Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:06,906 --> 00:00:07,807
[beep]
2
00:00:14,581 --> 00:00:17,484
[electricity crackles]
3
00:00:27,493 --> 00:00:28,494
[man] Action!
4
00:00:28,594 --> 00:00:29,662
[Sebastian] [screams] Woo!
5
00:00:29,762 --> 00:00:31,630
[clapperboard snaps]
6
00:00:31,163 --> 00:00:32,164
[Louise Lombard] [VO]
It takes courage
7
00:00:32,264 --> 00:00:34,734
to jump into something new.
8
00:00:34,834 --> 00:00:36,735
But if you're brave enough,
9
00:00:36,836 --> 00:00:39,839
your new book
could become a phenomenon,
10
00:00:39,939 --> 00:00:43,208
your movie could become
a franchise...
11
00:00:43,309 --> 00:00:46,379
and your love
could captivate millions.
12
00:00:46,479 --> 00:00:48,470
[man] All right!
13
00:00:48,147 --> 00:00:50,850
[Louise Lombard] [VO] So join us
for a look at all things AFTER,
14
00:00:50,950 --> 00:00:54,200
and find out what happens
when you dare to take the leap.
15
00:00:54,120 --> 00:00:55,540
[Hardin] Let's go!
16
00:00:55,154 --> 00:00:56,890
[screams] Woo!
17
00:01:00,593 --> 00:01:01,761
[Louise Lombard] [VO] Here
we are on the southern coast
18
00:01:01,861 --> 00:01:02,996
of Portugal,
on a beautiful beach
19
00:01:03,960 --> 00:01:05,532
hidden in the
heart of the Algarve.
20
00:01:05,632 --> 00:01:07,599
[waves lapping shore]
21
00:01:07,700 --> 00:01:08,902
That's the filming location
for a movie
22
00:01:09,135 --> 00:01:13,439
awaited by tens of millions of
fans worldwide,
23
00:01:13,539 --> 00:01:17,577
the controversial latest
installment in the AFTER saga.
24
00:01:17,677 --> 00:01:19,912
[waves splashing]
25
00:01:20,120 --> 00:01:21,880
[clapperboard snaps]
26
00:01:21,981 --> 00:01:24,284
-What-- What are you--
[laughs]
27
00:01:24,384 --> 00:01:27,553
[peaceful music playing]
28
00:01:27,653 --> 00:01:29,288
[Louise Lombard] [VO]
AFTER, the story of
29
00:01:29,388 --> 00:01:30,823
Tessa and Hardin's love,
30
00:01:30,924 --> 00:01:33,892
has captivated millions
around the world.
31
00:01:33,993 --> 00:01:35,462
It's a complicated love story
32
00:01:35,562 --> 00:01:37,960
between a disturbed teenage boy
-[thunder rumbling]
33
00:01:37,196 --> 00:01:39,131
[Louise Lombard] [VO]
--struggling with
his own demons
34
00:01:39,231 --> 00:01:40,800
and a driven young woman
35
00:01:40,900 --> 00:01:42,635
on the threshold of womanhood.
- [romantic music playing]
36
00:01:42,735 --> 00:01:44,103
[Louise Lombard] [VO]
It's a romance that is
37
00:01:44,203 --> 00:01:46,972
not afraid to embrace
its innocence,
38
00:01:47,730 --> 00:01:50,810
sensuality... and emotions...
39
00:01:50,910 --> 00:01:52,911
[peaceful music playing]
40
00:01:53,110 --> 00:01:56,116
A generational love story
that has captivated millions.
41
00:01:59,719 --> 00:02:02,154
[waves lapping shore]
42
00:02:02,254 --> 00:02:03,656
On the sands of this beach,
43
00:02:03,756 --> 00:02:06,626
Hero Fiennes Tiffin
draws a temporary symbol of
44
00:02:06,726 --> 00:02:09,262
Hardin's everlasting love
for Tessa.
45
00:02:11,430 --> 00:02:15,134
A love that has inspired
thousands of pages,
46
00:02:15,234 --> 00:02:17,837
captivated
millions of readers,
47
00:02:17,937 --> 00:02:21,070
and made hearts tremble
all over the world.
48
00:02:23,542 --> 00:02:26,245
So come with us
beyond the romance,
49
00:02:26,345 --> 00:02:29,616
beyond the phenomenon,
beyond AFTER...
50
00:02:30,717 --> 00:02:33,620
[perky music playing]
51
00:02:41,961 --> 00:02:45,131
[romantic music playing]
52
00:02:45,231 --> 00:02:47,533
In the summer of 2018--
53
00:02:47,633 --> 00:02:49,101
-Sorry.
54
00:02:49,201 --> 00:02:50,969
[Louise Lombard] [VO]
--on the set of the first film,
55
00:02:51,700 --> 00:02:53,739
Josephine Langford
and Hero Fiennes Tiffin
56
00:02:53,839 --> 00:02:57,090
had no idea the love story
they were about to tell
57
00:02:57,109 --> 00:02:59,479
would change their lives
forever...
58
00:03:01,614 --> 00:03:05,151
a love story that began as
fan fiction online,
59
00:03:05,251 --> 00:03:07,353
then made its way
onto bookshelves
60
00:03:07,453 --> 00:03:09,989
before arriving on screens
all over the world.
61
00:03:10,890 --> 00:03:11,690
-[cheering]
62
00:03:11,790 --> 00:03:14,260
[Louise Lombard] [VO] Today,
the AFTER universe encompasses
63
00:03:14,127 --> 00:03:17,290
thousands of pages
published on Wattpad,
64
00:03:17,129 --> 00:03:21,166
seven books translated
into over 30 languages,
65
00:03:21,266 --> 00:03:24,360
five feature films,
a documentary,
66
00:03:24,136 --> 00:03:26,672
and most importantly,
a fan base numbering
67
00:03:26,772 --> 00:03:28,507
in the tens of millions.
68
00:03:28,607 --> 00:03:33,913
-[chanting] Hero! Hero! Hero!
Hero! Hero! Hero!
69
00:03:34,130 --> 00:03:35,514
[Louise Lombard] [VO]
Here we are in the midst of
70
00:03:35,614 --> 00:03:39,152
filming movies 3 and 4
in Bulgaria.
71
00:03:39,252 --> 00:03:41,587
This shoot was intended
to be secret,
72
00:03:41,687 --> 00:03:43,155
but nothing can prevent fans
73
00:03:43,255 --> 00:03:45,357
from showing their love
for AFTER,
74
00:03:45,457 --> 00:03:48,270
and the talented actors who
portray their favourite couple.
75
00:03:48,127 --> 00:03:50,530
-[Hero Fiennes] I love you!
-[cheering]
76
00:03:50,630 --> 00:03:53,999
[ambient music playing]
77
00:03:54,100 --> 00:03:55,300
[Louise Lombard] [VO]
But why did AFTER
78
00:03:55,501 --> 00:03:58,871
inspire so much enthusiasm
from its fans?
79
00:03:58,971 --> 00:04:01,807
What about this intimate
romance
ignited such passion
80
00:04:01,908 --> 00:04:04,843
from a generation of readers?
81
00:04:04,943 --> 00:04:09,115
How did AFTER become
such a global phenomenon?
82
00:04:09,215 --> 00:04:11,284
-Why is the AFTER series
so successful?
83
00:04:11,384 --> 00:04:14,386
-It's wish fulfillment.
It's, whether it's bringing you
84
00:04:14,486 --> 00:04:17,256
back to a time in your life or,
85
00:04:17,356 --> 00:04:22,610
you know, making you feel
young again, romantic...
86
00:04:22,161 --> 00:04:25,640
A good romance
can span generations.
87
00:04:25,164 --> 00:04:28,167
-I think it's largely
[stutters] driven by, um,
88
00:04:28,268 --> 00:04:31,470
young kids, young girls,
finding their way.
89
00:04:31,570 --> 00:04:34,640
They're working their way
through love in their life.
90
00:04:34,740 --> 00:04:38,444
-Everybody loves love.
91
00:04:38,544 --> 00:04:43,149
And I think everyone can relate
to toxic love. [laughs]
92
00:04:43,249 --> 00:04:45,651
-I actually was in a
relationship when I was younger
93
00:04:45,751 --> 00:04:48,754
that reminds me a little bit of
Tessa and Hardin's relationship,
94
00:04:48,854 --> 00:04:50,756
and I-- I don't think
I'm the only person
95
00:04:50,857 --> 00:04:52,291
who's experienced that before.
96
00:04:52,391 --> 00:04:55,427
-It's a sort of fantasy idea
of what life can be,
97
00:04:55,527 --> 00:04:56,962
but it's not without
its difficulties.
98
00:04:57,630 --> 00:04:59,598
-Romance isn't necessarily
always beautiful,
99
00:04:59,698 --> 00:05:01,700
and that's what the books are.
100
00:05:01,800 --> 00:05:04,103
And I think that's what people
love so much about the books.
101
00:05:04,203 --> 00:05:05,804
-What's so magical about
the story that she's told,
102
00:05:05,904 --> 00:05:07,773
she didn't shy away
from the problems
103
00:05:07,873 --> 00:05:09,508
that other people label
as, like, toxic,
104
00:05:09,608 --> 00:05:11,277
but they're problems
in relationships that
105
00:05:11,377 --> 00:05:13,345
real people have
in their lives. And...
106
00:05:13,446 --> 00:05:17,182
And I think so bravely
tackling that is what--
107
00:05:17,282 --> 00:05:20,286
it was part of the key to--
key to its success.
108
00:05:20,386 --> 00:05:22,621
-It makes sense
why it's connected--
109
00:05:22,721 --> 00:05:25,157
as a movie and as the books,
you know,
110
00:05:25,257 --> 00:05:27,293
it's-- it's
such a global phenomenon.
111
00:05:27,393 --> 00:05:29,862
-But it's a relationship story,
112
00:05:29,962 --> 00:05:32,865
and who doesn't love
a relationship story? [laughs]
113
00:05:32,965 --> 00:05:34,333
-Everybody can relate to this.
114
00:05:34,433 --> 00:05:37,303
Even if, you know,
you're 45 or 60,
115
00:05:37,403 --> 00:05:39,205
everybody had their first love.
116
00:05:39,305 --> 00:05:41,307
[Mark Canton] You could
just tell that young women
117
00:05:41,407 --> 00:05:44,977
who were reading this book
in millions and millions
118
00:05:45,770 --> 00:05:46,845
and millions of copies
around the world,
119
00:05:46,945 --> 00:05:48,347
were relating to it.
120
00:05:48,447 --> 00:05:49,916
-And it's also sexy!
121
00:05:50,160 --> 00:05:54,320
It's a-- it's a sexy series,
and sexiness tends to sell.
122
00:05:54,420 --> 00:05:56,689
-I don't know if I've ever been
a part of something
123
00:05:56,789 --> 00:05:59,725
that was quite as popular
as this-- this series,
124
00:05:59,825 --> 00:06:01,327
and it's-- it's really cool.
125
00:06:01,427 --> 00:06:06,165
-It all just
worked perfectly and--
126
00:06:06,265 --> 00:06:09,202
[stutters] I don't know
why it's so good! [laughs]
127
00:06:09,302 --> 00:06:11,203
-None of us can really explain
the AFTER effect or--
128
00:06:11,303 --> 00:06:14,060
or why this has resonated
with so many people,
129
00:06:14,106 --> 00:06:16,576
but it just has, and we're
just really lucky that it has.
130
00:06:16,676 --> 00:06:18,410
[peaceful music playing]
131
00:06:18,510 --> 00:06:20,913
[Louise Lombard] [VO]
It all started with Anna Todd.
132
00:06:21,130 --> 00:06:24,250
In 2013, she picked
up her phone
to write the first words of
133
00:06:24,350 --> 00:06:27,754
what would soon become
an entire universe:
134
00:06:27,854 --> 00:06:29,188
the AFTERVERSE.
135
00:06:29,288 --> 00:06:33,580
Anna has always been
a fan of romance.
136
00:06:33,158 --> 00:06:34,526
-I just always read.
137
00:06:34,626 --> 00:06:37,563
I liked romance most,
obviously.
138
00:06:37,663 --> 00:06:38,931
And I was at a point
where I felt like
139
00:06:39,310 --> 00:06:41,330
I had read all the romances,
140
00:06:41,133 --> 00:06:43,903
and I just kept reading
the same books.
141
00:06:44,030 --> 00:06:45,604
They were all different books,
but it just felt like
142
00:06:45,704 --> 00:06:47,606
the same thing over and over.
143
00:06:47,706 --> 00:06:51,760
And I just thought, oh,
I'll find something on Wattpad.
144
00:06:51,176 --> 00:06:53,278
And then, on Wattpad,
145
00:06:53,379 --> 00:06:56,315
I read everything,
and I was stuck again.
146
00:06:56,415 --> 00:06:58,885
And I only wanted to read
fan fiction at that point.
147
00:06:58,985 --> 00:07:02,870
And everything I
was reading was
all Harry Styles fan fiction.
148
00:07:02,187 --> 00:07:06,391
And I got completely obsessed
with fan fiction--
149
00:07:06,491 --> 00:07:10,229
decided one day just out of
boredom to write my own--
150
00:07:10,329 --> 00:07:13,666
because there was nothing
that was like really keeping me.
151
00:07:13,766 --> 00:07:17,470
And I started a chapter
for no reason,
152
00:07:17,570 --> 00:07:19,338
just on a random Sunday.
153
00:07:19,438 --> 00:07:22,141
And I didn't have any followers
or any reason to think
154
00:07:22,241 --> 00:07:23,575
that people would
actually read it.
155
00:07:23,675 --> 00:07:26,450
[whimsical music playing]
156
00:07:26,145 --> 00:07:28,581
[Louise Lombard] [VO] Initially,
AFTER was written as fan fiction
157
00:07:28,681 --> 00:07:30,820
centered around characters
158
00:07:30,182 --> 00:07:33,485
heavily inspired by
the boy band One Direction,
159
00:07:33,585 --> 00:07:38,124
particularly its iconic singer
Harry Styles.
160
00:07:38,224 --> 00:07:39,792
It was fiction intended
for the literary
161
00:07:39,892 --> 00:07:41,993
sharing platform Wattpad,
162
00:07:42,940 --> 00:07:44,663
a free website that
allows users to read
163
00:07:44,764 --> 00:07:47,300
and publish original stories.
164
00:07:48,534 --> 00:07:51,503
On Thursday,
April 11th, 2013,
165
00:07:51,603 --> 00:07:55,708
Anna posted the first chapter
of AFTER on Wattpad.
166
00:07:55,808 --> 00:07:59,445
She continued to
post constantly
for the next 15 months
167
00:07:59,545 --> 00:08:02,448
until July 4th, 2014,
168
00:08:02,548 --> 00:08:08,687
when Anna posted the 295th
and final chapter of AFTER.
169
00:08:08,787 --> 00:08:09,989
[audiobook] [VO] Chapter 1.
170
00:08:10,890 --> 00:08:11,323
"Tessa!!"
171
00:08:11,424 --> 00:08:12,792
[Anna Todd] [VO]
I wrote the first chapter,
172
00:08:12,892 --> 00:08:17,329
and it just-- it felt like,
almost like addicting.
173
00:08:17,429 --> 00:08:18,731
That's a very general term.
174
00:08:18,831 --> 00:08:22,968
But I just felt so--
the like rush of writing.
175
00:08:23,680 --> 00:08:24,636
So, I did it again
and again and again.
176
00:08:24,736 --> 00:08:28,641
[chuckles] And then it became
popular pretty quickly online.
177
00:08:30,142 --> 00:08:32,711
[Louise Lombard] [VO]
Popular is an understatement.
178
00:08:32,811 --> 00:08:37,149
AFTER has more than a billion
reads on Wattpad.
179
00:08:37,249 --> 00:08:39,819
Yes, you heard that right,
a billion!
180
00:08:43,956 --> 00:08:46,758
At the headquarters of
Wattpad Studio in Toronto,
181
00:08:46,858 --> 00:08:49,194
they still can't believe it.
182
00:08:49,294 --> 00:08:51,263
- AFTER has been an adventure
from day one.
183
00:08:51,363 --> 00:08:54,232
And the-- the people
who are running our site,
184
00:08:54,333 --> 00:08:55,701
who are running the platform
of Wattpad,
185
00:08:55,801 --> 00:08:59,040
came up to us and said,
"Hey-- like,
186
00:08:59,104 --> 00:09:00,305
everyone on the platform today
187
00:09:00,406 --> 00:09:02,408
is reading AFTER ,
and we almost crashed.
188
00:09:02,508 --> 00:09:04,176
Does anyone know what AFTER is?"
189
00:09:04,276 --> 00:09:06,945
And we all stopped
and started reading AFTER .
190
00:09:07,450 --> 00:09:11,160
It was immediately obvious
why people loved it so much.
191
00:09:11,117 --> 00:09:13,753
You know, Anna has
such a phenomenal voice,
192
00:09:13,853 --> 00:09:15,788
such a phenomenal connection
with her audience.
193
00:09:15,888 --> 00:09:19,591
I mean, they really see and
look up to her as a mentor and
194
00:09:19,691 --> 00:09:22,270
just really can dive into
her universe
195
00:09:22,127 --> 00:09:24,630
in a-- in a phenomenal way.
196
00:09:24,163 --> 00:09:25,531
So, when you're
looking for stories
197
00:09:25,631 --> 00:09:28,333
that are really audience
driven like we do every day,
198
00:09:28,434 --> 00:09:30,602
there was no better example
than AFTER.
199
00:09:30,702 --> 00:09:33,606
This isn't like
a Twilight there,
200
00:09:33,706 --> 00:09:35,441
where a whole book showed up
on a shelf one day
201
00:09:35,541 --> 00:09:38,511
and some people bought it
and read it and talked
about it,
202
00:09:38,611 --> 00:09:40,946
maybe on forums online
or on Twitter.
203
00:09:41,460 --> 00:09:43,449
This was a story that was
created on a platform,
204
00:09:43,549 --> 00:09:44,717
that grew on a platform,
205
00:09:44,817 --> 00:09:47,552
that was published
week after week by Anna.
206
00:09:47,652 --> 00:09:49,721
And fans grew up with it.
207
00:09:49,821 --> 00:09:54,793
And so, their understanding of
the-- the journey of that story,
208
00:09:54,893 --> 00:09:57,263
their understanding of
the universe is so much deeper
209
00:09:57,363 --> 00:10:00,232
than someone who just went
and bought a book off the shelf.
210
00:10:00,332 --> 00:10:02,567
[Louise Lombard] [VO]
Wattpad's platform
enabled AFTER
211
00:10:02,667 --> 00:10:03,969
to become one of
the most widely read
212
00:10:04,690 --> 00:10:06,138
romances of the past decade.
213
00:10:06,238 --> 00:10:10,276
And the entire series was
written on the author's phone.
214
00:10:10,376 --> 00:10:12,278
[Anna Todd] [VO] It's just so
much faster to type
on my phone,
215
00:10:12,378 --> 00:10:14,112
and the urgency.
216
00:10:14,212 --> 00:10:16,415
So, if I feel something,
or if I hear a conversation,
217
00:10:16,515 --> 00:10:21,853
or see someone that just
makes my imagination go off,
218
00:10:21,953 --> 00:10:23,623
I'll just need to write then.
219
00:10:23,723 --> 00:10:27,920
And if I waited until
my "scheduled writing time"
220
00:10:27,192 --> 00:10:30,960
then the story would just die,
and it would be boring.
221
00:10:30,196 --> 00:10:32,998
And I just like the urgency
of writing on my phone,
222
00:10:33,990 --> 00:10:35,934
and I like the urgency
of posting on Wattpad--
223
00:10:36,340 --> 00:10:37,469
and getting immediate feedback.
224
00:10:37,569 --> 00:10:40,172
It's like having
thousands of editors.
225
00:10:43,410 --> 00:10:45,100
[Louise Lombard] [VO] Wattpad
is an interactive platform,
226
00:10:45,110 --> 00:10:47,779
which means that every day,
on every page,
227
00:10:47,879 --> 00:10:49,648
in every chapter,
Anna received notes
228
00:10:49,748 --> 00:10:52,651
and comments directly
from her readers
229
00:10:52,751 --> 00:10:54,820
so she could better
understand and respond
230
00:10:54,920 --> 00:10:57,456
to what they wanted
from the story.
231
00:10:57,556 --> 00:11:00,125
Ten years ago,
this unconventional approach
232
00:11:00,225 --> 00:11:03,461
to writing would
not have been possible.
233
00:11:03,562 --> 00:11:04,863
[Aaron Levitz] [VO]
One of the things that
234
00:11:04,964 --> 00:11:07,332
makes us unique is our--
is the platform, right?
235
00:11:07,432 --> 00:11:09,602
Not just the amazing creators
and the stories on it--
236
00:11:09,702 --> 00:11:11,504
and that's everything
that we produce on
237
00:11:11,604 --> 00:11:12,671
Wattpad, WEBTOON Studios
238
00:11:12,771 --> 00:11:14,240
does come off
either of the platforms.
239
00:11:14,340 --> 00:11:18,177
But it's also understanding
why the audience loves that
240
00:11:18,277 --> 00:11:21,480
and that comes through comments,
and it comes through data.
241
00:11:21,580 --> 00:11:23,315
It comes through
understanding the parts that
242
00:11:23,415 --> 00:11:26,652
audiences really clamoured for,
243
00:11:26,752 --> 00:11:28,320
and the parts that audiences
were like
244
00:11:28,420 --> 00:11:29,822
"Eh, that didn't really
interest us,"
245
00:11:29,922 --> 00:11:32,358
and understanding why they love
that tertiary character
246
00:11:32,458 --> 00:11:35,994
more than one of the leads
in the story.
247
00:11:36,940 --> 00:11:38,230
[Louise Lombard] [VO] Gradually,
more and more people
248
00:11:38,330 --> 00:11:40,699
caught on to the phenomenon.
249
00:11:40,799 --> 00:11:42,667
-And then publishers started
reaching out to me.
250
00:11:42,767 --> 00:11:45,738
And at first, I was like,
what are you talking about?
251
00:11:45,838 --> 00:11:47,706
Why would you want to publish
my Harry Styles book?
252
00:11:47,806 --> 00:11:49,508
I don't understand.
253
00:11:49,608 --> 00:11:53,379
And then, it got published.
Was successful.
254
00:11:53,479 --> 00:11:55,848
Which, there's always
the kind of doubt:
255
00:11:55,948 --> 00:11:58,417
will it be only successful
online for free,
256
00:11:58,517 --> 00:12:00,553
or will people actually buy it?
257
00:12:00,653 --> 00:12:04,390
And then, I sold a lot of books.
[chuckles]
258
00:12:04,490 --> 00:12:06,692
[Louise Lombard] [VO] Publisher
Simon & Schuster won the deal
259
00:12:06,792 --> 00:12:08,360
and the first book, AFTER,
260
00:12:08,460 --> 00:12:12,300
was released
on October 21, 2014.
261
00:12:12,130 --> 00:12:13,866
Over the next 14 months,
262
00:12:13,966 --> 00:12:16,702
four more installments
in the series were published:
263
00:12:16,802 --> 00:12:18,700
AFTER WE COLLIDED,
264
00:12:18,170 --> 00:12:19,571
AFTER WE FELL,
265
00:12:19,671 --> 00:12:21,106
AFTER EVER HAPPY,
266
00:12:21,206 --> 00:12:25,244
and the prequel BEFORE,
as well as two spin-offs.
267
00:12:25,344 --> 00:12:27,880
The books have been published
in multiple countries,
268
00:12:27,980 --> 00:12:29,748
translated into
over 30 languages,
269
00:12:29,848 --> 00:12:34,386
and have sold tens of millions
of copies worldwide.
270
00:12:34,486 --> 00:12:36,254
Between the success
of the books
271
00:12:36,354 --> 00:12:38,957
and its popularity on Wattpad,
AFTER has become
272
00:12:39,570 --> 00:12:42,261
one of romance fans'
favourite stories.
273
00:12:42,361 --> 00:12:44,896
The series is a massive
work of fiction,
274
00:12:44,996 --> 00:12:47,266
spanning thousands of pages.
275
00:12:48,667 --> 00:12:50,235
[Anna Todd] [VO] Yeah, well,
I wrote them all
276
00:12:50,335 --> 00:12:52,904
in the beginning
as one big book,
277
00:12:53,040 --> 00:12:55,140
and the only reason
that Wattpad has three
278
00:12:55,240 --> 00:12:58,611
is because I went to upload
the 101 chapter,
279
00:12:58,711 --> 00:12:59,912
and it didn't allow me.
280
00:13:00,120 --> 00:13:01,146
And I was like,
"oh, what happened?"
281
00:13:01,246 --> 00:13:02,580
Like, I thought my account
was going to be
282
00:13:02,680 --> 00:13:03,648
like locked or something.
283
00:13:03,748 --> 00:13:05,117
I didn't know
what was going on.
284
00:13:05,217 --> 00:13:07,486
But it was just because
it was too heavy, the file,
285
00:13:07,586 --> 00:13:08,920
like it was too long.
286
00:13:09,210 --> 00:13:12,891
So, I had to basically
start the second one.
287
00:13:12,991 --> 00:13:16,940
That's why it says AFTER 2
instead of AFTER WE COLLIDED.
288
00:13:16,194 --> 00:13:17,963
And then the third one, I had
to start because of that,
289
00:13:18,630 --> 00:13:21,933
but in my head,
it's all just one big saga.
290
00:13:22,330 --> 00:13:23,502
But when we were publishing it,
291
00:13:23,602 --> 00:13:26,939
we basically did it off of
every one has a cliffhanger--
292
00:13:27,390 --> 00:13:29,341
every chapter does, but
every book has a cliffhanger.
293
00:13:29,441 --> 00:13:31,276
So, we kind of sectioned it
294
00:13:31,376 --> 00:13:34,446
where it made sense
to stop the novel.
295
00:13:34,546 --> 00:13:36,281
Except for the third one,
which I didn't realize
296
00:13:36,381 --> 00:13:39,618
was going to be like 890 pages.
297
00:13:39,718 --> 00:13:41,953
And even the publisher--
we had to change my deal,
298
00:13:42,530 --> 00:13:44,122
because they thought
they just bought three books,
299
00:13:44,222 --> 00:13:47,158
and when they got the actual
length of the Wattpad version,
300
00:13:47,259 --> 00:13:51,330
it's 250,000 more words
than the published one.
301
00:13:51,430 --> 00:13:54,933
So, the Wattpad version
is like ten books!
302
00:13:55,330 --> 00:13:57,869
[Louise Lombard] [VO]
Such a staggering page count
303
00:13:57,970 --> 00:14:00,172
didn't scare away her readers.
304
00:14:00,272 --> 00:14:06,144
Instead, they devoured the
love story of Tessa and Hardin.
305
00:14:06,244 --> 00:14:07,979
But what was it
about this romance
306
00:14:08,790 --> 00:14:09,982
that readers
couldn't get enough of?
307
00:14:11,450 --> 00:14:13,551
-I'm not afraid to
take risks in writing,
308
00:14:13,651 --> 00:14:17,222
and I'm not afraid of, you know,
backlash if Hardin's too mean,
309
00:14:17,322 --> 00:14:20,392
or Tessa's too emotional, or
the themes that are dark,
310
00:14:20,492 --> 00:14:22,494
and there's a lot of
addiction themes,
311
00:14:22,594 --> 00:14:24,290
whether it's them being
addicted to each other,
312
00:14:24,129 --> 00:14:27,733
or Hardin being addicted
to alcohol, um--
313
00:14:27,833 --> 00:14:30,202
or Tessa, you know,
being very self-deprecating
314
00:14:30,302 --> 00:14:33,172
and very, trying to be
this image of
315
00:14:33,272 --> 00:14:34,339
what she's supposed to be,
316
00:14:34,439 --> 00:14:36,208
and that is relatable
to people.
317
00:14:36,308 --> 00:14:38,209
And the characters
are so flawed,
318
00:14:38,309 --> 00:14:40,780
and I love romance,
319
00:14:40,178 --> 00:14:41,747
but there are a lot of times
where I feel,
320
00:14:41,847 --> 00:14:43,810
because I had, you know,
321
00:14:43,181 --> 00:14:44,916
grew up in a house
full of addicts,
322
00:14:45,160 --> 00:14:48,187
I've had a lot of the same
traumatic things as Hardin.
323
00:14:48,287 --> 00:14:49,755
So, for me,
when I'm reading romance
324
00:14:49,855 --> 00:14:53,592
and every woman is perfect
and she's-- every man loves her,
325
00:14:53,692 --> 00:14:55,360
and they get in one fight,
and then they get married,
326
00:14:55,460 --> 00:14:57,195
it's like,
that's not realistic.
327
00:14:57,295 --> 00:14:58,430
I've been married
since I was 18,
328
00:14:58,530 --> 00:15:00,310
and that is not how it works.
[chuckles]
329
00:15:00,132 --> 00:15:02,735
So, I just think it was
refreshing for people
330
00:15:02,835 --> 00:15:04,869
to read things,
especially younger girls,
331
00:15:04,969 --> 00:15:07,205
to read things and think
"Oh, wow,
332
00:15:07,305 --> 00:15:10,309
I don't have to be perfect,
and, you know,
333
00:15:10,409 --> 00:15:12,410
getting a man's attention
is not the only thing I need."
334
00:15:12,510 --> 00:15:14,579
Because I also have
intelligent characters.
335
00:15:14,679 --> 00:15:18,550
Hardin is a literature major
who quotes classic literature.
336
00:15:18,650 --> 00:15:20,418
And usually,
if you get a bad boy,
337
00:15:20,518 --> 00:15:22,587
it's like he just
only gets in fights,
338
00:15:22,687 --> 00:15:24,422
and he has no depth.
339
00:15:24,522 --> 00:15:27,125
So, I think
it's all of those reasons,
340
00:15:27,225 --> 00:15:29,595
but I think it's just
the addicting nature
341
00:15:29,695 --> 00:15:31,463
of their relationship.
342
00:15:31,563 --> 00:15:33,231
[Louise Lombard] [VO]
Jennifer Gibgot is one of
343
00:15:33,331 --> 00:15:34,800
the producers of the films.
344
00:15:34,900 --> 00:15:38,236
She discovered AFTER
and fought for Anna Todd's
345
00:15:38,336 --> 00:15:42,407
romantic saga to make its way
to the big screen.
346
00:15:42,507 --> 00:15:45,760
For her,
AFTER was an opportunity
347
00:15:45,176 --> 00:15:48,800
to tell a new
kind of love story.
348
00:15:48,180 --> 00:15:50,248
[Jennifer Gibgot]
The thing that I really loved
349
00:15:50,348 --> 00:15:52,283
about the story is that
350
00:15:52,383 --> 00:15:56,922
it's really about a very
damaged guy who's an alcoholic,
351
00:15:57,220 --> 00:15:59,792
and it's about a young girl
who, they meet,
352
00:15:59,892 --> 00:16:03,796
and she saves him.
Her love saves him
353
00:16:03,896 --> 00:16:06,297
and makes him wanna be
a better person.
354
00:16:06,398 --> 00:16:07,765
So, you know, even though
you're reading it
355
00:16:07,866 --> 00:16:10,936
and obviously it's like
super sexy to read it
356
00:16:11,360 --> 00:16:15,441
and you get invested in
the passion and all of that,
357
00:16:15,541 --> 00:16:18,109
at its core,
it's a love story about
358
00:16:18,209 --> 00:16:20,112
how love can save people.
359
00:16:20,212 --> 00:16:22,915
And that's what
I really responded to.
360
00:16:23,150 --> 00:16:24,650
So, I thought
it was actually important
361
00:16:24,750 --> 00:16:27,652
to bring that story to life
for a young audience because
362
00:16:27,753 --> 00:16:31,290
so many people struggle
with alcohol addiction,
363
00:16:31,390 --> 00:16:34,325
and I think
it's an important story.
364
00:16:34,426 --> 00:16:35,961
[Louise Lombard] [VO]
Today, AFTER fans
365
00:16:36,610 --> 00:16:37,162
can watch the love story
366
00:16:37,262 --> 00:16:39,665
play out in
five successful films,
367
00:16:39,765 --> 00:16:41,834
but the transition
from book to film
368
00:16:41,934 --> 00:16:44,020
was far from simple.
369
00:16:44,103 --> 00:16:45,804
[Jennifer Gibgot] [VO]
So, the story is,
370
00:16:45,904 --> 00:16:47,405
I had actually been one of
371
00:16:47,505 --> 00:16:50,475
the producers in the running
for Fifty Shades of Grey,
372
00:16:50,575 --> 00:16:52,177
because I read those books
373
00:16:52,277 --> 00:16:55,481
and I contacted the agent
very early on.
374
00:16:55,581 --> 00:16:58,817
So she gave me a few studios
who were bidding on it
375
00:16:58,917 --> 00:17:02,955
and Universal came in, bought it
for five million dollars,
376
00:17:03,550 --> 00:17:05,991
I lost the rights
so I was very bummed out
377
00:17:06,910 --> 00:17:07,892
and I went to my friend's house
378
00:17:07,992 --> 00:17:10,728
and her husband
worked at Wattpad.
379
00:17:10,829 --> 00:17:13,265
And I was telling them
this story and he said,
380
00:17:13,365 --> 00:17:16,168
"Oh, well, if you wanted to
produce Fifty Shades of Grey ,
381
00:17:16,268 --> 00:17:17,402
you need to read AFTER ."
382
00:17:17,503 --> 00:17:19,204
And I said, "What's AFTER ?"
383
00:17:19,304 --> 00:17:20,906
and he said, "You have to go
on Wattpad and read it."
384
00:17:21,060 --> 00:17:23,875
So, I actually read it
on Wattpad,
385
00:17:23,975 --> 00:17:25,944
and I reached out to him
right away
386
00:17:26,440 --> 00:17:28,513
and I said,
"I need to produce this!"
387
00:17:28,613 --> 00:17:31,182
-Our first stop for
the film was-- was, uh,
388
00:17:31,283 --> 00:17:33,418
with Offspring Entertainment,
with Jen Gibgot.
389
00:17:33,518 --> 00:17:35,354
We were introduced to Jen--
390
00:17:35,454 --> 00:17:38,723
through, uh--
some colleagues in LA.
391
00:17:38,823 --> 00:17:40,391
You know, she has
such a great history
392
00:17:40,491 --> 00:17:44,196
with this type of content, with
being able to pull romance,
393
00:17:44,296 --> 00:17:46,197
a little bit of laughs
here and there,
394
00:17:46,298 --> 00:17:49,868
and really understanding that
audience that AFTER has already
395
00:17:49,968 --> 00:17:52,270
in the fandom that's--
that's driven by it.
396
00:17:52,370 --> 00:17:54,272
And we really hit it off
and felt, you know,
397
00:17:54,372 --> 00:17:57,609
we both brought some great
things to the project,
398
00:17:57,709 --> 00:18:01,460
Jen and, Offspring Entertainment
and Wattpad,
399
00:18:01,146 --> 00:18:03,949
as producers-- and obviously
had a real ability
400
00:18:04,490 --> 00:18:06,718
to amplify Anna's voice,
401
00:18:06,818 --> 00:18:09,988
Anna's fandom,
through film adaptation.
402
00:18:10,880 --> 00:18:11,890
So, once we decided
to work together,
403
00:18:11,990 --> 00:18:15,426
our first stop was
Paramount Studios.
404
00:18:15,526 --> 00:18:17,362
[Jennifer Gibgot] [VO] So,
I sold the movie to Paramount,
405
00:18:17,462 --> 00:18:20,933
and we were in development
there
for four years.
406
00:18:21,330 --> 00:18:25,737
And during that time,
Instagram had just started to
407
00:18:25,837 --> 00:18:27,572
become a real thing.
408
00:18:27,672 --> 00:18:34,120
Um-- This was back in 2014
and Anna had tagged me
409
00:18:34,112 --> 00:18:37,115
in a couple of photos
on her Instagram
410
00:18:37,215 --> 00:18:39,150
saying that I was
the producer of movie.
411
00:18:39,250 --> 00:18:41,787
And so, every single day,
412
00:18:41,887 --> 00:18:43,922
these young girls
from all over the world
413
00:18:44,220 --> 00:18:46,910
starting writing to me
through Instagram saying,
414
00:18:46,191 --> 00:18:48,426
"When are you gonna make AFTER ?
When are you gonna make AFTER ?"
415
00:18:48,526 --> 00:18:50,829
And I was, you know,
busy producing other movies
416
00:18:50,929 --> 00:18:52,597
and I would see their messages,
417
00:18:52,697 --> 00:18:56,100
but after four years
they never went away.
418
00:18:56,200 --> 00:18:58,360
They just kept writing me!
419
00:18:58,136 --> 00:19:00,272
So, finally I went to Paramount
and I said, you know,
420
00:19:00,372 --> 00:19:01,606
"If you guys aren't
gonna make this,
421
00:19:01,706 --> 00:19:04,475
you have to give me
the rights back."
422
00:19:04,575 --> 00:19:06,110
So, they agreed to do it.
423
00:19:06,210 --> 00:19:07,512
They said,
"You can have them back,
424
00:19:07,612 --> 00:19:10,149
but only if you make
the movie independently."
425
00:19:12,316 --> 00:19:13,952
From the moment
that Paramount said
426
00:19:14,520 --> 00:19:17,622
that they would give it back,
it happened very, very quickly.
427
00:19:17,722 --> 00:19:19,958
We had about
three different people
428
00:19:20,580 --> 00:19:23,494
wanting to invest in the movie
and pay for it.
429
00:19:23,595 --> 00:19:25,297
It wasn't, you know,
an expensive movie.
430
00:19:25,397 --> 00:19:28,300
We knew we could make it
for a price, so,
431
00:19:28,400 --> 00:19:29,634
you know, compared to
like obviously
432
00:19:29,735 --> 00:19:31,970
these big action movies
and things like that.
433
00:19:32,700 --> 00:19:34,339
So, I had three people
who wanted to do it
434
00:19:34,439 --> 00:19:38,142
and I ended up going with
Courtney Solomon and Mark Canton
435
00:19:38,243 --> 00:19:40,545
because they were
the people that said,
436
00:19:40,645 --> 00:19:45,416
we'll give you six months of
a commitment, meaning, like,
437
00:19:45,516 --> 00:19:48,353
at the end of the six months
if we don't make this movie
438
00:19:48,453 --> 00:19:50,210
we'll give it back to you.
439
00:19:50,121 --> 00:19:53,491
And I agreed based on that.
440
00:19:53,591 --> 00:19:54,926
I was like, [stutters]
and I had obviously
441
00:19:55,270 --> 00:19:56,861
a conversation with Anna
and Wattpad, I was like,
442
00:19:56,961 --> 00:19:59,397
"Listen, out of the three people
that want to finance it,
443
00:19:59,497 --> 00:20:02,333
these are the only people that
are really willing to say like,
444
00:20:02,434 --> 00:20:04,020
'We either make it
or we give it back to you,
445
00:20:04,102 --> 00:20:06,370
no strings attached.'"
446
00:20:06,137 --> 00:20:07,773
-Beautiful. [sighs]
447
00:20:07,873 --> 00:20:09,740
The first time
I heard about AFTER
448
00:20:09,174 --> 00:20:12,510
was when my partner,
Courtney Solomon--
449
00:20:12,611 --> 00:20:15,413
knocked at my office
at our other offices
450
00:20:15,513 --> 00:20:20,685
and said "Bro, we have
this draft of a script
451
00:20:20,785 --> 00:20:23,188
based on these incredible books,
452
00:20:23,288 --> 00:20:26,391
and we should really overnight
take a look at it
453
00:20:26,491 --> 00:20:29,795
and get ready for a meeting.
It's very exciting."
454
00:20:29,895 --> 00:20:34,650
-Mark and I have both done
sort of a lot of action movies.
455
00:20:34,165 --> 00:20:36,367
I've done a lot of
horror movies.
456
00:20:36,467 --> 00:20:38,703
So, we were sort of
in different genres and,
457
00:20:38,803 --> 00:20:41,506
you know, we'd both done
certain franchise movies.
458
00:20:41,606 --> 00:20:46,444
And I'd been interested in
the sort of YA space, you know,
459
00:20:46,544 --> 00:20:49,547
looking at things like
Twilight and Hunger Games
460
00:20:49,647 --> 00:20:51,716
and how successful they were,
461
00:20:51,816 --> 00:20:53,284
and that if it's something
that's a really
462
00:20:53,384 --> 00:20:57,288
popular piece of IP,
like AFTER is,
463
00:20:57,388 --> 00:20:59,257
that there's a really, you know,
464
00:20:59,357 --> 00:21:02,600
strong fan base
that already comes with it
465
00:21:02,160 --> 00:21:04,329
that really is dying
to see the movie.
466
00:21:04,429 --> 00:21:07,990
-Yeah. I remember right away
reading the script and liking it
467
00:21:07,199 --> 00:21:10,301
and thinking of it
in the world of Twilight
468
00:21:10,402 --> 00:21:13,872
or other titles that had
such a huge audience.
469
00:21:13,972 --> 00:21:15,440
[Courtney Solomon] [VO]
This was a love story,
you know?
470
00:21:15,540 --> 00:21:17,842
So, I'd never tackled
a love story before,
471
00:21:17,942 --> 00:21:21,479
so it was interesting to sort of
deal with those characters,
472
00:21:21,579 --> 00:21:24,415
and that young age group,
and sort of first love
473
00:21:24,515 --> 00:21:27,180
and the passion of first love--
474
00:21:27,118 --> 00:21:29,488
that was, you know,
interesting to me.
475
00:21:29,588 --> 00:21:31,423
And that's really what it was
more than anything.
476
00:21:31,523 --> 00:21:33,458
More than the audience
preexisting
477
00:21:33,558 --> 00:21:35,259
or anything like that,
was first like,
478
00:21:35,359 --> 00:21:36,961
I was like,
"Oh, this is cool."
479
00:21:37,610 --> 00:21:39,631
-And so, you know, we--
we raised the money
480
00:21:39,731 --> 00:21:41,766
to make it independently,
and it became the highest
481
00:21:41,866 --> 00:21:44,602
grossing independent film
of 2019,
482
00:21:44,702 --> 00:21:47,710
we won the People's Choice,
the Teen Choice,
483
00:21:47,171 --> 00:21:49,708
and that's when
I felt vindicated.
484
00:21:49,808 --> 00:21:51,476
Like, I knew! [laughs]
485
00:21:51,576 --> 00:21:53,145
Because even when I got it
out of there,
486
00:21:53,245 --> 00:21:55,780
Paramount like was like
"Okay, you can have it back.
487
00:21:55,880 --> 00:21:58,150
We'll see, you know,
good luck!"
488
00:21:58,250 --> 00:22:00,184
[man] Okay.
Here we go, pictures up.
489
00:22:00,285 --> 00:22:01,186
[Louise Lombard] [VO]
Filming for AFTER
490
00:22:01,286 --> 00:22:05,123
began on July 18th, 2018.
491
00:22:05,223 --> 00:22:07,893
Anna Todd even has a cameo
in the film.
492
00:22:07,993 --> 00:22:09,628
[peaceful music playing]
493
00:22:09,728 --> 00:22:10,795
[Jennifer Gibgot] [VO]
By the time the movies
got made,
494
00:22:10,895 --> 00:22:12,630
she had a fandom already
495
00:22:12,730 --> 00:22:14,966
that was international.
496
00:22:15,660 --> 00:22:16,301
You know, she had sold,
as I said,
497
00:22:16,401 --> 00:22:17,835
15 million copies of her books,
498
00:22:17,935 --> 00:22:20,471
and that's just not even
counting all the reads
499
00:22:20,571 --> 00:22:22,507
that it got on Wattpad.
500
00:22:22,607 --> 00:22:26,143
Um, but she already had,
you know,
501
00:22:26,244 --> 00:22:30,147
500+ of her own followers
on just Instagram,
502
00:22:30,248 --> 00:22:32,317
and then more on Twitter
and more on Facebook.
503
00:22:32,417 --> 00:22:34,886
So, she-- she already
had a fandom.
504
00:22:34,986 --> 00:22:40,240
So, she felt an obligation
to make her fans happy
505
00:22:40,124 --> 00:22:42,694
and I was so happy to
have her involved because
506
00:22:42,794 --> 00:22:45,930
I knew that, you know,
only she would know truly
507
00:22:46,300 --> 00:22:47,565
what was really
important to them.
508
00:22:47,665 --> 00:22:51,350
We could all speculate,
but she had been involved,
509
00:22:51,135 --> 00:22:53,238
obviously, with the fans
since day one.
510
00:22:54,606 --> 00:22:56,174
[Louise Lombard] [VO]
So, Anna witnessed her story
511
00:22:56,274 --> 00:22:57,943
go from words on a page
512
00:22:58,430 --> 00:23:00,845
to scenes playing out
before her eyes.
513
00:23:00,946 --> 00:23:03,614
For the author, it was
a dream come true.
514
00:23:03,714 --> 00:23:04,616
[Anna Todd] [VO]
It's very validating
515
00:23:04,716 --> 00:23:06,517
and it's very surreal.
516
00:23:06,617 --> 00:23:09,588
There was this shot of them
on the bed yesterday.
517
00:23:09,688 --> 00:23:12,290
And it was Tessa was covered
mostly in a sheet
518
00:23:12,390 --> 00:23:15,193
and Hardin's head was on her
back and there was just this,
519
00:23:15,293 --> 00:23:17,195
just looking at it,
I completely forgot that
520
00:23:17,295 --> 00:23:20,650
I had anything to do with it,
and I was just like,
521
00:23:20,165 --> 00:23:22,330
"This is so beautiful!
522
00:23:22,133 --> 00:23:24,569
And this works."
And if I didn't--
523
00:23:24,669 --> 00:23:26,938
I think the ultimate test
as like a fan girl for me
524
00:23:27,380 --> 00:23:31,376
is that if I didn't create this,
I would be completely obsessed.
525
00:23:31,476 --> 00:23:32,944
Like, I would be the person
that would have like
526
00:23:33,440 --> 00:23:34,379
the AFTER fan account
527
00:23:34,479 --> 00:23:36,882
and the like following
everything they're doing,
528
00:23:36,982 --> 00:23:38,449
and I would be
completely obsessed
529
00:23:38,549 --> 00:23:39,917
like I was with Twilight .
530
00:23:40,170 --> 00:23:43,221
And I think it's hard
to find that like "magic,"
531
00:23:43,321 --> 00:23:47,259
and I'm just so fortunate
and lucky and grateful
532
00:23:47,359 --> 00:23:49,894
to have that in something
that I created.
533
00:23:49,994 --> 00:23:52,264
[water splashing]
534
00:23:52,364 --> 00:23:54,165
[Louise Lombard] [VO]
The magic of the AFTER films
535
00:23:54,265 --> 00:23:57,402
would not have been possible
without the undeniable
chemistry
536
00:23:57,502 --> 00:23:59,537
between its two main actors--
-[Tessa chuckles]
537
00:23:59,637 --> 00:24:00,939
[Louise Lombard] [VO]
Josephine Langford
538
00:24:01,390 --> 00:24:02,908
and Hero Fiennes Tiffin.
539
00:24:04,576 --> 00:24:06,478
[gentle music playing]
540
00:24:06,578 --> 00:24:08,747
For millions of fans,
it's now impossible
541
00:24:08,847 --> 00:24:12,350
to imagine anyone else
as Tessa and Hardin.
542
00:24:12,450 --> 00:24:16,488
But finding the right actors
for these roles wasn't easy.
543
00:24:16,588 --> 00:24:19,157
As soon as pre-production
started, the search
544
00:24:19,257 --> 00:24:22,594
for Tessa and Hardin was on.
545
00:24:22,694 --> 00:24:26,932
-We knew that finding
the perfect Hardin and Tessa
546
00:24:27,320 --> 00:24:29,634
was going to be
so hugely important.
547
00:24:29,734 --> 00:24:31,936
-Obviously, there was
a lot of pressure on casting
548
00:24:32,360 --> 00:24:33,471
because there was
a lot of anticipation
549
00:24:33,572 --> 00:24:36,141
from the existing audience
of, who's Hardin?
550
00:24:36,241 --> 00:24:37,308
Who's Tessa?
551
00:24:37,408 --> 00:24:38,843
You know, who are
these characters?
552
00:24:38,943 --> 00:24:40,678
-The most important thing was
553
00:24:40,778 --> 00:24:44,949
finding the right balance--
for the two roles.
554
00:24:45,490 --> 00:24:49,787
We did want to stick with,
our two leads
555
00:24:49,887 --> 00:24:53,358
in particular,
very close to the book.
556
00:24:53,458 --> 00:24:55,527
And we went through a number
of actors and actresses,
557
00:24:55,627 --> 00:24:57,628
we had a long search.
558
00:24:57,728 --> 00:25:00,665
-It was like, probably two years
of just constantly searching.
559
00:25:00,765 --> 00:25:04,350
Even before I knew
the movie was actually going,
560
00:25:04,135 --> 00:25:06,804
I just was so...
561
00:25:06,904 --> 00:25:09,373
I had no idea if we would ever
find the right person.
562
00:25:09,473 --> 00:25:10,975
-[muted chatter]
563
00:25:11,750 --> 00:25:13,440
[Louise Lombard] [VO] They
auditioned dozens of actors,
564
00:25:13,144 --> 00:25:18,820
but Hero Fiennes Tiffin
immediately stuck out.
565
00:25:18,182 --> 00:25:19,550
[Jennifer Gibgot] [VO]
We brought in Mary Vernieu,
566
00:25:19,650 --> 00:25:22,153
who's an incredible
casting director,
567
00:25:22,253 --> 00:25:25,190
she's cast some of
the biggest and best movies,
568
00:25:25,290 --> 00:25:29,227
and it's funny because at
our very first lunch with her,
569
00:25:29,327 --> 00:25:32,396
she said, "It's going to be
Hero Fiennes Tiffin." [laughs]
570
00:25:32,496 --> 00:25:34,466
At the very first!
She just knew.
571
00:25:34,566 --> 00:25:36,701
She had, I guess,
read him in the past.
572
00:25:36,801 --> 00:25:39,170
She just felt like
he was the character.
573
00:25:39,270 --> 00:25:43,508
And yet, we auditioned and
screen tested a bunch of guys.
574
00:25:43,608 --> 00:25:46,677
But, from the moment
he came into the office,
575
00:25:46,778 --> 00:25:49,881
we were all very excited
about him for Hardin.
576
00:25:49,981 --> 00:25:51,382
[photographer]
Yeah. Nice. There--
577
00:25:51,482 --> 00:25:53,351
[Louise Lombard] [VO]
Once they met with him,
578
00:25:53,451 --> 00:25:58,230
it was obvious to
the filmmakers
that Hero was Hardin Scott.
579
00:25:58,123 --> 00:26:00,658
[upbeat music playing]
580
00:26:00,758 --> 00:26:04,228
Before AFTER , Hero was known
for playing Tom Riddle,
581
00:26:04,328 --> 00:26:07,532
young Voldemort in
the sixth Harry Potter movie.
582
00:26:07,632 --> 00:26:10,235
The English actor was hired
alongside his uncle,
583
00:26:10,335 --> 00:26:14,539
Ralph Fiennes, who plays
the adult Voldemort
in the saga.
584
00:26:14,639 --> 00:26:17,375
Hero was 11 years old
when he was cast in the role.
585
00:26:19,343 --> 00:26:23,581
Nine years later, at age 20,
he was cast as Hardin Scott.
586
00:26:23,681 --> 00:26:26,384
In the meantime,
Hero was living the life
587
00:26:26,484 --> 00:26:28,386
of any aspiring young actor.
588
00:26:30,255 --> 00:26:32,570
-I was doing
a bunch of auditions.
589
00:26:32,157 --> 00:26:33,291
I was flipping burgers
590
00:26:33,391 --> 00:26:37,280
at a place called
Miss P's Barbeque.
591
00:26:37,128 --> 00:26:39,597
and I'd left school;
592
00:26:39,697 --> 00:26:41,733
I'd dropped out of school
the last year of school
593
00:26:41,833 --> 00:26:43,201
to try and just
pursue acting and--
594
00:26:43,301 --> 00:26:45,690
and done loads of auditions.
595
00:26:45,169 --> 00:26:47,471
And-- and I remember
the first one I did,
596
00:26:47,571 --> 00:26:49,240
I had done like three that day,
597
00:26:49,340 --> 00:26:50,942
and it was getting to a point
where I was just like
598
00:26:51,420 --> 00:26:53,110
"I hope I don't confuse
the other auditions
599
00:26:53,210 --> 00:26:54,145
with this one."
600
00:26:54,245 --> 00:26:56,313
I just go in, do my best,
601
00:26:56,413 --> 00:26:59,483
and I feel like I was so busy
and so I didn't overthink it.
602
00:26:59,583 --> 00:27:01,850
I was so run down
by the end of it
603
00:27:01,186 --> 00:27:03,254
and I feel like I almost
did a better audition
604
00:27:03,354 --> 00:27:05,590
because I wasn't overthinking
and trying too hard
605
00:27:05,690 --> 00:27:07,658
and it's funny
how that happens sometimes.
606
00:27:07,758 --> 00:27:09,427
And then there was
another audition,
607
00:27:09,527 --> 00:27:11,629
and then I was like,
"Right, they want me.
608
00:27:11,729 --> 00:27:13,300
Let's-- let's go for it."
609
00:27:13,131 --> 00:27:15,432
And then, another and another
and then, uh--
610
00:27:15,533 --> 00:27:17,469
I was flown out here to LA
to chemistry read
611
00:27:17,569 --> 00:27:19,040
and I was like, "All right,
this sounds,
612
00:27:19,104 --> 00:27:20,671
I don't think they're flying
a lot of people out here
613
00:27:20,771 --> 00:27:22,307
to chemistry read."
614
00:27:22,407 --> 00:27:24,309
I didn't actually audition
with Jo in the chemistry read
615
00:27:24,409 --> 00:27:26,678
which is interesting.
616
00:27:26,778 --> 00:27:29,213
But I don't know
exactly the process.
617
00:27:29,313 --> 00:27:30,815
I think she might have
auditioned for a different role
618
00:27:30,915 --> 00:27:32,450
at the time as well.
619
00:27:32,550 --> 00:27:35,620
And I got home,
and my agent from LA
620
00:27:35,720 --> 00:27:36,988
happened to be in London
at the time,
621
00:27:37,880 --> 00:27:40,458
so I had my English agent
and American agent.
622
00:27:40,558 --> 00:27:43,128
And we were at some café
and he was like,
623
00:27:43,228 --> 00:27:45,129
"Aw, you didn't get the role."
I was like, "What?"
624
00:27:45,229 --> 00:27:46,631
And the English agent
turned over and was like--
625
00:27:46,731 --> 00:27:48,132
I knew he was-- I knew
he was trying to pull my leg.
626
00:27:48,232 --> 00:27:49,800
And-- and then
obviously he was like,
627
00:27:49,900 --> 00:27:51,680
"No, you did get the role"
628
00:27:51,168 --> 00:27:53,370
and sent me on
a rollercoaster of emotions.
629
00:27:53,137 --> 00:27:56,207
And yeah, I mean, that's--
that was history, that was it.
630
00:27:56,307 --> 00:27:57,509
It was-- it was
a surreal process.
631
00:27:57,609 --> 00:27:59,770
I remember waking up each--
each morning
632
00:27:59,177 --> 00:28:01,145
and it did feel like a dream.
And yeah.
633
00:28:01,245 --> 00:28:02,813
And honestly it took me
like four years
634
00:28:02,913 --> 00:28:04,515
to finally go like, whew.
635
00:28:04,615 --> 00:28:07,851
This is it now. This is how--
But I'm-- I'm grateful for--
636
00:28:07,952 --> 00:28:10,488
for all of it
every step of the way and uh--
637
00:28:10,588 --> 00:28:11,689
Yeah. It's--
638
00:28:11,789 --> 00:28:13,191
I'll never forget
that whole process.
639
00:28:13,291 --> 00:28:15,260
It's almost nice to go through
and tell you about it
640
00:28:15,126 --> 00:28:18,329
and revise in my head exactly
how it all happened--
641
00:28:18,429 --> 00:28:20,831
cuz it really was like
life-changing, so.
642
00:28:20,932 --> 00:28:22,167
So, yeah.
643
00:28:23,734 --> 00:28:26,700
[Louise Lombard] [VO] Finding
Tessa was far more challenging.
644
00:28:26,171 --> 00:28:27,905
Josephine Langford's name
came up later
645
00:28:28,050 --> 00:28:30,575
in the casting process.
646
00:28:30,675 --> 00:28:35,847
In fact, the film
nearly started shooting with a
different Tessa.
647
00:28:35,947 --> 00:28:38,820
[Jennifer Gibgot] [VO]
Finding Tessa was--
648
00:28:38,182 --> 00:28:39,551
was more difficult.
649
00:28:39,651 --> 00:28:41,885
It was really crazy because
I would think that
650
00:28:41,986 --> 00:28:44,589
there would be so many young,
you know,
651
00:28:44,689 --> 00:28:47,691
blonde, beautiful actresses
because,
652
00:28:47,791 --> 00:28:49,394
you know, I did want her
to be cast
653
00:28:49,494 --> 00:28:52,830
the way that the character
was described.
654
00:28:52,930 --> 00:28:54,933
Josephine actually read
for a different role.
655
00:28:55,330 --> 00:28:56,868
She was in Australia
656
00:28:56,968 --> 00:28:59,571
and she read for
the role of Molly
657
00:28:59,671 --> 00:29:04,542
and we read her
over a video conference.
658
00:29:04,642 --> 00:29:06,210
From the moment that
we saw her,
659
00:29:06,310 --> 00:29:08,379
I was like, "That's our Tessa."
660
00:29:08,479 --> 00:29:12,150
So, I called her agent
and I said,
661
00:29:12,250 --> 00:29:14,886
"She needs to get on a plane
tomorrow and fly out here."
662
00:29:14,986 --> 00:29:16,860
[laughs]
663
00:29:16,186 --> 00:29:17,221
And they were like,
"Really? Really?"
664
00:29:17,321 --> 00:29:18,590
And I said, "Yes, she does."
665
00:29:18,690 --> 00:29:21,559
[ambient music playing]
666
00:29:21,659 --> 00:29:23,600
[Louise Lombard] [VO]
Josephine was also 20 years old
667
00:29:23,160 --> 00:29:26,970
when she was cast as Tessa.
668
00:29:26,197 --> 00:29:28,132
Prior to that,
the Australian actress
669
00:29:28,232 --> 00:29:32,690
had started making a name
for herself on Australian TV
670
00:29:32,169 --> 00:29:35,406
and in the American
horror movie
671
00:29:32,169 --> 00:29:35,406
WISH UPON.
672
00:29:37,675 --> 00:29:40,979
But Tessa would be
her first leading role...
673
00:29:41,790 --> 00:29:44,749
a role she knew came with
considerable expectations.
674
00:29:46,684 --> 00:29:48,653
Long before arriving on set,
675
00:29:48,753 --> 00:29:51,922
Josephine was aware of her
character's popularity
676
00:29:52,220 --> 00:29:53,324
among the book's fans.
677
00:29:55,260 --> 00:29:57,195
-I felt a responsibility
to get it right,
678
00:29:57,295 --> 00:29:58,596
to get the character right,
679
00:29:58,696 --> 00:30:01,198
for her to be
portrayed accurately
680
00:30:01,298 --> 00:30:06,603
and not as a two-dimensional
good girl caricature. Uh--
681
00:30:06,704 --> 00:30:11,308
But you can't really let
pressure or expectation
682
00:30:11,408 --> 00:30:14,278
get to you because I think
as an actor,
683
00:30:14,378 --> 00:30:16,947
it's important to make
your own choices
684
00:30:17,470 --> 00:30:20,651
and strong choices
and not choices, uh,
685
00:30:20,751 --> 00:30:23,187
just because you think
it's gonna appease someone
686
00:30:23,287 --> 00:30:24,856
or appease a group of people.
687
00:30:24,956 --> 00:30:31,328
So, it-- I mean, it was
a responsibility but uh-- Yeah.
688
00:30:31,428 --> 00:30:35,666
You just-- I think you just
can't let that get to you,
689
00:30:35,767 --> 00:30:38,969
knowing there's a lot of
people-- anticipating
690
00:30:39,690 --> 00:30:42,439
what you're going to do.
[chuckles]
691
00:30:42,539 --> 00:30:43,708
[Louise Lombard] [VO]
Hero took a different approach
692
00:30:43,808 --> 00:30:44,842
to understand the essence
693
00:30:44,942 --> 00:30:46,344
of his character.
694
00:30:46,444 --> 00:30:49,480
[upbeat music playing]
695
00:30:49,580 --> 00:30:50,814
[Hero Fiennes]
Hardin is very rarely
696
00:30:50,915 --> 00:30:53,650
like happy and [stutters]
you know, Hardin,
697
00:30:53,750 --> 00:30:54,919
when he's not with Tessa,
698
00:30:55,190 --> 00:30:56,387
and that's the beauty
of the story is that
699
00:30:56,487 --> 00:30:59,724
she brings out of him
his best version of himself.
700
00:30:59,824 --> 00:31:02,826
And without her, he finds it
near enough impossible--
701
00:31:02,927 --> 00:31:05,530
impossible to do that.
So, it's about him being
702
00:31:05,630 --> 00:31:07,231
able to not just rely on her
703
00:31:07,332 --> 00:31:10,735
but bring enough
to her as well.
704
00:31:10,835 --> 00:31:13,170
But also yeah, find--
find a way-- [clicks tongue]
705
00:31:13,271 --> 00:31:15,172
find a way to make it work
because, for him,
706
00:31:15,272 --> 00:31:16,341
that's life and death, that's--
707
00:31:16,441 --> 00:31:17,341
that's the only thing
that matters
708
00:31:17,441 --> 00:31:18,509
and that's what, you know,
709
00:31:18,609 --> 00:31:20,110
there's so much passion
in the story.
710
00:31:20,111 --> 00:31:21,345
[ambient music playing]
711
00:31:21,445 --> 00:31:22,680
[Louise Lombard] [VO]
Right from the start,
712
00:31:22,780 --> 00:31:25,349
that passion exploded
onto the screen.
713
00:31:25,449 --> 00:31:27,385
From the first call
of "action,"
714
00:31:27,485 --> 00:31:29,687
the chemistry between
the two young actors
715
00:31:29,787 --> 00:31:31,855
was undeniable.
716
00:31:31,956 --> 00:31:34,392
Josephine Langford
and Hero Fiennes Tiffin
717
00:31:34,492 --> 00:31:37,761
became Tessa and Hardin.
718
00:31:37,862 --> 00:31:39,897
[Mark Canton] [VO]
With Josephine and Hero,
719
00:31:39,997 --> 00:31:43,400
we clearly found
720
00:31:43,500 --> 00:31:48,372
that young couple
where the sparks on screen
721
00:31:48,472 --> 00:31:50,874
are really dynamic, you know.
722
00:31:50,974 --> 00:31:53,544
And they're both
fine young actors
723
00:31:53,644 --> 00:31:57,248
and they're both--
very professional,
724
00:31:57,348 --> 00:31:59,490
and that was an important part
of it too,
725
00:31:59,149 --> 00:32:00,885
when you're working
with young talent.
726
00:32:02,319 --> 00:32:03,420
[Jennifer Gibgot] [VO]
The big reason why the films
727
00:32:03,520 --> 00:32:04,888
are such a success
728
00:32:04,989 --> 00:32:08,225
is because they have
such great chemistry
729
00:32:08,325 --> 00:32:10,961
and because both of them
really embody the characters
730
00:32:11,610 --> 00:32:12,630
that are on the page.
731
00:32:12,730 --> 00:32:15,990
It was really, really important
to find the right people.
732
00:32:15,199 --> 00:32:17,335
And I'm so glad because,
733
00:32:17,435 --> 00:32:20,104
whatever the fans may say,
I know that they're really happy
734
00:32:20,204 --> 00:32:22,439
with who we picked
for Hardin and Tessa.
735
00:32:22,539 --> 00:32:24,976
-The fans that went and saw it
were just so happy
736
00:32:25,760 --> 00:32:27,745
to see something that they've
been following for years,
737
00:32:27,845 --> 00:32:30,814
and they were so happy with
Hero and Josephine as casting.
738
00:32:30,914 --> 00:32:33,784
I personally think that
Hero and Jo's chemistry
739
00:32:33,884 --> 00:32:36,421
carried the film,
and it made it impossible--
740
00:32:36,521 --> 00:32:37,821
even if you've never
read the books--
741
00:32:37,921 --> 00:32:40,657
it made it impossible to
look away from the screen.
742
00:32:40,757 --> 00:32:42,827
[pop music playing]
743
00:32:42,927 --> 00:32:44,762
[Louise Lombard] [VO] Where did
their chemistry come from?
744
00:32:44,862 --> 00:32:47,765
Why did sparks fly
so immediately?
745
00:32:47,865 --> 00:32:51,010
It remains a mystery,
even for Hero and Josephine,
746
00:32:51,101 --> 00:32:54,739
but it's pretty clear
they were made for these roles.
747
00:32:54,839 --> 00:32:56,206
[Josephine Langford] [VO]
We actually didn't
748
00:32:56,306 --> 00:32:57,341
get the opportunity to
have a chemistry read
749
00:32:57,441 --> 00:32:58,943
on the first film,
750
00:32:59,430 --> 00:33:01,979
so we sort of met
and it was like, this is it.
751
00:33:02,790 --> 00:33:03,180
[laughs] Uh--
752
00:33:03,280 --> 00:33:06,116
So, I think we were just
really lucky
753
00:33:06,217 --> 00:33:07,318
that when we met
and we started rehearsing,
754
00:33:07,418 --> 00:33:10,321
we-- we had chemistry.
755
00:33:10,421 --> 00:33:11,722
-I feel like maybe
it had something to do with--
756
00:33:11,822 --> 00:33:14,858
with it was both our first time
doing lead roles,
757
00:33:14,958 --> 00:33:16,360
that we were almost in it
together
758
00:33:16,460 --> 00:33:18,295
and if we felt something
or we disagreed with production
759
00:33:18,395 --> 00:33:19,830
or direction or anything,
760
00:33:19,930 --> 00:33:22,166
we almost had to rely
on each other.
761
00:33:22,266 --> 00:33:25,969
We were the only kind of
support that each other had
762
00:33:26,700 --> 00:33:27,839
because we were fighting
the exact same battle
763
00:33:27,939 --> 00:33:30,308
every time any conversations
came up,
764
00:33:30,408 --> 00:33:31,642
so maybe it's
something to do with that.
765
00:33:31,742 --> 00:33:32,977
-Chemistry on film is something
766
00:33:33,770 --> 00:33:34,812
you just either have
or you don't.
767
00:33:34,912 --> 00:33:36,880
And so, I think we were just
really lucky that apparently,
768
00:33:36,980 --> 00:33:39,500
we had it
when we started filming.
769
00:33:39,150 --> 00:33:41,886
So, there was nothing that
we had to do specifically
770
00:33:41,986 --> 00:33:44,322
to like, recreate it.
771
00:33:44,422 --> 00:33:46,690
It's just-- I think
it's either there or it's not.
772
00:33:46,790 --> 00:33:50,194
-Listen, I say it every time;
it's good casting.
773
00:33:50,294 --> 00:33:51,329
We don't know how.
774
00:33:51,429 --> 00:33:53,300
If I did, then
I'd be making movies
775
00:33:53,130 --> 00:33:55,332
and be like "You two!
You're perfect together!"
776
00:33:55,432 --> 00:33:57,401
you know, so you never--
we never know.
777
00:33:57,501 --> 00:33:58,836
[Louise Lombard] [VO]
You can feel that chemistry
778
00:33:58,936 --> 00:34:01,672
in every frame of
the AFTER franchise,
779
00:34:01,772 --> 00:34:03,541
from the moments
fans will never forget
780
00:34:03,641 --> 00:34:06,090
to the moments
they never got to see,
781
00:34:06,110 --> 00:34:09,180
like these
never-before-released scenes.
782
00:34:17,154 --> 00:34:18,222
[door thuds]
783
00:34:22,493 --> 00:34:23,894
[body thuds]
784
00:34:23,994 --> 00:34:25,229
-[chuckles]
785
00:34:25,329 --> 00:34:27,632
This is not as comfortable
as it looks.
786
00:34:27,732 --> 00:34:29,200
-No?
-[Hardin] Can you help me out?
787
00:34:33,203 --> 00:34:34,272
-[Tessa chuckles]
788
00:34:35,639 --> 00:34:37,708
-Yeah. This is exactly
what I needed.
789
00:34:37,808 --> 00:34:38,743
-Yeah.
790
00:34:43,814 --> 00:34:47,510
-Actually, I have
a better idea.
791
00:34:51,220 --> 00:34:52,390
I think
you're gonna like this.
792
00:34:53,490 --> 00:34:55,793
[birds chirping]
793
00:34:59,630 --> 00:35:00,264
[peaceful music playing]
794
00:35:00,364 --> 00:35:01,565
[Tessa] It's too soon.
795
00:35:01,666 --> 00:35:02,767
Don't go.
796
00:35:07,371 --> 00:35:08,573
-Okay.
797
00:35:11,909 --> 00:35:13,144
-Wait, really?
798
00:35:16,180 --> 00:35:17,248
[chuckles]
799
00:35:17,348 --> 00:35:18,249
-[Hardin chuckles]
800
00:35:21,419 --> 00:35:22,987
-Okay.
801
00:35:23,870 --> 00:35:25,255
[Louise Lombard] [VO]
Their connection
was undeniable.
802
00:35:25,355 --> 00:35:28,659
[man] [indistinct] And action!
803
00:35:28,759 --> 00:35:30,261
[Louise Lombard] [VO]
Josephine and Hero quickly
804
00:35:30,361 --> 00:35:33,130
won over everyone on set.
805
00:35:33,231 --> 00:35:35,980
As they worked with
different directors
806
00:35:35,199 --> 00:35:37,134
over the course of five films,
807
00:35:37,235 --> 00:35:39,670
the young actors
continually found new ways
808
00:35:39,770 --> 00:35:43,140
to approach their characters
and hone their craft.
809
00:35:43,240 --> 00:35:46,577
The entire cast and crew
loved working with them.
810
00:35:46,677 --> 00:35:48,779
[club music playing]
811
00:35:48,879 --> 00:35:50,614
[Castille Landon] [VO]
From the very first table read,
812
00:35:50,714 --> 00:35:53,650
I was like,
"Oh yes, these guys like,
813
00:35:53,750 --> 00:35:56,187
they know what they're doing,
but also like,
814
00:35:56,287 --> 00:35:57,455
[giggles] they're so cute."
815
00:35:57,555 --> 00:36:01,358
They're both so different,
the two of them.
816
00:36:01,458 --> 00:36:05,629
He's much more sensitive
and comes at the character
817
00:36:05,729 --> 00:36:11,468
in a kind of like fresh new way
because he isn't as studied.
818
00:36:11,568 --> 00:36:14,105
He just kind of like,
goes with his gut instinct.
819
00:36:14,205 --> 00:36:16,373
And she is the complete
opposite of that.
820
00:36:16,473 --> 00:36:19,977
She's like tough as nails and
821
00:36:20,770 --> 00:36:23,380
she comes to every day of work,
822
00:36:23,480 --> 00:36:25,549
like she knows all of
her lines-- she-- and--
823
00:36:25,649 --> 00:36:26,684
and he knows
all of his lines too,
824
00:36:26,784 --> 00:36:28,685
he just has like
a very quick memory,
825
00:36:28,785 --> 00:36:31,722
while she's like very studied
and has a lot of questions
826
00:36:31,822 --> 00:36:33,157
and she wants to know like,
827
00:36:33,257 --> 00:36:35,559
the logic
of every single moment.
828
00:36:35,659 --> 00:36:39,263
Consequently, you're constantly
thinking of the scene
829
00:36:39,363 --> 00:36:42,320
through two very different
perspectives every single time,
830
00:36:42,133 --> 00:36:44,401
which actually helps
to keep it balanced
831
00:36:44,501 --> 00:36:47,505
because it never becomes
just Tessa's story,
832
00:36:47,605 --> 00:36:49,050
or just Hardin's story.
833
00:36:49,105 --> 00:36:50,574
You're able because the--
834
00:36:50,674 --> 00:36:53,744
the personalities of those two
actors are so strong and--
835
00:36:53,844 --> 00:36:56,847
and I think that's why they're
so good in those roles too.
836
00:36:56,948 --> 00:36:58,616
[Louise Lombard] [VO]
Brian Pitt has been
837
00:36:58,716 --> 00:37:01,218
running day-to-day production
on the series since day one.
838
00:37:01,318 --> 00:37:04,355
He was on set every day with
the team for all five movies,
839
00:37:04,455 --> 00:37:06,220
giving him the opportunity
840
00:37:06,122 --> 00:37:10,394
to watch Hero and Jo grow up
alongside Hardin and Tessa.
841
00:37:10,494 --> 00:37:12,696
[Brian Pitt] [VO] What's been
really interesting to see is,
842
00:37:12,797 --> 00:37:14,698
when we came into this
and I met Jo and Hero,
843
00:37:14,799 --> 00:37:16,701
I remember the first day
meeting them, you know?
844
00:37:16,801 --> 00:37:20,538
They're young actors,
I think they both turned 21,
845
00:37:20,638 --> 00:37:21,639
and what's been
kind of interesting,
846
00:37:21,739 --> 00:37:23,707
because the way
the books are set up
847
00:37:23,807 --> 00:37:27,277
and the series are set up is,
we follow them through
848
00:37:27,377 --> 00:37:30,914
when they first meet
all the way up until--
849
00:37:31,140 --> 00:37:32,616
later in their life.
850
00:37:32,716 --> 00:37:34,785
That's not something you always
get to do with a character.
851
00:37:34,885 --> 00:37:37,755
So, as we are watching them
meet for the first time
852
00:37:37,855 --> 00:37:40,224
and follow all the way up
through their lives,
853
00:37:40,324 --> 00:37:43,561
we're also watching them
actually connecting better in,
854
00:37:43,661 --> 00:37:45,620
you know, in real life.
855
00:37:45,162 --> 00:37:48,432
With Jo and Hero
what was very interesting is,
856
00:37:48,532 --> 00:37:51,135
in the very beginning
there was an innocence there,
857
00:37:51,235 --> 00:37:53,470
and I think in movie 1,
there was that innocence.
858
00:37:53,570 --> 00:37:54,638
And-- and it all played well
859
00:37:54,738 --> 00:37:57,241
with the--
with the movie itself.
860
00:37:57,341 --> 00:38:00,944
And then in movie 2,
what you kind of see from
861
00:38:01,440 --> 00:38:03,680
even a filmmaker standpoint is,
I'm watching these--
862
00:38:03,780 --> 00:38:06,750
these kids become
better actors.
863
00:38:06,850 --> 00:38:08,185
And every time
we put them on camera,
864
00:38:08,285 --> 00:38:11,354
they got better and better
and better.
865
00:38:11,454 --> 00:38:15,459
You know? And then, moving into
movie 3 and movie 4, again,
866
00:38:15,559 --> 00:38:17,761
we're-- [stutters] jumping
forward into their lives,
867
00:38:17,861 --> 00:38:20,764
and they're now,
they're becoming adults,
868
00:38:20,864 --> 00:38:23,600
and-- and they're dealing with
more adult problems.
869
00:38:23,701 --> 00:38:26,570
And when they showed up on set,
I remember,
870
00:38:26,670 --> 00:38:30,774
I hadn't seen Jo or Hero
in probably nine months or so,
871
00:38:30,874 --> 00:38:32,809
and I had said to Chad, our AD,
872
00:38:32,909 --> 00:38:34,478
when we were doing
some rehearsals,
873
00:38:34,578 --> 00:38:36,146
and Castille, our director,
I was like, "Wow,
874
00:38:36,246 --> 00:38:39,116
they've really
come into their own."
875
00:38:39,216 --> 00:38:41,452
Like, you know,
she's become a woman;
876
00:38:41,552 --> 00:38:42,953
he's become a man.
877
00:38:43,530 --> 00:38:44,354
And this-- I've watched this
happen over these last
878
00:38:44,454 --> 00:38:47,491
three years and-- and
I was very proud of them.
879
00:38:47,591 --> 00:38:50,461
-That's the beauty of doing,
you know,
880
00:38:50,561 --> 00:38:53,463
coming-of-age stuff when
you're actually coming of age.
881
00:38:53,564 --> 00:38:55,833
Because, you know,
you're acting a lot of it
882
00:38:55,933 --> 00:38:58,020
but a lot of it, you don't even
notice is-- is, you know,
883
00:38:58,102 --> 00:39:01,805
[stutters] you can't act
growing a little bit taller
884
00:39:01,905 --> 00:39:03,374
and make-- looking
a little bit older.
885
00:39:03,474 --> 00:39:05,410
-Well, that was something
that was really nice about this:
886
00:39:05,141 --> 00:39:09,513
getting the opportunity to play,
over the course of two years,
887
00:39:09,613 --> 00:39:14,500
one girl just at very
different points of her life,
888
00:39:14,151 --> 00:39:17,188
like over the span of
probably seven years.
889
00:39:17,288 --> 00:39:22,392
-That aspect of-- of having
the real-life time passing,
890
00:39:22,492 --> 00:39:24,280
I think was perfect.
891
00:39:24,128 --> 00:39:25,762
I think the-- the scheduling
of when we shot was perfect
892
00:39:25,862 --> 00:39:28,398
because we really grew
with the characters.
893
00:39:28,498 --> 00:39:32,350
[pop music playing]
894
00:39:32,135 --> 00:39:33,937
[Louise Lombard] [VO]
In July of 2018,
895
00:39:34,380 --> 00:39:35,506
on the precipice of adulthood,
896
00:39:35,606 --> 00:39:38,842
Hero and Josephine arrived
on the set of AFTER .
897
00:39:38,942 --> 00:39:42,379
The first movie was far from
a sure thing.
898
00:39:42,479 --> 00:39:44,181
No one could be certain
that fans of the book
899
00:39:44,281 --> 00:39:47,918
would rush to see the romance
play out on screen.
900
00:39:48,180 --> 00:39:50,354
But the filmmakers felt
that as long as they captured
901
00:39:50,454 --> 00:39:54,358
the essence of the books,
audiences would respond.
902
00:39:55,792 --> 00:39:57,361
[Jennifer Gibgot] [VO]
It is faithful to the extent
903
00:39:57,461 --> 00:39:59,896
that we take a lot of time
904
00:39:59,997 --> 00:40:02,366
and care when we developed
every screenplay
905
00:40:02,466 --> 00:40:05,569
to make sure
that like every big line,
906
00:40:05,669 --> 00:40:07,905
the biggest moments
are in there,
907
00:40:08,050 --> 00:40:13,209
but it's absolutely impossible
to take a 700-page-plus book
908
00:40:13,310 --> 00:40:17,781
and fit it into
a 110-115 page screenplay.
909
00:40:17,881 --> 00:40:19,216
You know, you just...
910
00:40:19,316 --> 00:40:20,951
you can't take that
and make it that. [laughs]
911
00:40:21,510 --> 00:40:23,120
It just doesn't work.
912
00:40:23,220 --> 00:40:24,888
So, we had to pick
what we felt like
913
00:40:24,988 --> 00:40:28,725
were the most important
moments and scenes.
914
00:40:28,825 --> 00:40:31,928
The thing that we kept
going back to
915
00:40:32,280 --> 00:40:34,331
throughout the development
of all the screenplays
916
00:40:34,431 --> 00:40:37,802
was that no matter what, because
there are a lot of characters,
917
00:40:37,902 --> 00:40:41,238
this is the story of Hardin
and Tessa's love story.
918
00:40:41,338 --> 00:40:42,806
And as long as
we stay on that path
919
00:40:42,906 --> 00:40:44,574
and we stay
with the two of them,
920
00:40:44,674 --> 00:40:45,943
the movies are gonna work.
921
00:40:46,430 --> 00:40:49,279
Because they are the spine
of the whole series.
922
00:40:49,379 --> 00:40:51,314
[pop music playing]
923
00:40:51,414 --> 00:40:52,283
[Louise Lombard] [VO]
The films stayed true
924
00:40:52,383 --> 00:40:53,450
to their lead couple
925
00:40:53,550 --> 00:40:55,419
through all their
ups and downs:
926
00:40:55,519 --> 00:40:57,921
on the one hand,
the kind and ambitious Tessa,
927
00:40:58,210 --> 00:40:59,756
and on the other,
there's Hardin,
928
00:40:59,856 --> 00:41:01,258
a troubled bad boy
929
00:41:01,358 --> 00:41:03,760
who rarely makes
the right choices.
930
00:41:03,860 --> 00:41:07,831
That narrative presented
some challenges for Hero.
931
00:41:07,931 --> 00:41:08,966
[Hero Fiennes]
Do you know what?
932
00:41:09,990 --> 00:41:11,268
When I was doing
the first film,
933
00:41:11,368 --> 00:41:16,060
I knew why Hardin
was how he was
because of his past.
934
00:41:16,106 --> 00:41:20,777
And I felt so kind of like
excited
935
00:41:20,877 --> 00:41:22,179
but I-- I was so--
936
00:41:22,279 --> 00:41:24,714
I couldn't wait for them
to see why and see later--
937
00:41:24,814 --> 00:41:28,520
later in the following movies,
they get more of an idea of his
938
00:41:28,152 --> 00:41:29,453
his-- his childhood
and his upbringing,
939
00:41:29,553 --> 00:41:32,289
and I really--
it's so important to inform,
940
00:41:32,389 --> 00:41:33,457
you never know
where someone comes from
941
00:41:33,557 --> 00:41:35,192
and what someone's story is.
942
00:41:35,292 --> 00:41:37,795
And-- I was like
chewing my nails off
943
00:41:37,895 --> 00:41:39,963
until the point in which
we could tell the audience,
944
00:41:40,630 --> 00:41:41,131
because a lot of people
would just be like,
945
00:41:41,232 --> 00:41:42,666
why is this guy
always so moody?
946
00:41:42,766 --> 00:41:44,701
Like, why is he so mean
and why is he so,
947
00:41:44,801 --> 00:41:47,370
you know, emotionless? And um--
948
00:41:47,137 --> 00:41:49,506
it all starts to make sense
because, you know,
949
00:41:49,606 --> 00:41:51,708
you can't judge a person before
you know their whole story.
950
00:41:51,808 --> 00:41:54,344
And luckily, the fans gave us
enough support that we could
951
00:41:54,444 --> 00:41:57,147
[stutters] continue to tell
the story, sorry.
952
00:41:57,247 --> 00:41:59,820
Definitely I felt
a responsibility of--
953
00:41:59,182 --> 00:42:02,519
of making sure that people
understood the whole picture
954
00:42:02,619 --> 00:42:04,988
and didn't just wanna be like
Hardin for no reason.
955
00:42:05,880 --> 00:42:06,990
But, you know, understood that
956
00:42:07,900 --> 00:42:08,491
yeah, there's a background,
957
00:42:08,591 --> 00:42:09,760
there's two sides
to every story,
958
00:42:09,860 --> 00:42:12,162
there's a background
to everyone and then--
959
00:42:12,262 --> 00:42:13,997
I think that was-- that was
what was really fun as well
960
00:42:14,970 --> 00:42:15,699
about exploring
the character too.
961
00:42:15,799 --> 00:42:17,134
[dramatic music playing]
962
00:42:17,234 --> 00:42:19,235
[Louise Lombard] [VO]
This emotional exploration
963
00:42:19,335 --> 00:42:22,405
was matched by an equally
intense physical exploration,
964
00:42:22,505 --> 00:42:25,410
as the young actors worked hard
to portray the red-hot
965
00:42:25,141 --> 00:42:27,944
sexual connection
that is so foundational to
966
00:42:28,440 --> 00:42:31,800
Tessa and Hardin's
relationship.
967
00:42:31,181 --> 00:42:33,850
Love scenes are important
in any romance,
968
00:42:33,950 --> 00:42:37,220
but they were especially
essential to the AFTER saga,
969
00:42:37,320 --> 00:42:41,925
which begins with Tessa
losing her virginity to Hardin.
970
00:42:42,250 --> 00:42:45,195
Filming these scenes required
an atmosphere of consent,
971
00:42:45,295 --> 00:42:48,531
professionalism,
and mutual respect
972
00:42:48,631 --> 00:42:50,533
in order to capture
the beautiful,
973
00:42:50,633 --> 00:42:53,237
complicated dance of
two young lovers
974
00:42:53,337 --> 00:42:56,740
discovering each other
for the first time.
975
00:42:56,840 --> 00:42:57,807
[Hero Fiennes]
There's no nudity.
976
00:42:57,907 --> 00:42:59,376
It's just like really well shot
977
00:42:59,476 --> 00:43:01,744
and it's implied
and it's-- it's--
978
00:43:01,845 --> 00:43:04,214
those scenes are--
are-- it's like a dance,
979
00:43:04,314 --> 00:43:05,783
you choreograph it.
980
00:43:05,883 --> 00:43:08,850
You think it's like really
glamorous and-- and sexy,
981
00:43:08,185 --> 00:43:09,786
but you're in there and you've
got like the cameras leaning
982
00:43:09,886 --> 00:43:11,722
[stutters] over your shoulder
and my hand maybe
983
00:43:11,822 --> 00:43:14,891
has to like hold her hand
and then-- I'm like,
984
00:43:14,991 --> 00:43:17,600
bending my arm out of the way
to somehow like--
985
00:43:17,161 --> 00:43:20,970
and it's not-- it's not how it--
how it seems.
986
00:43:21,532 --> 00:43:23,433
As we went on with the--
with the franchise
987
00:43:23,533 --> 00:43:24,968
and got to the later movies,
it was making sure that
988
00:43:25,680 --> 00:43:27,604
every time there was
a [stutters] sex scene
989
00:43:27,704 --> 00:43:29,139
it had a story to it,
990
00:43:29,239 --> 00:43:31,174
and it had a reason
and they were not all the same.
991
00:43:31,274 --> 00:43:33,577
It's not all just
like you wanna
have sex at the end of the day.
992
00:43:33,677 --> 00:43:36,246
Some of them is like,
it is a way of making up,
993
00:43:36,346 --> 00:43:38,449
it's a-- it's a-- you know,
some-- sometimes people are
994
00:43:38,549 --> 00:43:40,317
under the influence
and they, you know,
995
00:43:40,417 --> 00:43:43,153
really want to get at it,
every-- what's interesting is
996
00:43:43,253 --> 00:43:45,622
all of those scenes
still inform the storyline,
997
00:43:45,722 --> 00:43:46,990
and they're not just
thrown in there
998
00:43:47,900 --> 00:43:48,925
for fun or for, you know,
any other purposes.
999
00:43:49,250 --> 00:43:51,328
They-- they all,
like you say, are real and--
1000
00:43:51,428 --> 00:43:53,797
and like a really important part
1001
00:43:53,897 --> 00:43:55,632
of telling the story
of a relationship.
1002
00:43:55,732 --> 00:43:57,101
[pop music playing]
1003
00:43:57,201 --> 00:43:58,602
[Louise Lombard] [VO]
A relationship that is set
1004
00:43:58,702 --> 00:44:01,271
at Washington State University.
1005
00:44:01,371 --> 00:44:02,973
But filming for the first movie
1006
00:44:03,730 --> 00:44:05,843
took place far from
the state of Washington.
1007
00:44:07,277 --> 00:44:08,244
[Brian Pitt] [VO]
We had decided
1008
00:44:08,345 --> 00:44:10,147
to shoot the movie in Boston.
1009
00:44:10,247 --> 00:44:11,882
And I was in New Orleans,
1010
00:44:11,982 --> 00:44:14,785
so I sent a team up to Boston
to get things up and going,
1011
00:44:14,885 --> 00:44:16,253
and then I flew up
a few weeks later
1012
00:44:16,386 --> 00:44:18,288
to meet the director and
the producers and all--
1013
00:44:18,388 --> 00:44:20,624
all the folks that really
had put this project together
1014
00:44:20,724 --> 00:44:22,692
prior to me ever coming on.
1015
00:44:22,792 --> 00:44:25,162
And then we spent,
I don't know,
1016
00:44:25,262 --> 00:44:27,831
maybe a week up in Boston,
had the whole team ready to go,
1017
00:44:27,931 --> 00:44:30,967
and it just wasn't working
for the project.
1018
00:44:31,670 --> 00:44:32,503
-[man] Camera mark.
-[clapperboard snaps]
1019
00:44:32,603 --> 00:44:34,338
[Brian Pitt] [VO] So, we
just made that kinda decision
1020
00:44:34,438 --> 00:44:36,873
that we needed somewhere
that would allow us to really
1021
00:44:36,973 --> 00:44:41,744
bring this movie to another
level and get the scope.
1022
00:44:41,845 --> 00:44:43,814
And Atlanta, Georgia, worked.
1023
00:44:43,914 --> 00:44:45,382
[man] Camera mark.
1024
00:44:45,482 --> 00:44:46,983
[Brian Pitt] [VO]
So, we made that quick,
1025
00:44:47,840 --> 00:44:48,518
you know, move which is, uh--
1026
00:44:48,618 --> 00:44:51,655
logistically very complicated.
[laughs]
1027
00:44:51,755 --> 00:44:53,189
It threw us all
into a bit of a tailspin
1028
00:44:53,289 --> 00:44:54,424
from a creative standpoint
1029
00:44:54,524 --> 00:44:56,660
as well as
a logistical standpoint. Uh--
1030
00:44:56,760 --> 00:44:59,563
But we did it, and everybody
just rallied around,
1031
00:44:59,663 --> 00:45:02,666
and we were off and running
in a new city, you know,
1032
00:45:02,766 --> 00:45:04,868
Atlanta, Georgia, which we were
shooting for Washington!
1033
00:45:04,968 --> 00:45:06,169
[laughs]
1034
00:45:06,269 --> 00:45:07,370
[woman] Hero, did you hear that?
1035
00:45:07,470 --> 00:45:08,806
[man] Right where you are.
1036
00:45:08,906 --> 00:45:09,906
[Louise Lombard] [VO]
Once they got to Atlanta,
1037
00:45:10,070 --> 00:45:11,908
everything clicked into place,
1038
00:45:12,080 --> 00:45:14,678
and even the most experienced
members of the crew
1039
00:45:14,778 --> 00:45:16,212
began to realize
1040
00:45:16,312 --> 00:45:19,683
that something special
was happening on this movie.
1041
00:45:19,783 --> 00:45:21,251
[Brian Pitt] [VO] You know,
the moment I realized
1042
00:45:21,351 --> 00:45:24,254
it was something bigger than
just another project
1043
00:45:24,354 --> 00:45:26,356
and a script on paper
1044
00:45:26,456 --> 00:45:28,391
wasn't necessarily
an overnight thing.
1045
00:45:28,491 --> 00:45:30,627
It was-- it was a--
an evolution of
1046
00:45:30,727 --> 00:45:32,695
once I saw this coming
together,
1047
00:45:32,796 --> 00:45:35,699
once the writers starting
chatting with me
1048
00:45:35,799 --> 00:45:37,467
and once I really
got into the--
1049
00:45:37,567 --> 00:45:40,403
the side with the director and
we started picking, you know,
1050
00:45:40,503 --> 00:45:42,720
picking the look
of the character
1051
00:45:42,172 --> 00:45:45,420
and casting Jo and Hero.
1052
00:45:45,142 --> 00:45:47,110
And once all this
started coming together,
1053
00:45:47,210 --> 00:45:49,545
I think a lot of us quickly
realized, "Wait, this is--
1054
00:45:49,646 --> 00:45:51,615
this is gonna be something
a little special,
1055
00:45:51,715 --> 00:45:53,549
and let's-- let's make sure
we treat it that way."
1056
00:45:53,649 --> 00:45:56,520
[thrilling music playing]
1057
00:45:56,152 --> 00:45:57,554
[Louise Lombard] [VO]
Filming for the first movie
1058
00:45:57,654 --> 00:46:00,256
concluded in August of 2018.
1059
00:46:00,356 --> 00:46:02,926
A few months later, during
Thanksgiving week,
1060
00:46:03,260 --> 00:46:04,827
the first teaser trailer
appeared online,
1061
00:46:04,928 --> 00:46:06,730
nearly breaking the internet.
1062
00:46:06,830 --> 00:46:08,965
The fans' reaction
was beyond anything
1063
00:46:09,650 --> 00:46:10,234
the team could have expected.
-What are you dreaming about?
1064
00:46:11,568 --> 00:46:12,769
-[Molly] Truth or dare?
-[gasps]
1065
00:46:12,869 --> 00:46:13,737
-Are you a virgin?
1066
00:46:13,837 --> 00:46:14,938
-[gasps]
1067
00:46:15,380 --> 00:46:15,906
-I dare you to make out
with Hardin.
1068
00:46:16,060 --> 00:46:16,940
-[gasps]
1069
00:46:17,400 --> 00:46:18,442
-I'm done playing this game.
1070
00:46:18,542 --> 00:46:19,776
[Tessa]
But isn't it really about
1071
00:46:19,877 --> 00:46:21,911
what lies beyond those moments?
-[indistinct]
1072
00:46:22,120 --> 00:46:24,281
-What are you doing?
-[gasps]
1073
00:46:24,381 --> 00:46:26,116
-Please?
-I think you owe me a debt.
1074
00:46:26,216 --> 00:46:27,851
-[gasps]
1075
00:46:27,951 --> 00:46:29,119
-Holy--
1076
00:46:29,219 --> 00:46:30,454
[Tessa] [VO] So,
what's your story then?
1077
00:46:30,554 --> 00:46:32,122
[Landon] Be careful.
Hardin is complicated.
1078
00:46:34,570 --> 00:46:35,258
-He has his shirt off!
1079
00:46:35,358 --> 00:46:35,993
-I thought
you were dreaming about me.
1080
00:46:37,270 --> 00:46:38,428
-[gasps]
1081
00:46:41,970 --> 00:46:42,432
-Holy shit.
1082
00:46:43,900 --> 00:46:44,835
-[gasps]
1083
00:46:48,238 --> 00:46:49,172
-Oh.
-[thuds]
1084
00:46:49,272 --> 00:46:51,070
[thunder rumbling]
1085
00:46:51,107 --> 00:46:52,609
-They're dancing at the party.
1086
00:46:54,244 --> 00:46:55,945
[Tessa] [VO]
Before him was so simple,
1087
00:46:56,450 --> 00:46:58,748
and now there's just...
1088
00:46:58,848 --> 00:46:59,449
After.
1089
00:46:58,848 --> 00:46:59,449
-After. Oh my--
1090
00:47:00,884 --> 00:47:01,985
-[shrieks]
1091
00:47:02,850 --> 00:47:03,987
-Can we watch it again?
-Yes. Oh my God.
1092
00:47:05,621 --> 00:47:06,957
[Louise Lombard] [VO] The film
was scheduled for release
1093
00:47:07,570 --> 00:47:10,661
on April 10th, 2019,
in the U.S.
1094
00:47:10,761 --> 00:47:13,300
and in the following weeks
worldwide.
1095
00:47:15,398 --> 00:47:17,340
Here we are at the beginning
1096
00:47:17,134 --> 00:47:21,171
of a global promotional tour
for Anna, Josephine, and Hero.
1097
00:47:21,271 --> 00:47:22,706
-[cheering]
1098
00:47:22,806 --> 00:47:24,541
[Louise Lombard] [VO]
From Brazil to Italy,
1099
00:47:24,641 --> 00:47:27,310
through Portugal and Mexico,
1100
00:47:27,410 --> 00:47:29,212
the reaction
when the trio appears
1101
00:47:29,312 --> 00:47:30,180
is always the same.
1102
00:47:30,280 --> 00:47:33,217
-[cheering]
1103
00:47:37,320 --> 00:47:39,489
[chanting] Hero.
1104
00:47:41,458 --> 00:47:43,861
[cheering]
1105
00:47:50,100 --> 00:47:52,235
-Oh.
-[dramatic music playing]
1106
00:47:52,335 --> 00:47:53,370
[Louise Lombard] [VO]
This enthusiasm is
1107
00:47:53,470 --> 00:47:54,737
reflected in the numbers.
1108
00:47:54,838 --> 00:47:56,272
-[shrieks]
1109
00:47:56,372 --> 00:47:58,241
[Louise Lombard] [VO] AFTER 1
has made over 70 million
1110
00:47:58,341 --> 00:48:00,143
at the worldwide box office.
1111
00:48:00,243 --> 00:48:02,579
-[cheering]
1112
00:48:04,347 --> 00:48:05,515
[Louise Lombard] [VO] The film
won the People's Choice Award
1113
00:48:05,615 --> 00:48:08,251
for Favourite Drama in 2019
1114
00:48:08,351 --> 00:48:11,555
and three Teen Choice Awards,
including Best Drama,
1115
00:48:11,655 --> 00:48:13,790
Best Dramatic Actress
for Josephine,
1116
00:48:13,890 --> 00:48:16,359
and Best Dramatic Actor
for Hero.
1117
00:48:16,459 --> 00:48:18,328
The film's early
box office success
1118
00:48:18,428 --> 00:48:21,932
ensured AFTER would become
a beloved franchise.
1119
00:48:22,320 --> 00:48:23,800
Josephine knows that
1120
00:48:23,900 --> 00:48:27,360
it would not have been possible
without the support
of the fans.
1121
00:48:27,136 --> 00:48:28,370
[Josephine Langford] [VO]
We did a press tour
1122
00:48:28,137 --> 00:48:29,406
for the first film
1123
00:48:29,506 --> 00:48:31,541
and we went to like
ten different countries
1124
00:48:31,641 --> 00:48:33,276
and we got to interact
one on one
1125
00:48:33,376 --> 00:48:36,312
finally with a lot of the fans
and a lot of the fan base,
1126
00:48:36,412 --> 00:48:39,950
and just seeing how many people
are passionate about this story
1127
00:48:40,500 --> 00:48:41,551
all around the world
1128
00:48:41,652 --> 00:48:43,954
and getting to actually
talk to them and--
1129
00:48:44,540 --> 00:48:45,555
and it was just so--
1130
00:48:45,655 --> 00:48:49,593
it's so rewarding knowing
that what you're doing,
1131
00:48:49,693 --> 00:48:51,561
no matter how small,
or no matter how big,
1132
00:48:51,661 --> 00:48:53,663
is being received positively
and--
1133
00:48:53,764 --> 00:48:56,566
and affecting like
a large group of people.
1134
00:48:56,666 --> 00:49:00,303
I think we're just really lucky
that we have such a huge
1135
00:49:00,403 --> 00:49:03,940
and such a passionate fan base
who are really keeping,
1136
00:49:04,400 --> 00:49:07,577
who are really the reason
why we're here
1137
00:49:07,677 --> 00:49:09,179
and why we're making a sequel.
1138
00:49:09,279 --> 00:49:12,415
And for some reason, there's
just so many people out there
1139
00:49:12,515 --> 00:49:14,251
who've connected to these books
1140
00:49:14,351 --> 00:49:15,618
and who've connected
to this story,
1141
00:49:15,718 --> 00:49:17,487
and who've connected
to the first film.
1142
00:49:19,422 --> 00:49:20,557
[man] Action!
1143
00:49:20,657 --> 00:49:21,958
[Louise Lombard] [VO]
AFTER WE COLLIDED
1144
00:49:22,590 --> 00:49:23,793
picks up one year
after the first movie.
1145
00:49:23,893 --> 00:49:26,829
With more mature characters
and a more experienced cast,
1146
00:49:26,929 --> 00:49:30,800
the team was ready to jump back
into the AFTER universe,
1147
00:49:30,900 --> 00:49:32,635
with one notable addition:
1148
00:49:32,735 --> 00:49:36,106
Roger Kumble assuming
the director's chair.
1149
00:49:36,206 --> 00:49:38,275
Kumble is a specialist
in teen movies,
1150
00:49:38,375 --> 00:49:40,476
having directed
one of the genre's classics,
1151
00:49:40,576 --> 00:49:42,879
Cruel Intentions.
1152
00:49:42,979 --> 00:49:44,881
-Obviously,
with a lot of franchises,
1153
00:49:44,981 --> 00:49:47,316
you switch directors
for each movie,
1154
00:49:47,417 --> 00:49:49,652
which gives it kind of
a different fresh look.
1155
00:49:49,752 --> 00:49:52,188
-And we went with
Roger Kumble because
1156
00:49:52,289 --> 00:49:54,657
we all were big fans of
Cruel Intentions .
1157
00:49:54,757 --> 00:49:56,726
So, he had obviously done
this iconic movie,
1158
00:49:56,826 --> 00:49:59,195
he had done Pretty
Little Liars .
1159
00:49:59,295 --> 00:50:01,831
His movie was like
a slightly different tone.
1160
00:50:01,931 --> 00:50:07,971
It-- he leaned a little bit more
into the comedy in certain parts
1161
00:50:08,710 --> 00:50:11,641
and he did a-- a fantastic job.
1162
00:50:11,741 --> 00:50:12,876
[Louise Lombard] [VO]
Roger Kumble was thrilled
1163
00:50:12,976 --> 00:50:14,310
to take on the project,
1164
00:50:14,411 --> 00:50:16,212
and excited by the challenge
of expanding
1165
00:50:16,312 --> 00:50:19,215
Tessa and Hardin's story.
1166
00:50:19,316 --> 00:50:20,683
[Roger Kumble] [VO]
You know, entering a--
1167
00:50:20,783 --> 00:50:23,986
a saga like AFTER is a--
a dream come true.
1168
00:50:24,870 --> 00:50:27,390
You know, I'd been away
from-- features--
1169
00:50:27,490 --> 00:50:28,825
for a good part
of ten years now.
1170
00:50:28,925 --> 00:50:30,327
I've just been
working in television
1171
00:50:30,427 --> 00:50:33,163
because the stories
were just more compelling.
1172
00:50:33,263 --> 00:50:35,665
But then-- you know,
when I got the call
1173
00:50:35,765 --> 00:50:38,701
to have lunch with Anna Todd
and Jennifer Gibgot,
1174
00:50:38,802 --> 00:50:41,838
I'd heard about the books,
so I was like,
1175
00:50:41,938 --> 00:50:45,174
"Oh, wow, this is-- this is
a huge opportunity," you know,
1176
00:50:45,274 --> 00:50:46,743
and it was just great,
1177
00:50:46,843 --> 00:50:49,120
especially jumping in the sequel
because like the world had
1178
00:50:49,112 --> 00:50:50,547
already been established and--
1179
00:50:50,647 --> 00:50:54,840
and-- I'd never
done a sequel before.
1180
00:50:54,184 --> 00:50:55,584
[Louise Lombard] [VO] On set,
the atmosphere feels
1181
00:50:55,685 --> 00:50:57,353
different from the first film.
1182
00:50:57,454 --> 00:50:59,550
As the actors revisit
their characters,
1183
00:50:59,155 --> 00:51:00,690
they seem more relaxed.
1184
00:51:00,790 --> 00:51:02,826
The whole team
is more experienced.
1185
00:51:02,926 --> 00:51:04,270
[Brian Pitt] [VO]
Movie 2 had its own
1186
00:51:04,127 --> 00:51:05,695
little set of difficulties,
1187
00:51:05,795 --> 00:51:07,797
although that one went
fairly smooth.
1188
00:51:07,897 --> 00:51:09,265
-Seriously?
1189
00:51:09,365 --> 00:51:10,667
[Brian Pitt] [VO] But, when
we shot the first movie,
1190
00:51:10,767 --> 00:51:12,202
we didn't necessarily know
1191
00:51:12,302 --> 00:51:13,703
if we would be able to
shoot a second one,
1192
00:51:13,803 --> 00:51:15,205
although we wanted to.
1193
00:51:15,305 --> 00:51:17,907
We didn't know what
it would really entail,
1194
00:51:18,070 --> 00:51:21,377
so after the first movie
we got rid of everything
1195
00:51:21,477 --> 00:51:22,779
to do with the movie.
1196
00:51:22,879 --> 00:51:26,820
That's pretty standard.
Then, all of a sudden,
1197
00:51:26,182 --> 00:51:28,751
we're ready to make movie 2,
we're very excited about it,
1198
00:51:28,852 --> 00:51:31,888
and I realized I needed
a few of the sets back.
1199
00:51:31,988 --> 00:51:33,923
So, we had to go back
through the movie
1200
00:51:34,230 --> 00:51:38,940
and basically recreate sets
from scratch.
1201
00:51:38,194 --> 00:51:41,970
Uh-- we had a-- you know,
originally, uh--
1202
00:51:41,197 --> 00:51:44,467
Hardin and Tessa's apartment
was a real location.
1203
00:51:44,567 --> 00:51:48,338
But in movie 2,
it was a situation where we--
1204
00:51:48,438 --> 00:51:50,773
they were gonna spend so much
more time in this apartment,
1205
00:51:50,873 --> 00:51:52,142
there was no way
we could go back
1206
00:51:52,242 --> 00:51:54,110
and shoot this real apartment,
it was tiny!
1207
00:51:54,210 --> 00:51:55,778
It was way too small
to shoot in.
1208
00:51:55,878 --> 00:51:57,914
The rest of us were jammed in
the neighbour's apartment
1209
00:51:58,140 --> 00:52:00,616
on top of each other
the whole time.
1210
00:52:00,717 --> 00:52:02,919
And so, we had to
basically go back in,
1211
00:52:03,190 --> 00:52:05,655
look at the-- the movie,
rebuild and redesign
1212
00:52:05,755 --> 00:52:08,424
everything to match,
but a little bit bigger,
1213
00:52:08,524 --> 00:52:10,293
and build it on a stage.
1214
00:52:10,393 --> 00:52:13,930
So, all of those things,
that matching aspect, uh--
1215
00:52:14,300 --> 00:52:16,165
and deciding that we were
gonna do it on a stage versus
1216
00:52:16,265 --> 00:52:18,268
in somebody's real apartment,
1217
00:52:18,368 --> 00:52:21,040
made it very, very difficult
to pull off.
1218
00:52:21,104 --> 00:52:24,107
Now, I was smarter after that.
Uh--
1219
00:52:24,207 --> 00:52:26,476
I had all the sets packed up,
1220
00:52:26,576 --> 00:52:28,511
stored away in giant
shipping containers,
1221
00:52:28,611 --> 00:52:30,447
'cause I knew we were
coming back at that point.
1222
00:52:31,447 --> 00:52:33,160
[door thuds]
1223
00:52:33,116 --> 00:52:34,500
[Louise Lombard] [VO] While
the sets from the first film
1224
00:52:34,150 --> 00:52:36,286
were recreated identically,
1225
00:52:36,386 --> 00:52:38,954
the style shifted under
Kumble's direction.
1226
00:52:39,550 --> 00:52:40,156
-[Tessa] No, no, stop!
-[Hardin] Tessa! Tessa!
1227
00:52:40,256 --> 00:52:41,491
[Louise Lombard] [VO]
AFTER WE COLLIDED
1228
00:52:41,591 --> 00:52:43,193
adopted a lighter,
more comedic tone.
1229
00:52:43,293 --> 00:52:45,128
[door thuds]
1230
00:52:45,228 --> 00:52:46,463
[Tessa] You're such a dick.
Why are you even here?
1231
00:52:46,563 --> 00:52:48,300
[Roger Kumble] [VO]
I always compare AFTER
1232
00:52:48,130 --> 00:52:49,699
and AFTER WE COLLIDED to
like Alien and Aliens.
1233
00:52:49,799 --> 00:52:53,836
It's a sequel but it's
a completely different tone,
1234
00:52:53,936 --> 00:52:57,474
and that was important when I--
when I interviewed for the job.
1235
00:52:57,574 --> 00:53:00,810
I said, "I kind of
wanna take them on an emotional
1236
00:53:00,910 --> 00:53:02,912
rollercoaster
with this movie."
1237
00:53:03,120 --> 00:53:04,847
The first one--
I love the first one--
1238
00:53:04,947 --> 00:53:08,384
and it was more,
it was very poetic. Uh--
1239
00:53:08,484 --> 00:53:12,522
This is more a thrill ride.
It's a hold on to your seats.
1240
00:53:14,824 --> 00:53:16,659
-Tessa?
1241
00:53:16,759 --> 00:53:17,861
[Tessa] Can-- can you
put some clothes on?
1242
00:53:17,961 --> 00:53:19,195
Please?
1243
00:53:19,295 --> 00:53:22,731
[objects clattering]
1244
00:53:22,832 --> 00:53:24,401
-[Hardin] Tessa?
-[door thuds]
1245
00:53:24,501 --> 00:53:26,836
-Put some clothes on!
1246
00:53:26,936 --> 00:53:28,380
[objects clattering]
1247
00:53:28,138 --> 00:53:29,438
[Louise Lombard] [VO]
AFTER WE COLLIDED
1248
00:53:29,539 --> 00:53:30,840
was a continued journey of
transformation
1249
00:53:30,940 --> 00:53:34,210
for these characters,
particularly Tessa.
1250
00:53:34,310 --> 00:53:36,646
-There is no
"your Tessa" anymore!
1251
00:53:36,746 --> 00:53:37,614
[Josephine Langford] [VO]
In the first film,
1252
00:53:37,714 --> 00:53:39,448
Tessa's a college freshman
1253
00:53:39,548 --> 00:53:43,519
and she's a little
inexperienced
in certain areas.
1254
00:53:43,619 --> 00:53:45,870
And since then, she's--
1255
00:53:45,188 --> 00:53:46,523
-Fuck you!
1256
00:53:46,623 --> 00:53:47,590
[Josephine Langford] [VO]
She's-- fallen in love,
1257
00:53:47,691 --> 00:53:49,725
she's had an intense breakup,
1258
00:53:49,825 --> 00:53:52,261
she has an internship
at a publishing company,
1259
00:53:52,361 --> 00:53:56,365
so she's immersing herself
in a world with adults.
1260
00:53:56,465 --> 00:53:58,701
She goes to a club
for the first time.
1261
00:53:58,801 --> 00:54:02,205
She's a lot more experienced,
1262
00:54:02,305 --> 00:54:07,743
and in certain ways
jaded and mature, and just
1263
00:54:07,843 --> 00:54:10,913
a different girl
when we see her in this film.
1264
00:54:11,130 --> 00:54:13,490
And so, we wanted that
to reflect also physically.
1265
00:54:13,149 --> 00:54:15,180
-Wow.
-[Tessa] Thank you.
1266
00:54:15,118 --> 00:54:16,719
[Josephine Langford] [VO]
Her hair's different,
1267
00:54:16,819 --> 00:54:20,890
her makeup's different,
her style's different.
1268
00:54:20,990 --> 00:54:22,792
Yeah, this is a--
this is a pretty
1269
00:54:22,892 --> 00:54:25,227
different version of Tessa.
1270
00:54:25,561 --> 00:54:27,296
-Yeah, it's great.
1271
00:54:27,430 --> 00:54:28,431
I'm loving--
1272
00:54:28,531 --> 00:54:29,766
[grunts]
-[peaceful music playing]
1273
00:54:29,866 --> 00:54:31,267
[Louise Lombard] [VO]
Tessa and Hardin's love
1274
00:54:31,367 --> 00:54:33,536
continued to delight fans
on the big screen.
1275
00:54:34,030 --> 00:54:38,208
AFTER WE COLLIDED was an
overwhelming theatrical
success,
1276
00:54:38,308 --> 00:54:40,443
despite opening in
the midst of COVID
1277
00:54:40,543 --> 00:54:42,645
during the fall of 2020.
1278
00:54:42,745 --> 00:54:44,280
On streaming, it exceeded
1279
00:54:44,380 --> 00:54:47,283
all expectations,
reaching number one
1280
00:54:47,383 --> 00:54:48,918
on multiple platforms,
1281
00:54:49,180 --> 00:54:51,754
and remaining there
for several weeks.
1282
00:54:51,854 --> 00:54:53,956
-Wait! Just give me
five minutes, okay?
1283
00:54:54,560 --> 00:54:55,425
I just need to get--
1284
00:54:55,525 --> 00:54:57,930
[laughs] [shrieks]
1285
00:54:57,193 --> 00:54:58,595
[Louise Lombard] [VO] The
fans' appetite for this story
1286
00:54:58,695 --> 00:55:01,263
was undeniable.
1287
00:55:01,363 --> 00:55:05,101
So, production was greenlit
on the next two films
1288
00:55:05,201 --> 00:55:07,670
before the second
was even released.
1289
00:55:07,770 --> 00:55:09,439
[water dripping]
1290
00:55:09,539 --> 00:55:12,142
-Because of book 3
and book 4,
1291
00:55:12,242 --> 00:55:14,710
a lot of the same locations
were shared.
1292
00:55:14,810 --> 00:55:17,680
If-- if we could make it
in a situation
1293
00:55:17,780 --> 00:55:21,284
where we shot them all together,
we could save a lot of money,
1294
00:55:21,384 --> 00:55:23,986
which also meant that we could
then put more money
1295
00:55:24,860 --> 00:55:27,490
into building a--
a better movie.
1296
00:55:27,590 --> 00:55:31,361
I also think that because of
the time between
the two movies,
1297
00:55:31,461 --> 00:55:32,729
technically is only,
1298
00:55:32,829 --> 00:55:33,963
it's a shorter time period
1299
00:55:34,630 --> 00:55:37,133
between 3 and 4,
we could go into it
1300
00:55:37,233 --> 00:55:40,336
and shoot it like
one long giant movie.
1301
00:55:40,436 --> 00:55:44,307
So, that-- that made it
just make sense, overall.
1302
00:55:44,407 --> 00:55:46,142
[Louise Lombard] [VO]
To helm the next two movies,
1303
00:55:46,242 --> 00:55:48,377
the production hired
Castille Landon,
1304
00:55:48,477 --> 00:55:51,470
a young director who had
previously worked with
1305
00:55:51,147 --> 00:55:54,317
and impressed
the studio behind AFTER .
1306
00:55:54,417 --> 00:55:55,885
[Jennifer Gibgot] [VO]
The reason why we decided
1307
00:55:55,985 --> 00:55:58,320
to go with Castille was,
1308
00:55:58,421 --> 00:56:00,990
we thought it was actually
really important
1309
00:56:01,900 --> 00:56:03,359
to tell these stories
through a female lens.
1310
00:56:03,459 --> 00:56:06,896
And it was a thought-out
conversation that we all had,
1311
00:56:06,996 --> 00:56:09,733
and I think
she did a fantastic job.
1312
00:56:11,500 --> 00:56:13,903
[Louise Lombard] [VO] Castille
jumped into the AFTER universe
1313
00:56:14,030 --> 00:56:17,206
and quickly got to work
directing two feature films.
1314
00:56:17,306 --> 00:56:20,090
While some might have found
that daunting,
1315
00:56:20,109 --> 00:56:21,677
Castille felt
it was a natural way
1316
00:56:21,777 --> 00:56:24,130
to approach the source
material.
1317
00:56:24,113 --> 00:56:25,848
-The books really
lend themselves
1318
00:56:25,948 --> 00:56:30,353
to being looked at
as one whole story.
1319
00:56:30,453 --> 00:56:32,688
[Castille Landon] [VO]
It's a short timeframe, so
1320
00:56:32,788 --> 00:56:34,690
I didn't really look at it
as two different films
1321
00:56:34,790 --> 00:56:37,426
as much as I did
just one big film
1322
00:56:37,526 --> 00:56:40,196
that we were shooting--
all at the same time.
1323
00:56:40,296 --> 00:56:43,990
And that really helped to
keep sight of everything,
1324
00:56:43,199 --> 00:56:46,902
'cause I think if we-- if we
had to do it in a different way,
1325
00:56:47,020 --> 00:56:49,872
that would have been
a lot more challenging.
1326
00:56:49,972 --> 00:56:51,741
[Louise Lombard] [VO] Castille
set out to capture as much of
1327
00:56:51,841 --> 00:56:54,410
Hardin and Tess's love story
as she could,
1328
00:56:54,511 --> 00:56:56,445
including unreleased scenes
like these,
1329
00:56:56,545 --> 00:56:59,882
featuring fan favourite
Anton Kottas as Smith.
1330
00:56:59,982 --> 00:57:03,720
-[Christian and Kimberly laugh]
1331
00:57:05,822 --> 00:57:07,790
-Do you have a name yet?
1332
00:57:07,890 --> 00:57:10,590
-Oh, look...
-We have been thinking about--
1333
00:57:10,159 --> 00:57:12,395
-About waiting until
the gender reveal party?
1334
00:57:12,495 --> 00:57:13,396
-Um--
1335
00:57:13,496 --> 00:57:14,564
-That.
1336
00:57:14,664 --> 00:57:16,633
That, what she said.
-[Tessa] Right.
1337
00:57:18,101 --> 00:57:19,735
-Well, they've been up there
for a while,
1338
00:57:19,835 --> 00:57:23,940
so I think I'm gonna go see
what they've been getting up to.
1339
00:57:24,400 --> 00:57:24,974
-Yeah.
1340
00:57:27,176 --> 00:57:28,578
Hope you like trains.
1341
00:57:32,415 --> 00:57:33,782
-Are you going to
[indistinct] too?
1342
00:57:33,882 --> 00:57:34,750
[toy train rattles]
1343
00:57:34,850 --> 00:57:36,419
-No.
1344
00:57:36,519 --> 00:57:37,754
I'm just visiting for the night.
1345
00:57:40,189 --> 00:57:43,126
-I rewired it,
so it goes faster.
1346
00:57:44,260 --> 00:57:45,261
-Did you?
1347
00:57:45,361 --> 00:57:47,430
-Mm-hmm. It was really slow.
1348
00:57:49,432 --> 00:57:50,966
-Smith.
1349
00:57:51,660 --> 00:57:52,010
That's pretty impressive.
1350
00:57:58,207 --> 00:58:00,510
This is a very cool set.
1351
00:58:00,610 --> 00:58:03,780
But it's way past my bedtime
and probably yours too.
1352
00:58:05,381 --> 00:58:06,282
Good night, little guy.
1353
00:58:06,382 --> 00:58:07,283
-Night.
1354
00:58:17,693 --> 00:58:18,961
[Louise Lombard] [VO]
In addition to the
challenges of
1355
00:58:19,610 --> 00:58:21,197
shooting two movies at once,
1356
00:58:21,297 --> 00:58:23,999
the production, much like
the rest of the world,
1357
00:58:24,990 --> 00:58:26,335
was soon confronted
with an entirely
1358
00:58:26,435 --> 00:58:28,471
unexpected new challenge.
1359
00:58:28,571 --> 00:58:30,720
[Brian Pitt] [VO] We were set
to shoot in Atlanta
1360
00:58:30,172 --> 00:58:33,420
and then we found ourselves
in a worldwide pandemic.
1361
00:58:33,142 --> 00:58:34,477
[man] Good morning, boss.
1362
00:58:34,610 --> 00:58:36,378
[Brian Pitt] [VO] Uh--
And what do we do here?
1363
00:58:36,478 --> 00:58:37,980
If we don't shoot,
1364
00:58:38,800 --> 00:58:41,484
and we don't find a way
to safely shoot during this,
1365
00:58:41,584 --> 00:58:43,886
the fandom is gonna go
an extra year,
1366
00:58:43,986 --> 00:58:45,888
year and a half
without a follow-up movie.
1367
00:58:45,989 --> 00:58:47,656
And we knew that wasn't
gonna happen! [laughs]
1368
00:58:47,756 --> 00:58:49,725
That was not gonna go over well.
1369
00:58:49,825 --> 00:58:53,495
So, we had made the decision
to move the entire production
1370
00:58:53,596 --> 00:58:57,100
to another country where
it was safer to shoot,
1371
00:58:57,200 --> 00:58:58,701
and we could be
a little more controlled.
1372
00:59:00,570 --> 00:59:01,770
[Louise Lombard] [VO]
On set in Bulgaria,
1373
00:59:01,870 --> 00:59:03,539
the production of both films
1374
00:59:03,639 --> 00:59:05,841
strictly followed
the COVID protocol
1375
00:59:05,941 --> 00:59:08,177
put in place by
the Directors Guild of America
1376
00:59:08,277 --> 00:59:09,578
and Screen Actors Guild.
1377
00:59:09,678 --> 00:59:11,180
[man] Thank you.
1378
00:59:11,280 --> 00:59:13,490
[Louise Lombard] [VO] Masks
were required at all times.
1379
00:59:15,885 --> 00:59:19,880
Cast and crew underwent
constant testing,
1380
00:59:19,188 --> 00:59:21,924
and production departments
were separated and isolated
1381
00:59:22,240 --> 00:59:24,393
from other crew members.
1382
00:59:24,493 --> 00:59:26,262
For the safety of
the people involved,
1383
00:59:26,362 --> 00:59:28,864
it was essential that everyone
was aware of the rules
1384
00:59:28,964 --> 00:59:31,768
and followed them
to the letter.
1385
00:59:31,868 --> 00:59:34,360
But living through
such difficult circumstances
1386
00:59:34,136 --> 00:59:36,872
in isolation
was not an easy task.
1387
00:59:36,972 --> 00:59:38,407
[man] And then,
this will blend better.
1388
00:59:38,507 --> 00:59:39,943
[Castille Landon] [VO]
Shooting during the pandemic
1389
00:59:40,430 --> 00:59:42,878
has been insane.
1390
00:59:42,979 --> 00:59:45,981
There were a ton of precautions
that were taken.
1391
00:59:46,810 --> 00:59:49,510
We were all basically
put into quarantine.
1392
00:59:49,151 --> 00:59:50,820
We quarantined
when we got here.
1393
00:59:50,920 --> 00:59:54,257
We are tested multiple times
per week-- every other day.
1394
00:59:55,491 --> 00:59:59,228
And then on set, there's
so many things
1395
00:59:59,328 --> 01:00:01,264
that are taken into account.
1396
01:00:01,364 --> 01:00:04,233
Everybody has to wear masks
all the time--
1397
01:00:04,334 --> 01:00:05,901
there's no exceptions to that.
1398
01:00:06,020 --> 01:00:07,937
A whole team of people
that comes through
1399
01:00:08,370 --> 01:00:11,240
and sanitizes
every single prop.
1400
01:00:11,340 --> 01:00:13,142
Then there's like
UV sanitization
1401
01:00:13,242 --> 01:00:16,979
at night in the sets
and with the wardrobe.
1402
01:00:17,800 --> 01:00:19,448
It was uncertain times,
but I don't think that
1403
01:00:19,548 --> 01:00:21,918
any more precautions
could have been taken.
1404
01:00:23,219 --> 01:00:24,587
[Louise Lombard] [VO]
Thankfully, the adventure of
1405
01:00:24,687 --> 01:00:29,458
making AFTER 3 and 4
had a happy ending.
1406
01:00:29,558 --> 01:00:30,826
[Castille Landon] [VO]
We were originally gonna
1407
01:00:30,926 --> 01:00:33,829
shoot in Atlanta, then
it became Bulgaria.
1408
01:00:33,929 --> 01:00:37,800
And like the first day of
filming, I think a week out,
1409
01:00:37,900 --> 01:00:39,268
we lost our location.
1410
01:00:39,368 --> 01:00:41,170
And then all through it,
we've lost like
1411
01:00:41,270 --> 01:00:42,605
different day players and cast.
1412
01:00:42,705 --> 01:00:44,940
We've kind of
had to shuffle things,
1413
01:00:45,410 --> 01:00:47,430
which then pushed
our shooting date later,
1414
01:00:47,143 --> 01:00:50,980
and so then we're dealing with
snow and bad weather.
1415
01:00:51,800 --> 01:00:53,849
[chuckles] So, it's been like,
kind of a comedy of errors.
1416
01:00:53,949 --> 01:00:55,150
[car door thuds]
1417
01:00:55,250 --> 01:00:57,486
But I think
we've really managed to--
1418
01:00:57,586 --> 01:01:00,490
to push through it
and make really great movies
1419
01:01:00,590 --> 01:01:01,824
that I'm super proud of,
1420
01:01:01,924 --> 01:01:03,860
regardless of
all of those obstacles.
1421
01:01:05,628 --> 01:01:06,529
[Brian Pitt] [VO] It was
so important to us
1422
01:01:06,629 --> 01:01:07,863
to put these products out,
1423
01:01:07,964 --> 01:01:10,299
and our fans were
so excited about them
1424
01:01:10,399 --> 01:01:12,134
that it kind of
fuelled all of us.
1425
01:01:12,234 --> 01:01:13,468
Every night
when we were working,
1426
01:01:13,569 --> 01:01:15,637
in the middle of the night,
in Bulgaria,
1427
01:01:15,738 --> 01:01:20,409
in the snow, in masks, uh--
long hours,
1428
01:01:20,509 --> 01:01:23,179
pretty much isolating ourselves
from the rest of the world
1429
01:01:23,279 --> 01:01:24,847
cuz we lived in little pods
1430
01:01:24,947 --> 01:01:27,350
and we weren't allowed to talk
to people or be around anybody,
1431
01:01:27,450 --> 01:01:29,985
just to make sure everybody
was as safe as we could be.
1432
01:01:30,850 --> 01:01:33,155
It was very, uh-- trying
on your soul, to some extent.
1433
01:01:33,255 --> 01:01:35,240
And we did that
for five months, uh--
1434
01:01:35,124 --> 01:01:37,192
away from our families.
1435
01:01:37,292 --> 01:01:39,394
And I don't think many of us
would have done that
1436
01:01:39,494 --> 01:01:40,830
for any other film.
1437
01:01:40,930 --> 01:01:43,833
[ambient music playing]
1438
01:01:44,900 --> 01:01:45,834
[Louise Lombard] [VO]
In AFTER WE FELL
1439
01:01:45,934 --> 01:01:47,903
and AFTER EVER HAPPY,
1440
01:01:48,030 --> 01:01:50,205
the love between
Tessa and Hardin
1441
01:01:50,305 --> 01:01:54,843
remains just as intense,
passionate, and complex.
1442
01:01:54,943 --> 01:01:57,460
But as strong as their bond is,
1443
01:01:57,146 --> 01:01:59,882
growing up
will put it to the test.
1444
01:02:01,516 --> 01:02:03,218
[Josephine Langford] [VO]
Now that Tessa and Hardin
1445
01:02:03,318 --> 01:02:05,688
are in the real world--
as in the adult world--
1446
01:02:05,788 --> 01:02:08,157
their relationship
hasn't evolved.
1447
01:02:08,257 --> 01:02:11,259
It's still the same
relationship
with the same obstacles
1448
01:02:11,360 --> 01:02:15,431
and challenges
and sort of insecurities, uh--
1449
01:02:15,531 --> 01:02:17,566
because they're all
really internal and emotional,
1450
01:02:17,667 --> 01:02:20,536
I think the landscape's
just really different.
1451
01:02:20,636 --> 01:02:23,239
And they're dealing with, uh--
with different things now,
1452
01:02:23,339 --> 01:02:26,943
like long distance and
what you do in that situation.
1453
01:02:27,430 --> 01:02:29,912
[Louise Lombard] [VO] As you can
see in this unreleased footage,
1454
01:02:30,120 --> 01:02:33,249
the real world
brings real problems for Tessa.
1455
01:02:33,349 --> 01:02:35,918
-Uh-- Can you
put your number in?
1456
01:02:36,180 --> 01:02:37,420
-You know, smarties.
1457
01:02:38,521 --> 01:02:40,889
[laughs]
1458
01:02:40,989 --> 01:02:41,890
You know,
you could have had them
1459
01:02:41,990 --> 01:02:43,892
just transfer everything over.
1460
01:02:43,992 --> 01:02:45,594
-Fresh start.
1461
01:02:45,694 --> 01:02:47,263
-Right.
1462
01:02:47,363 --> 01:02:48,297
-Thanks.
1463
01:02:51,400 --> 01:02:52,567
-Two-one-two?
1464
01:02:52,668 --> 01:02:54,136
New York?
1465
01:02:54,236 --> 01:02:56,772
So, you're not kidding about
moving to the city with me?
1466
01:02:56,873 --> 01:02:59,750
-Yeah, I'm talking with
an admissions counsellor
1467
01:02:59,175 --> 01:03:01,143
at NYU next week. But...
1468
01:03:01,243 --> 01:03:03,746
yeah, it looks like I'll be
able to start in the fall.
1469
01:03:03,846 --> 01:03:05,800
-And then you just transfer
1470
01:03:05,181 --> 01:03:08,584
to Advanced Publishing's
New York office, right?
1471
01:03:08,684 --> 01:03:09,919
-I-- I'm not sure
I can work for him,
1472
01:03:10,190 --> 01:03:11,787
just knowing
he's Hardin's father.
1473
01:03:11,887 --> 01:03:12,822
-Right.
1474
01:03:16,425 --> 01:03:19,295
[playful music playing]
1475
01:03:39,916 --> 01:03:40,850
-Wake up.
1476
01:03:42,551 --> 01:03:43,953
Landon, wake up.
1477
01:03:45,540 --> 01:03:45,955
Wake up.
1478
01:03:46,550 --> 01:03:46,956
-What?
1479
01:03:47,560 --> 01:03:48,857
[Hardin] Wake up!
1480
01:03:48,957 --> 01:03:50,158
I need you to
unlock your phone.
1481
01:03:50,258 --> 01:03:51,227
-No.
1482
01:03:51,327 --> 01:03:52,495
-Unlock your fucking phone.
1483
01:03:53,595 --> 01:03:56,732
-No, no, no, no.
1484
01:03:56,832 --> 01:03:57,733
-Can you unlock your phone,
please?
1485
01:03:57,833 --> 01:03:58,834
I need Tessa's number.
1486
01:03:58,934 --> 01:04:00,503
-You don't have it
for a reason.
1487
01:04:00,603 --> 01:04:02,371
-Unlock your fucking phone!
1488
01:04:03,606 --> 01:04:04,540
Please.
1489
01:04:05,741 --> 01:04:06,709
-[Landon sighs]
1490
01:04:15,317 --> 01:04:16,652
-Wasn't so difficult, was it?
1491
01:04:17,753 --> 01:04:20,155
-[thuds]
-Sweet dreams.
1492
01:04:20,255 --> 01:04:21,557
[Landon] Can you at least
get the light? Can you--
1493
01:04:21,657 --> 01:04:23,292
[door thuds]
1494
01:04:23,392 --> 01:04:24,993
[Louise Lombard] [VO] These
two movies take us deeper
1495
01:04:25,930 --> 01:04:27,290
into the two lovers' lives,
1496
01:04:27,129 --> 01:04:31,000
exploring their emotions
and exposing their secrets--
1497
01:04:31,100 --> 01:04:34,020
some tragic,
others happier,
1498
01:04:34,102 --> 01:04:38,373
but all necessary for
Tessa and Hardin to evolve.
1499
01:04:38,473 --> 01:04:41,543
This evolution is particularly
dramatic for Hardin,
1500
01:04:41,643 --> 01:04:44,212
who finally confronts
his alcohol addiction
1501
01:04:44,312 --> 01:04:48,500
and the reasons behind
his self-destructive behaviour.
1502
01:04:48,150 --> 01:04:50,285
Telling an honest story
of addiction
1503
01:04:50,385 --> 01:04:55,591
is a responsibility Hero has
always taken very seriously.
1504
01:04:55,691 --> 01:04:57,259
[Hero Fiennes] [VO]
I know people who have been
1505
01:04:57,359 --> 01:04:58,527
through the same thing.
1506
01:04:58,627 --> 01:04:59,895
It's always
a lot more authentic
1507
01:04:59,995 --> 01:05:01,396
when you can draw
from someone you--
1508
01:05:01,496 --> 01:05:02,731
someone you know,
1509
01:05:02,832 --> 01:05:04,566
or experiences of people
you know. And um--
1510
01:05:04,666 --> 01:05:07,703
I was informed enough
about the behaviour of--
1511
01:05:07,803 --> 01:05:10,606
of people who are addicted,
and addiction in general to--
1512
01:05:10,706 --> 01:05:12,441
to kind of inform me
well enough in that sense.
1513
01:05:12,541 --> 01:05:15,577
But-- it's tricky,
not so much just the audition,
1514
01:05:15,677 --> 01:05:18,470
but like childhood trauma was
one that I wanted to make sure
1515
01:05:18,147 --> 01:05:20,449
I got right as well
because I feel like that--
1516
01:05:20,549 --> 01:05:22,417
that has a huge impact as well,
and obviously, the addiction's
1517
01:05:22,517 --> 01:05:25,454
more of a knock-on
effect of that.
1518
01:05:25,554 --> 01:05:27,123
[Louise Lombard] [VO]
Filming took place
1519
01:05:27,223 --> 01:05:29,457
over five months in Bulgaria,
in the dead of winter,
1520
01:05:29,558 --> 01:05:32,395
right in the middle
of the COVID crisis.
1521
01:05:32,495 --> 01:05:34,396
Production thought
that it could make these movies
1522
01:05:34,496 --> 01:05:36,565
as a surprise for the fans.
1523
01:05:36,665 --> 01:05:38,301
Production was wrong.
1524
01:05:39,568 --> 01:05:41,030
[Brian Pitt] [VO]
One of the downsides
1525
01:05:41,103 --> 01:05:43,138
to having such
an amazing fandom,
1526
01:05:43,238 --> 01:05:45,307
they-- they are detectives.
1527
01:05:45,407 --> 01:05:47,442
They find us everywhere we go
when we're shooting.
1528
01:05:47,542 --> 01:05:50,779
I'll give you a quick example.
We're in Bulgaria.
1529
01:05:50,879 --> 01:05:52,948
We didn't tell anyone
why we were going to Bulgaria.
1530
01:05:53,480 --> 01:05:55,885
We have full media blackouts
with social.
1531
01:05:55,985 --> 01:05:57,319
We don't talk about the movie
on social.
1532
01:05:57,419 --> 01:05:58,888
We don't talk about
where we are.
1533
01:05:58,988 --> 01:06:00,956
And that's primarily
just so we can have
1534
01:06:01,560 --> 01:06:03,825
a little bit of surprise
to everybody.
1535
01:06:03,926 --> 01:06:08,664
So, a lot of the fandom
knows all of the players
1536
01:06:08,764 --> 01:06:09,931
that have been around.
1537
01:06:10,310 --> 01:06:12,601
So, Taylor Conrad,
who's my assistant,
1538
01:06:12,701 --> 01:06:17,306
now is associate producer
on the newer films,
1539
01:06:17,406 --> 01:06:20,910
she took a photo randomly
in her hotel room of her outfit,
1540
01:06:21,100 --> 01:06:25,481
posted it on Instagram,
and within hours,
1541
01:06:25,581 --> 01:06:30,286
the fans recognized the pattern
on the hotel curtain,
1542
01:06:30,386 --> 01:06:33,189
cross-referenced it
with every hotel in Bulgaria,
1543
01:06:33,289 --> 01:06:35,240
found out where we were,
and I had a crowd of people
1544
01:06:35,124 --> 01:06:36,659
out front of the hotel.
1545
01:06:36,759 --> 01:06:37,525
-[Chance Perdomo] Hi, guys.
-[fans] Hi.
1546
01:06:37,626 --> 01:06:40,996
[cheering]
1547
01:06:41,970 --> 01:06:42,965
-I wish I could give you guys
hugs, but uh--
1548
01:06:43,650 --> 01:06:44,133
I'm not allowed; COVID.
1549
01:06:44,233 --> 01:06:45,801
But thank you
for wearing your masks.
1550
01:06:45,901 --> 01:06:47,202
I thought I'd come outside
and say hi.
1551
01:06:47,302 --> 01:06:48,370
You guys have been here all day?
1552
01:06:48,470 --> 01:06:50,639
-[fans] Yes!
-Hey, folks.
1553
01:06:50,740 --> 01:06:51,673
All right.
1554
01:06:51,773 --> 01:06:52,708
My name is Chance.
1555
01:06:52,808 --> 01:06:54,342
And what are your names?
1556
01:06:54,442 --> 01:06:57,979
[fans] [indistinct]
1557
01:06:58,800 --> 01:07:00,215
-It's nice to meet you.
[shouts]
1558
01:07:00,315 --> 01:07:03,552
-[cheering]
1559
01:07:03,652 --> 01:07:04,920
[Louise Lombard] [VO]
Fans of the series
1560
01:07:05,200 --> 01:07:07,656
even have their own name:
Afternators.
1561
01:07:07,756 --> 01:07:10,493
-[fans cheering]
1562
01:07:12,894 --> 01:07:13,762
[Louise Lombard] [VO]
After conducting
1563
01:07:13,862 --> 01:07:15,363
their own investigation,
1564
01:07:15,463 --> 01:07:17,399
they gathered en masse
outside the cast and crew's
1565
01:07:17,499 --> 01:07:19,568
hotel in Sofia, Bulgaria,
1566
01:07:19,668 --> 01:07:22,170
waiting for a chance
to see their beloved stars.
1567
01:07:22,270 --> 01:07:25,174
-[fans cheering]
1568
01:07:27,910 --> 01:07:29,545
[Louise Lombard] [VO]
For Hero and Josephine,
1569
01:07:29,645 --> 01:07:32,140
who burst into the spotlight
in their early 20s,
1570
01:07:32,114 --> 01:07:34,182
the popularity of the series
1571
01:07:34,282 --> 01:07:35,751
could sometimes feel
overwhelming.
1572
01:07:37,186 --> 01:07:38,687
[Hero Fiennes] [VO]
Lockdown came at a good time
1573
01:07:38,787 --> 01:07:41,560
for me to kind of
just sit down,
1574
01:07:41,156 --> 01:07:43,391
take a bit of time
to reassess and--
1575
01:07:43,492 --> 01:07:45,600
I feel like I've come out
like raring to go,
1576
01:07:45,160 --> 01:07:46,695
feeling really comfortable
with it.
1577
01:07:46,795 --> 01:07:49,598
But I feel like it's also easy
to say at this point but I--
1578
01:07:49,698 --> 01:07:51,233
I never set out for like--
1579
01:07:51,333 --> 01:07:53,902
for like fame or trying--
trying to be this big.
1580
01:07:54,020 --> 01:07:55,437
You know, I just kind of
wanted to make cool movies
1581
01:07:55,537 --> 01:07:56,538
and see what happened.
1582
01:07:56,638 --> 01:07:59,410
And-- and uh-- it definitely--
1583
01:07:59,141 --> 01:08:00,442
"overwhelming"
is the perfect word.
1584
01:08:00,542 --> 01:08:05,113
It was-- it was like
a huge change in lifestyle.
1585
01:08:05,214 --> 01:08:06,881
You know?
1586
01:08:06,981 --> 01:08:08,383
It's not-- not something that
I anticipated or was used to,
1587
01:08:08,483 --> 01:08:11,253
but, you know, quickly--
quickly had to learn on the way.
1588
01:08:11,353 --> 01:08:12,287
And, as I said, now--
1589
01:08:12,388 --> 01:08:14,256
now I feel great
but-- but, yeah.
1590
01:08:14,356 --> 01:08:16,892
A hundred percent, it was
an over-- overwhelming process,
1591
01:08:16,992 --> 01:08:19,928
but um, you know, an--
an amazing one, nonetheless.
1592
01:08:20,280 --> 01:08:23,132
-[cheering]
1593
01:08:23,232 --> 01:08:25,300
[Louise Lombard] [VO]
Over time, Hero has learned
1594
01:08:25,400 --> 01:08:26,902
to accept his celebrity
1595
01:08:27,020 --> 01:08:29,505
and appreciate the attention
of the Afternators.
1596
01:08:29,605 --> 01:08:32,140
He loves seeing them connect
with each other on fan forums.
1597
01:08:32,240 --> 01:08:35,770
-[chanting] Hardin!
Hardin! Hardin! Hardin!
1598
01:08:35,177 --> 01:08:36,780
-You notice
that a lot of them
1599
01:08:36,178 --> 01:08:37,513
make friends with each other,
1600
01:08:37,613 --> 01:08:39,881
which is an amazing thing to--
to be able to-- to,
1601
01:08:39,981 --> 01:08:42,318
I guess have been
a part of, um,
1602
01:08:42,418 --> 01:08:44,253
because making friends through
something you love is a--
1603
01:08:44,353 --> 01:08:45,620
is a magical thing
1604
01:08:45,721 --> 01:08:47,823
and is-- it really does
bring people together.
1605
01:08:47,923 --> 01:08:49,658
[ambient music playing]
1606
01:08:49,758 --> 01:08:52,160
[Louise Lombard] [VO]
On September 30th, 2021,
1607
01:08:52,260 --> 01:08:53,929
Nicky Boyer is getting ready
1608
01:08:54,290 --> 01:08:55,464
as she waits for her
friend Theresa
1609
01:08:55,564 --> 01:08:59,100
to arrive for an exciting
evening at the theater.
1610
01:08:59,200 --> 01:09:02,170
-I think I'm ready.
1611
01:09:02,270 --> 01:09:02,637
[object clattering]
1612
01:09:02,270 --> 01:09:02,637
[Louise Lombard] [VO]
Today is the premiere date of
1613
01:09:02,737 --> 01:09:04,640
AFTER WE FELL,
1614
01:09:04,740 --> 01:09:07,308
a day these fans
have been eagerly awaiting.
1615
01:09:07,409 --> 01:09:08,643
-Let's go.
1616
01:09:08,743 --> 01:09:09,978
Hi!
1617
01:09:10,780 --> 01:09:12,981
[laughs] You ready?
1618
01:09:13,810 --> 01:09:14,783
-[Theresa] Yes, I am.
-[Nicky] Yeah. Okay. [laughs]
1619
01:09:14,883 --> 01:09:16,451
[Louise Lombard] [VO]
Nicky and Teresa head out
1620
01:09:16,551 --> 01:09:17,786
to meet their friend Hannah
1621
01:09:17,887 --> 01:09:20,455
at the multiplex
in Riverside, California,
1622
01:09:20,555 --> 01:09:22,825
to watch the movie together.
1623
01:09:22,925 --> 01:09:26,728
They're not the only fans who
have organized viewing parties.
1624
01:09:26,828 --> 01:09:28,463
[Nicky] Yeah, they're all
seeing it.
1625
01:09:28,563 --> 01:09:31,667
And then my friend Nicole,
1626
01:09:31,767 --> 01:09:34,970
she has a couple
of our other friends,
1627
01:09:35,700 --> 01:09:38,640
Tori and Brittany, are in Texas
seeing it with her
1628
01:09:38,740 --> 01:09:42,440
and our friend Stephanie
and yeah.
1629
01:09:42,144 --> 01:09:44,790
So, it's cool, like, everybody
is seeing it everywhere.
1630
01:09:44,180 --> 01:09:46,648
It's just wild because
I feel like last year,
1631
01:09:46,748 --> 01:09:47,982
we couldn't do this.
-[Theresa] Right.
1632
01:09:48,830 --> 01:09:49,840
[Nicky] Like, we couldn't go to
the theatres;
1633
01:09:49,184 --> 01:09:50,752
we couldn't do
all of those things.
1634
01:09:50,852 --> 01:09:52,688
So, it's just so freaking cool.
1635
01:09:52,788 --> 01:09:54,220
It feels like we've been
waiting forever.
1636
01:09:54,122 --> 01:09:55,230
-[Theresa laughs]
1637
01:09:55,123 --> 01:09:56,250
-It really does.
1638
01:09:57,125 --> 01:09:58,193
[car door thuds]
1639
01:09:58,293 --> 01:10:00,496
-Oh. Hi, how are you?
-[Theresa] Hi.
1640
01:10:03,666 --> 01:10:05,668
-Hero, are you there?
-Hello? Hero? [laughs]
1641
01:10:05,768 --> 01:10:07,010
-Jo? Jo?
Is that you?
1642
01:10:07,102 --> 01:10:10,672
-[laughs]
1643
01:10:10,772 --> 01:10:14,176
I'm ready.
We've waited over a year.
1644
01:10:14,276 --> 01:10:15,343
A year.
1645
01:10:15,443 --> 01:10:16,845
A year.
-[Theresa] I'm so excited.
1646
01:10:16,945 --> 01:10:18,681
-[club music playing]
-[Nicky] Yeah. I'm so excited.
1647
01:10:21,350 --> 01:10:23,251
[Louise Lombard] [VO]
At 7 p.m., the three friends
1648
01:10:23,351 --> 01:10:25,540
settle into their seats.
1649
01:10:25,154 --> 01:10:28,357
AFTER WE FELL
is about to begin.
1650
01:10:28,457 --> 01:10:31,260
[ambient music playing]
1651
01:10:33,962 --> 01:10:36,231
[Nicky] It was seriously
the best one.
1652
01:10:36,331 --> 01:10:37,666
[Theresa] The best one.
The best one.
1653
01:10:37,766 --> 01:10:38,800
-[Nicky] Absolutely.
-[Hannah] Without a doubt.
1654
01:10:38,900 --> 01:10:39,634
-I would watch it again
right now.
1655
01:10:39,734 --> 01:10:40,869
-Yeah.
-It's that good.
1656
01:10:40,969 --> 01:10:41,937
-In fact,
if they're playing it again,
1657
01:10:42,370 --> 01:10:43,371
we'll probably go back.
For sure.
1658
01:10:43,471 --> 01:10:45,874
-We might just
go back in there right now.
1659
01:10:45,974 --> 01:10:46,942
-It was seriously so good.
-Actually, it was so--
1660
01:10:47,420 --> 01:10:48,110
it was the best one for sure.
1661
01:10:48,210 --> 01:10:49,411
-Uh-- It was seriously
worth the wait.
1662
01:10:49,511 --> 01:10:50,879
One thousand percent
1663
01:10:50,980 --> 01:10:52,548
worth the wait.
-Yeah. It was-- it was great.
1664
01:10:52,648 --> 01:10:53,782
-Yeah. I cried three times.
1665
01:10:53,882 --> 01:10:55,217
Yeah.
-[laughs]
1666
01:10:55,317 --> 01:10:56,385
-Yeah. I actually only
cried once; I'm impressed.
1667
01:10:56,485 --> 01:10:57,419
I only did once.
-I cried three times.
1668
01:11:01,390 --> 01:11:02,758
[Louise Lombard] [VO]
There are fans like
1669
01:11:02,858 --> 01:11:05,728
Nicky and her friends
all over the world.
1670
01:11:05,828 --> 01:11:09,731
Fly with us to Dallas, Texas,
to meet Nicole Thomas,
1671
01:11:09,831 --> 01:11:12,133
a mother of four in her 40s,
1672
01:11:12,233 --> 01:11:14,636
who surprised herself
when she became totally
1673
01:11:14,736 --> 01:11:17,238
obsessed with AFTER.
1674
01:11:17,339 --> 01:11:19,241
She stumbled upon the romance
by chance,
1675
01:11:19,341 --> 01:11:22,811
when a few friends
dragged her to the movie.
1676
01:11:22,911 --> 01:11:23,945
[Nicole] [VO] So,
we walked in the theatre,
1677
01:11:24,450 --> 01:11:25,480
and I was dead tired.
1678
01:11:25,580 --> 01:11:27,949
And so, the girls just wanted
to watch the movie.
1679
01:11:28,490 --> 01:11:29,751
I was gonna sleep.
1680
01:11:29,851 --> 01:11:31,420
And so-- just take a long nap
1681
01:11:31,520 --> 01:11:32,888
because I had worked a lot
that week.
1682
01:11:32,988 --> 01:11:35,757
And then, instead of that--
1683
01:11:35,857 --> 01:11:38,426
I saw that first little bit
of them walking into the lake,
1684
01:11:38,527 --> 01:11:39,828
and then Tessa going to
go to the college
1685
01:11:39,928 --> 01:11:40,963
and stuff like that.
1686
01:11:41,630 --> 01:11:42,964
When Hardin--
1687
01:11:43,640 --> 01:11:46,968
walked in--
when he was laying on the bed,
1688
01:11:47,690 --> 01:11:51,974
from then on, like until today,
until infinity,
1689
01:11:52,740 --> 01:11:54,576
I just became
completely obsessed.
1690
01:11:54,676 --> 01:11:56,945
[Louise Lombard] [VO] Nicole
explains her obsession started
1691
01:11:57,450 --> 01:12:00,816
because she identified
so deeply
with the lead characters.
1692
01:12:00,916 --> 01:12:02,451
-My husband, I met him
in high school,
1693
01:12:02,551 --> 01:12:06,321
and we've, like that's,
your heart like,
1694
01:12:06,421 --> 01:12:09,157
opens so much
and all of your kind of--
1695
01:12:09,257 --> 01:12:11,493
you relate to it so much.
1696
01:12:11,593 --> 01:12:14,496
And for the way
Hardin and Tessa,
1697
01:12:14,596 --> 01:12:16,365
their struggles
in their relationship
1698
01:12:16,465 --> 01:12:19,968
are so real and so things
that you've been through
1699
01:12:20,690 --> 01:12:24,139
and for it to be,
you've got it on screen,
1700
01:12:24,239 --> 01:12:25,674
and you're seeing the movie,
1701
01:12:25,774 --> 01:12:27,375
like it's one thing
in your head
1702
01:12:27,476 --> 01:12:28,977
and it's completely
different on screen.
1703
01:12:29,770 --> 01:12:32,247
For me, like, it means a lot
that they could make it,
1704
01:12:32,347 --> 01:12:35,383
I think, and it gives you
a little bit of hope for that.
1705
01:12:35,483 --> 01:12:38,887
It's super relatable, and it
gives you kind of that escape.
1706
01:12:38,987 --> 01:12:40,221
[peaceful music playing]
1707
01:12:40,321 --> 01:12:41,389
[Louise Lombard] [VO]
It's an escape
1708
01:12:41,490 --> 01:12:43,324
that she takes very seriously.
1709
01:12:43,425 --> 01:12:45,861
Since becoming a fan,
Nicole has amassed
1710
01:12:45,961 --> 01:12:49,497
an impressive collection of
AFTER memorabilia.
1711
01:12:49,597 --> 01:12:53,340
-I have a couple of things.
I have just cups and mugs.
1712
01:12:53,134 --> 01:12:55,570
My Hardin mug.
Hero's favourite drink
1713
01:12:55,670 --> 01:12:58,206
is iced caramel macchiato
with extra caramel drizzle,
1714
01:12:58,307 --> 01:13:01,430
and it looks gorgeous
in this cup. [laughs]
1715
01:13:01,143 --> 01:13:04,846
I do have more in my room.
I have posters.
1716
01:13:04,946 --> 01:13:08,416
This is an actual French poster
1717
01:13:08,516 --> 01:13:12,860
that they sent--
that Voltage sent.
1718
01:13:12,187 --> 01:13:14,389
And it's just gorgeous.
This is my favourite.
1719
01:13:14,489 --> 01:13:15,924
This is my favourite one.
1720
01:13:16,240 --> 01:13:18,193
This is from my friend Kathy.
1721
01:13:18,293 --> 01:13:22,264
She ended up sending me this
for Christmas.
1722
01:13:22,364 --> 01:13:23,398
So, this was sent to me
1723
01:13:23,498 --> 01:13:25,266
from one of my girlfriends,
Jessie.
1724
01:13:25,366 --> 01:13:27,402
I have so much more.
1725
01:13:27,503 --> 01:13:32,540
I have a Harden drawer--
just Harden t-shirts.
1726
01:13:32,640 --> 01:13:35,760
My Ramones shirt.
This is iconic.
1727
01:13:35,176 --> 01:13:38,213
He wears this in the scene
for the--
1728
01:13:38,313 --> 01:13:40,449
when they have
a little disagreement
1729
01:13:40,549 --> 01:13:43,918
over Pride and Prejudice .
He's wearing this shirt.
1730
01:13:44,180 --> 01:13:45,621
-That was exciting.
1731
01:13:45,721 --> 01:13:47,722
-No, it was annoying.
1732
01:13:47,822 --> 01:13:49,223
-I enjoyed it.
1733
01:13:49,323 --> 01:13:50,592
-These are just my candles
1734
01:13:50,692 --> 01:13:53,395
one of my girlfriends
made for me.
1735
01:13:53,495 --> 01:13:55,970
This one's Hardin Scott.
1736
01:13:55,197 --> 01:13:57,966
It says, "Smells like
haunted past, truth or dare,
1737
01:13:58,660 --> 01:14:00,302
stars collide, and whatever
our souls are made of,
1738
01:14:00,402 --> 01:14:02,604
hers and mine are the same."
1739
01:14:04,172 --> 01:14:05,941
[Louise Lombard] [VO]
As one of the most active
1740
01:14:06,410 --> 01:14:09,244
Afternators on social media,
many of Nicole's collectibles
1741
01:14:09,344 --> 01:14:11,746
were given to her
by other fans.
1742
01:14:11,846 --> 01:14:14,782
For her, the book has opened
the door to a community.
1743
01:14:14,882 --> 01:14:16,417
[audio over speaker]
1744
01:14:16,518 --> 01:14:18,860
-Just being part
of the fandom,
1745
01:14:18,186 --> 01:14:19,755
like all of the people
that you get to meet
1746
01:14:19,855 --> 01:14:22,590
because of these awesome
movies and books,
1747
01:14:22,690 --> 01:14:26,328
it just opens yourself to this
whole other dynamic of people
1748
01:14:26,428 --> 01:14:28,430
who are just like you,
1749
01:14:28,530 --> 01:14:29,998
and some of them
are not like you at all,
1750
01:14:30,980 --> 01:14:32,100
and so you learn
from them too, so.
1751
01:14:32,200 --> 01:14:33,568
-[audio over speaker]
1752
01:14:33,668 --> 01:14:34,336
[Louise Lombard] [VO]
Nicole nurtures her friendships
1753
01:14:34,436 --> 01:14:36,171
with other fans,
1754
01:14:36,271 --> 01:14:40,609
setting up viewing parties to
connect with Afternators
abroad.
1755
01:14:40,709 --> 01:14:42,610
Here she is watching
AFTER WE COLLIDED
1756
01:14:42,710 --> 01:14:44,112
with friends over Zoom.
1757
01:14:44,212 --> 01:14:45,814
-I'm on Wattpad.
1758
01:14:45,914 --> 01:14:47,150
We gotta go back
to the beginning for now...
1759
01:14:47,115 --> 01:14:48,350
[Louise Lombard] [VO]
For these fans,
1760
01:14:48,450 --> 01:14:49,618
sharing their passion
1761
01:14:49,718 --> 01:14:52,387
leads to an even greater
appreciation.
1762
01:14:52,487 --> 01:14:53,989
-Excuse me, sir, can you
hold that elevator, please?
1763
01:14:54,890 --> 01:14:55,957
[bangs] Asswipe!
1764
01:14:56,570 --> 01:14:58,193
-I love this part with Jo.
1765
01:14:58,293 --> 01:15:00,294
-Yes. Call me Asswipe?
1766
01:15:00,395 --> 01:15:02,965
-[laughs]
1767
01:15:03,650 --> 01:15:05,566
She looks so gorgeous.
1768
01:15:05,667 --> 01:15:08,350
Oh, shit.
1769
01:15:08,136 --> 01:15:09,237
-He's like, oh, I like seeing
1770
01:15:09,337 --> 01:15:10,472
the hands on the mirror.
-Aw... [giggles]
1771
01:15:10,572 --> 01:15:12,974
[friend 1] Yes, yes.
1772
01:15:13,740 --> 01:15:15,644
-The hands on the mirror that--
1773
01:15:15,744 --> 01:15:19,214
[ambient music playing]
1774
01:15:19,314 --> 01:15:21,717
I cried at this part
in the movies.
1775
01:15:21,817 --> 01:15:22,851
[friend 2] I did too.
1776
01:15:24,119 --> 01:15:24,953
[Richard] Hey...
[grunts]
1777
01:15:25,530 --> 01:15:25,988
[Tessa] Hardin...
1778
01:15:27,656 --> 01:15:29,657
Dad?
1779
01:15:29,757 --> 01:15:30,726
-Dad?
1780
01:15:30,826 --> 01:15:31,827
[Nicole] Oh, my god.
1781
01:15:31,927 --> 01:15:33,228
And then that's it.
1782
01:15:33,328 --> 01:15:34,195
And then that's where
they're going to pick up,
1783
01:15:34,295 --> 01:15:35,864
is having Richard...
1784
01:15:35,964 --> 01:15:38,650
[claps] [giggles]
1785
01:15:38,166 --> 01:15:39,400
[friend 2] Richard is forced--
1786
01:15:39,500 --> 01:15:40,669
[friend 1] Richard!
1787
01:15:40,769 --> 01:15:42,537
-[claps] Richard,
Richard, Richard.
1788
01:15:42,637 --> 01:15:45,206
You guys, it's like
it's better every time.
1789
01:15:45,307 --> 01:15:46,507
-[friend 2] I know.
-[friend 1] I know.
1790
01:15:46,607 --> 01:15:47,842
[friend 2] I know.
1791
01:15:47,943 --> 01:15:51,513
-I've watched this movie
probably
1792
01:15:51,613 --> 01:15:53,681
three to four times a week.
[laughs]
1793
01:15:53,781 --> 01:15:55,250
[friend 2] Yeah. Me, too.
1794
01:15:55,350 --> 01:15:56,384
Me, too.
1795
01:15:56,484 --> 01:15:58,253
-I love you guys.
1796
01:15:58,353 --> 01:15:59,921
-I love you. I love you, too.
-[friend 2] I love you.
1797
01:16:00,210 --> 01:16:01,189
-[smacks kiss]
1798
01:16:01,289 --> 01:16:02,590
-We're just kind of
there for each other
1799
01:16:02,690 --> 01:16:05,527
in a way that your family
are your own friends.
1800
01:16:05,627 --> 01:16:07,195
Because, I mean,
I have my friends too,
1801
01:16:07,295 --> 01:16:08,864
but they're there
in a different way
1802
01:16:08,964 --> 01:16:11,533
than your family or friends.
And so, it's the fandom.
1803
01:16:11,633 --> 01:16:13,367
The fandom is amazing.
1804
01:16:13,468 --> 01:16:15,737
And it's, yeah,
it's incredible.
1805
01:16:15,837 --> 01:16:18,907
It's changed my life a lot,
given me a little bit of,
1806
01:16:19,070 --> 01:16:21,710
you know, more people
to bring in, I guess. [laughs]
1807
01:16:21,810 --> 01:16:27,782
-[chanting] Josephine!
Josephine! Josephine! Josephine!
1808
01:16:27,882 --> 01:16:28,783
[Louise Lombard] [VO]
AFTER fans have created
1809
01:16:28,883 --> 01:16:31,520
a unique online community
1810
01:16:31,152 --> 01:16:33,889
that is as passionate
as it is supportive.
1811
01:16:36,425 --> 01:16:38,726
Josephine and Hero
are incredibly grateful
1812
01:16:38,826 --> 01:16:43,465
to these fans, who
they know are
the bedrock of AFTER's success.
1813
01:16:43,565 --> 01:16:46,101
[Josephine Langford] [VO] These
films are really for the fans.
1814
01:16:46,201 --> 01:16:49,237
And uh-- they're a thank-you to
the people
1815
01:16:49,337 --> 01:16:52,106
who've supported us and--
and been around
1816
01:16:52,206 --> 01:16:56,477
and just followed these movies.
And-- and--
1817
01:16:56,577 --> 01:16:57,812
Not just the films,
1818
01:16:57,913 --> 01:16:59,414
but for people who are
fans of the books too.
1819
01:16:59,514 --> 01:17:02,817
So, I think I would
just wanna say to people
1820
01:17:02,917 --> 01:17:05,860
who've been with us
for this long, thank you.
1821
01:17:05,186 --> 01:17:07,255
-Just thank you from
the bottom of my heart for--
1822
01:17:07,355 --> 01:17:09,991
for helping us, you know,
1823
01:17:10,920 --> 01:17:11,826
create a story that has
changed so many lives
1824
01:17:11,926 --> 01:17:13,628
and ultimately changed mine.
1825
01:17:13,728 --> 01:17:18,833
And um-- I will be
eternally grateful for--
1826
01:17:18,933 --> 01:17:21,136
for the platform and opportunity
that they've given me.
1827
01:17:23,700 --> 01:17:24,806
[indistinct chatter]
1828
01:17:25,907 --> 01:17:27,142
[waves splashing]
1829
01:17:27,242 --> 01:17:28,110
[Louise Lombard] [VO]
The filmmakers shared
1830
01:17:28,210 --> 01:17:29,478
this gratitude,
1831
01:17:29,578 --> 01:17:31,680
and they knew that
after four movies,
1832
01:17:31,780 --> 01:17:35,116
thousands of pages, and
countless new friendships,
1833
01:17:35,216 --> 01:17:37,285
the fans deserved
a satisfying end
1834
01:17:37,385 --> 01:17:39,454
to this epic romance.
1835
01:17:39,554 --> 01:17:41,356
[man] Okay. Standing by!
1836
01:17:41,456 --> 01:17:43,724
[Louise Lombard] [VO] So, here
we are on a beach in Portugal,
1837
01:17:43,825 --> 01:17:45,960
far from Atlanta or Bulgaria,
1838
01:17:46,610 --> 01:17:48,196
on the set of AFTER EVERYTHING,
1839
01:17:48,296 --> 01:17:50,732
the final chapter of
Tessa and Hardin's story.
1840
01:17:50,832 --> 01:17:53,134
[man] Hero, you're going to
enter frame.
1841
01:17:53,234 --> 01:17:55,703
[Louise Lombard] [VO] Brian Pitt
and the film's other producers,
1842
01:17:55,804 --> 01:17:58,540
including David Shojai
and Taylor Conrod,
1843
01:17:58,640 --> 01:18:00,308
are working hard on set
1844
01:18:00,408 --> 01:18:03,378
to make sure
there are no loose ends.
1845
01:18:03,478 --> 01:18:07,382
Getting this story right
is their highest priority.
1846
01:18:07,482 --> 01:18:09,184
[Brian Pitt] [VO]
After the first movie,
1847
01:18:09,284 --> 01:18:11,820
they decided to make a second,
and a third, and a fourth.
1848
01:18:11,920 --> 01:18:14,823
But it was always gonna end
on movie 4.
1849
01:18:14,923 --> 01:18:16,490
But it also seemed like
we left some--
1850
01:18:16,590 --> 01:18:18,660
some unanswered questions.
1851
01:18:18,760 --> 01:18:20,661
[Louise Lombard] [VO]
To answer these questions,
1852
01:18:20,761 --> 01:18:23,865
they conceived of
AFTER EVERYTHING,
1853
01:18:23,965 --> 01:18:27,502
a film that explores
a difficult
episode of Hardin's past
1854
01:18:27,602 --> 01:18:29,570
in order for him to heal,
1855
01:18:29,670 --> 01:18:33,674
and for fans to get an
even more meaningful conclusion
1856
01:18:33,774 --> 01:18:36,344
of Tessa and Hardin's
love story.
1857
01:18:36,444 --> 01:18:38,179
They began shooting
the fifth film
1858
01:18:38,279 --> 01:18:40,848
during the summer of 2022.
1859
01:18:40,948 --> 01:18:43,170
[technical chatter]
1860
01:18:43,117 --> 01:18:44,180
[David Shojai]
It was, I think,
1861
01:18:44,118 --> 01:18:46,220
an easy decision in that
1862
01:18:46,320 --> 01:18:48,590
we get more, you know,
we get more of these
characters,
1863
01:18:48,690 --> 01:18:50,358
more of this story.
1864
01:18:50,458 --> 01:18:53,261
And then, it also--
gives us more insight
1865
01:18:53,361 --> 01:18:57,265
as far as what-- again,
what Hardin has to go through
1866
01:18:57,365 --> 01:18:59,868
to really move forward
in his relationship with Tessa.
1867
01:18:59,968 --> 01:19:01,869
So, we have to go
kind of into his past
1868
01:19:01,969 --> 01:19:03,710
in order to move forward.
1869
01:19:03,171 --> 01:19:05,060
[dance music playing]
1870
01:19:05,106 --> 01:19:06,907
[Louise Lombard] [VO] And so,
we follow Hardin's search
1871
01:19:07,080 --> 01:19:09,777
for redemption to
the beaches of Portugal.
1872
01:19:09,877 --> 01:19:11,546
-[woman laughing]
1873
01:19:11,646 --> 01:19:13,414
[Louise Lombard] [VO] When asked
to return for the fifth film,
1874
01:19:13,514 --> 01:19:14,782
Hero wanted to make sure
1875
01:19:14,882 --> 01:19:17,952
he was staying true
to his character.
1876
01:19:18,520 --> 01:19:18,986
[Hero Fiennes] [VO]
The only reason there was
1877
01:19:19,860 --> 01:19:20,955
a slight hesitation was because
1878
01:19:21,550 --> 01:19:23,224
I think we'd-- we'd planned to
wrap the film
1879
01:19:23,324 --> 01:19:24,625
[stutters] --to wrap
the whole story.
1880
01:19:24,725 --> 01:19:27,728
So, we-- we were with
the understanding that--
1881
01:19:27,828 --> 01:19:29,630
that we were done.
1882
01:19:29,164 --> 01:19:31,660
So, for me, I felt like,
are we going to ruin it
1883
01:19:31,166 --> 01:19:32,501
by-- by doing too much?
1884
01:19:32,601 --> 01:19:35,403
You know, when you draw
a picture and it's perfect,
1885
01:19:35,503 --> 01:19:37,572
and then you just want to
add one more, and one more,
1886
01:19:37,672 --> 01:19:38,807
and you step back
and you've ruined it?
1887
01:19:38,907 --> 01:19:40,750
You've done too much!
1888
01:19:40,175 --> 01:19:42,577
But I realized
with what the script was,
1889
01:19:42,677 --> 01:19:44,913
I read it the first time
and I was instantly drawn to it
1890
01:19:45,130 --> 01:19:46,481
and felt we really
needed to explore
1891
01:19:46,581 --> 01:19:48,916
this side of him and this story
and I thought it was--
1892
01:19:49,160 --> 01:19:50,818
it was--
it was necessary, I think.
1893
01:19:50,918 --> 01:19:53,488
I think the fans will understand
that it makes a lot of sense
1894
01:19:53,588 --> 01:19:57,592
to add this kind of last missing
puddle-- puzzle piece.
1895
01:19:57,692 --> 01:19:59,761
Nothing matters in this world
if Tessa's not here.
1896
01:20:00,929 --> 01:20:02,964
[tense music playing]
1897
01:20:03,640 --> 01:20:05,567
[Louise Lombard] [VO] The story
of AFTER EVERYTHING picks up
1898
01:20:05,667 --> 01:20:09,030
where AFTER EVER HAPPY
leaves off.
1899
01:20:09,103 --> 01:20:10,939
Tessa and Hardin
have broken up,
1900
01:20:11,390 --> 01:20:14,675
and, without her,
Hardin is lost.
1901
01:20:14,775 --> 01:20:16,611
In order to heal,
1902
01:20:16,711 --> 01:20:19,347
he must leave behind
what he has known,
1903
01:20:19,447 --> 01:20:21,983
confront his past,
1904
01:20:22,830 --> 01:20:24,619
and find his way back
to himself.
1905
01:20:24,719 --> 01:20:27,823
The work is hard, but
he knows he has to do it.
1906
01:20:29,560 --> 01:20:30,358
-There's a constant
battle within him
1907
01:20:30,458 --> 01:20:33,628
to be the best version
of himself and to improve.
1908
01:20:33,728 --> 01:20:35,830
And I think he's become
very co-dependent
1909
01:20:35,930 --> 01:20:39,301
because of how important
Tessa is to him
1910
01:20:39,401 --> 01:20:40,568
and how much
she means to him.
1911
01:20:40,668 --> 01:20:43,137
He's become quite
co-dependent on her
1912
01:20:43,237 --> 01:20:45,473
being the reason
for his healing.
1913
01:20:45,573 --> 01:20:46,974
And I think
he is slowly trying
1914
01:20:47,750 --> 01:20:48,476
to come to terms with the fact
1915
01:20:48,576 --> 01:20:50,979
that he may need to do this
on his own, ultimately,
1916
01:20:51,790 --> 01:20:52,513
and you're right,
it's a very interesting,
1917
01:20:52,613 --> 01:20:56,651
different dynamic to explore
more of his own inner self
1918
01:20:56,751 --> 01:20:58,152
because it's such
an important thing,
1919
01:20:58,252 --> 01:21:00,388
as we know in life, you can't
come into a relationship
1920
01:21:00,488 --> 01:21:02,557
with 50 percent and the
other person is 50 percent,
1921
01:21:02,657 --> 01:21:06,194
you both need to come at
100 percent, and you know...
1922
01:21:06,294 --> 01:21:08,396
So yeah, it's very interesting
to-- to play that,
1923
01:21:08,496 --> 01:21:10,465
and it's actually really nice
to-- to explore that
1924
01:21:10,565 --> 01:21:13,301
within the character for me.
1925
01:21:13,401 --> 01:21:14,769
[Louise Lombard] [VO]
Hardin's journey of redemption
1926
01:21:14,869 --> 01:21:17,539
takes him far from home
and deep into his past.
1927
01:21:17,639 --> 01:21:18,673
-Oh. F--
1928
01:21:18,773 --> 01:21:20,342
[Natalie] Um--
1929
01:21:20,442 --> 01:21:21,576
[Louise Lombard] [VO]
He starts by making amends
1930
01:21:21,676 --> 01:21:24,579
with a young woman
named Natalie.
1931
01:21:24,679 --> 01:21:26,380
-[chuckles]
1932
01:21:26,480 --> 01:21:29,183
-I'll come back.
-[Hardin] Yeah, you do that.
1933
01:21:29,283 --> 01:21:30,718
-Fucking look. All right.
1934
01:21:30,819 --> 01:21:32,587
All right, I'll bet you this.
-[Hardin laughs]
1935
01:21:32,687 --> 01:21:35,900
Done.
1936
01:21:35,190 --> 01:21:36,924
-But I'll need proof.
1937
01:21:37,240 --> 01:21:39,326
[Director] Cut!
1938
01:21:39,426 --> 01:21:41,280
[Louise Lombard] [VO]
In the past, Natalie
fell victim
1939
01:21:41,128 --> 01:21:42,530
to the same kind of bet
1940
01:21:42,630 --> 01:21:44,699
that started everything
with Tessa.
1941
01:21:44,799 --> 01:21:47,735
Except this time, a video of
her affair with Hardin
1942
01:21:47,835 --> 01:21:50,238
was posted online.
1943
01:21:50,338 --> 01:21:53,407
The impact on Natalie's life
was so significant
1944
01:21:53,507 --> 01:21:56,111
that she had no choice
but to leave her home.
1945
01:21:57,945 --> 01:21:59,380
[Mimi Keene] [VO] The last thing
you expect in life
1946
01:21:59,480 --> 01:22:01,382
is your family to
turn against you
1947
01:22:01,482 --> 01:22:05,530
and everyone's opinion
to change on you
1948
01:22:05,153 --> 01:22:09,557
based on one thing
you did that, you know,
1949
01:22:09,657 --> 01:22:12,293
should be a private thing,
you should be able to do it.
1950
01:22:12,393 --> 01:22:15,496
And it shouldn't be a big deal
but this one tiny thing
1951
01:22:15,596 --> 01:22:18,132
that she's done--
this one mistake--
1952
01:22:18,233 --> 01:22:22,236
has turned everything
upside down in her life.
1953
01:22:22,336 --> 01:22:25,840
So, she has to come here
to start again,
1954
01:22:25,940 --> 01:22:27,909
and I think
that's what she's done.
1955
01:22:28,090 --> 01:22:29,711
-[indistinct chatter]
1956
01:22:29,811 --> 01:22:30,945
[Louise Lombard] [VO]
Hardin goes to find Natalie
1957
01:22:31,450 --> 01:22:33,247
in Portugal
1958
01:22:33,347 --> 01:22:36,184
but quickly makes an enemy
of her friend Sebastian:
1959
01:22:36,284 --> 01:22:39,987
a rebel with almost
as much attitude as Hardin,
1960
01:22:40,870 --> 01:22:42,590
and even more tattoos.
1961
01:22:42,690 --> 01:22:46,260
-I'm this, uh-- let's say
bad boy but good boy,
1962
01:22:46,360 --> 01:22:49,264
that's very protective
towards Natalie.
1963
01:22:49,364 --> 01:22:52,333
And when-- Hardin comes back
in the equation,
1964
01:22:52,433 --> 01:22:57,105
I really get very
upset about it
because I know what Hardin did.
1965
01:22:57,205 --> 01:22:58,606
Even if she--
1966
01:22:58,706 --> 01:23:01,308
kind of forgive him,
I-- I'm not forgiving him.
1967
01:23:01,408 --> 01:23:03,845
So, I'm very mad about it.
1968
01:23:03,945 --> 01:23:05,446
-You like to fuck
with girls, right?
1969
01:23:05,546 --> 01:23:06,648
How about I fuck with you?
1970
01:23:06,748 --> 01:23:07,949
[grunts]
1971
01:23:10,451 --> 01:23:12,286
[Natalie] Both of you, stop!
1972
01:23:12,386 --> 01:23:15,490
-[grunts] [spits]
1973
01:23:15,590 --> 01:23:19,327
[grunts]
1974
01:23:19,427 --> 01:23:22,330
-[girls shouting]
1975
01:23:24,598 --> 01:23:25,967
-[Sebastian grunts]
1976
01:23:34,943 --> 01:23:36,311
Get up, you little shit!
1977
01:23:37,946 --> 01:23:39,981
-[Hardin grunts, coughs]
1978
01:23:43,951 --> 01:23:46,200
[Director] And cut!
1979
01:23:46,120 --> 01:23:49,357
-[man] Did I get you?
-[Hero Fiennes] Yeah, bro.
1980
01:23:49,457 --> 01:23:51,492
-[woman] I'm so sorry.
-It's okay. No, it's okay.
1981
01:23:51,592 --> 01:23:53,528
Making movies,
living the dream, guys.
1982
01:23:53,628 --> 01:23:54,862
[woman] Sorry. I apologise.
1983
01:23:54,962 --> 01:23:56,431
[Benjamin Mascolo] [VO]
He's such a great guy.
1984
01:23:56,531 --> 01:23:58,533
So, the funny thing is that we--
we would like, you know,
1985
01:23:58,633 --> 01:24:00,902
do our moves, play the scene,
and at the end of the scene
1986
01:24:01,020 --> 01:24:03,371
when it was cut, I was always
like, "Are you okay, bro?"
1987
01:24:03,471 --> 01:24:05,840
And he's like, "Are you okay?"
Like-- it was a lot of love.
1988
01:24:05,940 --> 01:24:08,175
But during the scene,
a lot of fighting, you know.
1989
01:24:08,275 --> 01:24:09,677
[man] It actually looked good.
1990
01:24:09,777 --> 01:24:11,879
[Louise Lombard] [VO] Dealing
with the consequences
1991
01:24:11,980 --> 01:24:13,681
of your actions
can certainly be painful--
1992
01:24:13,781 --> 01:24:15,820
-[Benjamin] Are you okay?
-[Hero Fiennes] Yeah. Yeah.
1993
01:24:15,182 --> 01:24:16,160
[Louise Lombard] [VO]
--but Hero sees that pain
1994
01:24:16,116 --> 01:24:18,520
as important.
1995
01:24:18,152 --> 01:24:19,530
[Hero Fiennes] [VO] I think
it's a big part of growing up,
1996
01:24:19,153 --> 01:24:20,688
isn't it?
1997
01:24:20,788 --> 01:24:24,759
Taking responsibility and--
and not shying away from--
1998
01:24:24,859 --> 01:24:26,461
from issues and things
1999
01:24:26,561 --> 01:24:28,195
that you may have caused
and not being a coward
towards--
2000
01:24:28,295 --> 01:24:29,897
I mean, it takes--
it takes--
2001
01:24:29,997 --> 01:24:32,566
it takes a lot to admit that
you're wrong and that you've--
2002
01:24:32,667 --> 01:24:36,437
you've, you know,
made a mistake. And...
2003
01:24:36,537 --> 01:24:38,206
And sometimes it's not as easy
as saying you're sorry.
2004
01:24:38,306 --> 01:24:40,207
Sometimes people
don't wanna hear sorry.
2005
01:24:40,307 --> 01:24:41,609
Sometimes you need--
2006
01:24:41,709 --> 01:24:43,110
people just wanna see
that you've become better.
2007
01:24:43,211 --> 01:24:44,913
That's the best apology
that you can give, is--
2008
01:24:45,130 --> 01:24:48,249
is for them to see that you--
that you, you know,
2009
01:24:48,349 --> 01:24:50,584
that you really-- you really
are sorry to yourself
2010
01:24:50,684 --> 01:24:51,886
and you wanna change
2011
01:24:51,986 --> 01:24:53,387
and you don't wanna
be like that anymore.
2012
01:24:53,487 --> 01:24:54,955
That's almost the most
meaningful apology you can give.
2013
01:24:55,550 --> 01:24:56,590
[Mimi Keene] You were going...
2014
01:24:56,690 --> 01:24:57,892
[Louise Lombard] [VO] The AFTER
series has never been afraid
2015
01:24:57,992 --> 01:24:59,994
to grapple with serious themes,
2016
01:25:00,940 --> 01:25:03,630
and AFTER EVERYTHING
is no different,
2017
01:25:03,163 --> 01:25:06,568
this time addressing a very
real problem for today's youth:
2018
01:25:06,668 --> 01:25:08,569
online bullying.
2019
01:25:08,669 --> 01:25:11,272
As always, the film's
approach to this issue
2020
01:25:11,372 --> 01:25:13,107
was not taken lightly.
2021
01:25:13,207 --> 01:25:14,242
[Mimi Keene] I just hope
he's gonna get it...
2022
01:25:14,342 --> 01:25:15,843
-Online bullying, addiction,
2023
01:25:15,943 --> 01:25:17,845
are real issues
that people deal with.
2024
01:25:17,945 --> 01:25:21,148
And when you make
a movie that is
2025
01:25:21,248 --> 01:25:25,453
as influential as AFTER is on
the next generation coming up,
2026
01:25:25,553 --> 01:25:27,588
I think it's very important
to talk about those issues
2027
01:25:27,688 --> 01:25:30,900
because those are things
that maybe they know someone
2028
01:25:30,191 --> 01:25:31,792
or that they're dealing with
themselves.
2029
01:25:31,959 --> 01:25:34,661
And to have somebody you relate
to dealing with that on screen
2030
01:25:34,762 --> 01:25:35,996
and seeing how they handle it,
2031
01:25:36,970 --> 01:25:38,633
and then also in this movie
showing him
2032
01:25:38,733 --> 01:25:40,868
come out of that
in a positive way
2033
01:25:40,969 --> 01:25:42,269
and seeing things
turn around in his life
2034
01:25:42,369 --> 01:25:44,204
I think is extremely important.
2035
01:25:44,304 --> 01:25:47,808
Because not everyone has a
good role model in their life
2036
01:25:47,908 --> 01:25:49,777
or someone to show them
that it's possible to
2037
01:25:49,877 --> 01:25:51,512
get out of their
current situation.
2038
01:25:51,612 --> 01:25:54,150
So, we take our job
very seriously
2039
01:25:54,115 --> 01:25:55,449
when it comes to that,
2040
01:25:55,549 --> 01:25:57,618
knowing the responsibility
of influencing people
2041
01:25:57,718 --> 01:25:58,620
through cinema.
2042
01:26:00,421 --> 01:26:02,523
[Louise Lombard] [VO] But
as serious as its themes are,
2043
01:26:02,623 --> 01:26:06,293
AFTER EVERYTHING is also
a lot of fun.
2044
01:26:06,393 --> 01:26:08,662
Its sun-kissed seaside location
2045
01:26:08,762 --> 01:26:10,798
provides an interesting
counterpoint
2046
01:26:10,898 --> 01:26:13,534
to the first four films.
2047
01:26:13,634 --> 01:26:15,350
[Brian Pitt] [VO]
We were picking a location;
2048
01:26:15,135 --> 01:26:17,972
we wanted somewhere that would
open the film up.
2049
01:26:18,720 --> 01:26:19,473
So, the last few films,
2050
01:26:19,573 --> 01:26:22,143
especially shooting in Bulgaria
for-- for Seattle and--
2051
01:26:22,243 --> 01:26:23,578
and doubling it for the US,
2052
01:26:23,678 --> 01:26:26,981
we kept the scope very small,
a lot of interiors.
2053
01:26:27,810 --> 01:26:29,216
The exteriors
weren't quite as big. Uh--
2054
01:26:29,316 --> 01:26:31,510
So, what we wanted to do
is really open this up
2055
01:26:31,152 --> 01:26:34,488
and go for more of
a vacation style vibe
2056
01:26:34,588 --> 01:26:36,991
and really allow the characters
2057
01:26:37,910 --> 01:26:39,326
to get out into,
you know, the world,
2058
01:26:39,426 --> 01:26:40,861
and this beautiful environment.
2059
01:26:40,961 --> 01:26:43,397
And we looked at
a few countries,
2060
01:26:43,497 --> 01:26:46,330
and somebody had a friend
in Portugal.
2061
01:26:46,133 --> 01:26:47,568
[laughs]
2062
01:26:47,668 --> 01:26:49,670
So, I started looking at
some photos and was like,
2063
01:26:49,770 --> 01:26:51,706
"Oh my God, this place
is amazing. This is perfect."
2064
01:26:51,806 --> 01:26:53,841
-It's interesting. I think
it's really nice to show them
2065
01:26:53,941 --> 01:26:55,176
in a completely
different environment,
2066
01:26:55,276 --> 01:26:56,511
to show Hardin
in a different environment.
2067
01:26:56,611 --> 01:26:57,912
And what was actually
quite interesting
2068
01:26:58,120 --> 01:26:59,547
is showing the transition
between what he wears
2069
01:26:59,647 --> 01:27:02,216
because we're so used to seeing
him in head-to-toe black,
2070
01:27:02,316 --> 01:27:06,387
lots of layers, skinny jeans.
But out here, obviously,
2071
01:27:06,487 --> 01:27:08,890
the costume actually plays
a big part in how--
2072
01:27:08,189 --> 01:27:10,358
in how that changes.
2073
01:27:10,458 --> 01:27:12,250
So, it's actually
really nice to--
2074
01:27:12,125 --> 01:27:14,228
to bring him to a completely
different part of the world
2075
01:27:14,328 --> 01:27:16,864
and-- and kind of see how he--
he responds to
2076
01:27:16,964 --> 01:27:19,867
that environment.
And I mean, yeah.
2077
01:27:19,967 --> 01:27:22,703
I-- I couldn't ask for
a better place to be "working."
2078
01:27:22,803 --> 01:27:24,738
I mean, yesterday
we had a scene on the beach
2079
01:27:24,838 --> 01:27:28,376
where I'm just working opposite
some lovely talented actors
2080
01:27:28,476 --> 01:27:31,445
and just having
a lovely conversation.
2081
01:27:31,546 --> 01:27:33,447
They called for lunch,
I swam in the sea,
2082
01:27:33,547 --> 01:27:35,917
and after lunch, we're just
doing some walking scenes.
2083
01:27:36,170 --> 01:27:40,287
And I honestly said
to everyone,
"This is and probably will be
2084
01:27:40,388 --> 01:27:42,556
the best working day
of my life forever."
2085
01:27:42,656 --> 01:27:45,920
Honestly,
yesterday was, yeah--
2086
01:27:45,192 --> 01:27:48,562
I'm so lucky to be able
to do this job.
2087
01:27:48,662 --> 01:27:51,432
But-- I do think back to
the days in minus temperatures,
2088
01:27:51,532 --> 01:27:55,236
getting in and out of a hot tub
in Bulgaria and--
2089
01:27:55,336 --> 01:27:57,104
and some other less pleasant
filming scenarios.
2090
01:27:57,204 --> 01:27:58,973
So, maybe I've earned this,
maybe not.
2091
01:27:59,730 --> 01:28:00,408
But no-- I'm so--
I'm so grateful.
2092
01:28:00,508 --> 01:28:02,409
I'm so lucky.
Portugal is beautiful.
2093
01:28:02,510 --> 01:28:03,777
I'm so-- I'm so happy
that they've allowed us
2094
01:28:03,877 --> 01:28:05,813
to come here
and shoot the movie.
2095
01:28:05,913 --> 01:28:07,748
-[tense music playing]
2096
01:28:05,913 --> 01:28:07,748
-You know, I read your book.
2097
01:28:07,848 --> 01:28:11,285
So, what happened with Tessa?
2098
01:28:11,385 --> 01:28:13,870
[Louise Lombard] [VO] Now that
Tessa and Hardin's story
2099
01:28:13,221 --> 01:28:16,924
has concluded on
the big screen,
is AFTER really over?
2100
01:28:17,250 --> 01:28:19,260
As true fans know,
nothing in this world is
2101
01:28:19,360 --> 01:28:20,595
ever simple and decided.
2102
01:28:22,563 --> 01:28:27,601
-This is a real universe.
We can expand it. We will.
2103
01:28:27,701 --> 01:28:29,436
-We are working on
some other versions.
2104
01:28:29,537 --> 01:28:32,607
There is the-- series BEFORE.
2105
01:28:32,707 --> 01:28:35,309
There's the Landon series.
2106
01:28:35,409 --> 01:28:37,611
So, we have a few things
in the mix.
2107
01:28:37,712 --> 01:28:40,414
We have the next generation
in the mix,
2108
01:28:40,514 --> 01:28:43,151
and that's where we--
we go on the journey with
2109
01:28:43,251 --> 01:28:45,620
Tessa and Hardin's kids.
2110
01:28:45,720 --> 01:28:47,387
So, there-- there's a lot of
little things in the mix
2111
01:28:47,487 --> 01:28:50,240
and we're just waiting for the
right moment, and right time,
2112
01:28:50,124 --> 01:28:53,661
and the right cast, and
all the things to come together.
2113
01:28:53,761 --> 01:28:58,165
-We feel...
it has a long way to go.
2114
01:28:58,266 --> 01:29:00,134
-[laughs] It's all right.
It's not too bad.
2115
01:29:00,234 --> 01:29:01,468
[Louise Lombard] [VO]
And so, the AFTERVERSE
2116
01:29:01,568 --> 01:29:03,804
may continue to expand,
2117
01:29:03,904 --> 01:29:07,175
though the faces in front of
the camera will probably
change.
2118
01:29:07,275 --> 01:29:08,476
Then again...
2119
01:29:08,576 --> 01:29:09,911
-Never say never.
2120
01:29:10,110 --> 01:29:11,378
Last time I said
it was the last one
2121
01:29:11,478 --> 01:29:12,847
and we came to do another.
2122
01:29:12,947 --> 01:29:15,315
But really, I think eventually
I have to step back
2123
01:29:15,416 --> 01:29:17,651
and let someone else come
and take the story
2124
01:29:17,751 --> 01:29:20,320
or a spin-off or something.
But I'll always be around.
2125
01:29:20,421 --> 01:29:22,990
You know, AFTER will
always remain in a--
2126
01:29:23,900 --> 01:29:24,392
in a really special place
in my heart.
2127
01:29:24,492 --> 01:29:26,693
So, I think
it will be the last one.
2128
01:29:26,794 --> 01:29:29,997
But-- it's always gonna be
a part of my life.
2129
01:29:30,970 --> 01:29:31,599
[Director] And action!
2130
01:29:31,699 --> 01:29:32,866
[ambient music playing]
2131
01:29:32,966 --> 01:29:33,767
[Louise Lombard] [VO]
AFTER has not only
2132
01:29:33,867 --> 01:29:35,303
has changed Hero's life,
2133
01:29:35,403 --> 01:29:37,939
it has changed
the lives of everyone
2134
01:29:38,390 --> 01:29:39,773
who has been part
of this adventure,
2135
01:29:39,873 --> 01:29:43,544
including the millions of
Afternators around the world.
2136
01:29:43,644 --> 01:29:46,814
For all of us-- writers,
directors, producers,
2137
01:29:46,914 --> 01:29:48,516
actors, and fans--
2138
01:29:48,616 --> 01:29:51,752
there was life before
the AFTER saga, and then,
2139
01:29:51,853 --> 01:29:54,521
there was everything AFTER...
2140
01:29:54,621 --> 01:29:55,890
-Pretty much,
every few months,
2141
01:29:55,990 --> 01:30:00,270
I still have a moment of
"This is my life?"
2142
01:30:00,127 --> 01:30:02,796
The first movie, I feel like
the publications of the books
2143
01:30:02,896 --> 01:30:05,599
and the first movie
just went so fast
2144
01:30:05,699 --> 01:30:07,902
that I never really had
the chance to soak it in.
2145
01:30:08,020 --> 01:30:10,370
But I had no idea
what I was getting into.
2146
01:30:10,470 --> 01:30:11,606
In the best way.
2147
01:30:11,706 --> 01:30:14,408
-It's a big part of my life.
[laughs]
2148
01:30:14,508 --> 01:30:16,610
It's a very, very
big part of my life.
2149
01:30:16,710 --> 01:30:18,245
It is, yeah.
2150
01:30:18,345 --> 01:30:20,781
One day, you read something
and then, next thing you know,
2151
01:30:20,881 --> 01:30:23,417
it's taking over. But it's--
it's sad in a way
2152
01:30:23,517 --> 01:30:26,200
that it's-- it's close
to coming to an end.
2153
01:30:26,120 --> 01:30:27,621
But we'll see! I don't know.
2154
01:30:27,721 --> 01:30:31,291
-I think from the first day
on set of AFTER until now,
2155
01:30:31,391 --> 01:30:34,761
I've learned so much
just in terms of filmmaking
2156
01:30:34,862 --> 01:30:37,932
and the behind-the-scenes
process of movies.
2157
01:30:38,320 --> 01:30:42,636
So, I'm just really grateful
to have had that experience.
2158
01:30:42,736 --> 01:30:45,939
-The most beautiful thing for me
about playing this character
2159
01:30:46,400 --> 01:30:48,776
and making these movies
is when I meet people
2160
01:30:48,876 --> 01:30:51,445
who say that AFTER
has changed their life
2161
01:30:51,546 --> 01:30:53,481
and sometimes, they say
it's saved their life.
2162
01:30:53,581 --> 01:31:00,870
And I honestly feel like setting
out to do a romance story,
2163
01:31:00,187 --> 01:31:01,855
even though it has
these darker aspects,
2164
01:31:01,955 --> 01:31:07,194
I never expected people to
take such strong motivation
2165
01:31:07,294 --> 01:31:10,932
and advice and encouragement
to try and, like Hardin does,
2166
01:31:11,320 --> 01:31:12,433
be the best version of
themselves.
2167
01:31:12,533 --> 01:31:16,269
And the amount of fans I've met
whose lives have changed
2168
01:31:16,369 --> 01:31:18,672
and they tell me their lives
have changed because of AFTER,
2169
01:31:18,772 --> 01:31:19,773
I would have never expected it
2170
01:31:19,873 --> 01:31:21,142
and it's the most
beautiful thing.
2171
01:31:21,242 --> 01:31:23,430
And I'm-- I'm just--
I'm so proud and honoured
2172
01:31:23,143 --> 01:31:26,130
and grateful to be able to--
to ultimately help people.
2173
01:31:26,113 --> 01:31:27,347
When you're making a movie,
2174
01:31:27,448 --> 01:31:28,882
you think people are just
gonna watch this,
2175
01:31:28,982 --> 01:31:30,184
and they'll be entertained,
and they'll talk about it.
2176
01:31:30,284 --> 01:31:32,453
But no, people have
lifelong friendships,
2177
01:31:32,553 --> 01:31:35,656
people really heal holes
within themselves, and honestly,
2178
01:31:35,756 --> 01:31:37,991
I'm-- I'm so grateful
for the opportunity
2179
01:31:38,920 --> 01:31:40,527
to be able to do that
and-- and help people.
2180
01:31:40,627 --> 01:31:43,130
I never thought when I said,
"Yeah, I'll do this audition"
2181
01:31:43,230 --> 01:31:45,666
that I'd be helping so many
people in this, you know--
2182
01:31:45,766 --> 01:31:48,536
It's the most beautiful thing
about my job, hands down.
2183
01:31:48,636 --> 01:31:51,506
[ambient music playing]
2184
01:31:53,407 --> 01:31:54,508
[Tessa] [VO] There are
moments in our lives
2185
01:31:54,608 --> 01:31:56,811
that seem to define us...
2186
01:31:59,413 --> 01:32:01,983
moments we keep going back to.
2187
01:32:03,951 --> 01:32:07,321
My life before him
was so simple and decided.
2188
01:32:10,324 --> 01:32:12,693
And now after him...
2189
01:32:12,793 --> 01:32:14,195
there's just...
2190
01:32:16,960 --> 01:32:17,398
AFTER.
2191
01:32:19,166 --> 01:32:22,690
[♪]
2192
01:32:25,506 --> 01:32:27,400
[Tessa] Come on. Get up.
2193
01:32:27,140 --> 01:32:28,750
We're gonna be late.
2194
01:32:30,811 --> 01:32:31,745
-Cause I--
2195
01:32:31,845 --> 01:32:33,681
-[Tessa laughs]
2196
01:32:33,781 --> 01:32:35,716
-You haven't had your spinach,
have you?
2197
01:33:03,710 --> 01:33:06,714
[♪]
2198
01:33:21,695 --> 01:33:24,650
[music fades out]
165884
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.