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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,658 --> 00:00:06,919 . 2 00:00:06,963 --> 00:00:09,661 male narrator: IN THE CRIMINAL JUSTICE SYSTEM, 3 00:00:09,705 --> 00:00:12,621 SEXUALLY-BASED OFFENSES ARE CONSIDERED ESPECIALLY HEINOUS. 4 00:00:12,664 --> 00:00:15,145 IN NEW YORK CITY, THE DEDICATED DETECTIVES 5 00:00:15,189 --> 00:00:17,104 WHO INVESTIGATE THESE VICIOUS FELONIES 6 00:00:17,147 --> 00:00:18,540 ARE MEMBERS OF AN ELITE SQUAD 7 00:00:18,583 --> 00:00:20,498 KNOWN AS THE SPECIAL VICTIMS UNIT. 8 00:00:20,542 --> 00:00:22,848 THESE ARE THEIR STORIES. 9 00:00:34,077 --> 00:00:35,600 - NIGHT, ALL. 10 00:00:35,644 --> 00:00:38,081 - IT'S A LITTLE EARLY, ISN'T IT? YOU GOT PLANS? 11 00:00:38,125 --> 00:00:39,865 - YEAH, I'M GOING TO NIAGARA FALLS. 12 00:00:39,909 --> 00:00:42,651 IT'S A LONG WAY AWAY, SO I WANT TO GET A HEAD START. 13 00:00:42,694 --> 00:00:45,088 - CHECK OUT THE CANADIAN SIDE. THEY GOT SOME WILD CLUBS. 14 00:00:45,132 --> 00:00:47,047 - YEAH, IT'S MORE OF A NATURE TRIP. 15 00:00:47,090 --> 00:00:48,961 - GOING BY YOURSELF? - NO, FRANNIE. 16 00:00:49,005 --> 00:00:51,225 IT'S GONNA BE REAL ROMANTIC. - WELL, YOU KNOW YOU NEED PAPERS 17 00:00:51,268 --> 00:00:52,617 TO TAKE A DOG ACROSS THE BORDER, RIGHT? 18 00:00:52,661 --> 00:00:54,663 - YEAH. I GOT IT TAKEN CARE OF, DAD. 19 00:00:54,706 --> 00:00:56,230 THANK YOU. 20 00:00:56,273 --> 00:00:58,449 - YOU KNOW, I'LL WALK YOU OUT. 21 00:00:58,493 --> 00:01:01,844 I'M CATCHING THE TRAIN TO D.C. TO SEE ZARA. 22 00:01:01,887 --> 00:01:04,107 WEEKEND. 23 00:01:04,151 --> 00:01:08,111 - THOSE TWO. I WISH THEY'D JUST GET A ROOM ALREADY. 24 00:01:08,155 --> 00:01:12,159 - [chuckles] I'LL PRETEND I DIDN'T HEAR YOU SAY THAT. 25 00:01:15,597 --> 00:01:16,859 [Phantogram's Black Out Days plays] 26 00:01:16,902 --> 00:01:19,688 ♪ HIDE THE SUN 27 00:01:19,731 --> 00:01:22,169 ♪ 28 00:01:22,212 --> 00:01:26,695 ♪ I WILL LEAVE YOUR FACE OUT OF MY MIND ♪ 29 00:01:26,738 --> 00:01:29,567 ♪ 30 00:01:29,611 --> 00:01:32,614 ♪ A THOUSAND VOICES HOWLING IN MY HEAD ♪ 31 00:01:32,657 --> 00:01:40,665 ♪ 32 00:01:47,716 --> 00:01:52,547 ♪ SPEAK IN TONGUES 33 00:01:52,590 --> 00:01:53,939 - HIT ME. 34 00:01:53,983 --> 00:01:56,464 - YOU DO KNOW YOU HAVE A 16 AGAINST A DEALER 3. 35 00:01:56,507 --> 00:01:58,553 - YEAH, HOW ABOUT I COUNT MY CARDS, YOU COUNT YOURS? 36 00:01:58,596 --> 00:02:02,818 - BETTER LUCK NEXT TIME. HIT ME. 37 00:02:02,861 --> 00:02:05,125 MY LITTLE RAPARIGA. 38 00:02:05,168 --> 00:02:07,518 RRR! 39 00:02:07,562 --> 00:02:11,522 TWO CAPIRINHAS, ONE FOR ME AND ONE FOR MY NEW FRIEND. 40 00:02:15,047 --> 00:02:18,703 - UH, NO, THANKS. 41 00:02:18,747 --> 00:02:22,533 I SHOULD CALL IT A NIGHT. 42 00:02:27,495 --> 00:02:28,757 - WHAT'S THE CRAIC? 43 00:02:28,800 --> 00:02:30,150 THE AMBASSADOR GETTING HANDSY AGAIN? 44 00:02:30,193 --> 00:02:31,629 - I CAN HANDLE HIM. 45 00:02:31,673 --> 00:02:33,936 IT'S THE WOMAN WHO WAS SITTING NEXT TO HIM. 46 00:02:33,979 --> 00:02:35,372 - THE BLONDE. 47 00:02:35,416 --> 00:02:38,419 - YEAH. HER. YOU KNOW SHE'S A COP? 48 00:02:44,381 --> 00:02:46,427 - LEAVING EARLY? 49 00:02:46,470 --> 00:02:48,559 - QUIT WHILE YOU'RE BEHIND, RIGHT? 50 00:02:48,603 --> 00:02:50,213 - EVERYONE DOES. 51 00:02:50,257 --> 00:02:52,302 WOULD YOU MIND COMING WITH US, MISS? 52 00:02:52,346 --> 00:02:54,696 - UH, I MEAN, IS THERE A PROBLEM? 53 00:02:54,739 --> 00:02:56,915 - NO, ONLY SOLUTIONS. 54 00:02:56,959 --> 00:02:59,483 JUST DO AS I ASK. 55 00:02:59,527 --> 00:03:01,137 - I'M NOT COUNTING CARDS. 56 00:03:01,181 --> 00:03:02,791 IF I WAS, DO YOU THINK I'D BE DOWN 15 GRAND? 57 00:03:02,834 --> 00:03:04,575 - LET'S TAKE THIS OFF THE FLOOR, ALL RIGHT? 58 00:03:04,619 --> 00:03:05,576 HE'S ASKING YOU NICE. 59 00:03:05,620 --> 00:03:06,882 - OR WOULD YOU RATHER THIS NIGHT 60 00:03:06,925 --> 00:03:11,191 END UP COMPLETELY BANJAXED, HMM? 61 00:03:18,415 --> 00:03:20,591 - OKAY--OKAY, WHATEVER THIS IS-- 62 00:03:20,635 --> 00:03:22,289 - SHUT UP! 63 00:03:32,690 --> 00:03:34,953 - ♪ BLACK OUT DAYS 64 00:03:34,997 --> 00:03:37,086 - NO WIRE. 65 00:03:37,129 --> 00:03:38,566 NOT EVEN AN UNDERWIRE. 66 00:03:38,609 --> 00:03:44,224 - ♪ I DON'T RECOGNIZE YOU ANYMORE ♪ 67 00:03:47,488 --> 00:03:50,404 [dramatic music] 68 00:03:50,447 --> 00:03:58,455 ♪ 69 00:04:35,579 --> 00:04:35,753 . 70 00:04:35,797 --> 00:04:37,538 - AH, LOOK AT THIS. SHE'S A DETECTIVE. 71 00:04:40,105 --> 00:04:42,064 - YEAH, BUT I'M HERE OFF-DUTY. 72 00:04:42,107 --> 00:04:44,327 NO GUN, NO WIRE, NO WORRIES. 73 00:04:44,371 --> 00:04:47,330 - NO? YOU'RE THE ONE DOWN 15 GRAND, 74 00:04:47,374 --> 00:04:49,201 DETECTIVE ROLLINS, AND YOU'RE THE ONE STANDING HERE 75 00:04:49,245 --> 00:04:52,335 HALF NAKED WITH A GUN TO YOUR HEAD. 76 00:04:52,379 --> 00:04:53,771 MY NAME'S DECLAN O'ROURKE. 77 00:04:53,815 --> 00:04:55,382 PLEASED TO MEET YOU. 78 00:04:55,425 --> 00:04:56,339 - YEAH, YOU DON'T WANT TO THREATEN A COP. 79 00:04:56,383 --> 00:04:59,473 - WHY NOT? YOU'RE MANKY. 80 00:04:59,516 --> 00:05:00,952 YOU'RE DIRTY. 81 00:05:00,996 --> 00:05:03,477 YOU'RE A DIRTY, FILTHY LITTLE GIRL. 82 00:05:03,520 --> 00:05:05,174 AND YOU CAN'T DO A BLOODY THING 83 00:05:05,217 --> 00:05:07,785 UNLESS YOU'VE LIED 84 00:05:07,829 --> 00:05:11,354 AND YOU'RE INVESTIGATING US. HMM? 85 00:05:11,398 --> 00:05:13,443 - I-I'M HERE-- I'M HERE OFF-DUTY. 86 00:05:13,487 --> 00:05:16,098 THIS HAS NOTHING TO DO WITH MY JOB. 87 00:05:16,141 --> 00:05:17,578 - IT DOES NOW. 88 00:05:17,621 --> 00:05:21,364 - IF THIS IS ABOUT WHAT I OWE, I-I'M MAKING GOOD ON IT. 89 00:05:21,408 --> 00:05:22,365 I'VE GOT O.T. COMING. 90 00:05:22,409 --> 00:05:24,324 - WE'LL GET TO THAT. 91 00:05:24,367 --> 00:05:27,283 - FIRST YOU NEED TO PROVE THAT YOU'RE NOT AN INFORMER. 92 00:05:27,327 --> 00:05:28,763 YOU HAVE A TEST FOR HER? 93 00:05:28,806 --> 00:05:30,939 - I DO. 94 00:05:30,982 --> 00:05:32,375 AND IF YOU PASS, 95 00:05:32,419 --> 00:05:35,987 THEN WE CAN DISCUSS HOW YOU WORK OFF THE DEBT. 96 00:05:36,031 --> 00:05:38,555 - CAN I DO IT WITH A SHIRT ON? 97 00:05:49,261 --> 00:05:51,655 - GOOD MORNING. - MM. 98 00:05:51,699 --> 00:05:54,266 - WHAT'S UP WITH YOUR HAIR? 99 00:05:54,310 --> 00:05:57,922 - AU NATUREL. - MM. [chuckles] 100 00:05:57,966 --> 00:05:59,184 YOU'RE IN EARLY. - YEAH. 101 00:05:59,228 --> 00:06:00,185 - NIAGARA FALLS THAT BAD? 102 00:06:00,229 --> 00:06:02,623 - UH, YOU KNOW WHAT? 103 00:06:02,666 --> 00:06:05,452 WE DIDN'T MAKE IT. FRANNIE GOT CARSICK. 104 00:06:05,495 --> 00:06:06,627 - OH, POOR GIRL. 105 00:06:06,670 --> 00:06:09,281 DMV? - YEAH. 106 00:06:09,325 --> 00:06:11,806 I'M--YOU KNOW, A FRIEND OF MINE KEEPS GETTING TICKETS 107 00:06:11,849 --> 00:06:13,460 EVEN THOUGH HE PARKS IN A GARAGE. 108 00:06:13,503 --> 00:06:14,983 SO I'M JUST--I'M CHECKING IT OUT FOR HIM. 109 00:06:15,026 --> 00:06:17,986 - CAREFUL WITH FAVORS. YOU KNOW HOW I.A. CAN BE. 110 00:06:18,029 --> 00:06:19,422 [whispers] YOU KNOW, THEY TRACK EVERYTHING. 111 00:06:19,466 --> 00:06:20,771 [both chuckle] 112 00:06:23,818 --> 00:06:25,515 [water running] 113 00:06:25,559 --> 00:06:28,083 OH. ROUGH WEEKEND? 114 00:06:28,126 --> 00:06:30,433 - ACTUALLY, NO. IT WAS DOPE. 115 00:06:30,477 --> 00:06:34,219 - HEY, YOU NOTICE ANYTHING OFF WITH ROLLINS? 116 00:06:34,263 --> 00:06:37,440 - BESIDES HER GOING TO NIAGARA FALLS WITH HER DOG? 117 00:06:37,484 --> 00:06:39,442 - SHE NEVER MADE IT, AND NOW SHE'S IN EARLY 118 00:06:39,486 --> 00:06:41,139 LOOKING INTO SOME GUY'S PARKING TICKETS. 119 00:06:41,183 --> 00:06:43,403 - SO SHE MET A DUDE. GOOD FOR HER. 120 00:06:43,446 --> 00:06:44,926 - AND SHE'S ALREADY CHECKING TICKETS FOR HIM? 121 00:06:44,969 --> 00:06:46,057 I MEAN... - WHY ARE YOU SO INTERESTED? 122 00:06:46,101 --> 00:06:48,669 YOU GOT SOMETHING GOING FOR ROLLINS? 123 00:06:48,712 --> 00:06:49,887 - WHAT? OF COURSE NOT. 124 00:06:49,931 --> 00:06:51,889 - HEY, GOSSIP GIRLS. 125 00:06:51,933 --> 00:06:54,022 WE CAUGHT A SUSPECT ON THOSE PUSH-IN RAPES, 126 00:06:54,065 --> 00:06:56,328 A JUICE DELIVERY GUY. 127 00:06:56,372 --> 00:07:00,768 LET'S GO. 128 00:07:00,811 --> 00:07:02,422 - A DOZEN MORE LAST NIGHT. 129 00:07:02,465 --> 00:07:04,336 - IT'S NOT MY PRECINCT. 130 00:07:04,380 --> 00:07:05,642 BUT I DID FIND OUT WHEN THEY DO THEIR BLITZES. 131 00:07:05,686 --> 00:07:06,991 - BRILLIANT. 132 00:07:07,035 --> 00:07:08,950 BUT WE NEED THE TICKETS TO GO AWAY. 133 00:07:08,993 --> 00:07:13,345 - YOU CAN'T FIX TICKETS ANYMORE. THEY'LL TRACK IT RIGHT TO ME. 134 00:07:13,389 --> 00:07:15,435 - ONE MORE CHANCE. 135 00:07:18,481 --> 00:07:20,265 - THIS YOUNG LADY HAS BEEN SELECTED 136 00:07:20,309 --> 00:07:22,833 BY THE STATE OF NEW YORK TO DO HER CIVIC DUTY AS A JUROR. 137 00:07:22,877 --> 00:07:24,922 - VICTIMLESS CRIME. INSURANCE FRAUD. 138 00:07:24,966 --> 00:07:27,272 WE JUST WANT TO HELP HER COME TO THE RIGHT DECISION. 139 00:07:27,316 --> 00:07:28,970 - OH, MY GOD. 140 00:07:29,013 --> 00:07:31,363 - MY BOSS NEEDS HER ADDRESS. 141 00:07:31,407 --> 00:07:33,278 - YOU WANT THE HOME ADDRESS OF A JUROR? 142 00:07:33,322 --> 00:07:37,239 I GET CAUGHT, I LOSE EVERYTHING. 143 00:07:37,282 --> 00:07:39,981 - WE HAVE FOOTAGE OF YOU GAMBLING IN AN ILLEGAL CLUB. 144 00:07:40,024 --> 00:07:43,071 YOU'VE LOST EVERYTHING. - [sighs] 145 00:07:43,114 --> 00:07:45,029 - FIND HER. 146 00:07:45,073 --> 00:07:48,076 AND WHEN YOU DO, TEXT ME A PICTURE AND THE ADDRESS. 147 00:08:46,047 --> 00:08:47,396 COULDN'T FIND HER. 148 00:08:47,439 --> 00:08:50,442 - I MEAN, I TRIED. I LOST HER IN THE SUBWAY. 149 00:08:50,486 --> 00:08:53,402 - SHE COULDN'T FIND HER. 150 00:08:53,445 --> 00:08:56,710 AH, SHAME. 151 00:08:56,753 --> 00:08:59,408 ARE YOU TAKING THE MICK? 152 00:08:59,451 --> 00:09:01,715 - HMM? - [chuckles] 153 00:09:04,587 --> 00:09:06,371 WE FOLLOWED YOU! - AH! 154 00:09:06,415 --> 00:09:07,590 - YOU LED US RIGHT TO HER. 155 00:09:07,634 --> 00:09:09,374 CARLOS TOOK PICTURES. 156 00:09:09,418 --> 00:09:12,029 HMM? HMM? 157 00:09:12,073 --> 00:09:15,032 - YOU CAN'T-- YOU CAN'T DO THIS, OKAY? 158 00:09:15,076 --> 00:09:16,686 SHE'S GOT A SON. 159 00:09:16,730 --> 00:09:18,427 YOU NEED TO JUST LEAVE HER ALONE. 160 00:09:18,470 --> 00:09:21,430 - WHO THEN WOULD PAY THE MEDICAL BILLS FOR THE POOR BOY, HUH? 161 00:09:21,473 --> 00:09:25,390 WE'RE NOT THREATENING HER. WE'RE HELPING HER. 162 00:09:25,434 --> 00:09:28,219 UNFORTUNATELY, YOU ARE NOT HELPING YOURSELF. 163 00:09:28,263 --> 00:09:29,699 - YOU KNOW WHAT? - TWO STRIKES! 164 00:09:29,743 --> 00:09:32,006 - I'M NOT DOING ANYTHING THAT'S GONNA GET SOMEBODY HURT! 165 00:09:32,049 --> 00:09:35,923 - WELL... 166 00:09:35,966 --> 00:09:39,230 I GUESS IT'S OVER, HMM? 167 00:09:39,274 --> 00:09:41,972 WHO SHALL I CALL, YOUR SERGEANT? 168 00:09:42,016 --> 00:09:44,888 I.A.B.? I HAVE BOTH NUMBERS RIGHT HERE. 169 00:09:44,932 --> 00:09:47,804 JAIL TIME FOR A COP 170 00:09:47,848 --> 00:09:50,154 IS NOT A PLEASANT THING. 171 00:09:50,198 --> 00:09:52,417 - WAIT. WAIT, JUST WAIT. 172 00:09:52,461 --> 00:09:54,376 WAIT. WAIT, WAIT! 173 00:09:54,419 --> 00:09:56,944 WAIT. 174 00:10:00,948 --> 00:10:05,692 MAYBE THERE'S SOME OTHER WAY WE CAN WORK THIS OUT... 175 00:10:06,954 --> 00:10:09,783 - CARLOS, GO HELP SET UP. 176 00:10:11,523 --> 00:10:13,830 - YOU'RE THE BOSS. 177 00:10:33,023 --> 00:10:35,939 - YOU CAN'T-- YOU CAN'T RECORD THIS. 178 00:10:35,983 --> 00:10:39,421 - YOU ARE NOT CALLING THE SHOTS, SWEETHEART. 179 00:10:39,464 --> 00:10:41,249 I AM. 180 00:10:41,292 --> 00:10:44,034 COME HERE. 181 00:10:59,484 --> 00:10:59,789 . 182 00:10:59,833 --> 00:11:02,531 - MARCELO. MM. YOU BACK WITH US? 183 00:11:02,574 --> 00:11:05,360 - OH, MY GOD. PREGNANCY SUITS YOU, HUH? 184 00:11:05,403 --> 00:11:07,536 - [laughs] STOP IT. 185 00:11:10,539 --> 00:11:14,456 - YOU BETTER MAKE GOOD TONIGHT. MY BOSS IS GETTING IMPATIENT. 186 00:11:17,807 --> 00:11:19,722 HE'S CUT OFF. THAT'S HIS LAST ONE. 187 00:11:19,766 --> 00:11:22,159 - TELL HIM TO KEEP HIS HANDS OFF MY ASS. 188 00:11:25,815 --> 00:11:27,730 - EVERYTHING OKAY? 189 00:11:27,774 --> 00:11:30,559 - LITTLE BRASSER JUST PASSED HER THIRD TEST. 190 00:11:30,602 --> 00:11:33,562 SHE WENT BELOW AND BEYOND THE CALL OF DUTY. 191 00:11:33,605 --> 00:11:35,477 DON'T GIVE ME THE LOOK. 192 00:11:35,520 --> 00:11:37,958 NOW WE KNOW SHE'S NOT WORKING UNDERCOVER. 193 00:11:38,001 --> 00:11:40,787 - GET OUT, DECLAN. WATCH THE FLOOR. 194 00:11:44,051 --> 00:11:45,922 [door shuts] 195 00:11:48,533 --> 00:11:51,667 WHATEVER YOU JUST DID FOR HIM, 196 00:11:51,711 --> 00:11:54,235 YOU WON'T HAVE TO DO IT AGAIN. 197 00:11:54,278 --> 00:11:56,106 - THANK YOU. 198 00:12:00,284 --> 00:12:03,418 UM, HERE'S THE DEAL. I JUST WORK FOR YOU. 199 00:12:03,461 --> 00:12:06,203 AND YOU MAKE SURE DECLAN KNOWS THAT. 200 00:12:06,247 --> 00:12:08,728 - I THINK HE GOT THE MESSAGE. 201 00:12:08,771 --> 00:12:09,685 ANOTHER? 202 00:12:09,729 --> 00:12:11,034 - THANKS. 203 00:12:13,297 --> 00:12:16,126 YOUR SHOW HERE, IT'S IMPRESSIVE. 204 00:12:16,170 --> 00:12:18,650 JUST SO YOU KNOW, YOU'RE NOT ON THE, UM... 205 00:12:18,694 --> 00:12:20,478 RADAR OF THE NYPD. 206 00:12:20,522 --> 00:12:22,480 - WHY WOULD I BE? 207 00:12:22,524 --> 00:12:26,571 I'M AN IVY LEAGUE-EDUCATED ART HISTORY MAJOR. 208 00:12:26,615 --> 00:12:29,661 - MY FAMILY, HARDSCRABBLE. 209 00:12:29,705 --> 00:12:32,447 RURAL GEORGIA, SO... 210 00:12:32,490 --> 00:12:34,449 - MY BOY... 211 00:12:34,492 --> 00:12:37,452 HE'S NOT GONNA HAVE TO GROW UP THE WAY I DID. 212 00:12:37,495 --> 00:12:42,457 YOU EVER ASK YOURSELF WHAT IT IS YOU WANT OUT OF LIFE? 213 00:12:45,025 --> 00:12:48,071 - THIS DOESN'T SEEM SO BAD. - YOU CAN... 214 00:12:48,115 --> 00:12:51,248 YOU CAN DO WELL FOR YOURSELF HERE. 215 00:12:51,292 --> 00:12:55,078 IF YOU CAN LET GO OF YOUR WORKING-CLASS MORALITY. 216 00:12:58,647 --> 00:13:00,127 CAN YOU DO THAT? 217 00:13:00,170 --> 00:13:03,565 - CAN YOU LET GO OF MY DEBT? 218 00:13:03,608 --> 00:13:04,566 [laughs] 219 00:13:04,609 --> 00:13:08,352 [both laugh] 220 00:13:08,396 --> 00:13:10,964 - YOU'LL WORK IT OFF. 221 00:13:13,967 --> 00:13:17,492 - OKAY. UM... 222 00:13:17,535 --> 00:13:22,497 JUST BY THE WAY, HOW LONG HAVE YOU WORKED WITH DECLAN? 223 00:13:22,540 --> 00:13:24,542 - TWO YEARS. WHY? 224 00:13:24,586 --> 00:13:26,153 - YOU TRUST HIM? 225 00:13:26,196 --> 00:13:28,111 - IS THERE A REASON I SHOULDN'T? 226 00:13:28,155 --> 00:13:29,721 - I DON'T KNOW. 227 00:13:29,765 --> 00:13:31,071 I JUST WOULDN'T TAKE A VERY LONG MATERNITY LEAVE. 228 00:13:31,114 --> 00:13:32,463 YOUR WORLD'S LIKE MINE, YOU KNOW. 229 00:13:32,507 --> 00:13:33,943 WE WORK OUR ASSES OFF TO GET WHERE WE ARE, 230 00:13:33,987 --> 00:13:35,423 THEN A MAN COMES AROUND 231 00:13:35,466 --> 00:13:38,600 AND JUST THINKS EVERYTHING SHOULD BE HANDED TO HIM. 232 00:13:48,044 --> 00:13:52,919 - YOU DO KNOW THAT WE'RE SPREAD PRETTY THIN HERE. 233 00:13:52,962 --> 00:13:55,182 I UNDERSTAND. 234 00:13:55,225 --> 00:13:58,141 I GOT IT. 235 00:13:58,185 --> 00:14:00,970 [knock at door] - LIV, CAN WE HAVE A SECOND? 236 00:14:01,014 --> 00:14:02,406 - WHAT? 237 00:14:02,450 --> 00:14:04,191 - YOU HAVE A PROBLEM. 238 00:14:04,234 --> 00:14:05,409 - I HAVE A PROBLEM. 239 00:14:05,453 --> 00:14:07,411 - AMARO'S WORRIED ABOUT ROLLINS. 240 00:14:07,455 --> 00:14:11,067 - YEAH. SHE CALLED IN SICK. SHE HAS THE FLU. 241 00:14:12,852 --> 00:14:14,201 WHAT? YOU KNOW DIFFERENT? 242 00:14:14,244 --> 00:14:16,029 - SHE WASN'T ANSWERING HER PHONE, 243 00:14:16,072 --> 00:14:18,509 SO WE WENT OVER TO HER PLACE WITH SOME SOUP 244 00:14:18,553 --> 00:14:20,120 AND SHE WASN'T THERE. 245 00:14:20,163 --> 00:14:22,731 - I TRACKED HER CELL TO A WAREHOUSE IN THE NAVY YARD. 246 00:14:22,774 --> 00:14:26,561 SHE WAS TALKING WITH SOME GUY WHO LOOKED IRISH MOB TO ME. 247 00:14:26,604 --> 00:14:29,042 MY GUESS? IT'S A GAMBLING CLUB. 248 00:14:29,085 --> 00:14:31,087 - BUT WE DON'T KNOW THAT. - WELL, SHE GOT OUT PRETTY LATE. 249 00:14:31,131 --> 00:14:32,393 - AND I TOLD NICK IT MIGHT BE NOTHING-- 250 00:14:32,436 --> 00:14:33,611 - OKAY, THANK YOU FOR COMING IN. 251 00:14:33,655 --> 00:14:36,788 I APPRECIATE IT. I WILL TAKE CARE OF IT. 252 00:14:43,273 --> 00:14:46,059 NICK, I APPRECIATE YOUR CONCERN. 253 00:14:46,102 --> 00:14:48,539 BUT I DO HAVE A PROBLEM WITH YOU 254 00:14:48,583 --> 00:14:51,629 TRACKING ROLLINS'S CELL AND FOLLOWING HER. 255 00:14:51,673 --> 00:14:54,241 - LIV, I DIDN'T WANT TO TAKE ANY CHANCES, ALL RIGHT? 256 00:14:54,284 --> 00:14:55,633 AFTER WHAT HAPPENED WITH YOU. 257 00:14:55,677 --> 00:14:57,026 ALL RIGHT? I'M NOT STALKING HER. 258 00:14:57,070 --> 00:15:00,900 - WELL, IT'S FUNNY THAT YOU SHOULD SAY THAT. 259 00:15:03,163 --> 00:15:07,080 HOW ARE YOU AND MARIA DOING? 260 00:15:07,123 --> 00:15:09,082 - WE'RE WORKING IT OUT. 261 00:15:09,125 --> 00:15:10,735 - YEAH. 262 00:15:10,779 --> 00:15:12,302 YEAH, NICK, THE THING IS, IS THAT 263 00:15:12,346 --> 00:15:14,957 MARIA HAS CALLED ME A COUPLE OF TIMES. 264 00:15:15,001 --> 00:15:18,047 AND SHE'S WORRIED ABOUT YOU. 265 00:15:18,091 --> 00:15:19,962 OKAY? 266 00:15:20,006 --> 00:15:23,618 IS THERE ANYTHING YOU WANT TO TELL ME ABOUT? 267 00:15:23,661 --> 00:15:25,228 - I'M SORRY SHE PULLED YOU IN. 268 00:15:25,272 --> 00:15:27,100 SHE WON'T NEED TO CALL YOU AGAIN. 269 00:15:27,143 --> 00:15:28,188 - GOOD. 270 00:15:28,231 --> 00:15:29,929 AND KEEP AWAY FROM ROLLINS TOO. 271 00:15:29,972 --> 00:15:32,105 - YEAH, SARGE. 272 00:15:35,847 --> 00:15:37,110 - ONE MORE TASK. 273 00:15:37,153 --> 00:15:40,243 MARCELO, THE BRAZILIAN, 274 00:15:40,287 --> 00:15:42,028 NEEDS A LIFT HOME AND HELP UP THE STAIRS. 275 00:15:42,071 --> 00:15:43,594 - I... 276 00:15:43,638 --> 00:15:45,335 - DON'T FLATTER YOURSELF. 277 00:15:45,379 --> 00:15:49,165 HE'S NOT INTO TRAILER TRASH. 278 00:15:51,167 --> 00:15:53,996 - YEAH, WELL, THAT WAITRESS THAT RATTED ME OUT? 279 00:15:54,040 --> 00:15:55,345 SHE'S 16. 280 00:15:55,389 --> 00:15:57,478 LAST THING YOU NEED. 281 00:15:57,521 --> 00:15:59,480 - 16? ARE YOU SURE? 282 00:15:59,523 --> 00:16:01,917 - MM-HMM. - [sighs] 283 00:16:01,961 --> 00:16:04,224 FOR GOD'S SAKE, DECLAN. I THOUGHT YOU VETTED HER. 284 00:16:04,267 --> 00:16:07,183 - I'LL TAKE CARE OF IT. 285 00:16:07,227 --> 00:16:11,144 - DOWN 63RD STREET, NUMBER 24. 286 00:16:11,187 --> 00:16:14,277 SO THEY MADE YOU A DRIVER? 287 00:16:14,321 --> 00:16:19,239 SURPRISED THEY DON'T HAVE YOU WORKING IT OFF ON YOUR BACK. 288 00:16:19,282 --> 00:16:21,241 - HOW ARE THEY WORKING YOU? 289 00:16:21,284 --> 00:16:23,025 - WORKING ME? 290 00:16:23,069 --> 00:16:24,809 YEAH, THEY SEND ME HOME WITH BEAUTIFUL WOMEN. 291 00:16:24,853 --> 00:16:27,334 [both chuckle] 292 00:16:27,377 --> 00:16:30,163 I'M A DIPLOMAT WITH IMMUNITY. 293 00:16:30,206 --> 00:16:32,687 - SO SCREW THEM. 294 00:16:32,730 --> 00:16:35,168 - EXACTLY. 295 00:16:35,211 --> 00:16:36,821 I'M NEVER GOING TO PAY. 296 00:16:36,865 --> 00:16:40,347 I OWE THEM SO MUCH, THEY NEED ME. 297 00:16:40,390 --> 00:16:44,960 THAT'S IT, AT THE END OF THE BLOCK. 298 00:16:47,702 --> 00:16:52,707 THE CODE IS HIT ME 44863. 299 00:16:54,926 --> 00:16:57,929 - OH, HERE SHE COMES. HERE SHE COMES. 300 00:16:57,973 --> 00:16:58,974 - I DON'T KNOW WHO YOU ARE, 301 00:16:59,018 --> 00:17:00,323 BUT IF YOU THINK YOU'RE COMING IN-- 302 00:17:00,367 --> 00:17:02,282 - I'M JUST THE DESIGNATED DRIVER. 303 00:17:02,325 --> 00:17:03,979 - RECEPTION AT THE RUSSIAN MISSION. 304 00:17:04,023 --> 00:17:06,112 THEY STARTED TOASTING WITH THE GOOD VODKA. 305 00:17:06,155 --> 00:17:07,243 - LET ME HELP. 306 00:17:18,689 --> 00:17:21,257 NICE PLACE. 307 00:17:21,301 --> 00:17:23,259 - NONE OF IT BELONGS TO US. 308 00:17:23,303 --> 00:17:26,871 BELONGS TO THE BRAZILIAN GOVERNMENT. 309 00:17:26,915 --> 00:17:29,048 YOU CAN GO NOW. 310 00:17:30,919 --> 00:17:32,877 TELL THEM NOT TO CALL ME ANYMORE. 311 00:17:32,921 --> 00:17:36,098 AND DO NOT LET HIM BACK IN YOUR CLUB. 312 00:17:36,142 --> 00:17:38,883 MY HUSBAND HAS HIS PROBLEMS, BUT YOU PEOPLE ARE WORSE. 313 00:17:38,927 --> 00:17:41,712 YOU TAKE ADVANTAGE OF HIM. 314 00:17:41,756 --> 00:17:43,062 GET OUT. 315 00:17:50,243 --> 00:17:53,246 [phone buzzes] 316 00:17:59,252 --> 00:18:03,125 - HOW'S THE FLU? 317 00:18:03,169 --> 00:18:04,953 - I JUST TOOK A COUPLE MENTAL HEALTH DAYS. 318 00:18:04,996 --> 00:18:08,217 - YEAH, RIGHT. HOW MUCH DO YOU NEED? 319 00:18:10,045 --> 00:18:13,179 - I'M FINE. I'M MOONLIGHTING TO PAY IT OFF. 320 00:18:13,222 --> 00:18:15,746 - WHERE? 321 00:18:15,790 --> 00:18:17,008 - WORKING SECURITY AT A CLUB. 322 00:18:17,052 --> 00:18:20,229 - THIS CLUB HAVE CARDS? 323 00:18:20,273 --> 00:18:21,839 HOW MUCH DO YOU OWE? 324 00:18:21,883 --> 00:18:24,059 ARE THEY ASKING YOU FOR ANYTHING? 325 00:18:24,103 --> 00:18:28,194 ADDRESSES, LICENSES. CAN YOU JUST WALK AWAY? 326 00:18:28,237 --> 00:18:29,543 - SOON. 327 00:18:29,586 --> 00:18:31,545 - IT'S NOT SOON ENOUGH. 328 00:18:31,588 --> 00:18:34,591 I MEAN, IF I'M NOTICING, OTHER PEOPLE ARE NOTICING. 329 00:18:34,635 --> 00:18:36,767 AMANDA, THIS IS GONNA COME DOWN ON YOUR THICK HEAD. 330 00:18:36,811 --> 00:18:38,639 - YOU KNOW WHAT, FIN? 331 00:18:38,682 --> 00:18:42,033 I MEAN, COME ON, OKAY? I GOT IT UNDER CONTROL. 332 00:18:42,077 --> 00:18:45,254 - OKAY. YOU KNOW WHERE TO FIND ME. 333 00:18:45,298 --> 00:18:47,691 AND TAKE THIS. 334 00:18:49,519 --> 00:18:52,957 WHATEVER YOU'RE DOING, I WANT YOU TO STOP NOW. 335 00:18:53,001 --> 00:18:56,918 I'M NOT READY FOR ANOTHER PARTNER. 336 00:19:05,361 --> 00:19:09,148 - PARTNER CARES. IT'S TOUCHING. 337 00:19:09,191 --> 00:19:10,845 - I SAID I'D GET RID OF HIM. I DID. 338 00:19:10,888 --> 00:19:12,629 YOU DIDN'T HAVE TO COME. 339 00:19:12,673 --> 00:19:15,893 - HE KEEPS NOSING AROUND, THEN IT'S A PROBLEM. 340 00:19:15,937 --> 00:19:19,027 - YEAH, WELL, MAYBE IT'S TIME FOR ME TO GET OUT. 341 00:19:19,070 --> 00:19:21,638 - TOO LATE. SONDRA NEEDS ANOTHER FAVOR. 342 00:19:21,682 --> 00:19:25,207 CARLOS HERE GOT HIMSELF INTO A BIT OF A JAM 343 00:19:25,251 --> 00:19:26,687 DRIVING A CLIENT HOME A WHILE BACK. 344 00:19:26,730 --> 00:19:29,690 - I GOT STOPPED IN A SPEED TRAP WITH AN UNLICENSED GUN. 345 00:19:29,733 --> 00:19:32,214 IT WAS A SETUP. 346 00:19:32,258 --> 00:19:36,218 - I DON'T WORK FOR THE D.A. 347 00:19:36,262 --> 00:19:38,655 - SAY THE GUN GOES AWAY. 348 00:19:38,699 --> 00:19:41,267 THERE GOES THE CASE, RIGHT? 349 00:19:46,272 --> 00:19:49,057 - YOU DON'T HAVE A RECORD? 350 00:19:49,100 --> 00:19:50,232 NO PRIORS? 351 00:19:50,276 --> 00:19:53,279 - NOT EVEN A PARKING TICKET. 352 00:19:53,322 --> 00:19:57,457 - SEE WHAT YOU CAN DO. 353 00:20:07,902 --> 00:20:12,646 - HEY. NEED TO SIGN THIS OUT. THE PAPERWORK'S ALL HERE. 354 00:20:22,003 --> 00:20:23,874 - SIGN RIGHT THERE, DETECTIVE WHEELER. 355 00:20:43,503 --> 00:20:43,851 . 356 00:20:43,894 --> 00:20:46,245 - NICELY DONE, AMANDA. 357 00:20:46,288 --> 00:20:47,985 THIS TAKES CARE OF THE INTEREST ON YOUR DEBT THIS WEEK. 358 00:20:48,029 --> 00:20:49,857 - SINCE THE CHARGES WERE DROPPED, 359 00:20:49,900 --> 00:20:51,598 MY DNA'S NOT IN THE SYSTEM NO MORE, RIGHT? 360 00:20:51,641 --> 00:20:53,164 - IT NEVER WAS. 361 00:20:53,208 --> 00:20:56,429 DNA ISN'T ENTERED INTO CODIS UNLESS THERE'S A CONVICTION. 362 00:20:56,472 --> 00:20:59,040 - WHEN'S YOUR NEXT SHIFT AT SVU? - IT'S TONIGHT. 363 00:20:59,083 --> 00:21:00,171 BUT I CAN'T TAKE ANY MORE SICK DAYS. 364 00:21:00,215 --> 00:21:01,608 MY SERGEANT'S ON ME. 365 00:21:01,651 --> 00:21:02,783 - ANY CHANCE YOU COULD PULL A DOUBLE? 366 00:21:02,826 --> 00:21:05,307 - WHAT'S THIS? 367 00:21:05,351 --> 00:21:07,222 SOMETHING I SHOULD KNOW ABOUT? 368 00:21:07,266 --> 00:21:10,660 - IF YOU NEEDED TO KNOW ABOUT IT, DECLAN, I WOULD'VE TOLD YOU. 369 00:21:10,704 --> 00:21:13,097 WE'LL BE IN TOUCH. 370 00:21:21,671 --> 00:21:23,543 - SEE THE CLOCK? 371 00:21:23,586 --> 00:21:26,633 - YEAH, I JUST HAVE A FEW THINGS TO CLEAN UP HERE. 372 00:21:26,676 --> 00:21:29,026 [phone ringing] 373 00:21:29,070 --> 00:21:31,638 - SVU. 374 00:21:31,681 --> 00:21:33,640 YEAH. 375 00:21:33,683 --> 00:21:36,469 24 EAST 63RD STREET. 376 00:21:36,512 --> 00:21:37,557 OKAY, I GOT IT. 377 00:21:37,600 --> 00:21:40,560 [phone thuds] 378 00:21:40,603 --> 00:21:43,737 - YOU KNOW WHAT? I'LL TAKE IT. 379 00:21:43,780 --> 00:21:47,001 YOU GUYS HAVE BEEN CARRYING MY WEIGHT FOR A WHILE. 380 00:21:47,044 --> 00:21:50,570 - I'LL COME WITH YOU, PARTNER. 381 00:21:56,010 --> 00:21:57,446 SO WHAT YOU GOT? 382 00:21:57,490 --> 00:21:59,274 - BRAZILIAN DIPLOMAT'S HOME. 383 00:21:59,318 --> 00:22:02,495 PERP USES THE SECURITY KEYPAD, ENTERS, PULLS A GUN, 384 00:22:02,538 --> 00:22:05,976 TIES THE HUSBAND UP, RAPES THE WIFE. 385 00:22:08,152 --> 00:22:11,417 HE TOOK SOME CASH BUT LEFT HER JEWELRY AND ELECTRONICS. 386 00:22:11,460 --> 00:22:14,115 OH, AND MAJOR CASE IS SENDING OVER THEIR ART CRIMES EXPERT. 387 00:22:14,158 --> 00:22:15,682 - ART CRIMES EXPERT? 388 00:22:15,725 --> 00:22:17,771 - APPARENTLY SOME SIGNIFICANT PAINTINGS WERE STOLEN. 389 00:22:17,814 --> 00:22:19,250 BEATRIZ AMARANTE, 390 00:22:19,294 --> 00:22:21,557 BRAZIL'S FOREMOST MODERN SOMETHING-OR-OTHER. 391 00:22:21,601 --> 00:22:24,125 - HIGH-END ART THIEVES. THEY USUALLY HIT AND RUN. 392 00:22:24,168 --> 00:22:26,170 WHY STAY AROUND AND RAPE THE WIFE? 393 00:22:26,214 --> 00:22:27,563 - GOOD QUESTION. 394 00:22:27,607 --> 00:22:29,348 - WAITING FOR SVU. YOU DO SOMETHING! 395 00:22:29,391 --> 00:22:30,566 AREN'T YOU THE POLICE? 396 00:22:30,610 --> 00:22:32,351 - DETECTIVE TUTUOLA, SVU, MR... 397 00:22:32,394 --> 00:22:33,874 - GUARANA. 398 00:22:33,917 --> 00:22:38,922 MARCELO GUARANA. WHAT THE HELL TOOK YOU SO LONG? 399 00:22:38,966 --> 00:22:42,404 - I'M GONNA TAKE THE WIFE. 400 00:22:42,448 --> 00:22:44,406 - WANT TO JUST TELL ME WHAT HAPPENED? 401 00:22:44,450 --> 00:22:46,582 - I, UH... 402 00:22:46,626 --> 00:22:49,193 MY WIFE GOT RAPED. I CAME IN. 403 00:22:49,237 --> 00:22:52,414 HE JUMPED ME, HE WORE A MASK. 404 00:22:52,458 --> 00:22:54,503 - I THOUGHT YOU SAID YOU GOT A GOOD LOOK AT HIM. 405 00:22:54,547 --> 00:22:56,418 - I DIDN'T SEE ANYTHING. HE JUMPED ME. 406 00:22:56,462 --> 00:22:59,073 - OKAY. WHAT KIND OF MASK? 407 00:22:59,116 --> 00:23:00,770 - BLACK, BLUE--A MASK. A MASK. 408 00:23:00,814 --> 00:23:02,381 - ALL RIGHT, OKAY, OKAY. 409 00:23:04,818 --> 00:23:06,689 - THEY DID THIS TO HURT HIM. 410 00:23:06,733 --> 00:23:09,126 - MRS. GUARANA? 411 00:23:09,170 --> 00:23:11,390 EMTs ARE GONNA TAKE YOU TO THE HOSPITAL. 412 00:23:11,433 --> 00:23:13,087 I JUST HAVE TO ASK YOU A FEW QUESTIONS. 413 00:23:13,130 --> 00:23:15,089 - NO, NO-- 414 00:23:15,132 --> 00:23:18,745 I GET THE MESSAGE. OKAY? 415 00:23:18,788 --> 00:23:22,313 I KNOW WHAT TO DO. 416 00:23:22,357 --> 00:23:24,664 - WHAT TO DO? 417 00:23:29,495 --> 00:23:33,368 - I DON'T REMEMBER ANYTHING, RIGHT? 418 00:23:34,717 --> 00:23:37,720 I'M IN PAIN. CAN I GO? 419 00:23:37,764 --> 00:23:39,026 - MA'AM. 420 00:23:39,069 --> 00:23:40,070 - YEAH. 421 00:23:40,114 --> 00:23:42,943 - OKAY. 422 00:23:42,986 --> 00:23:44,988 - LET'S GO. 423 00:23:45,032 --> 00:23:47,121 - SO THE DIPLOMAT TOLD THE RESPONDING DETECTIVE 424 00:23:47,164 --> 00:23:48,992 THAT HE SAW THE RAPIST'S FACE, 425 00:23:49,036 --> 00:23:52,779 BUT HE TOLD YOU THAT THE RAPIST WORE A MASK? 426 00:23:52,822 --> 00:23:55,216 HOW'S THE WIFE? - SHE SHUT DOWN. 427 00:23:55,259 --> 00:23:57,044 I DON'T KNOW. MAYBE SHE'S IN SHOCK. 428 00:23:57,087 --> 00:23:58,915 - OR THEY KNOW THE PERP AND THEY'RE AFRAID OF HIM. 429 00:23:58,959 --> 00:24:01,048 - WELL, THE ASSAILANT KNEW THEM, KNEW THEIR DOOR CODE, 430 00:24:01,091 --> 00:24:02,441 WHICH PAINTINGS TO TAKE... 431 00:24:02,484 --> 00:24:03,616 - SO THE RAPE IS TO THROW US OFF? 432 00:24:03,659 --> 00:24:04,921 - OR SEND A MESSAGE. 433 00:24:04,965 --> 00:24:06,314 WE CAN TALK TO THE CONSULATE IN THE MORNING. 434 00:24:06,357 --> 00:24:07,837 MAYBE THEY KNOW SOMETHING. 435 00:24:07,881 --> 00:24:09,796 - ISN'T HE THE HEAD OF THE CONSULATE? 436 00:24:09,839 --> 00:24:11,101 - YOU KNOW WHAT? 437 00:24:11,145 --> 00:24:13,190 I CAN PULL THE FRONT DOOR SECURITY VIDEO, 438 00:24:13,234 --> 00:24:14,975 CHECK FOR OTHER CAMERAS ON THE BLOCK. 439 00:24:15,018 --> 00:24:18,587 I MEAN, THE GUY'S PRETTY BRAZEN. WE MIGHT GET SOMETHING. 440 00:24:18,631 --> 00:24:20,502 - ANYTHING FROM THE FRONT DOOR? 441 00:24:20,546 --> 00:24:22,461 - THAT VIDEO'S GONE. THE PERP MUST'VE TAKEN IT. 442 00:24:22,504 --> 00:24:24,941 BUT I FOUND A GOOD CAMERA FROM ACROSS THE STREET. 443 00:24:24,985 --> 00:24:26,377 - WHOA, WHOA. SLOW DOWN. I KNOW YOU'RE FAST. 444 00:24:26,421 --> 00:24:28,075 I CAN'T SEE A THING. - YOU KNOW, I GOT THIS. 445 00:24:28,118 --> 00:24:29,946 ANYTHING FROM THE LAB? 446 00:24:29,990 --> 00:24:31,992 - THE VICTIM WOULDN'T DO A RAPE KIT. 447 00:24:32,035 --> 00:24:34,603 CSU RECOVERED SEMEN AND HAIR FROM THE CRIME SCENE. 448 00:24:34,647 --> 00:24:35,996 THEY'RE RUNNING THE DNA. 449 00:24:36,039 --> 00:24:37,519 - SO I VISITED THE BRAZILIAN CONSULATE. 450 00:24:37,563 --> 00:24:40,783 THEY WERE, UH, LESS THAN HELPFUL. 451 00:24:40,827 --> 00:24:43,046 - OKAY, THANKS. 452 00:24:43,090 --> 00:24:46,049 - YOU GOT SOMETHING? - YEAH, WE GOT A HIT ON THE DNA. 453 00:24:46,093 --> 00:24:49,052 CARLOS RIVA. 454 00:24:49,096 --> 00:24:50,924 - ARE YOU SURE? 455 00:24:50,967 --> 00:24:54,493 I MEAN, HE'S IN THE SYSTEM, AND HE LEAVES HIS DNA AT THE SCENE? 456 00:24:54,536 --> 00:24:56,103 - ANY RECORD? 457 00:24:56,146 --> 00:24:58,018 - HE GOT A GUN CHARGE THAT JUST GOT DROPPED. 458 00:24:58,061 --> 00:25:00,020 - WELL, HOW DO WE HAVE HIS DNA THEN? 459 00:25:00,063 --> 00:25:04,328 - HAD A MISDEMEANOR LAST FALL, STALKING IN THE FOURTH DEGREE. 460 00:25:04,372 --> 00:25:07,070 HE GOT IT PLED DOWN TO DOMESTIC ASSAULT. 461 00:25:07,114 --> 00:25:09,899 - GOOD THING NEW YORK FINALLY AUTHORIZED ALL CRIMES DNA. 462 00:25:09,943 --> 00:25:11,858 - HE MUST'VE NOT REALIZED THAT. 463 00:25:11,901 --> 00:25:14,251 HE MUST'VE THOUGHT THAT ONCE THE GUN CHARGE WAS DROPPED 464 00:25:14,295 --> 00:25:16,471 HIS DNA WASN'T IN THE SYSTEM. 465 00:25:16,515 --> 00:25:18,038 - SO WE'RE LOOKING FOR A DUMMY. 466 00:25:18,081 --> 00:25:20,083 - THE ARREST REPORT SAYS 467 00:25:20,127 --> 00:25:21,215 HE WAS A DRIVER AT A CHELSEA ART GALLERY. 468 00:25:21,258 --> 00:25:22,869 LET'S FOLLOW UP WITH THIS GALLERY, 469 00:25:22,912 --> 00:25:24,871 SEE IF HE STILL WORKS THERE. - OKAY, WE'RE ON IT. 470 00:25:24,914 --> 00:25:27,482 - GUYS, I'VE BEEN ON 16 HOURS. - OKAY, YOU KNOW WHAT? 471 00:25:27,526 --> 00:25:29,092 YOU GO HOME. WE GOT THIS. 472 00:25:32,618 --> 00:25:36,230 WHATEVER YOU'RE THINKING-- DON'T. 473 00:25:38,624 --> 00:25:40,669 - [Middle Eastern accent] YOU SAID HIS NAME 474 00:25:40,713 --> 00:25:43,324 IS CARLOS RIVA? - MM-HMM. 475 00:25:43,367 --> 00:25:45,326 - I'M SORRY. 476 00:25:45,369 --> 00:25:47,110 I DON'T RECOGNIZE HIM. 477 00:25:47,154 --> 00:25:50,026 HE WAS A DRIVER. 478 00:25:50,070 --> 00:25:51,898 I DON'T DEAL WITH THE DELIVERY MEN. 479 00:25:51,941 --> 00:25:54,378 - WELL, HE ALSO CLAIMED TO WORK SECURITY HERE. 480 00:25:54,422 --> 00:25:57,904 - I CAN CHECK. 481 00:25:57,947 --> 00:26:01,385 CAN I ASK WHY THE POLICE ARE LOOKING FOR HIM? 482 00:26:01,429 --> 00:26:02,865 - WE JUST WANT TO ASK HIM A FEW QUESTIONS. 483 00:26:02,909 --> 00:26:04,954 - YOU'RE THE OWNER, RIGHT? 484 00:26:04,998 --> 00:26:07,087 YOUR BOOKKEEPER MUST KEEP A RECORD OF EMPLOYEE ADDRESSES. 485 00:26:07,130 --> 00:26:10,525 - SHE'S ON LEAVE. I'LL HAVE MY ASSISTANT CALL HER. 486 00:26:10,569 --> 00:26:12,092 SHE'LL GET BACK TO YOU. 487 00:26:12,135 --> 00:26:16,400 - YEAH. SOON, OKAY? 488 00:26:16,444 --> 00:26:17,880 NOW LET ME ASK YOU, 489 00:26:17,924 --> 00:26:20,970 ARE YOU FAMILIAR WITH A PAINTER NAMED BEATRIZ AMARANTE? 490 00:26:21,014 --> 00:26:24,408 - ONE OF BRAZIL'S SIGNIFICANT TALENTS. 491 00:26:24,452 --> 00:26:28,108 - DO YOU CARRY ANY OF HER WORK? - NO. 492 00:26:28,151 --> 00:26:31,677 SHE'S AN AUDACIOUS PAINTER, 493 00:26:31,720 --> 00:26:35,289 BUT SHE'S NOT QUITE ON OUR RADAR. 494 00:26:36,638 --> 00:26:38,640 - OKAY, CARLOS WORKS IN AN ART GALLERY 495 00:26:38,684 --> 00:26:39,859 AND THE BRAZILIANS' ART WAS STOLEN. 496 00:26:39,902 --> 00:26:41,643 - RIGHT. IT SEEM STRANGE TO YOU 497 00:26:41,687 --> 00:26:43,036 HE JUST HAPPENS TO HAVE A GUN CHARGE 498 00:26:43,079 --> 00:26:47,083 DISMISSED YESTERDAY FOR LACK OF EVIDENCE? 499 00:26:47,127 --> 00:26:49,216 - THAT IS WHY YOU WANTED THE GUN CHARGE DROPPED, 500 00:26:49,259 --> 00:26:51,044 SO CARLOS COULD RAPE THAT WOMAN 501 00:26:51,087 --> 00:26:53,046 WITHOUT WORRYING ABOUT LEAVING DNA? 502 00:26:53,089 --> 00:26:57,137 - THIS HAD NOTHING TO DO WITH ME--THIS WAS ALL HER. 503 00:26:58,878 --> 00:27:04,144 - WAIT, YOU ORDERED A REVENGE ASSAULT ON AN INNOCENT WOMAN? 504 00:27:04,187 --> 00:27:06,102 - SHE HAD FAIR WARNING. SO DID HE. 505 00:27:06,146 --> 00:27:07,887 MARCELO THOUGHT HE WAS UNTOUCHABLE. 506 00:27:07,930 --> 00:27:09,584 WE HAD TO SEND HIM A MESSAGE. - IT WAS STUPID! 507 00:27:09,628 --> 00:27:12,108 THAT'S WHY I'M SUPPOSED TO BE PART OF THESE DECISIONS. 508 00:27:12,152 --> 00:27:14,067 NOW YOU'VE COMPROMISED AN ASSET. 509 00:27:14,110 --> 00:27:16,765 - ARE YOU SERIOUS? WHY DO YOU THINK SHE'S HERE? 510 00:27:16,809 --> 00:27:19,376 - WE'LL RAISE RED FLAGS BECAUSE OF THIS COCK-UP. 511 00:27:19,420 --> 00:27:21,683 THEY HAVE CARLOS'S DNA. - YEAH, WELL, 512 00:27:21,727 --> 00:27:22,989 THIS COCK-UP IS HER FAULT. 513 00:27:23,032 --> 00:27:25,121 SHE DIDN'T GET THE DNA OUT OF CODIS. 514 00:27:25,165 --> 00:27:26,427 [items clatter] 515 00:27:26,470 --> 00:27:28,429 - BECAUSE HE LOOKED ME IN THE EYE 516 00:27:28,472 --> 00:27:31,562 AND HE TOLD ME HE HAD NO RECORD! 517 00:27:31,606 --> 00:27:33,086 - [laughs] HE LIED. 518 00:27:33,129 --> 00:27:34,565 HE'S A CRIMINAL. 519 00:27:34,609 --> 00:27:36,219 YOU KNOW, MAYBE YOU SHOULD'VE 520 00:27:36,263 --> 00:27:37,830 RUN HIS NAME THROUGH YOUR COMPUTER 521 00:27:37,873 --> 00:27:39,527 BEFORE YOU TOLD US HE WAS OUT OF THE SYSTEM. 522 00:27:39,570 --> 00:27:41,921 CLEAN IT UP. - AND IF I SAY NO? 523 00:27:41,964 --> 00:27:45,533 - WELL, THEN WE WILL THROW YOU TO YOUR OWN PEOPLE 524 00:27:45,576 --> 00:27:46,882 FOR STEALING A GUN OUT OF EVIDENCE. 525 00:27:46,926 --> 00:27:48,492 - YOU CAN'T PROVE IT. 526 00:27:48,536 --> 00:27:51,060 - NO? 527 00:27:51,104 --> 00:27:53,541 YOU TOOK A GUN FROM EVIDENCE. YOU HANDED IT TO ME. 528 00:27:53,584 --> 00:27:55,935 THAT'S A FELONY. 529 00:27:55,978 --> 00:27:58,502 - SONDRA, YOU THINK. HOW IS SHE GONNA FIX THIS? 530 00:27:58,546 --> 00:28:00,853 THEY HAVE THE EEJIT'S DNA. 531 00:28:00,896 --> 00:28:02,942 - SHE'LL COME UP WITH SOMETHING. 532 00:28:10,079 --> 00:28:14,823 - I NEED A DNA SAMPLE FROM CARLOS. 533 00:28:14,867 --> 00:28:16,695 - CARLOS, VEN AQUI. 534 00:28:18,348 --> 00:28:20,481 - RUN THIS BY ME AGAIN? - THIS SAMPLE IS FROM A MAN 535 00:28:20,524 --> 00:28:22,135 THE VIC WAS HAVING AN AFFAIR WITH. 536 00:28:22,178 --> 00:28:24,659 I JUST NEED YOU TO MATCH IT WITH THE DNA FOUND AT THE SCENE. 537 00:28:24,703 --> 00:28:27,096 - WELL, SHOULDN'T THIS BE COMING FROM CSU? 538 00:28:27,140 --> 00:28:29,577 - YEAH, OKAY, I'LL GET YOU THE PAPERWORK LATER. 539 00:28:29,620 --> 00:28:32,667 JUST THE HUSBAND IS A BRAZILIAN DIPLOMAT 540 00:28:32,711 --> 00:28:34,538 WHO'S GOT ANGER MANAGEMENT ISSUES, OKAY? 541 00:28:34,582 --> 00:28:36,018 SHE BEGGED ME FOR DISCRETION. 542 00:28:36,062 --> 00:28:37,585 - ARE YOU SURE YOU DON'T WANT TO WAIT FOR WARNER? 543 00:28:37,628 --> 00:28:39,195 SHE'S ON HER WAY BACK. - NO, NO, NO. 544 00:28:39,239 --> 00:28:40,893 IT'S NO NEED TO BOTHER HER, REALLY. 545 00:28:40,936 --> 00:28:42,938 I MEAN, IT'S GONNA BE A ROUTINE SUSPECT ELIMINATION 546 00:28:42,982 --> 00:28:46,942 THAT'S GONNA HELP AVOID A DIPLOMATIC NIGHTMARE. 547 00:28:46,986 --> 00:28:48,552 - I NEED YOUR SIGNATURE RIGHT HERE. 548 00:28:48,596 --> 00:28:49,989 - LIKE I TOLD YA ON THE PHONE. 549 00:28:50,032 --> 00:28:51,555 THE GUN WAS SIGNED OUT BY DETECTIVE MEGAN WHEELER. 550 00:28:51,599 --> 00:28:52,861 SHE HAD ALL THE RIGHT PAPERWORK-- 551 00:28:52,905 --> 00:28:55,037 - YEAH, MEGAN WHEELER RETIRED FOUR YEARS AGO. 552 00:28:55,081 --> 00:28:56,038 - HOW WAS I SUPPOSED TO KNOW THAT? 553 00:28:56,082 --> 00:28:57,997 - JUST-- 554 00:29:34,207 --> 00:29:34,468 . 555 00:29:34,511 --> 00:29:37,819 - OKAY. - IT GETS WORSE. 556 00:29:37,863 --> 00:29:39,081 PULLED THESE OFF A CAM ACROSS THE STREET 557 00:29:39,125 --> 00:29:40,517 FROM THE BRAZILIAN CONSULATE 558 00:29:40,561 --> 00:29:43,651 TWO NIGHTS AGO WHEN ROLLINS WAS OUT WITH THE FLU. 559 00:29:45,827 --> 00:29:47,133 - AND THERE'S MORE. 560 00:29:47,176 --> 00:29:50,571 ROLLINS BROUGHT IN AN ELIMINATION DNA SAMPLE. 561 00:29:50,614 --> 00:29:52,181 CLAIMS IT'S FROM THE MAN 562 00:29:52,225 --> 00:29:54,836 THAT THE VIC WAS HAVING AN AFFAIR WITH. 563 00:29:54,880 --> 00:29:56,925 BUT IT'S A MATCH FOR CARLOS RIVA. 564 00:29:56,969 --> 00:30:00,146 - IS HE STILL IN CUSTODY? 565 00:30:00,189 --> 00:30:02,104 - LIV, YOU KNOW WHAT THIS MEANS. 566 00:30:02,148 --> 00:30:05,716 - YES, I KNOW WHAT THIS MEANS, AND I WILL HANDLE IT. 567 00:30:05,760 --> 00:30:09,764 STOP DIGGING. NOW. 568 00:30:12,723 --> 00:30:14,377 DO NOT TIP HER OFF. 569 00:30:14,421 --> 00:30:16,249 YOU NEED TO PRETEND THAT EVERYTHING IS NORMAL. 570 00:30:16,292 --> 00:30:18,991 - BUT, LIV... - I'M COMMANDING OFFICER. 571 00:30:19,034 --> 00:30:22,298 THIS IS ON ME. 572 00:30:25,911 --> 00:30:28,914 - LOOK, LIV, I WOULD NEVER GO BEHIND YOUR BACK. 573 00:30:28,957 --> 00:30:32,047 BUT I NEED TO LET AMANDA KNOW THAT WE KNOW. 574 00:30:32,091 --> 00:30:34,702 OKAY? SHE'S MY PARTNER. 575 00:30:34,745 --> 00:30:38,749 IF IT WAS NICK, ELLIOT... 576 00:30:40,708 --> 00:30:43,972 - OKAY. I GET IT. - REALLY? 577 00:30:44,016 --> 00:30:47,367 YOU FIXED A RAPE CASE. 578 00:30:47,410 --> 00:30:49,021 DID YOU KNOW THAT BEFOREHAND? 579 00:30:49,064 --> 00:30:50,936 - NO. I SWEAR TO GOD. 580 00:30:50,979 --> 00:30:52,807 - WELL, THAT DOESN'T MEAN MUCH COMING FROM YOU. 581 00:30:52,851 --> 00:30:55,636 - AMANDA, YOU NEED TO TURN YOURSELF IN. 582 00:30:55,679 --> 00:30:58,247 - WHAT, TO I.A.B.? 583 00:30:58,291 --> 00:31:00,119 THEY'RE GONNA PUT ME IN PRISON. 584 00:31:00,162 --> 00:31:02,861 - YEAH, THEY WILL. YOU GOT IN WITH THIS CROWD. 585 00:31:02,904 --> 00:31:05,733 YOU HAD TO KNOW THAT NOTHING GOOD WOULD COME OF IT. 586 00:31:05,776 --> 00:31:09,476 - I WAS TRYING TO WORK MYSELF OUT OF IT AND JUST BE DONE. 587 00:31:09,519 --> 00:31:13,436 - YOU ARE DONE, AMANDA. 588 00:31:13,480 --> 00:31:15,482 I'M HERE AS A COURTESY TO FIN. 589 00:31:15,525 --> 00:31:17,832 I'M CALLING I.A.B. 590 00:31:20,966 --> 00:31:24,360 - LET ME TURN MYSELF IN. 591 00:31:24,404 --> 00:31:26,145 JUST GIVE ME A FEW HOURS. 592 00:31:26,188 --> 00:31:28,669 I NEED TO FIGURE OUT SOMETHING TO DO WITH FRANNIE. 593 00:31:28,712 --> 00:31:32,673 PLEASE. 594 00:31:32,716 --> 00:31:34,457 - 8:00 A.M. TOMORROW MORNING. 595 00:31:34,501 --> 00:31:36,372 WHATEVER IT IS YOU'VE BEEN DOING, 596 00:31:36,416 --> 00:31:38,809 WHOEVER YOU'RE WORKING FOR, IT'S OVER. 597 00:31:38,853 --> 00:31:41,725 I'M TAKING YOU IN. 598 00:31:55,000 --> 00:31:57,524 - EXCUSE ME. 599 00:31:57,567 --> 00:31:58,960 - DO I KNOW YOU? 600 00:31:59,004 --> 00:32:02,181 [grunts] - LISTEN TO ME. 601 00:32:02,224 --> 00:32:06,011 YOU STAY AWAY FROM ROLLINS. 602 00:32:06,054 --> 00:32:07,838 - YOU THE BOYFRIEND? 603 00:32:07,882 --> 00:32:09,449 HUH? 604 00:32:09,492 --> 00:32:11,799 SHE'S NOT HALF BAD. 605 00:32:11,842 --> 00:32:15,020 ONCE YOU GET PAST THE USED PART. 606 00:32:20,025 --> 00:32:22,027 - THEY'RE NOT JUST TAKING MY SHIELD. 607 00:32:22,070 --> 00:32:24,986 I'M AN ACCESSORY TO RAPE. 608 00:32:25,030 --> 00:32:27,989 THAT MEANS PRISON TIME! - I'VE NEVER MET YOU. 609 00:32:28,033 --> 00:32:30,122 AND IF YOU TRY TO CUT A DEAL, 610 00:32:30,165 --> 00:32:31,993 MY BOSS WILL PUT A BULLET IN YOUR HEAD. 611 00:32:32,037 --> 00:32:35,040 HE'S DONE IT BEFORE. 612 00:32:35,083 --> 00:32:39,653 THAT COP FROM THE 12TH LAST SUMMER WHO ATE HIS GUN. 613 00:32:39,696 --> 00:32:42,134 IT WASN'T A SUICIDE. 614 00:32:46,312 --> 00:32:47,835 - GET UP. 615 00:32:47,878 --> 00:32:49,315 - OKAY. OKAY. 616 00:32:49,358 --> 00:32:51,099 - AND IF YOU DON'T THINK I'D SHOOT, 617 00:32:51,143 --> 00:32:53,145 YOU DON'T KNOW ME AT ALL. 618 00:32:53,188 --> 00:32:55,016 - THIS IS NOT NECESSARY. 619 00:32:55,060 --> 00:32:57,976 - SHUT UP, DECLAN. - PUT YOUR GUN ON THE DESK. 620 00:33:01,544 --> 00:33:02,981 THE DROP ONE TOO. 621 00:33:05,853 --> 00:33:08,464 YEAH, THAT'S RIGHT. STEP BACK. 622 00:33:08,508 --> 00:33:12,555 PUT YOUR HANDS WHERE I CAN SEE THEM. 623 00:33:15,080 --> 00:33:17,473 ME AND YOU NEED TO TALK. 624 00:33:17,517 --> 00:33:22,043 - IF YOU WANT MONEY-- - I NEED TO SEE YOUR BOSS. 625 00:33:22,087 --> 00:33:23,697 I NEED TO GET OUT OF THE COUNTRY. 626 00:33:23,740 --> 00:33:26,091 - OKAY. 627 00:33:26,134 --> 00:33:28,441 - HERE, CALL HIM. 628 00:33:28,484 --> 00:33:32,097 TELL HIM YOU NEED TO SEE HIM. 629 00:33:36,623 --> 00:33:38,059 [footsteps] 630 00:33:39,626 --> 00:33:41,889 DON'T...MOVE. 631 00:33:41,932 --> 00:33:43,978 STAND UP. GET YOUR HANDS UP. 632 00:33:44,022 --> 00:33:45,023 GO. 633 00:33:47,112 --> 00:33:48,765 - SONDRA, WHAT'S-- - SHUT UP. 634 00:33:48,809 --> 00:33:50,637 KEEP 'EM UP. 635 00:33:50,680 --> 00:33:52,943 IT'S THERE. 636 00:33:52,987 --> 00:33:54,423 NOW PUT IT ON THE TABLE. 637 00:33:54,467 --> 00:33:57,296 AND GET YOUR HANDS UP! 638 00:33:59,080 --> 00:34:00,951 - IF ANYTHING HAPPENS TO HER OR THE BABY... 639 00:34:00,995 --> 00:34:04,129 - IT'S YOUR BABY. 640 00:34:04,172 --> 00:34:06,087 NICE WORK, SISTER. - PLEASANTRIES 641 00:34:06,131 --> 00:34:08,916 DISPENSED WITH. SAY YOUR PIECE. 642 00:34:10,483 --> 00:34:13,268 - NOW I NEED A PASSPORT AND $1 MILLION IN CASH. 643 00:34:13,312 --> 00:34:15,923 - WHAT FANTASY WORLD ARE YOU LIVING IN? 644 00:34:15,966 --> 00:34:19,013 - YOU HAVE GALLERIES IN GENEVA, MONTREAL, MONTE CARLO, SHANGHAI. 645 00:34:19,057 --> 00:34:21,798 THEY'RE ALL LAUNDROMATS, RIGHT? - YES. 646 00:34:21,842 --> 00:34:24,018 WE CAN WIRE YOU THE MONEY. - IN CASH. 647 00:34:24,062 --> 00:34:26,238 AND YOU HAVE A PRIVATE JET? 648 00:34:26,281 --> 00:34:28,109 - HOW FAR DO YOU THINK YOU'LL GET? 649 00:34:28,153 --> 00:34:29,937 - AS FAR AS I WANT, 650 00:34:29,980 --> 00:34:32,548 BECAUSE I'M TAKING YOUR BABY MAMA HERE WITH ME FOR INSURANCE. 651 00:34:32,592 --> 00:34:33,941 - I'M TOO FAR ALONG. I CAN'T FLY. 652 00:34:33,984 --> 00:34:36,335 - YES, YOU CAN. 653 00:34:36,378 --> 00:34:38,424 'CAUSE I.A.B. IS ON TO ME. 654 00:34:38,467 --> 00:34:42,123 SO TOMORROW WE'RE GONNA BE IN SWITZERLAND 655 00:34:42,167 --> 00:34:45,779 OR YOU'RE GONNA BE GIVING BIRTH TO A BABY BOY IN PRISON. 656 00:34:45,822 --> 00:34:47,346 OKAY, SWEETIE? 657 00:34:47,389 --> 00:34:51,567 - ANTON, WE HAVE ENOUGH. 658 00:34:51,611 --> 00:34:55,963 LET'S ALL GO. 659 00:34:57,138 --> 00:34:59,140 - YEAH. LET'S ALL GO. 660 00:34:59,184 --> 00:35:03,013 - [gasps] I NEED TO SIT DOWN. 661 00:35:03,057 --> 00:35:04,667 - GO, GO, GO. GO AHEAD. 662 00:35:04,711 --> 00:35:06,104 JUST BREATHE. BREATHE. 663 00:35:08,149 --> 00:35:10,151 [grunts] 664 00:35:10,195 --> 00:35:11,544 - ARE YOU ALL RIGHT? 665 00:35:14,112 --> 00:35:15,113 KILL HER! 666 00:35:21,119 --> 00:35:23,773 - HANDS IN THE AIR, BOTH OF YOU! 667 00:35:23,817 --> 00:35:26,385 LIEUTENANT DECLAN MURPHY, NYPD. 668 00:35:29,692 --> 00:35:31,999 YOU'RE ALL UNDER ARREST. 669 00:35:39,311 --> 00:35:39,572 . 670 00:35:39,615 --> 00:35:42,314 - YOU CAN'T RECORD THIS. - SHUT UP. 671 00:35:42,357 --> 00:35:45,186 YOU'RE NOT CALLING THE SHOTS. I AM. 672 00:35:45,230 --> 00:35:47,449 NOW COME HERE. 673 00:35:57,764 --> 00:35:59,592 HUH. 674 00:35:59,635 --> 00:36:01,681 [accent gone] WHATEVER YOU'RE LOOKING TO GIVE ME, 675 00:36:01,724 --> 00:36:03,291 I'M NOT INTERESTED, 676 00:36:03,335 --> 00:36:06,903 AND I DON'T WANT YOU EVER CLAIMING I WAS. 677 00:36:06,947 --> 00:36:11,778 LIEUTENANT DECLAN MURPHY, MANHATTAN VICE. 678 00:36:11,821 --> 00:36:14,302 - YOU HAVE A SHIELD? - NOT WHEN I'M U.C. 679 00:36:14,346 --> 00:36:17,000 THE COLOR OF THE DAY IS GREEN. 680 00:36:17,044 --> 00:36:20,830 THE DATE OF YOUR APPOINTMENT TO NYPD WAS 6/20/2011. 681 00:36:20,874 --> 00:36:23,703 YOU WERE WINKED IN IN EXCHANGE FOR SOME DEAD WEIGHT 682 00:36:23,746 --> 00:36:25,879 THEY SHIPPED OFF TO ATLANTA. 683 00:36:25,922 --> 00:36:27,228 - ARE YOU GONNA TURN ME IN? - I SHOULD. 684 00:36:27,272 --> 00:36:29,274 BUT I'M NOT RISKING TWO YEARS OF UNDERCOVER WORK 685 00:36:29,317 --> 00:36:30,710 BECAUSE OF A DIRTY COP. 686 00:36:30,753 --> 00:36:33,365 SO THIS IS HOW THIS PLAYS OUT. 687 00:36:33,408 --> 00:36:36,368 SONDRA WANTS A PRETTY DETECTIVE RUNNING ERRANDS FOR HER, 688 00:36:36,411 --> 00:36:38,457 AND THAT'S EXACTLY WHAT YOU'RE GONNA DO. 689 00:36:38,500 --> 00:36:41,242 YOU STAY CLOSE TO HER. YOU REPORT DIRECTLY TO ME... 690 00:36:41,286 --> 00:36:43,853 OFFICIALLY ON LOAN TO VICE, YEAH? 691 00:36:48,641 --> 00:36:50,033 FROM THAT POINT ON, 692 00:36:50,077 --> 00:36:53,428 DETECTIVE ROLLINS WAS A FULLY COOPERATING U.C. 693 00:36:53,472 --> 00:36:55,213 - YOU HAD AN NYPD OFFICER 694 00:36:55,256 --> 00:36:58,041 INVOLVED IN A CRIMINAL ENTERPRISE. 695 00:36:58,085 --> 00:37:00,261 YOU SHOULD'VE COME STRAIGHT TO US. 696 00:37:00,305 --> 00:37:02,785 - I SPENT TWO YEARS TRYING TO CONNECT SONDRA TO NADARI. 697 00:37:02,829 --> 00:37:04,874 ROLLINS DID IT IN THREE DAYS. 698 00:37:04,918 --> 00:37:06,876 - WELL, PUTTING ASIDE THE WAY SHE DID IT, 699 00:37:06,920 --> 00:37:08,791 THE DIPLOMAT'S WIFE GETTING RAPED-- 700 00:37:08,835 --> 00:37:10,924 EITHER OF YOU KNOW ABOUT THAT? - NO. 701 00:37:10,967 --> 00:37:13,579 I DIDN'T. I'M SICK ABOUT IT. 702 00:37:13,622 --> 00:37:15,798 - I'LL REGRET IT TILL THE END OF MY DAYS. 703 00:37:15,842 --> 00:37:17,887 - ALL RIGHT. 704 00:37:17,931 --> 00:37:19,324 I UNDERSTAND YOU HAVE CARLOS RIVA 705 00:37:19,367 --> 00:37:21,282 IN CUSTODY FOR THE RAPE AND THEFT. 706 00:37:21,326 --> 00:37:23,676 - WE CLEARED THE DNA INTERFERENCE 707 00:37:23,719 --> 00:37:25,330 IN THE INVESTIGATION THROUGH PROPER CHANNELS. 708 00:37:25,373 --> 00:37:28,550 RIVA WILL PLEAD GUILTY TO RAPE ONE AND GRAND LARCENY. 709 00:37:28,594 --> 00:37:31,858 - AND ANTON NADARI PUT HIM UP TO IT--THE MAN THE NEW YORK TIMES 710 00:37:31,901 --> 00:37:35,427 JUST PROFILED AS A SUPERSTAR INTERNATIONAL ART DEALER. 711 00:37:35,470 --> 00:37:36,906 - IT WAS ALL A COVER STORY. 712 00:37:36,950 --> 00:37:38,691 THE ILLEGAL GAMBLING WAS JUST THE TIP OF THE ICEBERG. 713 00:37:38,734 --> 00:37:40,519 THE FED AND NYPD ACCOUNTANTS ARE HAVING A FIELD DAY 714 00:37:40,562 --> 00:37:42,129 GOING THROUGH THIS GUY'S FINANCIALS. 715 00:37:42,172 --> 00:37:44,479 I HAVE HIS ENTIRE CONFESSION RIGHT HERE. 716 00:37:44,523 --> 00:37:48,875 I HAD IT ON A WIRE IN THE GALLERY. 717 00:37:48,918 --> 00:37:50,920 - WE WILL GET HIM ON MONEY LAUNDERING, ART THEFT, 718 00:37:50,964 --> 00:37:55,534 ART FORGERY, EXTORTION, RAPE, MURDER OF A COP. 719 00:37:55,577 --> 00:37:57,840 HIS PREGNANT ACCOMPLICE IS TURNING STATE'S EVIDENCE. 720 00:37:57,884 --> 00:38:00,103 - THE PREGNANT WOMAN YOU PULLED A GUN ON. 721 00:38:00,147 --> 00:38:02,497 - I'M SURE YOU UNDERSTAND THAT'S THE NATURE OF UNDERCOVER WORK. 722 00:38:02,541 --> 00:38:04,717 SOMETIMES YOU HAVE TO VIOLATE PROTOCOL, 723 00:38:04,760 --> 00:38:07,110 USE QUESTIONABLE METHODS TO OBTAIN RESULTS. 724 00:38:07,154 --> 00:38:08,938 - THE ENDS JUSTIFY THE MEANS. 725 00:38:08,982 --> 00:38:11,506 - THAT'S RIGHT! 726 00:38:13,116 --> 00:38:15,075 - I WISH IT WERE THAT SIMPLE, LIEUTENANT. 727 00:38:15,118 --> 00:38:17,251 DETECTIVE. 728 00:38:17,295 --> 00:38:21,168 I'M TAKING THIS UPSTAIRS. 729 00:38:21,211 --> 00:38:22,778 YOU HAVEN'T HEARD THE END OF THIS. 730 00:38:22,822 --> 00:38:25,215 - GIVEN DETECTIVE ROLLINS'S EXEMPLARY PERFORMANCE, 731 00:38:25,259 --> 00:38:28,915 SHE'LL KEEP HER SHIELD. 732 00:38:28,958 --> 00:38:32,962 OR I'M GONNA TAKE IT UPSTAIRS, SERGEANT. 733 00:38:42,189 --> 00:38:44,626 - YOU COULD'VE BUSTED ME WHEN I FIRST WALKED IN THAT CLUB 734 00:38:44,670 --> 00:38:46,802 AND SAVED YOURSELF A LOT OF GRIEF. 735 00:38:46,846 --> 00:38:48,891 - I COULD HAVE, BUT WHEN YOU CAME IN THAT BACK ROOM, 736 00:38:48,935 --> 00:38:51,851 I SAW SOMEONE ABOUT TO HIT ROCK BOTTOM. 737 00:38:51,894 --> 00:38:53,766 - MY HIGHER POWER LOOKING OUT FOR ME, HUH? 738 00:38:53,809 --> 00:38:55,768 - I DON'T KNOW ABOUT THAT, BUT I DO KNOW THIS. 739 00:38:55,811 --> 00:38:59,815 DECLAN MURPHY BELIEVES IN THE POSSIBILITY OF REDEMPTION, 740 00:38:59,859 --> 00:39:02,688 THAT ONE OR TWO VENAL SINS DON'T DEFINE YOU. 741 00:39:02,731 --> 00:39:05,255 THE CHOICE IS YOURS. 742 00:39:05,299 --> 00:39:06,866 LET'S HOPE YOU MAKE A BETTER ONE 743 00:39:06,909 --> 00:39:11,566 THAN THE ONES YOU'VE BEEN MAKING LATELY. 744 00:39:11,610 --> 00:39:15,178 - HOW MUCH DOES MY SERGEANT KNOW ABOUT HOW WE MET? 745 00:39:15,222 --> 00:39:18,660 - I FINESSED IT, BUT SHE'S SMART. 746 00:39:18,704 --> 00:39:21,750 I SUGGEST YOU COME CLEAN, STAY CLEAN. 747 00:39:27,800 --> 00:39:31,412 MAY THE ROAD RISE TO MEET YOU, DETECTIVE, HMM? 748 00:39:41,857 --> 00:39:45,426 - WHAT WAS I SUPPOSED TO DO? I WAS WORKING UNDERCOVER. 749 00:39:45,470 --> 00:39:47,428 - I KNOW. BUT YOU COULDN'T TELL ME? 750 00:39:47,472 --> 00:39:48,821 - I'M SORRY. - AND BENSON KNEW? 751 00:39:48,864 --> 00:39:50,388 - SHE HAD TO. 752 00:39:50,431 --> 00:39:52,041 - AND YOU COULDN'T TRUST ME? 753 00:39:52,085 --> 00:39:53,129 HOW DID VICE KNOW WHERE YOU WERE? 754 00:39:53,173 --> 00:39:54,609 - FIN, LET IT GO. 755 00:39:54,653 --> 00:39:55,741 - NO, NO, YOU KNOW WHAT? YOU DESERVE TO KNOW. 756 00:39:55,784 --> 00:39:57,264 - ROLLINS. 757 00:40:06,229 --> 00:40:09,624 - YEAH, SERGEANT. 758 00:40:09,668 --> 00:40:11,452 - I'M NOT HAPPY ABOUT ANY OF THIS. 759 00:40:11,496 --> 00:40:12,671 I HAD TO LIE TO FIN. 760 00:40:12,714 --> 00:40:15,238 I HAD TO LIE TO AMARO. 761 00:40:15,282 --> 00:40:18,807 A WOMAN WAS RAPED. 762 00:40:18,851 --> 00:40:20,418 LIEUTENANT MURPHY SWORE 763 00:40:20,461 --> 00:40:24,857 THAT NEITHER HE NOR YOU KNEW ABOUT THAT. 764 00:40:24,900 --> 00:40:26,815 - AND THAT'S RIGHT, I DIDN'T. 765 00:40:26,859 --> 00:40:29,731 THERE'S NO WAY I WOULD'VE GONE ALONG WITH THIS IF I HAD. 766 00:40:29,775 --> 00:40:30,993 - DO YOU WANT TO TELL ME HOW YOU WOUND UP 767 00:40:31,037 --> 00:40:34,867 WORKING UNDERCOVER IN A GAMBLING CLUB? 768 00:40:36,869 --> 00:40:39,828 - YOU ALREADY KNOW. 769 00:40:39,872 --> 00:40:41,743 I FELL BEHIND AT THE CLUB. 770 00:40:41,787 --> 00:40:45,921 THEY FOUND OUT I WAS A COP, AND THEY USED IT AS LEVERAGE. 771 00:40:47,923 --> 00:40:51,666 I JUST GOT LUCKY THAT, UM... 772 00:40:51,710 --> 00:40:54,713 LIEUTENANT MURPHY WAS U.C., DIDN'T I? 773 00:40:56,497 --> 00:41:01,459 - YOU KNOW, LIEUTENANT MURPHY MAY TRUST YOU. 774 00:41:01,502 --> 00:41:03,286 I DON'T. 775 00:41:05,506 --> 00:41:07,769 AND IF WE WEREN'T SO SHORT-STAFFED, 776 00:41:07,813 --> 00:41:09,815 I'D TRANSFER YOU. 777 00:41:09,858 --> 00:41:10,903 TODAY. 778 00:41:18,737 --> 00:41:21,217 - I DESERVE THAT. 779 00:41:29,922 --> 00:41:33,752 I DON'T KNOW IF I CAN GET BACK INTO YOUR GOOD GRACES, 780 00:41:33,795 --> 00:41:37,364 BUT I'M GONNA TRY, SERGEANT. 781 00:41:37,407 --> 00:41:39,975 - OKAY. 782 00:41:40,019 --> 00:41:42,587 WE'RE DONE HERE. 56047

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