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Hey, everybody,
and welcome to another
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00:00:06,673 --> 00:00:08,908
great season 27 "Voice" recap.
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00:00:08,975 --> 00:00:10,543
I'm Carson Daly.
Tonight, we're going to catch
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00:00:10,610 --> 00:00:13,013
you up on last night's
big playoff episode,
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00:00:13,079 --> 00:00:15,181
where Team Adam and Team Kelsey
did everything
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00:00:15,215 --> 00:00:16,649
they could to move on.
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It was a tough night
because their coaches each
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had to make the grueling
decision of picking only two
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to move on to the semifinals.
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00:00:23,757 --> 00:00:26,459
Let's look back
at this standout performance.
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Kill it, Iris.
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00:00:27,927 --> 00:00:31,998
With "White Horse,"
Here's Iris Herrera.
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**
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* This love *
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* Is gettin'
kind of dangerous *
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00:00:46,980 --> 00:00:53,053
* It feels like
it's a loaded gun *
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00:00:53,153 --> 00:00:55,588
* But oh, oh, oh-oh *
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00:00:55,655 --> 00:00:59,859
* If you want a cowboy
on a white horse *
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00:00:59,893 --> 00:01:02,362
* Ridin' off into the sunset *
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00:01:02,429 --> 00:01:05,965
* If that's the kind of love
you wanna wait for *
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00:01:06,032 --> 00:01:10,870
* Hold on tight, girl,
I ain't there yet *
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* No, I ain't there yet *
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* No, I ain't there yet *
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* White horse *
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* Someday *
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* Maybe you could have
your way *
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* But right now's
just not the time *
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**
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* Some things *
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* A man just got to do *
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* And I wish I could
change my mind *
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* If you want a cowboy
on a white horse *
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* Ridin' off into the sunset *
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* If that's the kind of love you
wanna wait for *
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* Hold on tight, girl,
I ain't there yet *
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00:02:03,423 --> 00:02:06,226
* No, I ain't there yet *
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* No, I ain't there yet *
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Yeah, yeah,
Kelsea Ballerini.
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* White horse *
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* I ain't there yet *
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* I ain't there ye-e-e-t *
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[ Cheers and applause ]
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00:02:28,515 --> 00:02:31,284
Carson: That is how you do it
in the playoffs on "The Voice."
44
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Iris Herrera!
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[ Cheers and applause continue ]
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You have such this beautiful,
cool, '70s vibe.
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It's like Joplin and Nicks
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mixed into this one
amazing 19-year-old.
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Unreal.
Thank you.
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00:02:47,667 --> 00:02:50,270
John?
Your voice was shredding.
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00:02:50,337 --> 00:02:51,905
It was shredding today.
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00:02:52,005 --> 00:02:55,108
It was like the energy,
the charisma.
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I feel like the world
wants to hear women
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00:02:57,143 --> 00:03:00,313
rocking out right now,
and you're ready for this.
Yeah, always.
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00:03:00,380 --> 00:03:01,981
Thank you, John.
I appreciate it.
Adam?
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00:03:02,048 --> 00:03:04,250
What's up, Iris?
Hi, Adam.
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00:03:04,284 --> 00:03:06,920
I love your hair.
Oh, thank you.
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00:03:06,986 --> 00:03:08,388
This is a mood.
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00:03:08,488 --> 00:03:10,590
It's the talk of the town!
It's the talk of the town!
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00:03:10,657 --> 00:03:12,926
I love yourhair.
And I love you.
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00:03:12,959 --> 00:03:14,427
It's really simple.
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It's the only thing
that matters with singing.
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If I don't believe you,
I'm not interested.
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00:03:18,932 --> 00:03:21,234
You're so hyper believable.
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I feel all of the things
that go into your performance.
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So, congratulations.
Thank you so, so much.
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Yeah. Congratulations.
Alright, Iris,
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let's see what your coach
has to say.
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Hi, Kelsea.
Iris, you just did everything
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that makes you, you
to the best you've ever done it.
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Thank you.
You know
that you're supposed to be here,
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00:03:37,217 --> 00:03:41,221
and that's such a superpower to
have as an artist and a woman,
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00:03:41,287 --> 00:03:44,024
that you know
that you belong here.
Thank you.
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00:03:44,090 --> 00:03:45,458
How about another big hand
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00:03:45,492 --> 00:03:47,660
for Iris Herrera,
ladies and gentlemen?
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00:03:47,727 --> 00:03:49,929
Kelsea: This is the playoffs,
which means the lives are next.
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There's so much nerves and just
elements that come with that.
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I want the vocalists
and the artists
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that can still stand within
themselves through all of that.
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And I think by the end of today,
we'll know who that is.
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00:04:00,674 --> 00:04:03,276
That was amazing. Wow.
Yeah. She's so good.
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00:04:03,376 --> 00:04:07,080
With "In My Life,"
here's Lucia Flores-Wiseman.
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00:04:07,147 --> 00:04:12,485
**
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* Ooh *
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00:04:15,622 --> 00:04:19,259
* Mm, mm *
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* There are places I remember *
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* All my life *
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* Though some have changed *
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* Some forever, not for better *
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00:04:35,909 --> 00:04:38,144
* Some have gone *
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00:04:38,211 --> 00:04:41,381
* And some remain *
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00:04:41,414 --> 00:04:46,453
* All these places
have their moments *
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00:04:46,486 --> 00:04:49,456
* With lovers and friends *
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00:04:49,489 --> 00:04:52,025
* I still can recall *
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00:04:52,125 --> 00:04:57,330
* Some are dead
and some are living *
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00:04:57,397 --> 00:05:03,636
* In my life, I loved them all *
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00:05:03,737 --> 00:05:05,705
* Ahh *
98
00:05:05,805 --> 00:05:08,908
* Ahh, ahh, ahh *
99
00:05:08,942 --> 00:05:13,513
* Ooh, ooh, ooh *
100
00:05:13,646 --> 00:05:19,219
* But of all these
friends and lovers *
101
00:05:19,285 --> 00:05:24,457
* There is no one
compares with you *
102
00:05:24,524 --> 00:05:29,629
* And these memories
lose their meaning *
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00:05:29,662 --> 00:05:30,964
Yeah!
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00:05:31,031 --> 00:05:32,899
* When I think of love *
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00:05:32,999 --> 00:05:35,335
* As something new *
106
00:05:35,435 --> 00:05:39,806
* Though I know I'll never
lose affection *
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00:05:39,939 --> 00:05:45,512
* For people and things
that went before *
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00:05:45,612 --> 00:05:50,650
* Oh, I know I'll often stop
and think about them *
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00:05:50,784 --> 00:05:56,456
* In my life,
I love you more *
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00:05:57,190 --> 00:06:02,095
* In my life *
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00:06:02,162 --> 00:06:03,697
[ Cheers and applause ]
112
00:06:03,730 --> 00:06:06,366
* I love *
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00:06:06,433 --> 00:06:11,204
* You more *
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00:06:11,271 --> 00:06:13,039
[ Cheers and applause ]
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00:06:13,173 --> 00:06:15,141
**
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00:06:15,208 --> 00:06:19,946
Oh, my God, I love you.
Carson: That is Lucia
Flores-Wiseman, everybody.
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00:06:20,013 --> 00:06:22,382
That was arguably, I think,
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00:06:22,449 --> 00:06:25,218
my favorite thing I've seen
on the show this season.
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00:06:25,285 --> 00:06:27,253
Oh, my goodness.
Thank you so much.
120
00:06:27,320 --> 00:06:29,322
Michael?
I wrote down a couple words.
121
00:06:29,389 --> 00:06:32,492
I wrote down "inevitable"
and "non-negotiable"
122
00:06:32,559 --> 00:06:34,794
and say that this is
the moment.
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00:06:34,828 --> 00:06:38,031
You met the moment,
and you crushed it.
John?
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00:06:38,164 --> 00:06:42,402
It's very clear that you
know who you are as an artist.
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00:06:42,469 --> 00:06:45,171
It just flows from you.
It's like breathing.
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00:06:45,271 --> 00:06:48,575
Like, the gift that God gave you
was just shining through you.
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00:06:48,641 --> 00:06:51,111
It felt like you
were just supposed to be here,
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00:06:51,177 --> 00:06:54,180
you're supposed to be
in the lives, obviously, Adam.
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00:06:54,214 --> 00:06:57,584
And it's clear that you deserve
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00:06:57,684 --> 00:07:00,253
to have a major career
in this industry.
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00:07:00,320 --> 00:07:01,654
You are very, very special.
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00:07:01,721 --> 00:07:03,123
Michael: Amen.
Amazing.
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00:07:03,189 --> 00:07:04,624
Thank you so much.
That means a lot.
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00:07:04,691 --> 00:07:06,893
Adam?
Adam: Man, Lucia,
135
00:07:06,926 --> 00:07:09,596
I've never heard anyone
like you.
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00:07:09,662 --> 00:07:13,767
All of it
is so refreshingly yours.
137
00:07:13,867 --> 00:07:15,602
It's been a beautiful experience
working with you.
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00:07:15,669 --> 00:07:17,437
Thank you so much.
How about another big hand
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00:07:17,537 --> 00:07:19,906
for Lucia Flores-Wiseman,
everybody?
140
00:07:19,973 --> 00:07:21,541
[ Cheers and applause ]
141
00:07:21,608 --> 00:07:23,243
There's just something
about Lucia
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00:07:23,276 --> 00:07:26,680
that is singular
and on its own level.
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00:07:26,713 --> 00:07:29,683
Thank you so much.
You are -- You are --
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00:07:31,418 --> 00:07:32,385
You're unbelievable.
145
00:07:32,452 --> 00:07:33,687
Thank you.
146
00:07:33,753 --> 00:07:35,555
Going to the lives,
you got to go
147
00:07:35,622 --> 00:07:37,290
with your best foot forward
and with the people
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00:07:37,357 --> 00:07:39,159
who you really believe
can handle it now
149
00:07:39,259 --> 00:07:40,293
with the most success.
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00:07:40,326 --> 00:07:41,461
Whoo, whoo!
151
00:07:41,494 --> 00:07:42,629
Yeah, Lucia.
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00:07:42,662 --> 00:07:44,297
My first time back in a while.
153
00:07:44,364 --> 00:07:45,565
I'm wearing a suit,
for crying out loud.
154
00:07:45,665 --> 00:07:47,300
If I'm wearing a suit,
I'm excited.
155
00:07:47,367 --> 00:07:48,668
Let's do it.
156
00:07:48,735 --> 00:07:50,270
This is the moment.
I got to just take
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00:07:50,337 --> 00:07:51,971
my best two people and go.
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00:07:52,072 --> 00:07:54,974
Straight ahead, our recap of
last night continues with more
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00:07:55,075 --> 00:07:57,777
Team Adam and Team Kelsea's
playoff performances.
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00:07:57,811 --> 00:08:00,580
Stay with us right here on NBC.
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00:08:07,454 --> 00:08:10,357
* This is "The Voice *
162
00:08:10,390 --> 00:08:13,226
Singing
"If You're Reading This",
163
00:08:13,259 --> 00:08:15,929
here is Jaelen Johnston.
164
00:08:15,995 --> 00:08:22,736
**
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00:08:22,802 --> 00:08:26,840
* If you're reading this *
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00:08:26,940 --> 00:08:30,610
* My momma's sitting there *
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00:08:30,677 --> 00:08:38,451
* Looks like I only got
a one-way ticket over here *
168
00:08:38,518 --> 00:08:45,892
* I sure wish I could
give you one more kiss *
169
00:08:45,959 --> 00:08:52,699
* And war was just a game we
played when we were kids *
170
00:08:52,766 --> 00:08:58,271
* So I'm laying down my gun *
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00:08:58,338 --> 00:09:02,142
* I'm hangin' up my boots *
172
00:09:02,208 --> 00:09:04,778
* I'm up here with God *
173
00:09:04,878 --> 00:09:09,249
* And we're both
watching over you *
174
00:09:09,315 --> 00:09:17,057
* So lay me down *
175
00:09:17,123 --> 00:09:22,929
* In that open field
out on the edge of town *
176
00:09:22,962 --> 00:09:24,798
**
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00:09:24,864 --> 00:09:30,837
* And know my soul *
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00:09:30,904 --> 00:09:32,872
**
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00:09:32,972 --> 00:09:39,479
* Is where my momma always
prayed that it would go *
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00:09:39,579 --> 00:09:42,882
* If you're reading this *
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00:09:43,583 --> 00:09:46,853
* If you're reading this *
182
00:09:46,920 --> 00:09:48,922
Wow.
[ Cheers and applause ]
183
00:09:49,022 --> 00:09:58,732
* I'm already ho-o-o-o-me *
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00:09:58,798 --> 00:10:02,035
[ Cheers and applause ]
185
00:10:02,869 --> 00:10:06,606
Carson: Jaelen Johnson,
everybody.
186
00:10:06,639 --> 00:10:09,109
Nice work, man.
That was great.
187
00:10:09,175 --> 00:10:10,543
Adam, what'd you think?
188
00:10:10,610 --> 00:10:12,712
I know I'm no authority
on country music.
189
00:10:12,779 --> 00:10:14,147
And this is when Blake
would go...
190
00:10:14,247 --> 00:10:16,216
"Got that right, buddy."
"Got that right, idiot."
191
00:10:16,282 --> 00:10:17,550
Yeah, exactly.
192
00:10:17,584 --> 00:10:18,952
I think what you do
is different
193
00:10:18,985 --> 00:10:20,887
within the category
that you exist in.
194
00:10:20,954 --> 00:10:22,422
And I think
that that's something
195
00:10:22,522 --> 00:10:24,391
that you can't really ignore.
Yeah.
196
00:10:24,457 --> 00:10:26,459
Thank you, Adam.
Michael?
197
00:10:26,559 --> 00:10:29,362
Yeah, Jaelen,
you opened your mouth,
198
00:10:29,429 --> 00:10:30,730
and then I watched a bunch
199
00:10:30,830 --> 00:10:33,800
of different females
in the audience.
200
00:10:33,833 --> 00:10:36,336
And they watched your
whole performance like this.
201
00:10:36,403 --> 00:10:38,171
[ Laughter ]
202
00:10:38,238 --> 00:10:42,175
If I was Kelsea Ballerini
and I wanted to win...
Alright.
203
00:10:42,275 --> 00:10:44,711
...I would be putting you
through to the lives
204
00:10:44,778 --> 00:10:48,014
because I really feel like,
if she takes you,
205
00:10:48,114 --> 00:10:50,083
that the audience in America
watching
206
00:10:50,150 --> 00:10:51,951
will have the same
visceral reaction
207
00:10:52,018 --> 00:10:53,586
that these people had
in the studio.
208
00:10:53,653 --> 00:10:55,522
Thank you, man.
[ Cheers and applause ]
209
00:10:55,588 --> 00:10:57,357
Well, Kelsea?
210
00:10:57,424 --> 00:10:58,958
Jaelen, Jaelen, Jaelen.
211
00:10:59,025 --> 00:11:01,127
From the jump,
you just told the story
212
00:11:01,161 --> 00:11:03,797
in your own voice,
but staying true
213
00:11:03,830 --> 00:11:06,032
to the heart
of what it's saying,
214
00:11:06,132 --> 00:11:09,502
and that is a moment
that will make country music go,
215
00:11:09,602 --> 00:11:12,339
"Who is Jaelen, and why didn't
we know about him before?"
216
00:11:12,439 --> 00:11:14,974
Mm-hmm.
And I'm really proud
to be alongside this journey
217
00:11:15,075 --> 00:11:16,943
with you, I really am.
Thank you.
218
00:11:17,043 --> 00:11:21,047
How about another big hand
for Jaelen Johnson, everybody?
219
00:11:21,114 --> 00:11:24,317
I loved that we saw Jaelen
back with his guitar,
220
00:11:24,384 --> 00:11:27,587
just being a country artist
that is telling a story.
221
00:11:27,654 --> 00:11:30,023
How we all fell in love with him
at the blinds.
222
00:11:30,090 --> 00:11:31,558
That was awesome, buddy.
Thank you so much.
223
00:11:31,591 --> 00:11:33,326
The bar was already very high,
224
00:11:33,393 --> 00:11:34,794
up to the heavens.
225
00:11:34,894 --> 00:11:38,264
God was doing some deadlifts
with the bar of my team.
226
00:11:38,331 --> 00:11:40,867
Great job, Jaelen.
Fantastic.
227
00:11:40,934 --> 00:11:42,969
And then Jaelen brought it
even higher.
228
00:11:43,003 --> 00:11:45,638
And so now we know
what time it is.
229
00:11:45,705 --> 00:11:47,507
Wow, Michael,
you threw down the gauntlet.
230
00:11:47,607 --> 00:11:49,209
Honestly, 'cause I think --
231
00:11:49,275 --> 00:11:52,045
Is there anyone else like that
in this competition?
No.
232
00:11:52,112 --> 00:11:55,015
With "Pink Pony Club,"
here's Conor James.
233
00:11:57,650 --> 00:12:03,023
**
234
00:12:03,123 --> 00:12:07,394
* I know
you wanted me to stay *
235
00:12:07,494 --> 00:12:11,931
* But I can't ignore the crazy
visions of me in LA *
236
00:12:11,965 --> 00:12:16,536
* And I heard that there's
a special place *
237
00:12:16,603 --> 00:12:21,441
* Where boys and girls can all
be queens every single day *
238
00:12:21,508 --> 00:12:26,012
* I'm having wicked dreams
of leaving Tennessee *
239
00:12:26,079 --> 00:12:28,014
* Hear Santa Monica *
240
00:12:28,081 --> 00:12:30,617
* I think it's calling me *
241
00:12:30,684 --> 00:12:32,752
* Won't make my mama proud *
242
00:12:32,819 --> 00:12:34,988
* She's gonna cause a scene *
243
00:12:35,055 --> 00:12:37,157
* She sees her baby boy *
244
00:12:37,223 --> 00:12:40,460
* I know she's gonna scream *
245
00:12:40,527 --> 00:12:41,628
Mm!
246
00:12:41,695 --> 00:12:44,631
* God, what have you done? *
247
00:12:44,664 --> 00:12:46,766
* You're a Pink Pony boy *
248
00:12:46,833 --> 00:12:48,735
* And you dance at the club *
249
00:12:48,802 --> 00:12:53,506
* Oh, mama,
I'm just having fun *
250
00:12:53,573 --> 00:12:55,375
* On the stage in my heels *
251
00:12:55,408 --> 00:12:59,412
* That's where I belong,
down at the *
252
00:12:59,512 --> 00:13:01,414
* Pink Pony Club *
253
00:13:01,481 --> 00:13:03,483
* I'm gonna keep on dancing *
254
00:13:03,550 --> 00:13:05,752
* At the Pink Pony Club *
255
00:13:05,785 --> 00:13:07,921
* I'm gonna
keep on dancing *
256
00:13:07,954 --> 00:13:10,223
* Down in West Hollywood *
257
00:13:10,256 --> 00:13:12,525
* I'm gonna keep on dancing *
258
00:13:12,559 --> 00:13:14,761
* At the Pink Pony Club *
259
00:13:14,828 --> 00:13:19,232
* Pink Pony Club *
260
00:13:19,332 --> 00:13:20,967
* Ohh *
261
00:13:21,067 --> 00:13:24,371
* Whoa, oh, ohh *
262
00:13:24,404 --> 00:13:28,308
* Pink Pony Club *
* Down at the *
263
00:13:28,408 --> 00:13:32,545
* I'm gonna keep on dancing at
the Pink Pony Club *
* Clu-u-u-b *
264
00:13:32,579 --> 00:13:37,117
* I'm gonna keep on dancing
down in West Hollywood *
265
00:13:37,183 --> 00:13:39,452
* I'm gonna keep on dancing *
266
00:13:39,552 --> 00:13:41,855
* At the Pink Pony Club *
267
00:13:41,921 --> 00:13:47,727
* Pink Pony Clu-u-u-b *
268
00:13:47,794 --> 00:13:51,398
* Whoo-ooh-ooh-ooh-ooh *
269
00:13:51,464 --> 00:13:55,769
* Pink Pony Club *
270
00:13:55,835 --> 00:13:57,303
Fun! Yeah!
271
00:13:57,337 --> 00:13:59,439
[ Cheers and applause ]
Beautiful.
272
00:13:59,506 --> 00:14:01,708
Carson: There is Conor James,
everybody.
273
00:14:01,775 --> 00:14:03,209
Thank you to the band.
274
00:14:03,309 --> 00:14:05,912
Wow, Conor,
that was so theatrical.
275
00:14:06,012 --> 00:14:08,682
It felt like you were
performing,
276
00:14:08,748 --> 00:14:10,617
like, a big hit song
from a musical
277
00:14:10,650 --> 00:14:12,018
at the Tonys
or something like that.
278
00:14:12,052 --> 00:14:13,620
Nice.
You sounded beautiful.
279
00:14:13,653 --> 00:14:15,388
I loved it.
Thank you, John.
280
00:14:15,455 --> 00:14:16,756
Michael?
281
00:14:16,823 --> 00:14:18,324
I wanted to join
that conga line
282
00:14:18,391 --> 00:14:20,560
going down
to the Pink Pony Club.
Same!
283
00:14:20,593 --> 00:14:22,128
[ Imitates conga melody ]
284
00:14:22,195 --> 00:14:23,930
It's just down the road.
Yeah!
285
00:14:24,030 --> 00:14:25,799
You're invited, dude.
You can come.
286
00:14:25,865 --> 00:14:27,934
I don't know what
Levine is gonna do.
287
00:14:28,034 --> 00:14:29,803
We have five
that have to go down to two,
288
00:14:29,903 --> 00:14:31,738
and you make it impossible.
289
00:14:31,838 --> 00:14:33,373
Thank you, Michael.
290
00:14:33,440 --> 00:14:35,008
Alright, Conor, let's see what
your coach thought. Adam?
291
00:14:35,041 --> 00:14:37,010
Tonight was great
because you were able
292
00:14:37,077 --> 00:14:39,379
to establish your own identity.
293
00:14:39,446 --> 00:14:42,215
When you take what you're
capable of doing vocally
294
00:14:42,248 --> 00:14:44,217
and then apply it
to this version of yourself,
295
00:14:44,250 --> 00:14:46,353
which I think is one of
the purest versions of yourself
296
00:14:46,419 --> 00:14:48,588
we've seen so far,
it's really exciting.
297
00:14:48,621 --> 00:14:50,990
And I love you, dude.
Good stuff.
Love you, too, man.
Thank you.
298
00:14:51,024 --> 00:14:53,993
How about another big hand
for Conor James, everybody?
299
00:14:54,060 --> 00:14:56,196
Conor's always consistent,
can sing his face off,
300
00:14:56,262 --> 00:14:58,331
and he can kind of sing
anything.
301
00:14:58,398 --> 00:14:59,632
But Lucia moves me.
302
00:14:59,699 --> 00:15:01,301
This is my last chance.
303
00:15:01,368 --> 00:15:03,336
Whatever control I have over
my team, this is where it ends.
304
00:15:03,403 --> 00:15:06,840
So, I can send
my two people forward
305
00:15:06,906 --> 00:15:08,875
and keep my fingers crossed.
306
00:15:08,975 --> 00:15:11,244
Coming up, we'll look back at
more of last night's
307
00:15:11,344 --> 00:15:13,146
incredible playoff performances.
308
00:15:13,213 --> 00:15:16,082
This is "The Voice" recap
right here on NBC. Don't move.
309
00:15:24,491 --> 00:15:26,226
* This is "The Voice" *
310
00:15:27,427 --> 00:15:32,132
With "Nobody Gets Me,"
here's Alanna Lynise.
311
00:15:32,298 --> 00:15:34,434
**
312
00:15:34,501 --> 00:15:38,838
* Ohh, ah-ahh *
313
00:15:38,872 --> 00:15:40,874
**
314
00:15:40,974 --> 00:15:43,743
* I took a long vacation *
315
00:15:43,843 --> 00:15:46,146
* No makeup, just Jay-Z *
316
00:15:46,246 --> 00:15:48,548
* Feelin' empty,
so you left me *
317
00:15:48,615 --> 00:15:51,084
* Now I'm stuck dealin'
with a deadbeat *
318
00:15:51,184 --> 00:15:53,920
* If I'm real, I deserve less *
319
00:15:54,020 --> 00:15:56,222
* If I were you,
I wouldn't take me back *
320
00:15:56,289 --> 00:15:59,192
* Pretend when I'm with a man
that it's you *
321
00:15:59,292 --> 00:16:02,228
Wow.
* And I know
that it's too late *
322
00:16:02,328 --> 00:16:07,667
* I don't wanna lose
what's left of you *
323
00:16:07,767 --> 00:16:09,369
* How am I supposed
to tell ya? *
324
00:16:09,469 --> 00:16:13,707
* I don't wanna see you
with anyone but me *
325
00:16:13,773 --> 00:16:17,410
* Nobody gets me like you *
326
00:16:17,477 --> 00:16:19,612
* How am I supposed
to let you go? *
327
00:16:19,646 --> 00:16:23,516
* Only like myself
when I'm with you *
328
00:16:23,616 --> 00:16:28,855
* Nobody gets me, you do *
329
00:16:28,922 --> 00:16:34,461
* Ohh *
330
00:16:34,561 --> 00:16:40,900
* What's left of you? *
331
00:16:41,001 --> 00:16:43,603
* Anyone but me *
332
00:16:43,670 --> 00:16:47,307
* Nobody gets me like you *
333
00:16:47,374 --> 00:16:49,376
* How am I supposed
to let you go? *
334
00:16:49,476 --> 00:16:53,279
* I only like myself
when I'm with you *
335
00:16:53,313 --> 00:16:58,518
* Nobody gets me, you do *
336
00:16:58,618 --> 00:17:03,089
* Ahh, ahh, ahh *
337
00:17:03,156 --> 00:17:07,360
* Nobody gets me, you do *
338
00:17:07,460 --> 00:17:09,729
* Oh, you do *
339
00:17:09,796 --> 00:17:12,966
* Ahh, ahh, ahh *
340
00:17:13,033 --> 00:17:18,171
* Nobody gets me, you do *
341
00:17:18,204 --> 00:17:22,842
* Ohh, whoa, ahh *
342
00:17:22,942 --> 00:17:27,447
* Nobody gets me, you do *
343
00:17:27,514 --> 00:17:29,916
* You do *
344
00:17:29,949 --> 00:17:32,919
* Ahh, ahh, ahh *
345
00:17:32,952 --> 00:17:36,723
* Nobody gets me *
346
00:17:36,790 --> 00:17:41,561
* You do *
347
00:17:41,594 --> 00:17:43,363
[ Cheers and applause ]
348
00:17:43,463 --> 00:17:45,365
Wow, Alanna, love it!
Carson:
That's what I'm talking about.
349
00:17:45,432 --> 00:17:46,833
The playoffs are
on "The Voice."
350
00:17:46,866 --> 00:17:49,336
That is Alanna Lynise.
351
00:17:49,436 --> 00:17:50,537
Yes, Alanna!
352
00:17:50,637 --> 00:17:53,206
I think between
this round and last round,
353
00:17:53,306 --> 00:17:57,143
I'm clearly seeing you
becoming a superstar.
354
00:17:57,177 --> 00:18:00,380
I want to hear you making
R&B and pop music.
355
00:18:00,413 --> 00:18:02,849
I feel like you have
the right voice
356
00:18:02,916 --> 00:18:05,752
and the right approach and
the right sense of musicality.
357
00:18:05,785 --> 00:18:07,921
I'm just gonna say I feel
like you should be in the lives.
358
00:18:07,987 --> 00:18:09,522
Okay.
Wow!
359
00:18:09,556 --> 00:18:11,091
Kelsea: Ooh!
360
00:18:11,124 --> 00:18:12,392
John just put some pressure
on you there, kiddo.
361
00:18:12,492 --> 00:18:14,494
No, Thank you. I really --
I need help.
362
00:18:14,594 --> 00:18:15,762
Thank you.
Yeah, he put
some pressure on you.
363
00:18:15,829 --> 00:18:17,063
And you know what?
364
00:18:17,130 --> 00:18:18,031
I feel the exact same way
he does.
365
00:18:18,064 --> 00:18:19,432
Okay. Let's go.
366
00:18:19,532 --> 00:18:21,801
Congratulations, kid.
Thank you, Michael.
367
00:18:21,868 --> 00:18:23,236
Carson: Adam?
368
00:18:23,336 --> 00:18:27,040
Your voice really cuts,
and that's a big deal
369
00:18:27,140 --> 00:18:28,408
because when you can feel it
370
00:18:28,475 --> 00:18:29,743
coming through
the speakers like that,
371
00:18:29,776 --> 00:18:31,244
like, it's so powerful.
372
00:18:31,277 --> 00:18:32,746
I think you should
absolutely be here till the end.
373
00:18:32,779 --> 00:18:34,781
Thank you, Adam, so much.
374
00:18:34,814 --> 00:18:37,050
Alright, Alanna, let's
see what your coach thinks.
375
00:18:37,083 --> 00:18:40,253
Kelsea?
Every time
you get on this stage,
376
00:18:40,286 --> 00:18:42,489
I feel like we're all getting
the honor of watching you,
377
00:18:42,555 --> 00:18:44,290
like, become.
[ Sighs ] Oh, gosh.
378
00:18:44,391 --> 00:18:45,825
In front of our eyeballs,
379
00:18:45,859 --> 00:18:47,660
we get to watch you evolve
380
00:18:47,761 --> 00:18:50,463
and grow into who
you're gonna continue to be.
381
00:18:50,530 --> 00:18:52,899
And the thing that I love
about you --
382
00:18:52,966 --> 00:18:54,634
number 18,
that I've already said --
383
00:18:54,668 --> 00:18:56,636
number 19,
the thing that I love about you
384
00:18:56,736 --> 00:18:58,705
is that you are so down
to put in the work.
385
00:18:58,772 --> 00:19:01,241
I believe in you so much.
Thank you, Kelsea.
386
00:19:01,274 --> 00:19:02,909
I'll give it a rest,
but I'm a big fan.
387
00:19:02,976 --> 00:19:05,979
How about another big hand
for Alanna Lynise, everybody?
388
00:19:06,079 --> 00:19:08,648
[ Cheers and applause ]
389
00:19:08,682 --> 00:19:11,951
Alanna --
just seeing the work she put in
390
00:19:12,052 --> 00:19:13,720
between rehearsals and today,
391
00:19:13,787 --> 00:19:15,355
she just impressed the heck
out of me.
392
00:19:15,455 --> 00:19:18,358
Thanks.
Alanna, everybody!
393
00:19:18,458 --> 00:19:21,561
I can't go wrong.
All five artists are incredible.
394
00:19:23,430 --> 00:19:24,731
Period.
395
00:19:26,099 --> 00:19:27,567
Help.
396
00:19:27,634 --> 00:19:29,035
Well, well, well.
397
00:19:29,102 --> 00:19:30,403
Yeah.
What are you gonna do?
398
00:19:30,470 --> 00:19:32,105
She can't go home.
That's all I know.
399
00:19:32,172 --> 00:19:33,540
No.
400
00:19:33,573 --> 00:19:36,543
Singing "Finesse,"
here is Kolby Cordell.
401
00:19:36,576 --> 00:19:41,548
**
402
00:19:41,581 --> 00:19:44,851
* Ooh, don't we look good
together? *
403
00:19:44,951 --> 00:19:49,155
Whoo!
* There's a reason why they
watch all night long *
404
00:19:49,189 --> 00:19:50,623
Yeah, Kolby!
405
00:19:50,690 --> 00:19:53,560
* Girl, you know
we'll turn heads forever *
406
00:19:53,593 --> 00:19:58,298
* So tonight
I'm gonna show you off *
407
00:19:58,398 --> 00:20:00,900
Hey!
* When I walk in with you *
408
00:20:00,967 --> 00:20:02,702
* I watch the whole room
change *
409
00:20:02,736 --> 00:20:04,804
* Whole room change *
* Baby, that's what you do *
410
00:20:04,871 --> 00:20:07,007
* Baby, that's what you do *
* My baby don't play *
411
00:20:07,107 --> 00:20:10,377
* No *
* Blame it on my confidence *
412
00:20:10,477 --> 00:20:13,179
* Or blame it
on your measurements *
413
00:20:13,213 --> 00:20:15,749
* You're shutting it down
on sight *
414
00:20:15,782 --> 00:20:17,283
* That's right *
415
00:20:17,350 --> 00:20:20,220
* We out here drippin'
in finesse *
416
00:20:20,253 --> 00:20:21,921
* It don't make no sense *
417
00:20:22,022 --> 00:20:24,224
* Out here
drippin' in finesse *
418
00:20:24,290 --> 00:20:26,960
* You know it, you know it *
419
00:20:27,060 --> 00:20:29,129
* Drippin' in finesse *
420
00:20:29,195 --> 00:20:31,064
* Ha, it don't make no sense *
421
00:20:31,164 --> 00:20:33,233
* Out here
drippin' in finesse *
422
00:20:33,299 --> 00:20:36,436
* You know it, you know it *
423
00:20:36,503 --> 00:20:39,939
* Fellas, grab your lady
if your lady's fine *
424
00:20:39,973 --> 00:20:41,174
Hey!
425
00:20:41,241 --> 00:20:42,776
* Tell her she's the one *
426
00:20:42,876 --> 00:20:45,845
* She's the one for life *
427
00:20:45,945 --> 00:20:48,415
* Grab your fellas and *
428
00:20:48,448 --> 00:20:50,083
* If you're on one *
429
00:20:50,116 --> 00:20:53,720
* If you're on one like me
in mind *
430
00:20:53,753 --> 00:20:55,221
* Yeah, we got it goin' on *
Whoo!
431
00:20:55,288 --> 00:20:58,425
Yeah, man.
* Ohh, ohh *
432
00:20:58,491 --> 00:21:00,694
* We out here
drippin' in finesse *
433
00:21:00,760 --> 00:21:03,129
* You know, you know,
you know, you know *
434
00:21:03,229 --> 00:21:04,397
* Out here drippin' *
435
00:21:04,464 --> 00:21:05,732
* Drippin' in finesse *
436
00:21:05,832 --> 00:21:07,701
* Said, it don't make *
437
00:21:07,734 --> 00:21:10,070
* Out here
drippin' in finesse *
438
00:21:10,170 --> 00:21:13,907
* You know it, you know it *
439
00:21:13,940 --> 00:21:17,444
[ Cheers and applause ]
440
00:21:17,477 --> 00:21:19,179
Hey!
441
00:21:19,245 --> 00:21:21,448
Carson: There he is --
Kolby Cordell,
442
00:21:21,481 --> 00:21:24,884
ladies and gentlemen.
443
00:21:24,984 --> 00:21:26,920
Yeah, man!
444
00:21:26,953 --> 00:21:28,655
That's how you know
we're in the playoffs,
445
00:21:28,755 --> 00:21:30,924
coming out like that.
We're in the playoffs, baby!
446
00:21:30,957 --> 00:21:32,659
Let's chat with your former
coach. John?
447
00:21:32,726 --> 00:21:34,761
I'm not done clapping.
[ Laughter ]
448
00:21:34,861 --> 00:21:36,696
Let's get a little more.
Come on, let's go.
449
00:21:36,730 --> 00:21:38,398
[ Cheers and applause ]
Alright, alright, alright.
450
00:21:38,465 --> 00:21:40,700
I loved watching
that performance.
451
00:21:40,800 --> 00:21:45,038
I love the confidence,
the swagger you perform with.
452
00:21:45,071 --> 00:21:46,773
You gave it your own energy,
453
00:21:46,840 --> 00:21:48,074
and it was a really great
performance,
454
00:21:48,108 --> 00:21:49,142
one of my favorites from you.
455
00:21:49,209 --> 00:21:50,477
Thank you, thank you.
456
00:21:50,543 --> 00:21:52,479
Michael: You sound good.
You look good.
457
00:21:52,512 --> 00:21:53,747
Let's just say what we all know.
458
00:21:53,780 --> 00:21:55,515
You have one
of the great contenders
459
00:21:55,548 --> 00:21:57,250
that could end up
as a winner of this show.
460
00:21:57,317 --> 00:21:58,518
You did a great job, Kolby.
Congrats.
461
00:21:58,618 --> 00:22:00,353
Blessings. Thank you.
Thanks, Mike. Thanks.
462
00:22:00,420 --> 00:22:04,624
Kolby, I felt like we were
at an awards show
463
00:22:04,724 --> 00:22:07,260
and you were
the kick-off performance.
464
00:22:07,293 --> 00:22:09,396
Alright, Kolby, let's
check in with the man.
465
00:22:09,496 --> 00:22:11,064
Adam?
I'm still clapping.
466
00:22:11,097 --> 00:22:12,665
Still clapping.
467
00:22:12,699 --> 00:22:14,734
First of all,
Kolby's brand-new on my team.
468
00:22:14,834 --> 00:22:16,636
This is our first big moment
working together,
469
00:22:16,736 --> 00:22:19,339
and I got to tell you, man,
you have just shot up to me
470
00:22:19,439 --> 00:22:21,641
as one of the biggest
and best on this show.
471
00:22:21,675 --> 00:22:24,411
I couldn't be more proud in such
a short period of time, man.
472
00:22:24,444 --> 00:22:26,680
Unbelievable.
Unbelievable!
473
00:22:26,713 --> 00:22:29,783
How about another big hand
for Kolby Cordell, everybody?
Thanks, Coach.
Thanks, Coach.
474
00:22:29,883 --> 00:22:31,584
[ Cheers and applause ]
475
00:22:31,651 --> 00:22:34,587
I feel that same pride
for Kolby
476
00:22:34,621 --> 00:22:36,222
that I would feel
if he was on my team.
477
00:22:36,322 --> 00:22:37,991
Killed it.
Yeah, Kolby.
478
00:22:38,091 --> 00:22:39,626
Adam and Kelsea --
479
00:22:39,726 --> 00:22:41,895
they have some
very tough decisions to make.
480
00:22:41,995 --> 00:22:43,496
I'm stressed for next week.
481
00:22:43,530 --> 00:22:46,332
Next, a look back at more of
last night's outstanding
482
00:22:46,399 --> 00:22:47,867
playoff performances.
483
00:22:47,901 --> 00:22:50,670
This is "The Voice" recap.
Stay with us.
484
00:22:56,476 --> 00:22:58,411
* This is "The Voice" *
485
00:22:59,479 --> 00:23:03,116
With "I Can Only Imagine,"
here's Tinika Wyatt.
486
00:23:03,183 --> 00:23:05,352
[ Cheers and applause ]
487
00:23:05,385 --> 00:23:07,153
**
488
00:23:07,220 --> 00:23:10,557
* Oooh *
489
00:23:10,590 --> 00:23:13,693
* I can only imagine *
490
00:23:13,727 --> 00:23:17,030
* What it will be like *
491
00:23:17,097 --> 00:23:20,266
* When I walk *
492
00:23:20,300 --> 00:23:22,769
* By your side *
493
00:23:22,869 --> 00:23:28,041
* I can only imagine,
yeah, yeah *
494
00:23:28,108 --> 00:23:29,342
Ooh, Lord!
495
00:23:29,476 --> 00:23:32,612
* Surrounded by your glory *
496
00:23:32,746 --> 00:23:35,482
* What will my heart feel? *
497
00:23:35,615 --> 00:23:39,052
* Will I dance for you, Jesus *
498
00:23:39,119 --> 00:23:41,621
* Or in awe of you be still? *
499
00:23:41,654 --> 00:23:45,225
* Will I stand
in your presence *
500
00:23:45,258 --> 00:23:48,228
* Or to my knees will I fall? *
501
00:23:48,361 --> 00:23:51,331
* Will I sing hallelujah? *
502
00:23:51,398 --> 00:23:54,067
* Will I be able to speak
at all? *
503
00:23:54,100 --> 00:23:57,904
* I can only imagine *
504
00:23:57,937 --> 00:24:00,173
* Yeah, yes *
505
00:24:00,240 --> 00:24:04,811
* I can only imagine *
506
00:24:04,878 --> 00:24:06,713
* Whoa *
507
00:24:06,780 --> 00:24:09,649
* Surrounded by your glory *
508
00:24:09,749 --> 00:24:12,485
* What will my heart feel? *
509
00:24:12,552 --> 00:24:15,655
* Will I dance for you, Jesus *
510
00:24:15,789 --> 00:24:18,758
* Or in awe of you be still? *
511
00:24:18,825 --> 00:24:21,494
* Will I stand
in your presence *
512
00:24:21,561 --> 00:24:24,798
* Or to my knees will I fall? *
513
00:24:24,864 --> 00:24:27,701
* Will I sing *
* Will I sing hallelujah? *
514
00:24:27,734 --> 00:24:31,604
* Will I be able to speak
one word at all? *
515
00:24:31,638 --> 00:24:34,107
* I can only *
516
00:24:34,174 --> 00:24:37,477
* I can only imagine *
517
00:24:37,510 --> 00:24:43,350
* I can only, only, only *
518
00:24:43,416 --> 00:24:48,421
* Imagine *
519
00:24:48,455 --> 00:24:52,092
* Hey *
520
00:24:52,158 --> 00:24:54,961
* I can only imagine *
521
00:24:55,061 --> 00:24:57,397
* Yeah *
522
00:24:57,430 --> 00:24:59,733
[ Cheers and applause ]
523
00:25:01,935 --> 00:25:05,672
That is Tinika Wyatt,
everybody, in the playoffs.
524
00:25:08,775 --> 00:25:11,077
Let's go to your former coach,
Adam Levine. Adam?
525
00:25:11,144 --> 00:25:13,446
What a long road it's been.
526
00:25:13,513 --> 00:25:15,682
I would say Tinika
has had the hardest run.
527
00:25:15,715 --> 00:25:17,984
Right?
I think that you have become
528
00:25:18,051 --> 00:25:20,186
ten times the singer
you started out as,
529
00:25:20,320 --> 00:25:21,321
and that's what I heard tonight.
530
00:25:21,421 --> 00:25:24,290
Thank you, Adam.
Thank you.
531
00:25:24,357 --> 00:25:26,793
It was rich and textured
and gorgeous.
532
00:25:26,860 --> 00:25:28,261
I just was really moved by it.
533
00:25:28,328 --> 00:25:29,863
And I want to say thank
you so much.
534
00:25:29,929 --> 00:25:32,065
It's gonna be really tough,
Kels.
Thank you.
535
00:25:32,132 --> 00:25:36,336
Your voice was just
so glorious and beautiful today.
536
00:25:36,403 --> 00:25:39,673
It felt like it was coming from
such an honest and pure place.
537
00:25:39,739 --> 00:25:41,441
Coach Kelsea, you're up.
538
00:25:41,474 --> 00:25:43,643
Oh, my gosh,
that was so beautiful.
539
00:25:43,710 --> 00:25:47,180
The fact that you're using
your moment to worship
540
00:25:47,213 --> 00:25:48,882
and to hold this space --
541
00:25:48,982 --> 00:25:50,950
just so beautiful and important.
542
00:25:50,984 --> 00:25:53,486
And I think that you
just blessed a lot of people.
543
00:25:53,553 --> 00:25:55,455
You're very special. Yeah.
544
00:25:55,522 --> 00:25:56,790
Thank you so much.
545
00:25:56,890 --> 00:25:58,558
As are you, Kelsea.
I love you so much.
546
00:25:58,658 --> 00:26:01,361
How about another big hand
for Tinika Wyatt, everybody?
547
00:26:01,494 --> 00:26:03,663
I will pick two.
Just not right now.
548
00:26:03,697 --> 00:26:05,732
That was amazing.
549
00:26:05,799 --> 00:26:07,267
She's amazing.
I've always loved her.
550
00:26:07,334 --> 00:26:09,035
Decisions, man.
551
00:26:09,069 --> 00:26:10,470
That got me.
552
00:26:10,537 --> 00:26:15,342
With "The Night We Met",
here is Ethan Eckenrode.
553
00:26:15,408 --> 00:26:21,881
* Ooh ooh ooh *
554
00:26:22,415 --> 00:26:26,720
* I am not the only traveler *
555
00:26:29,556 --> 00:26:33,893
* Who has not repaid his debt *
556
00:26:35,695 --> 00:26:42,569
* I've been searching for
a trail to follow again *
557
00:26:42,602 --> 00:26:48,241
* Take me back
to the night we met *
558
00:26:50,110 --> 00:26:52,879
* 'Cause I had all
and then most of you *
559
00:26:52,946 --> 00:26:55,915
* Some and now none of you *
560
00:26:57,083 --> 00:27:03,023
* Oh, take me back
to the night we met *
561
00:27:04,657 --> 00:27:07,527
* 'Cause I don't know
what I'm supposed to do *
562
00:27:07,594 --> 00:27:10,430
* Haunted by the ghost of you *
563
00:27:11,731 --> 00:27:17,203
* So take me back
to the night we met *
564
00:27:18,905 --> 00:27:21,841
* When I had all
and then most of you *
565
00:27:21,975 --> 00:27:24,344
* Some and now none of you *
566
00:27:26,513 --> 00:27:31,818
* Take me back
to the night we met *
567
00:27:33,653 --> 00:27:36,556
* 'Cause what the hell
am I supposed to do *
568
00:27:36,623 --> 00:27:39,325
* Haunted by the ghost of you *
569
00:27:40,527 --> 00:27:46,166
* So take me back
to the night we met *
570
00:27:47,300 --> 00:27:54,541
* Honey, take me back
to the night we met *
571
00:27:54,674 --> 00:27:55,809
Thank you.
572
00:27:55,875 --> 00:27:57,477
[ Cheers and applause ]
573
00:27:57,544 --> 00:27:59,079
Yeah, Ethan.
574
00:27:59,112 --> 00:28:02,615
Daly: That is Ethan Eckenrode,
ladies and gentlemen.
575
00:28:02,749 --> 00:28:04,751
Beautiful.
Great work, Ethan.
576
00:28:04,818 --> 00:28:05,985
Kelsea,
we'll start with you.
577
00:28:06,019 --> 00:28:07,620
Ethan, I love your voice.
578
00:28:07,687 --> 00:28:09,489
It fits this pocket of music
right now
579
00:28:09,622 --> 00:28:10,990
that's, like,
in the Benson Boone,
580
00:28:11,024 --> 00:28:12,492
"Ho-zier" --
Is that how you say it?
581
00:28:12,525 --> 00:28:13,927
"Ho-jure."
John: "Ho-zure," yeah.
582
00:28:14,027 --> 00:28:15,762
I've never known
how to say it.
"Ho-zure."
583
00:28:15,795 --> 00:28:17,163
"Ho-zure." "Ho-zure."
"Ho-zier."
584
00:28:17,230 --> 00:28:19,699
Let's call him "Ho-zee-ay."
"Ho-zee-ay."
585
00:28:19,766 --> 00:28:21,735
Third time's a charm.
"Ho-zee-ay."
586
00:28:21,835 --> 00:28:24,070
Noah Kahan, like, Americana,
but it has a little rock,
587
00:28:24,137 --> 00:28:25,839
and it's so rooted
in songwriting.
588
00:28:25,905 --> 00:28:28,141
And I'm so happy for you, yeah.
Thank you. Thank you.
589
00:28:28,174 --> 00:28:29,342
John.
590
00:28:29,376 --> 00:28:31,277
You sounded super soulful.
591
00:28:31,344 --> 00:28:33,780
One thing to think about
when you're not with the guitar
592
00:28:33,813 --> 00:28:35,248
is settling your body
a little bit.
593
00:28:35,348 --> 00:28:36,916
It felt like you were
meandering a little bit,
594
00:28:37,017 --> 00:28:38,752
and it felt like
you weren't as intentional
595
00:28:38,785 --> 00:28:40,086
about your physical presence.
596
00:28:40,186 --> 00:28:41,821
Same with me, like,
thinking about
597
00:28:41,921 --> 00:28:44,190
how to not sit at the piano
and perform...
Yeah.
598
00:28:44,257 --> 00:28:45,892
...like, I have to really,
like, be intentional
599
00:28:45,959 --> 00:28:47,694
about how I use
my body onstage.
600
00:28:47,794 --> 00:28:49,062
So just think about that
for the future.
601
00:28:49,162 --> 00:28:51,064
But it was
a beautiful performance.
602
00:28:51,097 --> 00:28:53,099
Thank you so much.
Coach Adam.
603
00:28:53,133 --> 00:28:54,834
Just the identity
of the whole performance
604
00:28:54,901 --> 00:28:56,102
and the song that we chose
and the way you sang it,
605
00:28:56,202 --> 00:28:57,704
like, I'm just really proud
of you.
606
00:28:57,737 --> 00:28:59,172
I'm proud
that it's representing my team.
607
00:28:59,239 --> 00:29:00,840
And you couldn't have done
a better job, man.
608
00:29:00,874 --> 00:29:02,242
Thank you, guys.
How about another big hand
609
00:29:02,275 --> 00:29:03,910
for Ethan Eckenrode,
ladies and gentlemen?
610
00:29:03,943 --> 00:29:06,179
[ Cheers and applause ]
611
00:29:06,212 --> 00:29:08,548
Ethan's tone is really unique.
It was a great interpretation.
612
00:29:08,581 --> 00:29:11,951
And Adam has an incredibly
tough decision coming up.
613
00:29:11,985 --> 00:29:13,520
That's my fave
so far, dude.
614
00:29:13,586 --> 00:29:16,022
When we return, we're gonna
revisit more incredible
615
00:29:16,122 --> 00:29:19,993
playoff performances, plus big
decisions by Adam and Kelsea.
616
00:29:20,026 --> 00:29:22,896
This is "The Voice" recap.
Stay with us.
617
00:29:28,735 --> 00:29:30,570
* This is "The Voice" *
618
00:29:31,971 --> 00:29:35,375
With "Hey Ya!" here's Darius J.
619
00:29:35,442 --> 00:29:37,510
[ Cheers and applause ]
620
00:29:37,577 --> 00:29:40,347
* Oooo *
621
00:29:41,614 --> 00:29:44,684
* My baby don't mess around *
622
00:29:44,718 --> 00:29:46,953
* Because she loves me so *
623
00:29:46,986 --> 00:29:50,790
* And this I know for sure *
624
00:29:50,890 --> 00:29:54,194
* But does she really wanna *
625
00:29:54,260 --> 00:29:59,866
* But can't stand to see me
walking out that door *
626
00:29:59,899 --> 00:30:03,470
* Don't try
to fight the feelin' *
627
00:30:03,536 --> 00:30:09,075
* When the thought alone
is killing me right now *
628
00:30:09,175 --> 00:30:12,512
* I thank God for Mom and Dad *
629
00:30:12,579 --> 00:30:18,585
* For putting two together
when we don't know how *
630
00:30:19,152 --> 00:30:21,221
* Hey ya *
631
00:30:21,321 --> 00:30:23,123
* Hey ya *
632
00:30:23,857 --> 00:30:26,393
* Hey ya *
633
00:30:28,595 --> 00:30:30,296
* Hey ya *
634
00:30:30,463 --> 00:30:32,332
* Hey ya *
635
00:30:33,199 --> 00:30:35,368
* Hey ya *
636
00:30:35,468 --> 00:30:36,970
Whoo!
[ Laughs ]
637
00:30:37,070 --> 00:30:39,172
* Shake, shake, shake, shake *
638
00:30:39,205 --> 00:30:41,641
* Shake, shake, shake, shake *
639
00:30:41,675 --> 00:30:45,045
* Shake it like
a Polaroid picture *
640
00:30:45,145 --> 00:30:46,146
* Oo *
641
00:30:46,212 --> 00:30:48,615
* Shake, shake, shake, shake *
642
00:30:48,682 --> 00:30:50,917
* Shake, shake, shake, shake *
643
00:30:50,950 --> 00:30:54,354
* Shake it like
a Polaroid picture *
644
00:30:54,421 --> 00:30:56,823
* Oh *
645
00:30:56,890 --> 00:30:58,725
* Hey ya *
646
00:30:58,758 --> 00:31:00,560
* Hey ya *
647
00:31:01,494 --> 00:31:04,030
* Hey ya *
648
00:31:05,999 --> 00:31:07,834
* Hey ya *
649
00:31:07,901 --> 00:31:10,603
* Hey ya *
650
00:31:10,670 --> 00:31:15,275
* Hey, hey, hey ya *
651
00:31:15,375 --> 00:31:19,679
* Hey ya *
652
00:31:19,779 --> 00:31:24,017
* Hey ya *
653
00:31:24,084 --> 00:31:27,554
[ Cheers and applause ]
654
00:31:27,654 --> 00:31:29,255
Yes.
So cool.
655
00:31:29,322 --> 00:31:32,125
Daly:
That is Darius J, everybody.
656
00:31:34,761 --> 00:31:36,429
There is only one Darius J.
One of one.
657
00:31:36,496 --> 00:31:38,832
One of one.
It was so different and so cool.
658
00:31:38,865 --> 00:31:40,333
It was almost like
a Bublé-ya.
659
00:31:40,400 --> 00:31:42,002
[ Laughter ]
660
00:31:42,068 --> 00:31:44,270
Kelsea: Nice.
I'll be here all week.
661
00:31:44,337 --> 00:31:45,638
Bublé-ya.
662
00:31:45,705 --> 00:31:46,840
I'm just really proud
of you, man.
663
00:31:46,906 --> 00:31:47,974
Excellent job tonight, dude.
664
00:31:48,041 --> 00:31:49,609
Thank you.
Thank you, Adam.
665
00:31:49,676 --> 00:31:51,244
Michael.
Love that version.
666
00:31:51,311 --> 00:31:54,047
And I love you called
he Bublé'd it.
He did.
667
00:31:54,114 --> 00:31:57,050
I want to come and live with you
under that hat.
668
00:31:57,083 --> 00:31:58,618
It'll be cozy.
669
00:31:58,685 --> 00:32:01,021
Man, you inspire me to go
and look at kind of songs
670
00:32:01,087 --> 00:32:02,422
I might not have
thought of before.
671
00:32:02,489 --> 00:32:04,057
So thank you so much
for blessing us.
672
00:32:04,124 --> 00:32:05,825
It's gonna be hard.
You know what's crazy?
673
00:32:05,892 --> 00:32:08,228
At the end of this, you got only
two that get to go through.
674
00:32:08,328 --> 00:32:09,829
I know.
Daly: Go ahead, John.
675
00:32:09,896 --> 00:32:11,998
Your voice,
it sounded so rich
676
00:32:12,098 --> 00:32:15,502
and reminded me of, like,
an Otis Redding or a Sam Cooke.
677
00:32:15,568 --> 00:32:19,339
You made such a strong case
for yourself today, Darius.
678
00:32:19,406 --> 00:32:20,940
Yeah.
Well done.
679
00:32:20,974 --> 00:32:22,108
Daly: Kelsea.
680
00:32:22,242 --> 00:32:24,144
This was our first round
together,
681
00:32:24,244 --> 00:32:28,048
and I have been fighting
to have Darius on my team
682
00:32:28,114 --> 00:32:29,482
since the very beginning
683
00:32:29,549 --> 00:32:31,451
because I'm like a moth
to the flame with you.
684
00:32:31,484 --> 00:32:33,753
Like, I'm just so attracted
to your artistry.
685
00:32:33,820 --> 00:32:37,090
And I wish that I could jump
through all the TVs right now
686
00:32:37,157 --> 00:32:39,359
and just watch everyone
fall in love with you,
687
00:32:39,426 --> 00:32:41,094
because I know that
that's what's happening.
688
00:32:41,161 --> 00:32:42,696
You just make everyone
feel like a warm hug.
689
00:32:42,762 --> 00:32:44,831
And I feel so proud to be
alongside you right now.
690
00:32:44,864 --> 00:32:46,533
I really do.
691
00:32:46,599 --> 00:32:49,069
Give it up
for Darius J.
692
00:32:49,135 --> 00:32:52,205
Yes, Coach.
Thank you.
693
00:32:52,339 --> 00:32:55,675
With "Somewhere Only We Know,"
here is Britton Moore.
694
00:32:56,843 --> 00:33:03,683
**
695
00:33:03,750 --> 00:33:06,453
* I walked across *
696
00:33:06,486 --> 00:33:09,122
* An empty land *
697
00:33:09,189 --> 00:33:14,894
* I knew the pathway
like the back of my hand *
698
00:33:14,928 --> 00:33:17,564
* I felt the earth *
699
00:33:17,664 --> 00:33:20,066
* Beneath my feet *
700
00:33:20,133 --> 00:33:25,905
Yes.
* Sat by the river
and it made me complete *
701
00:33:25,939 --> 00:33:28,775
* Oh, simple thing *
702
00:33:28,808 --> 00:33:31,311
* Where have you gone *
703
00:33:31,378 --> 00:33:37,017
* I'm getting old and I need
something to rely on *
704
00:33:37,083 --> 00:33:39,719
* So tell me when *
705
00:33:39,786 --> 00:33:42,455
* You're gonna let me in *
706
00:33:42,522 --> 00:33:48,128
* I'm getting tired and I need
somewhere to begin *
707
00:33:48,161 --> 00:33:54,100
* And if you have a minute
why don't we go *
708
00:33:54,200 --> 00:33:59,606
* Talk about it
somewhere only we know *
Whoa.
709
00:33:59,639 --> 00:34:04,144
* This could be the end
of everything *
That was cool, yeah.
710
00:34:04,244 --> 00:34:06,913
* So why don't we go *
711
00:34:07,013 --> 00:34:11,317
* So why don't we go *
712
00:34:12,485 --> 00:34:17,924
* Ahhh *
713
00:34:17,991 --> 00:34:21,995
* Oooh *
714
00:34:22,028 --> 00:34:26,566
* This could be the end
of everything *
715
00:34:26,633 --> 00:34:29,269
* So why don't we go *
716
00:34:29,336 --> 00:34:33,740
* Somewhere only we know *
717
00:34:34,708 --> 00:34:38,778
* Somewhere only we know *
718
00:34:38,845 --> 00:34:40,313
Whoo!
719
00:34:40,380 --> 00:34:45,952
* Somewhere only we know *
720
00:34:46,019 --> 00:34:48,621
[ Cheers and applause ]
721
00:34:49,956 --> 00:34:52,726
Daly: That is Britton Moore.
722
00:34:52,826 --> 00:34:54,828
Yeah.
Yeah, man.
723
00:34:54,894 --> 00:34:56,262
Yeah, thank you.
724
00:34:56,296 --> 00:34:57,864
Oh, my goodness,
Britton.
725
00:34:57,931 --> 00:34:59,265
Daly: Alright, coaches.
726
00:34:59,332 --> 00:35:01,167
That is one of my favorite songs
in the universe.
727
00:35:01,201 --> 00:35:02,869
This is a massive song
everybody knows.
728
00:35:03,003 --> 00:35:04,504
I love your interpretation
of it.
729
00:35:04,571 --> 00:35:06,406
I love that it shows off
your range.
730
00:35:06,506 --> 00:35:08,742
Congratulations.
Thank you so much.
Appreciate it.
731
00:35:08,808 --> 00:35:10,143
Kelsea.
732
00:35:10,210 --> 00:35:12,178
Britton, I want to know,
did you pick that song?
733
00:35:12,245 --> 00:35:14,347
It's all Adam.
That's why he's Adam Levine.
734
00:35:14,414 --> 00:35:17,117
Yeah.
A 16-time coach
on the show.
735
00:35:17,150 --> 00:35:19,119
Coach to the stars.
736
00:35:19,185 --> 00:35:20,687
[ Cheers and applause ]
737
00:35:20,787 --> 00:35:23,056
You singing that song was like,
"Oh, wow."
738
00:35:23,156 --> 00:35:26,359
Like, I can hear this direction
for your artistry.
739
00:35:26,459 --> 00:35:29,095
I guarantee,
no matter what happens,
740
00:35:29,195 --> 00:35:32,465
that you have
a whole big fan base
741
00:35:32,565 --> 00:35:34,901
that's gonna make
glittery signs...
Yeah, amen.
742
00:35:34,968 --> 00:35:36,803
...showing up
to whatever you do next.
743
00:35:36,870 --> 00:35:40,206
She said glittery signs.
Yeah. Glittery signs.
744
00:35:40,306 --> 00:35:41,708
Cut to it's me.
745
00:35:41,775 --> 00:35:43,309
[ Laughter ]
746
00:35:43,376 --> 00:35:45,745
Speaking of someone who has
fans with glittery signs,
747
00:35:45,845 --> 00:35:49,983
one of our alumni coaches
on this show, Niall Horan,
748
00:35:50,050 --> 00:35:51,418
you were giving me
some Niall vibes.
749
00:35:51,518 --> 00:35:55,989
But you also reminded me
of your coach
750
00:35:56,056 --> 00:35:57,624
sometimes when you
were singing today.
751
00:35:57,691 --> 00:35:59,459
I heard some Adam Levine.
I heard some of that in there.
752
00:35:59,492 --> 00:36:01,061
I don't know
if you heard it.
753
00:36:01,161 --> 00:36:02,362
I thought it was,
like, a really good mix
754
00:36:02,395 --> 00:36:04,497
of two really phenomenal
"Voice" coaches
755
00:36:04,531 --> 00:36:07,400
and phenomenal artists
and pop singers.
756
00:36:07,434 --> 00:36:09,969
You're coming into your own
in the perfect time.
757
00:36:10,003 --> 00:36:11,871
Thank you so much, John.
Adam.
758
00:36:11,938 --> 00:36:14,107
Here you are singing the crap
out of a song like that,
759
00:36:14,174 --> 00:36:15,875
which is not an easy song,
760
00:36:15,909 --> 00:36:19,846
and really making an incredible
mark on this competition, man.
761
00:36:19,913 --> 00:36:21,281
So congratulations, dude.
762
00:36:21,348 --> 00:36:23,350
Thank you so much.
I appreciate you.
763
00:36:23,416 --> 00:36:25,285
How about another big hand
for Britton Moore?
764
00:36:25,385 --> 00:36:26,986
[ Cheers and applause ]
765
00:36:27,020 --> 00:36:29,656
Oh, Adam Levine, you got
a decision to make, my friend.
766
00:36:29,756 --> 00:36:30,924
Mm-hmm.
Kelsea: Yeah.
767
00:36:30,990 --> 00:36:32,158
He just
complicated things.
768
00:36:32,292 --> 00:36:33,827
Yeah.
Yeah.
769
00:36:33,893 --> 00:36:36,396
Coming up next, Adam
and Kelsea's heart wrenching
770
00:36:36,496 --> 00:36:39,132
decisions from last night,
when "The Voice" recap
771
00:36:39,199 --> 00:36:41,234
returns right here on NBC.
772
00:36:46,272 --> 00:36:48,241
* This is "The Voice" *
773
00:36:50,110 --> 00:36:51,544
Throughout the night,
774
00:36:51,611 --> 00:36:53,079
we saw all five performances
from Team Kelsea.
775
00:36:53,146 --> 00:36:54,381
Now it's time to find out
776
00:36:54,447 --> 00:36:56,649
who will move on
to the live semifinals.
777
00:36:56,683 --> 00:36:59,686
Ladies and gentlemen,
please welcome Team Kelsea!
778
00:36:59,753 --> 00:37:01,821
[ Cheers and applause ]
779
00:37:01,888 --> 00:37:04,324
[ Dramatic music plays ]
780
00:37:07,694 --> 00:37:09,162
Yeah.
781
00:37:09,229 --> 00:37:13,633
Iris, Darius J, Tinika, Alanna,
and Jaelen stand with me now.
782
00:37:13,700 --> 00:37:18,071
Only two can represent Kelsea
in our Top 8 live show.
Oh, my gosh.
783
00:37:18,138 --> 00:37:19,773
Kelsea, your first playoffs.
784
00:37:19,806 --> 00:37:21,574
I mean, I feel like I can feel
your energy from here.
785
00:37:21,641 --> 00:37:23,043
Are you alright?
786
00:37:23,143 --> 00:37:26,379
You know, I think this is
truly the most uncomfortable
787
00:37:26,446 --> 00:37:29,916
and nervous I've been since I've
taken this seat this season.
788
00:37:30,016 --> 00:37:34,754
I still get told "not this time"
or "no" all the time.
789
00:37:34,854 --> 00:37:37,357
And I know how that feels.
I try it on often.
790
00:37:37,424 --> 00:37:41,728
And it's just been truly, like,
one of the joys of my life
791
00:37:41,761 --> 00:37:45,699
to watch you guys grow and to be
a part of your -- your career.
792
00:37:45,765 --> 00:37:47,067
So thank you.
793
00:37:47,100 --> 00:37:48,468
Thank you.
794
00:37:48,535 --> 00:37:51,738
Kelsea, who's the first artist
advancing?
795
00:37:51,805 --> 00:37:55,041
[ Dramatic music plays ]
796
00:37:55,108 --> 00:37:57,944
The first artist
advancing to lives...
797
00:37:58,011 --> 00:38:02,716
**
798
00:38:02,782 --> 00:38:03,917
...is Iris.
799
00:38:03,983 --> 00:38:07,220
Daly:
Iris, congratulations.
800
00:38:07,287 --> 00:38:09,889
Whoo!
Iris moves on
to the semifinals.
801
00:38:09,923 --> 00:38:11,925
Whatever the opposite
of a one-trick pony is
802
00:38:11,958 --> 00:38:13,193
is what Iris is.
803
00:38:13,259 --> 00:38:14,961
Let's go to
the big show, lady.
804
00:38:15,028 --> 00:38:18,031
Careers are all about right
place, right time, right people.
805
00:38:18,064 --> 00:38:19,666
She's a true testament of that.
806
00:38:19,733 --> 00:38:23,503
Season 26, no chairs, and then
she's in the lives, baby.
807
00:38:23,570 --> 00:38:24,437
Oh, boy.
808
00:38:24,504 --> 00:38:25,872
Deep breath,
deep breath.
809
00:38:25,905 --> 00:38:27,240
I mean, I'm hurting.
810
00:38:27,307 --> 00:38:28,475
Daly: Kels,
it's the moment of truth.
811
00:38:28,541 --> 00:38:30,577
Who's your last artist
moving on?
812
00:38:32,178 --> 00:38:34,714
I'm going off of the growth
813
00:38:34,781 --> 00:38:37,684
that I've gotten to witness
in this artist.
814
00:38:39,919 --> 00:38:44,791
The second artist advancing
to the lives...
815
00:38:44,891 --> 00:38:46,092
is Alanna.
816
00:38:46,192 --> 00:38:49,796
Alanna,
congratulations!
817
00:38:49,896 --> 00:38:51,264
You're in the Top 8!
818
00:38:51,364 --> 00:38:53,900
Alanna is moving forward
to the live shows
819
00:38:53,967 --> 00:38:57,203
because everything she's
shown us is just, like,
820
00:38:57,270 --> 00:38:59,839
top-tier, top-shelf gorgeous.
821
00:38:59,939 --> 00:39:02,542
We stan the queen,
but there's more.
822
00:39:02,642 --> 00:39:04,210
Anyway, it's up to you next,
America.
823
00:39:04,244 --> 00:39:06,479
So don't let me down.
824
00:39:06,546 --> 00:39:08,014
I really appreciate you.
825
00:39:08,114 --> 00:39:10,250
No, I really
appreciate you.
826
00:39:10,283 --> 00:39:12,252
Michael:
Kelsea is a dear, dear friend
827
00:39:12,285 --> 00:39:15,021
but a deep, deep threat for all
of us in this competition.
828
00:39:15,088 --> 00:39:18,558
Alright, so we have officially
locked now two of our Top 8.
829
00:39:18,625 --> 00:39:21,127
Now it is Team Adam's turn.
830
00:39:21,227 --> 00:39:22,962
Please welcome Team Adam!
831
00:39:23,063 --> 00:39:24,364
Team Adam!
832
00:39:24,431 --> 00:39:26,866
[ Cheers and applause ]
833
00:39:26,900 --> 00:39:28,001
Whoo!
834
00:39:28,034 --> 00:39:32,839
**
835
00:39:32,872 --> 00:39:34,341
Yeah!
836
00:39:34,374 --> 00:39:36,476
Daly: Kolby, Ethan,
Lucia, Conor, Britton,
837
00:39:36,543 --> 00:39:37,911
they stand with me now.
838
00:39:38,011 --> 00:39:40,246
Adam, how are you feeling
right now, brother?
839
00:39:40,280 --> 00:39:41,748
Adam: Please understand,
840
00:39:41,848 --> 00:39:43,516
the decision
that I'm gonna make now
841
00:39:43,616 --> 00:39:48,988
is based 1,000% on who
I felt thrived tonight the most,
842
00:39:49,022 --> 00:39:50,590
who is ready right now.
843
00:39:50,657 --> 00:39:52,926
But I have a lot of respect
for all five of you.
844
00:39:53,026 --> 00:39:55,295
And I thank you guys
so much for being with me
845
00:39:55,395 --> 00:39:56,796
on this -- on this journey.
846
00:39:56,830 --> 00:39:57,997
Thank you.
847
00:39:58,064 --> 00:39:59,499
[ Cheers and applause ]
848
00:39:59,566 --> 00:40:02,969
Alright, Adam, who is
the first artist moving on?
849
00:40:04,671 --> 00:40:07,340
The first artist advancing
to the lives...
850
00:40:07,407 --> 00:40:12,245
**
851
00:40:12,278 --> 00:40:13,480
...is Lucia.
852
00:40:13,513 --> 00:40:16,049
Lucia,
congratulations!
853
00:40:16,149 --> 00:40:17,684
You're in the semifinals.
854
00:40:17,751 --> 00:40:18,952
Whoo!
855
00:40:19,019 --> 00:40:20,687
Adam: I picked Lucia
to move on to the lives
856
00:40:20,754 --> 00:40:25,558
because Lucia is a beautiful
voice but a unique soul.
857
00:40:25,658 --> 00:40:27,060
Thank you for believing in me.
You're amazing.
858
00:40:27,093 --> 00:40:29,195
Forget "The Voice."
I mean, she's just --
859
00:40:29,262 --> 00:40:31,698
I'm a fan.
I want to hear her record.
860
00:40:31,765 --> 00:40:33,233
Yes, Lucia!
861
00:40:34,834 --> 00:40:37,170
Oh!
Alright, it is
the moment of truth.
862
00:40:37,237 --> 00:40:38,738
Four artists are left.
863
00:40:38,805 --> 00:40:40,573
Only one will move on
to the Top 8.
864
00:40:40,607 --> 00:40:43,410
Adam, who is your last artist
moving on?
865
00:40:43,443 --> 00:40:45,311
[ Exhales deeply ]
866
00:40:45,345 --> 00:40:47,447
This was a brutal one.
867
00:40:47,514 --> 00:40:51,718
But the second artist
advancing to lives...
868
00:40:51,851 --> 00:40:56,022
**
869
00:40:56,089 --> 00:40:57,390
...is Kolby.
870
00:40:57,424 --> 00:41:00,193
Kolby,
congratulations!
871
00:41:00,226 --> 00:41:01,394
[ Cheers and applause ]
872
00:41:01,461 --> 00:41:03,329
Kolby!
873
00:41:03,396 --> 00:41:04,631
Let's go win it.
874
00:41:04,698 --> 00:41:07,567
Kolby decided
to become a big old star
875
00:41:07,667 --> 00:41:09,102
right in front of our eyes
just now.
876
00:41:09,202 --> 00:41:11,705
I think that this guy
can go on to win this thing.
877
00:41:11,805 --> 00:41:13,306
He's got the charisma.
He's got the voice.
878
00:41:13,340 --> 00:41:14,874
He's got the swag.
879
00:41:14,974 --> 00:41:17,610
Going into the lives,
Team Adam is extremely strong.
880
00:41:17,677 --> 00:41:19,179
And there you have it.
881
00:41:19,212 --> 00:41:22,215
Two out of our four coaches
have made their picks.
882
00:41:22,282 --> 00:41:25,452
Join us next Monday when
Team Bublé and Team Legend
883
00:41:25,552 --> 00:41:27,487
take the stage and do
everything they can
884
00:41:27,554 --> 00:41:28,922
to make it to the live shows.
885
00:41:28,988 --> 00:41:31,725
I'm Carson Daly.
Good night, everybody.
886
00:41:31,758 --> 00:41:41,167
**
887
00:41:41,234 --> 00:41:50,176
**
888
00:41:50,310 --> 00:41:58,218
**
889
00:41:58,284 --> 00:42:00,086
**
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