Original subtitles

( electric guitar plays )

( rock beat plays )

♪ USE DELUSION, WAIT, AND WHEN THE STARS FLY DOWN ♪

♪ CATCH A REAL SHINING, LOOK WHAT YOU WILL SEE... ♪

( yelling and groaning )

♪ IN THE WHIRLING WIND FROM NIGHT END ♪

♪ YOU WILL DRAW THE WORDS OF WISDOM YOU'LL NEED ♪

♪ PEACE ♪

♪ LOVE... ♪

( sirens wailing )

♪ THROUGH THE WORLD YOU'RE WHEELING ALL YOUR GAMES... ♪

Man: YOU'VE BEEN FOUND GUILTY OF MURDER IN THE FIRST DEGREE.

I AM SENTENCING YOU TO LIFE IN PRISON

WITHOUT THE POSSIBILITY OF PAROLE.

( screaming )

Nikita: I DIDN'T KILL ANYONE.

GOOD MORNING.

I'M NOT GOING TO HURT YOU.

WHAT IS THIS?

YOU'RE NOT IN PRISON ANYMORE.

THE WORLD THINKS YOU'RE DEAD.

SUICIDE.

THIS IS YOUR FUNERAL.

NO.

ROW EIGHT, PLOT 30.

MY MAMA DIDN'T COME?

WE'VE DECIDED TO GIVE YOU ANOTHER CHANCE.

THIS IS WHERE YOU'LL TRAIN.

THIS IS WHERE YOU'LL LEARN.

AFTER TWO YEARS, IF EVERYTHING GOES WELL

YOU'LL WORK FOR US.

WHY ME?

A WOMAN WITH YOUR LOOKS WHO CAN KILL IN COLD BLOOD.

( crying ): I DIDN'T.

I DIDN'T.

I DIDN'T KILL ANYONE!

( keys jangling )

WHEN YOU ATTACK SOMEONE FROM BEHIND

GO FOR THE KIDNEYS.

IT DISABLES AND THEY CAN'T FIGHT BACK.

CONSIDER THAT YOUR FIRST LESSON.

I DON'T WANT THEM.

I DON'T WANT LESSONS!

WE START TOMORROW MORNING 5:00 A.M.

AND IF I DON'T WANT TO?

ROW EIGHT, PLOT 30.

Captioning sponsored by WARNER BROS.

Woman: CHERCHEZ LA FEMME.

CHERCHEZ LA FEMME.

DANS LA NUIT, DANS LA NUIT.

WHERE AM I GOING?

TO MEET YOUR NEW MOTHER.

SO WHO ARE YOU...?

MY FATHER?

WAIT HERE.

THEY SEEM TO THINK YOU HAVE POTENTIAL.

WHO'S "THEY"?

WHO ARE YOU?

I'M MADELINE.

"THEY" ARE SECTION ONE.

THEY OWN YOU NOW.

I DIDN'T KNOW I WAS FOR SALE.

PLEASE, SIT DOWN.

IF YOU WANT TO LIVE, IT HAS TO BE ON THEIR TERMS.

SO PLEASE, DO SIT DOWN.

LOOK AT YOURSELF.

ADMIRE YOURSELF.

SEE YOUR BEAUTY.

YOU CAN LEARN TO SHOOT, YOU CAN LEARN TO FIGHT

BUT THERE'S NO WEAPON AS POWERFUL

AS YOUR FEMININITY.

WE'RE FAMILY NOW, NIKITA.

♪ SHE DON'T SEE HIS ROVING EYE ♪

♪ IT NEVER ROVES WHEN IT'S ON HER ♪

♪ HER FRIENDS ALL LOOK THE OTHER WAY ♪

♪ AND GET TOGETHER TO CONFER ♪

♪ SOMEDAY HE MIGHT SPIN AROUND TO FIND HIS ONLY ONE ♪

♪ I TIGHTENED ALL THE KNOTS TILL THEY WERE STRONG ♪

♪ AND GAVE AWAY THE HEART WHERE I BELONG ♪

♪ I TIGHTENED ALL THE KNOTS TILL THEY WERE STRONG ♪

♪ I WISH THEY WOULD BREAK ♪

♪ SHE DON'T NOTICE THAT HE GREETS ♪

♪ SOME OBJECTS LIKE THEY HAVE NO END... ♪

YOU'RE LATE.

THE TRAINING WENT LONG.

TAKE A LOOK AT THIS.

VAN VACTOR.

HE'S BROKERING AN ALLIANCE

BETWEEN MULTIPLE ANTI-WESTERN TERRORIST GROUPS--

SHINING PATH, HEZBOLLAH

EVERYONE FROM THE MIDDLE EAST

TO THE FAR EAST.

THAT DOESN'T MAKE SENSE.

HALF OF THEM ARE ENEMIES TO EACH OTHER.

BUT THEIR BIGGEST ENEMY IS US.

HE'S COMING HERE TO PUT AN OPERATION IN PLACE.

DO WE KNOW THE WHEN AND WHERE?

NO, BUT WE THINK THERE'S AN ITINERARY DOWNLOADED

ONTO A P.D.A.

WALTER'S ON IT.

HE'LL UPDATE YOU.

MICHAEL, ABOUT NIKITA...

WHAT ABOUT HER?

I'VE BEEN WATCHING HER.

SHE LACKS DISCIPLINE.

SHE NEEDS A LITTLE MORE TIME.

IT'S BEEN TWO YEARS.

THAT'S OUR POLICY.

IF WE START MAKING EXCEPTIONS

WE'RE NO BETTER THAN THE C.I.A.

CANCEL HER.

I THINK THAT WOULD BE A MISTAKE.

IT WOULD BE A MISTAKE TO BECOME EMOTIONALLY ATTACHED

TO THE MATERIAL.

IT HAS NOTHING TO DO WITH THAT.

I THINK SHE COULD BE A GOOD OPERATIVE.

IF SHE FAILS, YOU FAIL.

THAT'S IT.

VERY GOOD.

HOW'S IT GOING?

YOU TELL ME.

HAVE MADELINE GET SOMETHING NICE FOR YOU TO WEAR.

WE'RE GOING OUT.

WHAT DO YOU MEAN, "GOING OUT"?

DINNER. TONIGHT.

WHY?

YOU'VE EARNED IT.

THAT'S IT.

MUCH MORE FOCUS.

( piano dinner music playing )

MADELINE TAUGHT YOU WELL.

( chuckles )

IT'S HARD TO BELIEVE I'M HERE.

WHERE SHOULD YOU BE?

I DON'T KNOW.

IT'S JUST THAT I LIVED ON THE STREETS FOR SO LONG.

WHY DID YOU RUN AWAY?

I DIDN'T.

MY MOTHER PREFERRED HER NEW BOYFRIEND...

AND HE DIDN'T LIKE ME.

SO SHE TOLD ME TO GET OUT.

( chuckles )

I'M SORRY.

DON'T BE.

I NEVER WAS.

YOU'VE COME A LONG WAY

NIKITA.

I...

FEEL...

( chuckling )

WHAT? SAY IT.

HAPPY.

REALLY?

THE BLONDE-HAIRED MAN SITTING BEHIND ME

HAS A P.D.A. IN HIS BRIEFCASE.

GET IT.

HOW?

WHEN YOU GET THE UNIT

DON'T LEAVE THROUGH THE FRONT.

THERE'S A WINDOW IN THE LADIES ROOM.

USE THAT.

IT LEADS TO AN ALLEY.

THE CAR WILL BE WAITING.

I-I THOUGHT WE WERE...

IF YOU'RE NOT OUT OF THERE IN FIVE MINUTES

THE CAR WILL LEAVE WITHOUT YOU.

I CAN'T DO THIS.

FIVE MINUTES.

IF YOU DON'T MIND...

WAIT TILL I LEAVE.

MICHAEL...

OPEN IT!

I'VE GOT MY MEN EVERYWHERE.

YOU'LL BE DEAD IN A MATTER OF SECONDS.

( sirens approaching )

YOU KNEW?

WE HAD TO SEE IF YOU COULD IMPROVISE.

DID YOU GET THE P.D.A.?

WHY DIDN'T YOU TELL ME...

THIS WAS A JOB...

INSTEAD OF PRETENDING?

NO MATTER WHAT STATE OF MIND

YOU'RE IN, YOU HAVE TO BE ABLE TO PERFORM.

YOU'RE SICK.

YOU DON'T WANT A PERSON.

YOU WANT A MACHINE.

I CAN'T DO THAT.

YOU JUST DID.

LET'S GO.

WHAT'S THIS PLACE?

YOU'LL SEE.

NO, NOT UNTIL YOU TELL ME WHAT WE'RE DOING HERE.

NIKITA, PLEASE.

YOU LIVE HERE?

NO. YOU DO.

IT'S YOURS.

MINE?

I HOPE YOU LIKE IT.

WHAT DO YOU MEAN...

MINE?

EVERYTHING YOU NEED IS IN THERE--

I.D., DRIVER'S LICENSE, CREDIT CARDS.

TELL NO ONE WHO YOU ARE

OR WHAT YOU DO.

ANYONE ASKS, YOU'RE BETWEEN JOBS

AND TAKING SOME TIME TO FIGURE THINGS OUT.

YOUR CODE NAME IS JOSEPHINE.

WHAT DO I DO NOW?

WAIT.

HOW LONG?

DEPENDS.

COULD BE A DAY

COULD BE A MONTH.

GOOD-BYE.

( rhythm and blues music playing )

♪ ALL RIGHT ♪

♪ MM-HMM ♪

♪ I HOPE I CAN DO THIS ♪

♪ I'D START WITH THE BOYS THAT HANG AT THE PIER ♪

♪ LIKE BATS IN THE NIGHT, GET TANGLED IN YOUR HAIR ♪

♪ I'D TAKE AWAY THE WEEKEND SHORE LEAVE LOVERS ♪

♪ THAT FLOOD THE PORTS WITH DRUNKEN TALES OF FAR AWAY ♪

♪ I'D TAKE AWAY THE EIFFEL TOWER ♪

♪ I'D TAKE AWAY THE PORT OF SPAIN ♪

♪ I TAKE YOUR YELLOW COAT ♪

♪ NO MORE ROMANTIC WALKS IN THE POURING RAIN ♪

♪ THEN I'D MAKE WASHBOARD, WIND-BLOWN, SEA-SIDE ♪

♪ SERENADING, PREP SCHOOL BOYS DISAPPEAR ♪

♪ THAT FLOCK IN THE SUMMER LIKE GULLS TO THE BEACH... ♪

( knocking on door )

( volume decreases )

( knocking )

♪ ...THAT MAKE YOU LOOK AWAY FROM ME... ♪

( knocking )

♪ THEN I'D HAVE YOU ALL ♪

♪ TO MYSELF ♪

♪ DOO-DA, DOO-UN-DOO ♪

♪ YEAH ♪

♪ AH ♪

♪ ALL RIGHT ♪

♪ I'D TAKE AWAY THE GUY WITH THE MONKEY-WRENCH SMILE... ♪

( knocking )

♪ ...LIKE A CORNER-STORE CROOK ON A PRISON BREAK ♪

♪ OR A PORNO QUEEN IN A PARTY CAKE ♪

♪ I'D TAKE AWAY THE SPANISH STEPS ♪

♪ I'D TAKE AWAY THE GOLDEN GATE ♪

♪ I'D TAKE AWAY EVERYTHING ♪

♪ OH, JUST TO HAVE YOU ALL... ♪

♪ TO MYSELF ♪

♪ DOO-DA, DOO-UN-DOO... ♪

HEY... HI.

UM... I'M CARLA.

I LIVE ACROSS THE HALL.

WELCOME TO THE BUILDING.

IT'S A...

IT'S A COFFEE PLANT.

WHO SENT YOU?

WHO... SENT ME?

UM...

LISTEN, IF, UH...

IF THIS IS A BAD TIME FOR YOU, I CAN...

I CAN ALWAYS COME BACK LATER.

IT'S...

CARLA?

HI.

I'M NIKITA.

HEY.

UH, YOU WANT TO COME IN?

YOU SURE?

YEAH.

OKAY.

GREAT.

I'M A CARPENTER.

MY MOTHER STILL HASN'T QUITE RECOVERED

FROM THE SHOCK OF IT ALL YET.

WHENEVER ANYONE ASKS HER WHAT I DO, SHE TELLS THEM

I'M AN INTERIOR DESIGNER.

AT LEAST, YOU LIKE WHAT YOU'RE DOING.

YEAH. EVER SINCE I WAS A KID, I WANTED TO BUILD STUFF.

SO WHAT DO YOU DO?

I'M... I'M BETWEEN JOBS...

AT THE MOMENT.

WHAT DO YOU WANT TO DO?

I DON'T KNOW.

HMM, WELL... YOU'LL FIGURE IT OUT.

( phone rings )

YOU WANT TO GO GET SOMETHING TO EAT?

YEAH, SURE.

I KNOW THIS GREAT BURGER JOINT.

( phone rings )

HELLO?

MICHAEL: Josephine...

TAKE OFF YOUR CLOTHES.

OKAY, THIS OPENS LIKE A NORMAL LIPSTICK.

THIS... IS YOUR EXPLOSIVE RIGHT HERE.

YOU JAM IT INTO THE DOOR

AND THEN, YOU ARM IT RIGHT HERE.

( beeping )

YEAH.

Michael: OKAY, TARGET'S NAME

IS GIDEON VAN VACTOR.

HE'S IN SUITE 2105 WITH HIS MISTRESS.

WE HAVE A 30-MINUTE WINDOW.

SHE'S EXPENDABLE; HE'S NOT.

TAKE HIM ALIVE.

TEAM ONE, YOU'LL BE THE COOLERS ON THIS ONE.

STAY IN POSITION AS LONG AS POSSIBLE.

IF YOU HAVE TO BREAK, TWO PULSES.

TEAM TWO, YOU'LL BE WORKING THE RIM.

OKAY, ONE MORE THING:

WE DON'T KNOW WHERE ALL HIS PEOPLE ARE.

BE PREPARED FOR ANYTHING.

( beeping )

I NEED HER NOW.

THIS IS YOUR COMM SET.

REMEMBER-- TRY AND KEEP YOUR HEAD STILL.

Team one in position.

JUST TWO MORE ON THE LEFT.

The control key is confirmed.

She has access to the room.

HOUSEKEEPING.

NOW WHAT?

PUT THE PLASTIQUE ON THE DOOR...

and remember-- be quiet.

He's in the next room.

ON TWO...

Jo, someone's coming in.

WHO ARE YOU?

HEY. HEY, EASY.

Please, I'm just the bellhop.

SHOOT HIM.

WHAT ARE YOU DOING IN THIS ROOM?

HE'S ONE OF THEM. SHOOT HIM.

SHOOT HIM NOW.

NOW, NIKITA! NOW!

( high-pitched hum )

( grunts )

EVERYONE ABORT!

GET YOUR TEAMS OFF THE PERIMETER! NOW!

Let's move! Let's move!

GET UP.

STAND!

SECTION ONE...

IS THE MOST CLANDESTINE ORGANIZATION

ON THE PLANET.

IT'S OUR JOB...

TO BRING DOWN THE CRIMINALS AND TERRORISTS

THAT NO ONE ELSE CAN GET.

I CAN'T DO WHAT YOU WANT ME TO DO.

MISTAKES ARE NOT AN OPTION.

I CAN'T PULL THE TRIGGER.

WHY NOT?

BECAUSE I'M NOT WHO YOU THINK I AM.

I'M NOT A KILLER.

THE MOMENT I BELIEVE THAT, NIKITA...

YOU'RE CANCELED.

( beeping )

GOT SOMETHING.

WHAT IS IT?

IT'S VAN VACTOR.

HE'S ON HIS WAY TO THE AIRPORT.

ALL RIGHT, FIND AN INTERSECTING POINT.

START SEQUENCING.

WHAT'S GOING ON?

LOOKS LIKE

A CAR ACCIDENT.

( siren wailing )

( short siren blasts )

( person groaning )

( groaning )

IT'S A TRAP!

( gunfire )

( automatic weapons fire )

♪ NEVER THOUGHT WE'D SEE THE LIGHT ♪

♪ I JUST WANT TO BE ALONE ♪

♪ BROKEN, SHATTERED SPLINTERED LIGHT ♪

♪ I JUST WANNA BE BACK HOME ♪

♪ STICKERS PLASTERED ON THE ROOF... ♪

HE'S RUNNING!

TEAM TWO AND THREE, NEUTRALIZE THE AREA.

TEAM ONE, PURSUE.

♪ ...BIT OFF MORE THAN YOU COULD CHEW ♪

♪ I BIT OFF MORE THAN I COULD CHEW ♪

♪ TOOK YOU DOWNTOWN I KNOW ♪

♪ THERE ARE SOME THINGS I WISH I NEVER KNEW... ♪

( whispering ): STAN.

DAMN IT.

WE'VE LOST TEAM ONE.

( whispering ): MICHAEL?

THEY DON'T WORK DOWN HERE.

( groaning )

IN HERE.

PIN HIM.

WHY DON'T I KNOW YOU?

YOU SEE, I MAKE A POINT OF KNOWING MY ENEMIES

OF WHICH I HAVE MANY.

YOU'RE LOVELY.

YES, I DEFINITELY WOULD REMEMBER THOSE EYES.

( gunshot )

( screaming )

OKAY, SHOULD WE END THIS MISERY?

LET'S PROLONG THE ENTERTAINMENT.

( gunshot )

( Stan screams )

HE'S A FRIEND OF YOURS, ISN'T HE?

GO TO HELL.

LET'S TRY SOMETHING DIFFERENT.

WHERE DO YOU COME FROM?!

( gunshot )

( grunting )

YOU OKAY?

ALL RIGHT, LET'S GO.

♪ FILL THE CUP FULL OF BLOOD RED... ♪

♪ BLOOD RED ♪

♪ BLOOD RED ♪

♪ FATAL OVERDOSE AGAIN ♪

♪ AGAIN ♪

♪ EVERY LABORED... ♪

♪ BREATH IS NOW CROWDED OUT BY... ♪

♪ PAIN AND THE... ♪

♪ DOWNPOUR ON THE WIND... ♪

( phone ringing )

♪ ...SHIELD ♪

♪ HITS LIKE... ♪

( phone ringing )

MICHAEL: Josephine.

Captioning sponsored by WARNER BROS.

Woman: CHERCHEZ LA FEMME.

CHERCHEZ LA FEMME.

DANS LA NUIT, DANS LA NUIT.