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These are the user uploaded subtitles that are being translated: 1 00:00:07,465 --> 00:00:11,928 ♪ IN THE HEAT OF THE NIGHT ♪ 2 00:00:15,390 --> 00:00:20,145 ♪ I’VE GOT TROUBLES WALL TO WALL ♪ 3 00:00:24,399 --> 00:00:27,694 ♪ IN THE HEAT OF THE NIGHT ♪ 4 00:00:28,653 --> 00:00:29,863 ♪ YEAH ♪ 5 00:00:31,740 --> 00:00:35,577 ♪ MUST BE AN ENDING TO IT ALL ♪ 6 00:00:37,620 --> 00:00:38,997 ♪ OH ♪ 7 00:00:41,458 --> 00:00:43,168 ♪ BUT HOLD ON ♪ 8 00:00:44,878 --> 00:00:47,589 ♪ IT WON’T BE LONG ♪ 9 00:00:47,756 --> 00:00:49,674 ♪ JUST YOU BE STRONG ♪ 10 00:00:49,841 --> 00:00:52,385 ♪ AND IT’LL BE ALL RIGHT ♪ 11 00:00:56,014 --> 00:00:59,726 ♪ IN THE HEAT OF THE NIGHT ♪ 12 00:00:59,851 --> 00:01:04,313 ♪ IN THE HEAT OF THE NIGHT ♪ 13 00:01:05,440 --> 00:01:07,859 ♪ OH ♪ 14 00:01:36,805 --> 00:01:38,973 THIS IS A FIRST FOR ME. 15 00:01:39,140 --> 00:01:41,601 I’VE NEVER MADE OUT IN FRONT OF A HAUNTED HOUSE BEFORE. 16 00:01:41,768 --> 00:01:43,144 (BOTH CHUCKLING) 17 00:01:43,269 --> 00:01:44,270 IT FEELS WEIRD, THOUGH, 18 00:01:44,437 --> 00:01:45,188 LIKE SOMEBODY’S WATCHING US. 19 00:01:45,313 --> 00:01:46,815 MM-HMM. 20 00:01:46,981 --> 00:01:48,691 PROBABLY GHOSTS. 21 00:01:48,817 --> 00:01:51,152 AND WE’RE GOING TO GIVE THEM ONE HELL OF A SHOW, 22 00:01:51,319 --> 00:01:52,904 SO STOP TALKING. 23 00:01:54,405 --> 00:01:56,199 I DON’T LIKE THIS PLACE. 24 00:01:57,575 --> 00:01:58,785 WHO LIVED HERE? 25 00:02:00,370 --> 00:02:01,955 WHO CARES? 26 00:02:02,080 --> 00:02:04,499 SOME CRAZY OLD MAN-- 27 00:02:06,126 --> 00:02:08,669 ONE EYE AND LONG, POINTED TEETH. 28 00:02:13,091 --> 00:02:14,634 THAT’S NOT FUNNY. 29 00:02:14,759 --> 00:02:16,469 I DON’T LIKE THIS PLACE. 30 00:02:17,929 --> 00:02:20,014 LET’S FINISH OUR BEER AND GET OUT OF HERE. 31 00:02:20,181 --> 00:02:21,474 YOU WANT A BEER? 32 00:02:21,641 --> 00:02:22,642 EARN IT. 33 00:02:22,767 --> 00:02:24,060 (SCREAMS) 34 00:02:26,521 --> 00:02:28,815 LEAVE THIS PLACE. YOU DON’T BELONG HERE. 35 00:02:28,982 --> 00:02:30,608 COME ON, LADY, YOU’RE NOT THE OWNER. 36 00:02:30,774 --> 00:02:31,985 IT’S MINE TO LOOK AFTER IT. 37 00:02:32,110 --> 00:02:35,905 I WANT YOU OUT, CHARLIE, WITH ALL YOUR BOOZE AND ALL YOUR WOMEN. 38 00:02:36,030 --> 00:02:37,323 HOW’D YOU KNOW MY NAME? 39 00:02:37,448 --> 00:02:38,408 (GUNSHOT) 40 00:02:38,533 --> 00:02:39,492 (WHIMPERS) 41 00:02:39,617 --> 00:02:40,660 (CHARLIE) MUTTFACE! 42 00:02:40,785 --> 00:02:42,619 MUTTFACE! 43 00:02:42,744 --> 00:02:44,414 LOOK WHAT YOU DID TO MY DOG. 44 00:02:44,539 --> 00:02:46,583 GET OUT, CHARLIE HOBBS. GO ON, GIT. 45 00:02:47,458 --> 00:02:48,835 YOU’RE CRAZY, LADY. 46 00:02:48,960 --> 00:02:50,378 YOU OUGHT TO BE LOCKED UP. 47 00:02:50,545 --> 00:02:51,754 YOU NEVER COME BACK HERE NOW. 48 00:02:51,880 --> 00:02:53,173 NEXT TIME, I WON’T MISS. 49 00:02:54,966 --> 00:02:56,009 MUTTFACE! 50 00:02:57,635 --> 00:02:58,803 MUTTFACE! 51 00:03:00,012 --> 00:03:01,931 HERE, MUTTFACE! HERE, BOY! 52 00:03:02,056 --> 00:03:03,725 YOU’VE BEEN HERE WITH GIRLS BEFORE. 53 00:03:03,892 --> 00:03:05,310 I HAVEN’T. I SWEAR. 54 00:03:05,435 --> 00:03:07,020 (WHISTLES) COME ON, BOY! 55 00:03:07,187 --> 00:03:08,605 THEN HOW DID SHE KNOW YOUR NAME? 56 00:03:08,730 --> 00:03:10,690 AND WHAT DID SHE MEAN, "ALL YOUR WOMEN"? 57 00:03:10,815 --> 00:03:12,942 (CHARLIE) I DON’T KNOW. SHE’S THE PIG WOMAN. THAT’S WHY? 58 00:03:13,067 --> 00:03:14,068 SHE JUST KNOWS THINGS. 59 00:03:14,193 --> 00:03:15,403 THERE... THERE HE IS. 60 00:03:19,490 --> 00:03:20,783 (GIRL) LOOK WHAT HE’S GONE AND DONE. 61 00:03:20,909 --> 00:03:22,702 HE FOUND HIMSELF A BONE. 62 00:03:22,868 --> 00:03:24,204 COME HERE, MUTTFACE. 63 00:03:24,370 --> 00:03:25,496 LET’S SEE WHAT YOU GOT THERE. 64 00:03:25,622 --> 00:03:27,165 (GRUNTS) 65 00:03:28,041 --> 00:03:29,375 GEEZ, I DON’T KNOW. 66 00:03:31,920 --> 00:03:33,087 I MAY BE WRONG, 67 00:03:33,254 --> 00:03:35,131 BUT IT LOOKS LIKE IT CAME FROM A PERSON. 68 00:03:40,219 --> 00:03:42,680 THIS IS A FEMUR FROM A HUMAN BEING. 69 00:03:42,847 --> 00:03:44,515 NO QUESTION ABOUT IT. 70 00:03:44,641 --> 00:03:46,683 IT CAME FROM SIMON WARE’S PLACE, THE HAUNTED HOUSE? 71 00:03:46,808 --> 00:03:48,770 CHARLIE HOBBS’ DOG FOUND IT 72 00:03:48,937 --> 00:03:50,772 AFTER GETTING CHASED OFF BY THE PIG WOMAN. 73 00:03:50,939 --> 00:03:51,940 (ALL LAUGHING) 74 00:03:52,106 --> 00:03:55,192 ANYTIME MAMA WANTED TO SCARE US WHEN WE WERE KIDS, 75 00:03:55,317 --> 00:03:56,986 SHE’D JUST MENTION THE PIG WOMAN. 76 00:03:57,111 --> 00:03:58,404 OH, YEAH. 77 00:03:58,570 --> 00:04:01,407 SHE’S MORE THAN SOME OLD CRACKPOT, SHE’S A DANGEROUS OLD WOMAN. 78 00:04:01,574 --> 00:04:03,159 WHO’S GOING TO END UP HURTING SOMEBODY. 79 00:04:03,284 --> 00:04:04,452 YEAH. 80 00:04:04,619 --> 00:04:08,247 SOME PEOPLE ARE AFRAID OF THINGS THAT GO BUMP IN THE NIGHT. 81 00:04:08,414 --> 00:04:10,124 THAT WITCH MAKES ME NERVOUS. 82 00:04:10,291 --> 00:04:11,960 YOU KNOW WHAT GETS ME? 83 00:04:12,126 --> 00:04:14,212 SHE LIVES IN THE WOODS ALONE, 84 00:04:14,379 --> 00:04:16,380 NEVER COMES INTO TOWN, NOBODY SEES HER, 85 00:04:16,505 --> 00:04:18,925 YET SHE KNOWS EVERYTHING ABOUT EVERYBODY. 86 00:04:19,050 --> 00:04:21,177 NOW THAT IS A LITTLE SPOOKY. 87 00:04:21,302 --> 00:04:24,722 LAST PHEASANT SEASON, SHE FIRED AT MY UNCLE. 88 00:04:25,890 --> 00:04:27,600 SIMON WARE MAY BE CRAZY, 89 00:04:27,725 --> 00:04:30,061 BUT HE LETS YOU HUNT ON HIS PROPERTY. 90 00:04:30,186 --> 00:04:32,814 THE PIG WOMAN’S GOT TO CHASE EVERYBODY OFF. 91 00:04:34,274 --> 00:04:36,567 YEAH. WELL, ANYWAY, IT STANDS TO REASON 92 00:04:36,693 --> 00:04:38,027 THAT IF THEY FOUND ONE BONE, 93 00:04:38,152 --> 00:04:40,320 THERE’S GOT TO BE MORE. 94 00:04:40,445 --> 00:04:42,865 MAYBE SOMEONE DUMPED SOME BONES, OR BURIED ONE. 95 00:04:42,991 --> 00:04:45,868 I THINK WE OUGHT TO GO SEE WHAT WE CAN FIND. 96 00:04:45,994 --> 00:04:47,453 WHOEVER SEARCHES THOSE WOODS 97 00:04:47,578 --> 00:04:49,038 BETTER GET SIMON WARE’S PERMISSION. 98 00:04:49,163 --> 00:04:50,456 I’LL TALK TO HIM. 99 00:04:50,623 --> 00:04:52,834 THAT FALLS UNDER MY DEPARTMENT. 100 00:04:52,959 --> 00:04:54,961 HE DON’T TALK TO MOST PEOPLE. 101 00:04:55,086 --> 00:04:56,462 I’LL SAVE YOU THE GRIEF. 102 00:04:56,587 --> 00:04:59,465 NO PROBLEM. IT’S PART OF MY JOB. 103 00:04:59,590 --> 00:05:00,883 ALL RIGHT, VIRGIL. 104 00:05:01,009 --> 00:05:04,220 LISTEN HERE, IF THAT MAN CALLS YOU "BOY" 105 00:05:04,345 --> 00:05:06,055 AND ORDERS YOU OFF HIS PROPERTY... 106 00:05:07,307 --> 00:05:08,766 DON’T SAY YOU WEREN’T WARNED. 107 00:05:16,691 --> 00:05:18,151 (VIRGIL) TELL ME ABOUT THIS MAN WE’RE GOING TO SEE-- 108 00:05:18,317 --> 00:05:20,194 THIS OLD, MYSTERIOUS SIMON WARE. 109 00:05:20,361 --> 00:05:22,822 (BUBBA) RICH, OLD, AND SCARED TO HELL OF GERMS. 110 00:05:22,989 --> 00:05:24,240 (BOTH CHUCKLING) 111 00:05:24,365 --> 00:05:26,701 SPARTA’S HOWARD HUGHES. 112 00:05:26,826 --> 00:05:28,619 NOBODY CAN GET CLOSE ENOUGH TO CONTAMINATE HIM. 113 00:05:28,745 --> 00:05:30,913 HASN’T BEEN OUT OF THE HOUSE IN 20 YEARS. 114 00:05:31,039 --> 00:05:33,582 MUST BE FUN FOR HIS WIFE. 115 00:05:33,707 --> 00:05:35,501 (BUBBA) NO. SHE DIED A LONG TIME AGO, VIRGIL. 116 00:05:35,668 --> 00:05:36,627 HMM. 117 00:05:36,753 --> 00:05:37,754 WHO TAKES CARE OF HIM? 118 00:05:37,879 --> 00:05:39,547 NURSES. 119 00:05:39,672 --> 00:05:41,049 (BUBBA) LET ME TELL YOU SOMETHING 120 00:05:41,215 --> 00:05:43,384 THAT OLD MAN RUNS SOME FINE ONES OUT OF THERE. 121 00:05:43,509 --> 00:05:45,428 IF YOU EVER GET SICK, VIRGIL, 122 00:05:45,553 --> 00:05:47,472 HOPE YOU GET ONE THAT LOOKS LIKE ONE OF HIS. 123 00:05:54,854 --> 00:05:55,938 DAMN. 124 00:05:57,148 --> 00:05:58,983 HASN’T HE EVER HEARD OF PAINT? 125 00:05:59,108 --> 00:06:00,902 WELL, I BET HE NEVER SEES THE OUTSIDE, 126 00:06:01,069 --> 00:06:03,488 AND IF HE DOES, I BET HE DON’T CARE. 127 00:06:05,490 --> 00:06:07,241 YOU KNOW, EVEN I’D HATE GOING IN THERE 128 00:06:07,367 --> 00:06:09,285 ON A DARK AND STORMY NIGHT. 129 00:06:09,410 --> 00:06:11,162 NOBODY COMES OUT HERE. 130 00:06:11,287 --> 00:06:13,122 THEY DO SAY IT’S HAUNTED. 131 00:06:13,247 --> 00:06:14,415 BOO! 132 00:06:16,000 --> 00:06:17,251 (HONKING) 133 00:06:21,506 --> 00:06:23,466 THAT’S HIS SON, JODY, RIGHT THERE. 134 00:06:26,344 --> 00:06:27,428 HELLO, BUBBA. HOW YOU DOING? 135 00:06:27,553 --> 00:06:29,722 OH, HEY, JODY, HOW YOU DOING? 136 00:06:29,847 --> 00:06:31,974 HEY, COME HERE, I WANT YOU TO MEET A FRIEND OF MINE. 137 00:06:33,226 --> 00:06:34,811 JODY WARE, VIRGIL TIBBS HERE. 138 00:06:34,936 --> 00:06:37,146 HI. 139 00:06:37,271 --> 00:06:39,107 LOOK, THANKS FOR HELPING US OUT. 140 00:06:39,273 --> 00:06:40,525 WELL, TO TELL YOU THE TRUTH 141 00:06:40,650 --> 00:06:42,568 I’M NOT SURE HOW GOOD IT’S GOING TO DO. 142 00:06:42,693 --> 00:06:45,196 I’M NOT EXACTLY MY PAPA’S FAVORITE PERSON. 143 00:06:45,321 --> 00:06:46,447 SOMETIMES HE LETS ME IN, 144 00:06:46,614 --> 00:06:48,950 AND SOMETIMES HE DOESN’T. 145 00:06:49,075 --> 00:06:51,494 (BUBBA) JODY, WHO’S TAKING CARE OF HIM NOWADAYS? 146 00:06:51,619 --> 00:06:53,579 (JODY) MILLIE BARNETT. 147 00:06:53,704 --> 00:06:55,456 SHE WAS A HIGH SCHOOL CHEERLEADER. 148 00:06:55,581 --> 00:06:56,749 LET ME TELL YOU SOMETHING, VIRGIL. 149 00:06:56,874 --> 00:06:58,126 WHEN GOD PASSED OUT THE GOOD LOOKS, 150 00:06:58,292 --> 00:06:59,752 HE DIDN’T LOOK PAST MILLIE. 151 00:07:00,795 --> 00:07:01,879 HOLD ON. 152 00:07:02,964 --> 00:07:05,007 I’VE SEEN HER CERTIFICATE, BUBBA. 153 00:07:05,133 --> 00:07:07,260 SHE IS A LICENSED NURSE. 154 00:07:07,427 --> 00:07:09,137 JODY, I DIDN’T MEAN ANYTHING BY THAT. 155 00:07:09,262 --> 00:07:11,888 I’M JUST, UH, SAYING "SMALL WORLD," THAT’S ALL. 156 00:07:26,446 --> 00:07:27,655 (JODY) HELLO, MILLIE. 157 00:07:27,822 --> 00:07:29,490 HELLO, JODY. 158 00:07:29,657 --> 00:07:31,492 WELL, BUBBA, IT’S BEEN A LONG TIME. 159 00:07:31,659 --> 00:07:32,827 HELLO, MILLIE. 160 00:07:32,994 --> 00:07:34,495 THIS IS DETECTIVE TIBBS. 161 00:07:34,662 --> 00:07:35,705 HOW DO YOU DO? 162 00:07:35,830 --> 00:07:37,165 HELLO. 163 00:07:37,290 --> 00:07:39,292 THEY NEED TO SEE PAPA. 164 00:07:39,417 --> 00:07:40,585 Y’ALL SHOULD HAVE CALLED. 165 00:07:40,710 --> 00:07:44,213 YEAH, I KNOW, BUT I FIGURED WE’D TAKE OUR CHANCES. 166 00:07:44,338 --> 00:07:45,548 SOMETIMES IT’S BETTER THAT WAY. 167 00:07:45,673 --> 00:07:47,049 ALL RIGHT. 168 00:07:47,175 --> 00:07:48,426 I’LL SEE WHAT I CAN DO. 169 00:07:59,604 --> 00:08:01,731 (MILLIE) EXCUSE ME. MR. WARE? 170 00:08:01,856 --> 00:08:04,233 (WARE) WHAT DO YOU WANT, MILLIE? 171 00:08:04,358 --> 00:08:06,235 WHAT, MILLIE? THE POLICE? 172 00:08:07,361 --> 00:08:09,238 THAT IMBECILE GILLESPIE MAKES ME SICK. 173 00:08:09,363 --> 00:08:10,990 (JODY) I KNOW THIS SEEMS STRANGE, 174 00:08:11,157 --> 00:08:13,451 BUT THAT’S THE WAY HE IS. 175 00:08:13,618 --> 00:08:15,828 (WARE) DO LIKE I TELL YOU AND DON’T DISTURB ME. 176 00:08:15,995 --> 00:08:17,371 (GLASS BREAKS) 177 00:08:23,878 --> 00:08:26,380 I’M SORRY. HE WON’T SEE YOU. 178 00:08:26,547 --> 00:08:29,884 HE SAYS CHIEF GILLESPIE’S A STUPID OLD FOOL, 179 00:08:30,051 --> 00:08:31,636 AND WHEN HE HEARD YOU WERE HERE, JODY, 180 00:08:31,761 --> 00:08:33,346 HE THREW HIS GLASS OF WATER. 181 00:08:34,304 --> 00:08:35,347 I’M SORRY. 182 00:08:36,682 --> 00:08:39,309 YEAH. WELL, I GUESS I SHOULD HAVE KNOWN. 183 00:08:39,477 --> 00:08:40,852 I’M SORRY, GENTLEMEN. 184 00:08:40,977 --> 00:08:43,731 MY PAPA AND I HAVE OUR UPS AND DOWNS. 185 00:08:43,898 --> 00:08:46,192 NO PROBLEM. WE CAN STILL SEARCH THE PROPERTY. 186 00:08:46,317 --> 00:08:48,069 WE’LL JUST HAVE TO GET A WARRANT. 187 00:08:57,703 --> 00:09:01,249 AS FAR AS I CAN REMEMBER THIS IS THE EXACT SPOT HERE. 188 00:09:01,415 --> 00:09:04,377 MY GIRL AND ME CAME RUNNING FROM THAT DIRECTION, 189 00:09:04,543 --> 00:09:07,213 AND THERE WAS MUTTFACE, CHEWING ON THE BONE. 190 00:09:07,338 --> 00:09:09,632 (VIRGIL) JODY, THIS IS YOUR FATHER’S PROPERTY, RIGHT? 191 00:09:09,757 --> 00:09:12,051 YEAH. THE RAILROAD TRACKS ARE THERE. 192 00:09:12,218 --> 00:09:13,803 ABOUT 100 YARDS PAST THE TREES. 193 00:09:13,928 --> 00:09:15,054 THAT’S THE BOUNDARY LINE. 194 00:09:15,221 --> 00:09:16,806 UNLEASH HIM. SEE WHAT HE’LL DO. 195 00:09:17,515 --> 00:09:18,808 ALL RIGHT. 196 00:09:19,850 --> 00:09:21,310 GET THEM, MUTTFACE. 197 00:09:24,230 --> 00:09:25,648 HE’S NOT EXACTLY WHAT I’D CALL A BLOODHOUND. 198 00:09:25,773 --> 00:09:27,066 (ALL CHUCKLING) 199 00:09:27,191 --> 00:09:28,276 GIVE ME A MINUTE WITH HIM. 200 00:09:28,401 --> 00:09:29,568 I’M GOOD WITH DOGS. 201 00:09:29,694 --> 00:09:30,945 BE MY GUEST. 202 00:09:31,070 --> 00:09:32,280 HEY, THERE. 203 00:09:32,446 --> 00:09:34,240 YEAH, MUTTFACE. 204 00:09:34,407 --> 00:09:35,992 WE NEED SOME HELP HERE, BUDDY. 205 00:09:36,117 --> 00:09:38,577 THIS IS AN IMPORTANT THING. 206 00:09:38,703 --> 00:09:40,955 I KNOW YOU KNOW WHERE THE BONES ARE. 207 00:09:41,080 --> 00:09:42,748 GO OUT IN THOSE WOODS 208 00:09:42,915 --> 00:09:45,667 AND FIND THE REST OF THOSE BONES, O.K.? 209 00:09:45,792 --> 00:09:47,086 NOW, GO. 210 00:09:47,253 --> 00:09:48,796 GO. GO. 211 00:09:48,963 --> 00:09:50,339 (ALL LAUGHING) 212 00:09:50,464 --> 00:09:51,590 (PARKER) COME ON. 213 00:09:51,715 --> 00:09:53,301 THAT’S TERRIFIC, PARKER. 214 00:09:53,467 --> 00:09:55,344 YOU OUGHT TO OPEN UP AN OBEDIENCE SCHOOL. 215 00:09:56,387 --> 00:09:57,930 UH-OH. WE GOT TROUBLE NOW. 216 00:10:01,392 --> 00:10:02,643 Y’ALL ARE TRESPASSING. 217 00:10:02,810 --> 00:10:03,853 ALL OF YOU. 218 00:10:03,978 --> 00:10:06,314 WE’RE HERE ON POLICE BUSINESS. 219 00:10:06,439 --> 00:10:07,940 HERE’S THE SEARCH WARRANT. 220 00:10:08,107 --> 00:10:09,650 THAT MEANS NOTHING TO ME. 221 00:10:09,775 --> 00:10:13,404 LOWER THAT SHOTGUN. I’M GOING TO LOCK YOU AWAY. 222 00:10:13,529 --> 00:10:15,948 IS THAT YOU, TOMMY DUGAN, PLAYING POLICEMAN? 223 00:10:16,115 --> 00:10:18,951 IF YOU’D HAD BRAINS, YOU’D HAVE STAYED RETIRED. 224 00:10:19,076 --> 00:10:20,369 LET ME HANDLE THIS. 225 00:10:21,287 --> 00:10:22,538 ADAH? 226 00:10:22,663 --> 00:10:24,540 WHAT YOU DOING WITH THESE FOOLS? 227 00:10:24,665 --> 00:10:25,916 (JODY) THEY ASKED ME TO COME. 228 00:10:26,042 --> 00:10:27,835 IT’S O.K. 229 00:10:28,002 --> 00:10:29,503 PAPA WON’T CARE AS LONG AS I’M HERE. 230 00:10:31,881 --> 00:10:33,341 O.K.? 231 00:10:33,466 --> 00:10:34,884 COME ON. LET’S GO. 232 00:10:37,595 --> 00:10:39,722 THEY’RE GOOD FOLK. THEY’RE HERE TO HELP. 233 00:10:40,931 --> 00:10:42,224 (WHIMPERS) 234 00:10:42,350 --> 00:10:43,893 LET’S GET AT IT. 235 00:10:44,018 --> 00:10:45,561 SPREAD OUT AND START SEARCHING. 236 00:10:47,438 --> 00:10:49,065 (BARKING) 237 00:10:49,190 --> 00:10:51,150 SEE, TOLD YOU HE KNEW SOMETHING. 238 00:10:54,862 --> 00:10:57,073 WHEN YOU GET TO NEW JERSEY, SEND ME A POST CARD. 239 00:11:09,752 --> 00:11:11,212 (WHISTLING) 240 00:11:11,379 --> 00:11:13,005 (MUTTFACE BARKS) 241 00:11:13,130 --> 00:11:14,632 (PARKER) MUTTFACE. 242 00:11:14,757 --> 00:11:16,175 (WHISTLES) 243 00:11:16,342 --> 00:11:17,510 (MUTTFACE BARKS) 244 00:11:17,635 --> 00:11:18,636 (WHISTLES) 245 00:11:18,761 --> 00:11:19,887 MUTTFACE. 246 00:11:21,013 --> 00:11:22,556 MUTTFACE. WHERE ARE YOU, DOG? 247 00:11:22,682 --> 00:11:23,808 COME ON, DOG. 248 00:11:23,933 --> 00:11:25,351 I CAN’T BELIEVE I LOST YOU ALREADY. 249 00:11:25,518 --> 00:11:28,354 GEE, WHERE IS THAT DOG? 250 00:11:28,521 --> 00:11:30,523 YOU’RE GOING TO FIND THOSE BONES BEFORE ME, AREN’T YOU? 251 00:11:30,648 --> 00:11:32,066 (BARKING) 252 00:11:36,445 --> 00:11:37,488 (PANTING) 253 00:11:37,613 --> 00:11:39,365 THAT FOOL DOG’S RUNNING IN CIRCLES. 254 00:11:39,490 --> 00:11:41,033 (LAUGHING) 255 00:11:42,660 --> 00:11:44,036 BEWARE. THESE WOODS ARE HAUNTED. 256 00:11:45,246 --> 00:11:47,581 SWEET, WHAT ARE YOU DOING IN MY SECTOR? 257 00:11:49,165 --> 00:11:50,584 I FINISHED MY OWN ALREADY. 258 00:11:50,751 --> 00:11:52,211 THOUGHT I’D HELP YOU. 259 00:11:52,336 --> 00:11:54,296 YOU KNOW WHO SHAKESPEARE WAS? 260 00:11:54,422 --> 00:11:55,715 OF COURSE I KNOW. 261 00:11:55,881 --> 00:11:58,134 O.K. IDENTIFY THIS PLAY, NOW. 262 00:11:58,259 --> 00:12:01,929 "ALAS, POOR YORICK, I KNEW HIM--" 263 00:12:02,096 --> 00:12:03,806 HAMLET. THE GRAVEDIGGER SCENE. 264 00:12:05,057 --> 00:12:06,183 WHERE DID YOU GET THAT? 265 00:12:07,685 --> 00:12:10,813 OH, BACK OVER THERE IN A DRY STREAMBED, 266 00:12:10,980 --> 00:12:13,774 ALONG WITH THE REST OF THE SKELETON WE’VE BEEN LOOKING FOR. 267 00:12:20,239 --> 00:12:21,615 OH, DR. ROBB. 268 00:12:26,537 --> 00:12:29,457 THAT WAS SOME DISCOVERY ON SWEET’S PART, EH? 269 00:12:29,582 --> 00:12:31,959 THE REMAINS OF A YOUNG WOMAN. 270 00:12:32,126 --> 00:12:33,711 I’D ESTIMATE SHE’S BEEN THERE 271 00:12:33,836 --> 00:12:35,379 SOMEWHERE AROUND 10 TO 12 YEARS. 272 00:12:36,630 --> 00:12:37,923 A LOT OF BROKEN BONES. 273 00:12:39,425 --> 00:12:41,510 BLUNT-FORCE TRAUMA, HUH? 274 00:12:41,635 --> 00:12:43,804 YOU’RE ABSOLUTELY RIGHT, VIRGIL. 275 00:12:43,971 --> 00:12:45,556 ANTE-MORTEM FRACTURES 276 00:12:46,599 --> 00:12:48,100 HERE AND HERE. 277 00:12:48,225 --> 00:12:50,269 AND HERE AND THERE. 278 00:12:51,687 --> 00:12:53,230 THIS POOR CREATURE, WHOEVER SHE WAS, 279 00:12:53,355 --> 00:12:54,440 DIED A HORRIBLE DEATH. 280 00:12:54,607 --> 00:12:56,358 SHE WAS PROBABLY BEAT SENSELESS 281 00:12:57,735 --> 00:12:59,737 AND THEN DISMEMBERED WITH AN AX OR A HATCHET. 282 00:13:02,281 --> 00:13:04,366 AND THEN LEFT IN THE WOODS TO ROT. 283 00:13:04,492 --> 00:13:05,534 THERE’S MORE. 284 00:13:08,162 --> 00:13:12,082 THIS FEMUR THOSE KIDS FOUND BY THE HAUNTED HOUSE, 285 00:13:12,208 --> 00:13:14,293 IT DOESN’T BELONG TO THAT PERSON, 286 00:13:14,418 --> 00:13:16,962 WHICH MEANS THAT SOMEWHERE OUT THERE, 287 00:13:17,129 --> 00:13:19,215 THERE’S AT LEAST ONE OTHER BODY. 288 00:13:28,307 --> 00:13:31,310 (VIRGIL) THE UNDERBRUSH THERE GETS PRETTY DENSE, 289 00:13:31,476 --> 00:13:33,521 SO KEEP CONSTANT VISUAL CONTACT. 290 00:13:33,646 --> 00:13:36,690 TRY TO STAY NO MORE THAN 6 FEET OR SO 291 00:13:36,857 --> 00:13:39,151 FROM THE PERSON ON EITHER SIDE OF YOU. 292 00:13:39,318 --> 00:13:42,822 NOW, IF YOU HAPPEN TO FIND ANYTHING 293 00:13:42,988 --> 00:13:44,990 THAT LOOKS REMOTELY LIKE A BONE, 294 00:13:45,157 --> 00:13:46,742 DON’T TOUCH IT. 295 00:13:46,867 --> 00:13:48,202 JUST STAY WHERE YOU ARE 296 00:13:48,369 --> 00:13:51,330 AND CONTACT SERGEANT SKINNER. 297 00:13:51,497 --> 00:13:53,707 AND IF YOU HAPPEN TO RUN ACROSS THIS OLD WOMAN, 298 00:13:53,832 --> 00:13:55,835 MISS ADAH BOONE, THE PIG WOMAN, 299 00:13:55,960 --> 00:13:57,545 YOU WATCH YOURSELF. 300 00:13:57,670 --> 00:14:00,923 THE SHOTGUN SHE CARRIES HAS BEEN KNOWN TO GO OFF. 301 00:14:01,048 --> 00:14:01,799 ANY QUESTIONS? 302 00:14:02,967 --> 00:14:05,135 ALL RIGHT, LET’S MOVE IT OUT. 303 00:14:06,971 --> 00:14:08,931 ...GOTTA FOUR-WHEEL DRIVE. I CAN TAKE YOU GUYS. 304 00:14:09,098 --> 00:14:10,683 COME ON. 305 00:14:13,519 --> 00:14:14,728 HELLO, MILLIE. 306 00:14:14,895 --> 00:14:17,398 YOUR FATHER’S NOT GOING TO LIKE THIS. 307 00:14:17,523 --> 00:14:18,816 (MAN) WANT TO JOIN A POSSE, HONEY? 308 00:14:20,150 --> 00:14:22,069 HI. 309 00:14:22,236 --> 00:14:23,529 CAN I HELP YOU? 310 00:14:23,696 --> 00:14:25,489 I NEED TO SPEAK TO WHOEVER’S IN CHARGE. 311 00:14:26,156 --> 00:14:27,907 SURE. SURE. 312 00:14:32,204 --> 00:14:33,914 (MAN) VERY NICE. 313 00:14:34,081 --> 00:14:35,207 (WOLF WHISTLES) 314 00:14:35,332 --> 00:14:38,168 HEY, SHUT UP, ALL OF YOU. SHUT UP. 315 00:14:38,335 --> 00:14:40,254 (MEN LAUGHING) 316 00:14:40,379 --> 00:14:42,256 UH, MILLIE NEEDS TO TALK TO YOU. 317 00:14:42,423 --> 00:14:43,507 I GOT TO LEAVE. 318 00:14:43,632 --> 00:14:44,591 HI, MILLIE. 319 00:14:44,758 --> 00:14:45,634 HI. 320 00:14:45,759 --> 00:14:48,304 HI. I’M CAPTAIN TOM DUGAN. MAY I HELP YOU? 321 00:14:48,429 --> 00:14:51,599 IT’S O.K., TOM. SHE WORKS FOR SIMON WARE. 322 00:14:52,683 --> 00:14:54,768 I HAVE A MESSAGE FROM MR. WARE. 323 00:14:54,935 --> 00:14:56,604 HE WANTS TO TALK TO THE POLICE. 324 00:14:56,729 --> 00:14:59,899 HE SPECIFIED WHICH POLICE HE HAD IN MIND? 325 00:15:00,024 --> 00:15:02,567 NO. HE JUST DIDN’T WANT JODY ALONG THIS TIME. 326 00:15:04,528 --> 00:15:05,738 I’D BE HAPPY TO TALK TO HIM, MILLIE. 327 00:15:05,863 --> 00:15:07,281 (TOM) YEAH. ME, TOO. 328 00:15:07,406 --> 00:15:08,741 TOM, THERE’S NO NEED. 329 00:15:08,908 --> 00:15:10,242 JUST FOR FUN. 330 00:15:10,409 --> 00:15:11,785 LEAD THE WAY, MILLIE. 331 00:15:11,910 --> 00:15:13,537 LOOKS LIKE YOU GOT BOTH OF US. 332 00:15:37,227 --> 00:15:38,771 (SOFTLY) STAY HERE. 333 00:15:46,070 --> 00:15:47,696 MR. WARE. 334 00:15:47,821 --> 00:15:49,615 MR. WARE, SOME PEOPLE NEED TO TALK TO YOU. 335 00:15:52,951 --> 00:15:55,537 YOU CAN TALK TO HIM, BUT DON’T GO PAST THIS LINE. 336 00:15:58,999 --> 00:16:00,834 MORNING, MR. WARE. 337 00:16:00,960 --> 00:16:02,628 I’M TOM DUGAN. REMEMBER ME? 338 00:16:02,795 --> 00:16:04,630 ONE OF JOHNNY DUGAN’S BOYS. 339 00:16:04,755 --> 00:16:06,507 MISS MILLIE SAYS YOU WANT TO TALK TO US. 340 00:16:06,632 --> 00:16:08,217 KEEP BACK BEHIND THE LINE. 341 00:16:10,177 --> 00:16:11,428 EXCUSE ME. 342 00:16:14,515 --> 00:16:18,101 MR. WARE, WE HAVE FOUND THE REMAINS OF HUMAN SKELETONS 343 00:16:18,226 --> 00:16:19,269 ON YOUR PROPERTY. 344 00:16:19,395 --> 00:16:20,187 ADAH BOONE! 345 00:16:23,774 --> 00:16:25,150 PARDON ME? 346 00:16:25,275 --> 00:16:26,735 THAT’S WHO YOU WANT TO TALK TO. 347 00:16:26,860 --> 00:16:28,320 SHE’S CRAZY. 348 00:16:28,445 --> 00:16:29,613 I TELL YOU--CRAZY. 349 00:16:29,738 --> 00:16:31,407 CRAZY, EVIL WOMAN! 350 00:16:33,450 --> 00:16:35,077 AND YOU’RE SAYING? 351 00:16:35,202 --> 00:16:36,704 I SAW HER. 352 00:16:36,829 --> 00:16:39,707 SAW HER FEED HER NEWBORN PIGS TO HER SOWS. 353 00:16:40,833 --> 00:16:43,919 FED PIGS THEIR OWN YOUNG. 354 00:16:44,044 --> 00:16:46,213 AS I SAID, MR. WARE, 355 00:16:46,338 --> 00:16:49,383 WE FOUND THE REMAINS OF HUMAN SKELETONS ON YOUR PROPERTY. 356 00:16:49,550 --> 00:16:50,884 (WARE)YOU’RE BLACK. 357 00:16:52,302 --> 00:16:53,971 HMM... ARE YOU A POLICEMAN? 358 00:16:59,935 --> 00:17:05,065 I AM CHIEF OF DETECTIVES OF THE SPARTA POLICE DEPARTMENT, YES. 359 00:17:06,858 --> 00:17:09,028 SHE’S A BUTCHER. 360 00:17:09,194 --> 00:17:11,488 SHE SLAUGHTERS PIGS, AND SHE LIKES IT. 361 00:17:12,990 --> 00:17:16,410 THINK ABOUT IT, CHIEF OF DETECTIVES. 362 00:17:25,335 --> 00:17:27,378 WELL, IRMA, 363 00:17:27,546 --> 00:17:30,924 YOUR BABIES ARE GETTING BIGGER AND BIGGER EVERY DAY. 364 00:17:31,049 --> 00:17:33,135 PRETTY SOON THEY WON’T NEED NO MAMA NO MORE, 365 00:17:33,260 --> 00:17:36,805 AND ADAH’S GOING TO HAVE TO GET HER SPECIAL KNIFE. 366 00:17:36,930 --> 00:17:39,558 YOU WON’T FEEL NOTHING BUT A LITTLE STING 367 00:17:39,683 --> 00:17:41,267 FOR A FEW SECONDS, 368 00:17:41,435 --> 00:17:44,063 THEN YOU’LL BE UP THERE WITH THE REST OF YOUR ANCESTORS. 369 00:18:01,872 --> 00:18:03,332 (CAR DOOR SLAMMING) 370 00:18:11,089 --> 00:18:13,092 UH, MISS BOONE! 371 00:18:13,258 --> 00:18:16,428 WE WOULD APPRECIATE IT IF YOU WOULD COME DOWN TO THE STATION 372 00:18:16,553 --> 00:18:18,764 AND TALK WITH US. 373 00:18:18,889 --> 00:18:22,559 BUBBA SKINNER, IT’S TIME YOU GOT MARRIED AND SETTLED DOWN. 374 00:18:22,726 --> 00:18:24,144 CAN’T FIGHT IT FOREVER. 375 00:18:32,444 --> 00:18:34,029 THANKS, DR. ROBB. 376 00:18:38,242 --> 00:18:41,036 DR. ROBB SAYS FROM THE BONES THE GUYS FOUND, 377 00:18:41,161 --> 00:18:43,705 HE NOW HAS EVIDENCE OF THREE SEPARATE BODIES 378 00:18:43,831 --> 00:18:45,749 ALL FROM THE LAST 7 TO 10 YEARS. 379 00:18:45,916 --> 00:18:48,085 YOU BETTER CHECK MISSING PERSONS REPORTS. 380 00:18:48,669 --> 00:18:49,711 I HAVE. 381 00:18:54,508 --> 00:18:56,468 RIGHT THIS WAY, MISS BOONE. 382 00:18:58,011 --> 00:19:00,180 HERE YOU GO. ADAH BOONE, STRAIGHT FROM THE PIG YARD. 383 00:19:00,305 --> 00:19:02,766 WE NEED TO TALK. 384 00:19:02,891 --> 00:19:04,309 (ADAH) WHAT’S GOING ON? 385 00:19:04,434 --> 00:19:07,187 A GOOD CHRISTIAN WOMAN HAULED IN LIKE A COMMON CRIMINAL! 386 00:19:07,312 --> 00:19:08,856 I’VE GOT BETTER THINGS TO DO. 387 00:19:09,022 --> 00:19:09,982 I GOT MY WORK. 388 00:19:10,107 --> 00:19:11,316 I GOT MY PIGS TO TEND TO. 389 00:19:11,441 --> 00:19:12,985 SIT DOWN. BE QUIET. 390 00:19:13,152 --> 00:19:14,778 DON’T WANT TO. 391 00:19:14,903 --> 00:19:16,822 LOOK, YOU MAY BE QUEEN OF THE HILL IN THE WOODS, 392 00:19:16,989 --> 00:19:19,741 BUT AROUND HERE, I’M THE BOSS. SIT DOWN. 393 00:19:19,867 --> 00:19:21,368 I’M STANDING. 394 00:19:21,535 --> 00:19:23,453 FINE. I DON’T CARE. 395 00:19:24,329 --> 00:19:25,789 WE GOT SOME QUESTIONS. 396 00:19:25,914 --> 00:19:28,250 THE SOONER YOU ANSWER, THE SOONER YOU CAN LEAVE. 397 00:19:28,417 --> 00:19:31,879 I GOT NO MIND TO BE ASKED A BUNCH OF SILLY QUESTIONS, 398 00:19:32,045 --> 00:19:33,714 SO I’LL TELL YOU WHAT YOU OUGHT TO KNOW. 399 00:19:35,257 --> 00:19:39,845 SIMON WARE IS CRAZIER THAN A MAGPIE IN AUGUST. 400 00:19:39,970 --> 00:19:43,682 HE HAS BEEN SINCE HIS WIFE, LUCY, DIED, NEARLY 30 YEARS AGO, 401 00:19:43,807 --> 00:19:44,975 GIVING BIRTH TO YOUNG JODY. 402 00:19:45,100 --> 00:19:47,394 THANKS FOR THAT BRAND-NEW INFORMATION. 403 00:19:47,561 --> 00:19:49,646 HOW ABOUT TELLING ME SOMETHING I CAN USE? 404 00:19:49,771 --> 00:19:51,565 OH, I WILL. 405 00:19:51,732 --> 00:19:53,609 YOU THINK HE’S AN INVALID, 406 00:19:53,734 --> 00:19:56,612 HOLED UP IN THAT HOUSE WHERE THE LIGHT NEVER HITS? 407 00:19:56,737 --> 00:20:00,490 (SCOFFS) NO, NO. I SEEN HIM AT NIGHT IN THE WOODS, 408 00:20:01,325 --> 00:20:02,618 PROWLING AROUND. 409 00:20:03,327 --> 00:20:05,120 OH, SURE YOU HAVE. 410 00:20:05,245 --> 00:20:08,290 WHEN HAVE YOU SEEN HIM OUT THERE? 411 00:20:08,415 --> 00:20:11,001 (ADAH) HE PRETENDS TO BE AN INVALID, YOU SEE. 412 00:20:11,168 --> 00:20:14,338 GETS HISSELF THOSE PRETTY YOUNG THINGS HE CALLS NURSES. 413 00:20:15,088 --> 00:20:16,798 ONE AFTER THE OTHER 414 00:20:16,924 --> 00:20:18,300 AFTER THE OTHER. 415 00:20:18,425 --> 00:20:22,179 COULD YOU COME TO YOUR POINT A LITTLE FASTER? 416 00:20:22,304 --> 00:20:26,558 IF YOU WEREN’T IN SUCH A HURRY, MR. NO-NONSENSE DUGAN, 417 00:20:26,683 --> 00:20:28,227 YOU MIGHT ASK YOURSELF A QUESTION. 418 00:20:28,393 --> 00:20:29,353 HMM? 419 00:20:29,519 --> 00:20:32,773 (ADAH) THOSE BODIES YOU BEEN FINDING IN MY WOODS, 420 00:20:32,940 --> 00:20:34,942 HOW MANY OF THOSE ARE FEMALE? 421 00:20:39,029 --> 00:20:40,948 MILLIE! HELLO. HOW ARE YOU? 422 00:20:43,200 --> 00:20:45,118 I’M FINE. THANKS. 423 00:20:46,036 --> 00:20:47,454 HEY THERE! 424 00:20:47,621 --> 00:20:49,206 HI. 425 00:20:49,331 --> 00:20:51,333 ( MILLIE) CAN I TALK TO YOU? 426 00:20:51,458 --> 00:20:53,919 SURE. SURE. SIT DOWN. SIT DOWN. 427 00:20:54,044 --> 00:20:56,088 WANT ANYTHING TO EAT? 428 00:20:56,255 --> 00:20:57,673 HOLLER IF YOU CHANGE YOUR MIND. 429 00:21:00,592 --> 00:21:02,135 SO, UH, WHAT CAN I DO FOR YOU? 430 00:21:04,137 --> 00:21:07,766 BUBBA, IN HIGH SCHOOL, I ALWAYS LOOKED UP TO YOU. 431 00:21:07,891 --> 00:21:09,726 YOU WERE THE BIG BROTHER I WISHED I’D HAD. 432 00:21:11,436 --> 00:21:15,232 I WISH I COULD SAY I THOUGHT OF YOU AS A SISTER, 433 00:21:15,399 --> 00:21:17,901 BUT IT WASN’T WHAT WAS GOING THROUGH MY MIND. 434 00:21:19,152 --> 00:21:21,530 WELL, BUBBA, I NEED A BIG BROTHER NOW-- 435 00:21:22,948 --> 00:21:25,117 SOMEBODY I CAN TALK SOME THINGS OUT WITH. 436 00:21:25,575 --> 00:21:26,660 O.K. 437 00:21:26,785 --> 00:21:27,995 O.K. 438 00:21:28,161 --> 00:21:29,871 IT’S ABOUT MR. WARE. 439 00:21:29,997 --> 00:21:32,499 I KNOW WHAT EVERYBODY IN TOWN THINKS OF ME FOR LIVING WITH HIM, 440 00:21:33,875 --> 00:21:36,378 BUT FOR ME THIS JOB WAS A GODSEND. 441 00:21:36,503 --> 00:21:38,630 I COULDN’T TURN IT DOWN. 442 00:21:38,755 --> 00:21:40,716 HE SAID IF I STAYED WITH HIM 443 00:21:40,841 --> 00:21:42,592 AND TOOK CARE OF HIM FOR TWO YEARS, 444 00:21:43,760 --> 00:21:47,097 HE’D PAY ME $250,000. 445 00:21:48,098 --> 00:21:49,850 OOH! THAT’S A LOT OF MONEY. 446 00:21:51,143 --> 00:21:54,021 ONLY NOW HE WANTS ME TO STAY AN EXTRA YEAR. 447 00:21:54,187 --> 00:21:57,482 HE WANTS TO TRAVEL, AND HE WANTS ME TO GO ALONG. 448 00:21:57,607 --> 00:21:58,900 I DON’T KNOW WHAT TO DO. 449 00:22:00,652 --> 00:22:05,239 WELL, I GUESS YOU GOT TO FIGURE OUT HOW MUCH IT’S WORTH 450 00:22:06,616 --> 00:22:09,536 TO DO WHATEVER YOU DO FOR HIM. 451 00:22:09,703 --> 00:22:12,122 I KNOW NOBODY BELIEVES THIS, 452 00:22:12,247 --> 00:22:13,790 BUT HE NEVER TOUCHES ME. 453 00:22:13,915 --> 00:22:15,500 YOU DON’T HAVE TO TELL ME ALL THIS. 454 00:22:15,667 --> 00:22:17,794 YEAH, I DO THINGS FOR HIM. 455 00:22:17,919 --> 00:22:19,546 I DRESS FOR HIM IN CERTAIN WAYS. 456 00:22:21,089 --> 00:22:23,633 HE HAS SPECIAL THINGS HE LIKES ME TO WEAR-- 457 00:22:23,759 --> 00:22:25,052 THINGS HE ORDERS FROM CATALOGS. 458 00:22:26,636 --> 00:22:28,638 SOMETIMES I JUST WALK AROUND. 459 00:22:30,307 --> 00:22:32,851 SOMETIMES I SING HIM A SONG. 460 00:22:32,976 --> 00:22:35,854 I MAKE UP STORIES HE LIKES TO HEAR. 461 00:22:36,021 --> 00:22:37,981 SOMETIMES HE’LL ASK ME TO RUB SOMETHING ON HIM-- 462 00:22:38,106 --> 00:22:40,901 OH, MILLIE, YOU DON’T HAVE TO TELL ME THIS. 463 00:22:41,068 --> 00:22:43,987 BUBBA, THE POINT IS, THAT’S ALL I DO. 464 00:22:48,241 --> 00:22:51,161 MILLIE, WHAT I THINK YOU HAVE TO DO... 465 00:22:53,163 --> 00:22:56,041 IS LOOK INSIDE YOUR HEART AND ASK YOURSELF, 466 00:22:57,667 --> 00:22:59,377 "IS WHAT I’M DOING RIGHT?" 467 00:23:00,295 --> 00:23:02,255 AND IF THE ANSWER’S YES... 468 00:23:03,840 --> 00:23:05,592 THEN TO HELL WHAT ANYBODY ELSE THINKS. 469 00:23:07,427 --> 00:23:08,887 THANK YOU. 470 00:23:10,722 --> 00:23:11,681 (OWL HOOTING) 471 00:23:24,569 --> 00:23:26,404 PARKER, I DON’T BELIEVE YOU TALKED ME 472 00:23:26,571 --> 00:23:28,115 INTO COMING OUT HERE THIS NIGHT. 473 00:23:28,240 --> 00:23:30,283 SHUSH. YOU WANT HER TO HEAR SOMETHING? 474 00:23:31,618 --> 00:23:32,661 (TWIG SNAPS) 475 00:23:32,786 --> 00:23:33,829 LISTEN. 476 00:23:33,954 --> 00:23:35,122 LISTEN TO WHAT? 477 00:23:35,288 --> 00:23:36,748 I THOUGHT I HEARD SOMETHING. 478 00:23:36,915 --> 00:23:38,500 THAT PIG WOMAN’S GOT SOMETHING TO DO WITH THIS. 479 00:23:38,625 --> 00:23:39,543 I’M POSITIVE. 480 00:23:39,751 --> 00:23:42,546 WE’LL STAKE HER OUT AND GET THE GOODS ON HER, 481 00:23:44,798 --> 00:23:47,134 AND THAT WILL SHOW WILSON SWEET 482 00:23:47,259 --> 00:23:49,594 WHO’S AN ACE AND WHO’S NOT. 483 00:23:49,761 --> 00:23:51,596 THAT’S WHAT THIS IS ABOUT, YOU FEUDING WITH SWEET? 484 00:23:51,721 --> 00:23:53,181 (TWIG SNAPS) 485 00:23:53,306 --> 00:23:54,641 I THOUGHT I SAW SOMEBODY. 486 00:24:01,440 --> 00:24:02,441 THERE’S SOMEBODY OVER THERE. 487 00:24:18,415 --> 00:24:19,791 SHE’S MOVING FASTER. 488 00:24:19,958 --> 00:24:21,251 LET’S GO. LET’S GO. 489 00:24:29,593 --> 00:24:31,052 (SINISTER LAUGH) 490 00:24:33,430 --> 00:24:34,556 (LAUGHING) 491 00:24:35,682 --> 00:24:37,309 YOU SHOULD HAVE SEEN YOURSELVES. 492 00:24:37,476 --> 00:24:39,436 I SHOULD HAVE VIDEOTAPED THAT. 493 00:24:39,561 --> 00:24:42,063 I’LL SHOW YOU A JOKE, YOU LAMEBRAIN! 494 00:24:42,606 --> 00:24:44,149 HO, HO, HO! 495 00:24:44,274 --> 00:24:45,692 I’M GOING TO GET YOU, 496 00:24:45,859 --> 00:24:47,986 IF IT’S THE LAST THING I EVER DO! 497 00:24:48,153 --> 00:24:49,154 (BOTH GRUNT) 498 00:24:50,822 --> 00:24:52,490 AAH! 499 00:24:52,616 --> 00:24:54,034 YOU O.K.? 500 00:24:54,159 --> 00:24:55,410 DID I HURT YOU? 501 00:24:55,535 --> 00:24:57,496 NO. I TOUCHED SOMETHING OVER HERE. 502 00:24:57,621 --> 00:24:59,539 JAMISON, SHINE YOUR LIGHT OVER HERE. 503 00:25:31,154 --> 00:25:33,615 WELL, VIRGIL, WE GOT MOST OF IT UNCOVERED. 504 00:25:33,740 --> 00:25:36,117 MAN, THIS SURE DOES STINK. 505 00:25:39,329 --> 00:25:41,498 HOW LONG DO YOU THINK THAT BODY’S BEEN THERE? 506 00:25:43,875 --> 00:25:45,835 JUDGING FROM THE DECOMPOSITION, BUBBA, 507 00:25:47,420 --> 00:25:49,005 SIX OR EIGHT MONTHS. 508 00:25:49,130 --> 00:25:50,382 IT SURE IS A MESS. 509 00:25:50,548 --> 00:25:52,634 YEAH. YEAH, IT’S A MESS ALL RIGHT. 510 00:25:57,013 --> 00:26:01,351 YOU KNOW, WE THOUGHT THESE WERE MULTIPLE MURDERS FROM THE PAST, 511 00:26:02,602 --> 00:26:04,896 BUT IF THESE BODIES ARE CONNECTED, 512 00:26:05,021 --> 00:26:06,565 OUR KILLER COULD STILL BE OPERATING. 513 00:26:17,200 --> 00:26:19,953 BE GLAD YOU DIDN’T HAVE TO HELP US DIG UP THAT BODY. 514 00:26:20,078 --> 00:26:21,913 IT WAS A MESS. 515 00:26:22,038 --> 00:26:23,582 (JAMISON) THAT’S FOR SURE. 516 00:26:23,748 --> 00:26:25,250 STILL, I’D RATHER BE DOING SOMETHING 517 00:26:25,375 --> 00:26:26,876 THAN SITTING HERE ANSWERING PHONES. 518 00:26:28,627 --> 00:26:30,797 EVERYBODY WANTS TO DO WHAT THEY CAN’T DO, PARKER, 519 00:26:30,922 --> 00:26:32,215 AND LET’S FACE IT-- 520 00:26:32,340 --> 00:26:34,259 WATER SEEKS ITS OWN LEVEL. 521 00:26:34,426 --> 00:26:36,386 WHAT’S THAT SUPPOSED TO MEAN? 522 00:26:36,511 --> 00:26:39,431 MAYBE YOU’RE NOT CUT OUT TO HANDLE THE DESK, EITHER. 523 00:26:39,556 --> 00:26:41,474 THAT’S RIGHT. I’M NOT. 524 00:26:41,599 --> 00:26:43,852 I’M NOT CUT OUT TO BE A RECEPTIONIST. 525 00:26:43,977 --> 00:26:46,104 I’M CUT OUT TO BE A DETECTIVE. 526 00:26:46,938 --> 00:26:47,981 MM-HMM. 527 00:26:50,233 --> 00:26:51,818 (PARKER) WHOA, MR. WARE. 528 00:26:51,985 --> 00:26:53,987 LET ME TELL HIM YOU’RE HERE. 529 00:26:54,112 --> 00:26:55,071 WAIT! 530 00:26:55,238 --> 00:26:56,989 CAPTAIN DUGAN, MR., TIBBS... 531 00:26:57,114 --> 00:26:58,241 I JUST HEARD SOMETHING I WISH I HADN’T. 532 00:26:58,450 --> 00:27:00,952 I DIDN’T THINK I SHOULD TACKLE HIM, SO HE GOT THROUGH. 533 00:27:01,119 --> 00:27:03,078 THAT’S O.K., PARKER. 534 00:27:03,203 --> 00:27:04,706 WHAT’S THE PROBLEM, JODY? 535 00:27:04,831 --> 00:27:08,376 DID ADAH BOONE SAY MY PAPA WAS INVOLVED IN THOSE MURDERS? 536 00:27:09,169 --> 00:27:10,420 IS THAT SO? 537 00:27:10,628 --> 00:27:13,923 WHAT GOES ON IN CRIMINAL INVESTIGATIONS IS PRIVILEGED INFORMATION. 538 00:27:14,049 --> 00:27:15,592 SO SHE DID. 539 00:27:15,717 --> 00:27:17,385 WHY WOULD SHE SAY SOMETHING LIKE THAT? 540 00:27:18,470 --> 00:27:20,388 MY PAPA WAS ALWAYS GOOD TO HER. 541 00:27:20,513 --> 00:27:22,098 HE LET HER LIVE OFF HIS OWN LAND. 542 00:27:23,683 --> 00:27:24,392 I CAN’T BELIEVE THIS. 543 00:27:24,559 --> 00:27:26,269 (TOM) SETTLE DOWN. 544 00:27:26,394 --> 00:27:29,481 NATURALLY, THIS INVESTIGATION’S GOING TO CONCERN YOUR FATHER. 545 00:27:29,606 --> 00:27:31,483 IT’S HIS LAND THESE BODIES WERE FOUND ON. 546 00:27:31,649 --> 00:27:32,941 YEAH. I’M SORRY. 547 00:27:35,695 --> 00:27:38,114 I WAS JUST HOPING I COULD GET BACK CLOSE WITH MY PAPA. 548 00:27:39,157 --> 00:27:40,992 (VIRGIL) WHAT HAPPENED? 549 00:27:41,159 --> 00:27:44,329 WHY DOES YOUR FATHER HATE YOU SO MUCH? 550 00:27:46,539 --> 00:27:47,540 I DON’T KNOW. 551 00:27:48,458 --> 00:27:50,210 LORD KNOWS I TRIED. 552 00:27:52,962 --> 00:27:54,506 EVEN WHEN I WAS LITTLE, 553 00:27:56,341 --> 00:27:58,301 I WANTED SO MUCH FOR HIM TO LOVE ME, 554 00:28:01,346 --> 00:28:02,931 BUT INSIDE, I KNEW HE DIDN’T. 555 00:28:03,807 --> 00:28:05,016 (TOM) HE’S A DIFFICULT MAN. 556 00:28:05,183 --> 00:28:06,351 HE ALWAYS WAS. 557 00:28:06,476 --> 00:28:08,812 SOME MEN JUST CAN’T LOVE. 558 00:28:08,937 --> 00:28:12,023 YOU’VE GOT TO LIVE YOUR OWN LIFE. 559 00:28:12,148 --> 00:28:14,692 YEAH. I SHOULD HAVE LEFT SPARTA A LONG TIME AGO. 560 00:28:17,028 --> 00:28:18,530 BUT I KEPT THINKING THAT... 561 00:28:19,656 --> 00:28:21,366 MAYBE IF I STUCK IT OUT, 562 00:28:22,492 --> 00:28:24,202 MAYBE HE’D CHANGE. 563 00:28:28,039 --> 00:28:29,374 YOU KNOW, I KEEP THINKING... 564 00:28:30,709 --> 00:28:32,210 WHAT IF HE DIES 565 00:28:34,379 --> 00:28:36,798 AND WE’VE NEVER SAID A KIND WORD TO EACH OTHER? 566 00:28:39,759 --> 00:28:41,553 WOULDN’T THAT BE A TERRIBLE THING? 567 00:28:43,680 --> 00:28:44,889 YOUR OWN FATHER. 568 00:28:50,687 --> 00:28:52,021 (WHISTLING) 569 00:29:01,030 --> 00:29:04,742 UM... EXCUSE ME, UH, MR. WARE. 570 00:29:06,077 --> 00:29:08,955 UH, MY NAME’S PARKER WILLIAMS. 571 00:29:09,080 --> 00:29:11,082 I DON’T THINK YOU KNOW ME, 572 00:29:11,249 --> 00:29:12,792 BUT I USED TO CUT YOUR DADDY’S GRASS. 573 00:29:14,002 --> 00:29:16,379 (JODY) YEAH. SURE. 574 00:29:16,504 --> 00:29:19,007 I USED TO THROW BAILING WIRE IN THE YARD 575 00:29:19,132 --> 00:29:20,967 SO IT WOULD SNARL THE LAWN MOWER. 576 00:29:23,261 --> 00:29:24,596 I’M SORRY. 577 00:29:24,762 --> 00:29:26,139 IT SEEMED LIKE A GOOD IDEA AT THE TIME. 578 00:29:26,264 --> 00:29:27,807 OH, THAT’S ALL RIGHT. 579 00:29:30,643 --> 00:29:33,021 IT WAS GOOD SEEING YOU. 580 00:29:43,573 --> 00:29:45,116 (WHISTLING) 581 00:29:58,630 --> 00:30:00,882 WELL... 582 00:30:02,258 --> 00:30:04,385 WHAT WERE YOU TALKING TO HIM ABOUT? 583 00:30:04,511 --> 00:30:06,846 OH, THAT WAS JUST PART OF MY INVESTIGATION. 584 00:30:06,971 --> 00:30:09,849 INVESTIGATION? 585 00:30:09,974 --> 00:30:11,976 YOU’RE SO FULL OF IT, YOU’RE ABOUT TO BLOW UP. 586 00:30:12,143 --> 00:30:14,145 NOW, WHAT WERE YOU TALKING TO HIM ABOUT? 587 00:30:14,270 --> 00:30:17,065 MR. SWEET, A GOOD DETECTIVE 588 00:30:17,190 --> 00:30:20,235 PRESERVES THE CONFIDENTIALITY OF HIS SOURCES. 589 00:30:21,861 --> 00:30:23,071 EXCUSE ME. 590 00:30:27,200 --> 00:30:28,743 I DON’T UNDERSTAND IT. 591 00:30:28,868 --> 00:30:30,662 PAPA’S ALWAYS BEEN GOOD TO YOU. 592 00:30:30,787 --> 00:30:32,288 WHY DID YOU SAY THOSE THINGS ABOUT HIM? 593 00:30:34,123 --> 00:30:35,750 YOU NEVER DO GIVE UP ON HIM, DO YOU? 594 00:30:35,875 --> 00:30:37,210 WELL, HOW CAN I? 595 00:30:37,335 --> 00:30:38,836 HE’S MY FATHER. 596 00:30:38,962 --> 00:30:40,922 (ADAH) SURE, HE PROVIDED THE SEED, 597 00:30:41,047 --> 00:30:43,341 AND IF GIVING YOU FOOD AND SHELTER 598 00:30:43,466 --> 00:30:44,634 CONSTITUTES BEING A FATHER, 599 00:30:44,801 --> 00:30:46,803 I GUESS THAT’S WHAT HE IS. 600 00:30:46,928 --> 00:30:48,888 WHATEVER HE IS, HE’S NOT A MURDERER. 601 00:30:50,181 --> 00:30:53,059 HOW COULD YOU SAY THOSE THINGS ABOUT HIM? 602 00:31:00,858 --> 00:31:01,943 JODY... 603 00:31:06,990 --> 00:31:11,202 I LOVE YOU MORE THAN ANYONE ON EARTH. 604 00:31:11,369 --> 00:31:13,496 I HAVE SINCE I BROUGHT YOU ONTO THIS EARTH 605 00:31:13,621 --> 00:31:14,788 NEAR 30 YEARS AGO. 606 00:31:17,458 --> 00:31:19,752 IT SEEMS YOU WERE BORN TO SUFFER-- 607 00:31:19,877 --> 00:31:22,714 YOUR MAMA DYING WHEN YOU WERE BORN 608 00:31:22,839 --> 00:31:26,426 AND MR. WARE TREATING YOU LIKE SOME KIND OF OUTCAST. 609 00:31:26,593 --> 00:31:28,303 THERE’S SOMETHING I NEVER TOLD YOU. 610 00:31:31,180 --> 00:31:32,932 I NEVER TOLD NOBODY. 611 00:31:33,099 --> 00:31:36,436 I WAS THE MIDWIFE WHEN YOUR MAMA WENT INTO LABOR. 612 00:31:37,854 --> 00:31:39,480 IT WAS A HARD ONE. 613 00:31:39,606 --> 00:31:41,566 LONG... 614 00:31:41,733 --> 00:31:43,526 POOR THING WAS IN TERRIBLE PAIN. 615 00:31:45,903 --> 00:31:47,572 THEN SHE STARTED HEMORRHAGING. 616 00:31:47,739 --> 00:31:49,032 BLOOD STARTED TO COME, WOULDN’T STOP. 617 00:31:49,157 --> 00:31:50,700 I COULDN’T STOP IT. 618 00:31:52,410 --> 00:31:54,037 DIDN’T YOU CALL A DOCTOR? 619 00:31:54,162 --> 00:31:56,581 NO. YOUR PAPA, HE WOULDN’T LET ME. 620 00:31:58,583 --> 00:32:01,628 HE PULLED THE PHONE RIGHT OUT OF THE WALL 621 00:32:01,753 --> 00:32:04,422 AND TOLD ME TO GO GET YOU CLEANED UP. 622 00:32:04,547 --> 00:32:06,674 THEN HE WENT TO THE SIDE OF THE BED, 623 00:32:07,467 --> 00:32:09,761 STOOD THERE, 624 00:32:09,928 --> 00:32:12,430 AND WATCHED THE LIFE DRAIN OUT OF YOUR MAMA, 625 00:32:14,223 --> 00:32:16,601 HER GETTING ALL CHALKY WHITE. 626 00:32:16,768 --> 00:32:17,977 OH, NO. 627 00:32:19,270 --> 00:32:20,562 AND THEN SHE DIED. 628 00:32:23,483 --> 00:32:25,401 HE’S A MURDERER, JODY. 629 00:32:26,861 --> 00:32:29,614 THAT’S HOW I KNOW HE CAN KILL, 630 00:32:29,781 --> 00:32:31,950 HOW I KNOW HE’S A DANGEROUS MAN. 631 00:32:37,121 --> 00:32:38,998 WHY DIDN’T YOU TELL THE POLICE? 632 00:32:39,123 --> 00:32:40,917 HE SAID THEY’D BLAME ME, 633 00:32:42,085 --> 00:32:43,795 AND I BELIEVED HIM. 634 00:32:45,338 --> 00:32:47,548 AFTER ALL, HE WAS SIMON WARE... 635 00:32:49,676 --> 00:32:51,678 AND I WAS JUST A POOR FARM GIRL. 636 00:32:53,763 --> 00:32:55,264 OH, GOD, HOW CAN THIS HAPPEN? 637 00:32:55,390 --> 00:32:57,517 GET OUT OF SPARTA. 638 00:32:57,642 --> 00:33:00,561 GET ON WITH YOUR LIFE. 639 00:33:00,687 --> 00:33:03,940 YOU STAY HERE, HIS EVIL WILL CONTAMINATE YOU. 640 00:33:05,316 --> 00:33:06,943 YOU KNOW, PEOPLE SAY YOU’RE CRAZY 641 00:33:08,361 --> 00:33:09,612 AND YOU’RE MEAN... 642 00:33:11,364 --> 00:33:13,491 BUT YOU’VE ALWAYS BEEN A GOOD FRIEND TO ME, 643 00:33:13,616 --> 00:33:15,368 AND I THANK YOU FOR THAT, MISS ADAH. 644 00:33:15,535 --> 00:33:16,828 TRULY, I DO. 645 00:33:19,580 --> 00:33:21,624 ’CAUSE YOU GIVE ME THE TRUTH. 646 00:34:08,045 --> 00:34:10,547 (ALTHEA) IT HAS SOMETHING TO DO WITH STORIES 647 00:34:10,672 --> 00:34:13,217 ABOUT DISMEMBERED BODIES. 648 00:34:13,342 --> 00:34:14,552 HONEY, SOME OF THESE KIDS 649 00:34:14,719 --> 00:34:16,471 ARE ACTUALLY HAVING NIGHTMARES. 650 00:34:16,596 --> 00:34:17,972 IT JUST AMAZES ME 651 00:34:18,097 --> 00:34:22,059 HOW KIDS CAN PICK UP ON GROWN-UP ANXIETIES. 652 00:34:22,185 --> 00:34:23,811 (KNOCKING ON DOOR) 653 00:34:23,936 --> 00:34:24,937 OH, NO. 654 00:34:25,772 --> 00:34:26,938 YOU GET IT. 655 00:34:27,065 --> 00:34:29,108 I AM GOING TO BED. 656 00:34:29,275 --> 00:34:30,485 OOH! 657 00:34:30,610 --> 00:34:31,985 O.K., O.K., O.K. 658 00:34:39,284 --> 00:34:40,620 OH. 659 00:34:40,786 --> 00:34:42,538 PARKER, COME IN. COME IN. 660 00:34:42,705 --> 00:34:43,915 EVENING, DETECTIVE. 661 00:34:44,040 --> 00:34:45,708 SORRY TO BOTHER YOU AT HOME. 662 00:34:45,833 --> 00:34:46,793 NO PROBLEM. WHAT’S UP? 663 00:34:46,918 --> 00:34:49,795 I KNOW THE PROPER CHAIN OF COMMAND 664 00:34:49,920 --> 00:34:52,465 WOULD BE FOR ME TO GO TO CAPTAIN TOM-- 665 00:34:52,632 --> 00:34:54,926 I’M CHIEF OF DETECTIVES. 666 00:34:55,051 --> 00:34:56,803 I’M RUNNING THIS INVESTIGATION. 667 00:34:56,928 --> 00:34:59,430 INFORMATION CAN COME THROUGH ME. 668 00:34:59,555 --> 00:35:01,516 YOU REMEMBER CHARLIE HOBBS, 669 00:35:01,641 --> 00:35:03,643 THE KID WHOSE DOG FOUND THE FIRST LEG BONE? 670 00:35:04,560 --> 00:35:06,437 YEAH. 671 00:35:06,562 --> 00:35:09,565 I’VE CHECKED AND FOUND HE HAS A RECORD IN TENNESSEE 672 00:35:09,690 --> 00:35:11,734 FOR ASSAULT AND BATTERY OF FEMALES. 673 00:35:13,069 --> 00:35:14,654 REALLY? 674 00:35:14,821 --> 00:35:16,572 THAT’S INTERESTING. 675 00:35:16,739 --> 00:35:18,574 HAS HE SERVED TIME? 676 00:35:18,699 --> 00:35:19,325 (ALTHEA) VIRGIL... 677 00:35:19,492 --> 00:35:21,536 IT’S BUBBA. IT’S IMPORTANT. 678 00:35:21,661 --> 00:35:22,912 HI, MA’AM. 679 00:35:27,458 --> 00:35:28,584 BUBBA, SO, YEAH? 680 00:35:30,211 --> 00:35:32,004 OH, NO. 681 00:35:32,130 --> 00:35:33,506 YEAH, WE’LL BE RIGHT THERE. 682 00:35:34,715 --> 00:35:36,134 PARKER’S HERE. 683 00:35:36,300 --> 00:35:37,468 O.K. 15 MINUTES. 684 00:35:37,635 --> 00:35:39,220 THANKS. 685 00:35:39,345 --> 00:35:41,347 (EXHALES) 686 00:35:41,514 --> 00:35:43,224 THAT INFORMATION YOU GAVE ME IS PRETTY IMPORTANT, 687 00:35:43,349 --> 00:35:45,059 BUT CONSIDERING WHAT JUST HAPPENED, 688 00:35:45,184 --> 00:35:46,060 IT’S SUPERFLUOUS. 689 00:36:02,785 --> 00:36:03,995 WHO FOUND HER? 690 00:36:04,120 --> 00:36:06,038 YOUR FRIEND AND MINE, WILSON SWEET. 691 00:36:07,957 --> 00:36:10,501 A DAMN FINE PIECE OF POLICE WORK, TOO. 692 00:36:10,668 --> 00:36:13,838 WELL, SOMETIMES IT’S JUST LUCK, I GUESS. 693 00:36:13,963 --> 00:36:15,506 CAME UP HERE ON A HUNCH. 694 00:36:15,631 --> 00:36:17,049 I GOT TO THINKING. 695 00:36:17,216 --> 00:36:19,886 THE TOOLS SHE USED TO SLAUGHTER THOSE PIGS 696 00:36:20,052 --> 00:36:22,763 WERE LIKE THE ONES USED ON THE BODIES. 697 00:36:22,889 --> 00:36:24,682 SHE DIDN’T ANSWER THE DOOR. 698 00:36:24,807 --> 00:36:27,560 I SAW THIS LIGHT, AND THERE SHE WAS. 699 00:36:27,727 --> 00:36:30,396 SWEET, YOU STILL BELIEVE IT WAS A SUICIDE? 700 00:36:30,563 --> 00:36:32,607 I THINK IT’S PRETTY OBVIOUS. 701 00:36:32,732 --> 00:36:35,026 LOOK AT THESE TOOLS. 702 00:36:35,193 --> 00:36:37,820 ANY ONE OF THEM MIGHT HAVE BEEN THE MURDER WEAPON. 703 00:36:37,987 --> 00:36:40,114 WE’RE TALKING ABOUT A PERSON 704 00:36:40,239 --> 00:36:41,908 WITH A GUILTY CONSCIENCE, 705 00:36:42,074 --> 00:36:44,243 A PERSON THAT KNEW WE WERE CLOSING IN. 706 00:36:44,368 --> 00:36:46,662 SO SHE CLIMBED UP THOSE STEPS... 707 00:36:47,830 --> 00:36:50,708 AND TOOK THAT LAST LEAP INTO OBLIVION. 708 00:36:55,504 --> 00:36:57,548 ANYONE ELSE AGREE WITH THAT? 709 00:36:57,673 --> 00:37:00,468 POOR OLD LADY WAS RUNNING A QUART LOW. 710 00:37:00,593 --> 00:37:02,136 NOTHING SHE’D DO WOULD SURPRISE ME. 711 00:37:08,768 --> 00:37:11,979 YEAH. OH... WHAT ABOUT YOU, PARKER? 712 00:37:13,272 --> 00:37:15,650 I FIGURED SHE WAS DIRTY LONG BEFORE SWEET, 713 00:37:15,775 --> 00:37:17,777 SO I WAS STAKIN’ HER OUT 714 00:37:17,944 --> 00:37:19,779 BEFORE SOMEBODY MESSED THAT UP. 715 00:37:19,904 --> 00:37:21,614 I FOUND THE BODY 716 00:37:21,781 --> 00:37:23,991 AND CORRECTLY DEDUCED SHE KILLED HERSELF 717 00:37:24,116 --> 00:37:27,119 RATHER THAN SPEND LIFE IN PRISON WITHOUT HER PIGS. 718 00:37:28,496 --> 00:37:32,458 WELL, UH, SWEET, THAT’S A LOGICAL DEDUCTION. 719 00:37:32,583 --> 00:37:34,168 UNFORTUNATELY, IT’S DEAD WRONG. 720 00:37:36,295 --> 00:37:37,630 ADAH BOONE WAS MURDERED. 721 00:37:42,760 --> 00:37:45,763 (VIRGIL) YOU SEE THE SCRATCHES HERE 722 00:37:45,888 --> 00:37:49,517 AND THE BRUISES AROUND THE KNUCKLES? 723 00:37:49,642 --> 00:37:51,352 THEY’RE DEFENSIVE WOUNDS. 724 00:37:51,477 --> 00:37:52,478 YOU’RE SAYING SHE FOUGHT SOMEBODY? 725 00:37:52,645 --> 00:37:53,771 OH, EXACTLY. 726 00:37:53,938 --> 00:37:55,773 SHE STILL COULD’VE COMMITTED SUICIDE. 727 00:37:55,940 --> 00:37:57,608 SHE COULD HAVE FOUGHT SOMEONE 728 00:37:57,733 --> 00:38:00,111 AND THEN COULD’VE HUNG HERSELF. 729 00:38:00,236 --> 00:38:02,154 SHE COULD HAVE... 730 00:38:02,280 --> 00:38:03,864 BUT SHE DIDN’T. 731 00:38:03,990 --> 00:38:06,867 LOOK AT THE LIGATURE MARKS AROUND THE NECK. 732 00:38:06,993 --> 00:38:08,828 PARKER, YOU WANT TO BE A DETECTIVE. 733 00:38:08,953 --> 00:38:10,371 NOTICE ANYTHING STRANGE? 734 00:38:11,497 --> 00:38:12,832 STRANGE? 735 00:38:14,875 --> 00:38:16,043 NO, SIR, 736 00:38:16,168 --> 00:38:18,337 NOT REALLY WHAT YOU’D CALL STRANGE. 737 00:38:18,504 --> 00:38:20,047 (VIRGIL)O.K. 738 00:38:20,172 --> 00:38:23,009 NOW, I’M GOING TO TEACH YOU A LESSON 739 00:38:23,134 --> 00:38:25,052 I HOPE YOU NEVER FORGET. 740 00:38:25,177 --> 00:38:26,095 TEACH ME? 741 00:38:29,515 --> 00:38:32,852 NOW, ONE DEMONSTRATION IS WORTH A THOUSAND WORDS-- 742 00:38:33,019 --> 00:38:34,520 EXACTLY THE WAY I LEARNED IT. 743 00:38:34,645 --> 00:38:36,731 YOU SOUND LIKE MY OLD CHEMISTRY TEACHER-- 744 00:38:36,856 --> 00:38:38,983 NEVER UNDERSTOOD THAT DUDE, EITHER. 745 00:38:39,108 --> 00:38:41,193 (VIRGIL) O.K., PARKER, YOU FEELING ANYTHING? 746 00:38:41,360 --> 00:38:42,528 I’M DIZZY. 747 00:38:42,695 --> 00:38:44,864 HE’S TALKING ABOUT THE POSITION OF THE ROPE ON YOUR NECK. 748 00:38:45,031 --> 00:38:47,450 YOU FEEL IT? 749 00:38:47,575 --> 00:38:51,579 O.K., NOW, IT’S SQUEEZING THE SKIN RIGHT UNDER YOUR JAWBONE. 750 00:38:51,704 --> 00:38:55,166 NOW, THE KNOT WOULD BE WAY UP HERE BY MY HAND. 751 00:38:56,792 --> 00:38:58,294 WHEN SOMEONE HANGS HIMSELF, 752 00:38:58,419 --> 00:39:01,338 THE LIGATURE MARK ANGLES UP SHARPLY, 753 00:39:01,505 --> 00:39:04,550 NOT STRAIGHT AROUND THE NECK LIKE ON THIS WOMAN. 754 00:39:04,717 --> 00:39:06,135 WOULDN’T YOU SAY SO? 755 00:39:06,302 --> 00:39:07,803 YOU’RE THE FORENSIC EXPERT. 756 00:39:09,305 --> 00:39:11,849 O.K. SO ADAH BOONE WAS STRANGLED FIRST, 757 00:39:12,808 --> 00:39:14,560 THEN HUNG. 758 00:39:14,727 --> 00:39:17,520 THAT’S MURDER, NOT SUICIDE. 759 00:39:18,439 --> 00:39:19,982 (THUNDER RUMBLING) 760 00:39:20,107 --> 00:39:21,317 DETECTIVE... 761 00:39:21,442 --> 00:39:23,486 DETECTIVE. 762 00:39:23,611 --> 00:39:24,528 OH! PARKER. 763 00:39:24,695 --> 00:39:25,738 WHEW! 764 00:39:25,905 --> 00:39:27,406 (PARKER CLEARS THROAT) 765 00:39:27,531 --> 00:39:29,532 UH... 766 00:39:29,700 --> 00:39:34,038 DETECTIVE, UH, YOU REMEMBER WHAT I SAID ABOUT CHARLIE HOBBS 767 00:39:34,205 --> 00:39:36,040 HAVING A RECORD FOR ASSAULT AND BATTERY? 768 00:39:36,207 --> 00:39:37,458 YEAH. 769 00:39:37,583 --> 00:39:39,210 WE’D BETTER FIND OUT WHERE HE WAS TODAY. 770 00:39:47,009 --> 00:39:48,135 (VIRGIL) MMM. I SEE. 771 00:39:48,260 --> 00:39:49,929 WHO ELSE DID YOU TALK TO? 772 00:39:50,054 --> 00:39:51,805 AND THEY CONFIRMED THAT? 773 00:39:52,723 --> 00:39:53,974 O.K. 774 00:39:54,100 --> 00:39:55,142 THANKS. 775 00:39:57,727 --> 00:39:59,271 THAT TAKES CARE OF CHARLIE HOBBS. 776 00:39:59,438 --> 00:40:01,315 HE’S BEEN IN BATON ROUGE SINCE YESTERDAY. 777 00:40:01,440 --> 00:40:02,900 SORRY, PARKER. 778 00:40:03,067 --> 00:40:04,110 SO AM I. 779 00:40:05,778 --> 00:40:07,405 TOO BAD, PARKER. 780 00:40:07,530 --> 00:40:08,656 NICE TRY, THOUGH. 781 00:40:08,781 --> 00:40:10,074 YEAH. 782 00:40:10,241 --> 00:40:11,325 RIGHT. 783 00:40:12,701 --> 00:40:14,286 (TOM) TOLD YOU IT WAS GOING TO POUR. 784 00:40:15,913 --> 00:40:18,040 YOU MAY KNOW THAT FORENSIC STUFF, 785 00:40:18,165 --> 00:40:20,167 BUT I BE KNOWIN’ ABOUT THE WEATHER. 786 00:40:20,292 --> 00:40:22,586 THAT MAKES US SOME SORT OF A TEAM. 787 00:40:22,753 --> 00:40:25,214 HERE’S A POSITIVE DENTAL I.D. 788 00:40:25,339 --> 00:40:26,924 ON THAT BODY FOUND OUT IN THE WOODS. 789 00:40:27,049 --> 00:40:28,551 TAKE A LOOK AT THIS. 790 00:40:30,928 --> 00:40:32,054 YOU’RE KIDDING. 791 00:40:32,179 --> 00:40:33,264 THAT’S WHAT I THOUGHT. 792 00:40:33,389 --> 00:40:34,640 SO I DOUBLE-CHECKED. 793 00:40:34,765 --> 00:40:36,684 I EVEN GOT HIS DENTIST. 794 00:40:36,809 --> 00:40:38,936 IT’S HIM. THERE’S NO MISTAKE. 795 00:40:39,102 --> 00:40:41,021 TELL ME WHAT Y’ALL ARE TALKING ABOUT. 796 00:40:42,314 --> 00:40:44,275 YEAH. I’M NOT SURE I KNOW, 797 00:40:44,400 --> 00:40:47,194 BUT...I KNOW WHERE WE CAN FIND OUT. 798 00:41:39,205 --> 00:41:42,666 SORRY TO BARGE IN, BUT WE HAVE TO SEE SIMON WARE. 799 00:41:42,791 --> 00:41:44,710 I’M SORRY, THAT’S IMPOSSIBLE. 800 00:41:44,835 --> 00:41:47,546 HE’S UPSET THE LIGHTS WENT OFF BECAUSE OF THE STORM. 801 00:41:47,671 --> 00:41:49,882 THE LIGHTS ARE ON EVERYPLACE ELSE IN TOWN. 802 00:41:50,049 --> 00:41:52,843 CALL THE ELECTRICAL COMPANY WHILE WE TALK TO HIM. 803 00:41:52,968 --> 00:41:55,221 SIMON WARE, SPARTA POLICE DEPARTMENT! URGENT BUSINESS! 804 00:41:56,680 --> 00:41:58,724 I THINK HE SAID COME IN, DON’T YOU? 805 00:42:01,684 --> 00:42:03,020 EVENING, MR. WARE. 806 00:42:03,145 --> 00:42:05,064 SORRY TO BUST IN LIKE THIS. 807 00:42:05,231 --> 00:42:07,691 WE NEED TO TALK TO YOU. 808 00:42:07,858 --> 00:42:09,860 (SIMON) I SUPPOSE YOU’RE HERE ABOUT THE LIGHTS. 809 00:42:11,362 --> 00:42:13,739 NO. THAT WOULD BE THE ELECTRIC COMPANY. 810 00:42:13,864 --> 00:42:14,698 WE’RE POLICE. 811 00:42:14,865 --> 00:42:17,243 WE’RE HERE ABOUT A WHOLE SLEW OF MURDERS. 812 00:42:17,368 --> 00:42:19,161 GO ARREST ADAH BOONE. 813 00:42:21,205 --> 00:42:22,456 OH, WE CAN’T. 814 00:42:23,707 --> 00:42:24,792 SHE’S DEAD. 815 00:42:24,917 --> 00:42:26,210 I BET I KNOW. 816 00:42:26,335 --> 00:42:28,128 SHE GOT EATEN BY HER PIGS. 817 00:42:28,254 --> 00:42:29,797 (LAUGHING) 818 00:42:29,922 --> 00:42:31,548 A REAL FUNNY SIGHT. 819 00:42:31,674 --> 00:42:33,968 ALL THOSE FAT LITTLE PIGS EATING ADAH BOONE. 820 00:42:34,093 --> 00:42:35,302 (LAUGHING) 821 00:42:35,427 --> 00:42:38,597 SHE’S BEEN KILLED, MR. WARE. 822 00:42:38,722 --> 00:42:41,642 SOMEONE MURDERED HER AND TRIED TO MAKE IT LOOK LIKE SUICIDE. 823 00:42:41,767 --> 00:42:46,063 SOME VERY PECULIAR THINGS HAVE BEEN GOING ON HERE-- 824 00:42:46,188 --> 00:42:47,731 LIKE, TWO DAYS AGO, 825 00:42:47,856 --> 00:42:50,276 WE FOUND A PARTIALLY DECOMPOSED BODY 826 00:42:50,401 --> 00:42:52,236 OUT IN THE WOODS NEAR YOUR HOUSE. 827 00:42:52,403 --> 00:42:56,115 OUR PATHOLOGIST MADE AN I.D., USING DENTAL RECORDS. 828 00:42:56,240 --> 00:42:58,242 GUESS WHO IT WAS, MR. WARE. 829 00:42:58,409 --> 00:43:00,411 HE SAID IT WAS YOU, MR. WARE. 830 00:43:00,536 --> 00:43:04,581 (VIRGIL)SO, OUR QUESTION IS, HOW CAN SIMON WARE BE DEAD, 831 00:43:04,707 --> 00:43:07,084 AND YET STILL SITTING HERE IN A CHAIR TALKING TO US? 832 00:43:10,754 --> 00:43:13,257 (GRUNTS) 833 00:43:13,424 --> 00:43:16,552 WELL, THIS SICK OLD MAN GET AROUND PRETTY GOOD, NOW. 834 00:43:19,763 --> 00:43:21,348 WELL, WELL, JODY WARE. 835 00:43:23,642 --> 00:43:26,437 KILLED YOUR FATHER AND BURIED HIM OUT BY THAT OLD HOUSE, HUH? 836 00:43:28,731 --> 00:43:30,733 WELL, CONGRATULATIONS, YOU’RE REALLY BRILLIANT. 837 00:43:30,858 --> 00:43:32,651 HE IS, BUT I’M NOT. 838 00:43:32,776 --> 00:43:34,361 SO YOU EXPLAIN TO ME WHY. 839 00:43:36,822 --> 00:43:38,824 MY FATHER LET MY MOTHER BLEED TO DEATH 840 00:43:38,991 --> 00:43:40,200 WHEN I WAS BORN, 841 00:43:41,702 --> 00:43:44,204 AND I’VE HATED HIM EVERY DAY SINCE. 842 00:43:44,371 --> 00:43:46,040 (JODY) IS THAT EASY ENOUGH FOR YOU? 843 00:43:46,165 --> 00:43:47,499 HE LET HER DIE? 844 00:43:47,666 --> 00:43:49,501 (JODY) HE SAID SHE WAS INSANE. 845 00:43:49,668 --> 00:43:52,504 HE HAD TO KEEP HER LOCKED UP, HE SAID, 846 00:43:52,630 --> 00:43:54,298 BECAUSE SHE TRIED TO KILL HIM. 847 00:43:54,465 --> 00:43:57,509 AND ME, SHE TRIED TO ABORT HER OWN SON. 848 00:43:59,011 --> 00:44:00,596 HE TOLD YOU THAT, JODY? 849 00:44:01,972 --> 00:44:03,974 ON MY 16th BIRTHDAY PARTY... 850 00:44:09,855 --> 00:44:11,607 HE SAID I WAS CRAZY... 851 00:44:13,442 --> 00:44:15,110 JUST AS CRAZY AS MY MOTHER... 852 00:44:17,363 --> 00:44:18,947 BUT IT WAS HE WHO MADE US THAT WAY. 853 00:44:20,157 --> 00:44:22,284 SO ALL THE OTHER BONES, ALL THE REMAINS... 854 00:44:23,994 --> 00:44:25,412 I KILLED THEM ALL. 855 00:44:27,623 --> 00:44:29,541 THEY’RE ALL OVER THE PLACE OUT THERE. 856 00:44:29,666 --> 00:44:32,586 ALL THOSE TRANSIENTS FROM THE RAILROAD. 857 00:44:32,711 --> 00:44:35,964 I GOT THE FIRST ONE RIGHT AFTER MY 16TH BIRTHDAY PARTY... 858 00:44:38,175 --> 00:44:39,635 JUST TO SEE IF PAPA WAS RIGHT, 859 00:44:41,637 --> 00:44:43,347 AND I FOUND I ENJOYED IT. 860 00:44:43,472 --> 00:44:44,890 THERE’S NOTHING-- 861 00:44:45,057 --> 00:44:46,558 THERE’S-- 862 00:44:46,684 --> 00:44:47,768 THERE’S NOTHING QUITE LIKE IT-- 863 00:44:47,893 --> 00:44:49,728 A GOOD KILL ON A COLD WINTER’S NIGHT. 864 00:44:49,895 --> 00:44:50,938 YO. 865 00:44:53,482 --> 00:44:56,360 MR. TIBBS, LOOK WHAT WE FOUND RUNNING ACROSS THE BACKYARD. 866 00:44:56,485 --> 00:44:59,988 (PARKER) SHE WAS IN A REAL HURRY TO GET SOMEPLACE FAST, 867 00:45:00,155 --> 00:45:01,407 WEREN’T YOU, MILLIE? 868 00:45:01,532 --> 00:45:03,200 I HAD NOTHING TO DO WITH THIS. 869 00:45:03,367 --> 00:45:05,619 HE PAID ME TO PRETEND LIKE HIS FATHER WAS ALIVE. 870 00:45:05,744 --> 00:45:07,204 WHAT’S THE HARM IN THAT? 871 00:45:07,371 --> 00:45:10,833 LITTLE GIRLS WHO LIE GET PUNISHED, MILLIE. 872 00:45:13,669 --> 00:45:16,380 WE OUGHT TO THROW YOU TO ADAH BOONE’S PIGS. 873 00:45:16,505 --> 00:45:17,798 JUST SHUT UP, BOY. 874 00:45:17,923 --> 00:45:19,758 CUFF HIM AND READ HIM HIS RIGHTS. 875 00:45:43,532 --> 00:45:45,784 DETECTIVE, HERE IT IS-- 876 00:45:45,951 --> 00:45:47,077 THE REPORT ON THE WARE CASE. 877 00:45:47,244 --> 00:45:49,455 HERE’S MY REPORT ON THE CASE. 878 00:45:49,580 --> 00:45:50,998 IN A MINUTE. 879 00:45:51,123 --> 00:45:52,499 IT’S GREED, YOU KNOW. 880 00:45:52,624 --> 00:45:53,667 UH, GREED? 881 00:45:53,876 --> 00:45:56,336 MOST CRIMINALS TRIP UP OVER GREED THAN ANYTHING ELSE. 882 00:45:56,462 --> 00:45:59,256 GREED’S GOOD, BUT IN THIS CASE, IT’S STUPIDITY. 883 00:45:59,381 --> 00:46:01,008 YOU CAN’T CALL JODY WARE STUPID. 884 00:46:01,133 --> 00:46:02,259 I MEAN HE HAD EVERYBODY FOOLED. 885 00:46:02,468 --> 00:46:05,762 HE WAS DRAWING OFF HIS FATHER’S ASSETS LITTLE BY LITTLE. 886 00:46:05,888 --> 00:46:07,598 NOBODY WAS EVEN SUSPICIOUS. 887 00:46:07,723 --> 00:46:10,392 WHAT’S STUPID IS HE SHOULD HAVE LEFT BEFORE HE GOT CAUGHT. 888 00:46:10,559 --> 00:46:13,353 THE FULL, CORRECT VERSION IS IN MY REPORT. 889 00:46:13,478 --> 00:46:14,813 IF YOU WANT AN ACCURATE ACCOUNT, 890 00:46:14,980 --> 00:46:16,857 YOU’LL FIND IT IN MY REPORT. 891 00:46:18,901 --> 00:46:20,819 O.K., THANK YOU BOTH. 892 00:46:20,944 --> 00:46:22,320 THANK YOU BOTH. 893 00:46:22,445 --> 00:46:24,323 O.K., LET’S SEE. 894 00:46:25,782 --> 00:46:27,117 NOT BAD. 895 00:46:28,410 --> 00:46:29,661 THESE AREN’T BAD. 896 00:46:29,828 --> 00:46:32,164 ACTUALLY, THEY’RE VERY GOOD. 897 00:46:32,289 --> 00:46:36,919 BUT THE GREATEST CONTRIBUTION YOU TWO MADE ON THIS WHOLE CASE 898 00:46:37,044 --> 00:46:41,131 WAS WHEN YOU BOTH HAULED MILLIE BARNETT IN BEFORE SHE COULD ESCAPE, 899 00:46:42,424 --> 00:46:43,675 AND THAT, 900 00:46:44,760 --> 00:46:47,930 YOU TWO DID TOGETHER AS A TEAM. 62919

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