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- Hi.

- Hi.

- That's mine, you know.

Um...

Do you like candy?

What's your name?

- James.

What's yours?

- Sam.

- That's a boy's name.

- No, it isn't.

It's short for Samantha.

That's what my dad called me. Sam.

- Oh.

- Yeah.

I used to go hunting with him all the time.

I know how to shoot guns, you know.

I killed a deer before.

And one time I got a raccoon and my dad made a hat for me,

like Davy Pocket.

- I'm not supposed to shoot guns.

- Well, how are you supposed to hunt

if you can't shoot guns?

- I've never hunted before.

- How do you get your dinner meat, then?

- My mom would go to the grocery store

and some guy would hand it to her.

- Oh.

Well, my dad showed me how to make animals ready

so you can get all the meat out of them.

All you have to do is find some string,

hang 'em up on a tree or something high up

so you can get all the blood out.

- Sounds gross.

- Well, that's how you're supposed to do it.

- And you have to get a really sharp knife to-

- I'm not supposed to use knives.

Well, my dad let me.

I'll show you.

- Okay.

- Hey, do you wanna see something?

- What is it?

- Just come on. It's a surprise.

- Do you live in that house?

- No, that's my friend's house.

I live on the other side of the road.

- You got a friend?

- Well, she's my pretend friend.

Sometimes I make people up because, um...

Um...

I...

I don't really have any real friends anymore.

- Yeah. I don't either, really.

- But with pretend friends,

they always wanna play whatever games I want,

and they don't get mad or tell on me if I cheat.

- Dave would cheat.

- Who's Dave?

- My mom's boyfriend. He would cheat.

My mom would get so mad.

- Was it card games? I bet it was.

Lots of people cheat at card games.

- I don't know.

I never saw him play any games except for one.

Kitchen boxing. That's what I would call it.

He played that game a lot.

- Did Dave cheat at that too?

- Probably. He was the winner all the time.

- Have you ever been to the movies?

I went one time with my dad

and I ate so much candy that I got a bellyache

and I throwed up.

But my dad wasn't mad.

- My mom never lets me get candy

because she says my teeth will fall out.

- From candy?

Well, she fibbed

because I just saw you eat a whole entire candy bar

and I didn't see any teeth fall out.

- I would go to the dentist, so that's why.

- When Dave and her started being boyfriend and girlfriend,

we never got to go anymore.

- To the dentist?

- No! To the movies.

- Oh.

Well, guess what?

- What?

- You gotta close your eyes.

- Why?

- Just close them.

Okay.

- And no peeking.

And open them.

Ta-da!

Oh, cool!

- Come on! Let's go check it out.

Two tickets, please.

Thank you.

Come on! Let's go.

- Are you sure there aren't ghosts in there?

- What are you, a chicken?

- Come on. Let's go inside.

- Okay.

- Come on. Come on.

After you.

I bet you never had the whole movies

to yourself before, huh?

And it's all just for us.

- People used to watch movies here?

- Yeah.

There's some newspaper on the wall

with a picture of some army guys here.

Maybe all these houses are where the army guys used to live.

But where did they all go?

- Maybe, um...

The predizent wanted them to go fight bad guys

and they all had to leave.

- Probably.

I wish we had candy.

- Well...

Pick a hand.

- This one.

Wrong!

- That's cheating.

- Pick again.

- This one.

I tricked you.

I was just kidding. Here you go.

Oh, I have to show you something. Come on.

Sit right there.

- What are you doing?

Agh!

Agh, geez!

- You okay?

- Yeah.

- Yeah. That light's pretty strong, huh?

- Yeah.

- You know what I like to do for fun?

- What?

- Hi, I'm a little rabbit and I'm looking for some food.

Do you know where it is?

- Caw!

- Hi. Have you seen any rabbits around here?

I'm really hungry.

- Yes. I think there was one this way.

Follow me.

- Okay. Thank you.

Can you just like soar around the sky?

- You caught that?

- Yeah.

How?

- You can't catch them with your hands, silly.

You have to make a little trap and put some food in it

and when they go to eat the food, snap.

- And you eat them?

- Mm-hm.

It's like chicken, but little gamey.

- But it's not chicken.

- Well, why are chickens okay to eat, but squirrels aren't?

- Because squirrels have germs and stuff.

- Well, we don't have chicken. We have squirrel.

Come on. Just try it.

Here's a little piece.

Look, I'll do it with you. Okay?

- Are you sure I'm not gonna die?

- Yes. Now come on.

Okay. On the count of three.

One.

Two.

Three.

See?

- Well, I like chicken better.

Sam?

- Yeah?

Do you ever get scared?

- Yeah, sometimes. Do you?

- Yeah.

What are you scared of?

- Well...

I used to be scared of monsters.

- Monsters aren't real.

My dad told me that.

I know.

Just sometimes I wish I still was.

- Why?

- Because the things that I'm scared of right now

are a lot scarier than monsters.

I don't know if they're real or fake or invisible

or if they're just grown-up things.

- Maybe it's not grown-up things you're scared of.

Maybe it's getting grown up.

- What are you scared of?

- Being alone.

- But we're not alone.

- Look there!

See how the grass is all squished?

That's 'cause rabbits and stuff run over and squish it.

So, you're gonna take some of this metal string

and you're gonna wanna twist it up good

and make a hanger man's knot.

And then you have to wrap the other end around the stick

as tight as you can.

Then you gotta jam the stick into the ground

and put your loop right here.

- But can't they get out of that?

- No, silly. Just watch.

I am a little rabbit looking for some yummy carrots.

So I'm gonna go right through here.

And bam!

They get strangled and they can't get out.

Now you try.

♪ The vultures circle over me ♪

♪ But now we dance with two left feet ♪

♪ I stumble into you ♪

♪ The fallout left me in the street ♪

♪ Like a bag of last week's meat ♪

♪ I find myself in you ♪

♪ And so do you ♪

♪ I don't want to spend today alone ♪

♪ Pull me from the pits ♪

♪ And take me home ♪

You had an underground house?

- Yeah. My dad built it for me.

I called it my underground house.

But my dad said it's called...

A bonker.

He said if anything bad were to happen,

I was supposed to go in there and close the door

and he'd meet me there.

- So that's where you and your dad stayed?

- Just me.

I kept watching for him to come, but he never did.

But after a lot of days,

I finally came out and started looking for him.

And I walked and walked.

And that's how I got to here.

Where were you?

Did your mom build you a bonker too?

- No.

I ran up a hill and climbed a tree.

- What about your mom and Dave?

- I wasn't with them when it happened.

- Why not?

- Because I runned away.

- You runned away from it?

- No. I runned away from home.

- Wait. Why would you run away from your house?

- Because I was scared.

- Of monsters?

- No.

Look, I'm tired now. Can we just go to sleep?

- Um...

Okay.

- No!

No, no, no.

Somebody please help. Somebody please help.

Somebody help. - James!

James! Hey, wake up.

You were having a bad dream.

- Ah. But I...

Oh, gosh.

It was so scary. I was with my mom and she was drowning.

- It's okay. It was just a dream.

It wasn't real.

- But...

- Shh.

It's okay. You're okay.

Here. Lay down, okay?

See? Watch.

- What was that for?

- There. I fighted all the scary dreams away.

- Oh, okay.

Sam?

- Yeah?

- Do you know any sleepy songs?

You mean like a lullerby?

- Yeah, one of those.

- My dad sang one to me before I was going to bed.

It's the only one I know, but I remember it was my favorite.

- Can I hear it?

- Yeah. I can try.

♪ There's a star in the sky and her name is July ♪

♪ May is her sister ♪

♪ They fly through the night ♪

♪ Playing with rainbows ♪

♪ They dance and they swoon ♪

♪ With kisses from angels ♪

♪ And off they flew ♪

♪ I asked God who's prettier ♪

♪ The stars or the moon ♪

♪ He told me there's nothing more beautiful than you ♪

Do you wanna be my boyfriend?

Um, no.

- Yes, you do.

- Fine. What do I have to do?

- Well, you have to kiss me.

- Ew. No, I'm not kissing you.

- Well, you're my boyfriend.

So you have to kiss me then.

- Then I don't wanna be your boyfriend.

- No, it's too late. You already said.

- But my mom and her boyfriend never kissed.

Well, that's 'cause they're grown up,

and grown-ups do other things, like wrestle.

- Well, I'm not kissing you.

Well, okay.

Then I'm gonna kiss you.

- No, you're not.

- Yes, I am.

You're my boyfriend, so I'm going to kiss you.

Come here!

Get over here.

- How much longer? You're making my hands sweaty.

- We're almost there.

- Gosh, you're a bossy girlfriend.

- That's how girlfriends are supposed to be. I saw it on TV.

The girlfriends are bossy

and then the boyfriends make funny faces

and then all the people laugh.

- Huh?

- See? Like that.

Like what?

- Like that look that you just gave me, like...

- Whatever.

You were like, "Oh, James, do this. Oh, James, do that.

Oh, James, kiss me."

- Yeah, and then you were like...

See? We can be on TV together.

Whatcha making?

- It's a surprise.

- A surprise for me?

- Well, a surprise for us.

- Like we have to share it?

- Oh, fine. A surprise for you.

- Aww, Jamesy.

- What?

- I said Jamesy. That's your nickname.

I made it up for you.

You know, like girlfriend and boyfriends do.

Sometimes they call each other honey or baby.

You're not a baby,

so I don't know why they call each other that.

Do you know this whole thing used to be covered up in water?

How?

Because of all the rain.

Remember when it rained all the time

and they said that the oceans were getting too big?

I bet it covered up everything,

even our house and all the other houses.

- That's probably why all the windows are broken.

Probably.

I remember in my old home,

it looked like a humongous puddle everywhere.

I even saw a car floating like it was a boat.

- And done.

- Aww, Jamesy, it's a hat.

- No, it's a boat.

- Oh, yeah! I've seen that before.

Can I make one for you?

- Sure.

I'll show you.

Hold this.

- James, don't!

- Ow! What was that for?

- You can't drink this water. It's got poisons in it.

- I'm sorry. Okay?

I didn't know.

- Are you stupid? You wanna die?

You can't...

You can't do that.

Everything, everybody...

Just went away.

I don't want you to go away.

- I'm sorry. Okay?

I'm not going away. I promise.

My mom had this old photo

that she kept inside of her drawer.

I guess she didn't wanna lose it

because it was a photo of her and my dad.

She would look at it and tell me,

"This, this is what love looks like."

But one day Dave saw her

and started hitting her on the head.

Dave saw me and tried to chase me.

So that's why I runned away from home.

- Did you ever love somebody before?

- Yeah, my mom, before she...

- No, no.

I don't mean like your mom. Not like that.

I mean like love somebody like they do in stories.

- Like fairytale stories?

- Yeah, like the ones my dad used to tell me

that always go once upon a time

and there's a prince and he has to find the princess

so that he can fall in love with her.

- Well, I'm not a prince, so I wouldn't know how to.

- But what if it just happens and you didn't do nothing?

- Then the prince wouldn't slay the dragon

or fight those bad men and it wouldn't be a fairy tale.

- Do you think it's just for princes and princesses?

- Yeah.

- Yeah, maybe.

Okay. Nighty night, Jamesy.

- What's wrong?

- I'm in love with you.

- What?

- I'm in love with you.

- Nuh-uh.

- Yes, huh.

- Are you sure?

Love is just for fairy tales.

- No, it isn't.

It's for everybody. Even you and me.

My dad told me what it's like

and said one day I'd get fallen in love.

And I didn't even mean to.

I just falled in love on accident.

And I know that you're in love with me too.

- No, you're silly.

- No, you're silly.

- Mm.

Oh, oh, gross.

I'm gonna get you!

- Nothing in here.

Maybe in that room.

Hey, what's this?

- I don't know.

My mom used to have one of these,

but she never really played with it.

- Well, what is it?

- I don't know.

I think you're supposed to press this button.

Ah, geez. I think I'm blinded.

- Oh, it's a flashy light.

You know, like the ones that the boats use

if they're gonna sink so that people can come save them.

Then why would my mom have one of these?

- Maybe she used to drive boats.

What's this little paper thing for?

- It looks like-

- It looks like you.

- Wait a minute.

Sam, this isn't a flashy light.

It's a camera.

- Oh, neat. I never saw one like this before.

Aww. I wanted to keep that.

- No. I look like a doofus.

- No, you don't.

- Please, Jamesy? Pretty please?

- Fine. But you can't make fun of me.

Promise?

- Pinky promise.

Oh, my. Look how handsome my Jamesy is.

And I can see him any time I want.

- You know what?

Let me just take another one so I don't look like a dummy.

- No, no.

Let's take one together, me and you.

- Fine. But how do we do that?

- Like this.

- Oh, yeah, I remember. A Ralphie.

- A Ralphie?

No, silly. A stealthy.

- Oh.

- Come on, Jamesy. I know the perfect place.

Come on.

Give me your hand.

- Everything looks so small.

Why did you wanna take it up here?

- Because you can see everything.

All of our home.

I never got a picture of our old home.

Sometimes I even forget what it looks like.

I don't want to forget what this look like

'cause it's our home.

- Ready?

- Yeah, but you have to say cheese.

- Okay.

Say cheese.

- Is it working?

- Mm-hm.

I think this is what my mom was talking about.

- About what?

- What love looks like.

- I knew it.

- Don't tell anybody.

- There's nobody here to tell.

♪ You said it once ♪

♪ You said it twice ♪

♪ I didn't hear ♪

♪ You whispered in my ear ♪

♪ Lazy Sunday afternoon ♪

♪ At the table set for two ♪

♪ We cheers to the new ♪

♪ I follow closely where you lead ♪

♪ You don't look back ♪

♪ You're blinded to the past ♪

♪ But if you look in front of you ♪

♪ I'm right here to share the view ♪

♪ And I'll come ♪

♪ I'll come home with you ♪

♪ Tell me that you're never going to leave me ♪

♪ Tell me that you'll stay just one more time ♪

♪ You say you feel loved ♪

♪ And I believe it ♪

♪ We both think it's better just to try ♪

♪ I held your hand ♪

♪ You held it back ♪

♪ And held on tight ♪

♪ I'm falling through the floor ♪

♪ I give all myself to you ♪

♪ That's what you're supposed to do ♪

♪ When you're in love ♪

♪ I'm at a loss for what to say ♪

♪ You meet my eyes ♪

♪ I pry at drifting words ♪

♪ Trim the sides and get the glue ♪

♪ Let's build something bright and new ♪

♪ And I'll come ♪

♪ I'll come home with you ♪

♪ Tell me that you're never going to leave me ♪

♪ Tell me that you'll stay just one more time ♪

♪ You say you feel loved and I believe it ♪

♪ We both think it's better just to try ♪

♪ Tell me that you made it just to keep it ♪

♪ Tell me fleeting love is not for you ♪

♪ You say I'm the one and I believe it ♪

♪ You've just got to show me what to do ♪

We just gotta find more.

There's something. We just have to find it.

I know where there's water.

- Where?

- In my underground house. There's a bunch of it.

My dad made sure there was enough to last for years.

And there's food too.

- How far is it?

- Really far.

- Well, how do we get it back here?

- We can't.

Are you ready to say goodbye

to your pretend friends?

- I did that already, the day I met you.

- Hey, Sam, what's that over there?

Is that a car?

- It is!

Maybe we can sleep in there.

Come on!

- Sam! It's perfect!

Agh!

- What is it?

Happy you got your chicken?

- Mm-hm.

Here. You have some.

It tastes like squirrel, but...

A little less gamery.

I miss it already.

- Miss what?

- Home.

- Jamesy, it's just a house.

You and me, we made it our home.

That's what my dad would've told me.

I think everywhere can be our home

if both of us are there.

So tonight we have a luxurious car home.

And tomorrow, maybe a cave home.

And the next day, a tree home.

- It's scary here at night.

- Yeah.

You've gotta be really careful,

or another chicken monster might get ya!

Cluck, cluck, cluck, cluck, cluck.

- I wasn't scared.

- You screamed like a girly girl.

- Because that was a quick scare. There's a difference.

- I know, Jamesy. You're a big, brave boy.

- I hope our bonker home still has candy in it.

- Mm-hm.

If I didn't eat all of it already.

- Hey, Sam, are those eagles in the sky?

- No, I think they're just vultures.

You see how they're like flying around in circles?

That's 'cause they're looking for dead animals

to eat for breakfast.

- Hey, Sam, what's that sound?

- James, stop!

Don't move.

Don't move.

Oh my gosh, James.

Oh my gosh.

Okay, okay, okay. Breathe.

Breathe, breathe, breathe. It's gonna be okay, Jamesy, okay?

Okay. You just need to stay calmed down, okay?

Please take a deep breath for me, please.

Come on. Okay.

You're gonna be okay. It's gonna be okay.

You just need to stay calmed down.

Okay. Where is it?

Let me see. Let me see.

Okay.

We gotta find somewhere for you to lay down. Okay?

Okay. Come on.

Okay. Come on.

Come on. Come on.

Come on. It's okay.

I gotcha. It's okay.

You're gonna be okay, okay?

- It hurts!

- The truck is right there.

We're only a couple feet from it. Okay?

Hey, up.

- Ow!

- Can I see?

- Ow!

It hurts.

Ow!

Am I gonna die? I think I'm gonna die.

- You're not gonna die. Okay?

You're gonna be okay.

You just need to stay calmed down. Okay?

My dad got bit once and the doctors gave him an antivenom.

I think it started with a C.

I gotta go get you some of that medicine.

- Sam, please don't leave me, please!

- I know, but I'm gonna be as quick as I can. Okay?

I promise. Okay?

You just need to stay here, laying down, as calm as you can.

It hurts!

- I know. I know, okay?

And I'm sorry. Okay?

Just stay right here. Okay?

You just gotta be brave, okay?

Be brave.

I love you.

Jamesy...

Why?

Why?

Yes!

No!

No, no, no, no.

Please wake. Please wake up, Jamesy.

Jamesy, wake up.

Come on, Jamesy. Wake up, please.

Wake up. Wake up.

Jamesy, wake up. Wake up, please.

Come on, Jamesy. You promised me.

You made me a promise. Please wake up.

Wake up. Wake up.

Come on, James.

You promised me you wouldn't.

Wake up. Please wake up.

Please wake up.

Please. Please wake up.

Liar! Liar!

You promised me.

You promised me you wouldn't.

You promised me.

Come on. Please wake up.

Wake up.

I can't do this without you.

I love you, Jamesy. Wake up now.

Don't leave me.

- Samantha?

Hi, I'm Dr. Holland.

Would you mind if I asked you just a few questions?

Do you think that would be okay?

I can only imagine how overwhelming this must be for you,

so we can go as slow or as fast as you'd like.

Are you comfortable?

Can I get you anything before we start?

Okay.

But if you change your mind and you need anything at all,

or if you just wanna take a break,

you just let me know and we can do that.

Okay?

We are here to help in any capacity that we can.

That's what we do here.

Everyone at some point or another

has been in the same exact position

that you were when we found you.

Believe me, I understand how you feel

and I know it's natural for you to be a bit leery at first.

But I promise you this is a safe space.

Okay.

I think I actually wanna go back to the very beginning

when you had those...

Yes. Come in.

- I hope I'm not interrupting anything.

Samantha, there's someone here who wanted to see you.

- Mommy!

- Hi!

Come up here. Ready?

Hi, princess.

Did you and Daddy have a good nap?

- Yes.

- Yeah? - Yes.

And look! We also got some candy.

- Some candy?

Well, you better tell Daddy not to eat them all.

- Daddy, don't eat them all.

- Okay. I'll keep them safe.

- Did you get some good sleep?

- A little bit. But someone kept taking all of the covers.

- Oh, did she?

- Well, this is wonderful.

We have the whole family with us.

- Mommy, who's that girl?

- This is Dr. Holland.

- And tell me, what is your name, little girl?

- Marianna.

- You are such a lucky girl to have such a nice name.

Well...

Shall we begin?

♪ Tell me that you're never going to leave me ♪

♪ Tell me that you'll stay just one more time ♪

♪ You say you feel loved and I believe it ♪

♪ We both think it's better just to try ♪

♪ Tell me that you made it just to keep it ♪

- Okay, so before this movie starts, everybody,

I just need everybody to lower down their phones,

turn them on silent mode or whatever,

whatever you have on your phone,

but just make sure to silence them because here's the movie.

Hi. My name is Kayden Tokarski and I'm 11 years old.

- Hi. My name's Byron McCray and I'm 10 years old.

- And we play Sam and...

- James.

- I knew that I could be the role of Sam

'cause she is just this brave, strong girl.

And she's basically lost everything, especially her father,

who basically taught her how to survive.

The hardest part is trying to be the character

and feel what Sam is feeling

'cause she has so many different emotions.

When she looks out on everything that is gone

and how much she has lost,

she just realized, I can't hold it in for long.

And that's when she breaks down

and just can't hold it in and her heart just drops.

- You wanna talk about James?

- He's shy. Eight years old.

A quiet character. Does not like to talk much.

So the character is basically just like me.

- One day, she comes along this boy named James.

She's like, what? There's actually a person alive.

To actually see somebody, we're speechless

'cause we thought that we were just all alone.

They have like this connection.

They start noticing that they have feelings for each other.

I enjoyed it so much and I was like,

I don't wanna stop filming

because this is something that I wanna do

for a very long time.

Well...

Oh, we gotta go back on set. So bye, guys.

Ooh, she's calling to us.

- Hey, guys. What's going on?

Welcome back to my YouTube channel.

- It's Kayden!

- It's Kayden and B-Roll.

So we're balancing the Steadicam.

This is our Steadicam op, Abood.

- Nobody cares. - He's actually homeless.

We found him in front of a McDonald's.

He said, "Will Steadicam for food."

First day filming was so awesome.

- Marker.

- Come on! Come on!

Go, go, go, go!

- No, James! Don't!

- Cut. Great, guys.

And whenever you turn around,

I want you to still have that happy expression

and then, "Oh, no."

- James, don't!

- Ow! What'd you do that for?

- What are you trying to do? Huh?

Are you stupid? You wanna die?

You can't...

You can't do that!

- One more time.

Exactly like that, just even softer.

Even softer and slower. Okay?

And scoop him up. When you go to hug him, scoop him.

Great job, guys.

Okay. Run out of frame.

- Lovely. - Yeah, that's cool.

You didn't follow me back.

Oh, dang.

Oh, guys, we got some heat over here.

Got some heat between these two.

- I follow you. You're not even like my friend.

- Got some heat. - Are you gonna take that?

- Go ahead.

- You're lucky I don't push you in the water, Kayden.

- No, I'm not going to.

Like look at him against me, like...

- David versus Goliath.

Kayden and Brandin.

- Follow me.

We're gonna show you guys something

that looks exactly like Brandin.

Say hello to my friend Brandin. Take that.

- Love, hate. - Called payback.

- You guys are so good

that you only have one day to know these lines.

- I've seen better. - I've seen better cameramen.

- Oh! - You say that every time.

Get original. - No.

Yes, you do.

- No. - Yes, you do.

- No. - Brandin.

You said that yesterday.

- No, Brandin. - You said that yesterday.

- No, I didn't. - Yes, you did.

- No, I didn't. - Why are you lying?

Oh, now you're a liar.

Kayden loves Brandin.

Loves getting on his nerves.

- Brandin's crazy, all right. We already know that.

What are you feeling like today?

- Bad because that guy's here.

- Okay. - You.

You should get Brandin's coverage.

He'll be like, "Hey, y'all.

I like to do-si-do and lasso horses."

Brandin!

Right, Brandin? Guys...

You have such a big ego, Brandin.

And Brandin loves Kayden,

loves getting on her nerves.

- Me and Kayden had a truce and then she broke it.

- No, we didn't. He started the fight.

We were in the pool and he tossed me in.

- And then we shook hands. Remember?

- No, no, no, no, no. - Yeah.

- I pushed him first and then he went like this.

And then he was playing with Justin

and they're like ,

but they were actually whispering.

I don't know. Long story.

They were so funny because they're so alike.

- Oh, you know that one?

Beneath all of that,

they loved each other, though they would never admit it.

Love, hate.

Five, six, seven, eight.

One, two, uh.

Hey! Hey!

- Oh! - Keep going.

- But you kind of did a little laugh, which was nice.

Like you were just kind of like, "I was just kidding."

And Byron, you'll start kind of having a nightmare.

So its like, "No!"

You start kind of like tossing and turning.

You guys wanna try that?

- Yeah. - All right, let's do it.

- Oh, it's so hot. - It's the beginning.

18 Charlie, take one. Marker.

How does that look, B?

Looks great.

Justin, the camera's focused on your rear end.

- That always happens.

- The camera adds 10 pounds. - It does?

Mark, soft sticks.

- That's great, Kayden. Okay.

So Byron,

let's get a little bit more breathing room in your lines.

- Run for your lives! Run for your lives!

- Are you videotaping me? - What?

- Get outta here.

- Kayden. - Where do I begin?

- Oh, hey, guys. I didn't see you there.

So today I'm gonna be teaching you,

well, showing you what our onset workout is

when we're in the wilderness.

Such a personality.

- Eight. And get up.

Oh my...

Don't show people that I did that.

That is onset workout. Bye.

Where do you picture yourself in five years?

I just kidding.

That's not how I actually talk. I'm all American.

I feel faint.

Take whatever.

She's so funny and she knows it.

- Remember this?

Hey, guys, I didn't see you there. Remember this?

See, I can't be behind the scenes

because I make the audience laugh.

No, it's called being dramatic for documentary.

Laugh, laugh, laugh.

Byron, I'm just kidding.

Something Kayden did

that I thought was just so funny and so familiar,

she would say something and immediately after it,

"No, I'm just kidding."

- No, I just kidding.

No, I just kidding.

I'm just kidding.

No, I'm just kidding.

No, I'm just kidding. I'm just kidding.

Ha, ha, ha. No, I'm just kidding.

When are we going to get rid of Abood? No, I'm just kidding.

Because you don't wanna hurt someone's feelings,

so it's like very immediately afterwards.

No, I'm just kidding.

- My mom... - No, I'm just kidding.

That was really funny.

- My stomach makes these like little petite farty noises

and I'm laughing inside my head.

I'm like, "Don't blow it. Don't blow it."

I don't want Justin to have to say cut

and then we have to go again.

We just cut it out. Cut it out.

Peace.

Just her as a person,

she's really something else.

Beyond that, though, her just enthusiasm to film

and her excitement to be an actor

and just to embrace that character

and how serious she took it,

and it was just really, really cool to see that.

- I was literally here, seriously.

And I was tricked.

Byron.

- Is that dog poop? Clean up your dog.

If you let your dog do business out here,

at least clean it up.

People can step in that.

Why is this greasy? What is this?

It looks like mayonnaise.

He's a 10-year-old boy in every sense.

And he's so genuine about it.

Getting into mischief, you know, exploring.

It was cool just to watch him work

and to watch him not work.

But there was also like part of him

that was a little bit not your typical 10-year-old boy.

Like he was kind of sensitive.

- Let me also give y'all a secret.

He acts hard. He's really not.

He is a softie, as you could tell when I get on him.

If he wasn't acting,

he was sleeping.

Byron, you good? You awake?

- Yes. - Just resting his eyes.

- He can sleep anywhere. - Byron, if you wake up,

you will get Hershey's chocolate.

- Where is it?

He's like, "I want to see it first."

- Go away.

And when he wasn't sleeping, he was dancing.

- 24, take one. Marker.

And action!

Great take, guys.

Bogie in the background.

Person.

Let's cut. We got a bogie, so let's cut.

- Bogie. - Bogie.

And we got...

Let's hold for a moment.

We still have a bogie, so...

And action.

All right. All right.

We have to figure out a way to shoot it

without bogie and without being repetitive

in terms of shots.

- Right now, this is totally clear.

Let's very quickly come over here.

Start walking this way while we're clear, okay?

Let's cover their mics. - Is there audio or no?

Yeah, there is audio.

And action!

- Well, okay. Then I'm gonna kiss you.

- No, you're not.

- Yes, I am.

- No.

Stop! Don't!

- You're my boyfriend, so I'm going to kiss you!

- No, you're not.

Ew, gross! - Come here!

Get over here!

- Cool. Cut.

Great job, guys. You got lucky on that one.

Jacob, you got audio on that, right?

- This one? No. - Ugh.

But they were running.

- So can we get this again with audio?

- Clear. - All right.

Let's get ready to go, guys.

We're doing it again?

- Yeah. Byron, give a nice pause there, okay?

Why would they stop?

To give us like a natural break in the...

- I'm just thinking they stopped in the last one,

so I don't want it to be walking, stop.

Walking, stop.

So it's not uncommon on productions

for a director and director of photography

to have a disagreement at times.

We've filmed together so much, we don't always agree.

We often disagree.

- Cool. - Let's just reset.

Why did you do that?

'Cause we already got that shot.

- Yeah, but I wanted to get that again.

But don't cut unless I say cut, please.

No, that's not what I was picturing.

They're just sitting there.

- It's Kayden's walking, right?

- No, no one's walking. They're just sitting.

They're just sitting next to each other.

- Okay. Can we get both?

- They just have to run around a little faster.

- Yeah, that's easy for me.

- I'd rather them walk a little slower.

Yeah, we'll walk slower.

- Should we try it again?

- Are we rolling it or are we not rolling it?

- Yes, we're rolling it.

- Me and Justin have a funny dynamic.

When the script is there, it's very easy for us to sync up,

picking out the shots and imagining them.

You might imagine it a little bit different

when we're shot listing.

And I think that's where some of the confusion comes in

and that's when me and him have creative differences

and that's when things don't go as smoothly as they should

or when me and him bicker about this or that

or it should be shot this way

or we don't have enough time to do it that way.

It's like when me and Justin are fighting,

it's like when Mom and Dad are fighting.

One instance in particular where I got really heated,

and I'm really bad at keeping my emotions in check,

basically we had this shot where it was a walk and talk

and Justin wanted a shot, and I wanted the shot too.

I would've loved for this shot to work.

And I was like, "Justin, we don't have time for this.

I think we should just nail a single on him

and a single on him."

He's like, "I'm the director and this is my movie."

- We both have egos.

- And I'm like, "All right, well,

I'm the DP and I'm supposed to be doing this."

He's like, "Yeah, but I'm the director."

And I'm like, "Okay, well, I'ma dip then."

So I literally just walked off set.

- I anticipated it happening at some point.

- If he's not gonna let me do my job,

then there's no reason I should be there.

That's how I felt in that moment.

- I'm not gonna beg him to stay.

- I sat with Kelly and Ray and they're like, "Oh, hey."

And I was upset. I was like hot, and they could tell.

They were like, "What's going on?"

And I'm like, "Oh, just Justin is being,"

or something like that.

Five, 10 minutes go by. I'm like...

I stormed off super dramatically

and I made it seem like I was leaving,

but obviously I couldn't leave.

- I think it was just a heat of the moment thing.

He doesn't want to abandon the film

'cause I think his heart is in it.

- We ended up doing the two singles

that I suggested in the first place.

I mean, I didn't wanna say I told you so, but...

- We talked about it.

We just tried to swallow our pride.

But it's okay.

That's all water under the bridge.

I think we've learned a lot about each other.

And what I've learned about Brandin is that he's talented.

He's got a very good cinematic eye,

which is really important to me as a filmmaker,

as a writer, and as a director.

- Oh, I think me and Justin are a great team.

- Even if we disagree, even if we fight.

When we actually are on set

and we're making moves

and we're getting what we need to get, it's great.

- Crazy day. Another crazy day.

Everybody's still here, so we're still working. So.

- Welcome to my crib, MTV.

My husband actually divorced me,

so this was like the result of our fight.

So it turned out pretty much exactly how I wanted.

This is my kitchen. Super modern.

This is my foyer.

This is where I like to sit and read.

Just ignore that little mess in the corner.

And over here is my baby's room. This is my baby.

For guests, it has a really nice view, as you can see.

There's the bathroom.

It's more of like a pop and squat situation.

Very natural.

Famous artist.

I love his work.

This is my bedroom, obviously.

This is like where I sleep at night.

I kind of just like hook my arms and just...

Yeah. Thank you, MTV.

Now get the out of my house.

- Make the drone shots pretty quick.

We may or may not have a flying license.

May or may not.

I'm not saying we don't.

We never really know where security is.

I say we fly the drone way up in the air

and just scope it out.

- Cannot take off.

Your aircraft has entered authorization zone.

Maybe we're just a little too close.

- And they say America is a free country.

- Well, the drone is going in the air today, guaranteed.

Or you're... - Or you're fired.

- Or you're fired, Eli.

- Thank you. - So let's do that now.

What, fire me?

- Let's do that later. - Let's do that later.

We'll do that later. Let's go get a shot.

How was yesterday? Was...

- Yeah.

I remember everything happened like it was yesterday.

- We started off the day great.

We were all happy and we're filming.

- Shooting at an abandoned neighborhood.

We're not supposed to be outside.

First thing we do, we're outside.

- Because it was gonna be one shot.

- We move out to the street. We were moving dumb fast.

- We shot one shot.

- And then guess what happens?

We see the white truck

and when you see the white truck, everyone scrambles.

We have one more.

Oh.

- This truck pulled up.

- It had like a city logo on it.

- He saw us.

- And I was like, oh, no. Oh, no, not again.

- That was our second time going there

after being kicked out last week.

- And I'm like, ah! In my head, I'm like...

- Justin's like, "Get in the house."

We're like...

- They ran.

I didn't know what was happening, and then I ran.

He pulls up.

- Turns on his like intercom and he's like...

- "Get out of that house now!"

- "I know that you're in there."

- He honks his horn.

- We're hiding. If you know me, I hate to get in trouble.

I don't like getting in trouble.

I don't like to get in trouble.

He's like, "Come out!" One more time.

And Justin's like, "Okay.

I'm just gonna have to go out there." So...

- Justin didn't want the security guard

to see the kids outside.

- He's like, "Where's the rest of you?

I know you are in there."

And what does Antonio do?

He's like, "All right, guys, come out."

Ooh, I got so hot.

I was like, "Antonio, you...

Why are you blowing up the spot, homie?"

- We can't go to jail for that.

- I was panicking.

- Because there's no signs or anything.

- It was actually pretty scary, actually.

- We could have got kicked out, but not went to jail.

- So you guys know,

the worst case scenario is we just all leave.

No one's in trouble. Okay?

= Justin's on the phone. I don't know who he's calling.

I think he's calling Craig.

I think he was pretending to call.

I don't think there was nobody on the other line.

- Really? - Yeah.

And the guy's like, "Where are they?

Filming at a different location?"

I just wanna...

I just wanna slap him one time.

- They pretended to leave.

- Justin's like, "Oh, yeah, we're packing up."

- So I take this very camera that we're using right now,

which is not the camera we're filming with.

And I, you know, pretend like that's the camera we're using.

Try to do some trickery.

Justin didn't want to just leave.

- Right now, like right now,

we need to knock out them packing their bags.

Bring out like a couple apple boxes.

Meanwhile we have like 20 otter boxes inside the house.

- Not the best time to film.

- Kayden's dad was being followed by this guy.

And Kayden's dad is a real G.

Kayden's dad was whipping ,

trying to lose him.

Left, right, left, right.

But he hasn't been to this abandoned neighborhood,

so he got lost himself.

So he didn't even know where we were.

- You made the wrong turn. Do you know where you're going?

- He's hot. He's all over the place.

I brought him over to the hospital

and he got all those guys.

- On the way in,

we saw these other people at the abandoned hospital.

- So he kind of pulled in like he was with them.

- And the guy is like, "Oh, there's people here too."

So he turns on his siren and parks there.

Meanwhile, Craig's like, "All right, that's my cue to go."

- He didn't even like realize that my dad was gone.

It was actually kind of funny, though.

- And we had kept a lookout for if the guy came back.

He's right behind me, by the way.

- He's on his way back?

- He's calling Craig right now.

- The security guard shows up again.

- We just fake everything.

- And then he just literally backs up and drives away.

- So we're like, all right, we'll stay.

- And then guess what?

We take everything back out of the truck.

We go inside, everyone dips,

and we film for another two hours

and we get the minimum of the scenes we needed.

But at least we got the scenes we needed.

Shooting at our undisclosed location

is always a pleasure.

- It's toasty.

- It was so hot.

- Bruh.

- It's hot.

- We're all covered in sweat here.

- 106 out here at this abandoned hospital.

- I know, right?

It's creepy. Really creepy.

- Who would do such a thing? Shameful!

- There's a bunch of graffiti everywhere.

- It was giving me the creepies.

Who goes there?

- Ooh. - Is there more stuff?

- Scary hospital.

Jake. He's the best sound guy ever, though.

- Oh, wow. Thanks.

I thought I was just another denizen of this haunted place.

- Whoa.

Do you guys want to get set up

so we're getting the medicine now?

- Oh, the medicine. Okay.

That's all set? Cool.

Do you wanna walk back to your mom?

- Yeah. - Okay.

Any crazy stuff that's happened?

- Ooh.

- That's annoying.

Security is always just around the corner.

- We were on the rooftop and we saw the guy like two times.

So we had to jump down

and we were there for like 10 minutes, laying like this

and I was like, "Oh, I don't want get caught."

- Yeah, so security's here. We're staying low.

It's on the DL.

This will be the third time we've gotten caught.

- He could have seen the camera. That's my only concern.

- But he passed by a couple times.

We're good. We're good.

- We have one more little scene.

It was just me dropping my knees.

- Jerome, can you be on lookout duty, please?

Of course.

- Set.

- All right, cut.

All right. Let's get out of here.

- For me, coming out here, you know,

having to deal with, you know,

getting caught or it being too hot,

I'm okay because it's like,

I see the passion behind the scenes

and because Justin cares so much, it's like,

it makes it worth the sacrifice.

- Just so over it.

Was I cut out to be a filmmaker?

Sometimes I question.

Why? Why do I put myself through all this stress?

And then I'm like, for good stories.

And then I think about some of the films I've shot.

I'm like, ugh.

No, I'm just kidding.

This one is a good story. That's why I do it.

Oh.

And on that note, catch you later.

We are here in Orange County.

We're gonna have a police car out here.

This Escalade.

In this future, the police got more funding.

We're gonna put some Asteras up there, wet down the street.

So...

That's the good thing about it.

- Let's get rolling.

- Whenever it's just you guys sitting and talking,

those go by so quick.

They're so easy. - Yeah, they are.

- You know?

Shoot this one and then 47 will be the syringe.

Okay. So it'll just just be your blocking.

- Yeah. - Which it'll be much easier.

- Yeah. - So, yeah.

Today's gonna be an easy day.

- Hopefully. - Knock on wood.

- Unless the neighbors freak out about what we're doing.

- They can freak out.

Yeah, they can't freak out as long...

As long as we have Kelly.

As long as we have Kelly, we're good.

Dude!

The birds know when something's wrong.

- So we are shooting the scene where Kayden is running.

It's kind of like a flashback.

Justin goes out there to wet the road

to make it look more cinematic.

All the kids in the neighborhood are like running around,

doing Orange County things.

And one of the older kids is like,

"Hey, guys, do you guys have a permit?"

Kelly comes out, Kayden's mom.

She's like, "Is there a problem here?"

Their dad is like, "Yeah, you're the problem."

We were all just like, "Whoa."

And then Kelly's like, "Excuse me?"

And then basically they got into it, like heated.

Justin was there.

Man, today was just like a show.

- Kelly was going off and then...

He started yelling at us and...

- Justin's like basically holding her back.

"They're not worth it."

We got a very quick scene. - Everybody else was cool.

Everybody else thought it was just rad

that they were filming a movie in their neighborhood.

- Is that really upsetting you?

- Maybe he wanted to be in the movie. I don't know.

- What a. - It went down from there.

- All right, now we have to shoot this as fast as possible.

Great.

You know, Justin is very rational.

You know, what's the worst thing that could happen?

That's how he thinks.

And I think more like,

well, what's the least worst thing that could happen?

Those are the two differences, right?

I'm like, I'm not that worried. He's extremely worried.

And sometimes on set, that just doesn't match.

We have the cop lights out there going off.

Justin wanted to turn off the lights

while we weren't shooting.

And I was like, "Well, that's just stupid.

That's just gonna waste time."

What he was really worried about

is them actually calling the cops

and the cops coming and impersonating the police,

which is actually illegal.

I'm like, "That's stupid," like...

But the cops actually did show up.

Apparently someone called the cops.

- So mid-scene, Kelly calls me up there.

I walk up and standing next to her is a sheriff deputy.

- Kelly's like a senator. She's like a politician.

Very good at talking.

She's very persuasive and she's very nice.

- Hi, I'm Kelly.

- That's when I start to get worried.

That's the moment where we get worried.

Things have already gone bad.

Justin's like,

"Let's prevent it from getting to that point."

I'm like, "Well, let's get it to that point

and then we'll start worrying about it."

- She is amazing.

I walk up to him, he reaches out his hand,

shakes my hand, calls me brother.

Like just super cool. And I'm like, I knew it was Kelly.

- Oh, the cops loved me. Trust me.

I threw out their boss's names

and they're like, "Oh, you know them?"

Yeah.

- He's just...

Eating it up.

- The cop ended up leaving

and you know, Kelly saved the day.

- They're asleep.

Blast some moonlight through this window. Done!

- There's a white owl flying over us.

If you see it, please film it.

- We get to set and just always filming birds.

We filmed hawks having.

We filmed birds flying over. We really did.

- I don't know, man.

They would've been louder, I think.

I don't like the way hawks have.

Why? What do you like having?

- I thought they were trying to kill each other.

- Oh. - Which...

- I mean... - Some humans do that.

- All right, all right, all right.

I know what you're gonna say, so I'll just say it for you.

That squirrel, though.

- We are getting a shot of the feathers right now. Okay?

We didn't actually kill a chicken.

Just want you guys to know.

Did y'all actually gather them

or did y'all pick them?

- We took them off Claudia.

No, we did not.

We didn't, Byron.

Do you think we'd actually do that to a chicken?

Why would you do that?

- Abood here, my friend, my buddy...

Let's have Kayden and Byron

sitting on a tailgate.

- Meets with the chicken, Claudia.

That guy is full of it.

- That jacket would look better on me.

- Never act like that, kids.

That's actually such a nice frame.

- We have to be quiet on set.

- You stole the camera light.

Whenever the behind-the-scenes is on,

she finds a way to make sure she is the big star.

- Just remember that nice slow pace

and that's some nice pauses in between.

- Speed. - Scene 41 alpha.

Take one, marker.

- I live literally 20 feet away from Kayden.

It's how I found out, 'cause it's literally in my backyard.

- Who do you like better, me or Byron?

No, I'm just kidding. Don't answer that question.

Everywhere can be our home if both of us are there.

- I think the main thing is a little more animation

and a little more personality

and a little more eye contact and smiling with her.

- My stomach makes these noises.

Cut!

- Can you see, Justin?

Yeah. Can they face each other?

- Yeah. Face each other.

- Yeah. Way back.

Remember kind of how we were yesterday?

Not like Dracula.

So she's gonna pretend to poke him. No needle, nothing.

So let's make sure we don't get her hand.

Wait for it to work. Please, please, please.

So it's just, it's a slow build.

Come on. Come on.

Just leaning back, totally destroyed. Okay?

- Yeah. - Cool.

Let's go for one. - Hold the camera.

- How many do you have? - Two.

- Justin's always prepared.

Let's do your part.

- Abood! - Like even if it was full,

you have to actually push it.

But what is this material, though?

- Paint. - Paint and water.

You tell me.

- I don't have enough information

to tell you if that's good or not.

- What if I just pull some of your blood?

If his blood goes back in, his vein is not gonna die.

When was the last time you did this?

- When I took my phlebotomy class.

- This one must have hurt. - Goodness.

- That wasn't so bad.

All right. That's indie filmmaking for you.

So we're here in an undisclosed location.

Today and tomorrow are the last chances.

We have to get these scenes that are crucial.

We can't get busted.

Security's kind of popping today.

I don't know what's going on, but we've been caught twice

and nearly caught a third time.

I hope and pray we don't get caught today.

Only time will tell.

I want to introduce you to the colorist.

And his name is Eli.

- Hello. And I'm also right now doing behind the scenes.

How long did it take-

- For this? - For this?

- 14 years.

What's the best part about it?

- You always have a pillow, no matter where you go.

- This place is so sketch.

- Yeah. I'm so afraid for our gear.

- Not our gear.

Gear that was entrusted to us,

that we would take care of it.

That's the thing about indie film.

It's not this pristine white backdrop.

No, it's golden curtains at the Red Roof Inn.

On the desk.

We have a guest.

- Excuse me. Your highness is calling.

Bye, Mikyla.

- So you're probably wondering why I'm sitting on a desk.

That's because there's not a chair in here.

There's a desk,

but I guess people don't need to sit or something.

Well, I need to sit. It's been a long day.

We went to the hospital to unload gear.

So my car and Brandin's car,

we need to get rid of those vehicles, basically.

Group shows up. Kayden and Kelly and Craig, they show up.

Craig's our shuttle driver.

So he shuttles everybody to the site and then goes back

so there's no vehicles outside, so we don't get caught.

Craig's shuttling us to the hospital

and he's like, "Look at that backpack."

It's a black backpack just on the ground.

He was like, "Is that yours?"

I was like, "I don't think so."

But then I looked out

and I see the hard drive with all of our,

all the footage on this hard drive.

And I'm like, that is our backpack, Brandin's backpack.

So I jump out and there's our precious hard drive,

just in the middle of the road, cables everywhere,

Brandin's $3,500 laptop in the middle of the road.

Apparently his backpack was in the truck

and it wasn't secured and it just slipped out the back.

You've got really expensive equipment.

You've got irreplaceable footage.

How is that just gonna slip out of the back of a truck?

Everything should be secured,

but that has the entire film on it,

like the past two months of work.

How is that not gonna be secured?

Like that's the most precious thing we have.

Yeah, that was nuts. That was actually really nuts.

Just, yeah. I mean...

I mean, it takes like two seconds

to make sure things are secure.

Kayden and Kelly were there

and so I just had to pretend it didn't bother me.

But yeah, that was...

I always back everything up twice.

So the footage was backed up on other hard drives

and that is why you always have two backups.

That right there. Anyways, yeah.

I was...

Yeah.

And then when you go to infinity, it just-

- It just resets.

- Don't you love when rental gear doesn't work?

- Yeah, and let's mark them if we can.

Action.

- Okay. Action.

- Two tickets, please.

Come on! Let's go check it out.

Behind you, Justin.

- We got a really good take.

- Yeah? - Yeah.

- Do one more. One more. - Cool.

All right. Ready?

And speed. - Yeah.

And ta-da. - Ta-da!

- Cut. - Okay.

Let's move it on out.

Yeah. We have not gone inside.

Yeah.

Is it okay if we continue?

Yeah. Just don't go inside.

Okay. Yeah, we won't.

Y'all have a good one.

We can still go.

We can?

- This is one of the nice ones.

- Okay, nice.

- So let's just, you know, get what we need.

Get it good. And then we'll be...

All right.

♪ What we've missed ♪

♪ Slowing down but speeding fast ♪

♪ Now we're on our way ♪

♪ The streets all pave the way ♪

♪ To grant us one last wish ♪

♪ The death of our first kiss ♪

- So we are filming at this beautiful movie theater.

This is our setup.

How are you doing today?

- I'm doing great. Who are you again?

Excuse me. Director.

- What's up? - Who's this?

- Get out of here! Who let you in?

No paparazzi.

- So what do you want to know?

You want me to talk about Brandin?

I think that I tightened more than 50 C-stands

for these two lights that are up now.

So that gives you an idea.

- We good on batteries?

Where is little miss Mikyla?

- She'll be coming here.

- She'll be coming around the mountain.

- What's that?

♪ She'll be coming around the mountain ♪

♪ She'll be coming ♪

♪ She'll be coming around the mountain when she comes ♪

- We are ready now. Let's go.

- Good? - Sorry.

Can we get a battery real quick? That says low voltage.

- Oh my gosh. Don't get me eating.

I know everybody else does this.

- And action.

- Come on! Come on!

- Cut.

Action.

- After you.

♪ I been going lickin' toads ♪

- Lickin' toads.

♪ I'm just looking for a friend to stop me ♪

Hmm!

- So I think we're wrapped.

Man, what a journey, right?

So, yeah. Thank you guys so much.

- Don't cry on us now, Justin.

No! Give me a hug.

Stop! If you cry, I'm gonna cry, so don't cry.

Oh, we're so proud of you. Don't cry.

- Yeah, that was cool.

No, guys, stop crying.

- I'm really proud of you guys.

So thank you guys so much.

If I had a drink, I would say here's to like new friends.

- Oh. - So, anyways, cool.

- He's almost crying. - Aww.

- We'll be watching your career with great interest.

- What a nice guy.

- No, let's do...

- I will. I will.

Fresh buttery popcorn.

- You wanna hold this? - Jake!

- Jake! - What?

Oh, the boompole!

It's like, I wrote the script, finished the script.

All right.

But that was just scratching the surface.

No, I love you guys so much.

We love you too.

Thank you so much for casting Kayden.

- Oh my God.

No. You guys are such valuable people to me.

- This has been one hell of a ride.

I love what has been done.

I have a new level of respect for directors, crew members.

The details, the intricate details

that goes to all of the shooting.

Have a new level of respect for parents

and who really have a desire to uplift

and encourage their children to pursue their dreams.

Having those skills later on in life does help their growth

in any area that they decide to go on in their career.

I don't wanna take anything away from the director

or the back, you know, the tech team and the actors,

but I'm like, oh, I feel like it's my project too.

- I mean, I'm sad that we won't be able to see each other

like every day on the weekend,

but it's not like we're never gonna see each other again

because we're gonna be friends

and we could possibly get another role

for one of your movies.

So we're still gonna be able to see each other again.

If you have a dream, go for it.

I started out not knowing anybody here to knowing everybody.

I started off for having no friends here

to a bunch of friends here.

So basically everything's changed. Basically everything.

- I'm like incredibly proud of my daughter

and of this production,

but I'm like so sad for this experience

for her and for me to be over.

It's been like the greatest experience,

especially with everything going on in the world

and seeing my daughter just like come out of her shell more

as an actor.

Justin's ability to help her grow has been amazing.

Every single moment...

Sorry. I'm the emotional mom.

It's definitely been quite a ride

for Kayden's first feature film

and I wouldn't have it any other way.

Wouldn't have changed anything about the experience.

Justin's amazing.

His drive, his skill, his passion is just unbelievable

and second to none.

So definitely life-changing for her and for me as her mom.

Sorry.

- I'm not ready for it to end right now.

We've been through so much together

and I love everybody here.

We've been on an amazing adventure together

and this film is amazing.

But I just wanna thank my mom, everything she's done for me

and I wanna thank the crew and everybody

because you've taught me so much

and it really means a lot to me.

And I have grown as an actor.

So from day one

and all I wanna say is thank you.

I'm not ready for it to end.

- Cut. That was great.

- Oh my gosh.

This is not over.

- Of course not. - It's not over.

- I hired you to drive me around on the golf cart-

- Oh, yeah.

- For the rest of my life, so.

Yeah.

- Geez. Thank you guys.

I love these...

Love these kids, love their parents.

And they really believed in fate.

But there's just like so many things that have transpired

over the course of this production that it's like,

I feel like I'm exactly where I'm supposed to be.

I don't know. Anyways, but it's not the end.

♪ Tell me that you're never going to leave me ♪

♪ Tell me that you'll stay just one more time ♪

♪ You say you feel loved and I believe it ♪

♪ We both think it's better just to try ♪

♪ Tell me that you made it just to keep it ♪

♪ Tell me fleeting love is not for you ♪

♪ You say I'm the one and I believe it ♪

♪ You've just got to show me what to do ♪

♪ You said it once ♪

♪ You said it twice ♪

♪ I didn't hear ♪

♪ You whispered in my ear ♪

♪ Lazy Sunday afternoon ♪

♪ At the table set for two ♪

♪ We cheers to the new ♪

♪ I follow closely where you lead ♪

♪ You don't look back ♪

♪ You're blinded to the past ♪

♪ But if you look in front of you ♪

♪ I'm right here to share the view ♪

♪ And I'll come ♪

♪ I'll come home with you ♪

♪ Tell me that you're never going to leave me ♪

♪ Tell me that you'll stay just one more time ♪

♪ You say you feel loved ♪

♪ And I believe it ♪

♪ We both think it's better just to try ♪

♪ I held your hand ♪

♪ You held it back ♪

♪ And held on tight ♪

♪ I'm falling through the floor ♪

♪ I give all myself to you ♪

♪ That's what you're supposed to do ♪

♪ When you're in love ♪

♪ I'm at a loss for what to say ♪

♪ You meet my eyes ♪

♪ I pry at drifting words ♪

♪ Trim the sides and get the glue ♪

♪ Let's build something bright and new ♪

♪ And I'll come ♪

♪ I'll come home with you ♪