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1
00:00:07,424 --> 00:00:14,764
♪ IN THE HEAT OF THE NIGHT ♪
2
00:00:14,889 --> 00:00:19,561
♪ I’VE GOT TROUBLES
WALL TO WALL ♪
3
00:00:24,315 --> 00:00:28,695
♪ IN THE HEAT OF THE NIGHT ♪
4
00:00:28,820 --> 00:00:31,781
♪ YEAH ♪
5
00:00:31,906 --> 00:00:32,656
♪ MUST BE AN ENDING
TO IT ALL ♪
6
00:00:38,037 --> 00:00:41,291
♪ OH ♪
7
00:00:41,416 --> 00:00:42,792
♪ BUT HOLD ON ♪
8
00:00:44,878 --> 00:00:46,004
♪ IT WON’T BE LONG ♪
9
00:00:47,672 --> 00:00:49,466
♪ JUST YOU BE STRONG ♪
10
00:00:49,591 --> 00:00:55,889
♪ AND IT’LL BE ALL RIGHT ♪
11
00:00:56,014 --> 00:01:00,143
♪ IN THE HEAT OF THE NIGHT ♪
12
00:01:00,268 --> 00:01:06,399
♪ IN THE HEAT OF THE NIGHT ♪
13
00:01:06,524 --> 00:01:11,446
♪ OH ♪
14
00:01:24,084 --> 00:01:25,543
BUBBA, WHAT’S YOUR POSITION?
15
00:01:27,420 --> 00:01:29,088
SAY AGAIN.
16
00:01:29,214 --> 00:01:32,050
PLEASE RESPOND
WITH YOUR POSITION,
BUBBA.
17
00:01:32,175 --> 00:01:34,134
PARKER, WILL YOU KNOCK OFF
THAT MIAMI VICE STUFF?
18
00:01:34,301 --> 00:01:36,805
YOU KNOW WHERE I’M AT,
HAVING LUNCH.
19
00:01:36,971 --> 00:01:42,435
DON’T SNAP AT ME
’CAUSE YOU’RE TICKED OFF
AT YOUR GIRLFRIEND.
20
00:01:42,560 --> 00:01:44,479
YOU DON’T HAVE TO BROADCAST
MY PERSONAL LIFE
21
00:01:44,604 --> 00:01:46,439
TO EVERY LAW
ENFORCEMENT VEHICLE
22
00:01:46,606 --> 00:01:48,108
IN THE COUNTY,
EITHER.
23
00:01:48,233 --> 00:01:50,485
SHE’S BEEN CALLING
EVERY FIFTEEN MINUTES.
24
00:01:50,652 --> 00:01:53,655
IF YOU SEE A PHONE,
PLEASE CALL HER.
25
00:01:53,780 --> 00:01:56,407
PUT THE POOR THING
OUT OF HER MISERY.
26
00:01:56,574 --> 00:01:59,285
FOR THAT MATTER,
ME, TOO.
27
00:01:59,452 --> 00:02:00,995
HEY, PARKER.
28
00:02:01,120 --> 00:02:01,996
I THINK I JUST SPOTTED
MR. BELSON’S STOLEN TRUCK.
29
00:02:02,121 --> 00:02:12,090
I’M GOING AFTER HIM.
30
00:02:17,095 --> 00:02:24,018
I’M GOING AFTER HIM.
31
00:02:24,144 --> 00:02:25,603
(CAR HONKING)
32
00:02:33,611 --> 00:02:34,904
(CAR HONKING)
33
00:02:36,614 --> 00:02:38,950
(CAR HONKING)
34
00:02:41,494 --> 00:02:42,536
(SIREN WAILING)
35
00:03:12,024 --> 00:03:15,236
NO.
36
00:03:15,361 --> 00:03:17,739
HI, BUBBA, REMEMBER ME?
37
00:03:17,906 --> 00:03:21,326
I WAS IN YOUR
BIBLE STUDY CLASS
LAST SUMMER.
38
00:03:27,040 --> 00:03:29,334
I DON’T CARE IF HE WAS
JUST JOYRIDING.
39
00:03:29,499 --> 00:03:31,294
HE’S A THIEF,
CHIEF GILLESPIE.
40
00:03:31,419 --> 00:03:35,089
TECHNICALLY, HE DID
COMMIT A FELONY.
41
00:03:35,256 --> 00:03:38,259
WE’LL DO
WHAT HAS TO BE DONE,
42
00:03:38,384 --> 00:03:39,719
BUT I DON’T THINK
THE KID MEANT HARM.
43
00:03:39,844 --> 00:03:42,388
DIDN’T YOU EVER
GET IN TROUBLE
AS A KID?
44
00:03:42,513 --> 00:03:44,265
WHO SHOULD I BLAME,
45
00:03:44,390 --> 00:03:46,893
THE KID OR THE COP
WHO HIT HIM?
46
00:03:47,018 --> 00:03:50,855
IF YOU PUT
THAT WORD "BLAME"
OUT OF MIND,
47
00:03:50,980 --> 00:03:53,566
A FEELING OF PEACE
WILL COME OVER YOU.
48
00:04:05,078 --> 00:04:07,455
BUBBA, YOU MUST’VE BEEN ONE
HELL OF A LINEBACKER.
49
00:04:07,622 --> 00:04:10,208
IF YOU’RE GOING TO SAY
WHAT I THINK, DON’T.
50
00:04:10,333 --> 00:04:13,753
IF YOU HIT QUARTERBACKS
LIKE YOU HIT THAT TRUCK...
51
00:04:13,878 --> 00:04:16,130
WHY DON’T YOU
DO SOMETHING USEFUL
WITH YOURSELF?
52
00:04:16,297 --> 00:04:18,173
HOLD ON, PLEASE.
53
00:04:18,298 --> 00:04:20,426
BUBBA, LINE ONE.
54
00:04:20,551 --> 00:04:23,429
IT’S LANEY.
PLEASE TALK TO HER.
55
00:04:29,394 --> 00:04:31,646
HELLO, HONEY.
56
00:04:31,813 --> 00:04:33,523
YEAH, I KNOW
YOU BEEN CALLING,
57
00:04:33,648 --> 00:04:34,774
BUT I BEEN OUT
ON PATROL.
58
00:04:34,941 --> 00:04:37,276
I COULDN’T GET BACK
TO YOU.
59
00:04:37,443 --> 00:04:40,279
YEAH.
60
00:04:40,405 --> 00:04:42,532
I DON’T THINK
NOW’S THE TIME
TO TALK ABOUT THAT.
61
00:04:42,657 --> 00:04:47,495
I’LL CALL YOU
TONIGHT. BYE-BYE.
62
00:04:47,662 --> 00:04:48,788
YEAH, WELL--
63
00:04:48,913 --> 00:04:49,789
10 YEARS I BEEN WAITING
FOR THAT TRUCK.
64
00:04:49,914 --> 00:04:53,293
I FINALLY GOT MY OWN BUSINESS.
65
00:04:53,418 --> 00:04:54,752
NOW, WHAT AM I SUPPOSED TO DO?
66
00:04:54,877 --> 00:04:55,962
THE CITY OF SPARTA’S
GOT INSURANCE
67
00:04:56,087 --> 00:04:58,298
THAT WILL COVER
YOUR MESS
68
00:04:58,463 --> 00:05:01,175
AND OUR MESS
AS WELL.
69
00:05:01,300 --> 00:05:03,469
THAT MAN’S A MENACE.
70
00:05:03,636 --> 00:05:05,305
HE SHOULDN’T BE ALLOWED
ON THE STREETS.
71
00:05:05,430 --> 00:05:07,557
MR. BELSON,
I’LL WALK YOU
TO YOUR CAR.
72
00:05:07,682 --> 00:05:11,227
GOODBYE, MR. BELSON,
SEE YOU SOON.
73
00:05:11,352 --> 00:05:12,979
HOW YOU COMING
WITH THAT REPORT?
74
00:05:13,104 --> 00:05:14,439
IT’S ALMOST DONE.
75
00:05:17,483 --> 00:05:20,069
IT’S A PITY
WHEN YOU TAUGHT
THAT KID THE SCRIPTURES
76
00:05:20,194 --> 00:05:22,697
YOU COULDN’T HAVE
PUT IN A WORD
SAFE DRIVING.
77
00:05:22,822 --> 00:05:23,906
YEAH.
78
00:05:44,635 --> 00:05:46,763
HONEY, WE CAN TALK
ABOUT IT ALL NIGHT
79
00:05:46,888 --> 00:05:48,973
BUT YOU’VE GOT
TO MAKE A DECISION.
80
00:05:49,098 --> 00:05:53,436
IS EVERYTHING
ALWAYS SO SIMPLE
TO YOU?
81
00:05:53,561 --> 00:05:55,355
MA’AM, COULD I HAVE
ANOTHER DRINK?
82
00:05:55,521 --> 00:05:56,731
I’LL HAVE
ANOTHER ICED TEA.
83
00:05:56,856 --> 00:05:59,067
SWEETEN IT MORE
THIS TIME, PLEASE.
84
00:05:59,233 --> 00:06:00,026
BUBBA, IT’S
A TERRIFIC JOB.
85
00:06:02,487 --> 00:06:05,865
IT’S SOMETHING
I’M REALLY
INTERESTED IN.
86
00:06:06,032 --> 00:06:07,367
I CAN MAKE
LOTS MORE MONEY
THAN IN SPARTA.
87
00:06:07,533 --> 00:06:10,119
IT COSTS MORE TO LIVE IN
JACKSON, THOUGHT ABOUT THAT?
88
00:06:12,329 --> 00:06:13,748
I’VE THOUGHT
OF EVERYTHING.
89
00:06:13,873 --> 00:06:18,252
THAT’S THE PROBLEM.
90
00:06:21,172 --> 00:06:22,924
THERE’S ONLY ONE THING
THAT WILL MAKE ME STAY.
91
00:06:25,718 --> 00:06:29,305
I’VE TOLD YOU I’M JUST NOT
READY TO GET MARRIED.
92
00:06:34,811 --> 00:06:35,895
I’VE JUST NOT.
93
00:06:36,062 --> 00:06:37,772
DON’T, TIM!
94
00:06:37,939 --> 00:06:42,235
AUDREY, BABY.
95
00:06:42,360 --> 00:06:46,447
BUBBA, PLEASE--
PLEASE LISTEN TO ME.
96
00:06:46,572 --> 00:06:48,324
I’M NEARLY 30.
97
00:06:48,449 --> 00:06:50,743
WE COULD GO
FIVE YEARS
98
00:06:50,868 --> 00:06:52,411
AND YOU STILL
MIGHT NOT BE READY.
99
00:06:52,537 --> 00:06:55,581
BY THEN NOBODY ELSE
WOULD WANT ME.
100
00:06:55,748 --> 00:06:58,751
LANEY, I’M SORRY.
I--I WISH THAT...
101
00:06:58,876 --> 00:06:59,627
I CAN’T MAKE ANY--
102
00:06:59,752 --> 00:07:02,255
FINE. JUST FINE.
103
00:07:02,380 --> 00:07:03,923
I’M MOVING
TO JACKSON.
104
00:07:04,090 --> 00:07:07,135
I GUESS YOU’RE GOING TO DO
WHAT YOU GOT TO DO.
105
00:07:14,934 --> 00:07:17,770
IT ISN’T HARD TO SEE
HOW HARD I’LL BE MISSED.
106
00:07:26,779 --> 00:07:29,365
I’LL TAKE A COUPLE
EXTRA NAPKINS THERE,
PLEASE.
107
00:07:29,490 --> 00:07:30,575
THANK YOU.
108
00:07:40,960 --> 00:07:43,421
HOW DO YOU PLAN TO
GO TO LAW SCHOOL
IN MARSHALL CITY
109
00:07:43,588 --> 00:07:45,965
AND BE
AN OFFICER HERE?
110
00:07:46,132 --> 00:07:49,385
FRIDAYS I’LL DRIVE
ALL NIGHT,
111
00:07:49,510 --> 00:07:51,012
TAKE WEEKEND CLASSES,
RETURN SUNDAY.
112
00:07:51,137 --> 00:07:52,471
SLEEP THREE HOURS,
COME ON DUTY.
113
00:07:52,638 --> 00:07:54,015
YOU’LL BE DEAD
IN A MONTH.
114
00:07:54,140 --> 00:07:57,351
JAMISON, YOU NEVER
SET GOALS.
115
00:07:57,476 --> 00:08:00,188
YOU NEVER PUSH YOURSELF
OR TEST THE ODDS.
116
00:08:00,313 --> 00:08:04,192
I TEST THE ODDS
WHENEVER I TAKE YOU
ON PATROL.
117
00:08:04,317 --> 00:08:05,818
ALL UNITS, ZONE THREE.
118
00:08:05,985 --> 00:08:07,820
AN ASSAULT
WITH POSSIBLE RAPE
119
00:08:07,987 --> 00:08:10,698
AT HURLY’S ROADHOUSE.
120
00:08:10,865 --> 00:08:12,658
ALL ZONE THREE UNITS
PLEASE RESPOND.
121
00:08:12,783 --> 00:08:14,494
UNIT 20.
WE’RE ROLLING.
122
00:08:28,799 --> 00:08:30,051
WHAT HAPPENED HERE?
123
00:08:30,218 --> 00:08:32,303
SOME WOMAN GOT RAPED
LEAVING THE CLUB.
124
00:08:37,308 --> 00:08:41,562
MA’AM, YOU WANNA
TELL US WHAT HAPPENED?
125
00:08:41,687 --> 00:08:43,313
ANYONE KNOW WHAT HAPPENED?
126
00:08:43,438 --> 00:08:45,358
SHE GOT JUMPED
OUT BACK.
127
00:08:45,483 --> 00:08:47,568
I GUESS SHE WAS GOING
TO HER CAR.
128
00:08:47,693 --> 00:08:52,448
ANYBODY SEE HIM,
WHICH WAY HE WENT?
129
00:08:52,573 --> 00:08:55,785
HE DIDN’T GO ANYWHERE.
130
00:08:56,869 --> 00:08:59,372
I HIT HIM WITH A ROCK.
131
00:08:59,497 --> 00:09:00,873
I HOPE I KILLED HIM.
132
00:09:09,215 --> 00:09:10,758
ALL RIGHT, LOOK.
133
00:09:10,925 --> 00:09:11,884
THIS IS POLICE BUSINESS.
134
00:09:12,051 --> 00:09:14,303
GO BACK
IN THE PLACE.
135
00:09:14,428 --> 00:09:16,347
WHO’S OUT THERE?
136
00:09:22,019 --> 00:09:23,854
OVER HERE!
137
00:09:28,943 --> 00:09:31,654
OH, MY GOD.
138
00:09:54,927 --> 00:09:57,555
I KNOW THIS IS DIFFICULT,
139
00:09:57,680 --> 00:10:00,808
BUT I HAVE TO ASK IT.
140
00:10:00,975 --> 00:10:04,353
WOULD YOU PLEASE
TELL ME
141
00:10:04,478 --> 00:10:07,898
WHAT HAPPENED OUT THERE
BEHIND THE ROADHOUSE?
142
00:10:08,065 --> 00:10:10,651
I WAS WALKING TOWARDS MY CAR,
143
00:10:10,776 --> 00:10:15,698
AND I HEARD THIS NOISE
BEHIND ME,
144
00:10:15,823 --> 00:10:19,702
AND I TURNED AROUND
AND SOMETHING HIT ME
IN THE FACE.
145
00:10:24,582 --> 00:10:27,710
WERE YOU KNOCKED UNCONSCIOUS?
146
00:10:27,835 --> 00:10:28,961
I DON’T KNOW.
147
00:10:29,086 --> 00:10:30,546
I GUESS I MUST
HAVE BEEN.
148
00:10:30,671 --> 00:10:31,964
I DON’T REMEMBER
HITTING THE GROUND.
149
00:10:36,427 --> 00:10:40,514
THEN HE STARTED SHOVING MY FACE.
150
00:10:40,681 --> 00:10:42,141
TO THE GRAVEL.
151
00:10:42,266 --> 00:10:43,976
AND, UM, IT WAS LIKE
152
00:10:44,101 --> 00:10:46,562
I DIDN’T KNOW
WHAT WAS HAPPENING.
153
00:10:46,687 --> 00:10:50,358
UM, I JUST COULDN’T
FIGURE IT OUT.
154
00:10:50,524 --> 00:10:53,819
I UNDERSTAND.
155
00:10:53,944 --> 00:10:56,530
YOU TAKE
AS MUCH TIME
AS YOU NEED.
156
00:10:58,991 --> 00:11:01,410
THEN HE STARTED
TEARING MY CLOTHES.
157
00:11:01,535 --> 00:11:07,333
RIPPING AND PULLING.
158
00:11:07,500 --> 00:11:11,420
AND HE LAID ON TOP OF ME.
159
00:11:11,545 --> 00:11:13,839
AND I COULDN’T
BREATHE.
160
00:11:14,006 --> 00:11:16,466
I WANTED TO TELL HIM
TO GET OFF,
161
00:11:16,591 --> 00:11:21,555
BUT I JUST COULDN’T
GET ANY AIR INSIDE ME.
162
00:11:21,681 --> 00:11:23,349
I WAS SCARED
AND I WAS HURTING.
163
00:11:23,474 --> 00:11:26,894
AND I TRIED
TO MOVE HIM,
164
00:11:27,019 --> 00:11:29,563
BUT HE WAS JUST
TOO BIG AND HEAVY.
165
00:11:31,315 --> 00:11:36,987
THEN ALL OF A SUDDEN
HE LET UP.
166
00:11:37,113 --> 00:11:42,535
AND I GOT THIS ROCK AND I
SWUNG IT ROUND AND I HIT HIM.
167
00:11:42,660 --> 00:11:45,287
AS HARD AS I COULD.
168
00:11:45,412 --> 00:11:46,706
AND...
169
00:11:48,332 --> 00:11:49,125
AND HE DROPPED.
170
00:11:53,170 --> 00:11:54,714
I WISH I WOULD’VE KILLED HIM.
171
00:11:59,719 --> 00:12:02,888
IS IT TRUE?
172
00:12:03,013 --> 00:12:04,140
IS HE ONE OF YOURS?
173
00:12:05,891 --> 00:12:07,059
A COP?
174
00:12:08,394 --> 00:12:08,935
WELL, I WANT YOU
TO KNOW
175
00:12:10,855 --> 00:12:14,024
THAT MAKES
NO DIFFERENCE TO ME.
176
00:12:14,149 --> 00:12:16,735
I WANT HIM BEHIND BARS!
177
00:12:30,833 --> 00:12:31,542
HEY, CHIEF.
178
00:12:31,667 --> 00:12:32,793
HEY, HOW YOU DOING?
179
00:12:32,918 --> 00:12:34,044
NOT SO HOT.
I GOT A SORE HEAD.
180
00:12:34,170 --> 00:12:38,841
WELL, I’M
NOT SURPRISED.
181
00:12:38,966 --> 00:12:41,594
IT SAYS HERE YOU GOT
EIGHT STITCHES IN IT.
182
00:12:41,760 --> 00:12:44,764
WHAT HAPPENED ANYWAY?
183
00:12:44,889 --> 00:12:46,015
WELL, I WASN’T THERE.
YOU WERE.
184
00:12:46,140 --> 00:12:48,017
TELL ME.
185
00:12:49,685 --> 00:12:52,855
WELL, IT AIN’T
TOO CLEAR. I...
186
00:12:52,980 --> 00:12:55,483
WHY DON’T YOU
STEP OUTSIDE
SO WE CAN TALK?
187
00:12:55,649 --> 00:12:57,902
THIS IS YOURS.
188
00:12:58,027 --> 00:13:00,237
DON’T LOOK WORRIED.
189
00:13:00,362 --> 00:13:01,238
IF HE STARTS DYING,
I’LL CALL YOU.
190
00:13:01,363 --> 00:13:02,697
NOW, LET’S HEAR IT.
191
00:13:05,409 --> 00:13:06,452
WELL-- I REMEMBER
COMING OUT OF
OLD HURLY’S ROADHOUSE
192
00:13:06,577 --> 00:13:12,875
HEADING DOWN THE
ROAD TO MY PICK-UP.
193
00:13:13,000 --> 00:13:14,709
I SEEN THIS MAN
WRESTLING
WITH THIS WOMAN,
194
00:13:14,834 --> 00:13:18,964
SO I RUN OVER,
THREW THE GUY OFF.
195
00:13:19,131 --> 00:13:21,091
THE NEXT THING
I KNEW,
196
00:13:21,217 --> 00:13:22,384
DOC PERRY’S ASKING ME
HOW MANY FINGERS
HE’S WAVING.
197
00:13:22,510 --> 00:13:24,053
NOW, WE’RE TALKING
ABOUT RAPE.
198
00:13:25,637 --> 00:13:28,140
YOU SAW A MAN
RAPING THAT WOMAN?
199
00:13:28,307 --> 00:13:30,476
THERE’S PROBABLY
TWO OF THEM,
200
00:13:30,601 --> 00:13:32,144
BECAUSE SOMEBODY
HIT ME UPSIDE
THE HEAD GOOD,
201
00:13:32,310 --> 00:13:35,022
AND IT COULDN’T HAVE BEEN
THE GUY I THREW OFF.
202
00:13:35,147 --> 00:13:36,440
WELL, UH, UH...
203
00:13:38,484 --> 00:13:41,403
WHAT’S THE MATTER
WITH YOU?
204
00:13:41,529 --> 00:13:44,782
I JUST, UH--
HERE’S VIRGIL.
205
00:13:44,907 --> 00:13:47,076
HEY, BUBBA.
HOW YOU DOING?
206
00:13:47,201 --> 00:13:48,744
CONFUSED AS HELL.
HOW ABOUT YOU?
207
00:13:48,869 --> 00:13:51,413
UH, ALL RIGHT.
208
00:13:51,539 --> 00:13:54,457
I JUST HAD A TALK
WITH THE VICTIM.
209
00:13:54,582 --> 00:13:56,252
YOU MEAN THE WOMAN
THAT THE GUY WAS ATTACKING.
210
00:13:56,377 --> 00:13:58,045
YEAH. YEAH. YEAH.
THE VICTIM.
211
00:14:00,005 --> 00:14:02,007
SHE, UH, WANTS
TO PRESS CHARGES.
212
00:14:02,174 --> 00:14:04,134
WELL, I BET SHE DOES.
213
00:14:04,260 --> 00:14:06,053
AGAINST YOU, BUBBA.
214
00:14:06,178 --> 00:14:07,054
HUH?
215
00:14:09,348 --> 00:14:10,349
SHE SAYS
YOU’RE THE ONE
216
00:14:10,515 --> 00:14:12,309
THAT ALMOST RAPED HER.
217
00:14:12,476 --> 00:14:13,519
SHE MANAGED
TO GET HER HANDS
ON A ROCK,
218
00:14:13,686 --> 00:14:15,563
HIT YOU
UPSIDE THE HEAD
219
00:14:15,729 --> 00:14:17,856
BEFORE YOU SUCCEEDED.
220
00:14:17,982 --> 00:14:22,027
YOU BOYS ARE PULLING MY LEG.
221
00:14:22,152 --> 00:14:26,740
NO, BUBBA, THAT IS WHAT
THE WOMAN SAID,
222
00:14:26,907 --> 00:14:30,786
AND SHE DIDN’T MENTION
ANY OTHER MAN OUT THERE.
223
00:14:30,911 --> 00:14:32,746
WELL, THAT’S...
224
00:14:32,913 --> 00:14:34,289
THAT AIN’T
WHAT HAPPENED.
225
00:14:34,414 --> 00:14:36,292
I MEAN, THAT’S-- I’D...
226
00:14:36,417 --> 00:14:37,251
WHERE IS THIS WOMAN?
WE GOT TO TALK.
227
00:14:37,418 --> 00:14:39,295
STAY THERE.
228
00:14:39,420 --> 00:14:41,380
YOU CAN’T GO ANYWHERE.
229
00:14:41,505 --> 00:14:43,007
DOC PERRY SAYS
YOU’RE STAYING
OVERNIGHT.
230
00:14:43,132 --> 00:14:45,134
I’M NOT GOING
TO SIT HERE
231
00:14:45,301 --> 00:14:47,261
WHILE SOMEBODY’S
SPREADING LIES LIKE THAT.
232
00:14:47,386 --> 00:14:49,847
WE’RE LOOKING
INTO IT.
233
00:14:49,972 --> 00:14:51,390
I’M SURE THERE’S
SOME LOGICAL EXPLANATION.
234
00:14:51,515 --> 00:14:54,518
WE’LL FIND IT.
235
00:14:54,643 --> 00:14:56,061
YEAH. YOU JUST
STAY HERE.
236
00:14:56,186 --> 00:14:57,730
WE’LL LOOK INTO IT
IN THE MORNING.
237
00:14:59,440 --> 00:15:01,942
WHAT IS THIS?
238
00:15:02,067 --> 00:15:04,612
THIS IS A NIGHTIE.
PUT THIS NIGHTIE ON.
239
00:15:22,254 --> 00:15:23,714
SO WHAT’D HE SAY, BUBBA?
240
00:15:23,881 --> 00:15:25,591
HE SUSPENDED ME.
241
00:15:25,716 --> 00:15:27,426
HE DOESN’T
MEAN ANYTHING BY IT.
242
00:15:27,593 --> 00:15:30,012
IT MEANS I’M ACCUSED
OF A FELONY CRIME
243
00:15:30,137 --> 00:15:32,932
AND I CAN’T WORK.
244
00:15:33,098 --> 00:15:34,265
THEY’LL GET IT
ALL CLEARED UP.
245
00:15:34,433 --> 00:15:36,936
THAT’S WHAT I HEAR.
246
00:15:37,061 --> 00:15:38,479
"BUBBA,
WE’LL FIX IT UP.
247
00:15:38,604 --> 00:15:40,773
DON’T GET UPSET, BUBBA."
248
00:15:40,898 --> 00:15:41,857
IT ISN’T HAPPENING
THAT WAY, IS IT?
249
00:15:41,982 --> 00:15:44,276
THAT’S OK, ’CAUSE...
250
00:15:44,401 --> 00:15:45,903
SOMEBODY’S SPREADING
LIES ABOUT ME,
I’LL CLEAR IT UP MYSELF.
251
00:15:46,028 --> 00:15:49,698
DON’T DO SOMETHING
STUPID, BUBBA!
252
00:15:49,823 --> 00:15:52,368
SO WHAT ARE YOU THINKING?
253
00:16:02,628 --> 00:16:05,089
I CAN’T
FIGURE IT OUT.
254
00:16:05,214 --> 00:16:06,298
THERE’S BUBBA
KNOCKED UNCONSCIOUS
THERE WITH A ROCK,
255
00:16:06,465 --> 00:16:10,803
THIS WOMAN SAYS
SHE USED ON HIM
256
00:16:10,928 --> 00:16:12,763
TO KEEP HIM
FROM RAPING HER.
257
00:16:12,888 --> 00:16:14,640
NOW, I CAN’T BELIEVE
THAT, CAN YOU?
258
00:16:14,765 --> 00:16:15,890
OF COURSE YOU CAN’T,
BUT THEN WHAT HAPPENED?
259
00:16:17,935 --> 00:16:20,104
WHAT HAPPENED?
260
00:16:20,229 --> 00:16:21,730
WHAT’S GOING ON
WITH THIS DEPARTMENT?
261
00:16:21,897 --> 00:16:23,982
CHIEF, IT’S
MR. DISTRICT
ATTORNEY DUTTON.
262
00:16:24,108 --> 00:16:27,820
YEAH. YES, SO IT APPEARS,
PARKER. THANK YOU.
263
00:16:27,945 --> 00:16:30,698
POLICE OFFICERS
ARE RAPING CITIZENS?
264
00:16:30,823 --> 00:16:33,826
IS THAT WHAT’S
HAPPENING HERE?
265
00:16:33,951 --> 00:16:37,079
PARKER, I WANT YOU
TO GO AND POST NOTICE
ON THE BULLETIN BOARD.
266
00:16:37,204 --> 00:16:40,207
EFFECTIVE IMMEDIATELY,
ALL POLICE DEPARTMENTS MEMBERS
267
00:16:40,332 --> 00:16:43,252
ARE TO REFRAIN
FROM RAPING WOMEN.
268
00:16:43,377 --> 00:16:46,505
RIGHT ON IT, CHIEF.
269
00:16:46,630 --> 00:16:48,674
I DON’T SEE THIS
AS A JOKE, CHIEF.
270
00:16:48,799 --> 00:16:49,675
ADDRESS ME WITH A JOKE,
AND THAT’S MY RESPONSE.
271
00:16:49,842 --> 00:16:52,970
WHERE IS HE NOW?
272
00:16:54,304 --> 00:16:55,472
YOU GOT HIM LOCKED UP?
273
00:16:55,597 --> 00:16:57,266
BUBBA SKINNER
JUST LEFT.
274
00:16:57,391 --> 00:16:59,935
YOU TURNED HIM
LOOSE?
275
00:17:00,060 --> 00:17:01,603
JUDGE McCURTAN AT THE COURT
TURNED HIM LOOSE.
276
00:17:01,729 --> 00:17:04,690
WHAT’S KNOWN AS
DUE PROCESS OF LAW.
277
00:17:04,857 --> 00:17:06,025
I’M SURE THEY
TAUGHT YOU THAT
278
00:17:06,150 --> 00:17:09,028
BEFORE YOU LEFT LAW SCHOOL.
279
00:17:11,655 --> 00:17:13,406
THERE’LL BE
NO FAVORITISM.
280
00:17:13,531 --> 00:17:15,075
THIS DISEASE MUST BE PURGED
FROM THIS DEPARTMENT.
281
00:17:15,200 --> 00:17:18,829
THE BLACK COMMUNITY WILL NOT
ACCEPT ANYTHING LESS.
282
00:17:18,954 --> 00:17:20,789
YOU’VE BECOME AN EXPERT
ON THE BLACK COMMUNITY.
283
00:17:20,914 --> 00:17:23,916
I’M TALKING JUSTICE,
MR. TIBBS.
284
00:17:24,041 --> 00:17:27,087
SWIFT JUSTICE.
285
00:17:27,253 --> 00:17:27,838
WHEN I ADDRESS
THE LIONS CLUB
286
00:17:29,590 --> 00:17:31,091
IN BRADLEYVILLE
NEXT MONTH,
287
00:17:31,216 --> 00:17:32,551
I DON’T WANT MICROPHONES
STUCK INTO MY FACE
288
00:17:32,718 --> 00:17:34,344
AND HAVE TO ADMIT
THAT ONE OF SPARTA’S FINEST
289
00:17:34,470 --> 00:17:37,806
IS A SEX CRIMINAL.
290
00:17:37,931 --> 00:17:39,475
THAT’S WHY YOU CAME
OVER HERE THIS MORNING,
291
00:17:39,600 --> 00:17:42,394
TO PRACTICE YOUR SPEECH
BEFORE THE LIONS CLUB.
292
00:17:42,519 --> 00:17:45,105
IT SOUNDED PRETTY GOOD.
HOW ABOUT YOU, VIRGIL?
293
00:17:45,230 --> 00:17:46,940
VERY MOVING.
294
00:17:49,026 --> 00:17:52,154
I’LL SAY THIS
DIRECTLY TO YOU, CHIEF.
295
00:17:52,321 --> 00:17:55,074
THE PEOPLE
WILL NOT STAND
FOR A COVER-UP,
296
00:17:55,199 --> 00:17:57,785
AND THAT MEANS
NO EVIDENCE DISAPPEARING
297
00:17:57,951 --> 00:17:59,870
AND NO WITNESSES
THAT CAN’T BE LOCATED.
298
00:17:59,995 --> 00:18:02,915
WITH ALL DUE RESPECT,
299
00:18:05,501 --> 00:18:07,211
I FIND THAT
AN INSULTING ORDER.
300
00:18:07,336 --> 00:18:09,880
TAKE IT
ANY WAY YOU WANT,
301
00:18:10,005 --> 00:18:15,636
BUT I WANT REPORTS
ON MY DESK DAILY.
302
00:18:15,761 --> 00:18:20,140
WHY DO YOU PUT
UP WITH THAT MAN?
303
00:18:20,265 --> 00:18:21,183
YOU KNOW WHAT THAT
PUTS ME IN MIND?
304
00:18:23,727 --> 00:18:27,523
DON’T TELL ME
ABOUT THE DONKEY
AND THE POSSUM.
305
00:18:27,648 --> 00:18:28,774
NO.
306
00:18:30,943 --> 00:18:32,319
I WASN’T THINKING
ABOUT THAT.
307
00:18:32,486 --> 00:18:34,279
WHAT CAME TO MY MIND
WAS EARL’S CREEK.
308
00:18:34,446 --> 00:18:36,824
WHAT HAPPENS
WITH EARL’S CREEK
309
00:18:36,949 --> 00:18:38,826
WHEN THE WATER
JUMPS HIS LEVEES
310
00:18:38,951 --> 00:18:42,287
AND FLOODS OUT
THE BERRY PATCHES?
311
00:18:42,454 --> 00:18:44,957
I DON’T KNOW.
312
00:18:45,124 --> 00:18:46,959
NOTHING.
313
00:19:32,546 --> 00:19:34,798
ANYBODY HOME?
314
00:19:34,923 --> 00:19:36,341
MISS MOORE!
315
00:19:39,887 --> 00:19:42,806
WAIT! I JUST WANT
TO TALK TO YOU.
316
00:19:47,227 --> 00:19:48,937
GO AWAY!
317
00:19:49,062 --> 00:19:50,480
WAIT!
318
00:19:52,149 --> 00:19:53,233
I JUST WANT
TO TALK TO YOU.
319
00:19:53,400 --> 00:19:54,610
I GOT NOTHING
TO SAY.
320
00:19:54,735 --> 00:19:56,653
YOU BEEN
TELLING LIES.
321
00:19:56,778 --> 00:19:58,697
THEY WEREN’T LIES.
LEAVE ME ALONE.
322
00:19:58,864 --> 00:20:01,116
SHE DON’T WANT
TO TALK TO YOU.
323
00:20:09,166 --> 00:20:10,292
BOYS, GET OUT OF HERE NOW.
I’M A POLICE OFFICER.
324
00:20:10,459 --> 00:20:12,836
NOT NOW.
325
00:20:12,961 --> 00:20:14,212
YOU GOT LAID OFF.
326
00:20:14,338 --> 00:20:15,589
LET ME PUT IT
ANOTHER WAY.
327
00:20:15,714 --> 00:20:18,091
I’M NOT PLAYING.
328
00:20:18,217 --> 00:20:19,051
I’M DOING SOMETHING
THAT NEEDS DOING.
329
00:20:19,218 --> 00:20:20,469
(ALL GRUNTING)
330
00:20:33,565 --> 00:20:34,733
HOLD IT!
331
00:20:34,900 --> 00:20:35,943
DROP IT!
332
00:20:36,068 --> 00:20:37,236
LET HIM GO!
333
00:20:41,531 --> 00:20:46,078
JUST IN THE NEIGHBORHOOD, HUH?
334
00:20:46,203 --> 00:20:48,455
WE FIGURED
YOU’D COME HERE.
335
00:20:48,580 --> 00:20:49,331
WE THOUGHT YOU’D TRY
SOMETHING STUPID.
336
00:20:49,456 --> 00:20:51,166
YEAH, WELL THANKS.
337
00:20:54,252 --> 00:20:55,253
WE CAN’T FOLLOW YOU
AROUND.
338
00:20:57,756 --> 00:20:59,800
USE YOUR HEAD,
BUBBA.
339
00:20:59,925 --> 00:21:00,842
LET VIRGIL
AND THE CHIEF
HANDLE IT.
340
00:21:00,968 --> 00:21:02,552
YES, I COULDN’T AGREE MORE.
341
00:21:07,808 --> 00:21:10,394
RIGHT. THANK YOU. BYE.
342
00:21:10,519 --> 00:21:13,355
THAT’S TED MARCUS.
343
00:21:19,236 --> 00:21:20,362
HE SAYS THE BLACK
COMMUNITY IS DETERMINED
344
00:21:20,487 --> 00:21:23,073
TO HAVE THE POLICE
DO EVERYTHING
345
00:21:23,198 --> 00:21:24,157
TO APPREHEND
AUDREY MOORE’S
ATTACKER--
346
00:21:24,324 --> 00:21:27,452
WHOEVER THAT IS.
347
00:21:27,577 --> 00:21:29,371
THEY’RE TURNING THIS
INTO A RACIAL ISSUE.
348
00:21:29,496 --> 00:21:32,749
TELL ME ABOUT IT.
349
00:21:32,874 --> 00:21:34,376
AND D.A. DUTTON
IS DETERMINED
TO USE THIS CASE
350
00:21:34,501 --> 00:21:37,045
TO ADVANCE
HIS CAREER.
351
00:21:37,170 --> 00:21:38,797
I MEAN...
352
00:21:38,964 --> 00:21:40,132
HELLO.
353
00:21:42,759 --> 00:21:44,136
REMEMBER ME?
I’M CHARLENE.
354
00:21:44,303 --> 00:21:46,763
I WORK FOR JOANNE
AT THE CAFE.
355
00:21:46,930 --> 00:21:48,140
OH, YES, OF COURSE.
PLEASE COME IN.
HAVE A SEAT.
356
00:21:48,265 --> 00:21:52,310
I GOT TO GET HOME,
357
00:21:52,436 --> 00:21:53,645
BUT THERE’S
SOMETHING I THOUGHT
YOU OUGHT TO KNOW.
358
00:21:53,770 --> 00:21:55,939
WOULD YOU LIKE
SOME COFFEE?
359
00:21:56,064 --> 00:21:57,816
THANKS,
BUT I CAN’T STAY.
360
00:21:57,983 --> 00:22:00,152
I HEARD ABOUT
BUBBA SKINNER.
361
00:22:00,318 --> 00:22:01,695
EVERYBODY’S
TALKING ABOUT IT.
362
00:22:01,820 --> 00:22:03,447
I’M SO SURE.
363
00:22:04,990 --> 00:22:06,283
MAYBE I SHOULDN’T
TELL YOU THIS
364
00:22:06,408 --> 00:22:08,243
’CAUSE I PROMISED
I WOULDN’T,
365
00:22:08,368 --> 00:22:09,369
BUT I THOUGHT
ABOUT IT, AND
IT SEEMED I HAD TO.
366
00:22:09,494 --> 00:22:12,581
ALL RIGHT.
WHAT IS IT?
367
00:22:14,458 --> 00:22:17,252
A FRIEND OF MINE,
FRANCES WATKINS--
368
00:22:17,377 --> 00:22:19,588
SHE WORKS OVER AT
THE AUTO PARTS STORE--
369
00:22:19,755 --> 00:22:20,797
SHE GOT RAPED ABOUT
THREE WEEKS AGO.
370
00:22:20,922 --> 00:22:23,884
I NEVER SAW A REPORT.
371
00:22:26,303 --> 00:22:28,555
SHE DIDN’T TELL
ANYONE BUT ME.
372
00:22:28,680 --> 00:22:29,806
SHE CAME TO MY HOUSE
THAT NIGHT,
SCARED TO DEATH.
373
00:22:29,973 --> 00:22:34,770
I LET HER STAY BUT...
374
00:22:34,895 --> 00:22:36,605
SHE WOULDN’T
CALL THE POLICE.
375
00:22:36,730 --> 00:22:38,940
SHE WAS AFRAID
FOR THE PUBLICITY.
376
00:22:39,107 --> 00:22:41,651
DID SHE KNOW
WHO DID IT?
377
00:22:41,777 --> 00:22:42,611
NO, BUT I WAS THINKING
MAYBE IT’S THE SAME ONE
378
00:22:42,736 --> 00:22:46,740
ATTACKED THAT BLACK WOMAN.
379
00:22:46,907 --> 00:22:48,075
ANOTHER ASSAULT.
380
00:22:48,200 --> 00:22:49,743
I’M LATE.
381
00:22:51,661 --> 00:22:52,371
I’VE KNOWN BUBBA
MOST OF MY LIFE.
382
00:22:54,790 --> 00:22:56,541
I KNOW HE COULDN’T
HAVE DONE IT.
383
00:22:56,666 --> 00:22:59,169
PLEASE DON’T TELL
FRANCES I TOLD.
384
00:22:59,294 --> 00:23:01,505
SHE’S AFRAID
SHE’LL LOSE HER JOB,
385
00:23:01,630 --> 00:23:02,464
AND SHE’S GOT
A LITTLE GIRL
TO SUPPORT.
386
00:23:02,589 --> 00:23:04,049
I UNDERSTAND.
387
00:23:04,216 --> 00:23:05,467
I GOT TO GO.
388
00:23:05,592 --> 00:23:06,802
ALL RIGHT.
389
00:23:06,927 --> 00:23:08,011
I PROMISE.
390
00:23:08,595 --> 00:23:09,846
WOW.
391
00:23:12,682 --> 00:23:14,184
A REPEATER IN SPARTA.
392
00:23:21,358 --> 00:23:23,276
WHY DIDN’T YOU REPORT
THE RAPE TO THE POLICE?
393
00:23:23,402 --> 00:23:26,863
I JUST DIDN’T WANT ANY TROUBLE.
394
00:23:28,907 --> 00:23:31,034
PLEASE DON’T MAKE
ANY FUSS ABOUT THIS.
395
00:23:31,201 --> 00:23:33,787
FUSS? YOU WERE RAPED.
396
00:23:33,912 --> 00:23:36,373
ANOTHER WOMAN
WAS ATTACKED.
397
00:23:36,498 --> 00:23:37,958
YOU WANT THIS TO HAPPEN
TO OTHER PEOPLE?
398
00:23:38,083 --> 00:23:39,084
NO!
399
00:23:39,209 --> 00:23:39,459
I DON’T KNOW
WHAT TO DO.
400
00:23:44,923 --> 00:23:47,759
I GOTTA GET BACK TO WORK.
401
00:23:47,884 --> 00:23:49,344
MR. BLEDSOE DOESN’T
LIKE PERSONAL VISITS.
402
00:23:49,469 --> 00:23:51,763
FORGIVE ME, BUT I CAN
HAVE YOU SUBPOENAED
403
00:23:51,888 --> 00:23:52,806
AND FORCED TO GIVE
PUBLIC TESTIMONY,
404
00:23:52,931 --> 00:23:55,392
AND I’LL DO IT,
405
00:23:58,854 --> 00:24:00,689
UNLESS YOU TELL ME
WHO IT WAS THAT RAPED YOU,
406
00:24:00,814 --> 00:24:01,940
AND FRANCES, YOU DO KNOW
WHO IT WAS, DON’T YOU?
407
00:24:02,107 --> 00:24:05,277
YES.
408
00:24:06,820 --> 00:24:08,613
GOD FORGIVE ME, I DO.
409
00:24:08,780 --> 00:24:10,323
OK.
410
00:24:10,490 --> 00:24:11,283
IT WAS BUBBA SKINNER.
411
00:24:26,590 --> 00:24:27,507
HEY, CHIEF.
WANNA SEE ME?
412
00:24:27,674 --> 00:24:28,967
OH, YEAH. COME ON IN.
413
00:24:29,092 --> 00:24:30,760
THANKS FOR COMING
SO FAST.
414
00:24:30,886 --> 00:24:33,722
I WAS
COMING OVER ANYWAY
415
00:24:33,847 --> 00:24:36,516
’CAUSE I THINK I KNOW
WHAT HAPPENED TO MISS MOORE.
416
00:24:36,683 --> 00:24:39,561
I WENT TO WHERE
SHE SAID SHE WAS ATTACKED.
417
00:24:39,686 --> 00:24:44,816
THE ATTACKER WAS WAITING
FOR HER TO COME OUT--
418
00:24:44,983 --> 00:24:46,234
WHAT?
419
00:24:46,359 --> 00:24:47,486
YOU EVER KNOW
A FRANCES WATKINS?
420
00:24:47,652 --> 00:24:50,906
YEAH, SURE. WHY?
421
00:24:51,031 --> 00:24:51,865
SOMEONE YOU DATED?
WENT OUT WITH?
422
00:24:51,990 --> 00:24:53,491
GIVE ME A BREAK.
423
00:24:54,618 --> 00:24:56,161
WHAT DO YOU MEAN?
424
00:24:56,286 --> 00:24:58,163
SHE’S NOT MY TYPE.
425
00:24:58,330 --> 00:24:59,998
UH, BUBBA,
WHERE DO YOU
KNOW HER FROM?
426
00:25:00,165 --> 00:25:01,416
I GREW UP AROUND HER.
427
00:25:03,543 --> 00:25:04,502
SHE HAD KIND OF
A CRUSH ON ME. WHY?
428
00:25:04,628 --> 00:25:06,505
WELL, SHE GOT RAPED.
429
00:25:07,839 --> 00:25:09,341
OH...NO.
430
00:25:11,343 --> 00:25:15,680
VIRGIL FOUND OUT
ABOUT IT AND WENT
TO QUESTION HER.
431
00:25:15,847 --> 00:25:17,599
YOU KNOW SOMETHING, BET IT WAS
THE SAME GUY ATTACKED THEM.
432
00:25:17,724 --> 00:25:19,267
SHE SAID YOU DID IT.
433
00:25:24,522 --> 00:25:25,607
NO.
434
00:25:25,732 --> 00:25:26,565
I NEVER
TOUCHED THAT WOMAN.
435
00:25:26,732 --> 00:25:28,944
WELL, BUBBA,
436
00:25:29,069 --> 00:25:30,195
WE HAVE A SIGNED
STATEMENT BY HER.
437
00:25:30,320 --> 00:25:31,613
I DON’T GIVE A DAMN
WHAT SHE SIGNED.
438
00:25:34,866 --> 00:25:37,494
SHE SAID ABOUT
THREE WEEKS AGO,
SHE WAS AT A BAR.
439
00:25:37,661 --> 00:25:42,457
SHE LEFT ABOUT 1:00,
GOT HOME,
440
00:25:42,582 --> 00:25:44,668
PAID THE BABYSITTER,
WENT TO BED,
441
00:25:44,793 --> 00:25:47,587
HEARD A NOISE
DOWNSTAIRS.
442
00:25:47,712 --> 00:25:50,257
YOU WERE THERE,
AND YOU RAPED HER.
443
00:25:50,423 --> 00:25:52,801
AND SHE WAITED
THREE WEEKS TO REPORT IT?
444
00:25:52,926 --> 00:26:02,394
SHE SAID YOU BEING
A POLICEMAN,
SHE WAS SCARED TO.
445
00:26:02,519 --> 00:26:04,520
WHAT’S GOING ON HERE, HUH?
446
00:26:04,645 --> 00:26:06,731
I MEAN, I GET ACCUSED
BY ONE LUNATIC,
447
00:26:06,856 --> 00:26:11,027
THEN HE GOES OUT
AND FINDS ANOTHER ONE.
448
00:26:11,152 --> 00:26:13,071
YOU’LL DO ANYTHING
TO PROVE YOUR CASE,
WON’T YOU?
449
00:26:13,196 --> 00:26:15,907
BECAUSE THAT FIRST WOMAN
WAS BLACK, THAT’S WHY!
450
00:26:16,073 --> 00:26:18,493
WAIT A MINUTE--
451
00:26:18,618 --> 00:26:20,203
IT’S DIFFERENT
WHEN YOU GET ACCUSED
OF SOMETHING.
452
00:26:20,328 --> 00:26:21,496
YOU’RE SAYING
I LOOKED FOR A VICTIM?
453
00:26:21,621 --> 00:26:24,457
DAMN RIGHT I AM!
454
00:26:24,583 --> 00:26:25,625
SHUT UP, BOTH OF YOU.
455
00:26:25,792 --> 00:26:28,920
NOW SHUT UP!
456
00:26:29,087 --> 00:26:29,879
JUST WAIT HERE
FOR ME, VIRGIL.
457
00:26:32,590 --> 00:26:33,842
BUBBA, I WANT
TO TALK TO YOU.
458
00:26:35,260 --> 00:26:38,305
COME ON.
459
00:26:38,471 --> 00:26:39,431
GO ON IN
THE EVIDENCE ROOM
OVER THERE.
460
00:26:47,856 --> 00:26:50,483
YOU BELIEVE WHAT HE’S
TRYING TO DO TO ME?
461
00:26:53,778 --> 00:26:55,488
DON’T BE SILLY, WILL YOU?
462
00:26:55,614 --> 00:26:59,367
WE’RE NOT TRYING TO DO ANYTHING,
JUST FIND OUT WHAT HAPPENED.
463
00:26:59,492 --> 00:27:01,119
YOU TELL ME WHY HE’S
STICKING UP FOR HER.
464
00:27:01,244 --> 00:27:02,579
STICKING UP FOR HER?
465
00:27:02,704 --> 00:27:05,290
WHAT ARE YOU
TALKING ABOUT?
466
00:27:05,415 --> 00:27:06,541
SWEET LORD, GIVE ME
SOME PATIENCE.
467
00:27:06,666 --> 00:27:08,460
LISTEN TO ME.
NOW, LISTEN TO ME.
468
00:27:08,585 --> 00:27:10,795
WE GOT A MESS HERE.
469
00:27:12,922 --> 00:27:17,969
I GOTTA CLEAN IT UP.
470
00:27:18,094 --> 00:27:20,137
I DON’T WANT TO,
BUT I GOT TO DO IT.
471
00:27:20,262 --> 00:27:21,306
THE WOMAN FILED
A FORMAL COMPLAINT.
472
00:27:21,431 --> 00:27:22,724
I GOT TO BOOK YOU.
473
00:27:22,849 --> 00:27:24,643
BOOK ME?
474
00:27:24,768 --> 00:27:26,186
DON’T JUMP
DOWN MY THROAT.
475
00:27:26,353 --> 00:27:28,605
I’LL BE WITH YOU
IN FRONT OF THE JUDGE.
476
00:27:28,772 --> 00:27:31,566
HE’LL RELEASE YOU ON
YOUR OWN RECOGNIZANCE.
477
00:27:31,733 --> 00:27:33,818
OTHERWISE, WE’RE GOING
TO HAVE A SITUATION
IN THIS TOWN.
478
00:27:33,943 --> 00:27:36,571
YOU KNOW?
479
00:27:39,532 --> 00:27:42,494
I HEARD FROM YOU
IN THERE,
480
00:27:42,619 --> 00:27:44,329
ONLY THE OTHER
WAY AROUND.
481
00:27:44,454 --> 00:27:46,373
NOTHING TO WAIT ON IN HERE,
COME ON.
482
00:27:57,926 --> 00:27:59,719
PARKER, BOOK
SERGEANT SKINNER HERE.
483
00:27:59,844 --> 00:28:03,640
AND THE CHARGE,
484
00:28:05,350 --> 00:28:06,810
YOU CAN COPY
OFF THE COMPLAINT.
485
00:28:06,935 --> 00:28:12,023
PHOTOGRAPH HIM,
DO ALL THE USUAL THINGS.
486
00:28:12,190 --> 00:28:14,484
WHY ARE YOU SITTING THERE?
487
00:28:14,651 --> 00:28:15,860
GO AND DO IT.
488
00:28:15,985 --> 00:28:17,570
YES, SIR.
489
00:28:23,701 --> 00:28:26,204
BUBBA?
490
00:28:26,371 --> 00:28:28,206
SHH. LET’S
JUST GO DO IT.
491
00:28:44,431 --> 00:28:46,015
IT’S THE WORST CRIME
IMAGINABLE.
492
00:28:57,902 --> 00:28:59,446
HIYA.
493
00:28:59,571 --> 00:29:00,530
I’M JOINING YOU.
494
00:29:01,573 --> 00:29:02,949
I CAN SEE THAT.
495
00:29:03,074 --> 00:29:03,908
WELL, HELLO.
496
00:29:04,075 --> 00:29:05,577
HI. HOW ARE YOU?
497
00:29:05,702 --> 00:29:07,245
FINE. HOW’S
BUBBA DOING?
498
00:29:07,412 --> 00:29:08,913
BUBBA’S FINE, FINE.
499
00:29:09,080 --> 00:29:10,665
WANNA HEAR THE SPECIAL?
500
00:29:14,377 --> 00:29:16,503
UH, NO. I DON’T
WANT TO EAT.
501
00:29:16,628 --> 00:29:17,630
I’M JUST
HOUND-DOGGING VIRGIL.
502
00:29:17,756 --> 00:29:20,258
WHAT IS IT
WITH VEAL?
503
00:29:20,425 --> 00:29:21,384
EVERY TIME I DO
SOMETHING WITH VEAL,
NO TAKERS.
504
00:29:21,509 --> 00:29:24,762
LISTEN, WHAT I
WANNA TELL YOU
505
00:29:29,017 --> 00:29:31,269
IS, UH, BUBBA
DIDN’T MEAN THAT.
506
00:29:31,436 --> 00:29:33,605
WHEN A PERSON’S
UNDER A LOT OF STRESS,
507
00:29:33,730 --> 00:29:36,691
THEIR REAL SELF
COMES OUT.
508
00:29:36,816 --> 00:29:37,901
WE WON’T SEE AN END
TO THAT FOOLISHNESS
509
00:29:40,153 --> 00:29:43,615
TILL WE COLONIZE
THE MOON,
510
00:29:43,740 --> 00:29:45,408
UNLESS WE PUT
TOO MANY GOOD
OL’ BOYS UP THERE.
511
00:29:45,533 --> 00:29:48,828
THE THING IS,
I’M GETTING IT
FROM BOTH SIDES.
512
00:29:48,995 --> 00:29:51,414
IN THE BLACK COMMUNITY
I’M TOO WHITE,
513
00:29:51,539 --> 00:29:54,918
AND IN THE WHITE COMMUNITY,
I’M TOO BLACK.
514
00:29:56,669 --> 00:29:57,837
WELL, IT ISN’T SO,
515
00:30:00,215 --> 00:30:01,633
SO I WOULDN’T WASTE
MY BREATH ARGUING
ABOUT IT.
516
00:30:01,799 --> 00:30:04,051
TROUBLE IS I’VE SEEN
PEOPLE GO TO JAIL
517
00:30:04,176 --> 00:30:06,888
FOR FAR SILLIER
THINGS THAN THIS
MORE THAN ONCE.
518
00:30:07,013 --> 00:30:09,682
YOU’RE WORRYING
ABOUT BUBBA,
AREN’T YOU?
519
00:30:09,807 --> 00:30:12,810
YES.
520
00:30:12,936 --> 00:30:15,563
LET’S YOU AND I
MAKE SURE HE
DOESN’T GO TO JAIL.
521
00:30:15,688 --> 00:30:17,190
ALL WE CAN DO.
522
00:30:17,357 --> 00:30:18,525
I’M GOING.
523
00:30:20,151 --> 00:30:20,860
ORDER THE SPECIAL.
MAKE HER FEEL GOOD.
524
00:30:20,985 --> 00:30:23,571
WHERE YOU GOING?
525
00:30:25,406 --> 00:30:26,908
OH...
526
00:30:27,033 --> 00:30:28,493
I’M GOING FISHING.
527
00:30:28,660 --> 00:30:30,328
WHEN YOU’VE BEEN DOING THIS WORK
AS LONG AS I HAVE,
528
00:30:37,377 --> 00:30:39,087
YOU SEE SOME
TERRIBLE THINGS,
529
00:30:39,212 --> 00:30:42,674
AWFUL THINGS.
530
00:30:44,843 --> 00:30:46,594
IS SEEING
A POLICE OFFICER
ABUSE HIS POWER.
531
00:30:46,719 --> 00:30:49,639
THAT MAKES MY BLOOD BOIL.
532
00:30:49,764 --> 00:30:51,349
MY BOSS DON’T
LIKE ME TALKING
TO PEOPLE
533
00:30:51,516 --> 00:30:54,269
DURING
WORKING HOURS.
534
00:30:54,394 --> 00:30:55,937
THIS JOB’S AWFUL
IMPORTANT TO ME.
535
00:30:56,062 --> 00:30:57,855
I GOT A LITTLE GIRL
TO SUPPORT.
536
00:30:57,981 --> 00:31:00,733
I’LL BE BACK
IN AN HOUR.
537
00:31:00,858 --> 00:31:01,985
I’M NOT GOING TO REST
538
00:31:03,987 --> 00:31:06,155
UNTIL I SEE BUBBA SKINNER
IN PRISON WHERE HE BELONGS.
539
00:31:06,281 --> 00:31:11,202
I UNDERSTAND YOU
CAN’T TALK TO ME HERE.
540
00:31:11,369 --> 00:31:13,288
WHAT TIME DO YOU GET
OFF WORK, ABOUT 5:00?
541
00:31:13,413 --> 00:31:15,748
YES, SIR.
542
00:31:15,874 --> 00:31:17,625
OK. HERE’S MY CARD.
543
00:31:17,750 --> 00:31:19,377
COME ON DOWN
TO MY OFFICE.
544
00:31:19,502 --> 00:31:21,212
SEE YOU ABOUT 5:15.
545
00:31:21,337 --> 00:31:23,756
BE THERE, YOU HEAR?
546
00:31:23,882 --> 00:31:25,258
WE’LL PUT
THAT OL’ BOY
OUT OF HIS MISERY.
547
00:31:25,425 --> 00:31:33,391
WE’LL CLEAN
THAT OL’ BOY’S PLOW.
548
00:31:33,558 --> 00:31:35,685
WHO’S THAT?
549
00:31:35,852 --> 00:31:38,396
DISTRICT
ATTORNEY DUTTON.
550
00:31:38,563 --> 00:31:40,356
I TOLD HIM
I WAS WORKING
AND COULDN’T TALK.
551
00:31:40,481 --> 00:31:42,275
IF THIS IS UPSETTING YOU,
NOBODY CAN MAKE YOU
TALK ABOUT IT--
552
00:31:42,442 --> 00:31:46,988
POLICE, D.A., NOBODY.
553
00:31:47,113 --> 00:31:49,032
YOU GOT YOUR RIGHTS
TO PRIVACY.
554
00:31:49,157 --> 00:31:51,618
WHY DID IT HAVE
TO HAPPEN TO ME?
555
00:31:51,784 --> 00:31:53,077
CHILD, LIFE IS JUST
LIKE THAT SOMETIMES,
556
00:31:53,244 --> 00:31:58,166
BUT I SWEAR,
557
00:31:58,291 --> 00:32:00,376
WHEN SOMETHING
LIKE THIS HAPPENS,
558
00:32:00,501 --> 00:32:10,345
IT ALWAYS ENDS UP
MAKING YOU A BETTER PERSON.
559
00:32:10,470 --> 00:32:11,429
GOOD AFTERNOON.
560
00:32:11,596 --> 00:32:12,430
I’M CHIEF GILLESPIE.
561
00:32:17,268 --> 00:32:18,728
YOU’RE LIKE
THE PRESIDENT AROUND HERE,
562
00:32:18,895 --> 00:32:21,064
OR MAYBE THE AYATOLLAH.
563
00:32:21,189 --> 00:32:23,858
IF I WAS LIKE
THE AYATOLLAH,
564
00:32:23,983 --> 00:32:26,444
I’D GET THINGS DONE
A LOT QUICKER.
565
00:32:26,611 --> 00:32:27,612
YOU MADE A STATEMENT
TO MY CHIEF
DETECTIVE TIBBS,
566
00:32:27,737 --> 00:32:34,202
AND I WANT TO ASK YOU ABOUT IT.
567
00:32:34,327 --> 00:32:37,288
MM-HMM. HE WARNED ME
YOU MIGHT TRY THIS.
568
00:32:37,455 --> 00:32:39,999
HE TOLD YOU.
WHO TOLD YOU?
569
00:32:40,166 --> 00:32:43,127
THE DISTRICT ATTORNEY.
570
00:32:43,252 --> 00:32:44,545
SAID YOU’D TRY
TO CHANGE MY MIND.
571
00:32:44,671 --> 00:32:47,006
OH, THE DISTRICT ATTORNEY.
572
00:32:47,131 --> 00:32:49,676
NOW, WHAT DID HE
TELL YOU TO SAY?
573
00:32:49,842 --> 00:32:52,011
HE SAYS HE KNOWS
THAT WHITE COP’S GUILTY,
574
00:32:52,136 --> 00:32:53,763
PROMISED ME
HE’LL BE CONVICTED
AND SENTENCED TO JAIL.
575
00:32:53,888 --> 00:32:57,016
HE BOTHERING YOU,
AUDREY?
576
00:32:57,141 --> 00:32:58,559
WHAT’S HE DOING HERE?
577
00:32:58,685 --> 00:32:59,852
WHAT’S THAT GUY DOING?
578
00:33:00,018 --> 00:33:01,479
WHAT I’M DOING HERE
579
00:33:03,898 --> 00:33:05,692
IS WHAT I’M SUPPOSED
TO BE DOING.
WHAT ABOUT YOU?
580
00:33:05,858 --> 00:33:06,651
YOU WANT TO GET THAT
REDNECK SERGEANT
OFF THE HOOK, RIGHT?
581
00:33:06,776 --> 00:33:11,155
I BELIEVE I WILL.
582
00:33:11,280 --> 00:33:13,032
AND GET
SOMEBODY ELSE ON IT.
583
00:33:13,157 --> 00:33:15,159
TELL US IF HE’S
BOTHERING YOU.
584
00:33:16,369 --> 00:33:19,330
YEAH, HE’S BOTHERING ME.
585
00:33:19,455 --> 00:33:20,999
EVERYBODY’S BOTHERING ME.
586
00:33:21,124 --> 00:33:23,042
I WISH EVERYBODY
WOULD LEAVE ME ALONE.
587
00:33:23,209 --> 00:33:25,837
GIVE ME TIME TO GET
BACK TO THE STATION,
588
00:33:25,962 --> 00:33:29,173
AND THEN GET
ON YOUR TELEPHONE
AND CALL ME.
589
00:33:29,298 --> 00:33:31,551
I DON’T HAVE
A TELEPHONE.
590
00:33:31,676 --> 00:33:33,970
REALLY?
591
00:33:36,013 --> 00:33:37,724
I WOULDN’T HAVE SAID
592
00:33:37,849 --> 00:33:38,850
THOSE LINES WERE
FOR HANGING OUT THE WASH.
593
00:33:38,975 --> 00:33:42,019
I BET YOU MISPLACED
IT SOMEPLACE.
594
00:33:42,186 --> 00:33:43,229
MAYBE YOU’LL FIND IT
UNDER THE DAVENPORT
OR SOMETHING.
595
00:33:43,396 --> 00:33:47,066
THEN YOU CALL ME...
YOU HEAR?
596
00:33:53,823 --> 00:33:55,241
WELL, I HAVEN’T SEEN YOU
IN A WHILE.
597
00:33:55,408 --> 00:33:58,536
YOU EITHER, BEN.
598
00:34:00,038 --> 00:34:02,206
HOW ARE YOU, ANNABELLE?
599
00:34:02,331 --> 00:34:04,625
I SEEN YOU ROAMING AROUND.
WHAT’S YOUR NAME?
600
00:34:08,670 --> 00:34:10,882
NAMES AIN’T IMPORTANT
IN THIS PART OF TOWN.
601
00:34:11,047 --> 00:34:13,717
NEVER HAVE BEEN.
602
00:34:13,842 --> 00:34:14,927
IF YOU DON’T CARE
ABOUT YOUR NAME,
603
00:34:15,052 --> 00:34:17,013
I GUESS I DON’T EITHER.
604
00:34:17,138 --> 00:34:19,514
MAKE A HOLE
THERE, PLEASE.
605
00:34:19,639 --> 00:34:22,018
HOW DO YOU FEEL
DOWN HERE BY YOURSELF?
606
00:34:22,143 --> 00:34:24,562
RIGHT AT HOME,
RIGHT AT HOME.
607
00:34:24,728 --> 00:34:27,023
YOU’RE NOT
GOING TO GET HIM
OFF, CHIEF!
608
00:34:27,148 --> 00:34:28,440
YEAH, WE WANT JUSTICE!
609
00:34:28,565 --> 00:34:30,443
JUSTICE!
610
00:34:30,568 --> 00:34:33,237
D.A. DUTTON SAID
HE WAS GUILTY!
611
00:34:33,362 --> 00:34:35,572
YEAH, HE’S GUILTY,
AND YOU KNOW IT!
612
00:34:49,045 --> 00:34:51,005
WE WANT JUSTICE, CHIEF!
613
00:34:51,130 --> 00:34:53,132
I HEREBY ADVISE
YOUR CLIENT TO APPEAR
AS SCHEDULED--
614
00:34:53,257 --> 00:34:56,134
WOMAN: HE CAN’T BE DISTURBED!
615
00:34:56,259 --> 00:34:59,347
CHIEF.
616
00:34:59,472 --> 00:35:01,015
HOW DARE YOU GO
DOWN INTO THE BOTTOMS
617
00:35:01,140 --> 00:35:03,309
TELLING THAT WOMAN
BUBBA SKINNER’S GUILTY
618
00:35:03,476 --> 00:35:05,770
AND YOU’RE GOING
TO CONVICT HIM?
619
00:35:05,937 --> 00:35:08,106
SOMEONE HAD TO REASSURE
OUR BLACK COMMUNITY
620
00:35:08,272 --> 00:35:10,858
THAT THERE WOULD BE
NO WHITEWASH IN SPARTA.
621
00:35:10,983 --> 00:35:12,860
OH, YOU CARE A LOT ABOUT
THE BLACK COMMUNITY.
622
00:35:13,027 --> 00:35:16,322
YOU ONLY CARE ABOUT YOUR
OWN POLITICAL FUTURE!
623
00:35:16,489 --> 00:35:19,117
TAKE IT EASY.
YOU’RE GETTING
OUT OF CONTROL.
624
00:35:19,242 --> 00:35:23,162
YOU LISTEN TO ME.
625
00:35:23,287 --> 00:35:26,123
I WON’T LET YOU
SACRIFICE ONE OF
MY FINEST OFFICERS
626
00:35:26,249 --> 00:35:28,626
FOR YOUR POLITICAL AMBITIONS.
627
00:35:28,793 --> 00:35:30,837
THERE ARE MANY WAYS
I CAN MESS YOU UP,
628
00:35:30,962 --> 00:35:32,088
AND I WILL,
BECAUSE YOU ARE
AN UNCONSCIONABLE,
629
00:35:32,213 --> 00:35:35,174
GATOR-FACED
OPPORTUNIST.
630
00:35:35,341 --> 00:35:36,717
WHAT DID YOU CALL ME?
631
00:35:38,594 --> 00:35:40,137
I CALLED YOU
A GATOR-FACED,
632
00:35:40,304 --> 00:35:42,265
SHOVEL-FOOTED
POLITICAL CLIMBER,
633
00:35:42,390 --> 00:35:44,517
AND I’M GOING
TO GET YOU!
634
00:35:44,684 --> 00:35:46,435
HOLD IT RIGHT THERE,
GILLESPIE,
635
00:35:46,602 --> 00:35:49,438
BECAUSE YOU ARE
IN VIOLATION OF CODE
SECTION 97-9-55--
636
00:35:49,564 --> 00:35:52,483
THREATENING A
PROSECUTING ATTORNEY.
637
00:35:52,650 --> 00:35:54,652
I COULD GO TO
THE ATTORNEY GENERAL
AND HAVE YOU ARRESTED,
638
00:35:54,777 --> 00:35:57,530
AND I WILL UNLESS
YOU QUIT THIS INTERFERING.
639
00:35:57,655 --> 00:36:01,075
I DON’T WANT YOU
TALKING TO MY WITNESSES
640
00:36:01,200 --> 00:36:04,537
OR DISCUSSING
THIS INVESTIGATION
WITH ANYBODY!
641
00:36:04,704 --> 00:36:07,206
DO I MAKE MYSELF CLEAR?
642
00:36:07,331 --> 00:36:09,166
THAT’S IT!
YOU’RE OFF THIS CASE!
643
00:36:09,333 --> 00:36:11,168
GET OUT!
YOU’RE OFF THIS CASE!
644
00:36:21,304 --> 00:36:23,055
HONEY, COME ON.
IT’S YOUR TURN.
645
00:36:23,181 --> 00:36:24,974
IT’S WHAT?
646
00:36:26,017 --> 00:36:26,893
(KNOCK ON DOOR)
647
00:36:35,234 --> 00:36:36,193
BUBBA.
648
00:36:38,696 --> 00:36:39,572
MS. TIBBS.
649
00:36:39,739 --> 00:36:40,948
VIRGIL HERE?
650
00:36:41,073 --> 00:36:42,575
YEAH.
651
00:36:42,742 --> 00:36:45,036
UH, COME ON IN.
652
00:36:45,161 --> 00:36:46,913
BUBBA, MAN, THIS
IS A...SURPRISE
AND AN HONOR.
653
00:36:47,038 --> 00:36:50,583
YOU’VE NEVER BEEN
TO OUR HOME BEFORE.
654
00:36:50,708 --> 00:36:51,626
AND IT’S
A BEAUTIFUL HOME, TOO.
655
00:36:51,751 --> 00:36:54,045
WELCOME.
656
00:36:54,211 --> 00:36:55,671
I’LL GET
SOME COFFEE.
657
00:36:55,838 --> 00:36:57,506
COULD YOU STAY HERE,
MS. TIBBS?
658
00:36:57,632 --> 00:36:58,716
VIRGIL, ALL THIS STUFF
THAT’S BEEN COMING DOWN ON ME
659
00:37:01,219 --> 00:37:04,180
HAS GOT ME ACTING
KIND OF SQUIRRELLY.
660
00:37:04,305 --> 00:37:07,725
I GUESS THINGS
JUST BUILT...
661
00:37:07,850 --> 00:37:10,895
LOOK, I DIDN’T MEAN
WHAT I SAID. I’M SORRY.
662
00:37:11,062 --> 00:37:11,854
NO. YOU DON’T HAVE
TO APOLOGIZE TO ME.
663
00:37:13,272 --> 00:37:15,983
IT’S BEEN ROUGH ON YOU.
664
00:37:17,944 --> 00:37:19,570
IT’S GOING
TO GET ROUGHER.
665
00:37:19,695 --> 00:37:21,614
CHIEF GOT KICKED
OFF THE CASE TODAY.
666
00:37:21,739 --> 00:37:23,908
HE WHAT?
667
00:37:24,033 --> 00:37:25,826
YEAH. HE BLEW UP
AT DUTTON.
668
00:37:25,951 --> 00:37:27,161
DUTTON CITED
SOME CODE SAYING
HE CAN’T BE INVOLVED,
669
00:37:27,286 --> 00:37:28,454
TALK TO WITNESSES,
SUSPECTS, NOTHING.
670
00:37:28,579 --> 00:37:31,791
I CAN’T BELIEVE THAT.
671
00:37:33,709 --> 00:37:35,378
WELL, I GOT TO GET
THIS CLEARED UP QUICKLY
672
00:37:35,503 --> 00:37:36,921
BECAUSE THE LONGER
IT GOES ON,
THE GUILTIER I LOOK.
673
00:37:37,088 --> 00:37:40,132
I GOT A LOT TO DO,
I BETTER GET GOING.
674
00:37:42,843 --> 00:37:44,095
MS. TIBBS, THANK YOU
FOR ALLOWING ME
IN YOUR HOME.
675
00:37:44,262 --> 00:37:46,097
UH, BUBBA, WAIT.
676
00:37:47,348 --> 00:37:51,143
YEAH?
677
00:37:51,268 --> 00:37:53,521
FROM THE HIP,
678
00:37:53,646 --> 00:37:55,397
I BELIEVE YOU.
679
00:37:55,522 --> 00:37:57,441
I WANT TO HELP YOU.
680
00:37:57,566 --> 00:38:00,277
I WANT TO WORK
WITH YOU TO FIND OUT
681
00:38:00,403 --> 00:38:01,487
WHAT THIS WHOLE MESS
IS ALL ABOUT...
682
00:38:01,612 --> 00:38:02,989
IF YOU WANT.
683
00:38:10,830 --> 00:38:13,457
SHOOT YEAH, I WANT TO.
684
00:38:13,582 --> 00:38:15,209
ALL RIGHT.
685
00:38:15,334 --> 00:38:16,043
ALL RIGHT.
686
00:38:16,168 --> 00:38:17,670
NIGHT.
687
00:38:32,601 --> 00:38:35,438
THINGS SURE SEEM QUIET
WITH HIM HOLED UP IN THERE.
688
00:38:35,563 --> 00:38:38,983
YOU MISS HIM YELLING?
689
00:38:39,108 --> 00:38:40,609
NO. I HATE SEEING HIM
BACK DOWN FROM DUTTON.
690
00:38:40,735 --> 00:38:43,779
GIVING DUTTON
ANY MORE CAUSE
691
00:38:43,904 --> 00:38:45,531
MIGHT MAKE IT
HARD ON BUBBA.
692
00:38:45,656 --> 00:38:48,743
DAMN.
693
00:38:48,868 --> 00:38:50,828
WHAT’S WRONG?
694
00:38:50,953 --> 00:38:52,621
I SENT AUDREY MOORE’S
CLOTHES TO THE CRIME LAB
695
00:38:52,747 --> 00:38:56,042
HOPING TO FIND HAIR,
FIBERS, SOMETHING
WE CAN USE,
696
00:38:56,167 --> 00:38:58,419
BUT THEY CAME BACK CLEAN.
697
00:38:58,544 --> 00:38:59,878
WHERE DOES THAT LEAVE US?
698
00:39:00,003 --> 00:39:01,297
RIGHT WHERE WE STARTED.
699
00:39:01,464 --> 00:39:02,715
TWO WOMEN ACCUSING BUBBA
700
00:39:04,300 --> 00:39:08,346
AND US WITH NO EVIDENCE
TO THE CONTRARY.
701
00:39:08,512 --> 00:39:11,974
HEY, VIRGIL.
702
00:39:12,099 --> 00:39:13,934
I THINK I MIGHT
BE ON TO SOMETHING.
703
00:39:14,060 --> 00:39:15,895
TIM SHERMAN.
SWEET KNOWS HIM.
704
00:39:16,020 --> 00:39:18,522
HE TRIED TO HIT ME
WITH A BASEBALL BAT.
705
00:39:18,647 --> 00:39:20,399
HE WORKS
AT THE AUTO PARTS STORE
WITH FRANCES WATKINS.
706
00:39:20,524 --> 00:39:23,277
IT GETS BETTER.
707
00:39:23,402 --> 00:39:26,614
GUESS WHO ELSE USED
TO WORK THERE.
708
00:39:26,739 --> 00:39:28,866
AUDREY MOORE.
709
00:39:28,991 --> 00:39:30,493
RIGHT, AND THEY HAD
A LITTLE SPAT
THE NIGHT SHE WAS ATTACKED.
710
00:39:30,618 --> 00:39:31,619
LET’S GO.
711
00:39:57,394 --> 00:39:58,854
I THOUGHT I MADE IT CLEAR
I GOT NOTHING TO SAY.
712
00:40:01,232 --> 00:40:04,943
GIVE US FIVE MINUTES
OF YOUR TIME.
713
00:40:05,068 --> 00:40:09,365
MS. MOORE,
I KNOW A MAN ATTACKED YOU,
714
00:40:09,490 --> 00:40:11,991
AND I KNOW
IT WASN’T ME.
715
00:40:12,118 --> 00:40:13,869
MAYBE THAT SAME MAN
RAPED FRANCES WATKINS,
716
00:40:13,994 --> 00:40:18,165
MEANING THERE’S
SOMEBODY DANGEROUS HERE
717
00:40:18,290 --> 00:40:19,416
WHO COULD AND PROBABLY WILL
CONTINUE HURTING WOMEN
UNLESS WE STOP HIM.
718
00:40:19,583 --> 00:40:21,460
I’D THINK YOU’D
WANT TO HELP US.
719
00:40:21,585 --> 00:40:24,088
SURE. TAKE THE HEAT
OFF OF YOU
720
00:40:24,213 --> 00:40:25,714
BY POINTING
THE FINGER
AT SOMEBODY ELSE.
721
00:40:25,881 --> 00:40:27,758
WILL YOU STOP IT
AND JUST LISTEN?
722
00:40:27,925 --> 00:40:31,220
I KNOW THIS MAN.
I BELIEVE HIM.
723
00:40:31,345 --> 00:40:33,764
I KNOW HE’S INCAPABLE
OF DOING WHAT
HE’S BEEN ACCUSED OF.
724
00:40:33,889 --> 00:40:37,768
I PROMISED HIM
WE’D WORK TOGETHER
725
00:40:37,935 --> 00:40:39,102
UNTIL WE DISCOVER
WHO THE REAL RAPIST IS.
726
00:40:39,270 --> 00:40:41,480
HELP US, PLEASE?
727
00:40:42,940 --> 00:40:44,900
JUST TRUST US.
728
00:41:02,083 --> 00:41:03,711
EXCUSE ME.
729
00:41:03,836 --> 00:41:05,045
I SAID...EXCUSE ME.
730
00:41:10,843 --> 00:41:12,595
HI.
731
00:41:12,761 --> 00:41:13,721
CAN I HAVE A DRINK?
732
00:41:13,888 --> 00:41:18,350
SURE.
733
00:41:18,517 --> 00:41:20,936
THIS IS A REAL SWITCH.
734
00:41:21,061 --> 00:41:23,439
YOU WOULDN’T
GIVE ME THE TIME
OF DAY BEFORE.
735
00:41:23,564 --> 00:41:25,399
I DON’T MIX
BUSINESS WITH PLEASURE.
736
00:41:25,524 --> 00:41:28,110
IT WOULDN’T HAVE
BEEN COOL
737
00:41:28,235 --> 00:41:29,904
FOR YOU TO GROPE ME
IN THE BACK ROOM.
738
00:41:30,029 --> 00:41:34,867
THE OTHER NIGHT
YOU TOLD ME
TO GET LOST.
739
00:41:35,034 --> 00:41:36,368
THAT WAS BEFORE
I KNEW HOW MUCH YOU CARED.
740
00:41:36,535 --> 00:41:39,079
MEANING WHAT?
741
00:41:39,205 --> 00:41:41,832
I HAVE THE FEELING
742
00:41:41,957 --> 00:41:44,001
THAT WAS YOU
THAT JUMPED ME
743
00:41:44,168 --> 00:41:45,503
IN THE PARKING LOT
THAT NIGHT.
744
00:41:45,628 --> 00:41:47,963
IF YOU WANTED ME
THAT BAD,
745
00:41:48,130 --> 00:41:49,632
YOU DIDN’T HAVE
TO GET DRASTIC.
746
00:41:49,757 --> 00:41:52,676
JUST LET ME KNOW.
747
00:41:52,843 --> 00:41:55,846
THINK I GOT TO
KNOCK SOMEBODY DOWN
TO GET WHAT I WANT?
748
00:41:56,013 --> 00:41:58,390
I CAN GET IT ANYPLACE.
749
00:41:58,516 --> 00:41:59,975
NOT FROM ME.
750
00:42:01,143 --> 00:42:03,187
MAYBE YOU GOT
REAL FRUSTRATED.
751
00:42:03,354 --> 00:42:06,398
MAYBE YOU DIDN’T
LIKE ME TELLING YOU NO.
752
00:42:06,523 --> 00:42:09,151
I’M NOT SAYING I MIND.
753
00:42:09,276 --> 00:42:10,569
COME ON,
TELL ME THE TRUTH,
754
00:42:12,655 --> 00:42:14,114
AND MAYBE WE COULD
WORK SOMETHING OUT.
755
00:42:14,240 --> 00:42:18,202
YEAH?
756
00:42:20,037 --> 00:42:22,122
YEAH.
757
00:42:24,750 --> 00:42:27,753
YOU’RE SOME WEIRD CHICK,
YOU KNOW THAT?
758
00:42:39,014 --> 00:42:42,184
WELL, SO MUCH FOR YOUR BIG IDEA.
759
00:42:42,309 --> 00:42:44,103
IT WASN’T BIG ENOUGH TO
HELP BUBBA OUT, WAS IT?
760
00:42:44,228 --> 00:42:49,817
THANKS ANYWAY.
761
00:42:49,942 --> 00:42:51,568
UH, WE’LL TAKE YOU HOME
IF YOU’D LIKE.
762
00:42:51,694 --> 00:42:53,946
I’M NOT GOING
ANYWHERE.
763
00:42:54,113 --> 00:42:55,406
I HAVEN’T BEEN OUT
SINCE THIS HAPPENED.
764
00:42:55,531 --> 00:42:58,158
I FEEL LIKE DANCING.
765
00:42:58,284 --> 00:43:00,577
BUBBA, I’M SO SORRY, MAN,
I’M SO SORRY.
766
00:43:00,744 --> 00:43:01,912
TO HELL WITH IT.
767
00:43:29,940 --> 00:43:31,483
HEY, BABY, YOU REALLY
MEAN WHAT YOU SAID?
768
00:43:31,608 --> 00:43:34,403
WHAT?
769
00:43:34,528 --> 00:43:37,614
THAT ALL I HAD TO DO
WAS ASK?
770
00:43:37,740 --> 00:43:40,951
YEAH, MAYBE,
BUT NOT TONIGHT.
771
00:43:41,118 --> 00:43:43,996
YOU’RE A REAL
LITTLE TEASE,
YOU KNOW THAT?
772
00:43:44,121 --> 00:43:45,956
YOU BETTER LET ME GO,
OR I’LL START SCREAMING.
773
00:43:46,123 --> 00:43:48,542
YOU JUST STAY PUT,
YOU HEAR ME?
774
00:43:48,667 --> 00:43:50,836
JUST GO HOME, TIM.
775
00:43:50,961 --> 00:43:51,920
GO HOME!
776
00:44:06,852 --> 00:44:08,687
SHUT UP!
777
00:44:08,812 --> 00:44:09,688
I CAN HIT YOU,
LIKE LAST TIME,
778
00:44:10,898 --> 00:44:12,482
OR YOU CAN
KEEP QUIET.
779
00:44:12,607 --> 00:44:14,193
WHICH WAY
DO YOU WANT IT?
780
00:44:14,360 --> 00:44:16,070
PLEASE DON’T HURT ME.
781
00:44:16,195 --> 00:44:17,446
GET IN THAT CAR.
782
00:44:25,037 --> 00:44:26,538
OH, BUBBA, I THOUGHT
YOU LEFT ME.
783
00:44:26,664 --> 00:44:29,041
WE WOULDN’T LET YOU
WALK OUT HERE
BY YOURSELF.
784
00:44:29,166 --> 00:44:31,460
THANK YOU, BUBBA.
I’M SORRY.
785
00:44:31,585 --> 00:44:35,005
IT’S OK.
786
00:44:35,130 --> 00:44:36,465
I’M SO SORRY.
787
00:44:36,632 --> 00:44:39,093
BE REASONABLE, WILL YOU?
788
00:44:39,218 --> 00:44:42,012
YOU GOT YOUR SUSPECT
LOCKED UP IN THERE.
789
00:44:42,137 --> 00:44:44,556
YOU GOT YOUR RAPE VICTIMS
WAITING TO TESTIFY.
790
00:44:44,681 --> 00:44:48,435
WHAT ABOUT
THIS WATKINS WOMAN?
791
00:44:48,560 --> 00:44:49,853
WHY DIDN’T SHE OWN UP
BLEDSOE RAPED HER
792
00:44:49,978 --> 00:44:52,981
INSTEAD OF FINGERING
BUBBA SKINNER?
793
00:44:53,107 --> 00:44:54,440
DUTTON, SHE DIDN’T
WANT TO LOSE HER JOB.
794
00:44:54,607 --> 00:44:58,612
SHE’S A SINGLE MOTHER.
NO SKILLS.
795
00:44:58,737 --> 00:45:02,116
SHE WORKED FOR BLEDSOE
BECAUSE HE PAID MORE
THAN MINIMUM WAGE.
796
00:45:02,241 --> 00:45:04,702
YOU DON’T THINK THE
DEFENSE IS GOING TO LIKE THAT?
797
00:45:04,827 --> 00:45:07,121
PUTTING A PROVEN LIAR
ON THE STAND.
798
00:45:07,246 --> 00:45:10,749
YOU GOT EVIDENCE
AND A MESS OF BLOOD.
799
00:45:10,874 --> 00:45:13,043
CHARLENE’S GOT
CLOTHES FRANCES WORE
WHEN SHE WAS RAPED.
800
00:45:13,168 --> 00:45:16,839
TAKE A BLOOD SAMPLE,
801
00:45:16,964 --> 00:45:20,134
COMPARE IT WITH
THE BLOOD SAMPLE
FROM BLEDSOE.
802
00:45:20,259 --> 00:45:22,511
MAYBE I DO HAVE A GOOD CASE.
803
00:45:22,636 --> 00:45:26,014
I CAN TELL
THE LIONS CLUB
804
00:45:26,140 --> 00:45:27,433
I PUT A RAPIST
BEHIND BARS.
805
00:45:27,599 --> 00:45:30,102
THERE YOU GO.
806
00:45:30,227 --> 00:45:31,812
AND I AM CONTINUING
IN MY CONSTANT VIGIL
807
00:45:31,937 --> 00:45:34,690
TO PROTECT THE CITIZENS
OF SPARTA.
808
00:45:34,815 --> 00:45:37,401
WELL, NOW,
SAY THAT SERIOUSLY,
MR. DUTTON,
809
00:45:37,568 --> 00:45:40,154
’CAUSE THAT’S
WHAT YOU’RE DOING.
810
00:45:40,279 --> 00:45:41,697
YOU ALL HAVE
A GOOD DAY, HUH?
811
00:45:43,282 --> 00:45:44,366
THANK YOU.
SAME TO YOU.
812
00:45:44,491 --> 00:45:48,704
SAME TO YOU, SIR.
813
00:45:48,829 --> 00:45:50,956
WHAT’S THE MATTER WITH YOU?
814
00:45:51,081 --> 00:45:52,166
YOU’RE LETTING
THAT KNOTHEAD
815
00:45:52,291 --> 00:45:53,500
TAKE CREDIT
FOR THIS CASE.
816
00:45:53,625 --> 00:45:55,169
COME ON.
817
00:45:55,294 --> 00:45:59,715
SOMETIMES IT’S WISER
TO LET A MAN
FLATTER HIMSELF.
818
00:45:59,882 --> 00:46:01,967
DID I EVER TELL YOU THE STORY
819
00:46:02,092 --> 00:46:03,510
ABOUT THE HANDSOME,
CLEVER FOX?
820
00:46:03,635 --> 00:46:05,929
THERE WAS A TIRED
OLD ROOSTER.
821
00:46:06,054 --> 00:46:08,098
THE FOX JUMPED
IN THE COOP,
822
00:46:08,223 --> 00:46:10,642
WALKED UP
TO THAT ROOSTER,
823
00:46:10,768 --> 00:46:14,104
LOOKED AT HIM
AND SAID,
"YOU’RE MY DINNER."
824
00:46:14,229 --> 00:46:16,148
THE ROOSTER SAID
"I’VE SEEN ENOUGH.
825
00:46:16,273 --> 00:46:18,901
"GO AHEAD
AND EAT ME,
826
00:46:19,026 --> 00:46:21,028
"BUT I GOT TO
TELL YOU,
827
00:46:21,195 --> 00:46:22,446
"I’M SURPRISED
AT YOU--
828
00:46:22,613 --> 00:46:23,906
"CLEVER, HANDSOME
GUY LIKE YOU--
829
00:46:24,031 --> 00:46:25,824
"WASTING
HIS APPETITE
830
00:46:25,949 --> 00:46:26,950
ON A MISERABLE
CREATURE LIKE ME."
831
00:46:27,075 --> 00:46:29,578
THE FOX DREW BACK.
832
00:46:29,703 --> 00:46:31,789
HE SWELLED UP
WITH PRIDE,
833
00:46:31,914 --> 00:46:34,791
LOOKED HIMSELF OVER,
834
00:46:34,917 --> 00:46:36,418
LOOKED AT THE ROOSTER,
AND SAID, "BIRD,
I BELIEVE YOU’RE RIGHT."
835
00:46:36,543 --> 00:46:38,629
AND HE LEFT
TO FIND HIMSELF
ANOTHER DINNER
836
00:46:38,754 --> 00:46:41,465
MORE BEFITTING OF
HIS GREAT BEAUTY.
837
00:46:41,590 --> 00:46:41,840
YOU FOLLOW
MY DRIFT, BUBBA?
59038
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