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These are the user uploaded subtitles that are being translated: 1 00:00:01,305 --> 00:00:02,263 . 2 00:00:02,306 --> 00:00:05,179 male narrator: IN THE CRIMINAL JUSTICE SYSTEM, 3 00:00:05,222 --> 00:00:07,311 SEXUALLY-BASED OFFENSES ARE CONSIDERED ESPECIALLY HEINOUS. 4 00:00:07,355 --> 00:00:09,487 IN NEW YORK CITY, THE DEDICATED DETECTIVES 5 00:00:09,531 --> 00:00:11,446 WHO INVESTIGATE THESE VICIOUS FELONIES 6 00:00:11,489 --> 00:00:12,838 ARE MEMBERS OF AN ELITE SQUAD 7 00:00:12,882 --> 00:00:14,971 KNOWN AS THE SPECIAL VICTIMS UNIT. 8 00:00:15,015 --> 00:00:17,408 THESE ARE THEIR STORIES. 9 00:00:18,496 --> 00:00:21,412 [Never Tear Us Apart] 10 00:00:21,456 --> 00:00:29,507 ♪ 11 00:00:33,294 --> 00:00:37,211 - ♪ DON'T ASK ME 12 00:00:37,254 --> 00:00:40,649 ♪ WHAT YOU KNOW IS TRUE 13 00:00:40,692 --> 00:00:45,132 ♪ DON'T HAVE TO TELL YOU 14 00:00:45,175 --> 00:00:48,700 ♪ I LOVE YOUR PRECIOUS HEART 15 00:00:48,744 --> 00:00:52,139 ♪ I 16 00:00:52,182 --> 00:00:55,881 ♪ I WAS STANDING 17 00:00:55,925 --> 00:00:59,059 ♪ YOU WERE THERE 18 00:00:59,102 --> 00:01:02,540 ♪ TWO WORLDS COLLIDED 19 00:01:02,584 --> 00:01:07,850 ♪ AND THEY COULD NEVER TEAR US APART ♪ 20 00:01:17,207 --> 00:01:21,211 ♪ WE COULD LIVE 21 00:01:21,255 --> 00:01:24,606 ♪ FOR A THOUSAND YEARS 22 00:01:24,649 --> 00:01:27,174 ♪ BUT IF I HURT YOU 23 00:01:27,217 --> 00:01:28,740 [car alarm blips] 24 00:01:28,784 --> 00:01:32,744 ♪ I'D MAKE WINE FROM YOUR TEARS ♪ 25 00:01:32,788 --> 00:01:36,139 ♪ I TOLD YOU 26 00:01:36,183 --> 00:01:39,708 ♪ IF WE COULD FLY 27 00:01:39,751 --> 00:01:44,016 ♪ 'CAUSE WE ALL HAVE WINGS 28 00:01:44,060 --> 00:01:48,108 ♪ BUT SOME OF US DON'T KNOW WHY ♪ 29 00:01:51,198 --> 00:01:54,766 ♪ I WAS STANDING 30 00:01:54,810 --> 00:01:56,159 ♪ YOU WERE THERE 31 00:01:56,203 --> 00:01:58,205 [phone ringing] 32 00:01:58,248 --> 00:02:01,817 ♪ TWO WORLDS COLLIDED 33 00:02:01,860 --> 00:02:03,384 ♪ AND THEY COULD NEVER 34 00:02:03,427 --> 00:02:04,559 - MORNING, SUNSHINE. 35 00:02:04,602 --> 00:02:06,561 - ♪ EVER - I MISSED YOU. 36 00:02:06,604 --> 00:02:10,391 - ♪ EVER TEAR US APART 37 00:02:17,267 --> 00:02:20,227 [dramatic music] 38 00:02:20,270 --> 00:02:28,278 ♪ 39 00:03:04,140 --> 00:03:05,097 . 40 00:03:05,141 --> 00:03:07,709 - OKAY, EVERYBODY, LISTEN UP. HERE'S WHAT WE HAVE SO FAR. 41 00:03:07,752 --> 00:03:09,624 AT APPROXIMATELY 10:45 LAST NIGHT, 42 00:03:09,667 --> 00:03:12,453 WILLIAM LEWIS, COMPLAINING OF CHEST PAINS, 43 00:03:12,496 --> 00:03:15,456 WAS TRANSFERRED FROM RIKERS TO BELLEVUE PRISON WARD 44 00:03:15,499 --> 00:03:17,980 WHERE ALL ATTEMPTS TO RESUSCITATE HIM FAILED. 45 00:03:18,023 --> 00:03:20,504 - TEN MINUTES AFTER BEING PRONOUNCED DEAD 46 00:03:20,548 --> 00:03:22,463 HE SUDDENLY CAME BACK TO LIFE ON THE GURNEY, 47 00:03:22,506 --> 00:03:24,900 AND HE WAS HELD OVERNIGHT FOR OBSERVATION. 48 00:03:24,943 --> 00:03:27,076 AT SOME POINT LEWIS APPARENTLY CONVINCES 49 00:03:27,119 --> 00:03:30,253 THE D.O.C. OFFICER THERE TO UNCUFF HIM. 50 00:03:30,297 --> 00:03:32,342 HE THEN SNAPS THE OFFICER'S NECK. 51 00:03:32,386 --> 00:03:35,737 LEWIS WAS DISCOVERED MISSING AT 8:45 THIS MORNING. 52 00:03:35,780 --> 00:03:37,304 - BUT HOW'D HE GET OUT OF THAT WARD? 53 00:03:37,347 --> 00:03:39,262 - STILL DON'T KNOW. 54 00:03:39,306 --> 00:03:43,440 THIS NURSE WAS FOUND RAPED, HANGING IN THE CLOSET. 55 00:03:43,484 --> 00:03:45,573 STILL HASN'T REGAINED CONSCIOUSNESS. 56 00:03:45,616 --> 00:03:47,966 HER CELL PHONE, PURSE, CAR KEYS--ALL MISSING. 57 00:03:48,010 --> 00:03:49,620 WE HAVE AN ALERT OUT ON HER VEHICLE. 58 00:03:49,664 --> 00:03:52,623 - WHICH IS A WHITE CAMRY, NEW YORK PLATES. N-S-- 59 00:03:52,667 --> 00:03:54,451 - DON'T EVEN BOTHER. 60 00:03:54,495 --> 00:03:56,366 HE'LL DITCH IT BEFORE HE ESCAPES MANHATTAN. 61 00:03:56,410 --> 00:03:57,585 - HE MAY NOT BE LEAVING MANHATTAN. 62 00:03:57,628 --> 00:03:58,673 - WHY WOULD YOU SAY THAT? 63 00:03:58,716 --> 00:03:59,543 - BECAUSE HE CALLED ME THIS MORNING 64 00:03:59,587 --> 00:04:01,415 FROM THE NURSE'S CELL PHONE. 65 00:04:01,458 --> 00:04:02,677 HE SAID THAT HE MISSES ME. 66 00:04:02,720 --> 00:04:04,853 - WHICH IS PRECISELY WHY I'VE BEEN ORDERED 67 00:04:04,896 --> 00:04:06,376 TO TAKE COMMAND OF THIS UNIT. 68 00:04:06,420 --> 00:04:08,248 - EXCUSE ME? - LIEUTENANT MURPHY? 69 00:04:08,291 --> 00:04:10,337 - SERGEANT BENSON. WE'VE SPOKEN ON THE PHONE. 70 00:04:10,380 --> 00:04:11,816 - YES, WE HAVE. WHAT ARE YOU DOING HERE? 71 00:04:11,860 --> 00:04:13,209 - ONE PP DIDN'T CALL? - NO, THEY DIDN'T. 72 00:04:13,253 --> 00:04:14,428 - THAT'S CLASSIC. 73 00:04:14,471 --> 00:04:16,386 YOU CAN'T BE IN CHARGE OF A MANHUNT 74 00:04:16,430 --> 00:04:17,735 WHEN YOU'RE THE TARGET OF THE MAN YOU ARE HUNTING. 75 00:04:17,779 --> 00:04:19,389 - I KNOW WILLIAM LEWIS BETTER THAN ANYONE. 76 00:04:19,433 --> 00:04:21,391 - AND I'LL BE RELYING ON THAT. 77 00:04:21,435 --> 00:04:23,088 HE IS OUR SUSPECT, AND THIS IS MY UNIT. 78 00:04:23,132 --> 00:04:24,786 - NO LONGER. 79 00:04:24,829 --> 00:04:26,962 AS OF THIS MOMENT I AM ACTING COMMANDING OFFICER OF SVU. 80 00:04:27,005 --> 00:04:28,616 WE'RE IN THIS TOGETHER. 81 00:04:28,659 --> 00:04:30,008 HE'S BEEN OUT THREE, MAYBE FOUR HOURS. 82 00:04:30,052 --> 00:04:31,532 HE'S ALREADY KILLED A BROTHER OFFICER 83 00:04:31,575 --> 00:04:32,576 AND RAPED AGAIN. 84 00:04:32,620 --> 00:04:33,969 THE DEPARTMENT'S ON ALERT, 85 00:04:34,012 --> 00:04:35,579 BUT YOU KNOW HIS PATTERNS. 86 00:04:35,623 --> 00:04:37,320 WE'LL SEE THIS THROUGH TO HIS CAPTURE. 87 00:04:37,364 --> 00:04:39,235 ROLLINS, I'LL NEED A BREAKDOWN OF HIS KNOWN ASSOCIATES, 88 00:04:39,279 --> 00:04:41,063 HIS PROFILE, PRISON CONTACTS. 89 00:04:41,106 --> 00:04:42,934 ANYTHING AND EVERYTHING. - WE'VE ALREADY STARTED ON THAT. 90 00:04:42,978 --> 00:04:44,327 - THEN FINISH IT. 91 00:04:44,371 --> 00:04:45,589 - ACTUALLY I WAS JUST ABOUT 92 00:04:45,633 --> 00:04:47,374 TO HAVE FIN AND ROLLINS GO TO RIKERS. 93 00:04:47,417 --> 00:04:48,940 I WAS GONNA GO TO BELLEVUE. - YOU'RE NOT GOING ANYWHERE. 94 00:04:48,984 --> 00:04:51,595 - WITH MY PARTNER NICK AMARO. 95 00:04:51,639 --> 00:04:53,815 - NO, WE'VE MET. - YES, WE HAVE. 96 00:04:53,858 --> 00:04:56,121 AMARO CAN GO TO BELLEVUE WITH ROLLINS. 97 00:04:56,165 --> 00:04:57,514 FIN, IS IT? 98 00:04:57,558 --> 00:04:58,733 GO TO RIKERS. 99 00:04:58,776 --> 00:05:00,517 YOU'RE TO STAY HERE OR A HOTEL. 100 00:05:00,561 --> 00:05:02,650 INTELLIGENCE WILL PROVIDE 24-HOUR PROTECTION 101 00:05:02,693 --> 00:05:04,086 UNTIL LEWIS IS APPREHENDED. 102 00:05:04,129 --> 00:05:05,522 - I DON'T NEED PROTECTION. 103 00:05:05,566 --> 00:05:06,697 - IT'S NOT YOUR DECISION. 104 00:05:06,741 --> 00:05:08,264 IS THAT THE CAPTAIN'S OFFICE? 105 00:05:08,308 --> 00:05:11,136 I'LL BE NEEDING IT. 106 00:05:16,054 --> 00:05:17,360 - THIS CONVERSATION YOU HAD WITH LEWIS, 107 00:05:17,404 --> 00:05:19,057 HE SAY ANYTHING ELSE? - NO. 108 00:05:19,101 --> 00:05:20,711 HE WAS REALLY PRONOUNCED DEAD. 109 00:05:20,755 --> 00:05:23,018 - HE ROSE LIKE LAZARUS. 110 00:05:23,061 --> 00:05:24,976 - LOOK, THIS IS, UH, TEMPORARY, RIGHT? 111 00:05:25,020 --> 00:05:27,239 - EVERYTHING IS, INCLUDING YOUR COMMAND HERE. 112 00:05:27,283 --> 00:05:29,503 YOU KNEW SOMEONE WOULD COME IN EVENTUALLY. 113 00:05:29,546 --> 00:05:30,808 - CAN I GET MY MESSAGES? 114 00:05:30,852 --> 00:05:32,419 - THIS IS YOUR PROTECTIVE DETAIL. 115 00:05:32,462 --> 00:05:33,376 - SERGEANT. 116 00:05:33,420 --> 00:05:35,247 - I'M DETECTIVE DELANO. 117 00:05:35,291 --> 00:05:38,163 THIS IS DETECTIVE CARLSON. YOU'RE OUR PRINCIPAL. 118 00:05:38,207 --> 00:05:40,862 - WE'RE YOUR NEW BEST FRIENDS, SHADOWING YOU 24-7. 119 00:05:40,905 --> 00:05:43,647 - YEAH. JUST FOR THE RECORD I DIDN'T REQUEST THIS. 120 00:05:43,691 --> 00:05:46,346 - WON'T LAST LONG. WE'RE GONNA GET THIS GUY. 121 00:05:49,523 --> 00:05:51,612 - HIS HEART STOPPED, 122 00:05:51,655 --> 00:05:54,005 AND WE DID CPR FOR ABOUT 15 MINUTES. 123 00:05:54,049 --> 00:05:55,529 I PRONOUNCED HIM DEAD. 124 00:05:55,572 --> 00:05:57,444 TWO MINUTES LATER HE AUTO-RESUSCITATES. 125 00:05:57,487 --> 00:05:59,402 UH, THEY CALL IT THE LAZARUS EFFECT. 126 00:05:59,446 --> 00:06:01,012 - HE DID HAVE A HEART ATTACK THOUGH? 127 00:06:01,056 --> 00:06:02,492 - THAT'S WHAT WE THOUGHT AT FIRST. 128 00:06:02,536 --> 00:06:03,580 [sighs] 129 00:06:03,624 --> 00:06:05,408 BUT THEN I GOT HIS TOXICOLOGY BACK. 130 00:06:05,452 --> 00:06:06,714 THE GUY SHOULD STILL BE DEAD. 131 00:06:06,757 --> 00:06:08,498 HE HAD, LIKE... THREE GRAMS OF PROPRANOLOL 132 00:06:08,542 --> 00:06:10,239 IN HIS SYSTEM. 133 00:06:10,282 --> 00:06:12,589 IT'S, LIKE, 150 TIMES THE THERAPEUTIC DOSE. 134 00:06:12,633 --> 00:06:15,418 - GOOD WAY TO GET YOURSELF TRANSFERRED OUT OF RIKERS. 135 00:06:15,462 --> 00:06:17,594 - HE STARTED SHAKING, SWEATING. 136 00:06:17,638 --> 00:06:19,727 THEN HE JUST DROPPED, GRABBING HIS CHEST. 137 00:06:19,770 --> 00:06:22,425 - YOU GET HIM THE DRUGS? - ME? NAH. 138 00:06:22,469 --> 00:06:25,385 - COME ON, YOU'RE HEAD OF BX9. YOU GOT ACCESS. 139 00:06:25,428 --> 00:06:26,908 MY SERGEANT PUT YOU AWAY. 140 00:06:26,951 --> 00:06:28,562 YOU SURE YOU AND LEWIS DIDN'T BOND OVER THAT? 141 00:06:28,605 --> 00:06:30,520 - YOU CAN'T PIN THIS ON ME. ASK ANYBODY. 142 00:06:30,564 --> 00:06:33,567 LEWIS WAS A MONK IN HERE. 143 00:06:33,610 --> 00:06:35,569 - WHAT'S THAT? 144 00:06:35,612 --> 00:06:37,875 INMATES CAN GET FOOD FROM THE OUTSIDE IN HERE? 145 00:06:37,919 --> 00:06:39,529 - WHERE'D THESE COME FROM, CARLOS? 146 00:06:39,573 --> 00:06:42,663 - I GOT NO IDEA. 147 00:06:42,706 --> 00:06:45,753 - OH, MY GOD, WILLIAM ESCAPED FROM THE HOSPITAL? 148 00:06:45,796 --> 00:06:47,581 HE'S NOT HERE. - HAVE YOU HEARD FROM HIM? 149 00:06:47,624 --> 00:06:49,017 - NO. I SWEAR. 150 00:06:49,060 --> 00:06:50,888 - BUT YOU DID GO VISIT HIM YESTERDAY. 151 00:06:50,932 --> 00:06:52,542 - I VISIT HIM EVERY DAY. 152 00:06:52,586 --> 00:06:54,283 - BRINGING HIM SPIKED CUPCAKES. 153 00:06:54,326 --> 00:06:56,024 - I JUST WANTED HIM TO FEEL BETTER. 154 00:06:56,067 --> 00:06:57,547 HE'S BEEN HAVING ANXIETY ATTACKS. 155 00:06:57,591 --> 00:07:00,071 HE COULDN'T EAT OR SLEEP. 156 00:07:00,115 --> 00:07:02,465 HE WAS WRONGLY CONVICTED. HE'S BEEN SUFFERING. 157 00:07:02,509 --> 00:07:03,684 - WHERE'D YOU GET THE DRUGS? 158 00:07:03,727 --> 00:07:06,469 - THEY'RE LEGAL. I HAVE A PRESCRIPTION. 159 00:07:06,513 --> 00:07:10,038 I GET STAGE FRIGHT DURING MY MANDOLIN AUDITIONS. 160 00:07:12,867 --> 00:07:14,477 - THERE! THAT'S LEWIS. 161 00:07:14,521 --> 00:07:16,218 - HE JUST GRABS SOME SCRUBS AND WALKS OUT? 162 00:07:16,261 --> 00:07:17,785 NOBODY'S EVEN PAYING ATTENTION. 163 00:07:17,828 --> 00:07:20,483 - MONDAY MORNING SHIFT CHANGE. THIS PLACE IS A MESS. 164 00:07:20,527 --> 00:07:21,963 - AND LEWIS KNOWS THAT, HE'S BEEN HERE BEFORE. 165 00:07:22,006 --> 00:07:23,573 - WHO SIGNED OFF ON THE TRANSFER 166 00:07:23,617 --> 00:07:24,618 FROM RIKERS TO BELLEVUE? 167 00:07:24,661 --> 00:07:26,184 - DR. JANICE COLE. 168 00:07:26,228 --> 00:07:28,099 SHE CALLED IN SICK TODAY. 169 00:07:28,143 --> 00:07:30,580 WE'VE BEEN TRYING TO REACH HER. SHE'S NOT ANSWERING HER PHONE. 170 00:07:30,624 --> 00:07:33,583 [dramatic music] 171 00:07:33,627 --> 00:07:35,498 - IS THIS THE NURSE'S CAR? 172 00:07:35,542 --> 00:07:36,847 - YEAH, HE SWITCHED THE PLATE, BUT THE VIN NUMBERS MATCH. 173 00:07:36,891 --> 00:07:39,023 - CLEAN, NOTHING IN THE TRUNK. 174 00:07:42,374 --> 00:07:46,596 - DR. COLE! NYPD! 175 00:07:46,640 --> 00:07:48,598 - HIT IT. 176 00:07:52,384 --> 00:07:54,517 UPSTAIRS. 177 00:07:56,693 --> 00:08:00,480 - HEY, LEWIS WAS HERE. 178 00:08:10,925 --> 00:08:12,666 - NICK. - CLEAR! 179 00:08:12,709 --> 00:08:14,581 - HEY. 180 00:08:16,147 --> 00:08:17,497 SHE'S COLD. 181 00:08:23,894 --> 00:08:27,289 - CLEAR! 182 00:08:27,332 --> 00:08:31,293 - HEY. 183 00:08:31,336 --> 00:08:34,209 - HUMOR ME. 184 00:08:44,088 --> 00:08:46,830 - CLEAR! 185 00:08:46,874 --> 00:08:48,919 - THE DOCTOR HAS A DAUGHTER. 186 00:08:51,792 --> 00:08:53,968 - SO SHE'S GOT TWO DAUGHTERS. NOW WHERE ARE THEY? 187 00:08:54,011 --> 00:08:55,491 - WHAT KINDA MONSTER IS HE? 188 00:08:55,535 --> 00:09:00,627 - [whimpers] 189 00:09:00,670 --> 00:09:02,585 - OH! SWEETIE. - HOLY MOTHER... 190 00:09:02,629 --> 00:09:04,282 - SHE'S ALIVE. - I NEED SERGEANT BENSON. 191 00:09:04,326 --> 00:09:07,111 - YOU'RE OKAY, SWEETHEART. [grunts] 192 00:09:09,636 --> 00:09:11,159 - JEEZ, CALL A BUS. CALL A BUS! 193 00:09:11,202 --> 00:09:12,203 - I'M ON IT. 194 00:09:12,247 --> 00:09:13,944 - HEY. - ARE YOU SERGEANT BENSON? 195 00:09:13,988 --> 00:09:16,164 [panting] - WHY? NO. 196 00:09:16,207 --> 00:09:19,471 - HE--HE WANTED ME TO TELL HER WHAT HE DID TO ME 197 00:09:19,515 --> 00:09:21,648 AND THAT HE HAS MY LITTLE SISTER. 198 00:09:29,351 --> 00:09:30,308 . 199 00:09:30,352 --> 00:09:33,268 - OKAY, SO LAUREN'S IN SURGERY, INTERNAL INJURIES. 200 00:09:33,311 --> 00:09:34,791 THE MISSING SISTER, AMELIA COLE, SHE'S 12. 201 00:09:34,835 --> 00:09:36,227 - HE'S BEEN WITH HER HOW LONG? 202 00:09:36,271 --> 00:09:37,620 - LAUREN'S HAZY ABOUT THE TIMELINE. 203 00:09:37,664 --> 00:09:39,709 - I TAKE IT NO HITS ON THE DOCTOR'S E-ZPASS, 204 00:09:39,753 --> 00:09:40,841 LICENSE PLATE READERS? 205 00:09:40,884 --> 00:09:42,407 - HE WANTED US TO FIND THE COLE FAMILY. 206 00:09:42,451 --> 00:09:43,670 HE DOESN'T WANT US TO FIND HIM. 207 00:09:43,713 --> 00:09:45,280 - YOU'RE HALF RIGHT. 208 00:09:45,323 --> 00:09:46,629 HE DIDN'T WANT US TO, BUT HE'S BAITING BENSON. 209 00:09:46,673 --> 00:09:47,804 WE HAVE HER APARTMENT COVERED? 210 00:09:47,848 --> 00:09:49,806 HER OLD APARTMENT, HER NEW APARTMENT. 211 00:09:49,850 --> 00:09:52,069 - YOU DO KNOW THE SMART ONES CHANGES THEIR PATTERNS, RIGHT? 212 00:09:52,113 --> 00:09:53,636 SERGEANT BENSON, YOU SHOULDN'T BE HERE. 213 00:09:53,680 --> 00:09:55,203 - YEAH, WELL, I HEARD DR. COLE'S DAUGHTER 214 00:09:55,246 --> 00:09:56,508 HAS A MESSAGE FOR ME. 215 00:09:56,552 --> 00:09:57,727 IS SHE CONSCIOUS? 216 00:09:57,771 --> 00:09:59,424 - SHE'S JUST GETTING OUT OF SURGERY. 217 00:09:59,468 --> 00:10:01,470 LOOK, IF YOU WERE NEEDED I WOULD'VE CALLED YOU. 218 00:10:01,513 --> 00:10:02,776 I TOLD YOU TO HOLD THE FORT. 219 00:10:02,819 --> 00:10:04,560 - AND I'M SORRY TO DISOBEY YOUR ORDERS, 220 00:10:04,604 --> 00:10:06,127 BUT HE HAS A 12-YEAR-OLD GIRL, 221 00:10:06,170 --> 00:10:08,129 AND NOW YOU'VE SEEN WHAT HE'S CAPABLE OF. 222 00:10:08,172 --> 00:10:11,654 - I WON'T STAND ON PRINCIPLE. YOU'RE HERE NOW. 223 00:10:14,831 --> 00:10:16,659 [knocking on door] 224 00:10:16,703 --> 00:10:18,792 - LAUREN... I'M SERGEANT BENSON. 225 00:10:18,835 --> 00:10:20,358 THIS IS LIEUTENANT MURPHY. 226 00:10:20,402 --> 00:10:22,970 - [gasps] THANK GOD! 227 00:10:23,013 --> 00:10:25,668 HE SAID HE'D KILL MY LITTLE SISTER 228 00:10:25,712 --> 00:10:28,715 UNLESS YOU TELL THE TRUTH. 229 00:10:28,758 --> 00:10:29,933 - THE TRUTH? 230 00:10:29,977 --> 00:10:32,675 - WELL, WHAT ELSE DID HE WANT ME TO KNOW? 231 00:10:34,285 --> 00:10:39,639 - WHAT HE DID TO ME, HOW HE DID THINGS. 232 00:10:39,682 --> 00:10:42,772 HE SAID YOU'D LIKE TO HEAR THE DETAILS. 233 00:10:48,560 --> 00:10:50,606 - OKAY. LAUREN, WOULD YOU-- 234 00:10:50,650 --> 00:10:54,044 WOULD YOU FEEL MORE COMFORTABLE IF IT WAS JUST US? 235 00:10:54,088 --> 00:10:56,917 OKAY. - I'LL BE RIGHT OUTSIDE. 236 00:11:00,703 --> 00:11:02,662 - JUST TELL ME WHAT HAPPENED. 237 00:11:02,705 --> 00:11:05,273 [door closes] - UM... 238 00:11:05,316 --> 00:11:06,796 MY MOM STAYED HOME FROM WORK 239 00:11:06,840 --> 00:11:09,625 BECAUSE MY LITTLE SISTER HAD A TEMPERATURE. 240 00:11:09,669 --> 00:11:13,760 SHE WAS SLEEPING, I WAS IN MY ROOM. 241 00:11:13,803 --> 00:11:17,633 I HEARD MY MOTHER SCREAM, THEN A GUNSHOT. 242 00:11:17,677 --> 00:11:19,374 [sniffles] 243 00:11:19,417 --> 00:11:24,771 I GOT MY DAD'S OLD REVOLVER FROM HER DRESSER. 244 00:11:24,814 --> 00:11:28,557 AND I WENT DOWNSTAIRS. 245 00:11:28,600 --> 00:11:31,734 HE WAS STANDING THERE... 246 00:11:31,778 --> 00:11:33,997 SMILING. 247 00:11:35,912 --> 00:11:38,741 I HAD THE GUN IN MY HAND, 248 00:11:38,785 --> 00:11:40,917 BUT I JUST FROZE. 249 00:11:40,961 --> 00:11:43,615 - LAUREN, IT'S OKAY. 250 00:11:43,659 --> 00:11:47,489 THAT'S PERFECTLY UNDERSTANDABLE. 251 00:11:49,578 --> 00:11:51,754 - HE TOOK MY GUN... 252 00:11:51,798 --> 00:11:55,584 AND FORCED ME UPSTAIRS INTO AMELIA'S ROOM. 253 00:11:55,627 --> 00:11:58,065 SHE WAS STILL SLEEPING. 254 00:12:00,807 --> 00:12:05,681 HE MADE ME TAKE OFF MY CLOTHES... 255 00:12:05,725 --> 00:12:08,902 AND LIT A CIGARETTE. 256 00:12:08,945 --> 00:12:12,383 THEN HE HELD THE LIT END OF THE CIGARETTE 257 00:12:12,427 --> 00:12:14,516 ON MY NECK... 258 00:12:14,559 --> 00:12:16,605 AND MY BREASTS. 259 00:12:18,738 --> 00:12:24,526 AND THEN HE TURNED ME OVER AND HE RAPED ME. 260 00:12:24,569 --> 00:12:27,311 [sniffles] 261 00:12:27,355 --> 00:12:33,230 HE WHISPERED, "TELL SERGEANT BENSON WHAT SHE MISSED." 262 00:12:36,930 --> 00:12:40,368 - I'M SO SORRY. 263 00:12:40,411 --> 00:12:42,109 I'M SO SORRY. 264 00:12:42,152 --> 00:12:46,809 - THEN HE TIED ME UP IN THE CLOSET. 265 00:12:46,853 --> 00:12:48,811 TOOK AMELIA WITH HIM. 266 00:12:48,855 --> 00:12:52,641 SAID IF I EVER WANTED TO SEE HER ALIVE AGAIN 267 00:12:52,684 --> 00:12:56,863 I HAD TO CONVINCE YOU TO ADMIT THE TRUTH. 268 00:12:58,821 --> 00:13:02,607 HE SAID YOU'D KNOW WHAT THAT MEANS. 269 00:13:02,651 --> 00:13:05,088 WHATEVER IT IS... 270 00:13:05,132 --> 00:13:07,612 JUST DO IT. 271 00:13:07,656 --> 00:13:11,834 TELL HIM WHAT HE WANTS TO HEAR. PLEASE. 272 00:13:23,237 --> 00:13:25,717 - LIV, YOU OKAY? 273 00:13:25,761 --> 00:13:27,284 - NO. 274 00:13:27,328 --> 00:13:30,287 - SERGEANT, CAN I HAVE A WORD WITH YOU? 275 00:13:30,331 --> 00:13:32,855 JUST A MOMENT. 276 00:13:36,554 --> 00:13:39,514 WHAT EXACTLY DID THE GIRL MEAN WHEN SHE SAID, 277 00:13:39,557 --> 00:13:42,865 "LEWIS WANTS YOU TO TELL THE TRUTH"? 278 00:13:42,909 --> 00:13:45,520 THIS IS JUST BETWEEN YOU AND ME. 279 00:13:45,563 --> 00:13:48,610 I GIVE YOU MY WORD. 280 00:13:52,309 --> 00:13:55,704 - DURING THE TRIAL, I TESTIFIED... 281 00:13:55,747 --> 00:13:58,576 THAT I BEAT LEWIS WITH A METAL BAR... 282 00:13:58,620 --> 00:14:01,971 FRACTURING HIS SKULL, SHATTERING HIS KNEECAP. 283 00:14:02,015 --> 00:14:03,712 - I REMEMBER READING SOMETHING ABOUT THAT. 284 00:14:03,755 --> 00:14:05,714 - I TOLD THE JURY THAT... 285 00:14:05,757 --> 00:14:08,195 HE HAD GOTTEN FREE OF HIS CUFFS 286 00:14:08,238 --> 00:14:10,980 AND HAD LUNGED AT ME. 287 00:14:11,024 --> 00:14:14,723 - AND YOU LIED. 288 00:14:14,766 --> 00:14:16,899 HE WAS CUFFED. 289 00:14:16,943 --> 00:14:20,772 INCAPACITATED. 290 00:14:20,816 --> 00:14:24,124 YOU SHOULD'VE KILLED HIM WHEN YOU HAD THE CHANCE. 291 00:14:26,866 --> 00:14:29,129 - THERE'S PRESS DOWNSTAIRS, I'M GONNA MAKE A STATEMENT. 292 00:14:29,172 --> 00:14:30,739 - ABSOLUTELY NOT. 293 00:14:30,782 --> 00:14:32,784 - HE HAS A LITTLE GIRL. 294 00:14:32,828 --> 00:14:34,569 - IF YOU GIVE HIM WHAT HE WANTS, 295 00:14:34,612 --> 00:14:36,571 HE JUST MIGHT KILL THE GIRL ANYWAY. 296 00:14:36,614 --> 00:14:38,573 HE'S DOING THIS FOR YOU. 297 00:14:38,616 --> 00:14:41,837 WHILE HE'S WAITING FOR YOU TO MOVE, HE WON'T MOVE. 298 00:14:41,881 --> 00:14:43,708 THIS IS WHEN WE HUNT HIM DOWN. 299 00:14:43,752 --> 00:14:45,623 - LIEUTENANT! 300 00:14:45,667 --> 00:14:48,713 THEY FOUND DR. COLE'S CAR. 301 00:14:48,757 --> 00:14:51,368 - THE SUSPECT IS CONSIDERED ARMED AND DANGEROUS. 302 00:14:51,412 --> 00:14:53,022 DO NOT ATTEMPT TO APPROACH HIM, 303 00:14:53,066 --> 00:14:54,589 DO NOT ATTEMPT TO APPREHEND HIM. 304 00:14:54,632 --> 00:14:56,112 IF YOU SEE WILLIAM LEWIS, 305 00:14:56,156 --> 00:14:57,679 CALL 911... - [grunts] 306 00:14:57,722 --> 00:15:01,944 - OR OUR TIP HOTLINE AT 1-800-555-0199. 307 00:15:01,988 --> 00:15:03,903 AGAIN, THE SUSPECT IS BELIEVED TO BE ARMED 308 00:15:03,946 --> 00:15:06,644 AND CONSIDERED EXTREMELY DANGEROUS. 309 00:15:06,688 --> 00:15:09,778 THE DEPARTMENT WILL NOT REST UNTIL HE IS APPREHENDED. 310 00:15:09,821 --> 00:15:12,737 THANK YOU. NO FURTHER COMMENTS. 311 00:15:26,795 --> 00:15:29,711 - CSU FOUND SOME HAIR IN THE TRUNK, SOME BLOOD. 312 00:15:29,754 --> 00:15:31,974 THE LAB'S RUNNING IT NOW TO SEE IF IT'S A MATCH FOR AMELIA. 313 00:15:32,018 --> 00:15:34,237 - WELL, HE DIDN'T LEAVE ON FOOT WITH THAT LITTLE GIRL. 314 00:15:34,281 --> 00:15:37,371 - THERE'S DAMAGE ON THE FAR SIDE OF THE CAR--BLACK PAINT. 315 00:15:37,414 --> 00:15:38,938 HE MIGHT'VE DONE A BUMP-AND-ROB. 316 00:15:38,981 --> 00:15:40,722 - PROBABLY HAS ANOTHER VEHICLE. 317 00:15:40,765 --> 00:15:42,724 CHECK MISSING PERSONS, CARJACKING REPORTS, EVERYTHING. 318 00:15:42,767 --> 00:15:44,508 - LIEUTENANT... 319 00:15:44,552 --> 00:15:47,685 THEY FOUND A FLOATER OVER BY THE BOAT SLIP. 320 00:15:47,729 --> 00:15:50,732 [radio chatter] - YOUNG WHITE MALE, NO I.D. 321 00:15:50,775 --> 00:15:52,255 SINGLE BULLET HOLE TO THE TEMPLE. 322 00:15:52,299 --> 00:15:53,996 - M.E. SAYS CORE BODY TEMP'S DOWN 12 DEGREES, 323 00:15:54,040 --> 00:15:55,824 WITH BLANCHING LIVIDITY ON THE BACK. 324 00:15:55,867 --> 00:15:58,000 - AMARO, HOW LONG? - THREE HOURS. 325 00:15:58,044 --> 00:15:59,654 - GOOD. THAT MEANS THE FISH HAVEN'T HAD TIME 326 00:15:59,697 --> 00:16:01,047 TO NIBBLE HIS FINGERS YET. 327 00:16:01,090 --> 00:16:02,962 SEE IF HIS PRINTS ARE IN THE SYSTEM, 328 00:16:03,005 --> 00:16:05,790 TELL 'EM TO CHECK DENTAL, TATTOOS, EVERYTHING. 329 00:16:07,662 --> 00:16:09,490 - WE CAUGHT A LUCKY BREAK. 330 00:16:09,533 --> 00:16:12,841 IT'S DANNY WESTON, 26. HE HAD A COCHLEAR IMPLANT. 331 00:16:12,884 --> 00:16:14,277 SO WHILE THEY WAITED TO HEAR BACK 332 00:16:14,321 --> 00:16:15,887 FROM THE MANUFACTURER, 333 00:16:15,931 --> 00:16:17,237 I WENT AHEAD AND CALLED NEW YORK EYE AND EAR, 334 00:16:17,280 --> 00:16:18,890 THEY ID'D HIM WITHIN THE HOUR. 335 00:16:18,934 --> 00:16:20,718 THEY ONLY DO, LIKE, 100-- - OKAY, HE'S DEAF. 336 00:16:20,762 --> 00:16:22,198 WHAT KINDA CAR'S HE DRIVING? - YES, SIR. 337 00:16:22,242 --> 00:16:24,766 UH, IT'S A 2013 BLACK ACADIA SUV. 338 00:16:24,809 --> 00:16:26,028 NEW YORK PLATES. 339 00:16:26,072 --> 00:16:27,508 - A BLACK SUV? 340 00:16:27,551 --> 00:16:28,988 I THOUGHT YOU SAID WE CAUGHT A BREAK. 341 00:16:29,031 --> 00:16:30,772 THAT'S LIKE EVERY OTHER CAR IN MANHATTAN. 342 00:16:30,815 --> 00:16:32,252 - HE'S IN ONE, WE GOTTA STOP 'EM ALL 343 00:16:32,295 --> 00:16:34,167 TILL WE FIND HIM. - HEY, IT'S LEWIS. 344 00:16:34,210 --> 00:16:37,083 HE'S CALLING ON A LANDLINE FROM DR. COLE'S CELL PHONE. 345 00:16:37,126 --> 00:16:40,173 HE'LL ONLY TALK TO YOU, LIV. 346 00:16:40,216 --> 00:16:41,957 - TRACK THE GPS. 347 00:16:48,703 --> 00:16:50,400 GO AHEAD. - NO. 348 00:16:50,444 --> 00:16:51,793 YOU GOTTA MAKE HIM WAIT. 349 00:16:51,836 --> 00:16:53,534 YOU MAKE HIM WAIT, IT'LL MAKE HIM ANGRY. 350 00:16:53,577 --> 00:16:55,797 WHEN HE GETS ANGRY, HE GETS SLOPPY. 351 00:17:03,761 --> 00:17:06,677 LEWIS. - SPEAKERPHONE, HUH? 352 00:17:06,721 --> 00:17:09,332 YOU KNOW BETTER THAN THAT. TAKE ME OFF, NOW. 353 00:17:12,683 --> 00:17:15,860 - IT'S JUST US. 354 00:17:15,904 --> 00:17:17,906 LEWIS, YOU WANT ME. YOU KNOW YOU DO. 355 00:17:17,949 --> 00:17:19,560 YOU LET THE GIRL GO. 356 00:17:19,603 --> 00:17:21,692 - I DON'T THINK SO. 357 00:17:21,736 --> 00:17:24,739 THINK I'M GONNA KEEP HER. I LIKE HER. 358 00:17:26,436 --> 00:17:29,091 SAY HI. - HI. 359 00:17:29,135 --> 00:17:31,920 - AMELIA. 360 00:17:31,963 --> 00:17:34,488 - 12 IS SUCH A LOVELY AGE. 361 00:17:34,531 --> 00:17:36,316 THEY START TO LOOK LIKE A WOMAN... 362 00:17:36,359 --> 00:17:38,013 FEEL LIKE A WOMAN. 363 00:17:38,057 --> 00:17:41,843 BUT THEY STILL SMELL LIKE A LITTLE GIRL-- 364 00:17:41,886 --> 00:17:44,672 SWEET. SHAMPOO AND BABY POWDER. 365 00:17:44,715 --> 00:17:46,587 - LEWIS, LISTEN TO ME. 366 00:17:46,630 --> 00:17:48,763 JUST TELL ME WHERE YOU ARE AND I WILL COME MEET YOU, 367 00:17:48,806 --> 00:17:50,721 WHATEVER YOU WANT. 368 00:17:50,765 --> 00:17:52,593 - YOU KNOW WHAT I WANT-- THE TRUTH. 369 00:17:52,636 --> 00:17:54,595 - [gasps] - TONIGHT. 370 00:17:54,638 --> 00:17:58,468 PUBLIC CONFESSION ON THE 6:00 NEWS. 371 00:17:58,512 --> 00:18:00,731 YOU AND I BOTH KNOW THE TRUTH. 372 00:18:00,775 --> 00:18:03,430 THE PEOPLE NEED TO HEAR IT FROM YOU. 373 00:18:03,473 --> 00:18:04,866 - OKAY. 374 00:18:04,909 --> 00:18:08,652 LEW-- HE'S GONE, HE HUNG UP. 375 00:18:08,696 --> 00:18:10,654 - HE'S CALLING FROM ROOSEVELT ISLAND. 376 00:18:10,698 --> 00:18:12,047 - I THOUGHT YOU SAID HE WAS SMART. 377 00:18:12,091 --> 00:18:14,223 THAT'S IT-- ONE BRIDGE IN, SUBWAY OUT. 378 00:18:14,267 --> 00:18:15,833 AND THE TRAM. WE GOT HIM! 379 00:18:15,877 --> 00:18:19,489 CALL THE MTA, THE 116, AND THE TRAMWAY. 380 00:18:19,533 --> 00:18:20,925 SHUT THAT AND THE "F" TRAIN DOWN. 381 00:18:20,969 --> 00:18:23,580 CLOSE EVERYTHING OFF AND LET ME KNOW WHEN IT HAPPENS. 382 00:18:37,855 --> 00:18:42,425 - I'M GETTING A PING ON DR. COLE'S CELL. 383 00:18:42,469 --> 00:18:45,646 HE'S ON THE TRAM. 384 00:18:45,689 --> 00:18:47,691 - HEY, WHO'S IN CHARGE? WHO'S IN CHARGE? 385 00:18:47,735 --> 00:18:49,040 - OVER THERE. - WE'VE GOT IT COVERED. 386 00:18:49,084 --> 00:18:51,347 WE STOPPED THE TRAM. NO ONE'S GOTTEN ON OR OFF. 387 00:18:51,391 --> 00:18:52,653 - BRING IT IN SLOW. - START IT UP. 388 00:18:52,696 --> 00:18:54,176 - HEY, GET DOWNSTAIRS, NOW! 389 00:18:54,220 --> 00:18:57,397 NOW, LET'S GO! EVERYONE DOWNSTAIRS! 390 00:19:07,842 --> 00:19:10,236 - YOU SEE HIM? - NO. 391 00:19:10,279 --> 00:19:12,803 OPEN IT UP, OPEN IT UP! 392 00:19:15,023 --> 00:19:16,503 ALL RIGHT, COME OUT ONE AT A TIME! 393 00:19:16,546 --> 00:19:17,721 - ALL RIGHT, EVERYBODY, POLICE EMERGENCY. 394 00:19:17,765 --> 00:19:19,941 HANDS UP, POLICE EMERGENCY! 395 00:19:19,984 --> 00:19:21,508 LET'S GO, GUYS, LET'S GO. - COME ON, COME ON, COME ON. 396 00:19:21,551 --> 00:19:22,813 - DOWN THE STAIRS, LET'S GO. 397 00:19:22,857 --> 00:19:24,554 - COME ON, COME ON, COME ON. 398 00:19:25,555 --> 00:19:27,775 NO LEWIS, NO AMELIA. 399 00:19:27,818 --> 00:19:29,690 - I'M STILL GETTING A PING OFF THE CELL. 400 00:19:29,733 --> 00:19:31,344 - WELL, HE'S NOT HERE. THERE'S NO PLACE TO HIDE. 401 00:19:31,387 --> 00:19:33,607 - COME ON. LET'S MOVE, LET'S MOVE! 402 00:19:33,650 --> 00:19:35,522 NICK. [phone ringing] 403 00:19:35,565 --> 00:19:37,524 WHAT IS THAT? 404 00:19:37,567 --> 00:19:39,265 - NO, WAIT FOR ESU. GET ESU UP HERE! 405 00:19:39,308 --> 00:19:41,615 - SCREW 'EM. 406 00:19:44,052 --> 00:19:46,707 THERE. [phone ringing] 407 00:19:46,750 --> 00:19:49,100 HELLO? - HI, AMANDA. 408 00:19:49,144 --> 00:19:50,972 IT'S BEEN A WHILE. 409 00:19:51,015 --> 00:19:52,669 YOU CAUGHT ME ONCE. 410 00:19:52,713 --> 00:19:55,803 GUESS THIS TIME YOU LOST ME. 411 00:19:55,846 --> 00:19:58,066 [hangs up] 412 00:20:04,464 --> 00:20:05,421 . 413 00:20:05,465 --> 00:20:07,031 - NO SIGN OF LEWIS. 414 00:20:07,075 --> 00:20:08,424 WE'RE PULLING STREET CAMS 415 00:20:08,468 --> 00:20:09,947 AND SECURITY FOOTAGE FROM THE TRAM. 416 00:20:09,991 --> 00:20:11,340 - MURPHY SAYS TARU TRACED THE INCOMING CALL 417 00:20:11,384 --> 00:20:12,907 TO THE CELL WE FOUND IN AMELIA'S BACKPACK. 418 00:20:12,950 --> 00:20:14,169 SIGNAL'S COMING FROM A NO-NAME PHONE 419 00:20:14,213 --> 00:20:16,563 IN THE EAST 50s. 420 00:20:16,606 --> 00:20:18,478 - [sighs] 421 00:20:18,521 --> 00:20:20,393 - HUNGRY? 422 00:20:33,144 --> 00:20:34,842 - FLOOD THE ZONE 423 00:20:34,885 --> 00:20:36,147 FROM THIRD AVENUE TO THE EAST RIVER, 424 00:20:36,191 --> 00:20:38,237 FROM 50TH STREET UP TO 60TH. 425 00:20:38,280 --> 00:20:41,283 DOES LEWIS HAVE ANY KNOWN ASSOCIATES IN THE EAST 50s? 426 00:20:41,327 --> 00:20:43,590 - WELL, IT'S UNLIKELY THAT HE MET ANYBODY IN PRISON 427 00:20:43,633 --> 00:20:47,202 ON THE UPPER EAST SIDE. 428 00:20:47,246 --> 00:20:48,986 WAIT A SECOND. 429 00:20:49,030 --> 00:20:52,076 HIS LAST DEFENSE ATTORNEY. SHE LIVED NEAR SUTTON PLACE. 430 00:20:53,600 --> 00:20:57,125 [phone ringing] 431 00:21:02,696 --> 00:21:05,351 - OLIVIA. YOU FOUND ME. 432 00:21:05,394 --> 00:21:07,135 - I DID. 433 00:21:07,178 --> 00:21:10,094 YOUR FORMER LAWYER'S YOUR NEXT VIC? 434 00:21:10,138 --> 00:21:13,054 YOU KNOW, THE SMART ONES CHANGE THEIR PATTERNS. 435 00:21:13,097 --> 00:21:16,013 IS AMELIA STILL WITH YOU? 436 00:21:16,057 --> 00:21:19,060 - IT'S ALWAYS ABOUT THE GIRL WITH YOU, ISN'T IT? 437 00:21:19,103 --> 00:21:24,152 YOU DON'T CARE ABOUT MY ATTORNEY, HER TRIALS? 438 00:21:24,195 --> 00:21:26,328 YOU REMEMBER THE SMELL OF GAS, DETECTIVE? 439 00:21:26,372 --> 00:21:28,374 BURNING FLESH? 440 00:21:28,417 --> 00:21:30,419 I'LL BET YOU DO. - LEWIS, PLEASE... 441 00:21:30,463 --> 00:21:32,508 JUST...STOP. 442 00:21:32,552 --> 00:21:35,206 - 420 E. 58TH. - I'LL CLOSE DOWN THE BLOCK. 443 00:21:35,250 --> 00:21:37,948 - OKAY, LET'S GO. MOVE! 444 00:21:37,992 --> 00:21:39,689 - COUNSELOR! 445 00:21:39,733 --> 00:21:41,996 YOU WANNA GIVE SERGEANT BENSON THE MESSAGE WE TALKED ABOUT? 446 00:21:42,039 --> 00:21:44,085 - [grunting] 447 00:21:47,306 --> 00:21:49,525 - HERE YOU GO, HOLD YOUR HEAD UP, SWEETHEART. 448 00:21:49,569 --> 00:21:51,484 YOU CAN DO IT. 449 00:21:51,527 --> 00:21:53,660 AH, THAT'S ALL RIGHT. 450 00:21:53,703 --> 00:21:57,620 SORRY, COUNSELOR DOESN'T SEEM TO WANNA TALK RIGHT NOW. 451 00:21:57,664 --> 00:22:00,057 WE'RE GONNA HAVE TO CALL YOU BACK. 452 00:22:00,101 --> 00:22:02,625 - LEWIS, LEAVE HIM ALONE. 453 00:22:02,669 --> 00:22:06,803 IF YOU PROMISE ME... THAT THEY WILL BOTH STAY ALIVE, 454 00:22:06,847 --> 00:22:10,067 I WILL SAY WHATEVER YOU WANT TO HEAR. 455 00:22:10,111 --> 00:22:13,810 - WHAT I WANT TO HEAR, HUH? 456 00:22:13,854 --> 00:22:17,336 YOU MEAN THE TRUTH? 457 00:22:17,379 --> 00:22:20,077 - YES. 458 00:22:20,121 --> 00:22:21,862 THE TRUTH. 459 00:22:25,648 --> 00:22:27,258 - A CONFESSION? NO! 460 00:22:27,302 --> 00:22:29,043 YOU GIVE A SOCIOPATH WHAT HE WANTS, 461 00:22:29,086 --> 00:22:30,827 HE RIPS YOUR HEART OUT FOR SPORT AND HOLDS IT IN HIS HAND 462 00:22:30,871 --> 00:22:32,481 WHILE YOU WATCH, BLEEDING OUT. - HE HAS AMELIA. 463 00:22:32,525 --> 00:22:34,091 I KNOW WHAT HE COULD BE DOING TO HER. 464 00:22:34,135 --> 00:22:35,789 - NO, YOU DON'T. YOU KNOW WHAT HE DID TO YOU, 465 00:22:35,832 --> 00:22:37,268 YOU KNOW WHAT HE'S DONE TO OTHERS. 466 00:22:37,312 --> 00:22:38,879 HE'S COUNTING ON THAT. 467 00:22:38,922 --> 00:22:40,663 HE'S NOT INTERESTED IN THAT LITTLE GIRL. 468 00:22:40,707 --> 00:22:42,448 HE'S INSIDE YOURHEAD. 469 00:22:42,491 --> 00:22:45,146 THAT IS THE ASSAULT HE'S ENJOYING RIGHT NOW. 470 00:22:45,189 --> 00:22:48,715 HE'S NOT GOING ANYWHERE. 471 00:22:53,372 --> 00:22:57,071 MY NAME IS SERGEANT OLIVIA BENSON, NYPD, 472 00:22:57,114 --> 00:22:59,073 AND ON THE 6TH OF JANUARY OF THIS YEAR 473 00:22:59,116 --> 00:23:01,423 I TESTIFIED IN THE NEW YORK STATE SUPREME COURT 474 00:23:01,467 --> 00:23:02,990 AT THE TRIAL OF WILLIAM LEWIS. 475 00:23:03,033 --> 00:23:04,992 AND ON THAT DAY, UNDER OATH, 476 00:23:05,035 --> 00:23:08,212 I SWORE THAT, WHEN I BEAT HIM WITH A METAL BAR, 477 00:23:08,256 --> 00:23:10,345 HE HAD BROKEN FREE OF HIS HANDCUFFS. 478 00:23:10,389 --> 00:23:13,696 AND I ONLY USED THE FORCE NECESSARY TO SUBDUE HIM. 479 00:23:13,740 --> 00:23:17,657 THAT WAS A LIE. 480 00:23:17,700 --> 00:23:21,878 THE TRUTH IS, WHEN I BEAT MR. LEWIS, 481 00:23:21,922 --> 00:23:25,055 FRACTURING HIS SKULL, HIS ORBITAL SOCKET, 482 00:23:25,099 --> 00:23:28,668 SHATTERING HIS KNEECAP, BREAKING MULTIPLE RIBS, 483 00:23:28,711 --> 00:23:33,150 AND CAUSING PERMANENT DAMAGE, HE WAS HANDCUFFED. 484 00:23:33,194 --> 00:23:36,850 HE AND I WERE ALONE, HE OFFERED NO RESISTANCE, 485 00:23:36,893 --> 00:23:38,591 AND I WAS NOT IN DANGER. 486 00:23:38,634 --> 00:23:42,812 THE ASSAULT WAS NOTHING LESS THAN POLICE BRUTALITY 487 00:23:42,856 --> 00:23:45,641 AND EXCESSIVE FORCE. 488 00:23:45,685 --> 00:23:48,992 I APOLOGIZE FOR THE INHUMANITY OF MY ACTIONS 489 00:23:49,036 --> 00:23:50,429 AND FOR MY PERJURY. 490 00:23:50,472 --> 00:23:52,474 SINCE WILLIAM LEWIS WAS CONVICTED 491 00:23:52,518 --> 00:23:55,434 BASED ON MY TESTIMONY, 492 00:23:55,477 --> 00:23:57,523 I REQUEST THAT D.A. RAFAEL BARBA 493 00:23:57,566 --> 00:24:01,091 INFORM THE JUDICIARY COMMITTEE OF MY ACTIONS 494 00:24:01,135 --> 00:24:03,137 AND TAKE APPROPRIATE STEPS TO RECTIFY 495 00:24:03,180 --> 00:24:06,357 THE UNJUST CONVICTION OF MR. LEWIS. 496 00:24:06,401 --> 00:24:08,838 I MAKE THIS STATEMENT OF MY OWN VOLITION, 497 00:24:08,882 --> 00:24:12,233 UNDER NO DURESS, UNDER NO COERCION, 498 00:24:12,276 --> 00:24:14,278 AND UNDER NO EXPECTATION 499 00:24:14,322 --> 00:24:18,021 THAT THERE BE A QUID PRO QUO FROM MR. LEWIS. 500 00:24:18,065 --> 00:24:20,807 I'M SORRY THAT I DIDN'T COME FORWARD EARLIER. 501 00:24:20,850 --> 00:24:22,286 THANK YOU. 502 00:24:22,330 --> 00:24:24,680 - [hyperventilating] 503 00:24:32,601 --> 00:24:34,342 - COMFORTABLE, SWEETHEART? 504 00:24:34,385 --> 00:24:38,215 - [crying] I WANT MY MOMMY! 505 00:24:40,783 --> 00:24:44,352 - NOT YET, HONEY. 506 00:24:47,224 --> 00:24:49,966 YOU THIRSTY? 507 00:24:50,010 --> 00:24:52,012 - IT'S BEEN SIX HOURS, NO RESPONSE. 508 00:24:52,055 --> 00:24:54,362 - SO WE WAIT. 509 00:24:54,405 --> 00:24:58,148 - [sighs] YOU WERE RIGHT, MURPHY. 510 00:24:58,192 --> 00:25:01,238 IT DIDN'T MATTER. HE'S GONNA KILL HER ANYWAY. 511 00:25:01,282 --> 00:25:02,979 - LIV... [sighs] 512 00:25:03,023 --> 00:25:05,286 YOU-- YOU CAN'T THINK THAT WAY. 513 00:25:05,329 --> 00:25:07,288 - MAYBE IT'S TIME FOR YOU TO GET SOME REST. 514 00:25:07,331 --> 00:25:10,247 - GUYS, PLEASE, I'M FINE. - ROLLINS IS RIGHT. 515 00:25:10,291 --> 00:25:12,380 THE INTELLIGENCE DETAIL WILL TAKE YOU BACK TO YOUR HOTEL. 516 00:25:12,423 --> 00:25:14,861 - LIEUTENANT MURPHY... IT'S FINE. 517 00:25:14,904 --> 00:25:18,212 - THAT'S AN ORDER. 518 00:25:24,044 --> 00:25:26,612 - MR. RIGHT TURNS OUT TO BE MR. RIGHT NOW 519 00:25:26,655 --> 00:25:28,309 OR MR. WRONG. 520 00:25:28,352 --> 00:25:29,789 - NOW HOW'S THAT POSSIBLE? 521 00:25:29,832 --> 00:25:32,835 YOU'RE SMART, SEXY, THE WHOLE PACKAGE. 522 00:25:32,879 --> 00:25:34,576 - AH, THIS FROM A GUY WITH A WEDDING RING. 523 00:25:34,620 --> 00:25:36,447 - YOU MIND IF I, UH, USE THE LADIES ROOM? 524 00:25:36,491 --> 00:25:41,104 - YEAH, JUST LET ME CHECK IT. [laughs] 525 00:25:55,902 --> 00:25:58,034 CLEAR. 526 00:26:03,083 --> 00:26:04,911 - YOU MIND? 527 00:26:04,954 --> 00:26:07,566 - I'LL BE RIGHT OUTSIDE. - THANKS. 528 00:26:36,072 --> 00:26:37,683 [unlocks door] 529 00:26:59,095 --> 00:27:01,315 HEY! HEY! OUT OF THE CAR! 530 00:27:01,358 --> 00:27:03,099 - WHAT IS THIS? - OUT OF THE CAR NOW. 531 00:27:03,143 --> 00:27:04,971 POLICE BUSINESS. STEP AWAY FROM THE VEHICLE. 532 00:27:05,014 --> 00:27:07,930 - WHAT ARE YOU DOING? 533 00:27:07,974 --> 00:27:10,890 WHAT ARE YOU, CRAZY? WHERE ARE YOU GOING? 534 00:27:15,895 --> 00:27:16,852 . 535 00:27:16,896 --> 00:27:18,767 - YOU HAD BETTER BE KIDDING ME. 536 00:27:18,811 --> 00:27:20,247 HOW DO YOU LOSE A PRINCIPAL? 537 00:27:20,290 --> 00:27:22,641 FIND HER NOW! 538 00:27:28,255 --> 00:27:31,171 ROLLINS, FIN, AMARO. 539 00:27:35,479 --> 00:27:37,656 BENSON'S GONE. - LEWIS TOOK HER? 540 00:27:37,699 --> 00:27:40,310 - SHE SLIPPED HER DETAIL, COMMANDEERED A TOWN CAR. 541 00:27:40,354 --> 00:27:42,312 - OH. - ANY OF YOU KNOW ABOUT THIS? 542 00:27:42,356 --> 00:27:43,705 - NO. - DO NOT LIE TO ME. 543 00:27:43,749 --> 00:27:45,141 - WE DIDN'T KNOW, NONE OF US. 544 00:27:45,185 --> 00:27:46,186 - WE'LL FIND HER, LIEUTENANT. 545 00:27:46,229 --> 00:27:49,015 - TRACK HER RADIO, HER CELL. 546 00:27:49,058 --> 00:27:50,625 PUT AN ALERT ON THE TOWN CAR, SHE'S ARMED! 547 00:27:50,669 --> 00:27:54,150 AMARO. 548 00:27:54,194 --> 00:27:55,848 WHAT'S YOUR PARTNER DOING? 549 00:27:55,891 --> 00:27:57,719 - SHE'S GOING AFTER LEWIS. 550 00:27:57,763 --> 00:27:59,503 SHE'S GONNA END THIS. 551 00:27:59,547 --> 00:28:01,592 - THAT'S EXACTLY WHAT HE WANTS. 552 00:28:24,180 --> 00:28:26,487 - LEWIS! 553 00:28:26,530 --> 00:28:29,098 I'M HERE! 554 00:28:29,142 --> 00:28:32,188 WHERE'S THE GIRL? 555 00:28:40,806 --> 00:28:42,938 [breathing heavily] 556 00:28:42,982 --> 00:28:46,899 - PUT YOUR HANDS IN THE AIR, OLIVIA. 557 00:28:46,942 --> 00:28:49,118 WHAT'D YOU THINK, IT WAS GONNA BE EASY? 558 00:28:49,162 --> 00:28:50,903 AFTER ALL OUR TIME TOGETHER? 559 00:28:50,946 --> 00:28:52,469 I FEEL LIKE YOU DON'T EVEN KNOW ME AT ALL. 560 00:28:52,513 --> 00:28:55,298 - WHAT DO YOU WANT? - YOUR GUN. 561 00:28:55,342 --> 00:28:57,344 OTHERWISE YOU WON'T FIND THE GIRL. 562 00:28:57,387 --> 00:28:59,476 NOBODY WILL. 563 00:29:01,827 --> 00:29:03,742 [unloads clip] 564 00:29:09,095 --> 00:29:10,749 TURN AROUND. 565 00:29:13,142 --> 00:29:15,449 - OW. 566 00:29:19,366 --> 00:29:21,455 TAKE IT EASY. - SHH! 567 00:29:25,415 --> 00:29:27,243 - ARGHH! 568 00:29:31,595 --> 00:29:34,511 - NO DROP GUN. GOOD GIRL. 569 00:29:34,555 --> 00:29:37,558 CELL PHONE. THIS, YOU WON'T BE NEEDING. 570 00:29:41,997 --> 00:29:43,607 YOU KNOW WHAT? 571 00:29:43,651 --> 00:29:45,784 THINK I'LL KEEP THE RADIO. 572 00:29:45,827 --> 00:29:47,524 THIS WAY THEY CAN HEAR YOU SCREAM 573 00:29:47,568 --> 00:29:48,787 WHILE THEY'RE LOOKING FOR YOU. 574 00:29:48,830 --> 00:29:51,006 - WHERE'S THE GIRL, LEWIS? - SHH! 575 00:29:53,443 --> 00:29:55,445 LET'S GO FOR A RIDE. 576 00:29:58,579 --> 00:30:00,711 - TOWN CAR LAST SEEN HEADING OFF THE BQE AT 4:00 A.M. 577 00:30:00,755 --> 00:30:02,452 TOWARD THE GOWANUS CANAL. 578 00:30:02,496 --> 00:30:04,237 - HER CELL CUT OFF AT THE EDGE OF RED HOOK-- 579 00:30:04,280 --> 00:30:06,935 VAN DYKE AND BARNELL STREET. - THERE'S NOTHING OUT THERE. 580 00:30:06,979 --> 00:30:08,415 - THAT'S KINDA HOW LEWIS LIKES IT. 581 00:30:08,458 --> 00:30:10,547 - PAST THE PROJECTS, BALL FIELDS. 582 00:30:10,591 --> 00:30:13,376 - PERFECT PLACE FOR A RAT TO FIND A HOLE. 583 00:30:28,261 --> 00:30:30,611 - [sighs] SORRY ABOUT THOSE POTHOLES. 584 00:30:30,654 --> 00:30:33,657 [unlocks cuffs] - [groans] 585 00:30:33,701 --> 00:30:35,224 [groans] 586 00:30:37,923 --> 00:30:40,577 - IT'S HORRIBLE, ISN'T IT? 587 00:30:40,621 --> 00:30:43,842 HOW THE CITY JUST... LETS EVERYTHING GO TO RUIN. 588 00:30:43,885 --> 00:30:45,321 [tightening cuffs] 589 00:30:45,365 --> 00:30:47,410 WHAT'S THE MATTER, OLIVIA? 590 00:30:47,454 --> 00:30:50,718 DON'T FEEL LIKE TALKING? 591 00:30:50,761 --> 00:30:52,415 WHAT? 592 00:30:52,459 --> 00:30:55,375 OH, LORD. 593 00:30:55,418 --> 00:30:57,290 YOU'RE NOT HAVING FLASHBACKS NOW, ARE YOU? 594 00:30:57,333 --> 00:31:00,467 IT'S VERY COMMON, YOU KNOW-- PTSD. 595 00:31:00,510 --> 00:31:03,426 I MEAN, IT'S... IT'S REAL. 596 00:31:03,470 --> 00:31:05,994 YOU'RE IN YOUR BED AT NIGHT, 597 00:31:06,038 --> 00:31:08,518 WAKE UP IN A COLD SWEAT, THINKING I'M IN THE ROOM 598 00:31:08,562 --> 00:31:10,390 WITH A GUN TO YOUR HEAD. 599 00:31:10,433 --> 00:31:13,915 - DON'T FLATTER YOURSELF. 600 00:31:13,959 --> 00:31:17,092 - NOTHING TO BE ASHAMED OF, OLIVIA. 601 00:31:17,136 --> 00:31:20,400 ALL MY GIRLS GO THROUGH IT. 602 00:31:20,443 --> 00:31:23,707 I AM AN AGENT OF CHANGE, 603 00:31:23,751 --> 00:31:27,320 NAILED TO THE TRAJECTORY OF PEOPLE'S LIVES. 604 00:31:27,363 --> 00:31:30,323 THEY MIGHT HAVE HOPES AND DREAMS BEFORE THEY MEET ME, 605 00:31:30,366 --> 00:31:32,368 BUT THEN... 606 00:31:32,412 --> 00:31:36,459 THEN THEY RUN INTO ME, LIFE AS THEY KNEW IT IS GONE. 607 00:31:36,503 --> 00:31:38,461 WELL, YOU KNOW, RIGHT? 608 00:31:38,505 --> 00:31:42,509 COULD BE GETTING OUT OF A CAR, OPENING A DOOR. 609 00:31:42,552 --> 00:31:45,381 YOU MIGHT JUST HEAR A SOUND, BUT STILL YOU THINK OF ME. 610 00:31:45,425 --> 00:31:47,122 - YOU KNOW-- 611 00:31:47,166 --> 00:31:50,691 YOU KNOW, WHATEVER YOU THINK THAT YOU DID TO ME, 612 00:31:50,734 --> 00:31:54,216 WHATEVER EFFECT YOU THINK YOU HAD ON ME, 613 00:31:54,260 --> 00:31:56,349 THAT'S IN YOUR HEAD. 614 00:31:58,568 --> 00:32:00,483 - HUH. 615 00:32:00,527 --> 00:32:03,747 SO, UM, NO DREAMS ABOUT ME AT ALL, HUH? 616 00:32:03,791 --> 00:32:05,749 - [sighs] DREAMS? 617 00:32:05,793 --> 00:32:08,535 NO. 618 00:32:08,578 --> 00:32:10,319 - WELL... 619 00:32:10,363 --> 00:32:12,191 WHO ELSE YOU GOT IN YOUR LIFE? 620 00:32:12,234 --> 00:32:13,975 THAT COP BOYFRIEND? 621 00:32:14,019 --> 00:32:16,717 I MEAN, HE'S GOTTA BE OUT OF THE PICTURE BY NOW, RIGHT? 622 00:32:16,760 --> 00:32:18,675 THERE'S NO CHEMISTRY THERE. 623 00:32:18,719 --> 00:32:20,503 EVEN AT THE TRIAL, YOU KNOW, 624 00:32:20,547 --> 00:32:21,940 THE FEW TIMES THAT HE DID COME, 625 00:32:21,983 --> 00:32:23,419 YOU WERE LOOKING AT ME, NOT HIM. 626 00:32:23,463 --> 00:32:25,160 - YOU'RE THE ONE WHO'S OBSESSED, LEWIS. 627 00:32:25,204 --> 00:32:26,596 YOU COULD'VE BEEN IN CANADA BY NOW, 628 00:32:26,640 --> 00:32:29,077 BUT INSTEAD YOU HAD TO COME BACK FOR ME. 629 00:32:29,121 --> 00:32:32,559 - YOU FIND IT HARD TO TRUST AFTER WHAT WE WENT THROUGH? 630 00:32:32,602 --> 00:32:35,779 THERE'S A TENDENCY TO ISOLATE, TO WITHDRAW. 631 00:32:35,823 --> 00:32:37,303 YOU SEEING A THERAPIST? 632 00:32:37,346 --> 00:32:41,568 PLEASE PROMISE ME YOU'LL DO THAT. 633 00:32:41,611 --> 00:32:43,439 HE PROBABLY SITS THERE WITH YOU 634 00:32:43,483 --> 00:32:47,008 AND TELLS YOU THAT YOU'RE WORKING THROUGH IT, RIGHT? 635 00:32:47,052 --> 00:32:49,358 "YOU CAN BE WHOLE AGAIN, OLIVIA." 636 00:32:49,402 --> 00:32:52,448 WELL, HE'S LYING. 637 00:32:52,492 --> 00:32:54,973 WHAT I DO, AND I'VE SEEN THIS 638 00:32:55,016 --> 00:32:57,323 IN THE VICTIM IMPACT STATEMENTS, 639 00:32:57,366 --> 00:32:59,455 NOBODY EVER RECOVERS FROM IT. 640 00:33:01,066 --> 00:33:03,590 - THE GIRL, LEWIS. WHERE'S THE GIRL? 641 00:33:03,633 --> 00:33:06,288 - LITTLE AMELIA? 642 00:33:06,332 --> 00:33:11,119 HER LIFE UP TO THIS POINT HAS BEEN ALL PRINCESS MOVIES 643 00:33:11,163 --> 00:33:12,991 AND LIP GLOSS. 644 00:33:13,034 --> 00:33:15,254 I'M GONNA BE HER FIRST. - TAKE ME TO HER, LEWIS. 645 00:33:15,297 --> 00:33:17,560 THAT WAS-- THAT WAS OUR AGREEMENT. 646 00:33:20,085 --> 00:33:21,738 - UPSTAIRS. 647 00:33:21,782 --> 00:33:23,610 - [exhales] 648 00:33:23,653 --> 00:33:27,309 - WATCH OUT FOR THE RATS. 649 00:33:27,353 --> 00:33:28,484 - [exhales] 650 00:33:28,528 --> 00:33:31,618 AMELIA, I'M DETECTIVE BENSON. 651 00:33:31,661 --> 00:33:33,054 LISTEN TO ME, 652 00:33:33,098 --> 00:33:34,751 THE COPS ARE ON THEIR WAY, SWEETHEART. 653 00:33:34,795 --> 00:33:36,536 YOU'RE GONNA BE OKAY. - HI, SWEETIE! 654 00:33:36,579 --> 00:33:38,320 HOPE YOU HAVEN'T BEEN TOO SCARED UP HERE 655 00:33:38,364 --> 00:33:39,626 ALL ALONE WITHOUT ME. 656 00:33:39,669 --> 00:33:41,715 - CUT HER DOWN, YOU HAVE ME NOW. 657 00:33:41,758 --> 00:33:44,500 - WELL, THAT'S UP TO YOU. 658 00:33:44,544 --> 00:33:46,198 IT'S YOUR CHOICE NOW. 659 00:33:46,241 --> 00:33:48,287 AND I HAVE YOU BOTH, SO... 660 00:33:48,330 --> 00:33:51,377 I CAN DO YOU, LET HER WATCH. 661 00:33:51,420 --> 00:33:53,857 OR I CAN CUT HER DOWN... 662 00:33:53,901 --> 00:33:56,121 DO HER, LET YOU WATCH. 663 00:33:56,164 --> 00:33:58,340 I'M FINE EITHER WAY. 664 00:34:09,134 --> 00:34:10,091 . 665 00:34:10,135 --> 00:34:12,615 - ALL RIGHT, SO TARU CONFIRMS THIS IS WHERE HER SIGNAL DIED 666 00:34:12,659 --> 00:34:13,877 OVER AN HOUR AGO, 667 00:34:13,921 --> 00:34:15,488 AND THERE'S BEEN NOTHING FROM HER RADIO. 668 00:34:15,531 --> 00:34:18,491 - THIS IS HER VEST AND HER GUN. 669 00:34:18,534 --> 00:34:20,362 - WHERE DID HE TAKE HER? 670 00:34:20,406 --> 00:34:23,800 - HE GOT A GOOD JUMP ON US. BQE'S CLOSE BY. 671 00:34:23,844 --> 00:34:26,020 HE COULD BE ANYWHERE. 672 00:34:26,064 --> 00:34:28,414 - [sighs] 673 00:34:28,457 --> 00:34:30,503 - GIMME YOUR ARM. 674 00:34:30,546 --> 00:34:32,461 - IT'S OVER, LEWIS. THEY'RE... 675 00:34:32,505 --> 00:34:34,202 THEY'RE COMING FOR ME. 676 00:34:34,246 --> 00:34:36,683 THEY'RE GONNA FIND... THE CAR, THEY'RE GONNA FIND YOU. 677 00:34:36,726 --> 00:34:38,859 - I SEE, SO YOU'RE JUST BUYING TIME 678 00:34:38,902 --> 00:34:40,208 BY LETTING ME RAPE YOU? 679 00:34:40,252 --> 00:34:42,645 THAT'S IT? 680 00:34:42,689 --> 00:34:44,517 - DO WHAT YOU'RE GONNA DO. 681 00:34:55,484 --> 00:34:58,270 - [moaning] 682 00:35:02,796 --> 00:35:05,755 [kissing] 683 00:35:17,767 --> 00:35:20,509 THAT'S IT? 684 00:35:20,553 --> 00:35:22,729 THAT'S ALL YOU'RE GONNA GIVE ME, HUH? 685 00:35:22,772 --> 00:35:26,863 JUST GONNA STAND HERE, PLAY POSSUM? 686 00:35:26,907 --> 00:35:30,171 [laughing] ALL RIGHT. 687 00:35:30,215 --> 00:35:32,913 YOU KNOW WHAT, NEW GAME. 688 00:35:32,956 --> 00:35:35,655 MY RULES... 689 00:35:35,698 --> 00:35:38,527 NOT YOURS. 690 00:35:38,571 --> 00:35:40,834 THIS IS GONNA BE MORE FUN. 691 00:36:06,207 --> 00:36:08,470 YOU KNOW WHAT, I'LL BE A GENTLEMAN. 692 00:36:10,690 --> 00:36:12,822 I'LL GO FIRST. 693 00:36:12,866 --> 00:36:14,215 - LOOK AWAY. 694 00:36:14,259 --> 00:36:16,130 LOOK AWAY, AMELIA. 695 00:36:18,654 --> 00:36:20,830 - DEATH IS NOT SOMETHING TO BE AFRAID OF, OLIVIA. 696 00:36:23,181 --> 00:36:25,313 - YOU'RE GOING TO HELL, LEWIS. 697 00:36:25,357 --> 00:36:27,750 - [cocks gun] 698 00:36:27,794 --> 00:36:29,752 AM I? 699 00:36:29,796 --> 00:36:32,886 [hammer clicks] 700 00:36:38,065 --> 00:36:40,023 PICK IT UP. 701 00:36:42,678 --> 00:36:44,724 OR I COULD SHOOT YOU FIRST. 702 00:36:48,771 --> 00:36:50,469 PICK IT UP! 703 00:36:54,908 --> 00:36:56,736 AND IF YOU'RE THINKING OF SHOOTING ME WITH THAT, 704 00:36:56,779 --> 00:36:59,652 JUST REMEMBER THERE'S FIVE EMPTY CHAMBERS, ONE BULLET. 705 00:36:59,695 --> 00:37:03,960 SO... EITHER YOU GET EXTREMELY LUCKY, 706 00:37:04,004 --> 00:37:06,398 OR YOU PULL THE TRIGGER, I SHOOT YOU, 707 00:37:06,441 --> 00:37:09,488 AND IT'S JUST ME AND AMELIA. 708 00:37:11,141 --> 00:37:12,795 SO PICK UP THE GUN 709 00:37:12,839 --> 00:37:16,016 AND PUT IT TO YOUR PRETTY LITTLE HEAD. 710 00:37:19,498 --> 00:37:21,717 - HARPER CALL IT IN? YEAH, THAT'S THE CAR. 711 00:37:21,761 --> 00:37:24,198 [sirens blaring] 712 00:37:26,809 --> 00:37:28,071 IT'S CLEAR! 713 00:37:28,115 --> 00:37:30,683 - OKAY, POP THE TRUNK. POP THE TRUNK! 714 00:37:30,726 --> 00:37:33,816 - WHAT THE HELL IS HE THINKING? 715 00:37:36,471 --> 00:37:39,735 - GO AHEAD. 716 00:37:45,567 --> 00:37:47,221 DO IT. 717 00:37:47,265 --> 00:37:48,788 - THEY'RE COMING FOR YOU. 718 00:37:48,831 --> 00:37:49,963 OW! 719 00:37:53,880 --> 00:37:55,882 - PULL THE TRIGGER... 720 00:37:55,925 --> 00:37:57,710 OR I'LL SHOOT YOU IN THE HEAD. 721 00:38:02,149 --> 00:38:04,717 [whispering] DO IT. 722 00:38:04,760 --> 00:38:07,763 [whispering] DO IT, OLIVIA. 723 00:38:07,807 --> 00:38:09,330 - NO. 724 00:38:09,374 --> 00:38:11,767 NO, DON'T. DON'T. DON'T. 725 00:38:11,811 --> 00:38:13,682 - [crying] 726 00:38:17,686 --> 00:38:19,732 - OKAY. 727 00:38:19,775 --> 00:38:21,168 OKAY. 728 00:38:21,211 --> 00:38:23,213 - IT'S YOUR TURN. 729 00:38:30,699 --> 00:38:32,788 - [exhales] 730 00:38:32,832 --> 00:38:34,355 [hammer clicks] 731 00:38:39,317 --> 00:38:41,667 - MY TURN. 732 00:38:50,850 --> 00:38:53,766 YOU KNOW WHAT'S IRONIC ABOUT YOUR LITTLE CONFESSION? 733 00:38:53,809 --> 00:38:56,421 EVEN IF YOU TELL PEOPLE THAT I SHOT MYSELF, 734 00:38:56,464 --> 00:38:58,814 THEY'RE NOT GONNA BELIEVE YOU NOW. 735 00:38:58,858 --> 00:39:01,164 THEY'RE GONNA ASSUME... [cocks guns] 736 00:39:01,208 --> 00:39:04,298 THAT YOU SHOT ME... 737 00:39:04,342 --> 00:39:06,953 IN COLD BLOOD. 738 00:39:06,996 --> 00:39:08,868 EXECUTION STYLE. 739 00:39:09,782 --> 00:39:11,174 [hammer clicks] 740 00:39:11,218 --> 00:39:13,960 [helicopter approaching] 741 00:39:14,003 --> 00:39:15,483 HMM. 742 00:39:20,445 --> 00:39:23,535 YOUR FRIENDS ARE HERE. 743 00:39:23,578 --> 00:39:26,276 LET'S MAKE IT INTERESTING FOR 'EM. 744 00:39:26,320 --> 00:39:28,627 TESTING, TESTING. 745 00:39:28,670 --> 00:39:31,978 THIS IS WILLIAM LEWIS HERE. 746 00:39:32,021 --> 00:39:34,589 I'M HERE WITH SERGEANT BENSON, 747 00:39:34,633 --> 00:39:37,026 AND WE'RE PLAYING A LITTLE GAME OF RUSSIAN ROULETTE. 748 00:39:37,070 --> 00:39:38,811 WE'RE HALFWAY THROUGH. 749 00:39:38,854 --> 00:39:40,290 [sirens blaring] 750 00:39:40,334 --> 00:39:41,944 I'M SLIDING THE GUN ACROSS THE TABLE 751 00:39:41,988 --> 00:39:44,207 TO SERGEANT BENSON. 752 00:39:44,251 --> 00:39:49,865 THERE'S THREE CHAMBERS LEFT, ONE BULLET. 753 00:39:49,909 --> 00:39:51,954 PICK IT UP. 754 00:39:57,873 --> 00:39:59,875 - [crying] 755 00:39:59,919 --> 00:40:01,660 - SHH! 756 00:40:15,717 --> 00:40:17,066 [whispering] PULL THE TRIGGER, OLIVIA, 757 00:40:17,110 --> 00:40:19,808 OR I WILL. 758 00:40:20,853 --> 00:40:23,464 DO IT NOW. 759 00:40:23,508 --> 00:40:26,206 THEY'RE COMING. 760 00:40:29,165 --> 00:40:31,341 [hammer clicks] 761 00:40:40,699 --> 00:40:42,265 - WHERE THE HELL ARE THEY? 762 00:40:42,309 --> 00:40:44,354 - GROUND FLOOR IS CLEAR. - THEY'RE NOT OUTSIDE. 763 00:40:44,398 --> 00:40:48,358 TWO CHAMBERS LEFT, ONE BULLET. 764 00:40:48,402 --> 00:40:49,751 [cocks gun] 765 00:40:49,795 --> 00:40:51,231 YOU KNOW HOW LUCKY I AM. 766 00:40:51,274 --> 00:40:55,409 - LOOK AWAY. LOOK AWAY, AMELIA. 767 00:40:58,194 --> 00:41:00,632 [hammer clicks] 768 00:41:00,675 --> 00:41:03,635 - GAME OVER. 769 00:41:06,594 --> 00:41:08,814 SAY GOOD-BYE, OLIVIA. 770 00:41:14,123 --> 00:41:16,865 [radio static] 771 00:41:16,909 --> 00:41:20,608 THIS IS THE LAST THING... YOU'RE GONNA THINK ABOUT... 772 00:41:20,652 --> 00:41:21,609 [drops gun] 773 00:41:21,653 --> 00:41:24,656 BEFORE YOU DIE. 774 00:41:30,531 --> 00:41:33,142 THE LAST THING... 775 00:41:33,186 --> 00:41:35,275 YOU'RE GONNA SEE. 776 00:41:39,801 --> 00:41:41,760 [gunshot] - [screams] 54182

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