
So, what does that mean?
152
00:13:58,121 --> 00:14:02,328
I dunno. Must mean some, uh,
swell, post-nuke compliment.
153
00:14:09,869 --> 00:14:10,728
Ma'am?
154
00:14:11,989 --> 00:14:12,724
Ma'am?
155
00:14:13,504 --> 00:14:14,240
Ma'am?!
156
00:14:14,240 --> 00:14:15,866
[gunshots crack glass]
Aagh! Phil!
157
00:14:18,677 --> 00:14:20,697
Why do them screwy rutabagas
wanna get on our {knuckles}?
158
00:14:20,697 --> 00:14:23,304
I dunno, but I'm not gonna sit around
{to get some answers out of 'em}.
159
00:14:24,194 --> 00:14:26,791
[yelps and gunshots]
160
00:14:28,396 --> 00:14:31,341
– Hit the brakes! What about the peach?
– What about her, she took a powder!
161
00:14:31,341 --> 00:14:33,135
– Yeah, but—
— There's nothin' {we're goin'}.
162
00:14:41,673 --> 00:14:43,932
Come on! Let's get 'em!
163
00:14:51,953 --> 00:14:54,535
Why're they after us, Phil?!
They must figure we're someone else!
164
00:14:55,108 --> 00:14:56,079
I don't know—
165
00:14:56,079 --> 00:14:57,557
– Go! Fast!
– I'm goin'!
166
00:15:04,970 --> 00:15:07,505
Now see, get closer!
Give 'em one 'a {those apples}!
167
00:15:12,295 --> 00:15:14,530
Marlowe: Phil—the trailer's on fire!
168
00:15:14,530 --> 00:15:16,063
Well, don't just sit there, Marlowe,
go back and put it out!
169
00:15:16,063 --> 00:15:17,766
– How?!
– Get going!
170
00:15:20,064 --> 00:15:26,817
[bikers whoop, snarl, and scream]
171
00:15:29,932 --> 00:15:34,861
[MARLOWE shrieking and yelping]
172
00:15:34,952 --> 00:15:41,557
♪ All talk, no action
You don't give me no satisfaction ♪
173
00:15:38,343 --> 00:15:39,355
Hi.
174
00:15:41,557 --> 00:15:48,019
♪ All talk, you tease me
Lead me on and never try to please me ♪
175
00:15:53,184 --> 00:15:54,360
Oh no!
176
00:15:57,013 --> 00:15:58,536
Get off a' me!
177
00:16:00,679 --> 00:16:12,665
♪ Makes me want you so much
They'd say, "Look, but don't touch" [echoing] ♪
178
00:16:16,568 --> 00:16:17,534
LET GO OF ME!
179
00:16:28,561 --> 00:16:31,986
Gimme back my hair!
180
00:16:39,721 --> 00:16:40,631
PHIL: Unhook it!
181
00:16:56,807 --> 00:16:58,095
Whoo-wee!
182
00:16:58,530 --> 00:17:00,171
That sure was close, eh Phil?
183
00:17:01,786 --> 00:17:05,759
– Well, you told me to put the fire out.
– Yeah, but not with our trailer, you knucklehead.
184
00:17:05,759 --> 00:17:07,006
– Oh razz razz razz—
– Yeah razz.
185
00:17:07,006 --> 00:17:08,238
– It ain't the end of the world!
– Oh it ain't? It ain't?
186
00:17:08,345 --> 00:17:10,595
– No!
– Just the end of our gas supply?
187
00:17:11,316 --> 00:17:13,202
But hey, what does that matter, right?
188
00:17:13,202 --> 00:17:15,472
Marlowe…
[MARLOWE grumbles]
189
00:17:15,845 --> 00:17:17,011
Hey…
190
00:17:18,529 --> 00:17:20,661
– Toss an eye on this.
– What? What is it?
191
00:17:20,758 --> 00:17:22,726
I dunno. The peach must've dropped it.
192
00:17:23,140 --> 00:17:25,497
Blockbusters. Blockbusters!
193
00:17:25,625 --> 00:17:28,115
Hey! I bet you Miles is
gonna need her keys, Phil!
194
00:17:28,519 --> 00:17:29,868
We better get 'em back to her, huh?
195
00:17:31,872 --> 00:17:35,272
Ha-hah! Now we can show her
what slick dicks we are by finding her.
196
00:17:35,354 --> 00:17:37,501
– Hey, Miles' name ain't on the key case.
– Huh?
197
00:17:38,672 --> 00:17:39,812
Dash Hammer…
198
00:17:40,369 --> 00:17:41,386
Dash Hammer?
199
00:17:42,659 --> 00:17:44,208
It belongs to our pops, Phil!
200
00:17:47,235 --> 00:17:48,216
Maybe he's alive.
201
00:17:50,768 --> 00:17:51,984
Do you really think so?
202
00:17:53,620 --> 00:17:55,450
I mean, maybe my pop's alive too.
203
00:17:57,245 --> 00:17:58,308
Wouldn't that be swell?
204
00:17:58,865 --> 00:18:01,186
And we can show 'em what swell
dicks we are by finding 'em.
205
00:18:01,294 --> 00:18:04,883
Whoo-wee! Oh, I can't wait
to see their faces.
206
00:18:06,759 --> 00:18:08,015
What's wrong, Phil?
207
00:18:08,471 --> 00:18:10,368
I mean, aren't you glad
about our pops' bein' alive?
208
00:18:12,423 --> 00:18:14,494
Just stop callin' them
our pops, please, Marlowe?
209
00:18:17,387 --> 00:18:21,319
They locked us up in that bomb shelter
'cause they never intended us ever getting out, ever.
210
00:18:24,310 --> 00:18:27,367
How do you think they'll react
when we come strollin' up to them, huh?
211
00:18:28,502 --> 00:18:29,723
– We don't know for sure—
– Oh, we don't?
212
00:18:32,418 --> 00:18:34,994
We always figured they was dead because
they never came back to get us, right?
213
00:18:36,001 --> 00:18:37,392
Now we know, it just ain't so.
214
00:18:38,563 --> 00:18:41,093
Ah, eh, everything'll work out.
215
00:18:42,821 --> 00:18:44,365
What's that saying in the detective pulps?
216
00:18:46,170 --> 00:18:47,709
They crossed the line.
217
00:18:49,069 --> 00:18:50,244
They double-crossed us.
218
00:18:51,845 --> 00:18:53,634
That's the unforgivable sin, right?
219
00:18:57,887 --> 00:19:02,887
[pensive music]
220
00:19:21,131 --> 00:19:22,331
Hey, Marlowe, look.
221
00:19:22,940 --> 00:19:24,679
Hey—what's that?
222
00:19:24,814 --> 00:19:25,875
I dunno.
223
00:19:27,005 --> 00:19:28,479
Okay, just play it cool, alright?
224
00:19:28,560 --> 00:19:30,584
– What is it?
– Just take it easy, Marlowe.
225
00:19:31,556 --> 00:19:33,249
– Wow—
– Let me handle this, okay.
226
00:19:33,453 --> 00:19:34,902
He looks like a slick dick.
227
00:19:38,739 --> 00:19:40,591
Thanks for stopping, mister.
228
00:19:40,779 --> 00:19:42,387
Yeah. What's up, squirt?
229
00:19:43,134 --> 00:19:46,183
Me and my daddy ran out of gas.
Sir.
230
00:19:46,770 --> 00:19:50,105
That so. Where's your pop?
231
00:19:50,994 --> 00:19:52,737
He's waiting inside the bus.
232
00:19:53,423 --> 00:19:55,480
He's missing his legs
'cause of the war.
233
00:19:55,480 --> 00:19:56,851
[woman screaming]
234
00:19:56,851 --> 00:20:00,267
You fuckin' bitch you ever slap me
in the face again you're a wasted piece of shit.
235
00:20:00,438 --> 00:20:06,121
Out of the vehicle fuckfaces or I fuckin' blow
your fuckin' brains all over the fuckin' car. Move!
236
00:20:06,779 --> 00:20:09,164
[gunshot—and oil trickles
from the bullet hole]
237
00:20:09,813 --> 00:20:13,395
Okay. Just take it easy—
take it easy, punk.
238
00:20:13,973 --> 00:20:15,661
– Move!
– Okay!
239
00:20:16,176 --> 00:20:17,474
Agh—agh!
240
00:20:18,318 --> 00:20:21,194
You fuckin' idiot, Chester,
kill the fuckin' bitch!
241
00:20:21,194 --> 00:20:23,236
Ah, fuck you, Harold, don't ever
call me a fuckin' idiot!
242
00:20:23,608 --> 00:20:24,834
Hey—move!
243
00:20:24,896 --> 00:20:26,193
– Come on—
– Hey!
244
00:20:26,704 --> 00:20:28,020
Why you—fuckin'—
245
00:20:29,208 --> 00:20:30,601
Ha! Get over there.
246
00:20:33,983 --> 00:20:37,417
You bullies—we're gonna
get you for this.
247
00:20:37,646 --> 00:20:38,939
– Move it, punk.
– Go!
248
00:20:39,234 --> 00:20:42,678
What are we gonna do, Chester,
[drowned out by PHIL and MARLOWE yelling]
249
00:20:43,079 --> 00:20:46,065
PHIL: That was our first
encounter with disco mutants.
250
00:20:46,685 --> 00:20:48,517
I was sure it wouldn't be our last.
251
00:20:48,612 --> 00:20:49,599
– Move it!
– Go!
252
00:20:55,185 --> 00:20:59,263
Well! Hello sweetheart!
253
00:21:04,754 --> 00:21:06,189
Let me get you loose, here.
254
00:21:07,434 --> 00:21:10,740
Go ahead and try
to rip me, man. Just try!
255
00:21:14,885 --> 00:21:19,307
Don't get your kisser in an uproar, ma'am.
Just wanna get you loose. Just wanna—
256
00:21:21,453 --> 00:21:22,417
Ma'am.
257
00:21:24,582 --> 00:21:27,497
MARLOWE: Ma'am, just let me get you loose.
258
00:21:28,842 --> 00:21:31,695
What's your name? Huh?
259
00:21:35,005 --> 00:21:35,806
Mars.
260
00:21:40,004 --> 00:21:41,010
Rusty Mars.
261
00:21:43,090 --> 00:21:45,036
Just exactly what was
goin' on here, anyway?
262
00:21:46,181 --> 00:21:47,927
Phil! Touch an eye!
263
00:21:49,124 --> 00:21:50,622
C'mon, jeez.
264
00:21:54,967 --> 00:21:57,004
[car clicks and stutters
and fails to start]
265
00:21:58,984 --> 00:22:01,173
– Oh—get outta here—
– What, it ain't my fault—
266
00:22:01,173 --> 00:22:04,550
– It wasn't your fault if you hadn't
blown up our gas supply—
– Don't start on me again—
267
00:22:04,550 --> 00:22:07,341
Come on you guys!
Let's take the foot truck to Edge City.
268
00:22:09,873 --> 00:22:11,414
– Foot truck?
– Yes.
269
00:22:15,321 --> 00:22:18,450
So, Miss Mars, uh, you were
sayin' you knew Miles?
270
00:22:19,757 --> 00:22:21,879
Yeah, I know her.
She's a New Wave Punk,
271
00:22:22,743 --> 00:22:25,161
and the rap is, she's into
a heavy power trip.
272
00:22:26,063 --> 00:22:27,804
I'd stay away from her
if I was you.
273
00:22:28,133 --> 00:22:31,000
What about you cats?
What's your head trip?
274
00:22:31,233 --> 00:22:33,890
We're private eyes, Rusty.
Couple a' big-time dicks!
275
00:22:33,890 --> 00:22:35,889
– You're sure a big dick, alright.
– Thanks!
276
00:22:35,889 --> 00:22:39,318
Oh, I wish you'd just quit it.
Just quit it, alright?!
277
00:22:39,877 --> 00:22:40,706
Quit what?!
278
00:22:43,735 --> 00:22:45,114
Be a little more professional, huh?
279
00:22:45,782 --> 00:22:48,057
– What's gotten into him?
– Sure "Marlowe" wouldn't act this way.
280
00:22:48,348 --> 00:22:49,750
Ah, I don't know.
281
00:22:49,936 --> 00:22:52,474
You and Phil go on ahead—
I'll catch up.
282
00:22:54,768 --> 00:22:55,589
Hey Phil.
283
00:22:56,381 --> 00:22:57,979
You wanna take a walk, man?
284
00:23:02,348 --> 00:23:03,521
Oh, shit.
285
00:23:06,464 --> 00:23:08,864
Look, Rusty, I'm…
I'm sorry, okay?
286
00:23:11,067 --> 00:23:13,293
Like, my past, you know?
287
00:23:16,367 --> 00:23:17,001
Agh…
288
00:23:19,396 --> 00:23:21,266
– That's where I used to live.
– Really?
289
00:23:22,181 --> 00:23:22,735
Who's that?
290
00:23:24,724 --> 00:23:25,525
My mom.
291
00:23:28,840 --> 00:23:30,076
Like, you've got any pictures?
292
00:23:31,044 --> 00:23:31,750
Nah.
293
00:23:33,782 --> 00:23:35,771
Sure you do. Where's your wallet?
294
00:23:36,620 --> 00:23:39,883
– Come on—
– No, you come on, man,
let me look at your pictures—
295
00:23:45,874 --> 00:23:47,190
Let's just skip it, okay?
296
00:23:51,092 --> 00:23:52,032
Yeah, sure.
297
00:23:54,355 --> 00:23:56,735
Come on, you guys, pick it up,
it's getting dark out.
298
00:23:57,346 --> 00:23:58,700
Well why can't you be out at night?
299
00:23:58,905 --> 00:24:04,439
Because, man, the radiation made some pretty freaky lookin'
creatures that like to roam around at night.
300
00:24:04,954 --> 00:24:09,194
– Creatures—what creatures?
– Come on. Oh, Marlowe…
301
00:24:09,194 --> 00:24:10,835
PHIL: We finally made it to Edge City.
302
00:24:12,266 --> 00:24:14,107
This is where my yarn turns grim.
303
00:24:15,467 --> 00:24:18,396
Rusty warned me that the city
was mean and evil.
304
00:24:18,639 --> 00:24:22,431
That it had a tendency to
make good folks bad, or dead.
305
00:24:23,940 --> 00:24:26,296
I was about to find out
that bein' private eyes,
306
00:24:26,296 --> 00:24:28,587
or finding the guys who
ditched us in the shelter
307
00:24:28,587 --> 00:24:30,240
was just not that important.
308
00:24:31,064 --> 00:24:33,064
What was really at stake
was me and Marlowe.
309
00:24:34,124 --> 00:24:36,405
About the type of guys we'd be
when this was all over.
310
00:24:36,501 --> 00:24:37,114
Rusty!
311
00:24:38,455 --> 00:24:40,355
– Yeah man?
– You really think you can
help us find our pops?
312
00:24:41,691 --> 00:24:43,510
– You mean Hammer and Chandler?
– Yeah.
313
00:24:45,163 --> 00:24:47,394
Yeah, man, I can help you find 'em.
314
00:24:49,077 --> 00:24:51,243
Come on, you Turks, we gotta truck.
315
00:24:51,725 --> 00:24:54,087
It's not safe to be
outside the city at night, man.
316
00:24:54,385 --> 00:24:56,503
At night?
What about the day?
317
00:24:56,503 --> 00:24:59,011
♪ Phil's got keys in his pocket
and he's ready to roll ♪
318
00:24:59,011 --> 00:25:01,458
♪ He's got the whole Edge rockin'
and he's losin' control ♪
319
00:25:01,458 --> 00:25:04,075
♪ He's got his finger on the trigger
and he's ready to fire ♪
320
00:25:04,075 --> 00:25:06,733
♪ He's got a feelin' that he's
walkin' on a high wire ♪
321
00:25:06,733 --> 00:25:10,080
♪ He's tickin' like a bomb
that's ready to blow [fading] ♪
322
00:25:13,305 --> 00:25:16,616
Hey, look what the rat dragged in.
323
00:25:20,335 --> 00:25:23,636
You must be gettin' real hard up, Rusty.
324
00:25:28,097 --> 00:25:29,710
BRICK: Hey, bud…
325
00:25:34,398 --> 00:25:38,041
Phil! Are you okay?
Are you okay?
326
00:25:38,775 --> 00:25:40,553
You're so funny, honey.
327
00:25:44,618 --> 00:25:46,351
You better watch your karma, Brick.
328
00:25:47,271 --> 00:25:48,899
I'm gonna have to come rip your ass.
329
00:25:49,105 --> 00:25:51,386
– Yeah?
– Yeah.
330
00:25:52,110 --> 00:25:56,551
You try that and I'll have to pound your butt—
just like I used to.
331
00:25:57,657 --> 00:26:00,928
Hey—you can't talk to her
that way. No—
332
00:26:02,219 --> 00:26:03,711
You wanna make something of it, dick?
333
00:26:03,731 --> 00:26:04,872
I wouldn't.
334
00:26:07,811 --> 00:26:10,328
– Nobody move.
– Back off.
335
00:26:11,253 --> 00:26:14,288
Cool it, Rusty. Cool it.
336
00:26:14,810 --> 00:26:16,383
I mean, we're old friends, right?
337
00:26:18,081 --> 00:26:20,548
Yeah. Old friends.
338
00:26:22,965 --> 00:26:23,794
Later.
339
00:26:25,929 --> 00:26:27,075
Alligator.
340
00:26:30,642 --> 00:26:32,522
VOICE: Yo Brick. Phone call.
341
00:26:37,652 --> 00:26:38,390
Who is it?
342
00:26:38,812 --> 00:26:39,953
VOICE: Miles Archer.
343
00:26:40,280 --> 00:26:41,678
Miles Archer, huh?
344
00:26:46,907 --> 00:26:49,841
Don't let those cats get to you, Phil.
Just a little unfriendly.
345
00:26:50,027 --> 00:26:52,801
– Yeah, I'll say.
– Yeah, well who were those creeps, anyway?
346
00:26:53,142 --> 00:26:53,906
Greasers.
347
00:26:56,066 --> 00:26:58,755
Come on man, I'll show you my scene.
348
00:27:24,278 --> 00:27:29,982
♪ A burst of flying air
And seconds later, you were not there ♪
349
00:27:29,982 --> 00:27:35,534
♪ It's not so strange
And if we stick together, we'll stay sane ♪
350
00:27:41,162 --> 00:27:46,610
♪ Hoping all is well
It's lonely, cold, and maybe this is hell ♪
351
00:27:46,610 --> 00:27:51,990
♪ Or is it just a dream?
A hallucination coming over me? ♪
352
00:27:53,536 --> 00:27:57,552
♪ I feel it stronger now
it's reaching far out [fading into crowd] ♪
353
00:27:58,277 --> 00:28:01,244
PHIL: The Red Onion turned out to be
a pretty swanky gin mill.
354
00:28:02,274 --> 00:28:06,825
Doorman seemed a bit edgy,
but Rusty got us in.
355
00:28:07,722 --> 00:28:09,992
She seemed to have some
pull around here, or something.
356
00:28:11,194 --> 00:28:14,228
Zowieee! Whoo-hoo!
Look at all this! Look at this!
357
00:28:15,105 --> 00:28:16,546
– WOMAN: Fuck off.
– Oh my God, Phil!
358
00:28:16,546 --> 00:28:19,093
VOICE: Hey Rusty, Sternwood wants to see you.
359
00:28:19,398 --> 00:28:20,467
Alright.
360
00:28:24,769 --> 00:28:27,240
Why don't you wait here.
I'll be back in a second.
361
00:28:30,303 --> 00:28:32,058
VOICE UPSTAIRS: WHERE ARE THE KEYS?!
362
00:28:32,182 --> 00:28:36,208
– Hey—Marlowe.
– Huh? What?
363
00:28:36,761 --> 00:28:40,329
– Phil, what? Aah?
– Whatdya think's going on up there?
364
00:28:40,682 --> 00:28:42,867
– Where?
– Huh?
– Yeah, sure.
365
00:28:50,279 --> 00:28:51,691
Nice joint!
366
00:28:53,065 --> 00:28:54,577
Fuck off, nerd!
367
00:28:55,250 --> 00:28:56,852
Yeah, sure!
368
00:28:56,852 --> 00:29:00,325
– Uh, label's Marlowe, I'm a dick—
– No shit!
369
00:29:02,071 --> 00:29:05,400
– Fuck you!
– Yeah! See you round!
370
00:29:06,077 --> 00:29:07,127
Funny dogs!
371
00:29:07,432 --> 00:29:09,149
How you doin'! Ha ha!
372
00:29:12,450 --> 00:29:15,579
Marlowe, folks seem sorta
stuck up around here, don't they?
373
00:29:16,285 --> 00:29:20,197
Nah—nah, just, just gotta be
a little more friendly.
374
00:29:22,629 --> 00:29:26,407
Watch. I'll have 'em swoonin', and moonin'.
375
00:29:28,248 --> 00:29:29,880
Gangway!
376
00:29:36,090 --> 00:29:37,865
I could keep dancin' all night!
377
00:29:46,460 --> 00:29:47,395
Hey doll!
378
00:29:50,047 --> 00:29:51,287
[slap! cuts the music]
379
00:29:53,911 --> 00:29:55,475
Swoonin' and moonin', huh?
380
00:30:04,195 --> 00:30:05,664
Hey. Hi.
381
00:30:14,746 --> 00:30:16,625
See! I told you!
382
00:30:17,255 --> 00:30:20,155
– Delayed reaction is all. Ha-ha!
– Yeah, no kidding.
383
00:30:20,155 --> 00:30:22,922
– Can I be your chick, man?
– Yeah, sure!
384
00:30:23,275 --> 00:30:28,092
– Hey, chick, dog, cow, pig, whatever, ha-ha!
– Far out…
385
00:30:31,613 --> 00:30:34,847
– This dick's fresh meat.
– Yeah, I'm a big dick!
386
00:30:35,114 --> 00:30:37,537
– Hey, Marlowe.
– Whaaat?
387
00:30:37,785 --> 00:30:38,586
Watch your step.
388
00:30:40,437 --> 00:30:42,679
Yeah, sure, {come on}, man.
389
00:30:43,766 --> 00:30:49,958
[loud kissing]
♪ Gonna eat you, eat you alive (×2) ♪
390
00:30:51,112 --> 00:30:53,297
[incomprehensible 1940s speak]
391
00:30:54,604 --> 00:30:57,151
– Like, your friend is freaky, you know?
– Yeah.
392
00:30:58,429 --> 00:31:02,188
Man, it must've been pretty trippy
being shacked up with him all those years.
393
00:31:02,827 --> 00:31:05,117
Nah. Wasn't that bad.
394
00:31:07,645 --> 00:31:10,555
So whatdya think of this place?
Pretty wild, huh?
395
00:31:11,728 --> 00:31:14,256
– Yeah.
– VOICE UPSTAIRS: You wanna fuck with me?
– In fact.
396
00:31:15,325 --> 00:31:17,109
But your people don't seem to be too friendly.
397
00:31:18,215 --> 00:31:21,840
It's nothing, man.
Just 'cause you're new, you know.
398
00:31:22,518 --> 00:31:25,122
They'll get used to you. Like I did.
399
00:31:29,997 --> 00:31:31,314
You like?
400
00:31:32,335 --> 00:31:37,743
Yeah. Nice.
[PHIL chokes a sigh]
401
00:31:39,804 --> 00:31:40,682
But what?
402
00:31:43,343 --> 00:31:45,604
Doesn't anyone ever wear dresses around here?
403
00:31:46,606 --> 00:31:47,980
Well, maybe some day.
404
00:31:51,471 --> 00:31:54,658
Come on man. I got this groovy pad out back.
405
00:31:55,240 --> 00:31:57,157
Let's blow this scene and make our own.
406
00:31:57,510 --> 00:32:06,077
♪ You're comin' with me and you'll never survive ♪
♪ Gonna eat you, eat you alive (×2) ♪
407
00:32:06,077 --> 00:32:10,561
♪ You're gonna love it, but you're gonna die ♪
♪ Gonna eat you— ♪
408
00:32:12,593 --> 00:32:13,728
Dresses.
409
00:32:15,941 --> 00:32:16,829
You like?
410
00:32:17,477 --> 00:32:18,355
Yeah.
411
00:32:12,799 --> 00:32:23,402
Maybe I'll put it on for you later.
412
00:32:25,481 --> 00:32:27,761
Right now I don't feel like
putting anything on, you dig?
413
00:32:28,076 --> 00:32:39,162
[ethereal organ music]
414
00:32:40,507 --> 00:32:44,342
Oh… what is it about these keys, huh Rusty?
415
00:32:45,305 --> 00:32:49,589
– I mean, seems like half the world's
gone crazy over them or something—
– Phil?
416
00:32:50,924 --> 00:32:52,479
– What?
– Shut up.
417
00:32:53,805 --> 00:32:59,816
– What, am I—am I yappin' too much?
– Yes. Shhh.
418
00:33:06,751 --> 00:33:09,918
– Don't be nervous.
– I'm not nervous [voice quakes].
419
00:33:10,968 --> 00:33:13,267
– You don't have to be.
– What're you doin', Rusty?
420
00:33:13,372 --> 00:33:15,309
I'm gonna take your clothes off now.
421
00:33:17,369 --> 00:33:19,039
You gonna take your clothes off?
422
00:33:21,567 --> 00:33:22,864
Yes.
423
00:33:31,746 --> 00:33:33,749
Come on.
424
00:33:34,398 --> 00:33:37,317
Gosh Rusty, Guess I am kinda nervous.
425
00:33:38,510 --> 00:33:40,284
There's no reason to be nervous, Phil.
426
00:33:46,037 --> 00:33:49,586
– It's okay.
– Yeah.
427
00:33:54,289 --> 00:33:57,275
– What're you doin'—
– I'm gonna take your pants off now.
– What—
428
00:34:08,055 --> 00:34:12,958
– Jeepers, Rusty. Don't you wanna
kiss me first or somethin'?
– Uh-uh.
429
00:34:13,378 --> 00:34:24,750
[gentle organ music, like starlight]
430
00:34:31,361 --> 00:34:36,131
– Just relax a little. It's okay.
– Okay.
– Okay.
431
00:34:39,537 --> 00:34:41,435
Oh, Phil…
432
00:34:44,164 --> 00:34:46,377
What? What?
433
00:34:46,377 --> 00:34:47,522
Just lie back.
434
00:34:47,846 --> 00:34:52,664
[organ music gives way to sinister guitar and piano]
435
00:34:52,664 --> 00:34:55,755
– What're you doin', Rusty?
– It's okay, Phil.
436
00:34:57,300 --> 00:35:01,717
Jeepers, I'm not that swift with
this kinda romancin', Rusty.
437
00:35:01,717 --> 00:35:04,341
– Just relax.
– I trust ya…
438
00:35:06,506 --> 00:35:08,882
Phil there's something I gotta tell you. Before Stern—
439
00:35:08,882 --> 00:35:10,599
Before what, Rusty?
440
00:35:10,914 --> 00:35:13,155
Ah, oh, oh—
441
00:35:13,318 --> 00:35:17,382
– Hi babe. Good work.
– Hey look, hey, we weren't doin' nothin'—
442
00:35:18,746 --> 00:35:20,042
Hey mister?
443
00:35:21,264 --> 00:35:23,754
Hey, listen. Listen mister, this—
444
00:35:24,355 --> 00:35:27,294
this ain't what it seems,
my intentions were absolutely honourable, I—
445
00:35:27,294 --> 00:35:28,687
Shut up, Porky.
446
00:35:29,993 --> 00:35:32,073
– Label's Phillip, sir.
– Hey.
447
00:35:33,552 --> 00:35:34,926
Don't you hear me rappin', man?
448
00:35:34,926 --> 00:35:38,226
[slap! PHIL whimpering]
Take it easy, Sternwood.
449
00:35:39,180 --> 00:35:42,395
Watch it babe,
or I'll think you gone pig on us.
450
00:35:42,844 --> 00:35:47,871
Hey, check out the rags for the keys.
[chuckle]
451
00:35:49,846 --> 00:35:52,252
Not you too, Rusty.
I thought I could trust you.
452
00:35:54,101 --> 00:35:59,148
Ooo, nice meat, huh. Very nice.
453
00:35:59,854 --> 00:36:02,868
– Cut it out, mister.
– Yeah. Ooh, yeah.
454
00:36:03,059 --> 00:36:05,835
We're gonna like this, yeah.
455
00:36:08,754 --> 00:36:11,053
What's he doin', Rusty. Rusty—
456
00:36:11,053 --> 00:36:15,785
[screaming]
457
00:36:17,731 --> 00:36:18,609
No rad-contamination.
458
00:36:19,773 --> 00:36:22,921
His meat will score
the big bread at the market.
459
00:36:23,522 --> 00:36:24,343
Market—what market—
460
00:36:24,343 --> 00:36:27,414
Hey man, you spotted
all the meat in this city. Huh?
461
00:36:27,414 --> 00:36:30,706
Yeah, there's no animals alive any more.
462
00:36:30,706 --> 00:36:32,824
OINK OINK OINK OINK OINK!
463
00:36:33,177 --> 00:36:34,360
A-animals?
464
00:36:36,134 --> 00:36:37,441
Where'd you get all the meat?
465
00:36:38,643 --> 00:36:45,082
[breaking into laughter] That's right.
That's right! [sing-song] That's riiight!
466
00:36:45,082 --> 00:36:49,156
We're all cannibals. Cannibals. Cannibals!
467
00:36:49,337 --> 00:36:51,112
You kill me, Porky.
468
00:36:52,466 --> 00:36:55,824
– Rusty?
– [mocking] Rusty? Rusty?
469
00:36:56,196 --> 00:36:58,887
– Rusty?
– [mocking] Rusty? Rusty?
470
00:37:00,671 --> 00:37:01,672
[mocking] Rusty?!
471
00:37:03,275 --> 00:37:04,906
No keys, man.
472
00:37:06,853 --> 00:37:10,306
Oh, wow. Like, the keys aren't in the rags.
473
00:37:13,979 --> 00:37:17,022
Like, uh, where are they, Porky?
474
00:37:17,022 --> 00:37:18,558
First, tell me what they're for.
475
00:37:18,558 --> 00:37:21,764
– So he can blow up the world—
– Where are the keys, Porky?
476
00:37:23,605 --> 00:37:24,645
Tuna.
477
00:37:25,198 --> 00:37:26,724
Okay, smartass…
478
00:37:27,201 --> 00:37:30,245
YOU WANNA FUCK WITH ME? HUH?
479
00:37:31,351 --> 00:37:35,644
Groovy! Let's, like, uh,
try some heavy shit.
480
00:37:36,064 --> 00:37:38,173
On your friend.
481
00:37:40,052 --> 00:37:41,158
Marlowe.
482
00:37:42,589 --> 00:37:45,403
– What'd you do to him?
– [chuckling] That kid's gettin' tenderised.
483
00:37:46,014 --> 00:37:51,089
– Wait—don't—stop—
– No, hey, hey, hey hey hey,
don't, don't weird out on me man.
484
00:37:52,034 --> 00:37:55,010
Just rap where the keys are,
485
00:37:56,107 --> 00:38:00,181
and I won't have to make burger patties
out of your friend.
486
00:38:00,667 --> 00:38:06,630
[PHIL sobbing, gurgling, sputtering]
487
00:38:06,945 --> 00:38:08,280
TELL HIM!
488
00:38:09,406 --> 00:38:10,560
Fuck this shit!
489
00:38:11,533 --> 00:38:13,184
Tell him where the keys are, Phil.
490
00:38:14,233 --> 00:38:17,173
And I promise you and Marlowe
will go free—I promise!
491
00:38:18,021 --> 00:38:18,898
Right?
492
00:38:19,404 --> 00:38:20,644
Uhhh…
493
00:38:21,197 --> 00:38:24,241
Yeah? Sure.
[PHIL gurgles]
494
00:38:24,727 --> 00:38:29,659
Uh, scout's honour.
[STERNWOOD chuckles; PHIL gasps]
495
00:38:29,841 --> 00:38:31,873
Just let me and Marlowe go, oh God—
496
00:38:31,873 --> 00:38:33,132
– Okay.
– —please—
497
00:38:33,132 --> 00:38:35,307
Like, I'll play along, Porky.
498
00:38:36,776 --> 00:38:40,048
But you fuck with us—[menacing breathing]
499
00:38:45,038 --> 00:38:45,954
Okay.
500
00:38:53,824 --> 00:38:55,245
Sorry about the keys.
501
00:39:02,944 --> 00:39:05,281
Okay, Porky. Where are they.
502
00:39:10,528 --> 00:39:13,457
[STERNWOOD growls like an angry dog]
503
00:39:21,461 --> 00:39:24,686
[STERNWOOD growls like a confused, but angry dog]
504
00:39:25,573 --> 00:39:26,451
[keys jangle]
505
00:39:28,883 --> 00:39:30,057
They were there the whole time.
506
00:39:33,052 --> 00:39:34,035
They were.
507
00:39:36,611 --> 00:39:38,147
Give 'em to me.
508
00:39:39,148 --> 00:39:40,425
Here!
509
00:39:44,624 --> 00:39:46,036
[gasping, grunting, and gunshots]
510
00:40:02,493 --> 00:40:07,005
[punchy beat starts up]
511
00:40:08,369 --> 00:40:09,962
Marlowe? Agh!
512
00:40:10,716 --> 00:40:13,864
– Marlowe?!
– PHIL! Phil!
513
00:40:14,437 --> 00:40:18,854
This lady and I been ballin' it.
We're havin' fun—wait,
I'm gonna introduce her. Sadie—
514
00:40:18,854 --> 00:40:19,970
[gun hammer clicks]
Freeze, Turk!
515
00:40:21,134 --> 00:40:22,049
Hand over the keys!
516
00:40:24,043 --> 00:40:26,314
Come on man, come on, let's blow,
let's go, let's get outta here, man.
517
00:40:26,314 --> 00:40:27,936
We're one step ahead
of the rest of the freaks.
518
00:40:28,212 --> 00:40:29,433
Who are ya?
519
00:40:29,824 --> 00:40:33,011
[sing-song] I'm your buddy, man!
Come on, let's go, let's go!
520
00:40:33,011 --> 00:40:37,361
– He's my buddy, Phil! My buddy!
– Yeah I'm your fuckin' buddy, let's go!
521
00:40:37,361 --> 00:40:39,679
– My buddy!
– No, Marlowe!
522
00:40:39,679 --> 00:40:41,721
– My buddy, Phil!
– Come on!
523
00:40:42,226 --> 00:40:44,983
– Safe!
– Marlowe, no!
524
00:40:51,739 --> 00:40:57,757
[BRICK coughing and sputtering]
525
00:40:58,683 --> 00:41:02,203
Let's take five, catch our breath.
526
00:41:03,205 --> 00:41:04,836
The next sprint's gonna be tough.
527
00:41:05,790 --> 00:41:08,709
We gotta make it through the ashtray district
before we'll be on safe turf.
528
00:41:08,709 --> 00:41:14,576
– Yeah, well let's get goin'—
– Hey! Relax. Right?
529
00:41:15,969 --> 00:41:20,997
Boy, daddio, you bums sure got
the Edge rockin' and rollin'.
530
00:41:21,474 --> 00:41:22,485
What do you mean?
531
00:41:23,763 --> 00:41:26,263
– Every gang's after you bums.
MARLOWE: Every gang?
532
00:41:26,539 --> 00:41:29,621
BRICK: Yeah, daddio,
and not just hoods from the Edge.
533
00:41:29,917 --> 00:41:34,057
Cats like Sternwood are comin' from
every city in the West lookin' for them keys.
534
00:41:34,362 --> 00:41:36,366
You bums are in some deep trouble.
535
00:41:36,843 --> 00:41:41,593
Check it out: I heard
they can make cities disappear.
536
00:41:42,481 --> 00:41:46,831
Hey, I say let 'em, it ain't
no sweat off my back, right [laughs].
537
00:41:47,260 --> 00:41:49,073
PHIL: But I bet you
want those keys too, huh?
538
00:41:49,540 --> 00:41:55,083
Naaah, what's Brick Bardo
gonna do with keys, right?
I ain't got a car [laughs].
539
00:41:55,837 --> 00:41:57,325
Then why'd you save our skins?
540
00:41:58,708 --> 00:41:59,862
I was paid to.
541
00:42:00,378 --> 00:42:01,503
By who, Bart?
542
00:42:02,476 --> 00:42:05,033
A South Side whore named Miles Archer.
543
00:42:06,645 --> 00:42:09,488
Miles? MILES ARCHER?
544
00:42:09,984 --> 00:42:10,967
PHIL!
545
00:42:11,205 --> 00:42:15,041
– You know Miles Archer?!
– Hey, I just told you
she paid me, you ding.
546
00:42:15,279 --> 00:42:18,074
She's waitin' for you in Rick's place
over in the next district.
547
00:42:18,074 --> 00:42:18,885
Let's go!
548
00:42:20,087 --> 00:42:23,226
We'll go buddy, after you hand me them keys.
549
00:42:24,571 --> 00:42:27,004
MARLOWE: You said
you didn't want the keys, buddy—
BRICK: Yeah, I lied.
550
00:42:27,242 --> 00:42:29,818
BRICK: Now hand me the fuckin' keys,
I ain't got all night.
551
00:42:30,295 --> 00:42:31,716
[STERNWOOD snarls]
MARLOWE: Give him the keys—
552
00:42:33,518 --> 00:42:34,540
You tell me what they're for first
and then I'll give 'em to you.
553
00:42:34,540 --> 00:42:38,127
– Gimme the fuckin' keys, Phil,
or I blow his balls off.
– Give 'em! Give' em!
554
00:42:38,308 --> 00:42:40,493
Gimme the fuck—
[BRICK fires at the wall;
MARLOWE screams]
555
00:42:41,571 --> 00:42:43,460
– Take it easy.
– Come on, pal.
556
00:42:47,840 --> 00:42:49,334
[BRICK laughs; the keys jangle]
557
00:42:50,571 --> 00:42:53,336
[screams]
558
00:42:53,336 --> 00:42:57,093
[screams and gunshots]
559
00:42:57,093 --> 00:42:58,677
Marlowe, come on!
560
00:42:58,677 --> 00:43:07,901
[screams, roars, and terrified hollering]
561
00:43:08,216 --> 00:43:09,828
[knife cutting into tough flesh]
562
00:43:11,009 --> 00:43:14,700
[STERNWOOD's last gasps]
563
00:43:14,713 --> 00:43:18,271
[music speeds up into
heavy, menacing drums and synths]
564
00:43:18,271 --> 00:43:19,731
[MARLOWE shrieks]
565
00:43:32,324 --> 00:43:38,114
♪ We had warnings of dark clouds forming ♪
566
00:43:38,639 --> 00:43:44,697
♪ Fear has brought me to my knees ♪
567
00:43:40,213 --> 00:43:41,148
Phil!
568
00:43:46,262 --> 00:43:51,957
♪ Memories haunt me, darkness wants me ♪
569
00:43:52,310 --> 00:43:56,631
♪ Someone wake me please ♪
570
00:43:56,641 --> 00:43:58,215
♪ It's a dream ♪
571
00:43:58,616 --> 00:44:01,583
♪ Nightmare
Like a child screaming ♪
572
00:44:01,583 --> 00:44:04,836
♪ Nightmare
They say he's only dreaming ♪
573
00:44:06,057 --> 00:44:09,119
♪ Is under the bed?
It is all in his head? ♪
574
00:44:09,224 --> 00:44:11,094
CHESTER: Fuckin' hold it right there.
575
00:44:11,094 --> 00:44:13,985
♪ Nightmare ♪
576
00:44:15,664 --> 00:44:28,733
[MARLOWE screams;
giant radioactive rat roars]
577
00:44:29,881 --> 00:44:40,487
[radioactive rat roar recedes;
music fades into uncertainty]
578
00:44:44,260 --> 00:44:48,349
Okay, dude, don't move
or I'll blow your god damn head off.
579
00:44:48,704 --> 00:44:51,598
– Now where are those little red keys?
MARLOWE: I don't have the keys!
580
00:44:51,904 --> 00:44:52,862
THUG: You hear me?
581
00:44:53,484 --> 00:44:56,704
Or do you wanna be
a dead dude, dude?
582
00:44:57,188 --> 00:45:06,706
[radioactive rat roar returns;
profanity and gunshots]
583
00:45:07,256 --> 00:45:08,300
Phil!
584
00:45:13,115 --> 00:45:15,818
Phil? Phil!
585
00:45:17,100 --> 00:45:18,349
Oh, shit.
586
00:45:20,503 --> 00:45:24,327
Oh, oh… he lost me again.
587
00:45:29,410 --> 00:45:32,286
– Man, what's wrong with you?
– Just cool it, okay?
588
00:45:39,427 --> 00:45:40,396
Phil?
589
00:45:42,916 --> 00:45:45,813
Why'd you stop us from
zappin' those guys when we like had 'em?
590
00:45:46,912 --> 00:45:48,807
Hey—you givin' up?
591
00:46:00,741 --> 00:46:05,566
[mumbling]
Huh? Oh—clothes? Clothes!
592
00:46:14,958 --> 00:46:16,659
[mumbling]
{These things'll} cover me up.
593
00:46:31,921 --> 00:46:34,700
[mumbling]
Mmm. Right.
594
00:46:37,327 --> 00:46:40,903
[door creaks loudly]
595
00:46:42,799 --> 00:46:44,662
WARPED VOICE: Well?
CHESTER: He won't tell us nothin'.
596
00:46:44,845 --> 00:46:49,659
WARPED VOICE: But what about the keys?
Pray, you did get them, didn't you?
597
00:46:49,659 --> 00:46:52,546
CHESTER: No, he didn't have 'em.
We searched the fucker inside out.
598
00:46:52,794 --> 00:46:55,734
WARPED VOICE: You little fool.
You said you had them.
599
00:46:55,734 --> 00:46:57,672
CHESTER: I know, I know,
I screwed up. Big deal.
600
00:46:57,672 --> 00:47:00,774
WARPED VOICE: You don't
seem to understand, Chester.
601
00:47:00,774 --> 00:47:05,869
This is not just another disco drug deal.
The world is at stake here.
602
00:47:05,869 --> 00:47:06,773
CHESTER: Alright, alright.
603
00:47:07,183 --> 00:47:11,846
WARPED VOICE: Now, you did say
there were two boys, did you not?
CHESTER: Yeah…
604
00:47:14,496 --> 00:47:17,867
[whispering] Phil! Phil! Phil!
605
00:47:26,644 --> 00:47:28,465
– Untie me!
– You okay?
– Yeah.
606
00:47:29,272 --> 00:47:36,619
– I was worried about ya.
– Shhh! Come on. Those punks!
607
00:47:40,754 --> 00:47:44,372
– Oh, Phil!
– Shhh! Come on.
608
00:47:48,336 --> 00:47:50,813
He must be found immediately!
609
00:47:50,813 --> 00:47:53,764
Alright, alright, fuck!
The other boy must've had the keys.
610
00:47:53,764 --> 00:47:59,031
If Miles Archer gets him into her video district,
we're all as good as dead.
611
00:47:59,031 --> 00:48:00,129
Alright, alright.
612
00:48:00,129 --> 00:48:01,239
[whispering] Come on, Marlowe.
613
00:48:01,282 --> 00:48:05,051
WARPED VOICE: Miles will get the keys
and she'll launch the missile.
614
00:48:05,051 --> 00:48:05,934
[whispering] Come on.
615
00:48:08,692 --> 00:48:10,501
– Wait!
– That sound—
616
00:48:11,890 --> 00:48:17,017
[gunshots and angry disco mutant noises]
617
00:48:27,227 --> 00:48:31,578
[whispering] Come on, follow.
This way. Just follow me.
618
00:48:32,795 --> 00:48:35,919
Come on, we gotta get outta this city, Marlowe.
Everybody's tryin' to kill us.
619
00:48:35,919 --> 00:48:38,525
MARLOWE: Nah, we just gotta find Miles.
PHIL: [whispering] Miles?!
620
00:48:38,816 --> 00:48:40,442
Yeah, she'll know what to do!
621
00:48:40,539 --> 00:48:43,706
PHIL: How do you know
she's not out to get us, huh?
MARLOWE: She's a right peach, Phil.
622
00:48:44,126 --> 00:48:48,671
PHIL: No reason to trust her. Maybe she,
maybe she's just gonna
blow up the world, too, huh?
623
00:48:48,822 --> 00:48:52,763
MARLOWE: No, no,
don't you remember how it started?
Those mutants who were tryin' to hurt her?
624
00:48:52,763 --> 00:48:55,434
They're the ones that wanna
blow up the world. Not Miles.
625
00:48:57,416 --> 00:48:58,267
Marlowe!
626
00:48:59,775 --> 00:49:00,970
MARLOWE: That you, Miles?
627
00:49:03,921 --> 00:49:05,645
It's Miles! Phil!
628
00:49:06,291 --> 00:49:08,994
Miles, where you been!
I missed ya!
629
00:49:08,994 --> 00:49:11,525
You were at the—at the phone booth
an' everything, we missed ya—
630
00:49:12,624 --> 00:49:14,466
– Phil? Phil, Miles? Remember?
– Yeah, I remember.
631
00:49:14,466 --> 00:49:15,424
We'll talk later.
632
00:49:15,903 --> 00:49:17,815
– What?
– Let's go.
– Miles!
633
00:49:18,719 --> 00:49:20,917
– Yeah, well how about
some answers first, Miles.
– It's Miles!
634
00:49:20,917 --> 00:49:23,233
– I mean, people are tryin'
to kill us 'cause of you.
– Get in here!
635
00:49:24,245 --> 00:49:26,625
PHIL: Well, at least tell me
where we're goin', Miles.
636
00:49:28,058 --> 00:49:31,159
So, Miles, you wanna know
what we been doin', Miles?
637
00:49:32,129 --> 00:49:35,198
Well we been lookin' for you,
but this guy Bart, um…
638
00:49:36,353 --> 00:49:41,574
[synth beats of
frustrated passions and tension]
639
00:49:42,453 --> 00:49:44,135
Oh, Phil…
640
00:50:21,139 --> 00:50:25,865
♪ Whoa, oh, oh, whoa ♪
641
00:50:29,144 --> 00:50:35,689
♪ Guilty pleasures
Standing just outside my door ♪
642
00:50:36,208 --> 00:50:43,656
♪ Drastic measures
Things I've never done before ♪
643
00:50:43,656 --> 00:50:50,448
♪ Ooo it will be {shifty light}, I know ♪
644
00:50:51,166 --> 00:50:56,300
♪ When I make you mine tonight ♪
645
00:50:56,387 --> 00:50:57,661
THUG: Okay, here we go.
646
00:50:59,430 --> 00:51:02,053
♪ Guilty pleasures ♪
647
00:51:07,496 --> 00:51:14,536
♪ Minds exciting
Oh, you're such a troubled guest ♪
648
00:51:15,018 --> 00:51:22,380
♪ So inviting
I'm on the edge of heat distress ♪
649
00:51:22,924 --> 00:51:29,592
♪ Oh, you'll treat me bad tonight, oh yeah ♪
650
00:51:29,944 --> 00:51:34,113
♪ Turn my dreams to real life [fading] ♪
651
00:51:34,810 --> 00:51:37,660
Why don't you go on in
and take it easy,
652
00:51:39,325 --> 00:51:41,124
while I slip into something
653
00:51:42,675 --> 00:51:44,214
more comfortable.
654
00:51:45,265 --> 00:51:51,726
♪ Guilty pleasures
Open up, open up, I want more ♪
655
00:51:53,869 --> 00:51:57,614
♪ Angels are dancing through my head ♪
656
00:52:00,901 --> 00:52:06,155
♪ Going places I have never, never been ♪
657
00:52:06,540 --> 00:52:09,463
Look at this. A real sweet peach.
[revolver clicks]
658
00:52:09,557 --> 00:52:18,754
♪ No, I can't fight it
Oooh, it feels so right ♪
659
00:52:24,507 --> 00:52:26,254
Somethin' queer goin' on here.
660
00:52:28,710 --> 00:52:30,280
Somethin' really queer.
661
00:52:39,696 --> 00:52:42,556
You {better ready} Miles.
You got the keys yet?
662
00:52:43,306 --> 00:52:50,619
♪ Baited treasures
Well, maybe this time I've gone too far ♪
663
00:52:51,379 --> 00:52:57,621
♪ Oooh, you'll treat me bad tonight, oh yeah ♪
664
00:52:58,328 --> 00:53:03,915
♪ Turn my dreams to real life ♪
665
00:53:06,557 --> 00:53:09,376
♪ Guilty pleasures ♪
666
00:53:13,538 --> 00:53:17,179
♪ Guilty pleasures ♪
[air raid sirens begin to wail]
667
00:53:17,474 --> 00:53:20,703
[atomic bomb thunder crash
while air raid sirens wail]
668
00:53:53,847 --> 00:53:56,074
[bomb shelter doors crash shut]
669
00:53:57,373 --> 00:54:00,107
Oh my God, them keys
can launch a nuclear missile.
670
00:54:00,429 --> 00:54:03,943
See, Marlowe, I was right.
Miles wants to blow up the world, too.
671
00:54:04,970 --> 00:54:06,714
Gotta get outta here
before it's too late.
672
00:54:08,879 --> 00:54:10,426
It is too late, Phil.
673
00:54:12,850 --> 00:54:15,696
MILES: I'm gonna blow your head off
unless I get those keys.
674
00:54:15,696 --> 00:54:17,366
[whimpering] So, what does this mean, Miles?
675
00:54:18,146 --> 00:54:19,544
You don't love me no more?
676
00:54:22,352 --> 00:54:23,329
Oh shit.
677
00:54:33,474 --> 00:54:37,631
– Come on, Marlowe—come on—come on!
– Okay! Okay.
678
00:54:37,866 --> 00:54:44,819
[flailing and hollering]
Hurry, Phil! Hurry!
679
00:54:48,283 --> 00:54:49,199
Go, hurry!
680
00:54:56,906 --> 00:54:58,143
Duck, Phil, duck!
681
00:54:58,143 --> 00:55:03,933
♪ Oooh, it will be {shifty light}, I know ♪
682
00:55:04,676 --> 00:55:09,983
♪ When I make you mine tonight ♪
683
00:55:12,829 --> 00:55:15,625
♪ Guilty pleasures ♪
684
00:55:21,489 --> 00:55:28,083
♪ Minds exciting
Oh, you're such a troubled guest ♪
685
00:55:28,281 --> 00:55:36,063
♪ But so inviting
I'm on the edge of heat distress ♪
686
00:55:33,613 --> 00:55:35,036
[discordant cymbals]
687
00:55:36,397 --> 00:55:42,954
♪ Oooh, you'll treat me bad tonight, oh yeah ♪
688
00:55:43,486 --> 00:55:48,806
♪ Turn my dreams to real life ♪
689
00:55:49,647 --> 00:56:03,838
[roaring, booing, furious crowd]
690
00:55:51,750 --> 00:55:54,113
♪ Guilty pleasures ♪
691
00:55:58,679 --> 00:56:02,539
♪ Guilty pleasures ♪
692
00:56:05,755 --> 00:56:12,263
♪ Guilty pleasures
Knocking on my front door ♪
693
00:56:12,696 --> 00:56:19,537
♪ Guilty pleasures
Open up, open up, I want more ♪
694
00:56:19,970 --> 00:56:24,536
♪ Guilty pleasures ♪
695
00:56:26,960 --> 00:56:30,091
♪ Guilty pleasures ♪
696
00:56:32,664 --> 00:56:35,831
♪ Whoa-oh, guilty pleasures ♪
697
00:56:42,611 --> 00:56:51,630
[sirens and chanting crowd fade away]
698
00:56:52,100 --> 00:56:55,972
PHIL: Like Philip Marlowe,
we now saw the world for what it was:
699
00:56:57,049 --> 00:56:58,434
Cold and bitter.
700
00:57:00,315 --> 00:57:04,435
Sad thing was, me and Marlowe'd
become infected by the disease.
701
00:57:05,449 --> 00:57:08,777
We was angry and vengeful
and all we wanted to do was
to get back at the world,
702
00:57:08,777 --> 00:57:10,695
to make 'em all pay
for what they'd done to us.
703
00:57:11,969 --> 00:57:14,369
We'd slipped over the edge into the dark side,
704
00:57:15,149 --> 00:57:19,491
where the Rusty Mars
and the Miles Archers
of this world wallowed.
705
00:57:20,926 --> 00:57:22,361
We wasn't kids no more,
706
00:57:23,487 --> 00:57:25,311
and oh would the world be sorry.
707
00:57:38,519 --> 00:57:39,558
We can't ever let 'em—
708
00:57:40,832 --> 00:57:43,443
we can't ever let those creeps
blow up the world again.
709
00:57:46,944 --> 00:57:49,604
They ain't never gonna get these keys.
710
00:57:50,631 --> 00:57:54,182
Right… right!
711
00:57:57,064 --> 00:57:58,475
It's you and me.
712
00:58:05,601 --> 00:58:06,986
We are the bait.
713
00:58:10,710 --> 00:58:12,306
Swell.
714
00:58:16,550 --> 00:58:17,935
I love it.
715
00:58:23,911 --> 00:58:25,396
No more yakkin'.
716
00:58:27,016 --> 00:58:28,575
No more high times.
717
00:58:32,398 --> 00:58:33,549
No more nothin'.
718
00:58:38,262 --> 00:58:41,417
[revolver clicks,
firing off tragic synths]
719
00:58:42,073 --> 00:58:43,161
Ditto.
720
00:59:05,295 --> 00:59:10,924
♪ Turned around and faced myself
For the first time in my life ♪
721
00:59:11,852 --> 00:59:18,520
♪ I was running through the maze
of an endless darkness
Just trying to survive ♪
722
00:59:19,027 --> 00:59:25,634
♪ And if I had you here beside me
I would never let you go ♪
723
00:59:25,634 --> 00:59:31,090
Oh—
[synths quiver and fade]
724
00:59:33,638 --> 00:59:35,704
Drop the fuckin' gun, dig?
725
00:59:36,793 --> 00:59:38,847
– Little assholes.
– Why you—
726
00:59:40,294 --> 00:59:43,004
Where the fuck are the fuckin' keys?
727
00:59:44,266 --> 00:59:48,373
Like I lost them man, really!
I was trying to square their trail too!
728
00:59:53,507 --> 00:59:55,289
Let's fuckin' waste her.
729
00:59:57,355 --> 00:59:58,666
[two gunshots]
730
00:59:58,802 --> 01:00:03,702
♪ On the edge of a broken dream
I heard your footsteps in the night ♪
731
01:00:04,495 --> 01:00:10,554
♪ I was running through the maze
of an endless darkness
And they stood in the light ♪
732
01:00:11,118 --> 01:00:17,133
♪ Like a white knight
riding on a breathless horse
You came and saved me from my fears ♪
733
01:00:17,509 --> 01:00:25,201
♪ But as you turned away and left me
I saw the truth behind my tears ♪
734
001:00:25,577 --> 01:00:31,925
♪ You turn away and leave me here
Where I've been standing all my life ♪
735
01:00:28,050 --> 01:00:28,903
Rusty: Phil!
736
01:00:32,390 --> 01:00:39,674
♪ After giving me a reason to find love ♪
737
01:00:41,352 --> 01:00:42,823
[revolver hammer clicks]
738
01:00:43,346 --> 01:00:44,453
Oh, no.
739
01:00:47,225 --> 01:00:48,745
Please, please.
740
01:00:50,022 --> 01:00:51,080
[hammer slams on an empty chamber]
741
01:00:55,153 --> 01:00:56,600
Come on, Phil.
[hammer clicks again]
742
01:00:59,700 --> 01:01:00,539
Come on.
743
01:01:01,512 --> 01:01:03,081
We got garbage to clean up.
744
01:01:04,515 --> 01:01:05,209
Phil!
745
01:01:07,409 --> 01:01:09,270
I'm sorry about the meat locker.
746
01:01:10,279 --> 01:01:12,492
– And I'm sorry about all the lies I told you—
– Save it, baby.
747
01:01:14,802 --> 01:01:17,234
That was a million years ago
and I got a short memory.
748
01:01:19,775 --> 01:01:21,320
In fact, I don't even remember who you are.
749
01:01:25,454 --> 01:01:26,366
But why'd you save me?
750
01:01:27,314 --> 01:01:28,907
– I mean after what I did to you—
– Look!
751
01:01:29,235 --> 01:01:30,767
We don't got time for this, okay?
752
01:01:31,631 --> 01:01:33,053
We're on the clock, sister.
753
01:01:33,418 --> 01:01:36,920
This is his time to clear the board,
win the game, chambers loaded, hammers cocked.
754
01:01:37,297 --> 01:01:40,616
Y'know our fingers are itchin'
like a cat with a serious case of fleas.
755
01:01:42,951 --> 01:01:43,924
Come on, pal.
756
01:01:44,848 --> 01:01:47,328
Let's push muscle. Come on!
757
01:01:50,246 --> 01:01:51,170
Phil, wait!
758
01:01:53,165 --> 01:01:54,757
Like, please, Phil!
759
01:01:58,308 --> 01:02:01,323
– Phil, wait!
– Look, dress or no dress,
you ain't gettin' no second chance, baby.
760
01:02:08,035 --> 01:02:10,467
Man, don't you see why
I had to rip you off?
761
01:02:10,686 --> 01:02:12,279
It's like the world we live in, man,
762
01:02:12,279 --> 01:02:15,331
– it's dog eat dog!
– And man eat man, don't they?
763
01:02:16,498 --> 01:02:17,337
Phil!
764
01:02:19,441 --> 01:02:20,632
Damnit, Rusty!
765
01:02:21,423 --> 01:02:25,143
You double-crossed me.
I saved your skin, so just beat it, Rusty!
766
01:02:26,007 --> 01:02:28,305
I don't ever wanna see
your double-crossin' face again.
767
01:02:28,451 --> 01:02:30,664
This stick ain't playin' the sap no more.
768
01:02:31,892 --> 01:02:35,710
– Phil, just let me do somethin'—
– Just shut up and crawl away?
769
01:02:36,780 --> 01:02:39,625
[sobbing] You have no idea
what it took to get here!
770
01:02:39,966 --> 01:02:42,969
Fifteen years of murder and rape!
771
01:02:48,720 --> 01:02:51,614
And I did anything
I could to survive—anything—
772
01:02:51,614 --> 01:02:53,888
and don't gotta apologise to nobody.
773
01:02:55,225 --> 01:02:56,113
You dig?
774
01:03:04,892 --> 01:03:43,340
[RUSTY sobs]
775
01:03:10,534 --> 01:03:12,358
You wanna know
the saddest thing, Rusty?
776
01:03:15,495 --> 01:03:18,316
Me and Marlowe used to be
a couple swell, decent Joes.
777
01:03:22,742 --> 01:03:24,821
Now we're carryin'
so much hate and jade,
778
01:03:29,296 --> 01:03:30,609
we're not much better than you.
779
01:03:43,668 --> 01:03:45,103
They'll kill you, Phil!
780
01:03:45,321 --> 01:04:02,648
[RUSTY sobs]
781
01:03:48,065 --> 01:03:50,392
[PHIL strikes a match sharply]
782
01:03:56,581 --> 01:03:58,076
Yeah, I'd like to see 'em try.
783
01:04:02,831 --> 01:04:13,665
[powerful synth beat
hammers down like rain]
784
01:04:22,602 --> 01:04:29,460
♪ She's on the make, she's got what it takes
She's getting what she's after ♪
785
01:04:30,323 --> 01:04:37,874
♪ She'll never lose, she's got so many moves
She'll turn your heart to ashes ♪
786
01:04:39,381 --> 01:04:41,254
♪ In a blaze of flashing light ♪
787
01:04:41,254 --> 01:04:48,890
♪ She's a fire,
raging out of control ♪
788
01:04:48,890 --> 01:04:55,322
♪ She's a fire,
She'll burn you to your— ♪
789
01:04:55,565 --> 01:05:02,897
♪ They stop and stare, but she don't care
There's evil in her eyes ♪
790
01:05:03,262 --> 01:05:10,339
♪ She's got the power, she wants control
She'll cut you down to size ♪
791
01:05:12,199 --> 01:05:16,090
♪ In a blaze of flashing light
Hear the sirens in the night ♪
792
01:05:16,090 --> 01:05:23,641
♪ She's a fire,
raging out of control ♪
793
01:05:23,641 --> 01:05:33,794
♪ She's a fire,
she'll burn you to your soul ♪
794
01:05:39,229 --> 01:05:46,598
♪ She's a fire,
raging out of control ♪
795
01:05:46,999 --> 01:05:57,140
♪ She's a fire,
she'll burn you to your soul ♪
796
01:06:00,532 --> 01:06:03,159
♪ She's a fire ♪
797
01:06:03,754 --> 01:06:05,638
[door slams shut on the music]
798
01:06:06,089 --> 01:06:08,752
PHIL: So far,
our plan was workin' like a charm.
799
01:06:09,457 --> 01:06:12,679
Our little stroll through Edge City
had stirred things up just right.
800
01:06:13,421 --> 01:06:18,783
With us as the bait,
every big fish in the post-nuke world
was followin' us into that warehouse.
801
01:06:19,768 --> 01:06:22,601
Now all we had to do
was get 'em to kill each other off,
802
01:06:23,367 --> 01:06:24,814
without killin' us.
803
01:07:32,444 --> 01:07:36,177
Drop the Roscoe,
or I'll peel your windpipe.
804
01:07:39,983 --> 01:07:41,478
[chuckling] Miles.
805
01:07:47,679 --> 01:07:50,877
Okay, your move.
806
01:08:00,775 --> 01:08:03,754
Back off. Just back off.
807
01:08:05,067 --> 01:08:07,694
Your breath smells like the runs, Miles.
808
01:08:07,694 --> 01:08:11,256
It's irritatin' my nose and wrinklin' my suit.
809
01:08:14,138 --> 01:08:19,111
Oh, Marlowe's one tough dick now.
810
01:08:20,473 --> 01:08:21,482
Yeah.
811
01:08:22,102 --> 01:08:25,020
Yeah! And you shouldn't've crossed the line!
812
01:08:40,280 --> 01:08:42,274
Give me the keys.
813
01:08:49,290 --> 01:08:51,552
[fizz BOOM]
814
01:09:28,271 --> 01:09:31,102
[warped voice] You, my brothers, have done well.
815
01:09:31,707 --> 01:09:39,077
Against all sane odds,
you have turned away all
who would steal our rightful prize.
816
01:09:39,772 --> 01:09:42,851
You're both truly remarkable.
817
01:09:43,724 --> 01:09:49,741
Pray, first the keys, brother.
818
01:09:50,791 --> 01:09:52,500
Drop the rods, pugface.
819
01:09:52,856 --> 01:09:54,689
Drop 'em,
or the keys disappear forever.
820
01:09:54,689 --> 01:09:57,093
– We could pray drop you, brother.
– Think so?
821
01:09:57,797 --> 01:10:00,097
Then try it, swift.
Go ahead, try it.
822
01:10:00,692 --> 01:10:02,258
Hey, you better watch it, chiro.
823
01:10:02,650 --> 01:10:04,747
It's Phillip and Marlowe
you're dealing with here.
824
01:10:05,627 --> 01:10:06,619
It can't be.
825
01:10:10,764 --> 01:10:11,572
Phillip.
826
01:10:13,317 --> 01:10:14,134
Marlowe.
827
01:10:14,896 --> 01:10:18,062
You mean…
you actually know these guys?
828
01:10:20,372 --> 01:10:21,220
Yeah…
829
01:10:24,918 --> 01:10:27,859
from a very long time ago.
830
01:10:38,173 --> 01:10:42,759
[squeal of protesting rubber]
831
01:10:42,759 --> 01:10:46,615
[voice suddenly clear]
Hiya, squirt! Remember me?
832
01:10:51,217 --> 01:10:52,207
[whispering] Pop.
833
01:10:55,636 --> 01:10:58,652
– Pop!
– Jesus Christ.
834
01:11:00,520 --> 01:11:05,321
CHANDLER: "His face twisted grotesquely,
turning a pukish shade of—"
835
01:11:05,321 --> 01:11:07,213
come on kid, you hafta—
[child MARLOWE babbles]
836
01:11:07,502 --> 01:11:10,271
"Bugsy gurgled as I crushed his—"
837
01:11:10,271 --> 01:11:12,896
– come on, you wanna learn how to read,
don't you?
– I'm trying.
838
01:11:12,896 --> 01:11:15,476
– Hey, look, squirt—
– Knock it off, Spade.
839
01:11:16,090 --> 01:11:20,122
– Beatin' a dead horse,
the kid's got brain damage.
– That ain't my fault.
840
01:11:22,675 --> 01:11:25,363
– Don't take any wooden nickels.
– Swell.
841
01:11:25,742 --> 01:11:27,844
– Chin up.
– Chin up.
842
01:11:32,607 --> 01:11:38,263
Yeah, we're your "pops", alright.
843
01:11:39,806 --> 01:11:42,215
He's not, Marlowe. No he's not.
844
01:11:43,441 --> 01:11:46,608
These are the creeps
that locked us in that bomb shelter 15 years ago.
845
01:11:47,708 --> 01:11:48,656
Aren'tcha.
846
01:11:50,081 --> 01:11:52,444
Now they've come back to get these keys
and they're gonna kill us for 'em.
847
01:11:53,581 --> 01:11:54,808
They're gonna kill you.
848
01:11:56,504 --> 01:11:57,388
Aren'tcha.
849
01:11:57,866 --> 01:11:59,697
They don't care about them stupid keys.
850
01:12:01,366 --> 01:12:02,449
Do ya?
851
01:12:03,261 --> 01:12:05,732
The keys
or I blow the shit out of his head.
852
01:12:09,629 --> 01:12:11,064
Throw us the keys, Phil.
853
01:12:11,497 --> 01:12:14,844
She won't shoot Marlowe,
she knows we'll blow her away.
854
01:12:18,416 --> 01:12:20,229
The keys, before it's too late.
855
01:12:21,014 --> 01:12:22,746
There you go.
[keys clatter on concrete]
856
01:12:22,989 --> 01:12:26,676
[awful silence falls]
857
01:12:37,874 --> 01:12:41,888
[the beat comes back in full force]
858
01:12:41,888 --> 01:12:55,321
[radioactive rat's roaring rampage]
859
01:12:44,333 --> 01:12:45,497
Fuckin' rat!
860
01:12:46,282 --> 01:12:48,284
HOWARD: You fuckin' piece of shit rat!
861
01:12:48,356 --> 01:12:53,147
HOWARD: Agh, lemme go! Lemme go, please!
[dying screams]
862
01:12:56,908 --> 01:12:59,254
♪ There's a storm out in the distance ♪
863
01:13:00,481 --> 01:13:04,657
♪ Rising fast and getting close to you ♪
864
01:13:05,424 --> 01:13:10,530
♪ You'll feel its breath upon your back
before you're through ♪
865
01:13:11,667 --> 01:13:17,016
♪ It's after you, comin' after you ♪
866
01:13:18,261 --> 01:13:25,739
♪ So you run into the shadows
Livin' in a world that's grown so cold ♪
867
01:13:26,669 --> 01:13:31,838
♪ And now you're holding on
to dreams of long ago ♪
868
01:13:32,388 --> 01:13:38,612
♪ Don't turn away (×2) ♪
869
01:13:38,864 --> 01:13:50,808
♪ When lightning strikes
We will stand or we will fall
Hold on, answer to the call ♪
870
01:13:51,154 --> 01:14:00,689
♪ When lightning strikes
We will pay the price and rise above it all ♪
871
01:14:03,061 --> 01:14:05,536
♪ When lightning strikes ♪
872
01:14:16,043 --> 01:14:18,555
♪ You can break out of the darkness ♪
873
01:14:19,619 --> 01:14:23,486
♪ Fighting for our dream,
you will find the way ♪
874
01:14:24,373 --> 01:14:29,846
♪ But when you're caught
between the bounds of love and hate ♪
875
01:14:26,648 --> 01:14:33,451
Squirts! Run, get outta here! [echoing]
876
01:14:30,434 --> 01:14:35,935
♪ It's up to you (×2) ♪
877
01:14:37,308 --> 01:14:44,648
♪ There's no one to rely on
Fire and destruction's all you know ♪
878
01:14:45,638 --> 01:14:51,643
♪ And though the world beneath your feet
begins to roll ♪
879
01:14:51,643 --> 01:14:57,611
♪ Don't lose control (×2) ♪
880
01:14:57,779 --> 01:15:09,957
♪ When lightning strikes
We will stand or we will fall
Hold on, answer to the call ♪
881
01:15:10,088 --> 01:15:20,594
♪ When lightning strikes
We will pay the price and rise above it all ♪
882
01:15:22,033 --> 01:15:31,493
♪ When lightning strikes (×2) ♪
883
01:15:26,628 --> 01:15:29,541
NO! No! Stop! Pops!
884
01:15:37,508 --> 01:15:38,712
POPS!
885
01:15:42,037 --> 01:15:45,007
{Pops}! No! No!
886
01:15:45,623 --> 01:15:46,623
Marlowe!
887
01:15:47,949 --> 01:15:48,976
POPS!
888
01:15:50,343 --> 01:15:52,406
PHIL: No!
MARLOWE: NO!
889
01:15:52,544 --> 01:15:56,550
♪ Hold on, I know we'll find a way ♪
890
01:15:53,180 --> 01:15:57,685
PHIL: Marlowe!
MARLOWE: NO! POPS!
891
01:15:56,755 --> 01:16:08,439
♪ When lighting strikes
We will pay the price and rise above it all ♪
892
01:15:56,984 --> 01:16:04,690
[PHIL and MARLOWE screaming]
893
01:16:08,710 --> 01:16:22,961
♪ When lightning strikes (×5) ♪
894
01:16:22,501 --> 01:16:27,466
[crumbling wall falls on the music
like a ton of rocks]
895
01:16:34,442 --> 01:16:39,662
[crunch and groan]
896
01:17:13,840 --> 01:17:15,479
[desperate click of an empty gun]
897
01:17:27,962 --> 01:17:29,936
You haven't got the guts.
898
01:18:39,167 --> 01:18:40,565
Thanks.
[keys jangle]
899
01:18:58,733 --> 01:19:00,101
Jesus Christ.
900
01:19:13,807 --> 01:19:14,853
MARLOWE: Don't worry, pop.
901
01:19:23,591 --> 01:19:26,546
We got the keys back and nobody else
is ever gonna get 'em, either.
902
01:19:33,882 --> 01:19:46,035
[bittersweetly triumphal
synths and guitars]
903
01:19:47,495 --> 01:19:49,818
[HAMMER groans]
904
01:20:02,500 --> 01:20:04,190
Who are we, anyway?
905
01:20:05,903 --> 01:20:07,685
What happened all those years ago?
906
01:20:09,513 --> 01:20:11,158
Straight scoop, alright.
907
01:20:14,320 --> 01:20:15,918
What's the difference.
908
01:20:16,918 --> 01:20:18,804
The past is past.
909
01:20:21,805 --> 01:20:23,840
Get on with your life, kid.
910
01:20:34,912 --> 01:20:35,889
Thanks, pop.
911
01:20:51,549 --> 01:20:52,757
So long, pop.
912
01:20:54,596 --> 01:20:55,585
MARLOWE: So long.
913
01:21:13,096 --> 01:21:14,223
It's okay.
914
01:21:19,914 --> 01:21:25,617
[brighter melody struggles through]
915
01:21:26,123 --> 01:21:28,204
PHIL: When I saw all those
knuckleheads staring at us,
916
01:21:28,204 --> 01:21:30,630
I thought for a minute
we had another fight on our hands.
917
01:21:30,630 --> 01:21:33,206
I started to wonder
if saving this world had been worth it.
918
01:21:33,976 --> 01:21:35,092
Then I realised,
919
01:21:35,528 --> 01:21:37,483
they was probably
just like me and Marlowe,
920
01:21:37,483 --> 01:21:41,070
lookin' for a few high times,
and after what we'd been through,
921
01:21:41,070 --> 01:21:45,302
I figured Marlowe's silver lining
look on life was the only hope we had.
922
01:21:49,671 --> 01:21:50,912
Hey, partner.
923
01:21:52,729 --> 01:21:53,580
What.
924
01:21:57,317 --> 01:22:01,571
How about teachin' me them steps, huh.
Huh?
925
01:22:05,814 --> 01:22:06,952
What steps?
926
01:22:08,435 --> 01:22:13,897
You know,the Post-Nuke Shuffle?
Huh?
927
01:22:16,380 --> 01:22:18,231
– Really?
– Yeah, really.
928
01:22:20,059 --> 01:22:23,244
I figure it's time to lighten up
and enjoy the hand we was dealt.
929
01:22:25,509 --> 01:22:29,143
Good or bad, it's the only life we got.
930
01:22:37,685 --> 01:22:43,147
Ditto… ditto.
931
01:22:44,757 --> 01:22:49,218
So follow me out, partner,
'cause we are gonna do some dancin'.
932
01:23:14,294 --> 01:23:17,249
♪ It's a new beginning,
the fighting's over ♪
933
01:23:17,249 --> 01:23:21,009
♪ We made it, we're standing,
somehow we survived ♪
934
01:23:21,228 --> 01:23:24,447
♪ Gotta happy ending,
so let's celebrate ♪
935
01:23:24,447 --> 01:23:27,896
♪ By shakin' up, and makin' up
for lost time ♪
936
01:23:27,896 --> 01:23:31,380
♪ Some dickin' and dancin'
and nukin' the blues ♪
937
01:23:31,380 --> 01:23:34,818
♪ We're mondo bizarro,
we're happenin' dudes ♪
938
01:23:34,818 --> 01:23:37,600
♪ Come on,
just turn it loose, oh ♪
939
01:23:37,600 --> 01:23:41,096
♪ Zim bim zowie,
we're ready for action ♪
940
01:23:41,096 --> 01:23:44,545
♪ Zim bim zowie,
whoa-oh-oh-oh ♪
941
01:23:44,545 --> 01:23:48,006
♪ Zim bim zowie,
we're radioactive ♪
942
01:23:48,006 --> 01:23:51,455
♪ Zim bim zowie,
whoa-oh-oh-oh ♪
943
01:23:52,893 --> 01:23:56,629
♪ It's an open invitation
to everybody ♪
944
01:23:56,629 --> 01:24:00,113
♪ Now we're really rockin'
with one steady roll ♪
945
01:24:00,113 --> 01:24:03,574
♪ Bring your own mutations,
no-one gets turned away ♪
946
01:24:03,574 --> 01:24:06,805
♪ This is one party
where anything goes ♪
947
01:24:06,805 --> 01:24:10,254
♪ Remember the old days,
the 4th of July ♪
948
01:24:10,254 --> 01:24:13,715
♪ Ain't seen nothin' like it
since '85 ♪
949
01:24:13,715 --> 01:24:17,394
♪ We're mondo bizarro,
we're happenin' dudes ♪
950
01:24:17,394 --> 01:24:20,602
♪ Dickin' and dancin'
and nukin' the blues ♪
951
01:24:20,602 --> 01:24:23,419
♪ Come on,
we can't lose, oh ♪
952
01:24:23,419 --> 01:24:26,903
♪ Zim bim zowie [fading] ♪
953
01:24:27,075 --> 01:24:30,019
PHIL: So that was our first
day out in the post-nuke world.
954
01:24:30,881 --> 01:24:34,124
Me and Marlowe agreed
to go into business
after takin' a little time off.
955
01:24:34,779 --> 01:24:37,125
He went off lookin' for
a prettier dancin' partner, and…
956
01:24:37,561 --> 01:24:39,217
…and I went off
lookin' for Rusty.
957
01:24:39,907 --> 01:24:43,069
I figured, maybe
there was a chance for us.
958
01:24:43,506 --> 01:24:46,150
Oh, and about those keys.
959
01:24:46,507 --> 01:24:50,198
Well, don't worry,
I stashed 'em in a safe place
that only me and Marlowe knew about.
960
01:24:51,060 --> 01:24:52,773
Yeah, we coulda destroyed 'em, but,
961
01:24:53,336 --> 01:24:54,843
we figured, you never know:
962
01:24:55,705 --> 01:24:58,568
In a tight jam, a nuclear missile
just might come in handy.
963
01:25:10,399 --> 01:25:15,688
♪ We run against a sky of black and red ♪
964
01:25:17,206 --> 01:25:23,300
♪ Premonitions of tomorrow
Is there a future there for me ♪
965
01:25:24,748 --> 01:25:27,542
♪ It's been a long, lonely wait ♪
966
01:25:29,313 --> 01:25:38,787
♪ Now I can see your face
in everything I say and do today,
in my life (radioactive) ♪
967
01:25:38,787 --> 01:25:45,237
♪ I need a place
to lie my head (radioactive) ♪
968
01:25:45,237 --> 01:25:51,630
♪ I close my eyes,
but there's no rest (radioactive dreams) ♪
969
01:25:52,044 --> 01:26:00,702
♪ Get me out of this wasteland
of radioactive dreams ♪
970
01:26:05,657 --> 01:26:09,992
♪ I, I see the colours changing shape ♪
971
01:26:11,510 --> 01:26:17,960
♪ Sometimes I feel the darkness
But I know in time, there will be light ♪
972
01:26:18,535 --> 01:26:23,031
♪ Break down the walls that hold us in ♪
973
01:26:23,606 --> 01:26:30,619
♪ Well, my head is pounding stronger
Does anyone hear me when I call? ♪
974
01:26:30,619 --> 01:26:39,702
♪ I'm calling (radioactive)
I need a place to lie my head (radioactive) ♪
975
01:26:39,679 --> 01:26:46,049
♪ I close my eyes,
but there's no rest (radioactive dreams) ♪
976
01:26:46,509 --> 01:26:55,581
♪ Get me out of this wasteland
of radioactive dreams ♪
977
01:26:59,732 --> 01:27:07,930
[beat shifts menacingly]
978
01:27:17,358 --> 01:27:22,888
♪ We had warnings of
dark clouds forming ♪
979
01:27:23,647 --> 01:27:29,499
♪ Fear has brought me
to my knees ♪
980
01:27:31,270 --> 01:27:36,938
♪ Memories haunt me,
darkness wants me ♪
981
01:27:37,364 --> 01:27:41,319
♪ Someone wake me please ♪
982
01:27:41,664 --> 01:27:43,435
♪ It's a dream ♪
983
01:27:43,435 --> 01:27:46,597
♪ Nightmare
Like a child screaming ♪
984
01:27:46,597 --> 01:27:49,862
♪ Nightmare
They say he's only dreaming ♪
985
01:27:51,046 --> 01:27:54,208
♪ Is under the bed?
It is all in his head? ♪
986
01:27:56,105 --> 01:27:58,899
♪ Nightmare ♪
987
01:28:19,190 --> 01:29:20,796
[beat wanders mysteriously]
988
01:29:20,796 --> 01:29:43,176
[final sinister synths]
989
01:29:44,000 --> 01:29:45,125
Movie!
990
90:99:99,999 --> 90:99:99,999
I went with a pretty maximalist style for these subs/captions. Sorry if you were looking for just the bare lines.
991
90:99:99,999 --> 90:99:99,999
This was the first time I put together subs or captions of any kind, and it took forever and a day for a bunch of reasons (beyond inexperience):
1. I had to transcribe it myself because I couldn't find a script online.
2. There's slang from several decades of USAmerican subcultures.
3. Sound quality varies.
4. I didn't have any SRT-making tools (couldn't find any desktop apps for MacOS and the web apps I found were freemium or kinda bad), so I made this by writing in a text editor and getting timestamps from importing the MP4's audio into Audacity. Don't do this! It takes forever!!
Also, there's so much internally contradictory "best practices" for writing captions, god damn. The main problem I ran into: if a line of dialog's split over 2 lines of caption then the halves should be as even as possible, and also be split by linguistic wholes, AND by sentence flow. Unfortunately, things rarely align to let you succeed at all three.
992
90:99:99,999 --> 90:99:99,999
NOTES
First, formatting:
[SFX and instrumental music notes]
♪ music lyrics (backup vocals) ♪
♪ repeated lyrics (×2) ♪
voiceovers, flashbacks, etc.
{stuff I'm really not confident about, but had to put something in}
993
90:99:99,999 --> 90:99:99,999
Extra formatting stuff:
* When two people on-screen talk in the same caption, each line of dialogue starts with an en dash (–).
* Off-screen and voiceover dialogue starts with the name of the character speaking, in all-caps (e.g. PHIL, VOICE UPSTAIRS). Since this makes it clear who says what, I don't use en dashes in these cases.
* I ignored backup vocals in lyrics except where they were different from main vocals, e.g. in the song "Eat You Alive" the refrain is "Gonna eat (eat) you (you), eat you alive", but the backups don't add meaning so I ignored them.
994
90:99:99,999 --> 90:99:99,999
And some other notes:
-- Names:
* Phillip and Marlowe are named after the fictional detective Philip Marlowe (note the one "l", not two like this film's Phillip) created by the writer Raymond Chandler. When Phil gets annoyed with Marlowe when they're walking to Edge City, he seems to refer to the original Philip Marlowe when saying "Sure Marlowe wouldn't act this way", so I put the name in quotes. Finally, Phil refers to Philip Marlowe by full name in his monologue after escaping Miles, so I used the original's one-l spelling.
* "Dash Hammer" might be from detective fiction writer Dashiell Hammet. "Spade Chandler" might be from Hammet's detective Sam Spade, and plus Raymond Chandler (see above).
* Sternwood's name might refer to the man who hires Philip Marlowe in "The Big Sleep".
* Harold and Chester, the two disco mutants, feel like they might be references to characters, writers, or maybe musicians, e.g. "Chester" might be a reference to the detective fiction writer Chester Himes. I dunno.
* I couldn't find or think of any historical noir references in the other names (Rusty Mars, Miles Archer, Brick Bardo, etc.), but then I'm not super well-read in that area.
995
90:99:99,999 --> 90:99:99,999
-- Slang:
A few rarer or original bits and pieces:
* zim bim zowie: invented for this film, I think?
* foot truck: probably also invented for this film, but I might have to crowbar it into real life.
* Roscoe/rod: old slang for guns, specifically pistols. Phil and Marlowe use them to refer to a submachine gun and grenade launchers, but eh.
* chiro: took me a moment to find this, but basically it's (maybe regional) Latin American slang for a very poor person, a bum, someone with nothing to their name etc.
996
90:99:99,999 --> 90:99:99,999
-- Captioning:
* When the disco mutants run away after Phil and Marlowe take their guns, I think they mention Chandler and Hammer by name, but since the lines are indistinct and Phil and Marlowe are yelling, AND it feels too early in the film to clearly reveal that kinda thing, I covered it with "[drowned out by PHIL and MARLOWE yelling]".
* I'm not 100% sure what Phil says when he pisses off Sternwood. It sounds like "altuna", which I figure could be two things: a gurgled "at the tuner", a reference to piano keys; or "tuna", a pun on "tuner" from the first idea and also a food ref (because Sternwood keeps calling him Porky). I dunno.
* It sounds to me like Marlowe calls Brick Bardo "Bart", maybe a short form or mishearing of his surname.
* Marlowe mumbles a lot when he's hunting down the disco mutants and Phil. A lot of it's barely intelligible (I think intentionally), so I didn't write captions.
* Sometimes dialogue's duplicated to pad the soundscape, e.g. the dialogue between Chester and the kidnappers when Marlowe rescues Phil. I didn't include the duplicates for obvious reasons.
* There's a brief bit of song before Guilty Pleasures. I didn't add lyrics because it's not listed in the credits and could be confused for part of Guilty Pleasures.
80269
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