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1
00:00:11,133 --> 00:00:13,669
STARRING ANDY GRIFFITH...
2
00:00:13,703 --> 00:00:16,238
WITH RONNY HOWARD...
3
00:00:16,271 --> 00:00:19,709
ALSO STARRING DON KNOTTS.
4
00:00:25,332 --> 00:00:27,000
YEAH, THIS OUGHT
TO DO FINE, FRED.
5
00:00:27,034 --> 00:00:28,035
MUCH OBLIGED.
6
00:00:28,068 --> 00:00:29,703
UNCLE FRED,
WHERE IS THE...?
7
00:00:29,737 --> 00:00:30,871
OH, HELLO,
SHERIFF.
8
00:00:30,904 --> 00:00:32,272
NOW, MY
FIRST NAME'S ANDY.
9
00:00:32,305 --> 00:00:33,273
ANDY.
10
00:00:33,306 --> 00:00:34,808
HOW ARE YOU,
MISS ELLIE?
11
00:00:34,842 --> 00:00:36,309
SOMEONE NOT FEELING
WELL AT YOUR HOUSE?
12
00:00:36,343 --> 00:00:38,145
OH, THIS AIN'T
FOR THE FAMILY.
13
00:00:38,178 --> 00:00:39,780
IT'S FOR THE
CHURCH PICNIC
14
00:00:39,813 --> 00:00:41,048
AND DANCE SATURDAY.
15
00:00:41,081 --> 00:00:42,315
A HOT WATER BOTTLE?
16
00:00:42,349 --> 00:00:43,784
WHAT'S IT GOING
TO BE FILLED WITH?
17
00:00:43,817 --> 00:00:44,952
IT AIN'T FOR NIPPIN'.
18
00:00:44,985 --> 00:00:46,219
IT'S ONE OF THE PRIZES.
19
00:00:46,253 --> 00:00:47,220
PRIZE?
20
00:00:47,254 --> 00:00:48,722
THE COMMITTEE ALWAYS TRIES
21
00:00:48,756 --> 00:00:50,223
TO FIT THE PRIZE TO THE WINNER
22
00:00:50,257 --> 00:00:53,160
AND SEEING AS HOW JIM SOMMERS
ALWAYS WINS THE SACK RACE...
23
00:00:53,193 --> 00:00:54,361
JIM SOMMERS?
24
00:00:54,394 --> 00:00:56,496
JIM, HE RUNS
THE MEAT MARKET DOWN HERE.
25
00:00:56,529 --> 00:00:58,866
HE'S IN AND OUT
OF THAT ICEBOX ALL DAY.
26
00:00:58,899 --> 00:01:00,300
GETS MIGHTY COLD IN THERE.
27
00:01:00,333 --> 00:01:01,902
I'M SURE THAT
OUGHT TO MAKE
28
00:01:01,935 --> 00:01:03,170
MR. SOMMERS
VERY HAPPY.
29
00:01:03,203 --> 00:01:04,337
OH, IT AIN'T FOR JIM.
30
00:01:04,371 --> 00:01:05,472
IT'S FOR HIS WIFE.
31
00:01:05,505 --> 00:01:07,474
IT KIND OF THAWS
HIM OUT AT BEDTIME.
32
00:01:07,507 --> 00:01:09,142
OH.
33
00:01:09,176 --> 00:01:11,845
I WISH I WERE GOING TO BE THERE
TO CONGRATULATE HER.
34
00:01:11,879 --> 00:01:14,281
YOU MEAN YOU AIN'T GOING
TO BE AT THE DANCE?
35
00:01:14,314 --> 00:01:15,382
THAT'S RIGHT.
36
00:01:15,415 --> 00:01:17,150
UNCLE FRED, WHERE'S
THE BENZOATE?
37
00:01:17,184 --> 00:01:19,019
BOTTOM SHELF,
BEHIND THE IPECAC.
38
00:01:19,052 --> 00:01:20,888
THANKS. NICE
SEEING YOU,
SHERIFF.
39
00:01:20,921 --> 00:01:21,989
UH, ANDY.
40
00:01:22,022 --> 00:01:23,023
[ CHUCKLES ]
41
00:01:23,056 --> 00:01:24,825
WHY IN THE WORLD
DO YOU RECKON
42
00:01:24,858 --> 00:01:26,359
A FINE-LOOKING
GIRL LIKE THAT
43
00:01:26,393 --> 00:01:27,928
AIN'T GOING
TO THE DANCE?
44
00:01:27,961 --> 00:01:29,930
COULD BE THAT NOBODY
AIN'T ASKED HER.
45
00:01:29,963 --> 00:01:31,298
THEY AIN'T?
46
00:01:31,331 --> 00:01:33,967
I'LL BE DOGGED, AND HER
AS PRETTY AS A PEACH, TOO.
47
00:01:34,001 --> 00:01:35,903
THE BOYS OUGHT TO BE
BUZZING AROUND HER
48
00:01:35,936 --> 00:01:37,237
LIKE FLIES AROUND A SPOONFUL
OF HONEY.
49
00:01:37,270 --> 00:01:40,240
YOU AIN'T DOING MUCH BUZZING
YOURSELF, YOU KNOW.
50
00:01:40,273 --> 00:01:43,110
HUH? OH, WELL, IT'S
DIFFERENT WITH ME.
51
00:01:43,143 --> 00:01:46,246
I MEAN, SEEING AS HOW
I'M SHERIFF AND ALL.
52
00:01:46,279 --> 00:01:48,782
YOU DON'T HAVE
TO GIVE UP BEING SHERIFF
53
00:01:48,816 --> 00:01:50,117
TO DO A LITTLE BUZZING
54
00:01:50,150 --> 00:01:51,518
EVERY ONCE IN A WHILE.
55
00:01:51,551 --> 00:01:53,220
WELL, NO. I...I GUESS
56
00:01:53,253 --> 00:01:56,423
IT WOULD BE THE FRIENDLY
THING TO DO, WOULDN'T IT?
57
00:01:56,456 --> 00:01:58,425
TO BUZZ...BUZZ A LITTLE?
58
00:01:58,458 --> 00:02:03,163
I MEAN, SHE-SHE IS NEW
IN TOWN AND ALL, AIN'T SHE?
59
00:02:03,196 --> 00:02:06,433
YEAH. I MEAN, IT WOULD
ACTUALLY BE MORE LIKE
60
00:02:06,466 --> 00:02:08,435
PAYING A NEIGHBORLY CALL
61
00:02:08,468 --> 00:02:11,438
THAN IT WOULD BE
BUZZING, WOULDN'T IT?
62
00:02:11,471 --> 00:02:14,574
DURN, IF YOU DIDN'T
TALK ME INTO IT, FRED.
63
00:02:14,607 --> 00:02:16,910
I'LL JUST GO BACK
AND ASK HER
64
00:02:16,944 --> 00:02:18,178
IS WHAT I'LL DO.
65
00:02:18,211 --> 00:02:19,880
ASK HER.
66
00:02:27,180 --> 00:02:29,016
UH, MISS ELLIE?
67
00:02:29,049 --> 00:02:30,618
YES, ANDY?
68
00:02:30,651 --> 00:02:32,753
OH, DID, UH...
69
00:02:32,786 --> 00:02:34,755
DID I HEAR YOU
SAY SOMETHING
70
00:02:34,788 --> 00:02:38,025
ABOUT YOU WOULDN'T, UH, BE
AT THE, UH, PICNIC SATURDAY?
71
00:02:38,058 --> 00:02:39,893
THAT'S RIGHT.
72
00:02:39,927 --> 00:02:41,729
OH.
73
00:02:45,799 --> 00:02:48,636
WELL, UH, UH,
MISS-MISS ELLIE...
74
00:02:48,669 --> 00:02:50,170
YES?
75
00:02:50,203 --> 00:02:53,106
HAVE, UH, HAVE YOU GOT
SOMETHING AGAINST PICNICS?
76
00:02:53,140 --> 00:02:54,842
NO.
77
00:02:54,875 --> 00:02:56,977
OH. WELL, THAT'S GOOD.
78
00:02:57,010 --> 00:02:59,413
[ LAUGHING ]
79
00:03:02,916 --> 00:03:05,753
WELL, UH, UH, MISS ELLIE...
80
00:03:05,786 --> 00:03:07,488
YES, ANDY?
81
00:03:07,521 --> 00:03:10,624
UH, SUPPOSING THAT
SOMEBODY WAS TO ASK YOU
82
00:03:10,658 --> 00:03:14,628
TO GO TO THE PICNIC,
YOU, UH, YOU RECKON YOU WOULD?
83
00:03:14,662 --> 00:03:16,630
I PROBABLY WOULD.
84
00:03:16,664 --> 00:03:18,999
W-W-WELL, UH...
85
00:03:19,032 --> 00:03:20,634
UH, SEEING AS HOW THAT
86
00:03:20,668 --> 00:03:23,136
YOU AIN'T GOT NOTHING
AGAINST PICNICS
87
00:03:23,170 --> 00:03:25,606
AND SEEING AS HOW
YOU WOU GO
88
00:03:25,639 --> 00:03:27,508
WAS SOMEBODY TO ASK YOU
89
00:03:27,541 --> 00:03:29,910
AND, UH, SEEING AS HOW...
90
00:03:29,943 --> 00:03:31,879
I'D BE VERY HAPPY
91
00:03:31,912 --> 00:03:34,482
TO GO TO THE PICNIC
WITH YOU, ANDY.
92
00:03:34,515 --> 00:03:37,184
WELL, HOW IN THE WORLD
DID YOU EVER KNOW
93
00:03:37,217 --> 00:03:38,752
I WAS GOING TO ASK?
94
00:03:38,786 --> 00:03:43,156
I BEGAN TO, UM...RECKON
AS HOW YOU MIGHT.
95
00:03:46,727 --> 00:03:47,928
HOW'D YOU ASK HER?
96
00:03:47,961 --> 00:03:49,630
I JUST ASKED HER IS ALL.
97
00:03:49,663 --> 00:03:51,031
AIN'T NO GREAT SHAKES
98
00:03:51,064 --> 00:03:53,667
TO ASKING A GIRL
TO GO TO THE DANCE.
99
00:03:53,701 --> 00:03:54,668
NO?
100
00:03:54,702 --> 00:03:55,869
NAW.
101
00:03:55,903 --> 00:03:57,805
I JUST WALKED
IN THE DRUGSTORE THERE
102
00:03:57,838 --> 00:03:59,740
AND WENT IN THE BACK ROOM
WHERE SHE WAS
103
00:03:59,773 --> 00:04:01,742
AND FIGURED OUT
WHAT I WAS GOING TO SAY
104
00:04:01,775 --> 00:04:03,611
AND WALKED RIGHT UP TO HER.
105
00:04:03,644 --> 00:04:06,980
I SAYS, "MISS ELLIE, HOW 'BOUT
ME AND YOU GOING TO THE DANCE?"
106
00:04:07,014 --> 00:04:08,849
JUST LIKE THAT.
SAYS, "YOU GONNA GO OR NOT?"
107
00:04:08,882 --> 00:04:10,684
WHAT DID SHE SAY?
108
00:04:10,718 --> 00:04:12,820
OH, YOU KNOW HOW WOMEN ARE.
109
00:04:12,853 --> 00:04:16,256
SHE BLUSHED, TURNED,
TWISTED AROUND A WHILE.
110
00:04:16,289 --> 00:04:17,891
THEN FINALLY, SHE SAYS,
111
00:04:17,925 --> 00:04:20,828
"I'D BE HAPPY TO GO
TO THE DANCE WITH YOU."
112
00:04:20,861 --> 00:04:22,530
THAT'S NICE.
113
00:04:22,563 --> 00:04:23,864
YEAH.
114
00:04:23,897 --> 00:04:26,033
YEAH, AND WE'LL HAVE
A PRETTY GOOD TIME,
115
00:04:26,066 --> 00:04:29,002
AND IT WAS THE RIGHT THING
FOR ME TO DO, TOO, I EXPECT.
116
00:04:29,036 --> 00:04:31,204
GO OVER THERE
AND TAKE HER TO THE DANCE,
117
00:04:31,238 --> 00:04:34,274
AND WE'LL DANCE AROUND TWO
OR THREE TWO-STEPS AND A WALTZ,
118
00:04:34,307 --> 00:04:37,044
AND THEN WE'LL SET AROUND
AND DRINK PUNCH A WHILE.
119
00:04:37,077 --> 00:04:39,112
SHE'LL HAVE
A PRETTY GOOD TIME.
120
00:04:39,146 --> 00:04:43,116
SHE CAN DO -- SHE CAN DO RIGHT
SMART WORSE THAN ME, YOU KNOW.
121
00:04:43,150 --> 00:04:45,118
OH, I KNOW.
122
00:04:45,152 --> 00:04:47,921
YEAH, BOY, I AIN'T TOO BAD
TO TAKE, ACTUALLY,
123
00:04:47,955 --> 00:04:50,558
IF I GET ON A COAT
AND A NICE SPORT SHIRT
124
00:04:50,591 --> 00:04:53,961
AND KIND OF PUT ON A PAIR OF
BRITCHES WITH A CREASE IN THEM.
125
00:04:53,994 --> 00:04:55,128
I'M SURE.
126
00:04:55,162 --> 00:04:56,764
[ LAUGHS ]
YES, SIR.
127
00:04:56,797 --> 00:04:58,231
I'LL TAKE A LITTLE WATER,
128
00:04:58,265 --> 00:05:00,768
AND I'LL COMB MY HAIR DOWN
REAL GOOD,
129
00:05:00,801 --> 00:05:04,137
AND THEN I'LL MAKE A LITTLE
RABBIT RIDGE RIGHT IN THERE.
130
00:05:04,171 --> 00:05:06,774
AND I'LL PUT A LITTLE TALCUM
AROUND MY NECK, YEAH,
131
00:05:06,807 --> 00:05:08,776
AND THEM GIRLS,
THEY'LL GET UP CLOSE,
132
00:05:08,809 --> 00:05:10,578
NUDGING ONE ANOTHER
AND GIGGLING.
133
00:05:10,611 --> 00:05:12,245
WON'T THEY, THOUGH?
134
00:05:12,279 --> 00:05:15,248
THAT'S THE REASON SHE'S HAPPY
TO GO WITH ME, YEAH.
135
00:05:15,282 --> 00:05:18,552
THE WAY SHE SAID IT WAS --
THE WAY SHE SAID IT --
136
00:05:18,586 --> 00:05:19,920
SHE SAYS...SHE SAYS
137
00:05:19,953 --> 00:05:22,823
"I'D BE HAPPY TO GO
TO THE DANCE WITH YOU, ANDY."
138
00:05:22,856 --> 00:05:25,058
SOMETHING ABOUT THE WAY
SHE SAID, "ANDY"
139
00:05:25,092 --> 00:05:28,629
THAT MADE IT SOUND LIKE SHE
WAS REAL HAPPY TO GO WITH ME.
140
00:05:28,662 --> 00:05:30,230
I'M SURE SHE DOES.
141
00:05:30,263 --> 00:05:35,102
YEAH, SHE...SHE TOOK ME RIGHT
UP ON IT WHEN I ASKED HER.
142
00:05:37,871 --> 00:05:40,874
I...I ACTUALLY DIDN'T FINISH
ASKING HER.
143
00:05:40,908 --> 00:05:44,077
SHE TOOK ME UP
ON IT BEFORE I ASKED HER.
144
00:05:48,916 --> 00:05:50,918
YOU KNOW, I JUST BARELY HAD
145
00:05:50,951 --> 00:05:54,221
THE WORDS FIGURED OUT
WHAT I WAS GOING TO SAY
146
00:05:54,254 --> 00:05:56,690
'FORE SHE SAID SHE'D GO WITH ME?
147
00:05:56,724 --> 00:06:00,093
NOW, I'M TRYIN' TO FIGURE OUT
SOMETHIN', HERE.
148
00:06:00,127 --> 00:06:02,796
DID I ASK HER,
OR DID SHE ASK ME?
149
00:06:02,830 --> 00:06:04,164
ANDY, WHAT ARE YOU DOING?
150
00:06:04,197 --> 00:06:06,967
WELL, I'M DOING SOME
STUDYING IS WHAT I'M DOING.
151
00:06:07,000 --> 00:06:09,169
THERE'S SOMETHING
CURIOUS GOING ON HERE.
152
00:06:09,202 --> 00:06:10,170
OH, COME, NOW.
153
00:06:10,203 --> 00:06:11,839
SHE ACCEPTED
YOUR INVITATION
154
00:06:11,872 --> 00:06:14,074
BECAUSE WHERE ELSE
IS SHE GOING TO FIND
155
00:06:14,107 --> 00:06:16,810
SUCH A FINE, HANDSOME,
UPSTANDING YOUNG FELLA?
156
00:06:16,844 --> 00:06:18,145
IN THE WHOLE COUNTY?
157
00:06:18,178 --> 00:06:19,947
THAT'S RIGHT.
158
00:06:19,980 --> 00:06:23,050
AND HOW COME SHE COME OUT
OF THE BACK WHEN SHE DID
159
00:06:23,083 --> 00:06:25,719
ALL CLEAN AND PRETTY
AND SWEET-SMELLING, HUH?
160
00:06:25,753 --> 00:06:26,787
HOW COME? HOW COME?
161
00:06:26,820 --> 00:06:28,689
TO TALK TO HER UNCLE,
YOU SAID.
162
00:06:28,722 --> 00:06:30,357
NO. 'CAUSE SHE
HEARD MY VOICE.
163
00:06:30,390 --> 00:06:32,125
AND HOW COME
SHE LET ME KNOW
164
00:06:32,159 --> 00:06:33,961
ALL SMILING AND
FRIENDLY LIKE
165
00:06:33,994 --> 00:06:36,363
THAT SHE WASN'T GOING
TO BE AT THE DANCE?
166
00:06:36,396 --> 00:06:38,799
WELL, YOU ASKED,
AND SHE TOLD YOU.
167
00:06:38,832 --> 00:06:43,036
NO. SHE KNOWED A FINE,
SOFTHEARTED FELLOW
LIKE MYSELF WOULD DO
168
00:06:43,070 --> 00:06:45,038
THE DECENT THING
AND A HER.
169
00:06:45,072 --> 00:06:46,740
YOU'RE THE ONE
WHO BROUGHT UP
170
00:06:46,774 --> 00:06:48,041
THE SUBJECT
OF THE DANCE.
171
00:06:48,075 --> 00:06:49,076
SHE DIDN'T.
172
00:06:49,109 --> 00:06:50,410
NO.
173
00:06:50,443 --> 00:06:53,847
NO, THAT'S RIGHT,
SHE DIDN'T, DID SHE?
174
00:06:53,881 --> 00:06:55,983
NO, IT WAS FRED.
175
00:06:56,016 --> 00:06:57,150
HER KIN.
176
00:06:57,184 --> 00:07:01,288
OH...!
177
00:07:01,321 --> 00:07:04,424
THAT'S THE WAY
THEY HAD IT FIGURED.
178
00:07:04,457 --> 00:07:06,393
YEAH. I'D COME IN.
179
00:07:06,426 --> 00:07:08,228
HE'D BRING UP THE SUBJECT.
180
00:07:08,261 --> 00:07:10,297
SHE'D COME OUT OF THE BACK.
181
00:07:10,330 --> 00:07:12,900
I'D ASK HER WAS SHE GOING
TO THE DANCE.
182
00:07:12,933 --> 00:07:15,335
SHE'D SAY NO,
PITIFUL-LIKE, AND LEAVE.
183
00:07:15,368 --> 00:07:18,906
HE'D WHACK AWAY
AT MY NATURAL SOFT HEART.
184
00:07:18,939 --> 00:07:23,443
I'D TAKE THE BAIT, AND WHAM,
HOOKED LIKE A STARVIN' CATFISH.
185
00:07:23,476 --> 00:07:26,914
OH, AUNT BEE, WHAT THEY GOT
IN MIND FOR ME
186
00:07:26,947 --> 00:07:30,283
IS AS CLEAR AS THE NOSE
ON A WARTHOG'S FACE.
187
00:07:30,317 --> 00:07:31,752
WHAT?
188
00:07:31,785 --> 00:07:33,320
MATRIMONY.
189
00:07:33,353 --> 00:07:34,955
OH, ANDY.
190
00:07:34,988 --> 00:07:36,389
THAT'S RIGHT,
AUNT BEE.
191
00:07:36,423 --> 00:07:37,891
IT JUST STANDS
TO REASON.
192
00:07:37,925 --> 00:07:40,127
NOW, SHE GETS ME TO ASK HER
TO THE DANCE.
193
00:07:40,160 --> 00:07:42,195
A SIMPLE, INNOCENT THING,
YOU'D SAY.
194
00:07:42,229 --> 00:07:43,731
BUT FOLKS SEE US TOGETHER.
195
00:07:43,764 --> 00:07:46,066
"HOWDY, ANDY."
"HOWDY, ELLIE."
196
00:07:46,099 --> 00:07:48,468
ANDY AND ELLIE.
ELLIE AND ANDY.
197
00:07:48,501 --> 00:07:50,403
NAMES KIND OF SOUND ALIKE,
DON'T THEY?
198
00:07:50,437 --> 00:07:52,205
NAMES KIND OF START
GOING TOGETHER.
199
00:07:52,239 --> 00:07:55,008
WELL, PRETTY SOON, SOMEBODY
WANTS TO THROW THEM A WINGDING.
200
00:07:55,042 --> 00:07:56,777
THEY DON'T SAY,
"LET'S ASK ANDY."
201
00:07:56,810 --> 00:07:58,478
THEY SAY,
"LET'S ASK ANDY AND ELLIE."
202
00:07:58,511 --> 00:08:01,148
PRETTY SOON IT AIN'T ONLY
THE NAMES THAT'S GOING TOGETHER,
203
00:08:01,181 --> 00:08:02,716
IT'S THE OWNERS
OF THE NAMES.
204
00:08:02,750 --> 00:08:04,151
AND THE FIRST THING
YOU KNOW --
205
00:08:04,184 --> 00:08:05,819
W-W-WELL, Y-YOU SEE
206
00:08:05,853 --> 00:08:08,488
WHAT KIND OF A DANCE
SHE TRAPPED ME INTO--
207
00:08:08,521 --> 00:08:09,957
NOT A LEGION DANCE
208
00:08:09,990 --> 00:08:11,992
NOT A CHAMBER
OF COMMERCE DANCE
209
00:08:12,025 --> 00:08:13,827
NOT A UPLIFTERS' DANCE--
210
00:08:13,861 --> 00:08:15,863
A CHURCH DANCE.
211
00:08:15,896 --> 00:08:19,733
KIND OF GETTIN' ME
USED TO THE LOCATION.
212
00:08:19,767 --> 00:08:22,135
OH, AUNT BEE...
213
00:08:22,169 --> 00:08:26,473
THIS HERE IS A PRETTY
CONNIVING FEMALE.
214
00:08:26,506 --> 00:08:28,408
OH, ANDY, SHE IS NOT.
215
00:08:29,777 --> 00:08:31,311
HI, AUNT BEE.
216
00:08:31,344 --> 00:08:32,980
HI, PA.
217
00:08:33,013 --> 00:08:34,982
ICE CREAM RIGHT
BEFORE YOUR DINNER?
218
00:08:35,015 --> 00:08:38,018
NOW, WHY DID YOU GO
AND BUY AN ICE CREAM, OPIE?
219
00:08:38,051 --> 00:08:39,987
I DIDN'T BUY
IT, AUNT BEE.
220
00:08:40,020 --> 00:08:41,488
IT WAS GIVED TO ME.
221
00:08:41,521 --> 00:08:43,256
OH? WHO GAVE IT TO YOU?
222
00:08:43,290 --> 00:08:45,225
MISS ELLIE AT
WALKER'S DRUGSTORE.
223
00:08:45,258 --> 00:08:46,393
OPIE, DID YOU GO IN
224
00:08:46,426 --> 00:08:48,261
AND BEG SOME ICE CREAM
FROM THAT GIRL?
225
00:08:48,295 --> 00:08:49,963
GOSH, NO, AUNT BEE.
226
00:08:49,997 --> 00:08:53,500
I WAS JUST STANDIN' THERE,
SORT OF LOOKIN' IN
227
00:08:53,533 --> 00:08:58,205
AND SHE SEED ME, AND SHE SAID,
"OH, YOU'RE SHERIFF TAYLOR'S
228
00:08:58,238 --> 00:09:00,040
LITTLE BOY,
AIN'T YA?"
229
00:09:00,073 --> 00:09:02,475
AND I SAYS, "YUP,"
AND SHE SAYS
230
00:09:02,509 --> 00:09:05,078
HOW'D I LIKE ME
SOME ICE CREAM?
231
00:09:05,112 --> 00:09:07,280
AND I SAYS,
"I'D LIKE ME SOME FINE
232
00:09:07,314 --> 00:09:09,983
ONLY I AIN'T GOT ME
NO SPENDING MONEY."
233
00:09:10,017 --> 00:09:12,119
AND SHE SAYS,
WHEN'S MY BIRTHDAY?
234
00:09:12,152 --> 00:09:14,855
AND I SAYS,
"I WASN'T RIGHTLY SURE."
235
00:09:14,888 --> 00:09:17,891
AND SHE SAYS, THEN MAYBE
TO BE ON THE SAFE SIDE
236
00:09:17,925 --> 00:09:20,994
SHE'D BETTER GIVE ME
MY PRESENT NOW, AND SHE DID.
237
00:09:21,028 --> 00:09:23,196
AND, BOY,
I LIKE HER PRETTY FINE.
238
00:09:23,230 --> 00:09:24,197
THAT'S IT.
239
00:09:24,231 --> 00:09:25,498
WHAT IS?
240
00:09:25,532 --> 00:09:28,068
IF I WASN'T ABSOLUTELY,
POSITIVELY SURE BEFORE
241
00:09:28,101 --> 00:09:29,136
I AM NOW.
242
00:09:29,169 --> 00:09:30,904
THAT ICE CREAM
AIN'T NO PRESENT.
243
00:09:30,938 --> 00:09:32,539
IT'S A DOWN PAYMENT
ON A HUSBAND.
244
00:09:32,572 --> 00:09:35,008
ANY FEMALE WHO'D
BAIT A TRAP
245
00:09:35,042 --> 00:09:36,509
WITH A MAN'S
OWN SON
246
00:09:36,543 --> 00:09:39,079
IS A DESPERATE,
DETERMINED HUNTER.
247
00:09:39,112 --> 00:09:40,881
AIN'T BUT ONE WAY
248
00:09:40,914 --> 00:09:44,317
FOR THE QUARRY
TO OUTFOX THE HUNTER.
249
00:09:44,351 --> 00:09:48,288
JUST PUT HER ON THE SCENT
OF OTHER GAME.
250
00:09:48,321 --> 00:09:52,225
LET HER GO OFF SOMEWHERE
AND GIG SOME OTHER FROGS.
251
00:09:54,261 --> 00:09:56,830
BY DOG, SHE WAS
RIGHT, PETE.
252
00:09:56,864 --> 00:09:58,131
YOU HAVE GOT
253
00:09:58,165 --> 00:10:02,035
THE DANGDEST LONGEST
EYELASHES I EVER DID SEE.
254
00:10:02,069 --> 00:10:03,270
SHE SAID THAT, ANDY?
255
00:10:03,303 --> 00:10:05,038
RIGHT OUT
HER OWN MOUTH?
256
00:10:05,072 --> 00:10:07,240
WELL, NOW, SHE DIDN'T
SO MUCH SAY IT.
257
00:10:07,274 --> 00:10:09,576
IT WAS MORE THE WAY
SHE WAS LOOKIN' AT YOU.
258
00:10:09,609 --> 00:10:12,145
YOU KNOW, THAT DAY YOU
COME IN THE DRUGSTORE?
259
00:10:12,179 --> 00:10:14,547
BY GOLLY, SHE WAS RIGHT.
260
00:10:14,581 --> 00:10:16,316
WHO? ABOUT WHAT?
261
00:10:16,349 --> 00:10:18,852
FRANKLIN, DID ANYBODY
EVER TELL YOU
262
00:10:18,886 --> 00:10:21,188
YOU GOT THE CUTEST
LITTLE NOSE?
263
00:10:34,101 --> 00:10:35,335
HELLO.
264
00:10:35,368 --> 00:10:36,603
WHAT CAN I DO FOR YOU?
265
00:10:36,636 --> 00:10:37,971
HOWDY.
266
00:10:38,005 --> 00:10:41,008
I AM, UH...
I'M PETE JOHNSON.
267
00:10:41,041 --> 00:10:42,242
I'M ELLIE WALKER.
268
00:10:42,275 --> 00:10:43,977
I'M PLEASED
TO MEET YOU.
269
00:10:44,011 --> 00:10:45,578
I KNOW.
270
00:10:45,612 --> 00:10:48,415
IS THERE SOMETHING
I CAN DO FOR YOU?
271
00:10:53,686 --> 00:10:56,256
IS THERE, UH...
ANYTHING YOU'D LIKE?
272
00:10:56,289 --> 00:10:59,226
WOULD YOU MIND READING
IT FOR ME, MISS ELLIE?
273
00:10:59,259 --> 00:11:03,030
MY DANGED EYELASHES
GET IN MY WAY.
274
00:11:03,063 --> 00:11:04,164
HELLO.
275
00:11:04,197 --> 00:11:05,365
HELLO.
276
00:11:05,398 --> 00:11:07,968
I'M, UH...
277
00:11:08,001 --> 00:11:11,004
I'M FRANKLIN POMEROY.
278
00:11:13,473 --> 00:11:17,945
WELL, I...I'M ELLIE WALKER
AND I'M PLEASED TO MEET YOU.
279
00:11:17,978 --> 00:11:19,412
I'LL BET.
280
00:11:24,684 --> 00:11:28,221
I-IS THERE ANYTHING
YOU GENTLEMEN...
281
00:11:33,093 --> 00:11:35,228
HOWDY.
282
00:11:35,262 --> 00:11:36,663
I'M CHARLIE BEASLEY.
283
00:11:36,696 --> 00:11:37,965
I'M ELLIE WALKER.
284
00:11:37,998 --> 00:11:39,299
IT'S NICE
KNOWING YOU.
285
00:11:39,332 --> 00:11:41,568
SURE THING.
286
00:11:43,570 --> 00:11:48,175
IS THERE, UM...ANYTHING AT ALL?
287
00:11:56,049 --> 00:11:57,650
WHAT IN TARNATION...?
288
00:11:57,684 --> 00:11:59,052
HI, FRED.
289
00:11:59,086 --> 00:12:00,253
HI, FRED.
290
00:12:00,287 --> 00:12:01,254
BYE.
291
00:12:01,288 --> 00:12:02,389
BYE.
292
00:12:03,656 --> 00:12:04,958
BYE.
293
00:12:04,992 --> 00:12:07,327
WHAT WAS ALL THAT FOR?
294
00:12:07,360 --> 00:12:10,063
I DON'T HAVE
THE FAINTEST
IDEA, UNCLE FRED.
295
00:12:10,097 --> 00:12:11,398
THEY JUST CAME IN
296
00:12:11,431 --> 00:12:14,534
INTRODUCED THEMSELVES
AND STARTED TWITCHING.
297
00:12:14,567 --> 00:12:17,404
IF A BODY COULD HARNESS
ALL THAT POWER, ELLIE
298
00:12:17,437 --> 00:12:19,539
YOU COULD GENERATE
ENOUGH 'LECTRICITY
299
00:12:19,572 --> 00:12:21,041
TO SUPPLY THE COUNTY.
300
00:12:21,074 --> 00:12:24,011
I JUST CAN'T UNDERSTAND IT.
301
00:12:25,378 --> 00:12:27,080
Ellie:
HELLO, OPIE.
302
00:12:27,114 --> 00:12:28,681
HOW DO, MISS ELLIE?
303
00:12:28,715 --> 00:12:31,318
ARE YOU READY FOR
ANOTHER ICE CREAM CONE?
304
00:12:31,351 --> 00:12:33,220
I GOT A DIME
TO PAY FOR IT.
305
00:12:33,253 --> 00:12:34,521
YOU HAVE?
306
00:12:34,554 --> 00:12:37,157
MY PA SAYS I GOT TO PAY
FOR MY ICE CREAM CONES
307
00:12:37,190 --> 00:12:39,092
AND NOT LET YOU GIMME
NO PRESENTS.
308
00:12:39,126 --> 00:12:40,293
WHY?
309
00:12:40,327 --> 00:12:42,662
MY PA SAYS
THAT ICE CREAM YOU GAVE ME
310
00:12:42,695 --> 00:12:45,032
WAS A DOWN PAYMENT
ON A HUSBAND.
311
00:12:45,065 --> 00:12:49,169
HE...HE SAID WHAT?
312
00:12:49,202 --> 00:12:51,104
HE SAID
THAT ICE CREAM YOU GAVE ME
313
00:12:51,138 --> 00:12:52,672
WAS A DOWN PAYMENT
ON A HUSBAND.
314
00:12:52,705 --> 00:12:54,307
HE SAID THAT TO AUNT BEE.
315
00:12:54,341 --> 00:12:57,210
I SEE.
316
00:12:57,244 --> 00:13:00,580
WHAT ELSE DID YOUR PA
SAY TO AUNT BEE?
317
00:13:00,613 --> 00:13:03,116
HE SAID A FEMALE
THAT WOULD BAIT A TRAP
318
00:13:03,150 --> 00:13:05,785
WITH A FELLA'S OWN SON
WAS A DESPERATE HUNTER.
319
00:13:05,818 --> 00:13:07,754
OH.
320
00:13:07,787 --> 00:13:10,790
ANYTHING ELSE?
321
00:13:10,823 --> 00:13:12,659
THAT THERE AIN'T BUT ONE WAY
322
00:13:12,692 --> 00:13:15,162
FOR THE QUARRY
TO OUTFOX THE HUNTER.
323
00:13:15,195 --> 00:13:16,596
AND WHAT'S THAT?
324
00:13:16,629 --> 00:13:19,299
TO PUT HER ON THE SCENT
OF OTHER GAME.
325
00:13:21,568 --> 00:13:23,670
OH...
326
00:13:23,703 --> 00:13:27,440
THEN, THAT'S WHY...
327
00:13:27,474 --> 00:13:29,042
OH!
328
00:13:29,076 --> 00:13:30,743
YOU A DESPERATE HUNTER,
MISS ELLIE?
329
00:13:30,777 --> 00:13:34,381
NOT REALLY.
330
00:13:34,414 --> 00:13:37,550
'CAUSE I KNOW WHERE YOU
CAN GET YOURSELF A POSSUM.
331
00:13:37,584 --> 00:13:39,619
NO THANKS, HONEY.
332
00:13:39,652 --> 00:13:44,191
RIGHT NOW, I'M
ON THE TRAIL OF A BABOON.
333
00:13:49,629 --> 00:13:50,730
[ BELL RINGS ]
334
00:13:50,763 --> 00:13:52,565
I'LL GET IT.
335
00:13:52,599 --> 00:13:56,136
NO, I'LL GET IT.
336
00:13:59,572 --> 00:14:00,773
OH, HOWDY, ELLIE.
337
00:14:00,807 --> 00:14:02,475
HELLO, SHERIFF, HONEY.
338
00:14:02,509 --> 00:14:04,111
ELLIE BABY IS SO GLAD
339
00:14:04,144 --> 00:14:06,579
TO SEE HER LITTLE
SHERIFF SWEETIE.
340
00:14:06,613 --> 00:14:08,215
WHAT? UH. NO, NO, NO.
341
00:14:08,248 --> 00:14:09,416
UH, NO. ELLIE...
342
00:14:09,449 --> 00:14:11,584
DID YOU KNOW
THAT YOU'VE GOT
343
00:14:11,618 --> 00:14:14,754
SOME OF OUR YOUNG BUCKS
IN TOWN ALL SHOOK UP?
344
00:14:14,787 --> 00:14:16,556
WELL, I FEEL
THE SAME WAY
345
00:14:16,589 --> 00:14:19,492
ABOUT A CERTAIN YOUNG
FELLA, TOO, SHERIFF HONEY.
346
00:14:19,526 --> 00:14:20,627
NO. QUIT, ELLIE...
347
00:14:20,660 --> 00:14:21,861
NO, IT'S THE TRUTH.
348
00:14:21,894 --> 00:14:24,564
I JUST RUN INTO A COUPLE
OF OUR YOUNG BUCKS
349
00:14:24,597 --> 00:14:27,434
AND THEY COULDN'T TALK
ABOUT ANYTHING BUT YOU.
350
00:14:27,467 --> 00:14:28,701
THEY WENT ON ABOUT...
351
00:14:28,735 --> 00:14:29,769
OH, NOW, ANDY-PIE
352
00:14:29,802 --> 00:14:31,604
YOU KNOW YOU
HAVE NOTHING
353
00:14:31,638 --> 00:14:32,805
TO BE JEALOUS ABOUT.
354
00:14:32,839 --> 00:14:34,141
BABY...
355
00:14:34,174 --> 00:14:35,342
I'M NOT JEALOUS. I...
356
00:14:35,375 --> 00:14:37,110
NOW YOU COME
RIGHT OVER HERE.
357
00:14:37,144 --> 00:14:39,546
ELLIE'S GOING TO FIX
A NICE, COOL SODA
358
00:14:39,579 --> 00:14:41,648
SHE FIXES ONLY
FOR HER SPECIAL
359
00:14:41,681 --> 00:14:42,749
FAVORITE SHERIFF LAMB.
360
00:14:42,782 --> 00:14:43,850
NO, ELLIE...
361
00:14:43,883 --> 00:14:45,152
ELLIE, I-I...
362
00:14:45,185 --> 00:14:46,753
I JUST COME IN HERE
TO TELL YOU
363
00:14:46,786 --> 00:14:48,888
ABOUT THESE BOYS
YOU GOT ALL SHOOK UP.
364
00:14:48,921 --> 00:14:50,590
BOY, THEY REALLY ARE SHOOK UP
365
00:14:50,623 --> 00:14:51,891
LET ME TELL YOU.
366
00:14:51,924 --> 00:14:53,760
I MEAN,
YOU TAKE, LIKE
367
00:14:53,793 --> 00:14:55,395
GOOD OLD FRANKLIN POMEROY.
368
00:14:55,428 --> 00:14:57,230
HE'S A GOOD OLD BUDDY.
FINE BOY.
369
00:14:57,264 --> 00:14:58,765
GOT A BIG FUTURE AT THE BANK
370
00:14:58,798 --> 00:15:02,502
AND GOT THE CUTEST LITTLE BUTTON
OF A NOSE...
371
00:15:02,535 --> 00:15:04,271
AN...AND, AND PETE JOHNSON?
372
00:15:04,304 --> 00:15:06,406
YOU TAKE GOOD OLD PETE JOHNSON.
373
00:15:06,439 --> 00:15:07,807
FINE UPSTANDING BOY.
374
00:15:07,840 --> 00:15:11,211
JUST DYING TO SETTLE DOWN
WITH A SWEET, YOUNG THING.
375
00:15:11,244 --> 00:15:12,479
AND CHARLIE BEASLEY.
376
00:15:12,512 --> 00:15:13,913
THAT BOY HAS
GOT MUSCLES
377
00:15:13,946 --> 00:15:15,582
IN THE DANGDEST PLACES.
378
00:15:15,615 --> 00:15:17,584
YES, SIR,
HE'D MAKE SOMEONE...
379
00:15:17,617 --> 00:15:18,851
SHERIFF, HONEY
380
00:15:18,885 --> 00:15:20,320
DOES LITTLE OL' YOU
381
00:15:20,353 --> 00:15:22,289
BELIEVE IN LONG
ENGAGEMENTS?
382
00:15:24,824 --> 00:15:26,426
ELLIE, I'M AFRAID
I'VE GOT
383
00:15:26,459 --> 00:15:27,694
SOME BAD NEWS FOR YOU
384
00:15:27,727 --> 00:15:30,163
ABOUT THE CHURCH PICNIC
AND DANCE SATURDAY.
385
00:15:30,197 --> 00:15:31,364
I'M AFRAID I CAN'T GO.
386
00:15:31,398 --> 00:15:33,266
HERE IT IS,
SHERIFF HONEY.
387
00:15:33,300 --> 00:15:35,635
MY SPECIAL SODA
FOR SPECIAL PEOPLE
388
00:15:35,668 --> 00:15:37,870
I WANT TO SHOW
HOW I FEEL ABOUT.
389
00:15:37,904 --> 00:15:39,206
ELLIE...
390
00:15:40,273 --> 00:15:43,243
I...OOH...!
391
00:15:43,276 --> 00:15:45,178
WHAT ARE YOU TRYING TO DO,
POISON ME?
392
00:15:45,212 --> 00:15:46,646
I WISH I COULD,
YOU ARROGANT
393
00:15:46,679 --> 00:15:47,880
CONCEITED, BIG-HEADED
394
00:15:47,914 --> 00:15:49,549
TWO-FACED,
UNDERHANDED...!
395
00:15:49,582 --> 00:15:50,783
WHAT?
396
00:15:50,817 --> 00:15:53,253
HOW DARE YOU THINK
I'D WANT TO MARRY YOU?
397
00:15:53,286 --> 00:15:54,654
WHO DO YOU THINK YOU ARE?
398
00:15:54,687 --> 00:15:55,822
JUST BECAUSE
I ACCEPTED
399
00:15:55,855 --> 00:15:57,324
WHAT I THOUGHT
WAS A FRIENDLY
400
00:15:57,357 --> 00:15:58,625
NEIGHBORLY
INVITATION.
401
00:15:58,658 --> 00:16:01,194
FOR YOUR INFORMATION,
MR. SHERIFF, I'VE GIVEN
402
00:16:01,228 --> 00:16:03,263
DOZENS OF CHILDREN
FREE ICE CREAM CONES
403
00:16:03,296 --> 00:16:05,798
EVEN IF THEY WEREN'T THE
CHILDREN OF SUCH GORGEOUS
404
00:16:05,832 --> 00:16:07,767
CHARMING, DESIRABLE
CATCHES AS YOURSELF.
405
00:16:07,800 --> 00:16:09,569
WELL, LET ME TELL
YOU SOMETHING
406
00:16:09,602 --> 00:16:10,770
YOU BIG, BRAVE HERO.
407
00:16:10,803 --> 00:16:12,739
I WOULDN'T GO TO
THE DANCE WITH YOU
408
00:16:12,772 --> 00:16:14,574
IF YOU WERE THE
LAST MAN ON EARTH
409
00:16:14,607 --> 00:16:15,708
LET ALONE MARRY YOU.
410
00:16:15,742 --> 00:16:16,909
NOR DO I NEED
YOUR GENEROUS HELP
411
00:16:16,943 --> 00:16:18,245
IN GETTING AN ESCORT
412
00:16:18,278 --> 00:16:20,213
AND TO PROVE IT,
I'M GOING WITH
413
00:16:20,247 --> 00:16:21,814
THE FIRST SINGLE,
UNATTACHED MAN
414
00:16:21,848 --> 00:16:23,416
WHO COMES THROUGH
THAT DOOR!
415
00:16:23,450 --> 00:16:25,385
HI.
416
00:16:25,418 --> 00:16:26,219
YOU!
417
00:16:26,253 --> 00:16:26,986
ME?
418
00:16:27,019 --> 00:16:28,588
YES. ARE YOU TAKING ANYONE
419
00:16:28,621 --> 00:16:30,290
TO THE CHURCH
DANCE SATURDAY?
420
00:16:30,323 --> 00:16:31,558
NO.
421
00:16:31,591 --> 00:16:33,726
IN THAT CASE, I ACCEPT
YOUR INVITATION.
422
00:16:33,760 --> 00:16:34,927
THANK YOU!
423
00:16:34,961 --> 00:16:36,929
I JUST COME IN
FOR SOME FOOT POWDER.
424
00:16:43,770 --> 00:16:45,738
ANDY, WHY DON'T
YOU COME IN
425
00:16:45,772 --> 00:16:48,508
AND HAVE SOMETHING TO EAT
AND FORGET ABOUT THIS?
426
00:16:48,541 --> 00:16:49,909
OH, I CAN'T EAT,
AUNT BEE.
427
00:16:49,942 --> 00:16:51,978
OH, ANDY,
ELLIE'S AN AWFULLY NICE GIRL
428
00:16:52,011 --> 00:16:54,347
AND I'M SURE IF YOU
WENT OVER TO SEE HER
429
00:16:54,381 --> 00:16:57,484
AND TOLD HER YOU WERE REAL SORRY
AND ASKED HER POLITE-LIKE
430
00:16:57,517 --> 00:17:00,387
I'M SURE SHE'D GO TO THE DANCE
AND PICNIC WITH YOU.
431
00:17:02,555 --> 00:17:04,491
AUNT BEE, YOU...
432
00:17:05,525 --> 00:17:07,260
NO. NO...
433
00:17:07,294 --> 00:17:09,996
EVEN IF SHE WAS
NICE ENOUGH TO FORGIVE ME
434
00:17:10,029 --> 00:17:12,532
WHY, SHE'S A-GOING
WITH BARNEY.
435
00:17:12,565 --> 00:17:13,966
OH?
436
00:17:14,000 --> 00:17:15,268
WELL,
437
00:17:15,302 --> 00:17:16,469
SUPPOSIN' BARNEY
438
00:17:16,503 --> 00:17:18,638
WAS TO CHANGE HIS MIND
ABOUT TAKING HER?
439
00:17:18,671 --> 00:17:19,839
WHY WOULD HE DO THAT?
440
00:17:19,872 --> 00:17:21,874
A PRETTY GIRL
LIKE ELLIE ASKING HIM?
441
00:17:21,908 --> 00:17:24,010
I EXPECT HE'S FALLING
ALL OVER HISSELF
442
00:17:24,043 --> 00:17:25,878
FOUR WAYS TO FRIDAY
TO GET READY.
443
00:17:25,912 --> 00:17:28,648
OH, I THINK IF YOU GAVE HIM
GOOD ENOUGH REASONS
444
00:17:28,681 --> 00:17:30,750
HE'D CHANGE HIS MIND
ABOUT TAKING HER.
445
00:17:30,783 --> 00:17:33,620
HOW IN THE WORLD
COULD I DO THAT?
446
00:17:33,653 --> 00:17:35,021
WELL, YOU'RE HIS BOSS.
447
00:17:35,054 --> 00:17:37,490
HE HAS TO TAKE HIS ORDERS
FROM YOU.
448
00:17:37,524 --> 00:17:40,327
OH, WELL, YEAH.
449
00:17:40,360 --> 00:17:43,029
YEAH, I KNOW THAT.
450
00:17:43,062 --> 00:17:48,034
OH...OH, AUNT BEE
451
00:17:48,067 --> 00:17:49,936
I'D BE ASHAMED.
452
00:17:49,969 --> 00:17:52,972
OH, HELLO, BARNEY.
453
00:17:53,005 --> 00:17:54,441
HI, AUNT BEE.
454
00:17:54,474 --> 00:17:55,608
HI, ANDY.
455
00:17:55,642 --> 00:17:58,878
WELL, BARNEY,
LOOK AT YOU.
456
00:17:58,911 --> 00:18:03,716
AIN'T YOU THE ADOLPHE MENJOU
OF MAYBERRY, THOUGH?
457
00:18:03,750 --> 00:18:04,884
WOO-WOO!
458
00:18:04,917 --> 00:18:06,519
YOU SURE
I LOOK ALL RIGHT?
459
00:18:06,553 --> 00:18:07,754
I AIN'T WORE
THIS SUIT
460
00:18:07,787 --> 00:18:09,622
SINCE CLARY DORSETT'S
FUNERAL.
461
00:18:09,656 --> 00:18:10,923
WHY,
YOU LOOK GOOD ENOUGH
462
00:18:10,957 --> 00:18:13,626
TO GO TO THE CITY
AND WALK AROUND CHINATOWN.
463
00:18:13,660 --> 00:18:15,628
DON'T HE LOOK NICE,
AUNT BEE?
464
00:18:15,662 --> 00:18:17,497
YOU LOOK VERY
NICE, BARNEY.
465
00:18:17,530 --> 00:18:20,500
WELL, I THINK I'LL LEAVE
YOU TWO MEN ALONE.
466
00:18:20,533 --> 00:18:22,635
YOU'VE GOT A LOT
TO TALK ABOUT.
467
00:18:22,669 --> 00:18:24,937
I JUST WANTED YOU
TO CHECK ME OVER
468
00:18:24,971 --> 00:18:27,006
BEFORE I GO
TO GET HER, ANDY.
469
00:18:27,039 --> 00:18:28,475
OH, YOU LOOK FINE.
470
00:18:28,508 --> 00:18:29,742
OH, YOU...
471
00:18:29,776 --> 00:18:31,378
YOU SMELL KIND
OF NICE, TOO.
472
00:18:31,411 --> 00:18:32,912
DID YOU PUT A
LITTLE SOMETHING
473
00:18:32,945 --> 00:18:34,046
ON YOURSELF, HUH?
474
00:18:34,080 --> 00:18:36,015
OH, THAT'S JUST
A LITTLE WITCH HAZEL
475
00:18:36,048 --> 00:18:37,617
WHERE I CUT MYSELF
SHAVING.
476
00:18:37,650 --> 00:18:39,085
WELL, YOU LOOK FINE, BARNEY.
477
00:18:39,118 --> 00:18:40,853
GO AHEAD AND
HAVE A GOOD TIME.
478
00:18:40,887 --> 00:18:42,422
THANKS, I WILL.
479
00:18:42,455 --> 00:18:43,590
OH, BARNEY.
480
00:18:43,623 --> 00:18:44,691
YEAH.
481
00:18:44,724 --> 00:18:45,925
OH, NEVER MIND.
482
00:18:45,958 --> 00:18:48,094
YOU AIN'T GOING TO BE
IN UNIFORM ANYWAYS.
483
00:18:48,127 --> 00:18:49,396
FORGET IT.
484
00:18:49,429 --> 00:18:50,530
RIGHT.
485
00:18:52,899 --> 00:18:54,133
UH.
486
00:18:54,166 --> 00:18:56,369
WHAT DO YOU MEAN,
I AIN'T GOING TO BE
487
00:18:56,403 --> 00:18:58,104
IN UNIFORM ANYWAYS,
SO FORGET IT?
488
00:18:58,137 --> 00:18:59,539
OH, NOTHING. I JUST...
489
00:18:59,572 --> 00:19:01,608
A LOT OF TRAFFIC
AND PARKING AND ALL
490
00:19:01,641 --> 00:19:04,877
OVER THERE AT THE PICNIC AND
I FIGURED TO NEED A DEPUTY.
491
00:19:04,911 --> 00:19:06,579
WELL, I'LL BE THERE, ANDY.
492
00:19:06,613 --> 00:19:09,115
OH, YEAH, I KNOW, BUT
HOW'S IT GOING TO LOOK
493
00:19:09,148 --> 00:19:10,717
TO YOUR YOUNG LADY THERE
494
00:19:10,750 --> 00:19:12,885
DANCING A WALTZ AND
DIRECTING TRAFFIC
495
00:19:12,919 --> 00:19:14,053
AT THE SAME TIME?
496
00:19:14,086 --> 00:19:15,588
YOU'RE ALL DRESSED UP.
497
00:19:15,622 --> 00:19:18,525
I GUESS I'LL JUST SWEAR IN
A TEMPORARY DEPUTY.
498
00:19:18,558 --> 00:19:21,461
YOU RECKON JEFF PRITCHARD
WOULD BE ALL RIGHT?
499
00:19:21,494 --> 00:19:22,829
WELL, YEAH.
500
00:19:22,862 --> 00:19:26,733
YEAH, I GUESS MAYBE JEFF
WON'T MESS IT UP TOO BAD.
501
00:19:26,766 --> 00:19:30,136
OF COURSE, HE AIN'T
HAD MY EXPERIENCE, BUT...
502
00:19:30,169 --> 00:19:32,605
HE'LL DO IN A PINCH.
503
00:19:32,639 --> 00:19:35,508
YEAH, YEAH,
YEAH, YEAH.
504
00:19:35,542 --> 00:19:39,779
'COURSE, I HATE TO SEE HIM
GET THAT CITATION 'STEAD OF YOU.
505
00:19:39,812 --> 00:19:42,148
YEAH.
506
00:19:42,181 --> 00:19:44,183
WHAT CITATION?
507
00:19:44,216 --> 00:19:47,554
OH, FOR ROUNDING UP
ANY PICKPOCKETS HE MIGHT SPOT.
508
00:19:47,587 --> 00:19:48,888
PICKPOCKETS?
509
00:19:48,921 --> 00:19:50,490
HERE IN MAYBERRY?
510
00:19:50,523 --> 00:19:52,892
WHY...ANDY,
WE AIN'T HAD A POCKET PICKED
511
00:19:52,925 --> 00:19:55,528
SINCE OLD MAN BURNETT
PUT IN THAT COMPLAINT
512
00:19:55,562 --> 00:19:56,963
AGAINST OLD LADY BURNETT.
513
00:19:56,996 --> 00:19:58,531
YEAH, I KNOW.
514
00:19:58,565 --> 00:20:01,501
YOU KNOW HOW IT IS-- PICNIC DAY,
FOLKS COMING IN
515
00:20:01,534 --> 00:20:04,637
FROM ALL OVER THE COUNTY,
AND POCKETS FULL OF MONEY.
516
00:20:04,671 --> 00:20:07,640
WELL, IT PROBABLY
WON'T HAPPEN THOUGH.
517
00:20:07,674 --> 00:20:10,710
YOU JUST DON'T WORRY
YOURSELF ABOUT IT
518
00:20:10,743 --> 00:20:12,512
AND HAVE A GOOD TIME.
519
00:20:12,545 --> 00:20:13,746
YEAH.
520
00:20:15,782 --> 00:20:16,916
OH, BARNEY.
521
00:20:16,949 --> 00:20:17,950
YEAH?
522
00:20:17,984 --> 00:20:20,186
IF YOU RUN INTO
JEFF PRITCHARD
523
00:20:20,219 --> 00:20:23,656
TELL HIM I'M A-LOOKING
FOR HIM, WILL YOU?
524
00:20:23,690 --> 00:20:25,658
YEAH, YEAH. I WILL, I WILL.
525
00:20:31,964 --> 00:20:34,467
IT JUST AIN'T FAIR,
ANDY, IT JUST AIN'T FAIR.
526
00:20:34,501 --> 00:20:37,069
NOW, THEY'RE MY PICKPOCKETS,
NOT JEFF PRITCHARD'S.
527
00:20:37,103 --> 00:20:38,204
WELL, I...
528
00:20:38,237 --> 00:20:39,872
YOU CAN'T DO THAT
TO ME, ANDY.
529
00:20:39,906 --> 00:20:41,107
IT JUST AIN'T FAIR.
530
00:20:41,140 --> 00:20:43,576
I'VE BEEN DEPUTYING
NEAR A YEAR AND A HALF
531
00:20:43,610 --> 00:20:46,713
AND HAVEN'T EVEN CATCHED MYSELF
A LITTLE OLD SNEAK THIEF.
532
00:20:46,746 --> 00:20:49,749
THE MINUTE MY BACK'S TURNED,
SOME JOHNNY-COME-LATELY
533
00:20:49,782 --> 00:20:53,085
ROUNDS HIMSELF UP A WHOLE RING
OF PICKPOCKETS SINGLE-HANDED.
534
00:20:53,119 --> 00:20:54,754
MY PICKPOCKETS. MY CITATION.
535
00:20:54,787 --> 00:20:56,589
YOU CAN'T DO THAT
TO ME, ANDY.
536
00:20:56,623 --> 00:20:57,757
I'M A DEPUTY SHERIFF
537
00:20:57,790 --> 00:20:59,526
NOT A PICNICKING PLAYBOY.
538
00:20:59,559 --> 00:21:01,961
I AIN'T GOT TIME FOR FLIMFLAM
LIKE THAT.
539
00:21:01,994 --> 00:21:03,195
I'M ON 24-HOUR CALL.
540
00:21:03,229 --> 00:21:04,731
IF YOU'D JUST...
541
00:21:04,764 --> 00:21:07,466
DEPUTY BARNEY FIFE,
REPORTING FOR DUTY, SAH!
542
00:21:09,235 --> 00:21:11,771
[ TELEPHONE RINGS ]
543
00:21:11,804 --> 00:21:13,573
HELLO?
544
00:21:13,606 --> 00:21:15,675
OH, HELLO, BARNEY.
545
00:21:15,708 --> 00:21:17,810
WHAT?
546
00:21:17,844 --> 00:21:20,647
OH, THAT'S A SHAME.
547
00:21:20,680 --> 00:21:23,082
OH. YES, I UNDERSTAND.
548
00:21:23,115 --> 00:21:25,785
WHEN DUTY CALLS.
549
00:21:25,818 --> 00:21:27,920
WHAT?
550
00:21:27,954 --> 00:21:32,091
THE PICKPOCKETS?
THEY'RE YOURS, ALL YOURS?
551
00:21:32,124 --> 00:21:35,027
OH, NO, BARNEY,
IT'S ALL RIGHT.
552
00:21:35,061 --> 00:21:37,830
UH...WHAT?
553
00:21:37,864 --> 00:21:41,267
WELL, UH, OVER AND OUT
TO YOU, TOO.
554
00:21:45,271 --> 00:21:46,939
[ KNOCKING ]
555
00:21:50,810 --> 00:21:51,978
OH.
556
00:21:52,011 --> 00:21:52,979
YES?
557
00:21:53,012 --> 00:21:54,246
I HEARD ABOUT
HOW BARNEY
558
00:21:54,280 --> 00:21:55,748
COULDN'T BE
A-TAKING YOU
559
00:21:55,782 --> 00:21:58,184
TO THE PICNIC AND DANCE
AND I GOT TO STUDYING
560
00:21:58,217 --> 00:21:59,952
ABOUT HOW
DISAPPOINTED
YOU'D BE
561
00:21:59,986 --> 00:22:01,954
AND THAT SHERIFFING
BUSINESS KIND OF
562
00:22:01,988 --> 00:22:03,723
GOT TOOK CARE OF
AND I THOUGHT
563
00:22:03,756 --> 00:22:06,158
SOMEBODY OUGHT TO DO
THE NEIGHBORLY THING...
564
00:22:06,192 --> 00:22:07,960
THANK YOU,
BUT I THINK I'VE HAD
565
00:22:07,994 --> 00:22:10,597
ENOUGH NEIGHBORLINESS
FOR A WHILE. GOODBYE.
566
00:22:16,969 --> 00:22:19,706
[ KNOCKING ]
567
00:22:24,243 --> 00:22:26,979
AND SEEING YOU'RE DRESSED
AND READY TO GO ANYHOW
568
00:22:27,013 --> 00:22:28,948
I THOUGHT I MIGHT
AS WELL TAKE YOU.
569
00:22:28,981 --> 00:22:30,082
NO.
570
00:22:36,255 --> 00:22:37,590
[ KNOCKING ]
571
00:22:39,158 --> 00:22:41,193
ON ACCOUNT OF
YOU'RE NEW IN TOWN
572
00:22:41,227 --> 00:22:42,662
AND YOU REALLY OUGHT
573
00:22:42,695 --> 00:22:44,597
TO GET OUT AND
MEET THE FOLKS.
574
00:22:44,631 --> 00:22:46,933
MISS ELLIE, I WISH
YOU WOULDN'T CLOSE
575
00:22:46,966 --> 00:22:48,200
THAT DOOR AGAIN.
576
00:22:48,234 --> 00:22:50,870
I DECLARE, I'M RUNNING
OUT OF THINGS TO SAY.
577
00:22:50,903 --> 00:22:53,139
THANK YOU, ANDY,
I'D LIKE TO GO WITH YOU
578
00:22:53,172 --> 00:22:54,373
EXCEPT FOR ONE THING.
579
00:22:54,406 --> 00:22:56,375
YOU SEE, I HAD
TWO DATES FOR TODAY.
580
00:22:56,408 --> 00:22:59,245
ONE WITH BARNEY AND ONE
WITH ANOTHER YOUNG FELLA
581
00:22:59,278 --> 00:23:00,647
SO YOU SEE I...
582
00:23:00,680 --> 00:23:03,015
OH, HERE COMES MY OTHER
YOUNG FELLA NOW.
583
00:23:10,289 --> 00:23:11,724
HI, PA. HI, MISS ELLIE.
584
00:23:11,758 --> 00:23:12,859
HI, OPIE.
585
00:23:12,892 --> 00:23:13,993
YOU READY?
586
00:23:14,026 --> 00:23:15,261
I'LL BE READY IN
JUST A MOMENT.
587
00:23:15,294 --> 00:23:16,963
WE GOT A DATE.
588
00:23:16,996 --> 00:23:18,965
OH, I SEE
YOU HAVE.
589
00:23:18,998 --> 00:23:20,299
WELL, SO LONG, PA.
590
00:23:20,332 --> 00:23:23,069
WHY DON'T YOU GET
YOURSELF A DATE?
591
00:23:23,102 --> 00:23:25,071
YOU KNOW, OPIE, I WAS THINKING.
592
00:23:25,104 --> 00:23:26,405
ABOUT WHAT, MISS ELLIE?
593
00:23:26,438 --> 00:23:27,907
WELL, I DON'T THINK
594
00:23:27,940 --> 00:23:29,341
IT'S PROPER FOR A YOUNG MAN
595
00:23:29,375 --> 00:23:32,679
TO GO OUT UNCHAPERONED
WITH A DESPERATE FEMALE HUNTER.
596
00:23:32,712 --> 00:23:34,681
WHO DO YOU
597
00:23:34,714 --> 00:23:36,182
SUPPOSE WE CAN GET?
598
00:23:36,215 --> 00:23:38,417
OH, WELL, MA'AM,
AS THE ESCORT'S FATHER
599
00:23:38,450 --> 00:23:39,852
I'D BE MIGHTY PLEASED
600
00:23:39,886 --> 00:23:42,254
IF HE WAS CHAPERONED
BY THE LOCAL SHERIFF.
601
00:23:54,300 --> 00:23:56,803
ANDY!
ANDY!
602
00:23:56,836 --> 00:23:58,404
CAN I SEE YOU
FOR A SECOND?
603
00:24:01,107 --> 00:24:02,141
HOWDY, MISS ELLIE.
604
00:24:02,174 --> 00:24:03,676
HI.
605
00:24:03,710 --> 00:24:05,978
OPIE TELLS ME YOU THINK
I GOT A NICE SMILE.
606
00:24:06,012 --> 00:24:08,781
YES, BUT THAT'S NOT WHY
I CALLED YOU OVER.
607
00:24:08,815 --> 00:24:10,216
I NEED YOUR HELP, ANDY.
608
00:24:10,249 --> 00:24:12,284
ABOUT WHAT?
609
00:24:12,318 --> 00:24:13,686
WELL, COME WITH ME.
610
00:24:13,720 --> 00:24:15,154
OKAY.
611
00:24:28,067 --> 00:24:32,671
ALL RIGHT, FELLAS.
JUST MOVE OVER, THERE.
612
00:24:45,251 --> 00:24:48,254
[ WHISTLING SPRIGHTLY TUNE ]
41746
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