Original subtitles

- [Announcer] Previously on "We Were Tomorrow."

- [Evelyn] We're leaving.

- Did you find your way through the city?

- You're welcome to join.

- Where'd you get this?

- [Mauro] The great divide.

- [Person] That Kuo, one of the seven.

- Bandits have been attacking descendants,

robbing them of their tattoos.

- Someone rated the supply unit near the Western City.

They took two vials of sand.

They didn't touch any food or weapons.

(gun blaring)

- Welcome to the family, soldier.

- [Person] Do you think Noah remembers you?

- I hope so, I hope wherever they are

that they haven't stopped searching.

- [Fay] This is a courtesy broadcast

for anyone in the Highland area.

If you have lost your key,

meet us at the Still Bridge in the Bay.

- Do you really think erasing Cain

from the ancients will save your friends, huh?

No, that very act,

you could erase 'em all.

- Or you.

(dramatic music)

- She's attacked.

- [Jacob] Saving you is all part

of being stuck into your--

- Noah may let you hide inside of his body,

but that doesn't mean you can

break breach. - Your mother would be dead

if it wasn't for me.

(speaking in foreign language)

- Send me a alchemist.

(dramatic music)

- Cain?

- Like we said, "Acquaintances."

(pensive music)

- Alright, well I guess I'll bring the truck around.

- You got it fixed?

- Of course.

I can't guarantee we'll make it that far.

- How far is far?

- Hm, how far is the end of the driveway?

(pensive music continues)

- So where'd you find Cain?

- In a fort southeast of here.

- You gained his trust pretty fast.

- Yeah, it wasn't hard.

I was his lackey at one stage.

- [Pern] In your previous life?

- Yeah.

- It's not a shade that I'm proud of, but,

gotta start somewhere.

(pensive music continues)

- You were born in the slums too?

Highlander or desert?

- Glaciers.

- Desert.

- Pern.

Pern.

I'm calling Iza back.

I want you to go be my eyes.

(pensive music)

Take your rifle.

(pensive music continues)

- You sure you want to use that much?

I know how hard this is to get.

- That's exactly what Cain will say when you hand it to him.

Hmm, so, take the boy and the bag

and you lead him to the down.

We'll do the rest.

(pensive music continues)

(birds chirping)

(suspenseful music)

(suspenseful music continues)

(dramatic music)

? I spent my whole life chained to the wall ?

? Coming for more, not afraid to fall ?

? It's too late to try ?

? There's nothing you can do ?

? I'm gonna run all over you ?

? I'm looking for new blood ?

? Yay, yay, yay ?

? And nothing's gonna stop me now ?

? Nothing's gonna stop me ?

? Looking for new blood ?

? Don't try to fight ?

? Nothing you can do ?

? I'm gonna run all over you ?

? Now ?

? Nothing's gonna stop me ?

? Looking for new blood ?

? Na na na no no no ?

? Na na na no no no ?

? Na na na no no no ?

? Na na na ?

? I'm looking for new blood ?

(pensive music)

- Do you wanna talk about it?

- What?

- Roxy.

- There's nothing to talk about.

- Did she mean something to you?

- Not enough for us to stay.

- Did you want to stay?

- Nope.

- You don't have to lie to me.

- It was nothing.

- It seemed pretty serious the other morning.

- You have no idea what you're talking about.

- Do you love her?

- No, I don't love her.

I don't love anyone.

- [Evelyn] Noah.

- I don't love Roxy. I don't love Siena.

- [Evelyn] What happened to you?

You used to understand our responsibility

and what we have to do to save Rebecca, to save everyone.

- I wised up.

- Noah.

Being chosen is a burden, but the people we love

and innocent strangers are

at stake. - Look around you.

This world is burning up and we're trapped.

This is not about love, this is about freedom.

Who lives and who dies.

- [Evelyn] Stop it.

- When are you gonna grow up?

This whole chosen thing is bullshit.

- I'm done with this conversation.

- Where are you going?

- To find the others?

- He doesn't love you Evelyn.

He only needs you to get out of here.

(Evelyn crying)

- Then I guess you finally have something in common.

(pensive music continues)

(gun blaring)

- [Siena] You, you have to remember, Siena.

- Evelyn.

(pensive music)

Evelyn.

(birds chirping)

(dramatic music)

(dramatic music continues)

(dramatic music continues)

- Evelyn?

(dramatic music continues)

Where have you been?

- Please don't stop looking for me.

(dramatic music)

- [Warrick] Wait, Evelyn.

- Don't stop.

Please don't stop. Please, please don't stop.

Don't stop. Don't stop, please.

Please don't stop looking for me.

Don't stop.

(dramatic music)

(Warrick gasping)

- What did you see?

(pensive music)

- Westbrook.

(pensive music)

- You look more afraid in here than you did inside.

You've been in a car before?

(pensive music continues)

- Anything I need to know.

- Yeah, every gear sticks.

(pensive music continues)

(birds chirping)

(somber music)

(Noah sighing)

- [Noah] I'm sorry.

(somber music continues)

(wind whipping)

(dramatic music)

- [William] We're going to keep stalling

if we don't get past the sandstorm.

- Well, there's a staircase up ahead.

We can pass through to the Highlands from there.

- [William] Good riddance.

- William. We're taking the bike.

- [William] Why? It's a piece of junk.

- It's quicker than walking.

- [William] Barely.

- I'll help you carry it.

- [William] Yeah, right.

(dramatic music continues)

(wind whipping continues)

(dramatic music)

(soft music)

- I wanna go home.

- [William] Huh?

- You asked me what I was searching for in Westbrook.

Home.

It sounds ridiculous and childish.

But, whenever things got too difficult

or people were unkind,

Evie and I would always find each other at your stables.

We promised ourselves that no matter where our days took us,

if we needed one another we could just go home

and the other would be there.

So that's what I'm gonna do.

And hopefully, Evie has the same idea too.

(dramatic music continues)

(soft music)

- I've killed the transmission.

- Good. We should get moving.

Westbrook is a good two days walk from here.

Less if we find a horse.

- No.

Tomorrow's Friday, there could be people down at the bridge.

- Or it could be crawling with bandits.

Look, we need to get across there today

before more of them come looking for us.

- What about Mauro or Evelyn?

They could've heard my last broadcast.

You are gonna risk that on a hunch?

- It's not a hunch. I saw it.

- In a sand induced sleep.

Half of the things you see aren't real.

How do you know this is?

- Because I haven't dreamt of Westbrook or a bandit before.

The transmission worked, now it's compromised.

We can't risk them finding us.

I barely escaped.

Next time we won't.

(pensive music)

- So, Mauro,

he's here.

- Yeah. Along with Lloyd and Cain.

- We've been tracking the twins on and off.

Well, since the slums.

- But Clary said they were trying

to make their way through the glaciers.

- Yeah, well they didn't.

Your sister saw them near the supply unit,

near the Western City.

- So we have them?

- No, Lucinda let them go.

- So that's why you had her put down?

(pensive music continues)

Where exactly are the twins now?

- Iza has recruits looking.

- The red dice,

that's the blonde one.

And I think she's heading to Westbrook too.

- Are you sure?

- Hmm.

One of my scouts on the desert ridge fixed her bike.

He said he heard her talking to someone on the radio.

You don't think it was the girl from the rogue transmission?

- No, I doubt it.

I intercepted that broadcast here around the Bay Area.

There's no way they could have been communicating.

- [Mikolaj] So there's more out there.

- [Nero] Only a few.

- I can lead a team from the Highlands.

- No. - To the south.

- We have far more important things to focus on.

(pensive music)

(pensive music)

(abandoned plane rumbling)

(dramatic music)

(gun clicking)

(gun blaring)

(dramatic music continues)

- It's okay, Lloyd, don't shoot.

Mauro, what are you doing here?

- [Mauro] Figuring out my next move.

- I thought you went looking for Fay?

- The plans changed when I found the Bay Area empty.

(somber music)

- Guns down Lloyd.

These are my friends.

- Copy. Stand down.

(guns clacking)

- Thanks.

Follow me.

(somber music continues)

He's this way.

So, which one of you is going in?

- We both are.

- He'll only see one of you.

- [Evelyn] Why?

- His mind is cracked.

Too many people in one room becomes crowded up here.

- [Noah] What happened to him?

- I don't know.

But he's been here a while.

So, who's going in?

- I'll wait.

This was your idea.

Just get what we need and we'll go.

(somber music continues)

- It is curious that you would seek me out

when you have so few days left.

- We met another alchemist on the Great Divide.

He said we would find you here.

- And you thought that I would grant you answers?

- Yes.

Help us.

- You are mistaken.

- But you're an alchemist.

- [The Alchemist] I am.

- You're meant to help us,

not expect us to know what to do.

- To a degree.

But there are many like you

and I've grown tired of being a vending machine of charity.

(dramatic music)

- I know what you're capable of.

- Then you will understand that there are rules

that I am bound by.

- To have broken.

I have learned of at least one,

Cain.

- [The Alchemist] You know nothing of him.

- You cursed him.

- Ah,

yes.

To exist for eternity in the moment before death.

(somber music continues)

I am well aware of the legend, Noah.

But it has strayed from the truth.

Cain wasn't cursed because he blamed us.

He was being punished by the world

because he took his life.

(soft music)

- Water?

Are you counting the days?

I'd ask how many were left, but...

- You don't need reminding.

- Mm-hmm. Pretty much.

- Thanks.

Have you had any leads on finding Fay?

- No, I stumbled here a couple of days ago,

and after listening to The Alchemist rants,

I wasn't sure where to look next.

- [The Alchemist] Your blood is from Earth but you are not.

- [Noah] Is this only about Cain?

- Cain lost the very feeling for humanity

that earned him his entry in the beginning.

So the universe robbed him of his escape.

- Death?

- [The Alchemist] Yes.

- [Noah] So no Cain, no curse.

- If I never pick him, no one will learn of his curse.

We'll correct the imbalance.

- [Friend] He's lying to you.

The others who cross over failed,

the breach isn't what it seems, Noah.

It's dangerous.

- You know not what you speak.

- Is that true?

- Yes.

What if I told you, you are the last ones left to contrive.

- So, after the bridge I found the fort.

I thought I was alone but Lloyd was already here.

(dramatic music)

- There's a small group of us.

Heard this place was used during the battle years.

We saw the potential and leftover supplies

and moved here a month ago.

He was already here.

- The Alchemist?

- We found him in the back room, starved, unstable.

- Who did that to him? Was it Cain?

- No,

he did it to himself.

(dramatic music)

- Would I be able to get some more water,

please?

- Sure.

- [Noah] I want to know how we'll get back.

- The same way, with Siena you could open the doorway

for you right now.

- I don't understand.

- It's a simple task.

- Not without Evelyn.

- That's a very diplomatic answer.

- No,

it's an honest one.

- I can't grant more time, hand me your bag.

- What for?

- So I can pull a rabbit out of it.

Hand me your damn bag, boy.

(soft music)

Hmm, this will take you to them.

- The arrows are broken.

- Who says?

(compass clicking)

- How?

- I suggest you leave before it gets too dark to travel.

(soft music continues)

(spirits speaking in foreign language)

- Impressive

for someone who cannot interfere.

(dramatic music)

Restore the kid's voice.

Now we're all going to follow them

except you, old man.

You'll wait here.

- It's strange that you would let them go, but not him.

- He's collateral.

- And what of me?

- Do you know where Kroden is?

- He's not here anymore.

- Iza?

- Also not here.

- Which leaves you?

- No, I'm heading to Westbrook.

Which leaves you.

- What's Kroden looking for out there?

Sure as hell isn't just about tats.

- They shot the bomb on the wall two days ago,

but we didn't.

- Why?

- I answer to Kroden. Not you.

- I'm just asking.

- So ask him.

(pensive music)

- [Noah] Mauro didn't wanna come?

- No, I had to talk to him.

I think he's gonna keep looking for Fay.

What did The Alchemist say?

- That this will lead us to Siena and Warrick.

- He knows it's broken, right?

- He fixed it.

Yeah, he fixed it.

The arrows are pointing in the right direction now.

At least that's a start.

- Yeah.

Hey, did he seem a bit paranoid to you?

- Kind of. Why?

- Because there was black sand

lining every corner of that place.

- Did you get any of it?

- No.

- Why not?

- Because I didn't feel right stealing from a crazy old man.

You didn't?

(Evelyn scoffing)

(Evelyn chuckling)

(pensive music)

- Do you think they bought it?

- For now?

- You had me convinced.

I almost thought you were her friend.

- Hmm. Almost.

Thanks for all the sand, Lloyd.

(pensive music)

- The twins turned up.

- What?

- Yeah. Wanted to see The Alchemist.

- Which one?

- The Alchemist.

- Are you saying he's in there?

- Yeah,

but don't worry, he's not going anywhere.

Cain has him imprisoned with white sand.

- When you heading out?

- Dawn.

- Good.

- But not to Westbrook.

- Why?

- Because he wants to follow the twins.

- We'll handle the twins.

You don't have time for detours.

- This is not my detour.

- You need to get Cain to Westbrook.

I don't care how you do it.

Just don't expect Kroden to give you what you want.

- Lay fake tracks.

I'll distract Cain in the morning.

Give you a chance to go up ahead.

Make it look like the twins have gone into town,

and then we'll follow.

Are we good?

- Just get it done.

- [Evelyn] Well, I think it's broken again.

- The compass or the bridge?

- Why would you say that?

(Evelyn chuckling)

You remembered?

- Yeah.

- I hope the others work it out.

- Our memories are sensory.

I can see the moments.

(dramatic music)

You hear them.

(fireworks blaring)

(gun blaring)

Siena feels them.

(dramatic music)

And Warrick tastes them.

(dramatic music)

They will find their triggers.

They will remember us.

(Evelyn gasping)

(both laughing)

I'm sorry.

(pensive music)

(dog growling)

- [Georgia-May] Riley and I got rid of the squatters

an hour ago.

So take what you want.

- Do you want the spam or the beans?

You gotta eat.

Fine, we'll halves it.

- Or you could have both and let him starve.

- He's a kid.

- No, he's a key, and we're not here to babysit him.

What are you doing?

Don't release him.

- I'm only undoing one of the arms.

- Why? Just spoonfeed him.

- No.

- Then he can eat like a dog.

- [Cain] Did you have any children

in your previous life, Georgia-May?

- No.

- Thank God for that.

- Well, children are notorious for their strength.

I'm curious as to why you think he should remain tied up?

- I only suggested spoonfeeding him

so we didn't risk him trying to escape.

- If you're concerned that freeing one arm

so that he may eat will result in him outsmarting you,

then perhaps it is you who requires spoonfeeding?

- What?

- I'm heading out for water.

I expect him to be fed by the time I return.

- [Fay] Today's the last day, people may still come.

- Fay, it's too dangerous, you could easily get outnumbered.

- [Fay] I have to stay.

- It's safer if you come with me.

- I know you think I'm crazy,

but I think I'm right where I'm meant to be.

- Use the sand sparingly.

- I hope you find her.

(soft music)

(dramatic music)

- [Cain] I'm surrounded by fools.

They can handle bandits but cannot fathom a kid like Mauro.

- Mauro?

(Fay crunching)

(mystical music)

(dramatic music continues)

- Can I help you?

- Well that's an odd question

to ask someone standing on the edge of a bridge.

- Well, what are you doing here?

- I'm waiting for my partner.

- Where are you going?

- I need some fresh air.

- Just air? Jeez, you pack light.

- Bite me.

- Whoa, you're this upset over a kid?

(atmosphere rumbling)

That's the worst I've ever seen it.

Can't be many years left now.

Georgia-May.

Georgia!

(dramatic music)

- I've never given up even when it felt hopeless.

Tell him I'm waiting for him.

- Yes.

(pensive music)

(dramatic music)

(horses whinnying)

(gun blaring)

(dramatic music continues)

Fay Jackson.

Wait, Fay!

Bold girl.

(dramatic music)

- [Siena] Will, see if you can get some out of that one.

- [Georgia-May] William?

- [Siena] Anything?

- Yeah, that stuff doesn't age well.

- Yeah.

- I think you'll find the '98 on Leonard

is a finer vintage.

Although, I do prefer diesel myself.

(pensive music)

Here, this should help with the taste.

- Georgia-May?

- Hey, William.

- Thanks.

- [Siena] Georgia. Wow, hi.

It's been a long time.

- Yeah, kinda didn't expect to see you guys again.

So, where are you heading?

- East.

- To the ocean?

- He is.

I'll stop at Westbrook, I just wanna see it once before.

(pensive music)

- Is that what the fuel's for?

- Yeah, a couple of days back we found a dirt bike.

It's not the most comfortable but it goes.

- Sometimes.

What about you?

- East sounds nice.

- Let me guess. You want some fuel?

Well, it's not much, but you can half it with us.

- That's okay, I'm on foot.

- So, have you seen Noah or Evelyn around?

(pensive music continues)

- No, we haven't.

- It's their last lifetime too, isn't it?

- Have you seen Evelyn?

- [Georgia-May] Briefly.

- Was Noah with her?

- Yeah.

- Was it close by to here?

- They're gone now.

- Which direction did they go?

- East.

- East, if we leave now, we can still catch them.

- We have to try.

- It was so nice to...

Riley?

You might not remember me.

- I remember you, and Will, you both look well.

- Hey Riley.

I'd love to stay and catch up, but we gotta go.

- You got everything?

- Yeah, we're sorted.

Thanks. Good luck.

- Good luck guys.

- Why are you letting them leave?

You know where the twins are?

- Who says I am?

You still got that knife?

- Are we going hunting?

- No, Riley.

We're getting out of here.

(birds chirping)

(somber music)

- Is it still pointing west?

- Yes.

Which doesn't make any sense because that is clearly east.

Unless everyone we love has been swallowed by the sea.

- The Alchemist said if we follow the compass

we will find them.

- I hope so,

'cause we've spent our whole lives searching.

(somber music continues)

(pensive music)

(footsteps crunching)

- [Georgia-May] You hold her down, William's mine.

- What?

- Georgia-May and Riley have gone.

- Where?

- I don't know, haven't seen 'em since you left.

They took their bags.

- You packed?

- Yeah.

- Good.

We're leaving. Keep the kid close.

(dramatic music)

- No, Will.

- What the, Georgia-May, what's going on?

- Sorry to crash the party, but we need a ride

and your bike is the only thing going, so we're taking it.

- Okay.

Okay.

The bike is yours.

Just leave her alone.

- Which one?

Siena or Evelyn?

- If you lay a finger on her.

- You'll lay a finger on me?

Oh, there was a time when all I wanted was...

But you loved Evelyn.

- Georgia.

- And you'll never love me.

(knife squelching)

- No!

(Will groaning)

No! No, no!

No.

No!

- [Georgia-May] Knock her out.

(wind whipping)

(dramatic music)

(wings flapping)

(dramatic music)

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