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1
00:00:03,804 --> 00:00:05,403
GUESS WHAT,
YOU GUYS.
2
00:00:05,405 --> 00:00:07,772
DON IS TAKING ME
BOWLING.
3
00:00:07,774 --> 00:00:08,807
CAN YOU BELIEVE IT?
4
00:00:08,809 --> 00:00:10,309
BOWLING!
5
00:00:10,311 --> 00:00:12,944
HARD TO BELIEVE.
6
00:00:12,946 --> 00:00:14,312
JUST PICTURE IT:
7
00:00:14,314 --> 00:00:17,950
ME AND DON,
ALONE...
8
00:00:17,952 --> 00:00:21,453
OUR SWEATY BODIES
INTERTWINE...
9
00:00:23,290 --> 00:00:24,622
BOWLING.
10
00:00:26,026 --> 00:00:28,593
YOU DON'T KNOW WHAT
BOWLING IS, DO YOU?
11
00:00:28,595 --> 00:00:29,661
NO.
12
00:00:30,798 --> 00:00:34,633
[JENNIFER LAUGHING]
13
00:00:34,635 --> 00:00:36,468
OH, DICK.
14
00:00:36,470 --> 00:00:40,305
I CAME TO PENDLETON FOR
ITS COLLECTION OF RARE BOOKS,
15
00:00:40,307 --> 00:00:42,808
BUT I FOUND SOMETHING
MUCH RARER--
16
00:00:42,810 --> 00:00:45,511
THE LOVE OF A GOOD MAN.
17
00:00:45,513 --> 00:00:46,512
OH HA HA.
18
00:00:46,514 --> 00:00:48,280
THANKS.
THANKS A LOT.
19
00:00:48,282 --> 00:00:51,450
WELL, I'M OFF
TO SING MADRIGALS
WITH MY CHORAL GROUP.
20
00:00:51,452 --> 00:00:52,484
ARE YOU SURE
YOU WON'T JOIN ME?
21
00:00:52,486 --> 00:00:54,886
UH, MADRIGALS...
NO, I DON'T THINK SO.
22
00:00:54,888 --> 00:00:56,755
ALL RIGHT.
I'LL SEE YOU LATER THEN.
23
00:00:56,757 --> 00:00:57,756
OHH!
24
00:00:59,326 --> 00:01:00,492
GOOD-BYE, ALL!
25
00:01:00,494 --> 00:01:03,228
GOOD-BYE,
JENNIFER.
26
00:01:03,230 --> 00:01:04,363
SHE'S GREAT, DICK.
27
00:01:04,365 --> 00:01:05,864
OH, YEAH, SHE'S GREAT.
28
00:01:05,866 --> 00:01:07,499
THERE'S JUST ONE PROBLEM
REALLY.
29
00:01:07,501 --> 00:01:08,667
WHAT'S THAT?
30
00:01:08,669 --> 00:01:10,202
I CAN'T STAND HER!
31
00:01:10,204 --> 00:01:11,235
HOW DID THAT HAPPEN?
32
00:01:11,237 --> 00:01:12,871
I DON'T KNOW!
FOR THE FIRST 3 DAYS
33
00:01:12,873 --> 00:01:14,339
I WAS MADLY IN LOVE
WITH HER,
34
00:01:14,341 --> 00:01:16,007
THEN ON THE FOURTH DAY,
IT WAS OVER.
35
00:01:16,009 --> 00:01:18,577
WOW. SO IT SOUNDS
LIKE IT WAS
JUST INFATUATION.
36
00:01:18,579 --> 00:01:21,279
THANK YOU SO MUCH,
MR. MONDAY MORNING
QUARTERBACK.
37
00:01:21,281 --> 00:01:23,181
YOU WIN
THE HINDSIGHT BOWL!
38
00:01:23,183 --> 00:01:24,182
I MISS MARY!
39
00:01:24,184 --> 00:01:25,851
OH, GEE! OHH!
40
00:01:25,853 --> 00:01:28,420
MARY AND I WERE
MEANT FOR EACH OTHER.
41
00:01:28,422 --> 00:01:29,788
AND NOW I'VE DUMPED HER
42
00:01:29,790 --> 00:01:31,890
JUST BECAUSE SHE WAS
SO BUSY BEING DEAN.
43
00:01:31,892 --> 00:01:33,058
I'VE GOTTA GET HER BACK.
44
00:01:33,060 --> 00:01:34,693
WELL, BUT FIRST YOU
GOTTA GET RID
OF JENNIFER.
45
00:01:34,695 --> 00:01:35,861
I KNOW, BUT HOW?
46
00:01:35,863 --> 00:01:37,863
WELL, YOU COULD TREAT HER
LIKE YOU TREATED MARY.
47
00:01:37,865 --> 00:01:40,064
THAT SEEMS TO DO
IRREPARABLE DAMAGE.
48
00:01:40,066 --> 00:01:43,035
LOOK, DICK, YOU JUST
GOTTA COME CLEAN.
49
00:01:43,037 --> 00:01:45,103
YOU GOTTA TELL JENNIFER
THE TRUTH.
50
00:01:45,105 --> 00:01:46,371
IT'S WHAT DON WOULD DO.
51
00:01:46,373 --> 00:01:49,675
I MEAN, DON ALWAYS SAYS,
"THE TRUTH MIGHT HURT,
52
00:01:49,677 --> 00:01:53,411
BUT A LIE WILL ONLY
GET YOU A BILLY CLUB
TO THE WINDPIPE."
53
00:01:53,413 --> 00:01:55,613
THE TRUTH, HUH?
54
00:01:55,615 --> 00:01:58,616
YOU KNOW, THAT'S SO CRAZY
IT JUST MIGHT WORK.
55
00:01:58,618 --> 00:02:34,419
CAPTIONING MADE POSSIBLE BY
CARSEY-WERNER PRODUCTIONS
AND THE NATIONAL
BROADCASTING COMPANY
56
00:02:36,089 --> 00:02:39,791
♪ DIAPHENIA, LIKE
THE DAFFDOWNDILLY ♪
57
00:02:39,793 --> 00:02:41,492
JENNIFER.♪ WHITE AS THE SUN ♪
58
00:02:41,494 --> 00:02:43,361
♪ FAIR AS THE LILY
♪JENNIFER.
59
00:02:43,363 --> 00:02:45,263
♪ HEIGH-HO, HEIGH-HO
♪EXCUSE ME.
60
00:02:45,265 --> 00:02:47,432
♪ HOW I DO LOVE THEE
♪
61
00:02:47,434 --> 00:02:48,633
JENNIFER!
62
00:02:48,635 --> 00:02:52,437
WHAT IS IT, MY PRETTY PRINCE
OF FUN AND PHYSICS?
63
00:02:52,439 --> 00:02:54,205
I HAVE SOMETHING
TO TELL YOU,
64
00:02:54,207 --> 00:02:56,007
AND IT'S NOT
GOING TO BE EASY.
65
00:02:56,009 --> 00:02:58,944
A BIT OF GOSSIP,
PERHAPS EVEN SLEAZY?
66
00:03:01,515 --> 00:03:04,215
MAYBE IT'S GONNA BE
EASIER THAN I THOUGHT.
67
00:03:04,217 --> 00:03:06,618
JENNIFER, WE'VE HAD
SOME GOOD TIMES...
68
00:03:06,620 --> 00:03:08,620
AND MANY MORE TO COME.
69
00:03:08,622 --> 00:03:10,521
YES, WELL, ACTUALLY,
WHAT I WAS GETTING AT IS
70
00:03:10,523 --> 00:03:12,558
I THINK IT'S TIME
WE MOVED ON.
71
00:03:12,560 --> 00:03:15,760
TO THE NEXT LEVEL? OH, DICK,
I COULDN'T AGREE MORE.
72
00:03:15,762 --> 00:03:17,128
[CLASS BELL RINGS]
73
00:03:17,130 --> 00:03:18,497
I'VE GOT A CLASS.
WE'LL CELEBRATE LATER.
74
00:03:18,499 --> 00:03:20,199
OH, JENNIFER, NO,
YOU MISUNDERSTOOD.
75
00:03:20,201 --> 00:03:23,268
♪ DIAPHENIA, LIKE
THE DAFFDOWNDILLY ♪
76
00:03:23,270 --> 00:03:25,904
JENNIFER!
OH, DAMN!
77
00:03:33,747 --> 00:03:34,813
YES!
[STRIKE]
78
00:03:34,815 --> 00:03:36,315
WHOO-HOO!
ALL RIGHT, DONNY!
79
00:03:36,317 --> 00:03:37,649
OH, THAT WAS SO GREAT!
80
00:03:37,651 --> 00:03:38,917
WH-WHAT IS THAT CALLED?
81
00:03:38,919 --> 00:03:40,085
THAT'S A STRIKE, BABY.
82
00:03:40,087 --> 00:03:42,955
ALL RIGHT, NOW, REMEMBER
WHAT I TOLD YOU, SALLY.
83
00:03:42,957 --> 00:03:47,492
WHEN BOWLING, FIRST OF ALL,
YOU PUT YOUR FINGERS
INTO THE HOLES HERE.
84
00:03:51,030 --> 00:03:52,764
HOLD IT LIKE THAT.
ALL RIGHT.
85
00:03:52,766 --> 00:03:54,666
ALL RIGHT. OK.
NOW THE KEY IS
THE HEAD PIN.
86
00:03:54,668 --> 00:03:57,002
YOU WANT THAT HEAD PIN,
SO YOU WANT TO HOOK
AROUND THROUGH--
87
00:03:57,004 --> 00:03:58,403
YEAH, YEAH, I GOT IT.
THROW BALL, KNOCK DOWN PINS.
88
00:03:58,405 --> 00:04:00,405
WELL, THERE'S MORE TO IT
THAN THAT. I MEAN--
89
00:04:00,407 --> 00:04:02,073
DON'T THROW THE BALL!
90
00:04:03,344 --> 00:04:04,343
[STRIKE]
91
00:04:08,816 --> 00:04:12,017
OHH, NO!
92
00:04:12,019 --> 00:04:15,487
PUTTING THE YOU
BACK IN HIM?
93
00:04:15,489 --> 00:04:17,856
NOT THE SELF-HELP BOOKS!
94
00:04:17,858 --> 00:04:21,192
I NEED HELP. I MADE
A COMPLETE ASS OF MYSELF.
95
00:04:21,194 --> 00:04:23,528
SO YOU GOT DRUNK AND
TOLD HIM OFF. BIG DEAL.
96
00:04:23,530 --> 00:04:24,963
YOU WANT HIM BACK,
GO GET HIM.
97
00:04:24,965 --> 00:04:28,400
I WAS THE ONE THAT
TOLD HIM IT WAS OK
TO SEE OTHER PEOPLE.
98
00:04:28,402 --> 00:04:31,336
NOW I THINK THAT'S
A BIG RED CHECK
IN MY GUILT COLUMN.
99
00:04:31,338 --> 00:04:33,038
OK, YOU WANT HIM BACK?
100
00:04:33,040 --> 00:04:35,106
WELL, IT JUST BOTHERS ME
TO SEE HIM WITH HER.
101
00:04:35,108 --> 00:04:37,442
SHUT UP! I SAID,
DO YOU WANT HIM BACK?
102
00:04:37,444 --> 00:04:38,643
YES.
103
00:04:38,645 --> 00:04:39,644
REPEAT AFTER ME:
104
00:04:39,646 --> 00:04:40,645
GO
GO
105
00:04:40,647 --> 00:04:41,646
GET
GET
106
00:04:41,648 --> 00:04:42,847
HIM.
HIM.
107
00:04:42,849 --> 00:04:44,148
AGAIN! GO GET
GO GET
108
00:04:44,150 --> 00:04:45,183
HIM.
HIM.
109
00:04:45,185 --> 00:04:46,717
ALL TOGETHER!
GO GET HIM!
GO GET HIM!
110
00:04:46,719 --> 00:04:49,154
NOW YOU MARCH IN THERE,
TELL HIM HOW YOU FEEL,
STRAIGHT UP.
111
00:04:49,156 --> 00:04:50,154
STRAIGHT UP!
112
00:04:50,156 --> 00:04:52,057
GO GET HIM!
GO GET HIM!
113
00:04:52,059 --> 00:04:54,659
"AND SO, JENNIFER, LEST
THERE BE ANY MISUNDERSTANDING,
114
00:04:54,661 --> 00:04:58,896
"LET ME REPEAT:
I DO NOT, CANNOT, AND
WILL NOT EVER LOVE YOU
115
00:04:58,898 --> 00:05:00,898
"AS LONG AS WE
BOTH SHALL LIVE.
116
00:05:00,900 --> 00:05:03,735
WITH FROSTY ALOOFNESS..."
117
00:05:03,737 --> 00:05:04,736
DICK SOLOMON.
118
00:05:04,738 --> 00:05:07,905
NOW, THAT SHOULD
DO THE TRICK.
119
00:05:07,907 --> 00:05:09,707
DICK.
MARY, WHAT ARE
YOU DOING HERE?
120
00:05:09,709 --> 00:05:12,944
I-I'VE COME HERE TO
TELL YOU SOMETHING
STRAIGHT UP!
121
00:05:12,946 --> 00:05:14,279
AND HERE IT IS:
122
00:05:14,281 --> 00:05:16,548
WHAT YOU DID
REALLY HURT ME.
123
00:05:16,550 --> 00:05:17,683
OH, I KNOW. MARY--
124
00:05:17,685 --> 00:05:20,351
NO, NO, NO,
IT WAS THOUGHTLESS
AND PIGHEADED!
125
00:05:20,353 --> 00:05:21,820
THAT'S EXACTLY WHAT
I'VE JUST WRITTEN--
126
00:05:21,822 --> 00:05:22,887
NO. LET ME FINISH.
127
00:05:22,889 --> 00:05:25,256
I DON'T PUT ALL
THE BLAME ON YOU.
128
00:05:25,258 --> 00:05:27,659
I MEAN, I WAS
CONSUMED BY MY JOB,
129
00:05:27,661 --> 00:05:29,761
AND I DIDN'T HAVE
ENOUGH TIME FOR US,
130
00:05:29,763 --> 00:05:31,763
BUT SEEING YOU
WITH SOMEONE ELSE
131
00:05:31,765 --> 00:05:33,231
MAKES ME REALIZE
WHAT I'VE LOST.
132
00:05:33,233 --> 00:05:34,832
IT DOES?
133
00:05:34,834 --> 00:05:38,770
NOW I CAN'T EXPECT YOU
TO JUST COME RUNNING
BACK TO ME
134
00:05:38,772 --> 00:05:40,572
WITHOUT ME MAKING
SOME SACRIFICES.
135
00:05:40,574 --> 00:05:41,773
NO, OF COURSE NOT.
136
00:05:43,843 --> 00:05:46,378
I MEAN, I'VE JUST GOT TO MAKE
MYSELF MORE AVAILABLE TO YOU.
137
00:05:46,380 --> 00:05:48,913
OH, YEAH,
THAT WOULD BE A MUST.
138
00:05:48,915 --> 00:05:51,749
I--I CAN'T GIVE YOU
A LOT OF TIME, BUT I CAN
GIVE YOU QUALITY TIME.
139
00:05:51,751 --> 00:05:55,720
AND SEEING ME WITH JENNIFER
MADE YOU REALIZE THIS?
140
00:05:55,722 --> 00:05:56,888
YES, DICK.
141
00:05:56,890 --> 00:06:00,292
I SEE.
142
00:06:00,294 --> 00:06:02,961
WELL, LET ME EXPLAIN
SOMETHING TO YOU, MARY.
143
00:06:02,963 --> 00:06:06,298
QUALITY TIME IS GOOD,
BUT JENNIFER GIVES ME
QUANTITY TIME.
144
00:06:06,300 --> 00:06:10,334
THAT MEANS A LOT
OF TIME, MARY.
145
00:06:10,336 --> 00:06:12,637
SHE PUTS ME FIRST.
ME. NOT HER JOB.
146
00:06:12,639 --> 00:06:16,941
SOMETHING APPARENTLY
YOU ARE NOT WILLING TO DO.
147
00:06:16,943 --> 00:06:19,911
I AM SO TOO WILLING.
IT'S JUST THAT
YOU'RE BEING--
148
00:06:19,913 --> 00:06:21,313
NO, NO, IT HURTS
TOO MUCH!
149
00:06:21,315 --> 00:06:22,547
OH, DICK!
150
00:06:22,549 --> 00:06:24,482
I'M NOT SAYING THAT
YOU SHOULD STOP TRYING,
151
00:06:24,484 --> 00:06:25,483
BUT IT WILL BE HARD.
152
00:06:25,485 --> 00:06:26,818
THERE ARE HURDLES, MARY.
153
00:06:26,820 --> 00:06:27,986
HURDLES!
154
00:06:29,656 --> 00:06:31,055
REMEMBER: HURDLES!
155
00:06:38,732 --> 00:06:41,332
SO THERE I WAS. I'D JUST
FINISHED MY BREAK-UP
LETTER TO JENNIFER
156
00:06:41,334 --> 00:06:43,334
WHEN MARY COMES IN AND
TELLS ME SHE WANTS ME BACK.
157
00:06:43,336 --> 00:06:44,336
NO!
YES!
158
00:06:44,338 --> 00:06:46,838
AFTER WHAT
YOU DID?!
I KNOW!
159
00:06:46,840 --> 00:06:49,274
ODDLY ENOUGH, BEING WITH
JENNIFER SEEMS TO HAVE HELPED.
160
00:06:49,276 --> 00:06:52,110
THE LESS AVAILABLE I AM,
THE MORE MARY WANTS ME.
161
00:06:52,112 --> 00:06:53,378
SO YOU TOOK MARY BACK?
162
00:06:53,380 --> 00:06:55,113
OHH, NO, NO.
163
00:06:55,115 --> 00:06:56,915
NO, MARY'S OFFER
WAS TEMPTING, YES,
164
00:06:56,917 --> 00:06:59,351
BUT I'M NOT CLOSING
THIS DEAL JUST YET.
165
00:06:59,353 --> 00:07:00,885
I CAN GET A LOT MORE
OUT OF HER.
166
00:07:00,887 --> 00:07:01,920
WHAT MAKES YOU SO SURE?
167
00:07:01,922 --> 00:07:02,954
JENNIFER...
168
00:07:02,956 --> 00:07:04,222
IS MY BARGAINING CHIP.
169
00:07:04,224 --> 00:07:05,557
WELL, WHAT DO YOU WANT?
170
00:07:05,559 --> 00:07:07,358
I WANT THE OLD MARY--
171
00:07:07,360 --> 00:07:09,027
WALKS IN THE PARK,
172
00:07:09,029 --> 00:07:10,529
BREAKFAST IN BED,
173
00:07:10,531 --> 00:07:12,030
LUNCH IN BED.
174
00:07:12,032 --> 00:07:14,499
CHANGING THE SHEETS,
'CAUSE THERE'S FOOD IN THE BED.
175
00:07:14,501 --> 00:07:15,533
YOU KNOW.
176
00:07:18,037 --> 00:07:19,103
HI, GUYS.
177
00:07:19,105 --> 00:07:20,137
WHERE'S SALLY?
178
00:07:20,139 --> 00:07:21,873
ALL RIGHT, DON,
LET'S GET OUTTA HERE.
179
00:07:21,875 --> 00:07:22,874
HEY!
180
00:07:26,079 --> 00:07:28,880
SALLY, ARE WE
GOING LUGING?
181
00:07:28,882 --> 00:07:30,982
NO, WE'RE GOING
BOWLING. WHY?
182
00:07:30,984 --> 00:07:34,953
WELL, BECAUSE
YOU'RE DRESSED
LIKE A BIG LUGER.
183
00:07:34,955 --> 00:07:37,388
THAT'S EXACTLY RIGHT.
184
00:07:37,390 --> 00:07:38,522
SLEEK,
185
00:07:38,524 --> 00:07:40,158
AGILE,
186
00:07:40,160 --> 00:07:42,694
AERODYNAMIC, AND...
187
00:07:43,897 --> 00:07:44,896
DANGEROUS.
188
00:07:47,600 --> 00:07:48,532
LET'S BOWL.
189
00:07:52,939 --> 00:07:54,939
ALL RIGHT,
EYES ON THE TARGET...
190
00:07:54,941 --> 00:07:58,009
RELAX, CONCENTRATE...
191
00:07:59,112 --> 00:08:02,079
AND...DOH!
192
00:08:02,081 --> 00:08:03,715
AH, THAT'S VERY GOOD,
SALLY.
193
00:08:03,717 --> 00:08:06,017
YOU'RE REALLY GETTING
THE HANG OF THIS.
194
00:08:06,019 --> 00:08:06,951
OH, THERE'S ONE LEFT.
195
00:08:06,953 --> 00:08:10,422
DIE, YOU BASTARD, DIE!
196
00:08:10,424 --> 00:08:12,323
YES! A SPARE!
197
00:08:12,325 --> 00:08:13,424
I GET TO GO AGAIN.
198
00:08:13,426 --> 00:08:15,994
UH, SALLY! CAN
I TALK TO YOU
FOR A MINUTE?
199
00:08:15,996 --> 00:08:17,429
YEAH, BUT HURRY UP.
I'M IN THE ZONE.
200
00:08:17,431 --> 00:08:18,763
SALLY,
HAVE YOU EVER--
201
00:08:18,765 --> 00:08:21,266
YOU EVER HEARD
OF THE TERM,
"PLAY BY THE RULES"?
202
00:08:22,269 --> 00:08:23,835
NO.
203
00:08:23,837 --> 00:08:25,103
WELL, THE RULE IS,
YOU KNOW,
204
00:08:25,105 --> 00:08:26,604
YOU GET A TURN, AND
THEN I GET A TURN.
205
00:08:26,606 --> 00:08:28,039
I DON'T LIKE THAT RULE.
206
00:08:28,041 --> 00:08:30,074
HEY, DON, WHAT'S
THE GOAL OF BOWLING?
207
00:08:30,076 --> 00:08:32,176
KNOCK DOWN
THE MOST PINS.
AND HAVE I?
208
00:08:32,178 --> 00:08:34,845
WELL, YES, SALLY, BUT
THERE'S A CERTAIN THING
CALLED SPORTSMANSHIP.
209
00:08:34,847 --> 00:08:37,749
FREEZE. 6-PIN STANDING
AT 11 O'CLOCK.
210
00:08:37,751 --> 00:08:39,383
SALLY...
211
00:08:39,385 --> 00:08:41,319
THAT'S NOT OUR LANE!
212
00:08:41,321 --> 00:08:42,854
WHAT THE HELL ARE
YOU DOING, LADY?!
213
00:08:42,856 --> 00:08:45,456
YOU LEFT 'EM UNPROTECTED.
GET YOUR HEAD BACK
IN THE GAME.
214
00:08:46,459 --> 00:08:47,458
MARY: NOW I THINK,
215
00:08:47,460 --> 00:08:49,027
THAT ONCE YOU SEE
THE NUMBERS,
216
00:08:49,029 --> 00:08:51,897
YOU'LL REALIZE
JUST WHAT GOOD SHAPE
THIS DEPARTMENT IS IN.
217
00:08:51,899 --> 00:08:52,963
AND NEXT SEMESTER...
218
00:08:52,965 --> 00:08:55,032
DICK, WITH
MY ALLERGIES,
219
00:08:55,034 --> 00:08:57,968
I WON'T BE ABLE TO
EAT ANYTHING HERE.
220
00:08:57,970 --> 00:08:58,969
UH-HUH.
221
00:08:58,971 --> 00:09:02,140
OH, NO! NO, NO, NO!
222
00:09:02,142 --> 00:09:04,576
MARY'S HERE.
THIS IS NO GOOD.
223
00:09:04,578 --> 00:09:05,876
WELL, WE'LL GO
SOMEWHERE ELSE.
224
00:09:05,878 --> 00:09:08,846
NO, NO. I WILL NOT LET HER
CONTROL MY LIFE. SIR...
225
00:09:08,848 --> 00:09:11,782
WE WOULD LIKE A TABLE
AS FAR AWAY FROM
THAT WOMAN AS POSSIBLE.
226
00:09:11,784 --> 00:09:12,984
OF COURSE.
227
00:09:12,986 --> 00:09:14,418
HOW IS THE TABLE
BY THE WINDOW?
228
00:09:14,420 --> 00:09:15,987
WHAT, IN THE DRAFT?
229
00:09:15,989 --> 00:09:17,822
WELL, WHAT ABOUT
NEXT TO THE BAR?
230
00:09:17,824 --> 00:09:20,424
WITH ALL THOSE
DRUNKEN BOORS?
231
00:09:20,426 --> 00:09:22,393
WELL, I'M AFRAID
THAT LEAVES
THIS TABLE HERE.
232
00:09:22,395 --> 00:09:25,630
ALL RIGHT,
BUT THIS IS AN OUTRAGE.
233
00:09:25,632 --> 00:09:27,499
YOU'RE SURE YOU'RE
ALL RIGHT WITH THIS.
234
00:09:27,501 --> 00:09:31,002
ABSOLUTELY. WE ARE GOING
TO HAVE A GOOD TIME.
235
00:09:31,004 --> 00:09:35,339
WHY SHOULD WE LET
SOME WACKY COINCIDENCE
DAMPEN OUR SPIRITS?
236
00:09:35,341 --> 00:09:36,407
OH. UH.
237
00:09:36,409 --> 00:09:37,408
DICK.
238
00:09:37,410 --> 00:09:38,409
WHY, MARY.
239
00:09:38,411 --> 00:09:39,777
I DIDN'T EXPECT
TO SEE YOU HERE.
240
00:09:39,779 --> 00:09:43,514
WHAT A SURPRISE!
HELLO, PROVOST,
HOW ARE YOU?
241
00:09:43,516 --> 00:09:45,516
SO NICE TO
SEE YOU BOTH.
242
00:09:45,518 --> 00:09:47,518
LISTEN, I DON'T WANT TO
INTERRUPT YOUR DINNER.
243
00:09:47,520 --> 00:09:49,854
JENNIFER AND I WILL JUST
SIT OVER HERE AND NUZZLE.
244
00:09:53,359 --> 00:09:55,826
I CAN'T UNDERSTAND
A WORD YOU'RE SAYING.
SO LET'S ORDER.
245
00:09:55,828 --> 00:09:58,195
I DON'T KNOW WHY
YOU WOULD BRING ME
TO A PLACE LIKE THIS.
246
00:09:58,197 --> 00:10:00,197
I'M ALLERGIC TO
EVERYTHING ON THE MENU.
247
00:10:00,199 --> 00:10:01,532
WHY, THE BUTTER ALONE--
AAH!
248
00:10:01,534 --> 00:10:04,268
AH! HA HA HA HA HA!
249
00:10:04,270 --> 00:10:05,269
OH, YOU.
250
00:10:19,385 --> 00:10:21,720
QUALITY TIME?
251
00:10:21,722 --> 00:10:24,288
YOU ACTUALLY SAID
"QUALITY TIME"?
252
00:10:24,290 --> 00:10:26,857
WELL, I WAS JUST
TRYING TO DEFINE--
253
00:10:26,859 --> 00:10:28,393
IS THAT WHAT
WE TALKED ABOUT?
254
00:10:28,395 --> 00:10:30,160
IS THAT WHAT
WE TALKED ABOUT?!
255
00:10:30,162 --> 00:10:31,729
NO.
256
00:10:31,731 --> 00:10:33,731
WHEN A MAN HEARS
"QUALITY TIME,"
257
00:10:33,733 --> 00:10:35,133
HE THINKS IT MEANS
258
00:10:35,135 --> 00:10:38,269
RUB YOUR FEET
WHILE YOU WATCH
THE LIFETIME CHANNEL.
259
00:10:38,271 --> 00:10:40,204
[WHINING]
WELL, WHAT AM I
SUPPOSED TO DO?
260
00:10:40,206 --> 00:10:43,207
[MOCKING] WHAT AM I
SUPPOSED TO DO?
261
00:10:43,209 --> 00:10:45,276
YOU HAVE REALLY LOST IT.
262
00:10:45,278 --> 00:10:47,211
YOU HAVE LOST
YOUR GROOVE THING.
263
00:10:47,213 --> 00:10:48,812
COME ON!
264
00:10:48,814 --> 00:10:52,483
BLOW SMOKE UP HIS EGO,
MAKE HIM WANT YOU.
265
00:10:52,485 --> 00:10:53,751
I DON'T KNOW.
266
00:10:53,753 --> 00:10:56,087
YOU...
267
00:10:56,089 --> 00:10:57,688
ARE MARY ALBRIGHT.
268
00:10:57,690 --> 00:11:00,725
YOU FLIRT SHAMELESSLY.
269
00:11:00,727 --> 00:11:04,595
THAT'S WHAT
YOU'RE FAMOUS FOR.
270
00:11:04,597 --> 00:11:05,596
I AM?
271
00:11:05,598 --> 00:11:06,630
MM-HMM.
272
00:11:06,632 --> 00:11:09,300
I AM.
273
00:11:09,302 --> 00:11:12,937
NOW, YOU GO OUT THERE
AND LIVE UP TO YOUR
TRASHY REPUTATION.
274
00:11:12,939 --> 00:11:14,071
I'LL DO IT!
275
00:11:15,775 --> 00:11:16,941
HI, DICK.
276
00:11:16,943 --> 00:11:18,275
MARY.
277
00:11:18,277 --> 00:11:20,745
GEE, I HOPE LAST NIGHT
AT THE RESTAURANT
278
00:11:20,747 --> 00:11:22,179
WASN'T TOO AWKWARD
FOR YOU.
279
00:11:22,181 --> 00:11:23,881
OHH, NOT AT ALL.
280
00:11:23,883 --> 00:11:25,883
I DON'T KNOW WHETHER
YOU NOTICED, BUT, UH,
281
00:11:25,885 --> 00:11:27,618
I WAS WITH JENNIFER.
282
00:11:27,620 --> 00:11:30,221
UH HUH. YOU HAD
ON A NEW JACKET
LAST NIGHT. I LIKED IT.
283
00:11:30,223 --> 00:11:31,622
OOH, YOU DID, HUH?
284
00:11:31,624 --> 00:11:34,125
I FOUND IT ON A BUS.
285
00:11:34,127 --> 00:11:35,460
PRETTY GOOD FIT,
THOUGH, EH?
286
00:11:35,462 --> 00:11:36,628
VERY.
287
00:11:36,630 --> 00:11:38,696
BUT YOU ALWAYS KNOW
WHAT LOOKS GOOD ON YOU.
288
00:11:38,698 --> 00:11:39,964
WELL, THAT'S SO TRUE.
289
00:11:39,966 --> 00:11:43,134
HAVE YOU BEEN
WORKING OUT?
290
00:11:43,136 --> 00:11:44,302
OH, YEAH.
291
00:11:45,906 --> 00:11:47,738
HEY.
WHAT?
292
00:11:47,740 --> 00:11:49,473
I CANCELED MY MEETING
TONIGHT.
293
00:11:49,475 --> 00:11:50,475
REALLY?
294
00:11:50,477 --> 00:11:53,845
SO WE CAN DO...
WHATEVER YOU WANT.
295
00:11:53,847 --> 00:11:54,913
OH, YEAH?
296
00:11:54,915 --> 00:11:56,781
LET'S SAY WE MAKE IT
AN EARLY WEEKEND.
297
00:11:56,783 --> 00:11:58,716
OH, I CAN'T TAKE
FRIDAY OFF.
298
00:11:58,718 --> 00:11:59,984
I HAVE A BUDGET MEETING
IN THE MORNING.
299
00:11:59,986 --> 00:12:01,752
OHH, LOOK AT THIS.
300
00:12:01,754 --> 00:12:03,654
JENNIFER'S WIDE OPEN
ON FRIDAY.
301
00:12:03,656 --> 00:12:06,157
YOU KNOW,
SHE IS SO FLEXIBLE.
302
00:12:12,065 --> 00:12:15,500
I'LL SEE HOW OPEN
I CAN GET.
303
00:12:19,539 --> 00:12:22,673
MY GOD,
IT'S ACTUALLY WORKING!
304
00:12:22,675 --> 00:12:24,742
IF I CAN KEEP THIS GOING
ANOTHER FEW DAYS,
305
00:12:24,744 --> 00:12:28,045
I'LL HAVE HER
UP TO 6 NIGHTS
AND MELROSE MONDAYS.
306
00:12:28,047 --> 00:12:29,513
MELROSEMONDAYS?
307
00:12:29,515 --> 00:12:30,882
OH, JENNIFER.
308
00:12:30,884 --> 00:12:32,283
WHAT HAPPENED TO YOU?
309
00:12:32,285 --> 00:12:33,451
IT'S AN ALLERGIC REACTION.
310
00:12:33,453 --> 00:12:35,720
I TOLD YOU I COULDN'T EAT
AT THAT RESTAURANT.
311
00:12:35,722 --> 00:12:37,622
BUT YOU DIDN'T EAT ANYTHING.
ALL YOU HAD WAS WATER.
312
00:12:37,624 --> 00:12:40,291
I THINK THERE WAS
A LEMON IN IT.
313
00:12:40,293 --> 00:12:41,526
[SNIFFLING]
314
00:12:41,528 --> 00:12:43,695
DICK, I NOTICED SOMETHING
LAST NIGHT,
315
00:12:43,697 --> 00:12:47,098
AND I WANT YOU TO BE
PERFECTLY HONEST WITH ME.
316
00:12:47,100 --> 00:12:49,634
YOU STILL HAVE FEELINGS
FOR MARY, DON'T YOU?
317
00:12:49,636 --> 00:12:52,036
[GASPS] HE DIDN'T
ANSWER RIGHT AWAY.
318
00:12:52,038 --> 00:12:54,205
OH, MY GOD. HE DIDN'T
ANSWER RIGHT AWAY.
319
00:12:54,207 --> 00:12:55,540
OH, DEAR GOD, JENNIFER,
320
00:12:55,542 --> 00:12:56,641
HE DOES HAVE ARE YOU
FEELINGS FOR HER. ALL RIGHT?
321
00:12:56,643 --> 00:12:57,709
[BABBLING] NOW,
JENNIFER...
322
00:12:57,711 --> 00:12:59,444
JENNIFER, CALM DOWN!
323
00:12:59,446 --> 00:13:01,779
LOOK, I CAN SEE
YOU'RE UPSET,
324
00:13:01,781 --> 00:13:03,381
BUT I THINK IT'S CRUCIAL
THAT WE TOUGH IT OUT
325
00:13:03,383 --> 00:13:04,749
FOR ANOTHER 2 OR 3 DAYS,
DEPENDING.
326
00:13:04,751 --> 00:13:06,251
OHH.
327
00:13:06,253 --> 00:13:08,186
I SEE WHAT GAME
YOU'RE PLAYING.
328
00:13:08,188 --> 00:13:09,587
YOU'VE JUST BEEN
USING ME.
329
00:13:09,589 --> 00:13:10,588
NO.
330
00:13:10,590 --> 00:13:12,223
OH, THOU BLIND FOOL, LOVE,
331
00:13:12,225 --> 00:13:14,559
WHAT DOST THOU TO MINE EYES,
332
00:13:14,561 --> 00:13:18,229
THAT THEY BEHOLD,
YET SEE NOT WHAT THEY SEE?
333
00:13:18,231 --> 00:13:20,331
J-J-JENNIFER, WAIT!
334
00:13:20,333 --> 00:13:25,236
I DON'T EVEN KNOW
WHAT THAT MEANS!
335
00:13:26,739 --> 00:13:28,506
OHH!
336
00:13:28,508 --> 00:13:29,941
WHAT'S THE MATTER?
337
00:13:29,943 --> 00:13:31,075
I'LL TELL YOU
WHAT'S THE MATTER.
338
00:13:31,077 --> 00:13:32,577
JENNIFER BROKE UP WITH ME
339
00:13:32,579 --> 00:13:34,812
JUST AS I WAS STARTING
TO MAKE SOME REAL HEADWAY
WITH MARY!
340
00:13:34,814 --> 00:13:37,948
OH, GOD, WHY DON'T YOU
JUST BE HONEST WITH THEM?
341
00:13:37,950 --> 00:13:39,350
IT'S WHAT DON WOULD DO.
342
00:13:39,352 --> 00:13:41,852
I CAN'T! I'VE ALMOST GOT
MARY WHERE I WANT HER.
343
00:13:41,854 --> 00:13:43,521
WHAT ARE YOU GONNA DO?
344
00:13:43,523 --> 00:13:46,524
I'VE GOTTA FIND
SOME WAY TO WIN
THAT HORROR SHOW BACK!
345
00:13:46,526 --> 00:13:48,426
I'M GONNA GO INSANE!
346
00:13:48,428 --> 00:13:50,094
THAT'S NICE. WE'LL MISS YA.
347
00:13:54,934 --> 00:13:56,133
PSST.
YOU GUYS READY?
348
00:13:56,135 --> 00:13:58,302
YEAH.
WAIT A SECOND,
I GOTTA GO GET MY--
349
00:13:58,304 --> 00:14:00,438
COME ON,
COME ON,
COME ON!
350
00:14:00,440 --> 00:14:03,408
HEY, GUYS. WHAT ARE YOU GUYS
DOING? WHERE YOU GOING?
351
00:14:03,410 --> 00:14:06,277
I-I-I'M JUST TAKING
HARRY AND TOMMY...
352
00:14:06,279 --> 00:14:07,445
IN FOR QUESTIONING.
353
00:14:08,748 --> 00:14:11,983
OH, I THOUGHT
WE WERE GOIN' BO--
354
00:14:11,985 --> 00:14:15,452
[STRANGERS IN THE NIGHT] ♪ BO BO-BO-BO ♪
355
00:14:15,454 --> 00:14:17,789
♪ BO BO-BO-BO-BO ♪
356
00:14:22,028 --> 00:14:24,162
ALL RIGHT!
ALL RIGHT,
TOMMY!
357
00:14:24,164 --> 00:14:25,163
ATTA BOY,
BABY!
358
00:14:27,968 --> 00:14:28,967
[BALL HITS PINS]
359
00:14:31,304 --> 00:14:33,304
ALL RIGHT, BOYS,
ANOTHER BEER FRAME!
360
00:14:33,306 --> 00:14:35,539
ALL RIGHT!
YOU IN THE ZONE, BABY!
361
00:14:35,541 --> 00:14:36,807
COME ON, GET 'EM ALL!
362
00:14:36,809 --> 00:14:37,976
SEE THE BALL,
BE THE BALL!
363
00:14:40,813 --> 00:14:41,745
OH, YEAH!
364
00:14:41,747 --> 00:14:42,980
[BALL HITS PINS]
AH!
365
00:14:44,317 --> 00:14:45,816
♪ WHO GOES? ♪
366
00:14:45,818 --> 00:14:46,817
♪ WE GOES ♪
367
00:14:46,819 --> 00:14:48,152
♪ THE THREE AMIGOS! ♪
368
00:14:48,154 --> 00:14:51,121
HOO-AHH!
369
00:14:54,994 --> 00:14:56,260
SALLY.
370
00:14:57,497 --> 00:14:58,830
WHERE YA BEEN?
371
00:15:03,536 --> 00:15:07,838
♪ DIAPHENIA, LIKE
THE DAFFDOWNDILLY ♪
372
00:15:07,840 --> 00:15:11,175
♪ WHITE AS THE SUN,
FAIR AS THE LILY ♪
373
00:15:11,177 --> 00:15:12,377
♪ HEIGH-HO ♪
374
00:15:12,379 --> 00:15:13,677
♪ HEIGH-HO ♪
375
00:15:13,679 --> 00:15:15,613
♪ HOW I DO LOVE THEE ♪
376
00:15:15,615 --> 00:15:17,882
♪ I DO LOVE THEE
AS MY LAMBS ♪
377
00:15:17,884 --> 00:15:21,052
♪ ARE BELOVED
OF THEIR DAMS ♪
378
00:15:21,054 --> 00:15:26,624
♪ HOW BLEST WERE I
IF THOU WOULDST PROVE ME ♪
379
00:15:26,626 --> 00:15:31,195
♪ DIAPHENIA, LIKE
THE SPREADING ROSES ♪
380
00:15:31,197 --> 00:15:34,699
♪ THAT IN THY SWEETS
ALL SWEETS ENCLOSES ♪
381
00:15:34,701 --> 00:15:38,703
♪ FAIR SWEET, FAIR SWEET,
HOW I DO LOVE THEE ♪
382
00:15:38,705 --> 00:15:41,506
♪ I DO LOVE THEE
AS EACH FLOWER ♪
383
00:15:41,508 --> 00:15:44,641
♪ LOVES THE SUN'S
LIFE-GIVING POWER ♪
384
00:15:44,643 --> 00:15:50,881
♪ FOR, DEAD, THY BREATH
TO LIFE MIGHT MOVE ME ♪
385
00:15:54,220 --> 00:15:56,420
YOU'RE MOCKING
MY MADRIGALS.
386
00:15:56,422 --> 00:15:57,788
JENNIFER, NO.
387
00:15:57,790 --> 00:15:59,890
I'M HERE TO WIN BACK
YOUR HEART.
388
00:15:59,892 --> 00:16:00,891
[SKEPTICAL]
MM-HMM.
389
00:16:00,893 --> 00:16:01,959
FORGIVE ME.
390
00:16:01,961 --> 00:16:04,128
DICK,
ARE THOSE ORCHIDS?
391
00:16:04,130 --> 00:16:05,396
YES.
392
00:16:05,398 --> 00:16:06,698
CALL 911.
393
00:16:06,700 --> 00:16:07,899
CALL 911.
394
00:16:07,901 --> 00:16:10,901
NO, NO, NO. IT'S OK.
THEY'RE ALL PAID FOR.
395
00:16:10,903 --> 00:16:12,103
GAAAGH! AAH!
396
00:16:12,105 --> 00:16:14,071
OH, MY GOD!
SHE'S ALLERGIC!
397
00:16:14,073 --> 00:16:15,139
OH, DAMN!
398
00:16:18,345 --> 00:16:21,245
HONESTLY, SALLY, IT'S NOT
WHAT YOU THINK IT IS.
399
00:16:21,247 --> 00:16:24,449
UH, WHAT--WHAT DO
YOU THINK IT IS?
400
00:16:24,451 --> 00:16:26,951
YOU WENT BOWLING
BEHIND MY BACK.
401
00:16:26,953 --> 00:16:28,919
WITH HARRY
AND TOMMY.
402
00:16:28,921 --> 00:16:30,521
HA HA HA HA,
NOOOO.
403
00:16:30,523 --> 00:16:31,855
NO.
OF COURSE NOT.
404
00:16:31,857 --> 00:16:34,591
WHY ARE YOU WEARING
MATCHING BOWLING SHIRTS
THEN?
405
00:16:34,593 --> 00:16:36,794
OK, GIVE ME A MINUTE.
406
00:16:39,599 --> 00:16:41,599
HEY, IS--IS THAT
A WATER FOUNTAIN?
407
00:16:41,601 --> 00:16:42,600
I THINK IT IS.
408
00:16:42,602 --> 00:16:43,534
LET'S CHECK THAT OUT.
409
00:16:43,536 --> 00:16:45,035
I WOULD LIKE THAT.
410
00:16:45,037 --> 00:16:47,839
WHY DON'T YOU
TELL ME
THE TRUTH, DON?
411
00:16:47,841 --> 00:16:49,507
JUST BE HONEST.
412
00:16:51,444 --> 00:16:53,077
ALL RIGHT,
YOU WANT HONESTY?
413
00:16:53,079 --> 00:16:54,945
I'LL...
I'LL GIVE YOU HONESTY.
414
00:16:56,116 --> 00:16:58,216
I HATE BOWLING
WITH YOU, SALLY.
415
00:16:58,218 --> 00:17:01,619
I--I ABSOLUTELY HATE IT!
416
00:17:01,621 --> 00:17:03,253
YOU'RE--YOU'RE TERRIBLE.
417
00:17:03,255 --> 00:17:08,459
BY IGNORING THE RULES,
YOU JUST SPIT IN THE EYE
OF THE PASTIME OF THE GODS.
418
00:17:08,461 --> 00:17:12,630
AND TO BE HONEST,
I NEVER WANT TO GO
BOWLING WITH YOU AGAIN.
419
00:17:16,703 --> 00:17:18,535
OH, SALLY.
420
00:17:18,537 --> 00:17:20,604
SALLY, I'M KIDDING!
421
00:17:20,606 --> 00:17:22,039
I'M KIDDING!
I'M A KIDDER.
422
00:17:22,041 --> 00:17:23,473
I'M JOKING, IT WAS A JOKE.
423
00:17:23,475 --> 00:17:25,008
I--I LOVE BOWLING WITH YOU.
424
00:17:25,010 --> 00:17:26,711
YOU DON'T MEAN THAT.
425
00:17:26,713 --> 00:17:27,878
I...
426
00:17:27,880 --> 00:17:29,213
I DON'T MEAN IT?
427
00:17:29,215 --> 00:17:30,714
YOU DON'T THINK
I MEAN IT?
428
00:17:31,984 --> 00:17:34,051
COME ON.
429
00:17:34,053 --> 00:17:35,552
SALLY, IT'S YOUR TURN.
430
00:17:35,554 --> 00:17:37,622
YOU'RE UP.
431
00:17:37,624 --> 00:17:40,658
AND I WANT YOU TO USE...
432
00:17:40,660 --> 00:17:41,826
MY BALL.
433
00:17:43,062 --> 00:17:44,328
YOU MEAN--
434
00:17:44,330 --> 00:17:45,496
THAT'S RIGHT.
435
00:17:45,498 --> 00:17:46,664
BLUE THUNDER.
436
00:17:48,000 --> 00:17:49,834
[CHOKING BACK SOBS]
437
00:17:53,440 --> 00:17:55,305
OH. OH, DON!
438
00:17:55,307 --> 00:17:57,674
OH! SALLY!
439
00:17:59,178 --> 00:18:00,278
AAH!
440
00:18:00,280 --> 00:18:01,679
DR. SOLOMON!
441
00:18:01,681 --> 00:18:03,681
♪ HEIGH-HO, HEIGH-HO ♪
442
00:18:03,683 --> 00:18:05,349
♪ HOW ARE YOU DOING? ♪
443
00:18:05,351 --> 00:18:07,184
I'M FINE.
♪ HOW ARE YOU DOING? ♪
444
00:18:07,186 --> 00:18:08,919
I'M FINE.
♪ HOW ARE YOU DOING? ♪
445
00:18:08,921 --> 00:18:10,287
I'M FINE! SHUT UP!
446
00:18:10,289 --> 00:18:11,455
WHAT ARE YOU DOING HERE?!
447
00:18:11,457 --> 00:18:13,924
THESE FLOWERS ARE
FOR JENNIFER.
WHAT?!
448
00:18:13,926 --> 00:18:16,093
IT'S OK. THEY'RE PLASTIC.
449
00:18:16,095 --> 00:18:17,328
BUT SHE'S IN THE HOSPITAL.
450
00:18:17,330 --> 00:18:18,262
NO, SHE'S OUT,
451
00:18:18,264 --> 00:18:19,763
AND COMING HERE.
OH!
452
00:18:19,765 --> 00:18:23,800
♪ DIAPHENIA, LIKE
THE SPREADING ROSES ♪
453
00:18:23,802 --> 00:18:25,702
♪ THAT IN THY SWEETS
ALL SWEETS ENCLOSES ♪
454
00:18:25,704 --> 00:18:26,703
OH, MY GOD!
455
00:18:26,705 --> 00:18:28,306
WHAT THE HELL WAS THAT?
456
00:18:28,308 --> 00:18:31,476
I'VE GOTTA GET AHOLD OF MARY
BEFORE IT'S TOO LATE!
457
00:18:34,847 --> 00:18:36,714
[RING]
458
00:18:36,716 --> 00:18:38,983
DON'T ANSWER THAT!
IT'S DR. SOLOMON,
459
00:18:38,985 --> 00:18:40,617
AND HE'S DESPERATE
TO TALK TO YOU.
460
00:18:40,619 --> 00:18:41,718
HE IS?
461
00:18:41,720 --> 00:18:43,954
WHOA, WHOA,
WHOA, WHOA.
462
00:18:43,956 --> 00:18:46,290
YOU'VE GOT HIM
WHERE YOU WANT HIM.
463
00:18:46,292 --> 00:18:51,495
NOW...IT'S TIME
TO BE COOL. [SNAP]
464
00:18:51,497 --> 00:18:54,498
HI, MARY, IT'S DICK.
I WAS JUST WONDERING
HOW YOU WERE DOING.
465
00:18:54,500 --> 00:18:57,101
BUT, UH, YOU JUST WALKED IN,
SO WHEN YOU GET
THIS MESSAGE,
466
00:18:57,103 --> 00:18:59,403
JUST IGNORE IT.
TAKE CARE. BYE.
467
00:18:59,405 --> 00:19:00,938
HELLO, DICK.
468
00:19:00,940 --> 00:19:02,239
MARY, I WAS JUST
THINKING ABOUT
469
00:19:02,241 --> 00:19:04,575
WHAT YOU SAID
THE OTHER DAY,
ABOUT QUALITY TIME.
470
00:19:04,577 --> 00:19:05,576
OH, THAT.
471
00:19:05,578 --> 00:19:08,412
I, UH, JUST WANT
YOU TO KNOW
472
00:19:08,414 --> 00:19:10,948
THAT IF YOU'RE STILL
WILLING TO MAKE THAT
KIND OF COMMITMENT,
473
00:19:10,950 --> 00:19:13,083
I WOULD BE WILLING TO MAKE
A SACRIFICE OF MY OWN.
474
00:19:13,085 --> 00:19:14,418
ARE YOU MAKING
AN OFFER?
475
00:19:14,420 --> 00:19:17,154
WELL, NO, I'M REALLY
JUST PUTTING OUT A FEELER.
476
00:19:17,156 --> 00:19:19,723
I'M NOT SURE
IT'S WORTH MY TIME
TO RESPOND TO A FEELER.
477
00:19:19,725 --> 00:19:22,493
OH, I THINK THIS IS A FEELER
THAT YOU CAN'T REFUSE.
478
00:19:22,495 --> 00:19:27,098
MARY, IF YOU CAN PROMISE ME
TO MAKE A GOOD-FAITH EFFORT
TO SPEND MORE TIME WITH ME,
479
00:19:27,100 --> 00:19:29,933
I WILL BREAK UP WITH JENNIFER,
480
00:19:29,935 --> 00:19:32,436
DESPITE THE FACT THAT I WILL
BE CRUSHING THE FRAIL SOUL
481
00:19:32,438 --> 00:19:34,972
OF A WOMAN ALREADY TEETERING
ON THE EDGE OF SANITY.
482
00:19:34,974 --> 00:19:37,474
I CAN LIVE WITH THAT.
483
00:19:37,476 --> 00:19:39,443
OH, MARY!
OH, DICK!
484
00:19:39,445 --> 00:19:41,779
OH, MARY!
485
00:19:41,781 --> 00:19:44,282
WHAT DO YOU SAY WE GET OUTTA
HERE AND FIND SOMEPLACE NICE?
486
00:19:44,284 --> 00:19:46,950
AND WHEN I SAY GET OUTTA HERE,
I MEAN RIGHT NOW!
487
00:19:46,952 --> 00:19:48,652
YOU!
JENNIFER!
488
00:19:48,654 --> 00:19:51,122
WHAT WERE YOU DOING
TO ME, ORCHIDS?!
489
00:19:51,124 --> 00:19:53,124
I GAVE YOU A LIST
OF MY ALLERGIES,
490
00:19:53,126 --> 00:19:55,626
AND WHAT WAS ON THE TOP
OF PAGE 6, COLUMN 2?
491
00:19:55,628 --> 00:19:57,094
ORCHIDS!
492
00:19:57,096 --> 00:19:59,030
OK, JENNIFER, BEFORE
YOU GO ANY FURTHER,
493
00:19:59,032 --> 00:20:00,464
THERE'S SOMETHING
I MUST SAY:
494
00:20:00,466 --> 00:20:02,032
I AM BREAKING UP
WITH YOU.
495
00:20:02,034 --> 00:20:03,367
YOU'RE BREAKING UP
WITH ME?
496
00:20:03,369 --> 00:20:06,136
YOU'RE BREAKING UP
WITH ME?!
497
00:20:06,138 --> 00:20:10,674
I ENDED THIS HIDEOUS TRAVESTY
OF A RELATIONSHIP YESTERDAY!
498
00:20:10,676 --> 00:20:12,876
YESTERDAY? SHE--SHE
BROKE UP WITH YOU
YESTERDAY?
499
00:20:12,878 --> 00:20:15,412
OH, THAT'S RIGHT.
YOU BROKE UP WITH ME.
500
00:20:15,414 --> 00:20:16,981
THAT'S HOW IT HAPPENED.
501
00:20:16,983 --> 00:20:18,215
TEETERING.
502
00:20:18,217 --> 00:20:19,650
YOU'RE
INCREDIBLE!
503
00:20:19,652 --> 00:20:24,554
YOU ARE SO LUCKY I'M ALLERGIC
TO ANY BLOOD OTHER THAN MY OWN,
504
00:20:24,556 --> 00:20:27,858
BECAUSE IF I WEREN'T,
I WOULD CUT YOU OPEN
FROM STEM TO STERN
505
00:20:27,860 --> 00:20:31,028
AND DANCE IN THE RED,
RED RIVER OF YOUR DEATH.
506
00:20:31,030 --> 00:20:32,029
HELP ME, MARY,
HELP ME.
507
00:20:32,031 --> 00:20:33,163
OH, GET OUT!
508
00:20:33,165 --> 00:20:37,000
A PLAGUE! A PLAGUE ON YOU,
DICK SOLOMON!
509
00:20:37,002 --> 00:20:38,168
AAAAAH!
510
00:20:38,170 --> 00:20:41,271
OH! OH!
511
00:20:41,273 --> 00:20:43,240
I AM SO SORRY,
DR. ALBRIGHT.
512
00:20:43,242 --> 00:20:45,242
I DON'T KNOW
WHAT CAME OVER ME.
513
00:20:45,244 --> 00:20:47,077
I'M REALLY
A VERY DOCILE PERSON.
514
00:20:47,079 --> 00:20:48,212
OH, THAT'S ALL RIGHT.
515
00:20:48,214 --> 00:20:50,681
HE BRINGS THAT OUT
IN WOMEN.
516
00:20:50,683 --> 00:20:52,983
COULD I BE TRANSFERRED
TO ANOTHER OFFICE?
517
00:20:52,985 --> 00:20:54,284
FIRST THING IN THE MORNING.
518
00:20:54,286 --> 00:20:56,186
I DON'T KNOW WHY I PUT YOU
IN HERE IN THE FIRST PLACE.
519
00:20:56,188 --> 00:20:57,487
YOU WANNA GET A DRINK?
520
00:20:57,489 --> 00:20:59,757
OH, I CAN'T GO TO BARS.
I'M ALLERGIC TO SMOKE.
521
00:20:59,759 --> 00:21:00,891
I HAVE A FULL BAR
IN MY DESK.
522
00:21:00,893 --> 00:21:03,060
LEAD ME.
523
00:21:06,265 --> 00:21:07,531
IT SEEMS LIKE
IT SHOULD'VE WORKED.
524
00:21:07,533 --> 00:21:10,200
A TRIANGLE IS
THE STRONGEST SHAPE
IN GEOMETRY,
525
00:21:10,202 --> 00:21:13,070
BUT SOMEHOW,
A LOVE TRIANGLE
JUST COLLAPSES.
526
00:21:13,072 --> 00:21:14,538
YEAH, BUT, SEE, THAT'S
WHAT I'M TRYING TO TELL YOU.
527
00:21:14,540 --> 00:21:16,974
YOU JUST GOTTA BE HONEST,
DICK. LIKE DON.
528
00:21:16,976 --> 00:21:19,343
THERE AREN'T A LOT OF GUYS
WHO'D ACTUALLY ADMIT TO--
529
00:21:19,345 --> 00:21:21,912
WHERE ARE YOU
GUYS GOING?
530
00:21:21,914 --> 00:21:23,981
US? WE'RE GOIN' BO--
531
00:21:23,983 --> 00:21:26,317
♪ BO-BO BO-BO-BO ♪
532
00:21:26,319 --> 00:21:29,553
♪ BO-BO BO-BO-BO ♪
533
00:21:29,555 --> 00:21:32,556
♪ BO-BO BO... ♪
534
00:21:38,130 --> 00:21:41,031
CAPTIONING MADE POSSIBLE BY
CARSEY-WERNER PRODUCTIONS
AND THE NATIONAL
BROADCASTING COMPANY
535
00:21:41,033 --> 00:21:44,234
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.
536
00:21:46,172 --> 00:21:47,737
[BALL HITS PINS]
AH, STRIKE.
537
00:21:47,739 --> 00:21:49,173
NICE ONE, DON.
538
00:21:49,175 --> 00:21:51,609
BUT THEY'RE STILL WINNING.
539
00:21:51,611 --> 00:21:53,277
WHAT ARE YOU
TALKING ABOUT?
540
00:21:53,279 --> 00:21:56,279
AH, WE KEEP KNOCKIN' 'EM DOWN.
THEY KEEP COMIN' BACK.
541
00:21:56,281 --> 00:21:58,315
PUBLIC PERFORMANCE OF CAPTIONS
PROHIBITED WITHOUT PERMISSION OF
NATIONAL CAPTIONING INSTITUTE
542
00:21:58,317 --> 00:22:00,050
I'M GONNA TAKE OUT
THEIR HEADQUARTERS.
543
00:22:00,052 --> 00:22:01,485
WHAT?
544
00:22:01,487 --> 00:22:06,089
I'M GONNA DISABLE
THE PIN SETTER WITH
THIS 16-POUND MAMA.
40282
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