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1
00:00:07,465 --> 00:00:11,928
♪ IN THE HEAT OF THE NIGHT ♪
2
00:00:15,390 --> 00:00:20,145
♪ I’VE GOT TROUBLES
WALL TO WALL ♪
3
00:00:24,399 --> 00:00:27,694
♪ IN THE HEAT OF THE NIGHT ♪
4
00:00:28,653 --> 00:00:29,863
♪ YEAH ♪
5
00:00:31,740 --> 00:00:35,577
♪ MUST BE AN ENDING
TO IT ALL ♪
6
00:00:37,620 --> 00:00:38,997
♪ OH ♪
7
00:00:41,458 --> 00:00:43,168
♪ BUT HOLD ON ♪
8
00:00:44,878 --> 00:00:47,589
♪ IT WON’T BE LONG ♪
9
00:00:47,756 --> 00:00:49,674
♪ JUST YOU BE STRONG ♪
10
00:00:49,841 --> 00:00:52,385
♪ AND IT’LL BE ALL RIGHT ♪
11
00:00:56,014 --> 00:00:59,726
♪ IN THE HEAT OF THE NIGHT ♪
12
00:00:59,851 --> 00:01:04,313
♪ IN THE HEAT OF THE NIGHT ♪
13
00:01:05,440 --> 00:01:07,859
♪ OH ♪
14
00:01:36,805 --> 00:01:38,973
THIS IS A FIRST FOR ME.
15
00:01:39,140 --> 00:01:41,601
I’VE NEVER MADE OUT
IN FRONT OF
A HAUNTED HOUSE BEFORE.
16
00:01:41,768 --> 00:01:43,144
(BOTH CHUCKLING)
17
00:01:43,269 --> 00:01:44,270
IT FEELS WEIRD,
THOUGH,
18
00:01:44,437 --> 00:01:45,188
LIKE SOMEBODY’S
WATCHING US.
19
00:01:45,313 --> 00:01:46,815
MM-HMM.
20
00:01:46,981 --> 00:01:48,691
PROBABLY GHOSTS.
21
00:01:48,817 --> 00:01:51,152
AND WE’RE GOING TO GIVE THEM
ONE HELL OF A SHOW,
22
00:01:51,319 --> 00:01:52,904
SO STOP TALKING.
23
00:01:54,405 --> 00:01:56,199
I DON’T LIKE
THIS PLACE.
24
00:01:57,575 --> 00:01:58,785
WHO LIVED HERE?
25
00:02:00,370 --> 00:02:01,955
WHO CARES?
26
00:02:02,080 --> 00:02:04,499
SOME CRAZY OLD MAN--
27
00:02:06,126 --> 00:02:08,669
ONE EYE
AND LONG, POINTED TEETH.
28
00:02:13,091 --> 00:02:14,634
THAT’S NOT FUNNY.
29
00:02:14,759 --> 00:02:16,469
I DON’T LIKE
THIS PLACE.
30
00:02:17,929 --> 00:02:20,014
LET’S FINISH OUR BEER
AND GET OUT OF HERE.
31
00:02:20,181 --> 00:02:21,474
YOU WANT A BEER?
32
00:02:21,641 --> 00:02:22,642
EARN IT.
33
00:02:22,767 --> 00:02:24,060
(SCREAMS)
34
00:02:26,521 --> 00:02:28,815
LEAVE THIS PLACE.
YOU DON’T BELONG HERE.
35
00:02:28,982 --> 00:02:30,608
COME ON, LADY,
YOU’RE NOT THE OWNER.
36
00:02:30,774 --> 00:02:31,985
IT’S MINE
TO LOOK AFTER IT.
37
00:02:32,110 --> 00:02:35,905
I WANT YOU OUT, CHARLIE,
WITH ALL YOUR BOOZE
AND ALL YOUR WOMEN.
38
00:02:36,030 --> 00:02:37,323
HOW’D YOU
KNOW MY NAME?
39
00:02:37,448 --> 00:02:38,408
(GUNSHOT)
40
00:02:38,533 --> 00:02:39,492
(WHIMPERS)
41
00:02:39,617 --> 00:02:40,660
(CHARLIE) MUTTFACE!
42
00:02:40,785 --> 00:02:42,619
MUTTFACE!
43
00:02:42,744 --> 00:02:44,414
LOOK WHAT YOU DID
TO MY DOG.
44
00:02:44,539 --> 00:02:46,583
GET OUT, CHARLIE HOBBS.
GO ON, GIT.
45
00:02:47,458 --> 00:02:48,835
YOU’RE CRAZY, LADY.
46
00:02:48,960 --> 00:02:50,378
YOU OUGHT
TO BE LOCKED UP.
47
00:02:50,545 --> 00:02:51,754
YOU NEVER COME BACK
HERE NOW.
48
00:02:51,880 --> 00:02:53,173
NEXT TIME, I WON’T MISS.
49
00:02:54,966 --> 00:02:56,009
MUTTFACE!
50
00:02:57,635 --> 00:02:58,803
MUTTFACE!
51
00:03:00,012 --> 00:03:01,931
HERE, MUTTFACE!
HERE, BOY!
52
00:03:02,056 --> 00:03:03,725
YOU’VE BEEN HERE
WITH GIRLS BEFORE.
53
00:03:03,892 --> 00:03:05,310
I HAVEN’T. I SWEAR.
54
00:03:05,435 --> 00:03:07,020
(WHISTLES)
COME ON, BOY!
55
00:03:07,187 --> 00:03:08,605
THEN HOW DID
SHE KNOW YOUR NAME?
56
00:03:08,730 --> 00:03:10,690
AND WHAT
DID SHE MEAN,
"ALL YOUR WOMEN"?
57
00:03:10,815 --> 00:03:12,942
(CHARLIE) I DON’T KNOW.
SHE’S THE PIG WOMAN.
THAT’S WHY?
58
00:03:13,067 --> 00:03:14,068
SHE JUST
KNOWS THINGS.
59
00:03:14,193 --> 00:03:15,403
THERE...
THERE HE IS.
60
00:03:19,490 --> 00:03:20,783
(GIRL) LOOK WHAT
HE’S GONE AND DONE.
61
00:03:20,909 --> 00:03:22,702
HE FOUND HIMSELF
A BONE.
62
00:03:22,868 --> 00:03:24,204
COME HERE,
MUTTFACE.
63
00:03:24,370 --> 00:03:25,496
LET’S SEE
WHAT YOU GOT THERE.
64
00:03:25,622 --> 00:03:27,165
(GRUNTS)
65
00:03:28,041 --> 00:03:29,375
GEEZ, I DON’T KNOW.
66
00:03:31,920 --> 00:03:33,087
I MAY BE WRONG,
67
00:03:33,254 --> 00:03:35,131
BUT IT LOOKS LIKE
IT CAME FROM A PERSON.
68
00:03:40,219 --> 00:03:42,680
THIS IS A FEMUR
FROM A HUMAN BEING.
69
00:03:42,847 --> 00:03:44,515
NO QUESTION ABOUT IT.
70
00:03:44,641 --> 00:03:46,683
IT CAME FROM
SIMON WARE’S PLACE,
THE HAUNTED HOUSE?
71
00:03:46,808 --> 00:03:48,770
CHARLIE HOBBS’ DOG
FOUND IT
72
00:03:48,937 --> 00:03:50,772
AFTER GETTING CHASED OFF
BY THE PIG WOMAN.
73
00:03:50,939 --> 00:03:51,940
(ALL LAUGHING)
74
00:03:52,106 --> 00:03:55,192
ANYTIME MAMA
WANTED TO SCARE US
WHEN WE WERE KIDS,
75
00:03:55,317 --> 00:03:56,986
SHE’D JUST MENTION
THE PIG WOMAN.
76
00:03:57,111 --> 00:03:58,404
OH, YEAH.
77
00:03:58,570 --> 00:04:01,407
SHE’S MORE THAN
SOME OLD CRACKPOT,
SHE’S A DANGEROUS OLD WOMAN.
78
00:04:01,574 --> 00:04:03,159
WHO’S GOING TO END UP
HURTING SOMEBODY.
79
00:04:03,284 --> 00:04:04,452
YEAH.
80
00:04:04,619 --> 00:04:08,247
SOME PEOPLE ARE AFRAID
OF THINGS THAT GO BUMP
IN THE NIGHT.
81
00:04:08,414 --> 00:04:10,124
THAT WITCH
MAKES ME NERVOUS.
82
00:04:10,291 --> 00:04:11,960
YOU KNOW WHAT GETS ME?
83
00:04:12,126 --> 00:04:14,212
SHE LIVES
IN THE WOODS ALONE,
84
00:04:14,379 --> 00:04:16,380
NEVER COMES INTO TOWN,
NOBODY SEES HER,
85
00:04:16,505 --> 00:04:18,925
YET SHE KNOWS EVERYTHING
ABOUT EVERYBODY.
86
00:04:19,050 --> 00:04:21,177
NOW THAT IS
A LITTLE SPOOKY.
87
00:04:21,302 --> 00:04:24,722
LAST PHEASANT SEASON,
SHE FIRED AT MY UNCLE.
88
00:04:25,890 --> 00:04:27,600
SIMON WARE MAY BE CRAZY,
89
00:04:27,725 --> 00:04:30,061
BUT HE LETS YOU
HUNT ON HIS PROPERTY.
90
00:04:30,186 --> 00:04:32,814
THE PIG WOMAN’S GOT TO
CHASE EVERYBODY OFF.
91
00:04:34,274 --> 00:04:36,567
YEAH. WELL, ANYWAY,
IT STANDS TO REASON
92
00:04:36,693 --> 00:04:38,027
THAT IF THEY FOUND
ONE BONE,
93
00:04:38,152 --> 00:04:40,320
THERE’S GOT
TO BE MORE.
94
00:04:40,445 --> 00:04:42,865
MAYBE SOMEONE
DUMPED SOME BONES,
OR BURIED ONE.
95
00:04:42,991 --> 00:04:45,868
I THINK WE OUGHT
TO GO SEE
WHAT WE CAN FIND.
96
00:04:45,994 --> 00:04:47,453
WHOEVER SEARCHES
THOSE WOODS
97
00:04:47,578 --> 00:04:49,038
BETTER GET
SIMON WARE’S PERMISSION.
98
00:04:49,163 --> 00:04:50,456
I’LL TALK TO HIM.
99
00:04:50,623 --> 00:04:52,834
THAT FALLS UNDER
MY DEPARTMENT.
100
00:04:52,959 --> 00:04:54,961
HE DON’T TALK
TO MOST PEOPLE.
101
00:04:55,086 --> 00:04:56,462
I’LL SAVE YOU
THE GRIEF.
102
00:04:56,587 --> 00:04:59,465
NO PROBLEM.
IT’S PART OF MY JOB.
103
00:04:59,590 --> 00:05:00,883
ALL RIGHT, VIRGIL.
104
00:05:01,009 --> 00:05:04,220
LISTEN HERE,
IF THAT MAN
CALLS YOU "BOY"
105
00:05:04,345 --> 00:05:06,055
AND ORDERS YOU
OFF HIS PROPERTY...
106
00:05:07,307 --> 00:05:08,766
DON’T SAY
YOU WEREN’T WARNED.
107
00:05:16,691 --> 00:05:18,151
(VIRGIL) TELL ME
ABOUT THIS MAN
WE’RE GOING TO SEE--
108
00:05:18,317 --> 00:05:20,194
THIS OLD, MYSTERIOUS
SIMON WARE.
109
00:05:20,361 --> 00:05:22,822
(BUBBA) RICH, OLD,
AND SCARED TO HELL
OF GERMS.
110
00:05:22,989 --> 00:05:24,240
(BOTH CHUCKLING)
111
00:05:24,365 --> 00:05:26,701
SPARTA’S
HOWARD HUGHES.
112
00:05:26,826 --> 00:05:28,619
NOBODY CAN GET
CLOSE ENOUGH
TO CONTAMINATE HIM.
113
00:05:28,745 --> 00:05:30,913
HASN’T BEEN OUT
OF THE HOUSE
IN 20 YEARS.
114
00:05:31,039 --> 00:05:33,582
MUST BE FUN FOR HIS WIFE.
115
00:05:33,707 --> 00:05:35,501
(BUBBA) NO. SHE DIED
A LONG TIME AGO, VIRGIL.
116
00:05:35,668 --> 00:05:36,627
HMM.
117
00:05:36,753 --> 00:05:37,754
WHO TAKES CARE OF HIM?
118
00:05:37,879 --> 00:05:39,547
NURSES.
119
00:05:39,672 --> 00:05:41,049
(BUBBA)
LET ME TELL YOU SOMETHING
120
00:05:41,215 --> 00:05:43,384
THAT OLD MAN
RUNS SOME FINE ONES
OUT OF THERE.
121
00:05:43,509 --> 00:05:45,428
IF YOU EVER
GET SICK, VIRGIL,
122
00:05:45,553 --> 00:05:47,472
HOPE YOU GET ONE
THAT LOOKS LIKE
ONE OF HIS.
123
00:05:54,854 --> 00:05:55,938
DAMN.
124
00:05:57,148 --> 00:05:58,983
HASN’T HE EVER HEARD
OF PAINT?
125
00:05:59,108 --> 00:06:00,902
WELL, I BET HE NEVER
SEES THE OUTSIDE,
126
00:06:01,069 --> 00:06:03,488
AND IF HE DOES,
I BET HE DON’T CARE.
127
00:06:05,490 --> 00:06:07,241
YOU KNOW,
EVEN I’D HATE
GOING IN THERE
128
00:06:07,367 --> 00:06:09,285
ON A DARK
AND STORMY NIGHT.
129
00:06:09,410 --> 00:06:11,162
NOBODY COMES
OUT HERE.
130
00:06:11,287 --> 00:06:13,122
THEY DO SAY
IT’S HAUNTED.
131
00:06:13,247 --> 00:06:14,415
BOO!
132
00:06:16,000 --> 00:06:17,251
(HONKING)
133
00:06:21,506 --> 00:06:23,466
THAT’S HIS SON, JODY,
RIGHT THERE.
134
00:06:26,344 --> 00:06:27,428
HELLO, BUBBA.
HOW YOU DOING?
135
00:06:27,553 --> 00:06:29,722
OH, HEY, JODY,
HOW YOU DOING?
136
00:06:29,847 --> 00:06:31,974
HEY, COME HERE,
I WANT YOU TO MEET
A FRIEND OF MINE.
137
00:06:33,226 --> 00:06:34,811
JODY WARE,
VIRGIL TIBBS HERE.
138
00:06:34,936 --> 00:06:37,146
HI.
139
00:06:37,271 --> 00:06:39,107
LOOK, THANKS
FOR HELPING US OUT.
140
00:06:39,273 --> 00:06:40,525
WELL, TO TELL YOU
THE TRUTH
141
00:06:40,650 --> 00:06:42,568
I’M NOT SURE HOW GOOD
IT’S GOING TO DO.
142
00:06:42,693 --> 00:06:45,196
I’M NOT EXACTLY
MY PAPA’S
FAVORITE PERSON.
143
00:06:45,321 --> 00:06:46,447
SOMETIMES
HE LETS ME IN,
144
00:06:46,614 --> 00:06:48,950
AND SOMETIMES
HE DOESN’T.
145
00:06:49,075 --> 00:06:51,494
(BUBBA) JODY,
WHO’S TAKING CARE
OF HIM NOWADAYS?
146
00:06:51,619 --> 00:06:53,579
(JODY) MILLIE BARNETT.
147
00:06:53,704 --> 00:06:55,456
SHE WAS A HIGH SCHOOL
CHEERLEADER.
148
00:06:55,581 --> 00:06:56,749
LET ME TELL YOU
SOMETHING, VIRGIL.
149
00:06:56,874 --> 00:06:58,126
WHEN GOD PASSED OUT
THE GOOD LOOKS,
150
00:06:58,292 --> 00:06:59,752
HE DIDN’T
LOOK PAST MILLIE.
151
00:07:00,795 --> 00:07:01,879
HOLD ON.
152
00:07:02,964 --> 00:07:05,007
I’VE SEEN
HER CERTIFICATE, BUBBA.
153
00:07:05,133 --> 00:07:07,260
SHE IS
A LICENSED NURSE.
154
00:07:07,427 --> 00:07:09,137
JODY, I DIDN’T MEAN
ANYTHING BY THAT.
155
00:07:09,262 --> 00:07:11,888
I’M JUST, UH, SAYING
"SMALL WORLD," THAT’S ALL.
156
00:07:26,446 --> 00:07:27,655
(JODY) HELLO, MILLIE.
157
00:07:27,822 --> 00:07:29,490
HELLO, JODY.
158
00:07:29,657 --> 00:07:31,492
WELL, BUBBA,
IT’S BEEN A LONG TIME.
159
00:07:31,659 --> 00:07:32,827
HELLO, MILLIE.
160
00:07:32,994 --> 00:07:34,495
THIS IS
DETECTIVE TIBBS.
161
00:07:34,662 --> 00:07:35,705
HOW DO YOU DO?
162
00:07:35,830 --> 00:07:37,165
HELLO.
163
00:07:37,290 --> 00:07:39,292
THEY NEED TO SEE PAPA.
164
00:07:39,417 --> 00:07:40,585
Y’ALL SHOULD
HAVE CALLED.
165
00:07:40,710 --> 00:07:44,213
YEAH, I KNOW,
BUT I FIGURED
WE’D TAKE OUR CHANCES.
166
00:07:44,338 --> 00:07:45,548
SOMETIMES
IT’S BETTER THAT WAY.
167
00:07:45,673 --> 00:07:47,049
ALL RIGHT.
168
00:07:47,175 --> 00:07:48,426
I’LL SEE
WHAT I CAN DO.
169
00:07:59,604 --> 00:08:01,731
(MILLIE)
EXCUSE ME. MR. WARE?
170
00:08:01,856 --> 00:08:04,233
(WARE)
WHAT DO YOU WANT, MILLIE?
171
00:08:04,358 --> 00:08:06,235
WHAT, MILLIE?
THE POLICE?
172
00:08:07,361 --> 00:08:09,238
THAT IMBECILE GILLESPIE
MAKES ME SICK.
173
00:08:09,363 --> 00:08:10,990
(JODY) I KNOW
THIS SEEMS STRANGE,
174
00:08:11,157 --> 00:08:13,451
BUT THAT’S
THE WAY HE IS.
175
00:08:13,618 --> 00:08:15,828
(WARE) DO LIKE I TELL YOU
AND DON’T DISTURB ME.
176
00:08:15,995 --> 00:08:17,371
(GLASS BREAKS)
177
00:08:23,878 --> 00:08:26,380
I’M SORRY.
HE WON’T SEE YOU.
178
00:08:26,547 --> 00:08:29,884
HE SAYS
CHIEF GILLESPIE’S
A STUPID OLD FOOL,
179
00:08:30,051 --> 00:08:31,636
AND WHEN HE HEARD
YOU WERE HERE, JODY,
180
00:08:31,761 --> 00:08:33,346
HE THREW HIS GLASS
OF WATER.
181
00:08:34,304 --> 00:08:35,347
I’M SORRY.
182
00:08:36,682 --> 00:08:39,309
YEAH. WELL, I GUESS
I SHOULD HAVE KNOWN.
183
00:08:39,477 --> 00:08:40,852
I’M SORRY, GENTLEMEN.
184
00:08:40,977 --> 00:08:43,731
MY PAPA AND I HAVE
OUR UPS AND DOWNS.
185
00:08:43,898 --> 00:08:46,192
NO PROBLEM.
WE CAN STILL SEARCH
THE PROPERTY.
186
00:08:46,317 --> 00:08:48,069
WE’LL JUST HAVE
TO GET A WARRANT.
187
00:08:57,703 --> 00:09:01,249
AS FAR AS I CAN REMEMBER
THIS IS THE EXACT SPOT HERE.
188
00:09:01,415 --> 00:09:04,377
MY GIRL AND ME
CAME RUNNING
FROM THAT DIRECTION,
189
00:09:04,543 --> 00:09:07,213
AND THERE WAS MUTTFACE,
CHEWING ON THE BONE.
190
00:09:07,338 --> 00:09:09,632
(VIRGIL) JODY,
THIS IS YOUR FATHER’S
PROPERTY, RIGHT?
191
00:09:09,757 --> 00:09:12,051
YEAH. THE RAILROAD
TRACKS ARE THERE.
192
00:09:12,218 --> 00:09:13,803
ABOUT 100 YARDS
PAST THE TREES.
193
00:09:13,928 --> 00:09:15,054
THAT’S THE BOUNDARY LINE.
194
00:09:15,221 --> 00:09:16,806
UNLEASH HIM.
SEE WHAT HE’LL DO.
195
00:09:17,515 --> 00:09:18,808
ALL RIGHT.
196
00:09:19,850 --> 00:09:21,310
GET THEM, MUTTFACE.
197
00:09:24,230 --> 00:09:25,648
HE’S NOT EXACTLY
WHAT I’D CALL
A BLOODHOUND.
198
00:09:25,773 --> 00:09:27,066
(ALL CHUCKLING)
199
00:09:27,191 --> 00:09:28,276
GIVE ME A MINUTE
WITH HIM.
200
00:09:28,401 --> 00:09:29,568
I’M GOOD WITH DOGS.
201
00:09:29,694 --> 00:09:30,945
BE MY GUEST.
202
00:09:31,070 --> 00:09:32,280
HEY, THERE.
203
00:09:32,446 --> 00:09:34,240
YEAH, MUTTFACE.
204
00:09:34,407 --> 00:09:35,992
WE NEED SOME HELP
HERE, BUDDY.
205
00:09:36,117 --> 00:09:38,577
THIS IS
AN IMPORTANT THING.
206
00:09:38,703 --> 00:09:40,955
I KNOW YOU KNOW
WHERE THE BONES ARE.
207
00:09:41,080 --> 00:09:42,748
GO OUT IN THOSE WOODS
208
00:09:42,915 --> 00:09:45,667
AND FIND THE REST
OF THOSE BONES, O.K.?
209
00:09:45,792 --> 00:09:47,086
NOW, GO.
210
00:09:47,253 --> 00:09:48,796
GO. GO.
211
00:09:48,963 --> 00:09:50,339
(ALL LAUGHING)
212
00:09:50,464 --> 00:09:51,590
(PARKER) COME ON.
213
00:09:51,715 --> 00:09:53,301
THAT’S TERRIFIC,
PARKER.
214
00:09:53,467 --> 00:09:55,344
YOU OUGHT TO OPEN UP
AN OBEDIENCE SCHOOL.
215
00:09:56,387 --> 00:09:57,930
UH-OH. WE GOT
TROUBLE NOW.
216
00:10:01,392 --> 00:10:02,643
Y’ALL ARE TRESPASSING.
217
00:10:02,810 --> 00:10:03,853
ALL OF YOU.
218
00:10:03,978 --> 00:10:06,314
WE’RE HERE
ON POLICE BUSINESS.
219
00:10:06,439 --> 00:10:07,940
HERE’S
THE SEARCH WARRANT.
220
00:10:08,107 --> 00:10:09,650
THAT MEANS NOTHING TO ME.
221
00:10:09,775 --> 00:10:13,404
LOWER THAT SHOTGUN.
I’M GOING TO LOCK YOU AWAY.
222
00:10:13,529 --> 00:10:15,948
IS THAT YOU, TOMMY DUGAN,
PLAYING POLICEMAN?
223
00:10:16,115 --> 00:10:18,951
IF YOU’D HAD BRAINS,
YOU’D HAVE STAYED RETIRED.
224
00:10:19,076 --> 00:10:20,369
LET ME HANDLE THIS.
225
00:10:21,287 --> 00:10:22,538
ADAH?
226
00:10:22,663 --> 00:10:24,540
WHAT YOU DOING
WITH THESE FOOLS?
227
00:10:24,665 --> 00:10:25,916
(JODY) THEY ASKED ME
TO COME.
228
00:10:26,042 --> 00:10:27,835
IT’S O.K.
229
00:10:28,002 --> 00:10:29,503
PAPA WON’T CARE
AS LONG AS I’M HERE.
230
00:10:31,881 --> 00:10:33,341
O.K.?
231
00:10:33,466 --> 00:10:34,884
COME ON. LET’S GO.
232
00:10:37,595 --> 00:10:39,722
THEY’RE GOOD FOLK.
THEY’RE HERE TO HELP.
233
00:10:40,931 --> 00:10:42,224
(WHIMPERS)
234
00:10:42,350 --> 00:10:43,893
LET’S GET AT IT.
235
00:10:44,018 --> 00:10:45,561
SPREAD OUT
AND START SEARCHING.
236
00:10:47,438 --> 00:10:49,065
(BARKING)
237
00:10:49,190 --> 00:10:51,150
SEE, TOLD YOU
HE KNEW SOMETHING.
238
00:10:54,862 --> 00:10:57,073
WHEN YOU GET
TO NEW JERSEY,
SEND ME A POST CARD.
239
00:11:09,752 --> 00:11:11,212
(WHISTLING)
240
00:11:11,379 --> 00:11:13,005
(MUTTFACE BARKS)
241
00:11:13,130 --> 00:11:14,632
(PARKER) MUTTFACE.
242
00:11:14,757 --> 00:11:16,175
(WHISTLES)
243
00:11:16,342 --> 00:11:17,510
(MUTTFACE BARKS)
244
00:11:17,635 --> 00:11:18,636
(WHISTLES)
245
00:11:18,761 --> 00:11:19,887
MUTTFACE.
246
00:11:21,013 --> 00:11:22,556
MUTTFACE.
WHERE ARE YOU, DOG?
247
00:11:22,682 --> 00:11:23,808
COME ON, DOG.
248
00:11:23,933 --> 00:11:25,351
I CAN’T BELIEVE
I LOST YOU ALREADY.
249
00:11:25,518 --> 00:11:28,354
GEE, WHERE
IS THAT DOG?
250
00:11:28,521 --> 00:11:30,523
YOU’RE GOING TO FIND
THOSE BONES BEFORE ME,
AREN’T YOU?
251
00:11:30,648 --> 00:11:32,066
(BARKING)
252
00:11:36,445 --> 00:11:37,488
(PANTING)
253
00:11:37,613 --> 00:11:39,365
THAT FOOL DOG’S
RUNNING IN CIRCLES.
254
00:11:39,490 --> 00:11:41,033
(LAUGHING)
255
00:11:42,660 --> 00:11:44,036
BEWARE.
THESE WOODS ARE HAUNTED.
256
00:11:45,246 --> 00:11:47,581
SWEET, WHAT ARE YOU
DOING IN MY SECTOR?
257
00:11:49,165 --> 00:11:50,584
I FINISHED
MY OWN ALREADY.
258
00:11:50,751 --> 00:11:52,211
THOUGHT I’D HELP YOU.
259
00:11:52,336 --> 00:11:54,296
YOU KNOW
WHO SHAKESPEARE WAS?
260
00:11:54,422 --> 00:11:55,715
OF COURSE I KNOW.
261
00:11:55,881 --> 00:11:58,134
O.K. IDENTIFY
THIS PLAY, NOW.
262
00:11:58,259 --> 00:12:01,929
"ALAS, POOR YORICK,
I KNEW HIM--"
263
00:12:02,096 --> 00:12:03,806
HAMLET.
THE GRAVEDIGGER SCENE.
264
00:12:05,057 --> 00:12:06,183
WHERE DID YOU GET THAT?
265
00:12:07,685 --> 00:12:10,813
OH, BACK OVER THERE
IN A DRY STREAMBED,
266
00:12:10,980 --> 00:12:13,774
ALONG WITH THE REST
OF THE SKELETON
WE’VE BEEN LOOKING FOR.
267
00:12:20,239 --> 00:12:21,615
OH, DR. ROBB.
268
00:12:26,537 --> 00:12:29,457
THAT WAS SOME DISCOVERY
ON SWEET’S PART, EH?
269
00:12:29,582 --> 00:12:31,959
THE REMAINS
OF A YOUNG WOMAN.
270
00:12:32,126 --> 00:12:33,711
I’D ESTIMATE
SHE’S BEEN THERE
271
00:12:33,836 --> 00:12:35,379
SOMEWHERE AROUND
10 TO 12 YEARS.
272
00:12:36,630 --> 00:12:37,923
A LOT OF BROKEN BONES.
273
00:12:39,425 --> 00:12:41,510
BLUNT-FORCE
TRAUMA, HUH?
274
00:12:41,635 --> 00:12:43,804
YOU’RE ABSOLUTELY
RIGHT, VIRGIL.
275
00:12:43,971 --> 00:12:45,556
ANTE-MORTEM FRACTURES
276
00:12:46,599 --> 00:12:48,100
HERE AND HERE.
277
00:12:48,225 --> 00:12:50,269
AND HERE AND THERE.
278
00:12:51,687 --> 00:12:53,230
THIS POOR CREATURE,
WHOEVER SHE WAS,
279
00:12:53,355 --> 00:12:54,440
DIED A HORRIBLE DEATH.
280
00:12:54,607 --> 00:12:56,358
SHE WAS PROBABLY
BEAT SENSELESS
281
00:12:57,735 --> 00:12:59,737
AND THEN
DISMEMBERED WITH AN AX
OR A HATCHET.
282
00:13:02,281 --> 00:13:04,366
AND THEN LEFT IN
THE WOODS TO ROT.
283
00:13:04,492 --> 00:13:05,534
THERE’S MORE.
284
00:13:08,162 --> 00:13:12,082
THIS FEMUR
THOSE KIDS FOUND
BY THE HAUNTED HOUSE,
285
00:13:12,208 --> 00:13:14,293
IT DOESN’T BELONG
TO THAT PERSON,
286
00:13:14,418 --> 00:13:16,962
WHICH MEANS THAT
SOMEWHERE OUT THERE,
287
00:13:17,129 --> 00:13:19,215
THERE’S AT LEAST
ONE OTHER BODY.
288
00:13:28,307 --> 00:13:31,310
(VIRGIL)
THE UNDERBRUSH THERE
GETS PRETTY DENSE,
289
00:13:31,476 --> 00:13:33,521
SO KEEP CONSTANT
VISUAL CONTACT.
290
00:13:33,646 --> 00:13:36,690
TRY TO STAY NO MORE
THAN 6 FEET OR SO
291
00:13:36,857 --> 00:13:39,151
FROM THE PERSON ON
EITHER SIDE OF YOU.
292
00:13:39,318 --> 00:13:42,822
NOW, IF YOU HAPPEN
TO FIND ANYTHING
293
00:13:42,988 --> 00:13:44,990
THAT LOOKS REMOTELY
LIKE A BONE,
294
00:13:45,157 --> 00:13:46,742
DON’T TOUCH IT.
295
00:13:46,867 --> 00:13:48,202
JUST STAY
WHERE YOU ARE
296
00:13:48,369 --> 00:13:51,330
AND CONTACT
SERGEANT SKINNER.
297
00:13:51,497 --> 00:13:53,707
AND IF YOU HAPPEN
TO RUN ACROSS
THIS OLD WOMAN,
298
00:13:53,832 --> 00:13:55,835
MISS ADAH BOONE,
THE PIG WOMAN,
299
00:13:55,960 --> 00:13:57,545
YOU WATCH YOURSELF.
300
00:13:57,670 --> 00:14:00,923
THE SHOTGUN SHE CARRIES
HAS BEEN KNOWN TO GO OFF.
301
00:14:01,048 --> 00:14:01,799
ANY QUESTIONS?
302
00:14:02,967 --> 00:14:05,135
ALL RIGHT,
LET’S MOVE IT OUT.
303
00:14:06,971 --> 00:14:08,931
...GOTTA FOUR-WHEEL DRIVE.
I CAN TAKE YOU GUYS.
304
00:14:09,098 --> 00:14:10,683
COME ON.
305
00:14:13,519 --> 00:14:14,728
HELLO, MILLIE.
306
00:14:14,895 --> 00:14:17,398
YOUR FATHER’S NOT
GOING TO LIKE THIS.
307
00:14:17,523 --> 00:14:18,816
(MAN) WANT TO JOIN
A POSSE, HONEY?
308
00:14:20,150 --> 00:14:22,069
HI.
309
00:14:22,236 --> 00:14:23,529
CAN I HELP YOU?
310
00:14:23,696 --> 00:14:25,489
I NEED TO SPEAK
TO WHOEVER’S IN CHARGE.
311
00:14:26,156 --> 00:14:27,907
SURE. SURE.
312
00:14:32,204 --> 00:14:33,914
(MAN) VERY NICE.
313
00:14:34,081 --> 00:14:35,207
(WOLF WHISTLES)
314
00:14:35,332 --> 00:14:38,168
HEY, SHUT UP,
ALL OF YOU. SHUT UP.
315
00:14:38,335 --> 00:14:40,254
(MEN LAUGHING)
316
00:14:40,379 --> 00:14:42,256
UH, MILLIE NEEDS
TO TALK TO YOU.
317
00:14:42,423 --> 00:14:43,507
I GOT TO LEAVE.
318
00:14:43,632 --> 00:14:44,591
HI, MILLIE.
319
00:14:44,758 --> 00:14:45,634
HI.
320
00:14:45,759 --> 00:14:48,304
HI. I’M CAPTAIN TOM DUGAN.
MAY I HELP YOU?
321
00:14:48,429 --> 00:14:51,599
IT’S O.K., TOM.
SHE WORKS FOR SIMON WARE.
322
00:14:52,683 --> 00:14:54,768
I HAVE A MESSAGE
FROM MR. WARE.
323
00:14:54,935 --> 00:14:56,604
HE WANTS TO TALK
TO THE POLICE.
324
00:14:56,729 --> 00:14:59,899
HE SPECIFIED WHICH POLICE
HE HAD IN MIND?
325
00:15:00,024 --> 00:15:02,567
NO. HE JUST DIDN’T WANT
JODY ALONG THIS TIME.
326
00:15:04,528 --> 00:15:05,738
I’D BE HAPPY
TO TALK TO HIM, MILLIE.
327
00:15:05,863 --> 00:15:07,281
(TOM) YEAH. ME, TOO.
328
00:15:07,406 --> 00:15:08,741
TOM, THERE’S NO NEED.
329
00:15:08,908 --> 00:15:10,242
JUST FOR FUN.
330
00:15:10,409 --> 00:15:11,785
LEAD THE WAY,
MILLIE.
331
00:15:11,910 --> 00:15:13,537
LOOKS LIKE YOU
GOT BOTH OF US.
332
00:15:37,227 --> 00:15:38,771
(SOFTLY) STAY HERE.
333
00:15:46,070 --> 00:15:47,696
MR. WARE.
334
00:15:47,821 --> 00:15:49,615
MR. WARE, SOME PEOPLE
NEED TO TALK TO YOU.
335
00:15:52,951 --> 00:15:55,537
YOU CAN TALK TO HIM,
BUT DON’T GO PAST THIS LINE.
336
00:15:58,999 --> 00:16:00,834
MORNING, MR. WARE.
337
00:16:00,960 --> 00:16:02,628
I’M TOM DUGAN.
REMEMBER ME?
338
00:16:02,795 --> 00:16:04,630
ONE OF JOHNNY DUGAN’S
BOYS.
339
00:16:04,755 --> 00:16:06,507
MISS MILLIE SAYS
YOU WANT TO TALK TO US.
340
00:16:06,632 --> 00:16:08,217
KEEP BACK BEHIND THE LINE.
341
00:16:10,177 --> 00:16:11,428
EXCUSE ME.
342
00:16:14,515 --> 00:16:18,101
MR. WARE, WE HAVE
FOUND THE REMAINS
OF HUMAN SKELETONS
343
00:16:18,226 --> 00:16:19,269
ON YOUR PROPERTY.
344
00:16:19,395 --> 00:16:20,187
ADAH BOONE!
345
00:16:23,774 --> 00:16:25,150
PARDON ME?
346
00:16:25,275 --> 00:16:26,735
THAT’S WHO YOU WANT
TO TALK TO.
347
00:16:26,860 --> 00:16:28,320
SHE’S CRAZY.
348
00:16:28,445 --> 00:16:29,613
I TELL YOU--CRAZY.
349
00:16:29,738 --> 00:16:31,407
CRAZY, EVIL WOMAN!
350
00:16:33,450 --> 00:16:35,077
AND YOU’RE SAYING?
351
00:16:35,202 --> 00:16:36,704
I SAW HER.
352
00:16:36,829 --> 00:16:39,707
SAW HER FEED
HER NEWBORN PIGS
TO HER SOWS.
353
00:16:40,833 --> 00:16:43,919
FED PIGS
THEIR OWN YOUNG.
354
00:16:44,044 --> 00:16:46,213
AS I SAID, MR. WARE,
355
00:16:46,338 --> 00:16:49,383
WE FOUND THE REMAINS
OF HUMAN SKELETONS
ON YOUR PROPERTY.
356
00:16:49,550 --> 00:16:50,884
(WARE)YOU’RE BLACK.
357
00:16:52,302 --> 00:16:53,971
HMM...
ARE YOU A POLICEMAN?
358
00:16:59,935 --> 00:17:05,065
I AM CHIEF OF DETECTIVES
OF THE SPARTA
POLICE DEPARTMENT, YES.
359
00:17:06,858 --> 00:17:09,028
SHE’S A BUTCHER.
360
00:17:09,194 --> 00:17:11,488
SHE SLAUGHTERS PIGS,
AND SHE LIKES IT.
361
00:17:12,990 --> 00:17:16,410
THINK ABOUT IT,
CHIEF OF DETECTIVES.
362
00:17:25,335 --> 00:17:27,378
WELL, IRMA,
363
00:17:27,546 --> 00:17:30,924
YOUR BABIES ARE GETTING
BIGGER AND BIGGER EVERY DAY.
364
00:17:31,049 --> 00:17:33,135
PRETTY SOON THEY WON’T
NEED NO MAMA NO MORE,
365
00:17:33,260 --> 00:17:36,805
AND ADAH’S GOING TO HAVE
TO GET HER SPECIAL KNIFE.
366
00:17:36,930 --> 00:17:39,558
YOU WON’T FEEL NOTHING
BUT A LITTLE STING
367
00:17:39,683 --> 00:17:41,267
FOR A FEW SECONDS,
368
00:17:41,435 --> 00:17:44,063
THEN YOU’LL BE UP THERE
WITH THE REST
OF YOUR ANCESTORS.
369
00:18:01,872 --> 00:18:03,332
(CAR DOOR SLAMMING)
370
00:18:11,089 --> 00:18:13,092
UH, MISS BOONE!
371
00:18:13,258 --> 00:18:16,428
WE WOULD APPRECIATE IT
IF YOU WOULD COME DOWN
TO THE STATION
372
00:18:16,553 --> 00:18:18,764
AND TALK WITH US.
373
00:18:18,889 --> 00:18:22,559
BUBBA SKINNER,
IT’S TIME YOU GOT MARRIED
AND SETTLED DOWN.
374
00:18:22,726 --> 00:18:24,144
CAN’T FIGHT IT FOREVER.
375
00:18:32,444 --> 00:18:34,029
THANKS, DR. ROBB.
376
00:18:38,242 --> 00:18:41,036
DR. ROBB SAYS
FROM THE BONES
THE GUYS FOUND,
377
00:18:41,161 --> 00:18:43,705
HE NOW HAS EVIDENCE
OF THREE SEPARATE BODIES
378
00:18:43,831 --> 00:18:45,749
ALL FROM THE LAST
7 TO 10 YEARS.
379
00:18:45,916 --> 00:18:48,085
YOU BETTER CHECK
MISSING PERSONS REPORTS.
380
00:18:48,669 --> 00:18:49,711
I HAVE.
381
00:18:54,508 --> 00:18:56,468
RIGHT THIS WAY, MISS BOONE.
382
00:18:58,011 --> 00:19:00,180
HERE YOU GO. ADAH BOONE,
STRAIGHT FROM THE PIG YARD.
383
00:19:00,305 --> 00:19:02,766
WE NEED TO TALK.
384
00:19:02,891 --> 00:19:04,309
(ADAH)
WHAT’S GOING ON?
385
00:19:04,434 --> 00:19:07,187
A GOOD CHRISTIAN
WOMAN HAULED IN
LIKE A COMMON CRIMINAL!
386
00:19:07,312 --> 00:19:08,856
I’VE GOT BETTER THINGS
TO DO.
387
00:19:09,022 --> 00:19:09,982
I GOT MY WORK.
388
00:19:10,107 --> 00:19:11,316
I GOT MY PIGS
TO TEND TO.
389
00:19:11,441 --> 00:19:12,985
SIT DOWN. BE QUIET.
390
00:19:13,152 --> 00:19:14,778
DON’T WANT TO.
391
00:19:14,903 --> 00:19:16,822
LOOK, YOU MAY BE QUEEN
OF THE HILL IN THE WOODS,
392
00:19:16,989 --> 00:19:19,741
BUT AROUND HERE,
I’M THE BOSS. SIT DOWN.
393
00:19:19,867 --> 00:19:21,368
I’M STANDING.
394
00:19:21,535 --> 00:19:23,453
FINE. I DON’T CARE.
395
00:19:24,329 --> 00:19:25,789
WE GOT SOME QUESTIONS.
396
00:19:25,914 --> 00:19:28,250
THE SOONER YOU ANSWER,
THE SOONER YOU CAN LEAVE.
397
00:19:28,417 --> 00:19:31,879
I GOT NO MIND TO BE ASKED
A BUNCH OF SILLY QUESTIONS,
398
00:19:32,045 --> 00:19:33,714
SO I’LL TELL YOU
WHAT YOU OUGHT TO KNOW.
399
00:19:35,257 --> 00:19:39,845
SIMON WARE IS CRAZIER
THAN A MAGPIE IN AUGUST.
400
00:19:39,970 --> 00:19:43,682
HE HAS BEEN SINCE
HIS WIFE, LUCY, DIED,
NEARLY 30 YEARS AGO,
401
00:19:43,807 --> 00:19:44,975
GIVING BIRTH
TO YOUNG JODY.
402
00:19:45,100 --> 00:19:47,394
THANKS FOR THAT
BRAND-NEW INFORMATION.
403
00:19:47,561 --> 00:19:49,646
HOW ABOUT TELLING ME
SOMETHING I CAN USE?
404
00:19:49,771 --> 00:19:51,565
OH, I WILL.
405
00:19:51,732 --> 00:19:53,609
YOU THINK
HE’S AN INVALID,
406
00:19:53,734 --> 00:19:56,612
HOLED UP IN THAT HOUSE
WHERE THE LIGHT NEVER HITS?
407
00:19:56,737 --> 00:20:00,490
(SCOFFS) NO, NO.
I SEEN HIM AT NIGHT
IN THE WOODS,
408
00:20:01,325 --> 00:20:02,618
PROWLING AROUND.
409
00:20:03,327 --> 00:20:05,120
OH, SURE YOU HAVE.
410
00:20:05,245 --> 00:20:08,290
WHEN HAVE YOU SEEN HIM
OUT THERE?
411
00:20:08,415 --> 00:20:11,001
(ADAH) HE PRETENDS TO BE
AN INVALID, YOU SEE.
412
00:20:11,168 --> 00:20:14,338
GETS HISSELF THOSE
PRETTY YOUNG THINGS
HE CALLS NURSES.
413
00:20:15,088 --> 00:20:16,798
ONE AFTER THE OTHER
414
00:20:16,924 --> 00:20:18,300
AFTER THE OTHER.
415
00:20:18,425 --> 00:20:22,179
COULD YOU COME
TO YOUR POINT
A LITTLE FASTER?
416
00:20:22,304 --> 00:20:26,558
IF YOU WEREN’T
IN SUCH A HURRY,
MR. NO-NONSENSE DUGAN,
417
00:20:26,683 --> 00:20:28,227
YOU MIGHT ASK
YOURSELF A QUESTION.
418
00:20:28,393 --> 00:20:29,353
HMM?
419
00:20:29,519 --> 00:20:32,773
(ADAH) THOSE BODIES
YOU BEEN FINDING
IN MY WOODS,
420
00:20:32,940 --> 00:20:34,942
HOW MANY OF THOSE
ARE FEMALE?
421
00:20:39,029 --> 00:20:40,948
MILLIE! HELLO.
HOW ARE YOU?
422
00:20:43,200 --> 00:20:45,118
I’M FINE. THANKS.
423
00:20:46,036 --> 00:20:47,454
HEY THERE!
424
00:20:47,621 --> 00:20:49,206
HI.
425
00:20:49,331 --> 00:20:51,333
( MILLIE)
CAN I TALK TO YOU?
426
00:20:51,458 --> 00:20:53,919
SURE. SURE. SIT DOWN.
SIT DOWN.
427
00:20:54,044 --> 00:20:56,088
WANT ANYTHING
TO EAT?
428
00:20:56,255 --> 00:20:57,673
HOLLER IF YOU
CHANGE YOUR MIND.
429
00:21:00,592 --> 00:21:02,135
SO, UH, WHAT
CAN I DO FOR YOU?
430
00:21:04,137 --> 00:21:07,766
BUBBA, IN HIGH SCHOOL,
I ALWAYS LOOKED UP
TO YOU.
431
00:21:07,891 --> 00:21:09,726
YOU WERE
THE BIG BROTHER
I WISHED I’D HAD.
432
00:21:11,436 --> 00:21:15,232
I WISH I COULD
SAY I THOUGHT
OF YOU AS A SISTER,
433
00:21:15,399 --> 00:21:17,901
BUT IT WASN’T
WHAT WAS GOING
THROUGH MY MIND.
434
00:21:19,152 --> 00:21:21,530
WELL, BUBBA, I NEED
A BIG BROTHER NOW--
435
00:21:22,948 --> 00:21:25,117
SOMEBODY I CAN TALK
SOME THINGS OUT WITH.
436
00:21:25,575 --> 00:21:26,660
O.K.
437
00:21:26,785 --> 00:21:27,995
O.K.
438
00:21:28,161 --> 00:21:29,871
IT’S ABOUT MR. WARE.
439
00:21:29,997 --> 00:21:32,499
I KNOW WHAT EVERYBODY
IN TOWN THINKS OF ME
FOR LIVING WITH HIM,
440
00:21:33,875 --> 00:21:36,378
BUT FOR ME THIS JOB
WAS A GODSEND.
441
00:21:36,503 --> 00:21:38,630
I COULDN’T TURN IT DOWN.
442
00:21:38,755 --> 00:21:40,716
HE SAID
IF I STAYED WITH HIM
443
00:21:40,841 --> 00:21:42,592
AND TOOK CARE
OF HIM FOR TWO YEARS,
444
00:21:43,760 --> 00:21:47,097
HE’D PAY ME $250,000.
445
00:21:48,098 --> 00:21:49,850
OOH! THAT’S A LOT OF MONEY.
446
00:21:51,143 --> 00:21:54,021
ONLY NOW HE WANTS ME
TO STAY AN EXTRA YEAR.
447
00:21:54,187 --> 00:21:57,482
HE WANTS TO TRAVEL,
AND HE WANTS ME
TO GO ALONG.
448
00:21:57,607 --> 00:21:58,900
I DON’T KNOW
WHAT TO DO.
449
00:22:00,652 --> 00:22:05,239
WELL, I GUESS
YOU GOT TO FIGURE OUT
HOW MUCH IT’S WORTH
450
00:22:06,616 --> 00:22:09,536
TO DO WHATEVER
YOU DO FOR HIM.
451
00:22:09,703 --> 00:22:12,122
I KNOW NOBODY
BELIEVES THIS,
452
00:22:12,247 --> 00:22:13,790
BUT HE NEVER
TOUCHES ME.
453
00:22:13,915 --> 00:22:15,500
YOU DON’T HAVE
TO TELL ME ALL THIS.
454
00:22:15,667 --> 00:22:17,794
YEAH, I DO THINGS FOR HIM.
455
00:22:17,919 --> 00:22:19,546
I DRESS FOR HIM
IN CERTAIN WAYS.
456
00:22:21,089 --> 00:22:23,633
HE HAS SPECIAL THINGS
HE LIKES ME TO WEAR--
457
00:22:23,759 --> 00:22:25,052
THINGS HE ORDERS
FROM CATALOGS.
458
00:22:26,636 --> 00:22:28,638
SOMETIMES I JUST
WALK AROUND.
459
00:22:30,307 --> 00:22:32,851
SOMETIMES
I SING HIM A SONG.
460
00:22:32,976 --> 00:22:35,854
I MAKE UP STORIES
HE LIKES TO HEAR.
461
00:22:36,021 --> 00:22:37,981
SOMETIMES HE’LL ASK ME
TO RUB SOMETHING ON HIM--
462
00:22:38,106 --> 00:22:40,901
OH, MILLIE, YOU DON’T
HAVE TO TELL ME THIS.
463
00:22:41,068 --> 00:22:43,987
BUBBA, THE POINT IS,
THAT’S ALL I DO.
464
00:22:48,241 --> 00:22:51,161
MILLIE, WHAT I THINK
YOU HAVE TO DO...
465
00:22:53,163 --> 00:22:56,041
IS LOOK INSIDE YOUR HEART
AND ASK YOURSELF,
466
00:22:57,667 --> 00:22:59,377
"IS WHAT I’M DOING RIGHT?"
467
00:23:00,295 --> 00:23:02,255
AND IF THE ANSWER’S YES...
468
00:23:03,840 --> 00:23:05,592
THEN TO HELL
WHAT ANYBODY ELSE THINKS.
469
00:23:07,427 --> 00:23:08,887
THANK YOU.
470
00:23:10,722 --> 00:23:11,681
(OWL HOOTING)
471
00:23:24,569 --> 00:23:26,404
PARKER, I DON’T BELIEVE
YOU TALKED ME
472
00:23:26,571 --> 00:23:28,115
INTO COMING OUT HERE
THIS NIGHT.
473
00:23:28,240 --> 00:23:30,283
SHUSH. YOU WANT HER
TO HEAR SOMETHING?
474
00:23:31,618 --> 00:23:32,661
(TWIG SNAPS)
475
00:23:32,786 --> 00:23:33,829
LISTEN.
476
00:23:33,954 --> 00:23:35,122
LISTEN TO WHAT?
477
00:23:35,288 --> 00:23:36,748
I THOUGHT
I HEARD SOMETHING.
478
00:23:36,915 --> 00:23:38,500
THAT PIG WOMAN’S
GOT SOMETHING
TO DO WITH THIS.
479
00:23:38,625 --> 00:23:39,543
I’M POSITIVE.
480
00:23:39,751 --> 00:23:42,546
WE’LL STAKE HER OUT
AND GET THE GOODS ON HER,
481
00:23:44,798 --> 00:23:47,134
AND THAT WILL SHOW
WILSON SWEET
482
00:23:47,259 --> 00:23:49,594
WHO’S AN ACE
AND WHO’S NOT.
483
00:23:49,761 --> 00:23:51,596
THAT’S WHAT THIS IS ABOUT,
YOU FEUDING WITH SWEET?
484
00:23:51,721 --> 00:23:53,181
(TWIG SNAPS)
485
00:23:53,306 --> 00:23:54,641
I THOUGHT
I SAW SOMEBODY.
486
00:24:01,440 --> 00:24:02,441
THERE’S SOMEBODY
OVER THERE.
487
00:24:18,415 --> 00:24:19,791
SHE’S MOVING FASTER.
488
00:24:19,958 --> 00:24:21,251
LET’S GO. LET’S GO.
489
00:24:29,593 --> 00:24:31,052
(SINISTER LAUGH)
490
00:24:33,430 --> 00:24:34,556
(LAUGHING)
491
00:24:35,682 --> 00:24:37,309
YOU SHOULD HAVE
SEEN YOURSELVES.
492
00:24:37,476 --> 00:24:39,436
I SHOULD HAVE
VIDEOTAPED THAT.
493
00:24:39,561 --> 00:24:42,063
I’LL SHOW YOU A JOKE,
YOU LAMEBRAIN!
494
00:24:42,606 --> 00:24:44,149
HO, HO, HO!
495
00:24:44,274 --> 00:24:45,692
I’M GOING
TO GET YOU,
496
00:24:45,859 --> 00:24:47,986
IF IT’S THE LAST
THING I EVER DO!
497
00:24:48,153 --> 00:24:49,154
(BOTH GRUNT)
498
00:24:50,822 --> 00:24:52,490
AAH!
499
00:24:52,616 --> 00:24:54,034
YOU O.K.?
500
00:24:54,159 --> 00:24:55,410
DID I HURT YOU?
501
00:24:55,535 --> 00:24:57,496
NO. I TOUCHED
SOMETHING OVER HERE.
502
00:24:57,621 --> 00:24:59,539
JAMISON, SHINE
YOUR LIGHT OVER HERE.
503
00:25:31,154 --> 00:25:33,615
WELL, VIRGIL,
WE GOT MOST
OF IT UNCOVERED.
504
00:25:33,740 --> 00:25:36,117
MAN, THIS SURE
DOES STINK.
505
00:25:39,329 --> 00:25:41,498
HOW LONG DO YOU THINK
THAT BODY’S BEEN THERE?
506
00:25:43,875 --> 00:25:45,835
JUDGING FROM
THE DECOMPOSITION, BUBBA,
507
00:25:47,420 --> 00:25:49,005
SIX OR EIGHT MONTHS.
508
00:25:49,130 --> 00:25:50,382
IT SURE IS A MESS.
509
00:25:50,548 --> 00:25:52,634
YEAH. YEAH,
IT’S A MESS ALL RIGHT.
510
00:25:57,013 --> 00:26:01,351
YOU KNOW, WE THOUGHT
THESE WERE MULTIPLE
MURDERS FROM THE PAST,
511
00:26:02,602 --> 00:26:04,896
BUT IF THESE BODIES
ARE CONNECTED,
512
00:26:05,021 --> 00:26:06,565
OUR KILLER COULD
STILL BE OPERATING.
513
00:26:17,200 --> 00:26:19,953
BE GLAD YOU DIDN’T
HAVE TO HELP US
DIG UP THAT BODY.
514
00:26:20,078 --> 00:26:21,913
IT WAS A MESS.
515
00:26:22,038 --> 00:26:23,582
(JAMISON) THAT’S FOR SURE.
516
00:26:23,748 --> 00:26:25,250
STILL, I’D RATHER
BE DOING SOMETHING
517
00:26:25,375 --> 00:26:26,876
THAN SITTING HERE
ANSWERING PHONES.
518
00:26:28,627 --> 00:26:30,797
EVERYBODY WANTS TO DO
WHAT THEY CAN’T DO, PARKER,
519
00:26:30,922 --> 00:26:32,215
AND LET’S FACE IT--
520
00:26:32,340 --> 00:26:34,259
WATER SEEKS
ITS OWN LEVEL.
521
00:26:34,426 --> 00:26:36,386
WHAT’S THAT
SUPPOSED TO MEAN?
522
00:26:36,511 --> 00:26:39,431
MAYBE YOU’RE NOT
CUT OUT TO HANDLE
THE DESK, EITHER.
523
00:26:39,556 --> 00:26:41,474
THAT’S RIGHT. I’M NOT.
524
00:26:41,599 --> 00:26:43,852
I’M NOT CUT OUT
TO BE A RECEPTIONIST.
525
00:26:43,977 --> 00:26:46,104
I’M CUT OUT
TO BE A DETECTIVE.
526
00:26:46,938 --> 00:26:47,981
MM-HMM.
527
00:26:50,233 --> 00:26:51,818
(PARKER) WHOA, MR. WARE.
528
00:26:51,985 --> 00:26:53,987
LET ME TELL HIM
YOU’RE HERE.
529
00:26:54,112 --> 00:26:55,071
WAIT!
530
00:26:55,238 --> 00:26:56,989
CAPTAIN DUGAN,
MR., TIBBS...
531
00:26:57,114 --> 00:26:58,241
I JUST HEARD SOMETHING
I WISH I HADN’T.
532
00:26:58,450 --> 00:27:00,952
I DIDN’T THINK
I SHOULD TACKLE HIM,
SO HE GOT THROUGH.
533
00:27:01,119 --> 00:27:03,078
THAT’S O.K., PARKER.
534
00:27:03,203 --> 00:27:04,706
WHAT’S THE PROBLEM, JODY?
535
00:27:04,831 --> 00:27:08,376
DID ADAH BOONE SAY
MY PAPA WAS INVOLVED
IN THOSE MURDERS?
536
00:27:09,169 --> 00:27:10,420
IS THAT SO?
537
00:27:10,628 --> 00:27:13,923
WHAT GOES ON
IN CRIMINAL INVESTIGATIONS
IS PRIVILEGED INFORMATION.
538
00:27:14,049 --> 00:27:15,592
SO SHE DID.
539
00:27:15,717 --> 00:27:17,385
WHY WOULD SHE SAY
SOMETHING LIKE THAT?
540
00:27:18,470 --> 00:27:20,388
MY PAPA WAS ALWAYS
GOOD TO HER.
541
00:27:20,513 --> 00:27:22,098
HE LET HER LIVE
OFF HIS OWN LAND.
542
00:27:23,683 --> 00:27:24,392
I CAN’T BELIEVE THIS.
543
00:27:24,559 --> 00:27:26,269
(TOM) SETTLE DOWN.
544
00:27:26,394 --> 00:27:29,481
NATURALLY, THIS
INVESTIGATION’S GOING
TO CONCERN YOUR FATHER.
545
00:27:29,606 --> 00:27:31,483
IT’S HIS LAND
THESE BODIES WERE FOUND ON.
546
00:27:31,649 --> 00:27:32,941
YEAH. I’M SORRY.
547
00:27:35,695 --> 00:27:38,114
I WAS JUST HOPING
I COULD GET BACK
CLOSE WITH MY PAPA.
548
00:27:39,157 --> 00:27:40,992
(VIRGIL) WHAT HAPPENED?
549
00:27:41,159 --> 00:27:44,329
WHY DOES YOUR FATHER
HATE YOU SO MUCH?
550
00:27:46,539 --> 00:27:47,540
I DON’T KNOW.
551
00:27:48,458 --> 00:27:50,210
LORD KNOWS I TRIED.
552
00:27:52,962 --> 00:27:54,506
EVEN WHEN
I WAS LITTLE,
553
00:27:56,341 --> 00:27:58,301
I WANTED SO MUCH
FOR HIM TO LOVE ME,
554
00:28:01,346 --> 00:28:02,931
BUT INSIDE,
I KNEW HE DIDN’T.
555
00:28:03,807 --> 00:28:05,016
(TOM) HE’S A DIFFICULT MAN.
556
00:28:05,183 --> 00:28:06,351
HE ALWAYS WAS.
557
00:28:06,476 --> 00:28:08,812
SOME MEN JUST CAN’T LOVE.
558
00:28:08,937 --> 00:28:12,023
YOU’VE GOT TO LIVE
YOUR OWN LIFE.
559
00:28:12,148 --> 00:28:14,692
YEAH. I SHOULD
HAVE LEFT SPARTA
A LONG TIME AGO.
560
00:28:17,028 --> 00:28:18,530
BUT I KEPT
THINKING THAT...
561
00:28:19,656 --> 00:28:21,366
MAYBE IF
I STUCK IT OUT,
562
00:28:22,492 --> 00:28:24,202
MAYBE HE’D CHANGE.
563
00:28:28,039 --> 00:28:29,374
YOU KNOW,
I KEEP THINKING...
564
00:28:30,709 --> 00:28:32,210
WHAT IF HE DIES
565
00:28:34,379 --> 00:28:36,798
AND WE’VE NEVER
SAID A KIND WORD
TO EACH OTHER?
566
00:28:39,759 --> 00:28:41,553
WOULDN’T THAT BE
A TERRIBLE THING?
567
00:28:43,680 --> 00:28:44,889
YOUR OWN FATHER.
568
00:28:50,687 --> 00:28:52,021
(WHISTLING)
569
00:29:01,030 --> 00:29:04,742
UM... EXCUSE ME,
UH, MR. WARE.
570
00:29:06,077 --> 00:29:08,955
UH, MY NAME’S
PARKER WILLIAMS.
571
00:29:09,080 --> 00:29:11,082
I DON’T THINK
YOU KNOW ME,
572
00:29:11,249 --> 00:29:12,792
BUT I USED TO CUT
YOUR DADDY’S GRASS.
573
00:29:14,002 --> 00:29:16,379
(JODY) YEAH. SURE.
574
00:29:16,504 --> 00:29:19,007
I USED TO THROW
BAILING WIRE IN THE YARD
575
00:29:19,132 --> 00:29:20,967
SO IT WOULD SNARL
THE LAWN MOWER.
576
00:29:23,261 --> 00:29:24,596
I’M SORRY.
577
00:29:24,762 --> 00:29:26,139
IT SEEMED LIKE
A GOOD IDEA
AT THE TIME.
578
00:29:26,264 --> 00:29:27,807
OH, THAT’S ALL RIGHT.
579
00:29:30,643 --> 00:29:33,021
IT WAS GOOD SEEING YOU.
580
00:29:43,573 --> 00:29:45,116
(WHISTLING)
581
00:29:58,630 --> 00:30:00,882
WELL...
582
00:30:02,258 --> 00:30:04,385
WHAT WERE YOU
TALKING TO HIM ABOUT?
583
00:30:04,511 --> 00:30:06,846
OH, THAT WAS JUST PART
OF MY INVESTIGATION.
584
00:30:06,971 --> 00:30:09,849
INVESTIGATION?
585
00:30:09,974 --> 00:30:11,976
YOU’RE SO FULL OF IT,
YOU’RE ABOUT TO BLOW UP.
586
00:30:12,143 --> 00:30:14,145
NOW, WHAT WERE YOU
TALKING TO HIM ABOUT?
587
00:30:14,270 --> 00:30:17,065
MR. SWEET,
A GOOD DETECTIVE
588
00:30:17,190 --> 00:30:20,235
PRESERVES THE CONFIDENTIALITY
OF HIS SOURCES.
589
00:30:21,861 --> 00:30:23,071
EXCUSE ME.
590
00:30:27,200 --> 00:30:28,743
I DON’T UNDERSTAND IT.
591
00:30:28,868 --> 00:30:30,662
PAPA’S ALWAYS
BEEN GOOD TO YOU.
592
00:30:30,787 --> 00:30:32,288
WHY DID YOU SAY
THOSE THINGS ABOUT HIM?
593
00:30:34,123 --> 00:30:35,750
YOU NEVER DO
GIVE UP ON HIM,
DO YOU?
594
00:30:35,875 --> 00:30:37,210
WELL, HOW CAN I?
595
00:30:37,335 --> 00:30:38,836
HE’S MY FATHER.
596
00:30:38,962 --> 00:30:40,922
(ADAH) SURE,
HE PROVIDED THE SEED,
597
00:30:41,047 --> 00:30:43,341
AND IF GIVING YOU
FOOD AND SHELTER
598
00:30:43,466 --> 00:30:44,634
CONSTITUTES
BEING A FATHER,
599
00:30:44,801 --> 00:30:46,803
I GUESS
THAT’S WHAT HE IS.
600
00:30:46,928 --> 00:30:48,888
WHATEVER HE IS,
HE’S NOT A MURDERER.
601
00:30:50,181 --> 00:30:53,059
HOW COULD YOU SAY
THOSE THINGS ABOUT HIM?
602
00:31:00,858 --> 00:31:01,943
JODY...
603
00:31:06,990 --> 00:31:11,202
I LOVE YOU MORE
THAN ANYONE ON EARTH.
604
00:31:11,369 --> 00:31:13,496
I HAVE SINCE I BROUGHT
YOU ONTO THIS EARTH
605
00:31:13,621 --> 00:31:14,788
NEAR 30 YEARS AGO.
606
00:31:17,458 --> 00:31:19,752
IT SEEMS YOU WERE
BORN TO SUFFER--
607
00:31:19,877 --> 00:31:22,714
YOUR MAMA DYING
WHEN YOU WERE BORN
608
00:31:22,839 --> 00:31:26,426
AND MR. WARE
TREATING YOU LIKE
SOME KIND OF OUTCAST.
609
00:31:26,593 --> 00:31:28,303
THERE’S SOMETHING
I NEVER TOLD YOU.
610
00:31:31,180 --> 00:31:32,932
I NEVER TOLD NOBODY.
611
00:31:33,099 --> 00:31:36,436
I WAS THE MIDWIFE
WHEN YOUR MAMA
WENT INTO LABOR.
612
00:31:37,854 --> 00:31:39,480
IT WAS A HARD ONE.
613
00:31:39,606 --> 00:31:41,566
LONG...
614
00:31:41,733 --> 00:31:43,526
POOR THING WAS
IN TERRIBLE PAIN.
615
00:31:45,903 --> 00:31:47,572
THEN SHE STARTED
HEMORRHAGING.
616
00:31:47,739 --> 00:31:49,032
BLOOD STARTED TO COME,
WOULDN’T STOP.
617
00:31:49,157 --> 00:31:50,700
I COULDN’T STOP IT.
618
00:31:52,410 --> 00:31:54,037
DIDN’T YOU CALL A DOCTOR?
619
00:31:54,162 --> 00:31:56,581
NO. YOUR PAPA,
HE WOULDN’T LET ME.
620
00:31:58,583 --> 00:32:01,628
HE PULLED THE PHONE
RIGHT OUT OF THE WALL
621
00:32:01,753 --> 00:32:04,422
AND TOLD ME TO GO
GET YOU CLEANED UP.
622
00:32:04,547 --> 00:32:06,674
THEN HE WENT
TO THE SIDE OF THE BED,
623
00:32:07,467 --> 00:32:09,761
STOOD THERE,
624
00:32:09,928 --> 00:32:12,430
AND WATCHED THE LIFE
DRAIN OUT OF YOUR MAMA,
625
00:32:14,223 --> 00:32:16,601
HER GETTING ALL
CHALKY WHITE.
626
00:32:16,768 --> 00:32:17,977
OH, NO.
627
00:32:19,270 --> 00:32:20,562
AND THEN SHE DIED.
628
00:32:23,483 --> 00:32:25,401
HE’S A MURDERER, JODY.
629
00:32:26,861 --> 00:32:29,614
THAT’S HOW I KNOW
HE CAN KILL,
630
00:32:29,781 --> 00:32:31,950
HOW I KNOW HE’S
A DANGEROUS MAN.
631
00:32:37,121 --> 00:32:38,998
WHY DIDN’T YOU
TELL THE POLICE?
632
00:32:39,123 --> 00:32:40,917
HE SAID THEY’D BLAME ME,
633
00:32:42,085 --> 00:32:43,795
AND I BELIEVED HIM.
634
00:32:45,338 --> 00:32:47,548
AFTER ALL,
HE WAS SIMON WARE...
635
00:32:49,676 --> 00:32:51,678
AND I WAS JUST
A POOR FARM GIRL.
636
00:32:53,763 --> 00:32:55,264
OH, GOD,
HOW CAN THIS HAPPEN?
637
00:32:55,390 --> 00:32:57,517
GET OUT OF SPARTA.
638
00:32:57,642 --> 00:33:00,561
GET ON WITH YOUR LIFE.
639
00:33:00,687 --> 00:33:03,940
YOU STAY HERE, HIS EVIL
WILL CONTAMINATE YOU.
640
00:33:05,316 --> 00:33:06,943
YOU KNOW,
PEOPLE SAY YOU’RE CRAZY
641
00:33:08,361 --> 00:33:09,612
AND YOU’RE MEAN...
642
00:33:11,364 --> 00:33:13,491
BUT YOU’VE ALWAYS BEEN
A GOOD FRIEND TO ME,
643
00:33:13,616 --> 00:33:15,368
AND I THANK YOU
FOR THAT, MISS ADAH.
644
00:33:15,535 --> 00:33:16,828
TRULY, I DO.
645
00:33:19,580 --> 00:33:21,624
’CAUSE YOU GIVE ME
THE TRUTH.
646
00:34:08,045 --> 00:34:10,547
(ALTHEA) IT HAS SOMETHING
TO DO WITH STORIES
647
00:34:10,672 --> 00:34:13,217
ABOUT DISMEMBERED
BODIES.
648
00:34:13,342 --> 00:34:14,552
HONEY,
SOME OF THESE KIDS
649
00:34:14,719 --> 00:34:16,471
ARE ACTUALLY
HAVING NIGHTMARES.
650
00:34:16,596 --> 00:34:17,972
IT JUST AMAZES ME
651
00:34:18,097 --> 00:34:22,059
HOW KIDS CAN PICK UP
ON GROWN-UP ANXIETIES.
652
00:34:22,185 --> 00:34:23,811
(KNOCKING ON DOOR)
653
00:34:23,936 --> 00:34:24,937
OH, NO.
654
00:34:25,772 --> 00:34:26,938
YOU GET IT.
655
00:34:27,065 --> 00:34:29,108
I AM GOING TO BED.
656
00:34:29,275 --> 00:34:30,485
OOH!
657
00:34:30,610 --> 00:34:31,985
O.K., O.K., O.K.
658
00:34:39,284 --> 00:34:40,620
OH.
659
00:34:40,786 --> 00:34:42,538
PARKER, COME IN.
COME IN.
660
00:34:42,705 --> 00:34:43,915
EVENING, DETECTIVE.
661
00:34:44,040 --> 00:34:45,708
SORRY TO BOTHER YOU
AT HOME.
662
00:34:45,833 --> 00:34:46,793
NO PROBLEM.
WHAT’S UP?
663
00:34:46,918 --> 00:34:49,795
I KNOW THE PROPER
CHAIN OF COMMAND
664
00:34:49,920 --> 00:34:52,465
WOULD BE FOR ME TO
GO TO CAPTAIN TOM--
665
00:34:52,632 --> 00:34:54,926
I’M CHIEF OF DETECTIVES.
666
00:34:55,051 --> 00:34:56,803
I’M RUNNING
THIS INVESTIGATION.
667
00:34:56,928 --> 00:34:59,430
INFORMATION
CAN COME THROUGH ME.
668
00:34:59,555 --> 00:35:01,516
YOU REMEMBER
CHARLIE HOBBS,
669
00:35:01,641 --> 00:35:03,643
THE KID WHOSE DOG FOUND
THE FIRST LEG BONE?
670
00:35:04,560 --> 00:35:06,437
YEAH.
671
00:35:06,562 --> 00:35:09,565
I’VE CHECKED
AND FOUND HE HAS
A RECORD IN TENNESSEE
672
00:35:09,690 --> 00:35:11,734
FOR ASSAULT AND BATTERY
OF FEMALES.
673
00:35:13,069 --> 00:35:14,654
REALLY?
674
00:35:14,821 --> 00:35:16,572
THAT’S INTERESTING.
675
00:35:16,739 --> 00:35:18,574
HAS HE SERVED TIME?
676
00:35:18,699 --> 00:35:19,325
(ALTHEA) VIRGIL...
677
00:35:19,492 --> 00:35:21,536
IT’S BUBBA.
IT’S IMPORTANT.
678
00:35:21,661 --> 00:35:22,912
HI, MA’AM.
679
00:35:27,458 --> 00:35:28,584
BUBBA, SO, YEAH?
680
00:35:30,211 --> 00:35:32,004
OH, NO.
681
00:35:32,130 --> 00:35:33,506
YEAH, WE’LL BE
RIGHT THERE.
682
00:35:34,715 --> 00:35:36,134
PARKER’S HERE.
683
00:35:36,300 --> 00:35:37,468
O.K. 15 MINUTES.
684
00:35:37,635 --> 00:35:39,220
THANKS.
685
00:35:39,345 --> 00:35:41,347
(EXHALES)
686
00:35:41,514 --> 00:35:43,224
THAT INFORMATION
YOU GAVE ME
IS PRETTY IMPORTANT,
687
00:35:43,349 --> 00:35:45,059
BUT CONSIDERING
WHAT JUST HAPPENED,
688
00:35:45,184 --> 00:35:46,060
IT’S SUPERFLUOUS.
689
00:36:02,785 --> 00:36:03,995
WHO FOUND HER?
690
00:36:04,120 --> 00:36:06,038
YOUR FRIEND AND MINE,
WILSON SWEET.
691
00:36:07,957 --> 00:36:10,501
A DAMN FINE PIECE
OF POLICE WORK, TOO.
692
00:36:10,668 --> 00:36:13,838
WELL, SOMETIMES
IT’S JUST LUCK, I GUESS.
693
00:36:13,963 --> 00:36:15,506
CAME UP HERE
ON A HUNCH.
694
00:36:15,631 --> 00:36:17,049
I GOT TO THINKING.
695
00:36:17,216 --> 00:36:19,886
THE TOOLS SHE USED
TO SLAUGHTER THOSE PIGS
696
00:36:20,052 --> 00:36:22,763
WERE LIKE THE ONES
USED ON THE BODIES.
697
00:36:22,889 --> 00:36:24,682
SHE DIDN’T ANSWER
THE DOOR.
698
00:36:24,807 --> 00:36:27,560
I SAW THIS LIGHT,
AND THERE SHE WAS.
699
00:36:27,727 --> 00:36:30,396
SWEET, YOU STILL BELIEVE
IT WAS A SUICIDE?
700
00:36:30,563 --> 00:36:32,607
I THINK IT’S
PRETTY OBVIOUS.
701
00:36:32,732 --> 00:36:35,026
LOOK AT THESE TOOLS.
702
00:36:35,193 --> 00:36:37,820
ANY ONE OF THEM
MIGHT HAVE BEEN
THE MURDER WEAPON.
703
00:36:37,987 --> 00:36:40,114
WE’RE TALKING
ABOUT A PERSON
704
00:36:40,239 --> 00:36:41,908
WITH A GUILTY
CONSCIENCE,
705
00:36:42,074 --> 00:36:44,243
A PERSON THAT KNEW
WE WERE CLOSING IN.
706
00:36:44,368 --> 00:36:46,662
SO SHE CLIMBED
UP THOSE STEPS...
707
00:36:47,830 --> 00:36:50,708
AND TOOK THAT LAST
LEAP INTO OBLIVION.
708
00:36:55,504 --> 00:36:57,548
ANYONE ELSE
AGREE WITH THAT?
709
00:36:57,673 --> 00:37:00,468
POOR OLD LADY
WAS RUNNING A QUART LOW.
710
00:37:00,593 --> 00:37:02,136
NOTHING SHE’D DO
WOULD SURPRISE ME.
711
00:37:08,768 --> 00:37:11,979
YEAH. OH...
WHAT ABOUT YOU, PARKER?
712
00:37:13,272 --> 00:37:15,650
I FIGURED SHE WAS DIRTY
LONG BEFORE SWEET,
713
00:37:15,775 --> 00:37:17,777
SO I WAS
STAKIN’ HER OUT
714
00:37:17,944 --> 00:37:19,779
BEFORE SOMEBODY
MESSED THAT UP.
715
00:37:19,904 --> 00:37:21,614
I FOUND THE BODY
716
00:37:21,781 --> 00:37:23,991
AND CORRECTLY DEDUCED
SHE KILLED HERSELF
717
00:37:24,116 --> 00:37:27,119
RATHER THAN
SPEND LIFE IN PRISON
WITHOUT HER PIGS.
718
00:37:28,496 --> 00:37:32,458
WELL, UH, SWEET,
THAT’S A LOGICAL DEDUCTION.
719
00:37:32,583 --> 00:37:34,168
UNFORTUNATELY,
IT’S DEAD WRONG.
720
00:37:36,295 --> 00:37:37,630
ADAH BOONE WAS MURDERED.
721
00:37:42,760 --> 00:37:45,763
(VIRGIL) YOU SEE
THE SCRATCHES HERE
722
00:37:45,888 --> 00:37:49,517
AND THE BRUISES
AROUND THE KNUCKLES?
723
00:37:49,642 --> 00:37:51,352
THEY’RE DEFENSIVE WOUNDS.
724
00:37:51,477 --> 00:37:52,478
YOU’RE SAYING
SHE FOUGHT SOMEBODY?
725
00:37:52,645 --> 00:37:53,771
OH, EXACTLY.
726
00:37:53,938 --> 00:37:55,773
SHE STILL COULD’VE
COMMITTED SUICIDE.
727
00:37:55,940 --> 00:37:57,608
SHE COULD HAVE
FOUGHT SOMEONE
728
00:37:57,733 --> 00:38:00,111
AND THEN COULD’VE
HUNG HERSELF.
729
00:38:00,236 --> 00:38:02,154
SHE COULD HAVE...
730
00:38:02,280 --> 00:38:03,864
BUT SHE DIDN’T.
731
00:38:03,990 --> 00:38:06,867
LOOK AT THE LIGATURE
MARKS AROUND THE NECK.
732
00:38:06,993 --> 00:38:08,828
PARKER, YOU WANT
TO BE A DETECTIVE.
733
00:38:08,953 --> 00:38:10,371
NOTICE ANYTHING STRANGE?
734
00:38:11,497 --> 00:38:12,832
STRANGE?
735
00:38:14,875 --> 00:38:16,043
NO, SIR,
736
00:38:16,168 --> 00:38:18,337
NOT REALLY WHAT
YOU’D CALL STRANGE.
737
00:38:18,504 --> 00:38:20,047
(VIRGIL)O.K.
738
00:38:20,172 --> 00:38:23,009
NOW, I’M GOING
TO TEACH YOU A LESSON
739
00:38:23,134 --> 00:38:25,052
I HOPE YOU NEVER FORGET.
740
00:38:25,177 --> 00:38:26,095
TEACH ME?
741
00:38:29,515 --> 00:38:32,852
NOW, ONE DEMONSTRATION
IS WORTH A THOUSAND WORDS--
742
00:38:33,019 --> 00:38:34,520
EXACTLY THE WAY
I LEARNED IT.
743
00:38:34,645 --> 00:38:36,731
YOU SOUND LIKE
MY OLD CHEMISTRY TEACHER--
744
00:38:36,856 --> 00:38:38,983
NEVER UNDERSTOOD
THAT DUDE, EITHER.
745
00:38:39,108 --> 00:38:41,193
(VIRGIL) O.K., PARKER,
YOU FEELING ANYTHING?
746
00:38:41,360 --> 00:38:42,528
I’M DIZZY.
747
00:38:42,695 --> 00:38:44,864
HE’S TALKING ABOUT
THE POSITION OF THE ROPE
ON YOUR NECK.
748
00:38:45,031 --> 00:38:47,450
YOU FEEL IT?
749
00:38:47,575 --> 00:38:51,579
O.K., NOW,
IT’S SQUEEZING THE SKIN
RIGHT UNDER YOUR JAWBONE.
750
00:38:51,704 --> 00:38:55,166
NOW, THE KNOT
WOULD BE WAY UP HERE
BY MY HAND.
751
00:38:56,792 --> 00:38:58,294
WHEN SOMEONE
HANGS HIMSELF,
752
00:38:58,419 --> 00:39:01,338
THE LIGATURE MARK
ANGLES UP SHARPLY,
753
00:39:01,505 --> 00:39:04,550
NOT STRAIGHT
AROUND THE NECK
LIKE ON THIS WOMAN.
754
00:39:04,717 --> 00:39:06,135
WOULDN’T YOU SAY SO?
755
00:39:06,302 --> 00:39:07,803
YOU’RE THE FORENSIC EXPERT.
756
00:39:09,305 --> 00:39:11,849
O.K. SO ADAH BOONE
WAS STRANGLED FIRST,
757
00:39:12,808 --> 00:39:14,560
THEN HUNG.
758
00:39:14,727 --> 00:39:17,520
THAT’S MURDER,
NOT SUICIDE.
759
00:39:18,439 --> 00:39:19,982
(THUNDER RUMBLING)
760
00:39:20,107 --> 00:39:21,317
DETECTIVE...
761
00:39:21,442 --> 00:39:23,486
DETECTIVE.
762
00:39:23,611 --> 00:39:24,528
OH! PARKER.
763
00:39:24,695 --> 00:39:25,738
WHEW!
764
00:39:25,905 --> 00:39:27,406
(PARKER CLEARS THROAT)
765
00:39:27,531 --> 00:39:29,532
UH...
766
00:39:29,700 --> 00:39:34,038
DETECTIVE, UH,
YOU REMEMBER WHAT I
SAID ABOUT CHARLIE HOBBS
767
00:39:34,205 --> 00:39:36,040
HAVING A RECORD
FOR ASSAULT
AND BATTERY?
768
00:39:36,207 --> 00:39:37,458
YEAH.
769
00:39:37,583 --> 00:39:39,210
WE’D BETTER FIND OUT
WHERE HE WAS TODAY.
770
00:39:47,009 --> 00:39:48,135
(VIRGIL) MMM. I SEE.
771
00:39:48,260 --> 00:39:49,929
WHO ELSE
DID YOU TALK TO?
772
00:39:50,054 --> 00:39:51,805
AND THEY CONFIRMED THAT?
773
00:39:52,723 --> 00:39:53,974
O.K.
774
00:39:54,100 --> 00:39:55,142
THANKS.
775
00:39:57,727 --> 00:39:59,271
THAT TAKES CARE
OF CHARLIE HOBBS.
776
00:39:59,438 --> 00:40:01,315
HE’S BEEN IN BATON ROUGE
SINCE YESTERDAY.
777
00:40:01,440 --> 00:40:02,900
SORRY, PARKER.
778
00:40:03,067 --> 00:40:04,110
SO AM I.
779
00:40:05,778 --> 00:40:07,405
TOO BAD, PARKER.
780
00:40:07,530 --> 00:40:08,656
NICE TRY, THOUGH.
781
00:40:08,781 --> 00:40:10,074
YEAH.
782
00:40:10,241 --> 00:40:11,325
RIGHT.
783
00:40:12,701 --> 00:40:14,286
(TOM) TOLD YOU
IT WAS GOING TO POUR.
784
00:40:15,913 --> 00:40:18,040
YOU MAY KNOW
THAT FORENSIC STUFF,
785
00:40:18,165 --> 00:40:20,167
BUT I BE KNOWIN’
ABOUT THE WEATHER.
786
00:40:20,292 --> 00:40:22,586
THAT MAKES US
SOME SORT OF A TEAM.
787
00:40:22,753 --> 00:40:25,214
HERE’S A POSITIVE
DENTAL I.D.
788
00:40:25,339 --> 00:40:26,924
ON THAT BODY FOUND
OUT IN THE WOODS.
789
00:40:27,049 --> 00:40:28,551
TAKE A LOOK AT THIS.
790
00:40:30,928 --> 00:40:32,054
YOU’RE KIDDING.
791
00:40:32,179 --> 00:40:33,264
THAT’S
WHAT I THOUGHT.
792
00:40:33,389 --> 00:40:34,640
SO I DOUBLE-CHECKED.
793
00:40:34,765 --> 00:40:36,684
I EVEN GOT
HIS DENTIST.
794
00:40:36,809 --> 00:40:38,936
IT’S HIM.
THERE’S NO MISTAKE.
795
00:40:39,102 --> 00:40:41,021
TELL ME WHAT Y’ALL
ARE TALKING ABOUT.
796
00:40:42,314 --> 00:40:44,275
YEAH. I’M NOT SURE I KNOW,
797
00:40:44,400 --> 00:40:47,194
BUT...I KNOW
WHERE WE CAN FIND OUT.
798
00:41:39,205 --> 00:41:42,666
SORRY TO BARGE IN,
BUT WE HAVE TO SEE
SIMON WARE.
799
00:41:42,791 --> 00:41:44,710
I’M SORRY,
THAT’S IMPOSSIBLE.
800
00:41:44,835 --> 00:41:47,546
HE’S UPSET
THE LIGHTS WENT OFF
BECAUSE OF THE STORM.
801
00:41:47,671 --> 00:41:49,882
THE LIGHTS ARE ON
EVERYPLACE ELSE IN TOWN.
802
00:41:50,049 --> 00:41:52,843
CALL THE ELECTRICAL COMPANY
WHILE WE TALK TO HIM.
803
00:41:52,968 --> 00:41:55,221
SIMON WARE,
SPARTA POLICE DEPARTMENT!
URGENT BUSINESS!
804
00:41:56,680 --> 00:41:58,724
I THINK HE SAID COME IN,
DON’T YOU?
805
00:42:01,684 --> 00:42:03,020
EVENING, MR. WARE.
806
00:42:03,145 --> 00:42:05,064
SORRY TO BUST IN
LIKE THIS.
807
00:42:05,231 --> 00:42:07,691
WE NEED TO TALK
TO YOU.
808
00:42:07,858 --> 00:42:09,860
(SIMON)
I SUPPOSE YOU’RE HERE
ABOUT THE LIGHTS.
809
00:42:11,362 --> 00:42:13,739
NO. THAT WOULD BE
THE ELECTRIC COMPANY.
810
00:42:13,864 --> 00:42:14,698
WE’RE POLICE.
811
00:42:14,865 --> 00:42:17,243
WE’RE HERE ABOUT
A WHOLE SLEW OF MURDERS.
812
00:42:17,368 --> 00:42:19,161
GO ARREST ADAH BOONE.
813
00:42:21,205 --> 00:42:22,456
OH, WE CAN’T.
814
00:42:23,707 --> 00:42:24,792
SHE’S DEAD.
815
00:42:24,917 --> 00:42:26,210
I BET I KNOW.
816
00:42:26,335 --> 00:42:28,128
SHE GOT EATEN
BY HER PIGS.
817
00:42:28,254 --> 00:42:29,797
(LAUGHING)
818
00:42:29,922 --> 00:42:31,548
A REAL FUNNY SIGHT.
819
00:42:31,674 --> 00:42:33,968
ALL THOSE
FAT LITTLE PIGS
EATING ADAH BOONE.
820
00:42:34,093 --> 00:42:35,302
(LAUGHING)
821
00:42:35,427 --> 00:42:38,597
SHE’S BEEN KILLED,
MR. WARE.
822
00:42:38,722 --> 00:42:41,642
SOMEONE MURDERED HER
AND TRIED TO MAKE IT
LOOK LIKE SUICIDE.
823
00:42:41,767 --> 00:42:46,063
SOME VERY PECULIAR THINGS
HAVE BEEN GOING ON HERE--
824
00:42:46,188 --> 00:42:47,731
LIKE, TWO DAYS AGO,
825
00:42:47,856 --> 00:42:50,276
WE FOUND A PARTIALLY
DECOMPOSED BODY
826
00:42:50,401 --> 00:42:52,236
OUT IN THE WOODS
NEAR YOUR HOUSE.
827
00:42:52,403 --> 00:42:56,115
OUR PATHOLOGIST MADE AN
I.D., USING DENTAL RECORDS.
828
00:42:56,240 --> 00:42:58,242
GUESS WHO IT WAS,
MR. WARE.
829
00:42:58,409 --> 00:43:00,411
HE SAID IT WAS YOU,
MR. WARE.
830
00:43:00,536 --> 00:43:04,581
(VIRGIL)SO, OUR QUESTION IS,
HOW CAN SIMON WARE
BE DEAD,
831
00:43:04,707 --> 00:43:07,084
AND YET STILL
SITTING HERE IN A CHAIR
TALKING TO US?
832
00:43:10,754 --> 00:43:13,257
(GRUNTS)
833
00:43:13,424 --> 00:43:16,552
WELL, THIS SICK OLD MAN
GET AROUND PRETTY GOOD, NOW.
834
00:43:19,763 --> 00:43:21,348
WELL, WELL, JODY WARE.
835
00:43:23,642 --> 00:43:26,437
KILLED YOUR FATHER
AND BURIED HIM
OUT BY THAT OLD HOUSE, HUH?
836
00:43:28,731 --> 00:43:30,733
WELL, CONGRATULATIONS,
YOU’RE REALLY BRILLIANT.
837
00:43:30,858 --> 00:43:32,651
HE IS, BUT I’M NOT.
838
00:43:32,776 --> 00:43:34,361
SO YOU EXPLAIN TO ME WHY.
839
00:43:36,822 --> 00:43:38,824
MY FATHER LET MY MOTHER
BLEED TO DEATH
840
00:43:38,991 --> 00:43:40,200
WHEN I WAS BORN,
841
00:43:41,702 --> 00:43:44,204
AND I’VE HATED HIM
EVERY DAY SINCE.
842
00:43:44,371 --> 00:43:46,040
(JODY) IS THAT EASY ENOUGH
FOR YOU?
843
00:43:46,165 --> 00:43:47,499
HE LET HER DIE?
844
00:43:47,666 --> 00:43:49,501
(JODY) HE SAID
SHE WAS INSANE.
845
00:43:49,668 --> 00:43:52,504
HE HAD TO KEEP HER
LOCKED UP, HE SAID,
846
00:43:52,630 --> 00:43:54,298
BECAUSE SHE TRIED
TO KILL HIM.
847
00:43:54,465 --> 00:43:57,509
AND ME, SHE TRIED
TO ABORT HER OWN SON.
848
00:43:59,011 --> 00:44:00,596
HE TOLD YOU THAT, JODY?
849
00:44:01,972 --> 00:44:03,974
ON MY 16th BIRTHDAY PARTY...
850
00:44:09,855 --> 00:44:11,607
HE SAID I WAS CRAZY...
851
00:44:13,442 --> 00:44:15,110
JUST AS CRAZY
AS MY MOTHER...
852
00:44:17,363 --> 00:44:18,947
BUT IT WAS HE
WHO MADE US THAT WAY.
853
00:44:20,157 --> 00:44:22,284
SO ALL THE OTHER BONES,
ALL THE REMAINS...
854
00:44:23,994 --> 00:44:25,412
I KILLED THEM ALL.
855
00:44:27,623 --> 00:44:29,541
THEY’RE ALL OVER
THE PLACE OUT THERE.
856
00:44:29,666 --> 00:44:32,586
ALL THOSE TRANSIENTS
FROM THE RAILROAD.
857
00:44:32,711 --> 00:44:35,964
I GOT THE FIRST ONE
RIGHT AFTER MY 16TH
BIRTHDAY PARTY...
858
00:44:38,175 --> 00:44:39,635
JUST TO SEE
IF PAPA WAS RIGHT,
859
00:44:41,637 --> 00:44:43,347
AND I FOUND
I ENJOYED IT.
860
00:44:43,472 --> 00:44:44,890
THERE’S NOTHING--
861
00:44:45,057 --> 00:44:46,558
THERE’S--
862
00:44:46,684 --> 00:44:47,768
THERE’S NOTHING
QUITE LIKE IT--
863
00:44:47,893 --> 00:44:49,728
A GOOD KILL
ON A COLD WINTER’S NIGHT.
864
00:44:49,895 --> 00:44:50,938
YO.
865
00:44:53,482 --> 00:44:56,360
MR. TIBBS,
LOOK WHAT WE FOUND
RUNNING ACROSS THE BACKYARD.
866
00:44:56,485 --> 00:44:59,988
(PARKER)
SHE WAS IN A REAL HURRY
TO GET SOMEPLACE FAST,
867
00:45:00,155 --> 00:45:01,407
WEREN’T YOU, MILLIE?
868
00:45:01,532 --> 00:45:03,200
I HAD NOTHING
TO DO WITH THIS.
869
00:45:03,367 --> 00:45:05,619
HE PAID ME TO PRETEND
LIKE HIS FATHER WAS ALIVE.
870
00:45:05,744 --> 00:45:07,204
WHAT’S THE HARM IN THAT?
871
00:45:07,371 --> 00:45:10,833
LITTLE GIRLS WHO LIE
GET PUNISHED, MILLIE.
872
00:45:13,669 --> 00:45:16,380
WE OUGHT TO THROW YOU
TO ADAH BOONE’S PIGS.
873
00:45:16,505 --> 00:45:17,798
JUST SHUT UP, BOY.
874
00:45:17,923 --> 00:45:19,758
CUFF HIM AND READ HIM
HIS RIGHTS.
875
00:45:43,532 --> 00:45:45,784
DETECTIVE, HERE IT IS--
876
00:45:45,951 --> 00:45:47,077
THE REPORT
ON THE WARE CASE.
877
00:45:47,244 --> 00:45:49,455
HERE’S MY REPORT
ON THE CASE.
878
00:45:49,580 --> 00:45:50,998
IN A MINUTE.
879
00:45:51,123 --> 00:45:52,499
IT’S GREED,
YOU KNOW.
880
00:45:52,624 --> 00:45:53,667
UH, GREED?
881
00:45:53,876 --> 00:45:56,336
MOST CRIMINALS
TRIP UP OVER GREED
THAN ANYTHING ELSE.
882
00:45:56,462 --> 00:45:59,256
GREED’S GOOD,
BUT IN THIS CASE,
IT’S STUPIDITY.
883
00:45:59,381 --> 00:46:01,008
YOU CAN’T CALL
JODY WARE STUPID.
884
00:46:01,133 --> 00:46:02,259
I MEAN HE HAD
EVERYBODY FOOLED.
885
00:46:02,468 --> 00:46:05,762
HE WAS DRAWING OFF
HIS FATHER’S ASSETS
LITTLE BY LITTLE.
886
00:46:05,888 --> 00:46:07,598
NOBODY WAS
EVEN SUSPICIOUS.
887
00:46:07,723 --> 00:46:10,392
WHAT’S STUPID IS
HE SHOULD HAVE LEFT
BEFORE HE GOT CAUGHT.
888
00:46:10,559 --> 00:46:13,353
THE FULL, CORRECT VERSION
IS IN MY REPORT.
889
00:46:13,478 --> 00:46:14,813
IF YOU WANT
AN ACCURATE ACCOUNT,
890
00:46:14,980 --> 00:46:16,857
YOU’LL FIND IT
IN MY REPORT.
891
00:46:18,901 --> 00:46:20,819
O.K., THANK YOU BOTH.
892
00:46:20,944 --> 00:46:22,320
THANK YOU BOTH.
893
00:46:22,445 --> 00:46:24,323
O.K., LET’S SEE.
894
00:46:25,782 --> 00:46:27,117
NOT BAD.
895
00:46:28,410 --> 00:46:29,661
THESE AREN’T BAD.
896
00:46:29,828 --> 00:46:32,164
ACTUALLY, THEY’RE VERY GOOD.
897
00:46:32,289 --> 00:46:36,919
BUT THE GREATEST
CONTRIBUTION YOU TWO MADE
ON THIS WHOLE CASE
898
00:46:37,044 --> 00:46:41,131
WAS WHEN YOU BOTH
HAULED MILLIE BARNETT IN
BEFORE SHE COULD ESCAPE,
899
00:46:42,424 --> 00:46:43,675
AND THAT,
900
00:46:44,760 --> 00:46:47,930
YOU TWO DID TOGETHER
AS A TEAM.
62919
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