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1
00:00:03,938 --> 00:00:05,037
OH, YES.
2
00:00:05,039 --> 00:00:07,339
I'D LIKE TO SPEAK TO
THE CHANCELLOR ABOUT--
3
00:00:07,341 --> 00:00:09,842
NO. NO, THIS IS
DEAN ALBRIGHT. RIGHT.
4
00:00:09,844 --> 00:00:11,543
LUNCH TIME, MARY!
5
00:00:11,545 --> 00:00:12,977
SHH. SHH. SHH.
6
00:00:12,979 --> 00:00:15,013
NO, I'VE ALREADY
LEFT 3 MESSAGES.
7
00:00:15,015 --> 00:00:15,947
I'LL CALL BACK LATER.
8
00:00:17,417 --> 00:00:18,617
WHAT'S HIS PROBLEM?
WHO?
9
00:00:18,619 --> 00:00:19,918
THE CHANCELLOR.
10
00:00:19,920 --> 00:00:20,919
IF I DIDN'T KNOW
ANY BETTER,
11
00:00:20,921 --> 00:00:22,654
I'D SWEAR
HE WAS AVOIDING ME.
12
00:00:22,656 --> 00:00:24,556
WHY WOULD HE BE AVOIDING YOU?
YOU'RE THE DEAN.
13
00:00:24,558 --> 00:00:26,592
AND YOU'VE DONE
AN EXEMPLARY JOB.
14
00:00:26,594 --> 00:00:27,826
YOU THINK SO?
YES.
15
00:00:27,828 --> 00:00:29,694
YOU'VE DONE NOTHING
OFFENSIVE.
16
00:00:29,696 --> 00:00:32,564
YOU HAVEN'T CAUSED
A SINGLE RIPPLE ON THE POND.
17
00:00:32,566 --> 00:00:35,167
NO CONTROVERSIAL PROPOSALS,
18
00:00:35,169 --> 00:00:37,703
NO EXPENSIVE
CUTTING-EDGE TEACHERS,
19
00:00:37,705 --> 00:00:41,172
NO INNOVATIVE IDEAS
TO SHAKE UP THE STATUS QUO.
20
00:00:41,174 --> 00:00:43,008
YOU'VE BEEN
ALMOST INVISIBLE.
21
00:00:43,010 --> 00:00:46,311
WELL, I DID INSTITUTE
THOSE SLANTED
PARKING SPACES
22
00:00:46,313 --> 00:00:47,379
IN THE FACULTY LOT.
23
00:00:47,381 --> 00:00:49,881
YEAH,
AND NO ONE CARED.
24
00:00:49,883 --> 00:00:52,818
OH, COME ON, MARY,
YOU'VE LASTED 6 MONTHS
25
00:00:52,820 --> 00:00:54,719
IN A JOB THAT NONE
THOUGHT YOU COULD KEEP
26
00:00:54,721 --> 00:00:57,488
AND EVEN FEWER
THOUGHT YOU DESERVED.
27
00:00:57,490 --> 00:00:59,291
IT'S YOUR HALF-YEAR
ANNIVERSARY.
28
00:00:59,293 --> 00:01:00,959
I'LL CALL SOME PEOPLE.
WE'LL HAVE A PARTY.
29
00:01:00,961 --> 00:01:04,062
OH, I CAN'T. I HAVE THAT
ADVISORY BOARD MEETING.
30
00:01:04,064 --> 00:01:06,297
NO, YOU DON'T.
YES, I DO.
31
00:01:06,299 --> 00:01:08,734
NO. THEY CHANGED THAT MEETING
TO THIS MORNING.
32
00:01:08,736 --> 00:01:09,801
WELL, THEY SAID
THEY CALLED YOU.
33
00:01:09,803 --> 00:01:11,470
NOBODY CALLED ME.
34
00:01:11,472 --> 00:01:13,205
THEN I GUESS
YOU MISSED IT.
35
00:01:13,207 --> 00:01:14,672
LOOK, I'M GONNA
GRAB A SANDWICH
36
00:01:14,674 --> 00:01:16,475
AND PLACE A QUICK BET.
I'LL BE BACK.
37
00:01:20,180 --> 00:01:24,416
WELL, NOW, THAT...
IS SUSPICIOUS.
38
00:01:24,418 --> 00:01:25,984
BUT NOW WE CAN
HAVE THAT PARTY!
39
00:01:30,490 --> 00:01:31,957
[DOOR CLOSES]
40
00:01:31,959 --> 00:01:33,091
HELLO, SALLY.
41
00:01:33,093 --> 00:01:34,792
OH, HEY, DON.
42
00:01:34,794 --> 00:01:36,761
THANKS FOR
BRINGING MY STUFF.
43
00:01:36,763 --> 00:01:38,363
NO PROBLEM.
44
00:01:38,365 --> 00:01:41,599
THIS IS ALWAYS THE MOST
AWKWARD PART OF A BREAKUP.
45
00:01:41,601 --> 00:01:42,800
WELL, YOU MEAN
SEEING EACH OTHER
46
00:01:42,802 --> 00:01:45,069
FOR THE FIRST TIME
AFTER IT HAPPENS?
47
00:01:45,071 --> 00:01:47,872
NO, I MEAN MAKING SURE
YOU GET YOUR GOOD STUFF BACK.
48
00:01:47,874 --> 00:01:50,776
OH, RIGHT. WELL,
HERE'S YOUR BOX.
49
00:01:50,778 --> 00:01:51,976
WOW.
50
00:01:51,978 --> 00:01:53,978
OH, MY SUEDE BELT.
51
00:01:55,582 --> 00:01:57,449
MY BATHROOM LIGHT.
52
00:02:03,557 --> 00:02:05,223
I DIDN'T
LEAVE THIS HERE.
53
00:02:05,225 --> 00:02:07,492
IT WAS SCREWED IN
OVER MY SINK.
54
00:02:07,494 --> 00:02:11,763
AND IT WAS TOUGH TO GET OFF,
LET ME TELL YOU.
55
00:02:11,765 --> 00:02:13,631
WE DON'T LIKE
TUNA MELTS, OK?
56
00:02:13,633 --> 00:02:15,934
ALL: OHHH.
57
00:02:15,936 --> 00:02:17,502
IT'S OK, YOU GUYS.
58
00:02:17,504 --> 00:02:18,670
FORGIVE US,
WE'RE IDIOTS.
59
00:02:18,672 --> 00:02:20,072
THAT'S ALL RIGHT.
I WAS JUST LEAVING.
60
00:02:20,074 --> 00:02:21,206
OH, NO.
YOU CAN COME BACK
ANYTIME.
61
00:02:21,208 --> 00:02:23,007
CUT IT OUT.
62
00:02:23,009 --> 00:02:24,009
I'M FINE.
63
00:02:24,011 --> 00:02:25,210
YOU LOOK GREAT.
OF COURSE.
64
00:02:25,212 --> 00:02:26,578
SURE, YOU ARE.
65
00:02:26,580 --> 00:02:27,746
DON: SHUT UP!
66
00:02:29,750 --> 00:02:32,150
THIS MUST BE HARD
FOR YOU.
67
00:02:32,152 --> 00:02:34,552
NO, IT'S OK.
68
00:02:34,554 --> 00:02:37,322
WELL, THAT'S A CRY
FOR HELP IF EVER
I HEARD ONE.
69
00:02:37,324 --> 00:02:39,524
NOW, YOU LISTEN
TO ME, GIRL.
PUT THIS DOWN.
70
00:02:39,526 --> 00:02:44,563
YOU HAVE GOT TO GO
SOMEPLACE QUIET
AND BEAUTIFUL.
71
00:02:44,565 --> 00:02:46,030
A PLACE WHERE
YOU CAN JUST SIT
72
00:02:46,032 --> 00:02:47,299
AND LOOK OUT
OVER THE WATER
73
00:02:47,301 --> 00:02:49,201
AND THINK
ABOUT YOUR LIFE.
74
00:02:49,203 --> 00:02:52,270
THINK ABOUT WHO IT IS
THAT YOU WANT TO BE.
75
00:02:52,272 --> 00:02:54,272
YEAH.
76
00:02:54,274 --> 00:02:55,907
WHERE'S THAT?
77
00:02:55,909 --> 00:02:57,342
RIVERBOAT GAMBLING
78
00:02:57,344 --> 00:02:59,777
ON THE CINCINNATI QUEEN, BABY!
79
00:02:59,779 --> 00:03:03,782
YEE-HAW!
80
00:03:03,784 --> 00:03:05,183
YEAH, I HEARD
ABOUT THAT.
81
00:03:05,185 --> 00:03:06,952
YEAH, YEAH, YEAH,
IT'S A FLOATING CASINO
82
00:03:06,954 --> 00:03:08,953
THE SIZE OF
2 FOOTBALL FIELDS.
83
00:03:08,955 --> 00:03:11,857
HOLD UP.
2 FOOTBALL FIELDS?
84
00:03:11,859 --> 00:03:13,792
DOS FOOTBALITO.
85
00:03:13,794 --> 00:03:14,893
OH, YEAH.
86
00:03:14,895 --> 00:03:17,161
I'M IN, BABY.
I'M GONNA START PACKING.
87
00:03:17,163 --> 00:03:52,764
CAPTIONING MADE POSSIBLE BY
CARSEY-WERNER PRODUCTIONS AND
THE NATIONAL BROADCASTING
COMPANY
88
00:03:57,404 --> 00:03:58,570
[CLEARS THROAT]
89
00:04:01,007 --> 00:04:04,175
MARY, I'M SORRY
I MISSED YOUR HALF-YEAR
ANNIVERSARY PARTY.
90
00:04:04,177 --> 00:04:05,611
I WAS THERE IN SPIRIT.
91
00:04:05,613 --> 00:04:07,813
WELL, THEN MAYBE
YOUR SPIRIT
92
00:04:07,815 --> 00:04:10,749
WOULDN'T MIND
PONYING UP 13 BUCKS?
93
00:04:10,751 --> 00:04:11,750
OH, THAT'S OK.
94
00:04:11,752 --> 00:04:13,551
JUDITH, DID YOU
GET A CALL
95
00:04:13,553 --> 00:04:14,919
THAT THE BOARD MEETING
WAS MOVED UP?
96
00:04:14,921 --> 00:04:16,555
NO.OH. OK.
97
00:04:16,557 --> 00:04:17,856
IT WAS IN THE MEMO.
98
00:04:17,858 --> 00:04:18,856
THERE WAS A MEMO?
99
00:04:20,494 --> 00:04:23,495
OH. OH, CHANCELLOR, I'M
SO GLAD YOU STOPPED BY.
100
00:04:23,497 --> 00:04:25,596
I WAS WONDERING
IF I COULD GET
YOUR EAR FOR JUST--
101
00:04:25,598 --> 00:04:29,167
ACTUALLY, I WAS HOPING
TO TALK TO JUDITH
FOR A MOMENT.
102
00:04:29,169 --> 00:04:30,869
OH.
103
00:04:30,871 --> 00:04:32,871
IF YOU COULD SPARE
JUST A MINUTE, THOUGH,
104
00:04:32,873 --> 00:04:35,707
I'D LIKE TO TALK TO YOU
ABOUT THE SCHEDULE FOR
NEXT SUMMER SESSION.
105
00:04:35,709 --> 00:04:37,209
NEXT SUMMER?
106
00:04:37,211 --> 00:04:39,211
I WOULDN'T WORRY
ABOUT THAT, MARY.
107
00:04:39,213 --> 00:04:41,213
THAT'S
A LONG WAY OFF.
108
00:04:44,418 --> 00:04:45,983
"DON'T WORRY
ABOUT NEXT SUMMER."
109
00:04:45,985 --> 00:04:47,085
WHAT'S THAT SUPPOSED
TO MEAN?
110
00:04:47,087 --> 00:04:49,988
IT MEANS YOU MIGHT NOT
BE HERE BY NEXT SUMMER.
111
00:04:49,990 --> 00:04:51,423
WHAT?
112
00:04:51,425 --> 00:04:54,660
NO. NO, I'M PROBABLY
JUST OVERREACTING.
113
00:04:54,662 --> 00:04:57,029
PERHAPS.
AND PERHAPS NOT.
114
00:04:57,031 --> 00:04:58,497
OH, DICK.
115
00:05:01,801 --> 00:05:03,402
THINK ABOUT IT, MARY.
116
00:05:03,404 --> 00:05:05,237
THE CLUES ARE ALL THERE.
117
00:05:05,239 --> 00:05:06,238
WHAT CLUES?
118
00:05:06,240 --> 00:05:07,405
THINK, MARY.
119
00:05:07,407 --> 00:05:09,808
WHO'S HAVING
MYSTERIOUS LIAISONS
120
00:05:09,810 --> 00:05:11,710
WITH THE CHANCELLOR?
121
00:05:11,712 --> 00:05:13,045
JUDITH.
122
00:05:13,047 --> 00:05:16,881
AND WHO HAPPENED TO RECEIVE
THE STRANGELY ELUSIVE MEMO
123
00:05:16,883 --> 00:05:18,317
ABOUT THIS MORNING'S
MEETING?
124
00:05:18,319 --> 00:05:19,751
JUDITH.
125
00:05:19,753 --> 00:05:21,453
AND WHEN
YOU GOT NAMED AS DEAN,
126
00:05:21,455 --> 00:05:24,289
WHO CALLED YOU AN UNDESERVING
ASS-KISSER BEHIND YOUR BACK?
127
00:05:24,291 --> 00:05:25,657
JUDITH!
128
00:05:28,228 --> 00:05:29,761
SHE WAS AMONG THEM, YES.
129
00:05:29,763 --> 00:05:32,330
I CAN'T BELIEVE IT.
130
00:05:32,332 --> 00:05:33,565
YOU BETTER BELIEVE IT,
MARY.
131
00:05:33,567 --> 00:05:36,134
THERE'S A STINK IN THE AIR,
132
00:05:36,136 --> 00:05:39,637
AND FOR ONCE, THE MAJORITY
OF IT IS NOT ME.
133
00:05:44,545 --> 00:05:46,444
SEE, YOU GOT YOUR BLACKJACK
TABLE RIGHT THERE,
134
00:05:46,446 --> 00:05:48,246
THAT'S THE WHEEL OF FORTUNE.
135
00:05:48,248 --> 00:05:50,482
OVER THERE,
THAT'S THE BACCARAT.
136
00:05:50,484 --> 00:05:52,183
SEE THEM TABLES OVER THERE?
137
00:05:52,185 --> 00:05:54,452
THEY'RE FOR CRAPS.
138
00:05:57,524 --> 00:05:58,724
WHERE'S HARRY?
139
00:05:58,726 --> 00:06:00,491
I DON'T KNOW,
AND I DON'T CARE.
140
00:06:00,493 --> 00:06:03,862
'CAUSE VICKI AND I ARE
HAVING A GIRLS' NIGHT
OUT. AM I RIGHT?
141
00:06:03,864 --> 00:06:05,797
OH, WE'RE GONNA GONNA
BREAK SOME HEARTS, BABY!
142
00:06:05,799 --> 00:06:08,166
YEE-HAW!
WHOO!
143
00:06:08,168 --> 00:06:09,100
LET'S GO.
144
00:06:14,140 --> 00:06:17,275
JACKPOT! YEAH!
145
00:06:19,946 --> 00:06:20,945
CHECK IT OUT, TOMMY.
146
00:06:20,947 --> 00:06:23,815
THIS IS THE LOOSEST
MACHINE ON THE BOAT.
147
00:06:23,817 --> 00:06:25,450
HARRY, IT'S
A CHANGE MACHINE.
148
00:06:25,452 --> 00:06:28,152
THAT'S RIGHT.
IT'S CHANGING ME
INTO A WINNER.
149
00:06:28,154 --> 00:06:29,621
COCKTAILS.
150
00:06:29,623 --> 00:06:30,622
HARRY, LET'S GO.
151
00:06:30,624 --> 00:06:31,722
PEOPLE WANT TO USE
THE MACHINE.
152
00:06:31,724 --> 00:06:34,292
OH, WELL, I'M SURE
THAT THEY DO.
153
00:06:34,294 --> 00:06:35,493
COME ON, BABY. MONEY
COMES TO MONEY.
154
00:06:35,495 --> 00:06:37,795
COME ON, MAMA.
155
00:06:37,797 --> 00:06:39,364
[MACHINE
DISPENSES CHANGE]
156
00:06:39,366 --> 00:06:41,232
YEAH!
157
00:06:50,109 --> 00:06:51,543
JUDITH.
158
00:06:51,545 --> 00:06:53,745
HOW ARE YOU DOING?
159
00:06:53,747 --> 00:06:55,413
FANTASTIC.
160
00:06:55,415 --> 00:06:56,614
FUNNY THING.
161
00:06:56,616 --> 00:06:59,083
I WAS THINKING ABOUT WHAT
YOU AND CHANCELLOR STEVENS
162
00:06:59,085 --> 00:07:00,085
WERE DISCUSSING
THIS MORNING.
163
00:07:00,087 --> 00:07:03,955
YOU KNOW ABOUT
THE, UM, THE, UH...
164
00:07:03,957 --> 00:07:06,424
WHAT WERE YOU
TALKING ABOUT AGAIN?
165
00:07:06,426 --> 00:07:09,094
I'M SORRY. THAT WAS
A PRIVATE CONVERSATION.
166
00:07:09,096 --> 00:07:10,762
YEAH, OF COURSE IT WAS.
167
00:07:10,764 --> 00:07:13,865
I--I UNDERSTAND.
168
00:07:13,867 --> 00:07:17,235
BY THE BY, JUDE--
169
00:07:17,237 --> 00:07:20,271
AND I CALL YOU JUDE
BECAUSE WE'RE SO CLOSE--
170
00:07:20,273 --> 00:07:23,742
MARY AND I HAVE HAD
A FALLING OUT. WE'RE OVER.
171
00:07:23,744 --> 00:07:25,644
AND I'D LIKE TO GET A GOOD
PLOT GOING AGAINST HER.
172
00:07:25,646 --> 00:07:27,412
GOT ANYTHING ON THAT?
173
00:07:27,414 --> 00:07:28,947
DICK, I HAVE A CLASS.
174
00:07:28,949 --> 00:07:29,947
NO, YOU DON'T.
175
00:07:29,949 --> 00:07:32,717
OK, JUST LEAVE.
176
00:07:32,719 --> 00:07:34,452
TELL ME WHAT'S GOING ON
BETWEEN YOU AND THE CHANCELLOR
177
00:07:34,454 --> 00:07:36,521
AND I WILL NEVER SET FOOT
IN YOUR OFFICE AGAIN.
178
00:07:36,523 --> 00:07:38,990
FINE. YOU KNOW
CHANCELLOR STEVENS'
179
00:07:38,992 --> 00:07:40,625
ANNUAL BADGER DAY
ADDRESS?
180
00:07:40,627 --> 00:07:43,728
OH, THAT INSIPID
YAWN FEST?
181
00:07:43,730 --> 00:07:45,363
I WRITE THEM FOR HIM.
182
00:07:45,365 --> 00:07:47,932
LAST YEAR'S WAS TREMENDOUS.
183
00:07:49,703 --> 00:07:53,038
YOU MIGHT WANT TO TRIM ABOUT
AN HOUR OUT OF IT THIS TIME.
184
00:07:53,040 --> 00:07:55,206
OH, HEY, JUDE.
185
00:07:55,208 --> 00:07:57,108
GOTTA GO.
I'LL SEE YOU LATER.
186
00:08:00,980 --> 00:08:02,146
BADGER DAY ADDRESS.
187
00:08:02,148 --> 00:08:03,715
HOW STUPID
DOES SHE THINK I AM?
188
00:08:03,717 --> 00:08:05,283
I KNOW. AND
DID YOU SEE THE WAY
189
00:08:05,285 --> 00:08:06,585
SHE RUSHED YOU
OUT OF HER OFFICE?
190
00:08:06,587 --> 00:08:07,785
AND HOW ABOUT
HOW SHE SLIPPED
191
00:08:07,787 --> 00:08:09,287
THAT DOCUMENT
INTO HER DESK.
192
00:08:09,289 --> 00:08:10,489
PRETTY SUBTLE, HUH?
193
00:08:10,491 --> 00:08:12,390
THAT BITCH WANTS MY JOB!
194
00:08:15,829 --> 00:08:18,797
THIS GOES OUT TO THE LOVELY LADIES IN THE CORNER BOTH.
195
00:08:18,799 --> 00:08:19,798
HERE WE GO.
196
00:08:19,800 --> 00:08:22,634
♪ I LEFT A GOOD JOB
IN THE CITY ♪
197
00:08:22,636 --> 00:08:26,304
♪ WORKING FOR THE MAN
EVERY NIGHT AND DAY ♪
198
00:08:26,306 --> 00:08:29,107
♪ BUT I NEVER LOST
ONE MINUTE OF SLEEP, NO ♪
199
00:08:29,109 --> 00:08:31,442
SALLY, I'M TELLING
YOU, THIS GUY
200
00:08:31,444 --> 00:08:33,678
IS LIKE AMONG
THE TOP 5
201
00:08:33,680 --> 00:08:34,880
NEIL DIAMOND
IMPERSONATORS
202
00:08:34,882 --> 00:08:37,281
THAT I HAVE
EVER SEEN.
203
00:08:37,283 --> 00:08:38,984
HE IS SO HOT.
204
00:08:38,986 --> 00:08:40,051
HE'S HOT AS HELL.
205
00:08:40,053 --> 00:08:41,218
I DON'T KNOW, VICKI.
206
00:08:41,220 --> 00:08:43,621
I'VE JUST GOT THIS, LIKE,
URGE COMING OVER ME.
207
00:08:43,623 --> 00:08:47,658
I JUST WANT TO THROW
SOMETHING UP ON THAT STAGE.
208
00:08:47,660 --> 00:08:50,128
YOU MEAN LIKE
YOUR PANTIES?
209
00:08:50,130 --> 00:08:54,132
WHAT'S HE GONNA DO
WITH MY PANTIES?
210
00:08:54,134 --> 00:08:55,733
I'M GONNA THROW HIM
A BUFFALO WING.
211
00:08:55,735 --> 00:08:58,035
SALLY, SALLY,
NO, NO, NO.
212
00:09:04,777 --> 00:09:07,445
NINA, COME OVER HERE.
213
00:09:07,447 --> 00:09:11,383
WHO'S THAT STRANGE MAN
LURKING OUTSIDE?
214
00:09:11,385 --> 00:09:13,251
IT'S ROBERTO.
HE WATERS THE PLANTS.
215
00:09:13,253 --> 00:09:17,021
AH. THE ONE WITH
THE LISTENING DEVICE?
216
00:09:17,023 --> 00:09:19,690
IT'S A HEARING AID.
217
00:09:19,692 --> 00:09:20,825
YEAH. RIGHT.
218
00:09:20,827 --> 00:09:22,294
NINA, I NEED YOUR HELP.
219
00:09:22,296 --> 00:09:24,562
A FEW WEEKS AGO I SAW YOU
HOLD THE ELEVATOR
220
00:09:24,564 --> 00:09:26,364
FOR CHANCELLOR STEVENS'
ASSISTANT RUTH.
221
00:09:26,366 --> 00:09:27,599
YEAH. SO?
222
00:09:27,601 --> 00:09:30,134
IT'S TIME TO CALL IN
THAT FAVOR.
223
00:09:30,136 --> 00:09:32,136
GET HER TO FAX OVER
A LOG BOOK
224
00:09:32,138 --> 00:09:34,338
OF EVERY CALL HE'S MADE
OVER THE LAST 6 MONTHS.
225
00:09:34,340 --> 00:09:35,574
NO, BETTER MAKE IT A YEAR.
226
00:09:35,576 --> 00:09:37,842
DR. SOLOMON, WILL
YOU STOP WORRYING?
227
00:09:37,844 --> 00:09:41,012
THERE'S NO CONSPIRACY
AGAINST DR. ALBRIGHT.
TRUST ME.
228
00:09:41,014 --> 00:09:42,347
TRUST YOU?
229
00:09:42,349 --> 00:09:44,649
OF COURSE I TRUST YOU.
230
00:09:44,651 --> 00:09:47,052
YOU'RE
MY TRUSTED AIDE, NINA.
231
00:09:50,891 --> 00:09:51,890
NINA'S IN ON IT.
232
00:09:51,892 --> 00:09:54,125
NO!
233
00:09:54,127 --> 00:09:56,127
OH, HEY, DR. ALBRIGHT.
234
00:09:56,129 --> 00:09:58,863
NINA, HOW ARE YOU?!
235
00:09:58,865 --> 00:10:00,698
I'M GOOD.
236
00:10:08,908 --> 00:10:10,074
SEE?
237
00:10:10,076 --> 00:10:13,311
OH, MY GOD. I'VE
HAD HER IN MY HOUSE.
238
00:10:13,313 --> 00:10:15,814
HOW DEEP DOES
THIS THING GO?
239
00:10:15,816 --> 00:10:17,916
DAMN. IF ONLY I COULD GET
A LOOK AT THAT DOCUMENT
240
00:10:17,918 --> 00:10:19,383
THAT JUDITH HID FROM ME.
241
00:10:19,385 --> 00:10:21,186
NO MATTER
HOW MUCH I FIND OUT,
242
00:10:21,188 --> 00:10:23,554
I STILL ONLY KNOW
A SMALL PART.
243
00:10:23,556 --> 00:10:26,157
IT'S LIKE A RIDDLE
WRAPPED AROUND AN ENIGMA
244
00:10:26,159 --> 00:10:27,292
FRIED UP IN A CONUNDRUM
245
00:10:27,294 --> 00:10:30,661
WITH CHINESE MUSTARD
DIPPING SAUCE.
246
00:10:30,663 --> 00:10:33,297
WELL, I'M NOT
GOING DOWN THAT EASY.
247
00:10:33,299 --> 00:10:35,567
I THINK YOU KNOW
WHAT WE HAVE TO DO.
248
00:10:35,569 --> 00:10:38,603
KILL JUDITH AND MAKE IT
LOOK LIKE AN ACCIDENT?
NO.
249
00:10:38,605 --> 00:10:40,271
WE'RE NOT GONNA MAKE IT
LOOK LIKE AN ACCIDENT?
250
00:10:40,273 --> 00:10:41,939
OH, COME ON, DICK.
251
00:11:00,893 --> 00:11:02,026
MARY:
WHAT ARE YOU DOING?
252
00:11:02,028 --> 00:11:05,396
DICK: LOOKING FOR
INFRARED SENSORS.
253
00:11:05,398 --> 00:11:06,897
SMELLS LIKE
PINE CONES.
254
00:11:06,899 --> 00:11:08,866
THEY WERE OUT
OF COUNTRY MEADOWS.
255
00:11:12,339 --> 00:11:14,071
DAMN.
IT'S LOCKED.
256
00:11:14,073 --> 00:11:15,973
MARY...
257
00:11:15,975 --> 00:11:18,676
TOMMY TAUGHT ME HOW
TO GET PAST ANY LOCK.
258
00:11:18,678 --> 00:11:21,946
BUT YOU MUST PROMISE
ME NEVER TO REVEAL
THIS TECHNIQUE.
259
00:11:21,948 --> 00:11:24,448
IF IT GOT OUT, IT
COULD HAVE DIRE EFFECTS
260
00:11:24,450 --> 00:11:25,917
ON SOCIETY
AS WE KNOW IT.
261
00:11:33,960 --> 00:11:35,960
THIS IS IT.
262
00:11:35,962 --> 00:11:37,795
THIS IS THE DOCUMENT
JUDITH WAS HIDING.
263
00:11:37,797 --> 00:11:39,830
QUICK. STUFF IT
IN MY UNDERPANTS.
264
00:11:39,832 --> 00:11:41,499
WHAT?
265
00:11:41,501 --> 00:11:43,868
YOU'RE RIGHT.
WE SHOULD READ IT FIRST.
266
00:11:43,870 --> 00:11:45,870
THERE MUST BE
50 OR 60 PAGES.
267
00:11:45,872 --> 00:11:47,205
WAIT A MINUTE.
268
00:11:47,207 --> 00:11:49,808
THIS IS THE CHANCELLOR'S
BADGER DAY ADDRESS.
269
00:11:49,810 --> 00:11:51,643
JUDITH WAS
TELLING THE TRUTH.
270
00:11:51,645 --> 00:11:53,544
OH, MY GOD.
MARY, LOOK AT THIS!
271
00:11:53,546 --> 00:11:54,646
WHAT?
272
00:11:54,648 --> 00:11:56,280
IT'S SO REDUNDANT!
273
00:11:56,282 --> 00:11:58,083
YOU COULD LOSE
THIS WHOLE PART.
274
00:11:58,085 --> 00:11:59,784
WHAT WAS I THINKING?
275
00:11:59,786 --> 00:12:02,320
CUT THIS, CUT THIS.
276
00:12:02,322 --> 00:12:04,489
ACTUALLY THIS PART
IS KIND OF CLEVER.
277
00:12:04,491 --> 00:12:06,090
OH, DICK, I FEEL
LIKE AN IDIOT.
278
00:12:06,092 --> 00:12:07,091
LET'S GET OUT OF HERE.
279
00:12:07,093 --> 00:12:09,494
[POLICE SIREN]
280
00:12:09,496 --> 00:12:10,495
IT'S THE HEAT.
281
00:12:10,497 --> 00:12:12,797
MARY, RUN FOR IT!
282
00:12:14,801 --> 00:12:16,000
DICK.
283
00:12:16,002 --> 00:12:17,569
DICK!
284
00:12:17,571 --> 00:12:24,742
[WHIMPERING]
DICK?
285
00:12:26,747 --> 00:12:29,581
WHOO!
YOU ARE THE MAN.
286
00:12:29,583 --> 00:12:32,851
I AM THE MAN.
287
00:12:32,853 --> 00:12:36,487
ALL RIGHT. COME ON,
BABY, GIMME SOME LOVIN'.
288
00:12:36,489 --> 00:12:37,588
7!
289
00:12:37,590 --> 00:12:39,357
[CHEERING]
290
00:12:39,359 --> 00:12:40,691
WE'RE RAKING
IN THE DOUGH, BABY.
291
00:12:40,693 --> 00:12:42,426
I'M GONNA QUIT
MY DAY JOB.
292
00:12:42,428 --> 00:12:43,528
YOU DON'T HAVE ONE,
MY MAN.
293
00:12:43,530 --> 00:12:45,997
WELL, THEN I'M GONNA
GET ONE AND QUIT IT.
294
00:12:45,999 --> 00:12:48,866
OK. HERE WE GO.
READY? WHOO!
295
00:12:48,868 --> 00:12:50,101
11!
296
00:12:50,103 --> 00:12:52,336
[CHEERING]
297
00:12:52,338 --> 00:12:54,772
ALL RIGHT. DO YOU WANT
ME TO KEEP ON ROLLING?
298
00:12:54,774 --> 00:12:55,907
CROWD: YEAH!
299
00:12:55,909 --> 00:12:57,541
I CAN'T HEAR YOU.
300
00:12:57,543 --> 00:12:59,978
I SAID DO YOU WANT ME
TO KEEP ON ROLLING?
301
00:12:59,980 --> 00:13:01,146
YEAH!
302
00:13:01,148 --> 00:13:03,080
EH, I'M DONE.
303
00:13:04,750 --> 00:13:06,450
WHAT?
YEAH, I'M FINISHED.
304
00:13:06,452 --> 00:13:09,487
HEY. WHO WANTS
TO GO OUTSIDE FOR
SOME FRESH AIR?
305
00:13:10,556 --> 00:13:13,324
I CAN'T HEAR YOU.
306
00:13:20,600 --> 00:13:22,167
POOR MARY.
307
00:13:22,169 --> 00:13:24,568
YOU'RE NOT DESIGNED
FOR FLIGHT.
308
00:13:24,570 --> 00:13:25,836
IT'S YOUR STUBBY
LITTLE LEGS,
309
00:13:25,838 --> 00:13:28,138
THEY LET YOU DOWN.
310
00:13:28,140 --> 00:13:30,675
OH, DICK.
311
00:13:30,677 --> 00:13:32,843
GOOD-BYE, MARY.
DON'T YOU LEAVE ME.
312
00:13:32,845 --> 00:13:34,278
DON'T WORRY.
I'LL BE BACK.
313
00:13:34,280 --> 00:13:36,046
I'M GOING TO GET YOU
OUT OF HERE.
314
00:13:36,048 --> 00:13:38,683
IN THE MEANTIME,
LET THIS SUSTAIN YOU.
315
00:13:38,685 --> 00:13:39,717
AAH!
316
00:13:41,187 --> 00:13:43,153
SO ELVIS SAYS, "NEVER
MIND WITH THEM PILLS.
317
00:13:43,155 --> 00:13:44,855
I'LL JUST
SLAM 'EM DOWN."
318
00:13:44,857 --> 00:13:46,790
[LAUGHS]
319
00:13:46,792 --> 00:13:47,858
HEY, Y'ALL.
320
00:13:49,196 --> 00:13:50,762
HOW Y'ALL DOIN'?
321
00:13:54,467 --> 00:13:57,335
YOU KNOW I SAW YOU
FROM THE STAGE.
322
00:13:57,337 --> 00:13:59,704
OH, MY GOD. HE PICKED US
OUT FROM 11 PEOPLE.
323
00:13:59,706 --> 00:14:01,072
BE COOL, BE COOL.
324
00:14:01,074 --> 00:14:03,440
PLEASE, SIT DOWN.
325
00:14:10,049 --> 00:14:11,915
WHAT ARE
YOUR NAMES?
326
00:14:11,917 --> 00:14:16,321
WELL, I'M TAFFY,
AND THIS IS AMBER.
327
00:14:16,323 --> 00:14:18,189
WE'RE SISTERS.
328
00:14:18,191 --> 00:14:22,360
UH, WE OWN A BIKINI SHOP
ON THE INTERNET.
329
00:14:22,362 --> 00:14:23,895
OOH.
330
00:14:23,897 --> 00:14:26,197
W-W-W DOT WOW.
331
00:14:26,199 --> 00:14:27,798
[LAUGHING]
332
00:14:30,903 --> 00:14:34,873
YOU KNOW, AMBER HERE WAS
QUITE MOVED BY YOUR FINALE.
333
00:14:34,875 --> 00:14:36,241
OH, IS THAT SO?
334
00:14:36,243 --> 00:14:37,708
YES.
335
00:14:37,710 --> 00:14:40,211
YOU KNOW, WHEN YOU
LIT THAT SPARKLER,
336
00:14:40,213 --> 00:14:45,049
I FELT LIKE I WAS
COMING TO AMERICA.
337
00:14:47,887 --> 00:14:50,020
TODAY.
338
00:14:53,593 --> 00:14:56,793
OH, HI, DON. I'M JUST
GOING IN TO SEE MARY.
339
00:14:56,795 --> 00:14:58,162
UH, HOLD IT.
HOLD IT THERE, DICK.
340
00:14:58,164 --> 00:14:59,564
THAT WOULDN'T
BE A CAKE
341
00:14:59,566 --> 00:15:00,931
WITH A FILE BAKED
IN IT, WOULD IT?
342
00:15:00,933 --> 00:15:03,601
[LAUGHS] DON'T--
DON'T BE SILLY.
343
00:15:04,771 --> 00:15:06,537
[METAL DETECTOR BEEPS]
344
00:15:11,744 --> 00:15:13,310
[METAL DETECTOR BEEPS]
345
00:15:18,017 --> 00:15:19,216
[METAL DETECTOR BEEPS]
346
00:15:20,353 --> 00:15:21,519
SOMETIMES
IT'S THE BELT.
347
00:15:26,793 --> 00:15:27,958
[METAL DETECTOR BEEPS]
348
00:15:28,995 --> 00:15:29,994
I DON'T KNOW
WHAT TO SAY.
349
00:15:29,996 --> 00:15:31,362
OH, THESE THINGS
HAPPEN.
350
00:15:36,303 --> 00:15:38,269
NO, YOU'RE CLEAR.
351
00:15:41,006 --> 00:15:42,440
[METAL DETECTOR BEEPS]
352
00:15:49,049 --> 00:15:53,318
I'D NEVER
BEEN IN TROUBLE
UNTIL HE CAME ALONG.
353
00:15:53,320 --> 00:15:55,353
BUT HE HAS THIS WAY
OF TALKING, SEE,
354
00:15:55,355 --> 00:15:56,587
WHEN YOU KNOW
HE'S CRAZY,
355
00:15:56,589 --> 00:16:00,224
BUT YOU JUST CAN'T HELP
BUT LISTEN TO HIM.
356
00:16:00,226 --> 00:16:02,226
AND ALL OF A SUDDEN,
YOU FIND YOURSELF
357
00:16:02,228 --> 00:16:05,396
DOING THINGS YOU
NEVER THOUGHT YOU'D DO.
358
00:16:05,398 --> 00:16:07,665
BAD THINGS,
359
00:16:07,667 --> 00:16:10,234
STUPID THINGS.
360
00:16:10,236 --> 00:16:12,470
AND WHERE IS HE NOW?
361
00:16:12,472 --> 00:16:14,939
FREE AS A BIRD.
362
00:16:14,941 --> 00:16:18,576
WHILE I'M IN HERE
TAKING THE FALL.
363
00:16:18,578 --> 00:16:19,711
WE KNOW
HOW YOU FEEL.
364
00:16:19,713 --> 00:16:21,713
YEAH. YOU NEED
A NEW PIMP.
365
00:16:25,418 --> 00:16:27,318
PIMP? I'M NOT A HOOKER.
366
00:16:27,320 --> 00:16:28,586
I'M A PROFESSOR.
367
00:16:28,588 --> 00:16:32,357
HMM. TOO BAD. YOU COULD
MAKE A NICE LIVING.
368
00:16:32,359 --> 00:16:33,491
THANK YOU.
369
00:16:33,493 --> 00:16:34,792
MARY,
LOOK WHO'S HERE.
370
00:16:34,794 --> 00:16:36,561
JUDITH AND
CHANCELLOR STEVENS.
371
00:16:36,563 --> 00:16:38,195
YOU'RE LOOKING GOOD,
CHANCELLOR.
372
00:16:38,197 --> 00:16:39,230
ISN'T HE LOOKING
GOOD, MARY?
373
00:16:39,232 --> 00:16:40,965
I WAS JUST ABOUT
TO SAY THAT.
374
00:16:40,967 --> 00:16:43,667
MARY, MARY, MARY.
375
00:16:43,669 --> 00:16:44,869
CHANCELLOR.
376
00:16:46,539 --> 00:16:48,172
GINGER.
CHANCELLOR.
377
00:16:49,642 --> 00:16:53,076
MARY, WHAT COULD YOU
HAVE BEEN THINKING?
378
00:16:53,078 --> 00:16:55,046
BREAKING AND ENTERING.
379
00:16:55,048 --> 00:16:57,915
WELL, ACTUALLY,
IT'S VERY FUNNY.
380
00:16:57,917 --> 00:16:59,317
YOU'RE GONNA LOVE IT
WHEN YOU HEAR IT
381
00:16:59,319 --> 00:17:02,219
BECAUSE IT'S VERY,
VERY FUNNY.
382
00:17:02,221 --> 00:17:04,155
YOU WANT TO HEAR IT NOW?
'CAUSE YOU'RE GONNA LAUGH.
383
00:17:04,157 --> 00:17:06,490
MARY, MARY, MARY, MARY.
384
00:17:06,492 --> 00:17:07,691
NO!
385
00:17:07,693 --> 00:17:08,892
SHE'S NOT TO BLAME.
386
00:17:08,894 --> 00:17:11,662
SHE HAD AN ACCOMPLICE.
I TALKED HER INTO IT.
387
00:17:11,664 --> 00:17:14,532
IF ANYONE GOES DOWN FOR
THIS, IT SHOULD BE ME.
388
00:17:14,534 --> 00:17:16,166
THAT'S VERY NOBLE
OF YOU, DICK,
389
00:17:16,168 --> 00:17:17,769
BUT WE CAUGHT MARY
TRYING TO BASH HER WAY
390
00:17:17,771 --> 00:17:20,071
OUT OF MY OFFICE
WITH A CROWBAR.
391
00:17:20,073 --> 00:17:21,372
WELL, HE TAUGHT ME THAT.
392
00:17:21,374 --> 00:17:23,674
MARY, MARY--
393
00:17:23,676 --> 00:17:25,376
OH, SHUT UP!
394
00:17:29,149 --> 00:17:31,482
$4,200 IS NOT BAD
FOR A NIGHT'S WORK.
395
00:17:31,484 --> 00:17:33,384
EXACTLY.
396
00:17:33,386 --> 00:17:35,953
NOW, LET'S TREAT
OURSELVES TO
A SOUVENIR VISOR.
397
00:17:35,955 --> 00:17:36,921
OH, THEY'RE NICE.
398
00:17:36,923 --> 00:17:38,923
WELL, I'LL GET ONE
FOR EACH OF US.
399
00:17:38,925 --> 00:17:40,257
OK.
OOH.
400
00:17:40,259 --> 00:17:42,060
HOW 'BOUT A HIGH ROLLER
TOTE BAG?
401
00:17:42,062 --> 00:17:43,294
VICKI WOULD LOVE THIS.
402
00:17:43,296 --> 00:17:44,495
I WOULD LOVE THIS.
403
00:17:44,497 --> 00:17:45,596
I'LL GET 2.
404
00:17:45,598 --> 00:17:48,165
OOH. AND A JUMBO TIN
OF RIVER TAFFY.
405
00:17:48,167 --> 00:17:49,166
LET'S SLOW DOWN.
406
00:17:49,168 --> 00:17:50,134
THIS ALL THE SNOW GLOBES
YOU GOT?
407
00:17:50,136 --> 00:17:51,135
HARRY, COME ON,
THAT'S ENOUGH.
408
00:17:51,137 --> 00:17:52,402
OOH. LOOK
AT THIS JACKET.
409
00:17:52,404 --> 00:17:54,104
I NEED A MEDIUM.
YOU GOT A MEDIUM?
HARRY, WALK AWAY.
410
00:17:54,106 --> 00:17:55,573
DON'T TOUCH ME.
411
00:17:55,575 --> 00:17:57,241
I KNOW WHAT I'M DOING.
412
00:17:57,243 --> 00:17:59,210
COCKTAILS!
413
00:18:02,148 --> 00:18:03,548
OH, YEAH?
DO THAT THING
WE DID.
414
00:18:03,550 --> 00:18:04,749
YEAH? HEY,
CHECK THIS OUT.
415
00:18:07,853 --> 00:18:09,887
THAT'S MY SISTER.
416
00:18:12,024 --> 00:18:13,957
LADIES, LADIES,
EXCUSE ME.
417
00:18:13,959 --> 00:18:16,727
I AM GONNA GO
GET THESE RIBS
PACKED UP TO GO,
418
00:18:16,729 --> 00:18:18,696
AND THEN
WE'LL HIT MY CABIN.
419
00:18:18,698 --> 00:18:20,531
WOW. YOU HAVE
YOUR OWN CABIN?
420
00:18:20,533 --> 00:18:21,965
OH, YE--WELL,
421
00:18:21,967 --> 00:18:25,002
I HAVE TO SHARE IT WITH
THE KENNY ROGERS,
422
00:18:25,004 --> 00:18:27,037
BUT HE SLEEPS
LIKE A LOG.
423
00:18:29,642 --> 00:18:31,742
MM-MM-MM-MM-MM.
424
00:18:31,744 --> 00:18:33,244
I'M GONNA KISS HIM.
425
00:18:33,246 --> 00:18:34,278
YOU ARE NOT.
426
00:18:34,280 --> 00:18:35,479
I AM.
427
00:18:35,481 --> 00:18:38,315
I'M GONNA KISS
THAT NEIL DIAMOND
IMPERSONATOR
428
00:18:38,317 --> 00:18:40,251
RIGHT ON HIS BIG
SWEATY MOUTH.
429
00:18:40,253 --> 00:18:42,219
THAT-A-GIRL, SALLY.
430
00:18:42,221 --> 00:18:44,655
IT'S GOOD TO SEE YOU GETTING
YOUR LIFE BACK ON TRACK.
431
00:18:44,657 --> 00:18:46,757
VICKI?
432
00:18:46,759 --> 00:18:48,525
YES, SALLY?
433
00:18:48,527 --> 00:18:52,063
I FEEL GOOD.
434
00:18:52,065 --> 00:18:53,797
YEOW!
WHOO!
435
00:18:53,799 --> 00:18:56,033
GO GET HIM, GIRL.
436
00:18:56,035 --> 00:18:57,034
PRETTY FANCY, HUH?
437
00:18:57,036 --> 00:18:58,835
UH, MR. DIAMOND...
438
00:19:09,449 --> 00:19:13,651
YOU WERE RIGHT, VICKI.
I NEEDED THAT.
439
00:19:13,653 --> 00:19:14,852
WHOO!
440
00:19:14,854 --> 00:19:16,353
LET'S GO DO
SOMETHING ELSE.
441
00:19:16,355 --> 00:19:17,721
WHOO-HOO!
442
00:19:22,996 --> 00:19:24,895
OH, LOOK AT ME, DICK.
443
00:19:24,897 --> 00:19:26,297
THEY'VE STRIPPED ME
OF EVERYTHING.
444
00:19:26,299 --> 00:19:30,134
MY OFFICE, MY TITLE,
MY DIGNITY.
445
00:19:30,136 --> 00:19:32,336
BUT THERE'S ONE THING
THEY CAN'T TAKE AWAY FROM ME.
446
00:19:32,338 --> 00:19:33,371
YOUR DIGNITY?
447
00:19:33,373 --> 00:19:35,272
NO. I JUST SAID
THEY GOT THAT.
448
00:19:36,409 --> 00:19:38,409
THERE'S ONE THING
THEY DON'T GOT.
449
00:19:38,411 --> 00:19:40,811
MY OLD JOB. I GOT THAT.
450
00:19:40,813 --> 00:19:42,446
OH, YEAH. I GOT THAT.
451
00:19:43,583 --> 00:19:47,651
WELL, DR. ALBRIGHT.
452
00:19:47,653 --> 00:19:49,119
OH...
453
00:19:49,121 --> 00:19:53,256
I'VE BEEN WORKING
FOR YOU FOR 6 MONTHS.
454
00:19:53,258 --> 00:19:54,325
GOOD-BYE.
455
00:19:54,327 --> 00:19:55,859
THAT'S IT?
456
00:19:55,861 --> 00:19:59,664
OH, WHAT A COUPLE OF
FOOLS WE'VE BEEN, MARY.
457
00:19:59,666 --> 00:20:02,867
OH, NO, DICK,
I WAS THE BIGGER FOOL.
458
00:20:02,869 --> 00:20:05,736
IF I'D JUST HAD MORE
CONFIDENCE IN MYSELF,
459
00:20:05,738 --> 00:20:07,104
I WOULDN'T HAVE GOTTEN
INTO THIS JAM.
460
00:20:07,106 --> 00:20:09,239
NO, MARY, I WAS
THE BIGGER FOOL.
461
00:20:09,241 --> 00:20:11,642
IF I HADN'T BEEN SO
SUSPICIOUS OF EVERYONE,
462
00:20:11,644 --> 00:20:13,110
THINGS WOULD NEVER HAVE
GOTTEN THIS CRAZY.
463
00:20:13,112 --> 00:20:16,647
NO, DICK, I WAS
THE BIGGER FOOL.
I GOT CAUGHT.
464
00:20:16,649 --> 00:20:20,184
NO, MARY,
I WAS THE BIGGER--
465
00:20:20,186 --> 00:20:23,487
NO, WAIT. YOU WERE
THE BIGGER FOOL.
466
00:20:23,489 --> 00:20:25,956
PROMISE ME ONE THING, DICK.
467
00:20:25,958 --> 00:20:28,792
THE NEXT TIME THE WORLD
GETS ALL TOPSY-TURVY
468
00:20:28,794 --> 00:20:30,461
AND I START ACTING
CRAZY AGAIN,
469
00:20:30,463 --> 00:20:32,062
DO ME A FAVOR, WILL YOU?
470
00:20:32,064 --> 00:20:33,664
SLAP SOME SENSE INTO ME?
471
00:20:38,337 --> 00:20:40,170
I SAID NEXT TIME.
472
00:20:44,143 --> 00:20:46,643
HARRY, THESE WARM-UP
SUITS ARE FANTASTIC.
473
00:20:46,645 --> 00:20:47,978
YEAH, WELL, YOU KNOW,
474
00:20:47,980 --> 00:20:49,814
I LIKE TO SPREAD
THE GOOD FORTUNE AROUND.
475
00:20:49,816 --> 00:20:51,015
HOW MUCH DID YOU WIN?
476
00:20:51,017 --> 00:20:52,016
$4,200.
477
00:20:52,018 --> 00:20:53,417
YEAH, AND HOW MUCH
DID YOU SPEND?
478
00:20:53,419 --> 00:20:55,686
LET'S CALL IT 5 GRAND.
479
00:20:55,688 --> 00:20:58,556
THAT'S HOW CASINOS
MAKE ALL THEIR MONEY.
GIFT SHOPS?
480
00:20:58,558 --> 00:20:59,557
THAT'S HOW
THEY GET YOU.
481
00:20:59,559 --> 00:21:01,759
HOW CAN YOU RESIST?
OH, YOU CAN'T.
482
00:21:01,761 --> 00:21:04,729
IT'S LIKE OUR BRAINS
HAVE MINDS OF THEIR OWN.
483
00:21:04,731 --> 00:21:06,197
MINE BECAME SO PARANOID.
484
00:21:06,199 --> 00:21:07,698
I WAS COMPLETELY
CONVINCED
485
00:21:07,700 --> 00:21:09,133
THAT MARY WAS GONNA
LOSE HER JOB.
486
00:21:09,135 --> 00:21:10,133
AND DID SHE?
487
00:21:10,135 --> 00:21:11,401
YEAH.
488
00:21:11,403 --> 00:21:12,770
SO I GUESS
BEING PARANOID
489
00:21:12,772 --> 00:21:14,272
IS KIND OF LIKE
BEING PSYCHIC.
490
00:21:14,274 --> 00:21:16,640
WELL, AT LEAST MARY'S
BACK IN YOUR OFFICE.
491
00:21:16,642 --> 00:21:18,375
THAT'S NICE.
YEAH, IT'S GREAT.
492
00:21:18,377 --> 00:21:20,377
YEE-HAW!
493
00:21:20,379 --> 00:21:23,480
WHOO-HOO!
494
00:21:28,521 --> 00:21:29,620
IT'S A GIRL
THING.
495
00:21:29,622 --> 00:21:31,622
YOU WOULDN'T
UNDERSTAND.
496
00:21:31,624 --> 00:21:34,592
CAPTIONING MADE POSSIBLE BY
CARSEY-WERNER PRODUCTIONS AND
THE NATIONAL BROADCASTING
COMPANY
497
00:21:38,131 --> 00:21:42,366
OH, MARY, IT'S SO NICE
TO HAVE YOU BACK
IN THE OFFICE WITH ME.
498
00:21:42,368 --> 00:21:44,201
IT IS KIND OF HOMEY.
499
00:21:44,203 --> 00:21:46,870
WOULD YOU MIND
JUST MOVING A HAIR
TO YOUR LEFT?
500
00:21:46,872 --> 00:21:47,905
THERE'S A NICE
WINDOW VIEW
501
00:21:47,907 --> 00:21:49,273
I'VE KIND OF
GOTTEN USED TO.
502
00:21:49,275 --> 00:21:51,275
OK.
503
00:21:51,277 --> 00:21:52,576
SKITCH MORE.
504
00:21:54,046 --> 00:21:56,213
ALMOST THERE.
505
00:21:56,215 --> 00:21:58,382
ANOTHER SMIDGE.
506
00:21:58,384 --> 00:21:59,583
NOW DOWN 2 INCHES.
507
00:22:00,753 --> 00:22:02,319
PERFECT.
508
00:22:02,321 --> 00:22:04,488
WELCOME HOME, MARY.
509
00:22:04,490 --> 00:22:05,989
PUBLIC PERFORMANCE OF CAPTIONS
PROHIBITED WITHOUT PERMISSION OF
NATIONAL CAPTIONING INSTITUTE
36077
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