All language subtitles for Beyond.After.2024.1080p.WEBRip.x264.AAC-[YTS.MX]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish Download
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,906 --> 00:00:07,807 [beep] 2 00:00:14,581 --> 00:00:17,484 [electricity crackles] 3 00:00:27,493 --> 00:00:28,494 [man] Action! 4 00:00:28,594 --> 00:00:29,662 [Sebastian] [screams] Woo! 5 00:00:29,762 --> 00:00:31,630 [clapperboard snaps] 6 00:00:31,163 --> 00:00:32,164 [Louise Lombard] [VO] It takes courage 7 00:00:32,264 --> 00:00:34,734 to jump into something new. 8 00:00:34,834 --> 00:00:36,735 But if you're brave enough, 9 00:00:36,836 --> 00:00:39,839 your new book could become a phenomenon, 10 00:00:39,939 --> 00:00:43,208 your movie could become a franchise... 11 00:00:43,309 --> 00:00:46,379 and your love could captivate millions. 12 00:00:46,479 --> 00:00:48,470 [man] All right! 13 00:00:48,147 --> 00:00:50,850 [Louise Lombard] [VO] So join us for a look at all things AFTER, 14 00:00:50,950 --> 00:00:54,200 and find out what happens when you dare to take the leap. 15 00:00:54,120 --> 00:00:55,540 [Hardin] Let's go! 16 00:00:55,154 --> 00:00:56,890 [screams] Woo! 17 00:01:00,593 --> 00:01:01,761 [Louise Lombard] [VO] Here we are on the southern coast 18 00:01:01,861 --> 00:01:02,996 of Portugal, on a beautiful beach 19 00:01:03,960 --> 00:01:05,532 hidden in the heart of the Algarve. 20 00:01:05,632 --> 00:01:07,599 [waves lapping shore] 21 00:01:07,700 --> 00:01:08,902 That's the filming location for a movie 22 00:01:09,135 --> 00:01:13,439 awaited by tens of millions of fans worldwide, 23 00:01:13,539 --> 00:01:17,577 the controversial latest installment in the AFTER saga. 24 00:01:17,677 --> 00:01:19,912 [waves splashing] 25 00:01:20,120 --> 00:01:21,880 [clapperboard snaps] 26 00:01:21,981 --> 00:01:24,284 -What-- What are you-- [laughs] 27 00:01:24,384 --> 00:01:27,553 [peaceful music playing] 28 00:01:27,653 --> 00:01:29,288 [Louise Lombard] [VO] AFTER, the story of 29 00:01:29,388 --> 00:01:30,823 Tessa and Hardin's love, 30 00:01:30,924 --> 00:01:33,892 has captivated millions around the world. 31 00:01:33,993 --> 00:01:35,462 It's a complicated love story 32 00:01:35,562 --> 00:01:37,960 between a disturbed teenage boy -[thunder rumbling] 33 00:01:37,196 --> 00:01:39,131 [Louise Lombard] [VO] --struggling with his own demons 34 00:01:39,231 --> 00:01:40,800 and a driven young woman 35 00:01:40,900 --> 00:01:42,635 on the threshold of womanhood. - [romantic music playing] 36 00:01:42,735 --> 00:01:44,103 [Louise Lombard] [VO] It's a romance that is 37 00:01:44,203 --> 00:01:46,972 not afraid to embrace its innocence, 38 00:01:47,730 --> 00:01:50,810 sensuality... and emotions... 39 00:01:50,910 --> 00:01:52,911 [peaceful music playing] 40 00:01:53,110 --> 00:01:56,116 A generational love story that has captivated millions. 41 00:01:59,719 --> 00:02:02,154 [waves lapping shore] 42 00:02:02,254 --> 00:02:03,656 On the sands of this beach, 43 00:02:03,756 --> 00:02:06,626 Hero Fiennes Tiffin draws a temporary symbol of 44 00:02:06,726 --> 00:02:09,262 Hardin's everlasting love for Tessa. 45 00:02:11,430 --> 00:02:15,134 A love that has inspired thousands of pages, 46 00:02:15,234 --> 00:02:17,837 captivated millions of readers, 47 00:02:17,937 --> 00:02:21,070 and made hearts tremble all over the world. 48 00:02:23,542 --> 00:02:26,245 So come with us beyond the romance, 49 00:02:26,345 --> 00:02:29,616 beyond the phenomenon, beyond AFTER... 50 00:02:30,717 --> 00:02:33,620 [perky music playing] 51 00:02:41,961 --> 00:02:45,131 [romantic music playing] 52 00:02:45,231 --> 00:02:47,533 In the summer of 2018-- 53 00:02:47,633 --> 00:02:49,101 -Sorry. 54 00:02:49,201 --> 00:02:50,969 [Louise Lombard] [VO] --on the set of the first film, 55 00:02:51,700 --> 00:02:53,739 Josephine Langford and Hero Fiennes Tiffin 56 00:02:53,839 --> 00:02:57,090 had no idea the love story they were about to tell 57 00:02:57,109 --> 00:02:59,479 would change their lives forever... 58 00:03:01,614 --> 00:03:05,151 a love story that began as fan fiction online, 59 00:03:05,251 --> 00:03:07,353 then made its way onto bookshelves 60 00:03:07,453 --> 00:03:09,989 before arriving on screens all over the world. 61 00:03:10,890 --> 00:03:11,690 -[cheering] 62 00:03:11,790 --> 00:03:14,260 [Louise Lombard] [VO] Today, the AFTER universe encompasses 63 00:03:14,127 --> 00:03:17,290 thousands of pages published on Wattpad, 64 00:03:17,129 --> 00:03:21,166 seven books translated into over 30 languages, 65 00:03:21,266 --> 00:03:24,360 five feature films, a documentary, 66 00:03:24,136 --> 00:03:26,672 and most importantly, a fan base numbering 67 00:03:26,772 --> 00:03:28,507 in the tens of millions. 68 00:03:28,607 --> 00:03:33,913 -[chanting] Hero! Hero! Hero! Hero! Hero! Hero! 69 00:03:34,130 --> 00:03:35,514 [Louise Lombard] [VO] Here we are in the midst of 70 00:03:35,614 --> 00:03:39,152 filming movies 3 and 4 in Bulgaria. 71 00:03:39,252 --> 00:03:41,587 This shoot was intended to be secret, 72 00:03:41,687 --> 00:03:43,155 but nothing can prevent fans 73 00:03:43,255 --> 00:03:45,357 from showing their love for AFTER, 74 00:03:45,457 --> 00:03:48,270 and the talented actors who portray their favourite couple. 75 00:03:48,127 --> 00:03:50,530 -[Hero Fiennes] I love you! -[cheering] 76 00:03:50,630 --> 00:03:53,999 [ambient music playing] 77 00:03:54,100 --> 00:03:55,300 [Louise Lombard] [VO] But why did AFTER 78 00:03:55,501 --> 00:03:58,871 inspire so much enthusiasm from its fans? 79 00:03:58,971 --> 00:04:01,807 What about this intimate romance ignited such passion 80 00:04:01,908 --> 00:04:04,843 from a generation of readers? 81 00:04:04,943 --> 00:04:09,115 How did AFTER become such a global phenomenon? 82 00:04:09,215 --> 00:04:11,284 -Why is the AFTER series so successful? 83 00:04:11,384 --> 00:04:14,386 -It's wish fulfillment. It's, whether it's bringing you 84 00:04:14,486 --> 00:04:17,256 back to a time in your life or, 85 00:04:17,356 --> 00:04:22,610 you know, making you feel young again, romantic... 86 00:04:22,161 --> 00:04:25,640 A good romance can span generations. 87 00:04:25,164 --> 00:04:28,167 -I think it's largely [stutters] driven by, um, 88 00:04:28,268 --> 00:04:31,470 young kids, young girls, finding their way. 89 00:04:31,570 --> 00:04:34,640 They're working their way through love in their life. 90 00:04:34,740 --> 00:04:38,444 -Everybody loves love. 91 00:04:38,544 --> 00:04:43,149 And I think everyone can relate to toxic love. [laughs] 92 00:04:43,249 --> 00:04:45,651 -I actually was in a relationship when I was younger 93 00:04:45,751 --> 00:04:48,754 that reminds me a little bit of Tessa and Hardin's relationship, 94 00:04:48,854 --> 00:04:50,756 and I-- I don't think I'm the only person 95 00:04:50,857 --> 00:04:52,291 who's experienced that before. 96 00:04:52,391 --> 00:04:55,427 -It's a sort of fantasy idea of what life can be, 97 00:04:55,527 --> 00:04:56,962 but it's not without its difficulties. 98 00:04:57,630 --> 00:04:59,598 -Romance isn't necessarily always beautiful, 99 00:04:59,698 --> 00:05:01,700 and that's what the books are. 100 00:05:01,800 --> 00:05:04,103 And I think that's what people love so much about the books. 101 00:05:04,203 --> 00:05:05,804 -What's so magical about the story that she's told, 102 00:05:05,904 --> 00:05:07,773 she didn't shy away from the problems 103 00:05:07,873 --> 00:05:09,508 that other people label as, like, toxic, 104 00:05:09,608 --> 00:05:11,277 but they're problems in relationships that 105 00:05:11,377 --> 00:05:13,345 real people have in their lives. And... 106 00:05:13,446 --> 00:05:17,182 And I think so bravely tackling that is what-- 107 00:05:17,282 --> 00:05:20,286 it was part of the key to-- key to its success. 108 00:05:20,386 --> 00:05:22,621 -It makes sense why it's connected-- 109 00:05:22,721 --> 00:05:25,157 as a movie and as the books, you know, 110 00:05:25,257 --> 00:05:27,293 it's-- it's such a global phenomenon. 111 00:05:27,393 --> 00:05:29,862 -But it's a relationship story, 112 00:05:29,962 --> 00:05:32,865 and who doesn't love a relationship story? [laughs] 113 00:05:32,965 --> 00:05:34,333 -Everybody can relate to this. 114 00:05:34,433 --> 00:05:37,303 Even if, you know, you're 45 or 60, 115 00:05:37,403 --> 00:05:39,205 everybody had their first love. 116 00:05:39,305 --> 00:05:41,307 [Mark Canton] You could just tell that young women 117 00:05:41,407 --> 00:05:44,977 who were reading this book in millions and millions 118 00:05:45,770 --> 00:05:46,845 and millions of copies around the world, 119 00:05:46,945 --> 00:05:48,347 were relating to it. 120 00:05:48,447 --> 00:05:49,916 -And it's also sexy! 121 00:05:50,160 --> 00:05:54,320 It's a-- it's a sexy series, and sexiness tends to sell. 122 00:05:54,420 --> 00:05:56,689 -I don't know if I've ever been a part of something 123 00:05:56,789 --> 00:05:59,725 that was quite as popular as this-- this series, 124 00:05:59,825 --> 00:06:01,327 and it's-- it's really cool. 125 00:06:01,427 --> 00:06:06,165 -It all just worked perfectly and-- 126 00:06:06,265 --> 00:06:09,202 [stutters] I don't know why it's so good! [laughs] 127 00:06:09,302 --> 00:06:11,203 -None of us can really explain the AFTER effect or-- 128 00:06:11,303 --> 00:06:14,060 or why this has resonated with so many people, 129 00:06:14,106 --> 00:06:16,576 but it just has, and we're just really lucky that it has. 130 00:06:16,676 --> 00:06:18,410 [peaceful music playing] 131 00:06:18,510 --> 00:06:20,913 [Louise Lombard] [VO] It all started with Anna Todd. 132 00:06:21,130 --> 00:06:24,250 In 2013, she picked up her phone to write the first words of 133 00:06:24,350 --> 00:06:27,754 what would soon become an entire universe: 134 00:06:27,854 --> 00:06:29,188 the AFTERVERSE. 135 00:06:29,288 --> 00:06:33,580 Anna has always been a fan of romance. 136 00:06:33,158 --> 00:06:34,526 -I just always read. 137 00:06:34,626 --> 00:06:37,563 I liked romance most, obviously. 138 00:06:37,663 --> 00:06:38,931 And I was at a point where I felt like 139 00:06:39,310 --> 00:06:41,330 I had read all the romances, 140 00:06:41,133 --> 00:06:43,903 and I just kept reading the same books. 141 00:06:44,030 --> 00:06:45,604 They were all different books, but it just felt like 142 00:06:45,704 --> 00:06:47,606 the same thing over and over. 143 00:06:47,706 --> 00:06:51,760 And I just thought, oh, I'll find something on Wattpad. 144 00:06:51,176 --> 00:06:53,278 And then, on Wattpad, 145 00:06:53,379 --> 00:06:56,315 I read everything, and I was stuck again. 146 00:06:56,415 --> 00:06:58,885 And I only wanted to read fan fiction at that point. 147 00:06:58,985 --> 00:07:02,870 And everything I was reading was all Harry Styles fan fiction. 148 00:07:02,187 --> 00:07:06,391 And I got completely obsessed with fan fiction-- 149 00:07:06,491 --> 00:07:10,229 decided one day just out of boredom to write my own-- 150 00:07:10,329 --> 00:07:13,666 because there was nothing that was like really keeping me. 151 00:07:13,766 --> 00:07:17,470 And I started a chapter for no reason, 152 00:07:17,570 --> 00:07:19,338 just on a random Sunday. 153 00:07:19,438 --> 00:07:22,141 And I didn't have any followers or any reason to think 154 00:07:22,241 --> 00:07:23,575 that people would actually read it. 155 00:07:23,675 --> 00:07:26,450 [whimsical music playing] 156 00:07:26,145 --> 00:07:28,581 [Louise Lombard] [VO] Initially, AFTER was written as fan fiction 157 00:07:28,681 --> 00:07:30,820 centered around characters 158 00:07:30,182 --> 00:07:33,485 heavily inspired by the boy band One Direction, 159 00:07:33,585 --> 00:07:38,124 particularly its iconic singer Harry Styles. 160 00:07:38,224 --> 00:07:39,792 It was fiction intended for the literary 161 00:07:39,892 --> 00:07:41,993 sharing platform Wattpad, 162 00:07:42,940 --> 00:07:44,663 a free website that allows users to read 163 00:07:44,764 --> 00:07:47,300 and publish original stories. 164 00:07:48,534 --> 00:07:51,503 On Thursday, April 11th, 2013, 165 00:07:51,603 --> 00:07:55,708 Anna posted the first chapter of AFTER on Wattpad. 166 00:07:55,808 --> 00:07:59,445 She continued to post constantly for the next 15 months 167 00:07:59,545 --> 00:08:02,448 until July 4th, 2014, 168 00:08:02,548 --> 00:08:08,687 when Anna posted the 295th and final chapter of AFTER. 169 00:08:08,787 --> 00:08:09,989 [audiobook] [VO] Chapter 1. 170 00:08:10,890 --> 00:08:11,323 "Tessa!!" 171 00:08:11,424 --> 00:08:12,792 [Anna Todd] [VO] I wrote the first chapter, 172 00:08:12,892 --> 00:08:17,329 and it just-- it felt like, almost like addicting. 173 00:08:17,429 --> 00:08:18,731 That's a very general term. 174 00:08:18,831 --> 00:08:22,968 But I just felt so-- the like rush of writing. 175 00:08:23,680 --> 00:08:24,636 So, I did it again and again and again. 176 00:08:24,736 --> 00:08:28,641 [chuckles] And then it became popular pretty quickly online. 177 00:08:30,142 --> 00:08:32,711 [Louise Lombard] [VO] Popular is an understatement. 178 00:08:32,811 --> 00:08:37,149 AFTER has more than a billion reads on Wattpad. 179 00:08:37,249 --> 00:08:39,819 Yes, you heard that right, a billion! 180 00:08:43,956 --> 00:08:46,758 At the headquarters of Wattpad Studio in Toronto, 181 00:08:46,858 --> 00:08:49,194 they still can't believe it. 182 00:08:49,294 --> 00:08:51,263 - AFTER has been an adventure from day one. 183 00:08:51,363 --> 00:08:54,232 And the-- the people who are running our site, 184 00:08:54,333 --> 00:08:55,701 who are running the platform of Wattpad, 185 00:08:55,801 --> 00:08:59,040 came up to us and said, "Hey-- like, 186 00:08:59,104 --> 00:09:00,305 everyone on the platform today 187 00:09:00,406 --> 00:09:02,408 is reading AFTER , and we almost crashed. 188 00:09:02,508 --> 00:09:04,176 Does anyone know what AFTER is?" 189 00:09:04,276 --> 00:09:06,945 And we all stopped and started reading AFTER . 190 00:09:07,450 --> 00:09:11,160 It was immediately obvious why people loved it so much. 191 00:09:11,117 --> 00:09:13,753 You know, Anna has such a phenomenal voice, 192 00:09:13,853 --> 00:09:15,788 such a phenomenal connection with her audience. 193 00:09:15,888 --> 00:09:19,591 I mean, they really see and look up to her as a mentor and 194 00:09:19,691 --> 00:09:22,270 just really can dive into her universe 195 00:09:22,127 --> 00:09:24,630 in a-- in a phenomenal way. 196 00:09:24,163 --> 00:09:25,531 So, when you're looking for stories 197 00:09:25,631 --> 00:09:28,333 that are really audience driven like we do every day, 198 00:09:28,434 --> 00:09:30,602 there was no better example than AFTER. 199 00:09:30,702 --> 00:09:33,606 This isn't like a Twilight there, 200 00:09:33,706 --> 00:09:35,441 where a whole book showed up on a shelf one day 201 00:09:35,541 --> 00:09:38,511 and some people bought it and read it and talked about it, 202 00:09:38,611 --> 00:09:40,946 maybe on forums online or on Twitter. 203 00:09:41,460 --> 00:09:43,449 This was a story that was created on a platform, 204 00:09:43,549 --> 00:09:44,717 that grew on a platform, 205 00:09:44,817 --> 00:09:47,552 that was published week after week by Anna. 206 00:09:47,652 --> 00:09:49,721 And fans grew up with it. 207 00:09:49,821 --> 00:09:54,793 And so, their understanding of the-- the journey of that story, 208 00:09:54,893 --> 00:09:57,263 their understanding of the universe is so much deeper 209 00:09:57,363 --> 00:10:00,232 than someone who just went and bought a book off the shelf. 210 00:10:00,332 --> 00:10:02,567 [Louise Lombard] [VO] Wattpad's platform enabled AFTER 211 00:10:02,667 --> 00:10:03,969 to become one of the most widely read 212 00:10:04,690 --> 00:10:06,138 romances of the past decade. 213 00:10:06,238 --> 00:10:10,276 And the entire series was written on the author's phone. 214 00:10:10,376 --> 00:10:12,278 [Anna Todd] [VO] It's just so much faster to type on my phone, 215 00:10:12,378 --> 00:10:14,112 and the urgency. 216 00:10:14,212 --> 00:10:16,415 So, if I feel something, or if I hear a conversation, 217 00:10:16,515 --> 00:10:21,853 or see someone that just makes my imagination go off, 218 00:10:21,953 --> 00:10:23,623 I'll just need to write then. 219 00:10:23,723 --> 00:10:27,920 And if I waited until my "scheduled writing time" 220 00:10:27,192 --> 00:10:30,960 then the story would just die, and it would be boring. 221 00:10:30,196 --> 00:10:32,998 And I just like the urgency of writing on my phone, 222 00:10:33,990 --> 00:10:35,934 and I like the urgency of posting on Wattpad-- 223 00:10:36,340 --> 00:10:37,469 and getting immediate feedback. 224 00:10:37,569 --> 00:10:40,172 It's like having thousands of editors. 225 00:10:43,410 --> 00:10:45,100 [Louise Lombard] [VO] Wattpad is an interactive platform, 226 00:10:45,110 --> 00:10:47,779 which means that every day, on every page, 227 00:10:47,879 --> 00:10:49,648 in every chapter, Anna received notes 228 00:10:49,748 --> 00:10:52,651 and comments directly from her readers 229 00:10:52,751 --> 00:10:54,820 so she could better understand and respond 230 00:10:54,920 --> 00:10:57,456 to what they wanted from the story. 231 00:10:57,556 --> 00:11:00,125 Ten years ago, this unconventional approach 232 00:11:00,225 --> 00:11:03,461 to writing would not have been possible. 233 00:11:03,562 --> 00:11:04,863 [Aaron Levitz] [VO] One of the things that 234 00:11:04,964 --> 00:11:07,332 makes us unique is our-- is the platform, right? 235 00:11:07,432 --> 00:11:09,602 Not just the amazing creators and the stories on it-- 236 00:11:09,702 --> 00:11:11,504 and that's everything that we produce on 237 00:11:11,604 --> 00:11:12,671 Wattpad, WEBTOON Studios 238 00:11:12,771 --> 00:11:14,240 does come off either of the platforms. 239 00:11:14,340 --> 00:11:18,177 But it's also understanding why the audience loves that 240 00:11:18,277 --> 00:11:21,480 and that comes through comments, and it comes through data. 241 00:11:21,580 --> 00:11:23,315 It comes through understanding the parts that 242 00:11:23,415 --> 00:11:26,652 audiences really clamoured for, 243 00:11:26,752 --> 00:11:28,320 and the parts that audiences were like 244 00:11:28,420 --> 00:11:29,822 "Eh, that didn't really interest us," 245 00:11:29,922 --> 00:11:32,358 and understanding why they love that tertiary character 246 00:11:32,458 --> 00:11:35,994 more than one of the leads in the story. 247 00:11:36,940 --> 00:11:38,230 [Louise Lombard] [VO] Gradually, more and more people 248 00:11:38,330 --> 00:11:40,699 caught on to the phenomenon. 249 00:11:40,799 --> 00:11:42,667 -And then publishers started reaching out to me. 250 00:11:42,767 --> 00:11:45,738 And at first, I was like, what are you talking about? 251 00:11:45,838 --> 00:11:47,706 Why would you want to publish my Harry Styles book? 252 00:11:47,806 --> 00:11:49,508 I don't understand. 253 00:11:49,608 --> 00:11:53,379 And then, it got published. Was successful. 254 00:11:53,479 --> 00:11:55,848 Which, there's always the kind of doubt: 255 00:11:55,948 --> 00:11:58,417 will it be only successful online for free, 256 00:11:58,517 --> 00:12:00,553 or will people actually buy it? 257 00:12:00,653 --> 00:12:04,390 And then, I sold a lot of books. [chuckles] 258 00:12:04,490 --> 00:12:06,692 [Louise Lombard] [VO] Publisher Simon & Schuster won the deal 259 00:12:06,792 --> 00:12:08,360 and the first book, AFTER, 260 00:12:08,460 --> 00:12:12,300 was released on October 21, 2014. 261 00:12:12,130 --> 00:12:13,866 Over the next 14 months, 262 00:12:13,966 --> 00:12:16,702 four more installments in the series were published: 263 00:12:16,802 --> 00:12:18,700 AFTER WE COLLIDED, 264 00:12:18,170 --> 00:12:19,571 AFTER WE FELL, 265 00:12:19,671 --> 00:12:21,106 AFTER EVER HAPPY, 266 00:12:21,206 --> 00:12:25,244 and the prequel BEFORE, as well as two spin-offs. 267 00:12:25,344 --> 00:12:27,880 The books have been published in multiple countries, 268 00:12:27,980 --> 00:12:29,748 translated into over 30 languages, 269 00:12:29,848 --> 00:12:34,386 and have sold tens of millions of copies worldwide. 270 00:12:34,486 --> 00:12:36,254 Between the success of the books 271 00:12:36,354 --> 00:12:38,957 and its popularity on Wattpad, AFTER has become 272 00:12:39,570 --> 00:12:42,261 one of romance fans' favourite stories. 273 00:12:42,361 --> 00:12:44,896 The series is a massive work of fiction, 274 00:12:44,996 --> 00:12:47,266 spanning thousands of pages. 275 00:12:48,667 --> 00:12:50,235 [Anna Todd] [VO] Yeah, well, I wrote them all 276 00:12:50,335 --> 00:12:52,904 in the beginning as one big book, 277 00:12:53,040 --> 00:12:55,140 and the only reason that Wattpad has three 278 00:12:55,240 --> 00:12:58,611 is because I went to upload the 101 chapter, 279 00:12:58,711 --> 00:12:59,912 and it didn't allow me. 280 00:13:00,120 --> 00:13:01,146 And I was like, "oh, what happened?" 281 00:13:01,246 --> 00:13:02,580 Like, I thought my account was going to be 282 00:13:02,680 --> 00:13:03,648 like locked or something. 283 00:13:03,748 --> 00:13:05,117 I didn't know what was going on. 284 00:13:05,217 --> 00:13:07,486 But it was just because it was too heavy, the file, 285 00:13:07,586 --> 00:13:08,920 like it was too long. 286 00:13:09,210 --> 00:13:12,891 So, I had to basically start the second one. 287 00:13:12,991 --> 00:13:16,940 That's why it says AFTER 2 instead of AFTER WE COLLIDED. 288 00:13:16,194 --> 00:13:17,963 And then the third one, I had to start because of that, 289 00:13:18,630 --> 00:13:21,933 but in my head, it's all just one big saga. 290 00:13:22,330 --> 00:13:23,502 But when we were publishing it, 291 00:13:23,602 --> 00:13:26,939 we basically did it off of every one has a cliffhanger-- 292 00:13:27,390 --> 00:13:29,341 every chapter does, but every book has a cliffhanger. 293 00:13:29,441 --> 00:13:31,276 So, we kind of sectioned it 294 00:13:31,376 --> 00:13:34,446 where it made sense to stop the novel. 295 00:13:34,546 --> 00:13:36,281 Except for the third one, which I didn't realize 296 00:13:36,381 --> 00:13:39,618 was going to be like 890 pages. 297 00:13:39,718 --> 00:13:41,953 And even the publisher-- we had to change my deal, 298 00:13:42,530 --> 00:13:44,122 because they thought they just bought three books, 299 00:13:44,222 --> 00:13:47,158 and when they got the actual length of the Wattpad version, 300 00:13:47,259 --> 00:13:51,330 it's 250,000 more words than the published one. 301 00:13:51,430 --> 00:13:54,933 So, the Wattpad version is like ten books! 302 00:13:55,330 --> 00:13:57,869 [Louise Lombard] [VO] Such a staggering page count 303 00:13:57,970 --> 00:14:00,172 didn't scare away her readers. 304 00:14:00,272 --> 00:14:06,144 Instead, they devoured the love story of Tessa and Hardin. 305 00:14:06,244 --> 00:14:07,979 But what was it about this romance 306 00:14:08,790 --> 00:14:09,982 that readers couldn't get enough of? 307 00:14:11,450 --> 00:14:13,551 -I'm not afraid to take risks in writing, 308 00:14:13,651 --> 00:14:17,222 and I'm not afraid of, you know, backlash if Hardin's too mean, 309 00:14:17,322 --> 00:14:20,392 or Tessa's too emotional, or the themes that are dark, 310 00:14:20,492 --> 00:14:22,494 and there's a lot of addiction themes, 311 00:14:22,594 --> 00:14:24,290 whether it's them being addicted to each other, 312 00:14:24,129 --> 00:14:27,733 or Hardin being addicted to alcohol, um-- 313 00:14:27,833 --> 00:14:30,202 or Tessa, you know, being very self-deprecating 314 00:14:30,302 --> 00:14:33,172 and very, trying to be this image of 315 00:14:33,272 --> 00:14:34,339 what she's supposed to be, 316 00:14:34,439 --> 00:14:36,208 and that is relatable to people. 317 00:14:36,308 --> 00:14:38,209 And the characters are so flawed, 318 00:14:38,309 --> 00:14:40,780 and I love romance, 319 00:14:40,178 --> 00:14:41,747 but there are a lot of times where I feel, 320 00:14:41,847 --> 00:14:43,810 because I had, you know, 321 00:14:43,181 --> 00:14:44,916 grew up in a house full of addicts, 322 00:14:45,160 --> 00:14:48,187 I've had a lot of the same traumatic things as Hardin. 323 00:14:48,287 --> 00:14:49,755 So, for me, when I'm reading romance 324 00:14:49,855 --> 00:14:53,592 and every woman is perfect and she's-- every man loves her, 325 00:14:53,692 --> 00:14:55,360 and they get in one fight, and then they get married, 326 00:14:55,460 --> 00:14:57,195 it's like, that's not realistic. 327 00:14:57,295 --> 00:14:58,430 I've been married since I was 18, 328 00:14:58,530 --> 00:15:00,310 and that is not how it works. [chuckles] 329 00:15:00,132 --> 00:15:02,735 So, I just think it was refreshing for people 330 00:15:02,835 --> 00:15:04,869 to read things, especially younger girls, 331 00:15:04,969 --> 00:15:07,205 to read things and think "Oh, wow, 332 00:15:07,305 --> 00:15:10,309 I don't have to be perfect, and, you know, 333 00:15:10,409 --> 00:15:12,410 getting a man's attention is not the only thing I need." 334 00:15:12,510 --> 00:15:14,579 Because I also have intelligent characters. 335 00:15:14,679 --> 00:15:18,550 Hardin is a literature major who quotes classic literature. 336 00:15:18,650 --> 00:15:20,418 And usually, if you get a bad boy, 337 00:15:20,518 --> 00:15:22,587 it's like he just only gets in fights, 338 00:15:22,687 --> 00:15:24,422 and he has no depth. 339 00:15:24,522 --> 00:15:27,125 So, I think it's all of those reasons, 340 00:15:27,225 --> 00:15:29,595 but I think it's just the addicting nature 341 00:15:29,695 --> 00:15:31,463 of their relationship. 342 00:15:31,563 --> 00:15:33,231 [Louise Lombard] [VO] Jennifer Gibgot is one of 343 00:15:33,331 --> 00:15:34,800 the producers of the films. 344 00:15:34,900 --> 00:15:38,236 She discovered AFTER and fought for Anna Todd's 345 00:15:38,336 --> 00:15:42,407 romantic saga to make its way to the big screen. 346 00:15:42,507 --> 00:15:45,760 For her, AFTER was an opportunity 347 00:15:45,176 --> 00:15:48,800 to tell a new kind of love story. 348 00:15:48,180 --> 00:15:50,248 [Jennifer Gibgot] The thing that I really loved 349 00:15:50,348 --> 00:15:52,283 about the story is that 350 00:15:52,383 --> 00:15:56,922 it's really about a very damaged guy who's an alcoholic, 351 00:15:57,220 --> 00:15:59,792 and it's about a young girl who, they meet, 352 00:15:59,892 --> 00:16:03,796 and she saves him. Her love saves him 353 00:16:03,896 --> 00:16:06,297 and makes him wanna be a better person. 354 00:16:06,398 --> 00:16:07,765 So, you know, even though you're reading it 355 00:16:07,866 --> 00:16:10,936 and obviously it's like super sexy to read it 356 00:16:11,360 --> 00:16:15,441 and you get invested in the passion and all of that, 357 00:16:15,541 --> 00:16:18,109 at its core, it's a love story about 358 00:16:18,209 --> 00:16:20,112 how love can save people. 359 00:16:20,212 --> 00:16:22,915 And that's what I really responded to. 360 00:16:23,150 --> 00:16:24,650 So, I thought it was actually important 361 00:16:24,750 --> 00:16:27,652 to bring that story to life for a young audience because 362 00:16:27,753 --> 00:16:31,290 so many people struggle with alcohol addiction, 363 00:16:31,390 --> 00:16:34,325 and I think it's an important story. 364 00:16:34,426 --> 00:16:35,961 [Louise Lombard] [VO] Today, AFTER fans 365 00:16:36,610 --> 00:16:37,162 can watch the love story 366 00:16:37,262 --> 00:16:39,665 play out in five successful films, 367 00:16:39,765 --> 00:16:41,834 but the transition from book to film 368 00:16:41,934 --> 00:16:44,020 was far from simple. 369 00:16:44,103 --> 00:16:45,804 [Jennifer Gibgot] [VO] So, the story is, 370 00:16:45,904 --> 00:16:47,405 I had actually been one of 371 00:16:47,505 --> 00:16:50,475 the producers in the running for Fifty Shades of Grey, 372 00:16:50,575 --> 00:16:52,177 because I read those books 373 00:16:52,277 --> 00:16:55,481 and I contacted the agent very early on. 374 00:16:55,581 --> 00:16:58,817 So she gave me a few studios who were bidding on it 375 00:16:58,917 --> 00:17:02,955 and Universal came in, bought it for five million dollars, 376 00:17:03,550 --> 00:17:05,991 I lost the rights so I was very bummed out 377 00:17:06,910 --> 00:17:07,892 and I went to my friend's house 378 00:17:07,992 --> 00:17:10,728 and her husband worked at Wattpad. 379 00:17:10,829 --> 00:17:13,265 And I was telling them this story and he said, 380 00:17:13,365 --> 00:17:16,168 "Oh, well, if you wanted to produce Fifty Shades of Grey , 381 00:17:16,268 --> 00:17:17,402 you need to read AFTER ." 382 00:17:17,503 --> 00:17:19,204 And I said, "What's AFTER ?" 383 00:17:19,304 --> 00:17:20,906 and he said, "You have to go on Wattpad and read it." 384 00:17:21,060 --> 00:17:23,875 So, I actually read it on Wattpad, 385 00:17:23,975 --> 00:17:25,944 and I reached out to him right away 386 00:17:26,440 --> 00:17:28,513 and I said, "I need to produce this!" 387 00:17:28,613 --> 00:17:31,182 -Our first stop for the film was-- was, uh, 388 00:17:31,283 --> 00:17:33,418 with Offspring Entertainment, with Jen Gibgot. 389 00:17:33,518 --> 00:17:35,354 We were introduced to Jen-- 390 00:17:35,454 --> 00:17:38,723 through, uh-- some colleagues in LA. 391 00:17:38,823 --> 00:17:40,391 You know, she has such a great history 392 00:17:40,491 --> 00:17:44,196 with this type of content, with being able to pull romance, 393 00:17:44,296 --> 00:17:46,197 a little bit of laughs here and there, 394 00:17:46,298 --> 00:17:49,868 and really understanding that audience that AFTER has already 395 00:17:49,968 --> 00:17:52,270 in the fandom that's-- that's driven by it. 396 00:17:52,370 --> 00:17:54,272 And we really hit it off and felt, you know, 397 00:17:54,372 --> 00:17:57,609 we both brought some great things to the project, 398 00:17:57,709 --> 00:18:01,460 Jen and, Offspring Entertainment and Wattpad, 399 00:18:01,146 --> 00:18:03,949 as producers-- and obviously had a real ability 400 00:18:04,490 --> 00:18:06,718 to amplify Anna's voice, 401 00:18:06,818 --> 00:18:09,988 Anna's fandom, through film adaptation. 402 00:18:10,880 --> 00:18:11,890 So, once we decided to work together, 403 00:18:11,990 --> 00:18:15,426 our first stop was Paramount Studios. 404 00:18:15,526 --> 00:18:17,362 [Jennifer Gibgot] [VO] So, I sold the movie to Paramount, 405 00:18:17,462 --> 00:18:20,933 and we were in development there for four years. 406 00:18:21,330 --> 00:18:25,737 And during that time, Instagram had just started to 407 00:18:25,837 --> 00:18:27,572 become a real thing. 408 00:18:27,672 --> 00:18:34,120 Um-- This was back in 2014 and Anna had tagged me 409 00:18:34,112 --> 00:18:37,115 in a couple of photos on her Instagram 410 00:18:37,215 --> 00:18:39,150 saying that I was the producer of movie. 411 00:18:39,250 --> 00:18:41,787 And so, every single day, 412 00:18:41,887 --> 00:18:43,922 these young girls from all over the world 413 00:18:44,220 --> 00:18:46,910 starting writing to me through Instagram saying, 414 00:18:46,191 --> 00:18:48,426 "When are you gonna make AFTER ? When are you gonna make AFTER ?" 415 00:18:48,526 --> 00:18:50,829 And I was, you know, busy producing other movies 416 00:18:50,929 --> 00:18:52,597 and I would see their messages, 417 00:18:52,697 --> 00:18:56,100 but after four years they never went away. 418 00:18:56,200 --> 00:18:58,360 They just kept writing me! 419 00:18:58,136 --> 00:19:00,272 So, finally I went to Paramount and I said, you know, 420 00:19:00,372 --> 00:19:01,606 "If you guys aren't gonna make this, 421 00:19:01,706 --> 00:19:04,475 you have to give me the rights back." 422 00:19:04,575 --> 00:19:06,110 So, they agreed to do it. 423 00:19:06,210 --> 00:19:07,512 They said, "You can have them back, 424 00:19:07,612 --> 00:19:10,149 but only if you make the movie independently." 425 00:19:12,316 --> 00:19:13,952 From the moment that Paramount said 426 00:19:14,520 --> 00:19:17,622 that they would give it back, it happened very, very quickly. 427 00:19:17,722 --> 00:19:19,958 We had about three different people 428 00:19:20,580 --> 00:19:23,494 wanting to invest in the movie and pay for it. 429 00:19:23,595 --> 00:19:25,297 It wasn't, you know, an expensive movie. 430 00:19:25,397 --> 00:19:28,300 We knew we could make it for a price, so, 431 00:19:28,400 --> 00:19:29,634 you know, compared to like obviously 432 00:19:29,735 --> 00:19:31,970 these big action movies and things like that. 433 00:19:32,700 --> 00:19:34,339 So, I had three people who wanted to do it 434 00:19:34,439 --> 00:19:38,142 and I ended up going with Courtney Solomon and Mark Canton 435 00:19:38,243 --> 00:19:40,545 because they were the people that said, 436 00:19:40,645 --> 00:19:45,416 we'll give you six months of a commitment, meaning, like, 437 00:19:45,516 --> 00:19:48,353 at the end of the six months if we don't make this movie 438 00:19:48,453 --> 00:19:50,210 we'll give it back to you. 439 00:19:50,121 --> 00:19:53,491 And I agreed based on that. 440 00:19:53,591 --> 00:19:54,926 I was like, [stutters] and I had obviously 441 00:19:55,270 --> 00:19:56,861 a conversation with Anna and Wattpad, I was like, 442 00:19:56,961 --> 00:19:59,397 "Listen, out of the three people that want to finance it, 443 00:19:59,497 --> 00:20:02,333 these are the only people that are really willing to say like, 444 00:20:02,434 --> 00:20:04,020 'We either make it or we give it back to you, 445 00:20:04,102 --> 00:20:06,370 no strings attached.'" 446 00:20:06,137 --> 00:20:07,773 -Beautiful. [sighs] 447 00:20:07,873 --> 00:20:09,740 The first time I heard about AFTER 448 00:20:09,174 --> 00:20:12,510 was when my partner, Courtney Solomon-- 449 00:20:12,611 --> 00:20:15,413 knocked at my office at our other offices 450 00:20:15,513 --> 00:20:20,685 and said "Bro, we have this draft of a script 451 00:20:20,785 --> 00:20:23,188 based on these incredible books, 452 00:20:23,288 --> 00:20:26,391 and we should really overnight take a look at it 453 00:20:26,491 --> 00:20:29,795 and get ready for a meeting. It's very exciting." 454 00:20:29,895 --> 00:20:34,650 -Mark and I have both done sort of a lot of action movies. 455 00:20:34,165 --> 00:20:36,367 I've done a lot of horror movies. 456 00:20:36,467 --> 00:20:38,703 So, we were sort of in different genres and, 457 00:20:38,803 --> 00:20:41,506 you know, we'd both done certain franchise movies. 458 00:20:41,606 --> 00:20:46,444 And I'd been interested in the sort of YA space, you know, 459 00:20:46,544 --> 00:20:49,547 looking at things like Twilight and Hunger Games 460 00:20:49,647 --> 00:20:51,716 and how successful they were, 461 00:20:51,816 --> 00:20:53,284 and that if it's something that's a really 462 00:20:53,384 --> 00:20:57,288 popular piece of IP, like AFTER is, 463 00:20:57,388 --> 00:20:59,257 that there's a really, you know, 464 00:20:59,357 --> 00:21:02,600 strong fan base that already comes with it 465 00:21:02,160 --> 00:21:04,329 that really is dying to see the movie. 466 00:21:04,429 --> 00:21:07,990 -Yeah. I remember right away reading the script and liking it 467 00:21:07,199 --> 00:21:10,301 and thinking of it in the world of Twilight 468 00:21:10,402 --> 00:21:13,872 or other titles that had such a huge audience. 469 00:21:13,972 --> 00:21:15,440 [Courtney Solomon] [VO] This was a love story, you know? 470 00:21:15,540 --> 00:21:17,842 So, I'd never tackled a love story before, 471 00:21:17,942 --> 00:21:21,479 so it was interesting to sort of deal with those characters, 472 00:21:21,579 --> 00:21:24,415 and that young age group, and sort of first love 473 00:21:24,515 --> 00:21:27,180 and the passion of first love-- 474 00:21:27,118 --> 00:21:29,488 that was, you know, interesting to me. 475 00:21:29,588 --> 00:21:31,423 And that's really what it was more than anything. 476 00:21:31,523 --> 00:21:33,458 More than the audience preexisting 477 00:21:33,558 --> 00:21:35,259 or anything like that, was first like, 478 00:21:35,359 --> 00:21:36,961 I was like, "Oh, this is cool." 479 00:21:37,610 --> 00:21:39,631 -And so, you know, we-- we raised the money 480 00:21:39,731 --> 00:21:41,766 to make it independently, and it became the highest 481 00:21:41,866 --> 00:21:44,602 grossing independent film of 2019, 482 00:21:44,702 --> 00:21:47,710 we won the People's Choice, the Teen Choice, 483 00:21:47,171 --> 00:21:49,708 and that's when I felt vindicated. 484 00:21:49,808 --> 00:21:51,476 Like, I knew! [laughs] 485 00:21:51,576 --> 00:21:53,145 Because even when I got it out of there, 486 00:21:53,245 --> 00:21:55,780 Paramount like was like "Okay, you can have it back. 487 00:21:55,880 --> 00:21:58,150 We'll see, you know, good luck!" 488 00:21:58,250 --> 00:22:00,184 [man] Okay. Here we go, pictures up. 489 00:22:00,285 --> 00:22:01,186 [Louise Lombard] [VO] Filming for AFTER 490 00:22:01,286 --> 00:22:05,123 began on July 18th, 2018. 491 00:22:05,223 --> 00:22:07,893 Anna Todd even has a cameo in the film. 492 00:22:07,993 --> 00:22:09,628 [peaceful music playing] 493 00:22:09,728 --> 00:22:10,795 [Jennifer Gibgot] [VO] By the time the movies got made, 494 00:22:10,895 --> 00:22:12,630 she had a fandom already 495 00:22:12,730 --> 00:22:14,966 that was international. 496 00:22:15,660 --> 00:22:16,301 You know, she had sold, as I said, 497 00:22:16,401 --> 00:22:17,835 15 million copies of her books, 498 00:22:17,935 --> 00:22:20,471 and that's just not even counting all the reads 499 00:22:20,571 --> 00:22:22,507 that it got on Wattpad. 500 00:22:22,607 --> 00:22:26,143 Um, but she already had, you know, 501 00:22:26,244 --> 00:22:30,147 500+ of her own followers on just Instagram, 502 00:22:30,248 --> 00:22:32,317 and then more on Twitter and more on Facebook. 503 00:22:32,417 --> 00:22:34,886 So, she-- she already had a fandom. 504 00:22:34,986 --> 00:22:40,240 So, she felt an obligation to make her fans happy 505 00:22:40,124 --> 00:22:42,694 and I was so happy to have her involved because 506 00:22:42,794 --> 00:22:45,930 I knew that, you know, only she would know truly 507 00:22:46,300 --> 00:22:47,565 what was really important to them. 508 00:22:47,665 --> 00:22:51,350 We could all speculate, but she had been involved, 509 00:22:51,135 --> 00:22:53,238 obviously, with the fans since day one. 510 00:22:54,606 --> 00:22:56,174 [Louise Lombard] [VO] So, Anna witnessed her story 511 00:22:56,274 --> 00:22:57,943 go from words on a page 512 00:22:58,430 --> 00:23:00,845 to scenes playing out before her eyes. 513 00:23:00,946 --> 00:23:03,614 For the author, it was a dream come true. 514 00:23:03,714 --> 00:23:04,616 [Anna Todd] [VO] It's very validating 515 00:23:04,716 --> 00:23:06,517 and it's very surreal. 516 00:23:06,617 --> 00:23:09,588 There was this shot of them on the bed yesterday. 517 00:23:09,688 --> 00:23:12,290 And it was Tessa was covered mostly in a sheet 518 00:23:12,390 --> 00:23:15,193 and Hardin's head was on her back and there was just this, 519 00:23:15,293 --> 00:23:17,195 just looking at it, I completely forgot that 520 00:23:17,295 --> 00:23:20,650 I had anything to do with it, and I was just like, 521 00:23:20,165 --> 00:23:22,330 "This is so beautiful! 522 00:23:22,133 --> 00:23:24,569 And this works." And if I didn't-- 523 00:23:24,669 --> 00:23:26,938 I think the ultimate test as like a fan girl for me 524 00:23:27,380 --> 00:23:31,376 is that if I didn't create this, I would be completely obsessed. 525 00:23:31,476 --> 00:23:32,944 Like, I would be the person that would have like 526 00:23:33,440 --> 00:23:34,379 the AFTER fan account 527 00:23:34,479 --> 00:23:36,882 and the like following everything they're doing, 528 00:23:36,982 --> 00:23:38,449 and I would be completely obsessed 529 00:23:38,549 --> 00:23:39,917 like I was with Twilight . 530 00:23:40,170 --> 00:23:43,221 And I think it's hard to find that like "magic," 531 00:23:43,321 --> 00:23:47,259 and I'm just so fortunate and lucky and grateful 532 00:23:47,359 --> 00:23:49,894 to have that in something that I created. 533 00:23:49,994 --> 00:23:52,264 [water splashing] 534 00:23:52,364 --> 00:23:54,165 [Louise Lombard] [VO] The magic of the AFTER films 535 00:23:54,265 --> 00:23:57,402 would not have been possible without the undeniable chemistry 536 00:23:57,502 --> 00:23:59,537 between its two main actors-- -[Tessa chuckles] 537 00:23:59,637 --> 00:24:00,939 [Louise Lombard] [VO] Josephine Langford 538 00:24:01,390 --> 00:24:02,908 and Hero Fiennes Tiffin. 539 00:24:04,576 --> 00:24:06,478 [gentle music playing] 540 00:24:06,578 --> 00:24:08,747 For millions of fans, it's now impossible 541 00:24:08,847 --> 00:24:12,350 to imagine anyone else as Tessa and Hardin. 542 00:24:12,450 --> 00:24:16,488 But finding the right actors for these roles wasn't easy. 543 00:24:16,588 --> 00:24:19,157 As soon as pre-production started, the search 544 00:24:19,257 --> 00:24:22,594 for Tessa and Hardin was on. 545 00:24:22,694 --> 00:24:26,932 -We knew that finding the perfect Hardin and Tessa 546 00:24:27,320 --> 00:24:29,634 was going to be so hugely important. 547 00:24:29,734 --> 00:24:31,936 -Obviously, there was a lot of pressure on casting 548 00:24:32,360 --> 00:24:33,471 because there was a lot of anticipation 549 00:24:33,572 --> 00:24:36,141 from the existing audience of, who's Hardin? 550 00:24:36,241 --> 00:24:37,308 Who's Tessa? 551 00:24:37,408 --> 00:24:38,843 You know, who are these characters? 552 00:24:38,943 --> 00:24:40,678 -The most important thing was 553 00:24:40,778 --> 00:24:44,949 finding the right balance-- for the two roles. 554 00:24:45,490 --> 00:24:49,787 We did want to stick with, our two leads 555 00:24:49,887 --> 00:24:53,358 in particular, very close to the book. 556 00:24:53,458 --> 00:24:55,527 And we went through a number of actors and actresses, 557 00:24:55,627 --> 00:24:57,628 we had a long search. 558 00:24:57,728 --> 00:25:00,665 -It was like, probably two years of just constantly searching. 559 00:25:00,765 --> 00:25:04,350 Even before I knew the movie was actually going, 560 00:25:04,135 --> 00:25:06,804 I just was so... 561 00:25:06,904 --> 00:25:09,373 I had no idea if we would ever find the right person. 562 00:25:09,473 --> 00:25:10,975 -[muted chatter] 563 00:25:11,750 --> 00:25:13,440 [Louise Lombard] [VO] They auditioned dozens of actors, 564 00:25:13,144 --> 00:25:18,820 but Hero Fiennes Tiffin immediately stuck out. 565 00:25:18,182 --> 00:25:19,550 [Jennifer Gibgot] [VO] We brought in Mary Vernieu, 566 00:25:19,650 --> 00:25:22,153 who's an incredible casting director, 567 00:25:22,253 --> 00:25:25,190 she's cast some of the biggest and best movies, 568 00:25:25,290 --> 00:25:29,227 and it's funny because at our very first lunch with her, 569 00:25:29,327 --> 00:25:32,396 she said, "It's going to be Hero Fiennes Tiffin." [laughs] 570 00:25:32,496 --> 00:25:34,466 At the very first! She just knew. 571 00:25:34,566 --> 00:25:36,701 She had, I guess, read him in the past. 572 00:25:36,801 --> 00:25:39,170 She just felt like he was the character. 573 00:25:39,270 --> 00:25:43,508 And yet, we auditioned and screen tested a bunch of guys. 574 00:25:43,608 --> 00:25:46,677 But, from the moment he came into the office, 575 00:25:46,778 --> 00:25:49,881 we were all very excited about him for Hardin. 576 00:25:49,981 --> 00:25:51,382 [photographer] Yeah. Nice. There-- 577 00:25:51,482 --> 00:25:53,351 [Louise Lombard] [VO] Once they met with him, 578 00:25:53,451 --> 00:25:58,230 it was obvious to the filmmakers that Hero was Hardin Scott. 579 00:25:58,123 --> 00:26:00,658 [upbeat music playing] 580 00:26:00,758 --> 00:26:04,228 Before AFTER , Hero was known for playing Tom Riddle, 581 00:26:04,328 --> 00:26:07,532 young Voldemort in the sixth Harry Potter movie. 582 00:26:07,632 --> 00:26:10,235 The English actor was hired alongside his uncle, 583 00:26:10,335 --> 00:26:14,539 Ralph Fiennes, who plays the adult Voldemort in the saga. 584 00:26:14,639 --> 00:26:17,375 Hero was 11 years old when he was cast in the role. 585 00:26:19,343 --> 00:26:23,581 Nine years later, at age 20, he was cast as Hardin Scott. 586 00:26:23,681 --> 00:26:26,384 In the meantime, Hero was living the life 587 00:26:26,484 --> 00:26:28,386 of any aspiring young actor. 588 00:26:30,255 --> 00:26:32,570 -I was doing a bunch of auditions. 589 00:26:32,157 --> 00:26:33,291 I was flipping burgers 590 00:26:33,391 --> 00:26:37,280 at a place called Miss P's Barbeque. 591 00:26:37,128 --> 00:26:39,597 and I'd left school; 592 00:26:39,697 --> 00:26:41,733 I'd dropped out of school the last year of school 593 00:26:41,833 --> 00:26:43,201 to try and just pursue acting and-- 594 00:26:43,301 --> 00:26:45,690 and done loads of auditions. 595 00:26:45,169 --> 00:26:47,471 And-- and I remember the first one I did, 596 00:26:47,571 --> 00:26:49,240 I had done like three that day, 597 00:26:49,340 --> 00:26:50,942 and it was getting to a point where I was just like 598 00:26:51,420 --> 00:26:53,110 "I hope I don't confuse the other auditions 599 00:26:53,210 --> 00:26:54,145 with this one." 600 00:26:54,245 --> 00:26:56,313 I just go in, do my best, 601 00:26:56,413 --> 00:26:59,483 and I feel like I was so busy and so I didn't overthink it. 602 00:26:59,583 --> 00:27:01,850 I was so run down by the end of it 603 00:27:01,186 --> 00:27:03,254 and I feel like I almost did a better audition 604 00:27:03,354 --> 00:27:05,590 because I wasn't overthinking and trying too hard 605 00:27:05,690 --> 00:27:07,658 and it's funny how that happens sometimes. 606 00:27:07,758 --> 00:27:09,427 And then there was another audition, 607 00:27:09,527 --> 00:27:11,629 and then I was like, "Right, they want me. 608 00:27:11,729 --> 00:27:13,300 Let's-- let's go for it." 609 00:27:13,131 --> 00:27:15,432 And then, another and another and then, uh-- 610 00:27:15,533 --> 00:27:17,469 I was flown out here to LA to chemistry read 611 00:27:17,569 --> 00:27:19,040 and I was like, "All right, this sounds, 612 00:27:19,104 --> 00:27:20,671 I don't think they're flying a lot of people out here 613 00:27:20,771 --> 00:27:22,307 to chemistry read." 614 00:27:22,407 --> 00:27:24,309 I didn't actually audition with Jo in the chemistry read 615 00:27:24,409 --> 00:27:26,678 which is interesting. 616 00:27:26,778 --> 00:27:29,213 But I don't know exactly the process. 617 00:27:29,313 --> 00:27:30,815 I think she might have auditioned for a different role 618 00:27:30,915 --> 00:27:32,450 at the time as well. 619 00:27:32,550 --> 00:27:35,620 And I got home, and my agent from LA 620 00:27:35,720 --> 00:27:36,988 happened to be in London at the time, 621 00:27:37,880 --> 00:27:40,458 so I had my English agent and American agent. 622 00:27:40,558 --> 00:27:43,128 And we were at some café and he was like, 623 00:27:43,228 --> 00:27:45,129 "Aw, you didn't get the role." I was like, "What?" 624 00:27:45,229 --> 00:27:46,631 And the English agent turned over and was like-- 625 00:27:46,731 --> 00:27:48,132 I knew he was-- I knew he was trying to pull my leg. 626 00:27:48,232 --> 00:27:49,800 And-- and then obviously he was like, 627 00:27:49,900 --> 00:27:51,680 "No, you did get the role" 628 00:27:51,168 --> 00:27:53,370 and sent me on a rollercoaster of emotions. 629 00:27:53,137 --> 00:27:56,207 And yeah, I mean, that's-- that was history, that was it. 630 00:27:56,307 --> 00:27:57,509 It was-- it was a surreal process. 631 00:27:57,609 --> 00:27:59,770 I remember waking up each-- each morning 632 00:27:59,177 --> 00:28:01,145 and it did feel like a dream. And yeah. 633 00:28:01,245 --> 00:28:02,813 And honestly it took me like four years 634 00:28:02,913 --> 00:28:04,515 to finally go like, whew. 635 00:28:04,615 --> 00:28:07,851 This is it now. This is how-- But I'm-- I'm grateful for-- 636 00:28:07,952 --> 00:28:10,488 for all of it every step of the way and uh-- 637 00:28:10,588 --> 00:28:11,689 Yeah. It's-- 638 00:28:11,789 --> 00:28:13,191 I'll never forget that whole process. 639 00:28:13,291 --> 00:28:15,260 It's almost nice to go through and tell you about it 640 00:28:15,126 --> 00:28:18,329 and revise in my head exactly how it all happened-- 641 00:28:18,429 --> 00:28:20,831 cuz it really was like life-changing, so. 642 00:28:20,932 --> 00:28:22,167 So, yeah. 643 00:28:23,734 --> 00:28:26,700 [Louise Lombard] [VO] Finding Tessa was far more challenging. 644 00:28:26,171 --> 00:28:27,905 Josephine Langford's name came up later 645 00:28:28,050 --> 00:28:30,575 in the casting process. 646 00:28:30,675 --> 00:28:35,847 In fact, the film nearly started shooting with a different Tessa. 647 00:28:35,947 --> 00:28:38,820 [Jennifer Gibgot] [VO] Finding Tessa was-- 648 00:28:38,182 --> 00:28:39,551 was more difficult. 649 00:28:39,651 --> 00:28:41,885 It was really crazy because I would think that 650 00:28:41,986 --> 00:28:44,589 there would be so many young, you know, 651 00:28:44,689 --> 00:28:47,691 blonde, beautiful actresses because, 652 00:28:47,791 --> 00:28:49,394 you know, I did want her to be cast 653 00:28:49,494 --> 00:28:52,830 the way that the character was described. 654 00:28:52,930 --> 00:28:54,933 Josephine actually read for a different role. 655 00:28:55,330 --> 00:28:56,868 She was in Australia 656 00:28:56,968 --> 00:28:59,571 and she read for the role of Molly 657 00:28:59,671 --> 00:29:04,542 and we read her over a video conference. 658 00:29:04,642 --> 00:29:06,210 From the moment that we saw her, 659 00:29:06,310 --> 00:29:08,379 I was like, "That's our Tessa." 660 00:29:08,479 --> 00:29:12,150 So, I called her agent and I said, 661 00:29:12,250 --> 00:29:14,886 "She needs to get on a plane tomorrow and fly out here." 662 00:29:14,986 --> 00:29:16,860 [laughs] 663 00:29:16,186 --> 00:29:17,221 And they were like, "Really? Really?" 664 00:29:17,321 --> 00:29:18,590 And I said, "Yes, she does." 665 00:29:18,690 --> 00:29:21,559 [ambient music playing] 666 00:29:21,659 --> 00:29:23,600 [Louise Lombard] [VO] Josephine was also 20 years old 667 00:29:23,160 --> 00:29:26,970 when she was cast as Tessa. 668 00:29:26,197 --> 00:29:28,132 Prior to that, the Australian actress 669 00:29:28,232 --> 00:29:32,690 had started making a name for herself on Australian TV 670 00:29:32,169 --> 00:29:35,406 and in the American horror movie 671 00:29:32,169 --> 00:29:35,406 WISH UPON. 672 00:29:37,675 --> 00:29:40,979 But Tessa would be her first leading role... 673 00:29:41,790 --> 00:29:44,749 a role she knew came with considerable expectations. 674 00:29:46,684 --> 00:29:48,653 Long before arriving on set, 675 00:29:48,753 --> 00:29:51,922 Josephine was aware of her character's popularity 676 00:29:52,220 --> 00:29:53,324 among the book's fans. 677 00:29:55,260 --> 00:29:57,195 -I felt a responsibility to get it right, 678 00:29:57,295 --> 00:29:58,596 to get the character right, 679 00:29:58,696 --> 00:30:01,198 for her to be portrayed accurately 680 00:30:01,298 --> 00:30:06,603 and not as a two-dimensional good girl caricature. Uh-- 681 00:30:06,704 --> 00:30:11,308 But you can't really let pressure or expectation 682 00:30:11,408 --> 00:30:14,278 get to you because I think as an actor, 683 00:30:14,378 --> 00:30:16,947 it's important to make your own choices 684 00:30:17,470 --> 00:30:20,651 and strong choices and not choices, uh, 685 00:30:20,751 --> 00:30:23,187 just because you think it's gonna appease someone 686 00:30:23,287 --> 00:30:24,856 or appease a group of people. 687 00:30:24,956 --> 00:30:31,328 So, it-- I mean, it was a responsibility but uh-- Yeah. 688 00:30:31,428 --> 00:30:35,666 You just-- I think you just can't let that get to you, 689 00:30:35,767 --> 00:30:38,969 knowing there's a lot of people-- anticipating 690 00:30:39,690 --> 00:30:42,439 what you're going to do. [chuckles] 691 00:30:42,539 --> 00:30:43,708 [Louise Lombard] [VO] Hero took a different approach 692 00:30:43,808 --> 00:30:44,842 to understand the essence 693 00:30:44,942 --> 00:30:46,344 of his character. 694 00:30:46,444 --> 00:30:49,480 [upbeat music playing] 695 00:30:49,580 --> 00:30:50,814 [Hero Fiennes] Hardin is very rarely 696 00:30:50,915 --> 00:30:53,650 like happy and [stutters] you know, Hardin, 697 00:30:53,750 --> 00:30:54,919 when he's not with Tessa, 698 00:30:55,190 --> 00:30:56,387 and that's the beauty of the story is that 699 00:30:56,487 --> 00:30:59,724 she brings out of him his best version of himself. 700 00:30:59,824 --> 00:31:02,826 And without her, he finds it near enough impossible-- 701 00:31:02,927 --> 00:31:05,530 impossible to do that. So, it's about him being 702 00:31:05,630 --> 00:31:07,231 able to not just rely on her 703 00:31:07,332 --> 00:31:10,735 but bring enough to her as well. 704 00:31:10,835 --> 00:31:13,170 But also yeah, find-- find a way-- [clicks tongue] 705 00:31:13,271 --> 00:31:15,172 find a way to make it work because, for him, 706 00:31:15,272 --> 00:31:16,341 that's life and death, that's-- 707 00:31:16,441 --> 00:31:17,341 that's the only thing that matters 708 00:31:17,441 --> 00:31:18,509 and that's what, you know, 709 00:31:18,609 --> 00:31:20,110 there's so much passion in the story. 710 00:31:20,111 --> 00:31:21,345 [ambient music playing] 711 00:31:21,445 --> 00:31:22,680 [Louise Lombard] [VO] Right from the start, 712 00:31:22,780 --> 00:31:25,349 that passion exploded onto the screen. 713 00:31:25,449 --> 00:31:27,385 From the first call of "action," 714 00:31:27,485 --> 00:31:29,687 the chemistry between the two young actors 715 00:31:29,787 --> 00:31:31,855 was undeniable. 716 00:31:31,956 --> 00:31:34,392 Josephine Langford and Hero Fiennes Tiffin 717 00:31:34,492 --> 00:31:37,761 became Tessa and Hardin. 718 00:31:37,862 --> 00:31:39,897 [Mark Canton] [VO] With Josephine and Hero, 719 00:31:39,997 --> 00:31:43,400 we clearly found 720 00:31:43,500 --> 00:31:48,372 that young couple where the sparks on screen 721 00:31:48,472 --> 00:31:50,874 are really dynamic, you know. 722 00:31:50,974 --> 00:31:53,544 And they're both fine young actors 723 00:31:53,644 --> 00:31:57,248 and they're both-- very professional, 724 00:31:57,348 --> 00:31:59,490 and that was an important part of it too, 725 00:31:59,149 --> 00:32:00,885 when you're working with young talent. 726 00:32:02,319 --> 00:32:03,420 [Jennifer Gibgot] [VO] The big reason why the films 727 00:32:03,520 --> 00:32:04,888 are such a success 728 00:32:04,989 --> 00:32:08,225 is because they have such great chemistry 729 00:32:08,325 --> 00:32:10,961 and because both of them really embody the characters 730 00:32:11,610 --> 00:32:12,630 that are on the page. 731 00:32:12,730 --> 00:32:15,990 It was really, really important to find the right people. 732 00:32:15,199 --> 00:32:17,335 And I'm so glad because, 733 00:32:17,435 --> 00:32:20,104 whatever the fans may say, I know that they're really happy 734 00:32:20,204 --> 00:32:22,439 with who we picked for Hardin and Tessa. 735 00:32:22,539 --> 00:32:24,976 -The fans that went and saw it were just so happy 736 00:32:25,760 --> 00:32:27,745 to see something that they've been following for years, 737 00:32:27,845 --> 00:32:30,814 and they were so happy with Hero and Josephine as casting. 738 00:32:30,914 --> 00:32:33,784 I personally think that Hero and Jo's chemistry 739 00:32:33,884 --> 00:32:36,421 carried the film, and it made it impossible-- 740 00:32:36,521 --> 00:32:37,821 even if you've never read the books-- 741 00:32:37,921 --> 00:32:40,657 it made it impossible to look away from the screen. 742 00:32:40,757 --> 00:32:42,827 [pop music playing] 743 00:32:42,927 --> 00:32:44,762 [Louise Lombard] [VO] Where did their chemistry come from? 744 00:32:44,862 --> 00:32:47,765 Why did sparks fly so immediately? 745 00:32:47,865 --> 00:32:51,010 It remains a mystery, even for Hero and Josephine, 746 00:32:51,101 --> 00:32:54,739 but it's pretty clear they were made for these roles. 747 00:32:54,839 --> 00:32:56,206 [Josephine Langford] [VO] We actually didn't 748 00:32:56,306 --> 00:32:57,341 get the opportunity to have a chemistry read 749 00:32:57,441 --> 00:32:58,943 on the first film, 750 00:32:59,430 --> 00:33:01,979 so we sort of met and it was like, this is it. 751 00:33:02,790 --> 00:33:03,180 [laughs] Uh-- 752 00:33:03,280 --> 00:33:06,116 So, I think we were just really lucky 753 00:33:06,217 --> 00:33:07,318 that when we met and we started rehearsing, 754 00:33:07,418 --> 00:33:10,321 we-- we had chemistry. 755 00:33:10,421 --> 00:33:11,722 -I feel like maybe it had something to do with-- 756 00:33:11,822 --> 00:33:14,858 with it was both our first time doing lead roles, 757 00:33:14,958 --> 00:33:16,360 that we were almost in it together 758 00:33:16,460 --> 00:33:18,295 and if we felt something or we disagreed with production 759 00:33:18,395 --> 00:33:19,830 or direction or anything, 760 00:33:19,930 --> 00:33:22,166 we almost had to rely on each other. 761 00:33:22,266 --> 00:33:25,969 We were the only kind of support that each other had 762 00:33:26,700 --> 00:33:27,839 because we were fighting the exact same battle 763 00:33:27,939 --> 00:33:30,308 every time any conversations came up, 764 00:33:30,408 --> 00:33:31,642 so maybe it's something to do with that. 765 00:33:31,742 --> 00:33:32,977 -Chemistry on film is something 766 00:33:33,770 --> 00:33:34,812 you just either have or you don't. 767 00:33:34,912 --> 00:33:36,880 And so, I think we were just really lucky that apparently, 768 00:33:36,980 --> 00:33:39,500 we had it when we started filming. 769 00:33:39,150 --> 00:33:41,886 So, there was nothing that we had to do specifically 770 00:33:41,986 --> 00:33:44,322 to like, recreate it. 771 00:33:44,422 --> 00:33:46,690 It's just-- I think it's either there or it's not. 772 00:33:46,790 --> 00:33:50,194 -Listen, I say it every time; it's good casting. 773 00:33:50,294 --> 00:33:51,329 We don't know how. 774 00:33:51,429 --> 00:33:53,300 If I did, then I'd be making movies 775 00:33:53,130 --> 00:33:55,332 and be like "You two! You're perfect together!" 776 00:33:55,432 --> 00:33:57,401 you know, so you never-- we never know. 777 00:33:57,501 --> 00:33:58,836 [Louise Lombard] [VO] You can feel that chemistry 778 00:33:58,936 --> 00:34:01,672 in every frame of the AFTER franchise, 779 00:34:01,772 --> 00:34:03,541 from the moments fans will never forget 780 00:34:03,641 --> 00:34:06,090 to the moments they never got to see, 781 00:34:06,110 --> 00:34:09,180 like these never-before-released scenes. 782 00:34:17,154 --> 00:34:18,222 [door thuds] 783 00:34:22,493 --> 00:34:23,894 [body thuds] 784 00:34:23,994 --> 00:34:25,229 -[chuckles] 785 00:34:25,329 --> 00:34:27,632 This is not as comfortable as it looks. 786 00:34:27,732 --> 00:34:29,200 -No? -[Hardin] Can you help me out? 787 00:34:33,203 --> 00:34:34,272 -[Tessa chuckles] 788 00:34:35,639 --> 00:34:37,708 -Yeah. This is exactly what I needed. 789 00:34:37,808 --> 00:34:38,743 -Yeah. 790 00:34:43,814 --> 00:34:47,510 -Actually, I have a better idea. 791 00:34:51,220 --> 00:34:52,390 I think you're gonna like this. 792 00:34:53,490 --> 00:34:55,793 [birds chirping] 793 00:34:59,630 --> 00:35:00,264 [peaceful music playing] 794 00:35:00,364 --> 00:35:01,565 [Tessa] It's too soon. 795 00:35:01,666 --> 00:35:02,767 Don't go. 796 00:35:07,371 --> 00:35:08,573 -Okay. 797 00:35:11,909 --> 00:35:13,144 -Wait, really? 798 00:35:16,180 --> 00:35:17,248 [chuckles] 799 00:35:17,348 --> 00:35:18,249 -[Hardin chuckles] 800 00:35:21,419 --> 00:35:22,987 -Okay. 801 00:35:23,870 --> 00:35:25,255 [Louise Lombard] [VO] Their connection was undeniable. 802 00:35:25,355 --> 00:35:28,659 [man] [indistinct] And action! 803 00:35:28,759 --> 00:35:30,261 [Louise Lombard] [VO] Josephine and Hero quickly 804 00:35:30,361 --> 00:35:33,130 won over everyone on set. 805 00:35:33,231 --> 00:35:35,980 As they worked with different directors 806 00:35:35,199 --> 00:35:37,134 over the course of five films, 807 00:35:37,235 --> 00:35:39,670 the young actors continually found new ways 808 00:35:39,770 --> 00:35:43,140 to approach their characters and hone their craft. 809 00:35:43,240 --> 00:35:46,577 The entire cast and crew loved working with them. 810 00:35:46,677 --> 00:35:48,779 [club music playing] 811 00:35:48,879 --> 00:35:50,614 [Castille Landon] [VO] From the very first table read, 812 00:35:50,714 --> 00:35:53,650 I was like, "Oh yes, these guys like, 813 00:35:53,750 --> 00:35:56,187 they know what they're doing, but also like, 814 00:35:56,287 --> 00:35:57,455 [giggles] they're so cute." 815 00:35:57,555 --> 00:36:01,358 They're both so different, the two of them. 816 00:36:01,458 --> 00:36:05,629 He's much more sensitive and comes at the character 817 00:36:05,729 --> 00:36:11,468 in a kind of like fresh new way because he isn't as studied. 818 00:36:11,568 --> 00:36:14,105 He just kind of like, goes with his gut instinct. 819 00:36:14,205 --> 00:36:16,373 And she is the complete opposite of that. 820 00:36:16,473 --> 00:36:19,977 She's like tough as nails and 821 00:36:20,770 --> 00:36:23,380 she comes to every day of work, 822 00:36:23,480 --> 00:36:25,549 like she knows all of her lines-- she-- and-- 823 00:36:25,649 --> 00:36:26,684 and he knows all of his lines too, 824 00:36:26,784 --> 00:36:28,685 he just has like a very quick memory, 825 00:36:28,785 --> 00:36:31,722 while she's like very studied and has a lot of questions 826 00:36:31,822 --> 00:36:33,157 and she wants to know like, 827 00:36:33,257 --> 00:36:35,559 the logic of every single moment. 828 00:36:35,659 --> 00:36:39,263 Consequently, you're constantly thinking of the scene 829 00:36:39,363 --> 00:36:42,320 through two very different perspectives every single time, 830 00:36:42,133 --> 00:36:44,401 which actually helps to keep it balanced 831 00:36:44,501 --> 00:36:47,505 because it never becomes just Tessa's story, 832 00:36:47,605 --> 00:36:49,050 or just Hardin's story. 833 00:36:49,105 --> 00:36:50,574 You're able because the-- 834 00:36:50,674 --> 00:36:53,744 the personalities of those two actors are so strong and-- 835 00:36:53,844 --> 00:36:56,847 and I think that's why they're so good in those roles too. 836 00:36:56,948 --> 00:36:58,616 [Louise Lombard] [VO] Brian Pitt has been 837 00:36:58,716 --> 00:37:01,218 running day-to-day production on the series since day one. 838 00:37:01,318 --> 00:37:04,355 He was on set every day with the team for all five movies, 839 00:37:04,455 --> 00:37:06,220 giving him the opportunity 840 00:37:06,122 --> 00:37:10,394 to watch Hero and Jo grow up alongside Hardin and Tessa. 841 00:37:10,494 --> 00:37:12,696 [Brian Pitt] [VO] What's been really interesting to see is, 842 00:37:12,797 --> 00:37:14,698 when we came into this and I met Jo and Hero, 843 00:37:14,799 --> 00:37:16,701 I remember the first day meeting them, you know? 844 00:37:16,801 --> 00:37:20,538 They're young actors, I think they both turned 21, 845 00:37:20,638 --> 00:37:21,639 and what's been kind of interesting, 846 00:37:21,739 --> 00:37:23,707 because the way the books are set up 847 00:37:23,807 --> 00:37:27,277 and the series are set up is, we follow them through 848 00:37:27,377 --> 00:37:30,914 when they first meet all the way up until-- 849 00:37:31,140 --> 00:37:32,616 later in their life. 850 00:37:32,716 --> 00:37:34,785 That's not something you always get to do with a character. 851 00:37:34,885 --> 00:37:37,755 So, as we are watching them meet for the first time 852 00:37:37,855 --> 00:37:40,224 and follow all the way up through their lives, 853 00:37:40,324 --> 00:37:43,561 we're also watching them actually connecting better in, 854 00:37:43,661 --> 00:37:45,620 you know, in real life. 855 00:37:45,162 --> 00:37:48,432 With Jo and Hero what was very interesting is, 856 00:37:48,532 --> 00:37:51,135 in the very beginning there was an innocence there, 857 00:37:51,235 --> 00:37:53,470 and I think in movie 1, there was that innocence. 858 00:37:53,570 --> 00:37:54,638 And-- and it all played well 859 00:37:54,738 --> 00:37:57,241 with the-- with the movie itself. 860 00:37:57,341 --> 00:38:00,944 And then in movie 2, what you kind of see from 861 00:38:01,440 --> 00:38:03,680 even a filmmaker standpoint is, I'm watching these-- 862 00:38:03,780 --> 00:38:06,750 these kids become better actors. 863 00:38:06,850 --> 00:38:08,185 And every time we put them on camera, 864 00:38:08,285 --> 00:38:11,354 they got better and better and better. 865 00:38:11,454 --> 00:38:15,459 You know? And then, moving into movie 3 and movie 4, again, 866 00:38:15,559 --> 00:38:17,761 we're-- [stutters] jumping forward into their lives, 867 00:38:17,861 --> 00:38:20,764 and they're now, they're becoming adults, 868 00:38:20,864 --> 00:38:23,600 and-- and they're dealing with more adult problems. 869 00:38:23,701 --> 00:38:26,570 And when they showed up on set, I remember, 870 00:38:26,670 --> 00:38:30,774 I hadn't seen Jo or Hero in probably nine months or so, 871 00:38:30,874 --> 00:38:32,809 and I had said to Chad, our AD, 872 00:38:32,909 --> 00:38:34,478 when we were doing some rehearsals, 873 00:38:34,578 --> 00:38:36,146 and Castille, our director, I was like, "Wow, 874 00:38:36,246 --> 00:38:39,116 they've really come into their own." 875 00:38:39,216 --> 00:38:41,452 Like, you know, she's become a woman; 876 00:38:41,552 --> 00:38:42,953 he's become a man. 877 00:38:43,530 --> 00:38:44,354 And this-- I've watched this happen over these last 878 00:38:44,454 --> 00:38:47,491 three years and-- and I was very proud of them. 879 00:38:47,591 --> 00:38:50,461 -That's the beauty of doing, you know, 880 00:38:50,561 --> 00:38:53,463 coming-of-age stuff when you're actually coming of age. 881 00:38:53,564 --> 00:38:55,833 Because, you know, you're acting a lot of it 882 00:38:55,933 --> 00:38:58,020 but a lot of it, you don't even notice is-- is, you know, 883 00:38:58,102 --> 00:39:01,805 [stutters] you can't act growing a little bit taller 884 00:39:01,905 --> 00:39:03,374 and make-- looking a little bit older. 885 00:39:03,474 --> 00:39:05,410 -Well, that was something that was really nice about this: 886 00:39:05,141 --> 00:39:09,513 getting the opportunity to play, over the course of two years, 887 00:39:09,613 --> 00:39:14,500 one girl just at very different points of her life, 888 00:39:14,151 --> 00:39:17,188 like over the span of probably seven years. 889 00:39:17,288 --> 00:39:22,392 -That aspect of-- of having the real-life time passing, 890 00:39:22,492 --> 00:39:24,280 I think was perfect. 891 00:39:24,128 --> 00:39:25,762 I think the-- the scheduling of when we shot was perfect 892 00:39:25,862 --> 00:39:28,398 because we really grew with the characters. 893 00:39:28,498 --> 00:39:32,350 [pop music playing] 894 00:39:32,135 --> 00:39:33,937 [Louise Lombard] [VO] In July of 2018, 895 00:39:34,380 --> 00:39:35,506 on the precipice of adulthood, 896 00:39:35,606 --> 00:39:38,842 Hero and Josephine arrived on the set of AFTER . 897 00:39:38,942 --> 00:39:42,379 The first movie was far from a sure thing. 898 00:39:42,479 --> 00:39:44,181 No one could be certain that fans of the book 899 00:39:44,281 --> 00:39:47,918 would rush to see the romance play out on screen. 900 00:39:48,180 --> 00:39:50,354 But the filmmakers felt that as long as they captured 901 00:39:50,454 --> 00:39:54,358 the essence of the books, audiences would respond. 902 00:39:55,792 --> 00:39:57,361 [Jennifer Gibgot] [VO] It is faithful to the extent 903 00:39:57,461 --> 00:39:59,896 that we take a lot of time 904 00:39:59,997 --> 00:40:02,366 and care when we developed every screenplay 905 00:40:02,466 --> 00:40:05,569 to make sure that like every big line, 906 00:40:05,669 --> 00:40:07,905 the biggest moments are in there, 907 00:40:08,050 --> 00:40:13,209 but it's absolutely impossible to take a 700-page-plus book 908 00:40:13,310 --> 00:40:17,781 and fit it into a 110-115 page screenplay. 909 00:40:17,881 --> 00:40:19,216 You know, you just... 910 00:40:19,316 --> 00:40:20,951 you can't take that and make it that. [laughs] 911 00:40:21,510 --> 00:40:23,120 It just doesn't work. 912 00:40:23,220 --> 00:40:24,888 So, we had to pick what we felt like 913 00:40:24,988 --> 00:40:28,725 were the most important moments and scenes. 914 00:40:28,825 --> 00:40:31,928 The thing that we kept going back to 915 00:40:32,280 --> 00:40:34,331 throughout the development of all the screenplays 916 00:40:34,431 --> 00:40:37,802 was that no matter what, because there are a lot of characters, 917 00:40:37,902 --> 00:40:41,238 this is the story of Hardin and Tessa's love story. 918 00:40:41,338 --> 00:40:42,806 And as long as we stay on that path 919 00:40:42,906 --> 00:40:44,574 and we stay with the two of them, 920 00:40:44,674 --> 00:40:45,943 the movies are gonna work. 921 00:40:46,430 --> 00:40:49,279 Because they are the spine of the whole series. 922 00:40:49,379 --> 00:40:51,314 [pop music playing] 923 00:40:51,414 --> 00:40:52,283 [Louise Lombard] [VO] The films stayed true 924 00:40:52,383 --> 00:40:53,450 to their lead couple 925 00:40:53,550 --> 00:40:55,419 through all their ups and downs: 926 00:40:55,519 --> 00:40:57,921 on the one hand, the kind and ambitious Tessa, 927 00:40:58,210 --> 00:40:59,756 and on the other, there's Hardin, 928 00:40:59,856 --> 00:41:01,258 a troubled bad boy 929 00:41:01,358 --> 00:41:03,760 who rarely makes the right choices. 930 00:41:03,860 --> 00:41:07,831 That narrative presented some challenges for Hero. 931 00:41:07,931 --> 00:41:08,966 [Hero Fiennes] Do you know what? 932 00:41:09,990 --> 00:41:11,268 When I was doing the first film, 933 00:41:11,368 --> 00:41:16,060 I knew why Hardin was how he was because of his past. 934 00:41:16,106 --> 00:41:20,777 And I felt so kind of like excited 935 00:41:20,877 --> 00:41:22,179 but I-- I was so-- 936 00:41:22,279 --> 00:41:24,714 I couldn't wait for them to see why and see later-- 937 00:41:24,814 --> 00:41:28,520 later in the following movies, they get more of an idea of his 938 00:41:28,152 --> 00:41:29,453 his-- his childhood and his upbringing, 939 00:41:29,553 --> 00:41:32,289 and I really-- it's so important to inform, 940 00:41:32,389 --> 00:41:33,457 you never know where someone comes from 941 00:41:33,557 --> 00:41:35,192 and what someone's story is. 942 00:41:35,292 --> 00:41:37,795 And-- I was like chewing my nails off 943 00:41:37,895 --> 00:41:39,963 until the point in which we could tell the audience, 944 00:41:40,630 --> 00:41:41,131 because a lot of people would just be like, 945 00:41:41,232 --> 00:41:42,666 why is this guy always so moody? 946 00:41:42,766 --> 00:41:44,701 Like, why is he so mean and why is he so, 947 00:41:44,801 --> 00:41:47,370 you know, emotionless? And um-- 948 00:41:47,137 --> 00:41:49,506 it all starts to make sense because, you know, 949 00:41:49,606 --> 00:41:51,708 you can't judge a person before you know their whole story. 950 00:41:51,808 --> 00:41:54,344 And luckily, the fans gave us enough support that we could 951 00:41:54,444 --> 00:41:57,147 [stutters] continue to tell the story, sorry. 952 00:41:57,247 --> 00:41:59,820 Definitely I felt a responsibility of-- 953 00:41:59,182 --> 00:42:02,519 of making sure that people understood the whole picture 954 00:42:02,619 --> 00:42:04,988 and didn't just wanna be like Hardin for no reason. 955 00:42:05,880 --> 00:42:06,990 But, you know, understood that 956 00:42:07,900 --> 00:42:08,491 yeah, there's a background, 957 00:42:08,591 --> 00:42:09,760 there's two sides to every story, 958 00:42:09,860 --> 00:42:12,162 there's a background to everyone and then-- 959 00:42:12,262 --> 00:42:13,997 I think that was-- that was what was really fun as well 960 00:42:14,970 --> 00:42:15,699 about exploring the character too. 961 00:42:15,799 --> 00:42:17,134 [dramatic music playing] 962 00:42:17,234 --> 00:42:19,235 [Louise Lombard] [VO] This emotional exploration 963 00:42:19,335 --> 00:42:22,405 was matched by an equally intense physical exploration, 964 00:42:22,505 --> 00:42:25,410 as the young actors worked hard to portray the red-hot 965 00:42:25,141 --> 00:42:27,944 sexual connection that is so foundational to 966 00:42:28,440 --> 00:42:31,800 Tessa and Hardin's relationship. 967 00:42:31,181 --> 00:42:33,850 Love scenes are important in any romance, 968 00:42:33,950 --> 00:42:37,220 but they were especially essential to the AFTER saga, 969 00:42:37,320 --> 00:42:41,925 which begins with Tessa losing her virginity to Hardin. 970 00:42:42,250 --> 00:42:45,195 Filming these scenes required an atmosphere of consent, 971 00:42:45,295 --> 00:42:48,531 professionalism, and mutual respect 972 00:42:48,631 --> 00:42:50,533 in order to capture the beautiful, 973 00:42:50,633 --> 00:42:53,237 complicated dance of two young lovers 974 00:42:53,337 --> 00:42:56,740 discovering each other for the first time. 975 00:42:56,840 --> 00:42:57,807 [Hero Fiennes] There's no nudity. 976 00:42:57,907 --> 00:42:59,376 It's just like really well shot 977 00:42:59,476 --> 00:43:01,744 and it's implied and it's-- it's-- 978 00:43:01,845 --> 00:43:04,214 those scenes are-- are-- it's like a dance, 979 00:43:04,314 --> 00:43:05,783 you choreograph it. 980 00:43:05,883 --> 00:43:08,850 You think it's like really glamorous and-- and sexy, 981 00:43:08,185 --> 00:43:09,786 but you're in there and you've got like the cameras leaning 982 00:43:09,886 --> 00:43:11,722 [stutters] over your shoulder and my hand maybe 983 00:43:11,822 --> 00:43:14,891 has to like hold her hand and then-- I'm like, 984 00:43:14,991 --> 00:43:17,600 bending my arm out of the way to somehow like-- 985 00:43:17,161 --> 00:43:20,970 and it's not-- it's not how it-- how it seems. 986 00:43:21,532 --> 00:43:23,433 As we went on with the-- with the franchise 987 00:43:23,533 --> 00:43:24,968 and got to the later movies, it was making sure that 988 00:43:25,680 --> 00:43:27,604 every time there was a [stutters] sex scene 989 00:43:27,704 --> 00:43:29,139 it had a story to it, 990 00:43:29,239 --> 00:43:31,174 and it had a reason and they were not all the same. 991 00:43:31,274 --> 00:43:33,577 It's not all just like you wanna have sex at the end of the day. 992 00:43:33,677 --> 00:43:36,246 Some of them is like, it is a way of making up, 993 00:43:36,346 --> 00:43:38,449 it's a-- it's a-- you know, some-- sometimes people are 994 00:43:38,549 --> 00:43:40,317 under the influence and they, you know, 995 00:43:40,417 --> 00:43:43,153 really want to get at it, every-- what's interesting is 996 00:43:43,253 --> 00:43:45,622 all of those scenes still inform the storyline, 997 00:43:45,722 --> 00:43:46,990 and they're not just thrown in there 998 00:43:47,900 --> 00:43:48,925 for fun or for, you know, any other purposes. 999 00:43:49,250 --> 00:43:51,328 They-- they all, like you say, are real and-- 1000 00:43:51,428 --> 00:43:53,797 and like a really important part 1001 00:43:53,897 --> 00:43:55,632 of telling the story of a relationship. 1002 00:43:55,732 --> 00:43:57,101 [pop music playing] 1003 00:43:57,201 --> 00:43:58,602 [Louise Lombard] [VO] A relationship that is set 1004 00:43:58,702 --> 00:44:01,271 at Washington State University. 1005 00:44:01,371 --> 00:44:02,973 But filming for the first movie 1006 00:44:03,730 --> 00:44:05,843 took place far from the state of Washington. 1007 00:44:07,277 --> 00:44:08,244 [Brian Pitt] [VO] We had decided 1008 00:44:08,345 --> 00:44:10,147 to shoot the movie in Boston. 1009 00:44:10,247 --> 00:44:11,882 And I was in New Orleans, 1010 00:44:11,982 --> 00:44:14,785 so I sent a team up to Boston to get things up and going, 1011 00:44:14,885 --> 00:44:16,253 and then I flew up a few weeks later 1012 00:44:16,386 --> 00:44:18,288 to meet the director and the producers and all-- 1013 00:44:18,388 --> 00:44:20,624 all the folks that really had put this project together 1014 00:44:20,724 --> 00:44:22,692 prior to me ever coming on. 1015 00:44:22,792 --> 00:44:25,162 And then we spent, I don't know, 1016 00:44:25,262 --> 00:44:27,831 maybe a week up in Boston, had the whole team ready to go, 1017 00:44:27,931 --> 00:44:30,967 and it just wasn't working for the project. 1018 00:44:31,670 --> 00:44:32,503 -[man] Camera mark. -[clapperboard snaps] 1019 00:44:32,603 --> 00:44:34,338 [Brian Pitt] [VO] So, we just made that kinda decision 1020 00:44:34,438 --> 00:44:36,873 that we needed somewhere that would allow us to really 1021 00:44:36,973 --> 00:44:41,744 bring this movie to another level and get the scope. 1022 00:44:41,845 --> 00:44:43,814 And Atlanta, Georgia, worked. 1023 00:44:43,914 --> 00:44:45,382 [man] Camera mark. 1024 00:44:45,482 --> 00:44:46,983 [Brian Pitt] [VO] So, we made that quick, 1025 00:44:47,840 --> 00:44:48,518 you know, move which is, uh-- 1026 00:44:48,618 --> 00:44:51,655 logistically very complicated. [laughs] 1027 00:44:51,755 --> 00:44:53,189 It threw us all into a bit of a tailspin 1028 00:44:53,289 --> 00:44:54,424 from a creative standpoint 1029 00:44:54,524 --> 00:44:56,660 as well as a logistical standpoint. Uh-- 1030 00:44:56,760 --> 00:44:59,563 But we did it, and everybody just rallied around, 1031 00:44:59,663 --> 00:45:02,666 and we were off and running in a new city, you know, 1032 00:45:02,766 --> 00:45:04,868 Atlanta, Georgia, which we were shooting for Washington! 1033 00:45:04,968 --> 00:45:06,169 [laughs] 1034 00:45:06,269 --> 00:45:07,370 [woman] Hero, did you hear that? 1035 00:45:07,470 --> 00:45:08,806 [man] Right where you are. 1036 00:45:08,906 --> 00:45:09,906 [Louise Lombard] [VO] Once they got to Atlanta, 1037 00:45:10,070 --> 00:45:11,908 everything clicked into place, 1038 00:45:12,080 --> 00:45:14,678 and even the most experienced members of the crew 1039 00:45:14,778 --> 00:45:16,212 began to realize 1040 00:45:16,312 --> 00:45:19,683 that something special was happening on this movie. 1041 00:45:19,783 --> 00:45:21,251 [Brian Pitt] [VO] You know, the moment I realized 1042 00:45:21,351 --> 00:45:24,254 it was something bigger than just another project 1043 00:45:24,354 --> 00:45:26,356 and a script on paper 1044 00:45:26,456 --> 00:45:28,391 wasn't necessarily an overnight thing. 1045 00:45:28,491 --> 00:45:30,627 It was-- it was a-- an evolution of 1046 00:45:30,727 --> 00:45:32,695 once I saw this coming together, 1047 00:45:32,796 --> 00:45:35,699 once the writers starting chatting with me 1048 00:45:35,799 --> 00:45:37,467 and once I really got into the-- 1049 00:45:37,567 --> 00:45:40,403 the side with the director and we started picking, you know, 1050 00:45:40,503 --> 00:45:42,720 picking the look of the character 1051 00:45:42,172 --> 00:45:45,420 and casting Jo and Hero. 1052 00:45:45,142 --> 00:45:47,110 And once all this started coming together, 1053 00:45:47,210 --> 00:45:49,545 I think a lot of us quickly realized, "Wait, this is-- 1054 00:45:49,646 --> 00:45:51,615 this is gonna be something a little special, 1055 00:45:51,715 --> 00:45:53,549 and let's-- let's make sure we treat it that way." 1056 00:45:53,649 --> 00:45:56,520 [thrilling music playing] 1057 00:45:56,152 --> 00:45:57,554 [Louise Lombard] [VO] Filming for the first movie 1058 00:45:57,654 --> 00:46:00,256 concluded in August of 2018. 1059 00:46:00,356 --> 00:46:02,926 A few months later, during Thanksgiving week, 1060 00:46:03,260 --> 00:46:04,827 the first teaser trailer appeared online, 1061 00:46:04,928 --> 00:46:06,730 nearly breaking the internet. 1062 00:46:06,830 --> 00:46:08,965 The fans' reaction was beyond anything 1063 00:46:09,650 --> 00:46:10,234 the team could have expected. -What are you dreaming about? 1064 00:46:11,568 --> 00:46:12,769 -[Molly] Truth or dare? -[gasps] 1065 00:46:12,869 --> 00:46:13,737 -Are you a virgin? 1066 00:46:13,837 --> 00:46:14,938 -[gasps] 1067 00:46:15,380 --> 00:46:15,906 -I dare you to make out with Hardin. 1068 00:46:16,060 --> 00:46:16,940 -[gasps] 1069 00:46:17,400 --> 00:46:18,442 -I'm done playing this game. 1070 00:46:18,542 --> 00:46:19,776 [Tessa] But isn't it really about 1071 00:46:19,877 --> 00:46:21,911 what lies beyond those moments? -[indistinct] 1072 00:46:22,120 --> 00:46:24,281 -What are you doing? -[gasps] 1073 00:46:24,381 --> 00:46:26,116 -Please? -I think you owe me a debt. 1074 00:46:26,216 --> 00:46:27,851 -[gasps] 1075 00:46:27,951 --> 00:46:29,119 -Holy-- 1076 00:46:29,219 --> 00:46:30,454 [Tessa] [VO] So, what's your story then? 1077 00:46:30,554 --> 00:46:32,122 [Landon] Be careful. Hardin is complicated. 1078 00:46:34,570 --> 00:46:35,258 -He has his shirt off! 1079 00:46:35,358 --> 00:46:35,993 -I thought you were dreaming about me. 1080 00:46:37,270 --> 00:46:38,428 -[gasps] 1081 00:46:41,970 --> 00:46:42,432 -Holy shit. 1082 00:46:43,900 --> 00:46:44,835 -[gasps] 1083 00:46:48,238 --> 00:46:49,172 -Oh. -[thuds] 1084 00:46:49,272 --> 00:46:51,070 [thunder rumbling] 1085 00:46:51,107 --> 00:46:52,609 -They're dancing at the party. 1086 00:46:54,244 --> 00:46:55,945 [Tessa] [VO] Before him was so simple, 1087 00:46:56,450 --> 00:46:58,748 and now there's just... 1088 00:46:58,848 --> 00:46:59,449 After. 1089 00:46:58,848 --> 00:46:59,449 -After. Oh my-- 1090 00:47:00,884 --> 00:47:01,985 -[shrieks] 1091 00:47:02,850 --> 00:47:03,987 -Can we watch it again? -Yes. Oh my God. 1092 00:47:05,621 --> 00:47:06,957 [Louise Lombard] [VO] The film was scheduled for release 1093 00:47:07,570 --> 00:47:10,661 on April 10th, 2019, in the U.S. 1094 00:47:10,761 --> 00:47:13,300 and in the following weeks worldwide. 1095 00:47:15,398 --> 00:47:17,340 Here we are at the beginning 1096 00:47:17,134 --> 00:47:21,171 of a global promotional tour for Anna, Josephine, and Hero. 1097 00:47:21,271 --> 00:47:22,706 -[cheering] 1098 00:47:22,806 --> 00:47:24,541 [Louise Lombard] [VO] From Brazil to Italy, 1099 00:47:24,641 --> 00:47:27,310 through Portugal and Mexico, 1100 00:47:27,410 --> 00:47:29,212 the reaction when the trio appears 1101 00:47:29,312 --> 00:47:30,180 is always the same. 1102 00:47:30,280 --> 00:47:33,217 -[cheering] 1103 00:47:37,320 --> 00:47:39,489 [chanting] Hero. 1104 00:47:41,458 --> 00:47:43,861 [cheering] 1105 00:47:50,100 --> 00:47:52,235 -Oh. -[dramatic music playing] 1106 00:47:52,335 --> 00:47:53,370 [Louise Lombard] [VO] This enthusiasm is 1107 00:47:53,470 --> 00:47:54,737 reflected in the numbers. 1108 00:47:54,838 --> 00:47:56,272 -[shrieks] 1109 00:47:56,372 --> 00:47:58,241 [Louise Lombard] [VO] AFTER 1 has made over 70 million 1110 00:47:58,341 --> 00:48:00,143 at the worldwide box office. 1111 00:48:00,243 --> 00:48:02,579 -[cheering] 1112 00:48:04,347 --> 00:48:05,515 [Louise Lombard] [VO] The film won the People's Choice Award 1113 00:48:05,615 --> 00:48:08,251 for Favourite Drama in 2019 1114 00:48:08,351 --> 00:48:11,555 and three Teen Choice Awards, including Best Drama, 1115 00:48:11,655 --> 00:48:13,790 Best Dramatic Actress for Josephine, 1116 00:48:13,890 --> 00:48:16,359 and Best Dramatic Actor for Hero. 1117 00:48:16,459 --> 00:48:18,328 The film's early box office success 1118 00:48:18,428 --> 00:48:21,932 ensured AFTER would become a beloved franchise. 1119 00:48:22,320 --> 00:48:23,800 Josephine knows that 1120 00:48:23,900 --> 00:48:27,360 it would not have been possible without the support of the fans. 1121 00:48:27,136 --> 00:48:28,370 [Josephine Langford] [VO] We did a press tour 1122 00:48:28,137 --> 00:48:29,406 for the first film 1123 00:48:29,506 --> 00:48:31,541 and we went to like ten different countries 1124 00:48:31,641 --> 00:48:33,276 and we got to interact one on one 1125 00:48:33,376 --> 00:48:36,312 finally with a lot of the fans and a lot of the fan base, 1126 00:48:36,412 --> 00:48:39,950 and just seeing how many people are passionate about this story 1127 00:48:40,500 --> 00:48:41,551 all around the world 1128 00:48:41,652 --> 00:48:43,954 and getting to actually talk to them and-- 1129 00:48:44,540 --> 00:48:45,555 and it was just so-- 1130 00:48:45,655 --> 00:48:49,593 it's so rewarding knowing that what you're doing, 1131 00:48:49,693 --> 00:48:51,561 no matter how small, or no matter how big, 1132 00:48:51,661 --> 00:48:53,663 is being received positively and-- 1133 00:48:53,764 --> 00:48:56,566 and affecting like a large group of people. 1134 00:48:56,666 --> 00:49:00,303 I think we're just really lucky that we have such a huge 1135 00:49:00,403 --> 00:49:03,940 and such a passionate fan base who are really keeping, 1136 00:49:04,400 --> 00:49:07,577 who are really the reason why we're here 1137 00:49:07,677 --> 00:49:09,179 and why we're making a sequel. 1138 00:49:09,279 --> 00:49:12,415 And for some reason, there's just so many people out there 1139 00:49:12,515 --> 00:49:14,251 who've connected to these books 1140 00:49:14,351 --> 00:49:15,618 and who've connected to this story, 1141 00:49:15,718 --> 00:49:17,487 and who've connected to the first film. 1142 00:49:19,422 --> 00:49:20,557 [man] Action! 1143 00:49:20,657 --> 00:49:21,958 [Louise Lombard] [VO] AFTER WE COLLIDED 1144 00:49:22,590 --> 00:49:23,793 picks up one year after the first movie. 1145 00:49:23,893 --> 00:49:26,829 With more mature characters and a more experienced cast, 1146 00:49:26,929 --> 00:49:30,800 the team was ready to jump back into the AFTER universe, 1147 00:49:30,900 --> 00:49:32,635 with one notable addition: 1148 00:49:32,735 --> 00:49:36,106 Roger Kumble assuming the director's chair. 1149 00:49:36,206 --> 00:49:38,275 Kumble is a specialist in teen movies, 1150 00:49:38,375 --> 00:49:40,476 having directed one of the genre's classics, 1151 00:49:40,576 --> 00:49:42,879 Cruel Intentions. 1152 00:49:42,979 --> 00:49:44,881 -Obviously, with a lot of franchises, 1153 00:49:44,981 --> 00:49:47,316 you switch directors for each movie, 1154 00:49:47,417 --> 00:49:49,652 which gives it kind of a different fresh look. 1155 00:49:49,752 --> 00:49:52,188 -And we went with Roger Kumble because 1156 00:49:52,289 --> 00:49:54,657 we all were big fans of Cruel Intentions . 1157 00:49:54,757 --> 00:49:56,726 So, he had obviously done this iconic movie, 1158 00:49:56,826 --> 00:49:59,195 he had done Pretty Little Liars . 1159 00:49:59,295 --> 00:50:01,831 His movie was like a slightly different tone. 1160 00:50:01,931 --> 00:50:07,971 It-- he leaned a little bit more into the comedy in certain parts 1161 00:50:08,710 --> 00:50:11,641 and he did a-- a fantastic job. 1162 00:50:11,741 --> 00:50:12,876 [Louise Lombard] [VO] Roger Kumble was thrilled 1163 00:50:12,976 --> 00:50:14,310 to take on the project, 1164 00:50:14,411 --> 00:50:16,212 and excited by the challenge of expanding 1165 00:50:16,312 --> 00:50:19,215 Tessa and Hardin's story. 1166 00:50:19,316 --> 00:50:20,683 [Roger Kumble] [VO] You know, entering a-- 1167 00:50:20,783 --> 00:50:23,986 a saga like AFTER is a-- a dream come true. 1168 00:50:24,870 --> 00:50:27,390 You know, I'd been away from-- features-- 1169 00:50:27,490 --> 00:50:28,825 for a good part of ten years now. 1170 00:50:28,925 --> 00:50:30,327 I've just been working in television 1171 00:50:30,427 --> 00:50:33,163 because the stories were just more compelling. 1172 00:50:33,263 --> 00:50:35,665 But then-- you know, when I got the call 1173 00:50:35,765 --> 00:50:38,701 to have lunch with Anna Todd and Jennifer Gibgot, 1174 00:50:38,802 --> 00:50:41,838 I'd heard about the books, so I was like, 1175 00:50:41,938 --> 00:50:45,174 "Oh, wow, this is-- this is a huge opportunity," you know, 1176 00:50:45,274 --> 00:50:46,743 and it was just great, 1177 00:50:46,843 --> 00:50:49,120 especially jumping in the sequel because like the world had 1178 00:50:49,112 --> 00:50:50,547 already been established and-- 1179 00:50:50,647 --> 00:50:54,840 and-- I'd never done a sequel before. 1180 00:50:54,184 --> 00:50:55,584 [Louise Lombard] [VO] On set, the atmosphere feels 1181 00:50:55,685 --> 00:50:57,353 different from the first film. 1182 00:50:57,454 --> 00:50:59,550 As the actors revisit their characters, 1183 00:50:59,155 --> 00:51:00,690 they seem more relaxed. 1184 00:51:00,790 --> 00:51:02,826 The whole team is more experienced. 1185 00:51:02,926 --> 00:51:04,270 [Brian Pitt] [VO] Movie 2 had its own 1186 00:51:04,127 --> 00:51:05,695 little set of difficulties, 1187 00:51:05,795 --> 00:51:07,797 although that one went fairly smooth. 1188 00:51:07,897 --> 00:51:09,265 -Seriously? 1189 00:51:09,365 --> 00:51:10,667 [Brian Pitt] [VO] But, when we shot the first movie, 1190 00:51:10,767 --> 00:51:12,202 we didn't necessarily know 1191 00:51:12,302 --> 00:51:13,703 if we would be able to shoot a second one, 1192 00:51:13,803 --> 00:51:15,205 although we wanted to. 1193 00:51:15,305 --> 00:51:17,907 We didn't know what it would really entail, 1194 00:51:18,070 --> 00:51:21,377 so after the first movie we got rid of everything 1195 00:51:21,477 --> 00:51:22,779 to do with the movie. 1196 00:51:22,879 --> 00:51:26,820 That's pretty standard. Then, all of a sudden, 1197 00:51:26,182 --> 00:51:28,751 we're ready to make movie 2, we're very excited about it, 1198 00:51:28,852 --> 00:51:31,888 and I realized I needed a few of the sets back. 1199 00:51:31,988 --> 00:51:33,923 So, we had to go back through the movie 1200 00:51:34,230 --> 00:51:38,940 and basically recreate sets from scratch. 1201 00:51:38,194 --> 00:51:41,970 Uh-- we had a-- you know, originally, uh-- 1202 00:51:41,197 --> 00:51:44,467 Hardin and Tessa's apartment was a real location. 1203 00:51:44,567 --> 00:51:48,338 But in movie 2, it was a situation where we-- 1204 00:51:48,438 --> 00:51:50,773 they were gonna spend so much more time in this apartment, 1205 00:51:50,873 --> 00:51:52,142 there was no way we could go back 1206 00:51:52,242 --> 00:51:54,110 and shoot this real apartment, it was tiny! 1207 00:51:54,210 --> 00:51:55,778 It was way too small to shoot in. 1208 00:51:55,878 --> 00:51:57,914 The rest of us were jammed in the neighbour's apartment 1209 00:51:58,140 --> 00:52:00,616 on top of each other the whole time. 1210 00:52:00,717 --> 00:52:02,919 And so, we had to basically go back in, 1211 00:52:03,190 --> 00:52:05,655 look at the-- the movie, rebuild and redesign 1212 00:52:05,755 --> 00:52:08,424 everything to match, but a little bit bigger, 1213 00:52:08,524 --> 00:52:10,293 and build it on a stage. 1214 00:52:10,393 --> 00:52:13,930 So, all of those things, that matching aspect, uh-- 1215 00:52:14,300 --> 00:52:16,165 and deciding that we were gonna do it on a stage versus 1216 00:52:16,265 --> 00:52:18,268 in somebody's real apartment, 1217 00:52:18,368 --> 00:52:21,040 made it very, very difficult to pull off. 1218 00:52:21,104 --> 00:52:24,107 Now, I was smarter after that. Uh-- 1219 00:52:24,207 --> 00:52:26,476 I had all the sets packed up, 1220 00:52:26,576 --> 00:52:28,511 stored away in giant shipping containers, 1221 00:52:28,611 --> 00:52:30,447 'cause I knew we were coming back at that point. 1222 00:52:31,447 --> 00:52:33,160 [door thuds] 1223 00:52:33,116 --> 00:52:34,500 [Louise Lombard] [VO] While the sets from the first film 1224 00:52:34,150 --> 00:52:36,286 were recreated identically, 1225 00:52:36,386 --> 00:52:38,954 the style shifted under Kumble's direction. 1226 00:52:39,550 --> 00:52:40,156 -[Tessa] No, no, stop! -[Hardin] Tessa! Tessa! 1227 00:52:40,256 --> 00:52:41,491 [Louise Lombard] [VO] AFTER WE COLLIDED 1228 00:52:41,591 --> 00:52:43,193 adopted a lighter, more comedic tone. 1229 00:52:43,293 --> 00:52:45,128 [door thuds] 1230 00:52:45,228 --> 00:52:46,463 [Tessa] You're such a dick. Why are you even here? 1231 00:52:46,563 --> 00:52:48,300 [Roger Kumble] [VO] I always compare AFTER 1232 00:52:48,130 --> 00:52:49,699 and AFTER WE COLLIDED to like Alien and Aliens. 1233 00:52:49,799 --> 00:52:53,836 It's a sequel but it's a completely different tone, 1234 00:52:53,936 --> 00:52:57,474 and that was important when I-- when I interviewed for the job. 1235 00:52:57,574 --> 00:53:00,810 I said, "I kind of wanna take them on an emotional 1236 00:53:00,910 --> 00:53:02,912 rollercoaster with this movie." 1237 00:53:03,120 --> 00:53:04,847 The first one-- I love the first one-- 1238 00:53:04,947 --> 00:53:08,384 and it was more, it was very poetic. Uh-- 1239 00:53:08,484 --> 00:53:12,522 This is more a thrill ride. It's a hold on to your seats. 1240 00:53:14,824 --> 00:53:16,659 -Tessa? 1241 00:53:16,759 --> 00:53:17,861 [Tessa] Can-- can you put some clothes on? 1242 00:53:17,961 --> 00:53:19,195 Please? 1243 00:53:19,295 --> 00:53:22,731 [objects clattering] 1244 00:53:22,832 --> 00:53:24,401 -[Hardin] Tessa? -[door thuds] 1245 00:53:24,501 --> 00:53:26,836 -Put some clothes on! 1246 00:53:26,936 --> 00:53:28,380 [objects clattering] 1247 00:53:28,138 --> 00:53:29,438 [Louise Lombard] [VO] AFTER WE COLLIDED 1248 00:53:29,539 --> 00:53:30,840 was a continued journey of transformation 1249 00:53:30,940 --> 00:53:34,210 for these characters, particularly Tessa. 1250 00:53:34,310 --> 00:53:36,646 -There is no "your Tessa" anymore! 1251 00:53:36,746 --> 00:53:37,614 [Josephine Langford] [VO] In the first film, 1252 00:53:37,714 --> 00:53:39,448 Tessa's a college freshman 1253 00:53:39,548 --> 00:53:43,519 and she's a little inexperienced in certain areas. 1254 00:53:43,619 --> 00:53:45,870 And since then, she's-- 1255 00:53:45,188 --> 00:53:46,523 -Fuck you! 1256 00:53:46,623 --> 00:53:47,590 [Josephine Langford] [VO] She's-- fallen in love, 1257 00:53:47,691 --> 00:53:49,725 she's had an intense breakup, 1258 00:53:49,825 --> 00:53:52,261 she has an internship at a publishing company, 1259 00:53:52,361 --> 00:53:56,365 so she's immersing herself in a world with adults. 1260 00:53:56,465 --> 00:53:58,701 She goes to a club for the first time. 1261 00:53:58,801 --> 00:54:02,205 She's a lot more experienced, 1262 00:54:02,305 --> 00:54:07,743 and in certain ways jaded and mature, and just 1263 00:54:07,843 --> 00:54:10,913 a different girl when we see her in this film. 1264 00:54:11,130 --> 00:54:13,490 And so, we wanted that to reflect also physically. 1265 00:54:13,149 --> 00:54:15,180 -Wow. -[Tessa] Thank you. 1266 00:54:15,118 --> 00:54:16,719 [Josephine Langford] [VO] Her hair's different, 1267 00:54:16,819 --> 00:54:20,890 her makeup's different, her style's different. 1268 00:54:20,990 --> 00:54:22,792 Yeah, this is a-- this is a pretty 1269 00:54:22,892 --> 00:54:25,227 different version of Tessa. 1270 00:54:25,561 --> 00:54:27,296 -Yeah, it's great. 1271 00:54:27,430 --> 00:54:28,431 I'm loving-- 1272 00:54:28,531 --> 00:54:29,766 [grunts] -[peaceful music playing] 1273 00:54:29,866 --> 00:54:31,267 [Louise Lombard] [VO] Tessa and Hardin's love 1274 00:54:31,367 --> 00:54:33,536 continued to delight fans on the big screen. 1275 00:54:34,030 --> 00:54:38,208 AFTER WE COLLIDED was an overwhelming theatrical success, 1276 00:54:38,308 --> 00:54:40,443 despite opening in the midst of COVID 1277 00:54:40,543 --> 00:54:42,645 during the fall of 2020. 1278 00:54:42,745 --> 00:54:44,280 On streaming, it exceeded 1279 00:54:44,380 --> 00:54:47,283 all expectations, reaching number one 1280 00:54:47,383 --> 00:54:48,918 on multiple platforms, 1281 00:54:49,180 --> 00:54:51,754 and remaining there for several weeks. 1282 00:54:51,854 --> 00:54:53,956 -Wait! Just give me five minutes, okay? 1283 00:54:54,560 --> 00:54:55,425 I just need to get-- 1284 00:54:55,525 --> 00:54:57,930 [laughs] [shrieks] 1285 00:54:57,193 --> 00:54:58,595 [Louise Lombard] [VO] The fans' appetite for this story 1286 00:54:58,695 --> 00:55:01,263 was undeniable. 1287 00:55:01,363 --> 00:55:05,101 So, production was greenlit on the next two films 1288 00:55:05,201 --> 00:55:07,670 before the second was even released. 1289 00:55:07,770 --> 00:55:09,439 [water dripping] 1290 00:55:09,539 --> 00:55:12,142 -Because of book 3 and book 4, 1291 00:55:12,242 --> 00:55:14,710 a lot of the same locations were shared. 1292 00:55:14,810 --> 00:55:17,680 If-- if we could make it in a situation 1293 00:55:17,780 --> 00:55:21,284 where we shot them all together, we could save a lot of money, 1294 00:55:21,384 --> 00:55:23,986 which also meant that we could then put more money 1295 00:55:24,860 --> 00:55:27,490 into building a-- a better movie. 1296 00:55:27,590 --> 00:55:31,361 I also think that because of the time between the two movies, 1297 00:55:31,461 --> 00:55:32,729 technically is only, 1298 00:55:32,829 --> 00:55:33,963 it's a shorter time period 1299 00:55:34,630 --> 00:55:37,133 between 3 and 4, we could go into it 1300 00:55:37,233 --> 00:55:40,336 and shoot it like one long giant movie. 1301 00:55:40,436 --> 00:55:44,307 So, that-- that made it just make sense, overall. 1302 00:55:44,407 --> 00:55:46,142 [Louise Lombard] [VO] To helm the next two movies, 1303 00:55:46,242 --> 00:55:48,377 the production hired Castille Landon, 1304 00:55:48,477 --> 00:55:51,470 a young director who had previously worked with 1305 00:55:51,147 --> 00:55:54,317 and impressed the studio behind AFTER . 1306 00:55:54,417 --> 00:55:55,885 [Jennifer Gibgot] [VO] The reason why we decided 1307 00:55:55,985 --> 00:55:58,320 to go with Castille was, 1308 00:55:58,421 --> 00:56:00,990 we thought it was actually really important 1309 00:56:01,900 --> 00:56:03,359 to tell these stories through a female lens. 1310 00:56:03,459 --> 00:56:06,896 And it was a thought-out conversation that we all had, 1311 00:56:06,996 --> 00:56:09,733 and I think she did a fantastic job. 1312 00:56:11,500 --> 00:56:13,903 [Louise Lombard] [VO] Castille jumped into the AFTER universe 1313 00:56:14,030 --> 00:56:17,206 and quickly got to work directing two feature films. 1314 00:56:17,306 --> 00:56:20,090 While some might have found that daunting, 1315 00:56:20,109 --> 00:56:21,677 Castille felt it was a natural way 1316 00:56:21,777 --> 00:56:24,130 to approach the source material. 1317 00:56:24,113 --> 00:56:25,848 -The books really lend themselves 1318 00:56:25,948 --> 00:56:30,353 to being looked at as one whole story. 1319 00:56:30,453 --> 00:56:32,688 [Castille Landon] [VO] It's a short timeframe, so 1320 00:56:32,788 --> 00:56:34,690 I didn't really look at it as two different films 1321 00:56:34,790 --> 00:56:37,426 as much as I did just one big film 1322 00:56:37,526 --> 00:56:40,196 that we were shooting-- all at the same time. 1323 00:56:40,296 --> 00:56:43,990 And that really helped to keep sight of everything, 1324 00:56:43,199 --> 00:56:46,902 'cause I think if we-- if we had to do it in a different way, 1325 00:56:47,020 --> 00:56:49,872 that would have been a lot more challenging. 1326 00:56:49,972 --> 00:56:51,741 [Louise Lombard] [VO] Castille set out to capture as much of 1327 00:56:51,841 --> 00:56:54,410 Hardin and Tess's love story as she could, 1328 00:56:54,511 --> 00:56:56,445 including unreleased scenes like these, 1329 00:56:56,545 --> 00:56:59,882 featuring fan favourite Anton Kottas as Smith. 1330 00:56:59,982 --> 00:57:03,720 -[Christian and Kimberly laugh] 1331 00:57:05,822 --> 00:57:07,790 -Do you have a name yet? 1332 00:57:07,890 --> 00:57:10,590 -Oh, look... -We have been thinking about-- 1333 00:57:10,159 --> 00:57:12,395 -About waiting until the gender reveal party? 1334 00:57:12,495 --> 00:57:13,396 -Um-- 1335 00:57:13,496 --> 00:57:14,564 -That. 1336 00:57:14,664 --> 00:57:16,633 That, what she said. -[Tessa] Right. 1337 00:57:18,101 --> 00:57:19,735 -Well, they've been up there for a while, 1338 00:57:19,835 --> 00:57:23,940 so I think I'm gonna go see what they've been getting up to. 1339 00:57:24,400 --> 00:57:24,974 -Yeah. 1340 00:57:27,176 --> 00:57:28,578 Hope you like trains. 1341 00:57:32,415 --> 00:57:33,782 -Are you going to [indistinct] too? 1342 00:57:33,882 --> 00:57:34,750 [toy train rattles] 1343 00:57:34,850 --> 00:57:36,419 -No. 1344 00:57:36,519 --> 00:57:37,754 I'm just visiting for the night. 1345 00:57:40,189 --> 00:57:43,126 -I rewired it, so it goes faster. 1346 00:57:44,260 --> 00:57:45,261 -Did you? 1347 00:57:45,361 --> 00:57:47,430 -Mm-hmm. It was really slow. 1348 00:57:49,432 --> 00:57:50,966 -Smith. 1349 00:57:51,660 --> 00:57:52,010 That's pretty impressive. 1350 00:57:58,207 --> 00:58:00,510 This is a very cool set. 1351 00:58:00,610 --> 00:58:03,780 But it's way past my bedtime and probably yours too. 1352 00:58:05,381 --> 00:58:06,282 Good night, little guy. 1353 00:58:06,382 --> 00:58:07,283 -Night. 1354 00:58:17,693 --> 00:58:18,961 [Louise Lombard] [VO] In addition to the challenges of 1355 00:58:19,610 --> 00:58:21,197 shooting two movies at once, 1356 00:58:21,297 --> 00:58:23,999 the production, much like the rest of the world, 1357 00:58:24,990 --> 00:58:26,335 was soon confronted with an entirely 1358 00:58:26,435 --> 00:58:28,471 unexpected new challenge. 1359 00:58:28,571 --> 00:58:30,720 [Brian Pitt] [VO] We were set to shoot in Atlanta 1360 00:58:30,172 --> 00:58:33,420 and then we found ourselves in a worldwide pandemic. 1361 00:58:33,142 --> 00:58:34,477 [man] Good morning, boss. 1362 00:58:34,610 --> 00:58:36,378 [Brian Pitt] [VO] Uh-- And what do we do here? 1363 00:58:36,478 --> 00:58:37,980 If we don't shoot, 1364 00:58:38,800 --> 00:58:41,484 and we don't find a way to safely shoot during this, 1365 00:58:41,584 --> 00:58:43,886 the fandom is gonna go an extra year, 1366 00:58:43,986 --> 00:58:45,888 year and a half without a follow-up movie. 1367 00:58:45,989 --> 00:58:47,656 And we knew that wasn't gonna happen! [laughs] 1368 00:58:47,756 --> 00:58:49,725 That was not gonna go over well. 1369 00:58:49,825 --> 00:58:53,495 So, we had made the decision to move the entire production 1370 00:58:53,596 --> 00:58:57,100 to another country where it was safer to shoot, 1371 00:58:57,200 --> 00:58:58,701 and we could be a little more controlled. 1372 00:59:00,570 --> 00:59:01,770 [Louise Lombard] [VO] On set in Bulgaria, 1373 00:59:01,870 --> 00:59:03,539 the production of both films 1374 00:59:03,639 --> 00:59:05,841 strictly followed the COVID protocol 1375 00:59:05,941 --> 00:59:08,177 put in place by the Directors Guild of America 1376 00:59:08,277 --> 00:59:09,578 and Screen Actors Guild. 1377 00:59:09,678 --> 00:59:11,180 [man] Thank you. 1378 00:59:11,280 --> 00:59:13,490 [Louise Lombard] [VO] Masks were required at all times. 1379 00:59:15,885 --> 00:59:19,880 Cast and crew underwent constant testing, 1380 00:59:19,188 --> 00:59:21,924 and production departments were separated and isolated 1381 00:59:22,240 --> 00:59:24,393 from other crew members. 1382 00:59:24,493 --> 00:59:26,262 For the safety of the people involved, 1383 00:59:26,362 --> 00:59:28,864 it was essential that everyone was aware of the rules 1384 00:59:28,964 --> 00:59:31,768 and followed them to the letter. 1385 00:59:31,868 --> 00:59:34,360 But living through such difficult circumstances 1386 00:59:34,136 --> 00:59:36,872 in isolation was not an easy task. 1387 00:59:36,972 --> 00:59:38,407 [man] And then, this will blend better. 1388 00:59:38,507 --> 00:59:39,943 [Castille Landon] [VO] Shooting during the pandemic 1389 00:59:40,430 --> 00:59:42,878 has been insane. 1390 00:59:42,979 --> 00:59:45,981 There were a ton of precautions that were taken. 1391 00:59:46,810 --> 00:59:49,510 We were all basically put into quarantine. 1392 00:59:49,151 --> 00:59:50,820 We quarantined when we got here. 1393 00:59:50,920 --> 00:59:54,257 We are tested multiple times per week-- every other day. 1394 00:59:55,491 --> 00:59:59,228 And then on set, there's so many things 1395 00:59:59,328 --> 01:00:01,264 that are taken into account. 1396 01:00:01,364 --> 01:00:04,233 Everybody has to wear masks all the time-- 1397 01:00:04,334 --> 01:00:05,901 there's no exceptions to that. 1398 01:00:06,020 --> 01:00:07,937 A whole team of people that comes through 1399 01:00:08,370 --> 01:00:11,240 and sanitizes every single prop. 1400 01:00:11,340 --> 01:00:13,142 Then there's like UV sanitization 1401 01:00:13,242 --> 01:00:16,979 at night in the sets and with the wardrobe. 1402 01:00:17,800 --> 01:00:19,448 It was uncertain times, but I don't think that 1403 01:00:19,548 --> 01:00:21,918 any more precautions could have been taken. 1404 01:00:23,219 --> 01:00:24,587 [Louise Lombard] [VO] Thankfully, the adventure of 1405 01:00:24,687 --> 01:00:29,458 making AFTER 3 and 4 had a happy ending. 1406 01:00:29,558 --> 01:00:30,826 [Castille Landon] [VO] We were originally gonna 1407 01:00:30,926 --> 01:00:33,829 shoot in Atlanta, then it became Bulgaria. 1408 01:00:33,929 --> 01:00:37,800 And like the first day of filming, I think a week out, 1409 01:00:37,900 --> 01:00:39,268 we lost our location. 1410 01:00:39,368 --> 01:00:41,170 And then all through it, we've lost like 1411 01:00:41,270 --> 01:00:42,605 different day players and cast. 1412 01:00:42,705 --> 01:00:44,940 We've kind of had to shuffle things, 1413 01:00:45,410 --> 01:00:47,430 which then pushed our shooting date later, 1414 01:00:47,143 --> 01:00:50,980 and so then we're dealing with snow and bad weather. 1415 01:00:51,800 --> 01:00:53,849 [chuckles] So, it's been like, kind of a comedy of errors. 1416 01:00:53,949 --> 01:00:55,150 [car door thuds] 1417 01:00:55,250 --> 01:00:57,486 But I think we've really managed to-- 1418 01:00:57,586 --> 01:01:00,490 to push through it and make really great movies 1419 01:01:00,590 --> 01:01:01,824 that I'm super proud of, 1420 01:01:01,924 --> 01:01:03,860 regardless of all of those obstacles. 1421 01:01:05,628 --> 01:01:06,529 [Brian Pitt] [VO] It was so important to us 1422 01:01:06,629 --> 01:01:07,863 to put these products out, 1423 01:01:07,964 --> 01:01:10,299 and our fans were so excited about them 1424 01:01:10,399 --> 01:01:12,134 that it kind of fuelled all of us. 1425 01:01:12,234 --> 01:01:13,468 Every night when we were working, 1426 01:01:13,569 --> 01:01:15,637 in the middle of the night, in Bulgaria, 1427 01:01:15,738 --> 01:01:20,409 in the snow, in masks, uh-- long hours, 1428 01:01:20,509 --> 01:01:23,179 pretty much isolating ourselves from the rest of the world 1429 01:01:23,279 --> 01:01:24,847 cuz we lived in little pods 1430 01:01:24,947 --> 01:01:27,350 and we weren't allowed to talk to people or be around anybody, 1431 01:01:27,450 --> 01:01:29,985 just to make sure everybody was as safe as we could be. 1432 01:01:30,850 --> 01:01:33,155 It was very, uh-- trying on your soul, to some extent. 1433 01:01:33,255 --> 01:01:35,240 And we did that for five months, uh-- 1434 01:01:35,124 --> 01:01:37,192 away from our families. 1435 01:01:37,292 --> 01:01:39,394 And I don't think many of us would have done that 1436 01:01:39,494 --> 01:01:40,830 for any other film. 1437 01:01:40,930 --> 01:01:43,833 [ambient music playing] 1438 01:01:44,900 --> 01:01:45,834 [Louise Lombard] [VO] In AFTER WE FELL 1439 01:01:45,934 --> 01:01:47,903 and AFTER EVER HAPPY, 1440 01:01:48,030 --> 01:01:50,205 the love between Tessa and Hardin 1441 01:01:50,305 --> 01:01:54,843 remains just as intense, passionate, and complex. 1442 01:01:54,943 --> 01:01:57,460 But as strong as their bond is, 1443 01:01:57,146 --> 01:01:59,882 growing up will put it to the test. 1444 01:02:01,516 --> 01:02:03,218 [Josephine Langford] [VO] Now that Tessa and Hardin 1445 01:02:03,318 --> 01:02:05,688 are in the real world-- as in the adult world-- 1446 01:02:05,788 --> 01:02:08,157 their relationship hasn't evolved. 1447 01:02:08,257 --> 01:02:11,259 It's still the same relationship with the same obstacles 1448 01:02:11,360 --> 01:02:15,431 and challenges and sort of insecurities, uh-- 1449 01:02:15,531 --> 01:02:17,566 because they're all really internal and emotional, 1450 01:02:17,667 --> 01:02:20,536 I think the landscape's just really different. 1451 01:02:20,636 --> 01:02:23,239 And they're dealing with, uh-- with different things now, 1452 01:02:23,339 --> 01:02:26,943 like long distance and what you do in that situation. 1453 01:02:27,430 --> 01:02:29,912 [Louise Lombard] [VO] As you can see in this unreleased footage, 1454 01:02:30,120 --> 01:02:33,249 the real world brings real problems for Tessa. 1455 01:02:33,349 --> 01:02:35,918 -Uh-- Can you put your number in? 1456 01:02:36,180 --> 01:02:37,420 -You know, smarties. 1457 01:02:38,521 --> 01:02:40,889 [laughs] 1458 01:02:40,989 --> 01:02:41,890 You know, you could have had them 1459 01:02:41,990 --> 01:02:43,892 just transfer everything over. 1460 01:02:43,992 --> 01:02:45,594 -Fresh start. 1461 01:02:45,694 --> 01:02:47,263 -Right. 1462 01:02:47,363 --> 01:02:48,297 -Thanks. 1463 01:02:51,400 --> 01:02:52,567 -Two-one-two? 1464 01:02:52,668 --> 01:02:54,136 New York? 1465 01:02:54,236 --> 01:02:56,772 So, you're not kidding about moving to the city with me? 1466 01:02:56,873 --> 01:02:59,750 -Yeah, I'm talking with an admissions counsellor 1467 01:02:59,175 --> 01:03:01,143 at NYU next week. But... 1468 01:03:01,243 --> 01:03:03,746 yeah, it looks like I'll be able to start in the fall. 1469 01:03:03,846 --> 01:03:05,800 -And then you just transfer 1470 01:03:05,181 --> 01:03:08,584 to Advanced Publishing's New York office, right? 1471 01:03:08,684 --> 01:03:09,919 -I-- I'm not sure I can work for him, 1472 01:03:10,190 --> 01:03:11,787 just knowing he's Hardin's father. 1473 01:03:11,887 --> 01:03:12,822 -Right. 1474 01:03:16,425 --> 01:03:19,295 [playful music playing] 1475 01:03:39,916 --> 01:03:40,850 -Wake up. 1476 01:03:42,551 --> 01:03:43,953 Landon, wake up. 1477 01:03:45,540 --> 01:03:45,955 Wake up. 1478 01:03:46,550 --> 01:03:46,956 -What? 1479 01:03:47,560 --> 01:03:48,857 [Hardin] Wake up! 1480 01:03:48,957 --> 01:03:50,158 I need you to unlock your phone. 1481 01:03:50,258 --> 01:03:51,227 -No. 1482 01:03:51,327 --> 01:03:52,495 -Unlock your fucking phone. 1483 01:03:53,595 --> 01:03:56,732 -No, no, no, no. 1484 01:03:56,832 --> 01:03:57,733 -Can you unlock your phone, please? 1485 01:03:57,833 --> 01:03:58,834 I need Tessa's number. 1486 01:03:58,934 --> 01:04:00,503 -You don't have it for a reason. 1487 01:04:00,603 --> 01:04:02,371 -Unlock your fucking phone! 1488 01:04:03,606 --> 01:04:04,540 Please. 1489 01:04:05,741 --> 01:04:06,709 -[Landon sighs] 1490 01:04:15,317 --> 01:04:16,652 -Wasn't so difficult, was it? 1491 01:04:17,753 --> 01:04:20,155 -[thuds] -Sweet dreams. 1492 01:04:20,255 --> 01:04:21,557 [Landon] Can you at least get the light? Can you-- 1493 01:04:21,657 --> 01:04:23,292 [door thuds] 1494 01:04:23,392 --> 01:04:24,993 [Louise Lombard] [VO] These two movies take us deeper 1495 01:04:25,930 --> 01:04:27,290 into the two lovers' lives, 1496 01:04:27,129 --> 01:04:31,000 exploring their emotions and exposing their secrets-- 1497 01:04:31,100 --> 01:04:34,020 some tragic, others happier, 1498 01:04:34,102 --> 01:04:38,373 but all necessary for Tessa and Hardin to evolve. 1499 01:04:38,473 --> 01:04:41,543 This evolution is particularly dramatic for Hardin, 1500 01:04:41,643 --> 01:04:44,212 who finally confronts his alcohol addiction 1501 01:04:44,312 --> 01:04:48,500 and the reasons behind his self-destructive behaviour. 1502 01:04:48,150 --> 01:04:50,285 Telling an honest story of addiction 1503 01:04:50,385 --> 01:04:55,591 is a responsibility Hero has always taken very seriously. 1504 01:04:55,691 --> 01:04:57,259 [Hero Fiennes] [VO] I know people who have been 1505 01:04:57,359 --> 01:04:58,527 through the same thing. 1506 01:04:58,627 --> 01:04:59,895 It's always a lot more authentic 1507 01:04:59,995 --> 01:05:01,396 when you can draw from someone you-- 1508 01:05:01,496 --> 01:05:02,731 someone you know, 1509 01:05:02,832 --> 01:05:04,566 or experiences of people you know. And um-- 1510 01:05:04,666 --> 01:05:07,703 I was informed enough about the behaviour of-- 1511 01:05:07,803 --> 01:05:10,606 of people who are addicted, and addiction in general to-- 1512 01:05:10,706 --> 01:05:12,441 to kind of inform me well enough in that sense. 1513 01:05:12,541 --> 01:05:15,577 But-- it's tricky, not so much just the audition, 1514 01:05:15,677 --> 01:05:18,470 but like childhood trauma was one that I wanted to make sure 1515 01:05:18,147 --> 01:05:20,449 I got right as well because I feel like that-- 1516 01:05:20,549 --> 01:05:22,417 that has a huge impact as well, and obviously, the addiction's 1517 01:05:22,517 --> 01:05:25,454 more of a knock-on effect of that. 1518 01:05:25,554 --> 01:05:27,123 [Louise Lombard] [VO] Filming took place 1519 01:05:27,223 --> 01:05:29,457 over five months in Bulgaria, in the dead of winter, 1520 01:05:29,558 --> 01:05:32,395 right in the middle of the COVID crisis. 1521 01:05:32,495 --> 01:05:34,396 Production thought that it could make these movies 1522 01:05:34,496 --> 01:05:36,565 as a surprise for the fans. 1523 01:05:36,665 --> 01:05:38,301 Production was wrong. 1524 01:05:39,568 --> 01:05:41,030 [Brian Pitt] [VO] One of the downsides 1525 01:05:41,103 --> 01:05:43,138 to having such an amazing fandom, 1526 01:05:43,238 --> 01:05:45,307 they-- they are detectives. 1527 01:05:45,407 --> 01:05:47,442 They find us everywhere we go when we're shooting. 1528 01:05:47,542 --> 01:05:50,779 I'll give you a quick example. We're in Bulgaria. 1529 01:05:50,879 --> 01:05:52,948 We didn't tell anyone why we were going to Bulgaria. 1530 01:05:53,480 --> 01:05:55,885 We have full media blackouts with social. 1531 01:05:55,985 --> 01:05:57,319 We don't talk about the movie on social. 1532 01:05:57,419 --> 01:05:58,888 We don't talk about where we are. 1533 01:05:58,988 --> 01:06:00,956 And that's primarily just so we can have 1534 01:06:01,560 --> 01:06:03,825 a little bit of surprise to everybody. 1535 01:06:03,926 --> 01:06:08,664 So, a lot of the fandom knows all of the players 1536 01:06:08,764 --> 01:06:09,931 that have been around. 1537 01:06:10,310 --> 01:06:12,601 So, Taylor Conrad, who's my assistant, 1538 01:06:12,701 --> 01:06:17,306 now is associate producer on the newer films, 1539 01:06:17,406 --> 01:06:20,910 she took a photo randomly in her hotel room of her outfit, 1540 01:06:21,100 --> 01:06:25,481 posted it on Instagram, and within hours, 1541 01:06:25,581 --> 01:06:30,286 the fans recognized the pattern on the hotel curtain, 1542 01:06:30,386 --> 01:06:33,189 cross-referenced it with every hotel in Bulgaria, 1543 01:06:33,289 --> 01:06:35,240 found out where we were, and I had a crowd of people 1544 01:06:35,124 --> 01:06:36,659 out front of the hotel. 1545 01:06:36,759 --> 01:06:37,525 -[Chance Perdomo] Hi, guys. -[fans] Hi. 1546 01:06:37,626 --> 01:06:40,996 [cheering] 1547 01:06:41,970 --> 01:06:42,965 -I wish I could give you guys hugs, but uh-- 1548 01:06:43,650 --> 01:06:44,133 I'm not allowed; COVID. 1549 01:06:44,233 --> 01:06:45,801 But thank you for wearing your masks. 1550 01:06:45,901 --> 01:06:47,202 I thought I'd come outside and say hi. 1551 01:06:47,302 --> 01:06:48,370 You guys have been here all day? 1552 01:06:48,470 --> 01:06:50,639 -[fans] Yes! -Hey, folks. 1553 01:06:50,740 --> 01:06:51,673 All right. 1554 01:06:51,773 --> 01:06:52,708 My name is Chance. 1555 01:06:52,808 --> 01:06:54,342 And what are your names? 1556 01:06:54,442 --> 01:06:57,979 [fans] [indistinct] 1557 01:06:58,800 --> 01:07:00,215 -It's nice to meet you. [shouts] 1558 01:07:00,315 --> 01:07:03,552 -[cheering] 1559 01:07:03,652 --> 01:07:04,920 [Louise Lombard] [VO] Fans of the series 1560 01:07:05,200 --> 01:07:07,656 even have their own name: Afternators. 1561 01:07:07,756 --> 01:07:10,493 -[fans cheering] 1562 01:07:12,894 --> 01:07:13,762 [Louise Lombard] [VO] After conducting 1563 01:07:13,862 --> 01:07:15,363 their own investigation, 1564 01:07:15,463 --> 01:07:17,399 they gathered en masse outside the cast and crew's 1565 01:07:17,499 --> 01:07:19,568 hotel in Sofia, Bulgaria, 1566 01:07:19,668 --> 01:07:22,170 waiting for a chance to see their beloved stars. 1567 01:07:22,270 --> 01:07:25,174 -[fans cheering] 1568 01:07:27,910 --> 01:07:29,545 [Louise Lombard] [VO] For Hero and Josephine, 1569 01:07:29,645 --> 01:07:32,140 who burst into the spotlight in their early 20s, 1570 01:07:32,114 --> 01:07:34,182 the popularity of the series 1571 01:07:34,282 --> 01:07:35,751 could sometimes feel overwhelming. 1572 01:07:37,186 --> 01:07:38,687 [Hero Fiennes] [VO] Lockdown came at a good time 1573 01:07:38,787 --> 01:07:41,560 for me to kind of just sit down, 1574 01:07:41,156 --> 01:07:43,391 take a bit of time to reassess and-- 1575 01:07:43,492 --> 01:07:45,600 I feel like I've come out like raring to go, 1576 01:07:45,160 --> 01:07:46,695 feeling really comfortable with it. 1577 01:07:46,795 --> 01:07:49,598 But I feel like it's also easy to say at this point but I-- 1578 01:07:49,698 --> 01:07:51,233 I never set out for like-- 1579 01:07:51,333 --> 01:07:53,902 for like fame or trying-- trying to be this big. 1580 01:07:54,020 --> 01:07:55,437 You know, I just kind of wanted to make cool movies 1581 01:07:55,537 --> 01:07:56,538 and see what happened. 1582 01:07:56,638 --> 01:07:59,410 And-- and uh-- it definitely-- 1583 01:07:59,141 --> 01:08:00,442 "overwhelming" is the perfect word. 1584 01:08:00,542 --> 01:08:05,113 It was-- it was like a huge change in lifestyle. 1585 01:08:05,214 --> 01:08:06,881 You know? 1586 01:08:06,981 --> 01:08:08,383 It's not-- not something that I anticipated or was used to, 1587 01:08:08,483 --> 01:08:11,253 but, you know, quickly-- quickly had to learn on the way. 1588 01:08:11,353 --> 01:08:12,287 And, as I said, now-- 1589 01:08:12,388 --> 01:08:14,256 now I feel great but-- but, yeah. 1590 01:08:14,356 --> 01:08:16,892 A hundred percent, it was an over-- overwhelming process, 1591 01:08:16,992 --> 01:08:19,928 but um, you know, an-- an amazing one, nonetheless. 1592 01:08:20,280 --> 01:08:23,132 -[cheering] 1593 01:08:23,232 --> 01:08:25,300 [Louise Lombard] [VO] Over time, Hero has learned 1594 01:08:25,400 --> 01:08:26,902 to accept his celebrity 1595 01:08:27,020 --> 01:08:29,505 and appreciate the attention of the Afternators. 1596 01:08:29,605 --> 01:08:32,140 He loves seeing them connect with each other on fan forums. 1597 01:08:32,240 --> 01:08:35,770 -[chanting] Hardin! Hardin! Hardin! Hardin! 1598 01:08:35,177 --> 01:08:36,780 -You notice that a lot of them 1599 01:08:36,178 --> 01:08:37,513 make friends with each other, 1600 01:08:37,613 --> 01:08:39,881 which is an amazing thing to-- to be able to-- to, 1601 01:08:39,981 --> 01:08:42,318 I guess have been a part of, um, 1602 01:08:42,418 --> 01:08:44,253 because making friends through something you love is a-- 1603 01:08:44,353 --> 01:08:45,620 is a magical thing 1604 01:08:45,721 --> 01:08:47,823 and is-- it really does bring people together. 1605 01:08:47,923 --> 01:08:49,658 [ambient music playing] 1606 01:08:49,758 --> 01:08:52,160 [Louise Lombard] [VO] On September 30th, 2021, 1607 01:08:52,260 --> 01:08:53,929 Nicky Boyer is getting ready 1608 01:08:54,290 --> 01:08:55,464 as she waits for her friend Theresa 1609 01:08:55,564 --> 01:08:59,100 to arrive for an exciting evening at the theater. 1610 01:08:59,200 --> 01:09:02,170 -I think I'm ready. 1611 01:09:02,270 --> 01:09:02,637 [object clattering] 1612 01:09:02,270 --> 01:09:02,637 [Louise Lombard] [VO] Today is the premiere date of 1613 01:09:02,737 --> 01:09:04,640 AFTER WE FELL, 1614 01:09:04,740 --> 01:09:07,308 a day these fans have been eagerly awaiting. 1615 01:09:07,409 --> 01:09:08,643 -Let's go. 1616 01:09:08,743 --> 01:09:09,978 Hi! 1617 01:09:10,780 --> 01:09:12,981 [laughs] You ready? 1618 01:09:13,810 --> 01:09:14,783 -[Theresa] Yes, I am. -[Nicky] Yeah. Okay. [laughs] 1619 01:09:14,883 --> 01:09:16,451 [Louise Lombard] [VO] Nicky and Teresa head out 1620 01:09:16,551 --> 01:09:17,786 to meet their friend Hannah 1621 01:09:17,887 --> 01:09:20,455 at the multiplex in Riverside, California, 1622 01:09:20,555 --> 01:09:22,825 to watch the movie together. 1623 01:09:22,925 --> 01:09:26,728 They're not the only fans who have organized viewing parties. 1624 01:09:26,828 --> 01:09:28,463 [Nicky] Yeah, they're all seeing it. 1625 01:09:28,563 --> 01:09:31,667 And then my friend Nicole, 1626 01:09:31,767 --> 01:09:34,970 she has a couple of our other friends, 1627 01:09:35,700 --> 01:09:38,640 Tori and Brittany, are in Texas seeing it with her 1628 01:09:38,740 --> 01:09:42,440 and our friend Stephanie and yeah. 1629 01:09:42,144 --> 01:09:44,790 So, it's cool, like, everybody is seeing it everywhere. 1630 01:09:44,180 --> 01:09:46,648 It's just wild because I feel like last year, 1631 01:09:46,748 --> 01:09:47,982 we couldn't do this. -[Theresa] Right. 1632 01:09:48,830 --> 01:09:49,840 [Nicky] Like, we couldn't go to the theatres; 1633 01:09:49,184 --> 01:09:50,752 we couldn't do all of those things. 1634 01:09:50,852 --> 01:09:52,688 So, it's just so freaking cool. 1635 01:09:52,788 --> 01:09:54,220 It feels like we've been waiting forever. 1636 01:09:54,122 --> 01:09:55,230 -[Theresa laughs] 1637 01:09:55,123 --> 01:09:56,250 -It really does. 1638 01:09:57,125 --> 01:09:58,193 [car door thuds] 1639 01:09:58,293 --> 01:10:00,496 -Oh. Hi, how are you? -[Theresa] Hi. 1640 01:10:03,666 --> 01:10:05,668 -Hero, are you there? -Hello? Hero? [laughs] 1641 01:10:05,768 --> 01:10:07,010 -Jo? Jo? Is that you? 1642 01:10:07,102 --> 01:10:10,672 -[laughs] 1643 01:10:10,772 --> 01:10:14,176 I'm ready. We've waited over a year. 1644 01:10:14,276 --> 01:10:15,343 A year. 1645 01:10:15,443 --> 01:10:16,845 A year. -[Theresa] I'm so excited. 1646 01:10:16,945 --> 01:10:18,681 -[club music playing] -[Nicky] Yeah. I'm so excited. 1647 01:10:21,350 --> 01:10:23,251 [Louise Lombard] [VO] At 7 p.m., the three friends 1648 01:10:23,351 --> 01:10:25,540 settle into their seats. 1649 01:10:25,154 --> 01:10:28,357 AFTER WE FELL is about to begin. 1650 01:10:28,457 --> 01:10:31,260 [ambient music playing] 1651 01:10:33,962 --> 01:10:36,231 [Nicky] It was seriously the best one. 1652 01:10:36,331 --> 01:10:37,666 [Theresa] The best one. The best one. 1653 01:10:37,766 --> 01:10:38,800 -[Nicky] Absolutely. -[Hannah] Without a doubt. 1654 01:10:38,900 --> 01:10:39,634 -I would watch it again right now. 1655 01:10:39,734 --> 01:10:40,869 -Yeah. -It's that good. 1656 01:10:40,969 --> 01:10:41,937 -In fact, if they're playing it again, 1657 01:10:42,370 --> 01:10:43,371 we'll probably go back. For sure. 1658 01:10:43,471 --> 01:10:45,874 -We might just go back in there right now. 1659 01:10:45,974 --> 01:10:46,942 -It was seriously so good. -Actually, it was so-- 1660 01:10:47,420 --> 01:10:48,110 it was the best one for sure. 1661 01:10:48,210 --> 01:10:49,411 -Uh-- It was seriously worth the wait. 1662 01:10:49,511 --> 01:10:50,879 One thousand percent 1663 01:10:50,980 --> 01:10:52,548 worth the wait. -Yeah. It was-- it was great. 1664 01:10:52,648 --> 01:10:53,782 -Yeah. I cried three times. 1665 01:10:53,882 --> 01:10:55,217 Yeah. -[laughs] 1666 01:10:55,317 --> 01:10:56,385 -Yeah. I actually only cried once; I'm impressed. 1667 01:10:56,485 --> 01:10:57,419 I only did once. -I cried three times. 1668 01:11:01,390 --> 01:11:02,758 [Louise Lombard] [VO] There are fans like 1669 01:11:02,858 --> 01:11:05,728 Nicky and her friends all over the world. 1670 01:11:05,828 --> 01:11:09,731 Fly with us to Dallas, Texas, to meet Nicole Thomas, 1671 01:11:09,831 --> 01:11:12,133 a mother of four in her 40s, 1672 01:11:12,233 --> 01:11:14,636 who surprised herself when she became totally 1673 01:11:14,736 --> 01:11:17,238 obsessed with AFTER. 1674 01:11:17,339 --> 01:11:19,241 She stumbled upon the romance by chance, 1675 01:11:19,341 --> 01:11:22,811 when a few friends dragged her to the movie. 1676 01:11:22,911 --> 01:11:23,945 [Nicole] [VO] So, we walked in the theatre, 1677 01:11:24,450 --> 01:11:25,480 and I was dead tired. 1678 01:11:25,580 --> 01:11:27,949 And so, the girls just wanted to watch the movie. 1679 01:11:28,490 --> 01:11:29,751 I was gonna sleep. 1680 01:11:29,851 --> 01:11:31,420 And so-- just take a long nap 1681 01:11:31,520 --> 01:11:32,888 because I had worked a lot that week. 1682 01:11:32,988 --> 01:11:35,757 And then, instead of that-- 1683 01:11:35,857 --> 01:11:38,426 I saw that first little bit of them walking into the lake, 1684 01:11:38,527 --> 01:11:39,828 and then Tessa going to go to the college 1685 01:11:39,928 --> 01:11:40,963 and stuff like that. 1686 01:11:41,630 --> 01:11:42,964 When Hardin-- 1687 01:11:43,640 --> 01:11:46,968 walked in-- when he was laying on the bed, 1688 01:11:47,690 --> 01:11:51,974 from then on, like until today, until infinity, 1689 01:11:52,740 --> 01:11:54,576 I just became completely obsessed. 1690 01:11:54,676 --> 01:11:56,945 [Louise Lombard] [VO] Nicole explains her obsession started 1691 01:11:57,450 --> 01:12:00,816 because she identified so deeply with the lead characters. 1692 01:12:00,916 --> 01:12:02,451 -My husband, I met him in high school, 1693 01:12:02,551 --> 01:12:06,321 and we've, like that's, your heart like, 1694 01:12:06,421 --> 01:12:09,157 opens so much and all of your kind of-- 1695 01:12:09,257 --> 01:12:11,493 you relate to it so much. 1696 01:12:11,593 --> 01:12:14,496 And for the way Hardin and Tessa, 1697 01:12:14,596 --> 01:12:16,365 their struggles in their relationship 1698 01:12:16,465 --> 01:12:19,968 are so real and so things that you've been through 1699 01:12:20,690 --> 01:12:24,139 and for it to be, you've got it on screen, 1700 01:12:24,239 --> 01:12:25,674 and you're seeing the movie, 1701 01:12:25,774 --> 01:12:27,375 like it's one thing in your head 1702 01:12:27,476 --> 01:12:28,977 and it's completely different on screen. 1703 01:12:29,770 --> 01:12:32,247 For me, like, it means a lot that they could make it, 1704 01:12:32,347 --> 01:12:35,383 I think, and it gives you a little bit of hope for that. 1705 01:12:35,483 --> 01:12:38,887 It's super relatable, and it gives you kind of that escape. 1706 01:12:38,987 --> 01:12:40,221 [peaceful music playing] 1707 01:12:40,321 --> 01:12:41,389 [Louise Lombard] [VO] It's an escape 1708 01:12:41,490 --> 01:12:43,324 that she takes very seriously. 1709 01:12:43,425 --> 01:12:45,861 Since becoming a fan, Nicole has amassed 1710 01:12:45,961 --> 01:12:49,497 an impressive collection of AFTER memorabilia. 1711 01:12:49,597 --> 01:12:53,340 -I have a couple of things. I have just cups and mugs. 1712 01:12:53,134 --> 01:12:55,570 My Hardin mug. Hero's favourite drink 1713 01:12:55,670 --> 01:12:58,206 is iced caramel macchiato with extra caramel drizzle, 1714 01:12:58,307 --> 01:13:01,430 and it looks gorgeous in this cup. [laughs] 1715 01:13:01,143 --> 01:13:04,846 I do have more in my room. I have posters. 1716 01:13:04,946 --> 01:13:08,416 This is an actual French poster 1717 01:13:08,516 --> 01:13:12,860 that they sent-- that Voltage sent. 1718 01:13:12,187 --> 01:13:14,389 And it's just gorgeous. This is my favourite. 1719 01:13:14,489 --> 01:13:15,924 This is my favourite one. 1720 01:13:16,240 --> 01:13:18,193 This is from my friend Kathy. 1721 01:13:18,293 --> 01:13:22,264 She ended up sending me this for Christmas. 1722 01:13:22,364 --> 01:13:23,398 So, this was sent to me 1723 01:13:23,498 --> 01:13:25,266 from one of my girlfriends, Jessie. 1724 01:13:25,366 --> 01:13:27,402 I have so much more. 1725 01:13:27,503 --> 01:13:32,540 I have a Harden drawer-- just Harden t-shirts. 1726 01:13:32,640 --> 01:13:35,760 My Ramones shirt. This is iconic. 1727 01:13:35,176 --> 01:13:38,213 He wears this in the scene for the-- 1728 01:13:38,313 --> 01:13:40,449 when they have a little disagreement 1729 01:13:40,549 --> 01:13:43,918 over Pride and Prejudice . He's wearing this shirt. 1730 01:13:44,180 --> 01:13:45,621 -That was exciting. 1731 01:13:45,721 --> 01:13:47,722 -No, it was annoying. 1732 01:13:47,822 --> 01:13:49,223 -I enjoyed it. 1733 01:13:49,323 --> 01:13:50,592 -These are just my candles 1734 01:13:50,692 --> 01:13:53,395 one of my girlfriends made for me. 1735 01:13:53,495 --> 01:13:55,970 This one's Hardin Scott. 1736 01:13:55,197 --> 01:13:57,966 It says, "Smells like haunted past, truth or dare, 1737 01:13:58,660 --> 01:14:00,302 stars collide, and whatever our souls are made of, 1738 01:14:00,402 --> 01:14:02,604 hers and mine are the same." 1739 01:14:04,172 --> 01:14:05,941 [Louise Lombard] [VO] As one of the most active 1740 01:14:06,410 --> 01:14:09,244 Afternators on social media, many of Nicole's collectibles 1741 01:14:09,344 --> 01:14:11,746 were given to her by other fans. 1742 01:14:11,846 --> 01:14:14,782 For her, the book has opened the door to a community. 1743 01:14:14,882 --> 01:14:16,417 [audio over speaker] 1744 01:14:16,518 --> 01:14:18,860 -Just being part of the fandom, 1745 01:14:18,186 --> 01:14:19,755 like all of the people that you get to meet 1746 01:14:19,855 --> 01:14:22,590 because of these awesome movies and books, 1747 01:14:22,690 --> 01:14:26,328 it just opens yourself to this whole other dynamic of people 1748 01:14:26,428 --> 01:14:28,430 who are just like you, 1749 01:14:28,530 --> 01:14:29,998 and some of them are not like you at all, 1750 01:14:30,980 --> 01:14:32,100 and so you learn from them too, so. 1751 01:14:32,200 --> 01:14:33,568 -[audio over speaker] 1752 01:14:33,668 --> 01:14:34,336 [Louise Lombard] [VO] Nicole nurtures her friendships 1753 01:14:34,436 --> 01:14:36,171 with other fans, 1754 01:14:36,271 --> 01:14:40,609 setting up viewing parties to connect with Afternators abroad. 1755 01:14:40,709 --> 01:14:42,610 Here she is watching AFTER WE COLLIDED 1756 01:14:42,710 --> 01:14:44,112 with friends over Zoom. 1757 01:14:44,212 --> 01:14:45,814 -I'm on Wattpad. 1758 01:14:45,914 --> 01:14:47,150 We gotta go back to the beginning for now... 1759 01:14:47,115 --> 01:14:48,350 [Louise Lombard] [VO] For these fans, 1760 01:14:48,450 --> 01:14:49,618 sharing their passion 1761 01:14:49,718 --> 01:14:52,387 leads to an even greater appreciation. 1762 01:14:52,487 --> 01:14:53,989 -Excuse me, sir, can you hold that elevator, please? 1763 01:14:54,890 --> 01:14:55,957 [bangs] Asswipe! 1764 01:14:56,570 --> 01:14:58,193 -I love this part with Jo. 1765 01:14:58,293 --> 01:15:00,294 -Yes. Call me Asswipe? 1766 01:15:00,395 --> 01:15:02,965 -[laughs] 1767 01:15:03,650 --> 01:15:05,566 She looks so gorgeous. 1768 01:15:05,667 --> 01:15:08,350 Oh, shit. 1769 01:15:08,136 --> 01:15:09,237 -He's like, oh, I like seeing 1770 01:15:09,337 --> 01:15:10,472 the hands on the mirror. -Aw... [giggles] 1771 01:15:10,572 --> 01:15:12,974 [friend 1] Yes, yes. 1772 01:15:13,740 --> 01:15:15,644 -The hands on the mirror that-- 1773 01:15:15,744 --> 01:15:19,214 [ambient music playing] 1774 01:15:19,314 --> 01:15:21,717 I cried at this part in the movies. 1775 01:15:21,817 --> 01:15:22,851 [friend 2] I did too. 1776 01:15:24,119 --> 01:15:24,953 [Richard] Hey... [grunts] 1777 01:15:25,530 --> 01:15:25,988 [Tessa] Hardin... 1778 01:15:27,656 --> 01:15:29,657 Dad? 1779 01:15:29,757 --> 01:15:30,726 -Dad? 1780 01:15:30,826 --> 01:15:31,827 [Nicole] Oh, my god. 1781 01:15:31,927 --> 01:15:33,228 And then that's it. 1782 01:15:33,328 --> 01:15:34,195 And then that's where they're going to pick up, 1783 01:15:34,295 --> 01:15:35,864 is having Richard... 1784 01:15:35,964 --> 01:15:38,650 [claps] [giggles] 1785 01:15:38,166 --> 01:15:39,400 [friend 2] Richard is forced-- 1786 01:15:39,500 --> 01:15:40,669 [friend 1] Richard! 1787 01:15:40,769 --> 01:15:42,537 -[claps] Richard, Richard, Richard. 1788 01:15:42,637 --> 01:15:45,206 You guys, it's like it's better every time. 1789 01:15:45,307 --> 01:15:46,507 -[friend 2] I know. -[friend 1] I know. 1790 01:15:46,607 --> 01:15:47,842 [friend 2] I know. 1791 01:15:47,943 --> 01:15:51,513 -I've watched this movie probably 1792 01:15:51,613 --> 01:15:53,681 three to four times a week. [laughs] 1793 01:15:53,781 --> 01:15:55,250 [friend 2] Yeah. Me, too. 1794 01:15:55,350 --> 01:15:56,384 Me, too. 1795 01:15:56,484 --> 01:15:58,253 -I love you guys. 1796 01:15:58,353 --> 01:15:59,921 -I love you. I love you, too. -[friend 2] I love you. 1797 01:16:00,210 --> 01:16:01,189 -[smacks kiss] 1798 01:16:01,289 --> 01:16:02,590 -We're just kind of there for each other 1799 01:16:02,690 --> 01:16:05,527 in a way that your family are your own friends. 1800 01:16:05,627 --> 01:16:07,195 Because, I mean, I have my friends too, 1801 01:16:07,295 --> 01:16:08,864 but they're there in a different way 1802 01:16:08,964 --> 01:16:11,533 than your family or friends. And so, it's the fandom. 1803 01:16:11,633 --> 01:16:13,367 The fandom is amazing. 1804 01:16:13,468 --> 01:16:15,737 And it's, yeah, it's incredible. 1805 01:16:15,837 --> 01:16:18,907 It's changed my life a lot, given me a little bit of, 1806 01:16:19,070 --> 01:16:21,710 you know, more people to bring in, I guess. [laughs] 1807 01:16:21,810 --> 01:16:27,782 -[chanting] Josephine! Josephine! Josephine! Josephine! 1808 01:16:27,882 --> 01:16:28,783 [Louise Lombard] [VO] AFTER fans have created 1809 01:16:28,883 --> 01:16:31,520 a unique online community 1810 01:16:31,152 --> 01:16:33,889 that is as passionate as it is supportive. 1811 01:16:36,425 --> 01:16:38,726 Josephine and Hero are incredibly grateful 1812 01:16:38,826 --> 01:16:43,465 to these fans, who they know are the bedrock of AFTER's success. 1813 01:16:43,565 --> 01:16:46,101 [Josephine Langford] [VO] These films are really for the fans. 1814 01:16:46,201 --> 01:16:49,237 And uh-- they're a thank-you to the people 1815 01:16:49,337 --> 01:16:52,106 who've supported us and-- and been around 1816 01:16:52,206 --> 01:16:56,477 and just followed these movies. And-- and-- 1817 01:16:56,577 --> 01:16:57,812 Not just the films, 1818 01:16:57,913 --> 01:16:59,414 but for people who are fans of the books too. 1819 01:16:59,514 --> 01:17:02,817 So, I think I would just wanna say to people 1820 01:17:02,917 --> 01:17:05,860 who've been with us for this long, thank you. 1821 01:17:05,186 --> 01:17:07,255 -Just thank you from the bottom of my heart for-- 1822 01:17:07,355 --> 01:17:09,991 for helping us, you know, 1823 01:17:10,920 --> 01:17:11,826 create a story that has changed so many lives 1824 01:17:11,926 --> 01:17:13,628 and ultimately changed mine. 1825 01:17:13,728 --> 01:17:18,833 And um-- I will be eternally grateful for-- 1826 01:17:18,933 --> 01:17:21,136 for the platform and opportunity that they've given me. 1827 01:17:23,700 --> 01:17:24,806 [indistinct chatter] 1828 01:17:25,907 --> 01:17:27,142 [waves splashing] 1829 01:17:27,242 --> 01:17:28,110 [Louise Lombard] [VO] The filmmakers shared 1830 01:17:28,210 --> 01:17:29,478 this gratitude, 1831 01:17:29,578 --> 01:17:31,680 and they knew that after four movies, 1832 01:17:31,780 --> 01:17:35,116 thousands of pages, and countless new friendships, 1833 01:17:35,216 --> 01:17:37,285 the fans deserved a satisfying end 1834 01:17:37,385 --> 01:17:39,454 to this epic romance. 1835 01:17:39,554 --> 01:17:41,356 [man] Okay. Standing by! 1836 01:17:41,456 --> 01:17:43,724 [Louise Lombard] [VO] So, here we are on a beach in Portugal, 1837 01:17:43,825 --> 01:17:45,960 far from Atlanta or Bulgaria, 1838 01:17:46,610 --> 01:17:48,196 on the set of AFTER EVERYTHING, 1839 01:17:48,296 --> 01:17:50,732 the final chapter of Tessa and Hardin's story. 1840 01:17:50,832 --> 01:17:53,134 [man] Hero, you're going to enter frame. 1841 01:17:53,234 --> 01:17:55,703 [Louise Lombard] [VO] Brian Pitt and the film's other producers, 1842 01:17:55,804 --> 01:17:58,540 including David Shojai and Taylor Conrod, 1843 01:17:58,640 --> 01:18:00,308 are working hard on set 1844 01:18:00,408 --> 01:18:03,378 to make sure there are no loose ends. 1845 01:18:03,478 --> 01:18:07,382 Getting this story right is their highest priority. 1846 01:18:07,482 --> 01:18:09,184 [Brian Pitt] [VO] After the first movie, 1847 01:18:09,284 --> 01:18:11,820 they decided to make a second, and a third, and a fourth. 1848 01:18:11,920 --> 01:18:14,823 But it was always gonna end on movie 4. 1849 01:18:14,923 --> 01:18:16,490 But it also seemed like we left some-- 1850 01:18:16,590 --> 01:18:18,660 some unanswered questions. 1851 01:18:18,760 --> 01:18:20,661 [Louise Lombard] [VO] To answer these questions, 1852 01:18:20,761 --> 01:18:23,865 they conceived of AFTER EVERYTHING, 1853 01:18:23,965 --> 01:18:27,502 a film that explores a difficult episode of Hardin's past 1854 01:18:27,602 --> 01:18:29,570 in order for him to heal, 1855 01:18:29,670 --> 01:18:33,674 and for fans to get an even more meaningful conclusion 1856 01:18:33,774 --> 01:18:36,344 of Tessa and Hardin's love story. 1857 01:18:36,444 --> 01:18:38,179 They began shooting the fifth film 1858 01:18:38,279 --> 01:18:40,848 during the summer of 2022. 1859 01:18:40,948 --> 01:18:43,170 [technical chatter] 1860 01:18:43,117 --> 01:18:44,180 [David Shojai] It was, I think, 1861 01:18:44,118 --> 01:18:46,220 an easy decision in that 1862 01:18:46,320 --> 01:18:48,590 we get more, you know, we get more of these characters, 1863 01:18:48,690 --> 01:18:50,358 more of this story. 1864 01:18:50,458 --> 01:18:53,261 And then, it also-- gives us more insight 1865 01:18:53,361 --> 01:18:57,265 as far as what-- again, what Hardin has to go through 1866 01:18:57,365 --> 01:18:59,868 to really move forward in his relationship with Tessa. 1867 01:18:59,968 --> 01:19:01,869 So, we have to go kind of into his past 1868 01:19:01,969 --> 01:19:03,710 in order to move forward. 1869 01:19:03,171 --> 01:19:05,060 [dance music playing] 1870 01:19:05,106 --> 01:19:06,907 [Louise Lombard] [VO] And so, we follow Hardin's search 1871 01:19:07,080 --> 01:19:09,777 for redemption to the beaches of Portugal. 1872 01:19:09,877 --> 01:19:11,546 -[woman laughing] 1873 01:19:11,646 --> 01:19:13,414 [Louise Lombard] [VO] When asked to return for the fifth film, 1874 01:19:13,514 --> 01:19:14,782 Hero wanted to make sure 1875 01:19:14,882 --> 01:19:17,952 he was staying true to his character. 1876 01:19:18,520 --> 01:19:18,986 [Hero Fiennes] [VO] The only reason there was 1877 01:19:19,860 --> 01:19:20,955 a slight hesitation was because 1878 01:19:21,550 --> 01:19:23,224 I think we'd-- we'd planned to wrap the film 1879 01:19:23,324 --> 01:19:24,625 [stutters] --to wrap the whole story. 1880 01:19:24,725 --> 01:19:27,728 So, we-- we were with the understanding that-- 1881 01:19:27,828 --> 01:19:29,630 that we were done. 1882 01:19:29,164 --> 01:19:31,660 So, for me, I felt like, are we going to ruin it 1883 01:19:31,166 --> 01:19:32,501 by-- by doing too much? 1884 01:19:32,601 --> 01:19:35,403 You know, when you draw a picture and it's perfect, 1885 01:19:35,503 --> 01:19:37,572 and then you just want to add one more, and one more, 1886 01:19:37,672 --> 01:19:38,807 and you step back and you've ruined it? 1887 01:19:38,907 --> 01:19:40,750 You've done too much! 1888 01:19:40,175 --> 01:19:42,577 But I realized with what the script was, 1889 01:19:42,677 --> 01:19:44,913 I read it the first time and I was instantly drawn to it 1890 01:19:45,130 --> 01:19:46,481 and felt we really needed to explore 1891 01:19:46,581 --> 01:19:48,916 this side of him and this story and I thought it was-- 1892 01:19:49,160 --> 01:19:50,818 it was-- it was necessary, I think. 1893 01:19:50,918 --> 01:19:53,488 I think the fans will understand that it makes a lot of sense 1894 01:19:53,588 --> 01:19:57,592 to add this kind of last missing puddle-- puzzle piece. 1895 01:19:57,692 --> 01:19:59,761 Nothing matters in this world if Tessa's not here. 1896 01:20:00,929 --> 01:20:02,964 [tense music playing] 1897 01:20:03,640 --> 01:20:05,567 [Louise Lombard] [VO] The story of AFTER EVERYTHING picks up 1898 01:20:05,667 --> 01:20:09,030 where AFTER EVER HAPPY leaves off. 1899 01:20:09,103 --> 01:20:10,939 Tessa and Hardin have broken up, 1900 01:20:11,390 --> 01:20:14,675 and, without her, Hardin is lost. 1901 01:20:14,775 --> 01:20:16,611 In order to heal, 1902 01:20:16,711 --> 01:20:19,347 he must leave behind what he has known, 1903 01:20:19,447 --> 01:20:21,983 confront his past, 1904 01:20:22,830 --> 01:20:24,619 and find his way back to himself. 1905 01:20:24,719 --> 01:20:27,823 The work is hard, but he knows he has to do it. 1906 01:20:29,560 --> 01:20:30,358 -There's a constant battle within him 1907 01:20:30,458 --> 01:20:33,628 to be the best version of himself and to improve. 1908 01:20:33,728 --> 01:20:35,830 And I think he's become very co-dependent 1909 01:20:35,930 --> 01:20:39,301 because of how important Tessa is to him 1910 01:20:39,401 --> 01:20:40,568 and how much she means to him. 1911 01:20:40,668 --> 01:20:43,137 He's become quite co-dependent on her 1912 01:20:43,237 --> 01:20:45,473 being the reason for his healing. 1913 01:20:45,573 --> 01:20:46,974 And I think he is slowly trying 1914 01:20:47,750 --> 01:20:48,476 to come to terms with the fact 1915 01:20:48,576 --> 01:20:50,979 that he may need to do this on his own, ultimately, 1916 01:20:51,790 --> 01:20:52,513 and you're right, it's a very interesting, 1917 01:20:52,613 --> 01:20:56,651 different dynamic to explore more of his own inner self 1918 01:20:56,751 --> 01:20:58,152 because it's such an important thing, 1919 01:20:58,252 --> 01:21:00,388 as we know in life, you can't come into a relationship 1920 01:21:00,488 --> 01:21:02,557 with 50 percent and the other person is 50 percent, 1921 01:21:02,657 --> 01:21:06,194 you both need to come at 100 percent, and you know... 1922 01:21:06,294 --> 01:21:08,396 So yeah, it's very interesting to-- to play that, 1923 01:21:08,496 --> 01:21:10,465 and it's actually really nice to-- to explore that 1924 01:21:10,565 --> 01:21:13,301 within the character for me. 1925 01:21:13,401 --> 01:21:14,769 [Louise Lombard] [VO] Hardin's journey of redemption 1926 01:21:14,869 --> 01:21:17,539 takes him far from home and deep into his past. 1927 01:21:17,639 --> 01:21:18,673 -Oh. F-- 1928 01:21:18,773 --> 01:21:20,342 [Natalie] Um-- 1929 01:21:20,442 --> 01:21:21,576 [Louise Lombard] [VO] He starts by making amends 1930 01:21:21,676 --> 01:21:24,579 with a young woman named Natalie. 1931 01:21:24,679 --> 01:21:26,380 -[chuckles] 1932 01:21:26,480 --> 01:21:29,183 -I'll come back. -[Hardin] Yeah, you do that. 1933 01:21:29,283 --> 01:21:30,718 -Fucking look. All right. 1934 01:21:30,819 --> 01:21:32,587 All right, I'll bet you this. -[Hardin laughs] 1935 01:21:32,687 --> 01:21:35,900 Done. 1936 01:21:35,190 --> 01:21:36,924 -But I'll need proof. 1937 01:21:37,240 --> 01:21:39,326 [Director] Cut! 1938 01:21:39,426 --> 01:21:41,280 [Louise Lombard] [VO] In the past, Natalie fell victim 1939 01:21:41,128 --> 01:21:42,530 to the same kind of bet 1940 01:21:42,630 --> 01:21:44,699 that started everything with Tessa. 1941 01:21:44,799 --> 01:21:47,735 Except this time, a video of her affair with Hardin 1942 01:21:47,835 --> 01:21:50,238 was posted online. 1943 01:21:50,338 --> 01:21:53,407 The impact on Natalie's life was so significant 1944 01:21:53,507 --> 01:21:56,111 that she had no choice but to leave her home. 1945 01:21:57,945 --> 01:21:59,380 [Mimi Keene] [VO] The last thing you expect in life 1946 01:21:59,480 --> 01:22:01,382 is your family to turn against you 1947 01:22:01,482 --> 01:22:05,530 and everyone's opinion to change on you 1948 01:22:05,153 --> 01:22:09,557 based on one thing you did that, you know, 1949 01:22:09,657 --> 01:22:12,293 should be a private thing, you should be able to do it. 1950 01:22:12,393 --> 01:22:15,496 And it shouldn't be a big deal but this one tiny thing 1951 01:22:15,596 --> 01:22:18,132 that she's done-- this one mistake-- 1952 01:22:18,233 --> 01:22:22,236 has turned everything upside down in her life. 1953 01:22:22,336 --> 01:22:25,840 So, she has to come here to start again, 1954 01:22:25,940 --> 01:22:27,909 and I think that's what she's done. 1955 01:22:28,090 --> 01:22:29,711 -[indistinct chatter] 1956 01:22:29,811 --> 01:22:30,945 [Louise Lombard] [VO] Hardin goes to find Natalie 1957 01:22:31,450 --> 01:22:33,247 in Portugal 1958 01:22:33,347 --> 01:22:36,184 but quickly makes an enemy of her friend Sebastian: 1959 01:22:36,284 --> 01:22:39,987 a rebel with almost as much attitude as Hardin, 1960 01:22:40,870 --> 01:22:42,590 and even more tattoos. 1961 01:22:42,690 --> 01:22:46,260 -I'm this, uh-- let's say bad boy but good boy, 1962 01:22:46,360 --> 01:22:49,264 that's very protective towards Natalie. 1963 01:22:49,364 --> 01:22:52,333 And when-- Hardin comes back in the equation, 1964 01:22:52,433 --> 01:22:57,105 I really get very upset about it because I know what Hardin did. 1965 01:22:57,205 --> 01:22:58,606 Even if she-- 1966 01:22:58,706 --> 01:23:01,308 kind of forgive him, I-- I'm not forgiving him. 1967 01:23:01,408 --> 01:23:03,845 So, I'm very mad about it. 1968 01:23:03,945 --> 01:23:05,446 -You like to fuck with girls, right? 1969 01:23:05,546 --> 01:23:06,648 How about I fuck with you? 1970 01:23:06,748 --> 01:23:07,949 [grunts] 1971 01:23:10,451 --> 01:23:12,286 [Natalie] Both of you, stop! 1972 01:23:12,386 --> 01:23:15,490 -[grunts] [spits] 1973 01:23:15,590 --> 01:23:19,327 [grunts] 1974 01:23:19,427 --> 01:23:22,330 -[girls shouting] 1975 01:23:24,598 --> 01:23:25,967 -[Sebastian grunts] 1976 01:23:34,943 --> 01:23:36,311 Get up, you little shit! 1977 01:23:37,946 --> 01:23:39,981 -[Hardin grunts, coughs] 1978 01:23:43,951 --> 01:23:46,200 [Director] And cut! 1979 01:23:46,120 --> 01:23:49,357 -[man] Did I get you? -[Hero Fiennes] Yeah, bro. 1980 01:23:49,457 --> 01:23:51,492 -[woman] I'm so sorry. -It's okay. No, it's okay. 1981 01:23:51,592 --> 01:23:53,528 Making movies, living the dream, guys. 1982 01:23:53,628 --> 01:23:54,862 [woman] Sorry. I apologise. 1983 01:23:54,962 --> 01:23:56,431 [Benjamin Mascolo] [VO] He's such a great guy. 1984 01:23:56,531 --> 01:23:58,533 So, the funny thing is that we-- we would like, you know, 1985 01:23:58,633 --> 01:24:00,902 do our moves, play the scene, and at the end of the scene 1986 01:24:01,020 --> 01:24:03,371 when it was cut, I was always like, "Are you okay, bro?" 1987 01:24:03,471 --> 01:24:05,840 And he's like, "Are you okay?" Like-- it was a lot of love. 1988 01:24:05,940 --> 01:24:08,175 But during the scene, a lot of fighting, you know. 1989 01:24:08,275 --> 01:24:09,677 [man] It actually looked good. 1990 01:24:09,777 --> 01:24:11,879 [Louise Lombard] [VO] Dealing with the consequences 1991 01:24:11,980 --> 01:24:13,681 of your actions can certainly be painful-- 1992 01:24:13,781 --> 01:24:15,820 -[Benjamin] Are you okay? -[Hero Fiennes] Yeah. Yeah. 1993 01:24:15,182 --> 01:24:16,160 [Louise Lombard] [VO] --but Hero sees that pain 1994 01:24:16,116 --> 01:24:18,520 as important. 1995 01:24:18,152 --> 01:24:19,530 [Hero Fiennes] [VO] I think it's a big part of growing up, 1996 01:24:19,153 --> 01:24:20,688 isn't it? 1997 01:24:20,788 --> 01:24:24,759 Taking responsibility and-- and not shying away from-- 1998 01:24:24,859 --> 01:24:26,461 from issues and things 1999 01:24:26,561 --> 01:24:28,195 that you may have caused and not being a coward towards-- 2000 01:24:28,295 --> 01:24:29,897 I mean, it takes-- it takes-- 2001 01:24:29,997 --> 01:24:32,566 it takes a lot to admit that you're wrong and that you've-- 2002 01:24:32,667 --> 01:24:36,437 you've, you know, made a mistake. And... 2003 01:24:36,537 --> 01:24:38,206 And sometimes it's not as easy as saying you're sorry. 2004 01:24:38,306 --> 01:24:40,207 Sometimes people don't wanna hear sorry. 2005 01:24:40,307 --> 01:24:41,609 Sometimes you need-- 2006 01:24:41,709 --> 01:24:43,110 people just wanna see that you've become better. 2007 01:24:43,211 --> 01:24:44,913 That's the best apology that you can give, is-- 2008 01:24:45,130 --> 01:24:48,249 is for them to see that you-- that you, you know, 2009 01:24:48,349 --> 01:24:50,584 that you really-- you really are sorry to yourself 2010 01:24:50,684 --> 01:24:51,886 and you wanna change 2011 01:24:51,986 --> 01:24:53,387 and you don't wanna be like that anymore. 2012 01:24:53,487 --> 01:24:54,955 That's almost the most meaningful apology you can give. 2013 01:24:55,550 --> 01:24:56,590 [Mimi Keene] You were going... 2014 01:24:56,690 --> 01:24:57,892 [Louise Lombard] [VO] The AFTER series has never been afraid 2015 01:24:57,992 --> 01:24:59,994 to grapple with serious themes, 2016 01:25:00,940 --> 01:25:03,630 and AFTER EVERYTHING is no different, 2017 01:25:03,163 --> 01:25:06,568 this time addressing a very real problem for today's youth: 2018 01:25:06,668 --> 01:25:08,569 online bullying. 2019 01:25:08,669 --> 01:25:11,272 As always, the film's approach to this issue 2020 01:25:11,372 --> 01:25:13,107 was not taken lightly. 2021 01:25:13,207 --> 01:25:14,242 [Mimi Keene] I just hope he's gonna get it... 2022 01:25:14,342 --> 01:25:15,843 -Online bullying, addiction, 2023 01:25:15,943 --> 01:25:17,845 are real issues that people deal with. 2024 01:25:17,945 --> 01:25:21,148 And when you make a movie that is 2025 01:25:21,248 --> 01:25:25,453 as influential as AFTER is on the next generation coming up, 2026 01:25:25,553 --> 01:25:27,588 I think it's very important to talk about those issues 2027 01:25:27,688 --> 01:25:30,900 because those are things that maybe they know someone 2028 01:25:30,191 --> 01:25:31,792 or that they're dealing with themselves. 2029 01:25:31,959 --> 01:25:34,661 And to have somebody you relate to dealing with that on screen 2030 01:25:34,762 --> 01:25:35,996 and seeing how they handle it, 2031 01:25:36,970 --> 01:25:38,633 and then also in this movie showing him 2032 01:25:38,733 --> 01:25:40,868 come out of that in a positive way 2033 01:25:40,969 --> 01:25:42,269 and seeing things turn around in his life 2034 01:25:42,369 --> 01:25:44,204 I think is extremely important. 2035 01:25:44,304 --> 01:25:47,808 Because not everyone has a good role model in their life 2036 01:25:47,908 --> 01:25:49,777 or someone to show them that it's possible to 2037 01:25:49,877 --> 01:25:51,512 get out of their current situation. 2038 01:25:51,612 --> 01:25:54,150 So, we take our job very seriously 2039 01:25:54,115 --> 01:25:55,449 when it comes to that, 2040 01:25:55,549 --> 01:25:57,618 knowing the responsibility of influencing people 2041 01:25:57,718 --> 01:25:58,620 through cinema. 2042 01:26:00,421 --> 01:26:02,523 [Louise Lombard] [VO] But as serious as its themes are, 2043 01:26:02,623 --> 01:26:06,293 AFTER EVERYTHING is also a lot of fun. 2044 01:26:06,393 --> 01:26:08,662 Its sun-kissed seaside location 2045 01:26:08,762 --> 01:26:10,798 provides an interesting counterpoint 2046 01:26:10,898 --> 01:26:13,534 to the first four films. 2047 01:26:13,634 --> 01:26:15,350 [Brian Pitt] [VO] We were picking a location; 2048 01:26:15,135 --> 01:26:17,972 we wanted somewhere that would open the film up. 2049 01:26:18,720 --> 01:26:19,473 So, the last few films, 2050 01:26:19,573 --> 01:26:22,143 especially shooting in Bulgaria for-- for Seattle and-- 2051 01:26:22,243 --> 01:26:23,578 and doubling it for the US, 2052 01:26:23,678 --> 01:26:26,981 we kept the scope very small, a lot of interiors. 2053 01:26:27,810 --> 01:26:29,216 The exteriors weren't quite as big. Uh-- 2054 01:26:29,316 --> 01:26:31,510 So, what we wanted to do is really open this up 2055 01:26:31,152 --> 01:26:34,488 and go for more of a vacation style vibe 2056 01:26:34,588 --> 01:26:36,991 and really allow the characters 2057 01:26:37,910 --> 01:26:39,326 to get out into, you know, the world, 2058 01:26:39,426 --> 01:26:40,861 and this beautiful environment. 2059 01:26:40,961 --> 01:26:43,397 And we looked at a few countries, 2060 01:26:43,497 --> 01:26:46,330 and somebody had a friend in Portugal. 2061 01:26:46,133 --> 01:26:47,568 [laughs] 2062 01:26:47,668 --> 01:26:49,670 So, I started looking at some photos and was like, 2063 01:26:49,770 --> 01:26:51,706 "Oh my God, this place is amazing. This is perfect." 2064 01:26:51,806 --> 01:26:53,841 -It's interesting. I think it's really nice to show them 2065 01:26:53,941 --> 01:26:55,176 in a completely different environment, 2066 01:26:55,276 --> 01:26:56,511 to show Hardin in a different environment. 2067 01:26:56,611 --> 01:26:57,912 And what was actually quite interesting 2068 01:26:58,120 --> 01:26:59,547 is showing the transition between what he wears 2069 01:26:59,647 --> 01:27:02,216 because we're so used to seeing him in head-to-toe black, 2070 01:27:02,316 --> 01:27:06,387 lots of layers, skinny jeans. But out here, obviously, 2071 01:27:06,487 --> 01:27:08,890 the costume actually plays a big part in how-- 2072 01:27:08,189 --> 01:27:10,358 in how that changes. 2073 01:27:10,458 --> 01:27:12,250 So, it's actually really nice to-- 2074 01:27:12,125 --> 01:27:14,228 to bring him to a completely different part of the world 2075 01:27:14,328 --> 01:27:16,864 and-- and kind of see how he-- he responds to 2076 01:27:16,964 --> 01:27:19,867 that environment. And I mean, yeah. 2077 01:27:19,967 --> 01:27:22,703 I-- I couldn't ask for a better place to be "working." 2078 01:27:22,803 --> 01:27:24,738 I mean, yesterday we had a scene on the beach 2079 01:27:24,838 --> 01:27:28,376 where I'm just working opposite some lovely talented actors 2080 01:27:28,476 --> 01:27:31,445 and just having a lovely conversation. 2081 01:27:31,546 --> 01:27:33,447 They called for lunch, I swam in the sea, 2082 01:27:33,547 --> 01:27:35,917 and after lunch, we're just doing some walking scenes. 2083 01:27:36,170 --> 01:27:40,287 And I honestly said to everyone, "This is and probably will be 2084 01:27:40,388 --> 01:27:42,556 the best working day of my life forever." 2085 01:27:42,656 --> 01:27:45,920 Honestly, yesterday was, yeah-- 2086 01:27:45,192 --> 01:27:48,562 I'm so lucky to be able to do this job. 2087 01:27:48,662 --> 01:27:51,432 But-- I do think back to the days in minus temperatures, 2088 01:27:51,532 --> 01:27:55,236 getting in and out of a hot tub in Bulgaria and-- 2089 01:27:55,336 --> 01:27:57,104 and some other less pleasant filming scenarios. 2090 01:27:57,204 --> 01:27:58,973 So, maybe I've earned this, maybe not. 2091 01:27:59,730 --> 01:28:00,408 But no-- I'm so-- I'm so grateful. 2092 01:28:00,508 --> 01:28:02,409 I'm so lucky. Portugal is beautiful. 2093 01:28:02,510 --> 01:28:03,777 I'm so-- I'm so happy that they've allowed us 2094 01:28:03,877 --> 01:28:05,813 to come here and shoot the movie. 2095 01:28:05,913 --> 01:28:07,748 -[tense music playing] 2096 01:28:05,913 --> 01:28:07,748 -You know, I read your book. 2097 01:28:07,848 --> 01:28:11,285 So, what happened with Tessa? 2098 01:28:11,385 --> 01:28:13,870 [Louise Lombard] [VO] Now that Tessa and Hardin's story 2099 01:28:13,221 --> 01:28:16,924 has concluded on the big screen, is AFTER really over? 2100 01:28:17,250 --> 01:28:19,260 As true fans know, nothing in this world is 2101 01:28:19,360 --> 01:28:20,595 ever simple and decided. 2102 01:28:22,563 --> 01:28:27,601 -This is a real universe. We can expand it. We will. 2103 01:28:27,701 --> 01:28:29,436 -We are working on some other versions. 2104 01:28:29,537 --> 01:28:32,607 There is the-- series BEFORE. 2105 01:28:32,707 --> 01:28:35,309 There's the Landon series. 2106 01:28:35,409 --> 01:28:37,611 So, we have a few things in the mix. 2107 01:28:37,712 --> 01:28:40,414 We have the next generation in the mix, 2108 01:28:40,514 --> 01:28:43,151 and that's where we-- we go on the journey with 2109 01:28:43,251 --> 01:28:45,620 Tessa and Hardin's kids. 2110 01:28:45,720 --> 01:28:47,387 So, there-- there's a lot of little things in the mix 2111 01:28:47,487 --> 01:28:50,240 and we're just waiting for the right moment, and right time, 2112 01:28:50,124 --> 01:28:53,661 and the right cast, and all the things to come together. 2113 01:28:53,761 --> 01:28:58,165 -We feel... it has a long way to go. 2114 01:28:58,266 --> 01:29:00,134 -[laughs] It's all right. It's not too bad. 2115 01:29:00,234 --> 01:29:01,468 [Louise Lombard] [VO] And so, the AFTERVERSE 2116 01:29:01,568 --> 01:29:03,804 may continue to expand, 2117 01:29:03,904 --> 01:29:07,175 though the faces in front of the camera will probably change. 2118 01:29:07,275 --> 01:29:08,476 Then again... 2119 01:29:08,576 --> 01:29:09,911 -Never say never. 2120 01:29:10,110 --> 01:29:11,378 Last time I said it was the last one 2121 01:29:11,478 --> 01:29:12,847 and we came to do another. 2122 01:29:12,947 --> 01:29:15,315 But really, I think eventually I have to step back 2123 01:29:15,416 --> 01:29:17,651 and let someone else come and take the story 2124 01:29:17,751 --> 01:29:20,320 or a spin-off or something. But I'll always be around. 2125 01:29:20,421 --> 01:29:22,990 You know, AFTER will always remain in a-- 2126 01:29:23,900 --> 01:29:24,392 in a really special place in my heart. 2127 01:29:24,492 --> 01:29:26,693 So, I think it will be the last one. 2128 01:29:26,794 --> 01:29:29,997 But-- it's always gonna be a part of my life. 2129 01:29:30,970 --> 01:29:31,599 [Director] And action! 2130 01:29:31,699 --> 01:29:32,866 [ambient music playing] 2131 01:29:32,966 --> 01:29:33,767 [Louise Lombard] [VO] AFTER has not only 2132 01:29:33,867 --> 01:29:35,303 has changed Hero's life, 2133 01:29:35,403 --> 01:29:37,939 it has changed the lives of everyone 2134 01:29:38,390 --> 01:29:39,773 who has been part of this adventure, 2135 01:29:39,873 --> 01:29:43,544 including the millions of Afternators around the world. 2136 01:29:43,644 --> 01:29:46,814 For all of us-- writers, directors, producers, 2137 01:29:46,914 --> 01:29:48,516 actors, and fans-- 2138 01:29:48,616 --> 01:29:51,752 there was life before the AFTER saga, and then, 2139 01:29:51,853 --> 01:29:54,521 there was everything AFTER... 2140 01:29:54,621 --> 01:29:55,890 -Pretty much, every few months, 2141 01:29:55,990 --> 01:30:00,270 I still have a moment of "This is my life?" 2142 01:30:00,127 --> 01:30:02,796 The first movie, I feel like the publications of the books 2143 01:30:02,896 --> 01:30:05,599 and the first movie just went so fast 2144 01:30:05,699 --> 01:30:07,902 that I never really had the chance to soak it in. 2145 01:30:08,020 --> 01:30:10,370 But I had no idea what I was getting into. 2146 01:30:10,470 --> 01:30:11,606 In the best way. 2147 01:30:11,706 --> 01:30:14,408 -It's a big part of my life. [laughs] 2148 01:30:14,508 --> 01:30:16,610 It's a very, very big part of my life. 2149 01:30:16,710 --> 01:30:18,245 It is, yeah. 2150 01:30:18,345 --> 01:30:20,781 One day, you read something and then, next thing you know, 2151 01:30:20,881 --> 01:30:23,417 it's taking over. But it's-- it's sad in a way 2152 01:30:23,517 --> 01:30:26,200 that it's-- it's close to coming to an end. 2153 01:30:26,120 --> 01:30:27,621 But we'll see! I don't know. 2154 01:30:27,721 --> 01:30:31,291 -I think from the first day on set of AFTER until now, 2155 01:30:31,391 --> 01:30:34,761 I've learned so much just in terms of filmmaking 2156 01:30:34,862 --> 01:30:37,932 and the behind-the-scenes process of movies. 2157 01:30:38,320 --> 01:30:42,636 So, I'm just really grateful to have had that experience. 2158 01:30:42,736 --> 01:30:45,939 -The most beautiful thing for me about playing this character 2159 01:30:46,400 --> 01:30:48,776 and making these movies is when I meet people 2160 01:30:48,876 --> 01:30:51,445 who say that AFTER has changed their life 2161 01:30:51,546 --> 01:30:53,481 and sometimes, they say it's saved their life. 2162 01:30:53,581 --> 01:31:00,870 And I honestly feel like setting out to do a romance story, 2163 01:31:00,187 --> 01:31:01,855 even though it has these darker aspects, 2164 01:31:01,955 --> 01:31:07,194 I never expected people to take such strong motivation 2165 01:31:07,294 --> 01:31:10,932 and advice and encouragement to try and, like Hardin does, 2166 01:31:11,320 --> 01:31:12,433 be the best version of themselves. 2167 01:31:12,533 --> 01:31:16,269 And the amount of fans I've met whose lives have changed 2168 01:31:16,369 --> 01:31:18,672 and they tell me their lives have changed because of AFTER, 2169 01:31:18,772 --> 01:31:19,773 I would have never expected it 2170 01:31:19,873 --> 01:31:21,142 and it's the most beautiful thing. 2171 01:31:21,242 --> 01:31:23,430 And I'm-- I'm just-- I'm so proud and honoured 2172 01:31:23,143 --> 01:31:26,130 and grateful to be able to-- to ultimately help people. 2173 01:31:26,113 --> 01:31:27,347 When you're making a movie, 2174 01:31:27,448 --> 01:31:28,882 you think people are just gonna watch this, 2175 01:31:28,982 --> 01:31:30,184 and they'll be entertained, and they'll talk about it. 2176 01:31:30,284 --> 01:31:32,453 But no, people have lifelong friendships, 2177 01:31:32,553 --> 01:31:35,656 people really heal holes within themselves, and honestly, 2178 01:31:35,756 --> 01:31:37,991 I'm-- I'm so grateful for the opportunity 2179 01:31:38,920 --> 01:31:40,527 to be able to do that and-- and help people. 2180 01:31:40,627 --> 01:31:43,130 I never thought when I said, "Yeah, I'll do this audition" 2181 01:31:43,230 --> 01:31:45,666 that I'd be helping so many people in this, you know-- 2182 01:31:45,766 --> 01:31:48,536 It's the most beautiful thing about my job, hands down. 2183 01:31:48,636 --> 01:31:51,506 [ambient music playing] 2184 01:31:53,407 --> 01:31:54,508 [Tessa] [VO] There are moments in our lives 2185 01:31:54,608 --> 01:31:56,811 that seem to define us... 2186 01:31:59,413 --> 01:32:01,983 moments we keep going back to. 2187 01:32:03,951 --> 01:32:07,321 My life before him was so simple and decided. 2188 01:32:10,324 --> 01:32:12,693 And now after him... 2189 01:32:12,793 --> 01:32:14,195 there's just... 2190 01:32:16,960 --> 01:32:17,398 AFTER. 2191 01:32:19,166 --> 01:32:22,690 [♪] 2192 01:32:25,506 --> 01:32:27,400 [Tessa] Come on. Get up. 2193 01:32:27,140 --> 01:32:28,750 We're gonna be late. 2194 01:32:30,811 --> 01:32:31,745 -Cause I-- 2195 01:32:31,845 --> 01:32:33,681 -[Tessa laughs] 2196 01:32:33,781 --> 01:32:35,716 -You haven't had your spinach, have you? 2197 01:33:03,710 --> 01:33:06,714 [♪] 2198 01:33:21,695 --> 01:33:24,650 [music fades out] 165884

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.