All language subtitles for Law.and.Order.Special.Victims.Unit.S14E03.Twenty-Five.Acts.1080p.AMZN.WEB-DL.DDP5.1.H.264-NTb_track3_[eng]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek Download
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,606 --> 00:00:07,441 male announcer: IN THE CRIMINAL JUSTICE SYSTEM, 2 00:00:07,441 --> 00:00:11,112 SEXUALLY BASED OFFENSES ARE CONSIDERED ESPECIALLY HEINOUS. 3 00:00:11,112 --> 00:00:13,514 IN NEW YORK CITY, THE DEDICATED DETECTIVES 4 00:00:13,514 --> 00:00:15,416 WHO INVESTIGATE THESE VICIOUS FELONIES 5 00:00:15,416 --> 00:00:17,118 ARE MEMBERS OF AN ELITE SQUAD 6 00:00:17,118 --> 00:00:19,120 KNOWN AS THE SPECIAL VICTIMS UNIT. 7 00:00:19,120 --> 00:00:22,323 THESE ARE THEIR STORIES. 8 00:00:22,323 --> 00:00:24,258 - 16 MURDERS OVER FOURTH OF JULY. 9 00:00:24,258 --> 00:00:26,260 - THEY CUT BACK ON THE STOP-AND-SEARCHES, 10 00:00:26,260 --> 00:00:27,628 PEOPLE START CARRYING. 11 00:00:27,628 --> 00:00:29,297 - WELL, I'M SURE IT HAS NOTHING TO DO 12 00:00:29,297 --> 00:00:32,833 WITH 20 DAYS IN A ROW OVER 90 DEGREES. 13 00:00:32,833 --> 00:00:35,169 - OKAY, FOLKS, LISTEN UP. [clears throat] 14 00:00:35,169 --> 00:00:36,804 LOOKS LIKE WE'RE STUCK TOGETHER A LITTLE LONGER. 15 00:00:36,804 --> 00:00:39,107 - WHAT? THE CAPTAIN WAS CLEARED A MONTH AGO. 16 00:00:39,107 --> 00:00:40,374 - OF CRIMINAL CHARGES. 17 00:00:40,374 --> 00:00:42,443 1 PP STILL HASN'T DECLARED HIM FIT FOR DUTY. 18 00:00:42,443 --> 00:00:45,313 - 1 PP. WELCOME TO THE PUZZLE PALACE. 19 00:00:45,313 --> 00:00:46,747 - BUT THEY DID SAY THAT HE WAS COMING BACK. 20 00:00:46,747 --> 00:00:48,349 - FAR AS I KNOW. 21 00:00:48,349 --> 00:00:50,384 MEANTIME, I'VE BEEN THINKING SOME THINGS OVER. 22 00:00:50,384 --> 00:00:53,387 I'D LIKE TO MOVE SOME PIECES AROUND ON THE BOARD. 23 00:00:53,387 --> 00:00:55,389 - YOU CAN MOVE ME BACK TO FRANCE. 24 00:00:55,389 --> 00:00:56,790 - ACTUALLY, I'M JUST TEAMING YOU UP BACK UP 25 00:00:56,790 --> 00:00:58,459 WITH YOUR OLD PARTNER. - REALLY? 26 00:00:58,459 --> 00:00:59,860 - CAPTAIN, FIN AND I HAVE BEEN KIND OF-- 27 00:00:59,860 --> 00:01:01,762 - GETTING TO THAT. I'D LIKE TO... 28 00:01:01,762 --> 00:01:03,464 PAIR YOU UP WITH BENSON. 29 00:01:03,464 --> 00:01:04,798 I SENSE YOU'LL WORK WELL TOGETHER. 30 00:01:04,798 --> 00:01:05,833 SOUND GOOD? 31 00:01:05,833 --> 00:01:07,568 - MAZEL TOV. 32 00:01:07,568 --> 00:01:09,570 YOU GOT TWO COUPLES ON THE FLOOR. 33 00:01:09,570 --> 00:01:12,573 WHAT ABOUT SERPICO'S DANCE CARD? 34 00:01:12,573 --> 00:01:13,574 - SWING MAN. 35 00:01:13,574 --> 00:01:16,244 SOMETIMES ON HIS OWN, DEPENDING ON THE CALL. 36 00:01:16,244 --> 00:01:17,811 THAT ALL RIGHT WITH YOU, NICK? 37 00:01:17,811 --> 00:01:19,580 - IT'S ALL GOOD. 38 00:01:19,580 --> 00:01:21,782 - OKAY THEN. 39 00:01:27,188 --> 00:01:29,457 - NICK... JUST SO YOU KNOW, 40 00:01:29,457 --> 00:01:32,326 I DIDN'T ASK HARRIS TO MAKE THAT SWITCH. 41 00:01:32,326 --> 00:01:36,330 - I KNOW YOU DIDN'T. I DID. 42 00:01:36,330 --> 00:01:38,332 - YOU DID? 43 00:01:38,332 --> 00:01:41,869 - LIV...IT'S NO BIG DEAL. 44 00:01:41,869 --> 00:01:43,404 ONE THING ABOUT YOU... 45 00:01:43,404 --> 00:01:45,273 YOU NEED TO HAVE A PARTNER YOU CAN TRUST. 46 00:01:52,246 --> 00:01:53,781 - THERE IS NO THERE THERE. - I TRUST HIM MORE 47 00:01:53,781 --> 00:01:56,650 THAN SOME GUY WHO CLAIMS HE WAS BORN IN HAWAII, 48 00:01:56,650 --> 00:01:59,253 GREW UP IN INDONESIA, WENT TO A MADRASAH-- 49 00:01:59,253 --> 00:02:01,189 - OOH, A MADRASAH. WELL, THAT'S SCARY. 50 00:02:01,189 --> 00:02:02,390 THAT'S NOT LIKE AN OFFSHORE TAX HAVEN, IS IT? 51 00:02:02,390 --> 00:02:04,492 [knock at door] - PUNCHING OUT, BOSS. 52 00:02:04,492 --> 00:02:06,594 YOU AN ADAM CAIN FAN? 53 00:02:06,594 --> 00:02:09,797 - NO, IT'S JUST WHITE NOISE FOR THE PAPERWORK. 54 00:02:09,797 --> 00:02:11,232 - MM-HMM. 55 00:02:11,232 --> 00:02:12,700 - SO HOW'D MY NEW LINEUP GO OVER TODAY? 56 00:02:12,700 --> 00:02:14,235 - LIKE A LEAD BALLOON. 57 00:02:14,235 --> 00:02:15,803 THEY'LL ADJUST. 58 00:02:15,803 --> 00:02:17,438 HEAVY LIES THE CROWN. 59 00:02:17,438 --> 00:02:19,273 - THANKS. 60 00:02:19,273 --> 00:02:21,275 TAKE THE REST OF THE NIGHT OFF. 61 00:02:21,275 --> 00:02:24,278 - [laughs] OKAY. 62 00:02:24,278 --> 00:02:25,413 - THAT'S RIGHT. THAT'S RAISING CAIN. 63 00:02:25,413 --> 00:02:27,248 THAT'S RIGHT. AND YOU KNOW WHAT? 64 00:02:27,248 --> 00:02:28,416 I'D LIKE TO RAISE A LITTLE CAIN WITH YOU. 65 00:02:28,416 --> 00:02:30,284 LISA, THANKS FOR YOUR USUAL 66 00:02:30,284 --> 00:02:32,720 COMPASSIONATE, ANTEBELLUM ANALYSIS. 67 00:02:32,720 --> 00:02:35,323 FOLKS, FOUR MORE MONTHS OF THIS TORTURE 68 00:02:35,323 --> 00:02:36,757 UNTIL THE ELECTION. 69 00:02:36,757 --> 00:02:38,392 AND SPEAKING OF TORTURE, 70 00:02:38,392 --> 00:02:41,362 IS YOUR LOCAL SEX SHOP SOLD OUT OF WHIPS AND HANDCUFFS? 71 00:02:41,362 --> 00:02:42,896 WELL, YOU CAN BLAME IT ON OUR NEXT GUEST. 72 00:02:42,896 --> 00:02:44,865 HER RUNAWAY BESTSELLER TWENTY-FIVE ACTS 73 00:02:44,865 --> 00:02:47,735 FOLLOWS A WOMAN'S JOURNEY INTO A WORLD OF DOMINATION, 74 00:02:47,735 --> 00:02:51,239 AND IT'S REVOLUTIONIZING WOMEN'S ATTITUDES TOWARD SEX. 75 00:02:51,239 --> 00:02:53,641 I'M JUST GLAD THEY WANT IT ALL. 76 00:02:53,641 --> 00:02:56,677 NOW HER BOOK MAKES FIFTY SHADES LOOK LIKE A DISNEY STORY. 77 00:02:56,677 --> 00:03:00,414 SHE IS HOT, RICH, KINKY. 78 00:03:00,414 --> 00:03:02,216 I THINK I'M IN LOVE. 79 00:03:02,216 --> 00:03:04,352 LADIES AND GENTLEMEN, JOCELYN PALEY. 80 00:03:04,352 --> 00:03:09,223 [applause] 81 00:03:09,223 --> 00:03:11,392 I DON'T KNOW IF I SHOULD KISS YOU OR SPANK YOU. 82 00:03:11,392 --> 00:03:13,294 - WHO SAYS YOU CAN'T DO BOTH? 83 00:03:13,294 --> 00:03:15,329 [laughter] - PLEASE. 84 00:03:15,329 --> 00:03:17,365 YOU DID GREAT. THE AUDIENCE LOVED YOU. 85 00:03:17,365 --> 00:03:19,733 - ONLY BECAUSE I HAD A GOOD PARTNER. 86 00:03:22,236 --> 00:03:24,405 SO... 87 00:03:24,405 --> 00:03:27,408 ADAM... 88 00:03:27,408 --> 00:03:29,843 WHAT'S YOUR FANTASY? 89 00:03:40,321 --> 00:03:42,990 [both chuckling] 90 00:03:48,262 --> 00:03:50,331 [buttons clattering on floor] 91 00:03:52,032 --> 00:03:55,369 - ACT TWO. I SAY WHEN YOU CAN TOUCH ME. 92 00:03:55,369 --> 00:03:57,338 - WELL, I'M SORRY, SIR. - TURN AROUND. 93 00:03:57,338 --> 00:04:00,574 GET ON THE BED. 94 00:04:00,574 --> 00:04:03,311 NO, NO, ON ALL FOURS. 95 00:04:07,581 --> 00:04:10,384 YOU NEED TO BE PUNISHED. 96 00:04:10,384 --> 00:04:11,452 [thwack] - AH! 97 00:04:11,452 --> 00:04:13,787 THAT REALLY HURT. S-STOP IT-- 98 00:04:13,787 --> 00:04:16,290 [gags] STO-- 99 00:04:16,290 --> 00:04:17,525 [strained] STOP! 100 00:04:17,525 --> 00:04:20,861 - YOU DON'T TELL ME... WHAT TO DO. 101 00:04:20,861 --> 00:04:23,397 - [gasping] 102 00:05:13,681 --> 00:05:15,383 - SARA PALERMO, JOCELYN'S BOOK TOUR ESCORT. 103 00:05:15,383 --> 00:05:16,850 - RIGHT. YOU CALLED 911. 104 00:05:16,850 --> 00:05:19,453 - I WENT TO HER HOTEL TO TAKE HER TO A RADIO SHOW. 105 00:05:19,453 --> 00:05:21,555 SHE WAS CRYING--THERE WAS BLOOD ON HER NIGHTGOWN. 106 00:05:21,555 --> 00:05:23,023 - OKAY, DID SHE TELL YOU WHAT HAPPENED? 107 00:05:23,023 --> 00:05:24,858 - SHE KEEPS SAYING NOTHING HAPPENED, 108 00:05:24,858 --> 00:05:26,760 BUT SHE HAS BRUISES AND A MARK ON HER NECK. 109 00:05:26,760 --> 00:05:28,696 - OKAY, AND WHEN'S THE LAST TIME YOU SAW HER 110 00:05:28,696 --> 00:05:30,698 BEFORE ALL OF THAT? - SHE HAD A TAPING YESTERDAY. 111 00:05:30,698 --> 00:05:32,666 ADAM CAIN. - THE TALK SHOW HOST. 112 00:05:32,666 --> 00:05:34,702 - HE ASKED HER OUT AFTER. SHE WAS SKY HIGH. 113 00:05:34,702 --> 00:05:37,771 TODAY NOT A WORD. WHAT'S THAT SOUND LIKE TO YOU? 114 00:05:37,771 --> 00:05:39,139 - I WASN'T RAPED. 115 00:05:39,139 --> 00:05:41,675 I DIDN'T ASK HER TO CALL THE POLICE. 116 00:05:41,675 --> 00:05:43,477 - OKAY, BUT THERE'S... PAPERWORK. 117 00:05:43,477 --> 00:05:46,547 CAN YOU JUST CONFIRM THAT YOU WERE ON A DATE WITH MR. CAIN? 118 00:05:46,547 --> 00:05:48,682 - JUST FOR DRINKS, THEN HIS PLACE. 119 00:05:48,682 --> 00:05:50,418 - THAT BRUISE ON YOUR NECK. 120 00:05:50,418 --> 00:05:51,719 THAT FROM HIM? 121 00:05:51,719 --> 00:05:53,421 - HE GOT A LITTLE HANDSY. 122 00:05:53,421 --> 00:05:56,390 - BECAUSE IT REALLY LOOKS MORE LIKE A BELT DID IT. 123 00:05:56,390 --> 00:05:58,426 - DID YOU ASK HIM TO DO THAT TO YOU? 124 00:05:58,426 --> 00:06:01,629 - NO, BUT I THINK HE THOUGHT IT WAS PART OF THE SEX. 125 00:06:01,629 --> 00:06:04,632 - SO YOU DID HAVE SEX. 126 00:06:04,632 --> 00:06:06,567 - [stammering] HE--HE... 127 00:06:06,567 --> 00:06:09,737 PUT IT INSIDE ME, BUT NOT WHERE I WAS USED TO. 128 00:06:11,405 --> 00:06:13,607 - DID YOU TELL HIM TO STOP? 129 00:06:13,607 --> 00:06:14,575 - I TRIED. 130 00:06:14,575 --> 00:06:16,977 HE PULLED THE BELT SO TIGHT, I COULDN'T TALK. 131 00:06:16,977 --> 00:06:21,048 I-I HAD BEEN FLIRTING WITH HIM ALL NIGHT. 132 00:06:21,048 --> 00:06:23,551 I TOLD HIM I WANTED HIM TO DOMINATE ME. 133 00:06:23,551 --> 00:06:25,986 I DON'T SEE HOW I CAN CALL THAT RAPE. 134 00:06:25,986 --> 00:06:28,055 - OKAY, WELL, WE DON'T HAVE TO DECIDE THAT RIGHT NOW. 135 00:06:28,055 --> 00:06:30,824 BUT IN THE MEANTIME... YOU SHOULD DO A RAPE KIT. 136 00:06:30,824 --> 00:06:32,560 JUST IN CASE. 137 00:06:32,560 --> 00:06:33,594 - I WON'T NEED IT. 138 00:06:33,594 --> 00:06:36,697 - DID HE USE A CONDOM? 139 00:06:36,697 --> 00:06:39,800 HONEY, YOU'RE GONNA NEED TO GET TESTED FOR STDs. 140 00:06:43,571 --> 00:06:45,205 - SCARING SOMEONE INTO GETTING A RAPE KIT? 141 00:06:45,205 --> 00:06:47,708 SOMETIMES IT'S BETTER TO BUILD TRUST. 142 00:06:47,708 --> 00:06:48,976 - IT'S NOT GONNA MATTER EITHER WAY. 143 00:06:48,976 --> 00:06:50,744 HAVE YOU READ HER BOOK? - NO. 144 00:06:50,744 --> 00:06:52,646 - MY SISTER GAVE IT TO ME, RIGHT? 145 00:06:52,646 --> 00:06:54,648 IN ACT FIVE, THE MAIN CHARACTER 146 00:06:54,648 --> 00:06:56,617 IS CHOKED WITH A BELT AND SODOMIZED. 147 00:06:56,617 --> 00:06:58,686 SHE HAS, LIKE, 18 ORGASMS. 148 00:06:58,686 --> 00:07:00,888 - GREAT. THAT'S A BEST-SELLER. 149 00:07:00,888 --> 00:07:02,556 - AND FOR YOU PERSONALLY, 150 00:07:02,556 --> 00:07:03,991 HOW ARE YOU DEALING WITH ALL THIS ATTENTION? 151 00:07:03,991 --> 00:07:06,594 - MY LIFE FEELS A LITTLE OUT OF CONTROL. 152 00:07:06,594 --> 00:07:07,761 - SOME DISCIPLINE MIGHT HELP. OR HURT. 153 00:07:07,761 --> 00:07:09,763 - IDEALLY, BOTH. 154 00:07:09,763 --> 00:07:11,465 - WELL, STAY WITH US, AMERICA. 155 00:07:11,465 --> 00:07:12,833 WE'LL BE RIGHT BACK AFTER THIS BREAK. 156 00:07:12,833 --> 00:07:14,602 [applause] OR MAYBE WE WON'T. 157 00:07:14,602 --> 00:07:16,069 - SHE'S GIVING AS GOOD AS SHE GETS HERE. 158 00:07:16,069 --> 00:07:18,606 - BUT IT TURNED UGLY WHEN THEY WERE ALONE. 159 00:07:18,606 --> 00:07:21,208 - SHE'S NOT CLAIMING RAPE, BUT SHE AGREED TO A RAPE KIT? 160 00:07:21,208 --> 00:07:23,711 - WELL, RELUCTANTLY. SHE HAS ANAL FISSURES 161 00:07:23,711 --> 00:07:25,746 AND A SEVERE LIGATURE MARK ON HER NECK. 162 00:07:25,746 --> 00:07:27,080 - SHE DIDN'T PRESS CHARGES? 163 00:07:27,080 --> 00:07:28,582 - NO, SHE'S WORRIED, YOU KNOW, 164 00:07:28,582 --> 00:07:30,884 BECAUSE OF HER BOOK. 165 00:07:30,884 --> 00:07:32,920 - HER PROSE IS PRETTY FLORID, ALTHOUGH I ADMIRE ANY AUTHOR 166 00:07:32,920 --> 00:07:36,256 WHO CAN WORK IN NIPPLE CLAMPS AND ALBINONI'S ADAGIO 167 00:07:36,256 --> 00:07:38,158 IN ONE SENTENCE. - YOU READ THIS? 168 00:07:38,158 --> 00:07:40,093 - THE YENTAS AT MY MOTHER'S RETIREMENT HOME 169 00:07:40,093 --> 00:07:42,663 WERE PASSING IT AROUND AND MY MOTHER'S LOSING HER SIGHT, 170 00:07:42,663 --> 00:07:44,932 SO I READ IT TO HER. - OKAY, THIS ISN'T A BOOK CLUB. 171 00:07:44,932 --> 00:07:47,701 IF SHE'S NOT PRESSING CHARGES, WHY ARE WE WASTING OUR TIME? 172 00:07:50,538 --> 00:07:53,674 - CAPTAIN, YOU'RE NEW TO SVU. 173 00:07:53,674 --> 00:07:57,578 VICTIMS SOMETIMES TAKE TIME TO PROCESS. 174 00:07:57,578 --> 00:07:59,747 SHE SAID STOP. HE TIGHTENED THE BELT. 175 00:07:59,747 --> 00:08:01,849 HE PROBABLY THOUGHT THAT, GIVEN HER BOOK, 176 00:08:01,849 --> 00:08:03,150 THAT HE COULD GET AWAY WITH IT. 177 00:08:03,150 --> 00:08:05,786 - AND THERE ARE RUMORS ABOUT THIS GUY. 178 00:08:05,786 --> 00:08:07,154 I MEAN, HE'S FORWARD WITH HIS FEMALE GUESTS, 179 00:08:07,154 --> 00:08:08,722 ESPECIALLY THE HOT ONES, AND YOU KNOW WHAT? 180 00:08:08,722 --> 00:08:10,558 THERE'S A POSSIBILITY THAT HE CROSSED THE LINE 181 00:08:10,558 --> 00:08:12,593 WITH A FEW OF HIS INTERNS. 182 00:08:12,593 --> 00:08:13,894 - HOLD ON. CAIN MAY BE A LADIES' MAN, 183 00:08:13,894 --> 00:08:15,563 BUT HE IS ONE OF THE GOOD GUYS. 184 00:08:15,563 --> 00:08:16,997 - WE'VE SEEN HIM AT BENEFITS. 185 00:08:16,997 --> 00:08:18,599 POLICE WIDOWS, BATTERED WOMEN. 186 00:08:18,599 --> 00:08:19,700 HE NEVER SAYS NO. 187 00:08:19,700 --> 00:08:22,235 - YOU MEAN HE NEVER HEARS NO. - OKAY. 188 00:08:22,235 --> 00:08:24,738 FIN AND MUNCH, PAY CAIN A FRIENDLY VISIT 189 00:08:24,738 --> 00:08:27,140 BEFORE CHARGES, BEFORE HE LAWYERS UP. 190 00:08:27,140 --> 00:08:29,810 BENSON, ROLLINS, CHECK AND SEE 191 00:08:29,810 --> 00:08:31,879 IF JOCELYN'S HAD TIME TO PROCESS. 192 00:08:31,879 --> 00:08:36,684 - AND I'M WHAT... READING THE BOOK? 193 00:08:36,684 --> 00:08:37,851 - AND YOU'RE GONNA FOLLOW UP ON THE RUMORS 194 00:08:37,851 --> 00:08:39,753 ABOUT CAIN AND HIS INTERNS. 195 00:08:39,753 --> 00:08:42,823 IF HE DID DO WHAT SHE SAYS, HE'S DONE IT BEFORE. 196 00:08:42,823 --> 00:08:45,593 YOU, UH, BRINGING ROLLINS UP TO SPEED? 197 00:08:45,593 --> 00:08:46,727 - UP TO SPEED? - MM-HMM. 198 00:08:46,727 --> 00:08:48,061 - SHE'S BEEN HERE A YEAR. 199 00:08:48,061 --> 00:08:49,997 SHE HAS A DEGREE IN FORENSIC SCIENCE. 200 00:08:49,997 --> 00:08:53,734 - YEAH, BUT YOU'RE NOT SHY ABOUT SHARING YOUR EXPERIENCE. 201 00:08:53,734 --> 00:08:56,637 SHARE IT WITH HER, NOT ME. OKAY? 202 00:08:59,206 --> 00:09:00,941 - I KNOW YOU THINK IT'S A JOKE, 203 00:09:00,941 --> 00:09:02,776 BUT IT'S NOT. IT'S JOKE-LIKE. 204 00:09:02,776 --> 00:09:04,344 PLEASE MAKE ME FUNNY. PLEASE. 205 00:09:04,344 --> 00:09:06,113 - ADAM CAIN. - YEAH, HEY! 206 00:09:06,113 --> 00:09:07,781 DETECTIVE MUNCH, RIGHT? YEAH. 207 00:09:07,781 --> 00:09:09,717 PLEASE DON'T SHOOT ME. I'M A BLEEDER. 208 00:09:09,717 --> 00:09:11,752 - YOU REMEMBER MY PARTNER FIN? HE'S A BIG FAN. 209 00:09:11,752 --> 00:09:14,054 - WHAT IS IT, IS IT THE WIDOW'S FUND AGAIN? 210 00:09:14,054 --> 00:09:15,656 WHAT CAN I DO? DO YOU NEED SOME TICKETS 211 00:09:15,656 --> 00:09:17,591 OR SOME BACKSTAGE TOURS? WHAT? 212 00:09:17,591 --> 00:09:19,159 - NO, WE'RE HERE TO TALK TO YOU ABOUT JOCELYN PALEY. 213 00:09:19,159 --> 00:09:20,360 SHE WAS A GUEST ON YOUR SHOW LAST NIGHT. 214 00:09:20,360 --> 00:09:21,729 - YEAH, THAT'S RIGHT. WHY? 215 00:09:21,729 --> 00:09:23,797 - YOU TWO WENT OUT TO DINNER AFTER? 216 00:09:23,797 --> 00:09:25,232 - COME ON, GUYS. DON'T SANDBAG ME. 217 00:09:25,232 --> 00:09:27,100 IS JOSS OKAY? SOMETHING HAPPEN? 218 00:09:27,100 --> 00:09:28,335 - SHE MAY HAVE BEEN ASSAULTED. 219 00:09:28,335 --> 00:09:30,237 - OH, MY GOD. 220 00:09:30,237 --> 00:09:33,741 I PUT HER IN A CAR SERVICE LAST NIGHT AT 1:00. 221 00:09:33,741 --> 00:09:36,309 SHE SEEMED FINE. JUST A LITTLE TIPSY, BUT... 222 00:09:36,309 --> 00:09:37,911 WAS IT THE DRIVER? 223 00:09:37,911 --> 00:09:39,747 - NOTHING ROUGH BETWEEN YOU TWO? 224 00:09:39,747 --> 00:09:42,249 - SERIOUSLY? WHAT DID SHE SAY? 225 00:09:42,249 --> 00:09:44,151 - WHY DON'T YOU TELL US YOUR SIDE? 226 00:09:44,151 --> 00:09:46,787 - [laughs] OH, JEEZ. 227 00:09:49,723 --> 00:09:51,158 YOU KNOW HER BOOK, RIGHT? 228 00:09:51,158 --> 00:09:53,060 WELL, WE ACTED OUT A FEW SCENES. 229 00:09:53,060 --> 00:09:56,163 SHE WANTED ME TO THROW HER DOWN AND...TAKE CONTROL. 230 00:09:56,163 --> 00:09:58,398 - WHOSE IDEA WAS THE BELT? 231 00:09:58,398 --> 00:10:01,735 - THAT? THAT WAS HERS. 232 00:10:01,735 --> 00:10:03,203 - YOU SAID YOU WERE IN CONTROL. 233 00:10:03,203 --> 00:10:06,273 - EVERYTHING THAT HAPPENED BETWEEN US WAS CONSENSUAL. 234 00:10:06,273 --> 00:10:07,908 NOW, LOOK, I DON'T WANNA KISS AND TELL, 235 00:10:07,908 --> 00:10:09,743 BUT SHE GAVE ME HER PANTIES IN THE RESTAURANT. 236 00:10:09,743 --> 00:10:11,712 SHE WAS ALL OVER ME. 237 00:10:11,712 --> 00:10:13,180 NOW I KNOW YOU GUYS GOT BETTER THINGS TO DO. 238 00:10:13,180 --> 00:10:14,848 I KNOW I DO. I GOT A SHOW TO PREP. 239 00:10:14,848 --> 00:10:17,184 I'LL SEE YOU LATER. 240 00:10:17,184 --> 00:10:19,687 - THE GUY SEEM TESTY TO YOU? 241 00:10:19,687 --> 00:10:23,356 - NO CHARGES FILED, AND I HATE THIS CASE ALREADY. 242 00:10:26,393 --> 00:10:28,762 - I HADN'T HAD AN ORGASM SINCE I HAD MY THIRD KID, 243 00:10:28,762 --> 00:10:30,998 AND THEN I READ YOUR BOOK. - FOUND YOUR INNER VENUS? 244 00:10:30,998 --> 00:10:33,400 - AND THEN SOME. HEY, CAN YOU MAKE THAT OUT TO JACK? 245 00:10:33,400 --> 00:10:37,004 MY HUSBAND IS YOUR BIGGEST FAN. - JOCELYN. 246 00:10:37,004 --> 00:10:38,672 - UH, I'M A LITTLE BUSY. 247 00:10:38,672 --> 00:10:41,041 - WE WON'T TAKE UP MUCH TIME. 248 00:10:45,713 --> 00:10:47,180 - HOW YOU FEELING? 249 00:10:47,180 --> 00:10:49,349 - LONG DAY. I'M FINE. 250 00:10:49,349 --> 00:10:51,451 - JOCELYN, YOU HAD SOME PRETTY SERIOUS INJURIES. 251 00:10:51,451 --> 00:10:54,387 YOU MAY WANNA TAKE IT EASY. 252 00:10:54,387 --> 00:10:55,723 - THEY GAVE ME TYLENOL AND CODEINE. 253 00:10:55,723 --> 00:10:57,257 I'M A HAPPY CAMPER. 254 00:10:57,257 --> 00:10:58,759 - OKAY, FROM YOUR REACTION, 255 00:10:58,759 --> 00:11:01,361 IT SOUNDS LIKE YOU MAY BE IN SHOCK. 256 00:11:01,361 --> 00:11:03,697 - I'M IN THE MIDDLE OF A TEN-CITY BOOK TOUR. 257 00:11:03,697 --> 00:11:06,466 ANTHRACITE MAGAZINE IS THROWING ME A PARTY TONIGHT. 258 00:11:06,466 --> 00:11:08,435 THE LAST THING I NEED TO DO IS DEAL WITH THIS NOW. 259 00:11:08,435 --> 00:11:09,937 - OKAY, LISTEN, HONEY, 260 00:11:09,937 --> 00:11:11,404 LATER ON, IF YOU DO DECIDE TO PRESS CHARGES, 261 00:11:11,404 --> 00:11:14,174 THIS BEHAVIOR IS GONNA MAKE A JURY THINK TWICE. 262 00:11:14,174 --> 00:11:15,943 YOU UNDERSTAND? 263 00:11:15,943 --> 00:11:18,011 IT'S SCREWED UP, BUT THAT'S THE TRUTH. 264 00:11:18,011 --> 00:11:20,347 - I'M A BIG GIRL. EVERYONE'S WAITING. 265 00:11:20,347 --> 00:11:23,817 - IF YOU NEED US... WILL YOU CALL? 266 00:11:28,756 --> 00:11:31,391 - ALL RIGHT! WHO'S NEXT? 267 00:11:31,391 --> 00:11:32,860 [woman murmurs] 268 00:11:32,860 --> 00:11:36,396 [background chatter] 269 00:11:36,396 --> 00:11:39,767 - YOU'VE CERTAINLY TURNED THE PUBLISHING WORLD ON END. 270 00:11:39,767 --> 00:11:42,302 WHICH I GATHER IS A POSITION YOU LIKE AS WELL. 271 00:11:44,104 --> 00:11:45,739 - A TOAST! LADIES AND GENTLEMEN, 272 00:11:45,739 --> 00:11:47,440 A TOAST TO OUR GUEST OF HONOR. 273 00:11:47,440 --> 00:11:49,910 JOCELYN, THANK YOU 274 00:11:49,910 --> 00:11:52,512 FOR UNLEASHING THE INNER VENUS WITHIN EVERY AMERICAN WOMAN. 275 00:11:52,512 --> 00:11:55,515 EVERY AMERICAN MAN IS DEEPLY, AND I DO MEAN DEEPLY, 276 00:11:55,515 --> 00:11:57,484 GRATEFUL. 277 00:11:57,484 --> 00:11:59,753 HEAR, HEAR! 278 00:12:12,766 --> 00:12:14,101 [elevator bell dings] 279 00:12:24,311 --> 00:12:26,513 - [gasps] 280 00:12:28,315 --> 00:12:29,917 ADAM, WHAT ARE YOU-- 281 00:12:29,917 --> 00:12:33,286 - YOU TALKED TO THE COPS? BITCH. 282 00:12:36,890 --> 00:12:40,327 YOU KNOW YOU WANTED IT. 283 00:12:40,327 --> 00:12:42,529 AND YOU KNOW THAT YOU WANT THIS TOO. 284 00:12:42,529 --> 00:12:45,565 [zip] 285 00:12:45,565 --> 00:12:47,835 - [gasps] AH! 286 00:12:54,407 --> 00:12:56,309 - JOCELYN. - I'M SO SORRY. 287 00:12:56,309 --> 00:12:58,178 I JUST COULDN'T HANDLE A POLICE STATION RIGHT NOW. 288 00:12:58,178 --> 00:13:01,181 - OH, PLEASE COME IN. THAT'S WHY I GAVE YOU MY CARD. 289 00:13:01,181 --> 00:13:03,116 CAN I GET YOU ANYTHING? 290 00:13:03,116 --> 00:13:05,452 - HE SHOWED UP TO MY PARTY. HE WASN'T ON THE LIST. 291 00:13:05,452 --> 00:13:07,054 HE--HE MADE A TOAST. 292 00:13:07,054 --> 00:13:09,589 - SLOW DOWN. YOU MEAN "HE"--ADAM CAIN? 293 00:13:09,589 --> 00:13:11,358 - I JUST HAD TO LEAVE. I WENT INTO AN ELEVATOR, 294 00:13:11,358 --> 00:13:12,860 AND HE FOLLOWED ME IN. 295 00:13:12,860 --> 00:13:14,361 HE WAS SO ANGRY. 296 00:13:14,361 --> 00:13:16,329 HE THOUGHT I TOLD THE POLICE HE RAPED ME. 297 00:13:16,329 --> 00:13:18,498 DID YOU TELL HIM I SAID THAT? 298 00:13:18,498 --> 00:13:23,003 - WE DID SEND DETECTIVES TO TALK TO HIM. 299 00:13:23,003 --> 00:13:25,138 - WHY WOULD YOU DO THAT? 300 00:13:25,138 --> 00:13:26,439 THIS IS ALL YOUR FAULT! 301 00:13:26,439 --> 00:13:28,141 - I KNOW HOW UPSETTING THIS IS. 302 00:13:28,141 --> 00:13:30,210 WHY DON'T YOU COME HAVE A SEAT, OKAY? 303 00:13:30,210 --> 00:13:34,314 I NEED YOU TO TELL ME EXACTLY WHAT HE DID, OKAY? 304 00:13:34,314 --> 00:13:37,017 SIT. 305 00:13:37,017 --> 00:13:39,419 - HE--HE PULLED UP MY SKIRT. 306 00:13:39,419 --> 00:13:42,155 [sniffles] 307 00:13:42,155 --> 00:13:44,557 GOD... 308 00:13:44,557 --> 00:13:46,994 HE DID IT AGAIN. 309 00:13:46,994 --> 00:13:49,162 - HE RAPED YOU? 310 00:13:51,231 --> 00:13:55,302 - HE--HE SAID I WANTED IT LIKE I WANTED IT LAST NIGHT. 311 00:13:55,302 --> 00:13:58,005 - AND WHAT DID YOU SAY? 312 00:13:58,005 --> 00:14:01,008 - I DIDN'T SAY ANYTHING. I JUST FROZE. 313 00:14:01,008 --> 00:14:03,076 - OKAY, THAT'S NOT UNUSUAL. 314 00:14:03,076 --> 00:14:05,078 - WHEN THE ELEVATOR LANDED, 315 00:14:05,078 --> 00:14:09,282 HE SAID, "IF YOU SCREW WITH ME, YOU'LL BE SORRY." 316 00:14:09,282 --> 00:14:13,353 - JOCELYN, ARE YOU READY TO PRESS CHARGES NOW? 317 00:14:21,261 --> 00:14:23,163 - IT'S PRETTY BRAZEN. 318 00:14:23,163 --> 00:14:24,631 HE MUST HAVE KNOWN THAT THERE WERE SECURITY CAMERAS. 319 00:14:24,631 --> 00:14:26,666 - HE ALSO PROBABLY KNOWS IT'S ACT NINE OF THE BOOK-- 320 00:14:26,666 --> 00:14:29,169 ELEVATOR SEX. 321 00:14:29,169 --> 00:14:30,938 I READ THE MASTERPIECE LAST NIGHT. 322 00:14:30,938 --> 00:14:33,273 - IT DOESN'T LOOK LIKE SHE'S ENJOYING IT. 323 00:14:33,273 --> 00:14:35,275 - DOESN'T LOOK LIKE SHE'S RESISTING EITHER. 324 00:14:35,275 --> 00:14:37,344 - WELL, THAT'S CALLED TONIC IMMOBILITY, FIN. 325 00:14:37,344 --> 00:14:39,246 - SHE WAS TRAUMATIZED FROM THE NIGHT BEFORE. 326 00:14:39,246 --> 00:14:40,613 HE GOES AFTER HER AGAIN. 327 00:14:40,613 --> 00:14:42,449 NOW EVERYBODY KNOWS FIGHT OR FLIGHT. 328 00:14:42,449 --> 00:14:46,086 BUT THERE IS A THIRD RESPONSE, AND THAT'S YOU FREEZE. 329 00:14:46,086 --> 00:14:47,620 - GOOD LUCK TRYING TO SELL THAT TO A JURY. 330 00:14:47,620 --> 00:14:50,023 - NO, ROLLINS KNOWS HER STUFF. 331 00:14:50,023 --> 00:14:52,492 WOULDN'T HURT THE REST OF YOU TO KEEP UP WITH THE LITERATURE. 332 00:14:52,492 --> 00:14:55,028 SO...JOCELYN READY TO PRESS CHARGES? 333 00:14:55,028 --> 00:14:57,064 - WE'RE READY TO GO TO THE D.A. 334 00:14:57,064 --> 00:14:58,498 - WELL, WHICH ONE? 335 00:14:58,498 --> 00:15:02,135 THEY'VE ALL LAWYERED UP SINCE DELIA WILSON NAMED NAMES. 336 00:15:02,135 --> 00:15:03,670 - I GOT SOMEBODY. 337 00:15:03,670 --> 00:15:05,305 RAFAEL BARBA. - HE'S THE GUY 338 00:15:05,305 --> 00:15:06,439 THAT PUT AWAY THE TWO JOHNS 339 00:15:06,439 --> 00:15:08,208 FOR RAPING A PROSTITUTE. - YEAH, THAT WAS A TOUGH CASE. 340 00:15:08,208 --> 00:15:11,144 I THOUGHT HE WAS IN BROOKLYN. - HE WAS. 341 00:15:11,144 --> 00:15:13,080 JUST REQUESTED A LATERAL TO MANHATTAN. 342 00:15:13,080 --> 00:15:15,582 GUY'S GOT BIG BRASS-- 343 00:15:15,582 --> 00:15:17,117 EGO. 344 00:15:17,117 --> 00:15:18,518 ADAM CAIN'S HIGH-PROFILE. 345 00:15:18,518 --> 00:15:21,288 SO'S JOCELYN. HE'S PERFECT. 346 00:15:23,256 --> 00:15:24,591 - COME ON, BARBA. 347 00:15:24,591 --> 00:15:26,960 THE VIC WAS DRUNK, HER MEMORY SPOTTY. 348 00:15:26,960 --> 00:15:28,661 AGGRAVATED ASSAULT. - YOUR CLIENT-- 349 00:15:28,661 --> 00:15:31,064 A JURY TAKES ONE LOOK AT THE SIMIAN CARRIAGE, 350 00:15:31,064 --> 00:15:32,565 THE NEANDERTHAL JAW-- I'LL GET HIM CONVICTED 351 00:15:32,565 --> 00:15:34,968 FOR KIDNAPPING THE LINDBERGH BABY. 352 00:15:34,968 --> 00:15:38,071 SO HOW ABOUT HE TAKES TEN AND SPARES US ALL THE HUMILIATION? 353 00:15:38,071 --> 00:15:39,406 - CALL YOU IN THE MORNING. 354 00:15:39,406 --> 00:15:42,575 - CAPTAIN. 355 00:15:42,575 --> 00:15:44,444 TAKE YOUR DAUGHTERS TO WORK DAY? 356 00:15:44,444 --> 00:15:48,315 - DETECTIVES BENSON AND ROLLINS, RAFAEL BARBA. 357 00:15:48,315 --> 00:15:52,452 I LIED AND TOLD THEM YOU KNOW YOUR WAY AROUND A COURTROOM. 358 00:15:52,452 --> 00:15:54,721 - THIS GIRL, SHE APPEARS CREDIBLE? 359 00:15:54,721 --> 00:15:56,423 - SHE'S CONCERNED ABOUT PERCEPTION, 360 00:15:56,423 --> 00:15:58,391 BUT SHE WAS RAPED TWICE. - I DIDN'T ASK IF SHE WAS RAPED. 361 00:15:58,391 --> 00:16:00,493 I ASKED IF SHE APPEARS CREDIBLE. 362 00:16:00,493 --> 00:16:02,295 - OKAY, I KNOW YOU HAVE TO ASK THAT-- 363 00:16:02,295 --> 00:16:04,464 - REASON BEING WE HAD A CASE ABOUT TWO MONTHS AGO, RED HOOK. 364 00:16:04,464 --> 00:16:06,033 GUY STRANGLED A GIRL SO HARD, 365 00:16:06,033 --> 00:16:07,267 HER EYES HAD PETECHIAL HEMORRHAGING. 366 00:16:07,267 --> 00:16:09,202 PUNK TELLS THE JURY THEY MET IN A BAR, 367 00:16:09,202 --> 00:16:10,470 SHE'S INTO S&M. IT'S A COMPLETE LIE. 368 00:16:10,470 --> 00:16:12,472 THE JURY DEADLOCKS. 369 00:16:12,472 --> 00:16:15,608 LATER WE FIND OUT THAT HALF OF THEM READ YOUR VICTIM'S BOOK. 370 00:16:15,608 --> 00:16:17,410 - OKAY, I'M CONFUSED. 371 00:16:17,410 --> 00:16:20,513 HARRIS TOLD US THAT YOU WIN CASES THAT EVERYBODY ELSE DUCKS. 372 00:16:20,513 --> 00:16:24,017 - SOMETIMES. LET ME TALK TO THE VICTIM. 373 00:16:24,017 --> 00:16:26,353 - SHE'S HAD A ROUGH COUPLE OF DAYS. 374 00:16:26,353 --> 00:16:28,755 - IF WE GO FORWARD, IT'S NOT GONNA GET ANY EASIER. 375 00:16:28,755 --> 00:16:31,658 DID YOU AND ADAM CAIN HAVE ANY CONTACT BEFORE THE SHOW? 376 00:16:31,658 --> 00:16:33,626 - NO, THAT WAS THE FIRST TIME WE MET. 377 00:16:33,626 --> 00:16:35,262 - AND AFTER THE SHOW, HE ASKED YOU OUT? 378 00:16:35,262 --> 00:16:36,763 - YES. I'VE GONE OVER ALL OF THIS. 379 00:16:36,763 --> 00:16:38,331 - YEAH, I'M SORRY, JOCELYN, BUT THIS IS 380 00:16:38,331 --> 00:16:40,333 ALL PART OF THE PROCESS. - I HAVE TO KNOW EVERYTHING 381 00:16:40,333 --> 00:16:41,634 ABOUT YOU-- NOT JUST YOU AND CAIN, 382 00:16:41,634 --> 00:16:44,171 BUT YOUR WHOLE PERSONAL HISTORY, EVERYTHING. 383 00:16:44,171 --> 00:16:46,073 BECAUSE THE ONE THING YOU DECIDE TO LEAVE OUT 384 00:16:46,073 --> 00:16:47,640 IS THE ONE THING THE DEFENSE IS GOING TO USE 385 00:16:47,640 --> 00:16:49,576 TO BLOW UP THE CASE. 386 00:16:49,576 --> 00:16:52,212 YOU MAY NOT LIKE ME WHEN WE'RE DONE. 387 00:16:52,212 --> 00:16:53,513 - I DON'T LIKE YOU NOW. 388 00:16:53,513 --> 00:16:56,349 - HONESTY. GOOD. 389 00:16:56,349 --> 00:16:58,585 LET'S START WITH YOUR DATING LIFE. 390 00:16:58,585 --> 00:17:00,587 YOU CURRENTLY SEEING ANYONE? 391 00:17:00,587 --> 00:17:02,289 - NO, I DON'T HAVE TIME. 392 00:17:02,289 --> 00:17:04,624 - BUT YOU ARE WRITING A DATING ADVICE COLUMN. 393 00:17:04,624 --> 00:17:06,393 - THOSE WHO CAN'T DO, BLOG. 394 00:17:06,393 --> 00:17:08,728 - EVER ACCUSED ANYONE ELSE OF RAPE? 395 00:17:08,728 --> 00:17:10,163 - NO. 396 00:17:10,163 --> 00:17:11,631 - HAVE YOU EVER BEEN RAPED BEFORE? 397 00:17:11,631 --> 00:17:14,401 - I JUST SAID NO. - THEY'RE NOT THE SAME THING. 398 00:17:14,401 --> 00:17:16,536 YOUR DATING LIFE IN COLLEGE-- TELL ME ALL ABOUT IT. 399 00:17:16,536 --> 00:17:18,371 - ADAM CAIN'S DEMEANOR-- SOMEWHERE BETWEEN 400 00:17:18,371 --> 00:17:21,174 CHARMING AND COCKY. - HE DIDN'T CHARM ME. 401 00:17:21,174 --> 00:17:22,642 - DID HE SEEM LIKE THE KIND OF GUY 402 00:17:22,642 --> 00:17:24,111 WHO DIDN'T REALIZE HE'D CROSSED THE LINE? 403 00:17:24,111 --> 00:17:25,678 - NO, HE KNEW. THE ONLY DIFFERENCE 404 00:17:25,678 --> 00:17:27,580 BETWEEN HIM AND A POWER ASSERTIVE RAPIST 405 00:17:27,580 --> 00:17:29,249 IS HE'S GOT A BETTER VOCABULARY. 406 00:17:29,249 --> 00:17:30,250 - I THOUGHT YOU DIDN'T MEET HIM. 407 00:17:30,250 --> 00:17:33,186 - I DID SOME DIGGING. THERE'S A LOT OF RUMORS. 408 00:17:33,186 --> 00:17:35,488 HE PREYS ON YOUNG GIRLS NEW TO THE CITY. 409 00:17:35,488 --> 00:17:38,225 - ANY OF THEM PRESS CHARGES? - JOCELYN WILL BE THE FIRST. 410 00:17:38,225 --> 00:17:40,127 - OKAY. THERE'S NO RUSH. POWERFUL GUY. 411 00:17:40,127 --> 00:17:42,195 WE GO UP AGAINST HIM, WE MOVE DELIBERATELY. 412 00:17:42,195 --> 00:17:43,796 - MAYBE WE DO, HE DOESN'T. 413 00:17:43,796 --> 00:17:46,266 HE DECIDED HE WAS GONNA LEAK HIS OPENING MONOLOGUE 414 00:17:46,266 --> 00:17:50,437 FOR TONIGHT'S BROADCAST, AND IT IS ALL OVER THE INTERNET. 415 00:17:50,437 --> 00:17:52,439 - YOU HEAR THESE STORIES-- 416 00:17:52,439 --> 00:17:55,442 POWERFUL MEN BEING ACCUSED OF DOING SOMETHING STUPID. 417 00:17:55,442 --> 00:17:58,311 WELL, NOW I'M ONE OF THOSE GUYS. 418 00:17:58,311 --> 00:18:01,414 THE MEDIA HE SAID, SHE SAID CIRCUS 419 00:18:01,414 --> 00:18:03,250 IS COMING TO TOWN, 420 00:18:03,250 --> 00:18:05,652 AND I AM ABOUT TO BE THROWN INTO THE RING OF FIRE. 421 00:18:05,652 --> 00:18:09,122 I'M ABOUT TO BE ACCUSED OF RAPE 422 00:18:09,122 --> 00:18:11,324 BY AUTHOR JOCELYN PALEY. 423 00:18:11,324 --> 00:18:13,560 NOW, BEFORE I'M CHARGED, 424 00:18:13,560 --> 00:18:17,464 I JUST WANT TO MAKE ONE THING PERFECTLY CLEAR. 425 00:18:17,464 --> 00:18:20,367 UNLIKE A CERTAIN FORMER PRESIDENT... 426 00:18:20,367 --> 00:18:24,271 I DID HAVE SEX WITH THAT WOMAN. 427 00:18:24,271 --> 00:18:28,141 NOW, I KNOW IT, AND SHE DAMN WELL KNOWS IT TOO. 428 00:18:28,141 --> 00:18:31,544 - SMART MOVE. GOT IN FRONT OF IT. 429 00:18:31,544 --> 00:18:33,713 - RIGHT OUT OF LETTERMAN'S PLAYBOOK. 430 00:18:33,713 --> 00:18:36,183 - THAT'S NOT FAIR. LETTERMAN DIDN'T RAPE ANYONE. 431 00:18:36,183 --> 00:18:37,584 - JUST LET HIM KEEP RUNNING HIS MOUTH. 432 00:18:37,584 --> 00:18:39,786 LIKE THE COUNSELOR SAYS, WE'LL TAKE OUR TIME, 433 00:18:39,786 --> 00:18:41,388 BUT WE'LL GET HIM. - AND IN THE MEANTIME? 434 00:18:41,388 --> 00:18:44,324 HE CAN JUST USE HIS SHOW AS A BULLY PULPIT? 435 00:18:44,324 --> 00:18:46,259 - CAIN JUST FORCED OUR HAND. 436 00:18:46,259 --> 00:18:49,396 WE HAVE TO STRIKE BACK. 437 00:18:50,697 --> 00:18:52,699 - CITIZEN CANE, READY FOR YOUR CLOSE UP? 438 00:18:52,699 --> 00:18:54,401 LET'S GO. 439 00:18:54,401 --> 00:18:56,369 - LOOK, WE DON'T NEED TO DO THIS HERE, FELLAS. 440 00:18:56,369 --> 00:18:59,172 I CAN COME IN TOMORROW WITH MY LAWYER. 441 00:18:59,172 --> 00:19:00,673 - COME ON, STAND UP, EMMY BOY. 442 00:19:00,673 --> 00:19:04,411 IF YOU WANTED PRIVACY, YOU SHOULDN'T HAVE MOUTHED OFF. 443 00:19:04,411 --> 00:19:05,578 [reporters shouting] - AH! 444 00:19:05,578 --> 00:19:07,347 - GET YOUR HEAD UP, CAIN. - YOU'RE RIGHT. 445 00:19:07,347 --> 00:19:08,615 I'VE DONE NOTHING TO BE ASHAMED OF. 446 00:19:08,615 --> 00:19:10,817 THIS IS A JOKE! NYPD GOT SO JAMMED UP 447 00:19:10,817 --> 00:19:12,619 WITH THEIR HOOKER SCANDAL, 448 00:19:12,619 --> 00:19:14,487 THEY'LL DO ANYTHING THEY CAN TO DISTRACT FROM IT. 449 00:19:14,487 --> 00:19:16,389 - YOU DON'T KNOW WHEN TO SHUT UP! 450 00:19:16,389 --> 00:19:18,391 - COURT OF PUBLIC OPINION, BABY. IT'S MY WHEELHOUSE. 451 00:19:18,391 --> 00:19:20,827 - TAKING DOWN RAPISTS-- THAT'S OURS. 452 00:19:23,663 --> 00:19:25,398 - WE REQUEST REMAND. 453 00:19:25,398 --> 00:19:26,466 THE DEFENDANT HAS THE FINANCIAL MEANS TO FLEE, 454 00:19:26,466 --> 00:19:27,567 AND HE'S A CANADIAN CITIZEN 455 00:19:27,567 --> 00:19:28,935 WITH STRONG FAMILY TIES IN VANCOUVER. 456 00:19:28,935 --> 00:19:30,437 - MY CLIENT HAS STATED PUBLICLY 457 00:19:30,437 --> 00:19:31,771 THAT HE IS READY TO SHOW UP AT TRIAL 458 00:19:31,771 --> 00:19:33,573 AND FIGHT THESE FALSE ALLEGATIONS. 459 00:19:33,573 --> 00:19:35,775 - THAT PUBLIC STATEMENT WAS A TELEVISED ATTACK ON THE VICTIM. 460 00:19:35,775 --> 00:19:38,578 - FROM HIS PEABODY AWARD-WINNING POLITICAL PROGRAM. 461 00:19:38,578 --> 00:19:41,448 THIS IS THE STATE'S ATTEMPT TO CONTROL PUBLIC OUTRAGE. 462 00:19:41,448 --> 00:19:43,583 - THE ONLY THING THAT NEEDS CONTROL IS CAIN'S BEHAVIOR. 463 00:19:43,583 --> 00:19:45,618 HE'S ATTACKED JOCELYN PALEY TWICE IN TWO NIGHTS. 464 00:19:45,618 --> 00:19:47,554 - SAVE IT FOR THE TRIAL, COUNSELORS. 465 00:19:47,554 --> 00:19:48,588 I'M GRANTING REMAND. 466 00:19:48,588 --> 00:19:50,623 [taps gavel] 467 00:19:53,460 --> 00:19:54,694 - SO NOW YOU'RE AGAINST FREE SPEECH? 468 00:19:54,694 --> 00:19:56,563 - HOW ABOUT CAIN OPENS HIS MOUTH AGAIN, 469 00:19:56,563 --> 00:19:57,997 I'LL MOVE FOR A GAG ORDER? 470 00:19:57,997 --> 00:20:00,667 - FROM WHAT I READ, YOUR WITNESS LIKES THOSE TOO. 471 00:20:00,667 --> 00:20:02,435 - SHE'S A RAY OF SUNSHINE. 472 00:20:02,435 --> 00:20:03,736 - IT WAS GREAT WHEN SHE WAS ON OUR SIDE. 473 00:20:03,736 --> 00:20:05,572 THAT? THAT WAS JUST A WARNING SHOT. 474 00:20:05,572 --> 00:20:07,540 SHE'S GOING TO MOVE TO HAVE THE BOOK ADMITTED. 475 00:20:07,540 --> 00:20:09,442 - THERE GOES RAPE SHIELD. - YEP. 476 00:20:09,442 --> 00:20:11,744 THEY'RE GONNA FIND WHATEVER LOVER INSPIRED THE BOOK. 477 00:20:11,744 --> 00:20:13,946 HE'LL TESTIFY THAT SHE LIKED IT ROUGH FROM BEHIND. 478 00:20:13,946 --> 00:20:15,615 GAME OVER. 479 00:20:15,615 --> 00:20:17,584 - WELL, IT'S BETTER IF WE FIND THE GUY FIRST. 480 00:20:17,584 --> 00:20:19,419 - JOCELYN WENT TO SILVER SPRING COLLEGE IN MARYLAND. 481 00:20:19,419 --> 00:20:21,488 WE CAN DRIVE DOWN THERE TOMORROW MORNING. 482 00:20:21,488 --> 00:20:22,555 - TRY TONIGHT. ONCE WE ARRAIGNED CAIN, 483 00:20:22,555 --> 00:20:24,291 THE CLOCK STARTED TICKING. 484 00:20:24,291 --> 00:20:25,758 FIVE DAYS TO INDICT OR THE JUDGE RELEASES HIM. 485 00:20:25,758 --> 00:20:27,627 - YEAH, AND HE'LL GO BACK ON TV, 486 00:20:27,627 --> 00:20:28,895 HE'LL MOCK JOCELYN EVERY NIGHT UNTIL SHE FOLDS. 487 00:20:28,895 --> 00:20:31,398 WE GOTTA GO NOW. - NO, NOT YOU TWO. 488 00:20:31,398 --> 00:20:34,801 JOCELYN SEES YOU AS ADVOCATES. LET'S KEEP IT THAT WAY, HM? 489 00:20:38,471 --> 00:20:40,507 - JOCELYN AND I WERE TOGETHER FOUR YEARS. 490 00:20:40,507 --> 00:20:42,542 I THOUGHT WE WERE GONNA GET MARRIED. 491 00:20:42,542 --> 00:20:45,778 - SO SHE BROKE UP WITH YOU. - SHE SAID IT WAS HER, NOT ME. 492 00:20:45,778 --> 00:20:47,480 SHE HAD SO MUCH GOING ON WITH THE BOOK. 493 00:20:47,480 --> 00:20:49,749 - SO SHE WAS WRITING A LOT. - I GUESS. 494 00:20:49,749 --> 00:20:51,551 SHE WAS REALLY SECRETIVE ABOUT IT. 495 00:20:51,551 --> 00:20:52,785 I DIDN'T EVEN KNOW SHE WAS WORKING ON IT, 496 00:20:52,785 --> 00:20:54,487 TO TELL YOU THE TRUTH. 497 00:20:54,487 --> 00:20:56,456 - SO WHEN'D SHE FINALLY TELL YOU ABOUT THE BOOK? 498 00:20:56,456 --> 00:20:58,991 - SHE DIDN'T. I BORROWED MY MOM'S COPY. 499 00:20:58,991 --> 00:21:01,661 - DID YOU FEEL LIKE YOUR PRIVACY WAS VIOLATED? 500 00:21:01,661 --> 00:21:03,463 - WELL, YEAH, A LOT OF PEOPLE 501 00:21:03,463 --> 00:21:05,632 ASKED ME PERSONAL QUESTIONS AFTER. 502 00:21:05,632 --> 00:21:07,700 - LIKE ARE YOU INTO ROUGH STUFF AND DOMINATION? 503 00:21:07,700 --> 00:21:10,570 - YEAH, EXCEPT WE DIDN'T DO ANY OF THAT. 504 00:21:12,505 --> 00:21:14,474 I MEAN, WE MIXED IT UP. 505 00:21:14,474 --> 00:21:17,344 SOMETIMES I WAS ON TOP. SOMETIMES SHE WAS. 506 00:21:17,344 --> 00:21:19,346 - DO YOU KNOW ANY OF HER OTHER BOYFRIENDS? 507 00:21:19,346 --> 00:21:20,847 - SHE TOLD ME I WAS HER FIRST. 508 00:21:20,847 --> 00:21:23,983 - YOU BELIEVE HER? - WELL, SHE WAS MY FIRST. 509 00:21:23,983 --> 00:21:28,054 - THANK YOU. 510 00:21:28,054 --> 00:21:29,622 - THANKS. 511 00:21:29,622 --> 00:21:31,524 ROOMMATE NUMBER THREE. 512 00:21:31,524 --> 00:21:34,994 IF JOCELYN WAS INTO BDSM, SHE NEVER TALKED ABOUT IT. 513 00:21:34,994 --> 00:21:36,563 - MAYBE SHE WAS WITH A PROFESSOR 514 00:21:36,563 --> 00:21:38,431 THAT DOESN'T WANT TO GET CALLED OUT. 515 00:21:38,431 --> 00:21:40,500 - OR SHE JUST RESEARCHED IT, LIKE ALL HER OTHER REFERENCES 516 00:21:40,500 --> 00:21:43,470 TO RENAISSANCE EROTIC IMAGERY AND SEXUAL AWAKENINGS. 517 00:21:43,470 --> 00:21:45,772 - YOU CAN PUT A DIPLOMA ON IT. PORN IS PORN. 518 00:21:45,772 --> 00:21:48,040 - SEE, THAT'S THE THING-- JOCELYN'S HIGHBROW REFERENCES. 519 00:21:48,040 --> 00:21:50,076 I READ HER BLOGS AND HER TWEETS. 520 00:21:50,076 --> 00:21:52,612 AND HER IDEA OF A SEXUAL CULTURAL REFERENCE 521 00:21:52,612 --> 00:21:54,747 IS GILLIGAN'S ISLAND. 522 00:21:54,747 --> 00:21:56,849 - YOU MEAN THAT GINGER/MARY ANN THING. 523 00:21:56,849 --> 00:21:59,519 - YOU THINK SHE'S NOT SHOWING ENOUGH DEPTH IN HER TWEETS? 524 00:21:59,519 --> 00:22:01,454 - SHE DIDN'T RESEARCH THIS IN THE LIBRARY. 525 00:22:01,454 --> 00:22:03,022 SHE'S LIVING A DOUBLE LIFE. 526 00:22:03,022 --> 00:22:05,558 KINKS LIKE THIS JUST DON'T SPRING UP OVERNIGHT. 527 00:22:08,695 --> 00:22:10,597 - YEAH, ADAM CAIN RECOMMENDED ME. 528 00:22:10,597 --> 00:22:12,064 SO WHAT? 529 00:22:12,064 --> 00:22:14,467 - SO YOU WENT FROM BEING HIS INTERN 530 00:22:14,467 --> 00:22:16,736 TO A PRODUCER ON A FOOD SHOW IN TWO MONTHS. 531 00:22:16,736 --> 00:22:18,070 THAT'S PRETTY FAST. 532 00:22:18,070 --> 00:22:20,072 - HE PUT IN A GOOD WORD. 533 00:22:20,072 --> 00:22:21,874 - YEAH? DID YOU HEAR THAT, UM, 534 00:22:21,874 --> 00:22:24,944 CAIN WAS ONLY ALLOWED MALE INTERNS AFTER YOU LEFT? 535 00:22:24,944 --> 00:22:26,779 - WHAT'S THAT GOT TO DO WITH ME? 536 00:22:26,779 --> 00:22:28,615 - HAVE YOU FORGOTTEN HOW YOU HAD TO COME INTO WORK 537 00:22:28,615 --> 00:22:31,451 WITH A BROKEN WRIST, ALL THOSE BRUISES ON YOUR NECK? 538 00:22:36,723 --> 00:22:40,026 - DID YOU TELL ANYONE? 539 00:22:40,026 --> 00:22:42,028 YOU KNOW, IF YOU KEEP IT LOCKED INSIDE, 540 00:22:42,028 --> 00:22:44,664 IT DOESN'T GO AWAY. 541 00:22:48,034 --> 00:22:51,638 - LOOK... I WENT HOME WITH HIM. 542 00:22:51,638 --> 00:22:54,106 I WANTED TO HAVE SEX WITH HIM... 543 00:22:54,106 --> 00:22:56,643 UNTIL HE STARTED TO HURT ME. 544 00:22:56,643 --> 00:22:58,878 - AND YOU ASKED HIM TO STOP. 545 00:22:58,878 --> 00:23:01,514 - SO WHAT IF I DID? 546 00:23:01,514 --> 00:23:04,016 I'VE MOVED ON. 547 00:23:04,016 --> 00:23:06,786 - KATIE, BY KEEPING QUIET, 548 00:23:06,786 --> 00:23:09,155 YOU'RE GIVING HIM POWER OVER YOU. 549 00:23:09,155 --> 00:23:11,558 - BETTER THAN THAT MONOLOGUE HE DID ABOUT JOCELYN PALEY. 550 00:23:11,558 --> 00:23:13,660 I DON'T NEED THAT. 551 00:23:16,896 --> 00:23:19,466 HE'S NOT REALLY A BAD GUY. 552 00:23:19,466 --> 00:23:22,635 IT'S JUST WHEN HE GETS THAT BELT IN HIS HANDS, 553 00:23:22,635 --> 00:23:24,871 HE LOSES IT. 554 00:23:37,617 --> 00:23:39,886 - SHE WAS IN MY 15TH CENTURY ITALIAN LITERATURE CLASS. 555 00:23:39,886 --> 00:23:42,589 I WAS HER ADVISOR. - SO... 556 00:23:42,589 --> 00:23:45,091 YOU WERE CLOSE. 557 00:23:45,091 --> 00:23:48,094 HAVE YOU READ HER BOOK? 558 00:23:48,094 --> 00:23:50,997 - I OVERHEARD FACULTY TALK ABOUT IT. 559 00:23:50,997 --> 00:23:53,500 - WELL, JOCELYN SEEMS PRETTY, UH, 560 00:23:53,500 --> 00:23:55,668 UNSOPHISTICATED FOR THAT WORLD. 561 00:23:55,668 --> 00:24:00,106 ANY IDEA HOW SHE GOT INVOLVED WITH DOMINATION, SUBMISSION? 562 00:24:00,106 --> 00:24:02,108 - I HONESTLY COULDN'T SAY. 563 00:24:02,108 --> 00:24:05,745 - WELL, HER HEROINE GETS DOMINATED BY AN OLDER MAN. 564 00:24:05,745 --> 00:24:08,815 ANY PROFESSORS HERE WHO MIGHT HAVE INSPIRED THAT STORY? 565 00:24:08,815 --> 00:24:12,519 - TEN YEARS AGO, YES. BUT...THESE DAYS? 566 00:24:12,519 --> 00:24:13,920 - I HEAR YOU. 567 00:24:13,920 --> 00:24:16,155 WELL, HEY, THANKS FOR YOUR TIME. 568 00:24:16,155 --> 00:24:18,491 - PLEASURE. - MM. 569 00:24:18,491 --> 00:24:20,727 THAT'S A PRETTY FANCY PIANO. 570 00:24:20,727 --> 00:24:23,062 - IT'S A HARPSICHORD. 571 00:24:23,062 --> 00:24:25,498 THEY SAY IT BELONGED TO ALBINONI. 572 00:24:25,498 --> 00:24:27,166 - ALBINONI? - MM-HMM. 573 00:24:27,166 --> 00:24:29,536 - YEAH, MY WIFE, SHE LOVES HIS, UH... 574 00:24:29,536 --> 00:24:31,538 WHAT WAS THAT FAMOUS PIECE OF HIS? 575 00:24:31,538 --> 00:24:33,172 - HIS ADAGIO? - ADAGIO. 576 00:24:33,172 --> 00:24:35,508 - IT'S BEAUTIFUL. 577 00:24:35,508 --> 00:24:37,176 IT'S HIS MOST WELL-KNOWN WORK. 578 00:24:37,176 --> 00:24:39,812 AND FUNNY THING IS, IT ISN'T HIS. 579 00:24:39,812 --> 00:24:43,149 HIS BIOGRAPHER COMPOSED IT TWO CENTURIES LATER. 580 00:24:43,149 --> 00:24:45,718 - NO KIDDING. 581 00:24:45,718 --> 00:24:47,219 - WE SPOKE TO JOCELYN'S BOYFRIEND, TEACHERS, 582 00:24:47,219 --> 00:24:48,855 AND ROOMMATES. 583 00:24:48,855 --> 00:24:51,658 THE DARKEST SHE EVER GOT BEFORE THIS NOVEL WAS SASSY. 584 00:24:51,658 --> 00:24:53,526 - SO SHE'S BEEN TELLING US THE TRUTH. 585 00:24:53,526 --> 00:24:55,528 - ANY OTHER CAIN VICTIMS? - THERE'S THREE INTERNS. 586 00:24:55,528 --> 00:24:58,598 HE BROKE ONE OF THEIR WRISTS, BUT EVEN SHE WON'T TESTIFY. 587 00:24:58,598 --> 00:25:00,066 - SHE INSISTS THAT CAIN'S A GOOD GUY 588 00:25:00,066 --> 00:25:01,701 EXCEPT WHEN HE HAS A BELT IN HIS HAND. 589 00:25:01,701 --> 00:25:03,670 - NO WITNESSES. HE SAID, SHE SAID. 590 00:25:03,670 --> 00:25:05,071 AT LEAST THAT MEANS HE'LL TAKE THE STAND. 591 00:25:05,071 --> 00:25:07,306 - IT'S AMARO. - HE DIDN'T COME BACK WITH YOU? 592 00:25:07,306 --> 00:25:09,542 - HE'S LIKE A DOG WITH A BONE DOWN THERE. 593 00:25:09,542 --> 00:25:11,243 - HEY, NICK, YOU'RE ON SPEAKER PHONE WITH THE D.A.-- 594 00:25:11,243 --> 00:25:13,746 - FOUR DAYS, YOU CAN'T FIND THE GUY WHO GOT HER INTO THIS? 595 00:25:13,746 --> 00:25:15,548 WHAT'S THE PROBLEM? - MAYBE WE'RE ASKING 596 00:25:15,548 --> 00:25:16,749 THE WRONG QUESTION. LOOK, I NEED ANOTHER DAY. 597 00:25:16,749 --> 00:25:18,250 - DON'T HAVE IT. 598 00:25:18,250 --> 00:25:20,252 I'M TAKING JOCELYN TO THE GRAND JURY NOW. 599 00:25:24,323 --> 00:25:26,793 - I WAS INVITED ONTO ADAM CAIN'S TALK SHOW 600 00:25:26,793 --> 00:25:28,595 TO DISCUSS THE BOOK I HAD WRITTEN. 601 00:25:28,595 --> 00:25:30,062 - TWENTY-FIVE ACTS. - YES. 602 00:25:30,062 --> 00:25:31,330 - WHAT HAPPENED AFTER THE SHOW? 603 00:25:31,330 --> 00:25:33,065 - ADAM CAIN TOOK ME OUT FOR DRINKS, 604 00:25:33,065 --> 00:25:34,734 THEN TO HIS APARTMENT. 605 00:25:34,734 --> 00:25:36,235 WE WERE GETTING INTIMATE, 606 00:25:36,235 --> 00:25:40,573 THEN SUDDENLY HE JUST TURNED VIOLENT. 607 00:25:40,573 --> 00:25:42,875 - ALL I CAN SAY, TODAY'S GRAND JURY INDICTMENT 608 00:25:42,875 --> 00:25:44,644 IS THE FIRST STEP TOWARDS ACHIEVING JUSTICE 609 00:25:44,644 --> 00:25:46,746 FOR JOCELYN PALEY. - THE D.A.'S OFFICE 610 00:25:46,746 --> 00:25:48,214 IS DESPERATELY TRYING TO DISTRACT 611 00:25:48,214 --> 00:25:50,617 FROM THEIR RECENT SCANDAL WITH A HIGH-PROFILE CASE. 612 00:25:50,617 --> 00:25:52,619 - DON'T GIVE ME THAT--WHETHER YOU'RE A JOHN IN THE SOUTH BRONX 613 00:25:52,619 --> 00:25:54,320 OR A $3-MILLION-A-YEAR TALK SHOW HOST, 614 00:25:54,320 --> 00:25:56,656 NO MEANS NO. 615 00:25:56,656 --> 00:25:58,124 - WHEN THE JURY COMPARES HER ACCUSATIONS 616 00:25:58,124 --> 00:26:00,259 WITH THE CHAPTERS FROM HER BOOK, 617 00:26:00,259 --> 00:26:02,895 THIS CASE FALLS APART LIKE A HOUSE OF CARDS. 618 00:26:02,895 --> 00:26:05,564 THAT'S ALL I GOT TODAY, BOYS AND GIRLS. 619 00:26:07,033 --> 00:26:09,368 - DETECTIVE, I'M JUST ON MY WAY HOME. 620 00:26:09,368 --> 00:26:11,938 - WELL, I'LL WALK YOU TO YOUR CAR. 621 00:26:11,938 --> 00:26:13,873 YOU KNOW, I SPENT THE NIGHT READING YOUR WORK. 622 00:26:13,873 --> 00:26:16,208 YOU'RE QUITE PROLIFIC. 623 00:26:16,208 --> 00:26:19,078 - ACADEMIA: PUBLISH OR PERISH. 624 00:26:19,078 --> 00:26:23,115 - I LIKE THE ARTICLE YOU WROTE ON THE ECSTASY OF ST. TERESA. 625 00:26:23,115 --> 00:26:26,052 "THE PAIN WAS SO GREAT THAT IT MADE ME MOAN..." 626 00:26:26,052 --> 00:26:30,056 - "OVER AND OVER AND THROUGH ME INTO SWEET DELIGHT." 627 00:26:30,056 --> 00:26:31,958 IT'S FROM HER AUTOBIOGRAPHY. 628 00:26:31,958 --> 00:26:33,693 - OH, YOU TAUGHT IT IN CLASS. 629 00:26:33,693 --> 00:26:36,729 WELL, THIS IS FROM JOCELYN'S BOOK, UH... 630 00:26:36,729 --> 00:26:39,699 "THE PAIN WAS SO GREAT, SUCH SWEET DELIGHT, 631 00:26:39,699 --> 00:26:42,168 I MOANED OVER AND OVER." 632 00:26:42,168 --> 00:26:44,336 - DIDN'T REALIZE SHE WAS PAYING SUCH CLOSE ATTENTION. 633 00:26:44,336 --> 00:26:47,339 - HUH. 634 00:26:47,339 --> 00:26:50,409 YOU KNOW, SHE'S MAKING MILLIONS A WEEK. 635 00:26:50,409 --> 00:26:52,411 YOU HAVE A CASE HERE FOR PLAGIARISM. 636 00:26:52,411 --> 00:26:55,114 - PLEASE, NO. LAST THING I NEED 637 00:26:55,114 --> 00:26:57,650 IS TO BE ASSOCIATED WITH A BOOK LIKE THAT. 638 00:26:57,650 --> 00:26:59,952 - OH, WELL, NOW I GET IT. 639 00:26:59,952 --> 00:27:01,688 YOUR ANTIQUE HARPSICHORD-- 640 00:27:01,688 --> 00:27:03,890 SOMEONE BOUGHT IT LAST MONTH AT SOTHEBY'S 641 00:27:03,890 --> 00:27:08,260 FOR $285,000. 642 00:27:15,401 --> 00:27:17,336 - MORE QUESTIONS? WHY? 643 00:27:17,336 --> 00:27:19,371 - WE'RE WORRIED THE DEFENSE IS GOING TO PRODUCE THE MAN 644 00:27:19,371 --> 00:27:21,040 THAT YOU BASED THE BOOK ON. 645 00:27:21,040 --> 00:27:23,142 - I TOLD YOU, IT'S FICTION. 646 00:27:23,142 --> 00:27:24,376 - BUT, JOCELYN, IT'S SO SPECIFIC, 647 00:27:24,376 --> 00:27:26,713 YOU MUST HAVE EXPERIMENTED WITH SUBMISSION. 648 00:27:26,713 --> 00:27:29,415 - WELL, IN COLLEGE. - NOT WITH CRAIG. 649 00:27:30,783 --> 00:27:32,284 COME ON, THE ONLY KNOTS HE'S EVER TIED 650 00:27:32,284 --> 00:27:34,286 WAS WHEN HE WAS IN THE BOY SCOUTS. 651 00:27:34,286 --> 00:27:36,923 - YEAH, NOT CRAIG. ANOTHER GUY. 652 00:27:36,923 --> 00:27:38,324 - OH, SO YOU CHEATED ON HIM. 653 00:27:38,324 --> 00:27:40,026 - WHAT? NO. 654 00:27:40,026 --> 00:27:42,194 - NO? 655 00:27:42,194 --> 00:27:44,363 - I DID A SEMESTER ABROAD. 656 00:27:44,363 --> 00:27:47,934 THE CHARACTER'S BASED ON... 657 00:27:47,934 --> 00:27:49,435 SOMEONE I MET IN THE VILLA. 658 00:27:49,435 --> 00:27:51,704 HE WAS INTO BONDAGE. WHY DOES ANY OF THIS MATTER? 659 00:27:51,704 --> 00:27:53,372 - WHERE'D YOU MEET HIM? A HOTEL? 660 00:27:53,372 --> 00:27:56,475 HIS HOME? DO YOU HAVE HIS ADDRESS? 661 00:27:56,475 --> 00:27:59,478 - I DON'T. WHAT IS THIS, 20 QUESTIONS? 662 00:27:59,478 --> 00:28:03,349 - NO, JOCELYN, JUST ONE. 663 00:28:03,349 --> 00:28:06,052 WHO WROTE THE BOOK? 664 00:28:17,029 --> 00:28:20,366 - YOU FOUND OUT? 665 00:28:20,366 --> 00:28:21,433 HOW? 666 00:28:21,433 --> 00:28:22,301 - I TOLD YOU THE FIRST DAY 667 00:28:22,301 --> 00:28:24,470 THE ONE THING YOU DECIDE NOT TO TELL US 668 00:28:24,470 --> 00:28:27,006 IS THE ONE THING THE DEFENSE IS GONNA USE TO DESTROY YOU. 669 00:28:27,006 --> 00:28:28,875 WHAT WERE YOU THINKING? 670 00:28:28,875 --> 00:28:33,145 - BARBA, SHE GETS IT. 671 00:28:33,145 --> 00:28:34,814 - DO THEY KNOW? 672 00:28:34,814 --> 00:28:38,484 - NO, BUT WE'RE GONNA HAVE TO TELL THEM. 673 00:28:38,484 --> 00:28:43,022 - NO, N--YOU CAN'T. 674 00:28:43,022 --> 00:28:46,525 YOU CAN'T TELL ANYONE. IT'LL...RUIN MY CAREER. 675 00:28:46,525 --> 00:28:48,194 MY LIFE. 676 00:28:48,194 --> 00:28:51,497 PLEASE DON'T-- DON'T TELL ANYONE. 677 00:29:00,039 --> 00:29:01,173 - IT WAS PROFESSOR DOBSON'S IDEA 678 00:29:01,173 --> 00:29:02,474 TO PUT MY NAME ON THE BOOK. 679 00:29:02,474 --> 00:29:04,176 SHE IS AN ACADEMIC. 680 00:29:04,176 --> 00:29:06,012 SHE WAS WORRIED ABOUT HER REPUTATION. 681 00:29:06,012 --> 00:29:07,880 - AND YOU WEREN'T WORRIED ABOUT YOURS? 682 00:29:07,880 --> 00:29:09,816 - I OWE $90,000 IN COLLEGE DEBT. 683 00:29:09,816 --> 00:29:12,852 THE YEAR BEFORE THIS I MADE $2,600 WRITING. 684 00:29:12,852 --> 00:29:15,788 SHE GAVE ME 10%. I'VE MADE CONNECTIONS. 685 00:29:15,788 --> 00:29:17,456 - YOU WERE RAPED. 686 00:29:17,456 --> 00:29:20,292 - AND YOU LIED TO THE GRAND JURY. 687 00:29:20,292 --> 00:29:22,829 - I HAD TO. IF I EVER SAY I DIDN'T WRITE THE BOOK, 688 00:29:22,829 --> 00:29:24,130 I LOSE ALL THE MONEY. 689 00:29:24,130 --> 00:29:25,898 - THAT'S PART OF THE BOOK CONTRACT? 690 00:29:25,898 --> 00:29:28,234 - YES. 691 00:29:28,234 --> 00:29:30,302 I-I WANNA DROP THE CHARGES. 692 00:29:30,302 --> 00:29:32,004 I CAN'T TESTIFY. - DROP THE CHARGES, 693 00:29:32,004 --> 00:29:33,906 AND YOUR SECRET'S GONNA COME OUT ANYWAY 694 00:29:33,906 --> 00:29:35,474 WHEN I INDICT YOU. 695 00:29:35,474 --> 00:29:38,477 LYING TO THE GRAND JURY? THAT'S A CRIME. 696 00:29:38,477 --> 00:29:40,279 - YOU'LL INDICT ME? 697 00:29:40,279 --> 00:29:43,482 - YOU DON'T TESTIFY, YOU'RE LOOKING AT PERJURY. 698 00:29:43,482 --> 00:29:45,985 - [stammering] I CAN'T. 699 00:29:48,320 --> 00:29:51,157 - THAT WAS HARDBALL. - I WASN'T PLAYING. 700 00:29:51,157 --> 00:29:54,193 - YEAH, I GOT THAT. 701 00:29:54,193 --> 00:29:56,963 DOES THIS IN ANY WAY POSSIBLY HELP US? 702 00:29:56,963 --> 00:29:58,965 YOU WERE WORRIED THAT THE JURY 703 00:29:58,965 --> 00:30:00,199 WAS GONNA HOLD THE BOOK AGAINST HER, 704 00:30:00,199 --> 00:30:02,568 BUT SHE DIDN'T WRITE IT, SO... 705 00:30:02,568 --> 00:30:04,503 - THEY'LL SEE HER AS A LIAR. 706 00:30:09,541 --> 00:30:11,577 - MISS PALEY, COULD YOU TELL THE JURY 707 00:30:11,577 --> 00:30:14,380 WHY YOU AGREED TO SAY YOU WROTE THIS BOOK? 708 00:30:14,380 --> 00:30:17,049 - I HAD COLLEGE DEBT. MY PARENTS ARE WORKING CLASS. 709 00:30:17,049 --> 00:30:18,885 WE NEEDED THE MONEY. 710 00:30:18,885 --> 00:30:20,452 - SO YOU DIDN'T WRITE ONE WORD OF THE BOOK? 711 00:30:20,452 --> 00:30:23,289 YOU'RE NOT INTO BEING... DOMINATED? 712 00:30:23,289 --> 00:30:26,192 - I WAS PLAYING A ROLE. IT'S NOT ME. 713 00:30:26,192 --> 00:30:28,494 - BUT IT WAS YOU WHO FLIRTED WITH THE DEFENDANT 714 00:30:28,494 --> 00:30:31,130 AND WENT HOME WITH HIM THAT NIGHT. 715 00:30:31,130 --> 00:30:33,199 - IT ALL SEEMED GLAMOROUS AT FIRST. 716 00:30:33,199 --> 00:30:35,067 HE WAS CHARMING. 717 00:30:35,067 --> 00:30:38,470 I WANTED TO HAVE SEX, UNTIL HE STARTED HURTING ME. 718 00:30:38,470 --> 00:30:41,073 - AND WHAT DID YOU DO THEN? - I ASKED HIM TO STOP. 719 00:30:41,073 --> 00:30:44,076 - DID HE? 720 00:30:44,076 --> 00:30:47,413 DID HE? 721 00:30:50,149 --> 00:30:52,919 I KNOW THIS IS DIFFICULT. 722 00:30:52,919 --> 00:30:55,254 - NO, HE DID NOT. 723 00:30:55,254 --> 00:30:58,157 HE FORCED HIMSELF INSIDE ME, 724 00:30:58,157 --> 00:30:59,225 CHOKED ME WITH HIS BELT. 725 00:30:59,225 --> 00:31:01,593 I COULDN'T TALK. 726 00:31:01,593 --> 00:31:04,563 THE MORE I CRIED, THE MORE HE HU--HURT ME. 727 00:31:04,563 --> 00:31:06,565 - AND THE NEXT NIGHT, MISS PALEY, 728 00:31:06,565 --> 00:31:08,634 WHAT HAPPENED THEN? 729 00:31:08,634 --> 00:31:11,203 - ADAM CAIN STALKED ME AT A MAGAZINE PARTY, 730 00:31:11,203 --> 00:31:16,375 TRAPPED ME IN AN ELEVATOR, AND RAPED ME...AGAIN. 731 00:31:16,375 --> 00:31:18,677 - CAN YOU TELL THE JURY WHAT CONSEQUENCES YOU FACE 732 00:31:18,677 --> 00:31:21,981 FOR TELLING THE TRUTH HERE TODAY? 733 00:31:21,981 --> 00:31:24,616 - I HAVE TO RETURN ALL OF MY ROYALTIES. 734 00:31:24,616 --> 00:31:27,553 MY REPUTATION IS RUINED. 735 00:31:27,553 --> 00:31:29,989 I'VE WANTED TO WRITE MY WHOLE LIFE. 736 00:31:29,989 --> 00:31:33,059 - THANK YOU, MISS PALEY. 737 00:31:33,059 --> 00:31:34,626 - HOW MANY TIMES HAVE YOU LIED ABOUT WRITING THE BOOK 738 00:31:34,626 --> 00:31:37,329 TWENTY-FIVE ACTS? 739 00:31:37,329 --> 00:31:39,131 - I'M NOT SURE. 740 00:31:39,131 --> 00:31:42,368 - YOU LIED WHEN YOU CONSENTED TO HAVE YOUR NAME ON THE COVER. 741 00:31:42,368 --> 00:31:44,036 - YES. - AND YOU LIED 742 00:31:44,036 --> 00:31:46,638 AT SPEAKING ENGAGEMENTS, PARTIES, AND INTERVIEWS 743 00:31:46,638 --> 00:31:48,975 IN OVER TEN CITIES ON YOUR BOOK TOUR. 744 00:31:48,975 --> 00:31:50,709 - YES. - AND YOU LIED 745 00:31:50,709 --> 00:31:52,578 ON MR. CAIN'S TV SHOW? 746 00:31:52,578 --> 00:31:55,581 BEFORE YOU ANSWER THAT, MISS PALEY-- 747 00:31:55,581 --> 00:31:58,250 DEFENSE EXHIBIT 12, YOUR HONOR. 748 00:31:58,250 --> 00:32:00,152 - SO, JOCELYN, TELL ME, 749 00:32:00,152 --> 00:32:03,589 WHY DO WOMEN WANT TO BE DOMINATED? 750 00:32:03,589 --> 00:32:06,158 - WOMEN DO IT ALL THESE DAYS. CAREER, KIDS. 751 00:32:06,158 --> 00:32:07,593 SOMETIMES THEY JUST WANT A MAN 752 00:32:07,593 --> 00:32:10,129 TO THROW THEM DOWN AND TAKE CONTROL. 753 00:32:10,129 --> 00:32:13,632 - AND IS THIS YOUR PERSONAL FANTASY? 754 00:32:13,632 --> 00:32:16,969 - MY FANTASY... BEING HERE WITH YOU. 755 00:32:16,969 --> 00:32:21,140 [laughter] 756 00:32:21,140 --> 00:32:23,075 - WAS WHAT WE JUST SAW A LIE TOO? 757 00:32:23,075 --> 00:32:26,378 - I WAS PLAYING A PART, FLIRTING. 758 00:32:26,378 --> 00:32:28,647 - PLAYING A ROLE FOR PUBLICITY, MONEY. 759 00:32:28,647 --> 00:32:30,516 - YES. - WHAT ELSE WOULD YOU DO 760 00:32:30,516 --> 00:32:32,518 FOR MONEY? LIE ABOUT RAPE? 761 00:32:32,518 --> 00:32:35,487 SUE MY CLIENT? - NO, I WOULD NEVER DO THAT. 762 00:32:35,487 --> 00:32:37,689 - YOU WOULDN'T LIE ABOUT SEX FOR MONEY? 763 00:32:37,689 --> 00:32:39,225 - NO. - BUT YOU HAVE LIED 764 00:32:39,225 --> 00:32:41,027 ABOUT SEX FOR MONEY IN THE PAST. 765 00:32:41,027 --> 00:32:43,129 - I'M TELLING THE TRUTH NOW. 766 00:32:43,129 --> 00:32:45,697 - I SEE. AND HOW DO YOU EXPECT THE JURY TO TELL THE DIFFERENCE? 767 00:32:45,697 --> 00:32:48,067 WITHDRAWN. 768 00:32:52,304 --> 00:32:53,739 - I KNEW THIS WOULD HAPPEN. 769 00:32:53,739 --> 00:32:55,374 - YOU TOLD THEM WHAT HE DID TO YOU. 770 00:32:55,374 --> 00:32:56,642 YOU CONFRONTED HIM. 771 00:32:56,642 --> 00:32:58,744 NO ONE CAN TAKE THAT AWAY FROM YOU. 772 00:32:58,744 --> 00:33:01,347 - THAT WAS BRUTAL. - WE'VE GOT ONE HAIL MARY. 773 00:33:01,347 --> 00:33:03,682 PROFESSOR DOBSON, I CAN USE HER TO REHABILITATE. 774 00:33:03,682 --> 00:33:07,053 - SHE AGREED TO COME? - SURE, AFTER I SUBPOENAED HER. 775 00:33:10,622 --> 00:33:12,391 PROFESSOR DOBSON, 776 00:33:12,391 --> 00:33:15,727 DID YOU WRITE TWENTY-FIVE ACTS? - YES. 777 00:33:15,727 --> 00:33:18,364 I'M AFRAID SO. THE ENTIRE BOOK. 778 00:33:18,364 --> 00:33:20,132 - AND WHO, UH-- WHO DECIDED 779 00:33:20,132 --> 00:33:22,634 TO PUT JOCELYN PALEY ON THE COVER? 780 00:33:22,634 --> 00:33:24,736 - I DID. I KNEW THAT TALK SHOW HOSTS 781 00:33:24,736 --> 00:33:27,706 WOULDN'T WANT TO DISCUSS MY SEXUAL FANTASIES. 782 00:33:27,706 --> 00:33:29,575 - SO THESE FANTASIES IN THE BOOK, 783 00:33:29,575 --> 00:33:32,511 THESE ARE YOUR FANTASIES, NOT JOCELYN'S. 784 00:33:32,511 --> 00:33:36,282 - YES, ALL OF THEM. 785 00:33:36,282 --> 00:33:38,450 - BEFORE JOCELYN AGREED TO HELP YOU, 786 00:33:38,450 --> 00:33:40,819 DID SHE KNOW THE SUBJECT MATTER? 787 00:33:40,819 --> 00:33:43,222 - HARDLY. WHEN SHE READ THE DRAFT, 788 00:33:43,222 --> 00:33:45,324 SHE WAS...SHOCKED. 789 00:33:45,324 --> 00:33:47,559 THAT'S WHEN I KNEW SHE'D BE THE PERFECT FRONT. 790 00:33:47,559 --> 00:33:50,396 - WHY WAS THAT? - SHE WAS A SWEET GIRL. 791 00:33:50,396 --> 00:33:52,064 AND THE CONTRAST BETWEEN HER INNOCENCE 792 00:33:52,064 --> 00:33:53,732 AND THE BOOK'S INTENSE SEXUALITY 793 00:33:53,732 --> 00:33:55,834 WAS COMPELLING. 794 00:33:55,834 --> 00:33:58,670 - HAS IT BEEN HARD FOR YOU TO OUT YOURSELF? 795 00:33:58,670 --> 00:34:01,340 - IN MY WORLD, I'M BETWEEN A PARIAH AND A LAUGHINGSTOCK. 796 00:34:01,340 --> 00:34:03,742 THAT'S WHY I WANTED TO USE JOCELYN'S NAME. 797 00:34:03,742 --> 00:34:06,778 BUT TO THINK THAT SOMEONE WOULD ASCRIBE MY FANTASIES TO HER 798 00:34:06,778 --> 00:34:09,448 AND USE THAT AS A SMOKESCREEN FOR ASSAULT... 799 00:34:09,448 --> 00:34:13,319 WELL, IT SICKENS ME. 800 00:34:13,319 --> 00:34:14,586 - ABOUT THOSE FANTASIES IN YOUR BOOK-- 801 00:34:14,586 --> 00:34:16,788 DID ANYONE ELSE KNOW THAT JOCELYN PALEY 802 00:34:16,788 --> 00:34:18,724 WASN'T THE REAL AUTHOR? 803 00:34:18,724 --> 00:34:20,726 - NO. - SO THE REST OF THE WORLD, 804 00:34:20,726 --> 00:34:23,462 INCLUDING MR. CAIN, BELIEVED THE BOOK WAS BASED 805 00:34:23,462 --> 00:34:26,365 ON JOCELYN PALEY'S FANTASIES? 806 00:34:26,365 --> 00:34:27,799 - I SUPPOSE SO. - THAT SHE WAS THE ONE 807 00:34:27,799 --> 00:34:30,736 WHO FANTASIZED ABOUT BEING DOMINATED, 808 00:34:30,736 --> 00:34:35,207 HAVING ROUGH SEX, HAVING SEX IN AN ELEVATOR? 809 00:34:35,207 --> 00:34:37,676 - YES. - AND YOU CHOSE MISS PALEY 810 00:34:37,676 --> 00:34:40,812 BECAUSE SHE WAS A SWEET, INNOCENT GIRL? 811 00:34:40,812 --> 00:34:42,214 - YES. 812 00:34:42,214 --> 00:34:44,450 - YOU'RE A COLLEGE PROFESSOR. 813 00:34:44,450 --> 00:34:47,819 YOU MUST SEE A LOT OF SWEET, INNOCENT GIRLS. 814 00:34:47,819 --> 00:34:49,855 - NOT AS MANY AS YOU'D THINK. 815 00:34:49,855 --> 00:34:52,391 - WHAT MADE JOCELYN PALEY 816 00:34:52,391 --> 00:34:55,194 THE RIGHT CHOICE? - AS I SAID, 817 00:34:55,194 --> 00:34:57,129 IT WAS THE CONTRAST BETWEEN HER INNOCENCE 818 00:34:57,129 --> 00:34:58,730 AND THE SUBJECT MATTER. 819 00:34:58,730 --> 00:35:01,133 - OR WAS IT BECAUSE SHE'S A GOOD LIAR? 820 00:35:01,133 --> 00:35:02,634 DIDN'T YOU CHOOSE JOCELYN PALEY 821 00:35:02,634 --> 00:35:05,304 BECAUSE SHE IS A CONVINCING ENOUGH LIAR 822 00:35:05,304 --> 00:35:07,739 TO SELL 5 MILLION COPIES OF A BOOK 823 00:35:07,739 --> 00:35:10,609 ABOUT A FETISHISTIC WORLD 824 00:35:10,609 --> 00:35:12,811 THAT SHE CLAIMS TO KNOW NOTHING ABOUT? 825 00:35:12,811 --> 00:35:14,213 - OBJECTION. 826 00:35:14,213 --> 00:35:18,217 - WITHDRAWN. 827 00:35:20,652 --> 00:35:22,354 DID YOU RAPE MISS PALEY? 828 00:35:22,354 --> 00:35:24,723 - I DON'T NEED TO RAPE ANYONE, THANK YOU. 829 00:35:24,723 --> 00:35:27,726 I DO FINE WITH VOLUNTEERS. - SO... 830 00:35:27,726 --> 00:35:29,495 YOU'VE HAD A LOT OF GIRLFRIENDS. 831 00:35:29,495 --> 00:35:30,796 - MY FAIR SHARE. 832 00:35:30,796 --> 00:35:32,731 IT HELPS TO HAVE A HIT TV SHOW, 833 00:35:32,731 --> 00:35:34,666 PLUS I'VE BEEN TOLD THAT MY-- 834 00:35:34,666 --> 00:35:37,603 MY COMPANY ISN'T ENTIRELY UNPLEASANT. 835 00:35:37,603 --> 00:35:40,706 - HAVE YOU EVER PLAYED THE DOMINANT ROLE 836 00:35:40,706 --> 00:35:42,174 IN SEXUAL GAMES? 837 00:35:42,174 --> 00:35:43,675 - I FOLLOW MY PARTNER'S LEAD. 838 00:35:43,675 --> 00:35:46,378 IF THAT'S THEIR PLEASURE, I'M GLAD TO OBLIGE. 839 00:35:46,378 --> 00:35:47,679 - WHAT WAS MISS PALEY'S PLEASURE? 840 00:35:47,679 --> 00:35:50,882 - A MUTUALLY SATISFACTORY ROUGH SEX GAME 841 00:35:50,882 --> 00:35:52,718 INITIATED BY HER. 842 00:35:52,718 --> 00:35:55,587 HER FALSE ACCUSATION IS UNFORTUNATE. 843 00:35:55,587 --> 00:35:57,789 IT SMEARS REAL VICTIMS OF RAPE WHO MAY NOT BE BELIEVED. 844 00:35:57,789 --> 00:35:59,358 - MOVE TO STRIKE. 845 00:35:59,358 --> 00:36:01,360 - JUST ANSWER THE QUESTIONS, MR. CAIN. 846 00:36:01,360 --> 00:36:02,794 - NOTHING FURTHER, YOUR HONOR. 847 00:36:02,794 --> 00:36:04,963 - IT'S LATE, MR. BARBA. 848 00:36:04,963 --> 00:36:06,765 - HOW ABOUT A HALF-HOUR NOW, 849 00:36:06,765 --> 00:36:08,367 AND THEN WE CAN-- - NICE TRY. 850 00:36:08,367 --> 00:36:11,770 WE'RE ADJOURNED. [taps gavel] 851 00:36:14,906 --> 00:36:16,742 - THE PROFESSOR DIDN'T HELP US. 852 00:36:16,742 --> 00:36:19,378 - I'M CALLING IT A DRAW. - SO YOU'RE AN OPTIMIST. 853 00:36:19,378 --> 00:36:20,512 - STUBBORN. 854 00:36:20,512 --> 00:36:22,881 AH, THE CAVALRY. - NO LUCK. 855 00:36:22,881 --> 00:36:25,817 ALL THREE OF HIS PAST VICTIMS HAVE MAGICALLY DISAPPEARED. 856 00:36:25,817 --> 00:36:28,920 - WE CAN'T GET INTO ANY OF CAIN'S PRIOR BAD ACTS. 857 00:36:28,920 --> 00:36:33,459 - MAYBE WE CAN GET HIM TO OPEN THE DOOR. 858 00:36:36,528 --> 00:36:38,397 - JOCELYN AND I? 859 00:36:38,397 --> 00:36:40,766 THERE WAS A LOT OF HEAT. IT WAS EXCITING. 860 00:36:40,766 --> 00:36:42,534 - SHE REMEMBERS IT DIFFERENTLY. - SHE WAS PLAYING THE ROLE 861 00:36:42,534 --> 00:36:44,970 OF A SEXUAL SUBMISSIVE. NOW SHE'S PLAYING VICTIM. 862 00:36:44,970 --> 00:36:48,674 - PRETENDING TO BE A SEXUAL SUBMISSIVE? 863 00:36:48,674 --> 00:36:50,642 - SHE JUST TOLD US THAT. 864 00:36:50,642 --> 00:36:52,311 - THAT'S RIGHT. [laughs] 865 00:36:52,311 --> 00:36:56,014 THAT'S RIGHT, THAT'S RIGHT. 866 00:36:56,014 --> 00:36:58,650 SHE WAS INEXPERIENCED. BUT YOU WEREN'T. 867 00:36:58,650 --> 00:37:00,452 - NOT ENTIRELY. - MR. CAIN... 868 00:37:00,452 --> 00:37:05,624 WHAT...EXCITES YOU ABOUT HAVING SEX WITH JOCELYN? 869 00:37:05,624 --> 00:37:08,660 - [chuckles] WHAT EXCITES ANYONE ABOUT SEX? 870 00:37:08,660 --> 00:37:11,630 - WAS IT THE BELT? 871 00:37:11,630 --> 00:37:13,399 THE BELT THAT WAS HER IDEA, EVEN THOUGH SHE WAS PRETENDING. 872 00:37:13,399 --> 00:37:15,767 - SHE WANTED TO TRY ROLE PLAY. 873 00:37:16,968 --> 00:37:19,671 - HOW DO YOU START SOMETHING LIKE THAT? 874 00:37:19,671 --> 00:37:21,673 - WITH THE BELT? - YEAH, I MEAN, 875 00:37:21,673 --> 00:37:23,809 DO YOU TAKE YOUR BELT OFF OR-- [laughs] 876 00:37:23,809 --> 00:37:25,811 - THAT'S RIGHT. - AND YOU GIVE HER 877 00:37:25,811 --> 00:37:26,812 A FEW HITS WITH IT? 878 00:37:26,812 --> 00:37:29,481 - SHE SEEMED TO ENJOY IT. 879 00:37:29,481 --> 00:37:30,749 - THEN YOU PUT THE BELT AROUND HER NECK. 880 00:37:30,749 --> 00:37:33,752 - YES. - AND THEN YOU GET BEHIND HER... 881 00:37:33,752 --> 00:37:35,421 TIGHTEN IT. 882 00:37:35,421 --> 00:37:36,922 - YES, TO INCREASE HER PLEASURE. 883 00:37:36,922 --> 00:37:39,658 I'M NOT SURE WHAT THIS HAS TO-- - JUST BEAR WITH ME. 884 00:37:39,658 --> 00:37:41,627 WHERE WAS THE BUCKLE? 885 00:37:41,627 --> 00:37:42,628 - I DON'T KNOW IF I CAN BE MORE SPECIFIC. 886 00:37:42,628 --> 00:37:43,895 WOULD YOU LIKE ME TO SHOW YOU? 887 00:37:43,895 --> 00:37:46,632 - WELL, ACTUALLY... - OBJECTION! YOUR HONOR-- 888 00:37:46,632 --> 00:37:49,868 - AS A REGULAR JOE, I AM CURIOUS 889 00:37:49,868 --> 00:37:52,338 ABOUT HOW THIS BELT-AROUND- THE-NECK THING IS EXCITING. 890 00:37:52,338 --> 00:37:56,642 I AM SURE, YOUR HONOR, THAT THE JURY IS CURIOUS AS WELL. 891 00:37:56,642 --> 00:37:58,344 - I'LL ALLOW IT. 892 00:37:58,344 --> 00:38:00,946 FOR NOW. 893 00:38:00,946 --> 00:38:02,948 - SO LET'S GO BACK. 894 00:38:02,948 --> 00:38:05,651 YOU TOOK OFF YOUR BELT. 895 00:38:05,651 --> 00:38:07,419 - THAT'S RIGHT. - YOU DID IT. 896 00:38:07,419 --> 00:38:09,755 NOT HER. - CORRECT. 897 00:38:09,755 --> 00:38:12,391 - YOU LOOPED THE BELT LIKE THIS. 898 00:38:16,628 --> 00:38:17,663 - SOMETHING LIKE THAT. 899 00:38:17,663 --> 00:38:19,731 - YOU LED HER TO THE BED... 900 00:38:19,731 --> 00:38:21,867 GOT ON TOP, PULLED IT. 901 00:38:21,867 --> 00:38:23,068 - THE GAME SHE WANTED TO PLAY. - SHE'S THE ONE 902 00:38:23,068 --> 00:38:24,803 WHO WANTED IT ROUGH? - YES. 903 00:38:24,803 --> 00:38:26,738 - BUT YOU DIDN'T RAPE HER? - NO, WE'VE GONE OVER THIS. 904 00:38:26,738 --> 00:38:28,474 WHAT DON'T YOU GET? - OH, I GET IT. 905 00:38:28,474 --> 00:38:30,376 IT'S THE CLASSIC MINDSET OF THE RAPIST 906 00:38:30,376 --> 00:38:31,643 TO ADMIT WHAT YOU CAN'T DENY, DENY WHAT YOU CAN'T ADMIT. 907 00:38:31,643 --> 00:38:32,944 - OBJECTION! - WITHDRAWN. 908 00:38:32,944 --> 00:38:34,613 YOU SAID THAT SHE WANTED IT ROUGH, 909 00:38:34,613 --> 00:38:36,482 SO SHOW ME HOW SHE LIKES IT. 910 00:38:36,482 --> 00:38:38,750 SHOW ME, SHOW ME. LET ME SEE HOW SHE LIKED IT. 911 00:38:38,750 --> 00:38:39,951 - OBJECTION! 912 00:38:39,951 --> 00:38:41,653 - LET'S PROCEED CAUTIOUSLY, MR. BARBA. 913 00:38:41,653 --> 00:38:44,790 - ALL RIGHT, TAKE THE BELT IN YOUR HANDS, MR. CAIN. 914 00:38:47,125 --> 00:38:49,361 FEEL THE LEATHER? 915 00:38:49,361 --> 00:38:51,797 HOLD THE BELT... 916 00:38:54,366 --> 00:38:58,570 NOW, SHOW ME HOW YOU PULLED ON THE BELT. 917 00:38:58,570 --> 00:39:00,806 YOU CAN DO BETTER THAN THAT. 918 00:39:02,841 --> 00:39:05,444 [scoffs] YOU CALL THAT BEING DOMINANT? 919 00:39:05,444 --> 00:39:06,945 SHOW ME. SHOW ME! 920 00:39:06,945 --> 00:39:08,647 SHOW ME, PULL IT! 921 00:39:08,647 --> 00:39:10,616 PULL IT. PULL IT! 922 00:39:10,616 --> 00:39:12,684 TELL ME HOW YOU LIKE IT! 923 00:39:12,684 --> 00:39:13,952 SHOW ME HOW YOU LIKE IT, MR. CAIN! 924 00:39:13,952 --> 00:39:15,621 COME ON, PULL IT, PULL IT! - LIKE THIS! 925 00:39:15,621 --> 00:39:17,923 - YOUR HONOR! [Barba gasping] 926 00:39:17,923 --> 00:39:19,658 - ALL RIGHT, THAT IS ENOUGH, MR. BARBA! 927 00:39:19,658 --> 00:39:23,529 [Barba coughing] 928 00:39:29,868 --> 00:39:31,803 - NOT A MARK. 929 00:39:31,803 --> 00:39:33,805 [laughs] 930 00:39:33,805 --> 00:39:36,141 NOT A MARK. 931 00:39:37,776 --> 00:39:39,811 NOT A MARK. PEOPLE'S EXHIBIT 20. 932 00:39:39,811 --> 00:39:43,749 JOCELYN PALEY'S NECK AFTER THEIR CONSENSUAL SEX GAME. 933 00:39:43,749 --> 00:39:47,719 IS THIS WHAT EXCITES YOU ABOUT SEX, MR. CAIN? 934 00:39:47,719 --> 00:39:50,456 HURTING YOUR VICTIMS? 935 00:39:50,456 --> 00:39:54,793 - SHE LIKED IT LIKE THAT. 936 00:39:54,793 --> 00:39:59,465 - YOU MEAN JOCELYN? 937 00:39:59,465 --> 00:40:02,601 YOU LIKED IT LIKE THAT. 938 00:40:04,803 --> 00:40:07,072 SHE DIDN'T. 939 00:40:12,043 --> 00:40:13,679 [light knock] 940 00:40:13,679 --> 00:40:15,881 - HEY. THREE DAYS, JURY'S STILL OUT. 941 00:40:15,881 --> 00:40:17,783 LONGER THAN THE TRIAL, HUH? 942 00:40:17,783 --> 00:40:19,818 - SVU--IT'S THE ONLY UNIT 943 00:40:19,818 --> 00:40:22,020 WHERE THE VICTIM'S WORD ISN'T GOOD ENOUGH. 944 00:40:22,020 --> 00:40:24,590 YOU HAVE TO PROVE THAT A CRIME WAS COMMITTED. 945 00:40:24,590 --> 00:40:25,957 - THAT'S TRUE. THEY DON'T ASK 946 00:40:25,957 --> 00:40:28,560 ROBBERY VICTIMS IF THEY WANTED IT. 947 00:40:28,560 --> 00:40:29,861 - GOING SOMEWHERE? 948 00:40:29,861 --> 00:40:31,763 - GOOD NEWS. 949 00:40:31,763 --> 00:40:33,965 YOUR CAPTAIN'S COMING BACK. 950 00:40:36,034 --> 00:40:38,937 - WELL, YOU MUST BE RELIEVED. 951 00:40:38,937 --> 00:40:41,907 I HOPE YOUR NEXT ASSIGNMENT IS EASIER THAN THIS ONE. 952 00:40:41,907 --> 00:40:44,175 - THEY NEVER ARE. 953 00:40:44,175 --> 00:40:46,778 I'M JUST PAID TO FIX. YOU COULD DO IT. 954 00:40:46,778 --> 00:40:48,747 YOU EVER THOUGHT ABOUT MOVING UP THE RANKS? 955 00:40:48,747 --> 00:40:52,718 - UH, IT'S COME UP, BUT... 956 00:40:52,718 --> 00:40:55,821 I WOULDN'T WANT TO SUPERVISE ANYONE LIKE ME. 957 00:40:55,821 --> 00:40:59,491 - YEAH. WELL, I HAVE FRIENDS OVER AT 1 PP. 958 00:40:59,491 --> 00:41:01,560 YOU EVER NEED A RABBI. - THANKS. 959 00:41:01,560 --> 00:41:04,496 I GOT CRAGEN. 960 00:41:04,496 --> 00:41:07,098 - WON'T BE THE SAME, YOU KNOW. 961 00:41:11,703 --> 00:41:12,804 - I KNOW. 962 00:41:12,804 --> 00:41:15,607 [cell phone rings] 963 00:41:15,607 --> 00:41:17,776 AH! JURY'S IN. 964 00:41:17,776 --> 00:41:19,945 THEY'VE REACHED A VERDICT. 965 00:41:19,945 --> 00:41:23,649 - GOOD LUCK. 966 00:41:30,856 --> 00:41:32,724 - ON THE CHARGE OF RAPE IN THE FIRST DEGREE, 967 00:41:32,724 --> 00:41:34,225 HOW DO YOU FIND? 968 00:41:34,225 --> 00:41:36,995 - WE FIND THE DEFENDANT ADAM CAIN GUILTY. 969 00:41:36,995 --> 00:41:40,532 - BAILIFF, TAKE THE DEFENDANT INTO CUSTODY. 970 00:42:00,318 --> 00:42:02,087 - CONGRATULATIONS, COUNSELOR. 971 00:42:02,087 --> 00:42:04,022 - GOOD JURY. THEY LOOKED PAST CAIN'S IMAGE, 972 00:42:04,022 --> 00:42:06,858 SAW HIM FOR WHO HE REALLY IS. 973 00:42:06,858 --> 00:42:09,194 - YOU TOLD ME I WOULDN'T LIKE YOU WHEN THIS WAS OVER. 974 00:42:09,194 --> 00:42:12,731 YOU WERE RIGHT. 975 00:42:12,731 --> 00:42:15,200 WHAT DO I DO NOW? MY REPUTATION'S-- 976 00:42:15,200 --> 00:42:17,869 - THING ABOUT AMERICA-- THIS COUNTRY LOVES A COMEBACK. 977 00:42:22,708 --> 00:42:24,876 [reporters shouting] 978 00:42:24,876 --> 00:42:27,112 ALL RIGHT, GUYS. JUST A FEW MOMENTS. 979 00:42:27,112 --> 00:42:31,282 [indistinct chatter] 72687

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.